Latest / Leonidas Witherall / Leonidas Witherall - Mrs Mullet Disappears
Transcript
- 0:07W. O. R. Mutual is proud to present the distinguished American actor
- 0:11Walter Hampden in the Adventures of Leonidas Weatherall is always getting mixed up in murders.
- 0:26You wouldn't think so. To look at him. He looks exactly like
- 0:29Shakespeare. It's his beard, and he's proprietor of an important school for boys
- 0:33in New England. He writes thrower stories to the Lieutellant Hazeltine stories and the
- 0:42incident by which Leonidis manages to get mixed up in crime are strange and unexpected,
- 0:47aren't they, mister Hampton, They certainly are. For instance, at
- 0:50this moment it's a very pleasant twilight hour in Dalton, and whither All is
- 0:54at home in his study reading down in the hall for the living room.
- 1:00Missus Mullett is good friend, and the general housekeeper for the neighborhood is hard
- 1:04at work. When all right, Missus Mullett, were any visitors, No,
- 1:12not that I know of, Miss Mullet. What's happened? Well,
- 1:18right, miss Mullett, this Mullet opraider. I want police headquarters. Hurry,
- 1:27hurry, Missus Mullett went to answer the door, sergeant, and I
- 1:38was sitting in the study. I couldn't see it the foyer. Suddenly I
- 1:41heard her scream. When I ran out to look for her, she vanished.
- 1:46And from the way she screamed, I'd say something horrible that happened to
- 1:49her. She didn't have any enemies, did she. She was the friendliest,
- 1:52most harmless woman who she worked for, some of the best families and
- 1:56daughter. And that's why I can't understand this. Well. I've put her
- 1:59on the missing versus list. I've done all the routine things. I can't
- 2:01do anything else. But don't you see she didn't just get up and walk
- 2:05off somewhere. She's been kidnapped. But you say you didn't see anyone,
- 2:08No cars, no strangers, no evidence of any kind. I'd send out
- 2:13every squad car i'd got, but where I go? Quite right, I
- 2:16guess I'm not making much sense. All we can do is wait, yep,
- 2:21that's it. All we can do is wait, hello, miss Fidget.
- 2:37Yes, this is Leonorous with her off. Oh sure, beer Shakespeare?
- 2:39How is the beer? Is missus Mullet at your house? We knew
- 2:43what she disappeared a few hours ago. I had been calling various people in
- 2:46dawhin, hoping they might have seen her. No, I haven't seen her,
- 2:53Sogeant the couple. Yes, Bill, no word yet, No word
- 2:58yet, Bill. I'm going to bed, Sergeant, I'm exhausted. But
- 3:01call me the second she turns up, no matter what time it is.
- 3:10Yes, good morning, this is leonids Will. No, she's not home
- 3:15yet. I see all right, thank you coming one second? Miss m
- 3:30Thank heavens. Are you all right there? I can still stand up.
- 3:35What's happened to you? I've been frantic. It's five o'clock in the afternoon.
- 3:38You've been gone almost twenty four hours, mister Witherall. I was kidnapped.
- 3:45I thought, Oh, here, sit down. Would you like some
- 3:47water? You look peaked? Oh my face is dirty, isn't it?
- 3:53And my hat it's not on straight? Yes, yes, but go on,
- 3:58I'll tell you the story. Well, remember when I went to answer
- 4:02the door. Yes, well, I opened the door and I didn't see
- 4:06anyone. So I stuck my head out and PRESSEDO. Someone took hold of
- 4:12my arms and put a blindfold over my eyes. Do you recognize anyone?
- 4:17No? It was dark, you know, and it all happened a fast.
- 4:21I'd know their voices though, where did they take you? Well,
- 4:25I don't know exactly. They made me walk down the street and we got
- 4:30into a car. Then we went for a ride, not long, about
- 4:34ten or fifteen minutes. To say, what did they talk about in the
- 4:39car? Nothing? Not till we got there where somehow I think they took
- 4:46me into the cellar because from the street we walked down, not upstairs.
- 4:50And then what happened? They took the keys. I've got the keys to
- 4:55everybody's house to take care of quired more than a dozen of them. Well,
- 5:00they never took the blindfold off. They just took the keys. Then
- 5:04they started to talk about mister Twink. Mister Twink, Yes, yes,
- 5:10I take care of his house. It's on Blackstone Road. Mister Twink's on
- 5:15vacation. He went to Canada last week, and he left the key to
- 5:18his place with me. Yes, evidently they wanted to get into mister Twinks'
- 5:23home. You know why I was sure a do. He not only left
- 5:26the key to his front door, he left the key to his safe.
