Latest / What More Can I Say? / Cardi B & Offset Expose Each Other, The Marvin Sapp Video, Will Smith's New Album & More!

Transcript

Cardi B & Offset Expose Each Other, The Marvin Sapp Video, Will Smith's New Album & More! · What More Can I Say?

• 0:02
  Speaker 1: All right, y'all, welcome to the wal Want can I
• 0:04
  Speaker 1: say podcast in this episode?
• 0:06
  Speaker 2: What I'm writer? Too old?
• 0:09
  Speaker 1: Food?
• 0:11
  Speaker 2: Oh yeah, we skipped today. Becuz right, it wasn't in
• 0:15
  Speaker 2: town yep, so it's all right as fault. He was
• 0:19
  Speaker 2: out cooking grits and shrimp for the hole, for the ladies.
• 0:25
  Speaker 1: He's for the hole, for this, for the hose. He
• 0:28
  Speaker 1: gave something to shake. He was waiting on something to shake.
• 0:30
  Speaker 1: He said, y'all want some breakfast. I got some momosa.
• 0:33
  Speaker 3: He always got some food in the drink, because you.
• 0:36
  Speaker 2: Know that's what the hose. You got to have food.
• 0:38
  Speaker 2: And Drake speaking of the hose, but she's not. I
• 0:42
  Speaker 2: know you.
• 0:42
  Speaker 1: I know, I know you ain't Kiki. At some point
• 0:48
  Speaker 1: we know who the hose is. What no not saying
• 0:51
  Speaker 1: it you a hole, But you have been caught. You
• 0:54
  Speaker 1: have been the hose before.
• 0:56
  Speaker 3: I ain't never been a hole.
• 0:57
  Speaker 1: No, it's not about to be hole.
• 1:00
  Speaker 2: You have been the hole.
• 1:03
  Speaker 3: You don't know you hose and Keiki keep with the hose.
• 1:09
  Speaker 3: I ain't never been a hole. Ain't no ho in me,
• 1:15
  Speaker 3: And they gonna find out today they keep playing with me.
• 1:17
  Speaker 2: No ho in me?
• 1:20
  Speaker 1: Damn so let me tell you something, so you ain't
• 1:22
  Speaker 1: never been. It might not have been nobody who knew you,
• 1:24
  Speaker 1: because if they knew, the probably wouldn't say that. But
• 1:26
  Speaker 1: you can't tell me you wasn't over there. You and
• 1:29
  Speaker 1: your fine people. Y'all was in the corner and his
• 1:32
  Speaker 1: boy was like, what a hole over there?
• 1:33
  Speaker 2: Boy? You was in that group?
• 1:37
  Speaker 3: Some holes up in here today?
• 1:42
  Speaker 2: About what these I just I was joking. I was
• 1:47
  Speaker 2: she could take everything me.
• 1:50
  Speaker 3: Y'all got me severely. I can't even get my mic right.
• 1:53
  Speaker 3: How y'all got to start this episode? I don't even
• 1:56
  Speaker 3: because I'm a woman of God. What is all of
• 1:58
  Speaker 3: this thought clean? Y'all?
• 2:03
  Speaker 2: It'll move today? Damn now? Who and what? Something else?
• 2:10
  Speaker 2: It's just the rest of the hose? Come on? Wow,
• 2:14
  Speaker 2: that was Kik. That's right, fresh off the pop up
• 2:21
  Speaker 2: comedy show.
• 2:22
  Speaker 3: Speaking a hose, baby, I mean zach No every hoe
• 2:27
  Speaker 3: in Chicago, Okay, in Northwest Indiana and surrounding areas. I
• 2:33
  Speaker 3: ain't never seen a comedy show. It's all women. He
• 2:36
  Speaker 3: don't make no nigga laugh. He ain't made a man laugh,
• 2:39
  Speaker 3: and god damn it, only man he may laugh.
• 2:45
  Speaker 2: Let me tell you some song and one't.
• 2:47
  Speaker 3: No man in there. All women, every levery flavor, every size,
• 2:53
  Speaker 3: every profession. This man is a smooth criminal.
• 2:57
  Speaker 2: Let me tell you.
• 2:58
  Speaker 3: He had women pulling up on the web sat as
• 3:00
  Speaker 3: Chicago in the rain to see him. Yeah, he's something special.
• 3:04
  Speaker 4: Oh yeah, Zach definitely has a very very very large
• 3:10
  Speaker 4: female fan base.
• 3:12
  Speaker 2: Oh that's great. I went there.
• 3:14
  Speaker 4: I was the only dude in that minus the comics. Yes,
• 3:18
  Speaker 4: the ladies love book.
• 3:19
  Speaker 1: Yeah, the lady love Okay. Here's the thing, y'all not
• 3:22
  Speaker 1: gonna do that. If you watch comedy, most comedy shows
• 3:25
  Speaker 1: are field with women.
• 3:27
  Speaker 3: No, that's not true.
• 3:28
  Speaker 1: That's how comedy shows usually are. That's who supports comedies. Women.
• 3:33
  Speaker 1: Guys don't be like, oh, let's go to the comedy show.
• 3:35
  Speaker 1: Have you and your guys ever been like, let's go
• 3:36
  Speaker 1: hit the show. If you didn't know somebody, we did
• 3:39
  Speaker 1: like we did because we knew the holes was there.
• 3:44
  Speaker 2: Thank you. You know what I'm saying.
• 3:46
  Speaker 3: Thank you.
• 3:47
  Speaker 2: So it's just that women come to shows, that's all that.
• 3:50
  Speaker 4: Shout out David Williams, shout out Wills dam used to
• 3:53
  Speaker 4: let me and Shad come along, man leon like man, y'all,
• 3:57
  Speaker 4: y'all good y'all.
• 3:58
  Speaker 2: We got y'all some seats because it the holes in there. Ya.
• 4:02
  Speaker 1: Women like comedy shows that that's just the men love
• 4:06
  Speaker 1: comedy and want the man up in there.
• 4:08
  Speaker 2: Not one man.
• 4:09
  Speaker 3: Okay, Zach be my man, thank you be for real? Though, Zach,
• 4:14
  Speaker 3: you did have all of every flavor up in there.
• 4:17
  Speaker 2: It was I mean, there were people there.
• 4:19
  Speaker 3: What you do like sitting out a mask group text
• 4:21
  Speaker 3: or like, how did you how did you get all
• 4:23
  Speaker 3: the women there?
• 4:24
  Speaker 2: Did you put the fire up?
• 4:27
  Speaker 3: Just's just like that you put on your social media.
• 4:29
  Speaker 3: They't coming, No, it ain't.
• 4:30
  Speaker 2: That for real. That's just who comes out is women
• 4:34
  Speaker 2: like comedy. They like to laugh. That's all it is.
• 4:37
  Speaker 1: Because I'm gonna let you know. If you're single and
• 4:39
  Speaker 1: you don't, you don't got nothing going on? Man. Uh
• 4:42
  Speaker 1: you want to laugh, have good entertainment and be around
• 4:45
  Speaker 1: the holes.
• 4:47
  Speaker 2: Go to a Zach Bull pop up. You got another
• 4:50
  Speaker 2: one coming?
• 4:51
  Speaker 3: Oh, he gonna keep them coming up for Zach Bug.
• 4:56
  Speaker 2: Honey.
• 4:57
  Speaker 3: I walked in there. They treat me like Beyonce. This
• 5:00
  Speaker 3: is what it's like being Zach friend. I know what
• 5:02
  Speaker 3: it's like being tone friends, but damn it, I was
• 5:05
  Speaker 3: Zach friend.
• 5:05
  Speaker 4: That night.
• 5:06
  Speaker 3: I said, oh, this is nice.
• 5:09
  Speaker 2: Was happy to see baby.
• 5:11
  Speaker 3: Next time I'm coming, I'm selling some merch or something, okay,
• 5:13
  Speaker 3: because it was a lot.
• 5:14
  Speaker 2: It was a lot going on up in there.
• 5:16
  Speaker 1: I was just happy to produce Za Zach's comedy special
• 5:19
  Speaker 1: for YouTube.
• 5:20
  Speaker 2: He won't let me.
• 5:20
  Speaker 3: Do it because you're always trying to put papers on
• 5:22
  Speaker 3: somebody relaxed. I think about time. He gonna help you
• 5:29
  Speaker 3: get some money. Baby, bro, he gonna put you on
• 5:31
  Speaker 3: some papers. Okay, y'all relax, okay, But yeah, Zach is
• 5:35
  Speaker 3: the new Prince of comedy.
• 5:37
  Speaker 1: I was really happy to see Keiky. I'm happy that
• 5:39
  Speaker 1: you came. I'm glad you supported. I'm well thank you.
• 5:42
  Speaker 1: I'm glad that you came to.
• 5:43
  Speaker 2: What did I say when I walked into the webside?
• 5:45
  Speaker 3: I said it better be funny, Yes, she said, drove
• 5:47
  Speaker 3: all the way out here, you better make me laugh.
• 5:49
  Speaker 2: And you dig up the whole shot.
• 5:51
  Speaker 3: Did it was? It was great.
• 5:53
  Speaker 2: She had a good time.
• 5:54
  Speaker 3: He had some really funny comedians up there too, really
• 5:57
  Speaker 3: really funny comedians.
• 5:58
  Speaker 2: Good. Yeah, one last the last pop up the bomb.
• 6:00
  Speaker 2: But that was cool. She was okay, c yeah, just cute.
• 6:06
  Speaker 3: You did not have to bring that up.
• 6:09
  Speaker 2: She did. She bomb. She's really smart.
• 6:12
  Speaker 1: She's really smart, and she came out there talking all
• 6:14
  Speaker 1: smart and everybody was.
• 6:15
  Speaker 2: Like, man, I don't know what you're talking about. Really. Yeah,
• 6:19
  Speaker 2: he didn't have it. He had all men.
• 6:20
  Speaker 1: That's what scared me. What about doing my uh my
• 6:25
  Speaker 1: breakout comedy?
• 6:26
  Speaker 2: Yoused to have been there.
• 6:28
  Speaker 3: You would have been This would have been your night, okay,
• 6:30
  Speaker 3: because you could have just stood there and all them
• 6:32
  Speaker 3: women in that would have been like, it's so funny.
• 6:35
  Speaker 3: They would have been found out to flow for you. Yes,
• 6:38
  Speaker 3: this was your night.
• 6:39
  Speaker 2: I got it.
• 6:40
  Speaker 4: It came up too fast. I got to work on
• 6:42
  Speaker 4: mama boutine in front of act. I just gotta do
• 6:44
  Speaker 4: it in like him and Leon and they just they
• 6:47
  Speaker 4: helped me out. I only need three minutes, so it's
• 6:50
  Speaker 4: needs three minutes. Three minutes. I think I could get it.
• 6:53
  Speaker 4: I'm gonna do it before one of these, so you'll
• 6:55
  Speaker 4: do the next one. That's a little When is the
• 6:58
  Speaker 4: next one. I think i'mna do the next one at
• 6:59
  Speaker 4: the beginning.
• 7:01
  Speaker 1: Getting into May. So I got a whole month to
• 7:03
  Speaker 1: work a month to work it out. Today is April first,
• 7:05
  Speaker 1: so you got a.
• 7:07
  Speaker 3: Month all you got to do is coming in and
• 7:10
  Speaker 3: smile at his audience. They gonna be It's gonna be great.
• 7:13
  Speaker 3: It's gonna be great. Let's go ahead and get to
• 7:15
  Speaker 3: the pod, y'all.
• 7:17
  Speaker 1: All right, Carti be accused us all set of harassing
• 7:20
  Speaker 1: her and threatening to end their lives and sending expensive
• 7:23
  Speaker 1: videos of them having sex to the guy that she's dating.
• 7:29
  Speaker 1: She crashed out online and got a little audio of that.
• 7:33
  Speaker 1: Let's take a look at Carti b Let's take a listen.
• 7:36
  Speaker 5: Actually, for the past couple of months, I've been very quiet,
• 7:42
  Speaker 5: but I've been going through a lot of stuff. First
• 7:45
  Speaker 5: and first, this guy right is upset because I sent
• 7:48
  Speaker 5: his girlfriend text messages of him begging me, begging me
• 7:52
  Speaker 5: saying Who's gonna take away his life?
• 7:54
  Speaker 3: Begging me saying he's gonna take.
• 7:55
  Speaker 5: Away my life? All that he was mad. He's mad
• 7:58
  Speaker 5: about that.
• 7:59
  Speaker 3: Mind you.
• 8:00
  Speaker 5: This man send text messages to somebody that I was
• 8:03
  Speaker 5: dealing of me and him having sex.
• 8:05
  Speaker 2: That's the top I've been dealing with.
• 8:07
  Speaker 5: Every time he knows that I go out of town,
• 8:09
  Speaker 5: he harasses me, he leaves me voice notes, trying to
• 8:12
  Speaker 5: pull my self esteem to the ground. And I'm so
• 8:15
  Speaker 5: tired of it.
• 8:16
  Speaker 2: Oh, she's so tired of it.
• 8:18
  Speaker 4: And also in another part of that ideal, she says
• 8:21
  Speaker 4: she's going to air out his dirty lune and if
• 8:23
  Speaker 4: he keeps it.
• 8:23
  Speaker 2: Up, go ahead. This is messy.
• 8:29
  Speaker 1: I'm sick of both of them, and that's just how
• 8:32
  Speaker 1: I feel at this point. I'm sick of both of y'all.
