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One on One: Lawrence Hilton-Jacobs · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in, kiss you, I am all in
• 0:17
  Speaker 1: with Scott Patterson and I heart radio podcast. Hey everybody,
• 0:22
  Speaker 1: Scott Patterson, we are going to be talking to one
• 0:26
  Speaker 1: of the great New York theater actors of his time,
• 0:30
  Speaker 1: Lawrence Hilton Jacobs. Um. He has many credits that you
• 0:34
  Speaker 1: know him from. We're gonna get into all that. Very
• 0:37
  Speaker 1: excited to talk to him, reconnect with him. Super talented guy,
• 0:42
  Speaker 1: a quintessential New York actor. And let's bring him on.
• 0:46
  Speaker 1: Lawrence Hilton Jacobs. Ladies and gentlemen, he is here. You
• 0:50
  Speaker 1: were part of my childhood watching you and welcome back Connor,
• 0:55
  Speaker 1: that brilliant comedy. Um, so, how are you doing? What's
• 0:59
  Speaker 1: going on? Oh good man? Keeping it busy, you know,
• 1:02
  Speaker 1: and stuff like that. You know, Um, you know, kids
• 1:05
  Speaker 1: are big. You know, we got grandkids, you know, the drails.
• 1:09
  Speaker 1: Look at the youngest one is twelve out of my
• 1:11
  Speaker 1: grand babies, and so you know, she's developing, she's becoming
• 1:16
  Speaker 1: young ladies taking me out and uh, well it's wonderful
• 1:22
  Speaker 1: to watch them all grow up, isn't it. It's just
• 1:23
  Speaker 1: such a wonder man. How you holding. I'm doing good?
• 1:27
  Speaker 1: You know, I'm in Halifax. Shooting a TV series. I
• 1:31
  Speaker 1: missed my I missed my boy more and more every day.
• 1:34
  Speaker 1: I don't know how I'm gonna get through this, but
• 1:35
  Speaker 1: I'm gonna gonna have to get through it. Um miss
• 1:38
  Speaker 1: my wife, I miss everybody. It's just it's it's hard
• 1:41
  Speaker 1: to be on location. I'm sixty three years old now
• 1:45
  Speaker 1: and I'm on location and I never thought i would
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  Speaker 1: be on location at this age. But you know, it's
• 1:49
  Speaker 1: a great job. But can what can you do? You know,
• 1:52
  Speaker 1: it's a it's a great role, it's a great part.
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  Speaker 1: So the family that we're down with them because they
• 1:57
  Speaker 1: know that, and we just have to roll with the
• 1:59
  Speaker 1: dice and you know, the actor's life. Well, look, thanks
• 2:03
  Speaker 1: for coming in. You played principal Martin. How did you
• 2:07
  Speaker 1: get cast? Tell us about it. It's funny man on casting,
• 2:10
  Speaker 1: But I was the only male up for that gig.
• 2:13
  Speaker 1: That was I was like, you know, I don't think
• 2:16
  Speaker 1: it was gonna happen to you because I came in
• 2:18
  Speaker 1: and men and they have the audition process, and I
• 2:20
  Speaker 1: saw these females and a lot of one of the
• 2:22
  Speaker 1: actresses have been around for a long time, you know,
• 2:24
  Speaker 1: and so forth, and I was like, well, okay, Lee
• 2:27
  Speaker 1: was going to do my thing and I went in,
• 2:29
  Speaker 1: I popped on my glasses. That did it and didn't
• 2:31
  Speaker 1: let me leave the room. I told me I had
• 2:33
  Speaker 1: the parts. Nice. Um, why did you decide to go
• 2:39
  Speaker 1: into acting? And how did you break into the industry?
