Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Philip Marlowe: Kid on the Corner (EP1565)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise Idahol. This is
- 0:34your host, Adam Graham. If you have a comment, email it to
- 0:39me Box thirteen at Greatdetectives dot net, follow us on Twitter at Radio Detectives,
- 0:47and become one of our friends on Facebook, Facebook, dot com slash
- 0:51Radio Detectives. Well, before we do get started, I want to encourage
- 0:57you to pick up your copy of All I Needed to Know I Learned from
- 1:02Dragnet. It's a sequel to my first book, All I Needed to Know
- 1:06I Learned from Colombo. In it, we examine life lessons that can be
- 1:11learned from the histories and careers of seven great detectives from literature, radio and
- 1:15television, including Poirot, Frank Cannon, Joe Fry, and Johnny Doller.
- 1:22It is available as a in the Kendle Store, the Nookstore, or the
- 1:27Eyebookstore. Plus you can pick up this book along with the first one,
- 1:32All I Needed to Know I Learned from Columbo and all my ebooks through our
- 1:38store at store dot Great Detectives dot Net. Well, now it is time
- 1:42for Today's Adventure of Philip Marlow. The original airdate December third, of nineteen
- 1:49forty nine, and the title is The Kid on the Corner. Get this
- 1:56and get it straight. Crime is a sucker's road. Those who travel wind
- 2:00up in the gut of the prison of the grave. This time it started
- 2:02with a kid hawking papers on Hollywood Boulevard and moved from there to a house
- 2:07full of hate on a quiet street, a blonde lire on ice skates,
- 2:10and a copse in a burned out shack, and it all wound up right
- 2:14where it really began, in the heart of the Kid on the Corner.
- 2:20From the pan of Raymond Chandler, outstanding author of crime fiction, comes his
- 2:23most famous character in the Adventures of Philip Marlowe. Now with Gerald Moore starred
- 2:38as Philip Marlowe, we bring you tonight's exciting story, The Kid on the
- 2:43Corner. After a day jam full of heat waves in December, actresses who
- 3:04passed Masscara and long A's office talent and producers with glossy convertibles and holes in
- 3:09their shoes, the world looked as phony as a seven dollar bill. And
- 3:15when I finally closed my office, stepped out on a Hollywood Boulevard into the
- 3:17glare from miles of sheet iron Christmas trees on lamp post trunks, and watched
- 3:23a loud speakers sat a clause with Leon Raindeer trundle By in a cloud of
- 3:25artificial snow. I'd have gladly traded all of Hollywood, California for one quiet
- 3:30Vermont hillside and thrown my license into boot, all of which convinced me that
- 3:37what Marlow needed most was a martini in his own apartment, a good book,
- 3:40and a night's sleep, in that order. So I started home after
- 3:45them, but only got as far as the middle of the street. It
- 3:49was the kid who sold papers on the corner, Marlow, can you spare
- 3:52a minish? I've got to talk to you. Okay, Tommy, let's
- 3:54get out of the street first. Huh. I'm not so good at dodging
- 3:58fenders. Oh yeah, what's on your mind? Kid? That's about my
- 4:01uncle Burt, Burt larceny. He's gone, mister Marlow. What about your
- 4:05family, Tommy? Don't I know where he is? I don't have no
- 4:09family. I've been living with uncle Burt in a flat down and van ness.
- 4:13Hey, if you haven't had your dinner yet, maybe it'd eat with
- 4:15me in a cafeteria. Huh, it's it's real important to me, mister
- 4:17Marlow. Anything that's important to you, kid is important to meet. Let's
- 4:20go in. Well. I should have known something was wrong when I heard
- 4:25him walking around late last night. You know, he said he was after
- 4:29a drink of water. But he's got those metal plates kind of like taps
- 4:32on his shoes, so I knew he was all dressed, only I was
- 4:36too sleepy to think anything about it. Then maybe he just got an early
- 4:39stopped and he's been busy today. Huh, it's not like that, mister
- 4:42Marlow. Something's wrong. Well you have, gentlemen, the park's nice tonight.
