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Discussing Sarah Marshall · Movie Meltdown

• 0:02
  Speaker 1: It's Orlando Jones, and you're listening to Movie Meltdown. I
• 0:06
  Speaker 1: said you're listening to Movie Meltdown.
• 0:07
  Speaker 2: I didn't say you were texting while listening to Movie Meltdown.
• 0:12
  Speaker 3: Jackass.
• 0:31
  Speaker 4: The following feature has been rated R by the Motion
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  Speaker 4: Picture Association of America. It is intended for mature audiences
• 0:37
  Speaker 4: and parental discretion is advised. It's showtime, folks.
• 0:51
  Speaker 2: Enjoy the show.
• 0:54
  Speaker 5: Our nuclear reactor.
• 0:56
  Speaker 2: Pumping out one million kilowatts of power.
• 1:25
  Speaker 4: What's up and welcome to Movie Meltdown.
• 1:26
  Speaker 6: I'm Brian and this week I'm coming to you live
• 1:28
  Speaker 6: via digital recording.
• 1:29
  Speaker 1: From the outskirts of Gallery K here in Louisville. There
• 1:55
  Speaker 1: I'm joined by my guest co-host for this week's episode,
• 1:57
  Speaker 1: comedian Ian Douglas Cherry. In fact, let's join Ian right
• 2:01
  Speaker 1: now as we get to know a little more about
• 2:02
  Speaker 1: him and his motivations for choosing this week's movie.
• 2:06
  Speaker 3: Outside in the night, outside in the day.
• 2:09
  Speaker 1: Looking back on a track, gonna do it my way.
• 2:16
  Speaker 1: All right, so we are here with Ian. I guess
• 2:19
  Speaker 1: go ahead and give people a little intro to you.
• 2:22
  Speaker 3: Definitely.
• 2:22
  Speaker 1: Where did you come from?
• 2:24
  Speaker 3: I'm originally from Omaha, Nebraska, where 311's from.
• 2:30
  Speaker 1: Is that the big plug at this point?
• 2:33
  Speaker 3: That was one of them, where people would be like, oh,
• 2:34
  Speaker 3: that's where 311's from. Also, Malcolm X, but more people
• 2:38
  Speaker 3: bring up 311. Or Marlon Brando. This is a movie podcast,
• 2:42
  Speaker 3: so Marlon Brando.
• 2:44
  Speaker 1: We just had someone reference his birthplace and name it
• 2:47
  Speaker 1: as someone else. But we won't go into that.
• 2:49
  Speaker 3: I will go on Wikipedia right now. Born in Omaha.
• 2:53
  Speaker 3: Maybe he grew up somewhere else.
• 2:55
  Speaker 1: Don't argue with Yafit Kodo.
• 2:57
  Speaker 3: That's the recurring theme for Omaha, though, is people were
• 3:00
  Speaker 3: born there, but then they left immediately.
• 3:02
  Speaker 4: Yeah.
• 3:02
  Speaker 1: We have a little of that.
• 3:03
  Speaker 3: And then grew up somewhere else.
• 3:05
  Speaker 1: All the successful people that came from our town here
• 3:08
  Speaker 1: very quickly was like, well, I mean... I can actually
• 3:11
  Speaker 1: do stuff out there. How fast can I escape from
• 3:15
  Speaker 1: this place?
• 3:17
  Speaker 2: Yeah.
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  Speaker 3: But, uh, that's where I started doing stuff. And now
• 3:20
  Speaker 3: I live in Denver, Colorado, and I've been there for
• 3:23
  Speaker 3: over a year, which it's a great change of scenery.
• 3:26
  Speaker 1: Have you kind of bounced from one place to another
• 3:29
  Speaker 1: over the years?
• 3:30
  Speaker 3: Yeah, I was in Atlanta for a couple years before
• 3:33
  Speaker 3: moving to Denver.
• 3:34
  Speaker 1: Seems like that happens a lot with comics. Does that
• 3:37
  Speaker 1: come with the territory?
• 3:40
  Speaker 3: Yeah, because I was in bands before that. So it
• 3:43
  Speaker 3: was a lot of you go to all these different
• 3:45
  Speaker 3: places and then you just kind of get really excited
• 3:47
  Speaker 3: about a certain place and be like, why not? I'll
• 3:49
  Speaker 3: go live in Atlanta for a while.
• 3:51
  Speaker 1: Stick around here for a while.
• 3:52
  Speaker 3: Yeah, right now I want to move to St. Augustine,
• 3:54
  Speaker 3: Florida and just live on the beach and be a
• 3:57
  Speaker 3: beach creep forever. That's my big dream.
• 4:01
  Speaker 1: Jumping ahead, I just want to move to Hawaii. We'll
• 4:04
  Speaker 1: get back to that later. Aloha. So I guess how
• 4:08
  Speaker 1: early on, so you said bands, was music like your
• 4:11
  Speaker 1: first entry into performing?
• 4:13
  Speaker 3: Yep, since I was 15 to about 25, I was
• 4:18
  Speaker 3: in bands. Nothing real successful. But it was fun. We
• 4:23
  Speaker 3: did a little touring and stuff. So it was kind
• 4:25
  Speaker 3: of like an introduction to then touring for comedy, which
• 4:28
  Speaker 3: is a million times easier. Yeah. No equipment. Usually one
• 4:33
  Speaker 3: or two guys.
• 4:34
  Speaker 1: Show up with a microphone. Yep. It's pretty easy. It's
• 4:37
  Speaker 1: interesting watching the chores, how they happen, and different strategies
• 4:43
  Speaker 1: that comedians kind of approach it with.
• 4:45
  Speaker 3: Oh, yeah.
• 4:46
  Speaker 1: Everybody has kind of a different take on how they...
• 4:49
  Speaker 1: Get the career going.
• 4:50
  Speaker 3: Yeah.
• 4:50
  Speaker 1: It's interesting.
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  Speaker 3: And I just, since I was in punk bands, everything
• 4:53
  Speaker 3: I do now is just very DIY and like, you know.
• 4:56
  Speaker 1: Which, again, I think is kind of why there's been,
• 4:59
  Speaker 1: and I was just talking earlier inside, I was just,
• 5:01
  Speaker 1: we were talking about how the shift in the last
• 5:04
  Speaker 1: five years, it's like, you guys have been touring since,
• 5:07
  Speaker 1: you know, forever, but like, there's all of a sudden,
• 5:11
  Speaker 1: especially in all these little towns, there's this big push
• 5:14
  Speaker 1: in the last five years and it's very indie and
• 5:16
  Speaker 1: it's very like, crowd-supported, almost more so than the comics.
• 5:20
  Speaker 1: The comics are like, wait, I have to go to
• 5:22
  Speaker 1: your town? Okay, I guess so. I didn't know there
• 5:24
  Speaker 1: was a town here, but you guys are really into
• 5:26
  Speaker 1: those comedies.
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  Speaker 3: Yeah, there's cool DIY scenes all over the place, everywhere.
• 5:31
  Speaker 3: Every state usually has something going on that's really cool.
• 5:35
  Speaker 6: It's awesome.
• 5:36
  Speaker 1: Again, I wasn't sure we were going to get that.
• 5:38
  Speaker 1: Everything became very I don't know. It sort of fell
• 5:42
  Speaker 1: away after the death of the 80s run. And mid-90s
• 5:47
  Speaker 1: comedy just sort of took a nosedive.
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  Speaker 5: Yeah.
• 5:50
  Speaker 1: It was the handful of guys still fighting it out there.
• 5:52
  Speaker 3: Oh, yeah.
• 5:53
  Speaker 1: Seeing it sort of make the comeback that it has.
• 5:55
  Speaker 1: And again, it got super corporate and commercialized and homogenized.
• 6:02
  Speaker 3: Oh, definitely.
• 6:02
  Speaker 1: So watching it be the punk rock DIY thing that
• 6:05
  Speaker 1: it is now is kind of awesome.
• 6:06
  Speaker 3: Yeah, it's great.
• 6:08
  Speaker 6: Definitely.
• 6:08
  Speaker 3: It's real chill.
• 6:10
  Speaker 1: So what, I don't know, was there a specific thing
• 6:13
  Speaker 1: that made you want to change teams? Just as far
• 6:16
  Speaker 1: as music to comedy, I guess you could take.
• 6:18
  Speaker 3: That a different way. Well, basically, like I quit being
• 6:20
  Speaker 3: in bands when I moved to Atlanta. Yeah. I was
• 6:23
  Speaker 3: just there and I wasn't really doing anything. I was
• 6:25
  Speaker 3: just living in Atlanta and then moved back and I
• 6:29
  Speaker 3: was just really into like sketch comedy, like Mr. Show
• 6:32
  Speaker 3: and like Monty Python. And that was just always my
• 6:35
  Speaker 3: favorite was like sketch comedy.
• 6:37
  Speaker 7: Yeah.
• 6:37
  Speaker 3: So initially, I started doing sketch because I thought stand-up
• 6:40
  Speaker 3: was awful. I thought stand-up was, because in Nebraska, there
• 6:44
  Speaker 3: was one comedy club, a Funny Bone, like out way
• 6:48
  Speaker 3: west of town.
• 6:49
  Speaker 5: Yeah.
• 6:49
  Speaker 3: And the comics they would bring in were just terrible.
• 6:52
  Speaker 3: So I had no idea. I thought stand-up comedy was
• 6:53
  Speaker 3: just like the shittiest and hypnotist. I thought it was
• 6:56
  Speaker 3: stand-up and hypnotism were like the main thing. And I
• 6:59
  Speaker 3: was like.
• 7:00
  Speaker 1: A lot of that.
• 7:00
  Speaker 4: Yeah.
• 7:01
  Speaker 1: Even when, again, in that midsection here, we had one
• 7:04
  Speaker 1: comedy club.
• 7:04
  Speaker 2: Yeah.
• 7:05
  Speaker 1: I didn't go to it for years because they really like,
• 7:08
  Speaker 1: I would just see the poster and be like, Oh,
• 7:09
  Speaker 1: I don't want to see that guy. That shot says
• 7:12
  Speaker 1: all I need to know about that comedy. I'm like, no,
• 7:15
  Speaker 1: thank you. Like, so it, yeah, I get it. It was,
• 7:18
  Speaker 1: it was kind of thin in the, in between cities.
• 7:21
  Speaker 3: Yeah.
• 7:21
  Speaker 1: Chicago and LA had a good scene, but it was,
• 7:25
  Speaker 1: it was kind of hard for comedy in the rest
• 7:27
  Speaker 1: of the country.
• 7:28
  Speaker 3: Yeah. So I was in a sketch group for a
• 7:30
  Speaker 3: couple of years that did like a lot of video stuff.
• 7:33
  Speaker 3: that got semi-popular, and then two of the guys in
• 7:36
  Speaker 3: that group started going to open mics and doing stand-up,
• 7:39
  Speaker 3: and I was like, oh, nerds. Like, that's stupid. And
• 7:41
  Speaker 3: then I heard Kyle Kinane's album, Death of the Party,
• 7:46
  Speaker 3: and it blew my mind, because I was like, holy shit,
• 7:48
  Speaker 3: this is.
• 7:49
  Speaker 1: You can do something useful with that microphone.
• 7:51
  Speaker 3: It was like punk rock comedy, where it was just like,
• 7:54
  Speaker 3: holy shit, I can actually relate to this, and I
• 7:56
  Speaker 3: enjoy this. So then after that, I started doing stand-up,
• 8:00
  Speaker 3: and that was like six years ago, about? Yeah.
• 8:04
  Speaker 1: See, I was kind of the other way. I've always
• 8:06
  Speaker 1: loved stand-up. Again, it was usually the bigger names back then.
• 8:10
  Speaker 1: But then, like, I don't know. Like, a lot of
• 8:12
  Speaker 1: sketch didn't work for me. So, I don't know. Did
• 8:16
  Speaker 1: you find something in that performance that's totally different than,
• 8:20
  Speaker 1: you know, what you're doing stand-up-wise? Yeah.
• 8:23
  Speaker 3: And, like, because the thing I realized is I loved
• 8:26
  Speaker 3: sketch comedy, but I hated acting. I did not like
• 8:29
  Speaker 3: to play like characters. So a lot of our sketches
• 8:31
  Speaker 3: were just like shitty dudes being shitty dudes. Cause it
• 8:34
  Speaker 3: was like, ah, that's easy. It's going to be about
• 8:37
  Speaker 3: getting drunk and like talking shit. Oh, okay. That's super hard. Wow.
• 8:42
  Speaker 3: What a stretch.
• 8:43
  Speaker 1: Was it like plotted out sketch or was it more improv?
• 8:46
  Speaker 3: Some of it. We had, we had, it was, I
• 8:49
  Speaker 3: didn't write, I don't like to write scripts and stuff.
• 8:51
  Speaker 3: So it was a little improv based, but like mostly
• 8:55
  Speaker 3: it was, we had a green screen and, So a
• 8:58
  Speaker 3: lot of it was just us green screen. We had
• 9:00
  Speaker 3: a really popular series that I deleted all of it
• 9:02
  Speaker 3: off the internet because I realized, like, we said some
• 9:05
  Speaker 3: of the most, like, shitty, insensitive, terrible things. I was like,
• 9:09
  Speaker 3: this can't, you can't keep, but it was us over
• 9:11
  Speaker 3: music videos. And then it was us just making fun of, like, popular, like,
• 9:15
  Speaker 3: current music videos and, like, Morrissey and stuff like that.
• 9:18
  Speaker 1: You almost can't lose with that.
• 9:19
  Speaker 4: Oh, yeah.
• 9:20
  Speaker 1: That's a time-honored tradition of making fun of videos.
• 9:22
  Speaker 3: And then we have a video that's called Cash for
• 9:24
  Speaker 3: Cats that still exists on the internet. And then, It
• 9:28
  Speaker 3: got ripped off almost verbatim by a Canadian sketch TV show.
• 9:32
  Speaker 7: Canadian.
• 9:32
  Speaker 3: Like years after the fact. It was like, that's weird.
• 9:35
  Speaker 3: We just made a dumb video about selling your cat.
• 9:39
  Speaker 7: Yeah.
• 9:39
  Speaker 3: Because it was like cash for gold, but instead it
• 9:41
  Speaker 3: was cash for cats.
• 9:42
  Speaker 1: Cash for cats. Yeah.
• 9:43
  Speaker 3: But that, you know, it was fun. Then I still
• 9:45
  Speaker 3: toy around with wanting to do sketch stuff because, you know,
• 9:49
  Speaker 3: you're just always coming up with random ideas where it'd
• 9:52
  Speaker 3: be like, that'd be a hilarious video.
• 9:54
  Speaker 5: Yeah.
• 9:54
  Speaker 1: Again, I think I think the more scripted sketch sometimes
• 9:59
  Speaker 1: can be really good. I think I, I have more
• 10:01
  Speaker 1: issues with improv. That's like bad improv.
• 10:03
  Speaker 3: Oh yeah. There's so much.
• 10:04
  Speaker 1: There's a lot of that. Again, in that same five
• 10:06
  Speaker 1: year span, a lot of improv has popped up too.
• 10:09
  Speaker 3: Oh yeah.
• 10:09
  Speaker 1: Because you see the, the, successful wins, you know, again,
• 10:13
  Speaker 1: in Chicago and LA, there's a huge fan base for that.
• 10:16
  Speaker 1: But then like the wannabe guys out there, like some
• 10:19
  Speaker 1: of that stuff is painful.
• 10:20
  Speaker 3: Oh, the majority.
• 10:21
  Speaker 4: Yeah.
• 10:21
  Speaker 1: Yeah. So it's like that, that you got to go
• 10:24
  Speaker 1: in with your guard up on some of that. Yeah.
• 10:26
  Speaker 3: Improv is a, uh, it's like Scientology. It's where you
• 10:29
  Speaker 3: buy in and you have to pay money and then
• 10:31
  Speaker 3: you achieve levels. And then you're like, now I'm a,
• 10:35
  Speaker 3: good at this and it's like are you are you
• 10:37
  Speaker 3: because you've spent the most money like that's how you
• 10:39
  Speaker 3: get good at.
