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Are you ok? (S4 E14 "The Incredible Sinking Lorelais”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in, kiss you, I am all in
• 0:17
  Speaker 1: with Scott Patterson and I heart radio podcast. Hey everybody,
• 0:21
  Speaker 1: Scott Patterson, I am all in podcast. I am here
• 0:26
  Speaker 1: with my trip. I said, you know what I gotta
• 0:30
  Speaker 1: tell you, Amy Sugarman, Tara suits Back, and Daniel Romo. Um.
• 0:37
  Speaker 1: I was quite delighted by the episode. Oh really, it
• 0:41
  Speaker 1: was a slow starter for me. But man, and I'll
• 0:45
  Speaker 1: tell you this, here's a little highlight. I now am
• 0:48
  Speaker 1: digging on Trixie. I'm liking the Tricksie vibe. I'm digging
• 0:52
  Speaker 1: the trick clergy. I thought of you, Scott during that
• 0:56
  Speaker 1: dinner scene. Oh, she cracked me up. I was tears
• 1:00
  Speaker 1: were streaming down my freaking face. That scene in the
• 1:05
  Speaker 1: living room slayd me. Oh my god. I thought that's
• 1:08
  Speaker 1: one of the best scenes in the entire four seasons
• 1:12
  Speaker 1: so far. I've always pastic I never disliked her like you. Man,
• 1:19
  Speaker 1: I'll tell you that was episode genius. I was. I
• 1:23
  Speaker 1: liked it. I mean it was. It was sad, but
• 1:27
  Speaker 1: I it was kind of like a Growing Pains episode,
• 1:31
  Speaker 1: like you no, not not like the show Growing Pains,
• 1:34
  Speaker 1: like I mean, like no, right right, yeah, which that's
• 1:38
  Speaker 1: what I thought you meant, which is why I thought
• 1:40
  Speaker 1: it was so funny. I would never laugh at that
• 1:41
  Speaker 1: other show. Just like the way Rory and like you
• 1:44
  Speaker 1: think of Mike's by I'm thinking, where's she going with
• 1:49
  Speaker 1: this one? Sorry, I get what you're saying, because at
• 1:51
  Speaker 1: the end of this, all I wanted to do is
• 1:53
  Speaker 1: call my mom. I'm like, I just want to call
• 1:55
  Speaker 1: my mom. I love her. At a moment where I
• 1:59
  Speaker 1: was like melancholy, that was like the word I wrote
• 2:02
  Speaker 1: down and I could, I was like, am I was
• 2:05
  Speaker 1: I sad going into this? Or am I sad in it?
• 2:08
  Speaker 1: You know? I realized this episode made me realize that
• 2:11
  Speaker 1: Mrs Kim and Paris were the same person I was
• 2:14
  Speaker 1: stunned by that, just different accents, it's the same personality.
• 2:18
  Speaker 1: They're both wrapped so tight. So it's it's a double
• 2:24
  Speaker 1: and Tom and Tom could be Luke's father. It's a
• 2:28
  Speaker 1: double barreled dose of realizations here. There was some interesting parallels,
• 2:34
  Speaker 1: and obviously it was so obvious that it was so intentional. Yeah, well,
• 2:38
  Speaker 1: I'm sure we'll talk about right. Yeah, you could see
• 2:42
  Speaker 1: it coming a mile away, but you were it was
• 2:44
  Speaker 1: okay because of how it ended up and I say, so,
• 2:50
  Speaker 1: let's go through it, because we're gonna be all over
• 2:52
  Speaker 1: the place if we don't. Uh, somebody, you gotta whip
• 2:55
  Speaker 1: you gotta whip this horse into shape, you know, because
• 2:58
  Speaker 1: you know we're just gonna start. Amy's trying to derail us,
• 3:03
  Speaker 1: all right. And just speaking of horses, yes, continue, I
• 3:06
  Speaker 1: have no idea not afford those horses. Oh, yes, that's
• 3:10
  Speaker 1: that's very true. What are they doing with horses worth
• 3:14
  Speaker 1: the money? Are they offering rides? Are they selling rides
• 3:19
  Speaker 1: on the horses or what's the deal? And I think, guys,
• 3:23
  Speaker 1: it's time to synopsize. And we've got one of the
• 3:26
  Speaker 1: best synopsizers in the business, maybe the best synopsizer. And
• 3:29
  Speaker 1: Daniel Romo take it away alright. This is season four,
• 3:32
  Speaker 1: episode fourteen, The Incredible Sinking Lorealize Air date February seventeenth,
• 3:38
  Speaker 1: two thousand four. Lorelai and Rory think they're both failing
• 3:42
  Speaker 1: in their lives. Rory can't handle five courses at Yale
• 3:45
  Speaker 1: like her grandpa did, and Lorala can't handle all the
• 3:47
  Speaker 1: workload and upfront money of opening the inn without Suki's help.
• 3:51
  Speaker 1: But Luke and Dean are there to console the two Meanwhile,
• 3:55
  Speaker 1: Grandma Tricks is in town for a visit and throws
• 3:57
  Speaker 1: everyone for a loop with our conversation and accusations. Boom.
• 4:02
  Speaker 1: That's how you set up an episode. Right there, best
• 4:05
  Speaker 1: in the business, right there. Now we're off to the races. Okay, Well,
• 4:10
  Speaker 1: so you liked it, so give us a little more
• 4:12
  Speaker 1: of your overview before we start. You know, it was
• 4:16
  Speaker 1: a I don't know that it. I mean I would
• 4:21
  Speaker 1: go watch it again. Just the opening was fine. I
• 4:24
  Speaker 1: thought it was crisp and funny, and you got Tom
• 4:27
  Speaker 1: there being like, you know, the an older Lukey kind
• 4:30
  Speaker 1: of thing flavor. Michelle was looking all kinds of studily
• 4:33
  Speaker 1: in this episode, like he was looking at in that
• 4:37
  Speaker 1: opening scene. I think he's sort of leaning up and
• 4:38
  Speaker 1: maybe wearing jeans and he's like I'm not available or whatever. Um,
• 4:44
  Speaker 1: but yeah, I thought it was fine. I thought it
• 4:47
  Speaker 1: was a fine opening, and um, you know, we we
• 4:50
  Speaker 1: spent a lot of time at Yale and there was
• 4:53
  Speaker 1: a shrieking Paris and she just was like she was
• 4:56
  Speaker 1: coming on glued every moment. She's jeez man. So they
• 5:03
  Speaker 1: got their first in customer that was actually pretty cute,
• 5:07
  Speaker 1: and on the gun gum wrapper, you know what I
• 5:08
  Speaker 1: was going to ask you. So she writes on the
• 5:10
  Speaker 1: gum wrapper, and clearly they like really zoom in on
• 5:16
  Speaker 1: her face where she's realizing we've taken our first reservation.
• 5:21
  Speaker 1: This is real. What would you have said the direction was?
• 5:25
  Speaker 1: Because she they obviously she knew they're going to linger
• 5:27
  Speaker 1: on her face. And I couldn't decide if she was
• 5:30
  Speaker 1: like happy worried because she knows the financial problem. What
• 5:35
  Speaker 1: would you what would what would a director direct? I
• 5:39
  Speaker 1: just think you know, Lauren was aware that they were
• 5:41
  Speaker 1: going to kind of punch in on her a little bit.
• 5:44
  Speaker 1: They don't really do close up, close up be things
• 5:46
  Speaker 1: on Gilmore. They do sort of you know, waste up stuff.
• 5:49
  Speaker 1: That's that's all. That's as close as they get um.
• 5:53
  Speaker 1: And she you know, you don't really need to give
• 5:56
  Speaker 1: Lauren direction. She knows the shot, she knows what she
• 5:59
  Speaker 1: needs to be thinking. It's really just thinking the thoughts
• 6:01
  Speaker 1: and all the thoughts that you just mentioned are going
• 6:04
  Speaker 1: through her head and that's why you're getting those reactions. Yeah,
• 6:09
  Speaker 1: And didn't you think her face really depicted it? Because really,
• 6:13
  Speaker 1: right from the start, I'm like, she's not overly happy,
• 6:17
  Speaker 1: she's emotional she's happy. I was like, what is what
• 6:24
  Speaker 1: is she feeling? And what am I feeling? I was like,
• 6:27
  Speaker 1: am I because that was the start for me of
• 6:29
  Speaker 1: feeling nervous or something or anxious. I was like, something's not.
• 6:35
  Speaker 1: Something's not. That's good. That's good acting. I mean, that's
• 6:37
  Speaker 1: that's thinking the thoughts. All you have to do is
• 6:40
  Speaker 1: think the thoughts. And if you think the thoughts as
• 6:43
  Speaker 1: the character, the audience is going to get it, either
• 6:47
  Speaker 1: um subliminally or otherwise. You know, they'll get it. And
• 6:51
  Speaker 1: I think all the director maybe said to hers, listen,
• 6:53
  Speaker 1: we're gonna stay on you. We're gonna linger on you
• 6:55
  Speaker 1: for a while, So just milk it for all it's worth, okay, right, Yeah, yeah,
• 7:00
  Speaker 1: I think an actor would kind of like that. Yes, yes,
• 7:02
  Speaker 1: because that's where you get to do the real acting.
• 7:05
  Speaker 1: You get to think the thoughts, you know. And did
• 7:07
  Speaker 1: I do too much? She wasn't too much? No, no,
• 7:09
  Speaker 1: no no. It was real nice and subtle, and we
• 7:11
  Speaker 1: picked up Hers was not too much. It was just
• 7:14
  Speaker 1: a lot of wow mm yeah. And then we go
• 7:18
  Speaker 1: to Paris and she's totally unglued. I love them. I
• 7:22
  Speaker 1: was going to say unhinged already right out the gate,
• 7:26
  Speaker 1: She's like mean, God, yeah, I just mean this episode, Yeah,
• 7:33
  Speaker 1: it was almost she was so mean that when she
• 7:35
  Speaker 1: was right that Rory probably shouldn't have told Lane. She
• 7:39
  Speaker 1: was so mean leading up to it that I didn't
• 7:41
  Speaker 1: really have any sympathy for us, like, shut up, Paris.
• 7:43
  Speaker 1: But I don't know, what do you guys think of Paris.
• 7:47
  Speaker 1: I think that her relationship with with Professor what's his name,
• 7:53
  Speaker 1: york As m ash or Flaming. That sounded like a
• 7:59
  Speaker 1: fake name. It's such a because Asher has to be British, right, Um, yeah,
• 8:08
  Speaker 1: I guess their relationship. I don't I want to be
• 8:12
  Speaker 1: delicate about this, um, and I don't want to sound
• 8:15
  Speaker 1: I don't know how to say this without saying it
• 8:17
  Speaker 1: and sounding a certain way. So maybe well let's just
• 8:20
  Speaker 1: say alert alert. This could kiss you off. We're gonna
• 8:24
  Speaker 1: say it anyway, you know. I don't know if if
• 8:31
  Speaker 1: Asher was holding his end of the bargain up in
• 8:33
  Speaker 1: the bedroom, so to speak, maybe she wouldn't be so tense.
• 8:36
  Speaker 1: I mean, I don't want to say that's funny. I
• 8:41
  Speaker 1: just said that. I think that's their whole thing. That's
• 8:44
  Speaker 1: all they're like, that's all they really have so secretive.
• 8:48
  Speaker 1: It's like, I think she's pissed. Does the anxiety of
• 8:51
  Speaker 1: her getting found out trump the good feelings that asher's Oh,
• 8:56
  Speaker 1: I think she wants to be found out. Yeah, that's
• 8:58
  Speaker 1: what I'm confused about. Like, I feel like she wants
• 9:00
  Speaker 1: people to know because she thinks it's cool. She really does.
