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I Failed Him (S3 E21 "Here Comes the Son”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in that Kissed You, I am all
• 0:17
  Speaker 1: in with Scott Patterson and I heart radio podcast. Everybody. Hi, Hi,
• 0:25
  Speaker 1: what did you think? I'll just get right into it.
• 0:31
  Speaker 1: I liked it. I really thought it was a great episode.
• 0:35
  Speaker 1: But it stressed me out because it was so drama rama.
• 0:41
  Speaker 1: It was so much drama rama going on. It was
• 0:43
  Speaker 1: heavy stuff, right, and I mean the Jess arc and
• 0:48
  Speaker 1: you know, Emily not wanting Laurela around. It was stressful.
• 0:54
  Speaker 1: It was just it was just it wasn't light and
• 0:57
  Speaker 1: as fun as I you know, I like these episodes
• 1:00
  Speaker 1: to be. But again, Amy tends to have a different
• 1:03
  Speaker 1: writing style than her husband, and so when Amy is
• 1:08
  Speaker 1: writing directing, she's controlling everything, and you know you're gonna
• 1:11
  Speaker 1: get one of these really heavy episodes. And it was
• 1:14
  Speaker 1: filled with great lines and humor and all that stuff,
• 1:16
  Speaker 1: but the but the you know, but the but the
• 1:19
  Speaker 1: narratives and the themes, which it was just very I
• 1:21
  Speaker 1: was exhausted after watching this episode. And she obviously wrote
• 1:24
  Speaker 1: it because it was intended to be the launching pad
• 1:30
  Speaker 1: for a Jess rob ST's Sherylyn Fenn spinoff, right, And
• 1:35
  Speaker 1: that's when I thought was kind of peculiar about it,
• 1:38
  Speaker 1: because what am I doing in Venice, California with rob
• 1:41
  Speaker 1: estis Milo and Cheryl and Fenn. Not that that isn't
• 1:44
  Speaker 1: a great triple right there. Okay, all all great, but
• 1:49
  Speaker 1: it just it just felt foreign. It just felt like,
• 1:52
  Speaker 1: you know, and then we go back to stars Hollow
• 1:54
  Speaker 1: and a door opening in Emily's house and it's like,
• 1:56
  Speaker 1: what what's happening? You know? So so yeah, it was
• 1:59
  Speaker 1: a little for me, although I enjoyed the California stuff,
• 2:03
  Speaker 1: but um, anyway, that's my initial impression. I loved the episode.
• 2:08
  Speaker 1: I was fully engaged, actually, but it was a little
• 2:12
  Speaker 1: it was a little stressful for me. Yeah. I've only
• 2:15
  Speaker 1: seen this episode twice. I saw it when it ran
• 2:17
  Speaker 1: the first time, you know, on television. I watched it
• 2:21
  Speaker 1: once on the DVDs, and I've never watched it again
• 2:24
  Speaker 1: because I remember not being into it, almost like this
• 2:29
  Speaker 1: never became a thing. I don't need to rewatch this one,
• 2:33
  Speaker 1: because this just didn't become a thing. This third time, though,
• 2:37
  Speaker 1: I liked it the best of all the three times
• 2:40
  Speaker 1: I've ever watched it. I tried to watch it like
• 2:43
  Speaker 1: in a different way, and I liked it much more.
• 2:46
  Speaker 1: I didn't like it when I watched it originally because
• 2:49
  Speaker 1: it felt like a different show, Like, why am I
• 2:52
  Speaker 1: watching this right now? And you know what, I'm being
• 2:56
  Speaker 1: insufferably rude, and I apologize. I failed to introduce everybody.
• 3:01
  Speaker 1: What the heck is wrong with me? Daniel Romo Welcome, Hello, Hello,
• 3:09
  Speaker 1: Amy Sugarman, Hello, And we're joined also by the one
• 3:14
  Speaker 1: and only Traveling Parasus who who shows up? When I
• 3:22
  Speaker 1: mean it's just traveling you guys. I have like four
• 3:27
  Speaker 1: weeks in a row. I think I'm going to be
• 3:28
  Speaker 1: out of town coming up for Yeah, but was the
• 3:33
  Speaker 1: time with Matt Zukri the best? I mean Matt and Yeah,
• 3:43
  Speaker 1: we're still like glowing from the Mad Sure experience. I mean,
• 3:47
  Speaker 1: it's like the guy you know, I want to interview
• 3:50
  Speaker 1: him every week. Forgot I'm not gonna lie to you.
• 3:53
  Speaker 1: I went back and watched like a couple episodes. Well, no,
• 3:56
  Speaker 1: I think I mentioned it last week. But I went
• 3:58
  Speaker 1: back and watched the revival just because I want to
• 4:00
  Speaker 1: see him in it. Oh my god, I did the
• 4:02
  Speaker 1: same thing. I didn't want to doable, but I snuck ahead.
• 4:07
  Speaker 1: I cheated, and I went to I wanted to see
• 4:10
  Speaker 1: Matt's first appearance. Oh my god, wait, Amy, I went
• 4:13
  Speaker 1: to see that clip and really, funny enough, my friend's
• 4:16
  Speaker 1: husband is in the background of that episode and he's
• 4:19
  Speaker 1: currently on a c W show, so I need to
• 4:22
  Speaker 1: like text her save that when we get there. Save.
• 4:25
  Speaker 1: That's that's that's called being zuk read. That means you
• 4:29
  Speaker 1: break the rules. You've been zok red, You've been you.
• 4:33
  Speaker 1: It's not being Gilmoard anymore. It's being zook read. He
• 4:36
  Speaker 1: forces you to break the rules and cheat and go
• 4:39
  Speaker 1: ahead and watch the episodes when you're not. Must make
• 4:42
  Speaker 1: that a thing. You've been zook read, which just means
• 4:46
  Speaker 1: you have gotten hard eyes hard Uh. Anyway, I am
• 4:54
  Speaker 1: all in podcast one eleven Productions. iHeart Radio and here
• 4:58
  Speaker 1: we are kick off. What is this episode twenty one
• 5:03
  Speaker 1: twenty one Here Comes the Sun? Go ahead? Daniel takes away. Alright, So,
• 5:08
  Speaker 1: as Scott just said, Season three, episode twenty one, Here
• 5:10
  Speaker 1: Comes the Sun air date May fifteen, two thousand three,
• 5:15
  Speaker 1: and the synopsis is Rory is busy with finals, and
• 5:18
  Speaker 1: she has an insanely busy schedule of things to get
• 5:22
  Speaker 1: done before a graduation, and we find out through her
• 5:24
  Speaker 1: yearbook signatures that she is the valedictorian of her class.
• 5:29
  Speaker 1: Laura and Emily have another fight fight. When Laura Lae
• 5:32
  Speaker 1: picks up Rory from her house, we get to meet
• 5:35
  Speaker 1: Miss Selene, who is dressing Emily and Richard for Rory's graduation.
• 5:39
  Speaker 1: Paris was accepted to three colleges, Yale, Princeton, and Columbia,
• 5:43
  Speaker 1: and Laura La bonded with her at the very end
• 5:45
  Speaker 1: of the year. Meanwhile, three thousand miles away, just visits
• 5:49
  Speaker 1: his dad Jimmy, in Venice, California and asked to stay
• 5:52
  Speaker 1: for a while because he has nothing left in Stars Hollow.
• 5:56
  Speaker 1: So thank you, Danielle. You know, I just read off
• 6:00
  Speaker 1: the top and then we'll take it from the beginning,
• 6:02
  Speaker 1: but I just want to get this in um and
• 6:05
  Speaker 1: just just a comment on what you were saying, Amy, Yeah,
• 6:08
  Speaker 1: it felt like another show when we went to California,
• 6:11
  Speaker 1: with people trying to talk like they were in Gilmore Girls. Yeah,
• 6:14
  Speaker 1: and it didn't feel like Gilmore. It had gilmore Esque
• 6:17
  Speaker 1: qualities like Masal does, like Bunheads did, but it did
• 6:23
  Speaker 1: feel like you're like watching a different show. Also, note
• 6:26
  Speaker 1: it's here comes the Sun, but for people listening that
• 6:29
  Speaker 1: can't read it, it's s o n get it. Here
• 6:33
  Speaker 1: comes the Sun. Yeah, just for those listening and not
• 6:37
  Speaker 1: so anyway, Amy, take us takes from the top of
• 6:40
  Speaker 1: this and we'll we'll do chronological and in my memory
• 6:46
  Speaker 1: because I hadn't seen it in you know, fifteen years,
• 6:49
  Speaker 1: maybe eighteen years whenever the DVDs for this season came out.
• 6:53
  Speaker 1: In my memory, I wasn't sure that Lorra Lye and
• 6:55
  Speaker 1: Rory were in it at all. I was like, is
• 6:57
  Speaker 1: this just a full like Jess robsd Sherlyn Fenn it
• 7:02
  Speaker 1: should have been in my opinion, I feel like going
• 7:05
  Speaker 1: back stars hollow kind of threw me off. M But
• 7:09
  Speaker 1: you know, Lorela I was light in this episode, and
• 7:11
  Speaker 1: I really liked her in this episode because she wasn't
• 7:14
  Speaker 1: so manic and she wasn't so stressed out all the
• 7:17
  Speaker 1: time stuff for that one scene in in her parents
• 7:22
  Speaker 1: house and Emily and Richard's house, which and she was
• 7:24
  Speaker 1: justifiably kind of offended. Yeah, but I really liked her
• 7:28
  Speaker 1: in this because she was a little calmer um and
• 7:31
  Speaker 1: I just sort of celebrating her daughter and feeling great
• 7:34
  Speaker 1: about that in every scene pretty much. So that was
• 7:38
  Speaker 1: a nice, nice touch. Anyway, take us all right, So
• 7:41
  Speaker 1: we stay in Weston's, which I thought was interesting. Why
• 7:45
  Speaker 1: weren't we at the diner? But we were at Weston's.
• 7:48
  Speaker 1: It's so funny because when they started at Weston's, I
• 7:50
  Speaker 1: was like, are Luke and Lorela in the fight? Because
• 7:53
  Speaker 1: why are they at Westons? Like? I had no idea
• 7:55
  Speaker 1: why they weren't at Luke's. I could only come up
• 7:57
  Speaker 1: with to honor fran because like and passed away, but
• 8:01
  Speaker 1: Weston's is still open. I don't know. So they're talking
• 8:05
  Speaker 1: about the trip to Europe, so that's important. Uh. Lorrel
• 8:09
  Speaker 1: has curly hair and is wearing the piece shirt, which
• 8:11
  Speaker 1: I liked. And then basically Lane comes in to talk
• 8:14
  Speaker 1: about her brochure she's got for college, and that's sort
• 8:18
  Speaker 1: of the gist of where we're at. There's two parks,
• 8:22
  Speaker 1: one for guys, one for girls. Yeah, Roryes are like
• 8:28
  Speaker 1: two parks, one for boys. My big question there was
• 8:33
  Speaker 1: why Weston's. Um, Yeah, let's hopefully then it was. But
• 8:41
  Speaker 1: it was a good scene. It was definitely good. It
• 8:42
  Speaker 1: was a good opening scene. So then the credits roll
• 8:45
  Speaker 1: and we realize, okay, special guest starre rob Esties, so
• 8:49
  Speaker 1: we know, okay, he's back, and I think we even
• 8:51
  Speaker 1: see Sherilyn Fenn's name in the credits, so we then
• 8:56
  Speaker 1: still are at Lower Lies or so, so we're still
• 8:58
  Speaker 1: with Lower Lys, so we're still in Stars Hollows. But
• 9:00
  Speaker 1: we see Laura Lee in the leopard dress with the
• 9:03
  Speaker 1: cute sweater. She's trying to be very quiet making the coffee,
• 9:06
  Speaker 1: which I was like, why is she trying to be
• 9:07
  Speaker 1: so quiet? And then Rory is studying and just she's
• 9:11
  Speaker 1: got so much to do before graduation. So that's sort
• 9:14
  Speaker 1: of the gist. So we learned. One other tidbit is
• 9:17
  Speaker 1: that she's going to see Emily, her grandma, to talk
• 9:21
  Speaker 1: about what Emily is going to wear the graduation. And
• 9:23
  Speaker 1: then we see Luke in the doorway and I actually
• 9:26
  Speaker 1: was startled by that. It was like, no, what's he
• 9:29
  Speaker 1: doing there? So that's sort of the setup. And then
• 9:32
  Speaker 1: she goes out and realizes because Luke tells her just
• 9:36
  Speaker 1: as gone, Yeah, I like that scene. I like that
• 9:39
  Speaker 1: scene a lot. I liked it. And he actually carried
• 9:42
  Speaker 1: her over to the other side of the house, but
• 9:46
  Speaker 1: he got visit, you know, he actually touched her, and
• 9:50
  Speaker 1: it was also a new angle of the porch. We
• 9:52
  Speaker 1: haven't seen that much right, right, right. But I like
• 9:54
  Speaker 1: that scene. I like that it was great and it
• 9:56
  Speaker 1: was and it showed his his um, you know, him
• 10:02
  Speaker 1: feeling really like a big failure and he acknowledge that.