- 4:46Stew's the best deal for the money, mister Marlow. I'll have the
- 4:48stew please. Yeah, you better make it too, miss Okay, a
- 4:51couple of stews coming out. See. When I got up this morning,
- 4:55I found this envelope on the dress. It was two hundred bucks inside and
- 4:58this was written on the front. Let's see it. Dear Tommy must leave
- 5:02town on business. I'll send more money soon. Be a good kid and
- 5:08take care of yourself, Uncle Bert. Yeah, I see what you mean.
- 5:11Yeah. I spent all day trying to find out where he went.
- 5:14I checked everything but the airport. I no, he wouldn't take a plane.
- 5:16He gets dizzy just standing on a curb. No luck, though,
- 5:20milpe, mister Marlow. Now I'll have coffee. Tell me I feel rugged,
- 5:24and there's a table over in the corner. Come on, okay,
- 5:28what really makes it fishy? Is it? Uncle Bert's got no out of
- 5:30town business. Besides, he's never been out in front more than twenty bucks
- 5:33in his life. I can't figure it, and I look tummy. If
- 5:36you're really worried, you don't want me, you ought to go to the
- 5:39police right away, cops. No, I can't. Why not? Well
- 5:44uncle Bert's been awful good to me, but well, I guess he's really
- 5:48kind of a bum. You see, he's a gambler, mister Marlow,
- 5:51a bookie, just a harmless small time is sure. But i'd get him
- 5:55in an awful jam if I call the cops. Would you try to find
- 5:59him for me? I got do. I'll pay you whatever you charge.
- 6:01Don't worry about the money, Tommy, I got one lead for you.
- 6:04This name here in the back of the envelope. See yeah, Leicester Carney
- 6:11and the number three thousand and four and a half. Does that mean anything
- 6:14to your kid? No, I'd have looked that guy at myself on you
- 6:16know how far a kid could get? Sure, she mister Marlow, I'm
- 6:20sure my uncle didn't leave town and something else. It's gotta be he's in
- 6:24some kind of trouble now, Tommy, you know that he might be on
- 6:28the wrong end of it, don't you. Yeah. Well, if that's
- 6:30right, I want to find it out fast. Mister marlw here's a picture
- 6:34of him. M m scared son, me scared? Nah, not for
- 6:40myself anyway. Yeah, yeah, I guess I am kind of ill.
- 6:46Okay, tell me eat your dinner and then get back to work. I'll
- 6:49see what I can find out. Huh. I've patted my new client on
- 6:58the shoulder and left the cafeteria. But I was sure of one thing.
- 7:01The dry rut that gets to most people in Hollywood wouldn't touch a hard working
- 7:05kid named Temmy Lawson was already smarter at fifteen, and a lot of citizens
- 7:10get it fifty. I stopped in a phone book and found the name Lester
- 7:14Connie listed in the book at eighty one to ten Cherokee Street. That turned
- 7:17out to be an oversized California Spanish model lid taking lots of old fashioned wealth
- 7:21to do. Halfway up the curving walk to the already open front door,
- 7:26I heard the voice. That's the way you feel. I don't want to
- 7:29join this house another night. Oh I'm sorry, ma'am, but I don't
- 7:30think that's frying and telon liser a part of the maid's duties. So I'm
- 7:34leaving, but I would like to know about my Backshelly. First, you
- 7:38can't get your bets selling my girl. Don't worry about that. Now get
- 7:41out. Excuse me, sir? Oh yeah, sure, Well what do
- 7:46you want? I'm looking for mister Lester Connie? Is he in? He
- 7:47is not? Oh? Would you mind telling me where I can locate him?
- 7:50I don't know and I don't care. Just a minute, just a
- 7:54minute? Is he with Bert Lawson? Maybe? I don't know what you're
- 7:57talking about. Now get out of here, and good night to you too,
- 8:01missus Connie. Hey, hey, Susan, just a minute, baby,
- 8:07I call anybody baby when they're as cute as you were. You're not
- 8:11so bad yourself. Well, now that that's established, let's get friendly.