• 9:03
  Speaker 1: She thinks it's cool that she's dating man Um. But
• 9:07
  Speaker 1: at the same time, she's like, you know, being all
• 9:11
  Speaker 1: weird about Lane knowing. I'm like, you've got to decide
• 9:14
  Speaker 1: if you want people to know or not right or
• 9:16
  Speaker 1: knock it off. She loves being in the scandal. I
• 9:19
  Speaker 1: think that's that's a good point. Yeah, she loves the
• 9:23
  Speaker 1: messy like the Todd Draynus of it or this. Yeah,
• 9:26
  Speaker 1: it's like this is about me, Like I'm the one
• 9:29
  Speaker 1: that she has a superiority complex mixed with an inferior
• 9:33
  Speaker 1: And he's not married, right, it's just that he's old
• 9:37
  Speaker 1: and a professor. Yeah, I don't think he's married. No,
• 9:40
  Speaker 1: I don't either. What would his wife's name be, Dame
• 9:43
  Speaker 1: Dame Dorothy McAllister something like that? Um, who knows. Yeah,
• 9:51
  Speaker 1: she's grating. She can be great and can't she this
• 9:53
  Speaker 1: one's rough and she's so mean to that boyfriend, Like
• 9:56
  Speaker 1: the what's the runner roommate's name? Oh, Janet, Janet Janet.
• 10:01
  Speaker 1: I thought she was. So I'm glad you mentioned Clebold.
• 10:06
  Speaker 1: I got a little jarred by that because of the
• 10:10
  Speaker 1: the kid at Columbine? Am I the only one? Yeah,
• 10:15
  Speaker 1: that was weird and it was Columbine happened before this,
• 10:18
  Speaker 1: so I'm like, that was a weird yea. Columbine was nineties,
• 10:22
  Speaker 1: So it was that a weird name choice because that
• 10:25
  Speaker 1: immediately jarred me on that jersey. I was like, because
• 10:29
  Speaker 1: you could pick any names, So I don't know why. Yeah,
• 10:32
  Speaker 1: I don't know that was anyway. They have to clear
• 10:35
  Speaker 1: these names too, Yeah is that true? Yeah? The legal
• 10:40
  Speaker 1: department just make a name, you have to clear it. Yeah,
• 10:45
  Speaker 1: anything that appears on a TV show, it has to
• 10:48
  Speaker 1: be cleared first, or they make sure it's not trademarked
• 10:51
  Speaker 1: or something. They didn't get approval from Clebold or whatever.
• 10:55
  Speaker 1: You know, if it's someone if it's like a staff
• 10:57
  Speaker 1: member's name, does it still have to be proved? Like
• 11:00
  Speaker 1: it's like a question. They get the approval from the
• 11:02
  Speaker 1: staff member, right, Like if a writer has like if
• 11:05
  Speaker 1: a writer's last name was on the back, they would
• 11:07
  Speaker 1: just ask them. But it's not like the whole thing.
• 11:09
  Speaker 1: But what if there's five million Luke Dean's in the
• 11:11
  Speaker 1: world already. They can't just be Loop Dean's. It got cleared. Oh,
• 11:16
  Speaker 1: it has to be a trade mystery clearance on that.
• 11:19
  Speaker 1: We have to clear stuff too, and we get the
• 11:21
  Speaker 1: worst responses because I mean, let's say, you know, Joe
• 11:25
  Speaker 1: Smith is depicted in a certain way in a film
• 11:28
  Speaker 1: or a TV show, and Joe Smith doesn't like how
• 11:30
  Speaker 1: he's being depicted. You know, you can go after the studio,
• 11:34
  Speaker 1: getting crap at work, and my girlfriend just don't me
• 11:36
  Speaker 1: because you don't want to be associated with me anymore.
• 11:39
  Speaker 1: You know, it seems like it would be easy to
• 11:41
  Speaker 1: clear Joe Smith. But what about like they used Selene's
• 11:46
  Speaker 1: name in this and you know, culture and you can
• 11:50
  Speaker 1: something about being famed like that's public domain. Yeah, or
• 11:55
  Speaker 1: you're allowed to do it because it's like people are
• 11:59
  Speaker 1: famous or something. You need a lawyer. Really, where's Nicole
• 12:03
  Speaker 1: when we need her? I've got her on the phone
• 12:06
  Speaker 1: right now. Hey, honey. Yeah, you know it really jarred
• 12:14
  Speaker 1: me in this beginning sequence is um Rory sleeping in jeans,
• 12:20
  Speaker 1: Like literally, it's like the same thing. Can't she She's
• 12:28
  Speaker 1: not going to take him off right in front of us,
• 12:31
  Speaker 1: you know, but well then she they should have had
• 12:35
  Speaker 1: her in leggings. Yeah, I'm also so weird, like I
• 12:38
  Speaker 1: can't lay on my bed with clothes that like I
• 12:41
  Speaker 1: go out in my pajamas, like sit on my bed.
• 12:46
  Speaker 1: God bless you. I used to so I will not
• 12:49
  Speaker 1: bore everyone with my bug crisis of two. But I
• 12:56
  Speaker 1: thought I had bugs in the house. Turns out I
• 12:58
  Speaker 1: think they're in the yard. I will now never get
• 13:02
  Speaker 1: in bed or on the bed unless the clothes are
• 13:05
  Speaker 1: like clean. They're like your pajama clothes, like you're going
• 13:09
  Speaker 1: because you're you're afraid if there's any food remnants or
• 13:13
  Speaker 1: just attract bugs. Imagine Rory was like no that they
• 13:18
  Speaker 1: that she was at school all day or doing her thing,
• 13:21
  Speaker 1: and then like germs get on her and then she
• 13:23
  Speaker 1: lays in her bed. I'm with Utara. I'm more about them,
• 13:26
  Speaker 1: like being uncomfortable, Like it's it's tough to put me
• 13:30
  Speaker 1: in jeans as it is, let alone, like go to sleep.
• 13:35
  Speaker 1: You're trying to tell me you're sitting here right here,
• 13:37
  Speaker 1: and now in front of the whole world, in front
• 13:39
  Speaker 1: of our maker, saying that you never did a face
• 13:41
  Speaker 1: plant fully clothed in your bed after a night out
• 13:44
  Speaker 1: or woke up in the same close. I am the
• 13:46
  Speaker 1: person who will watch all of my makeup. Doesn't matter
• 13:49
  Speaker 1: how much alcohol I have had. I will watch my
• 13:52
  Speaker 1: face and put my pajamas on, because it's big regret
• 13:55
  Speaker 1: if you don't the repercussions from it. I once did
• 13:59
  Speaker 1: a face plant the bed. I hit the floor and
• 14:01
  Speaker 1: went and fell asleep. I have slept in my clothes,
• 14:05
  Speaker 1: for sure, but I probably I think I've managed a
• 14:08
  Speaker 1: face wash, but gross. I won't do it now, after
• 14:11
  Speaker 1: knowing how germany the world is I have to do.
• 14:18
  Speaker 1: People won't like this, but I have too. Showers a
• 14:20
  Speaker 1: day now is the night? Do you shower before you
• 14:23
  Speaker 1: go to bed? I shower every morning and that's it,
• 14:26
  Speaker 1: and then you just later. No, no, no, I shower.
• 14:28
  Speaker 1: I shower when I get back from the gym, which
• 14:30
  Speaker 1: I'm beginning to hate. Going to the gym now a
• 14:35
  Speaker 1: great way to start. Too crowded. It's too crowded because
• 14:40
  Speaker 1: they're all the new resolution people are in there, and
• 14:44
  Speaker 1: it's like, you know, it takes him about six weeks
• 14:46
  Speaker 1: to fade away. You've lost two ounces, good for you,
• 14:52
  Speaker 1: and they're just they're in the way, and it's like,
• 14:54
  Speaker 1: I don't even like going anymore. Are they usually gone?
• 14:57
  Speaker 1: Do they make it to March? Are they usually gone? Now?
• 14:59
  Speaker 1: They take usually texts about six weeks and they you know,
• 15:09
  Speaker 1: I don't think you can see. I'm so sick of
• 15:18
  Speaker 1: already everyone's laughing tranks. I wanted to get to the bleep,
• 15:24
  Speaker 1: oh my god, I'm hot, Oh god, Okay, Rory's got
• 15:32
  Speaker 1: her new jobs swiping, which I actually thought was pretty
• 15:36
  Speaker 1: funny bit, Like it was a funny bit all around,
• 15:40
  Speaker 1: was swiping or forgot to swipe the whole that was
• 15:43
  Speaker 1: a funny. I wonder if they still do that because
• 15:46
  Speaker 1: like I definitely did that in college with like my
• 15:48
  Speaker 1: meal card. You have to walk up, swipe, do the
• 15:50
  Speaker 1: whole thing. Like do they still do that? I never
• 15:53
  Speaker 1: went to the like cafeteria. What's the point of it?
• 15:56
  Speaker 1: Like my card had money on it, so like every
• 15:58
  Speaker 1: time you go, like it takes off it's five dollars
• 16:02
  Speaker 1: all you can eat? Or do you pay for what
• 16:04
  Speaker 1: you actually get? Like for us, we paid for what
• 16:08
  Speaker 1: we actually got right. So, like, I went to two
• 16:11
  Speaker 1: different college. First college was like all you can eat.
• 16:14
  Speaker 1: You you go in, before you enter the cafeteria, you
• 16:17
  Speaker 1: swipe and then you can get anything you want. And
• 16:19
  Speaker 1: then my other school it was more like um, like
• 16:23
  Speaker 1: an ATM card, Like honestly, like, you walk in, you
• 16:26
  Speaker 1: get what you want, you want, and you swipe at
• 16:29
  Speaker 1: the end. These people look like they were swiping at
• 16:32
  Speaker 1: the beginning, but that's I have done that before, and
• 16:35
  Speaker 1: it was like, you know, all you can eat the
• 16:37
  Speaker 1: type of situation. Also, I was today years old when
• 16:40
  Speaker 1: I realized you went to two different schools. Yeah, my
• 16:43
  Speaker 1: freshman year I went somewhere different than my last three years.
• 16:46
  Speaker 1: What Yeah where? I went to EUC Davis. I feel
• 16:50
  Speaker 1: like I told you this, Okay, it's coming back to me. Yeah.
• 16:53
  Speaker 1: I went to UC Davis for like two quarters and
• 16:56
  Speaker 1: then because I thought I wanted to be a vet,
• 16:59
  Speaker 1: like jokes on here I am. But you are dealing
• 17:03
  Speaker 1: with animals, aren't Yeah? Break wait, David's is a good school.
• 17:07
  Speaker 1: I mean, so is you where you went? But yeah, exactly,
• 17:10
  Speaker 1: it all worked out for the better. Huh. Anyway, Okay,
• 17:15
  Speaker 1: so I'm assuming they swipe at the beginning, and then
• 17:18
  Speaker 1: they can have a muffin or they can have twenty things.
• 17:22
  Speaker 1: It seems though. Yeah, the endowment is so large, you
• 17:25
  Speaker 1: would imagine it was just like a free buffet every day, right,
• 17:30
  Speaker 1: that's like for what they charge intuition. I mean, we
• 17:32
  Speaker 1: were charged. Can I have a bagel? Please? You think
• 17:35
  Speaker 1: is it too much? Charged? The same thing, and you
• 17:37
  Speaker 1: could eat. You didn't have to swipe, you just went.
• 17:41
  Speaker 1: It was a majority, but you could just eat. You
• 17:44
  Speaker 1: could skip breakfast or you could have five breakfasts. It
• 17:46
  Speaker 1: didn't matter because breakfast is a word. It is now Okay.