• 10:07
  Speaker 1: I thought that was a very poignant moment in this
• 10:09
  Speaker 1: yes so not yes. So. Not only has he come
• 10:12
  Speaker 1: to tell Laura Lie because he's worried about Rory, he
• 10:16
  Speaker 1: then really kind of says, you know, I failed him,
• 10:20
  Speaker 1: and I do know what you're talking about. I even
• 10:22
  Speaker 1: wrote a note the arm touch, but it was more
• 10:26
  Speaker 1: it was more like significant. He moved her and she
• 10:28
  Speaker 1: didn't mind it. You know, it was like he moved
• 10:31
  Speaker 1: her whole body over around there because he was so
• 10:34
  Speaker 1: concerned that Rory didn't you know, he's protecting Rory. He
• 10:37
  Speaker 1: didn't want her to hear this. So so so far,
• 10:41
  Speaker 1: what do you think of the episode? Just put these
• 10:46
  Speaker 1: two scenes before we go to Santa Monica, Venice. I
• 10:49
  Speaker 1: think there's a big void there without Jess and I'm
• 10:53
  Speaker 1: you know, I'm wondering what's happening, And you know, without
• 10:56
  Speaker 1: Jess there, that really does take away a lot from
• 11:00
  Speaker 1: from the proceedings. So I was very curious about what
• 11:03
  Speaker 1: was gonna unfold. And pretty pretty quickly we get to
• 11:06
  Speaker 1: him getting off the bus, right right, is that the
• 11:09
  Speaker 1: next little portion there exactly, that's exactly right. So Danielle,
• 11:12
  Speaker 1: did you immediately know he's in California? Um, like once
• 11:17
  Speaker 1: he got off the bus. Absolutely, but like, yeah, the
• 11:19
  Speaker 1: Beach Boys music gave it away. No, it was literally like, hello,
• 11:24
  Speaker 1: that's Venice beach right, just growing up here, like you
• 11:29
  Speaker 1: know that's Venice. Within a second, coming soon, there's a
• 11:32
  Speaker 1: very significant shot scene on scene shot on the Santa
• 11:36
  Speaker 1: Monica Pierre. So he gets off, he's in Venice. Uh,
• 11:40
  Speaker 1: Santa Monica area. The Beach Boys must have cost a
• 11:43
  Speaker 1: pretty penny to get that good Yeah, and uh, he's
• 11:49
  Speaker 1: it's very iconic with him and his Jess. Look the
• 11:52
  Speaker 1: leather jacket jacket on the beach with the girls cart wheeling,
• 11:56
  Speaker 1: and you're immediately like fish out of water. Yeah, like
• 12:02
  Speaker 1: like take the jacket off. You've got to be sweating
• 12:04
  Speaker 1: under their and a leather jacket standing on the beach
• 12:08
  Speaker 1: in Venice. I mean, for that's sake, it's already nine
• 12:11
  Speaker 1: myself right now, just so hot. Okay, he's that cool? Right,
• 12:16
  Speaker 1: So then we quickly go back again. So there's a
• 12:19
  Speaker 1: lot of that throughout this episode of like California Stars,
• 12:22
  Speaker 1: Hollow California Stars, also back and forth. Can I make
• 12:26
  Speaker 1: one note that I noticed right off the bat? And
• 12:27
  Speaker 1: then it pays off even a little bit later, like
• 12:31
  Speaker 1: right when Jess gets off the bus, there's just dogs
• 12:34
  Speaker 1: and I'm like, oh, I don't think we've seen dogs
• 12:36
  Speaker 1: on set yet, at least not for a while. And
• 12:38
  Speaker 1: I was like interesting. And then fast forward to the scene,
• 12:41
  Speaker 1: which we'll talk about a little bit, I was like,
• 12:43
  Speaker 1: why are there so many dogs in California? I make
• 12:45
  Speaker 1: sure they're all over the US. So we go back
• 12:52
  Speaker 1: to the Gilmore's and we the significant thing is we
• 12:55
  Speaker 1: learned she grabs the letter out of the mailbox, and
• 12:58
  Speaker 1: we learned that Rory has been denied i'd financial aid
• 13:01
  Speaker 1: because of the seventy dollars. So that's sort of that piece.
• 13:05
  Speaker 1: And then we're immediately back in Venice and we see
• 13:08
  Speaker 1: Jess going to four to two whatever mystery street and
• 13:14
  Speaker 1: this house. How he knew where to go, I'm not
• 13:17
  Speaker 1: totally sure. Do you think, um I was actually thinking
• 13:21
  Speaker 1: about this? Do you think that he actually looked at
• 13:23
  Speaker 1: his license? Because remember he left his wallet right I
• 13:28
  Speaker 1: don't because the last episode, But why would he have
• 13:31
  Speaker 1: not freaked out? He just gives the wallet. If he
• 13:34
  Speaker 1: saw the name, if he looked at it enough to
• 13:36
  Speaker 1: see the address and knew that was his dad, He's
• 13:40
  Speaker 1: not going to say something immediately. That's why I was like,
• 13:43
  Speaker 1: how do you know the address? These are? This is
• 13:47
  Speaker 1: also it could be you know, does he know did
• 13:50
  Speaker 1: he know his dad's name? Like, I don't know. Back then,
• 13:53
  Speaker 1: there was like yellow books, you know what I mean,
• 13:55
  Speaker 1: you can just like go through people, you know, find
• 13:57
  Speaker 1: Jimmy Mariano. Alright, I live true the Yellow Pages. It
• 14:04
  Speaker 1: wouldn't be in the Yellow Pages because that was where
• 14:06
  Speaker 1: businesses were. It would have been in the White Pages. Yeah,
• 14:11
  Speaker 1: it probably could have been listed. So you know, I
• 14:14
  Speaker 1: I found all of these scenes particularly heartbreaking. Yeah, it
• 14:20
  Speaker 1: was difficult for me to watch it personally. Uh uh no,
• 14:25
  Speaker 1: I don't want you and you know all of that.
• 14:28
  Speaker 1: So I thought Sherylyn Fenn was great. She really was.
• 14:31
  Speaker 1: She was. She's just great. I mean she played the
• 14:33
  Speaker 1: heck out of that part. Man. I agree, And did
• 14:35
  Speaker 1: you not see a little of Oh it kind of
• 14:39
  Speaker 1: does make sense why she was considered to be lower
• 14:42
  Speaker 1: Lie oh, without questions, You're like, oh, I get it. Yeah, yeah,
• 14:47
  Speaker 1: she's sort of okay, Yeah, you're apparently was first choice.
• 14:52
  Speaker 1: She was first choice, I believe you. Now. I know
• 14:56
  Speaker 1: people are going to murder me because I want to
• 14:58
  Speaker 1: say a spoiler, but obviously Amy Sherman Palladino loves Sherylyn
• 15:05
  Speaker 1: Fenn because this is not the only role Sherylyn Fenn
• 15:08
  Speaker 1: plays on Gilmore Girls. Really really, Yes, she played my ex? Yeah? Yeah?
• 15:17
  Speaker 1: Or was that Mason Amick? No, I'm pretty sure she is.
• 15:22
  Speaker 1: You know, I may be mistaken. I think Mason Amock
• 15:26
  Speaker 1: may have been the first choice for the role of Loyal.
• 15:31
  Speaker 1: Oh why I always thought it was Sherlyn Fenn. We
• 15:33
  Speaker 1: need to fact check that. Yeah, let's fact check it
• 15:35
  Speaker 1: because because Marylyn comes back, so we won't ruin it.
• 15:38
  Speaker 1: But I'm sure SHERYLN. Fenn comes back and plays another character, Daniel,
• 15:44
  Speaker 1: just turn your mute for a second, the mother of
• 15:48
  Speaker 1: all Right, I mean, I love for someone to check,
• 15:52
  Speaker 1: but sure she plays Sasha in one. She does, and
• 15:57
  Speaker 1: then she plays you know who? Correct? Yes, I just
• 16:00
  Speaker 1: looked it, so and I'm pretty sure she was a
• 16:04
  Speaker 1: front runner to You're good Daniels. Sorry, poor daniel is
• 16:07
  Speaker 1: giving thank you. I feel like I'm in family feud
• 16:12
  Speaker 1: where they say to answers like and I mean like
• 16:14
  Speaker 1: a sound like welcome back to the So what did
• 16:26
  Speaker 1: you think immediately, Danielle to of Sherylyn Fentn What were
• 16:29
  Speaker 1: your initial Sasha? I think she's cool. I like her
• 16:35
  Speaker 1: character a lot. Um. I thought the whole storyline is
• 16:40
  Speaker 1: interesting because she has the daughter, and yet Jimmy didn't
• 16:44
  Speaker 1: really say much about Jess, you know, like and she
• 16:48
  Speaker 1: confronts him about it and she's like angry. Um, she
• 16:51
  Speaker 1: obviously wants to be married because she kind of like
• 16:55
  Speaker 1: did that little dig at him, you know. Um. I
• 16:58
  Speaker 1: think she's cool. I think she's super like strong, independent,
• 17:02
  Speaker 1: cool person. That was my thoughts. Yeah, Scott, Yeah, a
• 17:09
  Speaker 1: great character. I wish they had her come back more
• 17:12
  Speaker 1: and more and more as that character. Maybe she visited
• 17:14
  Speaker 1: just they got Jimmy and Jess back to stars Hollow
• 17:19
  Speaker 1: so that she could come back with her daughter, you know,
• 17:21
  Speaker 1: because she's so great, you know, and they're also great,
• 17:26
  Speaker 1: like get it out of Venice, and I know, I
• 17:28
  Speaker 1: know they were setting up the pilot and the spinoff
• 17:30
  Speaker 1: and all that stuff, But why not bring her back? Yeah?
• 17:34
  Speaker 1: Did anybody else think Sherylyn Fenn is so good that
• 17:38
  Speaker 1: almost rob Estes became secondary? I agree, Like he was
• 17:44
  Speaker 1: so good in the previous episode and he's so important here,
• 17:47
  Speaker 1: but she really stood out to me, and she was
• 17:50
  Speaker 1: very Gilmore. Yeah, it's because she wore the pants and
• 17:53
  Speaker 1: that's the great way to describe it, Like she definitely,
• 17:57
  Speaker 1: she definitely wore the pants in that relationship, right right, right,
• 18:00
  Speaker 1: is why I thought the characterization of of the Rob
• 18:04
  Speaker 1: the Rob best Is character the Jimmy, I don't know
• 18:06
  Speaker 1: if that was I don't know if it could have
• 18:09
  Speaker 1: been better. That's right, because it doesn't work as well
• 18:12
  Speaker 1: in this But so why not write him as a
• 18:16
  Speaker 1: guy who's super laid back and chill and and just like,
• 18:20
  Speaker 1: you know, just a lover and a peace nick and
• 18:24
  Speaker 1: the whole thing, not this you know, agitated sort of. Yeah, yeah, yeah, yeah,
• 18:30
  Speaker 1: Rob Bestis is to me much better in the episode
• 18:35
  Speaker 1: before this one. This one is really Sherilyn Fens episode. Yeah, yeah, yeah,
• 18:42
  Speaker 1: And everything was Gilmurray, her her mannerisms, her way, the
• 18:47
  Speaker 1: house is Gilmurray. The colors are bright, the clowns of
• 18:53
  Speaker 1: the clown the literal clown dolls. I wanted to mention
• 18:57
  Speaker 1: that there were so many, and I'm like, there is
• 19:00
  Speaker 1: a shrine of clown dolls. I'm like, that puts the
• 19:02
  Speaker 1: pillow to shame totally. The quirkiness of the daughter being
• 19:08
  Speaker 1: in the cupboard or the other you know, she's always
• 19:11
  Speaker 1: hidden reading her books, which I thought very rory. And
• 19:15
  Speaker 1: then we the dogs and the cats and all the
• 19:19
  Speaker 1: books in Jimmy's room, the books and the records, and
• 19:24
  Speaker 1: You're just like, Okay, there's a lot to unpack here.
• 19:27
  Speaker 1: What do you think was wrong with Jimmy? Like that
• 19:30
  Speaker 1: he just got his act together five years ago and
• 19:33
  Speaker 1: he's still kind of nervous and agitated and and schmucky.
• 19:37
  Speaker 1: And I mean, how do you talk that way to
• 19:39
  Speaker 1: your son? No, I don't want you here. I don't
• 19:41
  Speaker 1: want to be a father. That's why I went I
• 19:43
  Speaker 1: went away seventeen. I mean, this is just like you're
• 19:45
  Speaker 1: sticking a knife in your in your kid's heart again
• 19:48
  Speaker 1: and again and again. And I just thought, man, this
• 19:51
  Speaker 1: is this is hard to hear, and it's hard to want.
• 19:54
  Speaker 1: No prize from what we know of Liz up till
• 19:56
  Speaker 1: now too, So um, I don't know. I was so
• 20:00
  Speaker 1: thrown off by how the character of Jimmy was written,
• 20:06
  Speaker 1: and I just kept rewriting him in my head every
• 20:09
  Speaker 1: time he came on screen and said, he's got to
• 20:12
  Speaker 1: be a different guy because he's got it's got to
• 20:14
  Speaker 1: be the opposite of what this is. It can't be close,
• 20:17
  Speaker 1: you know, you know what I'm saying. Make him completely
• 20:20
  Speaker 1: different so that those lines come out easier. You're not wrong,
• 20:24
  Speaker 1: because we all can talk about the elephant in the room.
• 20:26
  Speaker 1: This did not become a show, which we'll talk about
• 20:29
  Speaker 1: at the end, but this does not become a show,
• 20:31
  Speaker 1: and so obviously there were things that did not work.
• 20:35
  Speaker 1: Either the network didn't think they worked or somebody didn't
• 20:39
  Speaker 1: think they worked, because this did not become a spinoff.