• 10:40
  Speaker 1: Based on the rest of us watching it no yeah just.
• 10:44
  Speaker 3: A bunch of dudes goofing around yeah i could talk
• 10:49
  Speaker 3: shit about improv all day.
• 10:51
  Speaker 1: I'm okay with that hell yeah again if you're doing
• 10:55
  Speaker 1: impressive you know writing you come up with solid stuff
• 10:58
  Speaker 1: even if you're kind of improvving off of premise but
• 11:00
  Speaker 1: like that give me an occupation oh my god i've
• 11:04
  Speaker 1: Like some of that's just so painful.
• 11:05
  Speaker 3: Then on the same token, there's a lot of terrible standoff.
• 11:09
  Speaker 1: That's true too. It's another one. Like it is one
• 11:11
  Speaker 1: of those, like I love going to support the independent
• 11:14
  Speaker 1: comedy shows. I keep coming to gallery K here and like,
• 11:17
  Speaker 1: I try to, I try to support what I can,
• 11:18
  Speaker 1: but at the same time, it's like, you almost got
• 11:21
  Speaker 1: to like know what you're getting yourself into. Like there's,
• 11:24
  Speaker 1: you don't want to be there all night with everybody,
• 11:27
  Speaker 1: you know, just kind of bringing terrible stuff. It's like,
• 11:30
  Speaker 1: There's you got to find the good, good comics and
• 11:32
  Speaker 1: stick with them. And occasionally you'll get a good opener
• 11:35
  Speaker 1: and you're like, you can kind of stumble into some
• 11:36
  Speaker 1: really good people.
• 11:37
  Speaker 3: Oh, yeah. As long as you treat it like music.
• 11:40
  Speaker 2: Yeah.
• 11:40
  Speaker 3: Or if you're like, you know, you see a cool band,
• 11:43
  Speaker 3: you kind of follow them as they get better and whatever.
• 11:45
  Speaker 3: Instead of just like I can't remember who was I
• 11:49
  Speaker 3: think it was Nick Vatterot. We were at a barbecue
• 11:50
  Speaker 3: in Atlanta at a festival. And they were talking about
• 11:53
  Speaker 3: how so many people will walk into a comedy show,
• 11:55
  Speaker 3: they'll just see the word comedy and be like, oh,
• 11:57
  Speaker 3: that'll match my expectations. And they just walk right in.
• 12:00
  Speaker 3: That's trouble. Instead of researching beforehand.
• 12:01
  Speaker 1: Yeah, that's trouble.
• 12:02
  Speaker 3: And actually being like, okay, who's this person? Maybe I'll
• 12:04
  Speaker 3: watch a video of them and see if I like
• 12:06
  Speaker 3: them before I go.
• 12:07
  Speaker 2: Yeah.
• 12:07
  Speaker 3: But there's a lot of that. And it's not like
• 12:09
  Speaker 3: you'd see like music. Oh, I like music. I will
• 12:12
  Speaker 3: totally enjoy whatever music this is and just walk in.
• 12:15
  Speaker 1: I mean, that's, you know. Metal to jazz.
• 12:18
  Speaker 3: You're dealing with very different areas. It could be anything.
• 12:20
  Speaker 1: Quite a spectrum there.
• 12:22
  Speaker 3: But yeah.
• 12:22
  Speaker 1: Comedy is kind of the same way.
• 12:23
  Speaker 3: Yeah, you definitely have to research comedians and make sure
• 12:26
  Speaker 3: they're not idiots.
• 12:29
  Speaker 1: I completely agree. People in general, but especially if you're
• 12:33
  Speaker 1: going to sit there and watch them perform.
• 12:34
  Speaker 2: Oh, yeah.
• 12:35
  Speaker 3: That's trouble. Absolutely. It's the golden rule now. Definitely. Watch
• 12:39
  Speaker 3: YouTube videos.
• 12:40
  Speaker 1: And in that vein, that's kind of how I came
• 12:43
  Speaker 1: upon you. I've been watching tons of comedians and like,
• 12:47
  Speaker 1: I think what led to this was within a few minutes, again,
• 12:51
  Speaker 1: you had some great material anyway, but within a 10,
• 12:54
  Speaker 1: 12 minute span, you referenced Project X and Conan the Destroyer.
• 13:01
  Speaker 1: I'm like, well... I think we need to sit down
• 13:03
  Speaker 1: and talk. I think, I think, I think he's on board.
• 13:06
  Speaker 1: Cause I'm just the fact that anybody knows, and we're
• 13:08
  Speaker 1: not talking that the kids party movie that just came
• 13:10
  Speaker 1: out a few years ago, because.
• 13:12
  Speaker 3: I was like, as soon as.
• 13:14
  Speaker 1: I saw that trailer, I was like, there's already a
• 13:16
  Speaker 1: project X.
• 13:16
  Speaker 3: You can call it that.
• 13:17
  Speaker 8: Yeah.
• 13:18
  Speaker 3: Call it something else.
• 13:18
  Speaker 1: Yeah. I was like, does that even match that movie?
• 13:21
  Speaker 1: I don't know. I haven't watched that either, but I'm
• 13:23
  Speaker 1: just like, yeah, the, the Matthew Broderick and monkeys, like
• 13:26
  Speaker 1: you can't, anybody who bothered to watch that and even
• 13:29
  Speaker 1: more so remember it.
• 13:30
  Speaker 2: Yeah.
• 13:31
  Speaker 1: Like, Flying planes.
• 13:33
  Speaker 3: I'm just all about references. As many 80s, 90s references
• 13:37
  Speaker 3: I can jam in.
• 13:38
  Speaker 1: But I think that's what's awesome. If you hit, again,
• 13:41
  Speaker 1: because anybody can reference the big stuff. And sometimes it works.
• 13:45
  Speaker 1: I do it all the time. But when you nail
• 13:47
  Speaker 1: something obscure and that one geek like me goes, did
• 13:50
  Speaker 1: he just reference flying planes with monkeys? Holy shit. If
• 13:54
  Speaker 1: you get the one guy out there that's like, whoa, wait,
• 13:57
  Speaker 1: I know that.
• 13:57
  Speaker 3: I love that. That's one of my favorite things. And
• 14:00
  Speaker 3: I usually will cater it. Like if we do stand-up
• 14:04
  Speaker 3: at wrestling shows, there's a show in Denver called Lucha
• 14:06
  Speaker 3: Libre and Laughs where there's comics between the matches. And
• 14:09
  Speaker 3: I'm like, I'm going to do so many wrestling references.
• 14:11
  Speaker 3: Or like at Fest in Gainesville where we're going next weekend,
• 14:15
  Speaker 3: I'm going to do so many punk rock references. I'm
• 14:17
  Speaker 3: just going to make it ridiculous where eventually somebody's going
• 14:20
  Speaker 3: to be like, holy shit.
• 14:21
  Speaker 1: You've got a good range here.
• 14:23
  Speaker 3: You can do music.
• 14:24
  Speaker 1: You can do wrestling. Yep.
• 14:25
  Speaker 3: I'm a big movie dude. Yeah. just spend a lot
• 14:28
  Speaker 3: of time looking at stuff.
• 14:31
  Speaker 1: I mean again that's going into this is kind of
• 14:33
  Speaker 1: the one field that you can kind of use all
• 14:36
  Speaker 1: of your yeah what most people would say wasting time
• 14:39
  Speaker 1: all of your years of like watching and just consuming
• 14:42
  Speaker 1: mass pop culture kind of stuff yeah it's great you
• 14:45
  Speaker 1: can turn it into something yeah that's that's awesome for
• 14:48
  Speaker 1: you I'm doing research mom shut up leave me alone.
• 14:52
  Speaker 3: I'm on Netflix all the time because I need material.
• 14:55
  Speaker 1: That's material Research. Research and development. I'm writing this off
• 15:01
  Speaker 1: at the end of the year.
• 15:02
  Speaker 3: Yeah, there you go.
• 15:03
  Speaker 1: Netflix subscription.
• 15:04
  Speaker 3: Write that off. There you go.
• 15:08
  Speaker 1: Well, I have a general question that is probably going
• 15:12
  Speaker 1: to lead into the movie. I guess, first off, what
• 15:16
  Speaker 1: was your movie go-to's when you were coming up? Was
• 15:19
  Speaker 1: it comedy or was it just kind of everything?
• 15:21
  Speaker 3: I was really into... Because I remember... which this is
• 15:27
  Speaker 3: going to show my age, but Laserdiscs. Do you remember Laserdiscs?
• 15:31
  Speaker 1: I have several. I've been moving from one place to
• 15:34
  Speaker 1: another lately, and I have three huge and ridiculously heavy
• 15:38
  Speaker 1: when you put them all in. They're so heavy. I
• 15:40
  Speaker 1: have three big boxes of Laserdiscs.
• 15:42
  Speaker 2: Awesome.
• 15:43
  Speaker 1: I'm a dork. In fact, I hooked mine up and
• 15:46
  Speaker 1: watched because I was listening to a show that was
• 15:49
  Speaker 1: talking about I'm a geek. I was watching Return of
• 15:51
  Speaker 1: the Jedi. And I was like, man, I haven't seen
• 15:53
  Speaker 1: the Sarlacc foot scene in years. I hooked up my
• 15:57
  Speaker 1: Laserdisc player.
• 15:58
  Speaker 3: Fire up the Laserdisc.
• 15:59
  Speaker 1: Still works. Well, again, being the geek that I am,
• 16:02
  Speaker 1: I didn't buy it when they started putting out those
• 16:04
  Speaker 1: bullshit versions. So I have the Laserdisc that is the
• 16:07
  Speaker 1: last widescreen, unedited, undoctored up by Lucas. I'm like, I
• 16:12
  Speaker 1: want to watch it the right way. Screw you, Lucas.
• 16:14
  Speaker 3: Yeah, but my grandma and grandpa had a Laserdisc player,
• 16:20
  Speaker 3: and they only had three movies. And so my parents
• 16:23
  Speaker 3: would leave me at my grandparents. And the three movies,
• 16:26
  Speaker 3: it's the weirdest combination. The first one, Flash Gordon. Nice.
• 16:31
  Speaker 1: That's going to warp a kid's mind. Yeah.
• 16:33
  Speaker 3: So it's all right. I'm watching Flash Gordon with the
• 16:35
  Speaker 3: Killer Queen soundtrack.
• 16:37
  Speaker 1: Oh, yeah.
• 16:37
  Speaker 3: All the weird.
• 16:38
  Speaker 1: Fancy outfits.
• 16:39
  Speaker 3: Yeah. Just a terrifying movie for a kid.
• 16:42
  Speaker 1: Weird sets.
• 16:42
  Speaker 3: Hawkmen and everything.
• 16:43
  Speaker 4: Oh, yeah.
• 16:44
  Speaker 3: The second movie, Slapshot.
• 16:47
  Speaker 1: All right, comedy classic there.
• 16:49
  Speaker 3: Hockey and swearing.
• 16:50
  Speaker 1: Yeah, not really appropriate for kids, but then everything we
• 16:54
  Speaker 1: watched at that point wasn't really. Watch the Bad News Bears.
• 16:57
  Speaker 1: Is that appropriate for kids? No, but it's starring kids.
• 17:01
  Speaker 1: They just let us watch whatever the hell we wanted
• 17:02
  Speaker 1: when we were kids.
• 17:03
  Speaker 3: Yeah, and then the third, I might mess this up
• 17:05
  Speaker 3: because I rarely watched it. It was Olivia Newton-John starring in,
• 17:09
  Speaker 3: I believe, the movie Xanadu.
• 17:11
  Speaker 1: Oh, yeah. A classic in its own right.
• 17:14
  Speaker 3: My sister was more into that, but I was just like,
• 17:16
  Speaker 3: I'm going to watch this hockey movie and this space movie.
• 17:20
  Speaker 1: Over and over. Yeah, my cousin was really into Xanadu
• 17:23
  Speaker 1: and Grease and the whole Olivia Newton-John run there. And
• 17:26
  Speaker 1: I remember she watched it a lot, and I saw
• 17:28
  Speaker 1: bits and pieces. And it was on this past year.
• 17:30
  Speaker 1: It was just on cable one day. And I stopped
• 17:32
  Speaker 1: and went, I recognized it immediately, but I hadn't watched
• 17:35
  Speaker 1: it since then. I'm like, what the hell? hell is
• 17:38
  Speaker 1: going on it is like how they can claim that
• 17:42
  Speaker 1: they weren't on massive amounts of drugs oh yeah i
• 17:45
  Speaker 1: i don't know because it doesn't make any real sense
• 17:49
  Speaker 1: and like there's weird stuff going on so again now
• 17:52
  Speaker 1: i'm gonna have to like devote an entire episode to that.
• 17:54
  Speaker 3: Yeah it's i need to.
• 17:55
  Speaker 1: Decode what's going on in this thing.
• 17:57
  Speaker 3: But yeah i was real big in those and then
• 18:00
  Speaker 3: later i was really into dark crystal and labyrinth because
• 18:04
  Speaker 3: i just love i love jim henson and I'm on
• 18:06
  Speaker 3: board with that.
• 18:07
  Speaker 1: I loved The Muppet Show growing up, but then I liked,
• 18:11
  Speaker 1: because I like, and it's funny that it's sort of
• 18:13
  Speaker 1: coming back around now, but I liked how dark it got,
• 18:16
  Speaker 1: specifically Dark Crystal. Everybody else is sort of more Team Labyrinth,
• 18:21
  Speaker 1: but I'm like, that's all singing and dancing. They're very,
• 18:24
  Speaker 1: very different. Dark Crystal, there's no bit to it. It's
• 18:29
  Speaker 1: not like they're not doing musicals, musical numbers. It's not.
• 18:34
  Speaker 1: Anything else, it's.
• 18:35
  Speaker 3: Just a really, really dark story. It's just terrifying.
• 18:38
  Speaker 1: And they never let up. They suck out puppet souls. Like,
• 18:42
  Speaker 1: they are killing main characters by the end of it.
• 18:45
  Speaker 3: Yeah.
• 18:46
  Speaker 1: So I'm just like, it was so. Like, I think
• 18:48
  Speaker 1: I love that. Again, the creepy character that I was.
• 18:51
  Speaker 3: Yeah. Still am.
• 18:52
  Speaker 1: I was just like, I was so drawn to that.
• 18:54
  Speaker 1: The fact that it was puppets. And they were huge, massive.
• 18:57
  Speaker 3: Oh, yeah.
• 18:58
  Speaker 1: Those giant ones crawling around. Like, those things still to
• 19:01
  Speaker 1: this day disturb me.
• 19:02
  Speaker 3: They have one of the Skeksis at the Atlanta Puppetry Museum.
• 19:05
  Speaker 3: And I saw it. It's amazing. taller than me and
• 19:07
  Speaker 3: just looming it's huge.
• 19:09
  Speaker 1: Have you heard this is one I've heard in just
• 19:11
  Speaker 1: the last few years and again it makes me love
• 19:13
  Speaker 1: Henson even more for the weird guy that he was
• 19:16
  Speaker 1: yeah he wanted to do it all in their own
• 19:19
  Speaker 1: language Oh, yeah, yeah. And there was... And I think
• 19:22
  Speaker 1: he did it that way, and then later they went
• 19:24
  Speaker 1: back and reshot it and dubbed stuff in. I think
• 19:26
  Speaker 1: on the.
• 19:26
  Speaker 3: There's, like, DVD extras where it's... There's... Instead of having
• 19:29
  Speaker 3: it in English, it's... I mean.
• 19:30
  Speaker 1: It's crazy and creepy and up and down. Can you
• 19:33
  Speaker 1: imagine a good 90 minutes of just nonsense words and
• 19:36
  Speaker 1: the dark imagery? I'm just like.
• 19:38
  Speaker 3: Terrifying vulture people. How would this.
• 19:40
  Speaker 1: Not warp children's minds?
• 19:43
  Speaker 2: Yeah.
• 19:43
  Speaker 3: It's like, oh, my God. It's amazing, because it's the
• 19:45
  Speaker 3: guy that made the Muppets, and it's just fun, friendly stuff,
• 19:49
  Speaker 3: and then just like, here's the darkest shit anyone can
• 19:52
  Speaker 3: think of.
