Latest / Cuff’s Basement / The Thing part 2
Transcript
- 0:00Speaker 1: This episode is brought to you by Lunar Grace Ministries.
- 0:03Speaker 1: Pastor Rich has returned safely from his mission to the Moon,
- 0:07Speaker 1: and during his time there he experienced something unprecedented. While
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- 1:04Speaker 1: Learn more at Lunargraceministries dot com. Prayers take faith, others
- 1:10Speaker 1: take a strong enough signal to reach the Moon.
- 1:20Speaker 3: In the Paceman Beet's talking always like a fast food beet.
- 1:24Speaker 3: You lost culture chaos and you safe leg class like
- 1:28Speaker 3: a lost press stream.
- 1:36Speaker 2: It loss like a rocket.
- 1:38Speaker 3: Glass sales got the word that's built the last glises
- 1:42Speaker 3: in the Gray Sage past podcasts.
- 1:47Speaker 2: A creature can speak to God. It sounds all like
- 1:50Speaker 2: scientology on it.
- 1:51Speaker 4: It sounds it sounds a lot like Maximum is Real.
- 1:55Speaker 1: My favorite ad read of all time was your reaction
- 1:58Speaker 1: to the The Into the Wild for Christopher.
- 2:02Speaker 5: Camels were saying that I was just pitching being real.
- 2:04Speaker 5: I was like, their parents should be publicly executed.
- 2:09Speaker 1: Hey, so we're gonna say we're gonna buy our son's rights.
- 2:12Speaker 1: We're going to completely say the opposite of everything he
- 2:15Speaker 1: ever believed in. And then we're gonna say he's still alive.
- 2:18Speaker 2: And Zachary, where do I? Where do I side?
- 2:23Speaker 1: Welcome back, Grace, we are Oh, thank you, you got me
- 2:28Speaker 1: a celtzer.
- 2:29Speaker 2: You're a delight. We are continuing the thing, or as
- 2:35Speaker 2: they say in Friends, the thing.
- 2:37Speaker 4: That's the French poster.
- 2:39Speaker 1: Yep, we are getting back to the most famous scene
- 2:46Speaker 1: in this movie, maybe the best scene in this movie.
- 2:49Speaker 1: It is the blood scene. So McCready comes up with
- 2:52Speaker 1: this idea, how does he explain it.
- 2:55Speaker 5: That he when they see what happened with Norris's head
- 2:59Speaker 5: separating from the burning body and surviving that it's spiderhead.
- 3:02Speaker 4: It's parts of a hole.
- 3:04Speaker 5: It's not just one item. It will find a way
- 3:07Speaker 5: to survive and adapt. So if we can test the blood,
- 3:12Speaker 5: it will try to defend itself or separate from the
- 3:15Speaker 5: blood that is injured. So, yes, he's heating up a
- 3:18Speaker 5: stripped wire with the blowtorch.
- 3:20Speaker 2: Yeah, he ties everybody up.
- 3:22Speaker 1: Yeah, he has using the blow torch to heat this
- 3:24Speaker 1: like stripped copper wire, and he has these petri dishes
- 3:28Speaker 1: and he's like, one by one, I'm gonna put your
- 3:30Speaker 1: blood in these petri dishes and the scalding hot copper wire,
- 3:34Speaker 1: I'm gonna stick in the blood. So one thing I
- 3:39Speaker 1: hate about movies, and this movie is guilty of it,
- 3:41Speaker 1: is whenever somebody has to cut themselves in a movie,
- 3:44Speaker 1: it's always ridiculously aggressive and deep.
- 3:47Speaker 2: Yeah, it's always like overkill. Yeah, nobody was.
- 3:50Speaker 1: Even if you have a scalpel and you accidentally cut yourself.
- 3:53Speaker 1: These people are like cutting deep into their fingers and
- 3:56Speaker 1: then like pressing on it and squirting out blood into
- 3:58Speaker 1: the petrie dish.
- 3:59Speaker 2: This should like Billy and stew each other instead feeling
- 4:04Speaker 2: a little woozy here that one did not work out. Well, yeah,
- 4:08Speaker 2: no it did not, And.
- 4:12Speaker 4: So they test windows first.
- 4:16Speaker 1: Oh oh, also, I forgot something huge. I'm so sorry
- 4:20Speaker 1: I forgot something. So before they do this, when Child says,
- 4:23Speaker 1: you ain't tie me up, and he says, then I'm
- 4:24Speaker 1: gonna kill you Chiles, and Child says kill me. Clark
- 4:27Speaker 1: the dog handler, who they all think is the thing.
- 4:31Speaker 1: He has a scalpel that he's been hiding. Yes, he
- 4:34Speaker 1: rushes Mac to kill him, like to stop him from
- 4:39Speaker 1: tying them all up, and Mac turns around and shoots
- 4:42Speaker 1: him directly in the forehead and kills him. So Clark's dead.
- 4:45Speaker 1: So that's a Now we have another dead guy. There
- 4:48Speaker 1: are seven gentlemen left, so that now they're all tied
- 4:54Speaker 1: up and they're performing this test. They test yeah, windows
- 5:01Speaker 1: blood first, as you said, and nothing happens. So he
- 5:04Speaker 1: lets Windows go and it's like, you're gonna be my
- 5:07Speaker 1: backup for the rest of this test. They test Clark's
- 5:10Speaker 1: blood and it passes the test.
- 5:13Speaker 2: There, he's not the thing.
- 5:15Speaker 1: And then Chiles goes, oh, so you're a murderer. Now
- 5:19Speaker 1: that's a good point. You just killed Clark.
- 5:21Speaker 5: It's interesting because he does like him. He does like
- 5:24Speaker 5: windows himself the doc and then does Clark. Child says that,
- 5:29Speaker 5: and then they're all like, this test is bullshit, it
- 5:32Speaker 5: doesn't work.
- 5:33Speaker 2: Child's I don't believe in any of this, Like.
- 5:36Speaker 4: This, this test is not going to do us do anything.
- 5:39Speaker 1: And this is like the misdirection and you have no idea.
- 5:43Speaker 1: So you're very suspicious of Clark, but he was just
- 5:47Speaker 1: killed and then proven innocent. You're very suspicious of Gary.
- 5:51Speaker 1: And like Palmer's just been sort of there, like he
- 5:56Speaker 1: hasn't really done anything bad or good. He's just kind
- 5:59Speaker 1: of like you're you almost forget he's there.
- 6:02Speaker 5: That's the interesting thing. Like in the beginning he is
- 6:03Speaker 5: so vocal, then he's just off. I mean, you don't
- 6:07Speaker 5: notice it. That's the interesting thing.
- 6:08Speaker 1: You forget he's there, and nobody's suspicious of him. So
- 6:11Speaker 1: Gary says, this is nonsense. I didn't do anything with
- 6:14Speaker 1: the blood. And then Max says, I figured you would
- 6:17Speaker 1: say that, Gary, you're the only one that could have
- 6:19Speaker 1: gotten to that blood.
- 6:20Speaker 2: We'll do your test last.
- 6:22Speaker 1: And then as he's saying that He's just like casually
- 6:24Speaker 1: doing Palmer's test. Yes, and when he says that sentence.
- 6:28Speaker 1: As soon as he ends the sentence, Palmer's blood leaps out,
- 6:33Speaker 1: leap screams, and then leaps out into the air. It's yeah,
- 6:37Speaker 1: and poor I wrote, Poor Gary. Poor Gary is like
- 6:40Speaker 1: the dog trapped in the kenne was trying to rip
- 6:42Speaker 1: the cage open. So Palmer starts shaking and this tentacle
- 6:47Speaker 1: starts shooting everywhere.
- 6:48Speaker 2: So it's fucking Palmer this whole time, right, I said.
- 6:52Speaker 2: I said, it's a disgusting photo.
- 6:55Speaker 1: I spent a photo of Palmer like melting and turning
- 6:59Speaker 1: into the thing, and I pretending it was my face.
- 7:01Speaker 2: I said, I think I'm the largest guest.
