Latest / 22 Panels - A Comic Book Podcast / Heroes of Bronze Book Club #4 - Secret Crisis pt. 1
Transcript
- 0:01Tad Eggleston: Good morning, everybody. Welcome back to 22 Panels and the Heroes of Bronze Book Club. I am joined by a triumvirate from the City Lit Theater.
- 0:14Tad Eggleston: today, as… as Mark Pracht and… and Sharon Harklerode have been joined by Brian Pastor. So… so now… now we're just, like…
- 0:24Tad Eggleston: This, this could be the City Lit podcast, particularly, particularly because…
- 0:28Tad Eggleston: Dan's not here. Brian's agreed to be the new Dan, at least until next month, when hopefully Dan will be back.
- 0:37Tad Eggleston: So, we are discussing the Issues 1 of Secret Wars and Crisis on Infinite Earth.
- 0:45Tad Eggleston: One of them I had read many, many, many, many times before. In fact, it was the first comic I ever purchased.
- 0:53Tad Eggleston: And… and the other I read for the first time this week. And,
- 1:00Tad Eggleston: it saddens me on one level to say that the one that I read for the first time this week was waaaay better than the one that I read many, many, many, many times before. But the one I read many, many times before had all of the heroes on the cover.
- 1:19Tad Eggleston: And therefore, To the 4-year-old me.
- 1:22Tad Eggleston: was.
- 1:24Mark Pracht: I would have to tell you that the wraparound cover of Crisis on Infinite Earths 1 pretty much has all the heroes on it, too.
- 1:31Tad Eggleston: I know, but I think the comic shop had closed by the time that one came out.
- 1:37Sean Harklerode: But none of them show up in the book.
- 1:39Tad Eggleston: I don't remember… I don't remember seeing that on the shelves.
- 1:43Mark Pracht: That's not… wait, wait, that's not true. Crisis on Infinite Earths Ones, the, there's Earth 2, Superman, Pariah, Firestorm, Arian, Cyborg, Firebrand, they're all on the cover.
- 1:57Tad Eggleston: Yeah.
- 1:58Brian Pastor (they/them): Yeah. Okay.
- 1:59Tad Eggleston: It's pretty. And George, I mean, really, like, I was expecting the writing to be better.
- 2:10Tad Eggleston: I wasn't expecting the art to be that much, but I mean, I know… I know I prefer George Perez to Mike Zek, but like…
- 2:19Tad Eggleston: George Perez was… drawing out of his mind on this book. It was…
- 2:25Mark Pracht: Y-yeah.
- 2:26Sean Harklerode: You can feel it's a labor of love for both.
- 2:30Tad Eggleston: Yeah.
- 2:30Sean Harklerode: Marv.
- 2:32Tad Eggleston: I mean, both of these were essentially first issues to set up what was going to be going on for this year-long event, but one of them accomplished it very well, and one of them was a hot mess with a lot of different characters.
- 2:49Tad Eggleston: And I still love the hot mess.
- 2:51Sean Harklerode: I would… Go ahead.
- 2:54Mark Pracht: No, go ahead, Sean.
- 2:56Sean Harklerode: I mean, I would… I kind of differ.
- 2:59Tad Eggleston: Okay.
- 3:00Sean Harklerode: if I'm looking at these as Issue 1 and… one-to-one.
- 3:05Sean Harklerode: You know, for my comic buying dollar as a kid, Secret Wars.
- 3:11Sean Harklerode: would win.
- 3:13Tad Eggleston: Well, as a 4-year-old, I obviously did win.
- 3:17Tad Eggleston: Well, I mean, again, Crisis on Infinite Earths came out a year later, and I think our comic shop had closed, but,
- 3:25Sean Harklerode: I feel like Secret Wars gives you the characters you want to read, And gives you action.
- 3:36Tad Eggleston: Kind of.
- 3:37Sean Harklerode: Crisis.
- 3:38Sean Harklerode: Is really just setting everything up with a bunch of characters that you don't know, Right?
- 3:44Brian Pastor (they/them): Yeah, it's much more accessible, I think, to the casual fan.
- 3:49Sean Harklerode: Right.
- 3:50Brian Pastor (they/them): You know, folks that maybe don't…
- 3:52Brian Pastor (they/them): know the universes as well or as deeply, and as you point out, with Crisis, a lot of those characters you don't know at all, at first, and it spends the whole issue sort of gathering those characters together, whereas you get all the characters right away.
- 4:11Tad Eggleston: I still felt like I kind of knew what was going on at the end of Crisis, whereas, like, at the end of Secret Wars, yes, I knew all the characters going into it, which meant that I should have had an even better idea of what was going on, because you didn't have to introduce anybody.
- 4:25Mark Pracht: Here's…
- 4:27Sean Harklerode: secret.
- 4:28Tad Eggleston: Okay, that makes sense.
- 4:32Mark Pracht: Listen.
- 4:32Tad Eggleston: That's a good argument.
- 4:33Mark Pracht: Look, I think that, you know, at one point we were talking about this, and Sean very rightly, I think, and I think very astutely pointed out that, like, these are, like, the two big mega-crossover, year-long projects that both the companies did.
- 4:48Mark Pracht: But really, the DC analogy to Secret Wars isn't Crisis on Infinite Earths. It's the secret, or the Superpower series that Kirby did.
- 5:00Mark Pracht: Because, look, the basic thing that… the basic difference between these two things is that crisis is created for the point of doing something editorially
- 5:11Mark Pracht: that… that they had determined needed to happen, right? And Secret Wars was… we made a deal with Mattel to make a bunch of toys, and we need to have a book that'll sell the toys.
- 5:23Mark Pracht: And I think that is the basic… I mean, like, the funny thing is, is it's so obvious, even in the first issue.
- 5:32Mark Pracht: And now, you know, so… and I'm like, we might as well talk about this now, because it's going to be the thing that comes up, I think, all the time, right? It's… is that…
- 5:43Mark Pracht: jim Shooter.
- 5:47Mark Pracht: a… a… Really, really, really good comic book writer.
- 5:53Tad Eggleston: Right.
- 5:54Mark Pracht: Tad… a mission.
- 5:57Mark Pracht: Which was, they're making toys of these characters, And they're making these playsets.
- 6:03Mark Pracht: And I need to put them all in the book.
- 6:05Mark Pracht: in a very real way, this book reminds me of something like ROM.
- 6:10Mark Pracht: or Micronauts, or, you know, Shogun warriors, or something like that, you know?
- 6:18Mark Pracht: And Sean's gonna hold up his copy of Shogun Player.
- 6:23Sean Harklerode: No.
- 6:24Mark Pracht: No, Sean's gonna hold up his…
- 6:26Mark Pracht: 3 or 4 vintage Shogun warriors now.
- 6:30Mark Pracht: But, you know, it's interesting, because, like, we were talking right before we started recording that I've been reading this tomorrow's book, The Crisis Companion, which is sort of the making of Crisis. And, you know, Crisis did come out about a year after
- 6:45Mark Pracht: Not… not a complete year after, but it…
- 6:48Tad Eggleston: I think they both started in January.
- 6:51Mark Pracht: Yeah, well, that's true. I don't… I don't remember exactly, but…
- 6:55Sean Harklerode: year later.
- 6:56Mark Pracht: Yeah. And I think a lot of people try to position Crisis as some sort of answer to Secret Wars, and…
- 7:06Mark Pracht: Quite honestly, if that's really what it was, They crushed it.
- 7:11Mark Pracht: Right?
- 7:12Mark Pracht: Because it's… it's…
- 7:15Mark Pracht: it's just so much, like… here's the one thing that I will say, on a pure storytelling level.
- 7:23Mark Pracht: Is, you know, as a writer.
- 7:26Mark Pracht: They always want to tell you that you want to start your story as late as possible.
- 7:32Mark Pracht: And the thing about crisis is, it starts
- 7:35Mark Pracht: In the middle, in media res.
- 7:37Brian Pastor (they/them): Yeah.
- 7:38Mark Pracht: like, a planet is dying, right? And Secret Wars starts with, hey, we're in space, floating around.
- 7:46Brian Pastor (they/them): How did we get here? Yeah.
- 7:48Mark Pracht: what's happening? I don't know, and then a…
- 7:50Mark Pracht: Yeah, what the? But, I mean, and that's… it's just…
- 7:57Mark Pracht: like, and I think that even though what you're talking about, I think, is very true, is that crisis presents us with
- 8:05Mark Pracht: the starting group of characters they bring together, Marv brings together, is not… the top liners.
- 8:14Mark Pracht: But that's because he also has… he also has a much larger story to tell, and he knows that, like, Batman is gonna be coming in part of it, the Flash is gonna come into it, the Earth-1 Superman is gonna come into it.
- 8:27Brian Pastor (they/them): Spoiler alerts!
- 8:30Mark Pracht: Look, every single character you've ever heard of, it shows up in this book eventually, eventually. But,
- 8:36Mark Pracht: And I think that… that… Just because there's so… there is clearly a goal
- 8:48Mark Pracht: It… it's… it allows him to start in a much more dynamic manner, right?
- 8:54Mark Pracht: And I think that… I'm with Tad. I think that Crisis on Infinite Earths 1 is…
- 9:04Mark Pracht: even… even as a kid, I mean, and I… I don't know, I was…
- 9:09Mark Pracht: 13 or 14 when this came out, I don't know.
- 9:13Mark Pracht: And I would be much more compelled by
- 9:18Mark Pracht: In fact, I remember I bought Crysis 1, and I bought Crysis 2, and then somehow got off track. And then I… or I, you know… and I don't… I think that I lived someplace where there was no comic shop, so it was, like, anything I could find on the newsstand.
- 9:33Mark Pracht: But… I don't recall, when I was a kid, ever buying Secret Wars.
- 9:41Brian Pastor (they/them): Hmm.
- 9:42Brian Pastor (they/them): you know, there was an… there's an urgency about crisis, and, you know, well, you talked about the sort of inmateus res aspect of it, and I think that's really true, is like.
- 9:52Brian Pastor (they/them): You know, stuff's going down, and there's a race
- 9:57Brian Pastor (they/them): to… to do something about it. And you feel like they're losing, right? You feel like they're losing that race. And… and so there's… there's an immediate tension and urgency that the book creates that is very absent.
- 10:15Brian Pastor (they/them): in Secret Wars, which is, as you point out, most of the first issue is just them hanging around on a ship, figuring out where the heck they
- 10:24Brian Pastor (they/them): You know, how they got there, so…
- 10:26Mark Pracht: Right.
- 10:27Brian Pastor (they/them): That's definitely true.
- 10:29Mark Pracht: Well, and then, you know, and they keep… I think that the other really, really, really
- 10:36Mark Pracht: important thing that Crisis has is you have the pariah character.
- 10:42Mark Pracht: Who is there to be, like.
- 10:45Mark Pracht: shit is bad. It is bad. And even, even, the, the monitor and, lila, or Harboring, or…
- 10:54Sean Harklerode: furniture.
- 10:55Mark Pracht: Harbinger.
- 10:59Mark Pracht: they're… they're not… they know things are bad, but they're not, like… the emotional impact, and how well… I think, how well Marv writes Harbinger, and how well George Perez draws Harbinger, or not Harbinger, Pariah,
- 11:18Mark Pracht: Really, it gets the point across like nobody's business. And then, the other thing I love about it.
- 11:28Mark Pracht: and I'll get around to Secret Wars eventually, I just… but is that we start off on Earth 3 with characters that we have learned to… are villains.
- 11:39Mark Pracht: And we put them in crisis, trying to… to… Save their planet.
- 11:46Mark Pracht: while not breaking them as villains, because they're like, I don't want to die, I don't want to die.
- 11:54Mark Pracht: And in order for me not to die, I've got to stop this from happening, which would save the planet, right?
- 12:01Mark Pracht: And I think that's awesome.
- 12:03Mark Pracht: You know?
- 12:05Mark Pracht: And…
- 12:06Sean Harklerode: Perfect.
- 12:07Mark Pracht: Go ahead.
- 12:08Sean Harklerode: I think also you set up…
- 12:10Sean Harklerode: you know, which I think is very cool.
- 12:13Sean Harklerode: thematically.
- 12:15Sean Harklerode: you have the parallel of Lex Luthor, or Alexander Luthor, there, and his wife, Lois Lane, saving their child, sending him away from a doomed world.
- 12:30Sean Harklerode: To where he can… he can live.
- 12:32Sean Harklerode: So, yeah, I just think that's…
- 12:37Sean Harklerode: that really shows, I think, the scale that they're going for.
- 12:42Sean Harklerode: beer.
- 12:43Sean Harklerode: I was not as familiar with Earth 3.
- 12:50Sean Harklerode: Or any of these, so… I remember reading this for the first time, And…
- 12:57Sean Harklerode: reading Marv's, crisis mail blog.
- 13:02Sean Harklerode: And… just thinking, okay, because I bought this thinking what you said, that this is going to be…
- 13:09Sean Harklerode: their answer to Secret Wars. And, you know, right away, I'm like, oh, this is… he's really doing something.
- 13:17Sean Harklerode: but…
- 13:23Sean Harklerode: I feel like, if I remember correctly, it was the second issue that really got me hooked.
- 13:30Mark Pracht: Yeah, yeah.
- 13:30Sean Harklerode: And on this read, I just, I just felt…
- 13:36Sean Harklerode: you know, if I were just picking this up, I… you know.
- 13:41Sean Harklerode: I mean, it's got some funny stuff, the stuff with Killer Frost… And,
- 13:48Mark Pracht: I always loved me classic Firestorm.
- 13:51Sean Harklerode: Yeah.
- 13:52Mark Pracht: with Dr. Stein in his head, you know, and he's like, am I doing this alright? Dr. Stein? He's like, I've got no complaints, but I'm like, yeah, it's
- 13:59Mark Pracht: I always read… I always read Dr. Stein with Neil Peart's voice.
- 14:05Mark Pracht: But that's…
- 14:06Sean Harklerode: That was an interesting thing, reading this. I had the Super Friends voices.
- 14:13Mark Pracht: Mmm.
- 14:14Sean Harklerode: in my head, for… for the Earth 3.
- 14:17Sean Harklerode: They're in the villains.