• 19:53
  Speaker 1: That's what I was going to say. That's kind of
• 19:54
  Speaker 1: what I like in the new turn. Have you seen
• 19:56
  Speaker 1: the new Muppet show?
• 19:57
  Speaker 3: I've only seen a couple of episodes. I saw a
• 19:59
  Speaker 3: couple episodes.
• 20:00
  Speaker 1: I like that. It's like, it's not like the fact
• 20:03
  Speaker 1: that there's relationship problems. I'm like, I kind of love that. Like,
• 20:08
  Speaker 1: If it was just like, oh, here we are again,
• 20:09
  Speaker 1: the same set little situation, Piggy and Kermit. The fact
• 20:13
  Speaker 1: that they bothered to make it real enough that we
• 20:17
  Speaker 1: know she's a diva anyway, but now she's a full-on
• 20:19
  Speaker 1: late-night talk show diva. They've broken up. There's so much
• 20:24
  Speaker 1: weird chemistry going on between the rest of the cast,
• 20:29
  Speaker 1: and I'm like, this is amazing. I need to finish
• 20:32
  Speaker 1: watching the rest of them because it's just those first
• 20:34
  Speaker 1: couple I saw, I'm like, I like that whoever's picked
• 20:38
  Speaker 1: it up now and taken over.
• 20:39
  Speaker 3: Oh, yeah.
• 20:39
  Speaker 1: Because I don't even know if Brian's still doing it.
• 20:42
  Speaker 1: One of the kids died, too, I know.
• 20:44
  Speaker 3: Oh, yeah.
• 20:45
  Speaker 1: They're running out of Henson. Oh, man. The best thing
• 20:48
  Speaker 1: he did was sell it to Disney because at least
• 20:50
  Speaker 1: they seem like they know what they're doing with stuff now.
• 20:51
  Speaker 1: They give it to the right people.
• 20:54
  Speaker 3: There's two knocks that I've heard on the new Muppet show,
• 20:57
  Speaker 3: and the first one was that it's ripping off 30 Rock,
• 21:00
  Speaker 3: which it's like, no, 30 Rock was ripping off the
• 21:02
  Speaker 3: Muppet show.
• 21:03
  Speaker 1: Yeah.
• 21:03
  Speaker 3: It was like Muppet show, but with humans.
• 21:06
  Speaker 1: It's very openly ripping off The Office because they did
• 21:09
  Speaker 1: the promo and they were making fun of the fact
• 21:11
  Speaker 1: that they're doing The Office.
• 21:13
  Speaker 3: The interview style?
• 21:14
  Speaker 1: Yeah, talking to the camera.
• 21:17
  Speaker 3: The other one is that it's too adult. And it's like, well,
• 21:20
  Speaker 3: the people that liked The Muppets are now adults.
• 21:22
  Speaker 1: Well, even then, if you go back and watch, it
• 21:25
  Speaker 1: really was like a weird variety show where we were
• 21:27
  Speaker 1: focusing more behind the scenes than what was going on.
• 21:30
  Speaker 1: Like you would... see them walk out and go on
• 21:32
  Speaker 1: stage and you stayed backstage and watch Kermit and Scooter
• 21:35
  Speaker 1: figure stuff out. I'm like, it really wasn't a kid's show.
• 21:40
  Speaker 1: It's the way tense and stuff always was. It was
• 21:42
  Speaker 1: like kid friendly, but it was smart enough to be
• 21:45
  Speaker 1: for adults. And like, I think that's, yeah, that's one
• 21:48
  Speaker 1: of the best things about it. And I'm glad that
• 21:50
  Speaker 1: it's kind of continuing down that road. So we veered
• 21:53
  Speaker 1: off into Muppets, but I guess that will come back
• 21:55
  Speaker 1: into play once again in a minute here.
• 21:57
  Speaker 3: Oh yeah.
• 21:59
  Speaker 9: How much do you want.
• 22:12
  Speaker 1: Not to start?
• 22:13
  Speaker 7: That's time to get things started on.
• 22:17
  Speaker 5: The most sensational, inspirational, It's intermission time.
• 22:31
  Speaker 4: Our service is friendly and quick. You'll find hot dogs, hamburgers, pizza,
• 22:36
  Speaker 4: your favorite candies, hot and cold beverages, and other delicious snacks.
• 22:41
  Speaker 4: So add to your fun of watching the movie. Visit
• 22:43
  Speaker 4: our refreshment stand right now. We're glad to have you
• 22:46
  Speaker 4: with us tonight. We hope you'll come to see us often.
• 22:50
  Speaker 4: It's great to get out to the movies.
• 22:54
  Speaker 8: This episode is brought to you by Crosley Turntables. Starting
• 22:57
  Speaker 8: back in 1920, the Crosley Company produced the first low-priced
• 23:00
  Speaker 8: radio for the general public, and ever since, they've been
• 23:02
  Speaker 8: working to provide innovative and affordable electronics. And that tradition
• 23:05
  Speaker 8: continues today as Crosley works to expand their product line,
• 23:08
  Speaker 8: creating vintage-inspired electronics featuring the latest technologies, such as iPod decks, Bluetooth,
• 23:14
  Speaker 8: and MP3 capabilities. So to find out more about their turntables,
• 23:18
  Speaker 8: just go to CrosleyRadio.com. There you'll find everything from the
• 23:21
  Speaker 8: players themselves to replacement needles and even records.
• 23:24
  Speaker 1: Again, that's CrosleyRadio.com. So head over there now and pick
• 23:27
  Speaker 1: out which turntable you need.
• 23:29
  Speaker 5: Remember, guys, it's not just a job.
• 23:32
  Speaker 1: It's an adventure. You stole an airplane from the Air Force.
• 23:36
  Speaker 1: You had a girl and an open bottle of champagne
• 23:38
  Speaker 1: in the cockpit.
• 23:39
  Speaker 2: I'm through.
• 23:40
  Speaker 1: I'm dead. I'm done.
• 23:43
  Speaker 4: When Jimmy Garrett joined the Air Force, he knew he'd
• 23:45
  Speaker 4: learn about leadership.
• 23:47
  Speaker 2: So why didn't you go to the Air Force Academy?
• 23:48
  Speaker 2: My instructors felt that I was spending too much time
• 23:51
  Speaker 2: concentrating on football.
• 23:52
  Speaker 8: Football.
• 23:53
  Speaker 3: I ran a betting pool. He'd meet interesting people.
• 23:56
  Speaker 1: Can I buy you a drink? He'd work with space
• 24:01
  Speaker 1: age technology.
• 24:02
  Speaker 5: This is gonna be a.
• 24:03
  Speaker 7: Whole new experience.
• 24:04
  Speaker 3: I just hope I'm up to it.
• 24:05
  Speaker 4: No, not you. After them. These are monkeys. But he
• 24:09
  Speaker 4: never thought he'd meet anyone like Virgil.
• 24:11
  Speaker 2: Be a good boy, okay?
• 24:13
  Speaker 3: Come here.
• 24:16
  Speaker 1: Be a good little chimp. Friend.
• 24:20
  Speaker 9: Fast break!
• 24:21
  Speaker 1: Ready? Dunk it!
• 24:23
  Speaker 7: Good, good.
• 24:24
  Speaker 4: Flato forward. That's it.
• 24:26
  Speaker 1: Come up.
• 24:27
  Speaker 5: Up.
• 24:28
  Speaker 2: Up. Go up.
• 24:30
  Speaker 3: That's right.
• 24:30
  Speaker 7: Pull it back. That's good.
• 24:31
  Speaker 3: That's good.
• 24:32
  Speaker 1: That's a very impressive fly in there, Garrett. Hey, Tim Fieger,
• 24:36
  Speaker 1: give me five.
• 24:37
  Speaker 4: It was a top secret project, and only Virgil knew
• 24:40
  Speaker 4: the truth.
• 24:41
  Speaker 5: What's he doing?
• 24:42
  Speaker 4: I don't know, man.
• 24:43
  Speaker 3: I mean, I've never seen this before.
• 24:45
  Speaker 1: I don't believe it.
• 24:45
  Speaker 9: Ow.
• 24:47
  Speaker 2: Ari.
• 24:47
  Speaker 3: Ari.
• 24:53
  Speaker 1: Help.
• 24:55
  Speaker 4: I think your animal is best qualified for our demonstration.
• 24:58
  Speaker 4: What's wrong? Virgil.
• 24:59
  Speaker 3: You have to get him out of here.
• 25:01
  Speaker 1: Somebody lied to me. What am I supposed to believe?
• 25:03
  Speaker 3: Listen, they are doing top secret work here. If anybody
• 25:06
  Speaker 3: knew that I even talked to you, I could be
• 25:07
  Speaker 3: charged with treason. What is his clearance?
• 25:09
  Speaker 5: What is your clearance?
• 25:10
  Speaker 1: How fast can you get him.
• 25:12
  Speaker 9: Out of here?
• 25:13
  Speaker 4: There's nothing you can do.
• 25:15
  Speaker 1: About it, man.
• 25:16
  Speaker 3: What do you think is.
• 25:18
  Speaker 1: Going on down that tunnel? Let's get the hell out
• 25:20
  Speaker 1: of here.
• 25:21
  Speaker 4: Garrett, what the hell are you doing?
• 25:23
  Speaker 1: From the creators of War Games, Matthew Broderick, Project X.
• 25:30
  Speaker 6: Want some music for your ears? Doo-Wop Shop makes it
• 25:33
  Speaker 6: easy to rent for any event, business meeting, or special occasion.
• 25:37
  Speaker 6: From PA systems to karaoke machines to just about anything
• 25:40
  Speaker 6: that makes noise, you can rent it from the Doo-Wop Shop.
• 25:42
  Speaker 6: In Louisville, find them either at their Highland Store at
• 25:45
  Speaker 6: 1587 Bardstown Road or in the East End at 2915
• 25:49
  Speaker 6: South Hurstburn Parkway. And look for them online at DooWopShop.com.
• 25:53
  Speaker 6: Doo-Wop Shop. We're serious about music.
• 26:06
  Speaker 1: Hey, this is Sal Sparks from the Magnum Opus, Dude,
• 26:08
  Speaker 1: Where's My Car?
• 26:09
  Speaker 3: And you're listening to Movie Meltdown.
• 26:13
  Speaker 6: It's time for Sofa Theater.
• 26:17
  Speaker 1: Peter, as you know, I love you.
• 26:20
  Speaker 3: Are you breaking up with me?
• 26:23
  Speaker 1: We're leading different lives. It's like you're standing on the
• 26:26
  Speaker 1: dock and I'm in the lake.
• 26:27
  Speaker 3: Sarah, I swear to God, I'll jump in the lake
• 26:29
  Speaker 3: like a merman.
• 26:30
  Speaker 1: Do you want to put some clothes on?
• 26:32
  Speaker 6: Would you like to pick out the outfit that you
• 26:33
  Speaker 6: break up with me in?
• 26:36
  Speaker 4: Sexy crime fighter Sarah Marshall has been spotted cozying up
• 26:40
  Speaker 4: to singer and notorious Lothario Aldis Snow.
• 26:44
  Speaker 3: She's dating somebody.
• 26:45
  Speaker 7: And until I do the same thing, I'm going to
• 26:47
  Speaker 7: feel like I want to die.
• 26:48
  Speaker 3: I think that went really well.
• 26:50
  Speaker 1: Are you crying?
• 26:51
  Speaker 3: I had sex with this woman who I barely even know.
• 26:54
  Speaker 3: I'm really scared that I have an STD, doc. Peter,
• 26:56
  Speaker 3: I'm a pediatrician. Have you noticed you're sitting on a
• 26:58
  Speaker 3: fire truck? Everywhere I look, I'm reminded of her.
• 27:03
  Speaker 1: Why don't you go on a vacation?
• 27:04
  Speaker 6: I could go to Hawaii.
• 27:05
  Speaker 3: Welcome to Turtle Bay and enjoy your stay.
• 27:08
  Speaker 1: Peter? What are you doing here?
• 27:13
  Speaker 3: Came here to murder you. This is a disaster. Go
• 27:18
  Speaker 3: someplace else. I'm not leaving here. It'll look like I'm
• 27:20
  Speaker 3: running away.
• 27:21
  Speaker 4: Wait, why are you whispering?
• 27:22
  Speaker 6: You're not following them, are you?
• 27:23
  Speaker 4: Oh, God. Get out of there.
• 27:24
  Speaker 3: Go to your room. It was the only room available.
• 27:28
  Speaker 6: I'd like to grab some dinner, please.
• 27:30
  Speaker 3: Is your girlfriend joining you?
• 27:31
  Speaker 7: No.
• 27:32
  Speaker 1: You're just by yourself?
• 27:33
  Speaker 4: Yeah.
• 27:33
  Speaker 1: You want, like, a magazine or something?
• 27:35
  Speaker 3: It's going to be boring. I just would be so depressed.
• 27:37
  Speaker 2: Oi, oi.
• 27:38
  Speaker 1: Why don't you come over and sit with us?
• 27:40
  Speaker 3: Did you see her boyfriend?
• 27:41
  Speaker 1: He is ridiculous. Mr.
• 27:43
  Speaker 7: Snow, I brought you my demo.
• 27:44
  Speaker 1: That's me.
• 27:44
  Speaker 5: I'm all five members of the band.
• 27:47
  Speaker 3: Come on, you've got to go now.
• 27:48
  Speaker 7: Sorry.
• 27:49
  Speaker 3: This break... Get out of your head.
• 27:51
  Speaker 4: It's really nice out here.
• 27:53
  Speaker 1: Are you going to jump or what?
• 27:57
  Speaker 3: I'll jump.
• 27:59
  Speaker 1: Universal Pictures presents.
• 28:00
  Speaker 3: Oh, hey.
• 28:01
  Speaker 6: You're welcome to join us, obviously, if you like.
• 28:03
  Speaker 2: Okay.
• 28:04
  Speaker 5: I have a question for you real quick.
• 28:05
  Speaker 4: What did you think of my demo?
• 28:06
  Speaker 1: Did you get it?
• 28:07
  Speaker 2: I was going to listen to that, but then I
• 28:10
  Speaker 2: just carried on living my life.
• 28:12
  Speaker 4: A comedy... You need a hug. Come here.
• 28:15
  Speaker 1: About getting left behind. You need to get back on
• 28:17
  Speaker 1: that board.
• 28:18
  Speaker 3: Oh, wow.
• 28:19
  Speaker 1: You got coral on your leg. Can you get out
• 28:23
  Speaker 1: of my leg, please, hotel man?
• 28:27
  Speaker 4: And coming out ahead.
• 28:28
  Speaker 1: I think it's good you're getting out there.
• 28:30
  Speaker 7: I think you need to move just a tiny bit
• 28:31
  Speaker 7: further away from the microphone.
• 28:32
  Speaker 3: No closer. Now a little further. Closer.
• 28:36
  Speaker 1: Oh, I know what you're doing. You stop that.
• 28:39
  Speaker 4: Forgetting Sarah Marshall.
• 29:07
  Speaker 1: I don't want to wonder if this is a blunder
• 29:12
  Speaker 1: I don't want to worry whether we're going to stay
• 29:15
  Speaker 1: together till we die I don't want to jump in
• 29:18
  Speaker 1: unless this music's thumping All the dishes rattle in the
• 29:23
  Speaker 1: cupboards when the elephants.
• 29:25
  Speaker 4: Arrive I want to love you madly I want to
• 29:31
  Speaker 4: love you now.
• 29:37
  Speaker 1: Thank you. So, I guess that's sort of what led
• 29:48
  Speaker 1: us to this. I was like, you know, we definitely
• 29:50
  Speaker 1: had some cool movie crossover. So I was like, all right,
• 29:53
  Speaker 1: what do we want to talk about? So, to get
• 29:56
  Speaker 1: into our movie here. This week's Sofa Theater feature is
• 29:59
  Speaker 1: Forgetting Sarah Marshall. The year is 2008. The director, Nicholas Stoller,
• 30:05
  Speaker 1: And the plot, according to IMDb, devastated Peter takes a
• 30:10
  Speaker 1: Hawaiian vacation in order to deal with his recent breakup
• 30:14
  Speaker 1: with the TV star girlfriend, Sarah. Little does he know,
• 30:17
  Speaker 1: Sarah's traveling to the same resort as her ex, and
• 30:19
  Speaker 1: she's bringing along her new boyfriend. Spoiler alert. I'm going
• 30:23
  Speaker 1: to ruin the hell.
