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Transcript

#2 - SCHIZOSPIRACY: THE MAGA BURRITO HOUR | JUAN AYALA · Ryder Lee

• 0:29
  Speaker 1: Welcome back to Raised by Giants Live discussion. Good to
• 0:32
  Speaker 1: see everybody. Welcome everyone in the chat and any moderators
• 0:36
  Speaker 1: and or channel members out there, and to anyone that's
• 0:38
  Speaker 1: listening to the replay, thanks for joining us. Me and
• 0:42
  Speaker 1: Wan had a really fun time on our last show,
• 0:48
  Speaker 1: the last Schizospiracy Show, that we've decided to make it
• 0:53
  Speaker 1: a regular thing, a monthly show, Schitzo Spiracy, The Maga
• 0:58
  Speaker 1: Burrito our Baby, And with that, I'm gonna introduce our
• 1:04
  Speaker 1: co host of The Maga Burrito Hour, host of the
• 1:09
  Speaker 1: one on one podcast here to get weird with us,
• 1:12
  Speaker 1: the one the only one I I'll welcome to the show.
• 1:17
  Speaker 2: Don't speak on my behalf. I didn't have fun last time,
• 1:19
  Speaker 2: so don't be putting words in my mouth. Bro. Dude.
• 1:22
  Speaker 1: It was a great time, Bro, I loved it. We
• 1:25
  Speaker 1: smashed all of the conspiracy alien conspiracy stuff. And we're
• 1:31
  Speaker 1: gonna be talking about something else here today, but I
• 1:34
  Speaker 1: wanted to get into a little bit of news. Do
• 1:35
  Speaker 1: you have any conspiracy news to share with us? What's
• 1:39
  Speaker 1: going on in the world? Bro?
• 1:41
  Speaker 2: I don't do you have any cornspiracy news? Bro? I
• 1:45
  Speaker 2: know we're doing a cornspiracy news segment.
• 1:49
  Speaker 1: Yeah, well this Aaron Goodwin thing that I sent you somehow,
• 1:53
  Speaker 1: I sent it to you and I was like, oh,
• 1:56
  Speaker 1: maybe he'll be interested in this. But wife of Ghost
• 1:58
  Speaker 1: of Venture star Aaron When accused of hiring a hit
• 2:01
  Speaker 1: man to kill him, Veronica Goodwin, was arrested last week
• 2:05
  Speaker 1: on charges of solicitation to commit murder and conspiracy murder
• 2:09
  Speaker 1: jail record show, which I thought was super interesting. The
• 2:12
  Speaker 1: wife of Ghost of interestor are And Goodwin arrested last
• 2:16
  Speaker 1: week on allegations that she was plotting to have him assassinated.
• 2:20
  Speaker 1: According to a police report, assassinations seem to be back
• 2:25
  Speaker 1: in action one.
• 2:27
  Speaker 2: He was about to be on the show for real.
• 2:28
  Speaker 1: Bro, Yeah, I think he was on like the I
• 2:33
  Speaker 1: think he was on set filming for Ghost of Inentures
• 2:35
  Speaker 1: when this was supposed to happen. But I guess that
• 2:38
  Speaker 1: she was trying to hire somebody from prison, like a
• 2:41
  Speaker 1: hit man from prison that was going to orchestrate the
• 2:44
  Speaker 1: entire thing to like take him out. But he's getting
• 2:48
  Speaker 1: a divorce from her now, so I think it.
• 2:54
  Speaker 2: Helps. After that, Bro, what have you found out your
• 2:57
  Speaker 2: boyfriend or your lady from I don't know what you're
• 2:59
  Speaker 2: into writer, but whatever you're into. What if it was
• 3:04
  Speaker 2: a plot against you, dude, I mean, I would keeper
• 3:07
  Speaker 2: as far away from me as possible. That's crazy, man?
• 3:10
  Speaker 1: Is it because of the collar?
• 3:12
  Speaker 2: Bro? Is it?
• 3:17
  Speaker 1: Another thing is we also have apparently SpaceX is taking
• 3:24
  Speaker 1: the Shuttle to retrieve the ISS stranded NASA astronauts back
• 3:31
  Speaker 1: to Earth here in a few days. I guess it's
• 3:34
  Speaker 1: already there.
• 3:36
  Speaker 2: And yeah, it's already there. They showed. Everyone's freaking out
• 3:39
  Speaker 2: because of the video that they showed that looks super
• 3:41
  Speaker 2: super fake. I guys, it's coming up to the ISS.
• 3:45
  Speaker 2: I did see one thing, right, speaking of stranded people,
• 3:48
  Speaker 2: and you know there's movies and things based upon this
• 3:51
  Speaker 2: exact premise of people who get stranded on another planet
• 3:55
  Speaker 2: or whatever it is. I did see an article about
• 3:58
  Speaker 2: an Antarctica crew that I was stranded, and one of
• 4:01
  Speaker 2: the dudes went like postal. He was talking about like
• 4:04
  Speaker 2: wanting to kill everybody there. Do you see that one?
• 4:07
  Speaker 1: No? I didn't. When was this?
• 4:09
  Speaker 2: And you look it up here before I start spreading
• 4:11
  Speaker 2: fake news right here, so people dot com and pull
• 4:14
  Speaker 2: up my screen here by the way for those watching
• 4:17
  Speaker 2: me over on the one on one podcast YouTube channel. Uh,
• 4:22
  Speaker 2: check me out on my backup channel, Jue on Juan
• 4:26
  Speaker 2: Media YouTube dot com slash at tj OJP because I
• 4:30
  Speaker 2: happened streaming over on that end. Because this channel is
• 4:33
  Speaker 2: permanently demonetized. So we want to support the show. I'm
• 4:37
  Speaker 2: just gonna use this for every now and again. Whatever,
• 4:40
  Speaker 2: go follow over there, subscribe to the Patreon or whatever
• 4:43
  Speaker 2: it is to help the show out. Because I got
• 4:46
  Speaker 2: I got hit, bro, we got hit, and uh it
• 4:50
  Speaker 2: was a sad, sad day, but it lasted long enough.
• 4:52
  Speaker 2: But yeah, apparently from what I've heard, I've already tried
• 4:54
  Speaker 2: to feel like four or five times every single time. No,
• 4:58
  Speaker 2: and from what I'm understanding, it's a permanent demonetized so
• 5:01
  Speaker 2: it's not even like I can apply again in a
• 5:03
  Speaker 2: fumere like. No, they're because of that specific rule break,
• 5:06
  Speaker 2: completely demonetized. So there's that's awesome news, dude.
• 5:11
  Speaker 1: Yeah, you can't go full on.
• 5:14
  Speaker 2: So right here. Yeah, we don't condone that. We don't.
• 5:18
  Speaker 2: We love we love the government, we love the CIA,
• 5:20
  Speaker 2: we love the FBI here, we love the.
• 5:22
  Speaker 1: FEDS, and we love YouTube. We love YouTube, praise the YouTube,
• 5:26
  Speaker 1: algorithmic love censorship.
• 5:28
  Speaker 2: Yet So a team of scientists has trapped at isolated
• 5:32
  Speaker 2: Antarctic Antarctic base for ten months. One of them just
• 5:36
  Speaker 2: attack and threatened others. Report. So there's a group currently
• 5:39
  Speaker 2: station at a remote base in the continent in freezing temperatures.
• 5:43
  Speaker 2: And this is published today at eight twenty two and
• 5:48
  Speaker 2: apparently of researcher has allegedly attacked fellow colleagues while their
• 5:52
  Speaker 2: station at an isolated base. And it bro this is
• 5:55
  Speaker 2: the thing, this is the premise of the thing. Why
• 5:59
  Speaker 2: haven't they got to get them? Look at this? An
• 6:01
  Speaker 2: email sent by one of the scientists said the person
• 6:03
  Speaker 2: who hasn't been named, was behaving in a deeply disturbing manner.
• 6:08
  Speaker 2: As per South Africa's The Times, an investigation is reportedly
• 6:11
  Speaker 2: underway and the situation is being monitored. Bro. What that's
• 6:16
  Speaker 2: the thing right there? Somebody they broke the ice. They
• 6:20
  Speaker 2: thought out the thing in the ice and then got
• 6:23
  Speaker 2: into somebody. And one of these people here is not
• 6:27
  Speaker 2: who they seem to be. And now they're going on
• 6:30
  Speaker 2: a rampage row. That's scary.
• 6:34
  Speaker 1: That's agent provocateur right there. Bro. Infiltration.
• 6:38
  Speaker 2: What's that one game? The uh, the game where you're
• 6:43
  Speaker 2: like a little Red Person jumping around? You know what
• 6:46
  Speaker 2: trying to talk about?
• 6:48
  Speaker 1: Little Red Person is a handheld game.
• 6:52
  Speaker 2: No, it's like a computer game. It became, it became
• 6:54
  Speaker 2: really popular. So what's the game where you? Bro?
• 7:07
  Speaker 1: You don't play Minecraft?
• 7:08
  Speaker 2: Do you not get out at all? Bro? Do you
• 7:10
  Speaker 2: not play like anything? What do you do?
• 7:12
  Speaker 1: No, dude, I don't have a system. I don't play
• 7:14
  Speaker 1: those mind control video games. Bro.
• 7:18
  Speaker 2: Nobody in the chat knows the little game where you're
• 7:20
  Speaker 2: like dressed up as a red, blue, green little person
• 7:23
  Speaker 2: in a suit.
• 7:27
  Speaker 1: Someone said, super meat Boy.
• 7:30
  Speaker 2: Among us among us, Bro, among us, I'm sure you've
• 7:38
  Speaker 2: seen this. You've seen this.
• 7:40
  Speaker 1: This is a super mean Boy. Bro. It's that's the
• 7:43
  Speaker 1: name of it. Super mean boy.
• 7:44
  Speaker 2: What what is super mean boy? What is I'm gonna
• 7:46
  Speaker 2: look at a pop screen?
• 7:47
  Speaker 1: Yeah, don't do that on this.
• 7:50
  Speaker 2: You can never trust the chat, bro. Super meat Boy forever, Bro,
• 7:56
  Speaker 2: this is an actual thing. Super meat Boy is a
• 8:01
  Speaker 2: platform game under the collective name of Team Meet. In
• 8:10
  Speaker 2: the game, the player controls meat Boil red cube shait
• 8:14
  Speaker 2: character as he attempts to rescue his girlfriend bandage Girl
• 8:17
  Speaker 2: from the games Bro from the game's antagonist, doctor Fetus.
• 8:22
  Speaker 2: Bro what that's a homunculous confirm right there. If I've
• 8:26
  Speaker 2: ever done seen one, we pull it up right here.
• 8:31
  Speaker 1: There you go, monkey lie.
• 8:33
  Speaker 2: So this game among us, you are in some space
• 8:38
  Speaker 2: station or something or other. You have your little tasks,
• 8:40
  Speaker 2: and somebody is the impostor, and then you go around
• 8:45
  Speaker 2: trying to kill as many people as you can in
• 8:47
  Speaker 2: the game right in the game, in the video game.
• 8:50
  Speaker 2: And if you eliminate everyone before they elect you as
• 8:54
  Speaker 2: being the impostor, then you're kicked out and you're thrown
• 8:57
  Speaker 2: out into outer space.
• 9:00
  Speaker 1: That kind of sounds like that reality TV show Traders
• 9:04
  Speaker 1: in a way on the Peacock.
• 9:10
  Speaker 2: I've never seen it, bro When you say Traders.
• 9:12
  Speaker 1: Yeah, Traders the TV show where they like elect like
• 9:15
  Speaker 1: Traders and the rest of them are like faithful's yeah,
• 9:19
  Speaker 1: and then they have to figure out who's the Trader,
• 9:21
  Speaker 1: who the Traders are, and like vote them off. It's
• 9:24
  Speaker 1: kind of like Survivor mixed. But it's in like a castle.
• 9:27
  Speaker 2: Oh nice. But is it like a reality show like
• 9:30
  Speaker 2: they jump around doing stuff or is it like a.
• 9:32
  Speaker 1: Yeah, it's like a reality show. They bring back people
• 9:35
  Speaker 1: from like old school, people from like Survivor, and.
• 9:40
  Speaker 2: This looks a cult.
• 9:42
  Speaker 1: It's pretty a cult bro.
• 9:44
  Speaker 2: Like robes on and everything like this.