• 8:34
  Speaker 1: I'm not on nobody's side. I just I'm sick of
• 8:36
  Speaker 1: both of y'all and CARDI. I know he shouldn't have
• 8:40
  Speaker 1: sent those explicit videos to somebody you talk to. I
• 8:43
  Speaker 1: think that's corny. I think that's lame. I think you
• 8:46
  Speaker 1: make yourself look bad fellas when you do that. Like
• 8:48
  Speaker 1: that's the ultimate lame thing to do, is try to
• 8:50
  Speaker 1: put out girls. I never even understood if that being revenged,
• 8:54
  Speaker 1: Like you know what I'm saying, Like, that's just a
• 8:56
  Speaker 1: weird concept to me. Oh, let me show you when
• 8:58
  Speaker 1: I was having sex with you too, with my with
• 9:00
  Speaker 1: my wife, Like that's that's weird. That's just so weird.
• 9:05
  Speaker 1: So I can't take you know, I can't talk about that.
• 9:09
  Speaker 1: But you also said that you sent.
• 9:12
  Speaker 2: You started off.
• 9:13
  Speaker 1: You said he's mad that I sent text messages to
• 9:15
  Speaker 1: his girl about what he was saying to you. Yeah,
• 9:19
  Speaker 1: he was because you sent something that y'all was texting
• 9:22
  Speaker 1: to somebody else. And y'all both need to stop it.
• 9:26
  Speaker 1: It's not just Cardi, it's not just Offset. Both of
• 9:29
  Speaker 1: y'all need to figure it out. Okay, like, but leave
• 9:33
  Speaker 1: us out.
• 9:34
  Speaker 2: I'm tired. They have warre me out.
• 9:37
  Speaker 1: They getting ready to go to the same list that
• 9:38
  Speaker 1: I put blue Face in Krishano. They headed to that
• 9:42
  Speaker 1: list where I don't give a damn no more and
• 9:44
  Speaker 1: we ain't gonna talk about it no more.
• 9:46
  Speaker 2: Y'all y'all stressing me out. Hmmm Ki Ki, Yeah, this toxic.
• 9:50
  Speaker 3: I think this is they still want each other, still
• 9:53
  Speaker 3: probably gonna end up back together. I feel like they've
• 9:56
  Speaker 3: been tip they've been creeping around with each other since
• 9:59
  Speaker 3: they announced the divorce with us. This is all this is.
• 10:01
  Speaker 3: It's just backfire from that. They had a bad day
• 10:03
  Speaker 3: that day, so both the guys she talking to got
• 10:07
  Speaker 3: his feelings hurt that day and his girlfriend got her
• 10:09
  Speaker 3: feelings hurt that day. Because that's what we do when
• 10:11
  Speaker 3: we're in toxic relationships and we haven't moved on and
• 10:13
  Speaker 3: we still messing around with each other. So when you
• 10:16
  Speaker 3: get mad at me, I'm gonna text your girlfriend and
• 10:18
  Speaker 3: tell her girl, he was just on my line yesterday.
• 10:20
  Speaker 3: And then you get mad at me. So you said,
• 10:22
  Speaker 3: might do a video of me and you recently, probably
• 10:24
  Speaker 3: with the dates snap on it like I just was
• 10:26
  Speaker 3: smashing her Like it's not a flex on either one
• 10:28
  Speaker 3: of y'r y'all both look dumb at this point, and
• 10:31
  Speaker 3: you know, CARTI we i'm'na just be real. I love
• 10:35
  Speaker 3: her down and her fans we riding.
• 10:37
  Speaker 2: We holding on.
• 10:38
  Speaker 3: Yeah, if you don't give us an album soon, sis,
• 10:42
  Speaker 3: and you keep up this, like you said, you gonna
• 10:45
  Speaker 3: find yourself over there with the mother people that you
• 10:48
  Speaker 3: are much better than. So I really hope that this
• 10:51
  Speaker 3: can be like you know, she's it's like when you
• 10:54
  Speaker 3: a crack addict and you going through your steps of
• 10:55
  Speaker 3: getting clean.
• 10:56
  Speaker 2: She had a quick little relapse.
• 10:58
  Speaker 3: Let's get back on the bus and try to get
• 11:00
  Speaker 3: it right, you know, and then hopefully we can move
• 11:03
  Speaker 3: forward to some new music. But if these Shenatikins keep going,
• 11:06
  Speaker 3: you're gonna like you're losing us.
• 11:09
  Speaker 1: Yeah, it's crazy, it's crazy. All I can say is
• 11:12
  Speaker 1: the quickest way to get somebody off. Your girl is
• 11:15
  Speaker 1: show him what she being. It's not oh yeah, hey,
• 11:22
  Speaker 1: so Zach, you know this. There are guys.
• 11:24
  Speaker 4: There are guys that let's say Zach starts talking to
• 11:28
  Speaker 4: a new girl, nobody really seen her before you come
• 11:31
  Speaker 4: in the club, and the first thing the dude tried
• 11:34
  Speaker 4: to say, tell you where she been, the hater dude
• 11:37
  Speaker 4: that wants her.
• 11:39
  Speaker 2: That is the quickest way.
• 11:40
  Speaker 4: No, you can't tell another dude like, yeah, man, you
• 11:42
  Speaker 4: know I heard this. So she ain't got no money
• 11:46
  Speaker 4: or any any type of rumors. The quickest way to
• 11:49
  Speaker 4: get a guy off of a woman is to show
• 11:53
  Speaker 4: where she been.
• 11:54
  Speaker 2: And that's all all set try to do. He's trying
• 11:56
  Speaker 2: to keep everybody off.
• 11:57
  Speaker 1: Cardy he tried to get while he's still has his
• 12:01
  Speaker 1: situation going on. And that's why she like, Yo, you're
• 12:04
  Speaker 1: trying to keep these dudes off because you said you're
• 12:07
  Speaker 1: heard that in the audio she said a guy that
• 12:09
  Speaker 1: she was talking to, so it probably worked. So she like, oh,
• 12:14
  Speaker 1: you want to mess mine up, I'm gonna mess yours up.
• 12:17
  Speaker 1: And in the midst of it, they all probably still
• 12:19
  Speaker 1: mess with each other. I don't necessarily think that. I mean,
• 12:22
  Speaker 1: for y'all y'all might be off of her. I just
• 12:24
  Speaker 1: think Cardi is so it's her personality. Yeah, it's outside
• 12:28
  Speaker 1: of rap for her, You know what I mean? I
• 12:32
  Speaker 1: think we stay interested in locked in the Cardi this long.
• 12:35
  Speaker 1: I mean, how many people we stayed locked in this
• 12:38
  Speaker 1: long off of one album?
• 12:39
  Speaker 3: That's what I'm saying. But I mean, because that's what.
• 12:42
  Speaker 2: I'm saying, it's her. I don't think you never go
• 12:44
  Speaker 2: because she got that. She's a star.
• 12:47
  Speaker 3: She's an absolute superstar. She's a superstar. But we get
• 12:51
  Speaker 3: tied of superstars when they keep doing stupid stuff.
• 12:53
  Speaker 2: I don't know. I don't know.
• 12:54
  Speaker 3: I just want to mess for her, and I want
• 12:56
  Speaker 3: her to I want her to come on, like come.
• 12:57
  Speaker 4: On, because she made her think about it though she
• 12:59
  Speaker 4: made a whole start off of talking to us on Instagram.
• 13:05
  Speaker 3: Your friend want to keep calling you about the same,
• 13:07
  Speaker 3: like you keep calling me about the same. Man, I
• 13:11
  Speaker 3: don't care, you know what I'm saying, Like whatever, y'all,
• 13:14
  Speaker 3: I don't care. Don't call me with this no more.
• 13:16
  Speaker 3: Everybody gets tired of their friend calling them about this,
• 13:19
  Speaker 3: especially when your friend got the world in front of her, Like, girl,
• 13:22
  Speaker 3: come on, man, damn, what.
• 13:24
  Speaker 2: What he gotta do.
• 13:25
  Speaker 3: Yeah, you know, like what else you want him to do?
• 13:27
  Speaker 3: And to your point about you know, him trying to
• 13:30
  Speaker 3: get the men off of her, that's only gonna work
• 13:32
  Speaker 3: so with certain men because the me and she's probably
• 13:35
  Speaker 3: dating now they don't love her. He loves offset lover.
• 13:39
  Speaker 3: They don't love her, you know what I'm saying. So
• 13:41
  Speaker 3: sending me here your pictures are you smashing her? I'm
• 13:44
  Speaker 3: aa lik it and smash or something like bro this
• 13:46
  Speaker 3: yo yo, you lost your cheek. So, I mean, you
• 13:50
  Speaker 3: can do that only so many times. But I feel
• 13:51
  Speaker 3: like the new dude's gonna be like.
• 13:52
  Speaker 2: I don't care. That doesn't work.
• 13:54
  Speaker 1: That strategy doesn't work, especially dude she's messing with Like
• 13:57
  Speaker 1: he said, it doesn't.
• 13:58
  Speaker 2: It just doesn't work. He's not gonna be like, oh,
• 14:01
  Speaker 2: I don't want to mess with you.
• 14:01
  Speaker 1: Only way it could work if he say, man, y'all
• 14:04
  Speaker 1: still got a lot going on and it's too messy
• 14:06
  Speaker 1: for me. But the actual sending of the video, they
• 14:09
  Speaker 1: don't care. They know you were smashing that's your wife.
• 14:12
  Speaker 1: It's so weird to I think it's so weird to
• 14:15
  Speaker 1: leak somebody that you were dating nudes or or videos
• 14:19
  Speaker 1: like that's just that's cringe worthy to me. Like, I
• 14:21
  Speaker 1: don't understand why guys think that hurts the woman. That
• 14:24
  Speaker 1: only makes you look stupid. It only makes you look stupid,
• 14:27
  Speaker 1: been a bad person, and it's and it's terrible, and
• 14:30
  Speaker 1: then it makes other women be like, I ain't gonna
• 14:31
  Speaker 1: mess with you because look what you do.
• 14:33
  Speaker 2: You know what I'm saying. Let me tell you something.
• 14:35
  Speaker 1: A woman who has ever sent me a nude arms
• 14:38
  Speaker 1: you are safe me.
• 14:43
  Speaker 2: I ain't you never let I ain't letting it go. Baby,
• 14:46
  Speaker 2: I ain't letting it go. I will never. I don't
• 14:48
  Speaker 2: care how we end. I would never do that.
• 14:52
  Speaker 4: I had. Some of them asked me to to lead them.
• 14:55
  Speaker 4: I'm like, I will. I didn't.
• 14:58
  Speaker 3: That's so stupid. That's even was ask somebody to delete them, right.
• 15:02
  Speaker 2: I've never deleted the folder. They're in a cool little folder. Yeah,
• 15:08
  Speaker 2: called retirement, not to talk upon graveyard.
• 15:14
  Speaker 4: Look with retirement means like when I get old old
• 15:19
  Speaker 4: and I'm chilling what the whole way? I mean, I
• 15:22
  Speaker 4: can see where I've been. Boy, you used to be
• 15:25
  Speaker 4: one of them, you know, I mean.
• 15:28
  Speaker 1: Getting in Look at that move, boy, Yeah, I.
• 15:36
  Speaker 2: Usually dropped the camera because it's good. We try to
• 15:42
  Speaker 2: get you a t.
• 15:44
  Speaker 1: I don't personally and I don't like looking at like porn,
• 15:48
  Speaker 1: and I don't like looking at other people.
• 15:50
  Speaker 2: Born word. I want to look at me. Wow.
• 15:56
  Speaker 4: All right, all right, let's go get to this Marvins key, key,
• 16:00
  Speaker 4: the lord's work. Listen, don't go to a marvisap I
• 16:04
  Speaker 4: said it.
• 16:04
  Speaker 6: Close them doors, close the doors, close the doors, close
• 16:08
  Speaker 6: the doors.
• 16:09
  Speaker 2: We all gonna leave together.
• 16:11
  Speaker 6: There's one thousand of you tonight, and those that are watching.
• 16:14
  Speaker 6: It's a thousand that's watching online. This is a small seed.
• 16:19
  Speaker 6: If I get a thousand online to give this, if
• 16:21
  Speaker 6: I get a thousand in the sanctuary to give this,
• 16:23
  Speaker 6: that's forty thousand dollars tonight.
• 16:27
  Speaker 2: Whoa what was it? Two hundred dollars apiece for it?
• 16:29
  Speaker 2: What is it? It was twenty a piece, Yeah, twenty
• 16:32
  Speaker 2: twenty dollars.
• 16:33
  Speaker 1: If you want, everybody give twenty dollars, that'll been two
• 16:35
  Speaker 1: thousand times twenty, which is forty thousand.
• 16:37
  Speaker 2: Thank you. That ain't bad at all. That ain't bad,
• 16:41
  Speaker 2: But it sounded terrible.
• 16:43
  Speaker 3: It sounds terrible when y'all put it on the internet
• 16:45
  Speaker 3: to a bunch of people who ain't never been to
• 16:46
  Speaker 3: church in their life and don't don't understand church or
• 16:50
  Speaker 3: understand you know, what he was doing. That's when it
• 16:53
  Speaker 3: gets crazy and it sounds bad. But if you if
• 16:56
  Speaker 3: you've been going to church all your life, this is
• 16:57
  Speaker 3: not new to you. It's not new to me. I've
• 17:00
  Speaker 3: been in fleinny churches where they don't they don't say
• 17:03
  Speaker 3: it just the way he said it. Of course he
• 17:04
  Speaker 3: had a little extra in there, but we've all been
• 17:07
  Speaker 3: in the service where they like, all right, everybody in here,
• 17:10
  Speaker 3: get ten dollars, we gonna get sister Sharey some new
• 17:12
  Speaker 3: tires or something like that. You know what I'm saying.