• 30:24
  Speaker 3: Out of this. Spoilers all around.
• 30:26
  Speaker 1: That was what I was leading to earlier, is like,
• 30:31
  Speaker 1: I've kind of mentioned this on shows previously. I wanted
• 30:34
  Speaker 1: to know, growing up, were you also a big comedy fan?
• 30:37
  Speaker 1: Or in recent years, like in this last 10, 15
• 30:40
  Speaker 1: year run where there's sort of this new brand of
• 30:43
  Speaker 1: comedy that's taken off and gotten popular, are you a
• 30:46
  Speaker 1: big fan of that?
• 30:48
  Speaker 3: I'm not really a big fan.
• 30:51
  Speaker 1: See, that's the thing.
• 30:52
  Speaker 3: I'm not. Comedy movies and comedy stuff, I'm more into
• 30:55
  Speaker 3: the weird, interesting stuff. And comedy movies are generally just
• 30:59
  Speaker 3: kind of like the same. Especially lately. As we said,
• 31:07
  Speaker 3: I love comedy. I love stand-up.
• 31:10
  Speaker 1: Being the movie fan that I am, I love comedy movies.
• 31:15
  Speaker 1: People kept referencing recent stuff lately. I was like, nah,
• 31:18
  Speaker 1: I haven't seen it. I saw the trailer. I don't care.
• 31:21
  Speaker 1: I started thinking about it. My go-to comedy favorites are
• 31:24
  Speaker 1: all from 20, 30 years ago.
• 31:27
  Speaker 3: Nothing recent really.
• 31:30
  Speaker 1: I'm like, I don't know that I respond well that
• 31:33
  Speaker 1: this last wave or two of modern comedy film has
• 31:37
  Speaker 1: come out. So when you said that, I was like,
• 31:40
  Speaker 1: oh good, I need to watch this because I hadn't
• 31:42
  Speaker 1: seen it before. I hadn't gotten around to watching it yet.
• 31:44
  Speaker 1: So I thought, yeah, this is a good excuse.
• 31:47
  Speaker 3: There you go.
• 31:47
  Speaker 1: I wanted to watch it if for no other reason
• 31:50
  Speaker 1: I am a huge Kristen Bell fan.
• 31:51
  Speaker 3: Hell yeah.
• 31:53
  Speaker 1: I mean, this doesn't really put her in the best situation,
• 31:57
  Speaker 1: but I mean, Veronica Mars is so damn good. It's
• 32:01
  Speaker 1: so well written and she's so good on it. So yeah,
• 32:04
  Speaker 1: I've tried to catch what I can of her, but yeah,
• 32:08
  Speaker 1: I still hadn't gotten around to it because everything else
• 32:12
  Speaker 1: didn't seem like stuff I was going to be all
• 32:14
  Speaker 1: that into. And so that was the thing. I saw
• 32:16
  Speaker 1: that trailer years ago in 2008 and I was just like, eh,
• 32:21
  Speaker 1: I feel like everything I'm watching in the trailer, I
• 32:24
  Speaker 1: kind of get everything that they're going to try to
• 32:26
  Speaker 1: do in the movie. So then watching it this weekend,
• 32:29
  Speaker 1: I'm like, Yeah, I was right. I feel like most
• 32:34
  Speaker 1: of what they're trying to put out there in that two,
• 32:36
  Speaker 1: three-minute trailer is kind of all you get out of
• 32:39
  Speaker 1: the movie. I don't know. What is your take on it?
• 32:42
  Speaker 3: I'm obsessed with that movie. On the surface, it's a
• 32:46
  Speaker 3: very paint-by-numbers romantic comedy film.
• 32:50
  Speaker 1: That's kind of why I want to get into it,
• 32:51
  Speaker 1: because I came away with, I don't dislike it. I
• 32:55
  Speaker 1: just feel like it's... not doing anything more than what
• 32:58
  Speaker 1: you would expect it to do.
• 33:00
  Speaker 3: I think it's kind of like people's favorite albums usually
• 33:05
  Speaker 3: coincide with something happening in their life and it just
• 33:08
  Speaker 3: really resonates with you. And that movie just came at
• 33:12
  Speaker 3: a time where I completely related to the circumstances and
• 33:17
  Speaker 3: everything in the movie of this guy who's the wonderful girlfriend.
• 33:23
  Speaker 3: Because the typical is that One of the characters just
• 33:25
  Speaker 3: has to be straight up shitty and evil.
• 33:27
  Speaker 1: Yeah.
• 33:28
  Speaker 3: And so you feel sympathy. But then this movie also
• 33:31
  Speaker 3: reveals that, yeah, that guy was also an idiot and
• 33:33
  Speaker 3: just being shitty too.
• 33:34
  Speaker 1: That's the thing.
• 33:35
  Speaker 3: Everybody. Where it actually presented both sides kind of.
• 33:38
  Speaker 1: Everybody. It's kind of both sides for me. It's like
• 33:41
  Speaker 1: one of the things I took away was of our
• 33:43
  Speaker 1: four main characters, three of them you don't really like
• 33:47
  Speaker 1: that much.
• 33:47
  Speaker 3: Yeah.
• 33:48
  Speaker 1: And I'm like, other than.
• 33:50
  Speaker 3: Mila Kunis is the only one who's... Mila Kunis is.
• 33:52
  Speaker 1: The only one that you're like, no, she's pretty awesome.
• 33:55
  Speaker 1: I'm on board with her. I'm on board with this girl.
• 33:57
  Speaker 1: She never really screws anybody over. She's always kind of
• 34:00
  Speaker 1: a good person.
• 34:01
  Speaker 3: Yeah, and I think that's kind of interesting to where
• 34:05
  Speaker 3: it's not black and white. It's a little more gray.
• 34:07
  Speaker 1: Yeah, on the one hand, it's like I had that
• 34:11
  Speaker 1: issue with it. I'm like, I don't really like most
• 34:13
  Speaker 1: of these people. But at the same time, it does
• 34:15
  Speaker 1: an interesting thing where... they all turn around and sort
• 34:19
  Speaker 1: of redeem themselves at moments. Not completely, but like by
• 34:24
  Speaker 1: the end you don't, like even the jackass boyfriend, you're like,
• 34:27
  Speaker 1: I don't know, I mean he's just, he's a dick,
• 34:30
  Speaker 1: but like he's not trying to be a dick.
• 34:32
  Speaker 3: He's just like that.
• 34:34
  Speaker 1: He is the way he is. She got involved with
• 34:36
  Speaker 1: him knowing the way he is. Like, you know, it's
• 34:39
  Speaker 1: like I feel like everybody sort of comes around and
• 34:42
  Speaker 1: you're like, eh, I guess they're all right.
• 34:43
  Speaker 3: Yeah, and I feel like that's a good representation. And
• 34:47
  Speaker 3: I feel, Because I feel like most of my 20s,
• 34:50
  Speaker 3: I would view relationships as like, that person was crazy.
• 34:53
  Speaker 3: I did nothing wrong. I was the hero. I tried
• 34:57
  Speaker 3: my hardest. They obviously messed it up.
• 34:59
  Speaker 1: I'm trying to decide now if that's part of it.
• 35:01
  Speaker 1: Because it is like, I do feel a little bit
• 35:06
  Speaker 1: of kinship with him. Because I do. I'm still coming
• 35:10
  Speaker 1: out of a bad relationship. And I was thinking back,
• 35:12
  Speaker 1: I'm like, wasn't that about the time it started falling apart?
• 35:15
  Speaker 1: It was 2008. So maybe that's also why I saw
• 35:17
  Speaker 1: that trailer and went, no, I don't think so. I'm
• 35:20
  Speaker 1: living this. I don't need to go see a movie.
• 35:22
  Speaker 1: But I'm, I don't know. I think it's also like he,
• 35:27
  Speaker 1: our writer, Jason Segel. Yeah. So I'm like, I don't
• 35:30
  Speaker 1: know that I ever really loved him in general.
• 35:33
  Speaker 3: Yeah.
• 35:34
  Speaker 1: And I think that's what puts me in a bad
• 35:35
  Speaker 1: place because we invest so much time with his character.
• 35:39
  Speaker 2: Oh yeah.
• 35:40
  Speaker 1: And I'm like, I don't really like him. He's all right.
• 35:43
  Speaker 1: I don't hate him. He's not a horrible guy. He's just,
• 35:46
  Speaker 1: he is kind of an idiot. And like, he spent
• 35:49
  Speaker 1: so much time literally crying, not.
• 35:52
  Speaker 3: Even figuratively, literally crying. I think that's where I really
• 35:56
  Speaker 3: latched on. Well, that's the thing.
• 35:58
  Speaker 1: I was like, I think, I'd gotten past that point,
• 36:00
  Speaker 1: and now I'm just at the angry, bitter stage. So
• 36:02
  Speaker 1: I'm like, if he was more of that, I think
• 36:04
  Speaker 1: I would identify with him more. I'm just like, ugh,
• 36:07
  Speaker 1: fuck that whole relationship. But he's not really ever even
• 36:09
  Speaker 1: at that. He's just sad. Granted, it just happened for him,
• 36:13
  Speaker 1: so that makes more sense.
• 36:15
  Speaker 3: I feel like it shows very realistic how breakups work,
• 36:19
  Speaker 3: where there's anger, but then he's also very sad, and
• 36:23
  Speaker 3: he's trying to have sex with other ladies and none
• 36:26
  Speaker 3: of it works.
• 36:27
  Speaker 1: That never works.
• 36:27
  Speaker 3: That's a bad idea. That always never works.
• 36:30
  Speaker 1: And again, as time goes, and the one I sort of, again,
• 36:35
  Speaker 1: you don't like her, but I think I am so
• 36:37
  Speaker 1: much more impressed with what Kristen Bell does. Yeah. Again,
• 36:40
  Speaker 1: being the amazing actress she is.
• 36:42
  Speaker 4: Yeah.
• 36:43
  Speaker 1: I think two of the best scenes in the movie
• 36:46
  Speaker 1: are involving her.
• 36:47
  Speaker 2: Yep.
• 36:47
  Speaker 1: And, and, One of the things I think she brings
• 36:50
  Speaker 1: is by the end you realize like when she walks
• 36:52
  Speaker 1: in at the beginning and he's just like completely broadsided.
• 36:56
  Speaker 1: He's like, what? Huh? But like you watch. She's not
• 37:01
  Speaker 1: really that upset because she's been dealing with it for years.
• 37:05
  Speaker 1: Once you get into her relationship, you're like. Oh, well,
• 37:08
  Speaker 1: that's why she's already gotten past this point of being sad.
• 37:11
  Speaker 1: She's spent two or three years sad.
• 37:14
  Speaker 7: Yeah.
• 37:14
  Speaker 1: Like, and he's an idiot and he didn't bother to notice. Yeah.
• 37:17
  Speaker 1: So again, it's like, you see a lot more out
• 37:19
  Speaker 1: of her character, the more you get into it. And
• 37:22
  Speaker 1: I think again, her performance is so good that like,
• 37:25
  Speaker 1: by the end, it's like, I'm way more invested in
• 37:27
  Speaker 1: her than I should be. Like, she should be the
• 37:29
  Speaker 1: jackass girlfriend that you don't like, but like, because she
• 37:32
  Speaker 1: brings so much to it. I'm like, yeah. damn, she
• 37:35
  Speaker 1: kind of really like, and.
• 37:36
  Speaker 3: It's, you know, she did what she did because she
• 37:39
  Speaker 3: was unhappy and that he was, you know, and it
• 37:41
  Speaker 3: makes sense. Then it makes sense where it's like, oh, okay.
• 37:44
  Speaker 1: Again, now being on the other side of those real
• 37:46
  Speaker 1: broken relationships, you're like, well, hell yeah. I don't still
• 37:49
  Speaker 1: want to be in that. It does make sense to
• 37:52
  Speaker 1: get out of a dysfunctional relationship, even if the other
• 37:54
  Speaker 1: person's kind of clueless about it. Like, yeah, it makes sense.
• 37:58
  Speaker 1: So yeah. But I think that was the thing. I
• 38:01
  Speaker 1: think by the end I was more impressed with that
• 38:03
  Speaker 1: kind of stuff. I didn't really laugh that much.
• 38:07
  Speaker 3: Yeah, I feel like a lot of the laugh parts
• 38:11
  Speaker 3: are like the awkward laughs where it's not like super
• 38:15
  Speaker 3: strong joke writing. Like just awkward. Like a lot of
• 38:18
  Speaker 3: it's from Jonah Hill's awkward character.
• 38:21
  Speaker 1: It's all the other characters.
• 38:23
  Speaker 3: And Bill Hader, his character.
• 38:25
  Speaker 1: I'm not even all that thrilled with Bill Hader.
• 38:26
  Speaker 3: The weird brother-in-law of Bill.
• 38:28
  Speaker 1: Paul Rudd is the funniest character in the movie.
• 38:31
  Speaker 3: How long have you lived out here?
• 38:34
  Speaker 4: Man, I don't know.
• 38:35
  Speaker 6: I quit wearing a watch when I moved out here.
• 38:37
  Speaker 1: Wow, that's so cool. Yeah. No, like my cell phone
• 38:40
  Speaker 1: has a clock on it, so I don't really need it. Right,
• 38:44
  Speaker 1: so basically the same thing.
• 38:47
  Speaker 3: How old are you?
• 38:47
  Speaker 1: I don't really believe in age or numbers. You know,
• 38:50
  Speaker 1: I don't... I mean, if you had to put a
• 38:53
  Speaker 1: number on it, I guess I'd be 44.
• 38:58
  Speaker 7: Fuck.
• 39:00
  Speaker 3: Thanks for taking me out here. This is the first
• 39:04
  Speaker 3: time I've felt good in three weeks or so.
• 39:06
  Speaker 1: You need to get back on that board is what
• 39:08
  Speaker 1: you need to do. Yeah? Okay, here's the deal. When
• 39:11
  Speaker 1: life gives you lemons, just say fuck the lemons and bail. Yeah, no.
• 39:16
  Speaker 3: You said it.
• 39:17
  Speaker 7: Totally.
• 39:18
  Speaker 1: You gotta just pull yourself up by your wetsuit, get
• 39:20
  Speaker 1: back on that board. Hey, look, man, if you're attacked
• 39:22
  Speaker 1: by a shark, are you gonna give up surfing? probably
• 39:25
  Speaker 1: yeah oh my god like everything he says I'm like
• 39:29
  Speaker 1: tell me all that was ad lib because it does
• 39:30
  Speaker 1: not match like Jason Segel's screenplay is relatively boring yeah
• 39:34
  Speaker 1: his dialogue.
• 39:35
  Speaker 3: Is fantastic the best is yeah when Russell Brand gets
• 39:40
  Speaker 3: stung by the jellyfish and he's just like you sound
• 39:42
  Speaker 3: like you're from London as he's bleeding out or his
• 39:47
  Speaker 3: whole speech about yeah All the surf lessons are so great. Yeah,
• 39:52
  Speaker 3: Paul Rudd's just great in everything.
• 39:54
  Speaker 1: Paul Rudd, in general, is a pretty great actor, too, but, like,
• 39:58
  Speaker 1: has great comedic timing.
• 39:59
  Speaker 3: Oh, yeah.
• 40:00
  Speaker 1: And a sense of, like, just sort of knowing how
• 40:02
  Speaker 1: to bring a goofy character to life and, like, make
• 40:05
  Speaker 1: them really likable, even though he's an idiot. You know,
• 40:08
  Speaker 1: it's like you should, once again, you should write him off, but, like,
• 40:10
  Speaker 1: he's so damn funny.