- 8:13I'm always friendly, but they're not huh oh, there's going to be trouble
- 8:18in that house. Good night. Wait a minute, Wait a minute,
- 8:22wait a Minute'll give you a lift in the car. Let me have your
- 8:26bag, all right? Thank you? Say what about that trouble you spoke
- 8:31of, Susan? What did you mean, Julie? She isn't just pretty
- 8:39as she used to be. She's turned around, seen, she's liven That
- 8:41poor husband of hers out of his mind. He almost never comes home nowadays,
- 8:46practically lives in his studio. Studio, and what kind photography? It's
- 8:50way up in the Hollywood Hills someplace, Susan. Did you ever hear either
- 8:54of mentioned a Bert Lawson? No? Why who's he? Gambler? I
- 8:58gather from Julia that Connie is blowing the family fortune man, Sure he is.
- 9:03And that's not all she's driven in too? What else? What do
- 9:07you think? Another woman? Of course? An ice skater named Carol King
- 9:11at the Igloo, that's that nightclub with the skating show. Yeah, I've
- 9:16been there. Does missus Connie know? Oh? She suspects That's why she
- 9:20wanted me to spy on him. But I wouldn't because I don't blame him
- 9:22one bit, not with Julia being like she is. Yeah, maybe I
- 9:26write Susan, but then again, maybe you've got your cause and effect backward.
- 9:30Yes, I don't know anything about that, but that poor man's been
- 9:35driven so crazy he's threatened to kill her. Well, here's what I get
- 9:39out and stay out. I dropped Susan off at the car stop and headed
- 9:52out Sunset Boulevard for Westwood in the club called the Igloo, which looked more
- 9:56like a down at the heel taj Mahal in an Eskimo's bedroom. Inside a
- 10:01line of fast moving ostrich plumes with right crisp waistlines and imitation saving zipped over
- 10:05a short sheet of tindered ice taught the climax of chorus numbers while I bluffed
- 10:11my way backstage and intimidated the collboy in descending over one Carol King. She
- 10:16turned out to be left end in the lineup out front, So I sat
- 10:18down on a cold trunk and waited until the curtain fell, and I got
- 10:22up the greed and athletic blonde with more than healthy face, whose sidel dubiously
- 10:26taught me I skates and all, and I introduced myself and told her I
- 10:31was looking for Burt Lawson. Why you're looking for Bert Lawson? Mala oh,
- 10:35because people says disappeared. Now I know he's a bookie. You don't
- 10:37have to protect him on that score, and I'm no cop. Just want
- 10:41to know where he's gone. Okay, here, he made a real killing
- 10:45yesterday, the first one in his life. I understand he's leaving town to
- 10:48retire. Who's going to make book for you from now on? Nobody?
- 10:52I never played the horses my friends did, Oh, friends like Lester Conney.
- 10:58Well, now we get down to business. It smell like you're working
- 11:01for a wife Shamus. Yes again, sugar, I'm after break lass and
- 11:05nothing else. That's why I want to talk to your friend. Where is
- 11:07he? Mister Carney is no friend of mine. You know you should be
- 11:09smart enough to know you're just wasting your time with that pace. Look,
- 11:13but he was my friend, sure, but that's all off as of an
- 11:16hour ago, they're all through washed up. I gave him the boot.