• 17:52
  Speaker 1: Anyway back to so did you know that Jared slash
• 17:56
  Speaker 1: Dean was back? Did you see it in the credits
• 17:58
  Speaker 1: or were you like, oh Dean, now, yeah, there he
• 18:02
  Speaker 1: is asking for permission to exist again. You know, I
• 18:08
  Speaker 1: love me a Dean cameo. And more importantly, I thought
• 18:12
  Speaker 1: he was so awesome, Like he definitely gets like gold
• 18:17
  Speaker 1: stars for ex boyfriend, you know points like he's like
• 18:20
  Speaker 1: totally doing the right thing here. I don't know he was.
• 18:24
  Speaker 1: He was grabbing her. He's grabbing her a little too
• 18:26
  Speaker 1: much there. Oh I didn't think so he was. I
• 18:29
  Speaker 1: thought a kiss I thought he wanted to kiss her.
• 18:32
  Speaker 1: I did too. I did too. I did too. Dude,
• 18:34
  Speaker 1: you're married, what are you doing? Well, what's happening? But
• 18:38
  Speaker 1: I don't know what's common. Don't tell me what's common.
• 18:41
  Speaker 1: I'm so glad you said that, because I also we're
• 18:45
  Speaker 1: jumping ahead. But I also thought, okay, so the parallels
• 18:47
  Speaker 1: were so exact, were so jumping ahead weight? Should we pause?
• 18:51
  Speaker 1: We'll get to it. I thought the physical acting that
• 18:56
  Speaker 1: you and Lauren did, oh my god, it was so good.
• 19:01
  Speaker 1: The way you hugged her, the way you like it was.
• 19:06
  Speaker 1: It was so cool, acted so beautifully. And also you're like, oh, yeah,
• 19:10
  Speaker 1: these two, that's not how you hug a friend, either
• 19:14
  Speaker 1: of them. Yeah, m I thought so in Rory's case
• 19:21
  Speaker 1: with Dean, But I thought, Luke, I do remember that
• 19:25
  Speaker 1: scene because it was a big deal scene for Lauren.
• 19:28
  Speaker 1: The preparation for Lauren was I mean, listen, in moments
• 19:33
  Speaker 1: like that, when you're with uh an actor, your your
• 19:37
  Speaker 1: scene partner, and it's on them to come up with
• 19:40
  Speaker 1: the tears. And you know, because she had it during
• 19:43
  Speaker 1: the scene as well, before we sat down at the bench,
• 19:46
  Speaker 1: right and then sitting down at the bench, she had
• 19:48
  Speaker 1: to break down. That's a lot of pressure to do that.
• 19:51
  Speaker 1: So you need you need a partner that's going to
• 19:55
  Speaker 1: vibe with you and just be quiet and just served
• 19:58
  Speaker 1: you that in those for all hours that it takes
• 20:00
  Speaker 1: to shoot that particular angles and all that stuff. Yes, um,
• 20:04
  Speaker 1: and I remember feeling, you know, so close to Lauren
• 20:08
  Speaker 1: because she she thanked me profusely after the scene was
• 20:13
  Speaker 1: over and and and paid me a huge compliment. And
• 20:16
  Speaker 1: I was just you know, hey, man, I'm just this
• 20:20
  Speaker 1: is my job. I'm just doing much. I'm just supporting you,
• 20:22
  Speaker 1: you know, because this is your moment to shine, all right,
• 20:24
  Speaker 1: this is your moment that you and so she so
• 20:27
  Speaker 1: it was like you know, art imitating life and life
• 20:30
  Speaker 1: imitating art, you know that kind of a thing. So
• 20:33
  Speaker 1: you really need to be there for so. I but
• 20:36
  Speaker 1: I do remember, gosh, I don't want to make this
• 20:39
  Speaker 1: too much of a like, hey, I wanted to make
• 20:43
  Speaker 1: sure it was it was a friend hug, and there's
• 20:46
  Speaker 1: a difference and how you put your arm around and
• 20:48
  Speaker 1: how you hold No, it was not sexual, right, no, right, right, no, okay,
• 20:53
  Speaker 1: it was but it was so affectionate, right, that would
• 20:59
  Speaker 1: be how I would just say, yeah, right, and just
• 21:02
  Speaker 1: the way because there was a lot to the hug,
• 21:05
  Speaker 1: different hand moves, and I think there was maybe even
• 21:07
  Speaker 1: a head there. Yeah, I put my hand on her head.
• 21:09
  Speaker 1: It was so just to let her know it's okay,
• 21:12
  Speaker 1: you're safe here and just go out and do what
• 21:14
  Speaker 1: you need to do. Word that might make me cringe,
• 21:17
  Speaker 1: but I want to say anyway, it was so tender,
• 21:19
  Speaker 1: like it was so loving, not in a creepy sect
• 21:23
  Speaker 1: way in a this is my best friend, this will
• 21:27
  Speaker 1: be my husband way right right, yeah, alright, in gentleman,
• 21:35
  Speaker 1: will be Luke. Looks like in the Forefront, I thought
• 21:39
  Speaker 1: Dean and Rory was the teenage because they're still teenagers
• 21:48
  Speaker 1: version of that. This was not quite as Yeah, it
• 21:52
  Speaker 1: wasn't she great, wasn't Alexis, but he was so great,
• 21:57
  Speaker 1: But the illness was on her. I get it. I
• 21:59
  Speaker 1: get yeah, but but the onus is on Lauren, the
• 22:03
  Speaker 1: onus is on on on Alexis. And I thought the
• 22:06
  Speaker 1: wonder experience something like you did, being like I've got
• 22:12
  Speaker 1: to bring my a game because this is a huge
• 22:14
  Speaker 1: scene for Alexis. You are that's that's when you were
• 22:18
  Speaker 1: just serving that actress. That's your job. Just serve them,
• 22:24
  Speaker 1: just be there for them, be let them, give them
• 22:27
  Speaker 1: their space, let them get their preparation. Because it's a
• 22:30
  Speaker 1: big deal to Worrse though. Now see what a good
• 22:34
  Speaker 1: actor Jared because you're like, he's got four years under
• 22:38
  Speaker 1: his belt basically because this is one of his first
• 22:40
  Speaker 1: big roles. I can't remember if he'd gone off and
• 22:42
  Speaker 1: done other things at the same time, but like he is,
• 22:46
  Speaker 1: that's a game he brought to It felt so real.
• 22:50
  Speaker 1: It's it's connecting with the actor. It's connecting act. Good
• 22:54
  Speaker 1: acting is just connecting with the other person. You if
• 22:58
  Speaker 1: you really truly can neckt with them, you listen to them. Well,
• 23:03
  Speaker 1: if you don't listen to them and you're just thinking
• 23:05
  Speaker 1: about what you have to say, it's not going to
• 23:07
  Speaker 1: go well. And and going back, we see so our
• 23:11
  Speaker 1: first thing with Dean is we see him calling Rory
• 23:14
  Speaker 1: and they even wrote down cute banter. They had such
• 23:17
  Speaker 1: a cute scene which they shot on phones, so they're
• 23:21
  Speaker 1: literally shooting on their own pulling that off. Yeah, that's
• 23:25
  Speaker 1: how you do it. You know, you're not talking to
• 23:27
  Speaker 1: the other person, right, So, but he was, so you're talking,
• 23:30
  Speaker 1: you're talking to scripty. Well, even are you sure, even
• 23:33
  Speaker 1: in Gilmurt Girl, if they're not, like, are you really
• 23:35
  Speaker 1: talking to script? Talking to script? Because do they not
• 23:38
  Speaker 1: want to pay Jared to have to work that day
• 23:41
  Speaker 1: or that hour? Well, yeah, they're they're not scheduled to
• 23:43
  Speaker 1: be in that day, yeah right, right right, And if
• 23:45
  Speaker 1: they are, then they'll do it off camera, right, they'll
• 23:49
  Speaker 1: come from their trailer and they'll come do it. Sure. Yeah,
• 23:51
  Speaker 1: But if they're not the love that she steps away from,
• 23:55
  Speaker 1: she's all she realizes. There's a huge line of swipers
• 23:59
  Speaker 1: step up, don't I did find it really telling um
• 24:04
  Speaker 1: for like the future of the series that she saved
• 24:07
  Speaker 1: his phone number. I don't know, there was something that
• 24:10
  Speaker 1: I was like, oh, she's going to use that again
• 24:12
  Speaker 1: at some point. So that was just kind of like
• 24:14
  Speaker 1: a little like light bulb in my head. Good eye,
• 24:17
  Speaker 1: as they say. And I did notice, so before we
• 24:22
  Speaker 1: got into all the hair mess, I did notice that
• 24:25
  Speaker 1: Lauren or Laura, la whoever you want to say, that
• 24:27
  Speaker 1: her hair was long and scraggly. So and then it
• 24:31
  Speaker 1: became such a thing in the episode that I'm wondering,
• 24:34
  Speaker 1: did they like tell her like grow your hair out,
• 24:38
  Speaker 1: don't get a no, no, no, that the hair department
• 24:41
  Speaker 1: is more than equipped to make her hair look a
• 24:44
  Speaker 1: little ratty. You have to, like, I don't know, grow
• 24:49
  Speaker 1: it out. Look, those people are so good at what
• 24:51
  Speaker 1: they do. It's it's it's kind of amazing. I mean
• 24:54
  Speaker 1: they did. Look, they did that episode that they won
• 24:56
  Speaker 1: the Emmy for um that the Festival of Living Arts whatever. Yeah. Yeah,
• 25:01
  Speaker 1: I mean if they can do that, they can make
• 25:02
  Speaker 1: her hair look ready. I immediately noticed because she's like
• 25:05
  Speaker 1: in bed with Jason and her hair was like extraordinarily long.
• 25:10
  Speaker 1: And then Danielle, what did you think when you're like, oh,
• 25:12
  Speaker 1: Jason's in his like robe and box or shirtless shot. Yeah,
• 25:17
  Speaker 1: and and lore lines and lingerie. I was like, this
• 25:19
  Speaker 1: is escape for primetime television, like dang, especially for Gilmore girl. Yeah,
• 25:25
  Speaker 1: I looked away. I actually looked away. Shield your eyes.
• 25:31
  Speaker 1: I mean, I'm sort of feeling like they're in their groove.
• 25:35
  Speaker 1: I did have a w TF moment though that I
• 25:38
  Speaker 1: had like missed an episode because Emily mentions something about
• 25:43
  Speaker 1: Jason and you're like, do they know that they're together? Oh?
• 25:48
  Speaker 1: That's interesting? Didn't have that moment. She says something about
• 25:53
  Speaker 1: do they know? Wait a minute, when he came into
• 25:56
  Speaker 1: Jason or something, and I'm like, I literally w t
• 26:01
  Speaker 1: F wait they find out. I don't think they know,
• 26:05
  Speaker 1: they don't know, they don't mean at least, but she
• 26:09
  Speaker 1: literally says, bring Jason. Did they figure it out when
• 26:13
  Speaker 1: they had to be the fake date at the charity?