• 9:46
  Speaker 1: People in hoods and shit, look at that.
• 9:50
  Speaker 2: Yep, okay, all right, Well, Survivor itself is super occult
• 9:55
  Speaker 2: in my opinion. A lot of the stuff that they
• 9:57
  Speaker 2: do in that particular show is is balance based, and
• 10:03
  Speaker 2: you know, it's very initiatory, almost hangman pose sort of thing.
• 10:08
  Speaker 2: A lot of their immunity dolls that they use are
• 10:13
  Speaker 2: one season I saw in Our Boros was it almost
• 10:16
  Speaker 2: like a serpent sort of thing that they were after
• 10:19
  Speaker 2: it to if they earned it, it would be an
• 10:22
  Speaker 2: immunity idol so that they wouldn't be voted off. So
• 10:27
  Speaker 2: very interesting.
• 10:28
  Speaker 1: Yeah, it's kind of like a voodoo doll type ritualistic
• 10:32
  Speaker 1: Grammy nomination Oscar doll ritual to a god. But in
• 10:37
  Speaker 1: the center of this table on traders, there's like a
• 10:40
  Speaker 1: I think it's a seven pointed star that's like in
• 10:45
  Speaker 1: the center of the table, which is the siguble for
• 10:49
  Speaker 1: Lucifer in The Morning Star, which I can't remember if
• 10:53
  Speaker 1: it's a seven pointed star for it's eleven point of star,
• 10:56
  Speaker 1: but I think it's a seven pointed star. But yeah,
• 10:58
  Speaker 1: the show's not too bad good.
• 11:01
  Speaker 2: That's what an agent would say, Bro. So all right,
• 11:04
  Speaker 2: so we have this somebody says her research and isolated
• 11:07
  Speaker 2: base sat worrying email, accusing another team member of physical
• 11:10
  Speaker 2: and sexual so as as well as threatening to kill somebody.
• 11:15
  Speaker 2: It's reported. So this dude's going ape shit bro at
• 11:20
  Speaker 2: this facility, and I wonder where they are that they're
• 11:23
  Speaker 2: so far off that they can't rescue them. That's kind
• 11:25
  Speaker 2: of crct. Are they beyond the ice wall? Writer? How
• 11:29
  Speaker 2: far beyond the ice wall?
• 11:30
  Speaker 1: Is this thousands of miles beyond the ice wall fly zone?
• 11:37
  Speaker 1: You can't get there through the no fly zone, Bro.
• 11:40
  Speaker 2: It'll shoot you down, dude. The Royal Society range of mountains, huh?
• 11:46
  Speaker 2: Invisible College meeting, Yeah, the.
• 11:50
  Speaker 1: Yeah, I don't know. Yeah, Okay, So I got another
• 11:54
  Speaker 1: piece of news. And then we're going to get into
• 11:57
  Speaker 1: the main bulk of this bad boy because speaking of
• 12:00
  Speaker 1: like agent provocateurs and people being planted in there, that's
• 12:03
  Speaker 1: kind of like what is going on in this new
• 12:05
  Speaker 1: show that I got you into sovereigance At the end
• 12:09
  Speaker 1: you find out basically, well, at the end of season one.
• 12:13
  Speaker 2: That's spoiler alerts.
• 12:15
  Speaker 1: The lady is like that's in there, that's severed is
• 12:19
  Speaker 1: basically running the entire company well, which is wild. But
• 12:23
  Speaker 1: we're going to get into that in a few minutes.
• 12:25
  Speaker 1: But we have another piece of news, which is that
• 12:28
  Speaker 1: Trump was just to add the Kennedy Center and he's
• 12:33
  Speaker 1: seeing that the JFK files are going to be released tomorrow,
• 12:38
  Speaker 1: one in full. They are going to be released. And
• 12:43
  Speaker 1: here's a little clip of him talking about.
• 12:45
  Speaker 3: It tomorrow, announcing and giving all of the Kennedy files.
• 12:55
  Speaker 3: So people have been waiting for decades for this, and
• 12:59
  Speaker 3: I've been shown to my people that are responsible, lots
• 13:04
  Speaker 3: of different people put together by Telsea Gabbert, and that's
• 13:10
  Speaker 3: gonna be released tomorrow.
• 13:13
  Speaker 1: There it is. It's coming out tomorrow, folks, Kennedy Files.
• 13:19
  Speaker 2: It's funny. I just put out that Larry Hancock interview
• 13:22
  Speaker 2: where I was talking about Lee Harvey Allswalt that came
• 13:25
  Speaker 2: out today at twelve twelve, and now this used breaks
• 13:29
  Speaker 2: my fed. Now, dude, is that how that works? Like
• 13:31
  Speaker 2: I had insider information because we were talking about like, hey,
• 13:34
  Speaker 2: when will the finals be put out? Is this gonna
• 13:37
  Speaker 2: be you know? Is it ever gonna happen in our lifetime?
• 13:41
  Speaker 2: And he was like, no, I don't think it will
• 13:43
  Speaker 2: because the people who who actually know about it are
• 13:45
  Speaker 2: still out there, they're still alive probably, And here you
• 13:49
  Speaker 2: have Daddy Trump talking about actually releasing it. How much
• 13:55
  Speaker 2: on a scale of one to ten, how good do
• 13:58
  Speaker 2: you think this is going to be? Is going to
• 13:59
  Speaker 2: be like another they're nothing burger, it's going to be
• 14:02
  Speaker 2: all redacted, or they're going to rehash stuff that we
• 14:05
  Speaker 2: already had access to, because it seems like they always
• 14:08
  Speaker 2: just give us the tip and then nothing else.
• 14:11
  Speaker 1: Yeah, they do tease us with the tip a lot.
• 14:15
  Speaker 1: Well from what I from my understanding, he's wanting to
• 14:19
  Speaker 1: release them in completely, like full like not unredacted. But
• 14:25
  Speaker 1: I mean we can have our fingers crossed with that.
• 14:29
  Speaker 1: I mean, we kind of thought maybe that they were
• 14:31
  Speaker 1: going to do that with the Epstein files. But the
• 14:33
  Speaker 1: Epstein files came out heavily redacted. We just got some
• 14:36
  Speaker 1: of the contact lists that everybody already knew about, and
• 14:40
  Speaker 1: the client list was essentially all redacted and blacked out.
• 14:44
  Speaker 1: So but I had also heard reports, which I'm not
• 14:47
  Speaker 1: saying this is true, this was just a rumor, but
• 14:50
  Speaker 1: a couple of weeks ago that some intelligence agencies were
• 14:54
  Speaker 1: kind of scrambling because they knew they had to release
• 14:57
  Speaker 1: the JFK files and the RFK files and the Martin
• 15:01
  Speaker 1: Luther King Junior files, and supposedly some agencies were like
• 15:06
  Speaker 1: destroying some of the documents. Now I don't know how
• 15:10
  Speaker 1: much truth there is to that. I'm just putting it
• 15:13
  Speaker 1: out there that there were reports that some agencies were
• 15:19
  Speaker 1: essentially destroying some of the documents that were going to
• 15:22
  Speaker 1: be released because I knew that they had to be released.
• 15:25
  Speaker 1: But I don't know if that that's probably like it's
• 15:27
  Speaker 1: just a conspiracy land type of rumor, because I would
• 15:31
  Speaker 1: be highly illegal if you were to do that, But
• 15:34
  Speaker 1: when when do they do things? It's not highly illegal,
• 15:36
  Speaker 1: So I can't really put it past them not to
• 15:38
  Speaker 1: do that. But I have my finger scrolls that it
• 15:41
  Speaker 1: comes out unredacted. But I also have that reservation that
• 15:44
  Speaker 1: it's going to be one percent fully redacted. It's just
• 15:48
  Speaker 1: going to be black marks all over the thing.
• 15:50
  Speaker 2: Someone said, when is the CIA going to realize they've
• 15:53
  Speaker 2: been using a black highlighter? Can imagine That's what it
• 15:57
  Speaker 2: was like, Oh damn, I've been using the wrong cut
• 15:59
  Speaker 2: all the time. Here, let's use this. I don't know
• 16:01
  Speaker 2: what brand that is of black marker that they use
• 16:06
  Speaker 2: with that matter, like, is there a conspiracy behind that?
• 16:08
  Speaker 2: Maybe that's the conspiracy. They want them to keep using
• 16:11
  Speaker 2: the black sharpie brand, you know, mark or nothing else,
• 16:15
  Speaker 2: and that's what's keeping them in business.
• 16:18
  Speaker 1: I don't even know if it's a highlighter thing, like
• 16:20
  Speaker 1: it seems like it's done like digitally. I think some
• 16:23
  Speaker 1: of the older documents were just went over with sharpie
• 16:28
  Speaker 1: or some kind of black thing when they didn't have
• 16:32
  Speaker 1: everything digitally. But now it seems like that they just
• 16:36
  Speaker 1: have the files and then they just block them all
• 16:38
  Speaker 1: out like digitally.
• 16:42
  Speaker 2: Stock. We got to stop a big highlighter, you know,
• 16:48
  Speaker 2: these corporations, they need to be stopped because they're enacting everything. Yeah,
• 16:52
  Speaker 2: I don't think it's going to be anything new. I
• 16:54
  Speaker 2: think that how Larry Hancock has done a lot more
• 16:58
  Speaker 2: research into this than I. It's not the fact that
• 17:01
  Speaker 2: whatever is in the files is going to shock us,
• 17:03
  Speaker 2: because I think that we've all been primed ready for that.
• 17:06
  Speaker 2: We know that something shady happened. I think it's the
• 17:09
  Speaker 2: fact that it's going to, if anything, obliterate any trust,
• 17:14
  Speaker 2: if any at all, that people have in these certain
• 17:16
  Speaker 2: organizations which I can trust them as far as I
• 17:18
  Speaker 2: can throw them, and that's not very far. So I
• 17:20
  Speaker 2: don't trust them very much already, And the fact that
• 17:23
  Speaker 2: they would admit to something like one hundred percent at
• 17:26
  Speaker 2: the end of the day would just completely obliterate the
• 17:30
  Speaker 2: need for them whatsoever, because whatever they come out with,
• 17:33
  Speaker 2: people are just not going to trust. Not that they
• 17:35
  Speaker 2: do now though, I mean, really, if the government comes
• 17:38
  Speaker 2: out and says something, let me rephrase it out of
• 17:40
  Speaker 2: the government, but you get what I'm saying, Like, if
• 17:42
  Speaker 2: they were to come on and say something, usually do
• 17:45
  Speaker 2: the opposite of what they say. Not everyone, not everyone,
• 17:49
  Speaker 2: because we know what happened, and people were following the
• 17:52
  Speaker 2: seance or the science right, and people were doing that thing.
• 17:56
  Speaker 2: But look at all the stuff that's come out about that,
• 17:59
  Speaker 2: Bro at the end of day, and that was a
• 18:01
  Speaker 2: conspiracy a while back. So when it comes to conspiracies
• 18:05
  Speaker 2: and stuff like that, there are some things that are proven,
• 18:09
  Speaker 2: but a lot of the stuff that we're still even
• 18:11
  Speaker 2: talking about, Like why does JF. Caven matter? How many
• 18:13
  Speaker 2: years later, Bro, how many years has it.
• 18:16
  Speaker 1: Been since the over sixty now I think sixty.
• 18:20
  Speaker 2: One years Bro, that's while we're still talking about this
• 18:24
  Speaker 2: till this day.
• 18:26
  Speaker 1: Yep, yeah, that's uh so. I think that there comes
• 18:32
  Speaker 1: a point in time where things tend to not matter.
• 18:36
  Speaker 1: But the twenty twenty stuff is really interesting that it's
• 18:38
  Speaker 1: coming out like super quick. It seems like after there's
• 18:42
  Speaker 1: some kind of an event, we're getting closer and closer
• 18:46
  Speaker 1: to essentially exposing that event closer to after when it happened,
• 18:51
  Speaker 1: like with nine to eleven, it was like around two
• 18:54
  Speaker 1: thousand and eight, and then in like twenty twenty, it
• 18:57
  Speaker 1: was like immediately like people were a media lee on it.
