Latest / The Bridge by Sammy Chand / May 26, 2026 — "Sammy Chand Interviews Gayathri Krishnan"

Transcript

May 26, 2026 — "Sammy Chand Interviews Gayathri Krishnan" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and cultures can be.
• 0:02
  Speaker 2: Found around the world.
• 0:05
  Speaker 1: We've tracked down the best and presented here for you
• 0:09
  Speaker 1: on Ruckus Radio.
• 0:15
  Speaker 3: Hey, everyone, listen is Ruginder and you're listening to the
• 0:18
  Speaker 3: Bridge with Sammy John.
• 0:20
  Speaker 4: Hey, this is.
• 0:20
  Speaker 5: Ben Ricky the filmmaker, and you're listening to the Bridge
• 0:23
  Speaker 5: with Sammy Khan.
• 0:25
  Speaker 4: Yo.
• 0:25
  Speaker 5: This is still Bangals and you're listening to the Bridge
• 0:27
  Speaker 5: with Sammy chand only on Ruckus Avenue Radio. I'm like
• 0:31
  Speaker 5: Bobby my body like the music video. That's a great
• 0:37
  Speaker 5: music video.
• 0:38
  Speaker 6: Shout out to young En.
• 0:41
  Speaker 7: Hope.
• 0:42
  Speaker 5: You guys are doing well and thank you very much
• 0:44
  Speaker 5: for finding me here. On a May twenty sixth edition
• 0:47
  Speaker 5: of The Bridge, my name is Sammy John and what
• 0:52
  Speaker 5: We've got in store for you today on a Tuesday,
• 0:55
  Speaker 5: there's an exclusive interview with a one guy at three Krishnan,
• 1:01
  Speaker 5: an amazing artist and somebody that I respect a lot
• 1:05
  Speaker 5: for really putting together the musical identity that she has
• 1:08
  Speaker 5: for herself. She comes across to me as someone that
• 1:13
  Speaker 5: is in firm control of her identity and took no
• 1:19
  Speaker 5: compromises informing what is now a voice that I think
• 1:24
  Speaker 5: is really important in our scene. She'll be joining me
• 1:28
  Speaker 5: as she blends her carnatic voice and her cardnotic background
• 1:33
  Speaker 5: with an R and B voice, it's spellbinding. She's going
• 1:37
  Speaker 5: to join us today to give us her thoughts on
• 1:40
  Speaker 5: the work that she does, and hell'll have her introduce
• 1:43
  Speaker 5: the song that we love here on the show called
• 1:46
  Speaker 5: self Esteem Gotta be Great. Yesterday we had Ali Zuppr.
• 1:54
  Speaker 5: A big shout out to Ali and he's getting ready
• 1:56
  Speaker 5: for his big concert this weekend here in La. You
• 2:00
  Speaker 5: have not got your tickets, head on over to Sulika
• 2:03
  Speaker 5: dot com and type in Ali Zapper and you'll see
• 2:07
  Speaker 5: all the shows in your town right there. We'll be
• 2:12
  Speaker 5: joined today by the Ruckus Avenue Radio all Stars.
• 2:15
  Speaker 8: Doctor Roy is in the house, Luita is in the house,
• 2:23
  Speaker 8: and folks, as we get ready for Guya three, the
• 2:28
  Speaker 8: start off the show with the song that I spent
• 2:31
  Speaker 8: more time at the number one spot than any other
• 2:34
  Speaker 8: song this.
• 2:35
  Speaker 5: Year so far. This is the song mordeny is diljito
• 2:39
  Speaker 5: sange And welcome to the Bridget.
• 3:00
  Speaker 9: Thet ever him in there or you head doesn't.
• 3:05
  Speaker 10: Cut the gut there, the telehand cast the gut there,
• 3:11
  Speaker 10: the telehanty.
• 3:12
  Speaker 11: My dear, what's the piece can get the bags guitar and.
• 3:31
  Speaker 9: April jumping air part shall be up Sadia shaff be
• 3:39
  Speaker 9: I up Sordia And he had there cut the head,
• 3:44
  Speaker 9: he had to put their anything you didn't that how
• 3:48
  Speaker 9: to me?
• 3:50
  Speaker 12: Didn't any to new.
• 3:52
  Speaker 9: Thing on the over him there head does cut the
• 3:59
  Speaker 9: guy there the Tellahan.
• 4:02
  Speaker 10: Casey to get there, honey money.
• 4:14
  Speaker 6: Check me out your.
• 4:26
  Speaker 9: You to throw up when I put you and put
• 4:28
  Speaker 9: the sun John, Honey, I can bat you bad. I
• 4:35
  Speaker 9: can look back to the car be bad that I
• 4:38
  Speaker 9: look back to boot the car. I can you say
• 4:41
  Speaker 9: plumb me pitiable?
• 4:44
  Speaker 6: Can you get them?
• 4:45
  Speaker 12: They bundy?
• 4:46
  Speaker 9: What would they? Would they go? The boy and I
• 4:52
  Speaker 9: I can't be in every in your head got to
• 4:58
  Speaker 9: get there the telehan.
• 5:02
  Speaker 13: Ja ja.
• 5:11
  Speaker 10: Jay check.
• 5:28
  Speaker 5: Check check.
• 5:34
  Speaker 12: Check check.
• 5:40
  Speaker 5: Shout out to Jenny Nothing. Incredible lyrics in this song.
• 5:45
  Speaker 5: One of the best written songs in PANDABI music that
• 5:47
  Speaker 5: I've heard in many years. I would say that's a
• 5:50
  Speaker 5: controversial statement, but I've got one for you. Yeah, Morning
• 5:56
  Speaker 5: del Gito Sane written by Jenny Nothan. That's the reason
• 6:00
  Speaker 5: why put him on the top line, right next to himself. Yeah,
• 6:06
  Speaker 5: this song right here one of my favorites right now
• 6:09
  Speaker 5: on the bridge. The artist name is Darshan Rebbel. Darshan
• 6:15
  Speaker 5: is flying the flag for that Hindi pop genre. This
• 6:18
  Speaker 5: song is called only mine.
• 6:22
  Speaker 14: So name but darm God, God.
• 6:34
  Speaker 15: On it?
• 6:35
  Speaker 16: When was it.
• 6:35
  Speaker 14: Hormans but.
• 7:00
  Speaker 17: I head on A sardic casar.
• 7:06
  Speaker 12: Chrisma said cosmetic.