• 2:42
  Speaker 1: Because I was like, you were nuts, psychiatric help. I've
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  Speaker 1: been doing it now five years. Man, you know I'm
• 2:53
  Speaker 1: coming to Sunday. I'm gonna be sixty nine, he said,
• 2:55
  Speaker 1: sixty three six coming up, you know. And um, I've
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  Speaker 1: been doing it since um sixteen, nineteen sixty nine when
• 3:02
  Speaker 1: I got into the game, and um, you know, while
• 3:04
  Speaker 1: I was going to school of Art in design, I
• 3:06
  Speaker 1: grew up New York City, I just always wanted to
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  Speaker 1: do it and try it, and you know, and as
• 3:10
  Speaker 1: a kid, I used to always um elementary school. They
• 3:13
  Speaker 1: always equip me in the place and always got to leave.
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  Speaker 1: But it was like Peter and the Wolf, and I
• 3:17
  Speaker 1: guess it's just in you know, something like that. So
• 3:20
  Speaker 1: many remember you from Welcome Back Hodder. You play student,
• 3:24
  Speaker 1: and you years later on Gilmore Girls and you're a
• 3:28
  Speaker 1: school principal. What did you think of being back in
• 3:30
  Speaker 1: school setting, but this time playing an authority figure. I
• 3:34
  Speaker 1: didn't think of it in that way, you know. I
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  Speaker 1: thought of it as let me do a good job
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  Speaker 1: and learn the lines, and then the Gilmore girls you
• 3:39
  Speaker 1: have to learn the lines exactly as they are. It
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  Speaker 1: was fun, you know. It's always interesting to try something
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  Speaker 1: different or something that um can stretch you as an actor,
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  Speaker 1: you know, and I've been I've been blessed in that way.
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  Speaker 1: I've been able to play a moder variety of roles
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  Speaker 1: over the many years of doing it. So it was fun.
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  Speaker 1: I know. We had a little back and forth when
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  Speaker 1: there was kind of you know, and um, we were
• 4:01
  Speaker 1: into it and so well I think we did all right.
• 4:04
  Speaker 1: Oh yeah, um, so we just recapped that episode Keg
• 4:08
  Speaker 1: Max where you played a pivotal role in justice life
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  Speaker 1: and telling me he isn't graduating high school. Do you
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  Speaker 1: remember the scene? You know something? I remember both of
• 4:15
  Speaker 1: them because I did him a you're apart. I remember
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  Speaker 1: the first one was with the was the first one
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  Speaker 1: with you. The second one was with you the second
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  Speaker 1: year we have done the scene. I think the first
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  Speaker 1: I think the first one was with me. It was
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  Speaker 1: with you. Okay, I'm getting flipped and but but I
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  Speaker 1: remember the young man coming in, and um, he was
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  Speaker 1: a nice dude. You know, we talked and I mean,
• 4:35
  Speaker 1: you know, you don't remember everything. You kind of getting
• 4:38
  Speaker 1: around a while, but remember the experience was good. Um,
• 4:41
  Speaker 1: it moved pretty quickly and so forth, and so there
• 4:46
  Speaker 1: it is. Man, Yeah, so what so you recall Milo
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  Speaker 1: was a nice young kid and um, as an actor,
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  Speaker 1: he was definitely ready and on on, which you know,
• 4:56
  Speaker 1: we always gonna appreciate. Um. You know, your show was
• 4:59
  Speaker 1: the show that was very exacting on how you had
• 5:02
  Speaker 1: to perform something in terms of dialogue and so forth.
• 5:05
  Speaker 1: But I didn't feel restrained by that. But we're able
• 5:07
  Speaker 1: to find a little give and take with each other
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  Speaker 1: that had some spontaneity in it. So that meant he
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  Speaker 1: was a responsive young man. And um, so that that
• 5:14
  Speaker 1: enlightened me. Mm hmmmmm. Um. So what was your experience
• 5:19
  Speaker 1: like on the set compared to others? Um? Uh, you know,
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  Speaker 1: when you're doing television as we've done for a lot
• 5:27
  Speaker 1: of the years, especially when we did Welcome mcconter, we
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  Speaker 1: had dialogue, but we could be loose with it at times,
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  Speaker 1: you know, and many times would have happened on camera
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  Speaker 1: that became the lore of the show. We made it
• 5:37
  Speaker 1: up on the spot and somehow we just knew how
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  Speaker 1: to respond. That ain't the Gilmore Girls. You know you
• 5:42
  Speaker 1: gotta written has got to be this and and so forth. So, um,
• 5:46
  Speaker 1: that made you really pay attention and it woke me
• 5:48
  Speaker 1: up a little bit. But on the set it right,
• 5:51
  Speaker 1: It is very very nice, you know, it was. You
• 5:52
  Speaker 1: could feel it as a family crew or a crew.