- 7:03Speaker 5: Isn't this The interesting thing that I just said is
- 7:08Speaker 5: the logic that I would have too, that McCreadie has
- 7:11Speaker 5: in it's wrong. You think this thing is going to
- 7:14Speaker 5: attack and kill everybody, and so far, when it has
- 7:17Speaker 5: been anybody, it doesn't attack. It doesn't openly start attacking
- 7:22Speaker 5: you until it is like when the defibrillator happens, it's
- 7:25Speaker 5: because it's.
- 7:25Speaker 4: Being attacked, if you will.
- 7:27Speaker 5: So it's really interesting that it's like it's not provoked,
- 7:30Speaker 5: so it doesn't do anything.
- 7:32Speaker 1: Also, I think it's playing the long game. Was absolutely, Yeah,
- 7:35Speaker 1: it wants to. It doesn't survive. It's not gonna try
- 7:37Speaker 1: to fight six guys exactly. It wants to slowly turn
- 7:40Speaker 1: into the one by one, whether or not suspecting it.
- 7:44Speaker 2: So Gary and Child are like, get me the fuck
- 7:47Speaker 2: out off.
- 7:48Speaker 4: This being next to him on that couch.
- 7:49Speaker 2: Oh my god, I couldn't even imagine.
- 7:51Speaker 1: It's like if you're in a cab sitting next to
- 7:53Speaker 1: somebody who's puking or something.
- 7:55Speaker 5: Steve Roway pukes in the plane and the guy next
- 7:58Speaker 5: to him just his head completely turns around the other way.
- 8:01Speaker 2: So Windows and Mac both have flamethrowers.
- 8:06Speaker 1: They they Untie childs and Gary and Max like he's
- 8:10Speaker 1: trying to pull the trigger in his flame thrower and
- 8:12Speaker 1: it's not working. It's not working, and they so, so
- 8:17Speaker 1: we realize that Palmer is dead at this point.
- 8:19Speaker 2: So there's six guys left. So we have Palmer because
- 8:25Speaker 2: Windows is flamethrower works.
- 8:28Speaker 1: Yes, and yeah, but up until this moment, now the
- 8:31Speaker 1: Palmer is dead. So yeah, we hold on, hold on,
- 8:34Speaker 1: I need to count in my head. So yeah, we
- 8:36Speaker 1: have Windows, Gary mac Child's rawls the cook and Blair
- 8:41Speaker 1: has locked in the cabin. So they go look Windows,
- 8:45Speaker 1: torch him, torchum, and Windows just sort of freezes because
- 8:49Speaker 1: he's overwhelmed.
- 8:50Speaker 2: Like, what the is this is really happening? And then
- 8:52Speaker 2: Windows meets his untimely demise. Why don't you explain that?
- 8:55Speaker 1: Right?
- 8:56Speaker 5: So Palmers had just splits in half into into like
- 9:00Speaker 5: a giant set of teeth and mouth and just bites
- 9:04Speaker 5: Palmer's head and he's just hitting Palmer like a dog
- 9:08Speaker 5: with a toy against the ceiling of the room.
- 9:10Speaker 4: He's knocking all the lights, He's throwing him around.
- 9:13Speaker 6: Palmer, I'm sorry, Windows is alive when this is happening,
- 9:17Speaker 6: screaming the entire time. Yeah, and then he just throws
- 9:20Speaker 6: him across the room and I was genuinely shocked his
- 9:22Speaker 6: head is still attachment throw across the room?
- 9:24Speaker 2: Yeah.
- 9:25Speaker 1: And then Windows is still in one piece, is like
- 9:28Speaker 1: slumped over in the corner, covered in goo. Yes, And
- 9:32Speaker 1: so they finally torch Palmer, but then Windows is slumped
- 9:38Speaker 1: in the corner starts going like and they're like, oh no,
- 9:42Speaker 1: so they torch Windows and they oh so like before
- 9:49Speaker 1: they decide to truly let Gary go because they haven't
- 9:52Speaker 1: done Gary's blood yet.
- 9:54Speaker 2: They do Gary's blood.
- 9:55Speaker 1: And then he says, I know, you, gentlemen, event through
- 9:58Speaker 1: a lot when you find the time, I'd like to
- 10:00Speaker 1: not spend the rest of this winter tied to the
- 10:02Speaker 1: fucking couch. So they realize, okay, there's only five of
- 10:09Speaker 1: us now.
- 10:11Speaker 2: They're like, we need to go check on Blair.
- 10:12Speaker 1: I think four right, because it's Windows is dead, it's Gary,
- 10:16Speaker 1: Gary mac Child's.
- 10:19Speaker 2: Knolls and Blair.
- 10:21Speaker 1: So the helicopter pilot and the mechanic, the commander, the cook,
- 10:27Speaker 1: and the biologist. It sounds like we're playing clue or something.
- 10:34Speaker 1: So they go check on Blair and they make a
- 10:37Speaker 1: very interesting discovery.
- 10:38Speaker 2: What do they discover when they first look through the.
- 10:39Speaker 1: Little people that he is not there, even though he
- 10:43Speaker 1: was barricaded inside.
- 10:44Speaker 5: Barricaded inside. They go in, they look for him, They
- 10:48Speaker 5: find the floorboards are loose. They find that Blair duck
- 10:52Speaker 5: himself out through the ground and a tunnel, a pretty
- 10:55Speaker 5: elaborate tunnel for that.
- 10:56Speaker 2: Kind of built in a short amount of time, in
- 10:58Speaker 2: a very.
- 10:58Speaker 5: Short amount of time. So they go down, I'd blown away.
- 11:01Speaker 5: They went into this tunnel.
- 11:02Speaker 1: Yeah, Yeah, They go like Blair and they're running in
- 11:05Speaker 1: the tunnel like, Nope, I wouldn't be going down the
- 11:06Speaker 1: summer at all.
- 11:08Speaker 5: They go down there and they find that Blair was
- 11:11Speaker 5: building a kind of smaller.
- 11:12Speaker 1: Ship out of the destroyed helicopter parts. Yes, and it
- 11:17Speaker 1: kind of looks like a spaceship exactly.
- 11:19Speaker 4: Yeah.
- 11:20Speaker 1: Yeah, they decide At this point.
- 11:25Speaker 5: They McCreadie comes to the realization that, like, this thing
- 11:29Speaker 5: is truly in survival mode. It's probably gonna want to
- 11:33Speaker 5: freeze till more people show up to unearth it, essentially
- 11:38Speaker 5: your rescue team or something.
- 11:39Speaker 1: Well, yeah, because they blow up. They throw dynamite at
- 11:43Speaker 1: this new spaceship, blow up the tunnel, and then when
- 11:46Speaker 1: that happens, the generator goes off and they go and
- 11:49Speaker 1: Gary says, why way to do that. It's suicide. It
- 11:52Speaker 1: will freeze to death. And then that's when McCreadie says,
- 11:54Speaker 1: it wants to freeze. It realizes it's not getting out
- 11:57Speaker 1: of here, yeah, because we've.
- 11:59Speaker 2: Like sort of made it so difficult for it. So
- 12:02Speaker 2: it's like, if it shuts the generator off, we all
- 12:04Speaker 2: freeze to death. Yea.
- 12:06Speaker 1: Then it'll be frozen too much like it's been frozen
- 12:11Speaker 1: for one hundred thousand years. Eventually some rescue team is
- 12:14Speaker 1: gonna come and take its body and put it in
- 12:16Speaker 1: a memorial fall out and then take over the world.
- 12:19Speaker 5: Isn't it amazing how you're never seeing the thing carry
- 12:25Speaker 5: out any of these tasks or what. All of the
- 12:29Speaker 5: thinking of what the thing is doing is just their
- 12:32Speaker 5: interpretation of its behavior. There is no like scene of
- 12:36Speaker 5: like the thing going to the generator and being like.
- 12:40Speaker 7: Ah, like pulling like like the Memblin's pulling out the electricity,
- 12:44Speaker 7: and there's no that. Yeah, so it's really great how
- 12:47Speaker 7: they make that so that flows so well.