• 19:01
  Speaker 1: And this one has been the longest running one, which
• 19:04
  Speaker 1: is the jfk assassination. I mean, people have been theorizing
• 19:08
  Speaker 1: about this thing, and I don't know, maybe maybe I
• 19:11
  Speaker 1: wake up tomorrow, dude, and I'm one famous dude. Maybe
• 19:16
  Speaker 1: everything in that in the documents is what jfk X
• 19:21
  Speaker 1: my first documentary, is all about. And I just people
• 19:25
  Speaker 1: just throw me millions of dollars, bro, Me and Joe
• 19:29
  Speaker 1: Widener were about to be famous, dude.
• 19:31
  Speaker 2: So I haven't watched that one of your documentaries. But
• 19:34
  Speaker 2: does it does it say that he achieved enlightenment and
• 19:36
  Speaker 2: his head blew up, Like is that what that?
• 19:39
  Speaker 1: Yeah, he activated as Kundalini energy. Yeah, gripping real type
• 19:46
  Speaker 1: or pushing just pushing too hard.
• 19:48
  Speaker 2: I think that's what happened. Bro. I think I think
• 19:50
  Speaker 2: his head blew up. I don't think anyone shot him,
• 19:52
  Speaker 2: I'll say that much. I think I think it's the
• 19:54
  Speaker 2: head just did that. That's how crazy, that's how enlightened.
• 19:57
  Speaker 2: That dude was just bount.
• 20:00
  Speaker 1: Pretty close to the theory, pretty close to the theory.
• 20:02
  Speaker 1: But well, we'll see what happens tomorrow. I mean I
• 20:08
  Speaker 1: think that they are going to be released tomorrow. I
• 20:10
  Speaker 1: mean everything that he has. I mean, you can say
• 20:13
  Speaker 1: whatever you want about Trump, you not like him, hate him,
• 20:15
  Speaker 1: or whatever, but everything that he said that he was
• 20:18
  Speaker 1: going to do, he's done, regardless if you like it
• 20:23
  Speaker 1: or not. He said that he was going to release
• 20:24
  Speaker 1: the files, He released the files. Yeah, it hasn't been
• 20:28
  Speaker 1: anything that he so far. I mean, it's taken a
• 20:32
  Speaker 1: little bit of time, but that's how it is when
• 20:33
  Speaker 1: you're in a new administration. But everything that he said
• 20:36
  Speaker 1: that he's going to do, he's done. I don't remember
• 20:39
  Speaker 1: one other president in my lifetime that has campaigned on
• 20:43
  Speaker 1: something and made all these promises and actually followed through
• 20:47
  Speaker 1: on any of those promises.
• 20:50
  Speaker 2: Yeah, no, I mean you got to give him credit
• 20:51
  Speaker 2: for that. But we'll see, we'll see what, We'll see
• 20:54
  Speaker 2: how fruitful they are, bro. So get ready for that
• 20:56
  Speaker 2: control f to search up alien or anything you know
• 21:01
  Speaker 2: that that you want to look up. Once we have
• 21:04
  Speaker 2: the files in hand, bro, once you hit that download button, bill,
• 21:09
  Speaker 2: see how many they are, right, because usually thousands They
• 21:12
  Speaker 2: do that on purpose to it there were these like
• 21:14
  Speaker 2: thousands and thousands. They just so people like take a
• 21:17
  Speaker 2: while to look through them, or like they put like
• 21:18
  Speaker 2: other miscellaneous bullshit information into them.
• 21:21
  Speaker 1: Too, right, Yeah, they essentially distract people. They'll dump a
• 21:27
  Speaker 1: shit ton of them all at one time, so it
• 21:29
  Speaker 1: takes hours and hours and hours to go through all
• 21:33
  Speaker 1: of them. But yeah, I got a little bit of hope.
• 21:37
  Speaker 1: But I think that is going to really focus around
• 21:39
  Speaker 1: like the second shooter type of scenario, which really doesn't
• 21:44
  Speaker 1: make any sense in my my examination of it either.
• 21:50
  Speaker 1: I mean, he obviously got shot from the front, so
• 21:55
  Speaker 1: in order for a person to hit him at that angle,
• 21:58
  Speaker 1: they would have to be like right behind where Za
• 22:01
  Speaker 1: Bruder was shooting. The the the Bruder phone, and he's
• 22:07
  Speaker 1: not ducking, he's not hearing anything. He's super smooth with it.
• 22:12
  Speaker 1: So if a gunshot is going off, like right close
• 22:14
  Speaker 1: to you, right next to you, you're gonna be ducking
• 22:18
  Speaker 1: and weaving and bobbing right, You're not gonna be like,
• 22:21
  Speaker 1: it's not gonna be shady. It's going to go right there.
• 22:26
  Speaker 1: So it doesn't make any sense how the second shooter
• 22:29
  Speaker 1: would have been behind the gazebo or so. It's like,
• 22:34
  Speaker 1: I don't know, but I think that that's a route
• 22:36
  Speaker 1: that it's probably going to go. Is a second shooter.
• 22:40
  Speaker 2: Maybe he wanted to get unsevered.
• 22:42
  Speaker 1: Bro right, unsovered dude. Yeah, And speaking of that, I
• 22:47
  Speaker 1: told you to watch this this show, and what was
• 22:50
  Speaker 1: your first impressions of it? I know you didn't like
• 22:53
  Speaker 1: how slow that it started up, but I don't.
• 22:58
  Speaker 2: I don't mind slow. I really don't, so the way
• 23:01
  Speaker 2: I would describe this show, right, So, for those tuning in,
• 23:06
  Speaker 2: we are going to be talking about Severance, which is
• 23:09
  Speaker 2: a Apple TV show directed and produced it primarily directed
• 23:15
  Speaker 2: by Ben Stiller, which is which I found bizarre, right,
• 23:19
  Speaker 2: because this is not a guy that you kind of
• 23:21
  Speaker 2: think about producing this type of show. Now, the way
• 23:26
  Speaker 2: I can describe it is like The Office meets MK Ultra.
• 23:30
  Speaker 2: That's like, you know, it's a crossfix between that. That's
• 23:34
  Speaker 2: what I think it is, right, And I'll be honest.
• 23:38
  Speaker 2: When you first put me on BRO, I was like, dude,
• 23:39
  Speaker 2: why are you making me waste my time watching this?
• 23:43
  Speaker 2: I was complaining to you. I was like, this is stupid.
• 23:45
  Speaker 2: When does they get good? Blah blah blah. And then
• 23:48
  Speaker 2: towards the end is when it started reeling me in.
• 23:51
  Speaker 2: So a lot of these shows like Twin Peaks and
• 23:54
  Speaker 2: like all of Twin Peaks season one, Bro is garbage,
• 23:57
  Speaker 2: Like it's just it's just if you're looking for a
• 24:02
  Speaker 2: cult symbolism and things of that nature, you're not gonna
• 24:04
  Speaker 2: find it in the first maybe the first episode where
• 24:08
  Speaker 2: they show like the altar and stuff, like they're like, oh,
• 24:10
  Speaker 2: something crazy is going on. Maybe second season towards the end, okay,
• 24:14
  Speaker 2: it starts warming up. Third season, off the wall like
• 24:17
  Speaker 2: boom full skitz. All right, this particular show, I don't
• 24:20
  Speaker 2: mind the slow burn, but you need to give me more.
• 24:23
  Speaker 2: You need to give me more than what they were
• 24:25
  Speaker 2: giving me. But I could appreciate it. Towards the end.
• 24:28
  Speaker 2: Now I am into season two, which I'm sure we'll
• 24:31
  Speaker 2: talk about, but yeah, I wasn't. I wasn't having a
• 24:35
  Speaker 2: good time writer the first the first the first eight episodes, whatever.
• 24:42
  Speaker 2: I was just like grinding through.
• 24:44
  Speaker 1: Just but you trusted me, and I appreciate that that you.
• 24:47
  Speaker 2: You always have to trust the process, right when they
• 24:49
  Speaker 2: say trust the process.
• 24:52
  Speaker 1: Trust the process, and I think that I see. I
• 24:55
  Speaker 1: love shows like this because I like the slow burn
• 24:58
  Speaker 1: and I like the payoff. That's what hooks me into
• 25:02
  Speaker 1: these types of shows. To me, the first season, I'm
• 25:06
  Speaker 1: only about two or three episodes into the second season,
• 25:09
  Speaker 1: but the first season to me is masterful. I think
• 25:13
  Speaker 1: that it's super masterful. I think it's brilliant and the
• 25:17
  Speaker 1: way that everything is set up. But I understand it
• 25:20
  Speaker 1: from certain people's perspective is that it's, you know, super boring.
• 25:24
  Speaker 1: But you have to go through the boring stuff and
• 25:29
  Speaker 1: the mundane things to understand what these characters are going through.
• 25:33
  Speaker 1: It's like filler within like Dragon ball Z. Right, people
• 25:36
  Speaker 1: don't like dragon ball Z the anime because of all
• 25:39
  Speaker 1: the filler, but you understand the gravity of all the
• 25:43
  Speaker 1: situations when the characters are in something really important because
• 25:47
  Speaker 1: of all that filler. If it was nothing but action
• 25:51
  Speaker 1: the entire time, then you don't understand the gravity of
• 25:55
  Speaker 1: the situation when the situation gets really rough, right, And
• 25:58
  Speaker 1: that's what I like about these types of shows. And
• 26:02
  Speaker 1: I think that this Apple TV show is sort of
• 26:05
  Speaker 1: like From on MGM Plus, Like this is the only
• 26:10
  Speaker 1: reason that I have Apple TV because of the show.
• 26:14
  Speaker 1: When I found out about the show, which I just
• 26:17
  Speaker 1: got a new phone, so it I got the Apple
• 26:20
  Speaker 1: TV Plus free six months free. But the from is
• 26:24
  Speaker 1: the only reason that I have MGM Plus, and Severed
• 26:30
  Speaker 1: is going to be the only reason that I have
• 26:31
  Speaker 1: Apple TV Plus.
• 26:34
  Speaker 2: Yeah. Well, like I told you, I don't own any
• 26:37
  Speaker 2: of the stuff. I use a certain website to watch them.
• 26:40
  Speaker 2: And then when I got to season two, it was
• 26:42
  Speaker 2: like a repeat the same episode And look at this.
• 26:46
  Speaker 2: Ben Stiller has an uncredited voice cameo as an animated
• 26:49
  Speaker 2: version of here Eatan in season one. Keanu Reeves has
• 26:53
  Speaker 2: an uncredited voice cameo as an animated lumen building in
• 26:57
  Speaker 2: a lumen in industrial film and season two, oh animated lumen.
• 27:02
  Speaker 2: So all this is season two, so I haven't gotten there,
• 27:04
  Speaker 2: but yeah, Caanu Reeves apparently is also on there, which right,
• 27:07
  Speaker 2: this whole this whole show essentially to get people a
• 27:11
  Speaker 2: low down. It's about people who choose and how wild
• 27:15
  Speaker 2: is this? And by the way, this was released on
• 27:17
  Speaker 2: two to one eight. Shout out the donut for the
• 27:19
  Speaker 2: two to one eight code. I was February eighteen, twenty
• 27:22
  Speaker 2: twenty two. I've heard it called one of the best
• 27:24
  Speaker 2: shows ever because not even googled why do people think
• 27:28
  Speaker 2: Severance is so good? Because I was like, what is
• 27:31
  Speaker 2: what is with the show that people love about it?
• 27:34
  Speaker 2: And so essentially what it is is these people who
• 27:39
  Speaker 2: choose to sever or divide their work life and their
• 27:45
  Speaker 2: personal life. Now, what I find disturbing about this, bro,
• 27:50
  Speaker 2: is that it's not just that you're severing the connection
• 27:53
  Speaker 2: between both things. So essentially, you go into work, you're
• 27:57
  Speaker 2: you're any right, what they call your inner person, and
• 28:00
  Speaker 2: any your severed version does all your work for you.
• 28:04
  Speaker 2: You work through your day, however many hours, nine to five,
• 28:06
  Speaker 2: whatever it is, and then when you go down the elevator,
• 28:09
  Speaker 2: you're unsevered, so now you're your regular own person. But
• 28:13
  Speaker 2: what's what I find disturbing, bro, is that the whole
• 28:16
  Speaker 2: time it's you, right, like and this gets into Mpiltrow
• 28:21
  Speaker 2: as far as like splitting with like Fritz Springmyer's work
• 28:25
  Speaker 2: of like split personalities and all this concept of fracturing
• 28:29
  Speaker 2: some someone subconscious or psyche or whatever you want to go,
• 28:33
  Speaker 2: their mind, whatever you want to call it, and compormentalizing
• 28:36
  Speaker 2: everything into one thing. So apparently you know you got two.