• 5:54
  Speaker 1: People are familiar with one another, so nobody tripped. They
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  Speaker 1: were certainly very nice to me, um, and I was
• 6:01
  Speaker 1: nice to them as well. So all right, Um, had
• 6:06
  Speaker 1: you watched Gilmore Girls before taking the role? You know
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  Speaker 1: something I had seen. It's like a lot of television. Um,
• 6:13
  Speaker 1: when you're in television as long as I've been in it,
• 6:15
  Speaker 1: you don't watch a lot of shows, which may not
• 6:17
  Speaker 1: be a good advertisement for our game, but it is.
• 6:19
  Speaker 1: But I had seen many clips and so I had
• 6:21
  Speaker 1: a feeling with the Gilmore Girls about this is the
• 6:23
  Speaker 1: popular show and on the c W back in that day,
• 6:25
  Speaker 1: so it was there. So I was very aware of
• 6:28
  Speaker 1: the mother and the daughter and the whole nine thing.
• 6:31
  Speaker 1: So I had a feeling what it was about. And
• 6:32
  Speaker 1: I like the show. I know some of my um
• 6:37
  Speaker 1: younger family. Uh you never know anywhere, but younger than
• 6:40
  Speaker 1: when they saw it. They were like lightening. Well that's
• 6:41
  Speaker 1: my favorite chilly Compare what it was like working back
• 6:52
  Speaker 1: in the seven early seventies, like Cornor was on. What
• 6:55
  Speaker 1: were the years? It was early seventies and mid seventies,
• 6:57
  Speaker 1: five to seventy nine, five seven nine, So what was
• 7:02
  Speaker 1: tell us how different it was back then compared to now.
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  Speaker 1: You know a lot of television television as well as
• 7:08
  Speaker 1: movie still had movie stars and big stars. There was
• 7:10
  Speaker 1: a lot of fanfare behind that. When we did the
• 7:12
  Speaker 1: Welcome Macato Show, you did the show where you came
• 7:15
  Speaker 1: in on a Monday, you had to read through with
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  Speaker 1: the cast and the crew and all you know, the
• 7:20
  Speaker 1: staff and so forth. Then you gotta when you started
• 7:22
  Speaker 1: rehearsing on its feet. You did that for a couple
• 7:24
  Speaker 1: of days. By Wednesday you would do it again, but
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  Speaker 1: this time the network would come in and give their
• 7:27
  Speaker 1: approvals and make the changes. Then Thursday would come around
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  Speaker 1: and we would block the show. The camera block it
• 7:33
  Speaker 1: will they Then on the fifth day, which is Friday,
• 7:35
  Speaker 1: you get it was being rewritten all the way. You
• 7:38
  Speaker 1: get your rewrites delivered to you early that morning. You
• 7:40
  Speaker 1: get to work by twelve thirty day afternoon, and then
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  Speaker 1: you really pin, you know, fine tune what you've been
• 7:45
  Speaker 1: rehearsing in terms of camshots and so forth. And then
• 7:48
  Speaker 1: at five thirty we would do an earlier show with
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  Speaker 1: an audience of three hundred. We should call at the
• 7:52
  Speaker 1: out of town tryouts. And then you do that, and
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  Speaker 1: then we go off to dinner and we get notes,
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  Speaker 1: and then we come back and we do an eight
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  Speaker 1: collection with a new audience and three people, and that
• 8:03
  Speaker 1: that was over. We might do some pickups. Now, in
• 8:05
  Speaker 1: the beginning we first did it, we were there. We'd
• 8:09
  Speaker 1: come to work and we'd be there to tow three
• 8:10
  Speaker 1: in the morning shooting. But you get your show down,
• 8:13
  Speaker 1: you know, after a while. By the time we got
• 8:15
  Speaker 1: into the third year, certainly the fourth year, I mean
• 8:18
  Speaker 1: we're out of that. Studios passed, we really got notes,
• 8:20
  Speaker 1: we shot it, we were at it about not thirty
• 8:21
  Speaker 1: and night we're done. Wow. You know. Even rehearsals, we
• 8:25
  Speaker 1: would come in and rehearsals used to be at like
• 8:27
  Speaker 1: nine am, and it would go till six. Eventually it
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  Speaker 1: became like eleven to four. I would sit down with
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  Speaker 1: not not even trying to memorize it, read the script
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  Speaker 1: and know it. It just it just got to be
• 8:38
  Speaker 1: like that for right, right right, and and you know
• 8:42
  Speaker 1: that's the difference thing working on a sitcom in front
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  Speaker 1: of a live audience as opposed to working on a
• 8:47
  Speaker 1: show like Gilmore Girls. You do you like it better
• 8:51
  Speaker 1: in front of a live one? Did you like the
• 8:52
  Speaker 1: conter four or four camera live audience sitcom better than anything?
