Latest / Murder Files Unsealed / Man Finds Dismembered Body in His Own Basement
Transcript
- 0:00Speaker 1: Imagine walking into a police precinct, flashing your credentials as
- 0:04a twenty year veteran of the force, and demanding that
- 0:07the desk lieutenant protect your son from some Facebook carass.
- 0:10Oh wow, yeah right, you were just putting on this
- 0:13absolute clinic in righteous indignation. But now imagine doing all
- 0:18of that while fully aware that the dismembered remains of
- 0:22a thirty one year old woman are sitting inside a
- 0:25cardboard box in the trunk.
- 0:27Speaker 2: Of your car, which is parked right outside that very station,
- 0:30exactly just sitting in a parking lot. I mean, it
- 0:32is a scenario that entirely shatters our baseline understanding of
- 0:36self preservation. It just defies logic. You are looking at
- 0:39this massive collision between institutional arrogance and just a complete
- 0:45detachment from physical reality, and that.
- 0:47Speaker 1: Collision is exactly what we are dissecting today. We're taking
- 0:50a deep dive into an extensive stack of source materials
- 0:53we got from the Law and Crime Network. It's a
- 0:55huge file, yeah massive. We have police records, interrogation transcripts,
- 0:59body ham footage descriptions, courtroom testimonies, and these just incredibly
- 1:05heavy victim impact statements and All of this surrounds the
- 1:09murder of thirty one year old Ashley Young by a
- 1:12twenty nine year old guy named Jared Chance. This all
- 1:15happened in Grand Rapids, Michigan.
- 1:18Speaker 2: So our mission for you listening today isn't just to
- 1:20you know, walk through a timeline of a tragedy.
- 1:22Speaker 1: No, not at all.
- 1:23Speaker 2: We are going to really analyze the psychological architecture of
- 1:27a cover up. We're looking at the forensic limitations of
- 1:30a severely compromised crime scene and the courtroom strategies you
- 1:36actually need to secure a conviction when the physical evidence
- 1:40of the murder itself has been intentionally destroyed.
- 1:43Speaker 1: Right, which is just a fascinating legal.
- 1:45Speaker 2: Puzzle, It really is. The central tension here is just
- 1:47it's fascinating from an analytical perspective, because on one side
- 1:51of the equation you have the sheer, bureaucratic inertia of
- 1:54a missing person's investigation, yeah, which you know is ultimately
- 1:58forced into motion by a mother's real, lifeless intuition. And
- 2:01then on the other side, you have an active, multiperson
- 2:04conspiracy to conceal a.
- 2:05Speaker 1: Death spearheaded by someone who intimately knows how the justice
- 2:08system operates. Okay, let's unpack this. I want to start
- 2:12with the baseline, just looking at the lives involved before
- 2:15this whole intersection occurred.
- 2:16Speaker 2: That's a good place to start.
- 2:17Speaker 1: Because understanding Ashley Young's psychological profile is really essential here.
- 2:22Her worldview fundamentally dictated how she interacted with the person
- 2:26who eventually killed her. She was thirty one, living in Kalamazoo,
- 2:30attending college and working a first shift job. And the
- 2:34source materials, specifically the interviews with her mother, Christine, and
- 2:38her friends, they paint this picture of a woman characterized
- 2:41by just extreme empathy.
- 2:43Speaker 2: Yeah, that really stands out in the files.
- 2:46Speaker 1: It does. The specific quote that anchors her profile, the
- 2:48one everyone kept repeating, is that she believed there's always
- 2:52good in everyone and everyone deserves a second chance, which.
- 2:55Speaker 2: Is I mean, it's a beautiful philosophical stance, but from
- 2:59a criminal logic standpoint and victimology too, extreme empathy without
- 3:03rigid boundaries is a profound vulnerability.
- 3:06Speaker 1: Vulnerability exactly.
- 3:07Speaker 2: Yeah, Because individuals with high cluster B personality traits, those
- 3:12who are highly chaotic or manipulative or destructive, They often
- 3:17possess the sort of radar for highly empathetic.
- 3:19Speaker 1: People like they seek them out.
- 3:21Speaker 2: They absolutely do. They gravitate toward individuals who will rationalize
- 3:26their bad behavior and you know, offer those second, third,
- 3:29and fourth chances.
- 3:30Speaker 1: Well, I want to challenge that second chance mentality for
- 3:33a moment, okay, because while it sounds lovely on a
- 3:35greeting card, in the real world it reminds me of
- 3:38someone leaving their front door wide open every single night
- 3:43because they fundamentally believe their neighbors are inherently good.
- 3:47Speaker 2: Oh, that's a great way to put it.
- 3:49Speaker 1: Right, Like, it is a peaceful way to live, But
- 3:51it makes you entirely vulnerable to the single bad actor
- 3:55on the street who happens to notice the door as
- 3:57a jar.
- 3:58Speaker 2: Yeah, that analogy perfectly captures the systemic risk of unchecked altruism.
- 4:03You are lowering your defensive perimeter based on this assumption
- 4:06that everyone operates with the exact same moral compassy you'd do,
- 4:09and they don't. They don't, And the source materials indicate
- 4:13that Ashley's perimeter had already been breached by Jared Chance
- 4:16in the past.
- 4:17Speaker 1: Right, this wasn't their first interaction. Jared Chance was twenty
- 4:20nine living in Grand Rapids. The record's note he had
- 4:24a relatively limited official criminal background, but local law enforcement
- 4:28was highly familiar with him.
- 4:30Speaker 2: Due to his struggles with substance.
- 4:32Speaker 1: Abuse right yes, specifically marijuana and xanax. But more importantly,
- 4:36Ashley's mother explicitly stated that Jared had previously broken into
- 4:41Ashley's apartment. Wow, he broke in. He stole her computer,
- 4:45he took her cash, and he stole her adderall. Christine
- 4:49actually sat Ashley down for a severe intervention over this.
- 4:52She told her point blank he's no good.
- 4:54Speaker 2: But Ashley fell back on that.
- 4:55Speaker 1: Belief, yeah, that she could help him, that he'd be.
- 4:57Speaker 2: Better, which establishes a documented his wa of predatory behavior
- 5:01by Jared toward Ashley. I mean, he had already demonstrated
- 5:04a willingness to cross physical and legal boundaries just to
- 5:08extract resources from her. So her decision to maintain contact
- 5:12wasn't just leaving the door unlocked. It was inviting the
- 5:15burglar back inside under the assumption that he had changed
- 5:18his profession.
- 5:20Speaker 1: That is so dark, but it's true, which brings us
- 5:23to the inciting incident. It's a Wednesday night, Ashley and
- 5:27Jared are in Grand Rapids and they go to a
- 5:29bar called Mulligan's okay. The police eventually pull this CCTV
- 5:34footage from a hookah lounge next door. It's called Peta House,
- 5:38and the description of this footage in the sources is striking,
- 5:41primarily because of how aggressively mundane it.
- 5:44Speaker 2: Is just completely normal, totally.
- 5:46Speaker 1: Ashley is wearing distinctive knee high black boots, a white sweater,
- 5:50and black leggings. Jared is walking a few steps ahead
- 5:53of her. They stopped the chat in the parking lot
- 5:55right if you were analyzing this video without knowing what
- 5:58happens next, There are no no aggressive gestures, no physical altercations.
- 6:03It is literally just two young adults.
- 6:05Speaker 2: On a Wednesday night, And the banality of that footage
- 6:07is such a crucial reminder violent escalation rarely looks like
- 6:11a movie scene leading up to the event.