• 7:09
  Speaker 18: Gesa cad on have the name Mama, but the happen
• 7:15
  Speaker 18: said Flop says, had on up again my god.
• 7:24
  Speaker 4: O.
• 7:30
  Speaker 19: La la la la la.
• 7:38
  Speaker 14: La la.
• 7:45
  Speaker 20: Today a shaming balcony, lodo.
• 7:49
  Speaker 14: My don't you just said.
• 7:55
  Speaker 6: American lado to heat.
• 8:00
  Speaker 21: Up going Cotish name still go joy misie goosuku.
• 8:15
  Speaker 22: Joy Casada Caasari minute would say, give me says add
• 8:33
  Speaker 22: it get on the name the dead, said tick A.
• 8:39
  Speaker 22: Philip says, A you cannot want to be a Canemy
• 8:46
  Speaker 22: guy who died Norman Bahad homed awesome Hasardic tell me
• 9:16
  Speaker 22: headed ty come men of the Sahara.
• 9:24
  Speaker 6: Sensual so depary.
• 9:28
  Speaker 17: G say have them.
• 9:32
  Speaker 22: That song sad a song he said, half two minutes minutes.
• 10:05
  Speaker 6: Dar should rabble only mine.
• 10:10
  Speaker 5: And yesterday we were joined by Ali Zaphyr. Today we'll
• 10:14
  Speaker 5: be joined by Gayatri Krishnan Tomorrow will be joined by
• 10:19
  Speaker 5: comedian Rajiefsatyl and Thursday Sab Summra And here's the song
• 10:24
  Speaker 5: one day for you to.
• 10:26
  Speaker 7: Do that Gretter, come good day the Heli and you're ugo.
• 10:36
  Speaker 7: But they can a party to put your.
• 10:50
  Speaker 20: Coming good day.
• 10:52
  Speaker 17: Eli and.
• 10:56
  Speaker 7: So the can a party to put your dog tray.
• 11:02
  Speaker 20: But you werena get the tell.
• 11:05
  Speaker 23: Christian man Athorica recording.
• 11:13
  Speaker 19: Staring the gentlemen.
• 11:16
  Speaker 7: The cat you not fan of ha many cushild Sadia,
• 11:23
  Speaker 7: the guru Sadika, A girl okay is hello? He made
• 11:26
  Speaker 7: mother the caverybody does attack.
• 11:29
  Speaker 6: Then he's hold no, no, no you the.
• 11:32
  Speaker 15: Soll cave and then he create him.
• 11:35
  Speaker 7: Nay Mary mad Revel, Mary Madvello.
• 11:39
  Speaker 12: Taking the bar, Not Roy.
• 11:42
  Speaker 19: How do not girls dyes in the kor.
• 11:47
  Speaker 6: To not to not to not to.
• 11:51
  Speaker 17: A gray easy life.
• 11:57
  Speaker 19: She started to Cutambard, he's you know.
• 12:02
  Speaker 7: You do that core the interior that could Terra bad
• 12:07
  Speaker 7: come a good day?
• 12:07
  Speaker 12: Could he there eyes and lug You're like.
• 12:11
  Speaker 7: Jove, but you not pray they can aparture to put
• 12:14
  Speaker 7: you know?
• 12:15
  Speaker 20: Could her not.
• 12:19
  Speaker 4: To that.
• 12:23
  Speaker 7: Period that the head the bad come a good day
• 12:27
  Speaker 7: up for the head and you're looking jove, but you
• 12:32
  Speaker 7: so they can a party to.
• 12:33
  Speaker 12: Put you not to hard g not for man, the men,
• 12:41
  Speaker 12: than keeper, than.
• 12:44
  Speaker 20: Crazy you see humble.
• 12:48
  Speaker 19: And study kind merrily.
• 12:50
  Speaker 5: You hate you know in there.
• 12:53
  Speaker 17: Stuck on honey.
• 12:59
  Speaker 4: You know.
• 13:35
  Speaker 5: We're fans of right here. He's a young artist on
• 13:38
  Speaker 5: the scene and this song is called one Day and
• 13:42
  Speaker 5: well written, well produced, and he did both of those
• 13:44
  Speaker 5: jobs himself, incredibly, really well done. And we'll talk to
• 13:47
  Speaker 5: him this Thursday and ask him what it's like to
• 13:49
  Speaker 5: be really on the front lines of this new lyrical
• 13:53
  Speaker 5: movement coming out of the UK. It's cool stuff. Now,
• 13:55
  Speaker 5: let's bring in doctor Roy to the show. How are
• 13:57
  Speaker 5: you doctor Roy?
• 13:58
  Speaker 24: Hey guys, this is doctor Foy with Today's Word on
• 14:01
  Speaker 24: the Avenue. In film and TV news, Tom Cruise may
• 14:04
  Speaker 24: be lining up his next major action chapter with the
• 14:07
  Speaker 24: reported spy thriller Doppelganger, and the project has an Indian
• 14:11
  Speaker 24: origin creative connection through filmmaker Anish Chagandhi, known for searching
• 14:15
  Speaker 24: and run. Reports suggest Cruises and talks, although not officially
• 14:20
  Speaker 24: attached yet to star in the film, which is set
• 14:22
  Speaker 24: to center on identity espionage and a CIA operative confronting
• 14:27
  Speaker 24: his own double while Chagandhi is reportedly continuing to refine
• 14:30
  Speaker 24: the script. In media news, at just twenty three years old,
• 14:35
  Speaker 24: Deshah Gomar has become the youngest Indian origin mayor in
• 14:38
  Speaker 24: the UK, taking office in Elstree and Boorhamwood with a
• 14:42
  Speaker 24: focus on youth empowerment, community engagement and inclusive governance. The
• 14:47
  Speaker 24: King's College, London graduate represents a new generation of civic
• 14:51
  Speaker 24: leadership shaping the future of local politics in Britain. In
• 14:55
  Speaker 24: event News, Aaron Rai has made history with a landmark
• 14:58
  Speaker 24: victory at the PGA champ in Ship, becoming the first
• 15:01
  Speaker 24: Englishman in over a century to claim the title. Hailing
• 15:04
  Speaker 24: from Wolverhampton Rise. Remarkable performance marks a proud milestone for
• 15:09
  Speaker 24: the global seek community and a powerful moment of representation
• 15:13
  Speaker 24: in international sport. That's it for today's word on the
• 15:16
  Speaker 24: Avenue until next time.