• 17:14
  Speaker 3: And it's not like Marvin Sap took the money and
• 17:16
  Speaker 3: put it in his pocket and went home.
• 17:18
  Speaker 1: Now, I know, but we didn't. Usually, Kiki, you know,
• 17:21
  Speaker 1: I'm a preacher's kid. I know about that, yes, and
• 17:22
  Speaker 1: I've heard it. But usually we have a direct Maybe
• 17:25
  Speaker 1: they didn't cut it right, but usually you know exactly
• 17:29
  Speaker 1: what we're raising money for today. In this moment, you
• 17:32
  Speaker 1: know what I'm saying, it may be like, hey, everybody
• 17:34
  Speaker 1: give twenty dollars right now, that'll be forty thousand dollars.
• 17:37
  Speaker 1: We are forty thousand short from getting the new building,
• 17:41
  Speaker 1: and I feel like we can do that today. Let's
• 17:44
  Speaker 1: collect the offer. Let's let's reach that goal today. You
• 17:47
  Speaker 1: know what I'm saying, you gotta make What Marvin Sap
• 17:49
  Speaker 1: messed up is he didn't make the director. We didn't
• 17:51
  Speaker 1: know from the clip. We didn't know where the forty
• 17:54
  Speaker 1: was going. All we heard closed the dough. Yeah I
• 17:57
  Speaker 1: got a thousand. He told us how many people?
• 17:59
  Speaker 2: Was it? Thousand?
• 18:00
  Speaker 3: Here you did quick man?
• 18:01
  Speaker 2: He did a quick good man, did a drug man.
• 18:05
  Speaker 2: That's a thousand over there. Everybody give me twenty. That's
• 18:08
  Speaker 2: forty bad? Yeah, what are we doing? Where's the forty going?
• 18:12
  Speaker 2: What's this?
• 18:12
  Speaker 1: Tours were getting ready to feed the homeless? What is
• 18:14
  Speaker 1: the like it should have just been.
• 18:16
  Speaker 2: And you know it well?
• 18:17
  Speaker 3: He said that, you know good and well service. It
• 18:21
  Speaker 3: was said because black they don't know where.
• 18:25
  Speaker 1: No reason I don't know is because when he went
• 18:27
  Speaker 1: I went and saw where he went. On the Ricky
• 18:30
  Speaker 1: Smiley Show, he never mentioned where the money was going. Like,
• 18:33
  Speaker 1: I feel like that would have been one of the
• 18:34
  Speaker 1: first things I would have said. It's like, hey, y'all,
• 18:37
  Speaker 1: y'all missed the part where I said, we're helping the elderly.
• 18:40
  Speaker 1: He just said he just wanted forty that night. And
• 18:43
  Speaker 1: if you just want a ball, you can't do it
• 18:47
  Speaker 1: like that, man, you gotta do it more players. The Lord,
• 18:50
  Speaker 1: it says in the scripture, I'm a preacher's kid.
• 18:52
  Speaker 2: Period. The Lord says, be a cheerful giver.
• 18:55
  Speaker 1: Not a locked in gift, you know, not a maid
• 19:01
  Speaker 1: to give give.
• 19:02
  Speaker 2: Okay, close the door. That's what. It don't sound good, man,
• 19:06
  Speaker 2: it don't sound good. Sounded good? What what you just said.
• 19:10
  Speaker 2: I don't know if you quote it that cheerful giver.
• 19:12
  Speaker 1: God wants a cheerful Yeah, yep, but that but then
• 19:14
  Speaker 1: you said the other part of it that makes sense.
• 19:16
  Speaker 2: That wasn't scripture, Okay, that.
• 19:19
  Speaker 3: Was that was That was from the Book of.
• 19:23
  Speaker 2: But yeah, okay, I was wondering. I was like, that's all.
• 19:27
  Speaker 1: He didn't tell us what he wanted the money for.
• 19:28
  Speaker 1: You just can't say, close thought, give me a thous.
• 19:30
  Speaker 3: He didn't say it in that clip.
• 19:31
  Speaker 2: I'm sure he was.
• 19:32
  Speaker 1: Then he's heard the back. He was like, yeah, y'all
• 19:34
  Speaker 1: up here, y'all got to give a hundred. He was like, leadership,
• 19:45
  Speaker 1: y'all give one hundred.
• 19:46
  Speaker 2: You want to be on that leadership team and casts
• 19:48
  Speaker 2: you a little bird. He didn't.
• 19:50
  Speaker 1: He didn't go in his pocket one time with a
• 19:53
  Speaker 1: forty thousan dollars rolegs on that.
• 19:55
  Speaker 4: But you know what, this is the role with church
• 19:58
  Speaker 4: given that. It it's a very it's a touchy thing.
• 20:03
  Speaker 4: It's a touchy thing. I mean when I first started
• 20:06
  Speaker 4: going to church a lot of and I was going
• 20:09
  Speaker 4: and trying out different churches, that was like the way
• 20:11
  Speaker 4: the giving and the offering was done, it just rubbed
• 20:14
  Speaker 4: me the wrong way. And I remember then I went
• 20:17
  Speaker 4: to fellowship and you know they've had hey, look we
• 20:21
  Speaker 4: need you to give on top of this and that.
• 20:23
  Speaker 4: And I remember I asked my mom. I was like, yo,
• 20:26
  Speaker 4: it was this a hustle. She'd be like no, she
• 20:28
  Speaker 4: was like, just do it, just do the giving and
• 20:31
  Speaker 4: watch what happened. And I was like, one thing I
• 20:34
  Speaker 4: had was gonna do is listen to my mama more
• 20:35
  Speaker 4: to come to church. You a little bit more locked
• 20:37
  Speaker 4: in back then than I was. And I'll tell you guys, man,
• 20:42
  Speaker 4: it's on see where but I give. I don't even
• 20:44
  Speaker 4: think about it like I give it asked for some
• 20:46
  Speaker 4: extra bread give give, and I mean, I don't have
• 20:49
  Speaker 4: money problems.
• 20:50
  Speaker 2: It's been in your life. You can't beat guys. I
• 20:53
  Speaker 2: don't even. I don't even. I don't necessarily say it's
• 20:55
  Speaker 2: been tenfold.
• 20:57
  Speaker 4: But it's like it's like money will just pop up,
• 21:02
  Speaker 4: like it'll just come up, like things are like, Okay,
• 21:04
  Speaker 4: I want to do this.
• 21:05
  Speaker 2: It just it just blessings happen. It will be.
• 21:08
  Speaker 4: An event come through or this come through or that is.
• 21:12
  Speaker 2: It's just real weird in a sense.
• 21:15
  Speaker 4: So, I mean, so I know a lot of people,
• 21:16
  Speaker 4: like Kiki said to your point, you hear this and
• 21:19
  Speaker 4: you like damn. But I do think he should have
• 21:22
  Speaker 4: kept when he kept doing a good news brother, when
• 21:26
  Speaker 4: you're doing these interviews, say what the forty thousands for?
• 21:30
  Speaker 4: I think that you should lead that lead with that.
• 21:33
  Speaker 3: Why do I see he better than me? Because I
• 21:34
  Speaker 3: wouldn't even be explaining to you heathens what I was doing.
• 21:37
  Speaker 3: I know what I was doing. I was collecting money
• 21:40
  Speaker 3: for God's house. Okay, why do I need to explain
• 21:43
  Speaker 3: to the internet. Y'all weren't even in the room. Y'all
• 21:45
  Speaker 3: aren't even there, y'all ain't paid a tab all year,
• 21:48
  Speaker 3: So why do I need to get up and explain
• 21:50
  Speaker 3: to y'all, cause what I was doing a hit dog
• 21:53
  Speaker 3: hollar because he's wrong. If he was right, he'd just
• 21:56
  Speaker 3: be like, you know what, I know what I was doing,
• 21:58
  Speaker 3: Marvin Stapp.
• 22:00
  Speaker 2: I never would have paid it.
• 22:02
  Speaker 3: Never would have paid it, Never would have paid.
• 22:10
  Speaker 2: You locked that door, that's crazy.
• 22:14
  Speaker 4: Locked the door that probably would have got say locked
• 22:17
  Speaker 4: you said, close.
• 22:18
  Speaker 2: The door, close the door. I was like, y'all, y'all
• 22:22
  Speaker 2: messing that door.
• 22:23
  Speaker 4: I don't play like that, Like like I got up
• 22:28
  Speaker 4: and left, like an't lock me in?
• 22:29
  Speaker 2: Nowhere about that? Y'all better pay you all times? Okay,
• 22:35
  Speaker 2: all he did was die for you? Oh my god?
• 22:38
  Speaker 2: That is Church of key kidding, all right?
• 22:42
  Speaker 1: They need the lord shot keys In and his mother
• 22:44
  Speaker 1: but found guilty on federal wire fraud charges and Fort
• 22:49
  Speaker 1: Lauderdale's like a million dollars worth of it and they
• 22:52
  Speaker 1: are facing up to twenty years.
• 22:53
  Speaker 2: It's a sad story.
• 22:55
  Speaker 3: Who better to do crime with, though than your mama?
• 22:58
  Speaker 3: And I was you know what I'm saying, like, who
• 23:00
  Speaker 3: better to do crime with? She's never snitching on you,
• 23:04
  Speaker 3: You know what I'm saying. She gonna have your back
• 23:05
  Speaker 3: through out the whole thing, you know, and she probably
• 23:09
  Speaker 3: she probably the mastermind. And I honestly think if you
• 23:12
  Speaker 3: do do crime with your mother, you shouldn't have to
• 23:16
  Speaker 3: do the time.
• 23:17
  Speaker 2: You blame it on your ma. Your mama should have
• 23:19
  Speaker 2: to do your time because I listened to my mama.
• 23:21
  Speaker 2: You know what I'm saying, Judge, they'd be like, why
• 23:24
  Speaker 2: you do that? Ma? Mama said, right, when do you
• 23:26
  Speaker 2: go against what your mama say?
• 23:28
  Speaker 1: I feel like she should have to do the time
• 23:29
  Speaker 1: if you do, if you do crime with your children,
• 23:32
  Speaker 1: you should take on the risk of getting caught.
• 23:35
  Speaker 2: And if you do get caught, they shouldn't have to
• 23:36
  Speaker 2: go to jail. Just you because you're the adult.
• 23:39
  Speaker 1: That's crazy. That's a grown man. But that makes sense though,
• 23:42
  Speaker 1: you grown man. But that's always your mama.
• 23:45
  Speaker 3: Right, she can get more time, but she he need
• 23:48
  Speaker 3: to go to jail too.
• 23:49
  Speaker 1: What my mama said, and the Bible it says to
• 23:51
  Speaker 1: obey your mother exactly.
• 23:53
  Speaker 4: They both dumb as hell. Yeah, that's what it says.
• 23:56
  Speaker 4: Like you and your mama stupid. And this is the
• 24:00
  Speaker 4: dumbest thing ever. Sean King said, had bread got talent?
• 24:05
  Speaker 1: Uh?
• 24:05
  Speaker 4: And then you went and try to defraud the government.
• 24:07
  Speaker 4: It's not gonna work. It's not gonna work. Bro, They
• 24:10
  Speaker 4: coming for you. Ain't you black? And you gotta go
• 24:13
  Speaker 4: to jail with your mama.
• 24:14
  Speaker 2: This was stupid.
• 24:15
  Speaker 1: Uh, they're gonna be in different jails. Yeah, you gonna
• 24:17
  Speaker 1: see your MoMA exactly. Talk to each other. This is interesting.
• 24:23
  Speaker 1: Deon Sanders making money speaking of money of five year,
• 24:26
  Speaker 1: fifty four million dollar contract extension with the University of Carload.
• 24:31
  Speaker 4: Congratulations going out to Dion. Zach what you saw this?
• 24:34
  Speaker 4: What you were thinking?
• 24:35
  Speaker 2: Man?
• 24:35
  Speaker 1: I said, Dion got paid. Man, he deserves it. You
• 24:37
  Speaker 1: got to think about how much money he's brought the
• 24:41
  Speaker 1: University of Colorado. You know, now the next next step
• 24:44
  Speaker 1: to be the highest paid coach in college football.
• 24:47
  Speaker 2: I thinks to win, you know what I'm saying.
• 24:49
  Speaker 1: I think that's the next step for him, and then
• 24:51
  Speaker 1: he then he can deserve to be the highest paid.
• 24:53
  Speaker 1: But I think just from his influence and the ticket
• 24:56
  Speaker 1: sales and everything Dion and the way the merchants being spent,
• 25:00
  Speaker 1: the way the TV deals. Shoot, he probably paying for
• 25:03
  Speaker 1: his own contract for real, He probably paying for his
• 25:06
  Speaker 1: own extension.
• 25:08
  Speaker 2: Clicky what you're thinking?
• 25:10
  Speaker 3: I love this?
• 25:12
  Speaker 2: I love this.
• 25:12
  Speaker 3: I think he deserves every penny they paying him, and
• 25:15
  Speaker 3: more he deserves because he's more than just a coach.
• 25:17
  Speaker 3: He's a mentor. I see him pouring into young people.
• 25:21
  Speaker 3: I see it even older guys. I feel like everybody
• 25:23
  Speaker 3: look up to Deion Sanders.
