Latest / Corie Sheppard Podcast / Episode 161 | Originator

Transcript

Episode 161 | Originator · Corie Sheppard Podcast

• 0:20
  Speaker 1: My name is Lord Shoti and my band is the Vibrations of the National.
• 0:25
  Speaker 1: We want to introduce you to a brand new musical song called Soka, the Soul of Calypso.
• 0:30
  Speaker 1: This is our own creation and I hope you like it.
• 1:00
  Speaker 2: The change, the accent of Carnival to a goofy, goofy bacana.
• 1:05
  Speaker 2: We're in expressing the old feeling do needs changing.
• 1:13
  Speaker 2: Wake up people, examine your minds, get with it.
• 1:20
  Speaker 2: Get with it the change of the times.
• 1:22
  Speaker 2: It's a new generation and less vibrations.
• 1:26
  Speaker 2: Get your hands up, come to me.
• 1:57
  Speaker 2: Oh baby, come with me.
• 1:59
  Speaker 2: Why is Carnival wine made for the love?
• 2:04
  Speaker 2: Change your musical structure make it super sweeter.
• 2:19
  Speaker 2: Change your musical structure, make it super sweeter.
• 2:27
  Speaker 2: Get with the feeling.
• 2:39
  Speaker 2: It's so exciting.
• 2:41
  Speaker 2: Come to me, oh baby come with me.
• 3:25
  Speaker 3: Welcome to episode 161 of the Corey Shepard podcast.
• 3:29
  Speaker 3: Welcome back Nice to have all the old lady voice there.
• 3:32
  Speaker 2: Boy To this across the show, check out the scene, take a side, take a side.
• 3:50
  Speaker 2: The music is me.
• 3:51
  Speaker 2: Can you dig it, brother?
• 3:53
  Speaker 2: Get it all together right on, right on, right on, right on, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, let's get on.
• 4:13
  Speaker 2: Come to me, oh baby, jump with me.
• 4:24
  Speaker 2: Come to me, oh baby, run with me.
• 4:28
  Speaker 2: Why is Cannibal's time?
• 4:33
  Speaker 2: They back on out Betting Cannibal's Sunday night.
• 4:45
  Speaker 2: Don't take no blues, don't take no fright.
• 4:49
  Speaker 2: Hey, my wildin' Lord reprims him.
• 4:53
  Speaker 2: Rock your baby, rock your baby, come to fight him.
• 4:57
  Speaker 2: Music so bad, force you here.
• 5:01
  Speaker 2: Rock your boat, rock your boat, rock your ship.
• 5:07
  Speaker 2: It's really out of sight, makes you feel like dynamite Right on right on, right on, right on.
• 5:15
  Speaker 2: Le le, le, le, le le le le.
• 5:23
  Speaker 3: Welcome to episode 161, I tried that already but I couldn't stop it.
• 5:26
  Speaker 3: Welcome back to everybody who's been listening, welcome to all the new listeners and thank you for tuning in.
• 5:31
  Speaker 3: We're back in again.
• 5:32
  Speaker 3: All they find we're going.
• 5:33
  Speaker 3: It's not exactly Tuesday, but we hear it right, it's a Tuesday proxy.
• 5:39
  Speaker 3: You know what I mean.
• 5:40
  Speaker 3: If you didn't hear this on Tuesday, it's because something wrong with your dial on your TV, right, fix it and you should get it podcast every Tuesday morning.
• 5:48
  Speaker 3: But welcome back to everybody.
• 5:49
  Speaker 3: I'm glad to be here.
• 5:51
  Speaker 3: I always want to just start by saying thanks for everybody, all pouring of support and love and concern and everything for my sister, and she's putting up a dangerous fight.
• 6:01
  Speaker 3: You know what I mean.
• 6:02
  Speaker 3: She's fighting a good fight.
• 6:03
  Speaker 3: So I opened this episode with something that I should have done a month ago With a man by the name of Lord Shorty.
• 6:11
  Speaker 3: Right, for the purposes of this discussion, there's a difference between Lord Shorty and Raz Shorty.
• 6:18
  Speaker 3: I right, I'm going to be dealing with Lord Shorty today now, because the beginning of Calypso's history month is also the birthday of Lord Shorty.
• 6:25
  Speaker 3: Maybe that's why it's Calypso's history month.
• 6:27
  Speaker 3: It's 6th October, right, but we missed so much an episode in October that it's only right that we fall back in a groove here.