• 20:42
  Speaker 1: So anyway, we Danielle, you you go, you look like
• 20:45
  Speaker 1: you're yeah. I had like a very interesting um like
• 20:50
  Speaker 1: I found a very interesting parallel in this episode. I
• 20:53
  Speaker 1: feel like there's a lot of similarities between Jimmy and
• 20:58
  Speaker 1: Luke in the sense that they have their own um
• 21:02
  Speaker 1: restaurant type thing that they're in charge of. However, they're
• 21:06
  Speaker 1: showing that they're very similar in their work and what
• 21:10
  Speaker 1: they do and their work ethic, because when we saw
• 21:13
  Speaker 1: Jimmy at um Dante's Inferno, like he was like literally
• 21:17
  Speaker 1: like very invested in his work, different than the kind
• 21:20
  Speaker 1: of guy we usually see. But then outside of work
• 21:23
  Speaker 1: you see the massive difference between Luke and Jimmy. But
• 21:27
  Speaker 1: I feel like they almost did that on purpose, Like
• 21:29
  Speaker 1: they're very similar people but very very different. And I
• 21:32
  Speaker 1: thought that was like a really interesting kind of parallel
• 21:35
  Speaker 1: between the two characters. Did to Scott, did you did
• 21:38
  Speaker 1: you notice that? Um? Gosh, yeah, I don't know that.
• 21:45
  Speaker 1: I saw a lot of similarities there, um just from
• 21:50
  Speaker 1: a work perspective, like they you know, I mean, but
• 21:53
  Speaker 1: how but we haven't We just saw him in that
• 21:55
  Speaker 1: one quick scene with a pickle jar. But don't you
• 21:58
  Speaker 1: think it's a conscious choice spiced by people writers, amy whoever?
• 22:03
  Speaker 1: That Jimmy also has a restaurant. I felt like that
• 22:07
  Speaker 1: had to be a choice that was made intentionally, very intentionally. Maybe.
• 22:15
  Speaker 1: I mean, I don't know. I can't get inside their head. Man,
• 22:19
  Speaker 1: they're blowing them man to sit here and drink my wine. See,
• 22:27
  Speaker 1: that's the kind of character I wanted Jimmy to do
• 22:29
  Speaker 1: to be. Do you like Jimmy from what you know
• 22:32
  Speaker 1: from this, I do not. I wouldn't. I don't want
• 22:35
  Speaker 1: to spend time with him. He's unhinged. He's he's he's
• 22:39
  Speaker 1: shaking in his in his inside of his body. He's
• 22:43
  Speaker 1: just quaking all the time. What about Sasha, It's like
• 22:47
  Speaker 1: he's in withdrawal all the time. So maybe he is.
• 22:50
  Speaker 1: Maybe that's the character. I don't know, But uh, Sasha,
• 22:54
  Speaker 1: who Sasha. That's Oh, she's brilliant. I mean, it was
• 22:57
  Speaker 1: a brilliant character. Brilliant. I wanted I just wanted Jimmy
• 23:01
  Speaker 1: to be a hippie. I just wanted to be like
• 23:03
  Speaker 1: a real, like a throwback hippie. Not I didn't want
• 23:07
  Speaker 1: to hate him. I'm kind of I'm kind of tired
• 23:09
  Speaker 1: of hating people on the show. You know. It's like
• 23:13
  Speaker 1: I like, reserve that for Emily or sometimes Richard and
• 23:16
  Speaker 1: sometimes Tricky. I mean, that's part of the family takes
• 23:19
  Speaker 1: care of, you know. And but the thing is, I
• 23:25
  Speaker 1: think it's probably ingenious because it makes Jess seems so
• 23:31
  Speaker 1: much more like right that he's got this total schmuck
• 23:35
  Speaker 1: of a father, I mean, what a schmuck. And and
• 23:39
  Speaker 1: and now Jess is looking now we're rooting for him
• 23:42
  Speaker 1: and now we're behind him a d. So it is
• 23:45
  Speaker 1: probably you have to assume if this was to be
• 23:48
  Speaker 1: launching pad for a show, it can't just be Jimmy
• 23:52
  Speaker 1: like I love you, I'm sorry I left you seventeen
• 23:54
  Speaker 1: years eighteen years ago. Come on in, let's all be
• 23:57
  Speaker 1: the Brady Bunch. There has to be like, as if
• 24:00
  Speaker 1: this was going to be a show, obviously the conflict
• 24:03
  Speaker 1: between Jimmy and Jess would have been major. Yeah, and Amy,
• 24:07
  Speaker 1: you were saying, like what happened within the last five
• 24:09
  Speaker 1: years to make Jimmy kind of shift a little bit?
• 24:13
  Speaker 1: Maybe it is Sasha. Maybe Sasha came into his life
• 24:16
  Speaker 1: and was like I think Scott posed that good question. Yeah, Scott, sorry,
• 24:20
  Speaker 1: but but like one thing I found interesting is that
• 24:22
  Speaker 1: I or I think we would have gotten the Jimmy
• 24:25
  Speaker 1: that you're talking about, Luke Luke, Scott that was bound
• 24:31
  Speaker 1: to happen once. I mean, there's three seasons, twenty one episodes, Scott,
• 24:41
  Speaker 1: I feel like that was great. Um, I feel like
• 24:44
  Speaker 1: what you were saying that you wanted him to be
• 24:46
  Speaker 1: this like laid back. Oh sorry, dude, Like I can't
• 24:48
  Speaker 1: do this. I think he would have had that if
• 24:51
  Speaker 1: Sasha wasn't like, you need to talk to Jess and
• 24:54
  Speaker 1: you need to do this now, Like I'm pissed, you know,
• 24:57
  Speaker 1: Like I feel like if he didn't have that external motivator,
• 25:00
  Speaker 1: he wouldn't have done that, and he would have been like, sorry, dude,
• 25:04
  Speaker 1: like we don't have room. Can I throw something out
• 25:06
  Speaker 1: to you, Scott and see what you think? Amy Sherman Palladino.
• 25:11
  Speaker 1: Obviously it's undeniable. She writes strong women, right, I mean,
• 25:18
  Speaker 1: Laura lie that even on bun Heads, those are strong women,
• 25:22
  Speaker 1: masal strong women. She always writes strong women. I wonder
• 25:25
  Speaker 1: if the problem for this spinoff was that Sherilyn Fenn
• 25:31
  Speaker 1: she's writing perfectly, and she also can write Jess. We
• 25:35
  Speaker 1: know that, but maybe it's Jimmy that just didn't seem
• 25:38
  Speaker 1: to be enough for a whole show, because maybe she
• 25:45
  Speaker 1: just wasn't like because really, like we all said, she's
• 25:49
  Speaker 1: the episode of Cherylyn Fenn, So maybe the network was like,
• 25:54
  Speaker 1: there's no Jimmy Jess. So we're at Senior Palooza and
• 25:59
  Speaker 1: there's cute always carrying boxes and Rory's on the phone
• 26:02
  Speaker 1: with Grandma, and I think this is where lore La
• 26:06
  Speaker 1: is trying to sell the tickets to the yacht party.
• 26:11
  Speaker 1: So let's talk about that and then we'll go back
• 26:13
  Speaker 1: and we'll learn more about what we can figure out
• 26:16
  Speaker 1: on the my load slash Jess Pilot. So what did
• 26:20
  Speaker 1: you think back at the school, you know, the Paris
• 26:23
  Speaker 1: scene with lower La, essentially the hug, remember that. I
• 26:29
  Speaker 1: thought it was funny, you know it was it was
• 26:32
  Speaker 1: straight up comedy, and uh, you know, Paris needed it,
• 26:36
  Speaker 1: and Paris was being Paris and lorel I was just
• 26:38
  Speaker 1: so happy. She didn't care about getting rejected. She's like,
• 26:41
  Speaker 1: come on, you know, she was in such a good
• 26:43
  Speaker 1: mood because her daughter was accepted in val Victorian hold
• 26:47
  Speaker 1: and and I just wanted to give her a little
• 26:49
  Speaker 1: mom love because she needs it. And it was a
• 26:51
  Speaker 1: good scene. She doesn't have that, like the hug. I
• 26:53
  Speaker 1: don't think she ever gets a hug like that, right,
• 26:57
  Speaker 1: And my favorite is when I was like, you can
• 27:00
  Speaker 1: release your fists. It was good advice Loria gave her
• 27:05
  Speaker 1: about college, saying you pick where you want to go. Yeah,
• 27:10
  Speaker 1: she was She's a great she's a great mom. I mean,
• 27:13
  Speaker 1: she really displayed her she was enjoying the fruits of
• 27:17
  Speaker 1: her labor. In this episode, and she she proved to
• 27:20
  Speaker 1: be just a spectacular mother. So it was yeah, and
• 27:24
  Speaker 1: then we just see that there's still a little is
• 27:27
  Speaker 1: when you watch people celebrate her building towards a little
• 27:32
  Speaker 1: drama with Emily, because we can see Rory on the
• 27:34
  Speaker 1: phone with her trying to figure out this outfit and
• 27:36
  Speaker 1: kind of saying, I gotta go over there. So we're
• 27:39
  Speaker 1: setting up that and that there's prominent use of cell
• 27:42
  Speaker 1: phones now. Oh yeah, and also Rory has makeup on
• 27:46
  Speaker 1: in this episode. I like specifically put that down. She
• 27:49
  Speaker 1: looks way more um mature, like she was wearing lipstick,
• 27:53
  Speaker 1: she had some blush on. I was like, oh, I
• 27:56
  Speaker 1: haven't seen Rory with makeup on like this. I don't know,
• 28:01
  Speaker 1: I wrote it down. I noticed that. Yeah, okay, so
• 28:07
  Speaker 1: we're gonna go back to l A, to the Santa
• 28:10
  Speaker 1: Monica Pire. And interestingly, I just realized we haven't even
• 28:12
  Speaker 1: seen Jimmy yet. We're this far into the episode and
• 28:15
  Speaker 1: we've only seen Cherylyn Fenn. So the more I think
• 28:19
  Speaker 1: about it, the more I feel like this would have
• 28:21
  Speaker 1: been the Sherylyn Fenn Show. But anyway, so we go back.
• 28:25
  Speaker 1: Clearly we're on the Santa Monica Pire looked amazing. She's
• 28:28
  Speaker 1: there doing the walk and talk and she knows everybody
• 28:31
  Speaker 1: in town. We kind of learned that right away. It
• 28:34
  Speaker 1: felt very Gilmoury. And then we get to Dante's Inferno
• 28:39
  Speaker 1: and the pickle situation. Yeah, they were in a real pickle.
• 28:46
  Speaker 1: Didn't really understand what they were talking about. But you know,
• 28:49
  Speaker 1: I guess the label was a little off and the
• 28:51
  Speaker 1: letters where the font was a little off. It just
• 28:53
  Speaker 1: stood out to me. Here this is where I really
• 28:55
  Speaker 1: noticed what Danielle said. He's got this diner I called it,
• 29:00
  Speaker 1: and I thought, God, that's got to be on purpose. Yeah. God,
• 29:04
  Speaker 1: it just didn't fit in with gil Moore Girls at all,
• 29:06
  Speaker 1: did it? It was? Oh? I mean that was my
• 29:09
  Speaker 1: problem with it the first two times I'd seen it.
• 29:12
  Speaker 1: It was better for me this time. On the third watch.
• 29:15
  Speaker 1: It was less jarring. But I remember being like, I'm
• 29:18
  Speaker 1: not watching Gilmore Girls, but I think it's some of
• 29:21
  Speaker 1: Milo's best work. I really really pulled me in. He
• 29:25
  Speaker 1: really really really pulled me in with this because he
• 29:27
  Speaker 1: was so hurt and he was so lost, and he
• 29:30
  Speaker 1: was so confused, and I just loved him in this episode.
• 29:34
  Speaker 1: I I just fell in love with him again in
• 29:36
  Speaker 1: this episode. So I'm like, you know, I'm I'm all
• 29:39
  Speaker 1: there for for just now hoping that he God, I
• 29:42
  Speaker 1: mean just I mean getting thrown out by his father.
• 29:45
  Speaker 1: He didn't even show him, he just shows up and
• 29:47
  Speaker 1: his father's rejecting him again. I mean, the poor kid.
• 29:51
  Speaker 1: You know, he's he's he's in a tough spot. You know,
• 29:55
  Speaker 1: my natural protective instincts, you know, just me, Scott was
• 29:59
  Speaker 1: really just man. Why I was just fired up? Are you,
• 30:03
  Speaker 1: Scott regretting Luke? Not that you can regret it, but
• 30:10
  Speaker 1: how are you feeling about the fact that Luke had
• 30:12
  Speaker 1: to tell him if you got to go? Then if
• 30:14
  Speaker 1: you're not. He did fail him. He did fail him,
• 30:17
  Speaker 1: and I and I do feel bad. And I know
• 30:20
  Speaker 1: that Luke feels bad and he should feel bad. He
• 30:23
  Speaker 1: did fail him because he he's with a young kid.
• 30:30
  Speaker 1: It's you know, you've got to pick your moments to
• 30:32
  Speaker 1: be that rigid and that stern. You know that, Like
• 30:36
  Speaker 1: I said in the last podcast, why isn't there a
• 30:39
  Speaker 1: world where where you can sit somebody down and really
• 30:42
  Speaker 1: talk to them and really support them and really love
• 30:45
  Speaker 1: them instead of all of this this has got to
• 30:47
  Speaker 1: be my way garbage, and you know, and all this
• 30:50
  Speaker 1: and and and and my god, I just I don't
• 30:53
  Speaker 1: know how anybody, especially a kid that vulnerable, that's smart,
• 30:57
  Speaker 1: that's sensitive and that troubled, how is he's not going
• 31:01
  Speaker 1: to respond well to that? You know you, I mean,
• 31:03
  Speaker 1: they're gonna make mistake after mistake after mistake after mistake,
• 31:06
  Speaker 1: the only and I and I agreed with Sasha, right,
• 31:11
  Speaker 1: it's like, you gotta love these people. Man, you gotta
• 31:13
  Speaker 1: love him, and you gotta hug him, and you gotta
• 31:15
  Speaker 1: be patient with him, and they're gonna screw up, and
• 31:17
  Speaker 1: you've got to just factor that into the equation and
• 31:19
  Speaker 1: alter your behavior. But Luke again, like Luke is not
• 31:24
  Speaker 1: the guy to raise or to be there for this kid, don't.
