Latest / The Bald Brothers Podcast / 125: Best of 1994 | #thebaldbrotherspodcast

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125: Best of 1994 | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? Welcome to the Boll Brothers Podcast. I'm
• 0:02
  Speaker 1: Kevin Stage Tony Baker's where we just meet up as
• 0:04
  Speaker 1: friends to talk about stuff. Man, we've been on this
• 0:07
  Speaker 1: best run. We're doing the best of nineteen nineteen nineties.
• 0:11
  Speaker 1: I think this year is nineteen ninety four, you feel me.
• 0:15
  Speaker 1: But before we get to all that jazz, man, we're
• 0:17
  Speaker 1: on tour the Bob Brothers. This week. We're in Dallas, Houston,
• 0:20
  Speaker 1: in Atlanta. If there's tickets even available, give them. The
• 0:25
  Speaker 1: next time we're out will be Chicago and Detroit. All right,
• 0:30
  Speaker 1: So those are pretty large venues, so still might be
• 0:33
  Speaker 1: tickets available. Go to Kemo Stage dot com or Tony
• 0:35
  Speaker 1: Baker Comedy dot com. Do not google us, man.
• 0:38
  Speaker 2: Don't google the tickets. You're gonna get ripped off. You're
• 0:40
  Speaker 2: gonna be hitting usselves. Man, I'll pay you one hundred
• 0:43
  Speaker 2: and seventy two dollars for y'all tickets.
• 0:44
  Speaker 1: Like, no, you're gonna be mad. It ain't gonna be
• 0:46
  Speaker 1: nothing we can do about. All right, let's kick it
• 0:48
  Speaker 1: off nineteen ninety four best movie. I'm gonna let you
• 0:52
  Speaker 1: kick it off.
• 0:53
  Speaker 2: Tone. Oh man, you already know what I'm coming with
• 0:55
  Speaker 2: the Shawn Shank Redemption rain Man in nineteen ninety four,
• 1:06
  Speaker 2: ain't no punk. You got Forrest Gumps, you got The
• 1:08
  Speaker 2: Lion King, you got True Lies.
• 1:10
  Speaker 1: You got two of those movies are in my top
• 1:11
  Speaker 1: five Man, Forrest Gump and Shot Redemption are in my
• 1:14
  Speaker 1: top five.
• 1:15
  Speaker 2: Yeah, Man ninety four is solid. You got Leon the
• 1:18
  Speaker 2: Professional Dog that that's my phone?
• 1:24
  Speaker 1: What the hell you got going on? It was?
• 1:26
  Speaker 2: It was just my ring tone.
• 1:28
  Speaker 1: The text.
• 1:32
  Speaker 2: Chose for a certain person.
• 1:34
  Speaker 1: Oh, oh, Leon the Professional Oh Gary Oldman. Yes, Gary
• 1:45
  Speaker 1: Oldman is the villain in that movie. I used to
• 1:48
  Speaker 1: watch that movie on TV all the time, and they changed.
• 1:51
  Speaker 1: That's changed the words for cussing, and he's tired of that.
• 1:56
  Speaker 1: M F n bs is what he actually says. But
• 1:58
  Speaker 1: when they come to Gary old I'm tired of this
• 2:02
  Speaker 1: Mickey Mouse boot squash man, I said, I'm saying this
• 2:06
  Speaker 1: for the rest of my life because Nikki Mouse's boots
• 2:09
  Speaker 1: squash Mouse boot squashed, boot squash not a thig but
• 2:14
  Speaker 1: uh is his Nigga gen Reno. Yes, man, I love
• 2:18
  Speaker 1: that movie with the Little Girls. Basically Logan Natalie Nigga's
• 2:23
  Speaker 1: Natalie Portman. That is Natalie Portman as a children Norton.
• 2:31
  Speaker 1: That's one of my guilty pressure pleasure movies. I feel
• 2:33
  Speaker 1: like tone appreciates it, but I feel like the most
• 2:36
  Speaker 1: people don't appreciate the professional.
• 2:37
  Speaker 2: Oh they love it. The people that know about it, they.
• 2:40
  Speaker 1: Do that what y'all think in the comments? Man, y'all
• 2:42
  Speaker 1: love and yo?
• 2:43
  Speaker 2: He made I found this out like later on genre
• 2:46
  Speaker 2: Nou made a choice to make his character slower mentally,
• 2:53
  Speaker 2: oh really, just to offset the creepy vibe of the
• 2:58
  Speaker 2: kid him and the kid, as to make it as
• 3:01
  Speaker 2: to really yeah, as to make it to where he's
• 3:04
  Speaker 2: kind of like on her level.
• 3:06
  Speaker 1: Men, but he could kill out of the Doultars.
• 3:08
  Speaker 2: Yeah, yeah, just the off set the Yount like, man,
• 3:12
  Speaker 2: what's up with you?
• 3:13
  Speaker 1: Yeah?
• 3:13
  Speaker 2: Because you know they were because initially in the script
• 3:15
  Speaker 2: they was playing it all because she was trying to, like,
• 3:19
  Speaker 2: you know, be on him like that, and he's like, oh,
• 3:21
  Speaker 2: hell no, you know what I'm saying. Yeah, that's a
• 3:23
  Speaker 2: good choice. Yea, yeah, for sure, good brilliant choice. But yeah,
• 3:27
  Speaker 2: that movie is amazing.
• 3:29
  Speaker 1: So four and you also got pope fiction.
• 3:32
  Speaker 2: Yeah, I mentioned pop fiction.
• 3:34
  Speaker 1: Pope fiction. So I just saw the speed was good.
• 3:41
  Speaker 1: You don't like the man.