• 6:34
  Speaker 3: So, coincidentally, while I'm trying to figure out what to do with this next episode because, as I tell all you, I struggle to keep up with the news and everything for a few reasons these days, right, it's hard to watch the papers and see what's coming up.
• 6:46
  Speaker 3: So every time I study what to record, I'm like but wait, I know I have many country of it last week, so you know I go always default to the culture, right.
• 6:53
  Speaker 3: But it's always a nice feeling when somebody who is listening to this podcast Send me something that is right up my alley and could be used and cause me to redirect and reconstruct the whole episode for this week.
• 7:07
  Speaker 3: So I want to thank my guy Robbie, who is one of the first people, coincidentally, whoever, whoever met in person, who told me that they listened to the podcast and they enjoyed it and all that.
• 7:17
  Speaker 3: So I appreciate them words, and he sent me something this week that guide me right back to where we supposed to be.
• 7:22
  Speaker 3: We supposed to be talking about people like Shorty and them.
• 7:24
  Speaker 3: You know what I mean.
• 7:24
  Speaker 3: We have some news to sprinkle in the mix, but this is really an episode for the great Lord Shorty.
• 7:29
  Speaker 3: So Robbie sent me this journey week.
• 7:31
  Speaker 3: Right, I want to listen to this because I always talk about the fact that While people complain about Soka music today and they say I mean I always use the example of my uncle, neville who say David rather singing ballad, or at some point I will get to play for a pretend a song where he praising David rather, when my father used to tell me, pretend that I'm casting when David rather playing in intent that the men see it as not authentic Calypso.
• 7:57
  Speaker 3: And my view is always.
• 7:58
  Speaker 3: Calypso has always reflected the popular music of the day.
• 8:02
  Speaker 3: Calypso has never stale.
• 8:03
  Speaker 3: It was never out of date.
• 8:04
  Speaker 3: It was always up to date.
• 8:06
  Speaker 3: It was keeping up with the sound of the world.
• 8:08
  Speaker 3: Right, and maybe that is an unfair thing to say.
• 8:11
  Speaker 3: Maybe it might be more fair to say Calypso was influencing the shape of world music and it continues to do that up to today.
• 8:19
  Speaker 3: So this is a good example of Calypso's influence.
• 8:23
  Speaker 3: I remember talking here about Calypso's influence on reggae music and Lord, lord the creator, and Vito, I will get that right at some point but again, the amount of people who contributed in the early days to reggae music.
• 8:38
  Speaker 3: And what is this?
• 8:39
  Speaker 3: So Robbie sent me this and I want to take this clip that I was going around and take a look at it.
• 8:43
  Speaker 3: I hope that YouTube don't put longness.
• 8:45
  Speaker 3: The man who do this know how to do this because he plays these songs real quick, but this has some wildly popular international music.
• 8:52
  Speaker 3: So sorry if you're watching this on YouTube.
• 8:54
  Speaker 3: Well, you didn't know this part play it, so let me just play it, right?
• 8:57
  Speaker 3: What?
• 8:59
  Speaker 4: is this groove called?
• 9:00
  Speaker 4: I don't know why I'm surviving every lonely day.
• 9:03
  Speaker 4: It's a unique hybrid of disco and Latin and it was only used in a handful of songs from the 70s.
• 9:10
  Speaker 4: So I like to know when you got the notion, there were variations of it, without those upbeat Tom hits.
• 9:18
  Speaker 4: Her name was Lola, she was a showgirl, but those upbeat hits were always implied You'll never find.
• 9:26
  Speaker 4: So if you know of any other songs with this type of groove, please comment.
• 9:32
  Speaker 4: And, more importantly, I'm trying to find out.
• 9:34
  Speaker 4: What is this groove called here I come from.
• 10:02
  Speaker 4: I like music, yeah, which sounds similar to the ways that disco and pop and beyond seem to incorporate this rhythm.
• 11:03
  Speaker 3: So I'm trying to find out who is experimenting with these songs and doing something different with these songs.
• 11:07
  Speaker 3: Who is to say that somebody not watching them and coming up with what is the new wave in acrobatics or disco or R&B or hip hop or wherever it might be?
• 11:15
  Speaker 3: So salute to my guy Robbie, first and foremost, for sending me this.
• 11:18
  Speaker 3: And whoever this guy is, I wish I could have told you his name but me.
• 11:21
  Speaker 3: And no one named him.
• 11:21
  Speaker 3: I don't know he take talk or nothing like that, but you hear straight from him.