- 6:13Speaker 1: Yeah, there's no dramatic music playing.
- 6:15Speaker 2: Exactly the most dangerous moments often incubate in environments of
- 6:19perceived safety or utter normalcy. The footage just establishes this
- 6:25baseline of voluntary association right up until the timeline abruptly fractures,
- 6:31and that fracture is immediate.
- 6:32Speaker 1: Ashley has a first shift job. She doesn't show up.
- 6:35She had a schedule viewing for a new apartment. She
- 6:37misses it entirely. Her phone goes completely dark.
- 6:40Speaker 2: And this is where the mother's response really diverges completely.
- 6:44Speaker 1: This is where Christine's reaction completely splits from how law
- 6:46enforcement initially handles the situation. Christine experiences this immediate visceral reaction.
- 6:53She just knows her daughter is in danger.
- 6:55Speaker 2: Mother's intuition, yeah, exactly.
- 6:57Speaker 1: But when she contacts the authorities, they essentially miss her.
- 7:00They tell her that an adult who hasn't returned a
- 7:02phone call for a day is not a missing person,
- 7:05and it certainly isn't a crime.
- 7:07Speaker 2: We really have to look at the mechanics of law
- 7:09enforcement triage.
- 7:09Speaker 1: Here, please, because it's frustrating.
- 7:11Speaker 2: It is frustrating, But police departments operate on statistical probability.
- 7:16The vast majority of adults who drop out of contact
- 7:19for twenty four or forty eight hours have not been victimized.
- 7:23They're dealing with a personal crisis, maybe a substance binge,
- 7:26or simply a dead cell phone battery. The bureaucratic machinery
- 7:30is designed to resist expending resources until there is physical
- 7:34proof that the statistical baseline has been broken.
- 7:37Speaker 1: But I struggle with that rigid statistical approach, I really do.
- 7:41Speaker 2: Why is that?
- 7:42Speaker 1: Well, if a mother is screaming that her daughter's baseline
- 7:45behavior has radically shifted, I mean missing work, missing important appointments,
- 7:51why doesn't that behavioral shift count as the proof they need?
- 7:55Speaker 2: Because behavioral shifts are subjective to a detective, a mother's
- 7:58panic is an emotional data point, not an evidentiary one.
- 8:02Speaker 1: Mm, that's cold.
- 8:03Speaker 2: It is cold, yeah, yeah. But until there is a
- 8:05broken window, a blood trail, or a verified threat, the
- 8:07system views the adult as autonomous and free to just
- 8:11ignore their mother, so they just wait right. This systemic
- 8:14friction is why cases go cold in the first forty
- 8:16eight hours. The only reason this particular case doesn't evaporate
- 8:20into the system is because Christine refuses to accept that
- 8:23bureaucratic stonewalling.
- 8:24Speaker 1: She totally refuses. She realizes no one is coming to help,
- 8:28so she goes on the offensive. And this decision by
- 8:30Christine to directly confront Jared is what forces his hand.
- 8:35Speaker 2: It's the catalyst, it really is.
- 8:37Speaker 1: It exposes his complete inability to manage a cover up.
- 8:41She leaves him a voicemail that is just incredibly intense.
- 8:43She says, I'm going to contact a police department. Those
- 8:47were promises, not threats. She is applying massive psychological pressure.
- 8:52Speaker 2: And Jared's response to that pressure provides us with a
- 8:55fascinating look at the cognitive load of deception.
- 8:57Speaker 1: Oh tell me about that. Well.
- 8:59Speaker 2: When someone is rust into a high stakes lie unexpectedly,
- 9:02their brain has to simultaneously invent a plausible alternative reality
- 9:06while ensuring that the new reality doesn't contradict established.
- 9:09Speaker 1: Facts, which is hard to do on the fly.
- 9:11Speaker 2: Extremely hard, and Jared fails on both fronts immediately, he
- 9:15really does.
- 9:16Speaker 1: He calls her back and spins this frantic narrative. He
- 9:20claims they were at the Hookah Lounge, Ashley lost her phone,
- 9:23she went back to look for it, and then she
- 9:25supposedly drove back to Kalamazoo to work a third shift, right,
- 9:29and Christine catches him immediately because Ashley works first shift,
- 9:33not third.
- 9:33Speaker 2: That is exactly the cognitive failure I'm talking about. Yeah,
- 9:36Jared is fabricating details just to get Christine off the phone,
- 9:40but he doesn't possess the foundational knowledge of Ashley's life
- 9:43to make the lie structurally sound.
- 9:46Speaker 1: He doesn't know her schedule.
- 9:47Speaker 2: Exactly, and when he realizes the work lie isn't landing,
- 9:51he pivots to a classic deflection tactic. He introduces a
- 9:54third party.
- 9:55Speaker 1: Right, He tells Christine that Ashley was with a guy
- 9:58named Demetrius. But this is where Jared severely underestimates Christine's tenacity.
- 10:03Speaker 2: Oh yeah, she doesn't just let that go, not at all.
- 10:06Speaker 1: She doesn't just write down the name Demetrius and wait
- 10:08for the cops. She tracks him down herself. She gets
- 10:11him on the phone, and Demetrius is entirely bewildered. He
- 10:14tells her he doesn't know any Ashley and has literally
- 10:16never met her daughter.
- 10:18Speaker 2: The introduction of Demetrius is a critical tactical error by Jared.
- 10:22Oh So, when cornered, an offender might throw out a
- 10:25name to diffuse immediate pressure. They assume the investigator or
- 10:29in this case, the mother, will take time to verify it.
- 10:32But Jared didn't brief Demetrius. Oh right, He didn't establish
- 10:36the alibi on both ends.
- 10:37Speaker 1: And we know exactly when Jared realizes his lie has
- 10:40collapsed too, because the investigators later uncover his digital footprint.
- 10:45Speaker 2: Yeah, the text messages right.
- 10:47Speaker 1: Right, after Christine speaks to Demetrius, Jared sends a panic
- 10:50text to him. The source quotes of verbatim, he texted,
- 10:54you just fed me over. I'm fed now thanks.
- 10:57Speaker 2: That text is the inflection point, it really is. It
- 10:59is the exact moment the psychological architecture of his cover
- 11:03up crumbles.
- 11:03Speaker 1: Because he knows he's caught in a lie.
- 11:05Speaker 2: Yes, and he is projecting his own failure onto Demetrius.
- 11:08He's blaming him for not corroborating a lie he was
- 11:10never even informed of. It shows a highly disorganized mind
- 11:14succumbing to the reality of his situation.
- 11:16Speaker 1: But the disorganization somehow takes a back seat to just
- 11:20sheer audacity. Because while Christine is launching this massive social
- 11:24media campaign and finally getting the state police involved, the
- 11:28digital heat starts bearing down on Jared.
- 11:30Speaker 2: The Facebook post yeah exactly.
- 11:32Speaker 1: People on Facebook are pointing out he was the last
- 11:34one scene with Ashley. Yeah, so what is his next move?
- 11:38He and his father, James physically walk into a police precinct.
- 11:41Speaker 2: This requires us to analyze the father, James Chance.
- 11:45Speaker 1: Yes, let's talk about James.
- 11:47Speaker 2: He is a man with over two decades of experience
- 11:50as a police officer. His involvement shifts the entire dynamic
- 11:54from a chaotic panic defender to a calculated institutional defense strategy.
- 11:58Speaker 1: They walk right up to the desk lieutenant, but they
- 12:01aren't there to report Ashley missing. James tells the lieutenant
- 12:04they are there to complain about Facebook harassment.