• 31:28
  Speaker 1: I won't go as far to say Luke failed him,
• 31:30
  Speaker 1: But I'm not sure Luke made the right call. I
• 31:32
  Speaker 1: don't know, Daniel, what we're gonna say. I know you're gonna, yeah,
• 31:36
  Speaker 1: I agree with you. I think I don't think he
• 31:39
  Speaker 1: failed him. And I actually do think Luke is what
• 31:42
  Speaker 1: Jess needed. Like I do think that he needs somebody
• 31:44
  Speaker 1: that's not going to enable him. And also he needs
• 31:46
  Speaker 1: somebody that's gonna put him in this place a little bit.
• 31:50
  Speaker 1: And that's what Luke was doing. And so I do
• 31:52
  Speaker 1: think he needed that guidance and he needed that discipline.
• 31:55
  Speaker 1: I just feel like at that point, Jess wasn't willing
• 31:59
  Speaker 1: to see that, And that's not necessarily a dig on Luke,
• 32:03
  Speaker 1: just I think not um uh. Emotionally and from like
• 32:10
  Speaker 1: a maturity standpoint, Jess wasn't able to He didn't want
• 32:13
  Speaker 1: it enough on his own. But why couldn't Luke show
• 32:17
  Speaker 1: him his heart? Why couldn't Luke show Jess he did
• 32:21
  Speaker 1: by letting him stay with him. I understand that and
• 32:24
  Speaker 1: trying to like he's more doing it like it's his duty,
• 32:26
  Speaker 1: it's his job as the uncle, as opposed to I
• 32:30
  Speaker 1: think what's Scott's saying, like from his heart? You know
• 32:32
  Speaker 1: what we're getting. We're getting at um A lot of
• 32:38
  Speaker 1: men's inability to open up their hearts and let their
• 32:41
  Speaker 1: heart pour out. They they think that that is weakness
• 32:45
  Speaker 1: as opposed to what it really is real strength and trust. Right,
• 32:50
  Speaker 1: So why can't why can't he sit down? Why can't
• 32:53
  Speaker 1: Luke be emotional with Jess? Is he afraid Jess will
• 32:57
  Speaker 1: perceive that his weakness. No, I think it. Luke has
• 33:00
  Speaker 1: a real hard time with that. No, I know why
• 33:02
  Speaker 1: Luke can't do it, but it's like, this gets to
• 33:05
  Speaker 1: the issue of why men can't communicate as well as
• 33:09
  Speaker 1: women can, and why there's maybe I mean, I don't
• 33:14
  Speaker 1: want to go off on a tangent here, but I
• 33:15
  Speaker 1: wanted to see a softer Luke. I wanted to see
• 33:19
  Speaker 1: a Luke that it was more supportive and gentle with
• 33:23
  Speaker 1: that boy and and loving and open up his heart,
• 33:26
  Speaker 1: Because wouldn't that have been powerful instead of all this
• 33:29
  Speaker 1: like hey, I'm the boss and and um and what
• 33:32
  Speaker 1: I say goes and you went against it and you're gone.
• 33:34
  Speaker 1: You broke my rules and you're gone. Yeah. Okay, So
• 33:38
  Speaker 1: that's that's a predictable character. That's a predictable character trait.
• 33:42
  Speaker 1: We all knew that was coming. We all saw it
• 33:45
  Speaker 1: coming a mile away, and you know Jess was gonna
• 33:47
  Speaker 1: screw up and Luke was going to toss him out.
• 33:49
  Speaker 1: But wouldn't the most moving scene would have been Luke
• 33:53
  Speaker 1: opening up his heart to that kid and showing him
• 33:55
  Speaker 1: how it affected him. Like imagine Luke in tears. Yeah,
• 33:59
  Speaker 1: I agree, you like shattered? Yeah, Like I'm a kid.
• 34:03
  Speaker 1: I'm dying for you here, man, and I think would right,
• 34:07
  Speaker 1: I think that's gonna be more effective going forward. I
• 34:10
  Speaker 1: support that, you know, And don't you feel for Jess.
• 34:14
  Speaker 1: He's been rejected by his mom, taken in by his uncle,
• 34:19
  Speaker 1: but send my sort of I don't know, I don't
• 34:23
  Speaker 1: use the order rejected, but like firm hand and then
• 34:27
  Speaker 1: it blew up. And now he's being rejected by his
• 34:30
  Speaker 1: dad a second time. His dad left him and now
• 34:34
  Speaker 1: essentially his dad and this element sort of would have
• 34:37
  Speaker 1: been an interesting show trying to sort of navigate all that,
• 34:42
  Speaker 1: But yeah, I don't know. I think it's an amazing
• 34:46
  Speaker 1: isn't amazing how Jess has just sort of taken over
• 34:49
  Speaker 1: the narrative. That's that's where our hearts are now, right,
• 34:54
  Speaker 1: Not so much with Rory. Rory is going to be successful.
• 34:57
  Speaker 1: We're like, yeah, she's put the hard work. We're not
• 35:00
  Speaker 1: so much with anybody else. We're engaged with this Jess dilemma.
• 35:04
  Speaker 1: What's going to happen to Jess? Jess, Jess? And And
• 35:08
  Speaker 1: you know, I think I think it just shows you
• 35:11
  Speaker 1: why Milo is such a star. Yeah, you know, he
• 35:14
  Speaker 1: he commands that kind of attention right because of his
• 35:17
  Speaker 1: skill set. So yeah, you're right. He was so good
• 35:19
  Speaker 1: in this episode. And I think it's significant that he
• 35:22
  Speaker 1: said I didn't come here to bust your balls. He's
• 35:24
  Speaker 1: throwing it out there right away that he's like, that's
• 35:28
  Speaker 1: not what this is about. To relive the seventeen years
• 35:31
  Speaker 1: you were gone, and he's basically we haven't gotten there yet,
• 35:34
  Speaker 1: but he says like I have nowhere else to go.
• 35:37
  Speaker 1: M m. Yeah. That was the hard part because Jimmy
• 35:41
  Speaker 1: was talking about how much of his screw up he
• 35:43
  Speaker 1: is and like you don't want to be near me,
• 35:45
  Speaker 1: and Jess was like, no, I'm the one that doesn't
• 35:48
  Speaker 1: have anything, and that's when that's when it like he's
• 35:53
  Speaker 1: been like playing cool guy. I know what I'm doing,
• 35:56
  Speaker 1: like you know, the whole time. And apple doesn't fall
• 36:01
  Speaker 1: far from the tree. Was really yeah, interesting, and I'm
• 36:05
  Speaker 1: glad Luke was hard on Jimmy. That's the guy that
• 36:09
  Speaker 1: deserves it, that's right, that's the guy that's like, get
• 36:12
  Speaker 1: your act together. You're in your forties for God's sake,
• 36:15
  Speaker 1: you know what I mean. I agree with you, But
• 36:17
  Speaker 1: Jess was the one that needed soft heart. He needed
• 36:21
  Speaker 1: a heart. Yeah, because that's what he hasn't had. And
• 36:25
  Speaker 1: there's there's there's a great quote going around now, um
• 36:30
  Speaker 1: well it's been going around for a long time, but
• 36:32
  Speaker 1: there was a quote says, you want to save the world,
• 36:34
  Speaker 1: go home and love your family and mother. It's a
• 36:38
  Speaker 1: attributed to mother choices. So I just I just wanted
• 36:40
  Speaker 1: to put that out there for the podcast audience because
• 36:43
  Speaker 1: I know you'll appreciate it, and I think Luke could
• 36:45
  Speaker 1: benefit from that. That would have been an interesting way
• 36:50
  Speaker 1: to tell the story that if Luke, even if he'd
• 36:53
  Speaker 1: been that way up till now that gruff sort of rules,
• 36:56
  Speaker 1: if he would have just totally changed and realized, like, hey,
• 37:00
  Speaker 1: we're in a mess. Here, let's take a breath, let's hug,
• 37:05
  Speaker 1: let's solve this. So here's maybe a theory, Okay, just
• 37:10
  Speaker 1: popped into my little head. Uh maybe this pilot idea
• 37:17
  Speaker 1: spinoff was doomed from the get go because here we are, uh,
• 37:22
  Speaker 1: loving a show that is deeply entrenched in family values.
• 37:27
  Speaker 1: It's all about family values or the lack they're not
• 37:31
  Speaker 1: really the lack of Arah, but families trying to come
• 37:33
  Speaker 1: together and work it out. And here we have this
• 37:37
  Speaker 1: this seminal scene in this episode and a show when
• 37:41
  Speaker 1: the audience is all about family values and they love
• 37:45
  Speaker 1: watching the show and repeat every single day of their
• 37:47
  Speaker 1: lives because they agree that family values matter the most.
• 37:53
  Speaker 1: And here we have a father who's going to be
• 37:55
  Speaker 1: a lead and a pilot who's telling his son, you
• 37:58
  Speaker 1: don't want to be near me. I don't want to
• 38:00
  Speaker 1: be near you. I mean, it's just like the worst
• 38:02
  Speaker 1: thing you could say in a scene to a young
• 38:06
  Speaker 1: It's very different than the conflict that lore Line and
• 38:08
  Speaker 1: Emily have. Absolutely yeah, I mean, it was just it
• 38:12
  Speaker 1: was just depraved almost well. And I also don't understand
• 38:20
  Speaker 1: obviously Sasha is a great mom to that little girl
• 38:23
  Speaker 1: in the cupboard, and you get the vibe that Jimmy
• 38:28
  Speaker 1: is a good yeah bake stepfather because they're not married.
• 38:31
  Speaker 1: So but but but I'm sorry interrupt, but I want
• 38:35
  Speaker 1: I wanted to finish my point. It's like, how are
• 38:37
  Speaker 1: you trying to hook the Gilmore audience with a character
• 38:39
  Speaker 1: like that that that doesn't want to be around his
• 38:42
  Speaker 1: own son when your whole audience is about family families
• 38:45
  Speaker 1: you want them to migrate over this pilot. But I
• 38:49
  Speaker 1: think it's because of Jess, like you've seen him through
• 38:51
  Speaker 1: all of this, and and you know, a lot of
• 38:53
  Speaker 1: people are a team Jess. For I think this reason.
• 38:56
  Speaker 1: It's that you feel for him. You want him to succeed,
• 38:58
  Speaker 1: and he just he keeps failing, and you want to
• 39:01
  Speaker 1: just keep rooting for him. And I think it's more following,
• 39:04
  Speaker 1: Jess than I understand what you're saying, But I think
• 39:06
  Speaker 1: it's more following just than like the family dynamic. Oh,
• 39:10
  Speaker 1: I see. But I think Scott's point is, and I
• 39:12
  Speaker 1: don't want to speak for Scott, you say, he's saying
• 39:14
  Speaker 1: that wasn't enough for these Gilmore or even like whoever
• 39:20
  Speaker 1: makes these decisions, that's not enough, that this was too
• 39:24
  Speaker 1: much of a pivot essentially from what we know and love. Yeah,
• 39:31
  Speaker 1: and we don't know Sherilyn Fenn's character enough yet to
• 39:34
  Speaker 1: give her a shot, you know what I mean. We
• 39:37
  Speaker 1: like her, but we don't know anything yet. Yeah. I mean,
• 39:41
  Speaker 1: did you ever see anything like that in Gilmore Girls
• 39:44
  Speaker 1: exception with you know, Emily and Richard, Yeah, yeah, right,
• 39:48
  Speaker 1: right right, but they never it's different. It's different. Yeah, Well, okay,
• 39:53
  Speaker 1: speaking of So we go back now to the Gilmore's
• 39:56
  Speaker 1: and we're this is where we meet miss Selene and
• 39:59
  Speaker 1: obviously that Alex Borstein. So they brought her back, you know,
• 40:02
  Speaker 1: the harp player, So they brought her back for this role.
• 40:06
  Speaker 1: She must have got a break from a family guy,
• 40:09
  Speaker 1: which I thought she was a bit over the top,
• 40:11
  Speaker 1: but I still laughed at the scenes. So Richard and Emily,
• 40:14
  Speaker 1: everyone's trying on close and Emily looked so pretty in
• 40:18
  Speaker 1: this scene. I was like, she didn't. Yeah, I was like,
• 40:22
  Speaker 1: oh my gosh, she is. That's no grandma. So we're
• 40:30
  Speaker 1: sort of going back and forth. So we're sort of
• 40:32
  Speaker 1: getting to that, and then we're going back to Chilton
• 40:35
  Speaker 1: and the girls are handing out the yearbooks and tearing
• 40:37
  Speaker 1: out the page that they don't like their photo in,
• 40:41
  Speaker 1: you know. So we've kind of got that going on.
• 40:44
  Speaker 1: And then this is where the natually was. This is
• 40:47
  Speaker 1: where the hug is poor Brad, and that's his only
• 40:50
  Speaker 1: photo in the years book. Then they just cut off
• 40:53
  Speaker 1: his little he wasn't at school for like half the years,
• 40:56
  Speaker 1: so we got one photo. Guy. So lord, okay, So
• 41:02
  Speaker 1: we're jumping around. So then we go back to Jimmy
• 41:06
  Speaker 1: and Sasha's and this is where Jimmy's brought Jess home.