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  Speaker 1: I think you make the adjustments that you go along
• 8:59
  Speaker 1: least that's might take on it. Um I came, I
• 9:01
  Speaker 1: come from theater. Is a lot of us, do you know?
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  Speaker 1: I did different guys growing up as an actor and
• 9:05
  Speaker 1: living in New York City. Um, I learned to make
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  Speaker 1: the adjustments. I started doing a lot of film before
• 9:10
  Speaker 1: I ever came to the sitcom thing. And when we
• 9:12
  Speaker 1: got in there with the four camera, the three cameras
• 9:14
  Speaker 1: in the one fourth camera as an isolator which they
• 9:17
  Speaker 1: call iso camera, you make the adjustments and so forth
• 9:20
  Speaker 1: and so um is there a preference? Um? Probably the
• 9:23
  Speaker 1: future films I like doing. I like doing the film
• 9:25
  Speaker 1: thing more like what you guys are doing. But doesn't
• 9:28
  Speaker 1: make any difference to me. No, you know, you just
• 9:30
  Speaker 1: make the adjustment and you, um, you understand that you
• 9:33
  Speaker 1: have to lay yourself back a certain way if you're
• 9:34
  Speaker 1: doing television, or you have to deliver it a certain
• 9:36
  Speaker 1: way if you're doing theater, and you just um step
• 9:39
  Speaker 1: up to that to that flavor, right right, right. So
• 9:42
  Speaker 1: you so you did a lot of New York theater.
• 9:44
  Speaker 1: You did you work with Joe Pop? Did you work
• 9:46
  Speaker 1: with uh? That wasn't When I went out one summer
• 9:48
  Speaker 1: with Joe Pap doing um, the New York Shakespeare Festival,
• 9:51
  Speaker 1: we did um ceremonies and UM when a ceremonies in
• 9:53
  Speaker 1: different what the wine sellers by with Joe Pap and
• 9:57
  Speaker 1: Joe Pap was really this is what he always did.
• 9:58
  Speaker 1: He was he would come around, he'd be a nice guy.
• 10:01
  Speaker 1: He always brought this I don't know if he came
• 10:02
  Speaker 1: out of the celling he read this this uh box
• 10:05
  Speaker 1: with all these wines and they came out of this
• 10:07
  Speaker 1: big creep and he gave everybody a bottle of wine
• 10:09
  Speaker 1: and thank you and this episode joke right, Uh, did
• 10:15
  Speaker 1: you ever? Did you ever work at the circle wrapper
• 10:17
  Speaker 1: place like that? A circle rapper? I auditioned for Joyce
• 10:20
  Speaker 1: Scott and didn't get the part George Sea, thank you, um,
• 10:25
  Speaker 1: but I tell you down at the public theater, and
• 10:26
  Speaker 1: we were down here a really enlightening thing for me
• 10:28
  Speaker 1: is um. Other people were always rehearsing work there. So
• 10:32
  Speaker 1: there was a young actor who was just about to happen,
• 10:35
  Speaker 1: and he was a North Broadway star and he was
• 10:36
  Speaker 1: rehearsing and he was no further further than maybe five
• 10:39
  Speaker 1: feet from me. And I'm in the audience watching him
• 10:41
  Speaker 1: rehearsed with the strip in his hand, and he's intense
• 10:44
  Speaker 1: and he's into his thing, and he's so there's Alpaccino. Man. Wow.