- 12:06Speaker 2: It's just wild.
- 12:07Speaker 1: He says, people are harassing his son online, claiming he
- 12:10was the last one with the missing girl. He even
- 12:13dangles the idea that the police should talk to Jared,
- 12:15but insists they need an attorney provided for them first.
- 12:18Speaker 2: This is a classic offensive defense. James is attempting to
- 12:23weaponize his own knowledge of police bureaucracy, trying to control
- 12:27the narrative exactly by initiating contact and framing Jared as
- 12:31the victim of cyber harassment, He is trying to seize
- 12:34control before the detectives can establish Jared as a suspect.
- 12:38He is trying to force the police to document an
- 12:40interaction where Jared is quote unquote cooperative but legally shielded.
- 12:46Speaker 1: It doesn't work. The lieutenant tells them the police don't
- 12:48provide attorneys for casual interviews.
- 12:51Speaker 2: They have to hire their own, and how does James react, James.
- 12:54Speaker 1: Becomes visibly enraged. He points his finger at the officer,
- 12:57waves his arms and goes, you make it a big mistake,
- 12:59that be where they just storm out of the lobby.
- 13:01Speaker 2: See that anger is highly performative.
- 13:03Speaker 1: You think it was fake?
- 13:04Speaker 2: Absolutely. James knows exactly how the right to counsel works.
- 13:08He was a cop for twenty years. His outrage is
- 13:11a theatrical display designed to establish a record of uncooperative innocence.
- 13:16Speaker 1: Uncooperative innocence wow.
- 13:18Speaker 2: Yeah. He is trying to lay the groundwork for a
- 13:20defense narrative that the police were hostile and unhelpful, which
- 13:24would then justify Jared's subsequent silence.
- 13:27Speaker 1: What makes this performance so deeply unsettling is the causal timeline,
- 13:32Because while James is screaming at a lieutenant about internet bullies,
- 13:36the actual physical reality of what Jared has done is
- 13:40unfolding back at his apartment building in grand rapids.
- 13:43Speaker 2: The timing overlaps perfectly.
- 13:45Speaker 1: It does. The contrast between the father's bureaucratic maneuvering in
- 13:48the police lobby and the gruesome biological reality at the
- 13:52apartment is just staggering.
- 13:54Speaker 2: It's hard to reconcile the two realities.
- 13:56Speaker 1: Let's shift to that apartment building and introduce a neighbor
- 13:58named Mario. Okay, so for a couple of days, Mario
- 14:02has been dealing with this increasingly horrific smell in his
- 14:05living space. He assumes it's a plumbing issue, maybe sewage
- 14:08backing up, so he takes it upon himself to go
- 14:10down into the basement of.
- 14:11Speaker 2: The building, which is usually blocked off right right.
- 14:14Speaker 1: It's a shared space, but normally blocked off for lock.
- 14:16But Mario's actions represent the standard civilian troubleshooting response exactly.
- 14:22Speaker 2: He is looking for a mechanical failure. He's completely unbourboned
- 14:26by the expectation of violence.
- 14:27Speaker 1: He heads down the stairs and notices a tarp laid
- 14:30out at the bottom. He actually steps over it, initially
- 14:33checks the pipes and finds nothing leaking, okay, But as
- 14:36he turns around head back up, he shines his flashlight
- 14:39directly onto the tarp, and that is when he sees
- 14:42a dark red liquid, clearly blood pooling and leaking from
- 14:46underneath the plastic.
- 14:48Speaker 2: And Mario's immediate reaction is actually the optimal response for
- 14:51preserving forensic integrity, though it was probably driven entirely by
- 14:55instinctual revulsion.
- 14:57Speaker 1: Yeah, he explicitly states in the records that he refuses
- 15:00to touch it. He said, I ain't going to touch
- 15:01it because I don't want to lift that up and
- 15:03see none of that.
- 15:03Speaker 2: Smart man.
- 15:04Speaker 1: He immediately retreats upstairs and calls nine to one one.
- 15:07Speaker 2: By not disturbing the tarp, Mario prevents the introduction of
- 15:10his own DNA or footprints or fibers to the immediate
- 15:14vicinity of the remains. He basically locks the scene in
- 15:16place for the professionals.
- 15:18Speaker 1: Thank good as he did, because when patrol officers arrive
- 15:21and confirm the presence of blood, they realize the gravity
- 15:24of the situation and call in the Special Response Team
- 15:27the SRT.
- 15:28Speaker 2: The SWAT team essentially right, the description of.
- 15:31Speaker 1: The bodycam footage from this raid is incredibly tense. The
- 15:35basement is pitch black. The SRT operators are clearing the
- 15:39subterranean space using only the weapon mounted lights on their
- 15:42rifles and handheld flashlights.
- 15:44Speaker 2: The sensory details documented by the first responders here are intense.
- 15:48Speaker 1: The smell alone, right, yes.
- 15:50Speaker 2: The intense odor of decomposition, combined with active blood trails
- 15:54trickling from the canvas. It immediately shifts their protocol from
- 15:57a potential rescue to a homicide scene preservation.
- 16:00Speaker 1: So they slowly navigate the stairs and their lights illuminate
- 16:03this large, heavy canvas bag sitting at the base of
- 16:06the steps. One of the operators leans down, notices a
- 16:10slight opening in the canvas and uses his flashlight to
- 16:13look inside.
- 16:14Speaker 2: And what does he see?
- 16:15Speaker 1: He identifies human skin. He doesn't open the bag further.
- 16:18He immediately orders the entire team to back out of
- 16:20the basement to lock it down for the crime scene.
- 16:22Speaker 2: Technicians, which is textbook procedure.
- 16:25Speaker 1: When the forensics team finally opens that canvas bag in
- 16:27a controlled environment, they are confronted with a heavily mutilated body.
- 16:32It is a female torso, but the head, both hands,
- 16:35and both feet have been completely removed.
- 16:38Speaker 2: We need to analyze the specific mechanics of this mutilation
- 16:41for a second.
- 16:42Speaker 1: Yeah, it's horrified, it is.
- 16:43Speaker 2: But the removal of those specific body parts the head,
- 16:46the hands, and the feet points toward a highly deliberate,
- 16:49calculated intent to deny identification so they can't figure out
- 16:53who it is exactly. The offender is attempting to eliminate
- 16:56dental records, facial recognition, and fingerprint analysis. This requires a
- 17:01chilling level of psychological detachment. You are no longer dealing
- 17:04with a person in a panic. You are dealing with
- 17:06someone executing a methodical process of deconstruction.
- 17:10Speaker 1: But wait, I have to stop you there.
- 17:12Speaker 2: Okay? Why?
- 17:12Speaker 1: Because if we are labeling this as a methodical, calculated
- 17:16attempt to destroy identification, how do we reconcile that with
- 17:20what the SRT finds when they read the upstairs apartment.
- 17:23Speaker 2: Ah?
- 17:24Speaker 1: Yes, because the upstairs scene entirely contradicts the idea of
- 17:27some criminal mastermind.
- 17:29Speaker 2: It does. The upstairs scene represents a total collapse of
- 17:33cognitive organization. It is where the adrenaline and the substance
- 17:36abuse just overtake the initial intent.
- 17:39Speaker 1: The SRT breaches Jared's apartment door and they find him inside,
- 17:44apparently fast asleep. Sleeping, Yes, seemingly fast asleep, and the
- 17:48apartment itself is described as a localized disaster area. Furniture
- 17:52is overturned, trash is everywhere, and right in the middle
- 17:56of the kitchen floor there is a very obvious two
- 17:58foot long stain that has been hastily covered in a
- 18:01white powder.