• 26:17
  Speaker 1: I'm like confused. Nothing gets by Emily, and that's probably
• 26:21
  Speaker 1: what the reveal will be, and she'll I almost think
• 26:26
  Speaker 1: that Laura, I almost I'm gonna protict the future. I
• 26:28
  Speaker 1: haven't seen it yet, but I kind of have a
• 26:29
  Speaker 1: gut feeling it's going to be Laurel. I was gonna
• 26:31
  Speaker 1: sit down and tell her mother and and Emily will go, Laurela,
• 26:35
  Speaker 1: I've known this for ages. What took your crazy? Because
• 26:39
  Speaker 1: she literally says bring Jason, and Lorelie says, well, he
• 26:44
  Speaker 1: may be on tour, and then they hang up and
• 26:47
  Speaker 1: they say she can hear naked people because remember she's
• 26:50
  Speaker 1: getting dressed, and then but obviously, what do we have
• 26:54
  Speaker 1: the transcript? Daniel, Yeah, she did say something. She'll know
• 26:58
  Speaker 1: that I'm undressed. Maybe that was just her, but she
• 27:01
  Speaker 1: definitely said bring Jason. Why would she say that to
• 27:05
  Speaker 1: lure Life, She doesn't know she would say it to
• 27:07
  Speaker 1: Richard because this is letting you know that she does know,
• 27:10
  Speaker 1: but no, she hasn't been told because nothing gets past Emily.
• 27:14
  Speaker 1: I just feel like they didn't ever want us to
• 27:16
  Speaker 1: have that moment. They just skipped over. No, they want
• 27:19
  Speaker 1: us to have the moment where Laurelai tells her finally
• 27:21
  Speaker 1: and she says, I've known that for a while. Laurel Oh,
• 27:25
  Speaker 1: that's not about theory, but but she I don't know, Danielle.
• 27:30
  Speaker 1: I see Danielle's eyes. I'm looking. It's right where uh,
• 27:35
  Speaker 1: right after Dean calls Rory and they have their cute banter,
• 27:40
  Speaker 1: and then it's right towards the beginning. She's in the
• 27:43
  Speaker 1: bed and they're both on the phones, so there's like
• 27:45
  Speaker 1: a lot of jibber jabber, like she's on the phone
• 27:47
  Speaker 1: and he's on the phone, and then they hang up
• 27:51
  Speaker 1: and they're in bed and then maybe making out. I'll
• 27:53
  Speaker 1: take your word for it, Jackie, Jackie. Okay. So we're
• 28:01
  Speaker 1: looking at this and it says Emily, well, guess who's
• 28:03
  Speaker 1: demanding we all make an appearance at lunch. Mom, your
• 28:07
  Speaker 1: grandmother is coming back from Palm Beach. Okay, keep going.
• 28:10
  Speaker 1: Your father has to run over oh, here it is.
• 28:15
  Speaker 1: She wants to have lunch, sorry, a luncheon the day
• 28:17
  Speaker 1: after tomorrow you meet your father, and apparently she wants
• 28:20
  Speaker 1: to meet Jason. All we need is that filthy eminem
• 28:24
  Speaker 1: fellow to make a perfect afternoon formation. She says, I'll
• 28:27
  Speaker 1: try to track him down, but you know he might
• 28:29
  Speaker 1: be on tour something. So she's not after she wants
• 28:32
  Speaker 1: she wants to meet Jason because he's in he's in
• 28:36
  Speaker 1: business with her son, And why would look Nope, I
• 28:39
  Speaker 1: have to throw flag on the plane, because why would
• 28:42
  Speaker 1: Laurel I say, well, I'll try to track him down, mom,
• 28:45
  Speaker 1: but you know he might be on tour. Emily wouldn't
• 28:48
  Speaker 1: even bring this up. If Tricks wants to meet Jason
• 28:51
  Speaker 1: because of the business, she would say it to Richard, No,
• 28:57
  Speaker 1: I think. But she's not asking for for Lorelei to
• 29:01
  Speaker 1: reach out. She's saying, apparently she wants to meet Jason.
• 29:05
  Speaker 1: All we need is that filthy eminem fellow to make
• 29:07
  Speaker 1: it a perfect afternoon for me. She's not asking lore like,
• 29:11
  Speaker 1: can you make sure he shows up? Loyally is the
• 29:14
  Speaker 1: one that says I'll try to track him down, So
• 29:17
  Speaker 1: she's showing her cards here and what's not asking h
• 29:24
  Speaker 1: I'm going to let the people decide. I think you're
• 29:27
  Speaker 1: making too much of it. I think this is the
• 29:29
  Speaker 1: debate of the Make sure somebody puts this on the
• 29:32
  Speaker 1: Graham I need to know. Okay, well, I mean we'll
• 29:36
  Speaker 1: move on, but I'm gonna hold my ground on this
• 29:38
  Speaker 1: one girl. Um okay. So then we go back to
• 29:43
  Speaker 1: the inn and we're I'm starting to realize things are
• 29:47
  Speaker 1: not good with the bank because she's not paying Tom.
• 29:54
  Speaker 1: Yeah he was what a good guy? Right? Yeah? Tom
• 30:00
  Speaker 1: let him slide for a couple of days and yeah,
• 30:04
  Speaker 1: but that's the tough one. And then she says, ask
• 30:07
  Speaker 1: your parents, ask Luke, which is like, you know, everybody thinks,
• 30:12
  Speaker 1: first of all, you're not asking somebody for money that
• 30:15
  Speaker 1: you're not like a second choice. It's like it's a
• 30:20
  Speaker 1: pig chunk of money. Luke has it. Yeah, I guarantee
• 30:24
  Speaker 1: you he did. He do it, he'd give it to her.
• 30:27
  Speaker 1: It's just interesting that she's like, I'm going to take
• 30:29
  Speaker 1: you to this fancy dinner to then ask you for
• 30:32
  Speaker 1: thirty dollars, Like, what what is happening? Why would she
• 30:38
  Speaker 1: pick a fancy restaurant where Luke has a dress up
• 30:41
  Speaker 1: at right, something he hates obviously would have given it
• 30:45
  Speaker 1: to her. Yes, absolutely, So okay, so all this mess
• 30:51
  Speaker 1: and then we have the Lane messes up with Paris
• 30:56
  Speaker 1: and Paris melts down. He goes to the wiping swiping job,
• 31:01
  Speaker 1: and I look, Paris wasn't wrong, but she'd been such
• 31:04
  Speaker 1: a pill at that point that I was like, you
• 31:07
  Speaker 1: know what, she's just coming to people too, strong man.
• 31:10
  Speaker 1: It's just like, there's a way to this happens every
• 31:14
  Speaker 1: day in every relationship. Somebody says something that slips. So no,
• 31:18
  Speaker 1: and she's not just reading everybody the riot act, I
• 31:22
  Speaker 1: don't well, and then it was so like summer. She
• 31:27
  Speaker 1: mentions Lane should be out and then says the roommates
• 31:30
  Speaker 1: agree that Mari has to go have the roommate me,
• 31:34
  Speaker 1: which was so uncom Well, she's not going there, right, Yeah.
• 31:42
  Speaker 1: I mean look, if they didn't, they're paying in tuition,
• 31:46
  Speaker 1: you know, that's they're not signing up for that. If
• 31:48
  Speaker 1: I had a third person in my two girl room,
• 31:50
  Speaker 1: it would get crowded. Yeah. Yeah, it's just not it's
• 31:55
  Speaker 1: not kosher, not kosher yea. And Lane was so cool.
• 32:03
  Speaker 1: Lane was cool in this whole episode. She also looks great.
• 32:07
  Speaker 1: She was cool. She's like, no, I got it, I'll
• 32:09
  Speaker 1: go yeah. But I really thought Janet really stood out
• 32:15
  Speaker 1: in this episode, really had some great comebacks and you know,
• 32:19
  Speaker 1: held her ground, and I thought she won those confrontations
• 32:24
  Speaker 1: quite frankly. I mean it's like I just I don't know.
• 32:27
  Speaker 1: It's like this character is just well, these people just
• 32:30
  Speaker 1: are not taking They won't take Paris as ship like
• 32:34
  Speaker 1: they did it children. These people are like no, right,
• 32:39
  Speaker 1: Like you're not cool here, right, And I'm as cool
• 32:42
  Speaker 1: as you are. So it's like you, right, you don't
• 32:44
  Speaker 1: have this place wired yet. You know, you don't have
• 32:47
  Speaker 1: your Madeline Louise, you don't have your little gang controlling everything,
• 32:51
  Speaker 1: and you know, change your behavior. I mean, she's just
• 32:54
  Speaker 1: like blowing a gasket every time she's opened her mouth.
• 32:59
  Speaker 1: So at this point in the episode, I already wrote
• 33:03
  Speaker 1: I'm sad, So that was what I was like. I
• 33:07
  Speaker 1: just wanted to make a note to see what you
• 33:08
  Speaker 1: guys were feeling, because I'm like, is the episode already sad?
• 33:12
  Speaker 1: Or did I go into it in a weird headspace?
• 33:14
  Speaker 1: Like I already was sort of blue? Like I'm like,
• 33:17
  Speaker 1: m well, a lot of the We're not really used
• 33:22
  Speaker 1: to seeing everything sort of collapsing like this for both
• 33:26
  Speaker 1: Laurel and Rory in the same episode at this pace.
• 33:32
  Speaker 1: So I think the reason the Tricksie scene was so
• 33:35
  Speaker 1: delightful was because it was really funny and we really needed.
• 33:39
  Speaker 1: I mean, you talk about comic relief. Um, I mean
• 33:44
  Speaker 1: even even Laureline Suki got into a knockdown drag out,
• 33:48
  Speaker 1: which was that it was that was the most disturbing
• 33:52
  Speaker 1: because it was like, you know, Suki is being portrayed
• 33:55
  Speaker 1: as being so engaged and involved and everything. All the
• 33:58
  Speaker 1: pipes are in and she's so excited and everything is exciting,
• 34:01
  Speaker 1: and then you know she's acting like, you know, because
• 34:03
  Speaker 1: she's tired. Obviously, Well I don't. It's not really my job,
• 34:06
  Speaker 1: it's not you know, I I come in. Yeah, and
• 34:09
  Speaker 1: it's like it's like, whoa. So she wasn't having a
• 34:13
  Speaker 1: lot of empathy for what Laura la I was going. Right,
• 34:16
  Speaker 1: it was weird, right, didn't you find that odd? Yeah?
• 34:21
  Speaker 1: Because obviously I'm sure she feels bad, but I would
• 34:24
  Speaker 1: have been like, you know what, You're right, I'm totally overwhelmed. Yeah,
• 34:27
  Speaker 1: but here's the thing, you know, you know why that
• 34:29
  Speaker 1: happened because laurel I took a tone with her and
• 34:32
  Speaker 1: was talking down to her, and Suki was like, whoa,
• 34:36
  Speaker 1: don't talk to you know the tone it was, the tone,
• 34:39
  Speaker 1: It was like, listen, rich girl, I work for a living.
• 34:42
  Speaker 1: Don't do this. Don't talk to me this way. You
• 34:44
  Speaker 1: know what I mean. I don't I'm not your slave.
• 34:46
  Speaker 1: I don't work for you. I I screwed up. I said,
• 34:49
  Speaker 1: I was sorry, not get out of here. I got,
• 34:51
  Speaker 1: I got, I'm tired and I got a baby to
• 34:53
  Speaker 1: deal with. Don't mess with me. Yeah, yeah, that's what
• 34:56
  Speaker 1: that was. I thought it was. Also Lorelai was taking
• 35:01
  Speaker 1: it all on, taking it all on, taking it all on,
• 35:03
  Speaker 1: and then mad that no one's helping, whereas maybe she
• 35:06
  Speaker 1: should have been more transparent all along. We're like out
• 35:13
  Speaker 1: of money, Like she wasn't looping Suki into all the things. Yeah,
• 35:17
  Speaker 1: so then it's a little bit gnarly to then be like, well,
• 35:22
  Speaker 1: are you not solving it all? You know what I mean?