• 41:11
  Speaker 1: And he sort of has to go into the kitchen
• 41:13
  Speaker 1: to talk to Sasha, and this is where we find out, like,
• 41:17
  Speaker 1: so Sasha is like sitting on the counter drinking a beer.
• 41:20
  Speaker 1: And this is really where Sasha says, like, I guess
• 41:23
  Speaker 1: we're just roomies because Jimmy didn't tell her that he
• 41:28
  Speaker 1: had gone to Stars Hollow to talk to jess a. Right,
• 41:31
  Speaker 1: the same deceptive behavior that we see now has landed
• 41:35
  Speaker 1: him in this position in his life at this late stage.
• 41:38
  Speaker 1: Right and also plot hole, Jimmy obviously talked to Liz,
• 41:43
  Speaker 1: because how would Jimmy know if he has not been
• 41:46
  Speaker 1: communicating with them that Jess is in stars Hollow with you, Luke.
• 41:53
  Speaker 1: He obviously hadn't find that out from Liz. Maybe how
• 41:56
  Speaker 1: many did? He's not just gonna show up where the
• 41:58
  Speaker 1: uncle lives, right, But I can deal with it, m hm.
• 42:06
  Speaker 1: So I don't know Sherylyn Fenn there, I get it.
• 42:11
  Speaker 1: But it was a little harsh and it was a
• 42:13
  Speaker 1: little awkward with just there all this, It was a
• 42:16
  Speaker 1: lot of awkward for me. I would have liked to
• 42:18
  Speaker 1: have seen that pilot spin off with Cherylyn Fenn and
• 42:22
  Speaker 1: Milo and just get he just fired Robert no, if
• 42:28
  Speaker 1: he's going to be that extremely out of it and
• 42:32
  Speaker 1: so um incapable, I mean, I don't know that we
• 42:36
  Speaker 1: want to watch a man that age who was so
• 42:39
  Speaker 1: um challenge challenged by uh day to day life, you know,
• 42:46
  Speaker 1: um five years prior he finally got his act together,
• 42:50
  Speaker 1: So that means drugs and alcohol and and you know,
• 42:54
  Speaker 1: just kind of wacky behavior and partying and all. Maybe
• 42:56
  Speaker 1: they didn't likable enough, but put him in the in
• 43:01
  Speaker 1: the background as a recurring or something, you know, and
• 43:05
  Speaker 1: we're gonna go visit your dad and he's in jail,
• 43:08
  Speaker 1: you know, or you know, he's you know what I mean,
• 43:13
  Speaker 1: he's doing five to ten on a on a And
• 43:17
  Speaker 1: like I said, and I don't mean to be a
• 43:18
  Speaker 1: broken record, it didn't go to series, so something was
• 43:24
  Speaker 1: not working, you know. So okay, so then we go
• 43:28
  Speaker 1: back and we'll just real quick amy and like I
• 43:30
  Speaker 1: was looking up like why, and a lot of it
• 43:33
  Speaker 1: is also because the location would have been too expensive.
• 43:37
  Speaker 1: That's an excuse. That's just an excuse. But I do
• 43:40
  Speaker 1: remember reading that, well, yeah, I mean, you have to
• 43:42
  Speaker 1: be crazy not to give Milo his own show. I mean,
• 43:45
  Speaker 1: he was so popular in Gilmore and that's that's a
• 43:47
  Speaker 1: big audience. You know, give him his own give him
• 43:49
  Speaker 1: the right vehicle, the timeline for Heroes because he starts
• 43:53
  Speaker 1: Heroes in two thousand six, I believe, and Gilmore goes
• 43:58
  Speaker 1: through two thousand seven, so he essentially does get his
• 44:02
  Speaker 1: own show. Just took a minute. Well, you know, the
• 44:06
  Speaker 1: move to give him his own show was to get
• 44:08
  Speaker 1: him into new Haven, and he was He's hanging with
• 44:10
  Speaker 1: Rory Yale and then we're we're all eliminated. It's just
• 44:13
  Speaker 1: those two. That's interesting. Then we're all recurring, you know
• 44:17
  Speaker 1: what I mean? I mean, I guess that's series. I
• 44:21
  Speaker 1: guess this is a good time to talk about it.
• 44:22
  Speaker 1: So are we all aligned? We still got a little
• 44:25
  Speaker 1: more to cover. But are we all aligned in that
• 44:27
  Speaker 1: this wouldn't have made a good enough show? I don't
• 44:32
  Speaker 1: think so. Personally, I don't know. I think if it's
• 44:35
  Speaker 1: Milo and Rylyn Fenn, yes and Rob Est this is
• 44:40
  Speaker 1: a little removed and then he's rehabilitated as a character
• 44:43
  Speaker 1: and he comes back as a more likable person or
• 44:46
  Speaker 1: what would you have liked it if they wrote him
• 44:48
  Speaker 1: more likable in this? So I gave you that. It's like,
• 44:53
  Speaker 1: hey man, how you doing. You're cool? Everything cool? Well,
• 44:56
  Speaker 1: would you have liked it if Robstes came stoner? Just
• 44:59
  Speaker 1: like some st owner guy? So maybe we keep last
• 45:01
  Speaker 1: week's as last week's right because he was we didn't
• 45:05
  Speaker 1: learn enough, like you know, Luke came at him. That's fine.
• 45:09
  Speaker 1: He goes to see Jess and runs off. Okay, fine,
• 45:12
  Speaker 1: so we keep that as is. Would you have liked
• 45:14
  Speaker 1: it better in this if? Immediately as soon as Jess
• 45:17
  Speaker 1: comes to see Jimmy, Jimmy is like, I'm so sorry.
• 45:20
  Speaker 1: I blew it like more no no, no, no, no,
• 45:25
  Speaker 1: no more melodrama please, I think listen. If it's a if,
• 45:31
  Speaker 1: Jimmy is a character, not unlike the dude in uh
• 45:37
  Speaker 1: that Jeff bridges on this, but I'll give it hang
• 45:40
  Speaker 1: on and Jess has to and and he's just so
• 45:43
  Speaker 1: laid back and cool and funny and doesn't give it
• 45:46
  Speaker 1: a crap about anything, and and Jess pretty much has
• 45:50
  Speaker 1: to raise him. So it forces Jess to grow up. Now,
• 45:54
  Speaker 1: I'm taking care of my dad. My dad can't really
• 45:58
  Speaker 1: hack it, but he's he's not stressed about it. He's
• 46:01
  Speaker 1: just so let it all go. And then they can
• 46:04
  Speaker 1: I don't know, if I've ever seen that before. Maybe
• 46:06
  Speaker 1: I have. Maybe it's it's it's already been filmed somewhere else.
• 46:10
  Speaker 1: But but make that a laid back guy who really
• 46:13
  Speaker 1: needs Jess more than Jess needs him, and then in
• 46:16
  Speaker 1: that they find each other eventually. So, Tara Danielle, do
• 46:20
  Speaker 1: you think you would have Is there anything that could
• 46:23
  Speaker 1: have happened with Jimmy for you to like the idea
• 46:26
  Speaker 1: of this show more? I mean, I think I think
• 46:31
  Speaker 1: I would have been interested in this show in the
• 46:34
  Speaker 1: spin off. I didn't need it, but I would have
• 46:36
  Speaker 1: been interested to watch it. I think. Um. I do
• 46:44
  Speaker 1: like that thought of Jess having to help raise his
• 46:47
  Speaker 1: dad and then growing up together. I do like that.
• 46:50
  Speaker 1: I think that it could be really really cool. I
• 46:54
  Speaker 1: like it too. All Right, so let's go with that,
• 46:56
  Speaker 1: let's write it. We'll get it getting the way back machine,
• 47:01
  Speaker 1: will do it all over way Okay, So now we'll
• 47:04
  Speaker 1: go back to the drama. So we've got Laura Lae
• 47:07
  Speaker 1: sort of running out of the Gilmore. She's just done
• 47:11
  Speaker 1: chases after her. Go ahead. I feel like this episode
• 47:15
  Speaker 1: has like you almost need to like do the Jess
• 47:18
  Speaker 1: the Jess storyline and then recap like the Gilmore storyline,
• 47:21
  Speaker 1: because we also haven't talked about the very very beginning
• 47:24
  Speaker 1: when Luke tells Laura Lae that Jess is gone, as
• 47:28
  Speaker 1: we did. That's what. Yes, we threw my headphones off.
• 47:35
  Speaker 1: I haven't as not having talked because I delete as
• 47:37
  Speaker 1: I go. Well, we definitely talked about it, because we
• 47:39
  Speaker 1: talked for everybody listening, Sorry to be boring. We talked
• 47:42
  Speaker 1: about how we saw a new side of the porch
• 47:45
  Speaker 1: because Luke moved her over. We more talked about the movie,
• 47:50
  Speaker 1: not like actually actually him saying and Laura holding the
• 47:54
  Speaker 1: secret from right. No, we have not talked about that. Okay,
• 47:56
  Speaker 1: talk about that. Yeah, So obviously in that scene, Luke
• 48:01
  Speaker 1: is like trying to get the attention, you know, from
• 48:03
  Speaker 1: outside the kitchen window and lord La goes outside and
• 48:06
  Speaker 1: Luke tells her Jess is gone. And that's when we
• 48:09
  Speaker 1: did talk about this a little bit, how Luke says
• 48:11
  Speaker 1: he failed him, which already discussed. But I did find
• 48:15
  Speaker 1: it interesting that Loria made a conscious decision to not
• 48:18
  Speaker 1: tell Rory right then and there. I thought that was gnarly. Yeah,
• 48:23
  Speaker 1: I did do I get it. I get why she
• 48:26
  Speaker 1: didn't because Rory so wrapped up in her studies and
• 48:29
  Speaker 1: this might derail her. But also at the same time,
• 48:32
  Speaker 1: like I also don't see Rory being like, where's Jezz.
• 48:36
  Speaker 1: I haven't heard from Jezz and my boyfriend that they
• 48:38
  Speaker 1: don't talk to you from dates exactly. Like I feel
• 48:43
  Speaker 1: like with the ending of how it left off with
• 48:45
  Speaker 1: like he left, he couldn't go to the problem, like
• 48:48
  Speaker 1: it would be a couple of days. They probably didn't
• 48:50
  Speaker 1: want to chat. That's why in a fight basically, like,
• 48:54
  Speaker 1: just give us that good scene, right, I mean, I
• 48:57
  Speaker 1: don't know, Scott, what do you think, should lord I
• 48:59
  Speaker 1: have hold Rory right away? No? No, I like that
• 49:04
  Speaker 1: scene in the foyer when Laura Lee Rory comes out
• 49:07
  Speaker 1: and says something buster and you know, it was kind
• 49:10
  Speaker 1: of it was really funny. Definitely not that she says
• 49:13
  Speaker 1: to herself. Definitely not the time to right right right
• 49:15
  Speaker 1: right right? Okay, Yeah, that was good. That was good. Yeah.
• 49:23
  Speaker 1: So fast forward. Where we do learn is that Rory
• 49:27
  Speaker 1: leaves with Lorea Lee to go home from the sort
• 49:30
  Speaker 1: of incident back at the Gilmore's and I think apparently
• 49:32
  Speaker 1: they went to suit plantation. They get to the light
• 49:35
  Speaker 1: and we see, wait a minute, water, let's go back
• 49:37
  Speaker 1: and dissect that scene, because that was a big scene, right,
• 49:42
  Speaker 1: you know, Emily lying to Laura Lee about the dinner
• 49:45
  Speaker 1: time and but but wasn't she somewhat just I mean,
• 49:50
  Speaker 1: Emily is very hurt that Friday night dinners are over, right,
• 49:55
  Speaker 1: and they're trying to move on and they don't want
• 49:58
  Speaker 1: to include orally anymore. If Laura La is so um
• 50:04
  Speaker 1: cold about cutting them off after they've been doing Friday
• 50:08
  Speaker 1: night dinners for how long? Two years? She and chilled, right,
• 50:12
  Speaker 1: So it's just like, oh, we're not obligating anymore. I
• 50:16
  Speaker 1: didn't gain any more of a family feeling from uh
• 50:20
  Speaker 1: you Emily and you Richard, and I don't want to
• 50:23
  Speaker 1: waste my time with you even once a week now
• 50:26
  Speaker 1: that we're all successful and we've come I mean, she
• 50:28
  Speaker 1: probably feels incredibly used. I mean, think about how used
• 50:32
  Speaker 1: Emily feels for her money and she's doling out these
• 50:36
  Speaker 1: wonderful dinners and trying to bond with her granddaughter and
• 50:39
  Speaker 1: even trying to bond with with Laurela. I see both
• 50:44
  Speaker 1: sides say, yeah, I also am not like thrilled, like
• 50:48
  Speaker 1: I get like wanting to spend time with your granddaughter,
• 50:51
  Speaker 1: but like I'm also not thrilled that she like yearns
• 50:54
  Speaker 1: for the control to do the to have to do
• 50:57
  Speaker 1: the Friday night dinners, and like now that that's she
• 50:59
  Speaker 1: doesn't have to, kind she doesn't feel she doesn't believe
• 51:03
  Speaker 1: that they will come if she doesn't have the control. Yeah,
• 51:07
  Speaker 1: and also like she's not going to go to star
• 51:08
  Speaker 1: as hollow because larea Line never really wants her around,
• 51:11
  Speaker 1: and you know, I think it's always going to have
• 51:13
  Speaker 1: to be on Emily's turf. It's a hardness, that's yeah,
• 51:18
  Speaker 1: but provided a great scene. Yeah, And I agree with
• 51:21
  Speaker 1: you completely Scott that I I see both both sides.