• 40:11
  Speaker 3: Oh, yeah.
• 40:12
  Speaker 1: He kind of saves it, and, like, again, the side characters,
• 40:16
  Speaker 1: Jonah Hill. Yep. And again, being the dark weirdo that
• 40:20
  Speaker 1: I am, he's genuinely unhappy.
• 40:23
  Speaker 4: Yeah.
• 40:24
  Speaker 1: Like in every scene. Like by the end of it,
• 40:26
  Speaker 1: I'm like, those weird little things that he says that
• 40:30
  Speaker 1: like you almost don't hear him like. wow i'm like
• 40:34
  Speaker 1: that's a genuinely un and like i'm like that's the
• 40:38
  Speaker 1: real sense of reality going on oh yeah like his
• 40:40
  Speaker 1: people are really that unhappy and like we get a
• 40:43
  Speaker 1: little window of that rest of the silliness and.
• 40:45
  Speaker 3: It's it's you can relate to his character where it's
• 40:49
  Speaker 3: you know this famous musician that he idolizes is there
• 40:52
  Speaker 3: and he's trying so desperately to like have any kind
• 40:55
  Speaker 3: of connection with them. And I think about that all
• 40:57
  Speaker 3: the time. When I'm around someone that's like, and I
• 41:00
  Speaker 3: just want to be like, I just want to tell
• 41:01
  Speaker 3: them I love them and give them my demo tape.
• 41:05
  Speaker 1: I keep doing that on this show. I keep meeting
• 41:07
  Speaker 1: people that I've grown up idolizing. It is interesting, I
• 41:11
  Speaker 1: have to say, talking to people and I'm like, so
• 41:14
  Speaker 1: many of them will be really great and I'm so thrilled.
• 41:17
  Speaker 1: Other people are so afraid, like, oh, I don't want
• 41:19
  Speaker 1: to meet them and find out they're horrible. I'm like, No,
• 41:22
  Speaker 1: screw that. I want to know. If that guy's a jackass,
• 41:24
  Speaker 1: I want to find out. So it's like, I'm the opposite.
• 41:27
  Speaker 1: I'd much rather find out that somebody's kind of horrible
• 41:31
  Speaker 1: because I think I can separate the two. I can
• 41:33
  Speaker 1: still respect their work, but be like, screw that guy. Personally,
• 41:38
  Speaker 1: that guy's a horrible person, but he's a great actor.
• 41:41
  Speaker 1: He's a great musician. I think I can do that
• 41:44
  Speaker 1: more than a lot of people. A lot of people
• 41:45
  Speaker 1: get caught up in their personal life is the same
• 41:48
  Speaker 1: as the screen.
• 41:49
  Speaker 3: Oh, definitely.
• 41:50
  Speaker 1: I think I could separate them a little. Sometimes you
• 41:52
  Speaker 1: still bring baggage, but, but yeah. And I think all
• 41:56
  Speaker 1: of those side characters are kind of what sells it.
• 41:59
  Speaker 1: I think the guy at the bar and the, the
• 42:01
  Speaker 1: big Hawaiian dude, those, they have hardly any screen time,
• 42:05
  Speaker 1: but they have such great character that like they make
• 42:08
  Speaker 1: up what holds the movie together. I feel like the,
• 42:12
  Speaker 1: the Jason Segel character and a lot of his dialogue
• 42:15
  Speaker 1: is pretty run of the mill. Like, again, it's not horrible.
• 42:18
  Speaker 1: It's just like, Yeah, exactly. That's what you'd say.
• 42:22
  Speaker 3: And I feel like a lot of those movies, it's
• 42:25
  Speaker 3: like a hero, like the hero of the movies, like
• 42:29
  Speaker 3: this person. And that kind of gives you perspective where
• 42:32
  Speaker 3: it's like, okay, I'm just kind of an idiot in this.
• 42:35
  Speaker 3: And I'm around some very interesting people where it's just
• 42:38
  Speaker 3: kind of interesting to see that. But yeah, absolutely. He's
• 42:41
  Speaker 3: just a big doofus.
• 42:43
  Speaker 1: He really is.
• 42:43
  Speaker 3: And I think that's been everything he's been, and he's
• 42:45
  Speaker 3: just a big doofus. That's the thing.
• 42:48
  Speaker 1: Some people just loved him on How I Met Your Mother.
• 42:50
  Speaker 1: I didn't watch that forever, and then finally it was
• 42:53
  Speaker 1: like forced down your throat in syndication that I've seen
• 42:55
  Speaker 1: a ton of episodes now.
• 42:57
  Speaker 3: I was obsessed with that show when it first came out,
• 43:00
  Speaker 3: and then that just made me so angry. Because if
• 43:04
  Speaker 3: we can bring up, main characters that are awful Ted
• 43:07
  Speaker 3: from How I Met Your Mother is the worst main
• 43:09
  Speaker 3: character he's just.
• 43:09
  Speaker 1: A dumb shit well again has no personality.
• 43:12
  Speaker 3: Really and he's a dick to people like not even
• 43:16
  Speaker 3: like the fun.
• 43:16
  Speaker 1: Dick not even interesting like all the rest of them
• 43:18
  Speaker 1: are at least kind of weird you know like the
• 43:20
  Speaker 1: rest of them are sort of interesting I mean again
• 43:22
  Speaker 1: with any of them I'm like you're all like I
• 43:25
  Speaker 1: don't know that we knew going in but very quickly
• 43:28
  Speaker 1: into that first season you're like okay Neil Patrick Harris
• 43:31
  Speaker 1: is going to steal every scene he's in and And, like,
• 43:35
  Speaker 1: watching him on stuff now, I'm like, he just has
• 43:37
  Speaker 1: so much charisma.
• 43:38
  Speaker 3: Oh, yeah.
• 43:38
  Speaker 1: It makes no sense how he can be that damn likable.
• 43:41
  Speaker 1: But I'm just like, even being a dick, he is likable. Like,
• 43:44
  Speaker 1: you can't fault him for just, like, he has so
• 43:47
  Speaker 1: much charisma. It's ridiculous.
• 43:49
  Speaker 3: Yeah, he's a monster.
• 43:50
  Speaker 1: So, like, yeah, Jason Segel didn't have a chance. Because
• 43:54
  Speaker 1: I feel like, again, I didn't really like his character
• 43:56
  Speaker 1: that much. Like, at least Willow and Doogie are interesting,
• 43:59
  Speaker 1: which is how I used to refer to that show.
• 44:01
  Speaker 7: Oh, yeah.
• 44:01
  Speaker 1: The Willow and Doogie show.
• 44:02
  Speaker 3: Of course.
• 44:02
  Speaker 2: But.
• 44:03
  Speaker 1: Yeah, I feel like, I don't know. The rest of
• 44:05
  Speaker 1: them had a, I don't know. Robin's a crackhead. I
• 44:09
  Speaker 1: can get on board with her ridiculous behavior sometimes because
• 44:11
  Speaker 1: it was entertaining.
• 44:12
  Speaker 3: I feel like that's the big thing with that movie
• 44:15
  Speaker 3: is since the main character was just a doofus.
• 44:17
  Speaker 1: Yeah.
• 44:17
  Speaker 3: Who was just kind of caught up in just being
• 44:20
  Speaker 3: an idiot. That's why I would just, I was like,
• 44:23
  Speaker 3: that's how I feel.
• 44:23
  Speaker 1: I am that idiot.
• 44:25
  Speaker 3: Who was just making terrible decisions left and right.
• 44:29
  Speaker 1: Yeah.
• 44:30
  Speaker 3: And then probably the biggest thing about that movie that
• 44:32
  Speaker 3: I think resonated the most was the Dracula musical.
• 44:34
  Speaker 1: That, that was the other thing I was going to
• 44:36
  Speaker 1: get to. I was like, the thing that I liked
• 44:38
  Speaker 1: so much, well, even before we got to, but like
• 44:41
  Speaker 1: the payoff at the end is amazing. But like, Just
• 44:43
  Speaker 1: when she suckered him into going up there and starting
• 44:46
  Speaker 1: to sing, I'm like, that was one of the funniest
• 44:49
  Speaker 1: things in the movie. I was like, I don't care
• 44:50
  Speaker 1: about most of this other dialogue, but he started singing,
• 44:53
  Speaker 1: and I legitimately laughed. And I'm like, I hadn't done
• 44:56
  Speaker 1: that a ton.
• 44:56
  Speaker 3: And Mila Kunis in that scene kills it, because when
• 44:58
  Speaker 3: he's at the end of the song, the way she
• 45:00
  Speaker 3: looks at him is like, that's the way I wish
• 45:02
  Speaker 3: every woman would always look at me.
• 45:04
  Speaker 1: And again, you see the flashback to Kirsten Bell. It's
• 45:09
  Speaker 1: just like... And she didn't get it. Don't play it again.
• 45:12
  Speaker 1: And Mila Gudis is just like, oh my God, you
• 45:15
  Speaker 1: were the best thing ever.
• 45:16
  Speaker 3: So it's this metaphor where you have to, one, you
• 45:19
  Speaker 3: have to find what your Dracula musical is. And two,
• 45:21
  Speaker 3: you have to find someone that appreciates your Dracula musical.
• 45:23
  Speaker 1: Someone that gets you in whatever ridiculous thing you're bringing
• 45:26
  Speaker 1: to the table.
• 45:29
  Speaker 3: Since that movie's come out, I've been in a couple
• 45:33
  Speaker 3: of relationships where And then they end and I spend
• 45:36
  Speaker 3: like a solid month watching that movie over and over.
• 45:39
  Speaker 1: And it's always. It's like abuse.
• 45:41
  Speaker 3: Oh, it is. It is because it's like all the
• 45:43
  Speaker 3: terrible things. I'm like, okay, I can. And then the
• 45:45
  Speaker 3: Dracula musical at the end just brings it up. And
• 45:47
  Speaker 3: I'm like, now I feel better. Now I feel like
• 45:49
  Speaker 3: I need to figure out what my Dracula musical is.
• 45:52
  Speaker 3: I need to go out there.
• 45:53
  Speaker 1: That's one of the few times that I really liked
• 45:56
  Speaker 1: what they were doing with this character. Again, most of
• 45:58
  Speaker 1: the time he's just that idiot.
• 45:59
  Speaker 7: Yeah.
• 46:00
  Speaker 1: But towards the end when he comes back and he's
• 46:02
  Speaker 1: singing that song with the new lyrics about how stupid
• 46:06
  Speaker 1: he is and you need to go get help, but
• 46:09
  Speaker 1: I don't want to go get help. Again, it's that
• 46:11
  Speaker 1: weird dark edge that I'm just like, at least for
• 46:14
  Speaker 1: a second here, I feel like he has some real character.
• 46:17
  Speaker 1: There really is something going on under there that he's
• 46:19
  Speaker 1: not just an idiot. he is kind of self-aware of
• 46:22
  Speaker 1: how stupid he's been. And like, it finally kicked in.
• 46:24
  Speaker 1: It took a long time, but it finally kicked in.
• 46:26
  Speaker 1: So that's one of the few moments that I'm like, okay,
• 46:28
  Speaker 1: I'm on board with this guy right now.
• 46:30
  Speaker 3: Just right now. And those puppets made by the Henson Company.
• 46:34
  Speaker 1: That's the other, once I got it, because I didn't
• 46:36
  Speaker 1: know that was coming. Again, that's the one thing they
• 46:38
  Speaker 1: don't give you in the trailer. And like, so like,
• 46:41
  Speaker 1: when he started doing the song, it was funny. When
• 46:43
  Speaker 1: we get to the big finale, I'm like, So this
• 46:45
  Speaker 1: was just like his demo reel for the Muppets, right?
• 46:50
  Speaker 1: Because he ends up coming in, like he and the
• 46:52
  Speaker 1: director end up writing, directing the next two. Like Seagull,
• 46:57
  Speaker 1: I think, was gone by the second one, but I
• 46:59
  Speaker 1: think that director comes back and directs.
• 47:00
  Speaker 3: The second one. Yeah, I think he stuck around.
• 47:02
  Speaker 1: Or at least was writer for the second one.
• 47:03
  Speaker 3: And then the Flight of the Conchords dude that did
• 47:05
  Speaker 3: the music stuck around too, I think.
• 47:07
  Speaker 1: So I think the director came back and was screenwriter
• 47:10
  Speaker 1: on even the second Muppet.
• 47:11
  Speaker 3: Yeah, what's the coolest way to be like... get involved
• 47:14
  Speaker 3: with what you want to do.
• 47:15
  Speaker 1: You can, but it's funny cause you can see it.
• 47:18
  Speaker 1: Like it isn't like he just stumbled in. Cause even
• 47:20
  Speaker 1: when that Muppet movie came out, I'm like, how did
• 47:22
  Speaker 1: he get in that? Now I see it's like, obviously
• 47:24
  Speaker 1: he'd been literally obsessed to the point he wrote it
• 47:27
  Speaker 1: into a movie and went, I wonder if I could
• 47:29
  Speaker 1: actually get Henson to do the puppets.
• 47:31
  Speaker 3: And then he got him and scammed his way in.
• 47:34
  Speaker 1: Once his foot was in the door, he's like, Hey guys, um,
• 47:37
  Speaker 1: So let's make another movie. Of course, I'll be the star.
• 47:41
  Speaker 3: I just imagine the Henson Company, the pitch for it
• 47:43
  Speaker 3: is like, all right, we need these Dracula puppets. They're like, oh,
• 47:45
  Speaker 3: that's kind of different and cool. Oh, it's a romantic comedy.
• 47:48
  Speaker 3: The main character is going to show his dick twice.
• 47:50
  Speaker 3: It's going to be totally great. And they're like, oh, yeah, great. Sure,
• 47:54
  Speaker 3: we're on board with that. We're in. It fits our
• 47:56
  Speaker 3: brand perfectly.
• 47:58
  Speaker 1: Yeah, we'll give them the, they go completely atypical in
• 48:02
  Speaker 1: this movie because there is no female nudity really.
• 48:04
  Speaker 3: Yeah.
• 48:05
  Speaker 1: Full frontal male nudity.
• 48:07
  Speaker 3: I think that's very commendable.
• 48:10
  Speaker 1: And it is funny, like, by the end, sometimes it's
• 48:12
  Speaker 1: very ridiculous why Kristen Bell is covered during those sex scenes. Yeah.
• 48:17
  Speaker 1: Why are you wearing all your clothes?
• 48:19
  Speaker 3: This is so ridiculous. There's multiple sex scenes and she's
• 48:21
  Speaker 3: very covered up.
• 48:22
  Speaker 1: She makes the comment at the end about all the girls,
• 48:25
  Speaker 1: you know, showing, however she phrases it, showing the cooch.
• 48:28
  Speaker 1: That's what she's coaching.
• 48:29
  Speaker 3: Yeah, with being an actress in Hollywood.
• 48:31
  Speaker 1: And I was like, that's just her line. She legitimately
• 48:34
  Speaker 1: was like, I don't have to do that. I'm Kristen Bell.
• 48:36
  Speaker 3: Yeah.
• 48:37
  Speaker 1: I don't have to get naked.
• 48:38
  Speaker 3: And then, because that was very like, I feel like
• 48:41
  Speaker 3: that was specifically for her. And then when they're talking
• 48:45
  Speaker 3: about the terrible movie she was in where a cell
• 48:48
  Speaker 3: phone's killing people. Was she not in a movie that
• 48:51
  Speaker 3: had that exact, almost positive, it was called, oh man,
• 48:54
  Speaker 3: she was.
• 48:55
  Speaker 1: There is Pulse, which is like all of your electronics
• 48:59
  Speaker 1: start killing, like the whole system goes down by the
• 49:02
  Speaker 1: end of that movie.
• 49:03
  Speaker 3: Which, I might have to look this up, because I
• 49:05
  Speaker 3: swear she was actually in a movie.
• 49:08
  Speaker 1: There is, there's like a one missed call.
• 49:10
  Speaker 3: The signal or something like that, where it's people's cell phones, like, oh,
• 49:14
  Speaker 3: it's something crazy, but.