- 14:20Mark Pracht: Well, I mean, and, you know, the thing about it is.
- 14:26Mark Pracht: I kind of love the fact that
- 14:30Mark Pracht: this doesn't start out with, like, let's get the A-list characters in a big line.
- 14:38Mark Pracht: That it's like, okay, let's get Firebrand.
- 14:44Mark Pracht: Like, and I remember when I bought this book, I was like, I don't know who this is.
- 14:49Mark Pracht: But, I mean, the thing is, is, like, those characters that aren't as familiar.
- 14:55Mark Pracht: Marv spends more time telling you who they are.
- 14:58Mark Pracht: Right? Right. So, like… Firebrand gets an, an actually pretty good introduction, you know?
- 15:07Mark Pracht: you know, these are my powers, this is where I'm from, this is the time period I'm from, I'm a society gal, I'm blah blah blah, you know, and you sort of, like, Don Star, he spends more time, you know, and it's like, I'm a tracker, blah blah blah blah, and then, Blue Beetle shows up, and it's slightly compressed, because maybe you've heard of Blue Beetle, if you've read the Charlton books or whatever.
- 15:30Mark Pracht: And then…
- 15:31Mark Pracht: But you still get a little bit more. And then, when we get to, when we get to, the monitor's satellite.
- 15:40Mark Pracht: Okay, here's Superman from Earth 2, which we don't need to explain who he is. There's Green Lantern, it's Jon Stewart, but we probably don't need to explain who that is. You know, and it's like, I think that…
- 15:53Mark Pracht: I think that that's clever, and I think that that's… that's good understanding of the writing. Now.
- 15:59Mark Pracht: I'm not gonna argue, like, I don't think…
- 16:03Mark Pracht: It's not the kind of book that's like, holy shit, wow! You know, because even the fight isn't that great.
- 16:09Mark Pracht: Perez draws the shit out of it, but it's also sort of, like.
- 16:13Mark Pracht: The villains are kind of nebulous, and you're not really sure what they can do or what they can't do.
- 16:20Mark Pracht: I did kind of love Obsidian, where he was like, oh, they're shadows like me, and if I turn into my shadow form, will they hurt me, or blah blah blah, you know, and I'm like…
- 16:29Mark Pracht: I just love that kind of stuff. And the thing is, is that it's funny, actually, this just hit me, is that…
- 16:38Mark Pracht: for a company that ostensibly was not as character-oriented as Marvel was, there is more character stuff that happens in Crisis than happens anywhere in Secret Wars, right?
- 16:54Mark Pracht: I mean, like…
- 16:55Sean Harklerode: Psycho Pirate stuff.
- 16:56Mark Pracht: Yeah.
- 16:57Mark Pracht: Yeah.
- 16:59Mark Pracht: Like, it…
- 17:01Brian Pastor (they/them): Yeah, I think that's true. You know, the one thing I will say that I think…
- 17:06Brian Pastor (they/them): you were talking about the villains, right? And it's a little bit unclear who the villains are and that sort of stuff, which is sort of… which is interesting, but the villains are also what makes…
- 17:16Brian Pastor (they/them): Secret Wars number one.
- 17:18Brian Pastor (they/them): interesting, in a way, right? At first, there's just, like, a bunch of heroes, and trying to figure out where they are. The coolest thing about the first half of the book, where the heroes are just trying to figure that out, is the fact that Magneto is present there. Yeah. And I…
- 17:37Brian Pastor (they/them): I imagine this is the first time that Magneto was, sort of.
- 17:41Brian Pastor (they/them): Planted amongst the heroes, and you had to wrestle with that idea, which is interesting to me.
- 17:48Brian Pastor (they/them): And then they show you all the heroes, and you see this lineup of, you know, Ultron and…
- 17:54Brian Pastor (they/them): you know, Galactus, and Doom, and they're trying to wrestle with this, and
- 18:02Brian Pastor (they/them): And… and they can't escape, right? Like, they're like, we are all powerful, and they're just being shot down. They realize they're in a position where they're used to dominating, and they… and they don't have the power. And then Doom becomes, like, the…
- 18:18Brian Pastor (they/them): like the detective, you know? Like, he's…
- 18:21Tad Eggleston: That is something that I still… Love, love.
- 18:25Brian Pastor (they/them): That's interesting.
- 18:26Tad Eggleston: secret.
- 18:26Mark Pracht: I didn't.
- 18:27Tad Eggleston: is…
- 18:27Mark Pracht: I think you can.
- 18:28Tad Eggleston: To me, it's where Doom takes… and I haven't read enough Doom before Secret Wars, but it's when Doom goes from being…
- 18:37Tad Eggleston: A supervillain to, oh, this is a guy who thinks on a different level.
- 18:42Brian Pastor (they/them): Yes.
- 18:42Mark Pracht: Well, I mean, I think he's.
- 18:44Tad Eggleston: never lets play the game. He's…
- 18:47Mark Pracht: Now, and I think that that goes back all the way to Stan and Jack, really, but I do think… like, I think you could make the argument, in fact, I would make the argument that the protagonist of Secret Wars number 1 is Doom.
- 19:01Tad Eggleston: Yeah.
- 19:02Mark Pracht: He is… he is the only character that is being proactive in anything.
- 19:08Tad Eggleston: I mean, honestly, to a certain extent, I think you could make the argument that the protagonist of Secret Wars is Doom.
- 19:14Mark Pracht: But, yeah.
- 19:16Mark Pracht: I mean, in that That's awesome, right? And… but…
- 19:24Mark Pracht: Yeah, I mean, and like, the questioning of Magneto's place in these groups is interesting. I like, you know, and having…
- 19:38Mark Pracht: having knowledge of where the story goes, like, you know, Molecule Man ends up being very interesting,
- 19:45Mark Pracht: But, like… It… it really…
- 19:53Mark Pracht: And I, I don't wanna, I don't wanna bury the lead here or anything like that, but, I mean, like.
- 19:58Mark Pracht: The… the heroes are so fucking boring.
- 20:02Mark Pracht: Like.
- 20:03Tad Eggleston: Like…
- 20:03Mark Pracht: The introduction of the heroes, like.
- 20:08Mark Pracht: It's literally, let's stand in a line and tell each other who we are.
- 20:12Tad Eggleston: Yeah.
- 20:13Mark Pracht: And I'm like, you don't… I think you all know each other.
- 20:19Tad Eggleston: Yeah.
- 20:20Mark Pracht: But I… and I… but I get it.
- 20:21Tad Eggleston: Somehow the Avengers have never met the X-Men?
- 20:24Mark Pracht: Yeah, or, like, they don't know Spider-Man, I don't know. Look.
- 20:27Tad Eggleston: Right.
- 20:28Mark Pracht: The other thing about it is, I also acknowledge
- 20:33Mark Pracht: Because I think that you can't…
- 20:35Mark Pracht: For all that they tried to tie it into continuity, right?
- 20:39Mark Pracht: And… But that also, like.
- 20:46Mark Pracht: here's the… here's the other problem, right? And it's… it's sort of outside of the series itself, right? Is that… because I remember when we were talking about doing this, and Dan was talking about how he thought that… that the series all, like, went into…
- 21:01Mark Pracht: holding patterns for the year that they were doing Secret Wars, and I'm like, no.
- 21:06Mark Pracht: the next issue, everybody was back. Right. And it's like, so…
- 21:10Mark Pracht: All… every twist and turn that's gonna happen during these 12 issues was blown.
- 21:19Mark Pracht: 11 months prior, you know?
- 21:22Mark Pracht: like…
- 21:23Mark Pracht: we knew the next issue of Fantastic Four, they come back, Ben's gone, and She-Hulk's a member of the Fantastic Four. Spoiler. But, you know, it's like…
- 21:36Mark Pracht: it… the… there was… And this kind of goes… this goes back to the book, to the Crisis Companion.
- 21:45Mark Pracht: From tomorrow's press.
- 21:47Mark Pracht: Written by Kevin Miller. He kind of goes to great lengths to talk about how he feels that DC's financial problems were what drove them to do Crisis on Infinite Earths. And I'm… I think…
- 22:07Mark Pracht: This is me going into my, rider-detective mode thing.
- 22:11Mark Pracht: There's this whole story that goes about how
- 22:16Mark Pracht: Warner Bros. approached Marvel about licensing all of the major DC characters to publish.
- 22:23Mark Pracht: And this is a story that has kind of gotten a life of its own, and it is entirely based on something Jim Shooter said.
- 22:33Mark Pracht: And the only piece of evidence that Jim Shooter had was the memo that he wrote to the heads of Cadence saying, I think we should make an offer to license all the DC characters.
- 22:45Mark Pracht: And I'm like.
- 22:47Mark Pracht: I don't necessarily… that doesn't say to me DC was begging you to take over the characters.
- 22:54Tad Eggleston: What?
- 22:55Mark Pracht: But, I'm sorry, I'm leading… I'm leading to.
- 22:58Tad Eggleston: No, no, no.
- 22:58Mark Pracht: with this.
- 22:59Tad Eggleston: Yeah, yeah.
- 22:59Mark Pracht: The sheer… command of what they were doing, and the fact that DC
- 23:11Mark Pracht: built their entire year of publishing around what was doing here. And I mean, I know this happens all the time now, right? But…
- 23:21Mark Pracht: what was happening in crisis was affecting books all over the place. Like, you can buy the complete crisis, which is, like.
- 23:33Mark Pracht: this huge fucking book with all the crisis issues and all the regular issues of the books that tied into it. And…
- 23:41Mark Pracht: It's sort of… it's… it's sort of magnificent in that Marv is writing the main book.
- 23:49Mark Pracht: And it makes sense all the way through, and then… but then you can spin off, and you can see this is how… you know, like, this is what's happening with the Flash, and this is what happened with Batman, and blah blah blah, and…
- 24:01Mark Pracht: It doesn't feel like a company that's
- 24:07Mark Pracht: Thrashing around, trying to figure out what to do.
- 24:10Tad Eggleston: Well, let me…
- 24:12Tad Eggleston: add something to that really quick, because I fell down a rabbit hole after we were talking about whether or not this was a response to Secret Wars.
- 24:23Tad Eggleston: Wolfman pitched it in 82.
- 24:26Tad Eggleston: And it was approved by Levitz and Kahn. They hired a researcher to go through their library and read every comic the company had published. A task that would take the next 2 years.
- 24:40Brian Pastor (they/them): Wow. Yep.
- 24:41Tad Eggleston: the series was delayed to 83 due to time for research, and then delayed again until 85. Right. So, A, that's not, like, the actions of a company that is…
- 24:58Tad Eggleston: having financial issues.
- 25:01Tad Eggleston: B, like, it means that not only did they plan this, but, like, they planned it, planned it.
- 25:07Brian Pastor (they/them): Right. Really? Yeah. This isn't.
- 25:09Tad Eggleston: Which…
- 25:10Brian Pastor (they/them): Mary, this is.
- 25:11Tad Eggleston: Whereas… and my sources are Wikipedia, but they're well-sourced articles on Wikipedia. Like, all of that stuff came from,
- 25:22Tad Eggleston: When Worlds Collided behind the scenes of Crisis on Infinite Earths, back issue, number 34 from Tomorrow's, and slugfest from…
- 25:31Tad Eggleston: Decapo Press by Reed Tucker.
- 25:36Mark Pracht: Good book.
- 25:37Tad Eggleston: Likewise, with Secret Wars, apparently, there were decisions made on design and… and… And, plot, etc.
- 25:50Tad Eggleston: based on information from Mattel.
- 25:54Mark Pracht: Yeah.
- 25:56Mark Pracht: I mean, like, you know, that's, like… The…
- 26:01Sean Harklerode: So…
- 26:01Mark Pracht: There, there's… there's no way to… like, the ambition, like…
- 26:06Mark Pracht: DC identified a problem, right? And they're… they… what they decided…
- 26:12Mark Pracht: And it's the same problem that we're still grappling with today, is that Having a multiverse.
- 26:20Mark Pracht: Was confusing to some readers, right?
- 26:25Mark Pracht: So, they hatched a plan to figure out how to…
- 26:29Tad Eggleston: Also, some writers.
- 26:30Mark Pracht: Sure. I mean, and they hash, you know.
- 26:33Mark Pracht: you can't… you can't have… every writer can't be Bob Haney going, like, I don't give a shit.
- 26:39Tad Eggleston: And every writer can't be Mark Waid going, I've read it all, and it's in my garage.
- 26:45Brian Pastor (they/them): Yeah, and I can…
- 26:46Mark Pracht: tell you, if you describe the cover to me, I'll tell you what issue number it is.
- 26:50Tad Eggleston: Right, right, right.
- 26:51Mark Pracht: But, the… the…
- 26:58Mark Pracht: Whether or not that was… that was, you know, like, we're in… we're in the multiverse…
- 27:07Mark Pracht: The word that comes to mind is cesspool right now. But, you know, like, the answer to everything now is a multi…
- 27:15Tad Eggleston: I thought we were talking about comics, not the real world.
- 27:18Mark Pracht: Well, no, but I mean, like, you know, like, we're back to where DC was in, like, the 60s and the 70s and the early 80s, where it was like, oh, we want to do this, oh, it's just another Earth. You know, it's Earth 67, or whatever, or Earth S, or…
- 27:36Mark Pracht: You know, we bought a new company, that's on a new planet, and it's like, okay.
- 27:41Mark Pracht: But…
- 27:45Mark Pracht: And now, whether that was the right thing to do or not, I don't know. And obviously, they've gone back and forth on it.
- 27:52Mark Pracht: But the other thing, I mean, look, and we're…
- 27:58Mark Pracht: I think as we go through this, it's gonna be more talking about the actual plots, but, right.
- 28:03Mark Pracht: the truth of the matter is, is they made, like… Secret Wars promised huge changes.
- 28:11Mark Pracht: and… there was, like, I think somebody.
- 28:14Tad Eggleston: Did it promise huge changes? I thought it just.
- 28:16Mark Pracht: Oh, yeah.
- 28:18Mark Pracht: Well, no, it promised that there would be big changes, and somebody… I read someplace, somebody broke it down, where it was like, okay, the big changes were Spider-Man gets a new costume.
- 28:29Brian Pastor (they/them): Yep.