- 12:51Speaker 1: So at this point I'm gonna say we officially know
- 12:54Speaker 1: that Blair is an alien, yes, because they also don't
- 12:57Speaker 1: find Blair. Yes, yeah, yeah, so we're gonna say that
- 12:59Speaker 1: the Blair is dead. So now there is four people left.
- 13:03Speaker 1: Gary mac Childs brawls. Uh Gary, Okay, I'm just taking
- 13:10Speaker 1: notes writting that down.
- 13:12Speaker 2: And they they say that they saw somebody.
- 13:15Speaker 1: I think Max says, I just saw Chiles running away
- 13:18Speaker 1: from the camp, and they're like, why would he be
- 13:20Speaker 1: doing that because they left him inside.
- 13:25Speaker 4: Charles runs away. We then see Gary looking for.
- 13:32Speaker 2: Gary.
- 13:32Speaker 5: Is I feel what he's looking for to get, and
- 13:35Speaker 5: actually we do see Blair again because Blair.
- 13:39Speaker 2: Well, yeah, we're not there. We're not there yet, God Ryan,
- 13:44Speaker 2: you know what.
- 13:48Speaker 1: So at this point I like that how Mac tells
- 13:51Speaker 1: them all. He goes, listen, we're not gonna here out.
- 13:53Speaker 1: We're not gonna get out of here a lot. We're
- 13:55Speaker 1: all we're all dead, but neither is that thing. We
- 14:01Speaker 1: need to make it warm. We can't let it just
- 14:04Speaker 1: freeze freeze out, So let's just burn down everything.
- 14:08Speaker 5: Which is kind of positive weirdly enough in what way,
- 14:14Speaker 5: like we should do this to save the earth from
- 14:17Speaker 5: this thing. It's not like, fuck it, you.
- 14:20Speaker 1: Know, there's no point of this, you know. So they
- 14:24Speaker 1: go into they start lighting the buildings on fire, and
- 14:29Speaker 1: they go into the generator room because they're gonna set
- 14:32Speaker 1: off explosives and not only light everything on fire, but
- 14:35Speaker 1: blow everything up exactly just to make sure that they
- 14:39Speaker 1: could possibly kill it in the explosion. And that's when
- 14:43Speaker 1: explain when Blair.
- 14:44Speaker 5: Comes up, I jump the gun here. When they're going
- 14:46Speaker 5: it's out the explosions. Gary, the guy whoever was suspecting
- 14:50Speaker 5: the whole time and hated the whole time, is walking
- 14:52Speaker 5: around and this is actually, this is the only time
- 14:55Speaker 5: you do see the thing be somewhat proactive on something.
- 14:58Speaker 5: He just grabs Blair, just grabs Guary by the face,
- 15:00Speaker 5: and his fingers just meld into Gary's cheeks.
- 15:04Speaker 2: Yeah, just go into his face.
- 15:05Speaker 4: It's like it's just molding together.
- 15:07Speaker 2: And Gary's just like, well, yeah, and you're.
- 15:09Speaker 4: Just stopping him, like it's copying.
- 15:10Speaker 1: So Gary's so Child's is missing, so we're gonna consider
- 15:13Speaker 1: him still alive. Mac is alive and Ralls is alive.
- 15:16Speaker 2: Gary's deads there are three guys left dead of the twelve,
- 15:18Speaker 2: three guys left exactly.
- 15:21Speaker 1: And so they're setting up there's like an old school
- 15:24Speaker 1: Looney Tunes detonator box love it and Mac is setting
- 15:27Speaker 1: that up and he's like, Rawl's Gary, how's it going
- 15:31Speaker 1: over there? And you see Rawls sort of turning the corner,
- 15:35Speaker 1: sort of looking for Gary. Yes, And then I love
- 15:37Speaker 1: that Rawls disappears.
- 15:39Speaker 2: And they never explained I love that you've never seen
- 15:41Speaker 2: him again.
- 15:41Speaker 1: You never see him again. They don't explain why or
- 15:44Speaker 1: what happened to him.
- 15:45Speaker 5: I wonder if that was just a sheercase of like
- 15:47Speaker 5: movie editing of just like, hey, who cares, We'll just
- 15:51Speaker 5: let the audience assume a thing got him or are
- 15:54Speaker 5: they truly intentionally being Like, some things you're just never
- 15:57Speaker 5: gonna know.
- 15:58Speaker 2: That's what I'm always curious about with I like when
- 16:03Speaker 2: I like when movies do that, because that's how life is.
- 16:05Speaker 2: Some things you just will never know.
- 16:06Speaker 1: Yeah, I like that, and I like things it's sort
- 16:09Speaker 1: of audiences stereotypically like human nature is. You don't want that,
- 16:14Speaker 1: so when it kind of challenges you in that way
- 16:15Speaker 1: and it bothers you, I like that, and.
- 16:18Speaker 2: I love how it's keeping again.
- 16:19Speaker 5: The movie does such a great job of always keeping
- 16:21Speaker 5: you obviously in suspense and also guessing what it is
- 16:24Speaker 5: doing here. But at that point your assumption is always
- 16:28Speaker 5: going to be, oh, they're just being got by the thing,
- 16:31Speaker 5: So you're better off just never showing what happens to
- 16:34Speaker 5: have no clue.
- 16:35Speaker 2: Yeah, yep.
- 16:36Speaker 1: And so we're gonna say that Rawles is dead because
- 16:38Speaker 1: we've literally never seen it. So now there's only Child's
- 16:41Speaker 1: is missing and Mac is still alive. Two guys left,
- 16:44Speaker 1: and this point the thing is like, all right, I
- 16:47Speaker 1: don't need to hide anymore.
- 16:48Speaker 2: It's me. It's me, So it kinda turns into this
- 16:52Speaker 2: like giant, enormous dog monster.
- 16:56Speaker 5: Yeah, it's like part it's all it's blair about half
- 17:00Speaker 5: mouth head. First of all, like again like it just
- 17:03Speaker 5: like seems to like throw its tentacle like twenty five
- 17:06Speaker 5: feet that like throws up all of the floor and
- 17:09Speaker 5: knocks McReady over and then like it emerges as this
- 17:12Speaker 5: gigantic and then I was curious, like why they go
- 17:17Speaker 5: back to the dog, Like why they show the dog again,
- 17:20Speaker 5: because like the whole point is that it's copying people
- 17:23Speaker 5: and trying to be a full copy machine, if you will. So,
- 17:26Speaker 5: like I also I thought it was really interesting that
- 17:28Speaker 5: like is it meant to show you kind of like
- 17:32Speaker 5: I have I have been everything.
- 17:33Speaker 4: Here, Yeah I have one of everything.
- 17:35Speaker 2: Yeah I think so. Yeah, I think though too.
- 17:37Speaker 4: It's just it just again also is disgusting.
- 17:40Speaker 2: And also like it started with the dog, it's ending
- 17:41Speaker 2: with the dog.
- 17:42Speaker 4: Yes, that's a great point. That's a great point.
- 17:44Speaker 1: And it eats the detonator and sort of just lets
- 17:47Speaker 1: out this incredible like roar, horrible noise at Mac and
- 17:51Speaker 1: then Mac responds, yeah, well fuck you too, love the copper.
- 17:54Speaker 4: He this shit, it's so great, so great.
- 17:57Speaker 1: That's sure, yeah, and then everything just blows up.
- 18:02Speaker 5: Everything blows up again. Even though there's been a lot
- 18:05Speaker 5: of obviously great practical effects, they're blown like burning a
- 18:09Speaker 5: real set at night, like insane.
- 18:12Speaker 2: You never do.
- 18:13Speaker 1: No, but this never happened, now or the studio at
- 18:16Speaker 1: CGI over it if it actually did.
- 18:17Speaker 5: Which is probably safe because I'm sure a lot of
- 18:20Speaker 5: horrible things could happen with this.