• 10:50
  Speaker 1: And then and there was like local joking dude, he
• 10:54
  Speaker 1: walks in. It was Morgan Freeman. So this is what happened.
• 10:56
  Speaker 1: This is the kind of people who was floating in
• 10:57
  Speaker 1: out and Dick, Anthony Williams and Roscoe round and oh man,
• 11:01
  Speaker 1: it was a nutsman. Johnny could say a lot of them, catchman.
• 11:03
  Speaker 1: I would see them all the time down there and
• 11:06
  Speaker 1: then get to know some of them and talk to them.
• 11:08
  Speaker 1: So for a young actor it was super education. So
• 11:11
  Speaker 1: that they all came through the public theater as well.
• 11:14
  Speaker 1: Everybody had stepped through the public theater that ever took
• 11:16
  Speaker 1: a step in New York City and wanted to be
• 11:18
  Speaker 1: an actor. We had down there. There was also the
• 11:20
  Speaker 1: Lamana Theater. There was you know, there was a new Um,
• 11:25
  Speaker 1: the New Federal you know theater down there with Whitty
• 11:27
  Speaker 1: King Jr. Ran forever until he retired recently, and um,
• 11:31
  Speaker 1: we all had our steps. There was was the Wooster
• 11:33
  Speaker 1: group going that weren't going back in the seventy front.
• 11:36
  Speaker 1: That's Willem Dafoe and Elizabeth the Compton um not knowing
• 11:42
  Speaker 1: that super super they were down on Garage Street or
• 11:46
  Speaker 1: something like that. I mean, it was just like this
• 11:47
  Speaker 1: super experimental stuff, that stuff going on down in the village,
• 11:51
  Speaker 1: you know, Like I said, the Lama, it was like that.
• 11:53
  Speaker 1: Mama did a lot of Yeah. I studied out of
• 11:56
  Speaker 1: the New Ensemble Company and then up in Harlem at
• 11:59
  Speaker 1: the Fantastical Ensemble. You know. Um, I had two days
• 12:03
  Speaker 1: in the actor's studio, did you Yeah, you know, I
• 12:07
  Speaker 1: mean there there was always gonna be really difficult to
• 12:09
  Speaker 1: get into the actor's studio. So listen, I walked up
• 12:12
  Speaker 1: to the door and they didn't they said, you're in.
• 12:14
  Speaker 1: I was shocked. I guess they had seen I've done
• 12:16
  Speaker 1: a movie called Clodian, you know, and so they had
• 12:19
  Speaker 1: seen that movie and so they knew me. They said, no,
• 12:20
  Speaker 1: you're in. And then two days later I got Coolie high,
• 12:23
  Speaker 1: so I had to split. So the actor's studio admitted
• 12:27
  Speaker 1: you as a member without auditioning because they've seen you
• 12:31
  Speaker 1: in a film. That's my assumption. These So they didn't
• 12:34
  Speaker 1: give me any they didn't give me no, no preamble,
• 12:36
  Speaker 1: and they said, okay, you're I came in and set
• 12:39
  Speaker 1: a couple of times to see people doing that thing.
• 12:41
  Speaker 1: You know. Didn't do it with Eli Strassburg, but other
• 12:43
  Speaker 1: teachers were there. And that was gone for six weeks,
• 12:47
  Speaker 1: six and a half weeks in Chicago doing COOLi hut
• 12:49
  Speaker 1: I was. I was an observer there for a couple
• 12:51
  Speaker 1: of years. I did a bunch of plays there, but
• 12:53
  Speaker 1: I never I auditioned once and they stopped me in
• 12:56
  Speaker 1: the first two and a half minutes. So it's like
• 12:59
  Speaker 1: they were shattering. But they never they never let anybody
• 13:02
  Speaker 1: buy after their first audition. Never the front door there,
• 13:07
  Speaker 1: you know, when you went in there and it was
• 13:08
  Speaker 1: all closed off in that little bobby, you know, and
• 13:10
  Speaker 1: they had this little slip thing they you know, they
• 13:12
  Speaker 1: opened up and looked like you know, Joe sent me.