- 28:30Sean Harklerode: been great.
- 28:30Mark Pracht: ben Grimm leaves the Fantastic Four, and She-Hulk comes in.
- 28:36Mark Pracht: And, Kitty Pracht and Colossus break up.
- 28:41Tad Eggleston: Also, it was renamed from Cosmic Champions to Secret Wars, because children respond positively to words wars and Secret Wars. Secret and Wars.
- 28:51Mark Pracht: Yes, yes.
- 28:51Tad Eggleston: Yeah.
- 28:52Sean Harklerode: Mattel, Mattel, like that. I wanted to go back on what, Tad was saying about the origins. According to Marv.
- 29:02Sean Harklerode: The idea came,
- 29:05Tad Eggleston: Even earlier than that.
- 29:06Sean Harklerode: in the letters column, Green Lantern 143, so I just looked that up.
- 29:12Sean Harklerode: It's, so that was a… cover date of August 1981.
- 29:18Tad Eggleston: No.
- 29:19Sean Harklerode: So, someone pointed out You know, a mix-up in continuity.
- 29:25Sean Harklerode: And, you know, of course, they don't have no prizes.
- 29:28Sean Harklerode: And… Marv's answer was, one day, we'll probably straighten out what is in the universe and what is outside.
- 29:38Sean Harklerode: According to Marv, that's where he got the germ.
- 29:41Sean Harklerode: Of the action.
- 29:42Mark Pracht: I can actually read that letter to you if you would like.
- 29:45Mark Pracht: It's…
- 29:46Tad Eggleston: I'd love it.
- 29:52Mark Pracht: The dark secret of existence is that history has been destroyed and reborn over and over and over time, and that cycle has accelerated. Because of that acceleration, the fabric of this universe is losing its cohesion.
- 30:07Mark Pracht: Reality has been taken apart and put back together too many times. Therefore, creation is not only stalled, it is under great threat.
- 30:16Mark Pracht: Reality cannot survive another crisis.
- 30:20Mark Pracht: That's apparently what the letter said.
- 30:27Mark Pracht: So…
- 30:27Sean Harklerode: ban Gary Thompson.
- 30:29Mark Pracht: Yes. That's true.
- 30:31Brian Pastor (they/them): Yeah, that's pretty prescient there, and, you know, use of crisis, very nice.
- 30:36Mark Pracht: Well, and I think, you know, I think that…
- 30:41Mark Pracht: You know, and it's funny, you know, it really is funny, because, like.
- 30:45Mark Pracht: we're sitting here and we're talking about these books, right? And we haven't really mentioned The plot at all.
- 30:52Mark Pracht: And the thing is, is… Because I think…
- 30:59Mark Pracht: Crisis is setting so many pieces in place.
- 31:02Mark Pracht: That it's… it's almost maddening to try to explain it.
- 31:06Mark Pracht: Even though on the page, I think it works really well.
- 31:09Mark Pracht: And if you sit down and you try to explain what happened in that Secret Wars book, it's like, okay, they were on these little ships, and…
- 31:16Tad Eggleston: Oh, baby.
- 31:16Mark Pracht: Like…
- 31:17Tad Eggleston: They did introductions.
- 31:20Tad Eggleston: And…
- 31:20Mark Pracht: They're a big, wide-open The villain?
- 31:22Tad Eggleston: did introductions.
- 31:23Mark Pracht: Yup.
- 31:25Tad Eggleston: And then… Galactus got his butt kicked.
- 31:30Tad Eggleston: And… Doom decided that they shouldn't play the game.
- 31:35Sean Harklerode: Right.
- 31:37Mark Pracht: But then he got pissed off when he went to try to talk to Reed about it, and Reed didn't…
- 31:41Mark Pracht: Right. Showing the proper.
- 31:43Tad Eggleston: But nobody…
- 31:43Mark Pracht: And he was gonna…
- 31:44Sean Harklerode: Because Reed, read it!
- 31:48Sean Harklerode: always reading.
- 31:51Sean Harklerode: all over. There's a.
- 31:53Mark Pracht: Oh, a couple of them.
- 31:55Sean Harklerode: The Council of Reeds.
- 32:01Mark Pracht: I did, you know, the one thing… there is a passing line in Secret Wars that I loved, where Doom basically says that, that,
- 32:11Mark Pracht: Kang is a future version of himself. Right. And I'm like, okay, alright, like… So, you know…
- 32:19Mark Pracht: Doomsday is still the Kang… Kang conspiracy, or whatever it is.
- 32:27Mark Pracht: But… I don't know, I mean, like…
- 32:31Mark Pracht: And I felt like the… the…
- 32:34Mark Pracht: you know, and it's only fair. It's a 12-issue miniseries. They're both setting the… putting the pieces in place.
- 32:44Mark Pracht: the action is pretty lackluster, I think, in both books.
- 32:49Mark Pracht: I do think that…
- 32:57Mark Pracht: while I really love Mike Zek, in a lot of things.
- 33:03Mark Pracht: I think that this… and I believe, if I remember correctly, he was under terrible deadline crunch. I think they were… it was supposed to be drawn by somebody else, and they gave it to him last minute.
- 33:14Mark Pracht: But, like, it's… the… the art is just night and day. I mean, it's just like… It's…
- 33:26Mark Pracht: It's a… you know, with what we were talking about, with all the research and all that stuff, like…
- 33:35Mark Pracht: how long was George working on this book? I mean, like, it could have been months, years, I don't know.
- 33:42Mark Pracht: And… My exec turned in a… competent…
- 33:51Mark Pracht: early, mid-80s Marvel book, you know?
- 33:55Brian Pastor (they/them): Yeah, it had… it had a couple…
- 33:57Brian Pastor (they/them): Splashy pages, I'm not gonna have to say a splash page, but at a couple
- 34:02Brian Pastor (they/them): You know, great, sort of, images of, you know, like, when…
- 34:06Brian Pastor (they/them): galactus got his butt kicked and ends up, you know, like.
- 34:10Mark Pracht: Right.
- 34:11Brian Pastor (they/them): Lions smoking on the ground, you know, there's a couple moments like that.
- 34:16Brian Pastor (they/them): You know, a couple nice shot close-ups of…
- 34:20Brian Pastor (they/them): Wolverine-looking stunned and stuff like that. But the art itself does feel very pedestrian for that time.
- 34:29Mark Pracht: For that period, yeah. I mean.
- 34:35Mark Pracht: Yeah, I mean… And then these are… when did these books come out? It was, like, 84 and 85?
- 34:42Sean Harklerode: I was gonna point out, so the cover date…
- 34:44Tad Eggleston: May of 1984 to April of 85 for Secret Wars, and April of 85 to March of 86 for Crisis on Infinite Earths, so you could buy Issue 12 and Issue 1 in the same model.
- 35:02Mark Pracht: And then…
- 35:02Sean Harklerode: So, to Tad's point, Tad had, had said that,
- 35:06Sean Harklerode: He thought they came out in January.
- 35:09Tad Eggleston: Yeah.
- 35:09Sean Harklerode: Best for us.
- 35:11Sean Harklerode: Here's the… it must have been close to the New Year, because the subscription ad has the Hulk as Baby New Year 1988. Right.
- 35:24Brian Pastor (they/them): Very nice.
- 35:25Tad Eggleston: 1884.
- 35:28Sean Harklerode: Street date must have been probably January, maybe. So…
- 35:31Mark Pracht: But, like, here's… here's… here's a thought.
- 35:34Mark Pracht: Crisis wraps up.
- 35:39Mark Pracht: And in 86, what do we get?
- 35:41Mark Pracht: Dark Knight Returns and Watchmen come out.
- 35:44Sean Harklerode: Right.
- 35:44Mark Pracht: like…
- 35:46Mark Pracht: like, this whole idea that DC is in some sort of crisis mode and doesn't know what they're doing, it's like, Jesus Christ, like…
- 35:54Mark Pracht: 3 huge, fucking massive things. One very mainstream, and then two not-so-mainstream, you know?
- 36:03Mark Pracht: And not continuity-based.
- 36:06Mark Pracht: Not supposed to be continuity-based.
- 36:08Mark Pracht: I mean, like, boom, boom, boom, you know? Like, Jesus.
- 36:15Brian Pastor (they/them): And this is… I was gonna say this earlier, that…
- 36:17Brian Pastor (they/them): when you read Crisis, it feels like… I mean, it's setting it up to tell a very…
- 36:25Brian Pastor (they/them): carefully laid out adult story. It's still appealing to kids, I mean, there's, you know, and it's not doing anything offensive.
- 36:34Brian Pastor (they/them): But if… but it's a very… Mature kind of writing.
- 36:39Brian Pastor (they/them): And… and DC kind of followed that up, as you point out, with these, you know, these… these books and these storylines that… that feel…
- 36:49Brian Pastor (they/them): Like, they're really… it feels like… literature.
- 36:55Brian Pastor (they/them): And, you know, at this point in time, I think Marvel… Was really thinking about
- 37:03Brian Pastor (they/them): just how do they market their characters? You know, they're really thinking about the Spidey television show, or the toy lines, and you're seeing that explode everywhere, right? Because you've got, you know, Transformers on television, and, you know, all these other He-Man, and…
- 37:21Tad Eggleston: Undercats, Jejo…
- 37:24Brian Pastor (they/them): Yeah, oh yeah.
- 37:24Tad Eggleston: I was the right age for all of this stuff.
- 37:27Brian Pastor (they/them): So it's like, they're cashing in on that. And, you know, we'll pass it to them.
- 37:32Tad Eggleston: Centurions, Voltron…
- 37:35Mark Pracht: Well, I mean, you also have Shooter, and I mean, look, I think… I think, as Brian knows, I think Jim Shooter is a fascinating figure in comic book history.
- 37:48Mark Pracht: who… Has an iron grip on…
- 37:53Mark Pracht: Marvel editorial at this time, right? Like, nobody does anything unless he says it's okay, right? And everything has to match up, and it's…
- 38:05Mark Pracht: It's… it's so funny, because it's very much like the Stan Lee thing.
- 38:10Mark Pracht: Right? Where Stan had a handle on everything that was going on, and he made sure that this fit with this. Of course, he was directly working on those books.
- 38:21Mark Pracht: whether he was plotting them or what, I don't know, but he's directly working on those books, and it was a… it was basically a handful of comics. And now Shooter's there, he's got…
- 38:32Mark Pracht: You know, they're also going into their era of trying to flood the marketplace.
- 38:38Mark Pracht: And he's sitting there going, like, you have to do this, you have to do that, you're doing this.
- 38:42Mark Pracht: you know, he's giving… he's giving writers lectures on how to structure a comic book story. He's giving artists lectures on how to draw a comic book story. Like, famously, you know, when he was
- 38:56Mark Pracht: When he first started writing, when he was 13, right?
- 38:59Mark Pracht: He would draw… Breakdowns.
- 39:04Mark Pracht: of each page. And I find myself wondering if he didn't do the same thing on this book.
- 39:10Mark Pracht: Because that was part of his process, that he… and… and, you know, like.
- 39:15Mark Pracht: Kurt Swan is drawing his Superboy stories, and he's handing Kurt Swan, like, breakdowns. And he's like, oh, Kurt loved that.
- 39:24Mark Pracht: I'm like, did he?
- 39:26Mark Pracht: But, I think it's just a very different…
- 39:33Mark Pracht: I think that there's just a very…
- 39:36Mark Pracht: I think Shooter had a very process-oriented mindset, right? This is what needs to happen, we need to do this, we need to get to this story beat by the end of the book, we have to make sure that these characters are, you know… and that…
- 39:53Mark Pracht: 100% guarantee that Issue 2,
- 39:58Mark Pracht: there'll be a reintroduction of all the characters, which totally makes sense. Like, I agree with that on a, you know, like… like Stan always said, every comic book is somebody's first. But the other thing is, is, like, the other thing that's rewarding about Crisis is that
- 40:17Mark Pracht: it rewards you for knowing stuff, right? And, you know, obviously this is also, you know, the Easter egg thing has gotten completely out of control, but, you know, like, in the introduction of,
- 40:31Mark Pracht: Of Arian. Arian. Aaron?
- 40:34Mark Pracht: you know, the Mage of Atlantis, right? And,
- 40:39Mark Pracht: there's a… there's a brief reference to the ice would melt, and that another… a hero would arise from it. And it's like… it's Aquaman, right? Doesn't say that.
- 40:51Mark Pracht: But if you're reading it, you're like, oh yeah.
- 40:54Mark Pracht: I mean, and it doesn't matter whether you know who that is or not, it's just… it's… it's…
- 41:00Mark Pracht: It's a little… it's a little breadcrumb to leave there where you can pick it up or you can not pick it up, it doesn't really matter, but it also sets in tone that, like, all of this is connected.
- 41:14Mark Pracht: And… Sorry, I'm kind of going now. And part of the… where.
- 41:20Sean Harklerode: I'm just kidding.
- 41:20Mark Pracht: Yeah, I know. Part of the problem with Secret Wars is that we've taken these characters and removed them from their environment so that we don't have to
- 41:31Mark Pracht: We don't have to connect to anything.
- 41:34Mark Pracht: Right?
- 41:35Mark Pracht: So there's no fun of… Oh, that's that, or that's that, or that's that, you know?
- 41:41Mark Pracht: And… I don't know.
- 41:44Mark Pracht: It… But yeah, it is funny, like, this time when I read it.
- 41:50Mark Pracht: And this is one of the… this is one of the few times I've been able to read both of these books twice before we recorded this.
- 41:57Mark Pracht: is how… because I've also been rereading the Micronauts book.
- 42:03Mark Pracht: How similar they are.
- 42:05Mark Pracht: You know?
- 42:07Mark Pracht: It's… it's fascinating.
- 42:09Mark Pracht: It reads like…
- 42:10Sean Harklerode: How similar they are to each other, or to the.
- 42:12Mark Pracht: Yeah, well, not… not, like, plot-wise or anything like that, but the way they set up. Like, that it's… that it's a… it's a… it's a lot… it feels like a licensed book. It feels like something that they bought the rights to a toy line.
- 42:25Mark Pracht: And they needed to make a story out of it, right? Or, you know, I haven't read the Transformer, the Marvel Transformers comic in years, but…
- 42:34Mark Pracht: You know.