• 11:26
  Speaker 3: So I want to touch a couple of these songs now because, again, lord Shorty was A very nice person who created Soka music and the word Soka originated from what he called soul of Calypso.
• 11:40
  Speaker 3: So that soul of Calypso got shortened into Soka over time.
• 11:43
  Speaker 3: And when you hear him talk about creating Soka music or creating a sound, he was talking a lot about blending Indian music with Calypso music at the time.
• 11:55
  Speaker 3: One of the first songs he talked about that responsible for that disco groove, or the first time somebody could identify that disco groove being used, and this song is Sweet Music by Lord Shorty.
• 12:48
  Speaker 2: Soka music I can't play, I can't write Music, music.
• 13:00
  Speaker 2: Yet every day and every night.
• 13:04
  Speaker 2: I created my system is rhythm, simplicity and melody.
• 13:15
  Speaker 2: My tunes are happy and the music's sweet.
• 13:19
  Speaker 2: If you don't like the melody, you'll take the beat.
• 13:23
  Speaker 2: I make music, sweet music.
• 13:31
  Speaker 2: I'm feeling your mind and your body.
• 13:33
  Speaker 2: This music, music, music, sweet music.
• 13:38
  Speaker 2: Okay, no matter what you say or move, the music goes from music to music.
• 13:47
  Speaker 3: Yeah, oh, sweet music.
• 13:51
  Speaker 3: When watching news for the week, you just play music, sweet music, oh, sweet music.
• 14:09
  Speaker 2: Sweet music, sweet music.
• 14:15
  Speaker 2: I try to be totally musical Music.
• 14:24
  Speaker 2: That's why, you see, I'm super sensational.
• 14:30
  Speaker 2: Sweet music.
• 14:32
  Speaker 2: This spirit of music possesses me entirely, bringing out naturally from within my soul, sweet music.
• 14:45
  Speaker 2: I'll have money from beyond this world.
• 14:48
  Speaker 2: I make music.
• 14:51
  Speaker 2: Yeah, sweet music.
• 14:56
  Speaker 2: I'm feeling your mind and your body, this music, music, music, sweet music.
• 15:03
  Speaker 2: Yeah, no matter what you say or move, the music goes from music to music.
• 15:10
  Speaker 2: Yeah, sweet music, sweet music, sweet music, sweet music, sweet music.
• 15:39
  Speaker 2: Revolution in the soul is my goal.
• 15:46
  Speaker 2: A rhythm for the young and the old, sweet music While sitting, exciting Music to jump, music to run, any time or anywhere where my music plays.
• 16:08
  Speaker 2: You've got to learn and learn.
• 16:10
  Speaker 2: Make your movements sway.
• 16:12
  Speaker 2: I make music.
• 16:14
  Speaker 2: Yeah, sweet, sweet music.
• 16:19
  Speaker 2: Feel your mind and your body, this music, music, music.
• 16:24
  Speaker 2: Yeah, sweet music.
• 16:27
  Speaker 2: No matter what you say or move, this music, music, music, yeah.
• 16:36
  Speaker 2: Sweet music, sweet music.
• 16:45
  Speaker 3: So it might be unfair to me to always talk about Something creating Calypso and Calypso keeping up, calypso leading the way and then keeping up.
• 16:52
  Speaker 3: So I want to play a couple of them too, where you could hear for yourself Shorty efforts to fuse the Indian music with the Calypso music.
• 17:02
  Speaker 3: They have a few of them like.
• 17:04
  Speaker 3: This is one of the more popular ones that they did right.
• 17:06
  Speaker 3: This one is in Durrani.
• 17:30
  Speaker 2: Music, music, music, music, music, music Music.
• 18:37
  Speaker 2: She's so persistent, like a rare spoiled brat.
• 18:42
  Speaker 2: Maybe it's love she wants, but I feel she do hold for that.
• 18:45
  Speaker 2: But the impasses on the world lay low to me.
• 18:49
  Speaker 2: Sing to canuses some suggestivity.
• 18:53
  Speaker 2: She really just an honest, clean.
• 18:56
  Speaker 2: It's obvious she won't be offcy Bro this bustin'.
• 19:00
  Speaker 2: He an ex-song in Trani, that's it people hear she.
• 19:33
  Speaker 3: You can hear the tabla and the inclusion and not just the melody but the instrumentation itself, where you start to fuse that Indian music or what would be traditional Indian instruments with the traditional calypso band, right.
• 19:46
  Speaker 3: But this is a song where, to me, the blend of it was, but can't mean that when you listen to Indrani Indrani song closer to Indian music than anything.