• 3:42
  Speaker 2: I don't like the man.
• 3:42
  Speaker 1: I'm just do though. My favorite.
• 3:46
  Speaker 2: Also ninety four The Flintstones.
• 3:49
  Speaker 1: Tolly Barry, Hell yeah, y'all. True Lies remember True Lies.
• 3:56
  Speaker 1: That had a good Burger King campaign.
• 3:58
  Speaker 2: True Lies. That's her the Bridge. Jamie Lee Curtis was
• 4:03
  Speaker 2: the scene still in that she was.
• 4:05
  Speaker 1: That's a really short movie. I remember people talking about that.
• 4:07
  Speaker 1: It was on the shorter end of movies. What was
• 4:11
  Speaker 1: that saying? Oh, Sam Jackson, Yes, he had an audition
• 4:15
  Speaker 1: for something, Quentin Tarantino. Reservoir Dogs. Oh yeah, he auditioned
• 4:18
  Speaker 1: for Reservoir Docks. He didn't get it and he was sad,
• 4:21
  Speaker 1: and Quarantino was like, don't worry, I'm writing something for you.
• 4:24
  Speaker 1: I'm just gonna get a little part. And then he
• 4:25
  Speaker 1: got the Julius Jewels. Jewels him and John Travolta's the
• 4:32
  Speaker 1: whole thing in that movie when they accidentally killed the
• 4:35
  Speaker 1: dude in the car with the bump, yes, and the
• 4:38
  Speaker 1: way they were just like yes and they had to
• 4:42
  Speaker 1: call the wolf man. I went to France and I
• 4:44
  Speaker 1: got a Royala cheese because of that movie. Yeah, it
• 4:47
  Speaker 1: was great, and they really called it Royal cheese. Man.
• 4:50
  Speaker 1: I thought he was just saying that. When I went
• 4:52
  Speaker 1: to Paris the first time.
• 4:53
  Speaker 2: I was like McDonald's Quentin Tarantino was a master of
• 4:57
  Speaker 2: dialogue for sure.
• 4:58
  Speaker 1: He loves that nigga too.
• 4:59
  Speaker 2: By the I don't like that element of his dialogue
• 5:03
  Speaker 2: at all whatsoever, because he always throw it in there
• 5:06
  Speaker 2: until like recently he finally stopped. But his dialogue, man,
• 5:10
  Speaker 2: he he is wordy. Him and Aaron.
• 5:13
  Speaker 1: Sorkin't never seen a word he didn't want to. God,
• 5:18
  Speaker 1: dog man, they be talking fast too. The man, he'd
• 5:22
  Speaker 1: be like every word ever written.
• 5:24
  Speaker 2: In English for sure.
• 5:26
  Speaker 1: Man, his pages gotta this still gotta be craz.
• 5:32
  Speaker 2: God blessed. I got a memorize all this, man. But yeah,
• 5:36
  Speaker 2: ninety four was a great year of musically. The line
• 5:39
  Speaker 2: K yeah, there, Santa Claus Clearing present Danger as Ventura,
• 5:47
  Speaker 2: pet Yo, Jim Carrey. Yeah, man, he had as Ventura
• 5:55
  Speaker 2: dumb and dumber in the mask in the same year.
• 5:57
  Speaker 2: That ship is crazy.
• 6:01
  Speaker 1: That's probably never been touched before.
• 6:03
  Speaker 2: I ain't never seen a run like that because Soliday
• 6:06
  Speaker 2: one year is wild. Twenty million, well he didn't get
• 6:13
  Speaker 2: By the time he got the twenty million, it wasn't
• 6:15
  Speaker 2: until the Cable Guy really because he shot all this
• 6:18
  Speaker 2: back to back, so there was like they weren't hits yet. Yeah,
• 6:23
  Speaker 2: he was just working and yeah, we'll give you you
• 6:24
  Speaker 2: know this, three hundred thousand, yeah, two million. So once
• 6:27
  Speaker 2: all these hit hit hit, yeah, then he could be
• 6:30
  Speaker 2: like the Cable Guy was air tank. I know the
• 6:37
  Speaker 2: studio was like, man, we should have kept giving you
• 6:40
  Speaker 2: the scraass twenty one.
• 6:44
  Speaker 1: Did I tell you that I saw a YouTube video
• 6:47
  Speaker 1: on the Truman Show. Oh so the YouTube video. Have
• 6:52
  Speaker 1: you seen this? Leah? Okay, the theory in the YouTube
• 6:57
  Speaker 1: video is the Truman Show winded Truman know that he
• 7:02
  Speaker 1: was in the show, right, Tom The dude argues that
• 7:10
  Speaker 1: Truman knew the whole time in the movie because the
• 7:13
  Speaker 1: first shot of the Truman Show, he's got he's digging
• 7:17
  Speaker 1: the hole that he escapes out of, and he's blocking
• 7:20
  Speaker 1: the camera with his butt. Remember the first shot of
• 7:22
  Speaker 1: the Truman Show, he's in the garden. Okay, in the
• 7:25
  Speaker 1: first shot of Truman Show, he's in the garden and
• 7:27
  Speaker 1: his wife is walking by Lord Lenny. I think it
• 7:30
  Speaker 1: is Lord Lenny's like saying bye, and he's got his
• 7:32
  Speaker 1: butt out and he's looking over his shoulder's like see later,
• 7:35
  Speaker 1: and you can't really see what he's doing when he
• 7:37
  Speaker 1: comes out of that hole in the movie, that's where
• 7:39
  Speaker 1: he was. So the dude who argues that Truman always knew,
• 7:43
  Speaker 1: but he's planning his escape through the movie, and the
• 7:45
  Speaker 1: whole movie is him finding out who he can trust.