- 42:36Mark Pracht: Or, you know, the Marvel Star Trek.
- 42:40Sean Harklerode: what? Yeah.
- 42:41Mark Pracht: Yeah, you know, the Marvel Star Trek book they did after the motion picture, where…
- 42:46Mark Pracht: You know, they're like, we only have the rights to the motion picture.
- 42:50Mark Pracht: And I'm like, how the hell does that work?
- 42:53Mark Pracht: So, like, everything was like, you know, they would have… I remember every letter page was like, oh, are you gonna bring back core? Can't use it.
- 43:01Mark Pracht: Are you gonna bring back Trelane? Can't use him.
- 43:04Mark Pracht: You know, and I'm like, Why the hell did you buy these rights, then?
- 43:10Mark Pracht: Anyway.
- 43:11Mark Pracht: I'm done.
- 43:13Mark Pracht: I have nothing else to say, you talk about yourself.
- 43:18Sean Harklerode: I'll believe that.
- 43:21Brian Pastor (they/them): He's talked himself into a stupor.
- 43:25Mark Pracht: into a stupid,
- 43:32Sean Harklerode: Well, I, I know, I think back issue…
- 43:38Sean Harklerode: Tomorrows is doing a gym shooter issue, I think in December. So I think we'll… we'll have some more
- 43:47Sean Harklerode: details on the… on the Secret Wars, backstory.
- 43:52Sean Harklerode: As we go on.
- 43:55Sean Harklerode: For me, I…
- 43:58Sean Harklerode: again, as I said, I think I enjoyed Secret Wars number one more. This is the third time I've read Secret Wars, and probably the fourth or fifth time I've read, Crisis.
- 44:11Sean Harklerode: Which was interesting to me, because for me, I came into this, I was a total Marvel kid.
- 44:21Sean Harklerode: And I picked this book up.
- 44:23Sean Harklerode: Because I was… and I was like, oh yeah, they're trying to copy, you know, Marvel.
- 44:29Sean Harklerode: and I picked up Crisis, And, you know, through…
- 44:35Sean Harklerode: Through the course of that next year, I…
- 44:38Sean Harklerode: was equally… you know, I… I got onto the DC bandwagon. I was there for Man of Steel, and Detective, and…
- 44:49Sean Harklerode: you know, Dark Knight Returns.
- 44:52Sean Harklerode: Swamp Thing, you know, it was… this is what made me a DC fan, this series.
- 45:02Mark Pracht: I mean, which was the point, right?
- 45:04Sean Harklerode: Right?
- 45:05Mark Pracht: That's what they were trying to do, right?
- 45:12Sean Harklerode: But,
- 45:14Mark Pracht: They, be…
- 45:15Sean Harklerode: art, As we've said, you know.
- 45:19Sean Harklerode: And also, when we were talking about
- 45:23Sean Harklerode: other combinations to read. It would be interesting to read Crisis and Infinity Gauntlet.
- 45:32Sean Harklerode: But then we'd just be talking about how great George Perez is, or Perez is, and there's nothing wrong with that. Yeah. And no one would disagree with any of it.
- 45:46Mark Pracht: Well, I mean, I think, you know, we should give our props to Mark Wolfman, who, you know, was…
- 45:56Mark Pracht: hired… you know, they headhunted him from Marvel.
- 46:02Mark Pracht: after his brief tenure as the editor-in-chief over at Marvel, and then, and put him on…
- 46:10Mark Pracht: you know, they put him and Perez on, Teen Titans, and it went through the fucking roof, you know, and it… and…
- 46:20Mark Pracht: You know, like, those were the two… those were the two… the two big books were X-Men, Claremont… Claremont and, I… I don't know, it was Burn… Byrne probably had left by that point. But, you know, the Claremont X-Men, Claremont with whoever was driving… drawing at the time. You know…
- 46:38Tad Eggleston: I'm actually floating through…
- 46:44Tad Eggleston: League of Comic Geeks week by week, starting with Secret Wars number one, and I'm surprised at how little X-Men there is.
- 46:55Tad Eggleston: Among the most collected.
- 46:58Tad Eggleston: Now, that doesn't necessarily line up with sales, because it's the ones that people have logged in as part of their collection, but it certainly lines up with what people still care about.
- 47:12Tad Eggleston: New Mutants is showing up a lot.
- 47:14Tad Eggleston: Peter Parker the Spectacular Spider-Man.
- 47:19Mark Pracht: Well, I mean, at that point, at that point.
- 47:21Tad Eggleston: Swamp Thing's already going.
- 47:25Mark Pracht: There really wasn't… I mean, there was really only the two X-Men books, right?
- 47:30Mark Pracht: There was X-Men and New Moons.
- 47:33Tad Eggleston: Right.
- 47:34Tad Eggleston: Like, like here, Uncanny X-Men comes in at… 183 comes in at the 9th most collected book in…
- 47:44Tad Eggleston: Daredevil comes in higher most of the time. West Coast Avengers looks like it was big.
- 47:49Brian Pastor (they/them): It was. It was huge at the time.
- 47:51Tad Eggleston: Yeah.
- 47:53Brian Pastor (they/them): What's really interesting.
- 47:54Tad Eggleston: Routine Titans definitely comes in high every time I go through.
- 48:00Brian Pastor (they/them): This is the… this period in time where…
- 48:05Brian Pastor (they/them): Dc was actively poaching from Marvel with regularity, and they lost
- 48:12Brian Pastor (they/them): a ton of talent to DC, and a lot of it has to do with, you know, just the business aspect of it, right? The way that Kahn and Levitz were running their business versus the way that Shooter was treating, you know.
- 48:27Sean Harklerode: Greeting people.
- 48:28Brian Pastor (they/them): the legacy of the way Marvel, was training their artists and stuff.
- 48:33Brian Pastor (they/them): But yeah, I mean, Byrne and Miller and all these guys, I grew up.
- 48:38Brian Pastor (they/them): we're going to DC and just…
- 48:41Brian Pastor (they/them): And their best work in so many ways was still ahead of them. And that's when, you know, you got a new influx of talent coming in to Marvel, but they couldn't hold onto them either, right? Because by the early 90s, they were all going independent. So, it was an interesting time for Marvel in terms of
- 49:00Brian Pastor (they/them): really bleeding talent. They were… they were attracting great talent, but then they were losing them to others… other… Right.
- 49:08Mark Pracht: I mean, and they.
- 49:09Sean Harklerode: What's the issue of, Fantastic Four that…
- 49:13Sean Harklerode: like, Shooter was gonna make Burn redraw the entire thing. In fact, I think he gave it to someone else to do.
- 49:21Sean Harklerode: And that… that was the last straw for… for burns.
- 49:25Mark Pracht: Yeah.
- 49:25Brian Pastor (they/them): Yeah, Burns' first art for DC was 1980, I know that because I'm holding it in my hands.
- 49:31Brian Pastor (they/them): Untold Legend of Batman.
- 49:34Brian Pastor (they/them): I think you wrote it… I think you did it with Aparo.
- 49:37Brian Pastor (they/them): That was in, you know, 1980. So, by… yeah, by the mid-'80s, I mean, he was…
- 49:44Brian Pastor (they/them): well into his DC time.
- 49:47Sean Harklerode: But further to that, Marv, in his… when he's giving credit to who all helped with this.
- 49:56Sean Harklerode: it's a who's who of Marvel talent at DC. So, Jerry Conway, Len Wein was originally going to co-write
- 50:06Sean Harklerode: And he did co-plot, at least this issue.
- 50:10Sean Harklerode: but then… Len… Branched off to do Who's Who.
- 50:18Sean Harklerode: in the DC Universe.
- 50:20Mark Pracht: Yeah.
- 50:20Sean Harklerode: Roy Thomas… Roy Thomas did… gave him a lot of research on the Golden Age, which, you know, who else can tell you about the Golden Age but Roy Thomas?
- 50:33Mark Pracht: You're naming all the people who are on the cover of this Crisis Companion.
- 50:38Sean Harklerode: Alright, and then, of course, Perez and Wolfman, you know, it was… Yeah, the cross-pollination.
- 50:48Mark Pracht: Well… You know, and the other thing was,
- 50:53Mark Pracht: you know, who's who of the DC Universe was running concurrently with all of this.
- 50:57Sean Harklerode: So, they couldn't do both.
- 51:00Mark Pracht: Right.
- 51:02Mark Pracht: so… but I mean, like, there was a way for you to… Sooner or later, get… Who's that?
- 51:13Mark Pracht: Oh, that's who it is, you know, and…
- 51:18Mark Pracht: And then, you know, the Handbook of the Marvel Universe, which I think was the reaction to Who's Who, if I remember correctly.
- 51:25Mark Pracht: And then, of course, you know, the whole thing wraps up with the history of the DC Universe.
- 51:34Mark Pracht: the two… two-issue prestige book that… that, Wolfman and Perez did to, right.
- 51:40Mark Pracht: to put everything back in order. I mean, and…
- 51:45Mark Pracht: you know, I think… I think that there's just… I mean, I…
- 51:52Mark Pracht: it's interesting in this companion book, like, they have, Giordano as the editor… the EIC, you know, he's saying repeatedly that these changes are permanent.
- 52:04Mark Pracht: we're… this is the way it's gonna be. And… You know?
- 52:10Mark Pracht: they stuck with that for a long-ass time, you know? Like, I think… I think it's hard to forget
- 52:19Mark Pracht: How long the changes that this series wrought
- 52:24Mark Pracht: stayed in effect. I mean, it was till the early 2000s, if I remember correctly. Maybe the… maybe the late 90s.
- 52:31Sean Harklerode: Yeah, they started teasing it with the, what, not Infinity Crisis, what, Dark Crisis, remember Dark Crisis, and…
- 52:38Mark Pracht: Yeah.
- 52:39Sean Harklerode: Those sorts of things.
- 52:41Mark Pracht: But I mean, like, I remember at one point, like,
- 52:44Mark Pracht: Again, not to… not to get spoilery, but… When… when they took…
- 53:01Mark Pracht: The, the, the flash of… Barry was the Flash…
- 53:09Mark Pracht: a shorter period of time than Wally was, by the time they took Wally off the book, you know?
- 53:15Mark Pracht: Like, Wally had been the Flash for more years than Barry had been.
- 53:20Mark Pracht: When they actually switched it back.
- 53:23Brian Pastor (they/them): Hmm.
- 53:24Mark Pracht: And I remember being shocked by that, because I counted it up, and I was like, wow.
- 53:29Mark Pracht: You know?
- 53:32Mark Pracht: And, because it was close. Don't… don't get me wrong, it wasn't like it was by 10 years or something like that, but it was… it was very close.
- 53:41Sean Harklerode: That Wally West flashbook that comes out of Crisis, is amazing.
- 53:48Mark Pracht: It's… it's… it's brilliant.
- 53:50Mark Pracht: I mean, and… You know, that's one.
- 53:53Sean Harklerode: mile of, of, Barry Allen.
- 53:56Sean Harklerode: You know, the end of that run, leading up to that is also a masterpie.
- 54:02Mark Pracht: It's amazing. Yeah, it's… the whole thing is just great.
- 54:07Mark Pracht: But I, yeah, I think… I just think…
- 54:14Mark Pracht: Yeah, I keep coming back to the fact we just… we haven't really talked about, like, the plot of these books at all. And it's like…
- 54:21Mark Pracht: like…
- 54:22Mark Pracht: And it… it's one of those things that makes you a little worried, because it's like, is the concept of the book more interesting than the actual book?
- 54:29Tad Eggleston: Well, I think for the first issue, both of them are setting up the concept. They don't have a lot of plot.
- 54:36Mark Pracht: Right.
- 54:36Sean Harklerode: I almost feel like.
- 54:37Tad Eggleston: I mean, I think I gave a pretty good synopsis of the entire plot of Secret Wars.
- 54:43Mark Pracht: Right.
- 54:44Tad Eggleston: Issue 1.
- 54:45Tad Eggleston: I mean, the Crisis on Infinite Earths issue 1 plot is…
- 54:51Tad Eggleston: Universes are vanishing. Something's going on. We should try to stop this.
- 54:58Mark Pracht: Well, and I… you know what I really… I really love is the first Earth that dies is totally unnamed.
- 55:04Tad Eggleston: Right.
- 55:05Mark Pracht: We have no idea what Earth that is.
- 55:07Mark Pracht: It's just gone.
- 55:08Mark Pracht: And then we go to Earth… yeah.
- 55:11Sean Harklerode: I kind of feel like if this were being published now.
- 55:15Sean Harklerode: Right. Like, maybe Issue 1 of Crisis would be in number 0.
- 55:21Brian Pastor (they/them): music.
- 55:22Sean Harklerode: Zero issue.
- 55:23Tad Eggleston: Could be.
- 55:24Mark Pracht: Probably.
- 55:28Mark Pracht: And then there'd be a 12.5.
- 55:31Sean Harklerode: Right.
- 55:34Tad Eggleston: Okay, this is crazy.
- 55:36Sean Harklerode: -Oh.
- 55:38Tad Eggleston: On top of all of this…
- 55:41Tad Eggleston: that we're talking about. Do you know what debuted?
- 55:45Tad Eggleston: in…
- 55:53Tad Eggleston: May of 1984?
- 55:58Mark Pracht: Big Brother?
- 55:59Sean Harklerode: Indiana Jones and the Temple of Doom.
- 56:03Tad Eggleston: Well, I mean, yeah, but then its second issue wasn't until October.
- 56:07Sean Harklerode: I believe that was, May 23rd, 1984.
- 56:12Tad Eggleston: And it's third issue, and the first time it cracks the top nine, Collected books on… on…
- 56:23Tad Eggleston: League of Comic Geeks was March of 85, so it's, like, happening in the background, Teenage Mutant Ninja Turtles started up.
- 56:31Brian Pastor (they/them): There you go.
- 56:32Sean Harklerode: Oh.
- 56:32Mark Pracht: What was that?
- 56:33Tad Eggleston: Teenage Mutant Ninja Turtles.
- 56:35Mark Pracht: Oh, yeah, yeah, yeah, yeah.
- 56:37Mark Pracht: Yep.