- 5:30Besides, he told me the combination of the little door inside. Why did
- 5:33he do that? Well, mister Twink has a lot of confidence in me.
- 5:38Oh, justifiably. You see, he has a lot of silverware in
- 5:42the safe, and he wanted me to cleed him. Then there's some bonze.
- 5:46I uh had a bit of business to tend to for him. Of
- 5:49course your executive ability would help there. Yes, I had to clip some
- 5:55coupons for him. It's obvious those men were after all those valuables in the
- 5:59safe. Oh, they were after the safe all right. After they had
- 6:02the keys. They asked me to tell them mister Twink's combination, but I
- 6:06wouldn't. They tried just about everything they could think of. It didn't hurt
- 6:12you, I hope. Well, they were going to. First they offered
- 6:15me some money, which you spurred. I wouldn't touch it. Then they
- 6:19argued with me and argued with you affirm like a rock. Excellent. Then
- 6:25they went away somewhere, but they came back a few hours later. The
- 6:29fact is they went away several times, and every time they came back they
- 6:34asked me about that combination again. Did they treat you very roughly? Well,
- 6:40not like in one of those Hazel Tine stories you write. But they
- 6:44wouldn't give me anything to eat. And when I got sleepy, they kept
- 6:47waking me up and they were all set to really hurt me, but I
- 6:53got out. You escaped, genius. That part was just like in one
- 6:59of your stories. I was tied to the chair, you see, And
- 7:02after a while it got very quiet. I'm sure they'd gone off somewhere.
- 7:06So I did what hazel Time always does. I wriggled, squirmed, and
- 7:14finally I got one hand loose. Then I untied the other knots and got
- 7:18the blindfold off. And what did you see? Nothing? It was pitch
- 7:24black. So I just sneaked up to where I saw some lights coming through
- 7:28a door, and when I got to it, I just ran for all
- 7:31I was born. I didn't look back for a second. I just ran
- 7:35and ran. Did you come out of the cellar? Yes? Well?
- 7:40Did you know this where you were? Well? It was so tired and
- 7:43dizzy, I I just ran around for a while without knowing where it was.
- 7:47I was too frightened to think, and then I fell down. Oh
- 7:53my, oh, I must have stayed there by the side of the road
- 7:57for a long long time. When I came to it was light, so
- 8:01I hurried over here. The route where I fell down was near the highway
- 8:05high wait G eight going Todd Canarvon, Well, I think so. I've
- 8:09never been out that way before. G eight. Yes, that's it.
- 8:15That's where we'll start start. Or aren't we going back there to capture that
- 8:20gang, just like Hazel Time would. We're certainly not you and I alone.
- 8:24Hazel Time captures a gang alone. Missus Mullett. The Lieutenant is a
- 8:28fictional character product of my imagination. Mister. Practically speaking, the possibility of
- 8:33you and me capturing that gang, as you put it, is absurd.
- 8:37Besides it, they're really an organized gang. The chances are very good we'd
- 8:41never lived through such an escapade. But if you think I'm gonna let those
- 8:45rascals go start free after kidnapping me, you're all wrong, mister Witherall.
- 8:48I'm gonna teach them a lesson if I have to do it myself. Missus
- 8:52Mullet, your intentions, however, firm, wouldn't be very convincing in the
- 8:54face of a machine gun. Machine gun or not, I'm gonna find out
- 8:58who webbed me. You come along. You're very smart about these stays.
- 9:03I don't think it'd be a battle of wits. It might be confined to
- 9:05gunplayer. Well, you can stay if you want to, of course,
- 9:09Hazel time. Never just sit there, missus mullet, Why not let the
- 9:13police handle it. I'll call Sergeant maccabble. Yes, this is definitely a
- 9:20problem for the sergeant Police headquarters. This is Leonorist. Witheral sergeant and missus
- 9:24Mullet's just come back. Well, Bill, I'm glad to hear it.
- 9:28Hey, where was she? She was kidnapped? She was? Oh did
- 9:33it? We don't know, of course, she has some clues. Well
- 9:37anything definite, well, not too definite. No, Oh well, look
- 9:41Bill, I would just leave him. There's been a big robbery. You
- 9:45keep missus Mullett at you're placing. I'll drop by and some as I finished
- 9:46this job? How was that the sergeant? Sorry, Bill can't spare time
- 9:50to talk about it now, But I thought hello hello, oh he hung
- 9:54up? Well please come on, not just yet, as soon soon?