• 15:17
  Speaker 5: Yeah, thank you so much, doctor Roy. That was very cool,
• 15:21
  Speaker 5: big moment right there, got guy three Krishna. Today should
• 15:25
  Speaker 5: be a fun conversation. This right here is Kushakra.
• 15:30
  Speaker 2: Sna shab come.
• 15:54
  Speaker 22: Vertotus bailing to Jabad.
• 16:05
  Speaker 14: Did you say chevanum Ho getting.
• 16:13
  Speaker 17: Jan com of God m.
• 16:21
  Speaker 25: Zava to Wakatakana rib.
• 16:29
  Speaker 14: Bantana, Cassie.
• 16:54
  Speaker 2: Does say the chaven see the Lissa money.
• 16:59
  Speaker 17: Gay suit.
• 17:02
  Speaker 12: Good the momentary, but we could a little sorry party.
• 17:07
  Speaker 25: Freaking out again by seven went to Jaiconio pod.
• 17:16
  Speaker 22: There is.
• 17:19
  Speaker 17: Is Kakoi my courious.
• 17:22
  Speaker 14: Perty Kado Parva. Could you say Chafana how getting coming of.
• 17:44
  Speaker 6: Savana to walk.
• 17:49
  Speaker 17: Kana the rib.
• 17:54
  Speaker 14: Casi.
• 17:57
  Speaker 5: Yeah, so well done. It's a great song. The song
• 17:59
  Speaker 5: is called star Struck. Very cool production, well written song,
• 18:04
  Speaker 5: well put together. Talk about producers bm C. The song
• 18:09
  Speaker 5: is called Bunge Luck.
• 18:12
  Speaker 17: Hall, Hello.
• 18:21
  Speaker 26: The Candy, Lucky Buggy, Lucky Bunny, Lucky.
• 19:01
  Speaker 25: To do.
• 19:02
  Speaker 19: The deeper game, but the bigger honey.
• 19:04
  Speaker 17: Day to do it.
• 19:10
  Speaker 5: Deep, to take a long.
• 19:14
  Speaker 26: Tell me your demandability had the luck demand the Lucky Buggy,
• 19:20
  Speaker 26: the teller talking bound the Lucky the band, the Lucky.
• 19:25
  Speaker 20: Teller by the.
• 19:27
  Speaker 12: Bud the Lucky.
• 19:39
  Speaker 26: Henny you come you don't get honey?
• 19:46
  Speaker 17: Was he?
• 19:47
  Speaker 15: Then?
• 19:47
  Speaker 17: Honey yourny the honey.
• 19:53
  Speaker 26: Tell me the fund many luckad demand the Lucky Buggy
• 19:59
  Speaker 26: to tell.
• 20:13
  Speaker 10: Charity Hella.
• 20:37
  Speaker 5: I hope we hear more music coming from fun Ja
• 20:39
  Speaker 5: b MC. I really do looking forward to that This
• 20:45
  Speaker 5: next song We've Got for You is our current number
• 20:47
  Speaker 5: one song on our Top twenty Countdown show. It's the
• 20:52
  Speaker 5: this song she has. It's called Buddy Vuddy.
• 20:58
  Speaker 4: What the.
• 21:02
  Speaker 27: Best in the Manila Someone then and you get on
• 21:12
  Speaker 27: My Younger College song You Gada.
• 21:32
  Speaker 20: Very a.
• 21:35
  Speaker 27: Very very very very very very very very very very
• 21:41
  Speaker 27: very very very very very very bare very very very
• 21:48
  Speaker 27: very very very.
• 21:49
  Speaker 17: Far really.
• 21:54
  Speaker 14: Hard.
• 21:58
  Speaker 17: Yeah, I mean.
• 22:02
  Speaker 27: It, Hey, God want Carla, I want to kill me?
• 22:14
  Speaker 27: You get me on My Younger College want put it Away?
• 22:20
  Speaker 14: Exist you on.
• 22:29
  Speaker 27: Jasy March on a war We in love logic very
• 22:39
  Speaker 27: very very very very very very very very very very
• 22:46
  Speaker 27: very very very very very bar but he very very bad, very.
• 23:00
  Speaker 4: Old.
• 23:01
  Speaker 17: He orders, say the.
• 23:07
  Speaker 19: Mothers, who order?
• 23:10
  Speaker 17: Who order?
• 23:11
  Speaker 14: What Dina?
• 23:13
  Speaker 4: When the.
• 23:16
  Speaker 17: Mother yahle Cologne.
• 23:21
  Speaker 27: And he said it Arena supportlers little.
• 23:29
  Speaker 17: Inn one of killer.
• 23:35
  Speaker 19: But the.
• 23:37
  Speaker 17: Lady even then he may.
• 23:48
  Speaker 19: Dy verty very very worry, very very very very.
• 23:54
  Speaker 5: He has had two number one songs on our show.
• 23:58
  Speaker 5: An incredible artist hailing from Australia and skates the line
• 24:03
  Speaker 5: between Dumbo culture and singing in English, does them both
• 24:07
  Speaker 5: equally well, And as I've mentioned to you guys before,
• 24:10
  Speaker 5: has collaborated with the Top of the Top in our Business.
• 24:16
  Speaker 5: This soundtrack is called Bait. The movie stars amed. This
• 24:23
  Speaker 5: song is called Bluestvendor, N D S and Siffer.
• 25:00
  Speaker 20: My divers ant cook name fend cock.
• 25:05
  Speaker 28: Look, keep on in the the mane the edge, gag
• 25:11
  Speaker 28: all in from me hell lull.
• 25:14
  Speaker 20: Luan sugar name sugar.
• 25:21
  Speaker 28: The way come and they then come Sonna Jared, then
• 25:27
  Speaker 28: humble from a third carnation from a Kebala kor Bromer
• 25:37
  Speaker 28: Pard Broma Laja Bay.
• 25:41
  Speaker 12: He's a Jack j r.
• 25:44
  Speaker 28: Affair a coma coma divers ant cook name a friend cock.
• 25:54
  Speaker 29: Look, keep on there and tell the Edgar me from
• 26:01
  Speaker 29: me look a gift that look.
• 26:06
  Speaker 12: They can carry du you know who?
• 26:09
  Speaker 20: Your name?
• 26:09
  Speaker 16: You know?
• 26:10
  Speaker 12: I don't carry.
• 26:11
  Speaker 29: Let me kick at the to They keep it Tony,
• 26:17
  Speaker 29: look at the door, New York Fish game and John.