- 18:21Speaker 1: Well yeah, and that's the Yeah, a lot of dangerous
- 18:24Speaker 1: things can happen like CGI. I'm sure has saved lives,
- 18:26Speaker 1: but yeah, man, it makes for worse movies sometimes.
- 18:30Speaker 2: Very true, very true. It's worth the death of many
- 18:33Speaker 2: people entertainment. Yeah, exactly.
- 18:37Speaker 1: The Gladiators did it for the Romans and they had
- 18:39Speaker 1: to die.
- 18:40Speaker 2: Yeah.
- 18:42Speaker 1: So at this point Mac thinks he blew everything up,
- 18:48Speaker 1: like killed the thing he's walking through. The snow camp
- 18:52Speaker 1: is on fire. Yeah, it's like negative one hundred. So
- 18:55Speaker 1: Mac knows, all right, I'm gonna die.
- 18:57Speaker 2: You know. The fire is gonna keep me warm for
- 18:59Speaker 2: a little bit, but I'm gonna die. So he just
- 19:01Speaker 2: sort of.
- 19:02Speaker 1: Sits down just to wait it out. And then Child's appears.
- 19:06Speaker 1: So there's still two guys left and Child's are I
- 19:11Speaker 1: can't remember which one of them says, Yeah, the fire
- 19:13Speaker 1: warmed up the camp, but not for long, and Max
- 19:15Speaker 1: is sort of sitting there. He's very physically and emotionally depleted,
- 19:20Speaker 1: and he's kind of just they're kind of staring at
- 19:24Speaker 1: each other. They're kind of both thinking like is the
- 19:26Speaker 1: other person the thing left?
- 19:28Speaker 5: Now?
- 19:29Speaker 1: It's just the two of them, and Child says, hey,
- 19:33Speaker 1: if you're if you're worried about me, and then Mac responds,
- 19:37Speaker 1: if either of us have any surprises for each other,
- 19:41Speaker 1: there's not much we can do about it now. Yeah,
- 19:44Speaker 1: Like they're in the middle of the fucking snow and
- 19:46Speaker 1: everything's on fire. They're both gonna die, so one of
- 19:50Speaker 1: us is the thing. It doesn't really even matter, and
- 19:52Speaker 1: Child says, so what do we do now?
- 19:55Speaker 2: And Max's response, why.
- 19:59Speaker 5: Don't we just wait here for a little while see
- 20:03Speaker 5: what happens?
- 20:04Speaker 2: And then the movie ends just even.
- 20:07Speaker 5: More of a fuck you is They just do a
- 20:09Speaker 5: wide shot of just darkness in the fire and you're like,
- 20:12Speaker 5: there's nothing. It just like ends with like the camp
- 20:15Speaker 5: on fire, you see nothing.
- 20:17Speaker 2: But one of one of the best endings for a movie.
- 20:19Speaker 4: Ever was was this on our best endings?
- 20:23Speaker 2: No? It was not.
- 20:23Speaker 1: It was not we didn't think, we didn't think of
- 20:25Speaker 1: it just such a fuck you ending.
- 20:28Speaker 5: But it's also like when you really was reading about
- 20:31Speaker 5: the Wikipedia, like reading about reading about the Wikipedia, Wow,
- 20:35Speaker 5: reading the Wikipedia.
- 20:36Speaker 4: About the endings. They talked a lot about how.
- 20:40Speaker 5: Originally apparently no one liked this ending, including like the
- 20:44Speaker 5: creative team, and they just felt it was just the
- 20:47Speaker 5: way it should end, like not like in a good
- 20:49Speaker 5: of bad, like this just makes sense for the story.
- 20:51Speaker 1: We told yeah, even though we don't like it, yeah,
- 20:53Speaker 1: and not satisfying.
- 20:54Speaker 5: They wanted to do a more cold ending too, kind
- 20:58Speaker 5: of like I think it was gonna be Child's didn't
- 21:02Speaker 5: come back, and it was just kind of mccreedy walking
- 21:04Speaker 5: out and like I think he like walked out into
- 21:07Speaker 5: the snow in the in the in the sky, and
- 21:09Speaker 5: then you saw like you never knew what happened. And
- 21:11Speaker 5: then there was another one. I guess the studio was like,
- 21:15Speaker 5: can you do something more positive? So they either wrote
- 21:18Speaker 5: or shot an ending where the rescue team does come.
- 21:22Speaker 5: I didn't know what the rescue team's time period was,
- 21:24Speaker 5: but does come and they test he makes them test
- 21:27Speaker 5: his blood to do that, and then apparently it's gonna
- 21:30Speaker 5: be a thing. Like they tested, He's okay, he can
- 21:33Speaker 5: go home. Then they tested these endings and people thought
- 21:42Speaker 5: like all three or both whatever they were, were not
- 21:46Speaker 5: good because I just don't know how you suddenly turn
- 21:49Speaker 5: into a positive ending. And they originally were going to
- 21:53Speaker 5: go with the ending of just mccreeedy walking off by himself,
- 21:56Speaker 5: and then Carpenter last minute was like, we should do
- 21:59Speaker 5: the ending with the two of them talking, because that's
- 22:02Speaker 5: been the whole point of this movie has been like
- 22:03Speaker 5: who can you trust anymore? Not even who do you trust?
- 22:07Speaker 5: And it's the reason this movie is great.
- 22:11Speaker 2: A fact I had a point to make, but a factoid.
- 22:13Speaker 1: I just wanted to mention that the the English Bass
- 22:17Speaker 1: British base in Antarctica, they watch this movie every winter.
- 22:21Speaker 2: Which I love. Perfect. But we've been talking about obviously,
- 22:25Speaker 2: you know, we haven't.
- 22:26Speaker 1: Really talked about Kurt Russell. But kur Russell's great. Ye,
- 22:28Speaker 1: everybody loves Kurt Russell. But Child is played by Keith David, amazing,
- 22:32Speaker 1: and we haven't talked about him. Fucking loved Keith David.
- 22:34Speaker 5: Keith David follows up with a comes back to Carpety
- 22:38Speaker 5: where they live love Keith David.
- 22:40Speaker 2: He's been in.
- 22:41Speaker 1: Reccoon for a dream, He's been a voice actor and
- 22:43Speaker 1: many things.
- 22:44Speaker 5: Oh my god, Yeah he was incredible. They had him
- 22:46Speaker 5: on Community for a season voice seas. Yeah, he was
- 22:50Speaker 5: a guest like teacher or guest student. Yeah, I mean
- 22:54Speaker 5: gargoyles spawn so very famous, dude, something about Mary, Yes, very.
- 23:00Speaker 1: Tell you about Mary Dead, Presidents, Armageddon, Pitch Black, I
- 23:05Speaker 1: forgot my god, Barbershop, Crash, Chronicles of rit Cloud Atlas
- 23:10Speaker 1: n nice guy's Nope.
- 23:13Speaker 4: That's right, he's a Nope, that's right. He's their father.
- 23:16Speaker 4: Pitch Black. I would love to do a pitch Black
- 23:18Speaker 4: that bring one.
- 23:19Speaker 1: And then his voice acting is yeah, you said. Gargoyle
- 23:22Speaker 1: spawned Ken Burns narrator for Ken Burns Doctor Trees Perfect.
- 23:26Speaker 1: He's the president and Rick and Morty.
- 23:28Speaker 4: Oh you know what's funny.
- 23:29Speaker 5: He narrates the the the pillow fined episode of Community
- 23:34Speaker 5: where it's all done through pictures there's no actual episode.
- 23:39Speaker 4: Yeah, amazing.
- 23:40Speaker 5: In this is this his first movie? Am I rung
- 23:45Speaker 5: by saying that is that true?
- 23:46Speaker 2: Let me look, let me look it up.
- 23:48Speaker 8: His filmography his second he well, first movie he plays
- 23:56Speaker 8: club Patron in a movie before this Patron, so it's
- 24:01Speaker 8: this is his first movie.
- 24:02Speaker 2: Goddamn, what a what a pick?