- 10:00Do you think I'm gonna sit here and give those crooks a chance to get
- 10:03away? I'm going right now. No, wait, you can't rock those
- 10:07men alone. Now you can come a lout, but here I go,
- 10:09ahright, all right, my car's outside. I'll go along. At least
- 10:15I may be able to keep you from getting yourself killed. Come along,
- 10:22I imagine the only way to locate this house is for you to recall every
- 10:26sound you heard, every small detail you can remember about that automobile ride.
- 10:31When i'll let's see. First thing was the baker rade bakery. Yes,
- 10:35we've been riding along about a minute when I smell the bake. Ray can't
- 10:39mistake it, you know, mm, get right in. That's it.
- 10:50Your acquaintance with the shops in town should help. Whose bakery is about a
- 10:54minute's drive? Well, they sing, oh, do Goals the only one
- 10:58that's anywhere near your high and we'll head for Doogles. What did you notice
- 11:01after that? There was a bakery? Then the tracks opt up, the
- 11:07car going over tracks railroad tracks. We'll drive the Doogles and then see which
- 11:11way we have to go across the tracks. Fie, Now we're accomplishing something.
- 11:16We'll catch those crooks. Mister. We're all step on it. There's
- 11:33a bakery and the tracks are off the left up this street, so we'll
- 11:39turn left. There are the tracks right overhead there. Yes, look look
- 11:46at that car coming toward us, The big black one. Seems to driver's
- 11:48crazy the way he's scurbing from side to side. Maybe it's a gangsters,
- 11:52maybe don't want to kill us. Go to wheel, Let go the wheel.
- 12:03You are right, Miss Mullett. They came within two inches of turning
- 12:07sover. Yes, sir, I was so scared there for a minute.
- 12:11Do you think it was the gangsters? Very possible. They may have followed
- 12:15you. They maye know we're heading for their hangout. I'm not turning back
- 12:20either, You're not. That car wasn't a sufficiently dramatic example of what may
- 12:24happen. We're gone right straight ahead. Now, let me think after the
- 12:28track there was the water. I heard water much water brook. No,
- 12:35No, it was longer than that, sort of a sort of a waterfall.
- 12:39M How much time elapsed between the tracks and the water, Well,
- 12:43I don't know. I'd say another few minutes. And there's crossroads up ahead.
- 12:48I wonder which road leads to a waterfall. I don't know of any
- 12:50waterfall in this section. I'll try going right. Sure you heard that?
- 12:54Positive? Could you go any faster? Missus Bullet? If I'm going to
- 13:01get into a wild gun battle, I'd like to appreciate the beauties of the
- 13:05countryside before I expire. But they'll get away, mister Witherall, They'll be
- 13:09gone before we get there. I admit I find myself harboring a wish that
- 13:13that will prove to be true. I can't remember looking forward to an appointment
- 13:16with less anticipation. Oh go on, mister Witherall, we'll never them.
- 13:22Just liking the hazel Time stories, hazel Time to the rescue, shades of
- 13:26Shakespeare. Say you were lucky, turn into the right Okay, for sure,
- 13:43there's a little waterfall. Yeah, after the water we went to the
- 13:46house. Oh. While I was in the cellar, I heard wax and
- 13:50machines. Huh oh, I know that sound anywhere they were doing. The
- 13:54floors above us. Lots of hustle, bustle going on. Well, at
- 13:58least after I get shot the beautifully waxed floor to collapse on. I wonder
- 14:03where that house is. It must be the one up ahead. There aren't
- 14:07any others around. It couldn't be that house, though, I'm sure it
- 14:11belongs to mister Beagle. I heard he'd taking a house out here, big
- 14:13estate. Mister Beagle, Why know him? He couldn't have done it.
- 14:18No, he's one of the most active citizens in Dawton, charitable, public,
- 14:22spirited, I know, but I'd still say that's the house that took
- 14:24me to. It's not possible, but rather big poser anyway. All right,
- 14:30in fact, we can stop here if you wish. Exquisite home.
- 14:35Isn't there exquisite or not? That's the place. The gang's in there.
- 14:41Now we'll rush over and grab them. The architect will what wear them?
- 14:46Oh, don't be so enthusiastic, it's unhealthy. Let's walk over. What
- 14:52sane? Look at the lights. There's a party going on in there.