• 13:14
  Speaker 1: It almost felt like, you know how that just worked out,
• 13:20
  Speaker 1: you know with me. So I had to act studio,
• 13:23
  Speaker 1: very intense experience in there. That that was That was
• 13:26
  Speaker 1: something um um. So you're currently working on a series
• 13:30
  Speaker 1: called A House Divided on Amazon Prime and All Black
• 13:34
  Speaker 1: or A L L B l K All TV, which
• 13:38
  Speaker 1: also Amazon Prime. It's underwritten by A mc amaz We're
• 13:42
  Speaker 1: doing that now for about three years. We just finished
• 13:45
  Speaker 1: a fifth season and playing this super lely rich guy
• 13:48
  Speaker 1: who's got a family of problem children and everybody else
• 13:51
  Speaker 1: and we're going through the most intense drama this last season,
• 13:55
  Speaker 1: which is coming out in October. They decided to make
• 13:58
  Speaker 1: me go nuts and I was having all just losing
• 14:00
  Speaker 1: my mind. So I'm missing everybody up, I'm having a
• 14:03
  Speaker 1: good time with and and that's that's Cameron Sanders, the
• 14:07
  Speaker 1: character of Cameron Sanders writing. I'm directing, and they got
• 14:11
  Speaker 1: me doing it all man so and I'm one of
• 14:13
  Speaker 1: the co producers on the show. So it's pretty cool.
• 14:15
  Speaker 1: All right. So check out Lawrence Hilton Jacobs and the
• 14:19
  Speaker 1: Amazon Prime House Divided. Uh, you'll be glad you did.
• 14:23
  Speaker 1: You also have a film coming out this October called
• 14:26
  Speaker 1: night Stalker. What can you tell us about it? We
• 14:28
  Speaker 1: don't start until a late part of October, and it's
• 14:32
  Speaker 1: based on a true story about a serial killer whoever
• 14:34
  Speaker 1: were killing a lot of women in Atlantic City and
• 14:37
  Speaker 1: then eventually went up to Long Island and they can
• 14:39
  Speaker 1: They never knew who this guy was, so they made
• 14:42
  Speaker 1: a story based on that with myself in two hot
• 14:44
  Speaker 1: shot female detectives and who come to the wrong jurisdiction.
• 14:48
  Speaker 1: But we gotta get this guy. And so that's the
• 14:51
  Speaker 1: through line of the film. Now, in real life, I
• 14:53
  Speaker 1: heard from the director, whose name is Keith Veil that Um,
• 14:56
  Speaker 1: the guy who had um was the elusive killer. They
• 15:00
  Speaker 1: found him, but he was a junkie and odeed and
• 15:02
  Speaker 1: he had an ode brother that I mean buddy that
• 15:05
  Speaker 1: you know, fested up about him. So did They didn't
• 15:08
  Speaker 1: rewrite the movie to put that in there because they
• 15:10
  Speaker 1: had a better in me. I just they like. But
• 15:12
  Speaker 1: but he gets his in the end, and you know
• 15:15
  Speaker 1: and um, I won't give it away, but um, but
• 15:17
  Speaker 1: I get him. Um. Okay, you're ready to play rapid fire,
• 15:24
  Speaker 1: Come on with it, man. How many coups of coffee
• 15:28
  Speaker 1: you have them? Every day. I don't drink coffee at all. None.
• 15:32
  Speaker 1: Who is your favorite Gilmore Girls character? The guy I'm
• 15:35
  Speaker 1: I'm looking at right now? There you go, There you go?
• 15:37
  Speaker 1: What would you order it? Luke's Diner? Um? Hamburger? Would
• 15:42
  Speaker 1: you rather go on a road trip with Taylor or Michelle? Um?