• 25:24
  Speaker 1: I feel like he has done so much more outside
• 25:27
  Speaker 1: of the game of football at this point than any
• 25:29
  Speaker 1: any organization that he's a part of should pay top
• 25:32
  Speaker 1: dollar for him.
• 25:34
  Speaker 3: So I love to see it.
• 25:36
  Speaker 1: Yeah, no, I mean that. Actually, this is an interesting one.
• 25:40
  Speaker 1: Kirby Smart is the top.
• 25:43
  Speaker 4: I don't see his contract, but he's the highest payed
• 25:46
  Speaker 4: college football coach, along with the Ohio State at number two,
• 25:50
  Speaker 4: and who is it Dabble Swingey at number three, Steve
• 25:54
  Speaker 4: Starke's into Texas at four, and Deon Sanders is now
• 25:59
  Speaker 4: number five.
• 26:00
  Speaker 2: Shout out to Dion Sanders. Think he's number five? I
• 26:03
  Speaker 2: thought he was four four. Uh let's see. Yeah, No,
• 26:08
  Speaker 2: he is he is for, he is for. Yeah, man,
• 26:14
  Speaker 2: this is just hey, don't leave us. This is money.
• 26:17
  Speaker 2: Don't leave us. It's that don't leave us money.
• 26:19
  Speaker 3: That's kind of money I want right now.
• 26:20
  Speaker 2: That's what you that's what you that's what you know.
• 26:22
  Speaker 4: Like when you hit that don't leave us money when
• 26:25
  Speaker 4: they know that everybody else wants you and they give
• 26:27
  Speaker 4: you a bag.
• 26:28
  Speaker 2: That's this is a good feeling.
• 26:31
  Speaker 3: It's a great feeling.
• 26:32
  Speaker 2: You got some.
• 26:32
  Speaker 1: Don't leave us monkey, every bad contract contract, Say, we
• 26:38
  Speaker 1: know your contract.
• 26:40
  Speaker 2: You had Gucci hats. You signed your new deal, didn't you?
• 26:43
  Speaker 3: No, I haven't. But this is a gift shout out
• 26:47
  Speaker 3: to my team.
• 26:48
  Speaker 2: Got a meal at the d l N. I'm still
• 26:49
  Speaker 2: on the ground. I think you got a little little
• 26:53
  Speaker 2: like you got a deal, didn't you?
• 26:55
  Speaker 3: No, not yet, but I would love some don't leave
• 26:58
  Speaker 3: me money.
• 26:59
  Speaker 2: I want some.
• 27:00
  Speaker 3: I want some don't leave me money from my job,
• 27:02
  Speaker 3: from my man, from y'all. Everybody need to give me
• 27:05
  Speaker 3: some don't leave me. Matter of fact, I might leave
• 27:07
  Speaker 3: right now. Well, how much locked locked it?
• 27:10
  Speaker 2: Dog rider?
• 27:11
  Speaker 3: I need?
• 27:13
  Speaker 2: I need? We ain't got it? Locked it?
• 27:20
  Speaker 1: No?
• 27:20
  Speaker 2: I need forty thousand? Yeah? Good look, good, look, all right.
• 27:26
  Speaker 2: Let's get to this man.
• 27:27
  Speaker 1: Also, Zach, have you enjoyed h hold on, you know,
• 27:31
  Speaker 1: before we do that, let's just let's just do this
• 27:33
  Speaker 1: real quick. I want you to hear this real quick. Okay,
• 27:36
  Speaker 1: then you should let me know what you think about it.
• 27:38
  Speaker 1: I'm way too caculated for me to ever get dominated.
• 27:41
  Speaker 2: To promise you and I saw me. I see why
• 27:43
  Speaker 2: you be activated, took the lot. I'm not gonna time,
• 27:45
  Speaker 2: y'all gonna have to get activated.
• 27:46
  Speaker 4: Stop my still though, I won't get dominated in personal biking, but.
• 27:50
  Speaker 2: My wife's not.
• 27:50
  Speaker 1: Your business is complicated all that now, that's just the
• 27:53
  Speaker 1: fact that I'm still getting compensated, period period. Big will
• 27:57
  Speaker 1: in the building, Big Willie. Yeah, Will is on a tour.
• 28:02
  Speaker 1: He has let everybody know what sub he's hitting, podcast streamings,
• 28:05
  Speaker 1: he got an eyebum, he got a tour coming, Zach,
• 28:07
  Speaker 1: will you ready put it.
• 28:08
  Speaker 2: Into Will Smith.
• 28:09
  Speaker 1: I'm not ready for it, but I'm happy for him,
• 28:13
  Speaker 1: I really am. I'm happy for Will because he seems happy,
• 28:15
  Speaker 1: you know what I'm saying. It looks like he's this
• 28:16
  Speaker 1: is a passion project for him and he wanted to
• 28:18
  Speaker 1: get back rapping, and I'm happy that he saw it
• 28:20
  Speaker 1: through and he's doing it.
• 28:22
  Speaker 2: You know.
• 28:22
  Speaker 1: Now, I don't know who he's making this music for,
• 28:25
  Speaker 1: you know, for you, I don't know. I really don't
• 28:28
  Speaker 1: know for our crowd. I don't know what crowd he's
• 28:32
  Speaker 1: I don't know who Will Smith music crowd is I
• 28:35
  Speaker 1: don't know the people who like.
• 28:36
  Speaker 2: I got to hit that Will I don't.
• 28:39
  Speaker 1: I don't know nobody who trying to hear him. But
• 28:43
  Speaker 1: I'm happy he's doing it, you know, like like you
• 28:46
  Speaker 1: happy for your uncle who.
• 28:50
  Speaker 4: Gilly is a hot lie to Gilly's sitting there. Listen
• 28:53
  Speaker 4: they rapping him and wild rapping Will He's rapping old
• 28:57
  Speaker 4: Will Smith. Oh, I thought I wasn't new Will Smith.
• 29:01
  Speaker 4: That was that was fresh Prince Will Smith. That he
• 29:04
  Speaker 4: was rapping when you know, which we love? But who
• 29:08
  Speaker 4: is Will Smith making music for?
• 29:10
  Speaker 1: Now? Who's his target audience? I would think it'd probably
• 29:13
  Speaker 1: be like the Tones of the World.
• 29:14
  Speaker 2: Yeah, what are you talking about? Kiky? The one dressed
• 29:17
  Speaker 2: like the Naties drug dealer? I am and I don't.
• 29:21
  Speaker 3: They'll give And that's what I want. I want the
• 29:23
  Speaker 3: rumors to start that.
• 29:24
  Speaker 2: I'm so are you? Are you looking for listen for?
• 29:27
  Speaker 3: I'm looking forward to anything Will Smith produces.
• 29:29
  Speaker 2: So you've been listening to this? No? But I just
• 29:32
  Speaker 2: put me on? Okay? Have you I put you on? Yeah?
• 29:35
  Speaker 2: The album was out, did you listen to it?
• 29:38
  Speaker 4: I didn't listen to a bunch of Will Smith at
• 29:39
  Speaker 4: Fresh prints when they were out originally like that way,
• 29:44
  Speaker 4: we wouldn't.
• 29:44
  Speaker 2: We wasn't listening to that a lot. I mean, I'm
• 29:47
  Speaker 2: not mad at him, like it's great.
• 29:49
  Speaker 4: It's great that he's rapping at doing something, because at
• 29:52
  Speaker 4: the end of the day, again, like you trying to say,
• 29:54
  Speaker 4: just think about it, where are the young dudes at?
• 29:58
  Speaker 4: That's why all the old dudes are rapping one say
• 30:01
  Speaker 4: what they want to do.
• 30:02
  Speaker 2: It's a crab. But where the young dudes with the
• 30:06
  Speaker 2: new sound? What are you talking about?
• 30:10
  Speaker 3: Okay, it sounds like you're saying none of these new
• 30:13
  Speaker 3: rappers making they things.
• 30:14
  Speaker 1: I don't know what you mean by you know you're
• 30:16
  Speaker 1: talking about because my generation of hip hop was golden.
• 30:20
  Speaker 2: It was it was golden. So let's just go your
• 30:24
  Speaker 2: generation to this generation, forget mine. That's the thing about
• 30:28
  Speaker 2: hip hop.
• 30:29
  Speaker 1: But what about let me tell you something about the
• 30:31
  Speaker 1: hip hop When you're outside of the generation, you don't
• 30:33
  Speaker 1: know who the current.
• 30:35
  Speaker 2: You don't know much about the current.
• 30:36
  Speaker 4: Got teenage, so you know, I listened to everything that
• 30:39
  Speaker 4: they let me know what's popping.
• 30:41
  Speaker 1: I got teenage, I got teenage and young adult kids.
• 30:44
  Speaker 1: So let me ask you the question. Since you've got
• 30:46
  Speaker 1: teenagers who are the young guys?
• 30:48
  Speaker 2: Then he very good. That's it. It's like DDG Playboycarti
• 31:00
  Speaker 2: who else It's like two more. It's like two more.
• 31:04
  Speaker 1: But I mean, but like Carti, Carty is the guy
• 31:09
  Speaker 1: for them.
• 31:10
  Speaker 4: But after Carty it falls off. That's what I'm saying
• 31:15
  Speaker 4: right in my line.
• 31:17
  Speaker 2: The writer is writer is thirty one.
• 31:23
  Speaker 1: He's right there, and there ain't nobody in their thirties
• 31:27
  Speaker 1: gonna tell me.
• 31:28
  Speaker 2: Let me tell you something.
• 31:28
  Speaker 1: When I was growing up and I'm thirteen, fourteen, fifteen
• 31:31
  Speaker 1: listening to, can't nobody in their thirties tell me about
• 31:33
  Speaker 1: who I was listening to. You're in your thirties. We're
• 31:36
  Speaker 1: out of it. We can go back and here. The
• 31:38
  Speaker 1: difference is we had the only difference in what you're saying, Tom,
• 31:41
  Speaker 1: is we only had We only had two or three
• 31:44
  Speaker 1: places to get the music.
• 31:46
  Speaker 2: So they told us exactly who the stars were.
• 31:48
  Speaker 1: You can listen to it on the radio, you can
• 31:49
  Speaker 1: watch it on one on six and part you could
• 31:51
  Speaker 1: watch videos.
• 31:52
  Speaker 2: And that was kind of controlled.
• 31:53
  Speaker 1: Now what I've noticed for I just had Kenwood girls
• 31:57
  Speaker 1: basketball team in the morning show with us, said what
• 32:00
  Speaker 1: song do y'all get hyped to when y'all go and
• 32:03
  Speaker 1: they said six to seven. I didn't know who six
• 32:06
  Speaker 1: seven was, but I was like, okay, that's who they
• 32:07
  Speaker 1: listened to. Let me see who six seven is. Six
• 32:10
  Speaker 1: seven was this dope British drill rap that I had
• 32:14
  Speaker 1: never heard before. That was dope. But guess what that
• 32:18
  Speaker 1: came out of a sixteen year old mouth. They know
• 32:20
  Speaker 1: who they listening to. They sixteen, And I think we
• 32:23
  Speaker 1: got to stop discrediting their their artists as if they're
• 32:27
  Speaker 1: not making hits just because we ain't heard it and
• 32:29
  Speaker 1: it's not on mainstream radio, because they don't listen to
• 32:32
  Speaker 1: the they don't necessarily listen to Maine.
• 32:34
  Speaker 2: That's not how they received their music.
• 32:36
  Speaker 1: They received their music from the internet, so that stuff
• 32:38
  Speaker 1: could have millions and millions of streams and we never
• 32:41
  Speaker 1: hear it, Zach, And it's not.
• 32:44
  Speaker 2: On the radio.
• 32:45
  Speaker 4: Don't mean it exact, Zach. Regardless of what you're saying,
• 32:49
  Speaker 4: you always try to do that. But I'm talking about stars, dog,
• 32:54
  Speaker 4: Like when your era, your era is stars.
• 32:57
  Speaker 2: It's people out here that gain it makes them, not
• 32:58
  Speaker 2: a start out. Let me finish.
• 33:00
  Speaker 4: They got a they got mills and millions of streams
• 33:04
  Speaker 4: and cannot sell out shit, but small arenas not even
• 33:09
  Speaker 4: arenascise me small rooms. That's what I mean. We're doing
• 33:13
  Speaker 4: your era that we're just sticking your air up. You
• 33:16
  Speaker 4: had a lots of stars. It would be impossible during
• 33:20
  Speaker 4: your era rap to say all right, man, this old
• 33:24
  Speaker 4: EPMB is gonna come out with a new album.
• 33:26
  Speaker 2: Everybody's been like, why it's too much hot.
• 33:29
  Speaker 1: They wouldn't even have tried it because it was too
• 33:32
  Speaker 1: much hot shit out.
• 33:34
  Speaker 2: No, they didn't have a No, it's a difference.
• 33:36
  Speaker 1: They didn't have a platform to actually put it out
• 33:38
  Speaker 1: on because guess what you had to put your album
• 33:40
  Speaker 1: during that era.
• 33:41
  Speaker 2: You had to put it out through labels.
• 33:42
  Speaker 1: And the labels was not gonna give PMD a chance
• 33:45
  Speaker 1: when they putting out fifty cent and eminem now so
• 33:48
  Speaker 1: exactly Dip exactly now. No, But now the record labels
• 33:52
  Speaker 1: aren't the same. You can put music out on your own.