- 14:56Certainly is of parties if this is the house, well, there's not another
- 15:01one around. We followed the salons in order. But why would the party
- 15:05be going on? You know, missus mullett, this is beginning to intrigue
- 15:09me. You heard them waxing clause. Now there's a party that makes sense?
- 15:13Of course I'm going in. I suppose you walk down the road to
- 15:18the nearest gasoline station and call Sart to maccabbo and tell him to come over
- 15:22just in case. You're right, But it's mister Beagle's house. You just
- 15:26gone storming into the party, not storming gently, breezing in. But didn't
- 15:33you say, if the gangsters are there, you'd be shot. I want
- 15:35to know who kidnapped you, missus Mullett. I also want to know why
- 15:37a party should be going on in this house if this is where you were.
- 15:41Yes, I'm going to take the chance. And if I get shot,
- 15:46well, as the gentleman I'm supposed to resemble has written, there's a
- 15:50destiny that shapes our ends. Rough hew them how we will? Now you're
- 15:54talking like hazel time. Ah, thank you, missus Mullett. Now let's
- 15:58see mister Beagle came to Dalton about a year ago. Will be intelligent,
- 16:03Well like, it's very puzzling. Be careful, oh I shall, and
- 16:07you'll be quick. I may need the sergeant badly. All right, good
- 16:12luck bye. Yes, mister Bingle, that's me. I'm Leonodous with all
- 16:30worse, a man who looks like Shakespeare. Well, I hope I'm on
- 16:33time for all the festivities. What don't you say? I said, I
- 16:36hope I'm not late? Oh no, you're not late. No, but
- 16:41Cornelia with a blue Hello and Susan. I didn't know he had so many
- 16:48mutual friends, mister Bingle, didn't you makes it very cozy, doesn't it.
- 16:52Yes, very do you want something? You seem to be looking around?
- 16:56Thank you. I just admiring that they call splendid. I'd might see
- 17:00the upstairs section two. Sometimes you are the curious type, point you.
- 17:04Oh no, I'm merely interested in decoration furniture. Weather off. I didn't
- 17:10invite you. Who didn't, Well, someone did telephone me? Nobody telephoned
- 17:14you. Who was a card? Yes, Missus Mullett. My housekeeper brought
- 17:18the card to me with the morning mail. You know Missus Mullett. Yes,
- 17:21I know. She works quite a lot of people in town. Works
- 17:23for me and mister Twink. Who do you know? Mister Twink? Did
- 17:27you say you wanted to see the rest of the house. I don't want
- 17:30to disturb you now at this party going on. Well, I'll have my
- 17:34friends show you the place. You can start downstairs in the cellar. In
- 17:38the cellar, yes, you'll be very interested in what I have in the
- 17:42cellar. Why, Doug, it's a matter. I want you to show
- 17:48the house to mister Weatherall take him down in the cellar first. I got
- 17:52you. Come on, we're going on a sight seeing too. I think
- 17:56you would perhaps later. Why don't you play something hot. Let's dance,
- 18:03you follow show whether her all the cellar are now, come on my stove,
- 18:07play something hot? We do, make it good and loud and boy,
- 18:10sure, that's a great idea. Okay, let's go with the wrong
- 18:17with the roll, I said, let's go downstairs. Oh yes, but
- 18:21later, Oh Cornelia, Cornelia, may I have this dumb? Certainly?
- 18:27But it's hot. Swing. I've never seen you, gitbug, I never
- 18:30have, but I'm going to do it now. Excuse me, gentlemen,
- 18:37Come on, Cornelia, it's the boy? Is it married to? Say?
- 18:38And what is that? Praise? Manufacture a rug? Oh? Yes,
- 18:44let's cut the rug. Leon. Where in the world are you dancing
- 18:49to? What? We're going? Off the floor. It's rather crowded here.
- 18:53I thought there'd be more room by that window leads to the terrace of
- 18:57things. All right, hey, you're doing very well. I never thought
- 19:02Shakespeare could dance this way. Oh yes, if we can, just John
- 19:07sir, toward that French window. I can get out by the terriers.
- 19:10Get out. But what are you talking about? Wow? Oh? Why
- 19:14yes, of course? Do you mind the audible? I was enjoying this,
- 19:17so I hate to leave you with me. Let's call missus winniblore.
- 19:22I wait, yes, Louis, sorry to keep you. You know,
- 19:26I've suddenly lost all interest in going into the cellar. We're going there anyway.