• 15:46
  Speaker 1: The jury is out? Yeah, that's probably neither. Uh finished
• 15:51
  Speaker 1: finished the lyric? And where you lead? I will follow?
• 15:55
  Speaker 1: What's the w where you go? I believe that's it.
• 15:59
  Speaker 1: I'm never remembering anywhere that you tell me? Too so close.
• 16:02
  Speaker 1: We're gonna We're gonna give you the We're gonna give
• 16:04
  Speaker 1: you the points on that one. Uh, Jackson's Vegetables or
• 16:09
  Speaker 1: Suki's Baked Goods Jackson's Vegetables. Man mean, yeah, you get
• 16:14
  Speaker 1: better believe it? Uh? Would you rather listen to Drella's
• 16:17
  Speaker 1: Harper the Trooper Doors cover songs? Trop Doors? I used
• 16:21
  Speaker 1: to go, hang up there? Are you kidding me? Children?
• 16:25
  Speaker 1: Prepper Stars Hollow Hi? Sit again? Chilton Prep or Stars
• 16:31
  Speaker 1: Hollow Hi? Oh Stars Hollow Hun. That's because you're the principal.
• 16:35
  Speaker 1: That's right, man, I'm in charge. Dare I tell people
• 16:37
  Speaker 1: were like what to do and maybe actually listen to me, Lawrence.
• 16:40
  Speaker 1: It was a pleasure talking to you, catching up with you,
• 16:44
  Speaker 1: and you are the real deal. I'm gonna read some
• 16:47
  Speaker 1: of your credits if you don't mind. Uh. You were
• 16:50
  Speaker 1: best known for playing Freddie Boom Boom Washington. Absolutely, welcome
• 16:56
  Speaker 1: back Carter, Welcome back Cotter. Uh oh, and you had
• 17:00
  Speaker 1: so much attitude. I remember when I was a kid
• 17:02
  Speaker 1: watch watching you. The attitude. I was like, Wow, that's good.
• 17:05
  Speaker 1: We're bout a little tough New York guys. When we
• 17:07
  Speaker 1: got all of us. You will also appear a number
• 17:12
  Speaker 1: of films and television use Glen Claudeine what you mentioned
• 17:15
  Speaker 1: got you into the actress studio Coolly High Roots Wow,
• 17:18
  Speaker 1: Roots was a massive television event. I don't know Roots.
• 17:23
  Speaker 1: This Sunday, I was at Glenn Terman's house that just
• 17:25
  Speaker 1: ranch has a ranch and you want to have a
• 17:26
  Speaker 1: bunch of people over. And I had not seen him
• 17:28
  Speaker 1: in years. I was sitting down with Ben Vereen from Roots.
• 17:31
  Speaker 1: Oh my goodness. Really in Years Man, which was just wow, Uh,
• 17:38
  Speaker 1: Bangers and Mash Alien Nation, The Jackson's in American Dream
• 17:42
  Speaker 1: and thirty one. Uh. Lawrence, has been a pleasure. Thank you.
• 17:47
  Speaker 1: You're the real deal. You're a real, real New York
• 17:51
  Speaker 1: theater actor who branched out and and uh got success
• 17:56
  Speaker 1: in film and television. Can't wait to check out the
• 17:58
  Speaker 1: new series. I'm gonna I'm gonna dig into it tonight,
• 18:01
  Speaker 1: I think. Okay, Uh, I'm good luck with your show,
• 18:05
  Speaker 1: you know. And keep on strolling, man, But get homes
• 18:07
  Speaker 1: and say hi today that sun man. Darn right, man,
• 18:09
  Speaker 1: I'm counting the days anyway. Much love, take care man,
• 18:13
  Speaker 1: Thank you, thanks for coming on you too, buddy. Hey, everybody,
• 18:46
  Speaker 1: and don't forget follow us on Instagram at I Am
• 18:49
  Speaker 1: all In podcast and Emailie at Gilmore at I Heart
• 18:54
  Speaker 1: radio dot com. Oh you gil More fans. If you're
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