• 26:23
  Speaker 30: So much the.
• 26:27
  Speaker 29: We are Jeoga you make us already color.
• 26:39
  Speaker 12: They can carry do you know who?
• 26:42
  Speaker 17: The names you know?
• 26:43
  Speaker 12: I don't carry, Let me kick.
• 26:45
  Speaker 17: Get to it.
• 26:45
  Speaker 12: They keep a Tony look New York Fish team and
• 26:53
  Speaker 12: John me then now Nick.
• 26:56
  Speaker 5: Can great song right there, Blues Devendor Sipper and n
• 27:20
  Speaker 5: B Scause we get ready for Guy three Krishna in
• 27:24
  Speaker 5: here she'll be joining us very shortly. Looking forward to
• 27:27
  Speaker 5: talking to her, the multi hyphened artist. And this song
• 27:31
  Speaker 5: right here is the son Raheem and who's there just
• 27:33
  Speaker 5: follows daily every night.
• 27:35
  Speaker 25: You've been all my mind, baby girl. These much mosca,
• 27:48
  Speaker 25: I haven't so don't good feeling him my bones Dona
• 27:52
  Speaker 25: Joe made us at the Jorda Dulko Yuna Jorda manager.
• 27:59
  Speaker 6: Oh.
• 28:05
  Speaker 14: K to not the kid.
• 28:13
  Speaker 25: Put your gabra poo long put by a boom collimatplock against.
• 28:42
  Speaker 15: This was.
• 29:03
  Speaker 14: A baby throw it through.
• 29:07
  Speaker 17: Until you make Yeah, you.
• 29:27
  Speaker 1: Girls enjoy a move ayash Incoder Saya observer man who
• 29:37
  Speaker 1: Samaya retired to album cocks Sophia, You're like, you know
• 29:42
  Speaker 1: that just went out.
• 29:44
  Speaker 12: Baby, and you took me with yourselves.
• 29:49
  Speaker 1: Running very don't inside my head lately, don't you tell
• 29:53
  Speaker 1: me by yourself?
• 29:54
  Speaker 14: Pillby deal metal.
• 29:58
  Speaker 6: Baby tent through.
• 30:02
  Speaker 17: Till your bad the baby till you make up.
• 30:49
  Speaker 5: The song Rahim was there just all great song that's
• 30:52
  Speaker 5: called baby Girl. Looking forward to talking to Guy at
• 30:57
  Speaker 5: three hair. She's done an amazing job of blending all
• 31:01
  Speaker 5: our cultures together, much like the artists you here on
• 31:04
  Speaker 5: this show and we'll talk to her as to how
• 31:06
  Speaker 5: she gets it done.
• 31:11
  Speaker 31: Conner in the Comper May My Seed Corner.
• 31:23
  Speaker 20: Con ConA and Lucky Relief ConA ConA. Would I pull
• 31:38
  Speaker 20: the ConA to Ma.
• 31:42
  Speaker 31: Con con.
• 31:48
  Speaker 20: Coner, you had at the beef Corner, very corner, very
• 31:55
  Speaker 20: joint family beach Heath Coner.
• 32:00
  Speaker 31: ConA local and commercial death conat Cone con lakes amand
• 32:13
  Speaker 31: a deep corner, clean and neat Corner. I'm g o
• 32:21
  Speaker 31: d p con Sondjeep Conero, Melli co Co and I
• 32:50
  Speaker 31: had a Dog to star Born and Mchayla promoter in
• 32:57
  Speaker 31: the motor t Advanced the Gon Total get.
• 33:05
  Speaker 20: Jall Vocal.
• 33:09
  Speaker 31: Lam Super Super Noble g Ariana Global g Modelt three
• 33:21
  Speaker 31: th ex O for three.
• 33:26
  Speaker 20: Looman and water.
• 33:31
  Speaker 6: P on that K three.
• 33:41
  Speaker 30: To three.
• 33:45
  Speaker 31: Lone and Granberger the Odel hip Hopper three, Mamori Matter
• 33:58
  Speaker 31: Museum woman a cop Mabella Roadway in a local g
• 34:07
  Speaker 31: named Proper gran.
• 34:26
  Speaker 4: Me I Go.
• 34:36
  Speaker 5: Ramua. The song is called total one of the best
• 34:40
  Speaker 5: in the Hriambi hip hop space right now, very cool stuff.
• 34:45
  Speaker 5: As we get ready to bring in Gayatri to the
• 34:47
  Speaker 5: show and this young lady has really impressed me with
• 34:50
  Speaker 5: her blending of cultures, and this song right here that
• 34:53
  Speaker 5: We've Got for You is one of her collaborations with
• 34:56
  Speaker 5: an artist by the name of Code. The song here
• 34:59
  Speaker 5: is called scatter Leg.
• 35:01
  Speaker 32: Going in the rabbit Hole. I'm just walk up and
• 35:03
  Speaker 32: pack the bowl. I'm on Their hair is playing wagon ball.
• 35:05
  Speaker 32: I got home my phones. I ain't at the faggot
• 35:06
  Speaker 32: coll I mean he had the hog where that boy
• 35:08
  Speaker 32: gets spit right back.
• 35:09
  Speaker 12: I'm like, no, no, that haystack.
• 35:11
  Speaker 32: I'm like a biddle woman.
• 35:12
  Speaker 33: Playback me in the music like nae he a headline, motherfucker.
• 35:15
  Speaker 5: We all hate back.
• 35:16
  Speaker 12: Scott around start up here.
• 35:17
  Speaker 33: I shot at the frame news playing defense.
• 35:19
  Speaker 32: She ain't battie, ain't must be yet this name I
• 35:21
  Speaker 32: knew it for.
• 35:22
  Speaker 19: I'm doing play this fame.
• 35:23
  Speaker 32: I do it for the music, motherfucking I'm the building
• 35:25
  Speaker 32: that I'm like the other.
• 35:26
  Speaker 12: That haystack.
• 35:27
  Speaker 32: I'm like a biddle woman, playback me and the music
• 35:29
  Speaker 32: like nice you a headline, motherfucker.
• 35:31
  Speaker 5: We all hate back.
• 35:40
  Speaker 19: So he said money Mama, come up, sug my bunny.
• 35:46
  Speaker 34: He's a scise so size anybody mother's my bucks?
• 35:52
  Speaker 19: Come up, Benny, honey, twee in.