• 19:54
  Speaker 3: You know, when you're experimenting with that sound, sometimes it will go too far left, sometimes it will come too far back right.
• 20:00
  Speaker 3: But if I had to choose a song that was right down the middle in terms of a perfect fusion, and now there's nothing that isolates it to you.
• 20:10
  Speaker 3: You remember the other video on TV where Mangal Patissar was playing with David Ruther singing.
• 20:14
  Speaker 3: You know, the thing now is not seen as a fusion or anything they say, but it's just what he wants to create.
• 20:20
  Speaker 3: He just creates soka music and now it's seen as its own thing.
• 20:23
  Speaker 3: You can hear the influences of both genres of music pulling at each other as you go through any soka song from almost any era since Shoti would have come out.
• 20:32
  Speaker 3: So this one I find to be one of the earlier ones that had a perfect blend.
• 20:37
  Speaker 3: Name of it is Call of Canaveral music All night long.
• 21:11
  Speaker 2: You shake, smoking Shorty.
• 21:14
  Speaker 2: Please, shorty, Tell me what is wrong, honey.
• 21:19
  Speaker 2: Oh boy, yeah, I think I'm going insane.
• 21:24
  Speaker 2: I got a catch on the aeroplane.
• 21:26
  Speaker 2: I'll go back to the water spring.
• 21:29
  Speaker 2: This time of year is cannabalus, and in that you must stay in central mass.
• 21:34
  Speaker 2: I'm going to take it with me, cannabalus.
• 21:40
  Speaker 2: I'm going to jump in the swimming in the game Woman, I'm going to take it with me.
• 21:45
  Speaker 2: I'm going to take it with me.
• 21:49
  Speaker 2: I'm going to jump in the kewite.
• 21:54
  Speaker 2: Music play voices, sing Glemas, Glemas Estanama, Glemas, Glemas Estanama.
• 22:05
  Speaker 2: You made me so happy, Treating me like a VIP.
• 22:30
  Speaker 2: For this reason I've chosen.
• 22:34
  Speaker 2: If I'm in Scarlet Soul season, oh God stay.
• 22:40
  Speaker 2: Can I have a little break?
• 22:42
  Speaker 2: It is like a burning flame, Darling, how can I explain?
• 22:46
  Speaker 2: Can I have all my gear?
• 22:48
  Speaker 2: I know you don't understand, but watching it, darling, it's an obsession.
• 22:53
  Speaker 2: You see, girl, it's a banana, oh God, man, a banana.
• 22:57
  Speaker 2: When I jump in and I waning and I'm getting some woman, A banana, oh God, a banana.
• 23:05
  Speaker 2: Man, woman and child Jumping like a wild Music playing voices, Singing Glemas, Glemas Estanama.
• 23:43
  Speaker 3: You had to respect the effort to even try that.
• 23:46
  Speaker 3: And when you hear it there, you could literally hear him Taking two different genres of music and playing it together and look where it lead us to today.
• 23:54
  Speaker 3: So I get grateful again to Roy Robbie For pointing this out and guiding me right back to a shorty kind of episode.
• 24:02
  Speaker 3: And sometimes you had to do cleanup.
• 24:04
  Speaker 3: So cleanup on aisle 5, right, because I am a man of peace.
• 24:09
  Speaker 3: Right, I like a household and very peaceful and nice and everybody happy and hunky-dory.
• 24:15
  Speaker 3: Right.
• 24:15
  Speaker 3: And while I spent much time Away from this recording device and trying to figure out how to record and those things and I made much notes over the time and attempted to record many times, I was saying last week that I'm very, very grateful Because my wife is always she don't pressure me too much but she's just checking how I record and the podcast, how I go More, more like to check in on how I go.
• 24:38
  Speaker 3: And after having recorded last week the house wasn't so peaceful.
• 24:41
  Speaker 3: I get bad up, as usual.
• 24:44
  Speaker 3: This is something nice, right, the people who love the most Is pretty worse sometimes, you know, because this is not the first time that somebody Closes, people come to man's say.
• 24:54
  Speaker 3: So what happened?
• 24:56
  Speaker 3: You come in and talk about shorty birthday and you talk about your wife's birthday on the podcast and she's like oh lord, oh lord.
• 25:02
  Speaker 3: So I get this from my mother Before, now again from Stacy, so there's nothing that could Spilt milk, right?