- 56:38Mark Pracht: I mean, like, look.
- 56:39Mark Pracht: It's funny, Colleen and I always talk about it, you know, like, the 70s is really sort of like the golden age of film, right? You know, in a lot of ways, like…
- 56:51Mark Pracht: there was no Hayes Code, and, you know, and it was…
- 56:54Mark Pracht: But you… I feel that about the 80s with comics, really, is that it was just so…
- 57:02Mark Pracht: it had turned a corner. I mean, I'm always… I'm in love with 70s comics, but there was a corner that was turned in the 80s that was just, like…
- 57:11Mark Pracht: people who were, you know, you got people like Frank Miller, you got Alan Moore, you got Dave Gibbons, you got…
- 57:19Mark Pracht: Perez and Wolfman, you know, people who had been thinking about what this means and what they could do with it, right? And not just…
- 57:29Mark Pracht: And maybe… maybe this is the… you know, it's really funny, for he… for as young as he was.
- 57:36Mark Pracht: Shooter came up in the era of…
- 57:40Mark Pracht: The jobbers, who were just like.
- 57:42Tad Eggleston: Yeah.
- 57:42Mark Pracht: The job is to get a book out every month.
- 57:45Tad Eggleston: Yeah.
- 57:46Mark Pracht: And not, you know… Make sure you're telling the story, and…
- 57:51Mark Pracht: that it hits all the beats, and then we get out. Get in and get out. And…
- 57:56Mark Pracht: That… maybe that's the big difference.
- 57:59Mark Pracht: It's an interesting thought.
- 58:01Tad Eggleston: I mean, it's definitely also, like, the 70s started it, but by the 80s, most of the people making comics
- 58:08Tad Eggleston: grew up loving comics and wanting to make comics. Yeah.
- 58:13Tad Eggleston: So they were… they were much more people who thought about the medium.
- 58:18Tad Eggleston: Than artists or writers who found themselves in the medium.
- 58:25Mark Pracht: Yeah, you know, there's a… there's a really, really good Frank Miller documentary that just showed up. I watched it on YouTube.
- 58:34Mark Pracht: It was free with ads on YouTube, but I just saw that it's, it's Amazon Prime free, too.
- 58:42Mark Pracht: Frank Miller, American Genius.
- 58:45Mark Pracht: It's… it's a real… like, having just read Push the Wall, it's a really.
- 58:51Tad Eggleston: Which, I loved it.
- 58:52Tad Eggleston: I loved… I loved Thaw.
- 58:54Mark Pracht: I mean, like… like… There's… the more… you know, I hadn't really…
- 59:04Mark Pracht: the last time I really heard Miller speak in any sort of Extended period was…
- 59:11Mark Pracht: that Kirby panel, where he came in and pissed Mark Evenir off.
- 59:18Mark Pracht: by saying that Stan and Jack were fighting, and they really, for no reason, or whatever, that they… it was not their fault, that… and even…
- 59:32Mark Pracht: What a… like…
- 59:33Mark Pracht: And I know he's got his demons, and, you know, he talks about that a lot in the documentary, about his drinking and everything like that, but…
- 59:40Mark Pracht: He's like, I had a watch, and that watch was just to tell me when the bars opened. You know, it's like, okay.
- 59:46Mark Pracht: But, like…
- 59:51Mark Pracht: a pure artistic soul. I mean, and whether… whether you agree with him on everything, it's… it doesn't matter. He just… he…
- 59:58Mark Pracht: He takes what he feels and puts it into his comics, you know?
- 1:00:02Tad Eggleston: Yeah.
- 1:00:03Mark Pracht: Even when you take something as, like, kind of gross as Holy Terror, It was all that anger.
- 1:00:11Tad Eggleston: Yeah.
- 1:00:12Mark Pracht: all that anger about 9-11, and he was like, I need to do something with this.
- 1:00:16Tad Eggleston: Bright?
- 1:00:16Mark Pracht: So he put it on a piece of paper.
- 1:00:18Mark Pracht: There's a lot worse things you could do.
- 1:00:21Tad Eggleston: That's true.
- 1:00:22Brian Pastor (they/them): you know, and he's been through, you know, a lot of health troubles and stuff, and yet he's still cranking out covers and stuff, and people are always like, you know, Frank, why are you bothering? Like, why are you… you don't need to do this, why are you still…
- 1:00:34Brian Pastor (they/them): Try not…
- 1:00:35Mark Pracht: and…
- 1:00:35Brian Pastor (they/them): I got these covers, and it's, you know, and he's like, look, they're not gonna be perfect, and I don't care about that.
- 1:00:42Brian Pastor (they/them): I… I just… I just want to make something that… that has a… has a vibe and a feeling and… and… and a visual interest that, like.
- 1:00:52Mark Pracht: Yeah.
- 1:00:53Brian Pastor (they/them): you know, that expresses something, right? He's a true artist at heart. I mean, he just really wants to express himself in these ways, and…
- 1:01:00Mark Pracht: And… And that his art has evolved. Like, he's embraced more of a cartoonist aspect, you know?
- 1:01:09Mark Pracht: Like, he… he… He was talking about that with, the Dark Knight Strikes Again.
- 1:01:17Mark Pracht: He's like, yeah, I moved towards Bigfoot cartooning.
- 1:01:22Mark Pracht: And I went back and looked at some of the art, and I'm like, oh my god, he did. Like, they look like…
- 1:01:28Mark Pracht: Beatle Bailey characters in some senses, you know? It's like, it's fascinating. I mean, it's fascinating.
- 1:01:34Brian Pastor (they/them): It's not quite… it's not quite Scotty Young, right? But it's like… Yeah.
- 1:01:38Brian Pastor (they/them): But you can see that evolution, and it…
- 1:01:41Mark Pracht: Yeah.
- 1:01:41Brian Pastor (they/them): you know, he's just saying, I can do something that maybe is simpler, but it evokes
- 1:01:46Brian Pastor (they/them): what I'm trying to express.
- 1:01:48Mark Pracht: Right. And the thing is, is that, you know, our sort of myopic, binary society is like, we can't draw anymore, it just sucks, and blah blah blah blah, and it's like, when…
- 1:01:59Mark Pracht: you know.
- 1:02:00Mark Pracht: But it's like, I'm sure…
- 1:02:02Brian Pastor (they/them): like, if you look at Impressionist painting, and you zoom in, all you see are a bunch of weird brushstrokes, right? Like, yeah, if I zoom in in high def on a modern Frank Miller cover, it's gonna look a little, you know, a little chippy, right? But who cares, right? You zoom out, and you look at the expression as a whole.
- 1:02:21Brian Pastor (they/them): And it speaks to you, in a way, and I think that's what he's trying to do.
- 1:02:25Mark Pracht: Yep.
- 1:02:26Mark Pracht: Well, and
- 1:02:32Mark Pracht: Yeah, I mean, it's… it's interesting because, you know, the Lucas Museum is opening, and I've been watching a lot of videos from there talking about
- 1:02:40Mark Pracht: illustration versus fine art, and all of that stuff. And, and, and…
- 1:02:46Mark Pracht: It's just deeply interesting to watch people talk about it, and watch people grapple with it, and watch, like, the mainstream arts press
- 1:02:56Mark Pracht: try to… grapple with what this museum is, you know?
- 1:03:02Mark Pracht: Because there's been some… I read some shit that's…
- 1:03:05Mark Pracht: pretty dismissive of the whole thing, and I'm like, Alright.
- 1:03:11Brian Pastor (they/them): And then you see folks like Jim Lee touring this, and, like, what it means to them, because they put their life into creating this art for people, and…
- 1:03:21Brian Pastor (they/them): And it… it does, you know, it does have value, right? And that now people can experience that and think about it in a different way. And a lot of, you know, Marv Wolfman was talking about this, he just visited…
- 1:03:33Brian Pastor (they/them): And he was talking about the juxtaposition of fine, quote-unquote, fine art next to
- 1:03:39Brian Pastor (they/them): Drawings and comic book art, and the way they can speak to one another, and how powerful that was, and then how powerful it was, of course, to… to… his wife pointed out that, you know, here's a comic page from one of your stories, and it was on the title page, and what that meant to be a part of that legacy.
- 1:03:58Brian Pastor (they/them): of, of turning…
- 1:04:00Brian Pastor (they/them): what was, you know, a traditionally marginalized art form, stuff that was thrown in the bin, stuff that was censored, that now is celebrated and is now being on display literally in a museum next to quote-unquote fine art, and I think that's… that's really powerful.
- 1:04:21Mark Pracht: I think, I think that that, I think, you know, not to… we're…
- 1:04:26Mark Pracht: Tad's gonna tell me that this is what we do here, is get off the subject, but
- 1:04:31Mark Pracht: But yeah, no, I mean…
- 1:04:33Tad Eggleston: I don't even have to anymore, you tell yourself.
- 1:04:37Mark Pracht: But yeah, but, like, to bring it back to… to…
- 1:04:42Mark Pracht: Because it's funny, because, like, I've been reading these digitally, right? And sometimes I use… sometimes I try… I try to read full pages, because I think that's the experience. But, you know, sometimes my eyesight ain't as good as it used to be, so I'll, like, go panel panel.
- 1:04:58Mark Pracht: it's striking how bad Mike Zec panels look when you blow them up.
- 1:05:07Mark Pracht: And how great…
- 1:05:11Mark Pracht: George Paris Panels look when you blow them up. It's… it's… it's kind of insane. Like… what…
- 1:05:20Mark Pracht: George Perez did to himself.
- 1:05:24Mark Pracht: Every goddamn time he put the book… just… just… like… How…
- 1:05:31Mark Pracht: Like, and he loved it so much, my god! Like, I… I remember the first year… first year I went to San Diego, he was there, and had a panel, and…
- 1:05:42Mark Pracht: It was a small room panel, so he was right in front of us, and he was just the sweetest, nicest guy, and he was like, oh, everybody would ask a question, like, did you feel this way about doing Wonder Woman? Oh, yes, it was wonderful. You know, and I'm like, okay.
- 1:05:56Mark Pracht: What, what a… what an incredible person. And… and…
- 1:06:02Mark Pracht: Yeah, like, it's such a pleasure to look at the art. And it's, you know, and he, you know, and knowing that
- 1:06:11Mark Pracht: he loved putting 35 characters into a panel, you know? And that he would spend all that time making it
- 1:06:20Mark Pracht: Look exactly like it was supposed to, and… And that… that… That, you know, Marv did the same.
- 1:06:31Mark Pracht: to figure out how to make this story work, right? What they were trying to do, And… George just…
- 1:06:39Mark Pracht: They were just, you know, they were like Atlas, holding up the world. It's amazing.
- 1:06:43Brian Pastor (they/them): gonna see this, you know, to think… to think ahead. As we get into Issue 2, I think we're gonna see
- 1:06:51Brian Pastor (they/them): how well Marv has plotted out this story.
- 1:06:54Brian Pastor (they/them): And…
- 1:06:57Brian Pastor (they/them): saggy at some times the plotting is for Secret Wars, and I think this is… before you get into the meat of the battles, like, you know, this kind of, like.
- 1:07:09Brian Pastor (they/them): at the end, you know, you've set it up now, and then we see where it goes from here, and I think you'll see the difference in plotting between what Marv is doing and what Jim has done. And again… This is not to just…
- 1:07:22Brian Pastor (they/them): disparage Jim Shooter as a writer, right? I mean, he's… he's a lifer, right? He did this…
- 1:07:30Brian Pastor (they/them): forever, and… and he's, you know, he's a… he's a future Eisner Hall of Famer. But…
- 1:07:40Brian Pastor (they/them): But Wolfman's…
- 1:07:42Brian Pastor (they/them): Preparation for this, and his work in this, and… and what he's trying to do in terms of pure
- 1:07:48Brian Pastor (they/them): storytelling is really, really impressive. And same thing with George, right? The detail in those panels blown up, because I read Crisis
- 1:07:58Brian Pastor (they/them): Digitally, too.
- 1:08:00Brian Pastor (they/them): And then I went back, out of curiosity, and looked at the, Secret Wars stuff in the same
- 1:08:09Brian Pastor (they/them): manner, and it… yeah, I mean, it just… it just re… it looks rushed. It… it really lasts.
- 1:08:15Brian Pastor (they/them): They're really leaning on their colorist, because it's… It's… it's pretty spare.
- 1:08:21Mark Pracht: Yeah, I mean, I think… I just think that… it is…
- 1:08:30Mark Pracht: it almost… I mean, like… It almost feels like one era ending.
- 1:08:35Mark Pracht: and another era beginning, right? And it's fascinating on that level.
- 1:08:41Mark Pracht: But yeah, I mean… There is that part of me that's like, wow, you know, if they'd made…
- 1:08:52Mark Pracht: Secret Wars 6 issues.
- 1:08:54Mark Pracht: 4 issues, it probably would have been… awesome.
- 1:08:58Mark Pracht: You know? Because it would have been pow, pow, pow, pow, pow, pow.
- 1:09:03Mark Pracht: Because, like, Like, like we talked about, there is no grand design to what's happening here, right? It's just…
- 1:09:12Mark Pracht: sell the toys. So you might as well have just made a big action. Like, Contest of Champions, Sean and I were talking about that. Like, it's… it's…
- 1:09:21Mark Pracht: I mean, like, it was sort of a gag book that was supposed to tie into the Olympics, right?
- 1:09:26Mark Pracht: And… I shouldn't say gag book, but I mean, it was a… it was a high-concept tie-in to the Olympics, right? And…
- 1:09:34Mark Pracht: Then the Olympics, we boycotted.
- 1:09:37Mark Pracht: But, But, you know, it was 4-ish.
- 1:09:43Sean Harklerode: Pulling for yogis, yahooes, by the way.
- 1:09:48Mark Pracht: Laugh Olympics, I always love it. but yeah, I mean, like, but even that, like, it's so…
- 1:10:01Mark Pracht: It's so narrow in scope.
- 1:10:06Mark Pracht: And it drives through, and it's sort of like, well, that was a good time. I had fun reading it.
- 1:10:12Brian Pastor (they/them): Well, and it's clear that people, especially young people, really, I mean, obviously really enjoyed reading Secret Wars, and I do think… and those books are still highly collectible, highly collectible.