• 33:56
  Speaker 4: So now I'm talking about Star Choir. I'm not saying
• 33:58
  Speaker 4: it is no, I'm saying Will Smith does not.
• 34:00
  Speaker 1: Have to wait to get green lit by a record
• 34:03
  Speaker 1: company like they used to to get an album out.
• 34:06
  Speaker 2: He could just literally go out and do interviews.
• 34:08
  Speaker 4: Because he's smith, he can carve his and we still
• 34:11
  Speaker 4: don't know who's listening to His mother said, we don't.
• 34:14
  Speaker 2: We can still he can put it out all day
• 34:16
  Speaker 2: and we don't know.
• 34:16
  Speaker 1: We can't in a space where there's not a lot
• 34:20
  Speaker 1: of stars anymore. Yes, I'm not saying it's not good
• 34:23
  Speaker 1: music out. I'm not saying that, But I'm talking about
• 34:26
  Speaker 1: the level of stardom, the level of big records.
• 34:31
  Speaker 2: Bro.
• 34:31
  Speaker 1: You even brought up Lean with It, Rock with It,
• 34:33
  Speaker 1: you can white Tea, you could bring up anything. Let
• 34:36
  Speaker 1: me ask you this. It's Golorilla a big star. Yes,
• 34:39
  Speaker 1: it's a lot of a big star. Yes, it's Playboy
• 34:43
  Speaker 1: Cardi a big star. Yes, it's Travis Scott a big star. Yes,
• 34:46
  Speaker 1: it's Rod Wave a big star.
• 34:47
  Speaker 2: Yes. Do I need to keep going? That's five? Do
• 34:50
  Speaker 2: I need to keep going? Are people selling out stadiums?
• 34:53
  Speaker 2: That's five? Do I need to keep going? These are
• 34:55
  Speaker 2: new artists selling out stadium five way sell out.
• 35:02
  Speaker 3: Kids singing, But not all fact that you just named
• 35:06
  Speaker 3: off that list. I'm not gonna let you do that.
• 35:07
  Speaker 3: I think the issue with is, and I say this
• 35:09
  Speaker 3: every time we have this argument, is that it's a
• 35:11
  Speaker 3: quality of a quantity type of thing. So now in
• 35:13
  Speaker 3: this generation, everybody's a rapper and everybody has the same
• 35:17
  Speaker 3: tools to push out their music, whereas when in our era,
• 35:20
  Speaker 3: like you guys have mentioned, there was not enough space,
• 35:24
  Speaker 3: so you only the cream rose to the top and
• 35:27
  Speaker 3: the cream lasted. So like to your point tone, yes,
• 35:30
  Speaker 3: in our era it was big superstars and y'all generation
• 35:34
  Speaker 3: was listening to him as well as our generation. We
• 35:36
  Speaker 3: all loved Ja Ru and we can be honest about
• 35:39
  Speaker 3: don't lie.
• 35:40
  Speaker 2: We all loved State College.
• 35:54
  Speaker 3: We'll go ahead, so you said thirteen fourteen, we did.
• 35:58
  Speaker 2: We listened.
• 35:59
  Speaker 3: We loved fifty cent and our parents love fifty cents.
• 36:01
  Speaker 3: But like you, like we've always said, in that era,
• 36:05
  Speaker 3: there was no room for all this mass that we have. Now,
• 36:08
  Speaker 3: it's so many rappers out right now that are trash
• 36:12
  Speaker 3: that it makes it very hard for the superstars to
• 36:15
  Speaker 3: rise because they got to fight through all the trash.
• 36:18
  Speaker 3: Whereas back in the day you could own the cream
• 36:20
  Speaker 3: rows that label only invested in five and numb. Five
• 36:24
  Speaker 3: is gonna get a feel a run in that run
• 36:26
  Speaker 3: because it was so powerful how the structure was. They're
• 36:29
  Speaker 3: still touring.
• 36:30
  Speaker 4: Today, but I'm even saying underneath the five, I'm talking
• 36:36
  Speaker 4: about the big five, the big five you have in
• 36:41
  Speaker 4: most time. Let's just leave that number five right, But
• 36:44
  Speaker 4: you had more underneath the five that was making that
• 36:47
  Speaker 4: made a huge impact, like you just had.
• 36:50
  Speaker 3: It was just you didn't even get a look if
• 36:52
  Speaker 3: you weren't good. You didn't even get a look if
• 36:54
  Speaker 3: you weren't Now, if you could finesse and pay for
• 36:58
  Speaker 3: some streams and pay for and crease your social media
• 37:00
  Speaker 3: numbers like people do, you will get a look. You
• 37:03
  Speaker 3: will get an opportunity off some fake ass numbers. Now,
• 37:06
  Speaker 3: back then, we didn't have the technology to do that.
• 37:09
  Speaker 3: It was real people going putting your shoes on, putting
• 37:11
  Speaker 3: your boots on the ground, going to the record store,
• 37:13
  Speaker 3: going to Best Buy to buy CD. Okay, you had
• 37:16
  Speaker 3: to put your boots on and go get the go
• 37:18
  Speaker 3: by the album, the full album, or you was buying
• 37:20
  Speaker 3: a single. Now everybody can put something on the internet,
• 37:24
  Speaker 3: pay for a bot to increase state numbers, and look,
• 37:26
  Speaker 3: I'm a superstar, I'm the best thing you got when
• 37:29
  Speaker 3: really you're trash.
• 37:30
  Speaker 2: That's the difference.
• 37:31
  Speaker 1: It's certain, but it's certain artists now that are doing it,
• 37:34
  Speaker 1: and they don't necessarily have the they don't have. They
• 37:36
  Speaker 1: don't need the radio support anymore. They don't need the
• 37:39
  Speaker 1: interview support no more. There's just superstars. I ain't seen
• 37:43
  Speaker 1: rod Wave do an interview or nothing, and he sells.
• 37:45
  Speaker 1: I saw him sell out to you. I was there
• 37:47
  Speaker 1: at the United States and watched him sell that mug
• 37:51
  Speaker 1: out and cry wrong.
• 37:54
  Speaker 4: Rod Wave when he started, when he started, was in
• 37:58
  Speaker 4: everybody's face. He did his media runs, BT Awards. Definitely
• 38:04
  Speaker 4: Rod Wave was out in a moving around memorable waveview.
• 38:09
  Speaker 4: It's not about a memorable rod Wave interviews, but everybody was.
• 38:12
  Speaker 4: He interviews before ton You know what I'm saying, he
• 38:15
  Speaker 4: doesn't need them. He can literally go to the United
• 38:18
  Speaker 4: Center and get sell out now.
• 38:19
  Speaker 1: And now what I'm saying Rod Wave is a perfect
• 38:21
  Speaker 1: example of a person that went boots on the ground.
• 38:24
  Speaker 2: He started, he started grinding.
• 38:27
  Speaker 4: Grinding, grinding, grinding, grinding, and now his fan base is
• 38:31
  Speaker 4: so ridiculous he doesn't have to do it anymore. But
• 38:35
  Speaker 4: you just acted like he started making music in his
• 38:37
  Speaker 4: basement and says, you know what, everybody just started liking me,
• 38:40
  Speaker 4: and now I can no, no, no, no.
• 38:43
  Speaker 1: Wave didn't move in the goal post. The goal post
• 38:45
  Speaker 1: is about stars. Now, So what we were talking about
• 38:48
  Speaker 1: current stars?
• 38:49
  Speaker 2: Who are you?
• 38:51
  Speaker 1: Said that your point was Will Smith feels comfortable because
• 38:55
  Speaker 1: they ain't no big stars, And I'm like, no, that's
• 38:57
  Speaker 1: not They are still there.
• 39:00
  Speaker 2: They're still there. If NBA Young Boy wasn't locked up, NBA.
• 39:03
  Speaker 1: Young Boy was one of the biggest rappers in the
• 39:05
  Speaker 1: world without much radio or any like it just they
• 39:09
  Speaker 1: just don't need it.
• 39:10
  Speaker 2: They don't need it anymore.
• 39:11
  Speaker 1: And what I'm trying to tell you, I didn't even
• 39:12
  Speaker 1: know about this group called six seven.
• 39:15
  Speaker 2: I knew nothing.
• 39:16
  Speaker 1: About, never heard a record, and I asked them and
• 39:19
  Speaker 1: they said it in unison. I watched them be like
• 39:21
  Speaker 1: six seven. I'm like, no, they're stars. And you can't
• 39:24
  Speaker 1: tell them girls that them people ain't stars. I'm not
• 39:26
  Speaker 1: gonna say they're not just because you don't think they are.
• 39:29
  Speaker 1: I just think not the numbers say that they're not stars.
• 39:32
  Speaker 1: You've never heard of They can't say it, can't They're
• 39:35
  Speaker 1: not going on to you this same five, But how
• 39:37
  Speaker 1: many of that do you know? They're not selling? How
• 39:39
  Speaker 1: do you know that?
• 39:40
  Speaker 2: And if you've never heard of them, I'm just asking
• 39:44
  Speaker 2: that radio and you've never heard of. Radio is not
• 39:50
  Speaker 2: the radio. You're not controlling the world. No more.
• 39:53
  Speaker 3: Hold on, hold on, it's not yourself. Don't get to
• 39:59
  Speaker 3: radio because people radio. I don't give a damn how
• 40:01
  Speaker 3: you sit around and think of your man and numbers.
• 40:06
  Speaker 3: When you get on this radio, it's a different look.
• 40:08
  Speaker 3: It's a different type of gas behind whatever.
• 40:11
  Speaker 2: Don't.
• 40:11
  Speaker 1: Radio is not creating that tripping. Radio is not creating stars.
• 40:16
  Speaker 2: Given stars platforms.
• 40:17
  Speaker 1: Absolutely, if you're a star and you get on the radio, don't.
• 40:22
  Speaker 4: How do you say radio is not creating stars. What
• 40:24
  Speaker 4: radio does is what it's always done. It's taking you
• 40:28
  Speaker 4: from your niche fan base to to the world, to
• 40:33
  Speaker 4: the grandma's to the That's how you become a star.
• 40:36
  Speaker 4: That's the difference between being a star when your mama, No,
• 40:40
  Speaker 4: when you get your sixteen year old know the song,
• 40:42
  Speaker 4: your mama know the song, and the grandma and a
• 40:45
  Speaker 4: grandma know the song. That's the difference. That's the difference
• 40:48
  Speaker 4: between a hit. That's the difference between a megastar. That
• 40:52
  Speaker 4: is the difference being able to sell out the House
• 40:54
  Speaker 4: of Blues versus for United Center.
• 40:57
  Speaker 1: Come on, that's the Concord Music Hall verse, the verse,
• 41:01
  Speaker 1: the Chicago. Got to be a star for it to work,
• 41:04
  Speaker 1: that's my point. But you're a star for it to work.
• 41:07
  Speaker 1: Do you know how many times we have No, I'm
• 41:10
  Speaker 1: not you know how many times we have played on
• 41:12
  Speaker 1: the verge artists who are on the verge on every
• 41:16
  Speaker 1: radio station, every hour on the hour in this country,
• 41:19
  Speaker 1: and they still and they and they song flop afterwards
• 41:22
  Speaker 1: after we're done. And you know why, Yeah, because the
• 41:25
  Speaker 1: song wasn't there, the artist wasn't there. They don't have
• 41:28
  Speaker 1: nothing else to connect them to, and they and they
• 41:30
  Speaker 1: go by the wayside.
• 41:31
  Speaker 2: But on the.
• 41:32
  Speaker 3: Verge, he reaching go let them.
• 41:34
  Speaker 2: That's not on. That's not reaching.
• 41:35
  Speaker 1: If you if you playing every hour on the hour
• 41:38
  Speaker 1: on every major radio station.
• 41:39
  Speaker 2: And they didn't work. But I know, I mean that happens.
• 41:44
  Speaker 4: Maybe maybe I'll see all the since we were doing
• 41:47
  Speaker 4: on the verge on the verse, I've maybe seen that.
• 41:49
  Speaker 2: Flop off maybe twice, maybe twice.
• 41:52
  Speaker 4: Victoria Money is on the verge artist period Money longers
• 41:55
  Speaker 4: are on the verge artisan they were already the song,
• 42:06
  Speaker 4: nobody was talking, nobody music, The music was good, attractive
• 42:13
  Speaker 4: was good.
• 42:14
  Speaker 1: We knew she had a good song. The record it went,
• 42:18
  Speaker 1: that's the difference between the star star the.
• 42:21
  Speaker 3: Recording is okay. On the verse, artist didn't work, you
• 42:24
  Speaker 3: have because the song wasn't that good. But but the
• 42:27
  Speaker 3: magic is when you get an artist. When you get
• 42:29
  Speaker 3: a star and you get a hit record and you
• 42:31
  Speaker 3: put it on radio, you're out of here. You're head. Yes,
• 42:36
  Speaker 3: there's no coming back.
• 42:37
  Speaker 2: But you got to be a star.
• 42:38
  Speaker 3: Yes you have to be a star. But that's what
• 42:43
  Speaker 3: it's a It's a star on Stony Island that ain't
• 42:46
  Speaker 3: got no platform. It's a star down the hallway that
• 42:49
  Speaker 3: ain't got no platform. Once you get on the platform
• 42:52
  Speaker 3: and get the you gotta have all things. I appreciate this
• 42:55
  Speaker 3: all the time. You have to have you have to
• 42:58
  Speaker 3: have the talent, and you gotta have the platform. When
• 43:00
  Speaker 3: it comes together, you out of here. That's when the
• 43:02
  Speaker 3: real stars arise. A lot of people got platforms and
• 43:05
  Speaker 3: no talent exactly. A lot of talented people have no platforms,
• 43:08
  Speaker 3: no reach exactly.