• 25:10
  Speaker 3: But while we're talking about shorty, I just wanted to be known that the absence of acknowledgement Should never be taken for the absence of love, and there's nobody better Than shorty, because I want to say this too.
• 25:23
  Speaker 3: Before I go too much deeper into this episode, I want to say, please, I do not usually do this, but I want you all to know that this episode Is rated heavily on PG, right, heavy parental guidance and children listening to these things, right, this is a PG.
• 25:39
  Speaker 3: And if you want to know when to caulk the children, I will remind you when to caulk the children.
• 25:44
  Speaker 3: But they have something here that children should not be exposed to.
• 25:48
  Speaker 3: I put them on the disclaimer out there, up front.
• 25:50
  Speaker 3: But again, you can't go back in time, you can't fix, but you must always know that the love is there.
• 25:57
  Speaker 3: And I want to borrow some lyrics From a man like shorty when you talk about great lyricists and man who know how to fix things in relationship.
• 26:04
  Speaker 3: Who better than shorty?
• 26:05
  Speaker 3: Who better than shorty to take my alternatives?
• 26:08
  Speaker 3: More ass that I put myself in here To honestly happy birthday, my love, happy belated.
• 26:13
  Speaker 3: We're gonna celebrate again.
• 26:14
  Speaker 3: I want to say in advance happy anniversary To me and my love, because I say in that in advance Just in case the week after the anniversary it didn't make the final cut, but I would like to play this song.
• 26:26
  Speaker 3: Well, it caulk allayers to all those Children and adults.
• 26:29
  Speaker 3: This is just between me and my wife, right, and this song is dedicated to you.
• 27:04
  Speaker 2: Oh, what a woman, a friend, a lover In a million.
• 27:20
  Speaker 2: That's what you are, girl.
• 27:25
  Speaker 2: Thinking of you Erases All Of my loneliness.
• 27:43
  Speaker 2: You are the sum of my happiness.
• 27:47
  Speaker 2: Oh so, baby, this song is just for you, every one.
• 28:12
  Speaker 2: This song Is just for you Whenever you make trouble.
• 28:24
  Speaker 2: And blue Just sing this song.
• 28:28
  Speaker 2: I made for you.
• 28:30
  Speaker 2: Sing it baby La la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la la.
• 28:42
  Speaker 2: You make me feel.
• 28:50
  Speaker 2: About ten feet tall oh darling, darling.
• 29:05
  Speaker 2: Almost naturally, here you bring out the very, the very best in me.
• 29:24
  Speaker 2: Oh, that's what you do together.
• 29:30
  Speaker 2: How, how can I help?
• 29:36
  Speaker 2: But for now, for now, oh baby, this all is just for you.
• 29:53
  Speaker 2: Yeah, this little song of mine Is just just just for you.
• 30:01
  Speaker 2: Whenever you're feeling trouble, trouble, blue Baby, just sing this song I made for you.
• 30:13
  Speaker 2: Oh, sing, sing, sing, yeah, yeah, yeah, yeah, yeah, yeah, I love I love, I love, I love you, yeah, yeah yeah, yeah, yeah, yeah, I'm gonna, I'm gonna, I'm really gonna, Just wanna make some for you.
• 30:51
  Speaker 3: I love you and happy birthday and happy anniversary.
• 30:53
  Speaker 3: Go get your anniversary part right.
• 30:54
  Speaker 3: There was no raps or no confusion Peace.
• 30:57
  Speaker 3: Now listen, before I even get into much of the news this week, too, it has something that I had to touch on right.
• 31:05
  Speaker 3: This is something that took over social media and is sad news.
• 31:08
  Speaker 3: That happened during the course of this week, where we saw our accident claim the life of 96.1 DJ, clyde the Outlaw.
• 31:16
  Speaker 3: Sad news.
• 31:18
  Speaker 3: Condolences to his family, first and foremost, and to his entertainment family, which seemed to be huge.
• 31:24
  Speaker 3: His impact cannot be denied and you saw it all over social media over the last few days and I can imagine the way his family feels.
• 31:33
  Speaker 3: I could see some of his coworkers.
• 31:34
  Speaker 3: I was watching Goofy.
• 31:35
  Speaker 3: Now listen.
• 31:38
  Speaker 3: Almost everybody who you follow in entertainment could tell you directly how they were affected by Clyde and, more importantly, how they live with Clyde and how they lie and say umboe in it.
• 31:51
  Speaker 3: Everybody who I know in entertainment.
• 31:53
  Speaker 3: Now, this is not somebody that I ever met, clyde the Outlaw, gemma.