- 24:04Speaker 1: Oh yeah, he he had broke brad that he broke
- 24:07Speaker 1: his hand.
- 24:07Speaker 2: Did you hear this? He broke his.
- 24:09Speaker 1: Hand before the filming of the movie, so he had
- 24:11Speaker 1: to wear a glove that was painted to match his
- 24:14Speaker 1: skin color. But Carpenter thought it looked like shit and
- 24:16Speaker 1: it was very obvious. So if you watch the movie,
- 24:19Speaker 1: I never noticed this until hearing this. If you watch
- 24:21Speaker 1: the movie, his I believe this is his left hand
- 24:24Speaker 1: is never shown in the first half.
- 24:27Speaker 4: Interesting, And there's a.
- 24:28Speaker 9: Scene where I think it's Palmer smoking weed and he
- 24:32Speaker 9: reaches he's he's laying on a bed, Child's laying on
- 24:36Speaker 9: a bed and he reaches over and grabs the blunt
- 24:38Speaker 9: with his right hand and his left hand is draped over.
- 24:41Speaker 2: The other side of the bed. You can't see it.
- 24:43Speaker 5: Interesting watching the game show on tape yep.
- 24:48Speaker 1: But Keith David is incredible And I love that it
- 24:50Speaker 1: comes down to Childs and Mac.
- 24:53Speaker 5: The two biggest personalities. We should also say too, like
- 24:57Speaker 5: this is a crazy thing about this too. This is
- 25:00Speaker 5: literally back to back. Kurt Russell from Escape from New
- 25:03Speaker 5: York in the Thing the Year apart eighty one eight
- 25:06Speaker 5: two nice, insane fucking nuts.
- 25:09Speaker 2: Gott gotta love Kurt Russell.
- 25:10Speaker 5: Dude, you know what the I think the craziest thing
- 25:12Speaker 5: is I always thinking about this. I was like, it's
- 25:15Speaker 5: odd the timing of these movies being back to back,
- 25:19Speaker 5: and so this movie that people know, like eighty two
- 25:21Speaker 5: is a very famous movie year.
- 25:24Speaker 4: That was the year of like a lot of very
- 25:25Speaker 4: famous like what.
- 25:28Speaker 2: You have et So, actually, I.
- 25:30Speaker 5: Was gonna say this, this movie comes out June twenty fifth,
- 25:35Speaker 5: probably a bad time my opinion, to do snow desperate horror.
- 25:39Speaker 4: This is very odd.
- 25:41Speaker 5: This is June in nineteen eighty two, coming out in
- 25:44Speaker 5: theaters June fourth, Poltergeist and Star Trek two the same
- 25:48Speaker 5: weekend June eleventh, et and et Is and a Nuke
- 25:53Speaker 5: is huge. Yes, it fucking destroys everything that June twenty fifth,
- 25:56Speaker 5: Blade Runner in the Thing on the same day.
- 25:58Speaker 4: What fuck? How fucking bananas is bad?
- 26:01Speaker 2: It's the same day, same fucking day, and you weren't
- 26:04Speaker 2: alive for it.
- 26:05Speaker 4: No, that sucks.
- 26:06Speaker 2: It's the best day of your life. We get everything
- 26:09Speaker 2: we want. I didn't leave the theater that day. I
- 26:10Speaker 2: just went back and forth, back and forth. I said it.
- 26:12Speaker 5: Before, I like, I prefer twenty forty nine. I like
- 26:15Speaker 5: Blade Runner. I've never been like a in depth fan
- 26:18Speaker 5: of it, but like the fact that these.
- 26:20Speaker 1: Two just because of joy that's why you like better.
- 26:23Speaker 5: Exactly, yeah exactly, But like et was so huge, but
- 26:28Speaker 5: this year is like the road Warrior.
- 26:31Speaker 2: It is I think I saw that somewhere.
- 26:35Speaker 5: I thought I didn't notes for it. Yeah, it is literally,
- 26:38Speaker 5: ok okay, right, insane, ready for this. It's literally Road Warrior.
- 26:41Speaker 5: Halloween three, Friday the Thirteenth, Part three, Rocky three, Creep Show,
- 26:46Speaker 5: Cuff's Basement, Classic, Plague, Dogs, cat People, Trony People, Conan
- 26:53Speaker 5: the Barbarian, Secretive, Nim King of Comedy, Summer Party, mastac Are,
- 26:57Speaker 5: Fast Times at Ridgemont High for Blood. I did not
- 27:01Speaker 5: think that was in the eighties. Well, wow, in the
- 27:03Speaker 5: dark Crystal, that's all in one fucking year. Did you
- 27:05Speaker 5: think it was seventy nine First Blood?
- 27:07Speaker 2: I did too.
- 27:07Speaker 4: I thought it was always late seventies.
- 27:08Speaker 5: I thought it was always always but to come out
- 27:13Speaker 5: that time. I was thinking Spielberg and Carpenter both Spielberg
- 27:18Speaker 5: is raised, lost Dark In eighty one and Coppenter's Escape
- 27:21Speaker 5: from New York. Both of them are like action movies
- 27:24Speaker 5: with an action hero that they go on to make
- 27:28Speaker 5: sequels with. They both the next year do an alien
- 27:33Speaker 5: visits Earth, with two very different results.
- 27:37Speaker 2: Very different, one more positive than the other. I mean yeah,
- 27:41Speaker 2: I mean ET does leave. It's pretty sad.
- 27:44Speaker 4: Yeah.
- 27:45Speaker 1: ET was at the time like one of the most
- 27:47Speaker 1: profitable movies ever made.
- 27:48Speaker 5: It was the highest grossing movie of all time until
- 27:51Speaker 5: nineteen ninety three when Jurassic Park came out.
- 27:54Speaker 4: Wow, talk about having a belt for a long time. Yeah, yeah, yeah.
- 27:58Speaker 5: Insane and I think it was beaten by Titan that
- 28:00Speaker 5: was it. Yeah, it's pretty it's just so strange.
- 28:04Speaker 2: Yeah, I just start playing.
- 28:10Speaker 1: So let's let's talk about it before we go and
- 28:13Speaker 1: do advice. The analysis of the ending, there's nothing that
- 28:17Speaker 1: is set in stone.
- 28:18Speaker 2: It's sort of like the Sopranos ending.
- 28:20Speaker 1: You can have a really really strong opinion. Actually, I
- 28:23Speaker 1: think David Chase said Tony dies. Of anybody who doesn't
- 28:27Speaker 1: think Tony dies is because they really didn't want him to.
- 28:31Speaker 4: Which is which is also interesting, right.
- 28:34Speaker 2: It is very interesting.
- 28:36Speaker 1: But that's one of my biggest pepeeves about people is
- 28:38Speaker 1: like when they won't admit the truth.
- 28:41Speaker 2: About something as they like it.
- 28:43Speaker 1: And everyone's guilty of that, including me. But it just
- 28:45Speaker 1: really bothers me when people do that. So talking about
- 28:47Speaker 1: the Sopranos ending just infuriates me when I'm just like,
- 28:50Speaker 1: you just thought.
- 28:51Speaker 2: Twenty was cool and you wanted him to live. David
- 28:53Speaker 2: Chase says, he dies. But anyways, Yeah, what were you
- 28:56Speaker 2: gonna say?
- 28:57Speaker 5: I think that thing we talked about it before, it
- 28:58Speaker 5: would be much more accepted now that it was then.
- 29:01Speaker 2: Oh yeah, of course, because we weren't used to that.
- 29:03Speaker 1: But I deep dove YouTube videos analyzing the ending.
- 29:10Speaker 2: Did you do that?
- 29:11Speaker 5: I did not, But I looked for one thing that
- 29:13Speaker 5: always has been pointed out to me, which is what
- 29:16Speaker 5: the earring.
- 29:17Speaker 2: On child's oh is on the wrong ear?
- 29:19Speaker 5: No So in the pre in The Thing twenty eleven,
- 29:23Speaker 5: the prequel, yes we so.