- 18:02Speaker 2: The white powder is indicative of an amateur cleanup effort.
- 18:06He's likely using baking soda or a similar household agent
- 18:09to absorb fluids.
- 18:10Speaker 1: Or mask odors, but it's clearly not working.
- 18:13Speaker 2: No, it is applied with a zero understanding of forensic.
- 18:15Speaker 1: Science, and the true extent of his incompetence is revealed
- 18:18when detective subpoena his credit card and bank records.
- 18:21Speaker 2: Oh, this part is just baffling.
- 18:23Speaker 1: They create a timeline that tracks Jarried to a local
- 18:25convenience store called Miss Tracey's, just down the street from
- 18:28his apartment. He visited this store multiple times over a
- 18:32thirty six hour period, alternating between cash and credit cards.
- 18:36Speaker 2: So he's leaving a massive digital paper trail, a huge one.
- 18:40Speaker 1: The security footage shows him purchasing bottles of ammonia, but
- 18:44it also captures him doing something utterly baffling. Early in
- 18:48the morning. The camera records him walking across the street
- 18:51and casually tossing a brightly colored bag into a public
- 18:54municipal trash bin.
- 18:56Speaker 2: And when investigators execute a search on that specific trash bin,
- 19:00they recover evidence that completely dismantles the methodical concealment theory
- 19:05we saw in the basement.
- 19:06Speaker 1: Inside the public trash bin, sitting right on top of
- 19:08the garbage. They find latex gloves. They find Ashley's purse.
- 19:12They find her state issued ID.
- 19:14Speaker 2: Which completely defeats the purpose of cutting off her hands
- 19:17and heads exactly.
- 19:18Speaker 1: And most incredibly, they find a pair of men's pants
- 19:22heavily saturated in athlete's blood and sewn into the waistband
- 19:26of those bloody pants is a name tag that reads
- 19:29Jared Chance.
- 19:30Speaker 2: I mean, this is a spectacular example of what we
- 19:31can call a cognitive short circuit.
- 19:33Speaker 1: A short circuit when.
- 19:34Speaker 2: An offender is operating under the dual influences of extreme
- 19:38psychological stress, you know, the realization of murder and chemical
- 19:42alteration from xanax in marijuana. Their executive function just degrades rapidly.
- 19:48Speaker 1: It's like they hyper fixate on one problem but completely
- 19:51ignore the context. Yes, it's like realizing your boat has
- 19:54a leak, so you put all your energy into furiously
- 19:58baling the water out with a bucket, but you were
- 20:00just throwing the water right back onto the deck of
- 20:02the boat.
- 20:03Speaker 2: That's a perfect analogy.
- 20:04Speaker 1: He understands he needs to get the bloody pants out
- 20:07of his apartment, but he completely fails to process the
- 20:10risk of putting them in a public trash can with
- 20:12his own name on them exactly.
- 20:14Speaker 2: The brain narrows its focus to the immediate vicinity. The
- 20:18thought process is, just the blood is in my apartment,
- 20:21I must remove it right. He buys the ammonia, likely
- 20:24a tactic he absorbed from popular media, thinking it's the
- 20:27quote unquote smart chemical solution, but the sheer physical and
- 20:31psychological exhaustion of dismembering a human body overwhelms his ability
- 20:36to execute the secondary phase of the cover up.
- 20:38Speaker 1: He just runs out of steam.
- 20:39Speaker 2: He tosses the evidence in the nearest bin because he
- 20:42simply lacks the stamina and the mental clarity to dispose
- 20:45a bit properly.
- 20:46Speaker 1: And this massive failure in his solo cleanup effort transitions
- 20:50this into the most disturbing phase of this investigation, the family. Yes,
- 20:55Jared realizes he cannot manage this scene alone. His apartment
- 20:59is covered in evidence, the body is only halfway concealed,
- 21:02and the police are circling. So he reaches out for help,
- 21:06and the people who answer that call are his parents, And.
- 21:09Speaker 2: This case morphs from a disorganized homicide into a coordinated
- 21:13family conspiracy, and.
- 21:14Speaker 1: This is where the involvement of a twenty year police
- 21:16veteran becomes the central focus of the investigation. The police
- 21:20know James Chance's background and they know the parents live
- 21:23in a neighboring jurisdiction, Holland, Michigan.
- 21:26Speaker 2: So they secure a search warrant for the parents home.
- 21:29Speaker 1: They do. Detectives secure the warrant and as they are
- 21:31searching the living room, they look underneath the couch and
- 21:35they're hidden under the sofa is a power tool, specifically
- 21:38a reciprocating.
- 21:39Speaker 2: Saw under the living room couch.
- 21:41Speaker 1: Yes, and the source documents detail that investigators didn't even
- 21:45need a microscope to see the biological evidence. There was
- 21:49visible flesh, hair, and bone fragments caught in the teeth
- 21:52of the blade. Expedited DNA testing confirmed it was matched
- 21:56to Ashley Young.
- 21:57Speaker 2: I mean a reciprocating saw is a heavy duty demolition tool.
- 22:01From a forensic pathology standpoint, it is exactly the type
- 22:04of instrument required to sever human longbones and vertebrae efficiently.
- 22:08Speaker 1: It's horrifying finding.
- 22:10Speaker 2: The murder weapon hidden under the living room couch of
- 22:12a former police officer implies a level of active complicity
- 22:16that goes far beyond simply turning a blind eye.
- 22:19Speaker 1: I just can't wrap my head around the logistics of this.
- 22:21What part If James is a twenty year cop, he
- 22:24knows about luminol, he knows about DNA transfer, he knows
- 22:27about search warrants. How does a trained officer think hiding
- 22:30a saw covered in victim DNA under his own couch
- 22:33is a viable strategy?
- 22:34Speaker 2: It makes no offense.
- 22:35Speaker 1: Did he think his badge made his house invisible to
- 22:37a judge?
- 22:38Speaker 2: It is a profound manifestation of the sunk cost fallacy
- 22:42amplified by familial loyalty. James has spent his entire career
- 22:46on one side of the interrogation table.
- 22:48Speaker 1: Right.
- 22:48Speaker 2: He likely believed that his institutional status, combined with a
- 22:52performative display of cooperation like we saw at the police station,
- 22:56would deflect a deep dive into his personal property.
- 22:59Speaker 1: So he thought the look.
- 23:00Speaker 2: Yes, he underestimated the modern forensic apparatus because his primary
- 23:05drive was the immediate preservation of his son. The logic
- 23:09of a detective was completely overridden by the desperation.
- 23:12Speaker 1: Of a father, and that desperation leads to a vehicular
- 23:16cover up that is almost too macob to believe. Through
- 23:19neighborhood surveillance and witness statements, detectives pieced together the timeline
- 23:24of how that saw got to Holland. Didn't just walk there, No,
- 23:27Jared's brother Conrad, along with the parents James and Barbara,
- 23:31drove their Honda from Holland to Jared's apartment in Grand Rapids.
- 23:35They actively helped load items from the crime scene into
- 23:38the trunk of their family car.
- 23:40Speaker 2: We really have to analyze the physical reality of the
- 23:42items they were loading, because they weren't moving boxes of clothes.
- 23:46Speaker 1: They loaded a mop and a bucket that, according to
- 23:49the sources, emanated a horrific odor of bleach and decomposition,
- 23:54and then they loaded a heavily taped brown cardboard Amazon box.