- 11:20Why do you run out of blank checks? I ought to bust your shin
- 11:26skip the cracks. I threw him out because I got sick and tired of
- 11:28waiting, and he just kept me on the string. For months with nothing
- 11:33but promises said he hated his wife. But when it comes down, the
- 11:35case is to refuse to leave it. I don't know. He's got some
- 11:39hold over me. He has nerve enough to break. So I wrapped him
- 11:43up in a neat little bundle and sent him home. It was a mess,
- 11:48No bet between you and Julia. He must be in a great frame
- 11:50of mine tonight. That's his problem now, brother, not mine. What
- 11:54is yours? How to keep your life on ice? No wise guy,
- 11:56for your information. I'm quitting this show, and it makes a clean break
- 12:01all around happy landings. But look, what's the connection, if any,
- 12:05between Lawson and Connie? Why, mister Marlow? I had no idear,
- 12:09no wonderful Okay, sugar, that's where we'll leave it for now. But
- 12:13in making that clean break, be sure it's not your neck. I'll see
- 12:16you around. I had nothing tangible to base it on, But as I
- 12:26left the igloo and drove back to Hollywood, for some reason, I kept
- 12:30thinking that Tommy Lawson was right, that his uncle was still in town and
- 12:33in some kind of trouble. And I was sure that at least half of
- 12:37Carol King's story had been lies. But why I couldn't forget, and another
- 12:41idea hit me, and hit me hard. I turned on to Cherokee again
- 12:46and drove up to Connie's house at eighty one to ten, parked, and
- 12:48went in there. The vague hunch began to shape up like grim fact because
- 12:54the front door was wide open and spilling a pale glow from the one light
- 12:56in the house, the hall lamp. I saw the note popped under the
- 13:00lamp even before I went in. I left it where it was. It
- 13:03said, to whom it may concern, I have paid all my just debts,
- 13:07My affairs are in order, and since life has been made intolerable for
- 13:11me, I have destroyed that which made it so, my wife Julia.
- 13:16There's nothing left that she'll dispose of myself, Nor am I sorry, Lester.
- 13:20Connie and I looked up beyond the note and saw her lying at the
- 13:24edge of the circle of light from the lamp. Julia had been strangled by
- 13:28a silk cord that was still embedded in a swollen throat. I turned and
- 13:31started for the phone. You are, oh, so I got here a
- 13:35little too late? Huh? Or is it too soon? My wife's dead?
- 13:39To what's the difference. Let her stand still, because I'll shoot fast.
- 13:43Who are you and what are you doing here? Names Marlowe, and
- 13:46I assume you're Connie all right. I'm a private detective trying to find Bert
- 13:50Lawson. In the process, I got mixed up in your little fiasco from
- 13:52one end of the other. Bert Larcense just a cheap book maker, one
- 13:58of the very few people who ever gave me a fair break. Where is
- 14:01he? Connie? Do you know? No? Does it matter? You
- 14:03bad? Your bonnet in here? Just now? The man's going to do
- 14:07what I've decided to do. It's the most personal, private affair. It's
- 14:09your party. Maybe you better think it all over again. I've already thought
- 14:13it over thoroughly. Turn around and walk through that door of the kitchen.
- 14:18Go on, sure, sure, all right, stop there now, open
- 14:28that door and you're right this one. Yes years ago, that cellar was
- 14:33filled with the best wines the world had to off. What happens you pulled
- 14:37too many cocks? Find out for yourself in just a moment but the second
- 15:00act of Philip Marlowe. But first we'll tyrone power. Listen to Jack Benny's
- 15:05siren song. We'll tie consent to portray CBS's great Sunday Night musician and lover
- 15:11in the movie The Life of Jack Benny. Tune in tomorrow and find out.
- 15:15No, there's never a question about the quality and quantity of comedy and
- 15:18sheer entertainment on CBS on Sunday Night. And remember that Jack Benny shows heard
- 15:24on all of these CBS stations. Now with our star Gerald Moore, we
- 15:28returned to the second act of Philip Marlowe and Tonight's story. The Kid down
- 15:33the corner, mister Connie bouncing, the private detective down the cellus. Tiz
- 15:48had been rough on both the in and out of man, and my Joe
- 15:50was bleeding where his heavy signat ring had connected. I was back on my
- 15:54feet through the dusty jumble of barrels and boxes, over to a grimy side
- 15:58window, and finally out onto the street. I found neither confessed killer nor
- 16:02car any place in sight, which made my next step a return trip into
- 16:06the house and a call to Lieutenant Matthews. All right, made from your
- 16:08client to Julia Conny, to that ice skater, and back to Julia Connie
- 16:12now dead. I follow, but the why I don't. Where's the connection
- 16:15between the news boy's uncle and this guy who say is on the way out,
- 16:18this lester Connie Matthews. I don't know. You don't know. You're
- 16:22not saying which field. Well maybe it's a little of each. Now,
- 16:25look, lieutenant, I just a second. What is it? Mala all
- 16:29the why William Matthews? Okay, but make it snappy, will you?