- 19:30They don't try anything good too? Are you embarrassed me? Don't toss
- 19:34not a couple of hints about what's cooking hair? Because what's in my pocket
- 19:38ain't no waters cooking crystals with them all wi's gonnas? You wrastle. Why
- 19:42did you come over and speak to me? I've been a busy too,
- 19:45I mean, Susan, But do you come over here this stop and sit
- 19:49down and chat with me? You pardner? And I'm delighted missus giff drop,
- 19:56Well, how you been? I haven't seen you in weeks? And
- 20:00any murders lately? I'm mixed up in one right now, hopelessly really a
- 20:03young man a Louis? Yeah? Would you do me a favor and get
- 20:07me some more punch? Please me? Okay, give me the glass?
- 20:12Got you gimme duty? Yes? Curious? Yes, isn't it now?
- 20:17Leanadas tell me all about it? Who's been killed? No one here,
- 20:22but they will be at any moment. Oh, I don't you stop it?
- 20:25I pray a cart lean. You wouldn't be pulling my leg, would
- 20:30you? Oh? No. On the contrary, I'm talking shoulder to shoulders,
- 20:33legs shoulders. If this keeps up, we'll need some ration points.
- 20:38Droll. Well, who's going to be killed? I am? Oh?
- 20:45Oh, Now, I know you're just teasing me. No, Susan,
- 20:48I'm going to be shot within a few seconds. You know. That's what
- 20:52I like about you, Leana this You've such an extraordinary sense of humor.
- 20:56Who's going to shoot you? Cornelia? One of mister Beagle's friends. Susie,
- 21:03I've got to get out of here. Would you walk toward the front
- 21:06door with me? Of course? I adore these games. We played Murder
- 21:10the Party last week, but we didn't act it out this way. It
- 21:12was a quiz game called stump it or lumpet. Yes, you know the
- 21:18quiz I'm in now might be called answer it or drop dead? Really is
- 21:23Louis in it? Yes? Very much? So. You know Bigger does
- 21:26get the most exciting ideas for his parties. Come on, sneak to the
- 21:30front door, yes, do it very casually. Come on, walk slowly,
- 21:37that's it. They haven't seen it. You will sneak out, and
- 21:41then they'll all look for you. Is at it? I'm going to back
- 21:42up against this dawn and grab the knob. Smile Susan, smile at everyone.
- 21:48I am, Oh, I am? Is this more fun? I've
- 21:52got the knob in my hand. Now I'll turn it talk talk about something
- 22:00or anything at all? Oh, I see to distract them. But you
- 22:03know, I saw the most darling hat yesterday lead I was in New York.
- 22:08I just couldn't resist it. It's one of those little stories on Broadway.
- 22:12Going somewhere with the roll. Oh, not a party is just getting
- 22:19warmed up into the fever heat. If you ask me to stick around,
- 22:22there's gonna be plenty of fire away. That's what I'm afraid of. He
- 22:27saw you, So I guess the game spoiled. Call me when you want
- 22:30to start a new and will you how about musical chairs? I don't are
- 22:33you further around enough with the role. Now you're going downstairs, you'll have
- 22:37to make me. I'm not going into the cellar. Jackie Biggle's getting impatient.
- 22:41Do it to the sellers over there with the roll. I'll not budge
- 22:45one step. Oh your water? You want to play rough? Okay,
- 22:49but you asked for it. Hold on, all right, turn the lights
- 23:04on. Boys here where you are? Oh yeah, don't try anything either?
- 23:08Well? Where is Bill Shakespeare? Anybody see Leonotus with around? Don't
- 23:14you see him? Soderant? There were shot I heard the shots. I
- 23:17heard the shots, missus mother, But I don't see him anywhere? Do
- 23:19you you? Just minutes ago? Oh well, he might be upstairs see
- 23:23this stairway. All right, come on, goodness, keep off. We're
- 23:26playing a game after all. We'll go upstairs and say way, well,
- 23:33but this isn't Louis and Jackie? How are you boys? You fellas haven't
- 23:37been in town. Bothered me for a long time. They're probably in this
- 23:40prescombe. Okay, we didn't do nothing any al, all right, shut
- 23:42up you two before I head your heads. What did you do with Bill
- 23:45Shakespeare? He beat it when the lights went up? Oh turn him up?
- 23:48I did. We're playing a little game, so what oh little game?
- 23:52Hey, carry those skins all the boys. Let's go, Missus Bullett.