• 31:56
  Speaker 3: I never met him personally, but it's a name that we all know.
• 31:59
  Speaker 3: He's been on radio since forever.
• 32:01
  Speaker 3: The first time I know about Clyde the Outlaw was really coming from Dong Tong Outlaw's days.
• 32:06
  Speaker 3: He was one of the DJs who come out under Dong Tong Outlaws.
• 32:09
  Speaker 3: And then there was Cassette Times right.
• 32:12
  Speaker 3: So as a man in the West I used to get my Cassette and thing more so, from Chinese laundry first, I suppose Johnny Q's extent.
• 32:20
  Speaker 3: When Johnny Q was a youth, chinese laundry was time to become a going to be rich teenage years.
• 32:24
  Speaker 3: Chinese laundry was done well, established as a DJ.
• 32:27
  Speaker 3: So Johnny Q came out on them and we used to get him the Johnny Q mixes and things with our kind of music.
• 32:31
  Speaker 3: But people who lie in Dong Tong and think no Dong Tong Outlaws, they know where the location is like people can remember opposite the jail they were there used to be on the corner, though, and people in the East used to get a Cassette from Juice Crew and that was the vibe, that whole Dong Tong Outlaw who says Juice Crew and Chinese laundry.
• 32:47
  Speaker 3: That's what Maxis and them used to play throughout the time.
• 32:50
  Speaker 3: So Yellow Band Maxis, I know, will be playing Chinese laundry mixes.
• 32:53
  Speaker 3: I mean, it's usually mixed up at a point in time, but men from the East coming down with the Juice Crew and in Tong it was really Dong Tong Outlaws running it, and that's when I started to know about Clyde the Outlaw coming up under them and just to me.
• 33:05
  Speaker 3: Ever since they had Urban Radio, clyde the Outlaw was always on Urban Radio.
• 33:11
  Speaker 3: I'm not sure if he was always with 96.1, like I have a faint memory of maybe him being on 98.9.
• 33:18
  Speaker 3: I could be wrong about that, like I read intro articles and I've not seen that anywhere, but that's somebody go help me with that or if he started off since they launched 96.1 and stay with them all over the years.
• 33:28
  Speaker 3: But it seems as though every single person in entertainment would have worked with him when there's in the radio station itself, like Charles Goofy or Stacy Wastelma, richard Trump, it, and they were talking about him too, and their experiences in working in parties annually and you're seeing him are wrong.
• 33:48
  Speaker 3: So let me just read from the news there real quick for those of you who might know him, just to give you some insight into what happened.
• 33:58
  Speaker 3: He would have been playing at a party in 0.40 and I think, coming back from the accident that proved to be fatal, and you know I sensitive about this now and these things are not going to turn this podcast into accident coverage thing, but these things bothering me more than it would usually bother me.
• 34:15
  Speaker 3: Now they say who feels it knows right.
• 34:17
  Speaker 3: So this from the news day, from Yvonne Webb.
• 34:21
  Speaker 3: They say Paul Lighting and an adequate signage might have factored in the accident on the newly opened 0.14 highway that claimed life for popular radio DJ Clyde Gemmott, better known as Clyde the Outlaw.
• 34:31
  Speaker 3: On Sunday morning In a video of the accident posted on social media showing the mangled wreck and Gemmott's body lying on the ground no one knows why they do this.
• 34:38
  Speaker 3: Voices in the background spoke about the Paul Lighting around the Guapo roundabout where the crash happened.
• 34:42
  Speaker 3: 0.14 MP Kennedy Richards Jr said he had heard the complaints about adequate Lighting and signs and communicated with works and transport rants in and and ministers suppose rants in and and before Sunday's accident.
• 34:54
  Speaker 3: The death of the DJ has prompted him to act urgently and take a trip after dark to see for himself.
• 35:02
  Speaker 3: Boy, listen, we have some issues in this country.
• 35:05
  Speaker 3: Sometimes Israeli behave too well and also the death of the DJ has prompted him to act urgently and take a trip after dark to see for himself the death of the other people who died there before this was complaining about the same thing.
• 35:17
  Speaker 3: When this road opened, you didn't feel like you should take a trip.
• 35:20
  Speaker 3: Then it's like the same thing we talk more about in the junction by Makoya.
• 35:25
  Speaker 3: There, when you're crossing from Makoya, if you're coming from the highway and heading onto the bus through the scene, more and more accidents at the same location and it's like there's life.
• 35:33
  Speaker 3: And let me talk about it.