• 28:39
  Speaker 2: You got your work life, which is your your I
• 28:42
  Speaker 2: think they have even different names in their work, right,
• 28:45
  Speaker 2: they have different names.
• 28:47
  Speaker 1: Yeah, they change up the names a little bit and
• 28:50
  Speaker 1: they only give like the first letter of the last
• 28:53
  Speaker 1: name so that they can't figure out who each other
• 28:56
  Speaker 1: are on the with their audi.
• 28:59
  Speaker 2: Yeah, so what disturbing the most is that you're the
• 29:03
  Speaker 2: same person. You know, your body, your biological vessel is
• 29:07
  Speaker 2: still the same inside of work. So essentially you'd be
• 29:11
  Speaker 2: shutting your brain off or your memories at least of
• 29:14
  Speaker 2: that of those events for however long you're at work,
• 29:18
  Speaker 2: and then when you go home, you clock out, and
• 29:20
  Speaker 2: then you go back to just living your life. But
• 29:22
  Speaker 2: it seems like it's very oppressing. And then the plot
• 29:26
  Speaker 2: thickens when there are adverse side effects of this particular
• 29:34
  Speaker 2: I guess you procedure if you will where you know,
• 29:36
  Speaker 2: you put this chip essentially in the person's brain. It
• 29:40
  Speaker 2: goes all the way almost to the front. They show
• 29:42
  Speaker 2: how they do this and it like opens up. And
• 29:46
  Speaker 2: I mean the problem with this show as well that
• 29:49
  Speaker 2: I had, you don't get enough information, so we're still
• 29:52
  Speaker 2: figuring stuff out, Like you and I right, are still
• 29:55
  Speaker 2: figuring stuff out as we go. With this particular show,
• 29:59
  Speaker 2: there's still a lot of things we haven't been told.
• 30:02
  Speaker 2: They kind of start piecing together, and there's like a
• 30:05
  Speaker 2: back and forth because then the presence starts to merge
• 30:08
  Speaker 2: with the or you know, the two sides start to
• 30:11
  Speaker 2: merge with one another, so you don't know when the
• 30:13
  Speaker 2: person is in any or an audi or when they
• 30:16
  Speaker 2: start to blend both realities together, or like with what
• 30:20
  Speaker 2: happened with Pete, because he was like seeing both realities
• 30:22
  Speaker 2: overlaid over one another, and dude, that's scary. Bro.
• 30:27
  Speaker 1: Yeah, I don't think they put enough emphasis on Pete.
• 30:30
  Speaker 1: They got rid of him pretty quickly. But I think
• 30:35
  Speaker 1: that the mystery aspect of this is the craziest part
• 30:39
  Speaker 1: because it's essentially an mk Ultra type of like program
• 30:43
  Speaker 1: that's going on here, Like they're suvering them they're splitting
• 30:46
  Speaker 1: their psyche into two separate people, and whenever their work
• 30:49
  Speaker 1: they're one person. Whenever they're outside and they're at their home,
• 30:52
  Speaker 1: they're a completely different person. And my first question for
• 30:57
  Speaker 1: the entire series is because they explaining that in this
• 31:01
  Speaker 1: building Lumen Lumen is the name of the building, it's
• 31:04
  Speaker 1: this company that they work at where they have the
• 31:07
  Speaker 1: severed employees, that the people on the top levels of
• 31:12
  Speaker 1: Lumen are not severed, but the people at the bottom
• 31:18
  Speaker 1: where they're working are severed. And it seems like that
• 31:21
  Speaker 1: they're not doing really anything important. Okay, when they're there
• 31:26
  Speaker 1: in the office, there's just four of them, Okay, they're
• 31:29
  Speaker 1: in like this little cubicle thing, and they're looking at
• 31:31
  Speaker 1: numbers on a screen and essentially collecting numbers and then
• 31:35
  Speaker 1: dumping them into a box, which seems like it's that
• 31:40
  Speaker 1: they're not really doing anything, and they don't know what
• 31:43
  Speaker 1: they're doing either. So they don't know what they're doing
• 31:47
  Speaker 1: when they're they're any when they're working at this company,
• 31:50
  Speaker 1: and they don't know what they're doing when they're the audi.
• 31:52
  Speaker 1: So my question was is what is the purpose and
• 31:55
  Speaker 1: what is the need to even be severed to do
• 31:59
  Speaker 1: this job, and then I was like, oh, well, they
• 32:02
  Speaker 1: have to be doing something that they don't even know
• 32:07
  Speaker 1: that they're doing. It has to be something different that
• 32:10
  Speaker 1: we're not necessarily seen. And one of the first theories
• 32:16
  Speaker 1: that I had after I was done watching season one,
• 32:20
  Speaker 1: which this hasn't been disclosed yet, they haven't even hinted
• 32:24
  Speaker 1: at exactly what it is that they're doing as far
• 32:26
  Speaker 1: as that I'm into the series, is that I think
• 32:29
  Speaker 1: that what they're doing is that they are essentially making
• 32:34
  Speaker 1: they're getting rid of the because it's called data refinement, right,
• 32:37
  Speaker 1: They're doing data refinement, and whenever you're refining something, it
• 32:42
  Speaker 1: means that you're essentially getting out of the bugs and
• 32:47
  Speaker 1: like all of the nonsense of the program, right, So
• 32:50
  Speaker 1: they might actually be cleaning up the severed connection for
• 32:54
  Speaker 1: all the people that are severed, so it doesn't screw
• 32:58
  Speaker 1: it up.
• 33:00
  Speaker 2: Definitely running an experiment. So these people are the subjects
• 33:03
  Speaker 2: of this experiment, and in my opinion, I think that
• 33:05
  Speaker 2: they're just seeing how it operates before they can. And
• 33:10
  Speaker 2: what I thought was happening was that there are people
• 33:13
  Speaker 2: on the outside world that are kind of sort of
• 33:17
  Speaker 2: running this particular technology in certain applications. Now we get
• 33:22
  Speaker 2: into the necromantic application towards the end of season one
• 33:25
  Speaker 2: because you see that the therapist lady spoiler is the
• 33:31
  Speaker 2: dude's dead wife. Now I don't know how that works
• 33:36
  Speaker 2: because this changes everything up because then it would be
• 33:39
  Speaker 2: like wait, wait, wait, wait, now you don't even need
• 33:41
  Speaker 2: them alive anymore to be able to sever them, Like
• 33:44
  Speaker 2: now you can reanimate people. How does that like? That
• 33:47
  Speaker 2: brought up even more questions. And the other part was
• 33:51
  Speaker 2: the guy who was in charge of the Angelino guy
• 33:53
  Speaker 2: forget his name, where she goes into the other cabin
• 33:56
  Speaker 2: and the lady's pregnant in the birthing houses Sime, where
• 34:01
  Speaker 2: she doesn't remember having that conversation with that lady. So
• 34:04
  Speaker 2: in my opinion, the lady in the other cabin was
• 34:07
  Speaker 2: severed at the time of the birthing of the kid.
• 34:10
  Speaker 1: Exactly. Yeah, it's like a farm. They're like farming people.
• 34:14
  Speaker 2: That's crazy, dude, where It's like, now, now, how does
• 34:19
  Speaker 2: you know? I'm still trying to figure it out. I'm
• 34:22
  Speaker 2: still trying to wrap my mind around this whole show.
• 34:24
  Speaker 2: But what interests me about wasn't Zoolander about like some
• 34:28
  Speaker 2: sort of Mchaeltraal stuff.
• 34:30
  Speaker 1: Yes it was, and just.
• 34:33
  Speaker 2: So happens to me. Ben Stiller is one of the
• 34:35
  Speaker 2: main dudes which check this out. He's a he is
• 34:37
  Speaker 2: the son of comedians and actors. So again this comedian
• 34:42
  Speaker 2: aspect where I think that comedians now are this class
• 34:46
  Speaker 2: of people were intelligence resigns. You know, you got Joe
• 34:48
  Speaker 2: Rogan and his comedian assassins. You know, like this elite
• 34:53
  Speaker 2: group of assassins that and within those, in my opinion,
• 34:56
  Speaker 2: are people in intelligence. So it went from like being
• 34:59
  Speaker 2: a cult to now being in your face of like, hey,
• 35:02
  Speaker 2: this is these are people who affect culture. When you're laughing,
• 35:06
  Speaker 2: you're in a more susceptible state to ideas and things. Right,
• 35:09
  Speaker 2: So this is supposed to be what they call a
• 35:12
  Speaker 2: black comedy, which I don't even know what that even means.
• 35:15
  Speaker 2: A style comedy that makes a light of subject matter
• 35:18
  Speaker 2: that is genuinely considered taboo, particularly subjects where is it
• 35:26
  Speaker 2: that are particularly subjects that are normally considered serious or
• 35:31
  Speaker 2: painful to discuss. So the way that they paint this,
• 35:34
  Speaker 2: it's like talking about the workplace environment in corporate America, which,
• 35:40
  Speaker 2: by the way, Corp Corporation actually means a an artificial
• 35:48
  Speaker 2: entity created by a group of people. Okay, that's what
• 35:51
  Speaker 2: corporation means. Corp, you know, corpse and corporate America. In
• 35:57
  Speaker 2: my opinion, it's kind of plastic, right, like you go in,
• 36:01
  Speaker 2: you kind of do your thing. I've never been a
• 36:03
  Speaker 2: part of corporate America, but I've rubbed shoulders of people
• 36:06
  Speaker 2: who are My wife is in the whole corporate and
• 36:09
  Speaker 2: everyone seems so fake and not gay but oh probably
• 36:13
  Speaker 2: gay too, but just like you know, like plasticky, like fake.
• 36:16
  Speaker 2: You know.
• 36:17
  Speaker 1: Well, that's how the beginning of the show. That's one
• 36:19
  Speaker 1: of the first things that I noticed with Mark Alise.
• 36:21
  Speaker 1: He's like the star of the show where she was
• 36:23
  Speaker 1: also the I think he was in Step Brothers. He
• 36:25
  Speaker 1: was one of the brothers of the people and Step
• 36:28
  Speaker 1: Brothers that are was he really, I'm pretty sure that's him.
• 36:31
  Speaker 1: Whenever he the one guy's upstairs and the thing and
• 36:36
  Speaker 1: he's looking at the porno mags and then he goes
• 36:38
  Speaker 1: up and look at these super ripped abs or whatever,
• 36:41
  Speaker 1: and then the guy's like, oh, it's like master breeding
• 36:43
  Speaker 1: in the time machine. But uh, what I noticed was
• 36:50
  Speaker 1: in the very beginning of the first episode, Yeah, Adam Scott, Yeah,
• 36:56
  Speaker 1: that's him. So in the first episode, they seemed really
• 37:01
  Speaker 1: robotic like in their movements, Like Adam Scott, he like
• 37:09
  Speaker 1: he walked with his arms like out like He's like
• 37:12
  Speaker 1: a robot dude. And I'm like, what is it? And
• 37:15
  Speaker 1: I was like, Oh, well, are these people robots? Are
• 37:17
  Speaker 1: these people clones? And I think that there is some
• 37:19
  Speaker 1: kind of cloning aspect to this as well, because if
• 37:22
  Speaker 1: you remember Whenever, was it him and Helly r that
• 37:27
  Speaker 1: walked into the was it the sheep or the goat room?
• 37:31
  Speaker 2: The goats?
• 37:32
  Speaker 1: The goats? Yeah, the goat room. Weird ass goats.
• 37:40
  Speaker 2: Yeah, which I thought was weird. Also, you know Will
• 37:43
  Speaker 2: Farrow I could have surd somebody told me he was
• 37:45
  Speaker 2: on the list, the Epstein list, which I'm trying I'm
• 37:50
  Speaker 2: trying to oh, I mean again this part here, but
• 37:55
  Speaker 2: can you confirm that you know he was on the list? Run?
• 37:58
  Speaker 1: I think that he was reported he was. He might
• 38:01
  Speaker 1: have been on the contact list. I know Jim Carrey's
• 38:05
  Speaker 1: on it, a few other people what's his name from
• 38:11
  Speaker 1: the talk shows on it? Steve Stephen King is on it.