• 7:49
  Speaker 1: And it's not until he realizes I can't trust nobody.
• 7:52
  Speaker 1: It's just me. He doesn't know how many other people
• 7:54
  Speaker 1: are stuck in the movie, and I can't remember his
• 7:57
  Speaker 1: friend's name. But the dude who comes with the beers
• 7:59
  Speaker 1: at the end, uh, he thinks he's he's trying to
• 8:02
  Speaker 1: figure out who's in on it. Yeah, And he finds
• 8:04
  Speaker 1: out that's why his heart's broken. When his friend he
• 8:06
  Speaker 1: realized he has a conversation. He realized you're in on it. Yeah,
• 8:10
  Speaker 1: And once he realizes it's him by himself, then he
• 8:12
  Speaker 1: goes to the water. That's crazy, I said, man. The
• 8:16
  Speaker 1: dude said he's watched the movie like fifty times. It's
• 8:18
  Speaker 1: like his favorite movie. I was like, all right, bro,
• 8:20
  Speaker 1: I mean I love it too, but like and I said, man,
• 8:23
  Speaker 1: the hat Yeah, I didn't love that movie.
• 8:26
  Speaker 2: But was that ninety seven, ninety eight. I think it
• 8:29
  Speaker 2: was I.
• 8:29
  Speaker 1: Don't know we shoul watching it. I don't know what year.
• 8:31
  Speaker 1: It was statistic the way you are when it comes
• 8:33
  Speaker 1: to you. But but man, I'm trying to sign okay,
• 8:37
  Speaker 1: shot Shape Redemption. That's my favorite movie. Ninety four. Yeah,
• 8:41
  Speaker 1: Forrest Gump really climbed up on me. Yeah, because I
• 8:45
  Speaker 1: that's in my top five too.
• 8:46
  Speaker 2: Fors Gum was amazing.
• 8:48
  Speaker 1: Because I just remember, like, just think, this is just
• 8:51
  Speaker 1: a really good movie. Yeah, it's just a really good time.
• 8:54
  Speaker 2: I saw that opening weekend and I went to the
• 8:57
  Speaker 2: theater just average anticipation. Yeah, you know, yeah, most be
• 9:02
  Speaker 2: comfortable shoes and then and I was just so in
• 9:07
  Speaker 2: on it the whole time. It was it was an
• 9:09
  Speaker 2: emotional roller coaster and I was just like, Yo, that
• 9:12
  Speaker 2: ship was incredible. It was so good washing it again.
• 9:15
  Speaker 2: I didn't see shaw Shak until video. Yeah, I saw
• 9:18
  Speaker 2: a video that movie. I watched TV move at the
• 9:21
  Speaker 2: box office. That movie took an al Ron Hubbard. Shaw
• 9:26
  Speaker 2: Shank made zilch.
• 9:30
  Speaker 1: See man, that's why you need VHS man, because the
• 9:32
  Speaker 1: movie could find its audience on the video run. Has
• 9:37
  Speaker 1: there been a movie that's found in the streaming era.
• 9:40
  Speaker 1: Has there been a movie that found its audience streaming
• 9:43
  Speaker 1: that that that tanked in the box office but became
• 9:48
  Speaker 1: a cult classic streaming And I feel like that used
• 9:50
  Speaker 1: to happen all the time on vhs, But I haven't
• 9:51
  Speaker 1: heard no stories like that on streaming.
• 9:53
  Speaker 2: I don't see like movies that didn't do that well
• 9:55
  Speaker 2: and then I'll see them in the top ten on Netflix,
• 9:58
  Speaker 2: so I'll see them.
• 9:59
  Speaker 1: But I mean, I feel like that's manufacturer.
• 10:00
  Speaker 2: It could be, but that's that's all I got to
• 10:02
  Speaker 2: go on, Like you know that that coach status is building,
• 10:06
  Speaker 2: because really, John Wick didn't do it, didn't go crazy
• 10:10
  Speaker 2: in theaters, not the first one. It did like forty
• 10:12
  Speaker 2: million domestic.
• 10:14
  Speaker 1: But see, I don't remember people being like John Wick
• 10:16
  Speaker 1: on the streaming y'all.
• 10:18
  Speaker 2: It wasn't really the streaming, but it was just like,
• 10:21
  Speaker 2: I don't know where the ground swell happened for John Wick.
• 10:25
  Speaker 2: But if you look at the box office, it was
• 10:28
  Speaker 2: just forty million.
• 10:29
  Speaker 1: I do remember people talking about John Wick on social media.
• 10:32
  Speaker 1: Came out that because I don't think I saw the
• 10:34
  Speaker 1: first one. I didn't see the first one in real time,
• 10:37
  Speaker 1: but from tu on.
• 10:37
  Speaker 2: I was watching them it was like, you know, it
• 10:40
  Speaker 2: was just building. Yeah, and so I feel like that's
• 10:42
  Speaker 2: like that's like that old school back in the day building.
• 10:46
  Speaker 2: We catch it later like oh this shit, dope.
• 10:48
  Speaker 1: I wonder what year it was where we like was
• 10:51
  Speaker 1: the peak of video because I remember still in the
• 10:55
  Speaker 1: early two thousands still going to Blockbuster and then red Box.
• 10:59
  Speaker 2: Slug on the video store.
• 11:01
  Speaker 1: Yeah, but I remember when we moved to La twenty thirteen.
• 11:05
  Speaker 2: I feel like the fade out on the video store
• 11:07
  Speaker 2: was like two thousand three.