- 16:32Phil Ki might decide to take somebody else along the four and a half north
- 16:40last morning. I can't hear you, phil What Oh a piece of paper
- 16:45Matthews in a dead woman's hand. Oh, no, you're fine. Got
- 16:48an address on it, the same address that was on the back of the
- 16:49envelope. Tell me he's not left for him. Well, this address could
- 16:52be the connection I asked you about it. Yeah, yeah, the hook
- 16:55between Uncle Bert and the Connie's. Well, we'll get right over there with
- 16:57Matthews. Wait a minute, let me I had a loan first. Well,
- 17:00I think it'll play better that way and keep the kids junkle out of
- 17:03the police lineup. Yeah, I'm on a like cat and I wait a
- 17:07minute, Matthews, please, I'm thinking of the kid. Yeah. Well,
- 17:10I'm okay, got a boy, Just don't make it too long un
- 17:12till I hear from you again, goodbye. I knew that the three thousand
- 17:21block on North Rossmo. Wasn't even close to the Hollywood Hills, which meant
- 17:23that the address couldn't be the Dileton photographer's studio that the Connies X made it
- 17:27described, And twenty minutes later, when I was out of my car and
- 17:30standing next to the doorbell mark three thousand and four and a half, I
- 17:34knew something else because the name underneath was Carol King. A light showed from
- 17:41someplace deep inside, and my leaning on the doorbell only proved that it worked.
- 17:45There was no answer at three thousand and four and a half, but
- 17:47three thousand and four, the other twin of the duplex was different. It
- 17:49featured a sweet old lady who shatted the illusion the second she opened her mouth.
- 17:53I suppose you're just another one of that King girl's friends. Eh,
- 17:56why do I look the type, granny? It is no miss Carroll King
- 18:00entertained all sorts, which might include a recent someone who's great at the temples
- 18:04shot and maybe talks a lot about the ponies. Would I know what a
- 18:08guess to talk about? Oh, you've gotta be kidding. Look how your
- 18:11woman's been murdered tonight? Now I knew it. I knew it. You
- 18:15had to come to a bad yesterday. I told him, Grannie, Carol
- 18:21is not the one who's dead. Oh yeah, well, I'm glad it
- 18:26sticks out all over you. Now look what about that man? Well he
- 18:29was here about thirty minutes ago, just the two of them, drinking that
- 18:30hard liquor like it was water and making enough noise to raise the devil itself.
- 18:34A farewell party, they called it. Oh you seem no. No,
- 18:38Henry made me come in there, and what I mean? I know
- 18:42what you mean? You missed it? Okay, Granny, Now look how
- 18:45do we get in here without kicking the door down? Come on, sweetheart,
- 18:48it's important. That may be a body inside baldy. Oh well,
- 18:52how awful? Here? Yeah? Oh here behind this ledge always kept a
- 18:56spare key. Yeah, yeah it is. You do it? I am
- 19:02too shaky. It shouldn't be. Just thinking tomorrow, Granny and the news
- 19:04you will have for one and all the light switches is on your right.
- 19:08There see anything how many rooms here? Bedroom, kitchen, bath? Aside
- 19:14from this? Anything in there? No? You suspect foul player right,
- 19:21don't you the foulest. Don't let it worry you, because hey, those
- 19:25photos there on the wall they're taking for Mulholland Drive, aren't they one by
- 19:30day, one by night, both in the same spot the Hollywood Hill.