• 43:09
  Speaker 1: And there's a lot of stars who are not being
• 43:12
  Speaker 1: played on the radio, which is my point, and they're
• 43:14
  Speaker 1: still stars.
• 43:15
  Speaker 3: But that doesn't take the power out of what radio.
• 43:18
  Speaker 2: It's not even about radio. I do radio. I don't.
• 43:20
  Speaker 2: I'm not here you on radio. I'm not here it
• 43:23
  Speaker 2: on radio.
• 43:23
  Speaker 1: What I'm trying to say is just because somebody is
• 43:26
  Speaker 1: not played on the radio does not mean they're not
• 43:28
  Speaker 1: a star. And just because Will Smith decided to put
• 43:31
  Speaker 1: out an album don't mean that people that the people
• 43:34
  Speaker 1: of this generation who are making good music aren't stars.
• 43:37
  Speaker 2: Who said that exactly don't get it.
• 43:40
  Speaker 3: He said, you said Will Smith is comfortable because we
• 43:44
  Speaker 3: ain't got no stars. Now I said that's not I.
• 43:46
  Speaker 4: Said he's comfortable because there's not a lot.
• 43:50
  Speaker 2: There's space for him. There's space in space.
• 43:54
  Speaker 4: Because I can't I can't think of an older rapper
• 43:57
  Speaker 4: during my era.
• 43:59
  Speaker 2: I can't think of Coumo D trying to bring his ass.
• 44:02
  Speaker 1: Back with Pock, Big jay Z, Ludacris, Eminem, Doctor Dre
• 44:09
  Speaker 1: Sloop n W. CuMo D shut his ass down because
• 44:13
  Speaker 1: it was no room for him, because it was like,
• 44:17
  Speaker 1: it's nothing but.
• 44:18
  Speaker 2: He because it wasn't no internet prob to put it on.
• 44:20
  Speaker 1: If he had an internet, he would have had something out.
• 44:26
  Speaker 1: If he had MI saw everybody else put out, he
• 44:30
  Speaker 1: would have put one out. Youbot to get why five
• 44:34
  Speaker 1: so we get the lady.
• 44:38
  Speaker 2: CuMo D ain't in now after die and that's wrong.
• 44:44
  Speaker 2: That's right, because you better not. That's wrong. That's wrong.
• 44:51
  Speaker 2: Comedy comedy too.
• 44:53
  Speaker 1: But what I'm trying to say is there was not
• 44:55
  Speaker 1: platforms to put The reason Will Smith can see that
• 44:59
  Speaker 1: is because that is the world we live in now,
• 45:01
  Speaker 1: right you can do your own thing and put it out, Zach,
• 45:04
  Speaker 1: right now.
• 45:04
  Speaker 2: You'll get hurt right now, you're a star like Will Smith.
• 45:07
  Speaker 4: What I'm saying is this the reason that the women
• 45:11
  Speaker 4: are dominating. There is a one singular reason why the
• 45:14
  Speaker 4: women are dominating. Not because it's they turn, not because
• 45:18
  Speaker 4: of none of that. It's because they have looked at
• 45:21
  Speaker 4: whoever's behind them or just maybe them. As artist said,
• 45:25
  Speaker 4: you know what, all of you dudes are over here
• 45:27
  Speaker 4: trying to sound like everybody else. We gonna go back
• 45:31
  Speaker 4: and have original sound. Lotto sounds nothing like Glorilla. Glorilla
• 45:37
  Speaker 4: sounds nothing like Sexy Red. Sexy Red sounds nothing like
• 45:42
  Speaker 4: Cardi B. Cardi B sounds nothing like Doci. They all
• 45:48
  Speaker 4: have these individual sounds which have made them in superstars.
• 45:53
  Speaker 2: So the thing what it.
• 45:55
  Speaker 4: Is is all of the dudes, and I'm not lie,
• 45:58
  Speaker 4: put your ears to the guy. Damn new music they
• 46:01
  Speaker 4: all sound like fucking Playboy, CARDI, what are you talking about?
• 46:05
  Speaker 2: What I'm saying is this Travis Scott.
• 46:07
  Speaker 1: You literally heard people use Travis Scott's ad lift.
• 46:11
  Speaker 2: It's crazy.
• 46:12
  Speaker 1: Guess what, where's what we're not gonna do? It's not
• 46:15
  Speaker 1: what we're not gonna do.
• 46:16
  Speaker 2: There's a exactly I got a deal. Here's my thing.
• 46:20
  Speaker 1: This sounds exactly likewise it is a dude that sounds
• 46:24
  Speaker 1: exactly like future.
• 46:27
  Speaker 2: They all running it. What's my man's name?
• 46:29
  Speaker 1: They running Designer, designer, play The designer said standard everybody
• 46:35
  Speaker 1: face and said, I don't sound like future. Women's women's
• 46:40
  Speaker 1: seal rabbit. Women's success. Let me tell you something. Women's
• 46:43
  Speaker 1: success in hip hop has nothing to do with men.
• 46:46
  Speaker 2: I don't know.
• 46:47
  Speaker 1: It's just like, oh, because the men are sounding like
• 46:49
  Speaker 1: no now, the women are making now, the.
• 46:51
  Speaker 2: Women can ride. Women women an artistry.
• 46:56
  Speaker 1: The women's sound is working, and it's their boss because
• 47:00
  Speaker 1: they're making good music.
• 47:01
  Speaker 2: Simple as that are making music that sounds like each.
• 47:05
  Speaker 1: Other, even if the guys are. It's guys making good
• 47:08
  Speaker 1: music too.
• 47:09
  Speaker 2: And guess what sound like anybody else?
• 47:12
  Speaker 4: I'm not saying Broadway does sound like anybody else.
• 47:15
  Speaker 2: I don't even know what we're talking about here. I
• 47:17
  Speaker 2: just know.
• 47:17
  Speaker 4: Look, all I'm saying is there are stars today.
• 47:20
  Speaker 2: That was my whole point. And you're naming stars, so
• 47:23
  Speaker 2: you actually were. So do you think that? Don't know
• 47:25
  Speaker 2: what you think?
• 47:26
  Speaker 4: There's more stars today in hip hop than it was
• 47:29
  Speaker 4: in your era, that's the question.
• 47:32
  Speaker 2: No, No, Zach, you're losing. So what I cannot do.
• 47:36
  Speaker 1: I cannot compare today to fifteen years fifteen.
• 47:42
  Speaker 2: Years of artist.
• 47:43
  Speaker 3: It's so many artists that was out during my day.
• 47:46
  Speaker 1: Wait a minute, you just said what you just said
• 47:49
  Speaker 1: exactly what I've been trying to prove the entire time.
• 47:53
  Speaker 1: We're just not even gonna talk about my era. We're
• 47:55
  Speaker 1: talking about your era.
• 47:57
  Speaker 2: Can we talk? I'm talking to give me something new,
• 48:00
  Speaker 2: being able to get.
• 48:01
  Speaker 4: On streams and everything because Will Smith he has it,
• 48:05
  Speaker 4: like you said, everybody, anybody, everybody.
• 48:09
  Speaker 2: But people.
• 48:10
  Speaker 1: Will Smith can calve his way into these situations and
• 48:15
  Speaker 1: be and be. These aurys gonna be valid. But it's
• 48:19
  Speaker 1: just not a lot of stars in there.
• 48:21
  Speaker 2: It was the point. It was. It was when Nelly went.
• 48:24
  Speaker 3: Got definition of stars different?
• 48:26
  Speaker 2: Right.
• 48:26
  Speaker 3: Maybe he think a star is streaming numbers and money
• 48:30
  Speaker 3: and your definition is kind of what my definition is
• 48:33
  Speaker 3: is my stars had music, then they got in the fashion.
• 48:36
  Speaker 3: They was on the cover of them, they was on
• 48:38
  Speaker 3: the Pepsi commercials, they was on the TV shows, they
• 48:40
  Speaker 3: was on the sitcom they got sitcoms made behind them.
• 48:43
  Speaker 3: They are and they're still popping today. That's the difference.
• 48:47
  Speaker 3: I think that that's what that's If that's what you're referencing,
• 48:53
  Speaker 3: then no, it's not the same at all, because guess
• 48:55
  Speaker 3: the times are different.
• 48:57
  Speaker 2: It's not because there's less stars.
• 48:59
  Speaker 1: It's just we don't have to go through all those
• 49:02
  Speaker 1: these people, the people that we're talking about, the people
• 49:04
  Speaker 1: that we grew up on, they were molded, they had
• 49:08
  Speaker 1: artists development, they went through all these stages to become stars,
• 49:13
  Speaker 1: and then when they became stars, they moved on the acting.
• 49:17
  Speaker 2: They did movies.
• 49:18
  Speaker 1: Because they were all still and pushed by Hollywood, and
• 49:21
  Speaker 1: that was a different thing.
• 49:22
  Speaker 2: Now guys are independent.
• 49:25
  Speaker 1: So what I'm saying is I'm talking about from a
• 49:27
  Speaker 1: music From from a music standpoint, there are artists that
• 49:31
  Speaker 1: the kids listen to that we don't know about that
• 49:34
  Speaker 1: are still making good music. And I'm not gonna show
• 49:37
  Speaker 1: on them just because I don't know them because I'm
• 49:41
  Speaker 1: not listening to them.
• 49:41
  Speaker 2: I'm saying.
• 49:42
  Speaker 1: And I can't just sit there and say, oh, ain't
• 49:44
  Speaker 1: no stars now, because when I had stars, we had
• 49:47
  Speaker 1: a different time. We didn't have the Internet where everybody
• 49:50
  Speaker 1: could get on and it be all this fluff and
• 49:53
  Speaker 1: you gotta find out. We didn't have that.
• 49:55
  Speaker 2: We listened to. Everybody in the country is watching one show.
• 49:58
  Speaker 3: Of course it's.
• 49:59
  Speaker 2: Stars, Zach Like. The thing what I'm saying is I'm
• 50:02
  Speaker 2: not apart.
• 50:04
  Speaker 4: I'm not saying that that there's there's not good music,
• 50:07
  Speaker 4: but as far as the star.
• 50:09
  Speaker 2: And they're great and.
• 50:14
  Speaker 4: People you just what all I'm saying is this, Yes,
• 50:17
  Speaker 4: there's kids that listen to you. We all have our
• 50:19
  Speaker 4: when we were growing up, had our niche guy. And
• 50:21
  Speaker 4: I'm saying, but I said that the amount of stars
• 50:25
  Speaker 4: that they are in hip hop today and it and
• 50:28
  Speaker 4: and I and I'm going.
• 50:29
  Speaker 1: To say because of the music. Music makes you a star,
• 50:32
  Speaker 1: Bilgi takes you.
• 50:33
  Speaker 4: Out of takes you out of sixteen year old, eighteen
• 50:36
  Speaker 4: year old high school popping, and it takes you to
• 50:40
  Speaker 4: your mama liking it, your grandma liking it. The white
• 50:44
  Speaker 4: dude that don't know nothing about hip hop. He hear it,
• 50:46
  Speaker 4: he like it. That's that's what I'm saying. That's what
• 50:49
  Speaker 4: I'm saying. There are people, Zach, and that's what that's
• 50:53
  Speaker 4: where there's this weird like I don't know, it's this
• 50:57
  Speaker 4: weird space and hip hop about star good music and
• 51:01
  Speaker 4: you don't know if somebody finest the numbers and not,
• 51:04
  Speaker 4: because bro, it is people out here with twenty million streams,
• 51:12
  Speaker 4: hundreds of thousands of files on Instagram and can walk
• 51:15
  Speaker 4: through and nobody know who they are and walk through festivals,
• 51:20
  Speaker 4: walk through and everybody, oh, that's dude, or that's them,
• 51:24
  Speaker 4: or all check it out. That's such and such and
• 51:27
  Speaker 4: I and when I when I say the differ between
• 51:29
  Speaker 4: a star, it was washing it at one music fest.
• 51:35
  Speaker 2: When certain people.
• 51:37
  Speaker 4: Come off that stage, they like, they can't people, they
• 51:40
  Speaker 4: got to have security around them. There's people with millions
• 51:43
  Speaker 4: of streams that cannot sell out the United Center.
• 51:46
  Speaker 2: That makes no sense. That's something that's a disconnect somebody.
• 51:50
  Speaker 2: There's a people. There's a disconnecting.
• 51:52
  Speaker 1: A person who's got a million streams, seven hundred followers
• 51:55
  Speaker 1: on Instagram, a million on TikTok, and they could go
• 52:00
  Speaker 1: and go on the and can walk around with no
• 52:03
  Speaker 1: security because they're non stars.
• 52:05
  Speaker 2: They Oh, let's do they popular?
• 52:08
  Speaker 1: That's a difference the songs the Internet has allowed. The
• 52:13
  Speaker 1: Internet has allowed more people to become popular. Those are
• 52:16
  Speaker 1: not the people that I'm considering stars. Okay, I'm talking
• 52:18
  Speaker 1: of saying that this this generation has stars.
• 52:21
  Speaker 3: I think we just have to see how it turns out,
• 52:23
  Speaker 3: honestly before we can truly judge. Because right now, yes,
• 52:26
  Speaker 3: NBA Young Boy is a star. But his fans grow
• 52:29
  Speaker 3: up though, are they still gonna be listening to NBA
• 52:32
  Speaker 3: Young Boy kind of like when we grew up, we
• 52:34
  Speaker 3: still listen to the You know what I'm saying, that's
• 52:36
  Speaker 3: the difference.