• 35:55
  Speaker 17: The rabbit hole, coming back to the rack, I stole it.
• 35:57
  Speaker 33: Man when of the ass Picks and the action show,
• 35:59
  Speaker 33: he said, comes for my life or what else?
• 36:01
  Speaker 12: Saxophone your life real quiet?
• 36:02
  Speaker 17: If it had a song.
• 36:09
  Speaker 33: That learning how to past, it's probably not a progress double.
• 36:12
  Speaker 33: Either way, we got a lot of ship on our chests.
• 36:14
  Speaker 33: Probably that my folks had to go down the odd dress.
• 36:16
  Speaker 33: I guess his body because we didn't.
• 36:17
  Speaker 25: Need to leave around this.
• 36:20
  Speaker 35: I'm talking about.
• 36:21
  Speaker 14: I'm talking about.
• 36:22
  Speaker 12: I'm talking about, I'm talking your about. I'm talking about
• 36:25
  Speaker 12: that gay.
• 36:26
  Speaker 33: Busy didn't do that glass daring window night outside, but
• 36:28
  Speaker 33: the gas came in dot she.
• 36:29
  Speaker 12: Saw my glass I saw.
• 36:30
  Speaker 33: I asked a weird changed on them phone in talking
• 36:32
  Speaker 33: like three years hour that she gonna have me when
• 36:34
  Speaker 33: the high your window, girl, what the fun?
• 36:36
  Speaker 12: But the wind is a window.
• 36:37
  Speaker 33: She had my deep rising up like a cross window.
• 36:39
  Speaker 12: I'm scaring them, but closer.
• 36:40
  Speaker 17: The hambro.
• 36:47
  Speaker 14: I think we had the ham bro.
• 36:52
  Speaker 17: You just a child.
• 36:55
  Speaker 19: I don't blame you, mya. He's a money mamma.
• 37:08
  Speaker 34: Buy anybody's a socieze s size anybody.
• 37:16
  Speaker 19: Bug so pany honey like pain just feels weird.
• 37:28
  Speaker 5: All right, folks, Finally we've got Guya three on the
• 37:31
  Speaker 5: line with us.
• 37:31
  Speaker 6: How are you, Guya three?
• 37:34
  Speaker 4: I'm doing good. Sunny day in La.
• 37:36
  Speaker 5: How are you doing well? Enjoying the sun, of course,
• 37:40
  Speaker 5: and if there's any way to enjoy La, it's that
• 37:42
  Speaker 5: and talking about someone that has really brought all the
• 37:47
  Speaker 5: cultures together under one identity. Congratulations Guy three. I think
• 37:51
  Speaker 5: your sense of negotiation.
• 37:53
  Speaker 6: Is just a plus.
• 37:55
  Speaker 4: Thank you, Thank you Sam.
• 37:58
  Speaker 5: You know, you take this background of being classically trained
• 38:02
  Speaker 5: in the world of chronatic music and you have flourished
• 38:06
  Speaker 5: it into your own space. You know, how does one
• 38:11
  Speaker 5: take that journey? Explain that to us?
• 38:16
  Speaker 4: I think it's mainly by intuition.
• 38:20
  Speaker 3: I think that in some songs, the carnotic elements are
• 38:24
  Speaker 3: a little bit more like forward facing and more in
• 38:27
  Speaker 3: your face, and then in some songs they're very very hidden,
• 38:32
  Speaker 3: are just like a little bit more tucked in.
• 38:34
  Speaker 4: I think that's really cool, And I think based on.
• 38:36
  Speaker 3: What I want to say and what the song is like,
• 38:39
  Speaker 3: I kind of decide that way for self esteem, Like the.
• 38:44
  Speaker 4: Indian elements are a little bit you know, not as obvious.
• 38:47
  Speaker 3: I'm wearing a long ponytail and jasmine in my hair,
• 38:51
  Speaker 3: which goes back to the Indian tradition of bad Natim,
• 38:55
  Speaker 3: which is a South South Indian costco dance. And even
• 38:59
  Speaker 3: in the way that I think some of the first
• 39:01
  Speaker 3: praises and self esteem, I feel like there's some nuance
• 39:04
  Speaker 3: there for my chronomic training. But yeah, I think it
• 39:07
  Speaker 3: depends on the song and how I'm doing.
• 39:10
  Speaker 5: That's amazing. That's amazing. Checking out your live stage performance,
• 39:15
  Speaker 5: one of the things that really captivated me was the
• 39:18
  Speaker 5: element of dance into your music and how it just
• 39:21
  Speaker 5: blends together. There's this kind of like you know, forget
• 39:25
  Speaker 5: three D or for dy, there's this like sevent y
• 39:28
  Speaker 5: like kind of performance element I get from you from
• 39:30
  Speaker 5: all the different senses that you touch on. That's that's
• 39:34
  Speaker 5: pretty amazing To capsule all of that background on stage
• 39:38
  Speaker 5: and one product, if you will. You know, I know
• 39:42
  Speaker 5: it's by intent and it's by design. How did you
• 39:45
  Speaker 5: negotiate through that? How did you figure out like, Okay,
• 39:47
  Speaker 5: here's where we do this, and here's where we do that,
• 39:50
  Speaker 5: and you know, give us a sense of that process
• 39:53
  Speaker 5: of how you design what you do on stage.
• 39:57
  Speaker 3: I think every performance is an experiment within it self.
• 40:00
  Speaker 3: I think that my set explores so many different parts
• 40:05
  Speaker 3: of the human psyche because we start off like meditative,
• 40:09
  Speaker 3: and then I'm kind of seeing some songs that I
• 40:11
  Speaker 3: have neo soul, and then we're going to jazz and
• 40:15
  Speaker 3: kind of even maybe like a little bit more harder
• 40:18
  Speaker 3: hitting R and B. So I'm kind of exploring everything
• 40:22
  Speaker 3: and I just kind of, I guess, visualize what I
• 40:26
  Speaker 3: want each song to emote, and I think dance and
• 40:29
  Speaker 3: music go hand in hand, So I'm experimenting.
• 40:33
  Speaker 4: Every set, I just and just kind of figuring it out.
• 40:36
  Speaker 3: But like in my Dialed inset, I'm doing a lot
• 40:40
  Speaker 3: of the new stuff, which isn't super movement heavy, so
• 40:43
  Speaker 3: I'm kind of leaning more into the vocals, and then
• 40:45
  Speaker 3: I start with like my older stuff that's a little
• 40:47
  Speaker 3: bit more upbeat, and then I kind of go into
• 40:50
  Speaker 3: the more slower, newer sound that's a little bit more heartfelt.