• 35:25
  Speaker 1: She sounded like Emily, Oh didn't she? So are you
• 35:30
  Speaker 1: team Suki rather than team and that yes? Yeah yeah
• 35:36
  Speaker 1: does that mean? Yeah, it's like she's got a baby,
• 35:40
  Speaker 1: You got a baby? You gotta take care of a baby. Yeah,
• 35:43
  Speaker 1: I understand both perspectives, because it's like, all right, Sukie,
• 35:46
  Speaker 1: you're supposed to help me start this business and you're not.
• 35:51
  Speaker 1: And then Suki is like, sorry, you're getting your hair
• 35:54
  Speaker 1: done and taking care of a child. You know. So
• 35:57
  Speaker 1: it's like I can see it from both perspectives. You're
• 36:00
  Speaker 1: getting your hair done, rich girl to approve, so you're
• 36:03
  Speaker 1: rich rich uh ornerary grandmother approves of you? Yeah, you know.
• 36:09
  Speaker 1: I mean because you're gonna go have dinner at the
• 36:11
  Speaker 1: palace again. I mean, you really, let's get some perspectives.
• 36:15
  Speaker 1: I'm not gonna lie and go as far as this.
• 36:17
  Speaker 1: I just thought. I don't know, I I get I
• 36:22
  Speaker 1: think in any business like this, where you're trying to
• 36:24
  Speaker 1: do this and there's so much pressure, there is going
• 36:27
  Speaker 1: to be this fight between the two business partners almost
• 36:31
  Speaker 1: inevitable there. You know, they're they're they're there. They want
• 36:35
  Speaker 1: their in to have the special sink, the special stove.
• 36:37
  Speaker 1: I mean, you know, she's an extraordinary chef, that's what
• 36:41
  Speaker 1: she does. She wants that equipment you want to have,
• 36:45
  Speaker 1: you know, you want to throw great dinner parties over
• 36:47
  Speaker 1: there and great events You're gonna have to give me
• 36:49
  Speaker 1: the equipment I need so that I can produce this
• 36:52
  Speaker 1: great food, you know what I mean? So yeah, up,
• 36:56
  Speaker 1: Buttercup doing the best I can. And I think or
• 37:00
  Speaker 1: a lie, I think they're both doing the best they can.
• 37:02
  Speaker 1: Well if if Laura la is I mean, who's withholding
• 37:06
  Speaker 1: the financial information from Michelle, well, then that's not her
• 37:10
  Speaker 1: doing the best she can, is it correct? And I
• 37:14
  Speaker 1: think she should have told Suki much sooner, much earlier
• 37:18
  Speaker 1: that there was these problems. We've known for a while
• 37:20
  Speaker 1: there were problems, right, maybe Suki could have helped out.
• 37:23
  Speaker 1: Maybe it wouldn't have been so stressful and so last minute,
• 37:26
  Speaker 1: and maybe maybe Luke could have helped up. Maybe well,
• 37:31
  Speaker 1: remember Laurela wasn't ordering take out, she cut off the
• 37:34
  Speaker 1: cable like all these things. She's been trying to save money.
• 37:36
  Speaker 1: I know, I get it. She's proud, she wants to
• 37:39
  Speaker 1: do it herself. She just want to get hand out.
• 37:40
  Speaker 1: I get it, right, But still, you know, don't take
• 37:43
  Speaker 1: it out on sweet Suki with a baby asleep in
• 37:46
  Speaker 1: the next room, because you know her, her mama bear,
• 37:50
  Speaker 1: you know, Suki's Mama Bear came out. It's like, hey,
• 37:52
  Speaker 1: you don't talk to me like this in my house
• 37:55
  Speaker 1: in front of my child, who you're waking up right now.
• 37:58
  Speaker 1: And it's like that was going to get testy. That
• 38:00
  Speaker 1: was going to get like. Also, don't think Laurel was wrong,
• 38:03
  Speaker 1: m the tone was wrong. Sorry, she's like waving her
• 38:09
  Speaker 1: finger at her from on high. I think she was
• 38:11
  Speaker 1: just fully melting down. And that Suki said she was
• 38:15
  Speaker 1: going to be there and wasn't there. There's also that too,
• 38:19
  Speaker 1: was like she had a pretty good excuse for sure,
• 38:24
  Speaker 1: but so how so wait a minute, and Laurel has
• 38:26
  Speaker 1: been there too, She's raised the child, she's had a baby.
• 38:29
  Speaker 1: It's like she understands what that's like. You didn't get
• 38:32
  Speaker 1: any sleep, the baby comes first. It's like that should
• 38:35
  Speaker 1: have calmed her down. It's like, come on, where's where's
• 38:41
  Speaker 1: the empathy? Unpopular opinion. I'm not sure. I totally agree,
• 38:45
  Speaker 1: where's the mother to mother empathy here? And where where?
• 38:49
  Speaker 1: And lauralize the veteran mother. I mean she's the first
• 38:52
  Speaker 1: time mother. I think she's already like the straw that
• 38:56
  Speaker 1: broke the camel's back. I think he said she was
• 38:58
  Speaker 1: going to be there. I don't know what if I
• 39:00
  Speaker 1: just didn't show up for this asleep, well, I mean
• 39:06
  Speaker 1: you'd be like, what, Well, we just wouldn't have recorded. Well,
• 39:12
  Speaker 1: the thin didn't get delivered and called a helicopter crew
• 39:15
  Speaker 1: and gotten the hell up there to get you out
• 39:17
  Speaker 1: of whatever mess you're in. I know, it's true. It's
• 39:20
  Speaker 1: like it got so messy that it's like, yeah, it
• 39:23
  Speaker 1: could have been preventable messiness had Laurel told everybody what
• 39:29
  Speaker 1: was going on as her business partners. She needs to
• 39:33
  Speaker 1: be upfront about that. Yeah, Like she needs to tell Sue,
• 39:37
  Speaker 1: she needs to tell Michelle like, hey guys, this is happening,
• 39:39
  Speaker 1: like I can't yeah, and she can't, not that we're
• 39:44
  Speaker 1: not even paying Michelle leadership leadership skills. Yeah yeah, So okay,
• 39:51
  Speaker 1: So we go to the diner and immediately I loved
• 39:53
  Speaker 1: the bon Jovi hat, not gonna lie, and then I
• 39:55
  Speaker 1: never got a shout out because I was like a
• 39:57
  Speaker 1: cute hat. So this is where she said, so Lane,
• 40:00
  Speaker 1: it's her job back, and uh, this is where Laurelie says,
• 40:07
  Speaker 1: I think this is Yeah, this is where Laurelie says,
• 40:08
  Speaker 1: can you have dinner with me? And now he has
• 40:11
  Speaker 1: to dress up, which is like so true Daniels being mean,
• 40:15
  Speaker 1: and then I think this is where, Yeah, this is
• 40:17
  Speaker 1: where Lane and Mrs Kim seeing each other, and she says,
• 40:21
  Speaker 1: hello Lane, Hello Mrs Killer. I know I'm ready for
• 40:30
  Speaker 1: them to be resolved. I'm ready for this fight to
• 40:33
  Speaker 1: be over. Kind of done with it. Oh okay. So
• 40:37
  Speaker 1: then we go back to Yale and I thought, my god,
• 40:40
  Speaker 1: what uh orchestrated scene? There were so many extras. The
• 40:46
  Speaker 1: Yale hallway was like so crowded. And then we go
• 40:51
  Speaker 1: into the class and oh boy, I knew immediately he
• 40:55
  Speaker 1: knew what she was doing there. Hm. He's looking for
• 40:59
  Speaker 1: the paper and tells her it's a D A D.
• 41:04
  Speaker 1: She goes into the classes, she goes into the office,
• 41:06
  Speaker 1: she goes into his classroom for the one on one
• 41:09
  Speaker 1: that I think it's the office last, it's like office hours.
• 41:13
  Speaker 1: I think they was devastating. The blood is to the
• 41:17
  Speaker 1: blood thinned. She's she's she's not a guiltmore true Gilmore.
• 41:22
  Speaker 1: She has to cut a class. Oh no, I know.
• 41:26
  Speaker 1: I like this for her though, because I feel like
• 41:29
  Speaker 1: her entire life she's, you know, everything has come to
• 41:32
  Speaker 1: her on a silver platter, and the sense of she
• 41:35
  Speaker 1: was the smartest in her class, she got the cutest boys, like,
• 41:38
  Speaker 1: you know, like she was a star in Stars. That's
• 41:41
  Speaker 1: what happened to her though at the beginning of Chilton,
• 41:43
  Speaker 1: remember the very beginning of Children's Overwhelmed. Yeah, it's true.
• 41:48
  Speaker 1: It takes so like, yeah, it does take her a minute.
• 41:51
  Speaker 1: But now it's time for her to be like, all right,
• 41:53
  Speaker 1: the real world is a way different than Stars hollow,
• 41:56
  Speaker 1: and she has to adjust, which I also like for
• 41:59
  Speaker 1: her who gives a crap about dropping a class? Like,
• 42:03
  Speaker 1: who cares? That's a big deal, it's a point of pride.
• 42:07
  Speaker 1: It might it might be like she doesn't have enough
• 42:10
  Speaker 1: credits to qualify as a full time student. No, she's
• 42:13
  Speaker 1: taking so many classes. If you're someone that cares about
• 42:16
  Speaker 1: their grades and their studies, dropping a class is like failure,
• 42:21
  Speaker 1: you know what I mean, Like they cannot handle that
• 42:24
  Speaker 1: academic load, you know what I mean. Like it's a
• 42:27
  Speaker 1: big deal. It's a big deal. Oh my god, I said.
• 42:30
  Speaker 1: I was like, I'll just drop that on. It'll be fine.
• 42:39
  Speaker 1: I think. I also, like work so hard to get
• 42:41
  Speaker 1: into college. Then once I was there, I'm like, well
• 42:44
  Speaker 1: I'm good if I get season. Did you find college easy? Yeah?
• 42:49
  Speaker 1: So easy? It was. It was like, did you go
• 42:51
  Speaker 1: to You went to a private school. I went to Berkeley.
• 42:54
  Speaker 1: You went to private high school? No? Public? But I
• 42:58
  Speaker 1: knew in high school you're working so hard to get
• 43:01
  Speaker 1: into college. Were val Victorian? No? But I had like
• 43:06
  Speaker 1: I wasn't. I wasn't a dumb dum. Did you get
• 43:10
  Speaker 1: into other? Did you get in? Did you apply to Stanford? No?
• 43:13
  Speaker 1: I only did you apply to Harvard? Listening to save
• 43:16
  Speaker 1: your emails? We know you don't care. No, I only applied.
• 43:19
  Speaker 1: I only apply, I know, save your emails. He's asking me,
• 43:23
  Speaker 1: I'm not going to be rooting. Answer. I only applied
• 43:26
  Speaker 1: to cal U, C. L. A. Davis and Santa Barbara. Okay,
• 43:30
  Speaker 1: I went four for four humble brag m. That's awesome. California.
• 43:37
  Speaker 1: I love California. Did you get Did you get into
• 43:40
  Speaker 1: everywhere you applied me? You're asking me? Yeah, God, no,
• 43:47
  Speaker 1: where'd you go again? Oh? Rutgers? That's good school? But
• 43:51
  Speaker 1: I applied everywhere I played Harvard? You applied to Stanford?
• 43:54
  Speaker 1: I never would No, No, I didn't. I didn't want
• 43:55
  Speaker 1: to go to California. Yeah, I would never got into Stanford.
• 43:58
  Speaker 1: Did you apply to Stanford? No, daniel Me. No, U
• 44:01
  Speaker 1: c l A. I applied to U c l A.