• 52:36
  Speaker 2: I think so too.
• 52:39
  Speaker 3: I'm just saying that will be the test of That
• 52:40
  Speaker 3: will be the only way to tell if they have
• 52:43
  Speaker 3: the same type of star quality that our stars had. Like,
• 52:45
  Speaker 3: are we still reference and go back to those hit
• 52:47
  Speaker 3: records and those still ring off in the club like
• 52:49
  Speaker 3: they just came out. Those are hit records. Those are superstars.
• 52:52
  Speaker 3: We will have to just let time tell on if
• 52:55
  Speaker 3: they stick around and if they can remain relevant, because
• 52:57
  Speaker 3: once they fans grow up.
• 53:01
  Speaker 2: That's suing to it.
• 53:02
  Speaker 4: I want to let you know. And this is again
• 53:05
  Speaker 4: another statement to where we are in music. I wouldn't
• 53:08
  Speaker 4: let you know.
• 53:09
  Speaker 2: Dog.
• 53:10
  Speaker 4: If they had had an old school R and B
• 53:13
  Speaker 4: part where they was playing Luther Vandroz to Anita Babe
• 53:18
  Speaker 4: Baker and Peebo Bryson and a bunch and I'm in
• 53:22
  Speaker 4: my twenties, in my thirties, I would have lost my
• 53:26
  Speaker 4: goddamn mind. I'd have been like, it's no way I'm
• 53:28
  Speaker 4: staying here. This is an old people bunch. I'm getting
• 53:30
  Speaker 4: the hell out of here now. Think about it. You
• 53:32
  Speaker 4: got people that are in that in their twenties, in
• 53:36
  Speaker 4: their thirties listening to how many R and B parties
• 53:41
  Speaker 4: out of the ore.
• 53:41
  Speaker 2: That's the biggest thing. Old school arm br these sing along.
• 53:45
  Speaker 3: Sing Keisha Cole like it just came out like they
• 53:48
  Speaker 3: they loved that record.
• 53:49
  Speaker 4: Like singing the Golden R and B's Like, it's so.
• 53:56
  Speaker 2: What that speaks to?
• 53:58
  Speaker 4: What that when I'm about to get to my point,
• 54:00
  Speaker 4: What it speaks to is the where were at musically
• 54:03
  Speaker 4: at this time.
• 54:03
  Speaker 2: That's what it speaks to. If you are able to steal.
• 54:07
  Speaker 1: If I play beat it right now for my son,
• 54:08
  Speaker 1: he's gonna go crazy. He's gonna go crazy. I saying
• 54:11
  Speaker 1: beat it, and I wasn't born came out just asking
• 54:16
  Speaker 1: did that lessen the stars of my generation? Just because
• 54:19
  Speaker 1: I'll go back and listen to H.
• 54:22
  Speaker 2: Luther.
• 54:23
  Speaker 4: I'll tell you what I grew up on that I
• 54:25
  Speaker 4: got old. No such thing as R and B parties
• 54:28
  Speaker 4: back when?
• 54:29
  Speaker 2: When? When?
• 54:30
  Speaker 4: Back when you about the R.
• 54:33
  Speaker 2: And B parties.
• 54:34
  Speaker 1: Ain't no sixteen year olds at that R and B party?
• 54:36
  Speaker 1: And if it was, you need to get out of that. No,
• 54:38
  Speaker 1: not no, But I'm saying early we're not talking. We're
• 54:43
  Speaker 1: talking about.
• 54:43
  Speaker 2: Any sixteen year old. If high schoolers, that's the generation.
• 54:46
  Speaker 1: I'm talking about, you high school, If high school is
• 54:51
  Speaker 1: pull it up to your.
• 54:56
  Speaker 3: Will tell guys, only time will be able to tell
• 54:59
  Speaker 3: if tone is right.
• 55:00
  Speaker 1: But R and B that's a different genre. See now,
• 55:03
  Speaker 1: if you going R and B, R and B completely died,
• 55:06
  Speaker 1: excuse me. R and B died with the new like
• 55:09
  Speaker 1: they don't have any R and B male groups like
• 55:11
  Speaker 1: we had man like at all. Those completely just went
• 55:14
  Speaker 1: off the face of the groups that But R.
• 55:16
  Speaker 3: And B itself as a genre is not dead.
• 55:18
  Speaker 2: Well, the groups died, the male groups that we grew
• 55:21
  Speaker 2: up on.
• 55:22
  Speaker 1: The Judas se Jodases, the Drew Hills, the Jagged Edge,
• 55:26
  Speaker 1: the one twelve Like that was all music that we
• 55:28
  Speaker 1: were watching on one O six in part we had
• 55:30
  Speaker 1: matching outfits. We knew the words, the B two k's,
• 55:34
  Speaker 1: that's right, the en Syncs, the Backstreet Boys. They don't exist. Yes,
• 55:41
  Speaker 1: so of course people gonna go back and listen to.
• 55:43
  Speaker 2: That because it doesn't exist.
• 55:45
  Speaker 1: But all this I know, y'all. Every time we get
• 55:48
  Speaker 1: on music, y'all, are we always argue?
• 55:50
  Speaker 2: God?
• 55:51
  Speaker 4: Uh, well, last one before we get out of here,
• 55:54
  Speaker 4: could you talk to someone that your homie or your
• 55:56
  Speaker 4: girl may have messed around with or but it didn't
• 56:01
  Speaker 4: go anywhere? So basically, could you go back and talk
• 56:03
  Speaker 4: to somebody your boy was like, oh, your girls?
• 56:05
  Speaker 2: Like, yeah, I used to talk to toe, but you know,
• 56:07
  Speaker 2: we just kind of went out on a couple of
• 56:09
  Speaker 2: dates and then that was it.
• 56:11
  Speaker 3: No. I mean, but I understand people that do now
• 56:15
  Speaker 3: because I used to be completely against this at all calls.
• 56:18
  Speaker 3: But some of your friends is just holes And like, girl,
• 56:20
  Speaker 3: you didn't been with every man in this zip? Hope,
• 56:22
  Speaker 3: what do you want me to do? You know what
• 56:24
  Speaker 3: I'm saying? Like you'd have been with every man in
• 56:26
  Speaker 3: the six oh six oh one? What do you want
• 56:30
  Speaker 3: me to do?
• 56:31
  Speaker 2: So?
• 56:32
  Speaker 3: Yeah, yeah, I'm sorry you went on to date with him.
• 56:35
  Speaker 3: I'm sure you did. Now he with me, you know
• 56:37
  Speaker 3: what I'm saying, Like, I know, so I don't. I've
• 56:40
  Speaker 3: never done it and I will never intentionally do it.
• 56:43
  Speaker 3: But we all know somebody that if they're like, can
• 56:45
  Speaker 3: you imagine being a man in Chicago and you friends
• 56:48
  Speaker 3: were tone, You're gonna be like, well, what.
• 56:50
  Speaker 2: The hell you want me to do?
• 56:51
  Speaker 3: You can't even go to Carbondale to find no good
• 57:00
  Speaker 3: a woman. You know what I'm saying. That town ain't
• 57:01
  Speaker 3: had you got to them. You can't go to Indiana.
• 57:04
  Speaker 3: You gotta go to Wisconsin, you damn that. Gotta go
• 57:07
  Speaker 3: to the East coast. He was over there for a
• 57:09
  Speaker 3: little bit. When you feel in the park and so
• 57:10
  Speaker 3: it's like, what.
• 57:11
  Speaker 2: Do you do. You have a friend and you know
• 57:14
  Speaker 2: the West coast? Oh my bad?
• 57:16
  Speaker 3: Okay, so maybe you're safe on the East coast, but
• 57:18
  Speaker 3: when you have a friend that has been because we
• 57:20
  Speaker 3: all know somebody, and it be like who I am
• 57:23
  Speaker 3: somebody that somebody you to somebody that Yeah, so it's like,
• 57:28
  Speaker 3: what do you want me to do so. I understand
• 57:31
  Speaker 3: people who if it didn't work out, But if you
• 57:33
  Speaker 3: if your friends in a full blown relationship with somebody,
• 57:36
  Speaker 3: come on, bro, you can find somebody else. Yeah, you
• 57:38
  Speaker 3: can find somebody else.
• 57:41
  Speaker 2: It's time to move. That's the problem. You gotta pack
• 57:44
  Speaker 2: your house up. You gotta move. You know what I'm saying.
• 57:46
  Speaker 1: Sometimes, if I was just running into the same thing
• 57:49
  Speaker 1: where I keep running in the women that my friends
• 57:51
  Speaker 1: will mess with, is I need to just keep I
• 57:53
  Speaker 1: need to go other places, and I'm obviously in the
• 57:56
  Speaker 1: same spots where my friends are.
• 57:58
  Speaker 2: I can't do it.
• 57:59
  Speaker 1: I can't do if my If you, if you dated her,
• 58:03
  Speaker 1: I'm cool.
• 58:04
  Speaker 3: You ain't never smashed one of your homies chicks.
• 58:07
  Speaker 2: Mm hmm mm hmm, not like they you're talking about,
• 58:13
  Speaker 2: like that girl. I believe he's never.
• 58:16
  Speaker 4: I believe never smashed any of his homies like that
• 58:21
  Speaker 4: they were going together.
• 58:22
  Speaker 2: I believe Zat and he and they didn't smash.
• 58:27
  Speaker 3: That's what I mean.
• 58:28
  Speaker 2: Zach's definitely. Let me ask you this, I would never
• 58:30
  Speaker 2: do it without their blessing. Though.
• 58:33
  Speaker 3: You're gonna ask.
• 58:36
  Speaker 2: How that? How did that text go? How does that?
• 58:39
  Speaker 2: Please explain?
• 58:40
  Speaker 1: Hey, your blessing is like this. It's like this, Tom, huh,
• 58:45
  Speaker 1: what's up with uh? Mu's just throw a name out there,
• 58:48
  Speaker 1: what's up with uh?
• 58:50
  Speaker 2: Jasmine? Nothing, y'all, y'all still messing? Was that your girl?
• 58:56
  Speaker 1: Girl?
• 58:57
  Speaker 2: Nah? We just kind of went out a couple of times,
• 59:00
  Speaker 2: all right, cool? Yeah, she had hit me. So I
• 59:03
  Speaker 2: just want to know if it was, like, you know.
• 59:05
  Speaker 1: You just kind of had that conversation, like, you know,
• 59:07
  Speaker 1: is that that's somebody you really care about?
• 59:09
  Speaker 2: I like the Zach, don't do it, Okay, that's all
• 59:12
  Speaker 2: I need to.
• 59:13
  Speaker 3: I ain't gonna I feel like they wouldn't say that,
• 59:14
  Speaker 3: but they'll start trying to throw a little other salt
• 59:16
  Speaker 3: on her name.
• 59:17
  Speaker 1: So you wouldn't you know, I say, if you say
• 59:20
  Speaker 1: I liked her, I would I would say that no, no.
• 59:23
  Speaker 4: No, no, no that You got to be very surprised guys,
• 59:27
  Speaker 4: real dudes, especially like if you're talking your homie like
• 59:29
  Speaker 4: I'm talking to Zach, like I'm you know, maybe not
• 59:32
  Speaker 4: to another person. You probably kind of got a man
• 59:35
  Speaker 4: like it's like a dude that is associated or something.
• 59:37
  Speaker 2: You gotta be like, yeah, you know what I mean.
• 59:40
  Speaker 2: You're not gonna tell, but your homie your home.
• 59:44
  Speaker 4: You're gonna say a ge like, yeah, that'll be kind
• 59:47
  Speaker 4: of weird because me and her, you know, I liked
• 59:50
  Speaker 4: her a little bit and just didn't go Maybe it
• 59:52
  Speaker 4: didn't go right because of you. And you're like, if
• 59:54
  Speaker 4: I see you, it's gonna it'll be weird. And your
• 59:57
  Speaker 4: boy gona your boy probably gonna still hit her.
• 59:59
  Speaker 2: But that's but you keep it sitting.
• 1:00:05
  Speaker 1: But watch you know, you know the guys that your
• 1:00:07
  Speaker 1: your homies really like. You know what I'm saying, I
• 1:00:10
  Speaker 1: stay away from that.
• 1:00:11
  Speaker 2: I don't.
• 1:00:11
  Speaker 1: I'm not fena mess with you. If that's one of
• 1:00:14
  Speaker 1: your girls, that I'm cool. But you can't have too
• 1:00:16
  Speaker 1: many because you got some friends.
• 1:00:18
  Speaker 3: That's what I'm saying.
• 1:00:19
  Speaker 1: Everybody they was serious with, come on, man, yeah bro,
• 1:00:23
  Speaker 1: we did you hit?
• 1:00:24
  Speaker 2: That's the first thing I'm asked. Oh yeah, you gotta
• 1:00:26
  Speaker 2: ask that did you hit?
• 1:00:27
  Speaker 1: If you didn't hit, you have no claims, thank you.
• 1:00:31
  Speaker 1: You can't even if you went out on the date.
• 1:00:33
  Speaker 1: That you can't say and you go up.
• 1:00:35
  Speaker 3: In fourth grade, he had tried that's our girls, because
• 1:00:37
  Speaker 3: you know back right and fourth grade he had tried
• 1:00:40
  Speaker 3: to talk to me, but I wasn't even in it like, bitch,
• 1:00:42
  Speaker 3: I don't care, get it today and how many times
• 1:00:48
  Speaker 3: you yeah, you got it?