• 38:17
  Speaker 2: HM. Anyways, again weird because he is in step Brothers
• 38:22
  Speaker 2: I think he's the one that he talks about drop
• 38:24
  Speaker 2: kicking and punching in the face or something. Is that
• 38:26
  Speaker 2: what he's talking about.
• 38:27
  Speaker 1: Yeah, yeah, that's the one. And then they're the ones
• 38:30
  Speaker 1: that are singing the Sweet Child of Mine in the
• 38:34
  Speaker 1: car and then he freaks out on his wife for
• 38:36
  Speaker 1: screwing up the not being on key.
• 38:41
  Speaker 2: So oh yeah, yeah, okay, I got I got it.
• 38:43
  Speaker 2: So check this guy's face out again. I'm not the
• 38:45
  Speaker 2: prettiest guy ever, but check this guy. Does he need
• 38:47
  Speaker 2: to look a little bit different in this picture. I mean,
• 38:49
  Speaker 2: obviously he's probably older, but he's got like a distinct
• 38:53
  Speaker 2: looking face, almost like a caricature almost, And if you
• 38:56
  Speaker 2: look at this almost looks like a whole different person,
• 38:59
  Speaker 2: you know, as far as like he's just like a
• 39:02
  Speaker 2: a he's got a face you won't forget. And especially
• 39:05
  Speaker 2: in the in the show, he's kind of funny, like, I.
• 39:08
  Speaker 1: Don't know, he looks better with a beard, way better
• 39:12
  Speaker 1: with the Yeah, beard looks good on him. But that's
• 39:17
  Speaker 1: what I was kind of thinking as I was watching.
• 39:19
  Speaker 1: I was like, does this have something to do with
• 39:20
  Speaker 1: like cloning? Cloning? And like yes, and cyborgs, because Pete
• 39:25
  Speaker 1: talks about how there are people at Looming that never leave.
• 39:31
  Speaker 1: You remember whenever he was saying that, like there's people
• 39:34
  Speaker 1: there that like never leave. Yeah, I've I've always heard
• 39:38
  Speaker 1: that about top secret government facilities, that really there are
• 39:44
  Speaker 1: people that work in these top secret government facilities that
• 39:50
  Speaker 1: never leave the facility.
• 39:53
  Speaker 2: So there's a movie called Severance. What is that about?
• 39:56
  Speaker 2: So it's Severance's The film tells the story of a
• 40:00
  Speaker 2: group of British and Canadian coworkers who go to a
• 40:02
  Speaker 2: remote mountain forest and Hungary, where they become victims of
• 40:06
  Speaker 2: murderous attacks by a group of poachers. Okay, and I
• 40:12
  Speaker 2: don't know if you if you caught it, bro, but
• 40:14
  Speaker 2: in the intro, right speaking of cyborgs, and I'll say it, bro,
• 40:20
  Speaker 2: I'm gonna say homunculous. Right, I know, people don't stop
• 40:23
  Speaker 2: talking about the homunculous because they're faking the homunculus. They
• 40:28
  Speaker 2: show a homunculous in the intro to the show, and
• 40:33
  Speaker 2: I'm gonna pull it up here because I found it
• 40:37
  Speaker 2: interesting because it's all about the you know, it's homunculous
• 40:42
  Speaker 2: all the way down. Let me find it here. I
• 40:45
  Speaker 2: don't think they do. They show the intro in the
• 40:47
  Speaker 2: first episode. Probably don't.
• 40:50
  Speaker 1: I think that the intro is different, slightly different every show.
• 40:55
  Speaker 1: I try and watch the intro every.
• 40:56
  Speaker 2: Time I skip it. Dude, is it really different every show?
• 41:00
  Speaker 1: I think? So yeah.
• 41:02
  Speaker 2: Oh man, so let me pull it up here. So
• 41:04
  Speaker 2: Severance intro so right here. If you notice, it's the
• 41:11
  Speaker 2: little homunculus bro in his head who made these amazing
• 41:14
  Speaker 2: title creas. So it's like, it's got some really weird
• 41:18
  Speaker 2: imagery as far as you know. It's obviously showing the
• 41:21
  Speaker 2: different sides of Severance side. But one of the things
• 41:24
  Speaker 2: that stood out to me was the little home Look
• 41:26
  Speaker 2: at the look at the poster, dude. And one of
• 41:28
  Speaker 2: the ideas is who is watching your reality right now?
• 41:33
  Speaker 2: And one of the ideas was, oh, there's a miniature
• 41:35
  Speaker 2: version of yourself inside of your head watching out. But
• 41:40
  Speaker 2: then who's in this guy's head? Is there another little
• 41:43
  Speaker 2: person in that? So it's homunculous all the way down
• 41:45
  Speaker 2: at Adam Finidem And obviously it doesn't make sense, but
• 41:49
  Speaker 2: point being that they did show this, and as soon
• 41:50
  Speaker 2: as I saw I was like, I was like, I
• 41:52
  Speaker 2: don't want to say it. I don't want to say it,
• 41:54
  Speaker 2: but it's kind of going it's it's kind of going
• 41:57
  Speaker 2: there a little bit like they show these like little
• 41:59
  Speaker 2: miniature Pece people working with their little homunculus in their head.
• 42:03
  Speaker 2: You know, it's again homunculus all the way down. The
• 42:05
  Speaker 2: show shows that, and it shows then the instrument that
• 42:09
  Speaker 2: they use right to like I think it sucks them
• 42:13
  Speaker 2: all in or puts them all out. But look at this.
• 42:18
  Speaker 2: Uh oh what is that?
• 42:19
  Speaker 1: Look don't be showing that.
• 42:21
  Speaker 2: Bro oh man, don't be showing that, dude. Point being
• 42:26
  Speaker 2: that it's in the show.
• 42:28
  Speaker 1: Okay, it's a part of the show. It's on Apple TV.
• 42:30
  Speaker 2: Plus, it's getting into that realm of like, wait a minute,
• 42:34
  Speaker 2: you know, what were the goats for? What the hell
• 42:36
  Speaker 2: did they Why was there? Why was their goats? You know?
• 42:39
  Speaker 2: What's the symbology behind the goats? Is that sort of
• 42:42
  Speaker 2: hinting a like mk ultra sort of thing, like men
• 42:45
  Speaker 2: who stare at goats? Wasn't that part of mc ultra that.
• 42:49
  Speaker 1: Was stargate that was more like remote viewing and psychic powers.
• 42:54
  Speaker 1: But I thought that it was interesting how because they
• 42:58
  Speaker 1: whenever they get in trouble at Lumen, they're essentially taken
• 43:03
  Speaker 1: to this area that's called the breakroom. And what people
• 43:08
  Speaker 1: think of as like the breakroom at like a standard job,
• 43:11
  Speaker 1: as a place that you can relax, have a little lunch,
• 43:13
  Speaker 1: a little you know, take your break right. Well, this
• 43:17
  Speaker 1: breakroom is different. This breakroom is essentially like a reprogramming
• 43:21
  Speaker 1: room where they make you repeat the same phrase over
• 43:26
  Speaker 1: and over and over again. And when Helly r went
• 43:29
  Speaker 1: in there, I think they said that she was in
• 43:31
  Speaker 1: there for like two days or like three days or
• 43:34
  Speaker 1: something like that's a really extended amount of time. And
• 43:38
  Speaker 1: essentially repeating the same phrase over and over again is
• 43:41
  Speaker 1: psychic driving. That's what you and Cameron was doing in Canada.
• 43:46
  Speaker 1: Once they've you know, split the psyche in half, they've
• 43:49
  Speaker 1: separated the two consciousness, they've traumatized them. Then they programmed
• 43:53
  Speaker 1: them with repeating something over and over and over again.
• 43:58
  Speaker 1: That's what psychic driving is. We talk about it in
• 44:00
  Speaker 1: a Clockwork training and j Winer's second documentary, and that's
• 44:05
  Speaker 1: essentially how it's done. So they're taking them into the breakroom,
• 44:08
  Speaker 1: which is breaking down their consciousness, breaking down their psyche,
• 44:12
  Speaker 1: and then they're reprogramming.
• 44:15
  Speaker 2: I don't know on the podcast.
• 44:18
  Speaker 1: My the May Live, Yeah, but that's essentially what it
• 44:23
  Speaker 1: is is. That's what the breakroom is is breaking down
• 44:28
  Speaker 1: your psyche and then reprogramming your psyche through psychic driving.
• 44:34
  Speaker 2: So this is interesting here. Media that influenced Severance include
• 44:37
  Speaker 2: The back Room's Urban Legend, the twenty thirteen video game
• 44:40
  Speaker 2: The Stanley Parable, which I don't know what that is,
• 44:43
  Speaker 2: and Aavy the game relation Let's read this. Films including
• 44:49
  Speaker 2: Office Space, The Truman Show, being John Akovich was he
• 44:54
  Speaker 2: also had a little guy and said, doesn't he?
• 44:57
  Speaker 1: I don't think I've seen that movie.
• 44:58
  Speaker 2: Actually, yeah, I think he has little person inside his head.
• 45:01
  Speaker 2: Two and older influences include Existential Hell in nineteen forty four,
• 45:06
  Speaker 2: No Exit, Totalitarian Ystopia, George Orwell Right aesthetically, a series
• 45:11
  Speaker 2: of influenced by so the back Rooms. I don't know
• 45:14
  Speaker 2: if we've gotten there yet, but I don't want to.
• 45:17
  Speaker 2: I don't. I don't want to keep reading the Wikipedia
• 45:19
  Speaker 2: because I don't want to spoil the whole thing for me.
• 45:22
  Speaker 2: I wish they would do one just for season one.
• 45:24
  Speaker 2: But the back Rooms? Do you know what that is? Bro?
• 45:28
  Speaker 1: I've heard people talk about it, but I really don't
• 45:31
  Speaker 1: know exactly what the back Rooms stuff.
• 45:34
  Speaker 2: Is so again, I don't know if we're any we're
• 45:37
  Speaker 2: there yet on season one, but the back rooms is
• 45:39
  Speaker 2: essentially being able to kind of sort of clip out
• 45:43
  Speaker 2: of reality, like how you clip out of a video game.
• 45:46
  Speaker 2: And there have been these I don't know if you
• 45:48
  Speaker 2: ever saw the so fictional locations or originating from A
• 45:53
  Speaker 2: twenty nineteen fourteen third one of the best known examples
• 45:56
  Speaker 2: the liminal space aesthetic. The back rooms are usually pertrade
• 45:59
  Speaker 2: as an possible and possibly large, extra dimensional expanse of
• 46:03
  Speaker 2: empty rooms accessed by exiting no clipping out of reality.
• 46:07
  Speaker 2: And the reason this is interesting is because not only
• 46:10
  Speaker 2: is there a whole bunch of stuff by them, and
• 46:12
  Speaker 2: obviously there's a film and series being produced by none
• 46:16
  Speaker 2: other than A twenty four, which A twenty four gets
• 46:19
  Speaker 2: into a lot of a cult. I believe A twenty
• 46:21
  Speaker 2: four has cursed films, okay, cursed media, so be careful
• 46:26
  Speaker 2: when we're watching A twenty four stuff. They put out
• 46:27
  Speaker 2: movies like Hereditary and what the hell is Midsummer? I
• 46:32
  Speaker 2: believe too. It is like weird movies like that. And
• 46:35
  Speaker 2: the back rooms is interesting because let's say that reality
• 46:39
  Speaker 2: is a simulation, right, Let's say that we are kind
• 46:43
  Speaker 2: of sort of all being severed right as we speak.
• 46:49
  Speaker 2: And by being severed is you can even talk about
• 46:51
  Speaker 2: that in the sense of the matrix, Neo was kind
• 46:54
  Speaker 2: of severed from his original body in the real world,
• 46:59
  Speaker 2: right the matrix, he was a worker Corporate America, and
• 47:04
  Speaker 2: then he gets presented with the you know, the infamous
• 47:06
  Speaker 2: blue pillar, red pill, and we know what happens. Then
• 47:09
  Speaker 2: once you break out, then you're unsevered and you exist
• 47:13
  Speaker 2: in this tunnel system or whatever it is, right, and
• 47:15
  Speaker 2: you're in the real world. Now you broke out of
• 47:19
  Speaker 2: the matrix and you figure out what the machines are
• 47:21
  Speaker 2: trying to do, et cetera, et cetera. But let's say
• 47:24
  Speaker 2: that Google Earth, for whatever reason, has some of this
• 47:28
  Speaker 2: code hardwired into it. Now, what's interesting about the back
• 47:33
  Speaker 2: rooms is that for a while, you could go into
• 47:36
  Speaker 2: certain places on Google Earth and kind of sort of
• 47:41
  Speaker 2: no clip and it would show these weird places depending
• 47:44
  Speaker 2: on which area you looked at on Google Earth. So
• 47:49
  Speaker 2: in my opinion, that hints at the idea of like
• 47:54
  Speaker 2: you know, in Iran's what's her what's her book at
• 47:59
  Speaker 2: Liss shrug right, what's the one place something goulch what's
• 48:04
  Speaker 2: the uh, golly, let me pull it up here, that shrug.