• 49:15
  Speaker 1: Alright we're gonna have to do more research yeah but
• 49:18
  Speaker 1: I'm positive there's a sequel episode coming I'm positive because
• 49:20
  Speaker 1: then it was super funny that they bring that up
• 49:22
  Speaker 1: that her character was in a terrible movie I do
• 49:25
  Speaker 1: that is one of the things that like again it's
• 49:27
  Speaker 1: all the little side stuff going on that I enjoy
• 49:29
  Speaker 1: so much about this their TV show is like Again,
• 49:33
  Speaker 1: it would be painful to watch an episode of it.
• 49:35
  Speaker 4: Yeah.
• 49:35
  Speaker 1: But those two-minute segments here and there, that's pretty damn funny.
• 49:40
  Speaker 1: Just how spot-on they are at making fun of mostly
• 49:44
  Speaker 1: David Caruso.
• 49:45
  Speaker 7: Yep.
• 49:45
  Speaker 3: Just perfectly for any of the investigative crime scene shows.
• 49:49
  Speaker 3: All the same.
• 49:51
  Speaker 1: How many dead people can we find a week? Good Lord.
• 49:57
  Speaker 1: For a while there, like every show was just finding
• 50:00
  Speaker 1: dead people. And I'm like, really? Like how many of
• 50:02
  Speaker 1: these do we need? So it was funny that, yeah,
• 50:05
  Speaker 1: they're making fun of that. And right at the peak
• 50:07
  Speaker 1: of it, really, when that came out, that was when
• 50:09
  Speaker 1: all of them were still on the air at the
• 50:11
  Speaker 1: same time.
• 50:12
  Speaker 7: Yeah.
• 50:13
  Speaker 3: That's pretty great.
• 50:14
  Speaker 1: That was all really funny.
• 50:15
  Speaker 3: Yeah. And that also reminds me of relationships because every
• 50:18
  Speaker 3: ex-girlfriend I have was way into the shows where they
• 50:20
  Speaker 3: investigate rapes. And I'm like, Why do you watch all,
• 50:23
  Speaker 3: you're constantly watching shows where they're investigating rapes. This is not.
• 50:27
  Speaker 3: Are you into this? This is horrible. I respect you
• 50:31
  Speaker 3: as a woman, but it's weird.
• 50:32
  Speaker 1: I don't want anything to do with this.
• 50:34
  Speaker 3: Why should you want to watch it? I don't enjoy
• 50:35
  Speaker 3: these shows. The shows creep me out and terrify me.
• 50:38
  Speaker 3: I'm creeped out by it.
• 50:38
  Speaker 1: You should be really horrified by it.
• 50:41
  Speaker 3: Oh my lord. Yeah, but I think mostly the Henson
• 50:46
  Speaker 3: thing and then just completely being able to relate Just
• 50:50
  Speaker 3: perfect timing with that movie. It just hit right the
• 50:53
  Speaker 3: first time I saw it. It was during a bad
• 50:55
  Speaker 3: breakup where it was just like, yep.
• 50:57
  Speaker 1: Yeah, I think I can get that part of it.
• 50:59
  Speaker 1: Because there are ones that have kind of gotten.
• 51:01
  Speaker 3: That with me. I do have the Dracula puppet tattooed
• 51:04
  Speaker 3: on my arm. It's a huge tattoo that says, die, die, die,
• 51:08
  Speaker 3: I can't.
• 51:10
  Speaker 1: That is awesome.
• 51:10
  Speaker 3: Because I was like, that's the most meaningful thing to me.
• 51:13
  Speaker 1: That is awesome. Yeah.
• 51:15
  Speaker 3: And I tweeted it yesterday. Jason Segel was like, hey, man,
• 51:18
  Speaker 3: let's party. Come on.
• 51:21
  Speaker 1: Let's put this together.
• 51:22
  Speaker 3: Muppets part three. He refuses to party. Supposedly, this is
• 51:26
  Speaker 3: like urban, not really urban legend, but supposedly that movie
• 51:30
  Speaker 3: was written about his real relationship with Linda Cardellini. Because
• 51:35
  Speaker 3: they started dating on the set of Freaks and Geeks
• 51:38
  Speaker 3: in real life.
• 51:39
  Speaker 1: It was funny because that's what I was going through.
• 51:43
  Speaker 1: I just kept remembering all the recent movies that I
• 51:46
  Speaker 1: haven't watched of his because they all kind of look
• 51:47
  Speaker 1: like that same thing. And I started going back and
• 51:50
  Speaker 1: I'm like, is there anything he's in? I was like,
• 51:52
  Speaker 1: oh shit, that's right.
• 51:53
  Speaker 3: He is in Freaks and Geeks.
• 51:54
  Speaker 1: Freaks and Geeks is the other, aside from Veronica Mars,
• 51:57
  Speaker 1: one of the best shows ever made on television.
• 51:59
  Speaker 3: And it's ridiculous to watch it now and just be like,
• 52:01
  Speaker 3: all these people are famous. Everybody. And like.
• 52:05
  Speaker 1: And that's kind of, I'm like, I think that's the difference.
• 52:08
  Speaker 1: Because I was like, yeah, I did like him on that.
• 52:09
  Speaker 1: I'm like, oh, but that has amazing dialogue. I mean,
• 52:13
  Speaker 1: I think it's the best work he's ever done, too,
• 52:16
  Speaker 1: as a writer and director. I think that's epitaph. I
• 52:21
  Speaker 1: think he got more watered down as he went on.
• 52:24
  Speaker 1: He had it together on that first show.
• 52:27
  Speaker 3: Oh, definitely.
• 52:28
  Speaker 1: And somehow it got dumber and more mainstream.
• 52:31
  Speaker 7: Yeah.
• 52:32
  Speaker 1: As he got bigger budgets and bigger stars.
• 52:34
  Speaker 3: It's interesting to watch then that, because Rush was a,
• 52:38
  Speaker 3: him trying to drum along to Rush or whatever was
• 52:41
  Speaker 3: a big part of Freaks and Geeks and then he
• 52:42
  Speaker 3: was in the movie I Love You Man where Rush
• 52:45
  Speaker 3: is in it and it's, It's weird. I wonder if
• 52:47
  Speaker 3: they were like, hey, that was pretty cool. Let's try
• 52:48
  Speaker 3: that again.
• 52:49
  Speaker 1: Let's do that. Much like the Muppets thing. Let's see
• 52:52
  Speaker 1: if we can spin this off. There's a lot of
• 52:53
  Speaker 1: stuff that just carries over. And they do that with the,
• 52:56
  Speaker 1: let's make a whole other movie with this Russell Brand character.
• 52:59
  Speaker 1: So they really do kind of spin this.
• 53:02
  Speaker 3: Originally, if they would have kept, because it was definitely
• 53:06
  Speaker 3: Russell Brand's same character, but then Jonah Hill, they changed
• 53:08
  Speaker 3: the character. If they would have kept that pissed off, angry,
• 53:13
  Speaker 3: shithead character, it would have been an amazing movie. But
• 53:16
  Speaker 3: I think they were like, no, we have to actually
• 53:18
  Speaker 3: have a likable person in this. So they tried to
• 53:20
  Speaker 3: make him like, oh, now he's not the same guy.
• 53:23
  Speaker 3: He's got a girlfriend and he's trying to, yeah. That
• 53:26
  Speaker 3: bothered me so much, though. They could have made a
• 53:29
  Speaker 3: true sequel.
• 53:29
  Speaker 1: It would have been, yeah, it would have been way
• 53:31
  Speaker 1: more interesting.
• 53:32
  Speaker 3: Yeah.
• 53:32
  Speaker 1: I guess, again, that's one of the main things, I think,
• 53:35
  Speaker 1: that also kept me away from this movie. So I
• 53:37
  Speaker 1: guess we'll have to address it now. What are your
• 53:40
  Speaker 1: feelings on Russell Brand? Because it's one of those, I
• 53:42
  Speaker 1: had this conversation with the girl who sold me for
• 53:44
  Speaker 1: getting Sarah Marshall. She's talking about how much she likes it,
• 53:47
  Speaker 1: and I'm like, this guy. I'm pointing to him on
• 53:49
  Speaker 1: the front. I'm like, I'm not on board with him, really.
• 53:52
  Speaker 3: He's one of the most polarizing people. You either love
• 53:56
  Speaker 3: him or you just can't stand him. And me, I
• 53:59
  Speaker 3: just absolutely love him. I love his... There's just a
• 54:03
  Speaker 3: lot of stuff he does with stand-up. Some of it's obnoxious. Yeah.
• 54:06
  Speaker 3: But he's supposed to be obnoxious.
• 54:08
  Speaker 1: Again, it's one of those... I just don't get him.
• 54:12
  Speaker 3: Yeah.
• 54:12
  Speaker 1: But I've gotten to the point now I think I
• 54:14
  Speaker 1: almost respect him. Oh, yeah. I've heard interviews and I'm like,
• 54:16
  Speaker 1: I think as a person he's way more interesting.
• 54:19
  Speaker 3: Oh, he's crazily involved in politics.
• 54:21
  Speaker 1: And all this. Then I see his performances and I'm like, eh.
• 54:24
  Speaker 1: It's kind of a letdown. Yeah, it's very.
• 54:26
  Speaker 3: His performance is just very... At least earlier it was
• 54:29
  Speaker 3: just like, I don't know, silly, weird. Yeah. Like just
• 54:34
  Speaker 3: how he dressed and everything. But like I read both
• 54:36
  Speaker 3: of his books and just from being like a heroin
• 54:40
  Speaker 3: junkie and just like a garbage human and then accidentally
• 54:44
  Speaker 3: becoming like an MTV VJ in England and then just.
• 54:49
  Speaker 1: I don't know how we all do.
• 54:51
  Speaker 3: He has one of my favorite things I've ever seen
• 54:54
  Speaker 3: a stand-up comedian do. And I tried to do it
• 54:58
  Speaker 3: once at a show and it didn't work out. But
• 55:00
  Speaker 3: he was on stage and then the microphone, mostly people
• 55:04
  Speaker 3: use wireless. This had a super long cable where he
• 55:07
  Speaker 3: walked down the side of this big theater with this
• 55:11
  Speaker 3: long cable and then walked across and made the entire
• 55:13
  Speaker 3: audience pick the cable up over their heads and pass
• 55:16
  Speaker 3: it while he walked across the middle. And I was like,
• 55:19
  Speaker 3: that is so insanely funny. I can see him pulling
• 55:22
  Speaker 3: that off. Yeah, they all just picked it up. And
• 55:23
  Speaker 3: he's like in the audience being a creep in tight pants.
• 55:26
  Speaker 1: How did that work for you?
• 55:28
  Speaker 3: I tried to do it. And one, the cable wasn't
• 55:30
  Speaker 3: very long. So it was like I got down to
• 55:32
  Speaker 3: like the first row. And then I started trying to
• 55:34
  Speaker 3: go across. And it was like, no. But I feel
• 55:36
  Speaker 3: like I want to do that someday because it I
• 55:39
  Speaker 3: laughed so hard at just that. That move is so funny.
• 55:42
  Speaker 3: The audacity of it.
• 55:43
  Speaker 1: You kind of have to give it a little credit
• 55:45
  Speaker 1: for that.
• 55:45
  Speaker 3: Because we've seen people go out, like Robin Williams would
• 55:47
  Speaker 3: go out in the audience, get up, climb up onto
• 55:49
  Speaker 3: the balcony and shit. But then just inconvenience everyone. But
• 55:55
  Speaker 3: then also bring them all together.
• 55:58
  Speaker 1: That is pretty funny.
• 55:59
  Speaker 3: Yeah. And I know a lot of people just, I
• 56:02
  Speaker 3: think it's a lot of his voice and his mannerisms
• 56:05
  Speaker 3: and his material are all just kind of like, obnoxious.
• 56:09
  Speaker 1: Yeah well that's I mean it's like he is always
• 56:11
  Speaker 1: supposed to be played obnoxious but he plays it almost
• 56:14
  Speaker 1: too well yeah that you're like oh I really don't
• 56:17
  Speaker 1: like that guy yeah there were moments like there again
• 56:19
  Speaker 1: it's the weird little like line that's not even the
• 56:23
  Speaker 1: money you know it's like it's a weird little off
• 56:25
  Speaker 1: the cuff thing that he'll say and I'm like okay
• 56:27
  Speaker 1: wait that was pretty funny like what how come nobody's
• 56:30
  Speaker 1: like stopping to build the whole scene around that yeah
• 56:33
  Speaker 1: yeah so like he had moments that kind of redeemed
• 56:36
  Speaker 1: him for me but it was one of those You
• 56:39
  Speaker 1: kind of, yeah, there's no middle ground with him.
• 56:41
  Speaker 3: No, no, not at all.
• 56:42
  Speaker 1: But here's what I was, and I said this when
• 56:45
  Speaker 1: I bought it. I said the same thing. I was like,
• 56:46
  Speaker 1: that's the thing I'll give him. Nobody else can play
• 56:50
  Speaker 1: his role.
• 56:50
  Speaker 2: No.
• 56:51
  Speaker 1: Like, if they write that role, it's not like you
• 56:52
  Speaker 1: could just bring somebody else in to play it. Like,
• 56:54
  Speaker 1: it wouldn't work. Like, anything he's done, pretty much, it's like, well,
• 56:59
  Speaker 1: we can't get anybody but him. Yeah.
• 57:01
  Speaker 3: Because it was just an obnoxious sex addict, former junkie
• 57:06
  Speaker 3: British rock star.
• 57:07
  Speaker 1: But you have to see it, too. Because there are
• 57:10
  Speaker 1: moments when you're like, yeah, I can see him getting
• 57:12
  Speaker 1: so many girls. Because if he was just a dick,
• 57:16
  Speaker 1: you wouldn't buy it. You're like, why is she with him?
• 57:18
  Speaker 1: But there are moments where you're like, Because even by
• 57:21
  Speaker 1: the end when he.
• 57:21
  Speaker 3: Says that, you're so fucking cool.
• 57:23
  Speaker 1: And I'm like, it hurts me to say it, but
• 57:26
  Speaker 1: you're cool. And I'm like, yeah, there's moments.
• 57:28
  Speaker 3: Yeah, and I would always think about that, too, because
• 57:30
  Speaker 3: when you break up with someone and they start dating someone,
• 57:33
  Speaker 3: I was like, that dude sucks. That dude's the worst.
• 57:36
  Speaker 3: But then there's definitely been moments where I'm like, that
• 57:38
  Speaker 3: guy's pretty fucking cool. God damn it. I guess I
• 57:41
  Speaker 3: see why you're doing that. Why couldn't she date a
• 57:43
  Speaker 3: garbage person?
• 57:44
  Speaker 1: It would be so much easier if he was just
• 57:46
  Speaker 1: a loser.
• 57:47
  Speaker 3: Yeah, and I really like that part, too. Where it's,
• 57:50
  Speaker 3: he just realizes like, oh, this guy's, he's just a dude.
• 57:54
  Speaker 3: He's a cool dude. He's not, there's nothing evil. He's
• 57:57
  Speaker 3: not doing anything out of spite or evil intentions. It's just, hey,
• 58:01
  Speaker 3: he's just banging your ex-girlfriend.
• 58:03
  Speaker 1: Yeah, pretty much.
• 58:04
  Speaker 3: Like, sorry, dude, it happens.
• 58:07
  Speaker 1: I was trying to think, again, the best scenes. And
• 58:13
  Speaker 1: I referenced that earlier. And like, I think, again, there
• 58:16
  Speaker 1: was like, most of it's, just kind of run in
• 58:18
  Speaker 1: the middle of what you would expect, you know, people
• 58:20
  Speaker 1: to say in those situations. Oh yeah. I feel like
• 58:22
  Speaker 1: the best scenes and the best performances and the whole
• 58:25
  Speaker 1: thing is that little interaction with, with Kristen Bell and
• 58:30
  Speaker 1: Mila Kunis at the counter when she's like, Oh yeah,
• 58:33
  Speaker 1: he's my, he's my ex-boyfriend. And like, that is so genuine.