• 11:12
  Speaker 1: Three now, because I remember when the Blockbuster closed, the
• 11:15
  Speaker 1: Blockers from my job closed. I used to go there
• 11:18
  Speaker 1: and I had a Matten that I rented and they closed,
• 11:21
  Speaker 1: and I was I went to turn it back in
• 11:23
  Speaker 1: Blockbuster clothes, and the thing was like if you have stuff, man,
• 11:25
  Speaker 1: just keep it. And I was just like, oh snap,
• 11:28
  Speaker 1: And that was my Madden from Blockbuster.
• 11:29
  Speaker 2: It's beautiful.
• 11:30
  Speaker 1: Yeah, I think that was. And I was already married
• 11:32
  Speaker 1: and I was working at daycare, so this probably was
• 11:33
  Speaker 1: like two thousand and six or seven, but I feel.
• 11:37
  Speaker 2: Like the wayne was already because the fade out started
• 11:40
  Speaker 2: around the two thousand, because that's when I started renting
• 11:42
  Speaker 2: from Netflix. I was getting early. I was. I was
• 11:46
  Speaker 2: actually ordering the Netflix titles in the mail. You was
• 11:50
  Speaker 2: early because the movies it was hard to find, and
• 11:54
  Speaker 2: I was like, let me get that, and then I
• 11:56
  Speaker 2: would do the little fold.
• 11:57
  Speaker 1: Open, put it back up in the thing, a little
• 12:00
  Speaker 1: fall over fold over.
• 12:01
  Speaker 2: All right.
• 12:02
  Speaker 1: So we got Shotshank, Redemption and Forrest Gump.
• 12:04
  Speaker 2: All right?
• 12:05
  Speaker 1: All right? Hip hop albums oh NOAs Hillmatic nos allmatic?
• 12:09
  Speaker 1: Heard it all before, heard it wasn't.
• 12:13
  Speaker 2: Nah. Because he was born in like seventy I don't
• 12:17
  Speaker 2: know if he was nineteen.
• 12:20
  Speaker 1: Is that his first what's his first album?
• 12:22
  Speaker 2: He was born to Win? So he was twenty and
• 12:25
  Speaker 2: ninety three, so yeah, he was. He was twenty one
• 12:28
  Speaker 2: twenty one. Was that the worst album? Yes, for sure.
• 12:32
  Speaker 2: So he was a team when he was writing all
• 12:34
  Speaker 2: the lyrics and stuff like that. But like when the
• 12:35
  Speaker 2: album came out, he was he was a man Bill
• 12:39
  Speaker 2: Madic though Madick. It' stiff competition because you got Ready
• 12:43
  Speaker 2: to Die by Biggie, You got Southern Playerlistic, Cadillac Music class,
• 12:47
  Speaker 2: that's your choice.
• 12:48
  Speaker 1: I love that music.
• 12:49
  Speaker 2: I love that album, and so that's tough. You got
• 12:52
  Speaker 2: Resurrection by Common, which I also love. You got method
• 12:55
  Speaker 2: man to cal You Got the Diary by Scarface, You
• 13:00
  Speaker 2: get there. It's a dark side by red Man. But listen.
• 13:03
  Speaker 2: Ill Maddic is my favorite album of all.
• 13:06
  Speaker 1: Time, to consider the greatest rap album ever.
• 13:08
  Speaker 2: I love it.
• 13:09
  Speaker 1: It's just being people's top fives.
• 13:11
  Speaker 2: Ten tracks, nine actual songs, no skips, no skips, nah,
• 13:18
  Speaker 2: zero skills. It's literally beats rhymes in life. Ain't no
• 13:23
  Speaker 2: R and B features. It's just a rapper telling you
• 13:28
  Speaker 2: what life. I'm just saying, like, if you, if you,
• 13:31
  Speaker 2: if you want to introduce what rap is to alien
• 13:34
  Speaker 2: culture without the extra fillers of just like, oh this
• 13:38
  Speaker 2: is R and B or whatever you give them. Ill,
• 13:42
  Speaker 2: It's just straight rap.
• 13:45
  Speaker 1: This is a great Let's make this video because this
• 13:48
  Speaker 1: is a good premise. I'm not gonna tell them the
• 13:49
  Speaker 1: noos because this is great.
• 13:52
  Speaker 2: Peeps. Life doesn't happen bi weekly, so why should pay them?
• 13:57
  Speaker 2: That's the ultimate question, man, that's the ultimate question. If
• 14:00
  Speaker 2: life is not happening bi weekly, why should pay day?
• 14:05
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• 14:05
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• 16:19
  Speaker 1: Okay, what's the what's the qualification?
• 16:21
  Speaker 2: So the qualification is no R and B up in
• 16:23
  Speaker 2: there no other genres.
• 16:25
  Speaker 1: It's just okay, I love this, this is great. I'm
• 16:29
  Speaker 1: gonna let you do it all right, all right, y'all.
• 16:35
  Speaker 1: Me and Ton are having a debate. Yes, if you
• 16:37
  Speaker 1: had to introduce aliens to rap via one rap album,
• 16:42
  Speaker 1: what would you choose? Tony's gonna give you the particulars.
• 16:45
  Speaker 2: Yes, so it's gonna have to be a straight rap album,
• 16:48
  Speaker 2: no R and B features, just straight rap, boom back,
• 16:53
  Speaker 2: no extra genres included. What album are you bringing to
• 16:58
  Speaker 2: the table?
• 16:58
  Speaker 1: All right? Answers to comments Tony's album, I'm not evenna
• 17:02
  Speaker 1: say because I don't want to. I don't want your
• 17:04
  Speaker 1: to jump in. You know what it is, go ahead,
• 17:07
  Speaker 1: going on, all right. I love that. I'm trying to
• 17:10
  Speaker 1: think of what I would do, man, because I amb
• 17:14
  Speaker 1: features was a huge man, It's a huge part of
• 17:17
  Speaker 1: rat for a long time. People ain't gonna listen to you.