- 19:33Sure? Sure that's where he has a studio, that Leicester fella. Yeah,
- 19:36that fellow, granny. Do you know where it is? I mean
- 19:38Mulhalland Drive and where you know that street runs for miles along the top of
- 19:42the mountain. Of course I do. Was born and raised here ready where
- 19:47Mulholland and where Mulholland La Canyon Boulevard. Just stop the intersection, Thank you,
- 19:51sweetheart, and goodbye. Wait one moment, now, you please,
- 19:53what's your name? Off? I know my rights, your name and your
- 19:56division. Grannie, dear, I'm no cop, I said, I'm no
- 20:00cop. Oh not please offer? Well? Then who are you just to
- 20:03pass it by a stranger in the night? Good night, Granny. All
- 20:15the way from Rossmore to Sunset, then West Laurel Canyon Boulevard, I kept
- 20:18worrying about Tommy lawson and the uncle who from where I stood he needed at
- 20:22least worrying about the matter which way things played but when I was on the
- 20:26strip of McAdam that twists its way up, would Todd Mulholland drive like a
- 20:29snake writhing from a long, long belly ache. I forgot about both client
- 20:33and relatives alike, because at the top and the middle of the south,
- 20:36where Granny had said it would be, it was Lester Connie studio, all
- 20:38right, but burned to the ground. Willy, you'll like my ways,
- 20:45you'll go fast, I chief, Yeah, more than twenty minutes on this
- 20:48one. Hey, Mester, where are you going? Some of that metal
- 20:51stuff still pretty hot? Or are you with a long? Oh? Chief?
- 20:53I'm a private detective named Marlow. I was wondering if Lester Kennie was
- 20:56coordinary owned the shack I know? Is your friend of yours? No,
- 21:00it's strictly business. He's wanted for murder. He was wanted for murder,
- 21:03Phill, he was burned to a crisp and hellokay, Matthews, what's your
- 21:07guess he started on purpose suicides hardly ever burned himself at death. No,
- 21:11No, he probably took some sleeping pills of poisoning and a cigarette left going.
- 21:15Did this? You know? Hey, by the way, Phil,
- 21:18you saw Connie tonight. You think you might recognize him? Right, Yeah,
- 21:22he's over there. There isn't much your case, right, Matthews,
- 21:26garcon Hey, you tied Connie and this fire together kind of fast, didn't
- 21:30you. Lieutenant, I just found out about this place. Yeah, but
- 21:32you work alone, mollow I got help there. It is all that's left.
- 21:37See anything? Yeah, that ring I noticed it earlier. And the
- 21:41watch I'm not sure. I don't remember what Kenny. Hey, Matthews,
- 21:47what is it? What are you staring? That fight over here? See
- 21:51this little piece of metal? Yeah, I think it's the watch Hill.
- 21:55You know, fire makes things hot? Yeah? Yeah, hot things burn?
- 21:57And what is it? It's an idea? Yeah? Like what?
- 22:02Like? This isn't suicide after all, Like it's murder. Matthews. Come
- 22:04on, we gotta get to our phone quick. Los Angeles International Airports Central
- 22:22Dispatcher's Office. Look, miss, this is important. I'm calling for Detective
- 22:25Lieutenant Matthews the police headquarters. What passenger flights have left in the last half
- 22:29hour? Passenger flights? Yeah, well there have been two sirs, one
- 22:33of Dallas, Texas, the other Chicago, both American airlines. Nothing out
- 22:37of the country. Wait, a minute. However, there is a flight
- 22:41schedule to leave at ten ten that's just five minutes from now, that's going
- 22:45to Manila Mercury Airways. Shall I connect you? Yeah? Hurry, will
- 22:48you please? Hey Matthews, this maybe I'm glad for you. Mercury Airway
- 22:53Central Dispatcher's Office, Mercury. There's a call from the police here for you.
- 22:59Go ahead, sir. Look, you're ten ten flight for Manila.