• 51:26
  Speaker 1: I see all three sides. I see all four sides.
• 51:28
  Speaker 1: I see Richard's perspective, Emily's perspective, Rory's perspective. Because I
• 51:32
  Speaker 1: also agree Rory is doing the right thing for herself
• 51:36
  Speaker 1: and her family essentially by continuing to spend time with them.
• 51:40
  Speaker 1: I don't fold her for that for one second. Desperately
• 51:43
  Speaker 1: wanting Rory to come over and help with the swatch
• 51:46
  Speaker 1: and help pick out there, yea, she just wants to
• 51:48
  Speaker 1: see her granddaughter. She's granddaughter. Yeah, And I get why
• 51:53
  Speaker 1: Lorealize Piste, and I get why Richard's like everyone's stafer
• 51:57
  Speaker 1: dinner plans to night. I think I would have enjoyed
• 52:02
  Speaker 1: the dinner, and I actually think Lorel I would have too.
• 52:05
  Speaker 1: I don't really get why Emily was so b I
• 52:08
  Speaker 1: t h to not invite her daughter to dinner like that, because,
• 52:14
  Speaker 1: as I said, she cut them off of Friday night
• 52:17
  Speaker 1: dinner obligation. Lauralized the one that brought it up. We
• 52:20
  Speaker 1: don't have to go now, right, but after Look, I
• 52:24
  Speaker 1: don't care, but I don't care how bad a relationship
• 52:27
  Speaker 1: you have with your family. If you're going every Friday
• 52:31
  Speaker 1: night for two years and you're sharing all of that stuff,
• 52:35
  Speaker 1: you're bound maybe come together a little, you know, and
• 52:39
  Speaker 1: like if wounds can't heal after you know, a hundred
• 52:43
  Speaker 1: and four Friday night dinners plus plus plus right, all
• 52:47
  Speaker 1: the other appearances they made and all the effort they
• 52:50
  Speaker 1: made to show up and support Rory and somewhat support laurealized, Well,
• 52:53
  Speaker 1: I mean, where's the evolution of this show. Where's the
• 52:57
  Speaker 1: evolution of the characters, Where's the evolution of that narrow
• 53:00
  Speaker 1: Now we're back in you know, Crapville with the hard
• 53:04
  Speaker 1: feelings and resentment and let's ignore each other, let's abuse
• 53:08
  Speaker 1: each other and like, what have we invested so much
• 53:11
  Speaker 1: time into witness. On the same note, though, Emily could
• 53:14
  Speaker 1: have just said, oh, okay, yeah, let's all have dinner.
• 53:17
  Speaker 1: When when the you know, a woman comes out, housekeeper, chef,
• 53:22
  Speaker 1: whatever she is called, Lupe says dinner's ready. Emily should
• 53:28
  Speaker 1: have said, Laura Lee, do you want to stay for dinner?
• 53:30
  Speaker 1: She did? I know, but that's my beef with Emily
• 53:34
  Speaker 1: and that Emily, you get a lot. What's the saying
• 53:37
  Speaker 1: you get more bees with it's honey than you do.
• 53:41
  Speaker 1: So Emily could have said to Lora like, we'd love
• 53:43
  Speaker 1: for you to stay. Let's all stay and then they
• 53:46
  Speaker 1: have Let's say it goes great and they have a
• 53:48
  Speaker 1: great dinner. Then you're on the road to recovery. Essentially,
• 53:51
  Speaker 1: Let's say the dinner went great. So then she says,
• 53:54
  Speaker 1: you know what, mom, like, let's have dinner every other
• 53:56
  Speaker 1: week on a Friday or Saturday. We'll play it by ear.
• 54:00
  Speaker 1: I thought actly being so mean really caused a worse problem. Yeah,
• 54:07
  Speaker 1: And I feel like what really put like really sealed
• 54:11
  Speaker 1: the deal was when Rory told Emily, I think you're
• 54:14
  Speaker 1: being stupid and I think Emily is going to have
• 54:17
  Speaker 1: a real hard time with the fact that her granddaughter
• 54:21
  Speaker 1: told her that. That's such an important note that line,
• 54:26
  Speaker 1: because like, like I also know Rory one doesn't talk
• 54:31
  Speaker 1: like that and definitely doesn't talk like that to Richard
• 54:34
  Speaker 1: and Emily. Right, Yeah, that was a knife right in
• 54:38
  Speaker 1: the heart there. Well, and then we get another knife.
• 54:42
  Speaker 1: So this was the scene sort of started talk about.
• 54:44
  Speaker 1: So then they get to the stop light and Luke
• 54:47
  Speaker 1: is sweeping and Luke, what was going What was Luke doing?
• 54:54
  Speaker 1: But his head was talking aggressive sweeping was it was
• 54:58
  Speaker 1: like his head was bounced and up and when he
• 55:01
  Speaker 1: looked up, I mean, what the heck was going on
• 55:03
  Speaker 1: with him? And looked like he saw it goes But
• 55:06
  Speaker 1: I mean it was just very aggressive. What is he like? Crazy?
• 55:10
  Speaker 1: Luke like talking to himself and like I rewound that
• 55:15
  Speaker 1: about four times, just laughed. It was some serious sweeping.
• 55:19
  Speaker 1: And then Roy says, why did he do that? And
• 55:23
  Speaker 1: then this is the moment says, Jess is gone. They
• 55:28
  Speaker 1: don't know where and uh she says he doesn't think
• 55:32
  Speaker 1: he's coming back, and she says, neither do I. This
• 55:36
  Speaker 1: is another example. This is another example of how you
• 55:41
  Speaker 1: know naturally great Alexis is because she just you could
• 55:45
  Speaker 1: just see her and feel her absorb these these this
• 55:50
  Speaker 1: horrible news right and how she processed it. Just you
• 55:53
  Speaker 1: could see everything happening in her eyes and her and
• 55:56
  Speaker 1: her body. I mean, it's just wonderful acting. I was
• 55:58
  Speaker 1: really it was just like she's so vulnerable, such a
• 56:03
  Speaker 1: great way to approach the craft. You know, she's so open.
• 56:06
  Speaker 1: It's wonderful to watch. Yeah, big scene scene and then
• 56:12
  Speaker 1: Laura like gets the red the ticket. I will say
• 56:18
  Speaker 1: the one thing just real quick. This episode had so
• 56:22
  Speaker 1: many big moments back at Stars Hollow and Emily and
• 56:27
  Speaker 1: Richards that I think that the crossover unfortunately just took
• 56:30
  Speaker 1: away from it because I completely forgot about that scene
• 56:35
  Speaker 1: in the car until I rewatched. I was like, oh yeah,
• 56:37
  Speaker 1: like that's how she found out. I forgot about the
• 56:39
  Speaker 1: valedictorian thing in this episode. I think it's like, you're right,
• 56:42
  Speaker 1: it was a lot of back and forth that we
• 56:44
  Speaker 1: I don't think we needed for such an important scene
• 56:47
  Speaker 1: back at Stars Hollow. It was hard to keep up like, Okay,
• 56:50
  Speaker 1: we're in Venice, California right now. Okay, we're in Stars
• 56:52
  Speaker 1: Hollow where Emily's house like it was a lot of
• 56:54
  Speaker 1: like ping pong, which normally I really liked, but it
• 56:57
  Speaker 1: was just felt like two different storylines, two different right.
• 57:01
  Speaker 1: It's like it's it's like, I guess Milo was a
• 57:05
  Speaker 1: series regular on the show at that point, right, Um, yeah,
• 57:11
  Speaker 1: I don't know. It just felt yeah, just yeah, it
• 57:13
  Speaker 1: was right. You're right, Tara. It was just so you
• 57:17
  Speaker 1: forget about these little moments, right exactly. And that's what
• 57:20
  Speaker 1: the show is that it's at its best, That's what
• 57:24
  Speaker 1: the show is. It's peppered with these little, little humorous
• 57:27
  Speaker 1: moments and then these big emotional beats and all that.
• 57:30
  Speaker 1: I Daniel kind of suggested this, do you think you
• 57:33
  Speaker 1: would have liked this episode better, Scott if there was
• 57:36
  Speaker 1: a thirty minutes of all Gilmore girl you know, the
• 57:40
  Speaker 1: Gilmore Girls stuff like Emily, you everybody over here, and
• 57:46
  Speaker 1: we watched that for thirty minutes and then the second
• 57:49
  Speaker 1: half of the episode was everything in l a instead
• 57:53
  Speaker 1: of this boom boom boom boom boom. Should it have
• 57:57
  Speaker 1: done that? And then and then because the ace, the
• 58:00
  Speaker 1: audience would have clicked off, I don't. I think I
• 58:04
  Speaker 1: think curiosity even, I think they would have been confused. Yeah,
• 58:10
  Speaker 1: you don't think they know Jess well enough now that
• 58:12
  Speaker 1: they would have followed him for thirty minutes. I think
• 58:17
  Speaker 1: it would been confusing. Respectfully, disagree everybody, because I mean,
• 58:21
  Speaker 1: you know, we were watching those scenes for a couple
• 58:23
  Speaker 1: of minutes and we wanted to go back to Stars, right. No,
• 58:26
  Speaker 1: I didn't necessarily want to go back. I just wasn't
• 58:29
  Speaker 1: sold on what I was seeing there. Yeah. I actually
• 58:33
  Speaker 1: liked the whole all the scenes in in California, I
• 58:38
  Speaker 1: liked them. Yeah, I agree, I just felt disjointed. Yeah,
• 58:43
  Speaker 1: like bigger picture, I could have taken that part of
• 58:45
  Speaker 1: it out in place that somewhere else. You know what
• 58:48
  Speaker 1: I would have liked, amy is if we did the
• 58:50
  Speaker 1: Gimba girl scene and then you have that scene where
• 58:53
  Speaker 1: h Jess, I mean Rory says I don't think he
• 58:56
  Speaker 1: is either, and then we had to California the bus there.
• 59:02
  Speaker 1: What I want is somebody I don't know this is
• 59:05
  Speaker 1: an experiment, somebody I don't know even know how you
• 59:07
  Speaker 1: do this, because I don't know how to do this.
• 59:09
  Speaker 1: Re edits the episode, We watch it again, best, like
• 59:15
  Speaker 1: Danielle saying, so we watch all the stuff and it
• 59:18
  Speaker 1: ends with I don't either, and then we can still
• 59:21
  Speaker 1: have the funny bit they pulled through the light and
• 59:23
  Speaker 1: the police pull them over, and then slow fade we
• 59:27
  Speaker 1: see Jess coming off the bus and then we watch
• 59:29
  Speaker 1: all those Yeah, how do we do that? Let's let
• 59:36
  Speaker 1: let's do that. So can we get to pop culture police? Wait?
• 59:41
  Speaker 1: First you have to give best lines, but I don't
• 59:44
  Speaker 1: have any. We didn't get the last scene. Oh we
• 59:48
  Speaker 1: sort of touched on it, okay, So then we go
• 59:50
  Speaker 1: to this last scene that Scott you sort of talked about.
• 59:53
  Speaker 1: We're in the bookstore, and weirdly, Jimmy comes in like
• 59:57
  Speaker 1: a father, being like, if you're going to go to
• 59:59
  Speaker 1: a bookstore, you've got to tell me where you're going.
• 1:00:01
  Speaker 1: I've been in ten bookstores, and then proceeds to acknowledge
• 1:00:04
  Speaker 1: the Bowie song, which I thought Scott was important because
• 1:00:08
  Speaker 1: you it stood out to you too, So obviously it
• 1:00:10
  Speaker 1: was a very conscious choice because they bring it up
• 1:00:13
  Speaker 1: in this and it's kind of the why are you here?
• 1:00:16
  Speaker 1: And he's like, you come in, you didn't even talk
• 1:00:18
  Speaker 1: to me, and he's like, I did want to talk
• 1:00:19
  Speaker 1: to you, and then you're right. It was a very weird,
• 1:00:24
  Speaker 1: sudden turn you can't stay here, and Jimmy says, I'm
• 1:00:29
  Speaker 1: a screw up, and Jess says, I have nothing, and
• 1:00:33
  Speaker 1: then it's let me talk to Sasha, and it was
• 1:00:35
  Speaker 1: just a very It seemed like that should have been
• 1:00:37
  Speaker 1: an hour long scene. That was I think they got
• 1:00:39
  Speaker 1: some very bad feedback on those scenes with father and
• 1:00:42
  Speaker 1: son and that's why they decided not to go with it.
• 1:00:44
  Speaker 1: It was more of the same. It didn't feel right,
• 1:00:48
  Speaker 1: and you know, polling said, don't do this anyway. Um, yeah,
• 1:00:53
  Speaker 1: I think we've beaten that horse. And I just have
• 1:00:56
  Speaker 1: to say the very very last scene where it announces
• 1:00:59
  Speaker 1: that she's a very Victorian, leads up to next week,
• 1:01:03
  Speaker 1: which is my favorite episode of the whole series. All right, okay,
• 1:01:07
  Speaker 1: but this, let's talk about this thing. This was a
• 1:01:09
  Speaker 1: very nice scene for Laureli. She's really right exactly, and
• 1:01:13
  Speaker 1: she gets to really beam with pride and love and
• 1:01:18
  Speaker 1: jeorlan to her daughter and they have that really great
• 1:01:21
  Speaker 1: moment in the kitchen and Rory acknowledges that, you know,
• 1:01:25
  Speaker 1: what an amazing thing she has done, and she's so
• 1:01:27
  Speaker 1: humble about it, and that played very genuine to me,
• 1:01:31
  Speaker 1: like she didn't not tell for any reason other than
• 1:01:34
  Speaker 1: she doesn't want to be a bragger basically. Yeah, yeah,
• 1:01:37
  Speaker 1: And I think I think that's really the difference between
• 1:01:41
  Speaker 1: let's revive the horse again to beat it some more.