• 58:37
  Speaker 1: Like both of them are playing such a, they're just
• 58:40
  Speaker 1: a game there because they're, It's massively awkward. Yep. But
• 58:45
  Speaker 1: you also, again, it would be really easy for them
• 58:47
  Speaker 1: to be like, she's a bitch. I hate her. But
• 58:49
  Speaker 1: both of them, within that scene, they're both kind of like,
• 58:53
  Speaker 1: she's all right. Like, I kind of get, like, no,
• 58:55
  Speaker 1: she really is pretty. You know, it's like they both
• 58:57
  Speaker 1: kind of admit to themselves, like, all right, I kind
• 59:00
  Speaker 1: of get it.
• 59:00
  Speaker 3: Yeah, it's like a forced, polite tension that's just played perfectly.
• 59:05
  Speaker 1: But at the same time, there's an underlying, She's all right.
• 59:08
  Speaker 1: You know, there isn't full on hate. And that's why
• 59:11
  Speaker 1: I'm like, it's so complicated.
• 59:13
  Speaker 7: Yeah.
• 59:13
  Speaker 1: That one scene is like, I'm like, it's worth watching
• 59:15
  Speaker 1: the movie for this scene.
• 59:17
  Speaker 3: Oh yeah.
• 59:17
  Speaker 1: That little two minute exchange with them is massively awkward.
• 59:21
  Speaker 3: Yeah.
• 59:21
  Speaker 1: And like, there's so many genuine emotions of like, I
• 59:25
  Speaker 1: like him. Why are you with him? I want to
• 59:26
  Speaker 1: hate you. Oh, you're kind of okay. Like, I'm like, it's,
• 59:29
  Speaker 1: it's so well played.
• 59:30
  Speaker 3: Yeah.
• 59:31
  Speaker 1: That's, I think, the best interaction in the whole movie,
• 59:34
  Speaker 1: that scene right there.
• 59:35
  Speaker 3: I like that, and then when she explains her side
• 59:38
  Speaker 3: of their relationship, she kills it.
• 59:40
  Speaker 1: That was the other one. I think that was the
• 59:42
  Speaker 1: one I counted as the next best thing, is that
• 59:44
  Speaker 1: performance of her. And again, if you gave that to
• 59:47
  Speaker 1: a terrible actress, you would care less. But she totally
• 59:51
  Speaker 1: turns it around, and you're like, God, he is an idiot.
• 59:54
  Speaker 1: And she's really been trying, and now she kind of
• 59:57
  Speaker 1: comes off like a bitch, but you're wrong. It's like she...
• 1:00:01
  Speaker 1: She's sort of still a little self-absorbed Hollywood girl, but
• 1:00:07
  Speaker 1: at her heart, she's still a decent person. Yeah, that
• 1:00:10
  Speaker 1: scene just totally nails it. Again, Kristen Bell, she's awesome.
• 1:00:15
  Speaker 3: Oh, yeah. She kills. I can't think of anything she's
• 1:00:18
  Speaker 3: done wrong. Definitely. The Veronica Mars movie was great.
• 1:00:22
  Speaker 1: Yeah, I backed it. I have my T-shirt.
• 1:00:26
  Speaker 3: Hell, yeah.
• 1:00:26
  Speaker 1: It's a really cheap T-shirt. Just saying. Rob.
• 1:00:34
  Speaker 3: Maybe it's just the tropical mindset.
• 1:00:38
  Speaker 1: Again, like I said earlier, the other thing I took
• 1:00:40
  Speaker 1: away was if it didn't cost so damn much, why
• 1:00:43
  Speaker 1: am I not living in Hawaii? It is a small
• 1:00:45
  Speaker 1: fortune to move there. Man, I still love that whole
• 1:00:51
  Speaker 1: society that they have.
• 1:00:53
  Speaker 3: Hanging out on a beach.
• 1:00:55
  Speaker 1: But it's its own little world, too. Like, it was
• 1:00:58
  Speaker 1: so secluded from everything else for years because it was
• 1:01:01
  Speaker 1: literally an island. And then, like, now it's kind of
• 1:01:03
  Speaker 1: like it's America, but not really.
• 1:01:05
  Speaker 3: Yeah, not really.
• 1:01:06
  Speaker 1: Like, it is still completely... Like, there's no other state
• 1:01:08
  Speaker 1: that is still an entirely... You know, Alaska's weird, but
• 1:01:12
  Speaker 1: it's still kind of like it's a normal state, more
• 1:01:14
  Speaker 1: or less. It's just fucking cold. But, like, Hawaii is, like,
• 1:01:18
  Speaker 1: its own little world, its own little society. massive traditions
• 1:01:22
  Speaker 1: that go back a thousand years. There's all this stuff
• 1:01:25
  Speaker 1: going on that is its own separate world, and I'm
• 1:01:29
  Speaker 1: fascinated by it.
• 1:01:30
  Speaker 3: Oh, it's so cool.
• 1:01:31
  Speaker 1: I love the art and their whole heritage and the
• 1:01:34
  Speaker 1: weird stories that they have. I totally am into going there.
• 1:01:38
  Speaker 3: Yeah, I went there in fifth grade, and I don't
• 1:01:41
  Speaker 3: really remember much.
• 1:01:42
  Speaker 1: Yeah, that's probably not the best time to go.
• 1:01:44
  Speaker 3: It was just a time where I was kind of
• 1:01:45
  Speaker 3: starting to be a shithead.
• 1:01:47
  Speaker 1: Yeah.
• 1:01:48
  Speaker 3: So it wasn't really probably appreciating much.
• 1:01:50
  Speaker 1: You weren't cashing in on the pina coladas.
• 1:01:54
  Speaker 3: That's a good thing for parents. Don't take your babies
• 1:01:56
  Speaker 3: and children to cool places. Wait until they're older and
• 1:01:59
  Speaker 3: be like, now you're going to appreciate this. You're 21.
• 1:02:01
  Speaker 3: Let's go to Hawaii. Let's go nuts.
• 1:02:03
  Speaker 1: That's, yeah. Little kid, there's not much to do.
• 1:02:06
  Speaker 3: The worst is when you see a baby getting taken somewhere.
• 1:02:08
  Speaker 3: It's like, that baby, they're not even going to remember anything.
• 1:02:12
  Speaker 1: And how much sunblock do you have to put on
• 1:02:14
  Speaker 1: a child?
• 1:02:14
  Speaker 3: Yeah, just wait. Just give them 18 to 21 years.
• 1:02:20
  Speaker 1: And then you're a horrible parent for burning your child
• 1:02:23
  Speaker 1: in the sun. Stop being horrible parents, people.
• 1:02:26
  Speaker 3: Hell yeah. What else?
• 1:02:30
  Speaker 1: Take note of a few different other things, but I
• 1:02:32
  Speaker 1: think we've hit most.
• 1:02:33
  Speaker 4: Of it here.
• 1:02:33
  Speaker 3: Excellent. I think it's just a good movie to watch
• 1:02:37
  Speaker 3: when you're sad.
• 1:02:38
  Speaker 1: I guess. Again, I usually don't look for those. That's
• 1:02:42
  Speaker 1: kind of why I think, again, I think why I
• 1:02:45
  Speaker 1: avoided it because it really did seem like such a downer.
• 1:02:50
  Speaker 1: It is. I'm already living that downer life most of
• 1:02:53
  Speaker 1: my life. I'm like, I don't need to watch movies
• 1:02:54
  Speaker 1: that make it worse.
• 1:02:55
  Speaker 3: I'm big on, I get emotionally invested in any movie
• 1:02:58
  Speaker 3: I watch. I don't know what it is. But I
• 1:03:02
  Speaker 3: watched the movie Click with Adam Sandler, and I cried.
• 1:03:05
  Speaker 3: I cried. Oh, Lord. I wept.
• 1:03:07
  Speaker 1: Are you sure you want to admit that?
• 1:03:09
  Speaker 3: I got made fun of for years.
• 1:03:10
  Speaker 1: I mean, I do.
• 1:03:12
  Speaker 3: It's getting worse these days. But the father-son thing of
• 1:03:15
  Speaker 3: him regretting it, and I was like, oh, something just
• 1:03:17
  Speaker 3: hit me. Like Friday Night Lights, the TV show, I cried.
• 1:03:19
  Speaker 1: I'm getting more and more sappy about that kind of stuff.
• 1:03:22
  Speaker 1: And I don't know if it just comes with being
• 1:03:24
  Speaker 1: a weird old dude now. But I'm just like, I
• 1:03:26
  Speaker 1: do like the weirdest things now. I won't go on
• 1:03:29
  Speaker 1: the record as Adam Sandler. But there's some weird stuff
• 1:03:33
  Speaker 1: lately that I'm like, really?
• 1:03:35
  Speaker 3: Father-son stuff always hits me.
• 1:03:37
  Speaker 1: That's a weird dynamic that's rooted so deep in our
• 1:03:42
  Speaker 1: psyche that I don't think we're just like, oh shit,
• 1:03:44
  Speaker 1: what just happened? Something just struck a chord I didn't
• 1:03:47
  Speaker 1: know I had. So yeah, I think it's pretty interesting
• 1:03:51
  Speaker 1: watching that stuff and what we take from it. So yeah,
• 1:03:55
  Speaker 1: I think that's That's interesting that, yeah, that's why you
• 1:03:58
  Speaker 1: got into it and why I avoided it. Probably for
• 1:04:01
  Speaker 1: the same reasons.
• 1:04:01
  Speaker 3: Yeah. I think I saw it in the theater, but
• 1:04:04
  Speaker 3: it was like we got free passes and it was
• 1:04:08
  Speaker 3: on campus at the University of Nebraska. So it was
• 1:04:11
  Speaker 3: all college kids. And I just remember there was somebody
• 1:04:13
  Speaker 3: in line who was like a film student and they
• 1:04:16
  Speaker 3: were just shitting on it. So I think maybe I
• 1:04:18
  Speaker 3: appreciate it more because I was like, fuck that asshole.
• 1:04:20
  Speaker 3: Let's have some fun.
• 1:04:21
  Speaker 1: I mean, it wasn't massively bad. Impressive film wise. I
• 1:04:27
  Speaker 1: was going to say, I did take note that last shot.
• 1:04:29
  Speaker 1: I was like, that was pretty cool. Like that was
• 1:04:32
  Speaker 1: more than I expected. More than anything else he did
• 1:04:34
  Speaker 1: that like shot of them. And then it pans across
• 1:04:36
  Speaker 1: all those puppets and stops on the two and just
• 1:04:39
  Speaker 1: fades to black. I'm like, Oh, I was like, that
• 1:04:41
  Speaker 1: was pretty damn artistic. Like good for you, dude. Like
• 1:04:45
  Speaker 1: that's better than pretty much anything else in the movie.
• 1:04:47
  Speaker 1: Everything else was pretty static. It could have been shot
• 1:04:49
  Speaker 1: for TV for most of it. But like that last shot,
• 1:04:52
  Speaker 1: I'm like, that was good. Yeah. He needs to expand
• 1:04:55
  Speaker 1: on that, do some more of that stuff. So maybe
• 1:04:56
  Speaker 1: he's doing more of that now. Again, I haven't watched most.
• 1:04:59
  Speaker 1: I went through his list. I'm like, he's doing a
• 1:05:00
  Speaker 1: ton of big movies now, most of them with Jason Segel.
• 1:05:03
  Speaker 1: And I'm like, I still haven't seen hardly any of them.
• 1:05:07
  Speaker 1: Modern comedies, they just don't win me over.
• 1:05:09
  Speaker 3: I agree.
• 1:05:09
  Speaker 1: I don't know. So is there anything else you've seen
• 1:05:15
  Speaker 1: lately that you like? If we're rounding this one out.
• 1:05:17
  Speaker 3: Is there anything else to recommend? The new Fast and
• 1:05:20
  Speaker 3: Furious movie was amazing. I loved it.
• 1:05:24
  Speaker 1: I feel like at least they've become self-aware at this point.
• 1:05:27
  Speaker 1: And they don't care. And that's kind of why. I'm
• 1:05:30
  Speaker 1: behind a couple.
• 1:05:32
  Speaker 3: The Rock's just out there punching shit.
• 1:05:34
  Speaker 1: And I've said this many a time. Talk about a
• 1:05:36
  Speaker 1: dude with charisma. No one human being should have as
• 1:05:41
  Speaker 1: much as The Rock has. So the fact that they
• 1:05:43
  Speaker 1: added him, I'm like, now I am going to have.
• 1:05:45
  Speaker 3: To start watching these he's just amazing in everything I
• 1:05:48
  Speaker 3: really like Mad Max Fury Road that was fun that
• 1:05:52
  Speaker 3: was really good.
• 1:05:53
  Speaker 1: Again I think people made a bigger deal out of
• 1:05:55
  Speaker 1: it than they maybe needed to because I think if
• 1:05:57
  Speaker 1: I just would have went in normal I would have
• 1:05:59
  Speaker 1: been blown away by the action but I think I
• 1:06:00
  Speaker 1: went in expecting more and I'm like no it's just
• 1:06:03
  Speaker 1: a badass chase scene for an hour and a half
• 1:06:06
  Speaker 1: so I think it's better if you just kind of
• 1:06:08
  Speaker 1: go in expecting action because like he didn't really mess
• 1:06:11
  Speaker 1: with a whole lot of story it's just like we're
• 1:06:12
  Speaker 1: not going to stop long enough for story We have
• 1:06:15
  Speaker 1: to go.
• 1:06:15
  Speaker 3: That was fascinating, because there's not a lot of movies
• 1:06:18
  Speaker 3: anybody else would have messed it up.
• 1:06:20
  Speaker 1: He's a really interesting filmmaker, and I feel like I
• 1:06:24
  Speaker 1: want to go back to all of his stuff and
• 1:06:27
  Speaker 1: talk about ping-ponging and doing weird kid-related, talking about the
• 1:06:32
  Speaker 1: Henson level. The Babe stuff is genius, but how is
• 1:06:35
  Speaker 1: this the same? Although we did have somebody on the
• 1:06:38
  Speaker 1: show that said his theory is Babe is basically the
• 1:06:41
  Speaker 1: same retelling of Mad Max.
• 1:06:43
  Speaker 3: Ooh, yeah.
• 1:06:44
  Speaker 1: That there's one chosen one.
• 1:06:46
  Speaker 3: He's the only one.
• 1:06:47
  Speaker 1: They all have to come to him to get the
• 1:06:49
  Speaker 1: job done. It's sort of him rescuing in the same
• 1:06:53
  Speaker 1: way that Mad Max does. I'm like, that's pretty interesting.
• 1:06:57
  Speaker 1: I hadn't thought about that. So I still like to
• 1:06:59
  Speaker 1: make reference to that.
• 1:07:00
  Speaker 3: As much as possible.
• 1:07:01
  Speaker 1: Just because nobody ever knows it's directed by the same. Well,
• 1:07:05
  Speaker 1: written by the first one, written by him. The second
• 1:07:08
  Speaker 1: one directed by him. What a weird character, that George Miller.
• 1:07:11
  Speaker 5: Oh, man.
• 1:07:13
  Speaker 3: He's a maniac.
• 1:07:14
  Speaker 1: But yeah, I just saw Crimson Peak. That was really cool.
• 1:07:16
  Speaker 3: Oh, yeah. That was a good movie.
• 1:07:18
  Speaker 1: That was cool.
• 1:07:21
  Speaker 3: I've mostly just watched wrestling recently. I've been watching a
• 1:07:24
  Speaker 3: shitload of wrestling.
• 1:07:27
  Speaker 1: Do you like when wrestlers cross over into acting? Because
• 1:07:31
  Speaker 1: they all do it now.
• 1:07:32
  Speaker 3: They all do, but The Rock's been the only one
• 1:07:34
  Speaker 3: that's successfully done it. Stone Cold tried to do stuff,
• 1:07:37
  Speaker 3: and he's just Stone Cold and.
• 1:07:39
  Speaker 1: They all keep turning up and stuff, though. Because now
• 1:07:42
  Speaker 1: you'll see the big W.I.B. I still try to refer
• 1:07:46
  Speaker 1: to it as F.
• 1:07:47
  Speaker 3: It's not even E anymore, is it?