- 23:59Oh Man police investigation later confirms that this specific Amazon
- 24:03box contained Ashley's severed arms and legs.
- 24:06Speaker 2: Just consider the sensory environment inside that Honda. I don't
- 24:09even want to the smell of decaying human remains mixed
- 24:13with industrial cleaning chemicals in the enclosed space of a sedan.
- 24:17There is absolutely no plausible deniability regarding the nature of
- 24:20the cargo. The entire family is acutely aware that they
- 24:25are transporting biological evidence, and they.
- 24:27Speaker 1: Don't just drive point A to point B in the
- 24:29dead of night. The timeline shows they drove around town
- 24:31in broad daylight. They actually stopped and when shopping at Costco.
- 24:34Speaker 2: Wait, they went to Costco.
- 24:36Speaker 1: Yes, they went to Costco with the box in the car.
- 24:39They also parked at the Grand Rapids police station. This
- 24:42is when James went inside to yell at the lieutenant
- 24:45about Facebook.
- 24:45Speaker 2: That is just sur rich.
- 24:47Speaker 1: Ashley's limbs were sitting in a cardboard box in the
- 24:49parking lot while he was inside, demanding police protection for
- 24:53his son. And then, inexplicably, after this bizarre road trip,
- 24:58they drive back to Jared's partartment and give the bogs
- 25:01back to him.
- 25:02Speaker 2: The psychological compartmentalization required to run errands at a wholesale
- 25:07warehouse while human remains are decomposing in your trunk is staggering.
- 25:11Speaker 1: How do you even do that?
- 25:12Speaker 2: It suggests a family dynamic entirely detached from moral reality,
- 25:16operating solely on a tactical imperative to manage Jared's mess,
- 25:21But taking the box back to Jared indicates a fracture
- 25:24in their plan.
- 25:24Speaker 1: They change their minds.
- 25:26Speaker 2: They likely realize the impossibility of permanently disposing of the
- 25:29remains themselves without triggering a massive investigation in their own jurisdiction,
- 25:34so they return the liability to the point of origin and.
- 25:37Speaker 1: This coordinated effort completely collapses once the police execute the
- 25:41warrants and bring the parents in for interrogation.
- 25:43Speaker 2: The interrogation transcripts are fascinating.
- 25:45Speaker 1: Yeah, they really are. They provide a look at how
- 25:48this family tries and ultimately fails to outmaneuver the detectives
- 25:53in the box. Let's look at the mother, Barbara first.
- 25:57Speaker 2: The strategy in an interrogation when facing overwhelming physical evidence
- 26:01is often to concede the evidence but dispute the intent.
- 26:05Speaker 1: Exactly when the prosecutor applies leverage to Barbara, explicitly threatening
- 26:10her with a perjury charge, which carries a potential life
- 26:14sentence when attached to a homicide investigation, she suddenly produces
- 26:18a highly detailed narrative.
- 26:20Speaker 2: A very convenient narrative.
- 26:22Speaker 1: She claims Jared came to her weeping and confessed to
- 26:25a tragic quote unquote.
- 26:27Speaker 2: Accident, and the narrative she constructs is highly calibrated to
- 26:30mitigate legal exposure for murder.
- 26:32Speaker 1: She tells detectives that Jared claimed he and Ashley were
- 26:34drinking and playing with a point two two caliber revolver.
- 26:38According to Barbara, Jared said she was my friend. I
- 26:40would never kill.
- 26:41Speaker 2: Anybody, so she's setting up the victim.
- 26:43Speaker 1: Right. The story is that Ashley was recklessly pointing the
- 26:46gun at her own face, the weapon discharged accidentally, and
- 26:50she died instantly. Jared, being a felon who wasn't allowed
- 26:53to be around firearms, allegedly panicked, assumed the police would
- 26:57frame him for murder. In a state of sheer terror,
- 27:01decided to dismember the body to hide the accident.
- 27:04Speaker 2: Notice the architecture of this lie. It achieves two crucial
- 27:08legal goals for the defense.
- 27:10Speaker 1: What are they?
- 27:11Speaker 2: First, it completely shifts the culpability for the death onto
- 27:14the victim herself. It was her reckless behavior that caused
- 27:18the fatal outcome, right blaming Ashley. Second, it provides a
- 27:22non malicious explanation for the mutilation. It frames the dismemberment
- 27:26not as an act of cold blooded concealment, but as
- 27:29a flawed, panic induced response by a marginalized individual terrified
- 27:34of the justice system.
- 27:36Speaker 1: It's a textbook attempt to establish reasonable doubt regarding the
- 27:39charge of murder.
- 27:40Speaker 2: It really is.
- 27:41Speaker 1: But the architecture of that lie starts to crack when
- 27:43detectives put James in the interrogation room. James attempts to
- 27:47play a very specific character.
- 27:48Speaker 2: Oh this part.
- 27:50Speaker 1: The detective notes that James adopts the persona of a doddering,
- 27:53forgetful old man who is just overwhelmed by the situation
- 27:56and can't quite recall the exact details his son told.
- 27:59Speaker 2: Him, which is a known counter interrogation tactic.
- 28:02Speaker 1: Really playing dumb.
- 28:03Speaker 2: Yeah, feigning cognitive decline or confusion forces the interrogator to
- 28:08slow down, repeat questions, and show their hand. It gives
- 28:12the suspect time to formulate safe answers.
- 28:15Speaker 1: But James makes a catastrophic linguistic error. He is recounting
- 28:19the accident story to the detective, explaining how the gun
- 28:22went off, and he says out loud, he pointed, I
- 28:27mean she pointed.
- 28:28Speaker 2: That slip of the pronoun is everything is a massive
- 28:31slip in cognitive linguistics. When a subject is maintaining a
- 28:34complex fabrication, their working memory is overloaded. The truth that
- 28:39Jared point to the gun is the foundational memory, and the.
- 28:41Speaker 1: Lie requires active suppression of.
- 28:43Speaker 2: That truth, exactly the lie that Ashley pointed. It requires
- 28:47active suppression under the stress of the interrogation. The suppression
- 28:50mechanism fails for a fraction of a second, and the
- 28:52foundational truth just slips out.
- 28:54Speaker 1: The detective immediately pounces on it. He points directly at
- 28:57James and says, you just said he pointed, and and
- 29:00stop yourself. Godam. James desperately tries to backtrack, claiming he
- 29:04just misspoke, but the energy in the room shifts completely.
- 29:08He knows he just validated the theory that Jared pulled
- 29:11the trigger.
- 29:12Speaker 2: And observe how James reacts when his control over the
- 29:15narrative is broken. He abandons the doddering old man routine
- 29:19and reverts to aggressive victimhood, just like he did at
- 29:23the police station lobby.
- 29:24Speaker 1: It's incredible. He looks at the detective and says, we're
- 29:27all victims here. I'm a victim of this too, and
- 29:29I'm offended. I've been charged with a felony because of
- 29:31the way the system is set up. So offended, he
- 29:34actually compares the detectives investigating him for concealing a dismembered
- 29:38body to living under communism.
- 29:40Speaker 2: It is the ultimate expression of institutional narcissism.
- 29:44Speaker 1: He genuinely believes that his status as a former officer
- 29:48should inoculate him from the consequences of his actions. When
- 29:51the system treats him like any other suspect, he perceives
- 29:54it as a structural betrayal rather than a consequence of
- 29:58his own criminal behavior.
- 29:59Speaker 2: But p derogation dynamic forces a massive problem onto the
- 30:02desk of the prosecution because.