- 23:00Is it going out on schedule? Yes, A're the plane standing by for
- 23:03the passing bill. Now, oh, then tell me this is there a
- 23:06passenger of board named Bert Lawson. Hurry, we're there this loss and kill
- 23:11Leicester Connie. Then we hold at Matthews, Yes, sir, we have
- 23:14a bird lastner boy. Oh, good keeping there, and don't let that
- 23:15plane get up in the air. You hear the man's wanted for murder,
- 23:18but don't do anything else side. They just let him sit and wait for
- 23:21us. You got that, Yes, I understand. Fine, We'll be
- 23:22there as soon as we can. Goodbye. Come on, Matthews, it's
- 23:26your show from here on in sirens included. Okay, Malo, okay,
- 23:37enough, So we're on our way to the airport. We're gonna catch or
- 23:41kill. Everything is great, but first how the things add up with the
- 23:45monty take it easy five seconds more or less? Never yet turned the trick.
- 23:49Were you saying something, Matthews? Yeah, yeah, I'm saying I
- 23:52don't know which end is up, philed. Look, Lester Connie killed his
- 23:56wife right right Why because he wanted out of the way so that he in
- 24:00a cheap little monster named Carol King, can live happily ever after. Well,
- 24:03divorce wouldn't do that for him. Huh Oh, I don't think so.
- 24:08Probably because Julia Connie had a real tight grip on the purse strings.
- 24:11Oh maybe something more like it's not very nice pass for a guess. Yeah.
- 24:15Yeah, but the purse strings the money. That's where Burt Lowson figures
- 24:18in huh a booky with a klin Oh no blackmail. Now, I figured
- 24:22Bert Lawson knew about Connie and Carol King. He must have stopped by wants
- 24:26to pick up or pay off a bed at the right time. Yeah,
- 24:29and from there and from there, the team of Carol unless to kill Lester's
- 24:32wife. Yeah, which we're colored, but not in detail. Now listen,
- 24:34you see after the murder, lest the plan to kill himself. Yeah,
- 24:37or at least make it look like that. Yeah, a suicide note
- 24:41to mohalland studio burned down the works, Yeah, yeah, on the body
- 24:42we found. That's an added attraction. Bert Lowson included in the last minute,
- 24:48what the wife, and then the black bailer you're getting it drug while
- 24:51drinking at Carol's Way he thought that he was going to get paid off in
- 24:53money, and up to molhalland drive bring watch and flames at it. Oh
- 24:57and then and out here at the app board headed for Manila, Lester Carney,
- 25:02Hey, mooney, we're getting closer. You got to killer siren,
- 25:04Okay, not Phil. How do you know all this? I mean the
- 25:08switch, you know what makes it so? That piece of metal? I
- 25:11burn my fingers on Matthews. It was a tap from a shoe and Bert
- 25:15lost in war taps. The rest of it ads from there, Yeah,
- 25:18including Connie at the airport. Now as last sure, who'd be looking for
- 25:22a beat up second rate book? You decided to leave town aside from a
- 25:26nephew, that is, yeah, aside from my nephew. Tried every place
- 25:27but the airport. I'll go. Bert couldn't stand planes that break's Matthews.
- 25:32Oh here we are, Yeah, just you and me and Mooney and Killer.
- 25:37Aren't you coming? Phil? H No, I think I'll wait here,
- 25:40Matthews. I got some thinking to do about the scum you're sometimes meeting
- 25:45a night. No at the kind of a kid I almost never meet in
- 25:48the night, see it? Yeah, all right, come on, Mooney,
- 25:52maybe a boy. You'll make a break for an I hole Lester Connie
- 26:07didn't make a break for it. And now or later when they picked up
- 26:08Carol King, it was the same thing. Each of them was surly ugly,
- 26:12but they talked someone. I finally left police headquarters, where I try
- 26:17as he would for Tommy's sake, Matthews had found it impossible to skip over
- 26:19Burt Lawson's connection as a blackmailer. Was pushing midnight, and I was dog
- 26:25tired. There was something worse than that. When I was back on the
- 26:27corner near my office, walking toward Tommy Lawson, who was untying a stack
- 26:33of fresh newspapers, then the headline read all about it. Hollywood killer,
- 26:38nab blackmailing, bookie, jealous wife slain Hi you kid, Hi am mister
- 26:45Marlow Tennant. Matthews tells me you had kind of a rough night, kinda
- 26:52when'd you talk to him, Tommy after the first editions hit the street.