• 44:03
  Speaker 1: I did not get into U c l A. That
• 44:05
  Speaker 1: would have been you probably got close there. No, I'm
• 44:08
  Speaker 1: so sad my top three U c l A and USC. Again,
• 44:11
  Speaker 1: I know nobody cares. And I was deferred a semester
• 44:15
  Speaker 1: at USC. USC was my number one and they wouldn't
• 44:18
  Speaker 1: accept me until spring semester. And I was like, I
• 44:21
  Speaker 1: want to go to college now. So you see Davis
• 44:25
  Speaker 1: third on the list. Oh my god, got USC got
• 44:29
  Speaker 1: harder and harder and harder to get into, to the
• 44:31
  Speaker 1: point and I had a four point Oh guys like
• 44:33
  Speaker 1: I was, I was not, and I went to college.
• 44:36
  Speaker 1: You could have like a two five and get into
• 44:37
  Speaker 1: the USC. Like, I don't understand how kids get into
• 44:40
  Speaker 1: college nowadays, like people the first of all, that's browned
• 44:46
  Speaker 1: upon if you watch the Varsity Blues, don't anyway, Yeah,
• 44:57
  Speaker 1: I mean, so I get it. So she's she's like you, Danielle,
• 45:00
  Speaker 1: where she's like a perfectionist and student and this is devastating,
• 45:04
  Speaker 1: and clearly she really starts to melt down right after that.
• 45:08
  Speaker 1: HM totally. And she has a lot of things that
• 45:11
  Speaker 1: are like kind of you know, she said it herself,
• 45:14
  Speaker 1: like she you know, has the d in the paper.
• 45:18
  Speaker 1: She had to drop a class. She um, you know,
• 45:21
  Speaker 1: Lane's movie has to move out. Look look at look
• 45:25
  Speaker 1: at her life. She's got the suckiest roommate situation in
• 45:30
  Speaker 1: the history of college. She's got a lunatic. She's got
• 45:34
  Speaker 1: like a some some she's got a crazy person living
• 45:37
  Speaker 1: with her who's in an hysteric because it's like, which
• 45:41
  Speaker 1: one are you talking about? Because she's got three sorts
• 45:44
  Speaker 1: of nutty rooms. Well, she's got Tana, who you know
• 45:47
  Speaker 1: I don't love but yeah, yeah, I love her too.
• 45:50
  Speaker 1: She's she's got Paris. How do you live with Paris?
• 45:53
  Speaker 1: You've got your your best friend Lane there living in
• 45:56
  Speaker 1: your room. Um, you've got but you've got you got
• 46:00
  Speaker 1: the Paris thing with the ash er stuff. I mean,
• 46:02
  Speaker 1: this poor girl. She she's trying to bribe guys to
• 46:05
  Speaker 1: get out of under trees so she can have some
• 46:07
  Speaker 1: piece of quiet somewhere in their life. And she can't
• 46:10
  Speaker 1: get it. You know, she's she's having she struggle a
• 46:13
  Speaker 1: little bit, you know, to find her place over there
• 46:15
  Speaker 1: and to get in her rhythm. She's not getting in
• 46:18
  Speaker 1: her rhythm, so so we leave that to go to
• 46:22
  Speaker 1: your the moment you've been waiting for, Scott, we go
• 46:25
  Speaker 1: to the Gilmore's for the dinner with Tricks. I did
• 46:28
  Speaker 1: laugh out loud the nuts, and Tricks is like, why
• 46:36
  Speaker 1: are you so Loudly is very excited about announcing the nuts.
• 46:48
  Speaker 1: It's just so I think someone makes a crack. I
• 46:50
  Speaker 1: bet Rory's hair is perfect or or the hair is proven.
• 46:53
  Speaker 1: It's like, it's like, I'll tell you the way the
• 46:56
  Speaker 1: way Tricks was riffen. Tricks was riffing with the best
• 47:00
  Speaker 1: of on this. Emily was the queen because she's forgot sakes, Jason,
• 47:06
  Speaker 1: just be young. It was funny until it wasn't. This
• 47:13
  Speaker 1: scene was hilarious until it got waitnute. Emily. Emily set
• 47:17
  Speaker 1: the table in the beginning of that scene because she
• 47:19
  Speaker 1: came to she came to get Laurel out of her coat.
• 47:21
  Speaker 1: She was already in a manic state. It was beautiful.
• 47:24
  Speaker 1: It was beautiful. It was beautiful. Oh God, that was fair.
• 47:28
  Speaker 1: I've been sitting in the room for two hours with her,
• 47:33
  Speaker 1: and then poor Jason with that gift, She's just like
• 47:36
  Speaker 1: ready to murder. How about the pause? And they just
• 47:38
  Speaker 1: looked at your French antiques and they just looked at
• 47:40
  Speaker 1: each other. Tricks looks at him and he looks at
• 47:42
  Speaker 1: her like they give each other looks literally, and Marion
• 47:47
  Speaker 1: Rosscott bless her because this is nothing like Marion Cuneyham,
• 47:52
  Speaker 1: like she crushed this man I have. Now I'm wanting
• 47:57
  Speaker 1: more Tricksy. I think this is her one. I think
• 48:02
  Speaker 1: I don't know. We have to look because well she
• 48:04
  Speaker 1: out of that fight with Richard. It's like that wasn
• 48:08
  Speaker 1: this is Jackie. Je said, it's the last. It's the
• 48:13
  Speaker 1: which is weird because there it was, so there's nothing resolved.
• 48:17
  Speaker 1: So we just leave with Richard and her in the
• 48:19
  Speaker 1: big fight. And I mean the fight though, like Emily
• 48:25
  Speaker 1: finally got her revenge in a weird Wayne go there.
• 48:29
  Speaker 1: We still have great lines to deal with Richard's mustache. Look,
• 48:33
  Speaker 1: his Jaguars coming, What did she say? What did she say?
• 48:36
  Speaker 1: What car was coming? This Masarati is coming tomorrow and
• 48:41
  Speaker 1: he looks like, what do you look like somebody's drug dealer?
• 48:44
  Speaker 1: Oh god, Oh it was just great. It was really funny.
• 48:49
  Speaker 1: And then it then it gone the funniest scene in
• 48:53
  Speaker 1: the entire series so far. That scene, that scene that scene.
• 48:58
  Speaker 1: That scene could have been a movie that seems really good,
• 49:02
  Speaker 1: but then it gets brutal when she's like and look,
• 49:06
  Speaker 1: she was right, and Richard maybe should have asked Lorelai,
• 49:09
  Speaker 1: how is the financial thing going at the end, which
• 49:12
  Speaker 1: which Richard wouldn't do because of their relationship. But it
• 49:15
  Speaker 1: is interesting to learn that Graham did bail him out,
• 49:18
  Speaker 1: but to call him out like that in front of
• 49:19
  Speaker 1: his business it was terrible. I don't blame Also, like
• 49:26
  Speaker 1: Richard just gave her seventy five dollars, like I think
• 49:28
  Speaker 1: he was probably like, I'm taking care of her. She's fine,
• 49:31
  Speaker 1: you know, like when you give somebody a check like
• 49:34
  Speaker 1: that much true, that's true, you know, like he's not
• 49:38
  Speaker 1: not doing anything right. It was gnarly. I just wrote
• 49:42
  Speaker 1: this is so gnarly. Well. Emily loved it. Emily love
• 49:50
  Speaker 1: She's like, I'm done with Graham. Did you notice I
• 49:54
  Speaker 1: noticed some blocking things and this this is a little
• 49:56
  Speaker 1: BTS for you guys. There was some interesting block things
• 50:01
  Speaker 1: in this episode. In the in that dining room scene,
• 50:04
  Speaker 1: after the very funny scene in the living room where
• 50:08
  Speaker 1: you know, Richard, Emily and Laurel I had to be
• 50:11
  Speaker 1: in a three shot so so Lawren's chair was pushed
• 50:15
  Speaker 1: all the way over and almost just next to Emily's
• 50:18
  Speaker 1: when they would cut to that shot out. And then
• 50:21
  Speaker 1: when they turned around and it was just on Lawrence,
• 50:24
  Speaker 1: she was closer to Trixie, so it didn't they moved
• 50:27
  Speaker 1: the chair. They moved that. They were moving the chair, yes,
• 50:30
  Speaker 1: because they wanted to remember where Jason was during the mass. Well,
• 50:33
  Speaker 1: I think he was on the other side of the table.
• 50:36
  Speaker 1: But I noticed that that was like, whoa, how now
• 50:39
  Speaker 1: she's all the way over by Trixie before she was
• 50:42
  Speaker 1: put that up. Let's put that up so people could
• 50:43
  Speaker 1: see it. Why wasn't Rory there? I wondered that too.
• 50:47
  Speaker 1: I wondered that too. It's her grandma. I wanted that too.
• 50:51
  Speaker 1: I I wondered, I wonder why she went the school.
• 50:54
  Speaker 1: Maybe there's an't expect her too. But but she's at
• 50:57
  Speaker 1: the end. So right after this hot mess is going on,
• 51:02
  Speaker 1: Rory's trying so hard to find her mom. So she
• 51:04
  Speaker 1: ends up at the inn with Deane. Now I will say, okay,
• 51:10
  Speaker 1: this is me just being a total b I T
• 51:12
  Speaker 1: C H. The two parallel scenes both excellent. Lauren was
• 51:20
  Speaker 1: more excellent. Oh, I you know I don't get I
• 51:24
  Speaker 1: don't want to compare the performances. They were both great.
• 51:28
  Speaker 1: They were, but the Alexis was great. You can't take
• 51:30
  Speaker 1: anything away from Alexis performance there because it's it's some
• 51:34
  Speaker 1: of the best work I've ever seen her do, because
• 51:36
  Speaker 1: she went from hysterics to breaking down, and you could
• 51:40
  Speaker 1: see the stages of her breaking down in front of Dean.
• 51:44
  Speaker 1: Then she really lost. I mean there were like levels
• 51:46
  Speaker 1: of it and it kept breaking down more and I
• 51:50
  Speaker 1: thought it was extraordinary that when that scene. I'm glad
• 51:52
  Speaker 1: that scenes. You know. You know what I said to myself,
• 51:54
  Speaker 1: I said, I didn't know she was that good. Well, yeah,
• 51:57
  Speaker 1: she's amazing. I didn't know Alexis was not good. I
• 52:00
  Speaker 1: did not know she was that good. That's tough, That's
• 52:04
  Speaker 1: that's you know. It's really crazy. Obviously because I follow
• 52:08
  Speaker 1: so much Gilmore Girls stuff on TikTok. I'm always getting
• 52:11
  Speaker 1: tons of Gilmore on my TikTok page. But for some reason,
• 52:14
  Speaker 1: now it's coming up it's Laura Lie But it's all
• 52:18
  Speaker 1: Parenthood scenes. Man, were they The Parenthood is such a
• 52:23
  Speaker 1: good show. Did you watch it? M neither of you
• 52:27
  Speaker 1: watched it. I will let's do a podcast. What do
• 52:30
  Speaker 1: you think? I mean maybe because like and sometimes the
• 52:33
  Speaker 1: hashtag or the like comment is like parenthood brought us
• 52:37
  Speaker 1: because of parenthood. We got this is Us because Parenthood
• 52:40
  Speaker 1: sort of was that this is us before This is Us,
• 52:43
  Speaker 1: which is ironic that Lauren was in One and Miles
• 52:45
  Speaker 1: and One Man. Lauren is amazing and the acting is
• 52:50
  Speaker 1: like amazing. Anyway, I digress. So yeah, I mean I
• 52:53
  Speaker 1: thought this Dean. I thought Dean was amazing in this.