- 23:56We're going upstairs. Sergeants there in this all right? I reckon their
- 24:00voices? Why there are the two fellows the car? Well? The boys
- 24:03will watch until we get back then we'll have a nice long talking. Come
- 24:07on, y Bill, Hey Phil, where are you all right? Nothing's
- 24:15happened to her? Try the door? Oh, let them do it.
- 24:18I'll be down the hallway here. He might be down there. Oh hurry,
- 24:21So I don't see Bigle anywhere either. I bet he's a built wy
- 24:25I'll try this room sat in the coll and missus Mullett, won't you come
- 24:30in? You all right, mister little bit winded? That's about all.
- 24:33Hey Bill, didn't you hear us Colin? Why only just now? You
- 24:37see the door was closed, and mister Beagle and I were having a very
- 24:41spirited and noisy conversation. Have your friend seen Louis and Jackie? We got
- 24:45them built? But now tell me what happened. But there's mister Twinks away.
- 24:49Yes, the entire contents of mister Twink's safe is there on mister Beagle's
- 24:53bed. I believe you can't explain, mister Beagle. I'm not saying a
- 24:57word. I'm explaining nothing. I don't have to talk here. I put
- 25:00out the lights, sergeant, when Louis and Jackie were about to exterminate me
- 25:06in the dark, I ducked and ran upstairs. I'm sure mister Beagle would
- 25:10be planning to leave with his loot. Why that's the stuff I've been looking
- 25:12for all day. This is the robbery I was working on before. Really,
- 25:15Yeah, and mister Beagle wasn't quite the outstanding citizen we thought. After
- 25:21he took the keys from Missus Mullet, he gave them to Louis and Jackie.
- 25:25They robbed the safe while mister Beagle was purposely giving a party for some
- 25:29of the best known people in Dawton as a perfect excuse for his whereabouts during
- 25:33the robbery. And then Louis and Jackie came back to divide the loot,
- 25:38but unfortunately I suddenly appeared as an uninvited girst. Oh so I tried to
- 25:44get rid of you. Firstly, I get it, Come on for you,
- 25:48who do you think you're pushing around now, mister Beagle, if you
- 25:49would be so good as to return Missus Mullet her keys, well, mister
- 25:53Witherall, Yes, we did as well as Hazel time anyway, didn't we?
- 25:57Oh we did just as well, missus. See what were you doing
- 26:02all the time out of stetching the sergeants, dancing to hot swing to hot
- 26:06swing. Yes, sir, that's a mood music for a nervous breakdown.
- 26:11Oh well, as mister Mullett used to say when he was alive, give
- 26:15me a nice old fashioned walls every time. Yes, I agree, and
- 26:19let's go. Missus Mullett. Wait a minute, bell where you go?
- 26:22She's a witness Hall. Couldn't you spare the witness for just a few minutes?
- 26:26Sergeants? Spare what four for a nice old fashioned walls, shall we,
- 26:30missus Mullett? Why mister witheroll w or R Mutual has presented the distinguished
- 26:47American actor Walter Hamden in the Adventures of Leonidas Witherall. Missus Mullett is played
- 26:52by Ethel Remy. The character of Leonidas Witherall is from the mystery novels by
- 26:56Alice Tilton. The radio script is by Howard Merrill, and this program was
- 27:00produced by Joe Ripley. Next week's story involves an attempt by Leandodus to enjoy
- 27:03a vacation, doesn't it, mister Hampton does, and the very peculiar vacation
- 27:08it is too. Leonidus goes to the mountains for a few peaceful days of
- 27:12rest and relaxation, but he hasn't been resting more than about sixty seconds when
- 27:17he runs into a fire, a mysterious diamond, and of course a murder.
- 27:22I hope you'll be with us next Sunday for a very exciting and fascinating
- 27:26story. Good night. If you'll live in or near New York, or
- 27:36if you plan to visit New York soon, we invite you to attend the
- 27:38broadcast of Leonordus Weatherall. Just write a postcard with your name and address and
- 27:42send it to Bill Shakespeare. That's what Leonid's friends call him. Bell Shakespeare,
- 27:47care of w o R, New York eighteen. We'll be glad to
- 27:49send tickets free of charge. Remember to receive free tickets to a Leonotus Weatherall
- 27:53program, send a note tonight to Bell Shakespeare, w o R, New
- 27:57York eighteen. Adventures of Leonordis Witherall is heard over most of these mutual stations
- 28:03every Sunday evening at nine pm Eastern wartime, and comes to you from the
- 28:06stage of the WR Mutual Playhouse in New York. This is mutual