- 29:25Speaker 2: Way, we just talked about calling.
- 29:26Speaker 4: Things the same name and it being confusing.
- 29:29Speaker 2: Is it called the thing?
- 29:29Speaker 4: It's called the thing?
- 29:30Speaker 2: No way?
- 29:32Speaker 5: They Annie w notices that when it copies a guy
- 29:37Speaker 5: had a knee replacement in a metal kneecap. When he's copied,
- 29:41Speaker 5: it's not metal anymore. It can only copy organic material.
- 29:45Speaker 5: That was based on a theory that people thought in
- 29:48Speaker 5: the thing that it can only organically copy you. Hence
- 29:52Speaker 5: why Bennings when he is being copied they show him
- 29:56Speaker 5: with no shirt on. It's creating a new version of
- 29:59Speaker 5: him with no clothes on. Yes, child has an ear ring,
- 30:04Speaker 5: so in the shot when they're outside talking, Childs turns
- 30:08Speaker 5: his head and you see the reflection of an earring.
- 30:11Speaker 5: So people think it is not the thing because he
- 30:14Speaker 5: has that.
- 30:15Speaker 2: Child is really a person.
- 30:16Speaker 1: Yes, Okay, that's very interesting, And I've heard I saw
- 30:19Speaker 1: so many theories. One was like and I think this
- 30:22Speaker 1: is maybe tinfoil hat like going too far.
- 30:25Speaker 2: I don't agree with this.
- 30:27Speaker 1: But if you're there's like a like a light in
- 30:30Speaker 1: people's eyes, like a light reflection off of like I
- 30:33Speaker 1: can look in your eyes right now and I can
- 30:34Speaker 1: see the reflection of a light. And when you don't
- 30:37Speaker 1: see that, that means they're the thing. That was one
- 30:40Speaker 1: theory and you don't see that at the end of
- 30:42Speaker 1: the movie with Child's I don't I don't really believe
- 30:44Speaker 1: that one the thing that I thought held the most water. Two,
- 30:48Speaker 1: Childs is the thing is when they show that, they
- 30:53Speaker 1: juxtapose these two shots because it doesn't replicate your clothes,
- 30:58Speaker 1: because as.
- 30:59Speaker 2: You just said, I can only replicated organic matter.
- 31:01Speaker 1: There's there's a shot when they tell Child's like, we're
- 31:04Speaker 1: gonna go go talk to Blair.
- 31:07Speaker 2: You wait here. Child's is waiting looking out the window.
- 31:10Speaker 1: And in that shot, Child's is wearing a navy blue coat,
- 31:14Speaker 1: and then there are three coats on the coat hooks
- 31:17Speaker 1: next to him, and one of them is navy blue,
- 31:20Speaker 1: and then the.
- 31:20Speaker 2: Other two were like tan.
- 31:22Speaker 1: Then when they cut back to when they come back
- 31:26Speaker 1: and Child's is missing, the door is open and snow
- 31:29Speaker 1: is blowing in, and the navy blue coat.
- 31:31Speaker 2: Was on the that was on the hook is missing.
- 31:34Speaker 1: So the theory is it attacked Child's destroyed his navy
- 31:38Speaker 1: blue coat, and then the thing child saw another navy
- 31:42Speaker 1: blue coat on the hook and was like, oh great,
- 31:44Speaker 1: then they're not going to be able to tell you
- 31:46Speaker 1: know what I mean. And also there's also a theory
- 31:49Speaker 1: that he's not even wearing a navy blue coat, that
- 31:51Speaker 1: he's wearing one of the tan coats. But I think
- 31:53Speaker 1: it's just you can't really tell because it's nighttime. The
- 31:56Speaker 1: reflection of the fire. He's covered in snow. You can't
- 31:58Speaker 1: really tell what color it is. That's true, but there's
- 32:02Speaker 1: there's a lot. It also just doesn't make sense to
- 32:04Speaker 1: me that why did he run outside? Why did he disappear?
- 32:08Speaker 1: Where was he the whole time?
- 32:10Speaker 5: But almost like similar with Knoles though, it's like is
- 32:15Speaker 5: it better to just now be like, because you're at
- 32:18Speaker 5: this heightened state of you, you can't trust anyone. Everyone's
- 32:22Speaker 5: action is suspicious. Now, Yeah, why is McCready, Like we
- 32:26Speaker 5: just pointed out, like throughout this movie you're watching, you
- 32:29Speaker 5: notice that the thing plays its cards very close to
- 32:32Speaker 5: its chest. Yeah, it doesn't strike unless it has to.
- 32:36Speaker 5: Why is mccredy at the end like so calm, cool, collected.
- 32:39Speaker 5: Sure it can be he's resolute to be defeated, but
- 32:42Speaker 5: maybe he's also just like, well, this is the last
- 32:44Speaker 5: guy I get.
- 32:44Speaker 4: Rid of, and I'm good, so I might as well act.
- 32:46Speaker 5: Okay, that sounds insane, but that's the whole point, right,
- 32:49Speaker 5: is that you are not believing anything they're doing.
- 32:51Speaker 1: Yeah, well if it was, if one of them was
- 32:53Speaker 1: the thing, why wouldn't it just kill them kill the
- 32:55Speaker 1: other one?
- 32:56Speaker 2: I don't know, But.
- 32:57Speaker 1: Another theory I read is is McCready, is it a
- 33:00Speaker 1: all of janb are a bottle of vodka that he.
- 33:01Speaker 2: Is at the end?
- 33:03Speaker 5: Oh, if jan B's the beginning, that's when he pours
- 33:05Speaker 5: in the chest machine.
- 33:06Speaker 2: He gives Blair vodka.
- 33:07Speaker 4: He gives Blair smart enough, so it must be Jan
- 33:09Speaker 4: D's I guess.
- 33:10Speaker 2: So he is a bottle of liquor. Mccreedy.
- 33:12Speaker 1: When he's like sitting there waiting to die, and child
- 33:15Speaker 1: shows up and they're like, let's just wait it out.
- 33:17Speaker 1: McCready hands Child's the bottle of liquor, and Child's drinks
- 33:21Speaker 1: it and McCready laughs to himself when Child's does that.
- 33:24Speaker 1: Now you could just yes, you could just be like
- 33:27Speaker 1: he's laughing at the situation that this is funny, that
- 33:30Speaker 1: they're just like getting drunk and sitting in the snow
- 33:32Speaker 1: waiting to die. But the theory is they had discussed
- 33:36Speaker 1: if one of us is the thing, like it could
- 33:37Speaker 1: be the thing. We can't share drinks, we can't share food.
- 33:40Speaker 1: We got to eat out of our own cans, with
- 33:43Speaker 1: our own utensils. So he's like, if childs think of
- 33:46Speaker 1: possibly the thing, why is he drinking out of my bottle?
- 33:48Speaker 1: And then he laughs to himself because he realized, oh,
- 33:51Speaker 1: Child's is the thing. But then again, the devil's advocate
- 33:53Speaker 1: of that would be, well, if Child's was child's and.
- 33:58Speaker 2: Not the thing, wow, would he fucking care?
- 34:00Speaker 1: At this point he's gonna die, you might as well
- 34:03Speaker 1: take a drink.
- 34:04Speaker 5: You've So that reminded me of the other theory about
- 34:06Speaker 5: the whole gasoline theory that was the thing too. So
- 34:10Speaker 5: like McCready throws at when he loses to the chess game,
- 34:15Speaker 5: he throws, he pours his J and B into the computer.
- 34:17Speaker 2: Mmm, and we say cheating, motherfucker.
- 34:20Speaker 5: Yeah, And they show McCready is always like kicking over
- 34:25Speaker 5: the gas cans when they're gonna kill Bennings or whatnot.
- 34:28Speaker 5: They're gonna burn Bennings and mccreay's using the flamethrower. So
- 34:32Speaker 5: the theory always was that people think McCready because I
- 34:36Speaker 5: don't think you see mccreedy drink out of the bottle, right,
- 34:38Speaker 5: I don't remember.