- 30:04Speaker 1: The parents interdect the accident theory.
- 30:06Speaker 2: Yes, because regardless of James's slip up, the parents have
- 30:10now officially injected the tragic accident narrative into the record.
- 30:14They have conceded the mutilation, but offered a plausible alternative
- 30:18to premeditated murder.
- 30:20Speaker 1: So how does this state legally dismantle a prepackaged defense
- 30:24when the physical evidence of the death itself has been
- 30:26intentionally destroyed. This brings us to the trial.
- 30:29Speaker 2: And the deeply complex legal strategy required to secure a conviction.
- 30:34Speaker 1: Here, the prosecution is operating at a severe disadvantage.
- 30:37Speaker 2: They really are, because they are facing an evidentiary void.
- 30:41They have the perpetrator, and they have the remains, but
- 30:43the mechanism connecting the two is missing.
- 30:46Speaker 1: Let's break down the charges. Jared is indicted on second
- 30:49degree murder, tampering with evidence, mutilation of a dead body,
- 30:53and concealing a death.
- 30:54Speaker 2: The glaring omission here is first degree.
- 30:56Speaker 1: Murder, Right, why no first degree?
- 30:58Speaker 2: To secure a first degree murder conviction in Michigan, the
- 31:01state must prove premeditation and deliberation. They have to prove
- 31:05Jared planned to kill Ashley before he acted, which they
- 31:08can't do because there are no witnesses to the actual event,
- 31:12no electronic communications outlining a plan, and because the state
- 31:16of the remains prevents any analysis of defensive wounds or
- 31:19the sequence of injuries. Premeditation is forensically impossible.
- 31:23Speaker 1: To prove, so they're forced to proceed with second degree.
- 31:26Speaker 2: Murder, yes, which requires proving he intentionally caused her death,
- 31:29but not that he planned it in advance.
- 31:31Speaker 1: But even proving second degree murder is a monumental task
- 31:35because of the medical examiner's testimony.
- 31:37Speaker 2: The emme's testimony is a huge hurdle.
- 31:40Speaker 1: The em takes the stand and he has to admit
- 31:42a devastating forensic limitation because investigators never recovered Ashley's head, hands,
- 31:47or feet. Theme cannot scientifically determine exactly how she died.
- 31:51Speaker 2: He has to classify the death officially as a homicide
- 31:54by unspecified means. Unspecified means, the pathology report essentially states
- 31:59a negative emmy testifies that there were no fatal, life
- 32:02ending injuries to the torso, the arms, or the legs. Therefore,
- 32:06by a process of anatomical elimination, whatever killed Ashley must
- 32:10have occurred from the neck up.
- 32:11Speaker 1: So they guess it was a head injury.
- 32:13Speaker 2: Right. Theme can hypothesize that it was likely blunt force
- 32:17trauma to the skull or a gunshot to the head,
- 32:20but without the physical skull to examine for fractures or ballistics,
- 32:24it remains a hypothesis, not a medical certainty, and.
- 32:27Speaker 1: The defense team seizes on this limitation brilliantly.
- 32:31Speaker 2: It's what they have to do.
- 32:32Speaker 1: They stand before the jury and argue, the state has
- 32:35zero physical evidence that my client caused this woman's death.
- 32:40The medical examiner just told you he doesn't know how
- 32:42she died.
- 32:42Speaker 2: They lay it all out.
- 32:44Speaker 1: They say it could have been a sudden medical event,
- 32:45it could have been a suicide, or it could have
- 32:48been exactly what Jared told his mother a tragic accident
- 32:50where she shot herself.
- 32:52Speaker 2: The defense concedes that Jared mutilated the body. I mean,
- 32:55they have to his DNA and the saw make it undeniable.
- 32:58But they argue thattting up a corpse does not legally
- 33:01prove that you actually created the corpse.
- 33:03Speaker 1: It is a highly cynical legal maneuver, but it is
- 33:06structurally sound.
- 33:08Speaker 2: It is the burden of proof rests entirely on the
- 33:11state to prove beyond a reasonable doubt that Jared committed
- 33:15the act of murder. If the state's own medical expert
- 33:18cannot definitively state the cause of death, that constitutes a
- 33:22textbook definition of reasonable doubt.
- 33:24Speaker 1: Well, I have to pause and push back on the
- 33:26philosophy the justice system here.
- 33:27Speaker 2: Okay, let's hear it, because listening to.
- 33:30Speaker 1: This defense strategy, it feels like the system is actively
- 33:33rewarding a killer for being brutal enough to successfully destroy
- 33:39the specific anacomical evidence that would convict him.
- 33:42Speaker 2: It does feel that way.
- 33:43Speaker 1: If you kill someone and leave the body, you get convicted.
- 33:45Speaker 2: Yeah.
- 33:45Speaker 1: If you kill someone and saw their head off so
- 33:47that Emmy can't find the bullet, you get to argue
- 33:50reasonable doubt.
- 33:51Speaker 2: It's a loophole of brutality.
- 33:52Speaker 1: It's like a student getting caught cheating on a final exam,
- 33:55and right before the principal grabs the paper, the student
- 33:58literally eats the tat and then the student argues, well,
- 34:02you can't suspend me because you don't have the physical
- 34:04test to prove I got the answers wrong.
- 34:06Speaker 2: That is exactly what it's like.
- 34:07Speaker 1: It feels like a massive glitch in the legal matrix.
- 34:10Speaker 2: Your analogy is entirely accurate. It is a recognized vulnerability
- 34:14in adversarial legal systems. It's often referred to as the
- 34:18no body or destroyed evidence hurdle.
- 34:20Speaker 1: How do prosecutors even get around that?
- 34:22Speaker 2: When an offender successfully eliminates the primary forensic indicators of homicide,
- 34:27they force the prosecution to abandon hard science and rely
- 34:31entirely on behavioral logic and circumstantial evidence.
- 34:34Speaker 1: Which is much harder for a jury to grasp, much harder.
- 34:37Speaker 2: The state has to weave a web of surrounding facts
- 34:40so tight that the accident theory becomes logically impossible for
- 34:43a jury to accept.
- 34:45Speaker 1: And the prosecution does weave that web, relying heavily on
- 34:48the testimony of two key witnesses who establish a pattern
- 34:51of extreme relevant.
- 34:52Speaker 2: Behavior, the first being the brother.
- 34:55Speaker 1: Yes. The first is Jared's own brother, Conrad.
- 34:57Speaker 2: Conrad's testimony is the lynchpin in and destroying the mother's
- 35:01claim that Ashley was the one carelessly playing with the firearm.
- 35:04Speaker 1: Conrad takes the stand and recounts an incident that occurred
- 35:07in Jared's apartment just days prior to the murder. He
- 35:10testifies that he, Jared, and Ashley were hanging out smoking marijuana,
- 35:14and then what happens out of nowhere, Jared produces a
- 35:18point two to two caliber revolver. He points the barrel
- 35:21directly at Conrad's chest and pulls the trigger.
- 35:24Speaker 2: He executes a dry fire at center mass, without checking
- 35:27the cylinder and without checking the safety mechanism.
- 35:29Speaker 1: Exactly, just a sudden, unprovoked click, and Conrad testifies that
- 35:34it was Ashley who immediately reprimanded Jared. Oh wow, yes,
- 35:37she yelled at him, saying You're never supposed to do that.
- 35:40Speaker 2: This testimony is devastating to the defense. It establishes two
- 35:44critical facts.
- 35:45Speaker 1: For the jury that he had the gun.