• 35:34
  Speaker 3: Sometimes, one day, if we know it's real people who deal with unreal families who are affected by these things, the roundabout is temporary.
• 35:41
  Speaker 3: Once permission is given to cross the pipeline, that roundabout will no longer exist.
• 35:45
  Speaker 3: Temporary or not, there should be adequate lighting and signs to indicate a roundabout ahead.
• 35:49
  Speaker 3: It was a straight road before.
• 35:51
  Speaker 3: This song is like a planning meeting.
• 35:56
  Speaker 3: Right, in a planning meeting, you'll say we should put adequate lighting because this was a straight road and it's a roundabout.
• 36:03
  Speaker 3: This can be what we're discussing after the fact.
• 36:06
  Speaker 3: Somebody quoted here saying once you reach up, there is not easy to stop, especially if you're unfamiliar with the area or the light is bad.
• 36:12
  Speaker 3: I would like to think that if this is a newly opened highway, everybody is unfamiliar with the area.
• 36:18
  Speaker 3: Anybody would be unfamiliar with a new highway.
• 36:20
  Speaker 3: Somebody says I've missed it before, but I'll go there.
• 36:24
  Speaker 3: This minister is ranting and I'm talking a doubt.
• 36:26
  Speaker 3: He said I may have missed it before, but I'll go there at nightfall to see my 50 for myself and if so, it's something the ministry of works will have to address with the agency Brother you still talk about.
• 36:36
  Speaker 3: If so, in response to a fatal accident.
• 36:39
  Speaker 3: And let me just read something from before when is this article now?
• 36:45
  Speaker 3: This article is only 14th of October 2023.
• 36:51
  Speaker 3: Headline from Carolyn Kisun and he expresses to die and crash as new highway opens.
• 36:56
  Speaker 3: As a picture of the same roundabout where Clyde lost his life.
• 37:01
  Speaker 3: Two people killed in a head-on collision along the Solomon Ho Choy Highway extension to 0.14 on Friday night.
• 37:08
  Speaker 3: The incident occurred shortly before midnight along the Labrador 0.14 segment of the highway, which will officially open this morning.
• 37:14
  Speaker 3: Two people died at the scene, while two others were taken to hospital in serious condition.
• 37:18
  Speaker 3: Days again, october 14th 2023.
• 37:21
  Speaker 3: Fast forward to today.
• 37:23
  Speaker 3: You're listening to this on the 29th of November, as early as when this was published.
• 37:28
  Speaker 3: My boy, how much nights it had between the 14th of October and the 28th of October for a ranting and an antipass on there.
• 37:35
  Speaker 3: How much nights only Confirm it and terminate it.
• 37:38
  Speaker 3: It can be that this is the way, but we have a nonchalant way that we deal with life and limb and these kind of accidents.
• 37:45
  Speaker 3: And I was saying the other day right to somebody and I don't like to come here and talk about crime, but they have a few crime things we had to talk about today.
• 37:52
  Speaker 3: Right, we not only reactive to these things and when something major happens we react but we get so desensitized to domestic violence and murder, suicide and gang related crime and people get shot up and major road accidents that the only things that rise to the top in terms of where people want to take action, unfortunately, is when somebody very young and good looking died.
• 38:21
  Speaker 3: You see, if you're very young and good looking and you die by any one of them three things, whether it's domestic violence, regular crime or gang related thing and you get shot innocent or you're getting a bad accident, the country is going to operate.
• 38:34
  Speaker 3: If you're very good looking as a person, you're pretty or handsome, it will rise to the top.
• 38:42
  Speaker 3: And then the second instance is when you're very, very popular.
• 38:45
  Speaker 3: Just last week I told somebody this and I'm not talking about you know me, I talk more myself, right, I talk more me and you and I talk more.
• 38:52
  Speaker 3: No government or nobody like that.
• 38:53
  Speaker 3: We tend to desensitize and I myself disconnect from the news a little bit, but when somebody very good looking or very popular, it comes back to the fore.
• 39:04
  Speaker 3: All when it hits home right, like for me, it's time to become a reality.
• 39:07
  Speaker 3: Like I started to see the dangers on the road more than ever.
• 39:11
  Speaker 3: I was talking to my father this week about that North South Highway.
• 39:15
  Speaker 3: Forget the 0.14 extension right, the regular highway that you're going from North to South.
• 39:20
  Speaker 3: Forget.
• 39:20
  Speaker 3: Forget even the extension that going down by C3.