- 34:39Speaker 2: I thought you did, but I don't.
- 34:41Speaker 5: Remember my memory too. But like you just watch it today,
- 34:43Speaker 5: I don't think you see him do it. The fan
- 34:45Speaker 5: theory always was that McCready poured gasoline into the J
- 34:50Speaker 5: and B glass and handed to child, see how he
- 34:52Speaker 5: reacts taking and taking a sip of it, and see
- 34:55Speaker 5: how we react again.
- 34:56Speaker 2: And that's why laughs, this is why it's again.
- 34:59Speaker 4: Hair bring theory. Yeah, but the whole thing is, that's
- 35:01Speaker 4: what's kind of great about the movie is, like.
- 35:03Speaker 2: They said, we're discussing the ending.
- 35:04Speaker 5: Everyone has like there can be multiple reasons for their
- 35:07Speaker 5: reaction and you don't know what And that's the best
- 35:11Speaker 5: way to do this, because that's the whole point of
- 35:12Speaker 5: the movie is is obviously the end of the movie
- 35:15Speaker 5: is the thing, but the suspicion around it is just
- 35:18Speaker 5: as much they're undoing as is the thing itself.
- 35:22Speaker 1: Yeah, and two idiots are recording a conversation about this
- 35:25Speaker 1: forty four years later.
- 35:28Speaker 2: I mean it works.
- 35:29Speaker 5: I mean it's interesting because, like we said, I came
- 35:31Speaker 5: about the same day as Blade Runner, and Blade Runner
- 35:33Speaker 5: has a very famous ending. It's the same thing people
- 35:36Speaker 5: questioned to the day, was Decord a replicant? Yeah, the
- 35:39Speaker 5: movie it's kind of a similar, And that's argued constantly
- 35:42Speaker 5: and then really Scott's been like, yeah he was, and
- 35:45Speaker 5: like John Carpenter was on Stephen Colbert Late Night, like
- 35:50Speaker 5: a few years back because he was doing some TV
- 35:52Speaker 5: show and he was on it, and Colbert is like
- 35:55Speaker 5: a huge nerds.
- 35:56Speaker 2: He's like, I have a theory about how the thing.
- 36:00Speaker 5: Ends, and Carpenter rolls his eyes like every fucking idiot
- 36:03Speaker 5: Like Ryan approaches me and asks me to sign his
- 36:05Speaker 5: action figures and to telling me the theory and the
- 36:08Speaker 5: ending of the thing.
- 36:09Speaker 4: But Carpenter's forget Carpenter's oither.
- 36:11Speaker 5: He goes, I'll just here's where I tell everybody, whatever
- 36:14Speaker 5: your theory is, it's right, and what your theory is
- 36:18Speaker 5: is exactly what I meant to do.
- 36:21Speaker 4: The way that is so funny.
- 36:22Speaker 2: I wanted to mention.
- 36:25Speaker 1: Oh, first of all, I said, if it was Jurassic
- 36:30Speaker 1: World rebirth, that all the guys would come.
- 36:33Speaker 2: Out and say we're okay. All twelve of them would
- 36:35Speaker 2: come out, We're.
- 36:35Speaker 5: Back, and they'd have a montage of how how that
- 36:39Speaker 5: was not them, like Palmer was a hologram turned into
- 36:44Speaker 5: the thing, not that what.
- 36:45Speaker 2: Are we gonna do with this science? We discovered We're
- 36:48Speaker 2: gonna cure cancer? And then the credits roll.
- 36:51Speaker 5: Well, so the thing too is that a company finds
- 36:54Speaker 5: out about the thing and they want to use it
- 36:56Speaker 5: as a military weapon and they try to train it
- 36:59Speaker 5: and then they have a Grady who can is the
- 37:01Speaker 5: only person who can train the things, and.
- 37:04Speaker 2: The thing is like kind of befriends zem but kind
- 37:06Speaker 2: of not.
- 37:07Speaker 5: Also how like lawful with the fun like the thing,
- 37:11Speaker 5: like because the thing especially like you know, it's funny
- 37:15Speaker 5: watching it this time made me think of it more.
- 37:17Speaker 2: In gen would be like let's put the thing in
- 37:19Speaker 2: the zoom.
- 37:19Speaker 4: Yeah, you know, let it free.
- 37:24Speaker 2: We're good, free thing.
- 37:26Speaker 5: But like when the when the when it's the dogs
- 37:29Speaker 5: at first when they shoot it, and I guess that's
- 37:33Speaker 5: probat of the first hint of it becoming like he
- 37:35Speaker 5: tries to survive at all times when they shoot it,
- 37:38Speaker 5: and then when the when the thing creature realizes like
- 37:43Speaker 5: I am dying because they're shooting.
- 37:45Speaker 6: Me, that like weird like tentacle with like a mouth
- 37:49Speaker 6: and teeth come out and try to jump at one
- 37:52Speaker 6: of them.
- 37:52Speaker 5: It's like the first hint of like whatever. So all
- 37:55Speaker 5: like in picture is like Grady trying to like tang
- 37:57Speaker 5: in the thing and like these thousands of variations have
- 37:59Speaker 5: just disgusting things are coming at him.
- 38:01Speaker 1: Oh so gross, But we should just really really briefly
- 38:06Speaker 1: touch on the terrible prequel. So the prequel, which is
- 38:10Speaker 1: a great concept, is the it's about the Norwegian team.
- 38:14Speaker 2: That's what you should do.
- 38:14Speaker 1: If there, let's tell the story of the Norwegian team
- 38:17Speaker 1: and what happened. Yeah, and it's starring it's some really
- 38:19Speaker 1: good actors mew And then who's the guy Joel?
- 38:24Speaker 4: Yes, yes, that's right kind of who made that movie?
- 38:28Speaker 2: And it was just it was just bad.
- 38:30Speaker 1: It was everything that's not good that sorry, everything that
- 38:34Speaker 1: is good about the thing, but the opposite of it.
- 38:37Speaker 4: And also like could you unless you did?
- 38:40Speaker 5: Like not so much like the severity of like Ariostra,
- 38:45Speaker 5: but like this movie's tone is truly unique to it. Yes,
- 38:49Speaker 5: and I mean Carpenter has always been a nihilist, but
- 38:53Speaker 5: like this one is really like I mean a lot
- 38:56Speaker 5: of like I mean snake Plisking literally shuts the earth
- 38:58Speaker 5: down and escape from la but like he has some
- 39:01Speaker 5: pretty like dark endings, but like this one, the tone is.
- 39:04Speaker 2: Just like they are stuck in Antarctica.
- 39:07Speaker 5: Humans can literally not survive here on their own unless
- 39:09Speaker 5: they live in these quarters. So it's like there's just
- 39:13Speaker 5: no surviving even if you can. I guess the best
- 39:16Speaker 5: way to put it is that, and it's just so down.
- 39:21Speaker 5: I just don't know how you could do it differently
- 39:25Speaker 5: or do it effectively and have that same ending.
- 39:28Speaker 4: But then again, I don't know.
- 39:31Speaker 2: This is like the only movie he ever directed. Really.
- 39:33Speaker 1: Yeah, his name is Matthias van henyingin Junior. Okay, yeah,
- 39:41Speaker 1: Joel Edgerton, Lrag Thompson. Oh, mister echo, is that mister echo?
- 39:45Speaker 2: Yeah? Really, yep, but it is.
- 39:48Speaker 1: It was a box office bomb. One thing I hated
- 39:51Speaker 1: is because this movie, I know it's about an alien
- 39:54Speaker 1: and I know it opens with a shot of spaceship,
- 39:56Speaker 1: although we're pretending that never happened, but it's a very
- 39:59Speaker 1: like ground in reality very much, and they spend a
- 40:04Speaker 1: lot of time like on the huge spaceship in the
- 40:09Speaker 1: prequel movie US Do.
- 40:10Speaker 2: And I hated that.
- 40:11Speaker 4: Well, I think.