- 35:47Speaker 2: Yes. First, it proves Jared had access to a point
- 35:49two two revolver in the immediate timeframe of the murder. Second,
- 35:53it demonstrates that Jared, not Ashley, was the one who
- 35:56exhibited grossly reckless lethal behavior with that specific weapon.
- 36:01Speaker 1: It flips the mother's narrative.
- 36:03Speaker 2: Entirely, completely flips it.
- 36:04Speaker 1: Then the prosecution calls Mario, the neighbor who discovered the
- 36:07blood in the basement. Mario testifies that a few weeks
- 36:11before the murder, Jared had been bragging to him in
- 36:14the hallway, bragging about what Jared showed. Mario that same
- 36:17point two to two revolver claimed that his father used
- 36:21to be affiliated with the Irish mob and explicitly boasted
- 36:24that he knew how to get away with murder and
- 36:27specifically how to clean up blood.
- 36:29Speaker 2: So the prosecution has meticulously built a circumstantial profile.
- 36:34Speaker 1: They really painted a picture.
- 36:35Speaker 2: The jury is now looking at a defendant who has
- 36:37a history of stealing from the victim, who drive fires
- 36:41weapons at his family members, who brags about knowing how
- 36:44to conceal a homicide, and who then miraculously has the
- 36:47woman in his apartment die of an accident that just
- 36:50happens to require him to clean up blood and conceal
- 36:52a homicide.
- 36:53Speaker 1: Yeah, the coincidence is just too much.
- 36:54Speaker 2: The statistical probability of all these factors aligning around an
- 36:57innocent accident is vanishingly small.
- 37:00Speaker 1: But the prosecutor knows that circumstantial evidence can still leave
- 37:03run for a hesitant juror. He needs a visceral emotional
- 37:07anchor to finally sink the accident.
- 37:09Speaker 2: Defense, and he achieves this during his closing arguments.
- 37:12Speaker 1: He does with what I can only describe as a
- 37:15tactical masterstroke. The prosecutor walks into the center of the
- 37:19courtroom holding the actual physical evidence, the reciprocating saw.
- 37:25Speaker 2: It is an appeal to tactile reality.
- 37:27Speaker 1: Yes, he is forcing the jury to confront the physical
- 37:30brutality of the crime, moving them away from abstract legal
- 37:34theories about burdens of proof, just.
- 37:36Speaker 2: Putting the horror right in their hands.
- 37:38Speaker 1: Essentially, he holds this heavy power tool, knowing it still
- 37:41has traces of Ashley's DNA on the blade. He looks
- 37:44directly into the jury box and he asks a brilliant,
- 37:47horror fyally simple question.
- 37:49Speaker 2: What do you say?
- 37:50Speaker 1: He says, Look at the person sitting to your right,
- 37:52Imagine that they suddenly die of a tragic accident, right now,
- 37:56if you had nothing to do with their death, would
- 37:58your first instinct be to take this saw, cut their
- 38:00head off when you saw their arms off and their
- 38:02legs off, and then go to the store to buy
- 38:04ammonia to cover it up.
- 38:05Speaker 2: The brilliance of that argument lies in its appeal to
- 38:09universal human behavior.
- 38:10Speaker 1: Right, what would a normal person do?
- 38:12Speaker 2: Exactly? The prosecutor is bypassing the medical examiner's lack of
- 38:16a cause of death by arguing that the extremity of
- 38:18the mutilation is the proof of malice. Innocent people who
- 38:22witness a tragic accident experience shock, They experience grief. They
- 38:27call nine to one one.
- 38:27Speaker 1: They don't start dismembering a friend.
- 38:29Speaker 2: They do not initiate a methodical, multi day biological demolition project.
- 38:36The sheer scale of the cover up inherently destroys the
- 38:39presumption of innocence, and.
- 38:41Speaker 1: The jury clearly agrees with that behavioral logic. They don't
- 38:44buy the accident narrative for a second. The deliberation is swift,
- 38:48and the verdict is absolute.
- 38:50Speaker 2: Guilty on all counts.
- 38:51Speaker 1: They find Jared Chance guilty on all counts. Yeah, second
- 38:53degree murder tampering with evidence, mutilation of a dead body,
- 38:57and concealing a death.
- 38:59Speaker 2: It represents a trymph of circumstantial logic over a manufactured
- 39:02forensic void. The jury looked at the totality of the
- 39:05circumstances and recognized the truth beneath the missing evidence.
- 39:09Speaker 1: But securing a guilty verdict is just the procedural end
- 39:11of a trial. It doesn't address the.
- 39:13Speaker 2: Human costs the sentencing hearing.
- 39:15Speaker 1: Yes, this transitions us to the sentencing hearing, which forces
- 39:19us to step away from the cold mechanics of legal
- 39:22strategy and confront the raw, enduring devastation that this crime
- 39:27inflicted on the family.
- 39:28Speaker 2: The transcripts from the sentencing hearing in this case document
- 39:31one of the most harrowing and emotionally dense victim impact
- 39:35statements on record.
- 39:36Speaker 1: Christine Young, Ashley's mother, takes the podium to address the
- 39:40court and to directly address the man who murdered her daughter,
- 39:44and she brings a visual.
- 39:45Speaker 2: Aid which is just heartbreaking.
- 39:48Speaker 1: She is holding a small decorative box. She explains to
- 39:51the courtroom that this box contains what little ashes the
- 39:54family was able to recover.
- 39:55Speaker 2: Of Ashley because he disposed of so much.
- 39:57Speaker 1: Of her right. Because Jared successfully disposed of her head, hands,
- 40:01and feet, the family was denied even the solace of
- 40:04a complete burial. Christine stands there and says, this is
- 40:07what's left of my daughter. If I want to hug,
- 40:09I have to hug a box. Close my eyes and
- 40:11pretend that she is hugging me back.
- 40:13Speaker 2: It is a stark, physical manifestation of profound grief. She
- 40:16is forcing the court and the offender to look at
- 40:19the literal reduction of human life into a fraction of ash.
- 40:23Speaker 1: And her grief is matched only by her fury. She
- 40:27looks directly at Jared, who is sitting at the defense table,
- 40:30and she says, I want to rip you limb from
- 40:32limb and discard you like trash, just like what you
- 40:35did to Ashley.
- 40:36Speaker 2: Wow.
- 40:36Speaker 1: She tells him that he enjoys tormenting people, that he
- 40:39feeds on the pain he causes, but she refuses to
- 40:42give him the final victory. She squares her shoulders and declares,
- 40:46you are never going to take from us Ashley's.
- 40:48Speaker 2: Spirit and the source documents note a highly disturbing behavioral
- 40:52detail during this entire statement about Jared. Yes, while a
- 40:56grieving mother is pouring out this visceral agony. Jared Chance
- 41:00sat at the defense table exhibiting a completely flat effect,
- 41:04zero emotion, zero remorse, not even defensive anger.
- 41:08Speaker 1: He was a blank wall, just dead inside, completely, and
- 41:11the judge presiding over the case takes specific note of
- 41:13this absolute lack of humanity. When the judge formally delivers
- 41:17the sentence, he abandons the typically measured, bureaucratic language of
- 41:20the bench.
- 41:21Speaker 2: He really goes after him.
- 41:22Speaker 1: The rhetoric he uses is unprecedented in its severity. He
- 41:26explicitly labels Jared Chance a psychopath. On the record, he
- 41:30states that Jared is a monster, entirely devoid of a conscience,
- 41:34theorizing that Jared likely killed Ashley simply to see what
- 41:38it felt like to take a life and to see
- 41:40if he possessed the cunning to get away with it.