• 52:58
  Speaker 1: I thought he was so yeah, he was great. Everybody's great,
• 53:01
  Speaker 1: I thought, but I really, you know, for my money,
• 53:06
  Speaker 1: I thought Alexis really stole this episode Laura because she
• 53:10
  Speaker 1: was look Lauren, Okay, Lauren reigns supreme. Okay, so that's
• 53:17
  Speaker 1: a given. Okay. So it's like you can't hand the
• 53:21
  Speaker 1: gold medal to the same person every single day. You
• 53:25
  Speaker 1: got to recognize other people, Okay, Okay, so that's that's
• 53:29
  Speaker 1: my and I know you say this and everyone's own groans. Whatever,
• 53:33
  Speaker 1: You're right, Lauren Graham should have gotten an Emmy. Yeah,
• 53:37
  Speaker 1: like I'm watching the Golden Globe. Lauren Graham should. Yes, several,
• 53:41
  Speaker 1: I agree with you, Yes, not just one, but five.
• 53:45
  Speaker 1: You know, maybe let her lose one year and a
• 53:48
  Speaker 1: controversial thing. But you know, yeah, although total shout out
• 53:52
  Speaker 1: to the the guy that was in Goonies Key so much,
• 53:59
  Speaker 1: every interview, every speech. I just I'm obsessed with that guy.
• 54:02
  Speaker 1: But anyway, total sidebar. Yeah, Lauren Graham should have gotten
• 54:06
  Speaker 1: But I but I thought, I thought Alexis is comedic
• 54:09
  Speaker 1: work and her dramatic work in the same episode. We're
• 54:14
  Speaker 1: just supreme, absolutely fantastic. She's fantastic. I totally agree, totally agree.
• 54:21
  Speaker 1: So now we're in the scene that's just amazing and
• 54:24
  Speaker 1: you see her and he's all dressed up for dinner
• 54:26
  Speaker 1: and she finds him and you immediately are like, oh no,
• 54:30
  Speaker 1: and Luke immediately says you okay, And it was like,
• 54:35
  Speaker 1: oh wow, And I've seen this scene comes up on
• 54:39
  Speaker 1: TikTok a lot, like this is a very significant scene.
• 54:44
  Speaker 1: Well she I mean the part that was like, you know,
• 54:49
  Speaker 1: hit home was like her saying that she wished she
• 54:53
  Speaker 1: had a partner and she wished she could do it
• 54:55
  Speaker 1: all on her own, but she just needs somebody to
• 54:58
  Speaker 1: meet her halfway and pick up the slack the other
• 55:00
  Speaker 1: end when she can't do it all, you know, like
• 55:03
  Speaker 1: and the fact that she's saying that to Luke is
• 55:06
  Speaker 1: even more like ding ding ding, we have a winner,
• 55:10
  Speaker 1: you know, like standing right right in front of you.
• 55:15
  Speaker 1: Totally Oh my god, so true. Look this the episode
• 55:24
  Speaker 1: made me sad. I'm not gonna lie like I described it.
• 55:27
  Speaker 1: I was blue, I was melancholy. I definitely almost wanted
• 55:30
  Speaker 1: to watch another one to see if like, oh no,
• 55:32
  Speaker 1: I gotta get myself out of the state I'm in.
• 55:35
  Speaker 1: I didn't. I didn't. You can't know I didn't. But now,
• 55:39
  Speaker 1: listen to a song or something to get you out.
• 55:42
  Speaker 1: I think I turned to Criminal Minds and it got
• 55:44
  Speaker 1: me that show. But anyway, uh, I thought, just a
• 55:53
  Speaker 1: terrific episode. It really was. I mean, even even at
• 55:57
  Speaker 1: the grating annoying parts, was still terrific. Right to watch it.
• 56:02
  Speaker 1: It's still terrific to watch it, and it sets up
• 56:05
  Speaker 1: all this other great stuff. So you need that stuff
• 56:07
  Speaker 1: to get the comedy. So, um wait, do your favorite
• 56:11
  Speaker 1: lines because I have one we didn't get to. It's
• 56:13
  Speaker 1: good for me to do it every once in a while.
• 56:15
  Speaker 1: Reminds me why I'm not an accountants. Danielle, what was yours?
• 56:20
  Speaker 1: Um minus? From Paris? And she says maybe I just
• 56:23
  Speaker 1: can't be around boys because I have because I have
• 56:28
  Speaker 1: a mate, a man. Because it was so funny Danielle.
• 56:33
  Speaker 1: Earlier in the podcast, when You're all many, mine was
• 56:41
  Speaker 1: wear socks. Mr Kim, Okay, so god, what are we
• 56:47
  Speaker 1: going to give it? One to ten horses, Richard and mustaches?
• 56:51
  Speaker 1: I think, no, no, no no, we're going to give it.
• 56:54
  Speaker 1: We're gonna give it Richards Richard's mustaches. Okay, Um, daniel
• 57:00
  Speaker 1: how many mustaches? I'm gonna do eight and a half.
• 57:03
  Speaker 1: You're gonna do eight and a half. Richard's eight and
• 57:08
  Speaker 1: a half deduction of five. Just being sad by it,
• 57:12
  Speaker 1: I think it deserves a nine, but it just I
• 57:14
  Speaker 1: was blue from it. I was like, you know what
• 57:17
  Speaker 1: I'm gonna go. I'm going to give it a nine.
• 57:26
  Speaker 1: I'm gonna give it a nine point hang on, I'm
• 57:28
  Speaker 1: gonna give it a nine point to five. Tara gives
• 57:32
  Speaker 1: it a nine. Too good. There's an emergency had to go.
• 57:36
  Speaker 1: Everyone's wondering where she went. There was a podcasting emergence, right,
• 57:40
  Speaker 1: So I'm giving it a nine to five. She gives
• 57:42
  Speaker 1: it to nine. You get eight, So we're up around
• 57:44
  Speaker 1: eight point eight average eight point eight five average gymnasts
• 57:49
  Speaker 1: that gets a nine to five. Remember that, remember when yeah, yeah, five.
• 57:55
  Speaker 1: You know, I forgive any of the grading nature of
• 57:59
  Speaker 1: this nails on the chalkboard character. Uh, just for that
• 58:03
  Speaker 1: tricksy scene. I mean, that's at least she went out
• 58:06
  Speaker 1: on top with you. Oh god, huge, huge, huge scene.
• 58:10
  Speaker 1: I thought that was the most masterful scene of this
• 58:13
  Speaker 1: area so far. Anymore. I enjoy her. I want to
• 58:18
  Speaker 1: go back and check out her earlier work. Maybe I was.
• 58:21
  Speaker 1: I wonder if you would see it differently, Maybe I will. Actually,
• 58:25
  Speaker 1: that's a good that's a good episode. Go back, that's
• 58:28
  Speaker 1: a that's a good episode. You know, I think I'm
• 58:29
  Speaker 1: gonna I think I will. Let's go back on the
• 58:32
  Speaker 1: trick back watch them all again. I'm going to read
• 58:34
  Speaker 1: a special episode. I'm going to re experience Tricksie. Okay,
• 58:39
  Speaker 1: all right, maybe she'll be's your assignment. You've got like
• 58:42
  Speaker 1: you got to do it in in the next couple of weeks,
• 58:43
  Speaker 1: all right, But okay, Jesus, more work from I'm gonna
• 58:47
  Speaker 1: add fifteen minutes to my already. I'm so sorry that
• 58:51
  Speaker 1: we're making work work. Yeah. The crack staff, the fake
• 58:57
  Speaker 1: crack staff, give you anything. I don't at them. I
• 59:01
  Speaker 1: know they're real. They're real. And talked. I talked to
• 59:04
  Speaker 1: one of the crack staff members like all the time,
• 59:06
  Speaker 1: I like regularly, like we email all the text all that. Yeah,
• 59:11
  Speaker 1: the crack staff is real. Oh she has a name.
• 59:13
  Speaker 1: Oh yeah, you just gave her name. Oh no, no,
• 59:16
  Speaker 1: that's her code name, code name. I would never blurt
• 59:20
  Speaker 1: that out one am I a moron. I would never
• 59:23
  Speaker 1: do that. We know the crack staff found nothing. I
• 59:27
  Speaker 1: mean you did the blocking thing. That was actually pretty cool. Um,
• 59:31
  Speaker 1: you know what, let me check. Okay, here, he's going
• 59:36
  Speaker 1: to a secret file. I gotta go to crack staff
• 59:39
  Speaker 1: dot com. We always put it in the pop culture
• 59:42
  Speaker 1: if you need to hang on a second. Oh shoot,
• 59:46
  Speaker 1: I don't think this is our last episode, Joe, Yeah,
• 59:49
  Speaker 1: I knew it wasn't. It's fine. We're one more season four.
• 59:54
  Speaker 1: Crack Staff just came into my headphones and they I
• 59:58
  Speaker 1: don't know they're they're in a helicopter. Someone. They do
• 1:00:00
  Speaker 1: have notes, and I'm gonna I'm gonna I'm getting them
• 1:00:03
  Speaker 1: in real time. All right, here we go hang on there? Okay,
• 1:00:08
  Speaker 1: there in the cold open, a blueprint on the wall
• 1:00:10
  Speaker 1: behind Tom is hanging level. But when Laurel lies on
• 1:00:13
  Speaker 1: the phone talking to the ends first reservation, it's hanging crooked.
• 1:00:20
  Speaker 1: Wait give me that again. That really get into what
• 1:00:25
  Speaker 1: was hanging crooked? Really? Look, I took one glance down
• 1:00:29
  Speaker 1: at my phone and I missed something important. I need
• 1:00:32
  Speaker 1: you to to tell me what that really? What was crooked?
• 1:00:36
  Speaker 1: All I heard? Here's what went into my brain. Want
• 1:00:40
  Speaker 1: want trust me. There's people that looked at their phones
• 1:00:46
  Speaker 1: while they were listening. Somebody ate their sand. Oh god,
• 1:00:51
  Speaker 1: alright in the okay you ready? All right? And the
• 1:00:54
  Speaker 1: cold open, the cold open, the blueprint on the wall
• 1:00:57
  Speaker 1: behind Tom is hanging level. But when loyal eyes on
• 1:01:00
  Speaker 1: the phone taking their ends first reservation, it's hanging crooked. Great,
• 1:01:04
  Speaker 1: I I'm gonna I love. But that's easy. That's very
• 1:01:07
  Speaker 1: explainable because maybe some worker went by and brushed up
• 1:01:12
  Speaker 1: against it. Wait a minute, Wait a minute, Laurel, I
• 1:01:15
  Speaker 1: likes to come in the back door surprise everybody with
• 1:01:17
  Speaker 1: nail guns. That's a great line too. First of all,
• 1:01:20
  Speaker 1: that was and aggressive. I was like fun fact the
• 1:01:25
  Speaker 1: shampoo girl, the shampoo girl who was shampooing laurealized, yes,
• 1:01:31
  Speaker 1: stagg ass hair, so it would be so it would
• 1:01:36
  Speaker 1: be uh, wait a minute, what does this saying? Wait
• 1:01:39
  Speaker 1: a minute, I see Jackie says, wait a minute, I
• 1:01:41
  Speaker 1: see what you see. Very interesting with Marion Ross. Oh,
• 1:01:45
  Speaker 1: the controversy continued. This was her last episode, But did
• 1:01:50
  Speaker 1: she like have credits and other ones because her characters
• 1:01:53
  Speaker 1: mentioned or she has she's suppost been the next episode.
• 1:02:02
  Speaker 1: We can't tell you yet. Jackie's just sort of messaging. Okay.
• 1:02:07
  Speaker 1: Now my name is Jackie. I work at help desk.