• 17:20
  Speaker 1: They're gonna be let man features and they.
• 17:23
  Speaker 2: In their heavy feet laden hell mis education a man
• 17:27
  Speaker 2: foo school, what.
• 17:32
  Speaker 1: Going Southern playlistic cad like music. My brother had that
• 17:36
  Speaker 1: tape just like you were saying with the older brother coefficient.
• 17:41
  Speaker 1: If they think it's cool, you'll be like, man, I
• 17:43
  Speaker 1: think it's man.
• 17:45
  Speaker 2: This album called me off God. Yeah, I couldn't yeah
• 17:48
  Speaker 2: listen to it.
• 17:48
  Speaker 1: Yeah we had I think I just moved. See, I've
• 17:51
  Speaker 1: let I just moved to this to the East coast,
• 17:56
  Speaker 1: So that part of my life where which I'm very
• 17:59
  Speaker 1: grateful for. From from a see, I think like ninety
• 18:06
  Speaker 1: four to like ninety nine, I was in North Carolina, Virginia,
• 18:09
  Speaker 1: and that's when Outcast they was playing it at the
• 18:11
  Speaker 1: high school bands and stuff at aliens. Was like me
• 18:14
  Speaker 1: and you and your cousins too. In the high school band.
• 18:18
  Speaker 1: I was like, that's that's it's with you. So I'm
• 18:21
  Speaker 1: gonna go something plays listen like music all right. Ninety
• 18:24
  Speaker 1: four were talking about the best R and B album
• 18:27
  Speaker 1: this R Mine's easy, crazy, sexy, cool, ELC t Bosft, cool,
• 18:37
  Speaker 1: left eye chili, cool video, cool visual, cool song. It man,
• 18:45
  Speaker 1: it was cooking, was cooking. PEPs gave him the raft
• 18:48
  Speaker 1: fors Man, y'all did good Man drive this toyota.
• 18:53
  Speaker 2: I was so mad that they was big, Like, y'all
• 18:57
  Speaker 2: sold ten million in the US alone, y'all bankrupt.
• 19:01
  Speaker 1: For take the.
• 19:05
  Speaker 2: Man.
• 19:05
  Speaker 1: I don't ball against the stove. That's the problem. They
• 19:08
  Speaker 1: didn't they against the stove. They thought the money was coming,
• 19:12
  Speaker 1: money wasn't coming. Pebble was like, yeah, Rath fors y'all.
• 19:15
  Speaker 1: But that album was one of the few that I
• 19:18
  Speaker 1: was listening to had it on my Walkman headphones titled
• 19:25
  Speaker 1: debut album Agent, but the number was Creeping in the back,
• 19:31
  Speaker 1: Creep Creep.
• 19:33
  Speaker 2: My Life, My Life, My Life by Mary J. Boys
• 19:38
  Speaker 2: to Men two albums that that was going that went
• 19:42
  Speaker 2: past Diamond.
• 19:42
  Speaker 1: That was that the woman that had the blue but
• 19:44
  Speaker 1: the black and white with.
• 19:45
  Speaker 2: The blue on the album Come No on the.
• 19:48
  Speaker 1: Music video was the end of the road. Of the
• 19:51
  Speaker 1: road was before Okay, that was this has been this, Yeah,
• 19:55
  Speaker 1: this is vibe. They were selling crazy selling like high
• 19:59
  Speaker 1: care he stuff selling.
• 20:01
  Speaker 2: That's why when you talk sales, when you talk about
• 20:03
  Speaker 2: Boys Men versus Jodson, the sales lady, but see Boys
• 20:06
  Speaker 2: to Men was more massiveppeal.
• 20:09
  Speaker 1: What Joyson looked like thugs. You know what I'm saying, Like,
• 20:14
  Speaker 1: I can see Boys Man being easier to market for
• 20:16
  Speaker 1: sure to everybody. And the songs are on.
• 20:17
  Speaker 2: The Rady shirts. Was tucked in the vest man vest
• 20:21
  Speaker 2: on vest. You know what I'm saying, I.
• 20:23
  Speaker 1: Got invest ain't gonna rob. You can't see Jojo had
• 20:26
  Speaker 1: chested me down.
• 20:26
  Speaker 2: It did chess me down, chest me well. Jojo used
• 20:29
  Speaker 2: to cover this media.
• 20:30
  Speaker 1: JoJo's part, he was the part.
• 20:33
  Speaker 2: I felt bad because everybody else is out there shirtless,
• 20:36
  Speaker 2: and he was my north. He was like, man, I
• 20:38
  Speaker 2: got the vest on and this shirt. You in the desert.
• 20:40
  Speaker 2: I know you hot. No, man, just roll the tape.
• 20:44
  Speaker 2: I felt it him because I would have. I would
• 20:47
  Speaker 2: have been the one with.
• 20:48
  Speaker 1: My shirt on shirtless. Man.
• 20:50
  Speaker 2: I still don't.
• 20:51
  Speaker 3: So you you got the body, man, take it off.
• 20:57
  Speaker 3: You've done all this work, man, You see me, I
• 21:00
  Speaker 3: be Tenny's magee.
• 21:01
  Speaker 1: Man, I'm here titty me. Take it off. Man, what's
• 21:07
  Speaker 1: the point of doing all the work and you're gonna
• 21:08
  Speaker 1: be shirt on? I don't even do all the work.
• 21:12
  Speaker 1: You see, I got a shadow under my titty meat.