• 48:16
  Speaker 2: I think it's Golf's Gulch. I think that's what they
• 48:18
  Speaker 2: call it. Yeah, Galt's Gulch.
• 48:23
  Speaker 1: And Jesus say that a couple of times.
• 48:26
  Speaker 2: Yeah, all right, sounds kind of so. I n rand
• 48:29
  Speaker 2: Alis Shaw Galt Galt Golch is a fictional secluded community
• 48:35
  Speaker 2: in the Colorado Mountain Valley where productive individuals who have
• 48:39
  Speaker 2: gone on strike against society they perceive as e louting
• 48:43
  Speaker 2: their creativity and productivity establish a new free society based
• 48:47
  Speaker 2: on self determination and rational self interest. Now what's interesting
• 48:52
  Speaker 2: about this is that some people's research I won't say
• 48:55
  Speaker 2: any names, but people who know know have proposed that
• 48:59
  Speaker 2: these are kind of sort of interdimensional areas in which
• 49:04
  Speaker 2: the elite go to. Right, some more evidence for this, Right,
• 49:08
  Speaker 2: it interdimensional in a sense where only the initiates are
• 49:11
  Speaker 2: able to see how I mentioned earlier with that Royal Society,
• 49:15
  Speaker 2: Mountain Range kind of secret society, invisible college, kind of
• 49:20
  Speaker 2: sort of thing where it's interdimensional and only certain people
• 49:23
  Speaker 2: go there. For example, in China, for a while there
• 49:27
  Speaker 2: were a lot of CEOs going missing where they would
• 49:30
  Speaker 2: just like disappear off the face of the earth and
• 49:33
  Speaker 2: then come back. Now use your imagination. Hopkom's razor would say, like, oh,
• 49:38
  Speaker 2: the government took them and you know, put them in
• 49:41
  Speaker 2: the in the break room for a while and made
• 49:43
  Speaker 2: them repeat the mantras over and over again.
• 49:45
  Speaker 1: Reprogramming center.
• 49:46
  Speaker 2: Bro.
• 49:47
  Speaker 1: Yes, but I mean rehabs. Rehabs have been known to
• 49:51
  Speaker 1: do that for a lot of celebrities. I mean that
• 49:53
  Speaker 1: was an ongoing theory with like Britney Spears and like
• 49:57
  Speaker 1: Lindsey Lohan and a lot of these famous people musicians,
• 50:02
  Speaker 1: actors and all that that may have been under some
• 50:05
  Speaker 1: sort of mk ultra style hypnosis that they would be
• 50:10
  Speaker 1: taken to a treatment center, like a drug and alcohol
• 50:14
  Speaker 1: mental health treatment center, and then they would essentially be
• 50:18
  Speaker 1: reprogrammed at this treatment center. Did you see the video
• 50:21
  Speaker 1: of Ariana Grande talking about this. It seems like she's
• 50:25
  Speaker 1: just promoting her new music because she kind of based
• 50:28
  Speaker 1: it off of Eternal Sunshine of the Spotless Mind, but
• 50:33
  Speaker 1: she was She's talking about how she got memory, a rasure,
• 50:39
  Speaker 1: a racier therapy from this this.
• 50:42
  Speaker 2: I told you not to talk about my nipples in public, dide.
• 50:46
  Speaker 2: I trusted you with that information I have big Ariola's Okay,
• 50:49
  Speaker 2: I told you not to say that on air.
• 50:52
  Speaker 1: All right, you got you got Pepperoni's bro.
• 50:55
  Speaker 2: Yeah, I told you that in confidence. Bro, my Ariola
• 50:59
  Speaker 2: Grande's brow.
• 51:00
  Speaker 1: To come on, I'm gonna try and play some of this.
• 51:05
  Speaker 1: I don't want to get a freaking oh.
• 51:08
  Speaker 2: She's definitely.
• 51:10
  Speaker 1: So we're gonna do a fair use disclaimer under section
• 51:13
  Speaker 1: one oh seven of the Copyright active nineteen seventy six,
• 51:17
  Speaker 1: allowances made for fair use for purposes such as criticism,
• 51:22
  Speaker 1: news reporting, teaching, scholarship, education, and research. And this is
• 51:25
  Speaker 1: covered under fair use because we are commenting on Ariana
• 51:29
  Speaker 1: Grande's interview at this red carpet event. Do you have
• 51:33
  Speaker 1: a release date?
• 51:35
  Speaker 2: You know what they did the Brighter Days memory eraser
• 51:38
  Speaker 2: treatment to me, so I'm having trouble remembering the details.
• 51:40
  Speaker 2: They're foggy because said the Brighter Days clinic they do
• 51:43
  Speaker 2: the memory eraser. You know that Ariana in what Yeah, yeah,
• 51:53
  Speaker 2: she's got to be trolling, bro, there's no way.
• 51:56
  Speaker 1: But the strange thing about it is that there is
• 51:59
  Speaker 1: a Brighter Days rehab facility in California.
• 52:07
  Speaker 2: So this plays credence to a lot of maybe this movie, right,
• 52:11
  Speaker 2: or this show, because Ben Stiller isn't in Hollywood, right,
• 52:14
  Speaker 2: he did a lot of stuff away, said Zoolanders, kind
• 52:17
  Speaker 2: of Mick Ultra, kind of sort of brainwashing, and these
• 52:21
  Speaker 2: people they put these elements of truth in their day
• 52:24
  Speaker 2: to day lives, in the work that they put out, right.
• 52:27
  Speaker 2: So this concept of erasing somebody. So for example, right,
• 52:31
  Speaker 2: let's use Kanye West as one of them, because obviously
• 52:33
  Speaker 2: he's in the limelight for a lot of things where
• 52:36
  Speaker 2: he kind of goes, hey, why right, Maybe he went haywire.
• 52:39
  Speaker 2: Maybe they did the override for him and he's not
• 52:42
  Speaker 2: himself because they were trying to shut that part out
• 52:44
  Speaker 2: of himself and it kind of failed or whatever it was, right,
• 52:49
  Speaker 2: So it adds to the idea of there maybe being
• 52:54
  Speaker 2: like again mickultroll or brainwashing for these people. And in Hollywood, Hey,
• 52:59
  Speaker 2: you're this person in this movie, you're this other person
• 53:02
  Speaker 2: in this other movie. You're an asset or you need
• 53:04
  Speaker 2: to be versatile in this asset, so you're gonna be different.
• 53:07
  Speaker 2: People look at Ariana Grande too, especially with this latest
• 53:10
  Speaker 2: movie Wicked, where all the promotion for the movies just
• 53:13
  Speaker 2: seems bizarre, just like weird, just unsettling. If you look
• 53:19
  Speaker 2: at her and the other lady I forgot the witch lady.
• 53:22
  Speaker 2: If you look at her talk, it's it's very plasticky
• 53:25
  Speaker 2: and fake, and they're like they're like crying during there.
• 53:28
  Speaker 2: Oh my god. Yes, it's just dude, these people are
• 53:31
  Speaker 2: obviously going through something. Look at Bieber nowadays, he's like
• 53:34
  Speaker 2: super depressed and maybe do maybe this is why they
• 53:37
  Speaker 2: don't want to put out the list of the Diddler, Right,
• 53:41
  Speaker 2: maybe how much of that was programming and some sort
• 53:45
  Speaker 2: of governmental operation, if you will, where you're taking all
• 53:50
  Speaker 2: the most influential people of culture. We're talking about artists
• 53:54
  Speaker 2: that people have cult followings, and you're succepting, you know,
• 53:58
  Speaker 2: they're susceptible to whatever programming behind closed doors. It just
• 54:02
  Speaker 2: so happens to involve baby oil and other stuff. Who knows, dude,
• 54:06
  Speaker 2: I think that that aspect of the what I've termed
• 54:11
  Speaker 2: sidamic time travel. Now, don't google that because we're gonna
• 54:14
  Speaker 2: have a bad time. But this concept of right, the
• 54:17
  Speaker 2: whole the butt stuff is like funny, right, like, oh,
• 54:20
  Speaker 2: but what if that's a way of how people talk
• 54:23
  Speaker 2: about like the whole the dark eyes and all you
• 54:25
  Speaker 2: know what I'm saying, right, you know, I like being
• 54:27
  Speaker 2: able to open up certain maybe it goes deeper than that, right,
• 54:32
  Speaker 2: or again, I'm just getting a little bit too skit
• 54:35
  Speaker 2: Sell on this.
• 54:37
  Speaker 1: I don't know, dude. This is the Skitze Conspiracy our Bro,
• 54:41
  Speaker 1: the Maga Conspiracy Hour. We can go as crazy and
• 54:44
  Speaker 1: as deep as we want, Bro, whatever we want. But
• 54:48
  Speaker 1: I think that there's a lot more to this show
• 54:50
  Speaker 1: than what we currently know. And I mean, obviously it's
• 54:55
  Speaker 1: unfolding over you know, a long amount of time, and
• 54:59
  Speaker 1: you know, multiple seasons. I mean, if they were to
• 55:02
  Speaker 1: give us everything, then there wouldn't be any need to
• 55:05
  Speaker 1: do any more seasons of the show. So I think
• 55:09
  Speaker 1: that they're doing something more than what they think that
• 55:13
  Speaker 1: they're actually doing. I mean, and I think that the
• 55:17
  Speaker 1: numbers thing that they're doing on the computer has something
• 55:20
  Speaker 1: to do with keeping people severed, so that like the
• 55:26
  Speaker 1: technology that they're using the implant, the brain implant in
• 55:29
  Speaker 1: the show, is you have to refine it in order
• 55:34
  Speaker 1: for it to continuously like work properly. And I think
• 55:38
  Speaker 1: that the ultimate goal for the corporation Lumen is to
• 55:45
  Speaker 1: have like cloned individuals because I think Mark asks wife
• 55:51
  Speaker 1: isn't really his wife, because he mentions several times that
• 55:57
  Speaker 1: he saw her body in the car crash, like he
• 56:01
  Speaker 1: went to visit her and see her dead. So either
• 56:06
  Speaker 1: they did a whole fake switchero on her and reanimated
• 56:10
  Speaker 1: her body, or they took some of her DNA and
• 56:12
  Speaker 1: then created this cloned version of her and it's not
• 56:17
  Speaker 1: even really her that's at Lumen, And that makes sense
• 56:21
  Speaker 1: with the goats, and there's definitely some kind of cloning
• 56:26
  Speaker 1: aspect to it. They want people there that can never leave,
• 56:31
  Speaker 1: that are constantly working so that they don't have to
• 56:34
  Speaker 1: deal with the severed component of it. So they're trying
• 56:38
  Speaker 1: to work this whole thing out right now with the
• 56:41
  Speaker 1: severed people in order to just have people there twenty
• 56:45
  Speaker 1: four to seven all the time, make it like an
• 56:47
  Speaker 1: on campus. But they can do whatever they want with
• 56:51
  Speaker 1: these people. They can have them under any kind of
• 56:54
  Speaker 1: conditions because they're not people. That's right.
• 56:57
  Speaker 2: Yeah, No, definitely, And like I said, it's going there.
• 57:00
  Speaker 2: If it will go there now, I'll getting into season two,
• 57:03
  Speaker 2: but I want to pull up my screen real quick
• 57:04
  Speaker 2: because this is interesting. The building that it's at. This
• 57:10
  Speaker 2: is in New Jersey. Check this out, Bro, the Bell's
• 57:13
  Speaker 2: Lab Homdel Complex is where the show takes place. This
• 57:18
  Speaker 2: is Luman Industries though the headquarters. Check this out. It's
• 57:22
  Speaker 2: this modernist building, dubbed the Biggest Mirror Ever by Architectural
• 57:27
  Speaker 2: Form due to its mirror box exterior, was the site
• 57:29
  Speaker 2: of a Nobel Prize discovery, the laser cooling work of
• 57:33
  Speaker 2: Stephen Chu. I don't even know what this guy is
• 57:36
  Speaker 2: and what is he talking? Laser cooling? What is even that?