• 1:02:09
  Speaker 1: All right, here we are. Fun fact. The shampoo girl
• 1:02:14
  Speaker 1: shampooing laurelized raggedy hair was played by Patty Malcolm, who
• 1:02:18
  Speaker 1: was actually Laurence standing. Yes, very fun fact. That's a
• 1:02:24
  Speaker 1: fun fact. Yeah, that's that's the girl that stood there. Yeah, yeah, Okay.
• 1:02:32
  Speaker 1: The crack Staff's favorite line. The crack staff, Now have
• 1:02:40
  Speaker 1: they been? They promoted themselves to wow, part of the
• 1:02:45
  Speaker 1: ball club. I said, I like that. Come on into
• 1:02:47
  Speaker 1: the duck out, come on over from the minor leagues
• 1:02:50
  Speaker 1: into the major league field. Here we go, like the
• 1:02:54
  Speaker 1: crack Staff's favorite. Look, that's a declaration right there. When
• 1:02:58
  Speaker 1: Paris is mad at janet It and tells Rory, I'm
• 1:03:01
  Speaker 1: going to grab Barbie's neck and squeeze until her expandable
• 1:03:05
  Speaker 1: hair falls out and she's dead, dead dead. Oh well, okay,
• 1:03:10
  Speaker 1: crack staffs a little crack. I'm getting a little scared. Now,
• 1:03:16
  Speaker 1: are raises in order? Maybe should just offer preemptively offer raises?
• 1:03:23
  Speaker 1: So yeah, keep her happy. I mean I can read
• 1:03:26
  Speaker 1: between the line here. Okay, So back to the Tricks thing.
• 1:03:29
  Speaker 1: I just found out what happened and why we're all confused.
• 1:03:34
  Speaker 1: So Marian Roth has two more episodes in this series,
• 1:03:39
  Speaker 1: but not as Tricks. So this is Tricks is last episode,
• 1:03:43
  Speaker 1: but Marian Ross don't tell me? Are you gonna find out?
• 1:03:50
  Speaker 1: Next episode? How about that? Good? But this is the
• 1:03:54
  Speaker 1: end of Tricks, but not the end of Marian Ross. Alright,
• 1:03:59
  Speaker 1: that's that's a nice little tike comes back as like
• 1:04:01
  Speaker 1: the sister or the aunt or she's younger. She comes
• 1:04:05
  Speaker 1: back younger. Crack Staff is not happy right now. They're
• 1:04:08
  Speaker 1: screaming at me right now in this right here. Oh
• 1:04:12
  Speaker 1: my god, I just saw Danielle just put a note
• 1:04:15
  Speaker 1: in the chat of the next episode. And let me
• 1:04:16
  Speaker 1: tell you Season of four, episode fifteen, seen in a mall.
• 1:04:22
  Speaker 1: The next episode. All right, well, that's gonna do with folks. Danielle,
• 1:04:26
  Speaker 1: did you do you have your You don't have didn't
• 1:04:28
  Speaker 1: you didn't show Scott your Christmas gift I gave you?
• 1:04:30
  Speaker 1: Where is it? Do you have it? You have to show? Oh? Yeah, Scott,
• 1:04:36
  Speaker 1: look at this. Yeah, look what I got made for
• 1:04:40
  Speaker 1: Let me take it out of the shiny I did.
• 1:04:43
  Speaker 1: Everyone's some new notebook. I didn't make that. I didn't
• 1:04:46
  Speaker 1: make the cover, did I No? But you'll see why.
• 1:04:49
  Speaker 1: Oh my god, first of all my notes. I know why.
• 1:04:52
  Speaker 1: I don't need an explanation. Uh huh uh, Danielle said, Okay,
• 1:05:02
  Speaker 1: isn't that so cute? When Amy gave this to me,
• 1:05:04
  Speaker 1: I was like, who's Danielle? Is that character? Op? So
• 1:05:09
  Speaker 1: it's a notebook and literally, you guys can get this
• 1:05:11
  Speaker 1: on Amazon. And the notebook says Lorelai and Rory and
• 1:05:14
  Speaker 1: Lane and Suki and Emily and Paris and and then
• 1:05:17
  Speaker 1: you can get it like personalistomized that your friend's name,
• 1:05:20
  Speaker 1: and so it says and Danielle and daniel she made
• 1:05:25
  Speaker 1: it on the cover before I did, and I was
• 1:05:26
  Speaker 1: in the damn show. That's the way it is. That's
• 1:05:29
  Speaker 1: that's what you be funny. If it's at m luke,
• 1:05:33
  Speaker 1: that would be funny. But anyway, I love you guys.
• 1:05:37
  Speaker 1: I love you to love you back. It's a sad one,
• 1:05:39
  Speaker 1: but I'm I'm bouncing back from it. Come on, just
• 1:05:42
  Speaker 1: just watch the tricksie scene a couple of times, the
• 1:05:45
  Speaker 1: living room scene. It's it's the best thing. Nuts Nuts,
• 1:05:50
  Speaker 1: We're good good. Hey, let's you know, let's talk about
• 1:05:55
  Speaker 1: the the event a little bit more? Should we? Oh? Yeah,
• 1:05:59
  Speaker 1: you haven't. We haven't. I talked about talked about that. Danielle.
• 1:06:02
  Speaker 1: Did you send my merch up yet? I had it?
• 1:06:06
  Speaker 1: I was gonna talk because I'm seeing you at the
• 1:06:08
  Speaker 1: end of this month. I was like, should I just
• 1:06:09
  Speaker 1: can you get with me? Or just scut you on it? Earlier?
• 1:06:12
  Speaker 1: What Scott was shooting like some of his stuff Danielle
• 1:06:16
  Speaker 1: was in the merchant. Oh my god. First of all,
• 1:06:21
  Speaker 1: I could have bought three times that month. I can't
• 1:06:24
  Speaker 1: wait thousan dollars at the merchant, thousand dollars, I swear
• 1:06:31
  Speaker 1: to God. Check where up? Danielle has it all right now? Well,
• 1:06:37
  Speaker 1: one third of it is in Tar's closet, is in mine,
• 1:06:40
  Speaker 1: and one third is in a bag for Amy, the
• 1:06:43
  Speaker 1: one I can't wait for you guys. Everyone listening this.
• 1:06:47
  Speaker 1: The Smurch store on the Warner Brothers lot had hands
• 1:06:51
  Speaker 1: down the Rattus merch, Like I need to ask James
• 1:06:54
  Speaker 1: Pettitt if we can buy it all year long. The flannel,
• 1:06:58
  Speaker 1: what's on? Which flannel did you get me? Um? Here
• 1:07:01
  Speaker 1: then grabbit, hold on you guys, it's the Rattus flannel
• 1:07:04
  Speaker 1: like designer flannel, like good flannel. And on the back.
• 1:07:07
  Speaker 1: I think I got the one that says no cellphones. Yeah, wait, Daniel,
• 1:07:12
  Speaker 1: just show a little so, I mean most people have
• 1:07:15
  Speaker 1: already ended the episode, so that's very large. What size
• 1:07:20
  Speaker 1: did you get me? Please? Say this is a medium? Okay,
• 1:07:22
  Speaker 1: girls size or boy size. I maybe would have been
• 1:07:24
  Speaker 1: a girl girls but over Yeah, I'll wear it with leggings.
• 1:07:29
  Speaker 1: Look it says Luke's on the front and says no
• 1:07:31
  Speaker 1: cell phones. That is so are they still are they
• 1:07:35
  Speaker 1: still selling this stuff? That's what I'm gonna text James
• 1:07:38
  Speaker 1: Pettitt right now. See. And then there's one more flannel
• 1:07:41
  Speaker 1: that says I love coffee, really love coffee. Which one
• 1:07:45
  Speaker 1: are you? Do you? It was one of those for
• 1:07:47
  Speaker 1: you ones? For me? Yeah, I got the I got
• 1:07:49
  Speaker 1: this one too. I want no cell phones. They're both years.
• 1:07:53
  Speaker 1: What what about you already? Have we seen it? A
• 1:07:56
  Speaker 1: thousand dollars? We got multiple flannels, Scott, Scott, you get nothing,
• 1:08:02
  Speaker 1: thank you, thank you? You are I just wanted to ask,
• 1:08:05
  Speaker 1: that's fine if I get nothing. Oh my god. The
• 1:08:09
  Speaker 1: merge was amazing, amazing. Well I have the original that
• 1:08:15
  Speaker 1: have original stuff. Okay, you know so anyway and texting
• 1:08:21
  Speaker 1: James will keep everybody updated. Is all that merge still
• 1:08:24
  Speaker 1: for sale? Al Right? Guys? I love you guys. I'm like,
• 1:08:30
  Speaker 1: we need more, we need more. We have to do
• 1:08:33
  Speaker 1: it again. Are we going to do that again? Every year?
• 1:08:36
  Speaker 1: We're gonna do it every year. Here's my dream. We're
• 1:08:38
  Speaker 1: gonna do that one every year, and then in the
• 1:08:40
  Speaker 1: summer we're going to do one kind of similar. People
• 1:08:43
  Speaker 1: can come. Oh cool're working on that now. Yeah, because
• 1:08:47
  Speaker 1: it was would you just give it? Was it a
• 1:08:48
  Speaker 1: ten out of ten? Was it amazing? It was great?
• 1:08:50
  Speaker 1: That event was a ten out of town? That was
• 1:08:53
  Speaker 1: that was amazing. The fans, Wow, I already have people
• 1:08:57
  Speaker 1: asking me how to get tickets for next year, and
• 1:09:00
  Speaker 1: really an ocean of fans. And I went into the
• 1:09:04
  Speaker 1: mosh pit with them and danced like crazy. Dan y'all
• 1:09:08
  Speaker 1: texted me and she goes, Scott is in hog Heaven.
• 1:09:12
  Speaker 1: He is hugging grandma's and kissing babies. So much for
• 1:09:21
  Speaker 1: everyone listening. Scott flew stopped his family vacation, left his
• 1:09:25
  Speaker 1: family behind all the way back for one day to
• 1:09:30
  Speaker 1: do the event, and flew back to his family vacations.
• 1:09:33
  Speaker 1: So we do say for the zero people still listening,
• 1:09:39
  Speaker 1: mad props, no, mad props to you. Guys were putting
• 1:09:42
  Speaker 1: on such a great show. I mean that was really
• 1:09:44
  Speaker 1: really fun. That was And next year, next year is
• 1:09:47
  Speaker 1: going to be just off the chain. And this summer,
• 1:09:50
  Speaker 1: I guess we're gonna look out for something this summer. Yeah, Daniel,
• 1:09:53
  Speaker 1: did you get that TikTok? I sent you ideas for
• 1:09:55
  Speaker 1: the summer. We'll find out, all right, guys, all the best,
• 1:10:00
  Speaker 1: love you guys. Thanks, best fans on the planet. Yeah,
• 1:10:05
  Speaker 1: we're gonna, We're gonna, We're gonna do pop culture. No
• 1:10:08
  Speaker 1: I know, I don't know, Hi, guys, all the best,
• 1:10:12
  Speaker 1: Stay sacked. Hey everybody, and don't forget follow us on
• 1:10:44
  Speaker 1: Instagram at I Am all In podcast and email us
• 1:10:48
  Speaker 1: at Gilmore at I heart radio dot com. Oh you
• 1:10:53
  Speaker 1: Gilmore fans. If you're looking for the best cup of
• 1:10:55
  Speaker 1: coffee in the world, go to my website for my
• 1:10:57
  Speaker 1: company scotty p dot com CEO T. T y p
• 1:11:01
  Speaker 1: dot com, scotty p dot com Grade one Specially Coffee. Yeah.