• 21:15
  Speaker 1: You can see this. That's how much it hangs over.
• 21:17
  Speaker 1: There's a shadow under. That means the light's not going
• 21:20
  Speaker 1: through done. It's dark under here.
• 21:22
  Speaker 2: Man.
• 21:22
  Speaker 1: It should be like that. There should be no shadow,
• 21:26
  Speaker 1: but there is. You see the line. I got a
• 21:28
  Speaker 1: permanent line for where the titties resign. First of all,
• 21:32
  Speaker 1: this mirror is confusing to crap out of my own body.
• 21:36
  Speaker 1: This dog on reflect it. Man, see that it's my
• 21:40
  Speaker 1: Janet Jackson. I gotta hold it up without twenty two
• 21:44
  Speaker 1: tack on meat hairs and you actually two o seven
• 21:47
  Speaker 1: put the dog on shirt on in the pool.
• 21:49
  Speaker 2: Oh my god, take it off?
• 21:53
  Speaker 1: You got a honey on in the line. Take it
• 21:55
  Speaker 1: off was the point man, y'all better not let me
• 22:04
  Speaker 1: new study Pam.
• 22:05
  Speaker 2: But that would have been me in the desert with
• 22:07
  Speaker 2: Jo Desy. I would add on the full jacket like
• 22:14
  Speaker 2: the fast out they take the vest off to stop man. Man,
• 22:20
  Speaker 2: Oh my god. Oh. Also honorable mentioned Anita Baker had
• 22:24
  Speaker 2: Rhythm of Love Keith Sweat Yet again, every year I
• 22:30
  Speaker 2: got to get up on it, it came out. You
• 22:33
  Speaker 2: know what I'm saying. You always got an album out
• 22:35
  Speaker 2: the man, shall I take more? Love? Supreme Above Them
• 22:39
  Speaker 2: soundtrack I'm Gonna Go with Johnny was my favorite R
• 22:45
  Speaker 2: and B album of that year. Yes, okay, that was
• 22:50
  Speaker 2: my favorite R and B album that year.
• 22:52
  Speaker 1: Deep Cut, Yeah man, I love that.
• 22:54
  Speaker 2: That was one that was a straight playthrough from Yeah. Man.
• 22:59
  Speaker 1: I hate to be the old nigga looking back on
• 23:01
  Speaker 1: the times, but man.
• 23:02
  Speaker 2: We just had it good.
• 23:03
  Speaker 1: We did. That was good, was cracking.
• 23:06
  Speaker 2: He was shutting that line up. Man.
• 23:09
  Speaker 1: All those albums in the in the same year.
• 23:12
  Speaker 2: I'm gonna say TLC in My Life came out the
• 23:15
  Speaker 2: same week. Man, come on, you got Brandy a Leiah,
• 23:19
  Speaker 2: John Nay, Boys to Men, Black Streak, Anita Baker, Keith Sweat,
• 23:23
  Speaker 2: Verry White.
• 23:24
  Speaker 1: I mean, these people ain't even from the same time period,
• 23:27
  Speaker 1: very white. Like I'm in here with y'all too. Yeah, Man,
• 23:30
  Speaker 1: I kind of love he was.
• 23:31
  Speaker 2: He was still moving units, still platinum, big Berry.
• 23:35
  Speaker 1: Man go down to Sam Goodie, y'all man.
• 23:38
  Speaker 2: Changing faces all for one man, the Cookouts, King Panda's Crazy.
• 23:43
  Speaker 1: Man, come on and.
• 23:44
  Speaker 3: DJ is probably like, Man, I'm losing my mind here.
• 23:48
  Speaker 3: I got the hip hop, I got the R and B.
• 23:49
  Speaker 3: I got my choice from everything man, R and B
• 23:52
  Speaker 3: is dry.
• 23:53
  Speaker 1: Now all right, So you you going with John Wait,
• 23:56
  Speaker 1: I'm going with TLC crazy sex cool, all right, gospel
• 23:59
  Speaker 1: album shine Man.
• 24:02
  Speaker 2: Actually, I actually I got a pick. Okay, let's do it.
• 24:05
  Speaker 2: B B and C C relationships.
• 24:09
  Speaker 1: The last time you said something that was B you
• 24:13
  Speaker 1: just scrolled through. It was like released.
• 24:17
  Speaker 2: If anything ever happened to you, own it, if anything
• 24:21
  Speaker 2: half into you, I couldn't go on, tell me what
• 24:25
  Speaker 2: would I do? I have to be.
• 24:28
  Speaker 1: Stro fin get Oh my god, Tony just loved bb C,
• 24:36
  Speaker 1: C C c Up ninety four was a great album.
• 24:40
  Speaker 1: A year for gospel. You got Kirk Franklin Family. What
• 24:42
  Speaker 1: you're looking for, John New Life, the.
• 24:46
  Speaker 2: Key swelling of Gospels. You keep coming every here. Man,
• 24:49
  Speaker 2: it's like the fifteen.
• 24:51
  Speaker 1: Release in the nineties as Kink Walker, Love Fellowship, Crusade Choir,
• 24:55
  Speaker 1: Live in Atlanta at moor House College and Fred Hammond
• 24:59
  Speaker 1: had in her court. But of all those, I'm gonna
• 25:03
  Speaker 1: go hes Skywalker Live in the Land.
• 25:05
  Speaker 2: That was gonna say that was that would man that
• 25:09
  Speaker 2: album down.
• 25:10
  Speaker 1: You love being CC and she went solo. Man, you
• 25:13
  Speaker 1: couldn't love her no more. You did music video nineteen
• 25:18
  Speaker 1: ninety Folk. I'm gonna tell you why.