- 1:10:23Mark Pracht: Right.
- 1:10:24Brian Pastor (they/them): But…
- 1:10:26Brian Pastor (they/them): I agree. I mean, I think it… probably, we're gonna look back on this in a year and say, if this was…
- 1:10:32Brian Pastor (they/them): A 6-issue miniseries?
- 1:10:35Brian Pastor (they/them): To help them, you know, sell these lunches toy line or whatever.
- 1:10:40Brian Pastor (they/them): Great job, you know?
- 1:10:41Tad Eggleston: Nobody in Tippy.
- 1:10:43Brian Pastor (they/them): Yep.
- 1:10:43Tad Eggleston: Go ahead.
- 1:10:44Brian Pastor (they/them): Good.
- 1:10:46Tad Eggleston: I was just gonna say, to be fair, Secret Wars 2 was only 9 issues, and it was worse.
- 1:10:51Brian Pastor (they/them): True. Fair.
- 1:10:56Sean Harklerode: You know, Tad, I don't think we've really… Mention?
- 1:11:00Tad Eggleston: And it's…
- 1:11:00Sean Harklerode: available.
- 1:11:01Tad Eggleston: And it was actually up week by week against… like, the first two, Secret Wars 2, came out the same week as Crisis 5 and Crisis 6.
- 1:11:13Tad Eggleston: Wow. So that's probably your response book.
- 1:11:18Brian Pastor (they/them): Well…
- 1:11:19Sean Harklerode: The Beyonder.
- 1:11:20Tad Eggleston: Sean, you were saying something.
- 1:11:21Sean Harklerode: I was saying, you know, Look, the words secret and wars appeal to.
- 1:11:28Tad Eggleston: It's true.
- 1:11:28Sean Harklerode: They do.
- 1:11:30Tad Eggleston: Dude.
- 1:11:30Sean Harklerode: Proof, right here, the first comic book you ever bought.
- 1:11:35Tad Eggleston: What? Though I insist it had much less to do with Secret and Wars, and much more to do with ALL of the heroes on the cover.
- 1:11:43Mark Pracht: Yeah, yeah.
- 1:11:44Sean Harklerode: So, I mean, you were 4. Did you know the heroes?
- 1:11:49Tad Eggleston: I knew Spider-Man, and I knew Hulk, and I knew Captain America, and I assumed that since everybody else was with them, that meant they were good guys.
- 1:12:00Tad Eggleston: And that's why I wanted that more than World's Finest or Marvel Team Up, because World's Finest had Batman and Superman, and that was great.
- 1:12:13Tad Eggleston: And Marvel Team Up had Spider-Man and whoever…
- 1:12:18Tad Eggleston: Well, like, this is… it was a shop that would keep back issues, so I wasn't actually just looking at the newest one, I was looking through all of the ones…
- 1:12:28Tad Eggleston: That they had from the last 5 months, or whatever.
- 1:12:31Brian Pastor (they/them): Tad, I'm really impressed by this discernment of the 4-year-old self.
- 1:12:37Brian Pastor (they/them): I mean, I was pretty into Richie Rich and Casper, and…
- 1:12:40Brian Pastor (they/them): You know, that kind of stuff.
- 1:12:42Tad Eggleston: Well, I'd already… I'd been introduced to Marvel, because my dad and uncle were Marvel fans, so there were Marvel comics at…
- 1:12:49Tad Eggleston: my grandmother's house. Yeah. And… and I watched… I watched the Lou… I mean, I got… I… Lou Ferrigno and… and… and Bill Bixby were on… were on Mr. Rogers.
- 1:13:01Mark Pracht: Right.
- 1:13:02Brian Pastor (they/them): That's true.
- 1:13:03Tad Eggleston: So, I knew…
- 1:13:03Brian Pastor (they/them): I was into anything Mr. Rogers was into, yeah, for sure.
- 1:13:06Tad Eggleston: And there was a Spider-Man comic strip.
- 1:13:10Mark Pracht: Yup.
- 1:13:11Tad Eggleston: So I read him regularly in the newspaper, and we were at the comic shop, because my dad was still reading,
- 1:13:20Tad Eggleston: Sienkiewicz's… Work on, on, new mutants.
- 1:13:29Mark Pracht: Huh.
- 1:13:30Tad Eggleston: That was the one comic that he was still picking up, so when he was going down to get it, he'd take me with, and I'd get to pick a comic.
- 1:13:39Mark Pracht: I mean, look, I think… I think talking about the covers is also a really interesting conversation.
- 1:13:44Mark Pracht: Because, like, like, Secret Wars does have some great covers.
- 1:13:50Mark Pracht: of Issue 2 is great, too.
- 1:13:54Mark Pracht: I could… I would… my argument would be, I think that the wraparound cover of Crisis 1 trumps everything.
- 1:14:03Sean Harklerode: Yes.
- 1:14:04Tad Eggleston: I think, honestly, with crisis, The covers were ahead of their time.
- 1:14:11Mark Pracht: I think that's true, too. But I mean, like…
- 1:14:14Tad Eggleston: I think until you get to issues 7 and 8.
- 1:14:18Tad Eggleston: They look much more like covers that we would be all over today.
- 1:14:24Tad Eggleston: But were… were different, and weird, and… and probably appealed to some people, but… but…
- 1:14:32Mark Pracht: Well.
- 1:14:32Tad Eggleston: Other people, whereas the Secret Wars covers are very much of their time.
- 1:14:37Mark Pracht: Yeah, but I mean, like, they're also much more, like, consciously iconic.
- 1:14:43Brian Pastor (they/them): Right?
- 1:14:43Mark Pracht: Like you said, it's like all the heroes, and then there's the answer cover that comes a little later in the series, where it's all the villains, right? And they're basically in the exact same pose, right?
- 1:14:56Mark Pracht: But… like, I…
- 1:15:00Tad Eggleston: That would be Issue 6.
- 1:15:02Mark Pracht: Yeah, the, midway point.
- 1:15:06Tad Eggleston: Issue 2 has all the heroes again, but it's got… it's got Magneto-centered.
- 1:15:12Tad Eggleston: And just the heads of the other heroes.
- 1:15:14Mark Pracht: Right. But I mean, like, the Crisis 2 cover is… is a striking design, But it's also not…
- 1:15:24Mark Pracht: It's not that iconic.
- 1:15:26Mark Pracht: And it's funny, because the iconic covers from Crisis are…
- 1:15:32Mark Pracht: Well, we all know the two biggies, right?
- 1:15:35Tad Eggleston: 7 and 8.
- 1:15:36Mark Pracht: Yeah.
- 1:15:36Tad Eggleston: Probably, I would assume.
- 1:15:38Mark Pracht: And, but,
- 1:15:44Mark Pracht: But it's interesting, I think that also speaks to what the story is, and what the storytelling is, and what…
- 1:15:49Mark Pracht: You know.
- 1:15:51Brian Pastor (they/them): Well, and going back to that idea of, like, character versus story.
- 1:15:55Brian Pastor (they/them): Like, that Secret Wars 8 cover.
- 1:15:59Brian Pastor (they/them): is etched in my memory from childhood forever. You know, my brother brought that comic home.
- 1:16:06Brian Pastor (they/them): And I will never forget what that cover looks like. The thing that people forget is, like, if you look in the background, you know, there's, like, the Hulk and stuff, and they're fighting, you know, there's, like, a battle going on. Yep. And I think… what was the…
- 1:16:21Mark Pracht: Well, that's the chaos that out of… out of the chaos came.
- 1:16:25Brian Pastor (they/them): Costume, right?
- 1:16:26Tad Eggleston: Honestly, to me, the one…
- 1:16:28Sean Harklerode: Peter says a chaos comes ordered.
- 1:16:32Tad Eggleston: is, is issue 10 the, the, the doom with, with…
- 1:16:37Tad Eggleston: like, all the torn armor, etc.
- 1:16:40Brian Pastor (they/them): Yeah.
- 1:16:41Mark Pracht: No, like, look, like…
- 1:16:44Mark Pracht: the one thing Marvel always was able to do was a really hot cover, you know? And,
- 1:16:50Mark Pracht: And I think that… Like, look, I, I love, I love… Perez…
- 1:16:58Mark Pracht: sequentials. I… I don't think he's as strong… a… cover artist.
- 1:17:05Mark Pracht: Just because it starts to get… A lot, right?
- 1:17:10Tad Eggleston: Yeah.
- 1:17:11Mark Pracht: Whereas Marvel, the Kirby… the Kirby influence is BOOM.
- 1:17:17Brian Pastor (they/them): Boom. Right?
- 1:17:18Mark Pracht: And especially with a series of this nature, the whole idea is, Buy it.
- 1:17:25Mark Pracht: You know.
- 1:17:26Mark Pracht: like, that's the… that's the one trick that… that is the one trick that, that Jim missed on this one, was the,
- 1:17:37Mark Pracht: Jim Shooter says, buy it, you know? All that stuff that Kirby was doing with the Fourth World and stuff, you know? I mean, like, that, that, that… that would have been fun. I mean, yeah, it's just…
- 1:17:50Mark Pracht: Yeah.
- 1:17:51Mark Pracht: I… I… I'm… I'm excited to… I think… I think this trip is gonna be interesting.
- 1:17:56Tad Eggleston: I think it will be, too.
- 1:17:57Mark Pracht: Good.
- 1:17:58Sean Harklerode: And Tad, your dad would have been buying New Mutants number 15 that day.
- 1:18:04Tad Eggleston: I think so.
- 1:18:06Sean Harklerode: I just looked up what else Marvel had on sale, that week. A-team number 3.
- 1:18:14Brian Pastor (they/them): Yeah.
- 1:18:14Tad Eggleston: I mean, he might not have been… he might not have been, like, because he wasn't a Wednesday Warrior. Okay. So, you know…
- 1:18:23Tad Eggleston: I don't guarantee we were there on the days that they showed up, but then I liked it enough. See, in Wheaton, Illinois.
- 1:18:31Tad Eggleston: Which is where I grew up.
- 1:18:34Tad Eggleston: At the time, the comic shop was in this building that was by the train tracks, and, like, half a block away from
- 1:18:42Tad Eggleston: what is still there, a little place called the Popcorn Shop.
- 1:18:46Tad Eggleston: The popcorn shop is literally…
- 1:18:50Tad Eggleston: They essentially put a door and a roof over the space between two buildings, and put candy and a popcorn
- 1:18:58Tad Eggleston: copper.
- 1:18:59Mark Pracht: So they…
- 1:19:00Tad Eggleston: In.
- 1:19:00Mark Pracht: sell popcorn.
- 1:19:02Tad Eggleston: Oh, yeah.
- 1:19:03Mark Pracht: It wasn't just a clever name.
- 1:19:05Tad Eggleston: No. No, no, no, you could… because… so, but, but it was like…
- 1:19:10Tad Eggleston: At the time, it was primarily penny candy.
- 1:19:15Tad Eggleston: So, like… I could have a quarter and get…
- 1:19:21Tad Eggleston: a serious bag of candy. My dad would get a bag of popcorn, and then we'd walk down the street and get a comic book apiece. And then we'd walk home. And that was the thing. If I took the walk with him.
- 1:19:32Tad Eggleston: Because it was, like, probably half a mile to downtown. If I took the walk with them, we got to go to the popcorn shop.
- 1:19:39Tad Eggleston: And the comic shop.
- 1:19:41Brian Pastor (they/them): Those are cool.
- 1:19:41Tad Eggleston: Eventually.
- 1:19:43Brian Pastor (they/them): About the 80s, the cool thing was that you could literally buy anything you wanted as a kid for 50 cents.
- 1:19:49Tad Eggleston: Yup. Yeah.
- 1:19:50Brian Pastor (they/them): You could buy a pop, you know, you could buy a candy bar, a comic book, a pack of cards…
- 1:19:57Tad Eggleston: I had to negotiate for Secret Wars, because it was 75.
- 1:20:00Brian Pastor (they/them): Oh, yeah, yeah.
- 1:20:02Sean Harklerode: Ow.
- 1:20:03Tad Eggleston: But it had all of the heroes.
- 1:20:09Tad Eggleston: I think I had to promise to clean my room or something.
- 1:20:18Tad Eggleston: But it had all of the heroes.
- 1:20:20Brian Pastor (they/them): Amazing.
- 1:20:20Tad Eggleston: All of them.
- 1:20:23Tad Eggleston: I've actually…
- 1:20:24Mark Pracht: I, I…
- 1:20:26Tad Eggleston: I have 3 sets now.
- 1:20:28Tad Eggleston: One… Terrible condition. Well, but if I was.
- 1:20:31Mark Pracht: We're scared of?
- 1:20:32Tad Eggleston: year old.
- 1:20:34Mark Pracht: Daredevil?
- 1:20:35Tad Eggleston: More heroes.
- 1:20:36Mark Pracht: tonight?
- 1:20:36Tad Eggleston: exist.
- 1:20:37Mark Pracht: Okay.
- 1:20:40Tad Eggleston: I didn't know who this Captain Marvel person was. I didn't know who Cyclops was. I kinda knew who Wolverine was. Rogue was new to me. What is this She-Hulk? I didn't know there was a She-Hulk.
- 1:20:55Tad Eggleston: Iron Man, I knew, because, like, Dad had read, you know, there was Iron Man in… Fantastic Four, I pretty much knew, again, because there was Fantastic Four stuff, and, like, Dad and Uncle Adam's collection that was at my grandma's.
- 1:21:11Tad Eggleston: But… but, like…
- 1:21:15Tad Eggleston: there were these… there were characters that I… I didn't know, and all of the characters that I did know, so in my head, it had all of the heroes.
- 1:21:27Sean Harklerode: I… I do kind of hate when you talk about all the heroes, I…
- 1:21:32Sean Harklerode: I do kind of hate the fact that Sue Storm is… is missing.
- 1:21:36Mark Pracht: Yeah.
- 1:21:36Tad Eggleston: Yeah.
- 1:21:37Sean Harklerode: She was pregnant at the time.
- 1:21:40Mark Pracht: Yes.
- 1:21:41Sean Harklerode: Whoa.