- 40:12Speaker 5: Because I would get I would just say I would think,
- 40:14Speaker 5: I get why because they made it a point to
- 40:17Speaker 5: excavate it where like and find it. That's the wrong
- 40:19Speaker 5: word to put it, but like so I'm not shocked
- 40:23Speaker 5: that like they would spend time on it. But again,
- 40:25Speaker 5: it's like it's kind of like similar to when we
- 40:30Speaker 5: did the Alien series, Like when you start revealing what
- 40:34Speaker 5: these things are about, it loses something like the mystery
- 40:37Speaker 5: of it is so much better than the explanation you'll
- 40:40Speaker 5: have for it. Or sometimes the simple explanation is just
- 40:43Speaker 5: the best one.
- 40:46Speaker 2: Oh yeah, so I was I was.
- 40:52Speaker 1: Trying to remember what happens to Mary Elizabeth Winstead in
- 40:56Speaker 1: this movie. And she gets away even though her character
- 40:59Speaker 1: is not in so.
- 41:01Speaker 4: Like retcon her to like get away from it.
- 41:03Speaker 2: Yeah, and then these other guys arrive and like Chase
- 41:06Speaker 2: the Door.
- 41:06Speaker 5: Did you not watch because the the blu Ray I
- 41:10Speaker 5: have the beginning they're actually not shooting at the dog.
- 41:14Speaker 5: They're shooting at her first, and then they shoot they
- 41:16Speaker 5: go off to dinner.
- 41:17Speaker 1: So does that I can't I can't remember. But the
- 41:19Speaker 1: prequel literally ends with them like arriving.
- 41:21Speaker 2: At the American Base.
- 41:22Speaker 4: I think, I think so right?
- 41:24Speaker 1: Yeah, wow, anyways, great idea.
- 41:29Speaker 2: If they're ever going to do a sequel or prequel
- 41:30Speaker 2: to this movie, that's what it should be. ACTU.
- 41:32Speaker 5: I think, like what I mean, Slither is kind of
- 41:34Speaker 5: a sequel to this in the weird way. It's kind
- 41:36Speaker 5: of similar thing. Yeah, I love Slyther James Gun. Yeah,
- 41:41Speaker 5: they do such a they such a great, great, I
- 41:46Speaker 5: don't maybe they just should. I mean, is it kind
- 41:48Speaker 5: of like a Jaws or even a Jurassic Park thing?
- 41:50Speaker 5: Like do you rip the band aid off of this?
- 41:53Speaker 5: And this situation where you exposed the creature was so good?
- 41:58Speaker 5: Could you do both again?
- 42:00Speaker 2: Know what I mean?
- 42:00Speaker 5: Like, could you have if you did the thing creature,
- 42:03Speaker 5: it would look amazing, would be incredible to see. But
- 42:05Speaker 5: if the circumstances the thing creature is and is not interesting,
- 42:09Speaker 5: it's not worth it. And it's just like be a
- 42:12Speaker 5: similar idea. The thing advice, the thing advice, don't trust anyone,
- 42:18Speaker 5: So Boston.
- 42:20Speaker 1: Don't trust anyone, you stupid piece of trash.
- 42:24Speaker 2: I heartbreaking. He's saying, Mike probably loved it.
- 42:31Speaker 1: The thing advice, I would say, I would say.
- 42:39Speaker 2: Wait and see, wait and see. Yeah, that's that's good advice.
- 42:46Speaker 2: I would say. I would say, if you have a
- 42:48Speaker 2: if you find a.
- 42:48Speaker 1: Stray dog, kill it.
- 42:54Speaker 2: But yeah, anything else you wanted to say? Shout out
- 43:00Speaker 2: a couple of shout outs on this.
- 43:02Speaker 5: Yeah, the writer Bill Lancaster wrote two movies, The Thing
- 43:06Speaker 5: and The Bad News Bears.
- 43:07Speaker 2: Shout out to him. And he's Burt Lancaster's son.
- 43:10Speaker 4: Extra shout out, yeah great.
- 43:13Speaker 5: I should say he also wrote the Big the Bad
- 43:15Speaker 5: News Bears sequel to.
- 43:17Speaker 2: But they go to Japan or I think is that
- 43:19Speaker 2: the one? Is that the one they go?
- 43:20Speaker 4: Or they go America to go to Japan? Okay?
- 43:22Speaker 1: And then also he wrote he created the Big Bang theory.
- 43:26Speaker 4: Really yep, I did not know that.
- 43:28Speaker 2: Wow, he didn't.
- 43:30Speaker 5: Also another interesting kind of the whole tibot about this
- 43:33Speaker 5: movie is the poster. Very famous poster, yes, done by
- 43:36Speaker 5: Drew sterus In who did Back to.
- 43:37Speaker 2: The Future great poster. Phenomenal poster. It's like a person
- 43:42Speaker 2: with like a light coming out of their face.
- 43:43Speaker 4: It's like wearing like the snow jacket.
- 43:46Speaker 2: Yeah, he was.
- 43:48Speaker 5: When the movie was being made or being like was
- 43:51Speaker 5: going to be released, they didn't know what to do
- 43:53Speaker 5: for the poster. How hilarious would be if like he
- 43:56Speaker 5: went to like a theater, like if a family went
- 43:58Speaker 5: to a theater and the poster was just like a
- 44:00Speaker 5: dog mix, It's like, oh.
- 44:02Speaker 1: My god, it was Palmer's head exploding see it Friday.
- 44:07Speaker 5: But like so he they were like they called drewsters
- 44:10Speaker 5: and who is the artist, and they were like, we
- 44:12Speaker 5: need this poster like in two days and they're like,
- 44:15Speaker 5: we're gonna describe to you the movie over the phone.
- 44:18Speaker 2: We're not.
- 44:18Speaker 5: Gonnay, he saw nothing of it whatever. It's actually on
- 44:21Speaker 5: a documentary about him. So he did that one poster
- 44:24Speaker 5: overnight and it's fucking one of the most famous posters
- 44:27Speaker 5: of all time.
- 44:28Speaker 2: Epic poster.
- 44:29Speaker 4: Yeah, incredible one.
- 44:30Speaker 2: Yeah. I would say my advice would be this is
- 44:36Speaker 2: just see this. This is this is on streaming HBO.
- 44:42Speaker 1: No, it was on no you know where I watched it.
- 44:45Speaker 1: It was on YouTube because I had on YouTube. I
- 44:49Speaker 1: had subscribed to Shugar because I needed to watch.
- 44:52Speaker 2: Gremlins too nice.
- 44:54Speaker 1: And then I went and I just googled, like where
- 44:57Speaker 1: is the thing?
- 44:58Speaker 2: And it was on shutter. I was like, oh shit,
- 45:00Speaker 2: that's great. I can watch it on YouTube.
- 45:02Speaker 5: I did not because I thought because it's universal. I
- 45:04Speaker 5: thought Pea Clock just owned everything universal.
- 45:07Speaker 2: It gets really complicated though sometimes it's very true. It's
- 45:10Speaker 2: very true.
- 45:11Speaker 1: Yeah, they can't The ownership in Front of the Thirteenth
- 45:14Speaker 1: is so complicated they can't even make a fucking movie.
- 45:17Speaker 5: But then it's weird though, and again it is just
- 45:20Speaker 5: like everything like night ren Elm Street is now owned
- 45:24Speaker 5: by the Craven Estate. Their rights went back to them.
- 45:27Speaker 5: Nothing completely silent, like no nothing coming out, nothing like
- 45:32Speaker 5: rights are in somebody's hands. Someone can make something great
- 45:35Speaker 5: with this. No words, nothing so.
- 45:38Speaker 4: Strange to me.
- 45:40Speaker 2: Yeah, well, I mean anything else.
- 45:44Speaker 4: Just it can make that noise.
- 45:46Speaker 2: That'd be great.
- 45:47Speaker 4: What's your advice?
- 45:49Speaker 2: Well, right now the podcast is over. What do we do?
- 45:56Speaker 2: I guess we can just sit here and wait, see
- 46:00Speaker 2: what happens.