• 25:24
  Speaker 2: It's just the same it was.
• 25:26
  Speaker 1: It was the flowing pajamas shirt.
• 25:28
  Speaker 2: It was, man, it was the pajamas man tea boss
• 25:32
  Speaker 2: that man.
• 25:33
  Speaker 1: At that time of my life, I said, Man, this
• 25:34
  Speaker 1: day you can't get no fun of it.
• 25:36
  Speaker 2: Man.
• 25:36
  Speaker 1: It was with the Little Bang Boys.
• 25:39
  Speaker 2: Was old Chilli.
• 25:40
  Speaker 1: Man. She didn't get to sing much, but she was
• 25:43
  Speaker 1: in there with them. Chili wasn't really you know what
• 25:45
  Speaker 1: I'm saying.
• 25:46
  Speaker 2: It was just like when when TLC first came out.
• 25:49
  Speaker 2: I was like Chili the one, yeah, Chilli and then
• 25:52
  Speaker 2: but then no, even before then, it was that baby
• 25:55
  Speaker 2: baby baby video. I was like yo, I was like yo,
• 25:59
  Speaker 2: tea boy. I was just looking tremendous.
• 26:02
  Speaker 1: Man. Then I was t bos t boars and no,
• 26:06
  Speaker 1: they were all beautiful.
• 26:08
  Speaker 2: Left eyes eyes, left eye, man, left eye.
• 26:10
  Speaker 1: And also man on the radio stopped cutting left eyes
• 26:13
  Speaker 1: verse off on the old radio of the ninety four
• 26:15
  Speaker 1: to seven. The wave it hits them today and yesterday.
• 26:17
  Speaker 1: Man stopped cutting her verse off the waterfalls.
• 26:19
  Speaker 2: Man. She had a dope ass verse yesterday, put it
• 26:23
  Speaker 2: back in and house was flowing.
• 26:26
  Speaker 1: Man.
• 26:26
  Speaker 2: She was killing on down there on Jones.
• 26:28
  Speaker 1: She was, Man, I love left eye.
• 26:30
  Speaker 2: Her eyes. It looked like somebody just drew.
• 26:32
  Speaker 1: I thought she used to have an egg on her
• 26:34
  Speaker 1: eye when I was a kid. Oh, the condom didn't
• 26:36
  Speaker 1: know I was.
• 26:37
  Speaker 2: I don't think I knew it was the condom right away.
• 26:39
  Speaker 1: I had no. I was, what's the deal with the
• 26:40
  Speaker 1: egg then?
• 26:41
  Speaker 2: Because the point I saw when I was a kid,
• 26:43
  Speaker 2: it was all just raw. They never put the condoms.
• 26:45
  Speaker 1: On the motels. The motel signal down at the Calico
• 26:53
  Speaker 1: cat Room by the hour down here man between channel
• 26:58
  Speaker 1: two and three or some set you know, really introduced
• 27:00
  Speaker 1: me to condoms.
• 27:01
  Speaker 2: It was digital underground sex packets. Really yeah, because I
• 27:05
  Speaker 2: ain't really understand it. And that's what they had on
• 27:07
  Speaker 2: the album cover. I was like, what's that. It's condom.
• 27:11
  Speaker 1: That's hilarious. Man. Media is important, man, you got to
• 27:14
  Speaker 1: educate the youth. The youth, all right. So we agree
• 27:17
  Speaker 1: on the music.
• 27:18
  Speaker 2: Man create t Bo's nipple.
• 27:21
  Speaker 1: Pause and not that tipout. Tony was positive video, all right.
• 27:25
  Speaker 1: Song of ninety four.
• 27:27
  Speaker 2: Ton Oh, I got regulated by Warren g and Nato Man.
• 27:33
  Speaker 1: I've seen the TikTok with the dude doing that in Spanish.
• 27:35
  Speaker 1: It hits in a totally different language.
• 27:38
  Speaker 2: It was a clear black Knight the White Moon, trying
• 27:43
  Speaker 2: to consume. He was minding his own business man. He
• 27:46
  Speaker 2: was just hit the east side of the LBC on
• 27:50
  Speaker 2: the mission trying to find mister borg Man. Shout out
• 27:54
  Speaker 2: to Nate Dog for finding Warren g Man saving this
• 27:58
  Speaker 2: goddamn life that night. But a great story I'm getting Jack.
• 28:02
  Speaker 2: I'm breaking myself. I can't believe they're taking war as well.
• 28:06
  Speaker 2: And I love storytelling. Man. In the ride we along
• 28:12
  Speaker 2: for the ride of man told me like I ain't
• 28:16
  Speaker 2: got nothing chocolate pill man, you know, got gout the bracelets? Man,
• 28:19
  Speaker 2: I got the bracelets, I got the bracelest man got
• 28:23
  Speaker 2: the apple was man, I got some steps in. I
• 28:26
  Speaker 2: got some steps. Maybe you can get the steps. Oh
• 28:29
  Speaker 2: my god.
• 28:32
  Speaker 1: I like slick Rick used to be telling stories. I
• 28:34
  Speaker 1: say like, man, this is crazy. Can't kill Themorrow. That's
• 28:36
  Speaker 1: what I like about him too. Scarface Yeah, good kid,
• 28:39
  Speaker 1: mat City. He was like, Man, I was in the
• 28:40
  Speaker 1: back seat with y'all. Man, we robbing the people. We
• 28:42
  Speaker 1: don't really want to be doing this.
• 28:44
  Speaker 2: Great stories, na selling stories every yes, man, he told
• 28:48
  Speaker 2: the story in reverse.
• 28:50
  Speaker 1: Man the song ninety four songs, Are you Got Big?