- 1:21:41Tad Eggleston: Also, she's the invisible woman, so I didn't know that she wasn't there.
- 1:21:49Mark Pracht: Wah, wah.
- 1:21:51Tad Eggleston: Didn't know.
- 1:21:58Tad Eggleston: Could have appeared.
- 1:22:00Mark Pracht: you know, Now, I think, I think it was… it was always interesting to, Yeah, I… I… like…
- 1:22:17Mark Pracht: Knowing, knowing the genesis of this book, like.
- 1:22:22Mark Pracht: I wonder if there wasn't this thing where it was like, okay, well, we've got enough girls, so let's figure out how not to bring soup.
- 1:22:32Mark Pracht: Because, I mean, really, like, think about the drama of that. If Sue had been brought with them.
- 1:22:37Mark Pracht: And she's pregnant?
- 1:22:40Mark Pracht: And… Like, but then that's… that's too much, right?
- 1:22:44Sean Harklerode: You, you can't, you can't sell toys with…
- 1:22:48Mark Pracht: You can't sell toys of a pregnant woman.
- 1:22:50Brian Pastor (they/them): and, so… Yeah.
- 1:22:54Mark Pracht: But, no, I don't know, I think, yeah, I do remember as the secret.
- 1:22:59Tad Eggleston: I mean, that's not true, because… because I… I bought,
- 1:23:03Tad Eggleston: a Spider-Man figure of the pregnant… Spider-Woman from… from…
- 1:23:11Tad Eggleston: into the Spider-Verse recently, so… so maybe it's you couldn't sell toys of a pregnant superhero THEN.
- 1:23:17Brian Pastor (they/them): Right.
- 1:23:18Tad Eggleston: now?
- 1:23:19Sean Harklerode: Well, you were selling… you know, then children bought toys.
- 1:23:25Tad Eggleston: Are you saying I'm not a child?
- 1:23:29Mark Pracht: You know what?
- 1:23:30Sean Harklerode: I am not saying that.
- 1:23:33Mark Pracht: I remember… you know what? I remember very vividly when those Secret Wars toys hit the shelves. Because I was like, okay, I like superheroes, I like toys, I'll… you know, I like Spider-Man, I like Captain America, I'll get…
- 1:23:51Mark Pracht: And I was like, what are these fucking shields?
- 1:23:53Mark Pracht: What is this bullshit? And then Cap… Cap had a shield, but it didn't look like the shield.
- 1:23:58Tad Eggleston: Right.
- 1:24:00Mark Pracht: And I was… I felt very… Very ripped off.
- 1:24:05Brian Pastor (they/them): Hmm…
- 1:24:06Mark Pracht: Just leave it.
- 1:24:07Tad Eggleston: I thought they were cool, because they were lenticular.
- 1:24:11Mark Pracht: What?
- 1:24:11Sean Harklerode: Did you buy the…
- 1:24:12Tad Eggleston: Cool, because they were lenticular.
- 1:24:14Mark Pracht: Did I buy any of them? I bought a Captain America.
- 1:24:17Sean Harklerode: Okay.
- 1:24:18Mark Pracht: because that was the only… he had the shield, and I was like, okay, well…
- 1:24:22Tad Eggleston: You know what else was lenticular at the time?
- 1:24:26Tad Eggleston: you could buy a Slurpee.
- 1:24:28Mark Pracht: What?
- 1:24:29Tad Eggleston: And at the bottom of the cup was a little round thing that had lenticularly and between 2 and 3 baseball players.
- 1:24:37Brian Pastor (they/them): It was amazing. It was the best time to be alive.
- 1:24:41Tad Eggleston: Yeah, I liked those.
- 1:24:44Mark Pracht: When lenticular technology went public, that was the.
- 1:24:48Brian Pastor (they/them): It was amazing.
- 1:24:49Mark Pracht: alive.
- 1:24:49Brian Pastor (they/them): You got your Slurpee, and then your collectible baseball.
- 1:24:54Tad Eggleston: Baseball guy.
- 1:24:55Mark Pracht: Well, I mean, like, look, but it, it is, it is, like, okay, so…
- 1:25:02Mark Pracht: when you think about the superpowers line, the DC, the Kenner, superpowers, you know, I…
- 1:25:10Mark Pracht: I always… I always thought of Mattel as low rent because of those fucking Secret Wars figures, because they…
- 1:25:18Tad Eggleston: Well, also, Kenner made the Star Wars guy.
- 1:25:20Mark Pracht: It was… Sure.
- 1:25:23Tad Eggleston: There's never been a better…
- 1:25:25Mark Pracht: Like, they all…
- 1:25:25Tad Eggleston: toy series than Star Wars.
- 1:25:28Tad Eggleston: Everyone.
- 1:25:30Mark Pracht: But, I mean, like, the superpowers figures all had, like, power features, right? You know, you could… the flash, you would squeeze his arms, and his legs would go, you know, and Robin would kick, and Batman would… Batman and Superman would punch, and I was just like, wow.
- 1:25:47Mark Pracht: And they got a lenticular shield. That's great.
- 1:25:53Brian Pastor (they/them): My, you know, my… my… going back to the comic real quick, my… my favorite is, you know, the introduction of all the characters is so silly, and… but, you know, it's… and it is so much like, okay, we're gonna have this action figure, this action figure… they just list them, but my favorite part of that is…
- 1:26:12Brian Pastor (they/them): Professor X goes through and lists every single X-Men, and then Colossus is a little offended and goes.
- 1:26:20Brian Pastor (they/them): And Lockheed the Dragon.
- 1:26:22Sean Harklerode: Right, right.
- 1:26:24Brian Pastor (they/them): I'm like, we need some more Lockheed, why are we worried about all these other guys? We need some more dragon action.
- 1:26:31Mark Pracht: Well, you know, I… Yes, I,
- 1:26:40Mark Pracht: I… I will… okay, look, I know we've been on for quite a while, but now I've just suddenly remembered something. The one thing… okay, so Secret Wars… the Doom stuff is super cool.
- 1:26:52Mark Pracht: It is. I mean, like.
- 1:26:53Tad Eggleston: It is…
- 1:26:54Mark Pracht: It is the most interesting thing. But I also was really taken with…
- 1:27:00Mark Pracht: when the Beyonder makes his offer, Yeah. Galactus is, like…
- 1:27:08Mark Pracht: Sate my hunger. Do it now.
- 1:27:11Sean Harklerode: Right.
- 1:27:11Mark Pracht: Like, the desperation about it.
- 1:27:14Mark Pracht: And I thought that was fascinating, too. Yeah. And again.
- 1:27:21Mark Pracht: You know, and it's weird how… the… the… characterizations
- 1:27:33Mark Pracht: It seems to me like if you were doing a project like this, you would want to be like, okay, we should get Tony Stark back in the armor for this thing.
- 1:27:42Mark Pracht: But no.
- 1:27:45Mark Pracht: And then… and that… but that's also… that's also almost ahead of its time now, because, like, right now, we're…
- 1:27:51Sean Harklerode: Wait, is Tony not in the armor?
- 1:27:53Mark Pracht: Well, in fact…
- 1:27:55Tad Eggleston: during.
- 1:27:55Sean Harklerode: Brody?
- 1:27:56Tad Eggleston: when Tony falls off the wagon. The famous…
- 1:28:00Tad Eggleston: By morning, Tony Stark Will Be Sober or Dead cover is… is during the Secret Wars year.
- 1:28:08Sean Harklerode: Really?
- 1:28:09Mark Pracht: Yeah.
- 1:28:09Sean Harklerode: I did not, I did not put that together.
- 1:28:15Tad Eggleston: Well, I recently went through 2 years of comics on
- 1:28:19Tad Eggleston: League of Comic Geeks while you guys were talking. Well…
- 1:28:24Sean Harklerode: That does… that does answer a couple of things, so…
- 1:28:27Mark Pracht: Yeah. Well, that's why he's not in with the brain trust trying to figure stuff out.
- 1:28:32Sean Harklerode: Right, I was… I didn't understand that. Okay.
- 1:28:35Mark Pracht: Well, and the… and the, you know, the… the Hulk with Banner's brain, you know, that…
- 1:28:43Mark Pracht: I mean, in a lot of ways, like, the Hulk being there wouldn't…
- 1:28:47Mark Pracht: It would be a much bigger complication.
- 1:28:51Mark Pracht: If he wasn't… you know.
- 1:28:55Sean Harklerode: Right.
- 1:28:55Sean Harklerode: Well, I mean, the Hulk has now been intelligent far longer.
- 1:28:59Sean Harklerode: I mean, now he's evil.
- 1:29:02Sean Harklerode: But…
- 1:29:04Mark Pracht: Sean has feelings about that.
- 1:29:07Tad Eggleston: Up to date on the whole…
- 1:29:09Sean Harklerode: But,
- 1:29:12Brian Pastor (they/them): Someday we'll talk.
- 1:29:13Tad Eggleston: Is the bee still eating?
- 1:29:14Brian Pastor (they/them): Yeah, how he feels.
- 1:29:19Mark Pracht: I… I don't know, I think… I just…
- 1:29:20Sean Harklerode: Play planet Ball!
- 1:29:27Mark Pracht: I don't know, I think… I think it…
- 1:29:33Mark Pracht: in so many ways, Secret Wars is such a weird fucking series. It's just like… it's like…
- 1:29:39Mark Pracht: Half in and half out of continuity, and it… it… eat, like…
- 1:29:46Mark Pracht: I think, like, some of the characters are really sharply defined, and, like, I don't think any of the heroes is particularly, like.
- 1:29:56Mark Pracht: really in character? Like, really in character?
- 1:30:00Mark Pracht: Doom is in character, most of the villains are kind of weirdly just…
- 1:30:07Mark Pracht: Like, I think Doc Ock gets kind of the short end of the stick.
- 1:30:12Mark Pracht: I'm like, he seems like kind of an idiot, and
- 1:30:18Brian Pastor (they/them): Right, so many of these… these villains…
- 1:30:21Brian Pastor (they/them): are, like, super geniuses, but they don't really come across that way in the book. I mean, Doom comes across as extraordinarily intelligent, but…
- 1:30:30Brian Pastor (they/them): I do think that most of them
- 1:30:33Brian Pastor (they/them): seem dumbed down in a way to make them part of the group, because they're not… they're not usually part of a group dynamic.
- 1:30:39Mark Pracht: Right.
- 1:30:40Mark Pracht: Well, and, and, you know, Ultron…
- 1:30:46Mark Pracht: Ultron gets negated pretty frickin' quick. I mean, and again, it's Galactus, so that makes sense, but
- 1:30:55Mark Pracht: Yeah, I don't know. I mean, like, they… Doc Ock seems just, like, one of the… one of the…
- 1:31:02Mark Pracht: The wrecking crew, really.
- 1:31:04Mark Pracht: You know? And the wrecking crew, you know, are clearly just there to be muscle.
- 1:31:09Mark Pracht: And that's fine. That's a perfectly good way to use them. But… you know.
- 1:31:17Brian Pastor (they/them): Yep.
- 1:31:18Mark Pracht: And also, like, in a lot of ways, in a lot of ways, you know, the Enchantress, like, in a lot of ways, they seem seriously underpowered compared to, like.
- 1:31:33Mark Pracht: three-quarters of the Fantastic Four, the Avengers, the X-Men… You know.
- 1:31:41Mark Pracht: 8 tenths of the X-Men.
- 1:31:43Tad Eggleston: Well, they didn't want little 4-year-old me to think that there was any chance that the bad guys were gonna win.
- 1:31:50Sean Harklerode: Right.
- 1:31:52Mark Pracht: Okay.
- 1:31:54Mark Pracht: Did you… did you ever think that there was a chance to buy win?
- 1:31:57Tad Eggleston: No, I did not.
- 1:31:58Mark Pracht: Yeah, yeah, yeah.
- 1:31:59Mark Pracht: Because,
- 1:32:00Tad Eggleston: Which is why when Doom actually did well, it was very disturbing to me.
- 1:32:04Mark Pracht: Well… you know… Doom… yeah… It…
- 1:32:10Mark Pracht: It really is interesting. Like, it is a…
- 1:32:13Mark Pracht: There's so many things about it that I think are subpar, and yet, as a Doom narrative, it's pretty fucking interesting.
- 1:32:22Brian Pastor (they/them): It's a reminder how…
- 1:32:25Brian Pastor (they/them): how powerful a character that Doom is, and I think that we lose track… I mean, obviously, people who are big, you know, FF fans and stuff, they… I mean, they know about Doom, but, like, I think the casual Marvel fan who's maybe just reading, X-Men or Spider-Man or whatever, they…
- 1:32:43Mark Pracht: Just knows the movies.
- 1:32:44Brian Pastor (they/them): Or just knows the movies, right? Who, until now, haven't had Dune.
- 1:32:48Brian Pastor (they/them): Aren't really aware of, like, what a complex, cool, intelligent, powerful character Doom is, and this really does highlight that in a lot of ways.
- 1:32:59Brian Pastor (they/them): You know, even when it comes short up short in other ways, it really highlights what a…
- 1:33:07Brian Pastor (they/them): what a… Cool, cool villain.
- 1:33:11Brian Pastor (they/them): Zoom really is.
- 1:33:13Mark Pracht: But even that choice of, like, Doom is in… Doom is in the middle of a situation that he doesn't quite grasp, right?
- 1:33:19Brian Pastor (they/them): Yeah.
- 1:33:20Mark Pracht: He's like, this is… this is way beyond me. And what does he do? He immediately is like, there's only one man that I can talk to about this.
- 1:33:28Mark Pracht: Read.
- 1:33:29Brian Pastor (they/them): Read, yeah.
- 1:33:30Mark Pracht: And he gets in the fucking thing and flies to try to talk to Reed.
- 1:33:34Mark Pracht: And then they shoot him down. The bad guys shoot him down. Like…
- 1:33:38Mark Pracht: There is so much more interesting shit happening with the villains.
- 1:33:43Mark Pracht: They're with the heroes? Like…
- 1:33:45Brian Pastor (they/them): zip.
- 1:33:46Mark Pracht: I mean, it's like, okay.
- 1:33:49Mark Pracht: I just…
- 1:33:50Mark Pracht: It's like, hey, let's all stand around and decide who's in charge, you know? Like, that conversation was just like, oh my god, Captain America's right here. He's right here.