• 57:40
  Speaker 2: But point being right, this the centerpiece of the campus,
• 57:43
  Speaker 2: served as home for over six thousand engineers and researchers.
• 57:47
  Speaker 2: So what a better place? Right too?
• 57:49
  Speaker 4: Right?
• 57:50
  Speaker 2: It functioned for forty four years of the research and
• 57:52
  Speaker 2: development facility for Bell Systems. Whoever these people who are
• 57:56
  Speaker 2: the AT and T what is this?
• 57:59
  Speaker 4: Right?
• 58:00
  Speaker 2: So what a better place where this take Where the
• 58:03
  Speaker 2: story is again kind of sort of mirroring, right, called
• 58:07
  Speaker 2: the Biggest mirror ever. Mirrors are what they're also portals
• 58:11
  Speaker 2: to other places and the show they see they mirror
• 58:14
  Speaker 2: both of their realities kind of sort of you have
• 58:16
  Speaker 2: the workplace, you have the personal life. What a better
• 58:21
  Speaker 2: place to do it than here? So again the show
• 58:24
  Speaker 2: kind of showing that it's like a research facility for
• 58:29
  Speaker 2: this severance technology. But hey, the actual place just so
• 58:33
  Speaker 2: happens to actually be a research and development facility where
• 58:38
  Speaker 2: some stuff that I don't understand went down right. Laser
• 58:41
  Speaker 2: cooling work again includes several techniques where atoms, molecules, and
• 58:46
  Speaker 2: small mechanical systems are cool with laser light. The directed
• 58:50
  Speaker 2: energy of lasers is often associated with heating materials, laser cutting,
• 58:54
  Speaker 2: blah blah blah. Sounds like some directed energy stuff going
• 59:04
  Speaker 2: on here. Bro, I wonder if it if it'll melt
• 59:06
  Speaker 2: blue stuff. You know what I'm saying.
• 59:10
  Speaker 1: You gotta try it on your butthole first.
• 59:11
  Speaker 2: Due well, well, you funny again, sodomy through directed energy
• 59:18
  Speaker 2: weapon is the thing when it comes to you. Laugh, Bro,
• 59:22
  Speaker 2: But I'm gonna be interviewing a guy who allegedly was
• 59:25
  Speaker 2: had a butthole laser cannon pointed out him, and he's
• 59:28
  Speaker 2: gonna tell us about it. So I'm just I'm just saying, Bro,
• 59:34
  Speaker 2: the truth is stranger than fiction. The reason that they
• 59:37
  Speaker 2: put these shows out, Ben Stiller, out of all people,
• 59:40
  Speaker 2: come on, what are they showing us in in Plane Sight?
• 59:47
  Speaker 1: Well, I think that it was the last episode of
• 59:51
  Speaker 1: season one where they had the Masonic checkerboard floor and
• 59:55
  Speaker 1: both scenes were cold. What is her name, Colbert, Colbert
• 1:00:01
  Speaker 1: Cornell or whatever. The main manager lady is of Lumen
• 1:00:06
  Speaker 1: Corbell Corbell. Yeah, she was on the checkerboard floor whenever
• 1:00:13
  Speaker 1: she was whenever she got fired from the facility. And
• 1:00:16
  Speaker 1: then the main guy. It was the second to last episode,
• 1:00:19
  Speaker 1: I think, and the main guy is having his ritual.
• 1:00:24
  Speaker 1: They're doing the ritual dance where he puts on the
• 1:00:26
  Speaker 1: freaking giant mask and he said there and the women
• 1:00:31
  Speaker 1: can come out and they're like dancing. That's all on
• 1:00:35
  Speaker 1: a checkerboard floor. And then whenever she's at her house,
• 1:00:39
  Speaker 1: Like both scenes back to back were like mirroring each other.
• 1:00:44
  Speaker 1: They both had the checkerboard floor.
• 1:00:47
  Speaker 2: This was one of the scenes where I was like, okay, okay,
• 1:00:51
  Speaker 2: see something of cultiic is going on right now. And
• 1:00:54
  Speaker 2: this particular scene. It's funny because I had seen a
• 1:00:58
  Speaker 2: short of this wow ago a while back. I'd seen
• 1:01:03
  Speaker 2: something about this particular I didn't know it was this show,
• 1:01:05
  Speaker 2: but I saw on TikTok or something people were talking
• 1:01:08
  Speaker 2: about like look at how free Masonic this show is
• 1:01:11
  Speaker 2: lo and behold it was this show. So as I'm
• 1:01:14
  Speaker 2: watching the scene, I'm like, this looks really familiar, and
• 1:01:15
  Speaker 2: I texted, I'm like, but I've seen this before. It's weird.
• 1:01:21
  Speaker 2: Like it's so so weird. Again, very Masonic, very they're
• 1:01:25
  Speaker 2: doing like a sort of initiation ritual. You have the
• 1:01:31
  Speaker 2: goat head with the jester and then this lady. I
• 1:01:37
  Speaker 2: don't know how to explain it. I mean, you don't
• 1:01:39
  Speaker 2: have to watch it. I still don't know what the
• 1:01:41
  Speaker 2: hell it means.
• 1:01:42
  Speaker 1: Yeah, whatever, Colbert, keep on a call her Colbert anyway,
• 1:01:48
  Speaker 1: whatever Corbel Corbel and just need to think of Jeremy Corbel,
• 1:01:53
  Speaker 1: Jeremy Corbel Corbell. Okay, so yeah whatever. She gets home
• 1:01:57
  Speaker 1: after she had been let go from Lumen. Her entire area,
• 1:02:02
  Speaker 1: like her entire house looks like a shrine to Kire,
• 1:02:05
  Speaker 1: Like it's a giant shine, Like there's like melted candles.
• 1:02:09
  Speaker 1: She has like a framed photo of Kire with like
• 1:02:13
  Speaker 1: it's like a big shrine like ritualistic worship room, and
• 1:02:18
  Speaker 1: it's on a black checker board floor.
• 1:02:22
  Speaker 2: And this is where the show kind of, sort of,
• 1:02:24
  Speaker 2: in my opinion, gets metaphysical, because the founder of the
• 1:02:28
  Speaker 2: company is kind of sort of and again no offense
• 1:02:31
  Speaker 2: to anybody, but it reminded you, like almost like a
• 1:02:33
  Speaker 2: Joseph Smith sort of vibe that whole ass. It's funny
• 1:02:37
  Speaker 2: because of what he's wearing, but I got that kind
• 1:02:40
  Speaker 2: of vibe from it when I was watching it. You
• 1:02:42
  Speaker 2: know that they have the principles almost like their Bible
• 1:02:45
  Speaker 2: in the workplace that the innies memorize, and they're like
• 1:02:50
  Speaker 2: reading from these principles. So again this show, if anything,
• 1:02:54
  Speaker 2: I'm more confused. I'm gonna be a hundred person. I'm
• 1:02:58
  Speaker 2: confused as hell. But they give you just enough to
• 1:03:02
  Speaker 2: keep you want to watch the next episode. And I'll
• 1:03:06
  Speaker 2: be honest, the first few episodes I want to turn
• 1:03:08
  Speaker 2: the shit off. I'm my bro, this is garbage. I'm
• 1:03:10
  Speaker 2: not going to waste my time watching this. And I
• 1:03:13
  Speaker 2: kept watching and it kind of paid off. Now we're
• 1:03:15
  Speaker 2: in season two and it ends on a pretty crazy
• 1:03:18
  Speaker 2: note where you're like, bro, what and it makes you
• 1:03:23
  Speaker 2: just want to watch the next one? And well, from
• 1:03:27
  Speaker 2: is the people who did lost right, not this show.
• 1:03:30
  Speaker 3: Right?
• 1:03:31
  Speaker 1: The people the writers and the creators are from on
• 1:03:35
  Speaker 1: MGM Plus, which is an incredible show. I love it
• 1:03:39
  Speaker 1: a lot. Has got a really big cult following now.
• 1:03:43
  Speaker 1: But the writers and producers of From where the writers
• 1:03:48
  Speaker 1: and producers of Lost, So From is essentially a mix
• 1:03:54
  Speaker 1: between I've been calling it Lost meets Thirty Days of Night.
• 1:04:00
  Speaker 1: Is the best way that I can describe from.
• 1:04:03
  Speaker 2: Oh dude, we forgot the black goo.
• 1:04:10
  Speaker 1: Irving was seeing the black goo, right.
• 1:04:13
  Speaker 2: Yes, I forgot the black good. There's the black gool
• 1:04:16
  Speaker 2: that has been attributed. A lot of people say it's
• 1:04:18
  Speaker 2: very and mcoldtrue sort of mind control. We see this
• 1:04:23
  Speaker 2: throughout pop culture with the one I can think it
• 1:04:26
  Speaker 2: was Ailey Billie Eilis showed that her name is where
• 1:04:29
  Speaker 2: she You know, they're crying the black good. There's a
• 1:04:32
  Speaker 2: ton of it in this show. And it's interesting because
• 1:04:36
  Speaker 2: when I went to go watch the second season, I
• 1:04:38
  Speaker 2: actually rewatched one of the earlier episodes and things were
• 1:04:41
  Speaker 2: clicking for me. So this is probably one of those
• 1:04:43
  Speaker 2: shows where you have to like rewatch it to pick
• 1:04:45
  Speaker 2: up on all the stuff you missed. And Homeboy's looking
• 1:04:48
  Speaker 2: under his nails and his nails are black, and then
• 1:04:50
  Speaker 2: you find out why his nails are black later on
• 1:04:53
  Speaker 2: in the show because of what he was doing outside
• 1:04:56
  Speaker 2: of work. Because remember what they do on the outside,
• 1:04:59
  Speaker 2: they don't remember on the inside, so I might. It's
• 1:05:04
  Speaker 2: one of those shows where you have to rewatch and
• 1:05:06
  Speaker 2: you pick up on all these different little aspects and
• 1:05:09
  Speaker 2: if you're not paying attention, you're gonna miss a lot
• 1:05:13
  Speaker 2: of stuff. Like when he ripped up the picture of
• 1:05:15
  Speaker 2: his wife, I had to go back to that episode
• 1:05:18
  Speaker 2: to look at her face again and to be like, whoa,
• 1:05:21
  Speaker 2: it's the therapist. Like well, like my whole reality was
• 1:05:26
  Speaker 2: shattered in front of me. I was like, this is graze,
• 1:05:28
  Speaker 2: you know, so.
• 1:05:29
  Speaker 1: Yeah, yeah, Well what happened with me is whenever he
• 1:05:33
  Speaker 1: ripped up the picture and then you see her face,
• 1:05:39
  Speaker 1: I immediately knew that it was the herh therapist inside
• 1:05:44
  Speaker 1: of Lumen because the preview for the next episode had
• 1:05:49
  Speaker 1: her face at Lumen. So whenever I seen the picture,
• 1:05:53
  Speaker 1: it ended on the picture, and then the preview screen
• 1:05:58
  Speaker 1: for the next episode as loading the next episode had
• 1:06:01
  Speaker 1: her face on it, and I was like, holy shit.
• 1:06:03
  Speaker 1: But yeah, the black Goo thing is interesting because it
• 1:06:06
  Speaker 1: turns out that he's like an artist and like he's
• 1:06:09
  Speaker 1: like a painter and he's just essentially painting freaking black
• 1:06:14
  Speaker 1: canvases every single day for hours. But this is I'm
• 1:06:21
  Speaker 1: not sure if do you know about the door yet?
• 1:06:24
  Speaker 1: Did he bring up the door?
• 1:06:26
  Speaker 2: No? I don't know about the door yet. Bro. I
• 1:06:28
  Speaker 2: think he's painting over and over. But I want to.
• 1:06:30
  Speaker 2: I want to watch this TikTok on the waffle party exposed,
• 1:06:35
  Speaker 2: but it keeps Hey, let's watch this video real quick.