• 1:01:43
  Speaker 1: But that's that's the difference, because we get these quality
• 1:01:47
  Speaker 1: characters in Gilmore, right, and they may have messy lives
• 1:01:50
  Speaker 1: and all that, but they're striving and they're doing well
• 1:01:54
  Speaker 1: and they're making progress. And then we go back to
• 1:01:56
  Speaker 1: the beach and it's all like, I don't want you
• 1:01:57
  Speaker 1: as my kid. Get out of it. It's like it's
• 1:01:59
  Speaker 1: just a different world. It's a whole different world that
• 1:02:03
  Speaker 1: I think the audience just said no, thank you, and
• 1:02:05
  Speaker 1: I think we're saying the same thing. Yeah, okay, you
• 1:02:12
  Speaker 1: guys get ready. Uh look strap in because we've got
• 1:02:15
  Speaker 1: some intel coming in live. It's coming in through my
• 1:02:18
  Speaker 1: page here. It's coming across the wire. Yeah, I still
• 1:02:20
  Speaker 1: have a page here. It's coming across the wire. It's
• 1:02:23
  Speaker 1: it's it's like it's like Morris code coming through and
• 1:02:27
  Speaker 1: I can I can read Morse code. Um. It's all
• 1:02:31
  Speaker 1: coming through on the teletype machines. They're going crazy in here.
• 1:02:34
  Speaker 1: Can you hear the racket? Um? But we've got some intel.
• 1:02:37
  Speaker 1: We've got some you know, we've got a little uh,
• 1:02:40
  Speaker 1: you know, side notes and stuff that my crack team
• 1:02:43
  Speaker 1: and I hearts cracked team noticed. The cool kids call
• 1:02:46
  Speaker 1: it btsts behind the scene. One day we will be
• 1:02:51
  Speaker 1: cool kids. We will be able to just say bts
• 1:02:54
  Speaker 1: without having to be reminded to say it. That's that's
• 1:02:57
  Speaker 1: it anyway, So let's let's get into this. Huh. You know,
• 1:03:00
  Speaker 1: this episode was indeed, and I know we're discussing there's
• 1:03:02
  Speaker 1: a little bit of confusion about it, but this was
• 1:03:05
  Speaker 1: the back door pilot for the j spinoff called Windward
• 1:03:09
  Speaker 1: Circle windword Circle, My God, God, bless your windword Circle,
• 1:03:17
  Speaker 1: which is like not getting that at all. Windword Circle
• 1:03:21
  Speaker 1: could be you know, it could be mskins. You know
• 1:03:23
  Speaker 1: that that's an easy title to butcher. You know, I
• 1:03:26
  Speaker 1: don't even understand what Windward ho Windward rectangle, wind whoa
• 1:03:32
  Speaker 1: juicy But the project was abandoned due to the high
• 1:03:37
  Speaker 1: cost of shooting at Venice Beach. Wink wink, Yeah, alright.
• 1:03:43
  Speaker 1: The opening kitchen scene lauralized making coffee, and she remember
• 1:03:47
  Speaker 1: when she's sneaking around not wanting to wake up Rory,
• 1:03:50
  Speaker 1: thinking that Rory was asleep okay. So, so she she
• 1:03:54
  Speaker 1: fills the pot with water and adds the coffee to
• 1:03:56
  Speaker 1: the machine, but she never pours the water in. She
• 1:03:59
  Speaker 1: just sets the pot full of clean water on the
• 1:04:02
  Speaker 1: burner of the coffee maker and leaves it. Yes, shocked,
• 1:04:08
  Speaker 1: are you as as I am? Shocked? It's shocked hole
• 1:04:16
  Speaker 1: all right? When Laura La or Rory are in the
• 1:04:18
  Speaker 1: kitchen the beginning, and Luke's outside the back door waving
• 1:04:22
  Speaker 1: at Laura like keeps popping his head in three or
• 1:04:24
  Speaker 1: four times, which is kind of common, when she also
• 1:04:27
  Speaker 1: startled me. Right, It's just I think it's supposed to you,
• 1:04:31
  Speaker 1: the audience. You, the audience are supposed to be part
• 1:04:34
  Speaker 1: of the scene. Well, and what I noticed is, and
• 1:04:36
  Speaker 1: I could be wrong, but I noticed that normally there's
• 1:04:38
  Speaker 1: curtains there, and they were opened or gone so that
• 1:04:42
  Speaker 1: we could see Luke be bopped in. That's a good
• 1:04:45
  Speaker 1: piece of intel. So anyway, So so lucas outside the
• 1:04:51
  Speaker 1: back door waving at Laurea La, and when she goes
• 1:04:53
  Speaker 1: out windwards circle, certainly, isn't it sounds like a soap
• 1:05:01
  Speaker 1: opera does, like the sands through it's windwards? Is the
• 1:05:08
  Speaker 1: windward circle like like wind through the windmills. It's windbrew Circle.
• 1:05:14
  Speaker 1: Oh my god, the name. Yeah, we we apologize. Um, well,
• 1:05:24
  Speaker 1: we'll be going to a group and and being reprogrammed
• 1:05:28
  Speaker 1: after this. Uh. So he's outsod with outdoors, waving at
• 1:05:31
  Speaker 1: Laurela a couple of times, and when she finally goes outside,
• 1:05:33
  Speaker 1: she's actually walking out through the side door of the
• 1:05:38
  Speaker 1: living room. This is because the kitchen was built on
• 1:05:40
  Speaker 1: a sound stage, of course, and the kitchen door doesn't
• 1:05:44
  Speaker 1: actually lead outside. It doesn't. So we went from a
• 1:05:48
  Speaker 1: sound stage where that door leads to like concrete and
• 1:05:53
  Speaker 1: you know, massive sidewall there, to cutting to filming that
• 1:05:59
  Speaker 1: scene at the actual house that Laurela uses for all
• 1:06:03
  Speaker 1: the exteriors. We used that house for all the exteriors,
• 1:06:06
  Speaker 1: the hoope and stuff walking up, the car pulling up
• 1:06:09
  Speaker 1: did not even get an inkling of that. Isn't that great?
• 1:06:13
  Speaker 1: How how smooth that was? Yeah, how smooth the filming
• 1:06:16
  Speaker 1: of that was and all that. So the kitchen door
• 1:06:19
  Speaker 1: actually does it doesn't actually lead outside. That makes it
• 1:06:23
  Speaker 1: look like she was stepping outside. They had to use
• 1:06:25
  Speaker 1: the living room side door as a stand in for
• 1:06:29
  Speaker 1: the back door on the other side of it as
• 1:06:33
  Speaker 1: They're said. The cameras are set up at Laurelized actual
• 1:06:36
  Speaker 1: exterior house, you know, way across the lot of Warner Brothers,
• 1:06:40
  Speaker 1: And so we could be out there on the porch. Yeah.
• 1:06:44
  Speaker 1: The magic of of of of TV, the magic of
• 1:06:47
  Speaker 1: making TV okay great scoop. At the seven thirty point,
• 1:06:51
  Speaker 1: when Laurelai walks in front of the window, you can
• 1:06:54
  Speaker 1: see and this is still I think on the porch right. Uh,
• 1:06:59
  Speaker 1: you can still see that. You can see the reflection
• 1:07:02
  Speaker 1: of the camera and a person looking at a piece
• 1:07:04
  Speaker 1: of paper. Maybe that was script e whoa. Can we
• 1:07:09
  Speaker 1: try and zoom in on that Instagram? Yeah, well I
• 1:07:12
  Speaker 1: think we can. We can. I think we can staff
• 1:07:14
  Speaker 1: that there's a crack staff working in collaboration with my
• 1:07:18
  Speaker 1: crack staff at one eleven. Uh, I think you guys
• 1:07:23
  Speaker 1: are a floor below mine. We got so many people,
• 1:07:27
  Speaker 1: one person between all of us. One. At the eight point,
• 1:07:34
  Speaker 1: the sparklet's water cooler get this ready, Yeah, it's missing
• 1:07:40
  Speaker 1: the bottle of water. It was just empty, like they
• 1:07:43
  Speaker 1: ran out waiting for the guy. The bottle is not
• 1:07:45
  Speaker 1: even there. Yeah. Well they have no water. They have
• 1:07:49
  Speaker 1: no water. Maybe that's why the coffee pot never go
• 1:07:55
  Speaker 1: what's happening? They're they're they're, they're dehydrated. I'm worried now
• 1:08:01
  Speaker 1: some pop tarts out on the table. Fault. I don't know,
• 1:08:11
  Speaker 1: you know it? I think that is well, maybe it
• 1:08:15
  Speaker 1: didn't need to match because from a prior take or
• 1:08:18
  Speaker 1: a prior set up in the scene. So if it
• 1:08:21
  Speaker 1: wasn't there and one, it can't be there in any other.
• 1:08:23
  Speaker 1: I was thinking about Scripty the other day for some reason.
• 1:08:26
  Speaker 1: Why was I doing that? And I actually mentioned it
• 1:08:28
  Speaker 1: to Daniel on a phone call. I was like, well,
• 1:08:31
  Speaker 1: what about script Why did I say that we need
• 1:08:36
  Speaker 1: to meet Scripty? But anyway, keep going, Yeah, I'll tell
• 1:08:39
  Speaker 1: you we haven't. We have a new Scripty up here
• 1:08:42
  Speaker 1: on Sullivan's crossing, and you can't mess with her. She's tough.
• 1:08:47
  Speaker 1: There's a lot of turnover in this no what but
• 1:08:49
  Speaker 1: what but but but I'll tell you, I'll tell you
• 1:08:52
  Speaker 1: she's she's like, you don't want to mess with her? Right?
• 1:08:54
  Speaker 1: What would be the next job? If you're scripty? What
• 1:08:57
  Speaker 1: would be the next Like when you get promote, what
• 1:09:01
  Speaker 1: do you go to? I don't know that you go
• 1:09:03
  Speaker 1: to anything. Script Supervisor doesn't really lead to anything because
• 1:09:07
  Speaker 1: that's sort of the top thing. Well, I don't, I don't.
• 1:09:10
  Speaker 1: I don't think there's a I mean, you don't graduate
• 1:09:15
  Speaker 1: to script supervisor once you're I think you just start
• 1:09:19
  Speaker 1: doing that. You can either you're either a person that
• 1:09:21
  Speaker 1: has great detail and great focus and can keep a
• 1:09:24
  Speaker 1: lot of balls in the air at the same time
• 1:09:26
  Speaker 1: for an extended period, every single day for fourteen hours. Yeah,
• 1:09:30
  Speaker 1: that takes a very special persons. I would suddenly be texting.
• 1:09:32
  Speaker 1: I'd be like, and just exactly, I didn't miss the thing.
• 1:09:39
  Speaker 1: You know, the dinosaur wouldn't appear when you know, the
• 1:09:41
  Speaker 1: t rex actually shows up because you were It's like,
• 1:09:44
  Speaker 1: sorry miss that. Sorry, I am so sorry. Mr Spield,
• 1:09:49
  Speaker 1: I am so sorry. Mr Goldblum. I was texting. I
• 1:09:52
  Speaker 1: didn't know anyway. They're like, there was a great TikTok
• 1:09:56
  Speaker 1: that I just had to see. Uh listen, you're you're
• 1:10:02
  Speaker 1: in the right job. Yeah, you've you've found the right job.
• 1:10:05
  Speaker 1: I don't have a lot of attention to detail there.
• 1:10:09
  Speaker 1: Um uh okay. At eighteen mark, when Jesse's bus pulls
• 1:10:15
  Speaker 1: up to the curb at Venice Beach, lit Sky Studio
• 1:10:21
  Speaker 1: Rentals is clearly visible on the side of the bus.
• 1:10:26
  Speaker 1: Then as Jess crosses the street, you can see a
• 1:10:29
  Speaker 1: tourist taking pictures of the camera crew. Oh my god. Yeah, um,
• 1:10:40
  Speaker 1: all right, and then at ten thirty six, clown pillow
• 1:10:44
  Speaker 1: makes an appearance. Really, so we had double clown action.
• 1:10:48
  Speaker 1: There was a clown pillow and then there was the
• 1:10:51
  Speaker 1: wall of clowns at Sasha, right. I don't know if
• 1:10:55
  Speaker 1: it's this one and the same, there's no my crack
• 1:10:58
  Speaker 1: staff has not provided that d tail if you if
• 1:11:01
  Speaker 1: we ever get to see Amy and damn, I need
• 1:11:04
  Speaker 1: to know what is going on with the clown thing
• 1:11:06
  Speaker 1: because they've definitely got a clown thing. Yeah, there's no question,
• 1:11:11
  Speaker 1: There's no question about it. I mean to I mean
• 1:11:15
  Speaker 1: it was all the detail that they provide everyone on
• 1:11:19
  Speaker 1: all levels, and then to sort of make sure that
• 1:11:23
  Speaker 1: they have the discussion that the clown pillow will appear
• 1:11:26
  Speaker 1: in just about every episode, right, I am not. I
• 1:11:34
  Speaker 1: think it was Poulter guys, did me in have you
• 1:11:36
  Speaker 1: seen the original Poulter guys like the Craig T. Nelson Poulter. Course,
• 1:11:40
  Speaker 1: of course that clown who attacked clowns though, yeah, who
• 1:11:47
  Speaker 1: is there really isn't a fan of It's a much.