• 28:53
  Speaker 1: You Got Notorious? B I G Juicy? You got I'll
• 28:56
  Speaker 1: Make Love to You? Fourteen weeks and number one. I
• 28:58
  Speaker 1: think that was the I I think that was dang.
• 29:01
  Speaker 1: I think Little na X knocked them off.
• 29:04
  Speaker 2: Oh they just now. That was That's where we had
• 29:07
  Speaker 2: to beat.
• 29:07
  Speaker 1: I think he had to beat them with Old Town Road.
• 29:09
  Speaker 1: If I'm not mistaken, correct me if I'm wrong.
• 29:11
  Speaker 2: One Sweet Day was number one right on. That's what
• 29:13
  Speaker 2: had the record.
• 29:14
  Speaker 1: It was Boys to Men, So what was it must
• 29:15
  Speaker 1: have been like eighteen.
• 29:16
  Speaker 2: That's so, that's on That's ninety five.
• 29:18
  Speaker 1: Though, that's boys been because Your Day is on.
• 29:21
  Speaker 2: Mariah Carey's Fantasy album that came out the next year,
• 29:26
  Speaker 2: maybe even ninety six.
• 29:28
  Speaker 1: One Sweet Day was it must have been eighteen weeks.
• 29:30
  Speaker 2: Then they kept setting records and beating their own records
• 29:39
  Speaker 2: because they ended The Road was a record, and then
• 29:42
  Speaker 2: I'll Make Love to You as a record, and then
• 29:45
  Speaker 2: he come One Sweet Day again.
• 29:46
  Speaker 1: Sixteen they beat their own record. Yeah, fourteen was damn
• 29:51
  Speaker 1: And then when Maria Carroll was sixteen and.
• 29:55
  Speaker 2: With the butt nagad out in the streets naked.
• 29:58
  Speaker 1: I didn't see the video of him being naked. I
• 29:59
  Speaker 1: saw in the draw. Yeah, but he was naked later. Yeah,
• 30:03
  Speaker 1: I just found out. We talked about this on the
• 30:05
  Speaker 1: podcast today. Peen out the middle or NOx was out?
• 30:09
  Speaker 2: Oh where was he?
• 30:13
  Speaker 1: Oh?
• 30:14
  Speaker 2: Wow? I could have seen that.
• 30:16
  Speaker 1: Now I'm gonna go I'm gonna surprise you on the
• 30:18
  Speaker 1: song Okay, okay, because I believe it had to be
• 30:21
  Speaker 1: to me. It was probably the biggest song in ninety four.
• 30:24
  Speaker 1: It's from a rose.
• 30:26
  Speaker 2: Se That's one of the biggest songs.
• 30:27
  Speaker 1: For me with the Batman.
• 30:30
  Speaker 2: Oh little more, I get a few strange. Yeah, yeah.
• 30:37
  Speaker 1: That song.
• 30:38
  Speaker 2: Yeah, it's fine.
• 30:40
  Speaker 1: Cocaine.
• 30:41
  Speaker 2: Huh, that's what I heard.
• 30:43
  Speaker 1: I don't know if it's true.
• 30:44
  Speaker 2: The kids from these I heard, but that was my bro. Yeah,
• 30:48
  Speaker 2: it's all fire.
• 30:49
  Speaker 1: Man the kids out Rose. Oh, I love it.
• 30:57
  Speaker 2: Man, that's a that's a fire song. Naven know Sill
• 31:00
  Speaker 2: wasn't American. He came over here, dropped that Bama put
• 31:04
  Speaker 2: it on the Batman. It was at the end of
• 31:05
  Speaker 2: the Batman. Well he's where are you from?
• 31:09
  Speaker 1: England? Is he?
• 31:10
  Speaker 2: I think he's English?
• 31:12
  Speaker 1: I think still English. Let me look at that.
• 31:13
  Speaker 2: He's not Canadian.
• 31:15
  Speaker 1: He's English, sil Henry. He's from Paddington Gun all of me,
• 31:22
  Speaker 1: day Adiola, Samuel.
• 31:24
  Speaker 2: Okay, he's Nigeria.
• 31:26
  Speaker 1: He got to be.
• 31:28
  Speaker 2: He came out so crazy. That was my introduction to him. That, yeah,
• 31:36
  Speaker 2: you little crazy Paddington, England. That's posh. Paddington is big English.
• 31:44
  Speaker 1: Yeah. I thought that was the Bears name. I didn't
• 31:46
  Speaker 1: realize he was. That's a city, Paddington Bell. But other
• 31:50
  Speaker 1: than that, maybe I'm not mad you, but I got
• 31:53
  Speaker 1: to go kiss from a room. I'm not bad. Kiss
• 31:55
  Speaker 1: from the roomansh.
• 31:56
  Speaker 2: That was not inn fo for real.
• 31:59
  Speaker 1: That came out ninety four, though for sure ninety four.
• 32:01
  Speaker 2: They put that on the Batman soundtrack.
• 32:04
  Speaker 1: Checkers man, you know what, check man man, When I
• 32:08
  Speaker 1: google stuff, it'd be wrong.
• 32:09
  Speaker 2: You got to you got to google Google sometimes.
• 32:13
  Speaker 1: Yeah, you do have to Google makes ninety four Man
• 32:15
  Speaker 1: second album, anonymous album. All right, what you got?
• 32:20
  Speaker 2: I did it? Regulate?
• 32:21
  Speaker 1: Oh yeah you did? All right, man, that's nineteen ninety four, y'all. God,
• 32:24
  Speaker 1: bless y'all. Man. We'll be doing nineteen ninety five next
• 32:26
  Speaker 1: week