• 1:06:40
  Speaker 2: So she she explains the waffle party, but unshare my
• 1:06:43
  Speaker 2: screen and bring up the let me bring up the audio. Yeah,
• 1:06:48
  Speaker 2: we stop my screen to see what she caught on
• 1:06:52
  Speaker 2: because literally I just finished watching this like yesterday Sole party.
• 1:07:00
  Speaker 2: There you go, all right, bring it up. We know
• 1:07:04
  Speaker 2: we can hear this. What does it mean?
• 1:07:07
  Speaker 4: Obviously spoilers for I can hear it before I start.
• 1:07:11
  Speaker 4: There was nothing in this life that could prepared me
• 1:07:14
  Speaker 4: for what waffle party was actually turned out to be,
• 1:07:18
  Speaker 4: because I really thought it was just a waffle party
• 1:07:20
  Speaker 4: with no lady.
• 1:07:22
  Speaker 2: It wasn't just a waffle party.
• 1:07:24
  Speaker 1: There was a blue waffle party.
• 1:07:27
  Speaker 2: And it's not just what is it a pizza party?
• 1:07:30
  Speaker 2: You remember a pizza party? And this kind of sort
• 1:07:32
  Speaker 2: of reminds me of that.
• 1:07:33
  Speaker 4: Certain productivity goals within the company. So when Dylan attends
• 1:07:37
  Speaker 4: his waffle party, he has led to this private, dimly
• 1:07:40
  Speaker 4: lit room in Lumen. The event begins with him actually
• 1:07:44
  Speaker 4: eating waffles, but then it turns into this ritualistic and theatrical,
• 1:07:50
  Speaker 4: serialistic experience. Then masked individuals in provocative attire appear, and
• 1:07:55
  Speaker 4: they represent characters from Lumen mythology, such as here the
• 1:08:00
  Speaker 4: founder of the company, and they performed this highly and
• 1:08:06
  Speaker 4: Dylan does not allow to like interact with them, He
• 1:08:09
  Speaker 4: can only watch, and this adds this layer of voyeurism
• 1:08:12
  Speaker 4: and detachment from that event. Many speculate that this Swaffle
• 1:08:16
  Speaker 4: party is a metaphor for companies disguising exploitation as rewards,
• 1:08:22
  Speaker 4: and it also reflects people living in this controlled and
• 1:08:28
  Speaker 4: dehumanizing environment.
• 1:08:30
  Speaker 2: So this event is supposed to be a form of.
• 1:08:31
  Speaker 4: Disorted workplace reward, but instead it showcase how Luman like
• 1:08:37
  Speaker 4: sneaks in those cult like practices and this cult worship
• 1:08:43
  Speaker 4: of their founder like they blend mundane corporate incentives with
• 1:08:47
  Speaker 4: deeply and settling rituals like it just reflects the company's
• 1:08:51
  Speaker 4: power to control not only the workplace environment but also
• 1:08:55
  Speaker 4: those intimate and private moments. And the voyeuris signature of
• 1:08:59
  Speaker 4: the swaffle part. He puts Dylan in such a passive,
• 1:09:03
  Speaker 4: objectifying role, so he's just treated as a tool rather
• 1:09:07
  Speaker 4: than individual. I cannot wait to find out more about.
• 1:09:10
  Speaker 2: Lumeney oh yeah, because that seems like it's a very
• 1:09:13
  Speaker 2: powerful corporation too, right, think about that Lumen to illuminate
• 1:09:18
  Speaker 2: the Illuminati, Lucifer right, the light Bringer. So it's kind
• 1:09:21
  Speaker 2: of getting very interesting. But I'm ready to dive into
• 1:09:26
  Speaker 2: season two and hopefully we get more answers because I'm
• 1:09:28
  Speaker 2: gonna be honest, I'm confused as fuck. Bro.
• 1:09:33
  Speaker 1: Yeah, sort of like with Cawdio Lake, like I take in,
• 1:09:36
  Speaker 1: like I think about it a lot, I'm thinking about it.
• 1:09:39
  Speaker 2: You're still thinking about that movie.
• 1:09:43
  Speaker 1: It's a wild movie, dude. It's a good movie. But no,
• 1:09:46
  Speaker 1: I mean I'm thinking about sovereigns a lot. Like every
• 1:09:48
  Speaker 1: episode I watch about one episode a day, and yeah, bro,
• 1:09:54
  Speaker 1: just post it up, post it up. But have you
• 1:09:59
  Speaker 1: speaking of pizza, did you happen to see that clip
• 1:10:02
  Speaker 1: of Ellen DeGeneres at the Oscars like four or five
• 1:10:08
  Speaker 1: years ago I think, or maybe it was like twenty
• 1:10:10
  Speaker 1: eighteen or whatever, where she's hosting the Oscars and she
• 1:10:15
  Speaker 1: comes out and she's like, who wants pizza? I don't
• 1:10:19
  Speaker 1: have any money, but I want to order some pizza
• 1:10:22
  Speaker 1: for everyone. Everyone chip in. And then she goes up
• 1:10:25
  Speaker 1: to Harvey Weinstein and is like, you have any money
• 1:10:29
  Speaker 1: to chip in for pizza? And he hands her like
• 1:10:32
  Speaker 1: one hundred dollars and then she orders pizza and this
• 1:10:37
  Speaker 1: pizza boy comes in with like three boxes of pizza
• 1:10:42
  Speaker 1: and she's like, oh, yeah, we gotta I don't think
• 1:10:46
  Speaker 1: we got enough pizza for everybody here. And then she
• 1:10:50
  Speaker 1: starts handing slices to people, like all these famous actors
• 1:10:55
  Speaker 1: and actresses in the audience. Wild. It was strange. It
• 1:11:01
  Speaker 1: was strange. Apparently it's been circulating for a really long time.
• 1:11:05
  Speaker 1: Out there was kind of a part of the Q stuff,
• 1:11:08
  Speaker 1: but I had just recently seen it. I had never
• 1:11:10
  Speaker 1: seen it before, but I was like, holy crap, that's wild.
• 1:11:12
  Speaker 2: What's the every export Hall? What is that ex Sports Hall?
• 1:11:15
  Speaker 2: So we're saying to not mention the ex Sports Hall
• 1:11:18
  Speaker 2: is crazy. That part of the show that's in second season.
• 1:11:22
  Speaker 1: My friend, that's the first couple of episodes of the
• 1:11:25
  Speaker 1: second season, and we and one has not seen the
• 1:11:28
  Speaker 1: second season, so this is basically us discussing the first
• 1:11:32
  Speaker 1: season season.
• 1:11:33
  Speaker 2: Yeah, I haven't got to season two, but I'm sure we'll.
• 1:11:36
  Speaker 2: We'll get together again and talk about season two. But
• 1:11:40
  Speaker 2: I'm just I just finished season one. Okay, So don't
• 1:11:43
  Speaker 2: don't yell at me, because we'll talk about the export
• 1:11:46
  Speaker 2: halls first on the next episode.
• 1:11:50
  Speaker 1: Yeah, it's essentially what Irving is drawling.
• 1:11:57
  Speaker 2: Yeah, which is like, yeah, that they that they walk through,
• 1:12:01
  Speaker 2: that she that the therapist when she gets fired, walks through. Yeah.
• 1:12:04
  Speaker 2: I know that. I know it's a pivotal you know,
• 1:12:08
  Speaker 2: it's a very important thing in the story. I just
• 1:12:11
  Speaker 2: don't know what the hell it is.
• 1:12:14
  Speaker 1: I don't know what the hell it is right either,
• 1:12:15
  Speaker 1: But I'm gonna finish up this season. But I hope
• 1:12:19
  Speaker 1: everyone enjoyed the show today. I had a lot of fun,
• 1:12:21
  Speaker 1: good time. We're gonna make this monthly show with one here,
• 1:12:27
  Speaker 1: the Schizospiracy Maga Burrito Hour. Can you let people know
• 1:12:32
  Speaker 1: where to find you? I know you're streaming this on
• 1:12:33
  Speaker 1: your end, but for my audience, where can people find you?
• 1:12:36
  Speaker 2: Yeah? Make sure to follow me on at the one
• 1:12:40
  Speaker 2: on one podcast on most social media platforms. I was
• 1:12:44
  Speaker 2: just demonetized on my main channel, which I'm streaming to now.
• 1:12:47
  Speaker 2: So everyone watching on that and go over to the
• 1:12:50
  Speaker 2: one on one media backup channel and subscribe on there,
• 1:12:55
  Speaker 2: because that is the backup I'm gonna be. I've been
• 1:12:57
  Speaker 2: live streaming on there. And also last question for you writer,
• 1:13:01
  Speaker 2: would you get seed? Would you do that if they
• 1:13:06
  Speaker 2: offered it to you?
• 1:13:07
  Speaker 1: Hell?
• 1:13:08
  Speaker 2: No, Yeah, I wouldn't. I wouldn't.
• 1:13:10
  Speaker 1: I would, But I can see why some people would, right,
• 1:13:15
  Speaker 1: I can see it from their perspective. If they're working
• 1:13:18
  Speaker 1: a boring ass office job like that, then it would
• 1:13:23
  Speaker 1: kind of make sense for them. But I want to
• 1:13:25
  Speaker 1: remember everything that I do and I know what I'm doing,
• 1:13:31
  Speaker 1: because that's another issue with it is that they could
• 1:13:34
  Speaker 1: essentially be doing whatever it is that they want to
• 1:13:37
  Speaker 1: do to you.
• 1:13:38
  Speaker 2: In there, m anything and everything.
• 1:13:41
  Speaker 1: Yeah, Like whenever mark As didn't he get hid in
• 1:13:46
  Speaker 1: the face by Ellie or something happened.
• 1:13:49
  Speaker 2: To him where he bruised his knuckles.
• 1:13:52
  Speaker 1: His knuckles, Yeah, and then he told his sister he
• 1:13:55
  Speaker 1: was like, apparently something or something exactly. They can make
• 1:14:01
  Speaker 1: up whatever they want to make up, because you're not
• 1:14:03
  Speaker 1: going to know.
• 1:14:04
  Speaker 2: My butt's kind of sore. I wonder why are you
• 1:14:06
  Speaker 2: just you fell down the stairs, dude? Okay, thanks Brown.
• 1:14:09
  Speaker 2: You know you never know, Bro, That's that's what's so
• 1:14:13
  Speaker 2: bizarre to me. And like I said this for the people,
• 1:14:15
  Speaker 2: want to check it out Severance Apple TV. It's a
• 1:14:19
  Speaker 2: trippy show that's just going to leave you with more
• 1:14:22
  Speaker 2: questions than answers. And yeah, we'll get into season two
• 1:14:26
  Speaker 2: and see what happens. Hopefully it's crazier. Hopefully you ramp
• 1:14:29
  Speaker 2: it up, bro, like I want to like, just like
• 1:14:32
  Speaker 2: I want crazy from the beginning.
• 1:14:36
  Speaker 1: Yeah, I'm a couple of episodes in and it's pretty
• 1:14:39
  Speaker 1: good so far. So I hope that it continues, and
• 1:14:44
  Speaker 1: I hope that they keep making the show. I hope
• 1:14:47
  Speaker 1: they keep doing it, and I hope they continue on
• 1:14:49
  Speaker 1: from So hopefully whenever we get done with this one,
• 1:14:53
  Speaker 1: we can do a show on from because it's freaking crazy.
• 1:14:56
  Speaker 1: But anyway, check.
• 1:14:57
  Speaker 2: That one out next.
• 1:15:00
  Speaker 1: And I've been good on recommending these shows and these
• 1:15:02
  Speaker 1: movies to you, Bro. Don't let me down, dog, But
• 1:15:06
  Speaker 1: thanks for coming on, brother. I really appreciated the links
• 1:15:08
  Speaker 1: to one's stuff is in the description of this video,
• 1:15:12
  Speaker 1: and if people on his channel was interested in anything
• 1:15:14
  Speaker 1: I do. Raised by giants on YouTube and any and
• 1:15:17
  Speaker 1: all podcast platforms on x and Instagram at raised by
• 1:15:21
  Speaker 1: Giants eight and raised by a Giants Pod And please
• 1:15:25
  Speaker 1: be sure to hit the thumbs up button to help
• 1:15:26
  Speaker 1: the channel and the algorithm. Sure subscribe, hit the bell
• 1:15:28
  Speaker 1: like con as well for notifications, and we'll see you
• 1:15:31
  Speaker 1: guys next time. Bye bye