- 1:34:01Mark Pracht: Jeez.
- 1:34:02Tad Eggleston: And it takes Thor to convince everybody that he should be in charge.
- 1:34:08Mark Pracht: Right. I mean, and then, like.
- 1:34:10Mark Pracht: And, like, Wolverine acting like he doesn't know who this man is. You know, he's like, I'm not following him. Fuck you. Shut up, Shorty.
- 1:34:19Brian Pastor (they/them): Let's follow the dragon.
- 1:34:22Tad Eggleston: I mean…
- 1:34:25Mark Pracht: That has, like.
- 1:34:27Tad Eggleston: Possibilities.
- 1:34:28Brian Pastor (they/them): If he was a bigger dragon, they would have flown.
- 1:34:32Tad Eggleston: Probably.
- 1:34:33Brian Pastor (they/them): You just look so cute and small and… and purple.
- 1:34:37Tad Eggleston: I mean, in the long run, it's arguable that Kitty Pracht's the coolest of them all.
- 1:34:44Mark Pracht: Well, yeah.
- 1:34:45Tad Eggleston: I was just really young at the time.
- 1:34:47Mark Pracht: Sure.
- 1:34:48Mark Pracht: But yeah, no, I think…
- 1:34:51Mark Pracht: Like, it… yet again, it brings up the ridiculousness of that… the introduction scene. It's just like…
- 1:35:00Mark Pracht: Oh my god! Yeah, we… you all…
- 1:35:03Tad Eggleston: They got selective amnesia when they got dropped on Battleworld.
- 1:35:10Mark Pracht: Well, like, and the other thing is, is like.
- 1:35:12Sean Harklerode: 4-year-old Tad probably really appreciates that.
- 1:35:16Brian Pastor (they/them): I do.
- 1:35:17Tad Eggleston: I did, actually, because I didn't know who some of them were.
- 1:35:20Brian Pastor (they/them): But Captain America, clearly everybody in that room knew who the hell Captain America was.
- 1:35:25Mark Pracht: Yes. Well, they would… they would have… like, they should all at least have some idea who… you know, like, this… this is the whole thing. Like…
- 1:35:34Mark Pracht: Part… part of…
- 1:35:37Mark Pracht: I think the challenge of reading these two together is that they're aimed at such different audiences.
- 1:35:44Brian Pastor (they/them): Yes, yes.
- 1:35:45Mark Pracht: And…
- 1:35:51Mark Pracht: And I think that… really, Secret Wars, outside of a nostalgic kind of view.
- 1:35:57Mark Pracht: It's just not gonna hold up.
- 1:36:01Mark Pracht: At least that's the way I feel about it.
- 1:36:03Mark Pracht: Maybe we'll… maybe as we go through it.
- 1:36:06Brian Pastor (they/them): Tune in next time. Right.
- 1:36:08Sean Harklerode: I'm…
- 1:36:09Mark Pracht: That's right.
- 1:36:09Sean Harklerode: I've said, you know, for my reading pleasure, I was as surprised as anyone, I give this one to Secret Wars.
- 1:36:18Tad Eggleston: Alright.
- 1:36:19Tad Eggleston: I suppose I can…
- 1:36:22Sean Harklerode: 3 to 1?
- 1:36:22Tad Eggleston: I just…
- 1:36:24Mark Pracht: We should… we should end each episode with that question.
- 1:36:27Mark Pracht: Which, which series?
- 1:36:30Tad Eggleston: I… I gotta go crisis for this issue, if only because I… like, again, I… I…
- 1:36:37Tad Eggleston: I was expecting Crisis to be the better written, the more… the more mature…
- 1:36:43Tad Eggleston: actual story, but I wasn't expecting there to be that level of disparity in the art, and… and… and… I mean, George Perez is great, there's not enough that can be said about George Perez,
- 1:36:58Tad Eggleston: But, like…
- 1:37:02Tad Eggleston: he's also really known for cramming a lot of characters in one page, and that means that sometimes I think he gets underrated for the fact that he's a really, really fantastic visual storyteller. And again, he draws us out of it. This book is drawn
- 1:37:18Tad Eggleston: Next slide.
- 1:37:20Mark Pracht: And he crams all those characters into a panel.
- 1:37:23Mark Pracht: Right. But he's thought out where each person should.
- 1:37:26Tad Eggleston: Right. Right.
- 1:37:27Mark Pracht: Like, it's… it's astounding.
- 1:37:30Tad Eggleston: He doesn't just put them standing in a line.
- 1:37:33Sean Harklerode: Right.
- 1:37:34Brian Pastor (they/them): That's… that's true.
- 1:37:37Mark Pracht: I'm sure…
- 1:37:39Sean Harklerode: Quarters of the panel taken up by… by a… Word balloon.
- 1:37:44Mark Pracht: Right.
- 1:37:45Mark Pracht: And… and no background.
- 1:37:47Brian Pastor (they/them): There's no list of names.
- 1:37:49Sean Harklerode: Just, just…
- 1:37:50Mark Pracht: Figures standing in line.
- 1:37:52Sean Harklerode: Well, this is… people always complain about.
- 1:37:55Tad Eggleston: They should have put price tags on it.
- 1:37:56Sean Harklerode: Marvel movies, You know, taking place in that gray… this is where it started, man.
- 1:38:02Mark Pracht: That's right.
- 1:38:03Sean Harklerode: They're on brand.
- 1:38:04Mark Pracht: Actually, the most accurate adaptation ever.
- 1:38:08Brian Pastor (they/them): Yep.
- 1:38:09Brian Pastor (they/them): I, you know, I…
- 1:38:10Mark Pracht: That Secret Wars movie is gonna come out, and there's, like, no backgrounds. It's just…
- 1:38:17Sean Harklerode: Well, Kevin Feige's gonna be the Beyonder, right? We've already seen him in,
- 1:38:22Tad Eggleston: I mean, I think it would be hilarious if just once they accidentally, accidentally released one of the movies where they didn't actually fill the green screens.
- 1:38:36Brian Pastor (they/them): Yep.
- 1:38:37Mark Pracht: Well, where they… they… it was only the actors who could actually be there on the same day in the scenes together?
- 1:38:43Tad Eggleston: It'd be even funnier.
- 1:38:45Brian Pastor (they/them): Just, like, two characters wandering around together.
- 1:38:49Mark Pracht: Just one, you know.
- 1:38:51Tad Eggleston: But I even think it would be hilarious.
- 1:38:52Mark Pracht: Tony, what do you think we should do?
- 1:38:54Tad Eggleston: All of the acting got put in, but, like, none of the background stuff.
- 1:38:59Tad Eggleston: Yeah, yeah.
- 1:39:01Brian Pastor (they/them): I'm wondering.
- 1:39:03Mark Pracht: pay fucking money for that. But I will tell you this.
- 1:39:06Sean Harklerode: Wasn't that called Quantum Mania?
- 1:39:08Brian Pastor (they/them): Oh… gosh.
- 1:39:12Brian Pastor (they/them): Well, let me say, you know, here's my final word on this, is that…
- 1:39:18Brian Pastor (they/them): I… I grew up with Secret Wars, and I did not read Crisis until I was an adult.
- 1:39:24Brian Pastor (they/them): And as an adult, I like, I like Crisis better, and I do think even in these first issues, the storytelling is stronger.
- 1:39:34Brian Pastor (they/them): And the art is definitely better.
- 1:39:37Brian Pastor (they/them): That said, Secret Wars, number one, is really fun, and there's, like, there's little…
- 1:39:44Brian Pastor (they/them): there's little Easter eggs of stuff that just spark your curiosity, right? You know, there's this weird appearance of Magneto with all of the… all of the heroes, and there's this great moment where, you know, Galactus gets a beatdown, and then, you know, Detective Benoit Blanc, I mean,
- 1:40:04Brian Pastor (they/them): June…
- 1:40:05Mark Pracht: Irvondo?
- 1:40:06Brian Pastor (they/them): And, I don't know, I had a lot of fun reading it, I really did.
- 1:40:11Mark Pracht: Oh, man.
- 1:40:12Brian Pastor (they/them): And, yeah, and, and I…
- 1:40:16Brian Pastor (they/them): I can already tell, again, you know, I have a… Read this stuff in ages.
- 1:40:22Brian Pastor (they/them): But I can already tell, just the quality of the storytelling, quality of the art, is clearly superior
- 1:40:28Brian Pastor (they/them): On… on… on Crisis, but there's some… there's some… there's some fun stuff we're gonna… we're gonna trip over in, in our exploration of Secret Wars.
- 1:40:37Mark Pracht: You know, I… I…
- 1:40:40Mark Pracht: This is a bit of a tangent, but I'm… this is where it's the last thing I say. I was just… when you said that, Benoit Blanc.
- 1:40:47Mark Pracht: I was like, oh… because, like, I am very much, not excited about, Robert Downey Jr. as Doom.
- 1:40:55Mark Pracht: I feel that it's a desperation move, and I just recently read a story that Mads Mikkelsen was…
- 1:41:02Mark Pracht: Offered that part.
- 1:41:04Brian Pastor (they/them): Wow.
- 1:41:05Mark Pracht: And I was like, wow. But then when you said that, I was like, wow, Daniel Craig might have been a really fucking cool doctor.
- 1:41:12Brian Pastor (they/them): Pretty cool Doom, yeah.
- 1:41:14Mark Pracht: Yeah.
- 1:41:15Brian Pastor (they/them): Yep.
- 1:41:18Mark Pracht: Alright.
- 1:41:19Sean Harklerode: It reminded me, while we're talking about this, I did the great foreshadowing When the dark…
- 1:41:30Sean Harklerode: shadow, enters one of Harbinger's, forms.
- 1:41:36Mark Pracht: with the eyes.
- 1:41:37Sean Harklerode: Yeah.
- 1:41:38Mark Pracht: Yeah.
- 1:41:39Sean Harklerode: I didn't realize that came so early.
- 1:41:44Mark Pracht: right out of the gate. Yeah.
- 1:41:46Mark Pracht: The one thing, the Magneto thing, I thought that was interesting, because, like, as I was reading the book, it was funny, because they all showed up and Magneto was there, and then it's like everybody just forgot about it for a minute, and then suddenly it was, like, there again, and I was like, okay, is that because Shooter didn't…
- 1:42:05Mark Pracht: know what to do, and then suddenly did? Or was it intended to be like, alright, alright, wait a minute.
- 1:42:13Mark Pracht: Complication. And that's… it's… it's an interesting choice.
- 1:42:19Sean Harklerode: Yeah, I mean, I think it's important for… for Magneto's arc.
- 1:42:24Brian Pastor (they/them): Yes.
- 1:42:24Sean Harklerode: As we know him.
- 1:42:26Mark Pracht: Yeah.
- 1:42:28Sean Harklerode: to be…
- 1:42:29Mark Pracht: I mean, and…
- 1:42:30Sean Harklerode: he's an anti-hero, right?
- 1:42:32Mark Pracht: Yeah.
- 1:42:32Sean Harklerode: Those… yeah.
- 1:42:34Sean Harklerode: As can… as can doom be, you know?
- 1:42:38Sean Harklerode: they can be heroic.
- 1:42:43Mark Pracht: Well, you know, I,
- 1:42:46Mark Pracht: I was reading a whole thing, the team-up companion had a whole section on the Super Villain Team-Up book.
- 1:42:52Mark Pracht: Which was really, supervillains fight each other.
- 1:42:55Mark Pracht: So they had Namor in there a lot.
- 1:42:57Mark Pracht: But they would also… pit…
- 1:43:02Mark Pracht: various villains against the Red Skull.
- 1:43:04Mark Pracht: Right. Because it was like, everybody hates the Red Skull, you know?
- 1:43:11Sean Harklerode: And that's apparently getting the… now that Clover Press has licensed the Marvel Masterworks.
- 1:43:18Sean Harklerode: Supervillain Team Up is one of the…
- 1:43:22Sean Harklerode: properties that are doing the Marble Masterwork.
- 1:43:25Mark Pracht: Cool.
- 1:43:27Tad Eggleston: Whoa?
- 1:43:28Mark Pracht: Anyway…
- 1:43:29Tad Eggleston: Alright. Well…
- 1:43:31Mark Pracht: show to do in, like, 3 hours.
- 1:43:33Tad Eggleston: Thank you all, and break a leg tonight. Sean, are directors and artistic directors supposed to break legs too, or are you just supposed to keep the trains on time?
- 1:43:45Tad Eggleston: I don't know the jargon.
- 1:43:47Brian Pastor (they/them): No, that's a good
- 1:43:48Brian Pastor (they/them): question. You know, we typically just say, you know, have a good show to each other.
- 1:43:53Brian Pastor (they/them): To avoid confusion, because I don't… I don't want to actually…
- 1:43:57Brian Pastor (they/them): risk breaking a leg. I mean, you might as an actor say to an actor, you know, break a leg, but I think…
- 1:44:02Brian Pastor (they/them): For other people in the production, we just say, you know.
- 1:44:06Tad Eggleston: Good show. Good show. Okay. So all three of my, my, my co-hosts today are involved in Shane at the City Lit theater through October 4th, is that right?
- 1:44:18Brian Pastor (they/them): Patriot?
- 1:44:19Tad Eggleston: Yep. October 4th, Friday, Saturday, and Sunday every week, I think a couple Mondays mixed in. Sean's used up his,
- 1:44:28Tad Eggleston: his, his, his…
- 1:44:30Tad Eggleston: his understudy night, so he won't… he won't be missed. I have to try to come again if I actually want to see him in the play.
- 1:44:41Tad Eggleston: What is your excuse, Sean?
- 1:44:44Sean Harklerode: I have no excuse.
- 1:44:46Tad Eggleston: Yeah, no excuse. Okay.
- 1:44:49Sean Harklerode: You know, I can only be so bad, you know, I gotta…
- 1:44:53Sean Harklerode: I gotta take a break and be a nice guy.
- 1:44:57Tad Eggleston: So that's… that's fair. Cubs tickets. You got it.
- 1:45:04Tad Eggleston: For 22 Panels, this has been Heroes in Bronze, and we will see you after the next page.