• 1:07:49
  Speaker 1: It's still E. It's just its own thing. But when
• 1:07:52
  Speaker 1: that logo comes up at the beginning of a movie,
• 1:07:54
  Speaker 1: I'm like, oh, God.
• 1:07:55
  Speaker 3: Yeah, they have their own movie studio. They made a
• 1:07:56
  Speaker 3: new Leprechaun movie just because they had a little dude.
• 1:07:59
  Speaker 1: That's the deal that McMahon made, though, is when you
• 1:08:02
  Speaker 1: use one of their actors, they become a producer on
• 1:08:05
  Speaker 1: that movie. And that's why the logo comes up at
• 1:08:07
  Speaker 1: the beginning. They get to become something. They're in such
• 1:08:11
  Speaker 1: high demand now that he can kind of use that
• 1:08:14
  Speaker 1: leverage and be like.
• 1:08:15
  Speaker 3: It's pretty genius, but it makes for some garbage movies.
• 1:08:18
  Speaker 1: Again, I question some of their acting, but I'm hoping
• 1:08:21
  Speaker 1: we get a few more rocks that come out of it.
• 1:08:24
  Speaker 3: Let's see. What was it? Ready to Rumble. You remember that?
• 1:08:26
  Speaker 3: WCW's movie?
• 1:08:26
  Speaker 7: No.
• 1:08:28
  Speaker 3: That was genius. That was a genius, dumb, terrible movie.
• 1:08:31
  Speaker 3: No Holds Barred. No Holds Barred is such a classic,
• 1:08:36
  Speaker 3: terrible movie.
• 1:08:38
  Speaker 1: Like so much of it's... I think I've blocked out
• 1:08:41
  Speaker 1: so much.
• 1:08:42
  Speaker 4: Oh, man.
• 1:08:42
  Speaker 3: Those are both... If you haven't seen those movies, you
• 1:08:45
  Speaker 3: need to watch them and just be like, holy shit.
• 1:08:49
  Speaker 1: And then his usual like every big tough guy has
• 1:08:51
  Speaker 1: to be like... in charge of a child at some point.
• 1:08:54
  Speaker 1: He did some sort of babysitting movie, didn't he?
• 1:08:57
  Speaker 3: Hulk Hogan had one. Triple H had one.
• 1:08:58
  Speaker 1: Yeah. Diesel, of course. The Rock had one. That's when
• 1:09:05
  Speaker 1: you know you've made it, I guess. When they give
• 1:09:06
  Speaker 1: you a big, dumb, PG-rated, taking care of a kid
• 1:09:10
  Speaker 1: when I'm not supposed to be taking care of a
• 1:09:11
  Speaker 1: kid movie.
• 1:09:12
  Speaker 3: Watch this idiot.
• 1:09:15
  Speaker 1: Jason Segel, we're talking to you. Why don't you have
• 1:09:17
  Speaker 1: one of those?
• 1:09:18
  Speaker 3: It's his next move.
• 1:09:19
  Speaker 1: He's not a wrestler. Well, he's a big dude. That's
• 1:09:21
  Speaker 1: one of the few things I laughed at was the
• 1:09:23
  Speaker 1: photographer going, Andre the Giant, get out of the shot.
• 1:09:26
  Speaker 1: I'm like, he's a big, weird-looking dude. Jason Segel, he's
• 1:09:29
  Speaker 1: a big dude.
• 1:09:30
  Speaker 3: Jason Segel.
• 1:09:32
  Speaker 1: He needs to get into wrestling is what.
• 1:09:34
  Speaker 3: We've come to. Oh, hell yeah. That's how it all
• 1:09:36
  Speaker 3: comes together for me. He just starts wrestling. There you go.
• 1:09:40
  Speaker 1: He'll hit hard times. You just wait. Could have been
• 1:09:44
  Speaker 1: a contender.
• 1:09:45
  Speaker 3: Hell yeah.
• 1:09:46
  Speaker 1: Then he'll be on the second-rate circuit somewhere in the
• 1:09:49
  Speaker 1: Midwest doing a show on a Wednesday night.
• 1:09:53
  Speaker 3: That's just the dream.
• 1:09:56
  Speaker 2: Oh, Lord.
• 1:09:56
  Speaker 1: Well, all right. We've hit a lot of movies. I
• 1:09:58
  Speaker 1: guess back to comedy. What's the best place for people
• 1:10:01
  Speaker 1: to find out more about you and find you online
• 1:10:05
  Speaker 1: and then maybe come see you in the real world?
• 1:10:07
  Speaker 2: Oh, yeah.
• 1:10:08
  Speaker 3: Probably, I used to have a website, then I quit.
• 1:10:12
  Speaker 3: Just because.
• 1:10:13
  Speaker 1: They're a little bit of a pain in the ass.
• 1:10:14
  Speaker 3: It's kind of outdated now to have a website.
• 1:10:16
  Speaker 1: Yeah.
• 1:10:17
  Speaker 3: So you have to go update and stuff.
• 1:10:18
  Speaker 1: I don't like the way mine looks, but I can't
• 1:10:21
  Speaker 1: afford to do anything else with it. It's as functional
• 1:10:23
  Speaker 1: as just click on this and go to it and
• 1:10:25
  Speaker 1: then download stuff.
• 1:10:26
  Speaker 3: Eventually, I was like, this is just a hassle.
• 1:10:28
  Speaker 2: Yeah.
• 1:10:28
  Speaker 3: So Twitter, Facebook, and Instagram, I'm just Ian Douglas Terry
• 1:10:32
  Speaker 3: on everything, which is pretty easy. And I try to keep...
• 1:10:37
  Speaker 3: Because what drives me crazy is when people... have them
• 1:10:39
  Speaker 3: all linked together. I don't like that.
• 1:10:42
  Speaker 1: Yeah.
• 1:10:42
  Speaker 3: You gotta give people a reason to follow you on
• 1:10:44
  Speaker 3: three things.
• 1:10:46
  Speaker 1: Well, it feels like everybody has their one, you know,
• 1:10:48
  Speaker 1: it's like, everybody's like, oh, I only do Twitter. Oh,
• 1:10:51
  Speaker 1: I only do Facebook.
• 1:10:52
  Speaker 3: I'm like, well, I think Instagram is my favorite since
• 1:10:55
  Speaker 3: it's just, Cool pictures.
• 1:10:56
  Speaker 1: I want to write more words. That's why Twitter pisses
• 1:10:59
  Speaker 1: me off. I want more than 140. Double it and
• 1:11:01
  Speaker 1: I'll be good. I'm a half a sentence away from
• 1:11:05
  Speaker 1: getting stuff on there every time. And I'm like, well,
• 1:11:07
  Speaker 1: now what do I take out? The link I'm trying
• 1:11:09
  Speaker 1: to pass along to you? These are stupid.
• 1:11:11
  Speaker 3: Who made up Twitter? You have to start writing it
• 1:11:12
  Speaker 3: shorthand and look like a crazy person.
• 1:11:15
  Speaker 1: Jimmy Twitter, whatever this guy is that came up with it,
• 1:11:18
  Speaker 1: I want to smack him for this 140 character nonsense.
• 1:11:20
  Speaker 1: It's like, I don't need much more, just a little more.
• 1:11:23
  Speaker 3: Yeah, and then I'm on tour for the rest of
• 1:11:25
  Speaker 3: this month, and I'll probably die, so this will be
• 1:11:28
  Speaker 3: the last recorded conversation with me.
• 1:11:30
  Speaker 1: Well, this will be your Blair Witch.
• 1:11:32
  Speaker 3: Yeah, I'm going to be in Florida for a while,
• 1:11:34
  Speaker 3: and there's lots of juggalos there.
• 1:11:36
  Speaker 1: Oh, there's no returning from Florida. You'll just get sucked in.
• 1:11:39
  Speaker 3: Just alligators and juggalos. That's on their flag.
• 1:11:43
  Speaker 1: So how do you take to the touring? Because it's
• 1:11:47
  Speaker 1: nonstop for you, right? I mean, it's just leave one place,
• 1:11:50
  Speaker 1: go to the next, do a show, get in the car.
• 1:11:52
  Speaker 3: And I've kind of... just because i used to have
• 1:11:54
  Speaker 3: like a desk job so i just be like i'm
• 1:11:56
  Speaker 3: gonna do it like in sporadically like a weekend like
• 1:12:00
  Speaker 3: four or five shows take a couple days off and
• 1:12:02
  Speaker 3: that's what i was doing forever but then i don't
• 1:12:04
  Speaker 3: do the office job thing anymore and i just do
• 1:12:06
  Speaker 3: comedy so i can be like that's good i'm going
• 1:12:08
  Speaker 3: out for an entire month and i feel like now
• 1:12:11
  Speaker 3: i should start i should turn that down because a
• 1:12:13
  Speaker 3: month away and drives me insane I've done it two
• 1:12:16
  Speaker 3: years in a row, and it's just crazy.
• 1:12:18
  Speaker 1: If you can get to the point of just kind
• 1:12:20
  Speaker 1: of hitting weekends in different spots, but you've got to
• 1:12:23
  Speaker 1: get to a pretty big level to be able to
• 1:12:25
  Speaker 1: survive on that. I understand.
• 1:12:28
  Speaker 3: And currently living in Denver, it's like the most isolated place.
• 1:12:33
  Speaker 3: Omaha's eight hours away. Albuquerque's about six to seven. And
• 1:12:38
  Speaker 3: then everything north is just Idaho and shit like that,
• 1:12:41
  Speaker 3: where you're literally just, that's it.
• 1:12:43
  Speaker 1: Yeah. At least here we're, Within driving distance of several places.
• 1:12:48
  Speaker 1: So we can kind of hit other stuff within a day.
• 1:12:51
  Speaker 3: That's why we always come and tour the South. Because
• 1:12:53
  Speaker 3: it's like, oh, you can get most places within three
• 1:12:55
  Speaker 3: to four hours.
• 1:12:55
  Speaker 1: Within a couple hours, you can hit a good-sized city.
• 1:12:58
  Speaker 1: So yeah, that's a good plan.
• 1:13:00
  Speaker 3: Yeah, definitely. So I'll be doing that. Then I'll be
• 1:13:03
  Speaker 3: back in Denver. Just Denver-ing it up. Until I moved
• 1:13:09
  Speaker 3: to St. Augustine, Florida. That's the plan. And turned into
• 1:13:12
  Speaker 3: Captain Ron.
• 1:13:13
  Speaker 1: Well, again.
• 1:13:14
  Speaker 3: That's my dream career arc is just to become a
• 1:13:17
  Speaker 3: weird boat captain.
• 1:13:19
  Speaker 1: There's worse dreams to have. Most of them involve puppets,
• 1:13:23
  Speaker 1: and I have some of those. I have a puppet
• 1:13:26
  Speaker 1: plan that I'm working on. You just wait.
• 1:13:29
  Speaker 3: I admire a good puppet plan.
• 1:13:32
  Speaker 1: So, yeah, I feel like Jason Segel stole my idea,
• 1:13:34
  Speaker 1: but whatever. I'll do mine a little different.
• 1:13:37
  Speaker 3: It's okay. We all have our own Dracula musicals.
• 1:13:40
  Speaker 1: Mine is in production right now.
• 1:13:45
  Speaker 3: All right.
• 1:13:46
  Speaker 1: Well, thank you for talking with us this week.
• 1:13:47
  Speaker 3: Yeah, thank you.
• 1:13:48
  Speaker 1: And thanks for picking the movie, and it gave me
• 1:13:50
  Speaker 1: an excuse to watch it, and I found a lot
• 1:13:52
  Speaker 1: of good stuff in there, too.
• 1:13:53
  Speaker 3: Hey, you know. It's not for everyone, like most things.
• 1:13:57
  Speaker 3: There's nothing that's universally appealing anymore.
• 1:14:00
  Speaker 1: Again, I feel like I always try to find the
• 1:14:02
  Speaker 1: good and bad in everything. Even if it's super beloved,
• 1:14:05
  Speaker 1: I'm like, what about this? But for stuff that people...
• 1:14:09
  Speaker 1: want to talk about that they love. I'm like, all right,
• 1:14:12
  Speaker 1: but here's my issues with it. I like to balance
• 1:14:14
  Speaker 1: it out.
• 1:14:14
  Speaker 3: And I'm happy I tricked you into looking at his
• 1:14:16
  Speaker 3: penis twice.
• 1:14:17
  Speaker 1: Damn it.
• 1:14:17
  Speaker 3: So that's what this whole thing was.
• 1:14:18
  Speaker 1: I think that's why he made this movie. He was
• 1:14:20
  Speaker 1: just like, you know what? I think I'm doing all right,
• 1:14:23
  Speaker 1: and I want everybody to see.
• 1:14:25
  Speaker 3: Just an elaborate dick joke.
• 1:14:26
  Speaker 1: Just opening scene. Here's my cock.
• 1:14:30
  Speaker 3: The closing scene. Here it is again.
• 1:14:32
  Speaker 1: Here's my cock. Love, Jason Segel.
• 1:14:36
  Speaker 3: Hell yeah.
• 1:14:38
  Speaker 1: I'm pretty sure that's really number one, to get his
• 1:14:40
  Speaker 1: foot in the door at the old Henson Studios. Number two,
• 1:14:43
  Speaker 1: he just wanted to flash all of America and the
• 1:14:45
  Speaker 1: world over.
• 1:14:46
  Speaker 3: Slam dunk. He nailed it.
• 1:14:47
  Speaker 1: He did it. On both points, he nailed it. I
• 1:14:53
  Speaker 1: guess congratulations, Jason.
• 1:14:57
  Speaker 2: All right.
• 1:14:57
  Speaker 1: Well, thank you for being with us, man.
• 1:14:58
  Speaker 3: Definitely. Thank you. Thank you.
• 1:15:14
  Speaker 2: All right.
• 1:15:14
  Speaker 1: Well, a big thank you once again to Ian for
• 1:15:16
  Speaker 1: sitting in with us this week. He put on a
• 1:15:18
  Speaker 1: great show there at the gallery and you should follow
• 1:15:20
  Speaker 1: him online and go out and see him perform if
• 1:15:22
  Speaker 1: he's in your area. And also thank you once again
• 1:15:24
  Speaker 1: to Will and Carl at Gallery Cave for letting us
• 1:15:27
  Speaker 1: hang out there and make Movie Meltdown part of the
• 1:15:29
  Speaker 1: show or connected to the show or a show running
• 1:15:33
  Speaker 1: in conjunction with another show.
• 1:15:34
  Speaker 3: I don't know.
• 1:15:35
  Speaker 1: Regardless, they are a great venue, gallery, and coffee shop.
• 1:15:39
  Speaker 1: So come out and support them if you get the chance.
• 1:15:41
  Speaker 1: They are at 1600 Story Avenue. So come by, check
• 1:15:44
  Speaker 1: out what they have going on, and tell them you
• 1:15:45
  Speaker 1: heard about them on Movie Meltdown. Otherwise, that about does
• 1:15:48
  Speaker 1: it this week. We will return next time, same geek feed.
• 1:15:51
  Speaker 1: Thanks for listening.
• 1:15:52
  Speaker 2: It's getting kind of hard to believe things are going
• 1:15:56
  Speaker 2: to get better. I've been drowning too long to believe
• 1:16:02
  Speaker 2: that the tide's going to turn. And I've been living
• 1:16:08
  Speaker 2: too hard to believe things are going to get easier now.
• 1:16:14
  Speaker 2: I'm still trying to shake off the pain from the
• 1:16:17
  Speaker 2: lessons I've learned.
• 1:16:21
  Speaker 7: And if I see Van Helsing, I swear to the
• 1:16:24
  Speaker 7: Lord I will slay him. He'd take you from me,
• 1:16:30
  Speaker 7: but I swear I won't let it be so. Blood
• 1:16:36
  Speaker 7: will run down his face when he is decapitated His
• 1:16:41
  Speaker 7: head on my mantle is how I will let.
• 1:16:44
  Speaker 3: This world know How much I love you Die, die, die.
• 1:17:06
  Speaker 1: I can't. Talk hard!