• 40:54
  Speaker 3: So you guys are seeing me figure it out on stage,
• 40:58
  Speaker 3: to be honest, I think I think that's the part
• 41:00
  Speaker 3: about like art, right, we were experimenting and seeing each
• 41:04
  Speaker 3: other experimentally real time.
• 41:06
  Speaker 5: Well, it certainly looks like a polished product that does
• 41:08
  Speaker 5: not look like you're figuring it out, at least for
• 41:10
  Speaker 5: what we can tell. So it looks awesome and it's
• 41:13
  Speaker 5: genuinely you, and we can see that on stage. Your
• 41:17
  Speaker 5: your music is captivating because I feel that it is
• 41:23
  Speaker 5: so honest and it's so true. And if there's any
• 41:27
  Speaker 5: kind of you know, anything that I've taken away from
• 41:29
  Speaker 5: just even what we've talked about here in this interview
• 41:32
  Speaker 5: is that you're you're very authentic. And and then you
• 41:36
  Speaker 5: have this song like self Esteem that we're going to
• 41:38
  Speaker 5: play after this interview, by the way, which would love
• 41:40
  Speaker 5: you to introduce for us.
• 41:41
  Speaker 6: It's gonna be a treat.
• 41:41
  Speaker 5: But you know, here's a song that is so personal
• 41:44
  Speaker 5: and and talks about your journey in the music industry
• 41:48
  Speaker 5: and ties it in in a way where it's like,
• 41:51
  Speaker 5: you know, put in front of people as though it's
• 41:54
  Speaker 5: a love song. And that's very interesting, and I want
• 41:59
  Speaker 5: to ask you that give us the relationship between those
• 42:02
  Speaker 5: two parallels that you draw on this song.
• 42:06
  Speaker 3: Yeah, so I didn't intend it as a love song
• 42:09
  Speaker 3: at all, but I think once I started writing and
• 42:11
  Speaker 3: then we got to the first took, I was like, wait,
• 42:14
  Speaker 3: I think this could be read as a love song,
• 42:16
  Speaker 3: which I think is really cool and it's super universal, right,
• 42:19
  Speaker 3: because I think being in music in the music industry
• 42:22
  Speaker 3: is universal to people that are doing music, But I'm
• 42:25
  Speaker 3: not sure if that sentiment can be related to people
• 42:29
  Speaker 3: around the world.
• 42:29
  Speaker 31: You know what I'm saying.
• 42:30
  Speaker 4: So I think it's cool that, like, if you.
• 42:33
  Speaker 3: Are a music person or you're in a creative industry.
• 42:36
  Speaker 4: Like you can relate to it in that way.
• 42:38
  Speaker 3: But I think in a universal sense, it's just talking
• 42:41
  Speaker 3: about feeling frustrated and feeling like you're finally realizing your
• 42:46
  Speaker 3: self worth that you don't have to run so hard
• 42:49
  Speaker 3: and try so hard to receive love from somebody that
• 42:52
  Speaker 3: you care about. And I think that is something that
• 42:55
  Speaker 3: we can all relate to, whether you're in corporate or
• 42:57
  Speaker 3: in creative or family dynamics or romantic dynamics. Like, that's
• 43:02
  Speaker 3: a sentiment that mostly everyone has felt, I think, so
• 43:06
  Speaker 3: it just kind of turned out to be that way.
• 43:07
  Speaker 6: Yeah, Yeah, that's beautiful.
• 43:11
  Speaker 5: I feel like you'd be a really good person to
• 43:14
  Speaker 5: answer this question because.
• 43:17
  Speaker 6: I feel that you.
• 43:19
  Speaker 5: Carry a great amount of responsibility in the work that
• 43:22
  Speaker 5: you put out, And the question that I have for
• 43:24
  Speaker 5: you is, let's imagine, let's not imagine actually there is
• 43:28
  Speaker 5: somewhere here in LA a young South Asian girl who
• 43:33
  Speaker 5: is listening to this interview right now, that is looking
• 43:36
  Speaker 5: at you with wide eyes saying, Wow, this is the
• 43:38
  Speaker 5: coolest thing I've ever seen in an individual. I want
• 43:43
  Speaker 5: to be like her. What is the advice you give her, Gadri.
• 43:49
  Speaker 3: You don't have to rush, You can take your time.
• 43:54
  Speaker 3: You can always listen to yourself, you can always take breaks.
• 43:58
  Speaker 3: And if they're feeling in it, and if you feel it,
• 44:01
  Speaker 3: someone out there is going to feel it too.
• 44:04
  Speaker 5: Well put, really really well put. I think that's excellent advice.
• 44:10
  Speaker 5: I have one last question for you before we introduce
• 44:13
  Speaker 5: this great song of yours. You know you're you're heading
• 44:16
  Speaker 5: out to the UK, You've got this big festival heading
• 44:19
  Speaker 5: up here dialed in and you know you're going to
• 44:22
  Speaker 5: be in front of people that are of all kinds
• 44:25
  Speaker 5: of backgrounds, more likely not of the same one as you.
• 44:29
  Speaker 5: But how do they receive you? What do the eyes
• 44:31
  Speaker 5: look like to you? In the audience?
• 44:34
  Speaker 4: I feel it for audience is pretty mixed.
• 44:37
  Speaker 3: I think the thing that ties ties my music to
• 44:41
  Speaker 3: together is not that I'm South Indian or that I
• 44:43
  Speaker 3: have South Indian elements in it. I think every single
• 44:46
  Speaker 3: one of my songs has a really deep emotional core
• 44:49
  Speaker 3: to it, and I think emotion questions is something that
• 44:54
  Speaker 3: can be felt across across any type of race and ethnicity.
• 44:59
  Speaker 3: So I feel like, yeah, that's the thing that ties
• 45:02
  Speaker 3: me together. And I'm just hoping people like will feel
• 45:05
  Speaker 3: the music and we'll feel the lyrics and we'll hopefully
• 45:08
  Speaker 3: relate that way.
• 45:09
  Speaker 4: But yeah, that's to say, I love it.
• 45:12
  Speaker 6: I love that.
• 45:13
  Speaker 5: That's so cool. All right, So, Guy three, we're about
• 45:16
  Speaker 5: to play self Esteem. If you can do us the
• 45:18
  Speaker 5: honors of announcing and introducing this song for us.