• 1:00:50
  Speaker 2: If it was once in night life? In night life.
• 1:00:53
  Speaker 4: I want to let you know, all of these rules
• 1:00:55
  Speaker 4: don't apply. What you mean, like every day that y'all said,
• 1:00:58
  Speaker 4: like all of that, that's no considering.
• 1:01:00
  Speaker 2: Nobody care. Nobody cares. They can shake your hand, shake it?
• 1:01:05
  Speaker 2: What up?
• 1:01:05
  Speaker 4: G what g and be like if they don't see
• 1:01:09
  Speaker 4: you with your girl a couple of times outside they
• 1:01:12
  Speaker 4: on a ass, they a d M.
• 1:01:14
  Speaker 2: They owner like, yo, what's up? You go next thing?
• 1:01:16
  Speaker 4: You know you're gonna see your girls sitting at the
• 1:01:18
  Speaker 4: at that promoter's table. It's a nasty or you cannot
• 1:01:22
  Speaker 4: have any feelings in that life because they are. It's
• 1:01:26
  Speaker 4: it's it's it's really the it's really kind of crazy.
• 1:01:30
  Speaker 4: It's like in a sense where everybody is looking at
• 1:01:33
  Speaker 4: everybody's backyard that they said, so if you I come in,
• 1:01:38
  Speaker 4: well I come in with Jasmine, and ain't nobody seeing jasmine?
• 1:01:42
  Speaker 2: Everybody like who is that?
• 1:01:44
  Speaker 4: And they just gonna wait, They gonna wait it out
• 1:01:47
  Speaker 4: to see if y'all make it or y'all don't make it.
• 1:01:49
  Speaker 4: At the moment you like if you if they see
• 1:01:51
  Speaker 4: Jasmine out two or three times without.
• 1:01:53
  Speaker 1: You, oh us they own they couldn't even think about
• 1:01:59
  Speaker 1: her to they seen you with him.
• 1:02:00
  Speaker 2: No, no, I'm telling you.
• 1:02:01
  Speaker 4: Anytime whatever girl you are walking around with a you
• 1:02:05
  Speaker 4: show interesting, trust me, there's somebody at night life that
• 1:02:09
  Speaker 4: is waiting for you to break up with that girl
• 1:02:11
  Speaker 4: so they could go jump on them.
• 1:02:13
  Speaker 2: And I don't understand that, Like, where does that come from?
• 1:02:15
  Speaker 4: Like I don't know. I mean, dude, to shake your hands,
• 1:02:19
  Speaker 4: make money with you. They like they drank with you
• 1:02:22
  Speaker 4: and your girl, hung out with you and your girl,
• 1:02:24
  Speaker 4: But as soon as it's.
• 1:02:25
  Speaker 2: Over with trust me, somebody on my ass.
• 1:02:30
  Speaker 4: It's really sad nasty. I was first, I was too
• 1:02:34
  Speaker 4: sensitive for that. I was like, then I can't believe
• 1:02:37
  Speaker 4: and I don't want to like curse everybody up. I
• 1:02:39
  Speaker 4: was like, oh, this is just this is just how
• 1:02:42
  Speaker 4: y'all move.
• 1:02:43
  Speaker 1: It's why you can't bring your girl outside. You're gonna
• 1:02:46
  Speaker 1: let her go outside by myself.
• 1:02:47
  Speaker 4: I've had dudes tell me that they've been where I've been. Man,
• 1:02:51
  Speaker 4: she like both we like you ain't no toning.
• 1:02:54
  Speaker 1: I was with her too word, Okay, why you tell
• 1:02:57
  Speaker 1: me that it's so weird.
• 1:02:59
  Speaker 2: It's a weird. That's why you gotta import your chick. Bro,
• 1:03:03
  Speaker 2: tell zac that.
• 1:03:04
  Speaker 4: Tell the truth. Come on, tell the truth, Zach. Go
• 1:03:07
  Speaker 4: on ahead say it now, the truth. Go ahead, Just
• 1:03:09
  Speaker 4: do what you do.
• 1:03:10
  Speaker 2: Man.
• 1:03:11
  Speaker 1: You gotta import your chick. You got an import. Bring
• 1:03:16
  Speaker 1: it in from where wherever? Not from here?
• 1:03:20
  Speaker 2: Okay, you gotta.
• 1:03:22
  Speaker 1: It might be a terrif on it, but you got
• 1:03:25
  Speaker 1: to import your chick because if you don't. Even if
• 1:03:31
  Speaker 1: you do, and they see it, that's gonna make it more.
• 1:03:33
  Speaker 1: Everybody's gonna want to get on it because they ain't
• 1:03:35
  Speaker 1: never seen it. You know what I'm saying. But you
• 1:03:37
  Speaker 1: gotta import and lock down nobody, nobody. So then if
• 1:03:43
  Speaker 1: it's you see any activity, you know it was on
• 1:03:45
  Speaker 1: your watch.
• 1:03:47
  Speaker 2: Okay, it sounds like to me, you know it was.
• 1:03:49
  Speaker 3: On your man.
• 1:03:50
  Speaker 2: Look, put them on that plank, sex traffic or whatever
• 1:03:55
  Speaker 2: you want to called. You'll want no holes if you
• 1:04:00
  Speaker 2: are dating. Import your chick. Now.
• 1:04:02
  Speaker 1: I don't know what she was doing out wherever she
• 1:04:04
  Speaker 1: was at. That ain't your business. They don't go after asking.
• 1:04:07
  Speaker 1: You don't know them, men, Yeah, okay, you don't know them.
• 1:04:11
  Speaker 2: Why did they so.
• 1:04:12
  Speaker 4: Many dudes from here get married like Zach got married
• 1:04:15
  Speaker 4: in Tennessee State at Ti Betty's Girl at Tennessee State.
• 1:04:19
  Speaker 4: Most dudes, especially when they leave here, they go to
• 1:04:23
  Speaker 4: college somewhere far away, they end up marrying a girl
• 1:04:26
  Speaker 4: from college because they don't have they.
• 1:04:27
  Speaker 2: Know what she being.
• 1:04:29
  Speaker 4: They know ain't it, ain't nothing they know when they
• 1:04:31
  Speaker 4: get back to the crib, everybody looking at this girl
• 1:04:33
  Speaker 4: like where you see her?
• 1:04:35
  Speaker 2: That is? I know so many dudes.
• 1:04:38
  Speaker 4: That were like, yo, bro, I love Chicago women. I
• 1:04:41
  Speaker 4: love them. I just man, I can't, I just can't
• 1:04:45
  Speaker 4: do it. I don't want to know what she been everything.
• 1:04:48
  Speaker 1: I don't want to know because you out with and
• 1:04:50
  Speaker 1: everybody laughing, everybody looking at she giving hugs. I don't
• 1:04:54
  Speaker 1: want if I go out with you and you're giving hugs.
• 1:04:57
  Speaker 4: Three of them, three three hugs, three good good promoter hugs,
• 1:05:05
  Speaker 4: like like.
• 1:05:08
  Speaker 2: Why you know them? I'm gonna say the one is funny,
• 1:05:12
  Speaker 2: the real funny one is the best. I forgive you.
• 1:05:16
  Speaker 4: You were like a baby meet me at why Bar.
• 1:05:20
  Speaker 4: I mean, how many is it you and your girls?
• 1:05:22
  Speaker 4: It's like you, I mean it's like four okay, cool, cool, cool,
• 1:05:25
  Speaker 4: cool all right, meet me there.
• 1:05:28
  Speaker 2: And then you get that text like, hey, I'm already
• 1:05:31
  Speaker 2: in somewhere else. That means somebody else done got to her,
• 1:05:36
  Speaker 2: that got him in.
• 1:05:38
  Speaker 4: But what it means is it's like you, like you
• 1:05:40
  Speaker 4: want to ask, it was crowded. How'd you get in?
• 1:05:43
  Speaker 2: Oh? I call?
• 1:05:44
  Speaker 4: I called little old, little omar got us in. Oh,
• 1:05:48
  Speaker 4: you call little oh, and he got y'all. That's why
• 1:05:50
  Speaker 4: you got to import Okay.
• 1:05:53
  Speaker 1: Shout out, shout out to a little old. But a
• 1:05:55
  Speaker 1: little little old got your chicken. Now you got to figure, oh,
• 1:06:00
  Speaker 1: I ain't letting you got Now you're wondering because you
• 1:06:05
  Speaker 1: don't you know, you know the killers this outside. You
• 1:06:08
  Speaker 1: got to be okay with that. You gotta be okay
• 1:06:11
  Speaker 1: with that. And that's a dangerous game to day.
• 1:06:14
  Speaker 2: Little oh, let your chicken. Yanks.
• 1:06:17
  Speaker 1: Man, I'm telling you, fellas, don't go. Don't go local baby.
• 1:06:21
  Speaker 1: I don't know, and I don't have a.
• 1:06:22
  Speaker 3: Lot of men, so if any of my friends end
• 1:06:24
  Speaker 3: up on one a man, it's a problem.
• 1:06:27
  Speaker 2: I got a lot of men, So that did I see.
• 1:06:34
  Speaker 2: I just want to let you know I'm on your head.
• 1:06:36
  Speaker 4: I tell you before we go, I tell us a
• 1:06:39
  Speaker 4: quick Little Old story shout out to.
• 1:06:41
  Speaker 3: It's a real person.
• 1:06:42
  Speaker 2: Yeah, it's a real person. I know it's that they
• 1:06:47
  Speaker 2: they're great people. Little Old it's me earlier night life.
• 1:06:52
  Speaker 2: Little Oh is way younger.
• 1:06:53
  Speaker 1: If you like my daughter, bro, my daughter's age probably
• 1:06:55
  Speaker 1: about three years older than I think, somewhere around there.
• 1:06:58
  Speaker 4: But Little Old like man, and I was like I'm outside.
• 1:07:01
  Speaker 4: I'm just you know, I'm out, and I'm like.
• 1:07:03
  Speaker 1: Man, I'm like yo, I'm like, man, that girl's this
• 1:07:07
  Speaker 1: girl is on me right now. I said, I ain't
• 1:07:10
  Speaker 1: gonna talk to her cause, you know, I kind of
• 1:07:12
  Speaker 1: talked to I kind of talked to this other girl
• 1:07:15
  Speaker 1: she in here.
• 1:07:17
  Speaker 4: Little Old took a drink, he said, tone. I said
• 1:07:21
  Speaker 4: what he said, Man, if you don't go talk to
• 1:07:25
  Speaker 4: that girl right now, talk to that girl. You trying
• 1:07:28
  Speaker 4: to be cool because this one over here, He was like,
• 1:07:31
  Speaker 4: you're gonna have to belie this rider shicking everybody.
• 1:07:34
  Speaker 1: Tone.
• 1:07:35
  Speaker 2: I was like, so, so what you doing? Go talk
• 1:07:39
  Speaker 2: to that girl? I was like, d I I.
• 1:07:43
  Speaker 1: Said, this young dude that taught me to know he
• 1:07:46
  Speaker 1: didne taught me to no rule of night life.
• 1:07:49
  Speaker 4: In one second. He just took a drink, he said,
• 1:07:51
  Speaker 4: he was so frustrated with me. You ever like see something,
• 1:07:54
  Speaker 4: I'm like trying to be cool.
• 1:07:55
  Speaker 1: I say, man, I don't want to make her feeling
• 1:07:57
  Speaker 1: type of way, so I ain't gonna say nothing over it.
• 1:08:00
  Speaker 2: He was like heartlessss. It was like everybody.
• 1:08:07
  Speaker 4: I was like, Oh, the worst thing is you want
• 1:08:10
  Speaker 4: to hear in the club all at once is a girl.
• 1:08:13
  Speaker 4: She was trying to be cool with and not hurt
• 1:08:15
  Speaker 4: her feelings that everybody.
• 1:08:17
  Speaker 2: So now you like, now you feel bad? You're like
• 1:08:20
  Speaker 2: all that night life interest. It's a nasty game. Shut
• 1:08:25
  Speaker 2: out a little. I've been at the whole club final thoughts.
• 1:08:29
  Speaker 2: Let's get out of here, my man. Hey y'all.
• 1:08:33
  Speaker 3: That's all I want to say, is he Hey y'all.
• 1:08:35
  Speaker 3: I see y'all in them comments.
• 1:08:36
  Speaker 2: I love y'all. Zach tired man. Y'all wore me out
• 1:08:41
  Speaker 2: this pot.
• 1:08:42
  Speaker 3: Because you be trying to argue when you be wrong
• 1:08:44
  Speaker 3: and no final thoughts.
• 1:08:45
  Speaker 2: You to calm down. The veins back in your head
• 1:08:47
  Speaker 2: and the veins back in my head. I'm tired, man,
• 1:08:50
  Speaker 2: you need a nap. Y'all wore me out. That's one.
• 1:08:52
  Speaker 1: Took a lot of energy out of me trying to
• 1:08:54
  Speaker 1: devent these young I don't even listen to right.
• 1:09:00
  Speaker 2: All right, y'all, we gotta here. Remember catch us tomorrow.
• 1:09:03
  Speaker 1: We will be potting tomorrow and also the shade room
• 1:09:06
  Speaker 1: on Thursday. Welcome to it, boy, you got all these
• 1:09:09
  Speaker 1: pot days, potfam. With that being said, what more can
• 1:09:12
  Speaker 1: we say