• 1:11:51
  Speaker 1: It's a much maligned profession, isn't it because of all
• 1:11:55
  Speaker 1: the horror films that involve clowns. And I think it
• 1:11:58
  Speaker 1: was like, you know, very very successful. It's right. I
• 1:12:03
  Speaker 1: was thinking, yeah, it they're giving clowns like Jaws gave
• 1:12:07
  Speaker 1: sharks a bad name. It is get Jaws and it
• 1:12:12
  Speaker 1: sharks and clowns. I didn't actually think it was all
• 1:12:16
  Speaker 1: that scary, but I did give you the creeps over
• 1:12:20
  Speaker 1: the clown because you probably saw too much clown too soon, right.
• 1:12:27
  Speaker 1: I think I was just older when I saw it,
• 1:12:29
  Speaker 1: and I was so prepared for it to like ruin
• 1:12:32
  Speaker 1: my life with fear that I went in aggressively being ready,
• 1:12:37
  Speaker 1: and I think it worked because I was like, that
• 1:12:39
  Speaker 1: wasn't There's there's certain things that don't age well and
• 1:12:42
  Speaker 1: they'll scary. You know. The other night there was a
• 1:12:44
  Speaker 1: there was a carry grant uh uh, what do you
• 1:12:47
  Speaker 1: call it? Extravaganza on right, and they no, there was
• 1:12:52
  Speaker 1: a Marilyn Monroe. So I watched some like it Hot
• 1:12:55
  Speaker 1: and I thought it was pretty funny. But the guy
• 1:12:57
  Speaker 1: was talking to himself a lot, you know, there was
• 1:12:59
  Speaker 1: a lot a monologue. Yeah, and he's great he's a
• 1:13:02
  Speaker 1: great actor. He's really funny, and to pair of those
• 1:13:05
  Speaker 1: two was kind of genius. But I mean after about
• 1:13:07
  Speaker 1: forty five minutes and I I was like, you know, I'm
• 1:13:09
  Speaker 1: kind of tired of this guy talking to himself and
• 1:13:10
  Speaker 1: I get the joke and it's like he's a he's
• 1:13:13
  Speaker 1: a fish out of water with this bombshell and she's
• 1:13:15
  Speaker 1: so sweet and all this stuff. It's like, all right,
• 1:13:17
  Speaker 1: So I just turned it off. And then there was
• 1:13:18
  Speaker 1: Carrie Grant with with Sophia Lauren in Houseboat in Houseboat
• 1:13:23
  Speaker 1: and it was a family friendly, sort of a funny thing,
• 1:13:26
  Speaker 1: and it's just like after a half hour, I got
• 1:13:28
  Speaker 1: all right, that's a that's a well, it's funny you
• 1:13:29
  Speaker 1: say that because this for me growing up, Friday the
• 1:13:32
  Speaker 1: thirteenth the original and Nightmare on Elm Street and poultr
• 1:13:36
  Speaker 1: guys were just terrifying. And now, especially Friday the thirteenth,
• 1:13:41
  Speaker 1: it's almost campy. You're like, why was I so freaked
• 1:13:43
  Speaker 1: out by this? Although the end I can't watch life.
• 1:13:46
  Speaker 1: Life toughens up, doesn't it, And these films are like
• 1:13:49
  Speaker 1: are you kidding me? Yeah, it's like right, like The Exorcist.
• 1:13:54
  Speaker 1: If I was alone you know. I saw that when
• 1:13:57
  Speaker 1: it first came out with my friends and we all
• 1:14:00
  Speaker 1: turned green and we stayed at my friend's house that
• 1:14:02
  Speaker 1: night because he was Catholic. You know, he was going
• 1:14:04
  Speaker 1: to protect us the whole thing, you know what I mean.
• 1:14:08
  Speaker 1: And it's like, now, it would probably scare me if
• 1:14:11
  Speaker 1: I was watching it in in a house I just
• 1:14:13
  Speaker 1: bought that was completely empty in the middle of the night,
• 1:14:16
  Speaker 1: in the middle of the night, and I'm sitting there like,
• 1:14:18
  Speaker 1: I don't want to watch the two in the afternoon,
• 1:14:20
  Speaker 1: You're like, I can take this. Yeah, not a big deal, right,
• 1:14:23
  Speaker 1: but freaked out by Children of the Corn that one
• 1:14:26
  Speaker 1: still never never saw that children. I like the Children
• 1:14:32
  Speaker 1: of the Corn is an intriguing title. Yeah, it's like
• 1:14:36
  Speaker 1: Children of the Wheat, Children of the Barley? Did they did?
• 1:14:39
  Speaker 1: They follow up with sequels of different types of think
• 1:14:43
  Speaker 1: so for some reason, remember Children of the Corn. It
• 1:14:47
  Speaker 1: was scary. It wasn't really so there was no Children
• 1:14:51
  Speaker 1: of the Wheat, right right, Children of the Asparagus. What's
• 1:14:56
  Speaker 1: that new age one that everyone Children of the Peppers,
• 1:15:00
  Speaker 1: children's thing that people eat children that age? You know what?
• 1:15:12
  Speaker 1: You know what? You know what movie did hold up
• 1:15:14
  Speaker 1: North by Northwest, Alfred Hitchcock, Carry Grant and Eva Marie
• 1:15:20
  Speaker 1: sat Oh god, oh man, what a film? And James Mason.
• 1:15:27
  Speaker 1: James Mason, but do you got anything else? We get
• 1:15:32
  Speaker 1: some tracked. Sorry, they don't care. They don't care for
• 1:15:34
  Speaker 1: that so much. The hot Dogs Stand, Yeah, used Dan Jason. No,
• 1:15:42
  Speaker 1: I mean, let's talk about something really great enough enough
• 1:15:46
  Speaker 1: of that, you know, Alfred Hitchcock classic. Yeah, the hot
• 1:15:51
  Speaker 1: Dog Stand used as as Dante's Inferno. Uh, it's actually
• 1:15:58
  Speaker 1: the original location of Dog on a Stick. No, I
• 1:16:02
  Speaker 1: love hot Dog on a Stick. True story. It's true,
• 1:16:06
  Speaker 1: as my son would say, it's true. You got some
• 1:16:10
  Speaker 1: solid intel? Yeah, yeah, and that's I'm gonna bring that
• 1:16:14
  Speaker 1: to a close because my last pit of intel we've
• 1:16:16
  Speaker 1: already noticed. And I'm gonna give you a win on
• 1:16:20
  Speaker 1: that win word circle when I don't want to be
• 1:16:27
  Speaker 1: associated with that circle. Yeah, it could have been something, right,
• 1:16:32
  Speaker 1: it could have been what could have been? But isn't
• 1:16:36
  Speaker 1: that you know they treat the I guess think if
• 1:16:39
  Speaker 1: that was the pilot episode, that was within an episode,
• 1:16:43
  Speaker 1: a pilot within in an episode, I'm an established backdoor pilot?
• 1:16:48
  Speaker 1: Is that what they call a backdoor pilot. You think
• 1:16:49
  Speaker 1: that's the terminology. Um, we've feeling pretty sure about that.
• 1:16:52
  Speaker 1: They must have gotten some horrific feedback not to move
• 1:16:56
  Speaker 1: forward because you've got this what I'm thinking. You know,
• 1:16:58
  Speaker 1: they've got this love it character, this this charismatic Milo,
• 1:17:04
  Speaker 1: right vent Amelia, and they don't move forward with it.
• 1:17:08
  Speaker 1: And then you know, and they were handing out shows
• 1:17:10
  Speaker 1: to the guys on Gilmore girls like they were like
• 1:17:14
  Speaker 1: Carolyn Finn. So I'm trying. I hope call us robstis
• 1:17:19
  Speaker 1: because I want to know what happened. We'll see. I
• 1:17:24
  Speaker 1: don't know. I don't know. I think you know what
• 1:17:27
  Speaker 1: I think it is. I don't think it's the actors.
• 1:17:30
  Speaker 1: I think it's the concept of the storyline. Right. I
• 1:17:33
  Speaker 1: think it's the concept because you sure the money played
• 1:17:36
  Speaker 1: into it. I'm sure that that's no. I mean, if
• 1:17:40
  Speaker 1: you have a concept like let's say Supernatural, where you
• 1:17:43
  Speaker 1: put two guys together, and you know what I mean,
• 1:17:45
  Speaker 1: that's the concept. So I'm not saying I'm not taking
• 1:17:49
  Speaker 1: anyway from the two leads. It helps when those two
• 1:17:52
  Speaker 1: guys are Jared and Jensen, right, it does, But I
• 1:17:55
  Speaker 1: mean there's other two guys you could have put in
• 1:17:56
  Speaker 1: there and maybe it works too because the concept is
• 1:17:58
  Speaker 1: so strong. But they just wanted to you know, the
• 1:18:01
  Speaker 1: most popular guys of the day at that time, you
• 1:18:05
  Speaker 1: know what I mean, So of course it was going
• 1:18:06
  Speaker 1: to work. Um so yeah, and uh did they have did?
• 1:18:11
  Speaker 1: Did did Matt zukri ever get a w B spinoff
• 1:18:14
  Speaker 1: show Girl to the Good to the Good Wife? He
• 1:18:19
  Speaker 1: literally went to a humongous show on CBS and he
• 1:18:23
  Speaker 1: was amazing and then he was a secondary still much
• 1:18:27
  Speaker 1: more elevated than he was on Gilmore Girls, but still
• 1:18:30
  Speaker 1: it was not it was Julianna Margatalie's the show and
• 1:18:32
  Speaker 1: the resident though is a is Matt Zuker? No, it's
• 1:18:35
  Speaker 1: his show. Sure is his show, and it is such
• 1:18:40
  Speaker 1: a good show and he is awesome on it. The
• 1:18:44
  Speaker 1: c W let him get away, Yeah didn't. The Foxes
• 1:18:50
  Speaker 1: stoked on that boxes like thank you anyway. So that's
• 1:18:58
  Speaker 1: all I got. That's what I got. You did great?
• 1:19:01
  Speaker 1: I love that, alright, So let's do favorite lines. Actually
• 1:19:04
  Speaker 1: just said mine look has become a social I thought
• 1:19:06
  Speaker 1: that was very funny. Okay, I agree. I think that's
• 1:19:09
  Speaker 1: a great line. Danielle, go ahead, go alright. My favorite
• 1:19:12
  Speaker 1: line is is just to the dogs when he says,
• 1:19:14
  Speaker 1: I swear I will bite you back. That's great. How
• 1:19:17
  Speaker 1: many jars of pickles? Scott Oh, the episode? The episode episode?
• 1:19:22
  Speaker 1: I think that, you know, man, I think um strong.
• 1:19:29
  Speaker 1: I think it's for me. It's between a seven point
• 1:19:31
  Speaker 1: five and eight point two. Okay, okay, now do the
• 1:19:35
  Speaker 1: venice thing took a lot away from it. You could
• 1:19:38
  Speaker 1: give it as separate pickle jars like I'm kind of giving.
• 1:19:41
  Speaker 1: I'm gonna give the overall of six pickle jars. Yeah,
• 1:19:45
  Speaker 1: I'm gonna give the Gilmore stuff, the stars hollow stuff.
• 1:19:48
  Speaker 1: I'm gonna give that a strong nine and a half. Okay, okay, yeah,
• 1:19:52
  Speaker 1: and I yeah, I think the pickle jars, Sir Danielle
• 1:19:57
  Speaker 1: the less for the venice stuff, seven pickle jars. I
• 1:20:01
  Speaker 1: was gonna give it a six. All right, light everybody,
• 1:20:06
  Speaker 1: that's gonna be thank you, ladies. Uh tar, sued daniel Rome.
• 1:20:20
  Speaker 1: I feel like I feel like we're ending on a
• 1:20:25
  Speaker 1: we're befuddled sort of feel like, and I feel like
• 1:20:29
  Speaker 1: Scott the network probably felt the same way. Again, I
• 1:20:33
  Speaker 1: agree with you. We do not have any more episodes
• 1:20:37
  Speaker 1: of the my logos or Jess goes to Venice show
• 1:20:41
  Speaker 1: that that was their shot. What would you have called it?
• 1:20:45
  Speaker 1: Oh my god, what would you have named that show?
• 1:20:47
  Speaker 1: You stay off the beach, Um, don't don't go to
• 1:20:50
  Speaker 1: the beach. Venice really stinks in the summer. Next episode,
• 1:20:58
  Speaker 1: Season three, episode twenty two. This season three finale, there
• 1:21:02
  Speaker 1: are strings of Pinocchio. We will see you next time. Everyone,
• 1:21:06
  Speaker 1: love you, miss you. Keep the cards and letters come,
• 1:21:09
  Speaker 1: and keep those emails coming. We appreciate you so much.
• 1:21:13
  Speaker 1: Thank you, ladies. Stay sacked, hey, everybody, and don't forget
• 1:21:46
  Speaker 1: Follow us on Instagram at I Am all In podcast
• 1:21:50
  Speaker 1: and email us at Gilmore at I heart radio dot com.
• 1:21:55
  Speaker 1: Oh you gil More fans. If you're looking for the
• 1:21:56
  Speaker 1: best cup of coffee in the world, go to my
• 1:21:59
  Speaker 1: website from my company scott EP dot com, s C
• 1:22:02
  Speaker 1: O T. T y P dot com, scott ep dot
• 1:22:05
  Speaker 1: com Grade one Specialty Coffee. Yeah.