• 45:23
  Speaker 4: Hey, guys, my name is Guys, you Christian and you
• 45:26
  Speaker 4: are listening to.
• 45:29
  Speaker 3: Self Esteem on Ruckus Avenue Radio and I'm so excited
• 45:33
  Speaker 3: for you to hear it.
• 45:34
  Speaker 5: Thank you so much for joining us today, Guy three.
• 45:39
  Speaker 4: And what I'm tired.
• 45:40
  Speaker 17: Away and around for you to notice me.
• 45:46
  Speaker 19: I've done about everything, broove.
• 45:50
  Speaker 17: What I can be. One of my blows is at
• 45:58
  Speaker 17: just self stay. I don't try to make it soun okay,
• 46:02
  Speaker 17: wouldn't know. You don't have eyes to see.
• 46:07
  Speaker 19: You couldn't if you try.
• 46:09
  Speaker 14: You're not that deep.
• 46:15
  Speaker 17: But do you want you don't even know, but Joey
• 46:25
  Speaker 17: to take see he consistent talking to Wad so persistent.
• 46:32
  Speaker 17: I'm knowing rdspissive. Can't stunt a fad because it's not that.
• 46:42
  Speaker 17: But do you want you even know what money.
• 46:52
  Speaker 20: To take some sheep?
• 46:54
  Speaker 17: Why what do you want by making short? So may short?
• 47:23
  Speaker 17: Let's thank you this sort by, but too well, I
• 47:41
  Speaker 17: don't even know my moody by.
• 47:51
  Speaker 5: If this is your first time hearing Guy at three's work,
• 47:54
  Speaker 5: you've got some work to do. Head on over to
• 47:57
  Speaker 5: her socials and give her a follow. She's incredible and
• 48:01
  Speaker 5: what a song is called self esteem? So personally done?
• 48:05
  Speaker 5: What a deeply intimate moment for her talking about her
• 48:09
  Speaker 5: experience in the business with a song like that is
• 48:11
  Speaker 5: pretty moving. Shut out to Guy three, Krishna got ourselves
• 48:17
  Speaker 5: some new fans over here.
• 48:18
  Speaker 6: I think this song is wiz it Pater.
• 48:25
  Speaker 16: Hassan, Hassa, Kada Landau could care that Don's gay.
• 48:41
  Speaker 35: Cadet fully that beat it?
• 48:50
  Speaker 6: Tell Holy y'all have it, make don.
• 48:57
  Speaker 12: The Ain show, Honey for Germany, Honey yab very.
• 49:02
  Speaker 16: Delivered, Donkey Terry the song I know, Hi Jack, don't
• 49:07
  Speaker 16: let cooking dot count.
• 49:10
  Speaker 3: They re.
• 49:16
  Speaker 9: Usuna hassan, hassakada.
• 49:21
  Speaker 29: Lanasada ya could die, could eat it, Get.
• 49:32
  Speaker 17: Joy, key Beti.
• 49:36
  Speaker 9: Bangi Jerry juniaka mody like Jack, got.
• 49:43
  Speaker 26: Do like.
• 49:46
  Speaker 16: Get thank you, bar Denny Dona lu kin a Beardenny.
• 49:54
  Speaker 9: Genamali bagger ut sde son hey je well he's son in.
• 50:01
  Speaker 16: Like that, lonely and bunny and j rangod tera Suraki
• 50:06
  Speaker 16: but landa i plan dada la terras hassakada en us but.
• 50:19
  Speaker 20: God could die, could die here it don't they.
• 50:25
  Speaker 5: Enjoy really enjoyed our converse with Gaya three today. She
• 51:03
  Speaker 5: told me that she'd been training in garnautic music for
• 51:06
  Speaker 5: a really long time at a young age, and so
• 51:09
  Speaker 5: dancing and singing and playing the keyboard all kind of
• 51:14
  Speaker 5: worked at the same time for her, and you got
• 51:17
  Speaker 5: the feeling that she never looked at her work in
• 51:19
  Speaker 5: any separate way other than combining all that together in
• 51:22
  Speaker 5: one place, and she certainly accomplished that. Shout out to
• 51:26
  Speaker 5: Gaya three. But now, folks, let's bring in Douita das
• 51:29
  Speaker 5: Gupta to the show with today's artist spotlight.
• 51:31
  Speaker 15: Hi, everyone, this is the Da Da Skupta r Rukasavni
• 51:34
  Speaker 15: Radio Music corispondent back with another.
• 51:36
  Speaker 4: Artist, Spotlight.
• 51:37
  Speaker 15: Let's talk about Hastender, the Punjabi singer and songwriter known
• 51:41
  Speaker 15: for her soulful vocals and emotionally rich storytelling that blend's
• 51:44
  Speaker 15: classic Punjabi folk influences with modern production. Over the last
• 51:49
  Speaker 15: few years, Hastinder has built a strong fan base through
• 51:52
  Speaker 15: heartful tracks and consistent releases, becoming recognized for songs like
• 51:56
  Speaker 15: Nastiitn and Parahua, which continue to rack up millions a
• 52:00
  Speaker 15: streams worldwide. In twenty twenty five, he expanded his catalog
• 52:03
  Speaker 15: with projects like the EP Timeless, featuring songs such as
• 52:07
  Speaker 15: Punjab Will Noom and Walk showcasing both the romantic melodies
• 52:11
  Speaker 15: and upbeat vibes. Heading into twenty twenty six, has Sindre
• 52:14
  Speaker 15: kicked off the years strong with the new EP Him
• 52:17
  Speaker 15: and Her released Forebruary tenth, including tracks like Musla, Rung, Jetti,
• 52:22
  Speaker 15: gent A and Name, highlighting his versatility across emotional ballads
• 52:26
  Speaker 15: and modern Punjabi pop sounds. SAMs continued to praise his
• 52:30
  Speaker 15: consistency and authentic lyricism, with many in the Punjabi music
• 52:34
  Speaker 15: community calling his recent work some of his strongest yet,
• 52:38
  Speaker 15: with nearly half a billion total streams and a style
• 52:40
  Speaker 15: that balances nostalgia with contemporary energy. Has been there remains
• 52:44
  Speaker 15: one of the most respected and steadily rising voices in
• 52:47
  Speaker 15: Punjabi music today.
• 52:49
  Speaker 17: Well that's all for me.
• 52:50
  Speaker 15: Stay tuned for more only on Ruckus Avenue Radio.