- 26:55I wanted to know if you were okay. The story didn't say publicity,
- 27:02no, good for your business? Huh, not much the kid. Did
- 27:06the lieutenant say anything about you? I mean, I'm gonna stay with a
- 27:10neighbor friend of Uncle Burt. He had friends. You know. He wasn't
- 27:17really bad at heartens Tomorrow, not really. I believe that it was just
- 27:26mixed up. Yeah, sure he was. You know why the way he
- 27:32thought the world owed him a living. That's why I couldn't tell him otherwise.
- 27:40Excuse me, mister Marlowe. I gotta get going. Thanks a lot,
- 27:48you were swell sure, extra extra fucking babe slaying in Hollywood Triangle,
- 27:56too dead in Hollywood slaying the extra extra. There's nothing more pathetic than a
- 28:18kid the first time he's really slapped down by life. We the older ones,
- 28:26the tired ones, learned a role with a punch because we've got time
- 28:30in our corner watching us, counseling us, teaching us how to save ourselves,
- 28:37so that the final gang we're still on our feet. But a kid.
- 28:45A kid steps in a life serena, expecting to find his opponents all
- 28:48he was taught to believe they would be. But instead he finds the old
- 28:53one too below the belt. But if here he finds a good guy and
- 29:00they're a great girl, the going suddenly becomes not so. The fight becomes
- 29:07worth it, if only to help the next generation of Tommy's find their ring
- 29:14a little cleaner, and the break's not quite so. Tapped The Adventures of
- 29:41Philip Marlowe Bringing You Raymond Chandler's most famous character, star Gerald Moore and are
- 29:48produced and directed by Norman McDonald. Script is by Robert Mitchell and Gene Levitt.
- 29:52Featured in the cast were Gil Stratton Jr. Virginia Gregg Wilms, Herbert
- 29:57Janes Banks, and Vivi Jannis. Detective Lieutenant Matthews is played by Larry Dubkin.
- 30:03This special music is composed and conducted by Richard o'rant. He shorted me
- 30:11with us again next week When Philip Marlowe say, it started with laughter on
- 30:17a bright morning in a battle over a chicken, and got better as it
- 30:21went along. It could have lasted a lifetime, but it didn't. It
- 30:25stopped on a gray morning with a little wishbone broken. Stay tuned now for
- 30:41Gangbusters, which follows immediately on most of these same CBS stations. This is
- 30:47Roy Rowan speaking. This is CBS, the Columbia Broadcasting System. Welcome back.
- 31:15Well a very emotional story, I think, particularly for Marlow having to
- 31:22be the one to bear this news, and I think that was the major
- 31:27feature. The mystery had a kind of a good twist, and we even
- 31:34had a hint of it with the mention of the of the shoe style by
- 31:40the newsboy. I think it was, like I said, definitely emotional.
- 31:45Maybe having him go out and sell papers that contained the story of his uncle's
- 31:53murderer that might have been a bit much, But beyond that, I thought
- 31:59this was just very well done and a and a interesting story with this sort
- 32:07of appeal again with the idea that we have to make this a better world.
- 32:13And this was a very big thing after World War Two, and it
- 32:17wasn't like something that was viewed to some sort of political radicalism as all.
- 32:23But in some ways, as we had just gone through so much in the
- 32:31midst of the Second World War, there was this sense of duty to those
- 32:37who had died into the ideals that we'd said we stood for to make things
- 32:45better, and that theme definitely works through here. All right, Well,
- 32:50that will do it for today. We'll be back tomorrow with Nick Carter,
- 32:53and then join us back here next Wednesday for another episode of the Adventures of
- 32:58Philip Marlowe. In the meantime, send your comments to Box thirteen at Great
- 33:02Detectives dot net, follow us on Twitter at Radio Detectives, and become one
- 33:07of our friends on Facebook, Facebook dot com. Slash Radio Detectives from Boise,
- 33:13Idaho. This is your host, Adam Graham signing off.