- 41:42Speaker 2: The judge's rhetoric touches on a fundamental debate within the
- 41:45criminal justice system, the balance between rehabilitation and incapacitation.
- 41:50Speaker 1: Right, because some people can't be rehabilitated exactly.
- 41:53Speaker 2: The defense had argued earlier in the process that the
- 41:55prosecution and the family were merely seeking vengeance, not justice,
- 41:59but the judge's ruling clarifies that when the court is
- 42:02confronted with an offender who displays psychopathic traits, specifically a
- 42:07total lack of empathy and a willingness to engage in
- 42:09grotesque post mortem violence, the duty of the court shifts
- 42:13entirely away from rehabilitation. The goal changes, yes, the primary
- 42:16mandate becomes the absolute permanent protection of society. Incapacitation is
- 42:21the only logical response to a predator who views human
- 42:24beings as disposable material.
- 42:26Speaker 1: And the judge ensures that incapacitation is permanent. He sentences
- 42:31Jared Chance to a minimum of one hundred years up
- 42:34to a maximum of two hundred years in the Michigan Department.
- 42:37Speaker 2: Of Corrections, so he's never getting out never.
- 42:40Speaker 1: The judge explicitly states on the record that he mathematically
- 42:44structured the sentence this way to guarantee that Jared will
- 42:47not even be eligible for his first parole hearing until
- 42:50he's one hundred and thirty years old.
- 42:52Speaker 2: It is a de facto life sentence without the possibility
- 42:54of parole, ensuring that Jared will expire within the prison system.
- 42:58Speaker 1: Before we conclude the legal fall out, we have to
- 43:01address the fate of the parents, because this was, as
- 43:04investigators labeled it, a family.
- 43:06Speaker 2: Affair, right James and Barbara the mother.
- 43:08Speaker 1: Barbara eventually recognized the reality of the situation and pled
- 43:12guilty to her role in the cover.
- 43:13Speaker 2: Up, but James fought it.
- 43:15Speaker 1: The father, James stubbornly refused to accept culpability and took
- 43:19his chances with a jury trial. His jury ultimately deadlocked,
- 43:23resulting in a hung jury on the perjury charge, but
- 43:26they successfully convicted him of being an accessory after the
- 43:29fact to the mutilation of a dead body.
- 43:31Speaker 2: A man who spent two decades enforcing the law wearing
- 43:35a badge ends up with a felony conviction for utilizing
- 43:38his family vehicle to transport the dismembered remains of a
- 43:41woman his son murdered.
- 43:43Speaker 1: It's hard to even fathom.
- 43:45Speaker 2: The systemic irony and the moral collapse required for that
- 43:48outcome are difficult to overstate, But as.
- 43:51Speaker 1: We look at the aftermath of all these convictions, there
- 43:54is one chilling reality that hangs over this entire.
- 43:58Speaker 2: Narrative like a shadow, missing pieces.
- 44:00Speaker 1: See exactly, even after being condemned to spend a century
- 44:03in a concrete cell, even after watching both of his
- 44:06parents become convicted felons for trying to save him. Jared
- 44:09Chance has maintained absolute silence on one specific issue.
- 44:13Speaker 2: He won't say where the rest of her is.
- 44:14Speaker 1: He has continually refused to reveal the location of the
- 44:17rest of Ashley's remains. Her head, her hands, and her
- 44:21feet have never been recovered. They are still out there,
- 44:24hidden in the dark.
- 44:25Speaker 2: From a psychological perspective, this refusal is the ultimate indicator
- 44:29of Jared's pathology. How So, for an individual who has
- 44:32been stripped of all physical autonomy, his freedom, his privacy,
- 44:36his future, withholding that specific geographic information is the single
- 44:40piece of currency he has left.
- 44:42Speaker 1: It's a power play.
- 44:43Speaker 2: It is his final pathetic mechanism for maintaining dominance. By
- 44:48keeping that secret, he's actively choosing to inflict continuous, daily
- 44:52psychological pain on Christine and her family from inside his cell.
- 44:56It is the only power he still wields.
- 44:58Speaker 1: It is an active, ongoing cruelty. So, as we wrap
- 45:02up this incredibly heavy deep dive, we have traced a
- 45:04path from Ashley's dangerous reliance on extreme empathy, through a
- 45:08chaotic bloodsilk department into a bizarre vehicular cover up engineered
- 45:13by a former cop, and finally into a courtroom where
- 45:15a prosecutor used human logic to defeat a lack of
- 45:18forensic science.
- 45:19Speaker 2: It's a lot to process, it is, but.
- 45:21Speaker 1: The enduing image is a mother holding a small box,
- 45:24refusing to let a monster erase her daughter's spirit.
- 45:27Speaker 2: And as we step away from the timeline of the case,
- 45:29I want to leave you the listener with a broader
- 45:32psychological concept to reflect on. It isn't explicitly named in
- 45:36the court transcripts, but it is the invisible weight pressing
- 45:39down on every word. Christine spoke, what is that? It
- 45:42is a phenomenon known in psychology as ambiguous loss.
- 45:47Speaker 1: Ambiguous loss? How does that differ from standard grief?
- 45:51Speaker 2: When a loved one passes away in a definitive manner,
- 45:54the grieving process is horrific, but it has a defined shape.
- 45:58Speaker 1: Like you have a funeral, you bury that right.
- 46:01Speaker 2: There is a body, a funeral, a clear ending to
- 46:03the physical narrative, which allows the psychological healing to eventually begin.
- 46:08But when an individual's remains are intentionally withheld or never recovered,
- 46:11the grieving process is frozen in a state of suspension
- 46:14because there's no closure. The human brain struggles to fully
- 46:17process the finality of the death. Because the physical puzzle
- 46:20remains incomplete, the family is trapped in an agonizing limbo
- 46:24between knowing the person is gone and lacking the physical
- 46:27proof to finalize the goodbye. It is an ongoing, daily
- 46:31psychological torture which.
- 46:33Speaker 1: Begs a massive structural question about how our justice system
- 46:37handles these specific types of.
- 46:39Speaker 2: Offenders precisely, which leads to the question, I want you
- 46:42to maul over okay? Should the legal system explicitly recognize
- 46:46and penalize the intentional infliction of ambiguous loss?
- 46:49Speaker 1: Oh? Interesting?
- 46:50Speaker 2: When a convicted murderer actively refuses to disclose the location
- 46:54of a victim's remains, knowing the specific unending trauma causes,
- 46:59should that refusal be prosecuted as an entirely separate, continuous.
- 47:02Speaker 1: Crime, like an ongoing charge.
- 47:04Speaker 2: Should we develop legal mechanisms, perhaps escalating punitive measures or
- 47:09specific civil liabilities, to penalize offenders who attempt to weaponize
- 47:13a family's grief as their final act of control.
- 47:16Speaker 1: That is a profound question to walk away with because
- 47:19the reality is right now for Christine and her family,
- 47:22the picture is still incomplete. The puzzle is still missing. Pieces,
- 47:26and the man who broke it gets to hold those
- 47:28pieces hostage in the dark.
- 47:29Speaker 2: Yeah.
- 47:30Speaker 1: Thank you for joining us on this deep dive. It
- 47:32is a grueling journey, but understanding the mechanics of these
- 47:35events is how we learn to protect ourselves in our communities.
- 47:39Speaker 2: Stay safe out there, keep.
- 47:41Speaker 1: Asking the hard questions, look out for the people around you,
- 47:44and keep questioning the world. We'll see you next time.