• 52:53
  Speaker 5: Thank you Doita. This song is called well known. It
• 52:58
  Speaker 5: has Then there's latest with the good last actor.
• 53:01
  Speaker 30: How may you with your topic?
• 53:04
  Speaker 17: It's a Polia money he may you nieve with your top.
• 53:08
  Speaker 20: Yards a Polia.
• 53:10
  Speaker 17: Honey, Louisa? Did you think? And Ali the love letter?
• 53:14
  Speaker 36: Remember lea crossing ergy noll and they remember see Acrossing,
• 53:20
  Speaker 36: They remember see.
• 53:22
  Speaker 23: Acrossing to get the con loly he to get the
• 53:31
  Speaker 23: con the holy on the garage.
• 53:34
  Speaker 30: Old on I on the top Holiday, don't you know
• 53:37
  Speaker 30: the card?
• 53:38
  Speaker 5: And this one woman not.
• 53:41
  Speaker 14: In this one woman nothing, not.
• 53:44
  Speaker 17: In this one woman not Hey Yadafa s for the
• 53:58
  Speaker 17: get there it jam.
• 53:59
  Speaker 37: Us some mugine on there de luck there and cut
• 54:04
  Speaker 37: him off bacone del lucky and cut him on bacony.
• 54:11
  Speaker 17: Do they know off?
• 54:12
  Speaker 38: But they work up the TV like hous This act
• 54:18
  Speaker 38: of filthy beetle you, this abend of pirty beef to
• 54:22
  Speaker 38: lexectivate o Ma makay are the holy so much only
• 54:29
  Speaker 38: now you pays a blow to Panie sasty bony mushy.
• 54:34
  Speaker 30: Now you pass a borlow mad to Panie fastee bony.
• 54:39
  Speaker 30: They no kind of light you need Honde adondable list
• 54:44
  Speaker 30: are the gem group. You need to snub it reductably
• 54:48
  Speaker 30: on the group page.
• 54:49
  Speaker 12: You need to snub induct.
• 55:01
  Speaker 36: Make it the Vicarty marry Lama, you need it, you
• 55:05
  Speaker 36: get it, nd Rent the county d pheeny the mind
• 55:11
  Speaker 36: rens to the County Pennia. Money yet up a religion?
• 55:21
  Speaker 37: Did money get any barnating a religiantly money grivanna turning
• 55:27
  Speaker 37: a religion.
• 55:27
  Speaker 30: D hold on a mister be aware and what I've
• 55:34
  Speaker 30: been the good deal? Heavenly is honey shooting your butter
• 55:37
  Speaker 30: in Apol? I've been the good heavenly is honey shooting
• 55:41
  Speaker 30: your butter in Apol? Yet the honey sheep bad Cooper
• 55:48
  Speaker 30: going there.
• 55:49
  Speaker 10: July hun the market Cooper and.
• 55:53
  Speaker 12: At the Marget.
• 55:54
  Speaker 17: Cooper and the.
• 56:01
  Speaker 5: Song is called well known as Tender Girls. Actor. Right
• 56:06
  Speaker 5: after this next song, I'll share some closing remarks with you.
• 56:10
  Speaker 5: This is yes Shraj for you.
• 56:13
  Speaker 39: Mary Marco, Hassana, Bob Rara, Kamana person the persons such
• 56:25
  Speaker 39: a listener, rap Gali person loved Kushina, Krisina al from
• 56:40
  Speaker 39: San you wander Ry b B mc slan am and.
• 56:46
  Speaker 2: You know.
• 56:49
  Speaker 39: I'm got great artists polarizing Mary Marco, Hassana, Bob Rara,
• 56:58
  Speaker 39: Kamana persona Personalla Berson the butt Forlana Forlana lanas.
• 57:06
  Speaker 27: Such a.
• 57:20
  Speaker 13: Caliina, chat Town, Percina chat Town can be messy or
• 57:25
  Speaker 13: can be Keenny patown a means a cigarette. Peter Bowen guessing,
• 57:31
  Speaker 13: get me and Jean MANI got town to there is
• 57:34
  Speaker 13: to many bats government in a super many an.
• 57:38
  Speaker 5: I think it's take America.
• 57:41
  Speaker 35: And even Bert Colig brought town Yourcanobe Balija, just Ga
• 57:46
  Speaker 35: Galle chat Town, Thomas Mer come out down, Mumma Slam
• 57:53
  Speaker 35: come Town.
• 57:54
  Speaker 20: Were the name of Lua.
• 57:57
  Speaker 6: Versus the Bani will Alma.
• 58:14
  Speaker 5: The song is called Yea a Sanda had fun song.
• 58:20
  Speaker 5: Shout out to Guy three for stopping by today. And
• 58:23
  Speaker 5: here's something I've believed for thirty years but very rarely
• 58:28
  Speaker 5: get to prove on air. The classical and contemporary were
• 58:32
  Speaker 5: never two different worlds. We were just taught to keep
• 58:35
  Speaker 5: them in separate rooms. And Guy three Kristian never accepted that.
• 58:39
  Speaker 5: She came up in granatic music, the centries old classical
• 58:43
  Speaker 5: system of South India, and she pours it straight into
• 58:47
  Speaker 5: modern R and B. Six million streams on a debut
• 58:51
  Speaker 5: EP she put out with no label behind her and
• 58:54
  Speaker 5: a live show with but Natiim woven through it like
• 58:56
  Speaker 5: it was always meant to be there. She sat with
• 58:59
  Speaker 5: me to day on the show. What I keep coming
• 59:02
  Speaker 5: back to is this, the artists who matter aren't the
• 59:05
  Speaker 5: ones who picked tradition or pick the future. They're the
• 59:09
  Speaker 5: ones who refused to choose and built something that's both
• 59:13
  Speaker 5: and neither at the same time. That's Guy three, one
• 59:16
  Speaker 5: of one. Go find her music tonight. You'll hear what
• 59:19
  Speaker 5: I mean. Folks, have a great day. I've had a
• 59:22
  Speaker 5: fun time hanging out with you. I'll leave you with
• 59:25
  Speaker 5: this song from Shashwa such Dev and Jasmine Sandlist is
• 59:29
  Speaker 5: called mah Do Peace.
• 59:33
  Speaker 9: John manjan Manjani Manji, Mary Delumera, Jana manjan manjan Manji,
• 59:56
  Speaker 9: Mary de lu Mera