• 39:23
  Speaker 3: The earliest version of that highway I know you had the end of the highway was when you turn back by Sando Tech, the way it's UTT, now right.
• 39:31
  Speaker 3: And since I know that highways have a ditch down the middle of the highway from North to South, all the way down the road is a ditch in the middle right, and I remember going down there as a child of my father and being in the backseat going down with him.
• 39:44
  Speaker 3: I must be, I must be Zachary, aged 10 years old, probably even less than that, and I always remember them days being frightened in the back of the car when you reach a certain part of the highway.
• 39:54
  Speaker 3: The best I could remember now it seems to be just before you reach where you could see the flame, or used to see the flame by Petrotrin right, largely because the ditch was on one side, and then it looked to me like a cliff on either side of the highway, whether you're going North or South.
• 40:12
  Speaker 3: It looked like a sharp drop off and I thinking as a child in my own naive mind, this could be bad, because any mistake here you're gone, and I mean as a child, never drive, not know, never see an accident or anything like that.
• 40:26
  Speaker 3: That area just seems scary.
• 40:29
  Speaker 3: Now, in talking to Daddy about this, he was saying how much years now that highway there?
• 40:34
  Speaker 3: If budgets are constrained because they have all kinds of devices that you see all over the place to help keep people on your accidents going to happen, the sad reality is that you see mankind, I can't wait for self-driving car.
• 40:49
  Speaker 3: When you see the bring self-driving car here, I want one and I want everybody to invest in one too, so that we could be, because there will be a generation that comes after us that went to marvel at this fact that we used to get in car accidents and it used to be fatal and them kind of think they'll be like what all you used to do, that that was something like mumps and thing killing people and and and smallpox.
• 41:10
  Speaker 3: It was on the same way to them.
• 41:11
  Speaker 3: As a matter of fact, I was at the Donner Tor in a place called the Institute of the Future in San Francisco, and they were saying that self-driving cars definitely going to take over and people not going to buy cars anymore.
• 41:23
  Speaker 3: They will more subscribe to get the rides that they need wherever they need to be, because the point of owning a car will be reduced once you have self-driving right.
• 41:31
  Speaker 3: And one of the main things they were looking at is what industries would be affected when there are no more fatal accidents.
• 41:38
  Speaker 3: And one of the biggest problems, they say, is that it's not going to have enough organs to donate because they are dependent on young, able-bodied people dying, which don't happen.
• 41:46
  Speaker 3: If you're young, able-bodied, they're going to live right.
• 41:48
  Speaker 3: But people like that are who they are to make up the most organ donors and they mostly come from car accidents.
• 41:54
  Speaker 3: So they them people in the Institute of the Future.
• 41:57
  Speaker 3: They do studies where they try to figure out what are tomorrow's problems to feed Silicon Valley so that they could create solutions and be early in business, right?
• 42:05
  Speaker 3: So the whole concept of people crashing and dying, getting dismembered and them things, that's gonna be a part, I think, of the past.
• 42:16
  Speaker 3: I can't wait for that day because I can't drive too well.
• 42:19
  Speaker 3: I'm not so great at that driving thing.
• 42:21
  Speaker 3: I drive in Miss Daisy himself.
• 42:23
  Speaker 3: Right, I can't see so well.
• 42:25
  Speaker 3: I was at the left side.
• 42:26
  Speaker 3: The left side is a problem, like if you're crossing by me and you're on the left side coming across, better, make some kind of noise where I could hear you.
• 42:33
  Speaker 3: The hearing girl is on my side.
• 42:35
  Speaker 3: They're great.
• 42:35
  Speaker 3: So when you look at the fact that human errors or SU accidents will happen, people go and drink a little more than they think they could use, like you know what I mean.
• 42:47
  Speaker 3: They think I don't want to be able to do nothing.
• 42:49
  Speaker 3: My go drive when they're sleepy.
• 42:51
  Speaker 3: Somebody go leave late and be speeding to go somewhere.
• 42:53
  Speaker 3: These things are going to happen once humans still in control of cars.
• 42:58
  Speaker 3: So the point that he was making is why did they have either the galvanized barrier or something that prevents you from making small accidents into major life threatening things?
• 43:10
  Speaker 3: Because if your car wheel hit that grass, you go and don't even ditch any highway and then it's all hell break loose.
• 43:16
  Speaker 3: You don't know if you're going to live or die.
• 43:18
  Speaker 3: I've seen many, many accidents on the northbound, in the highway and particular parts to where somebody lose control and they they didn't end up in the ditch in the middle, they end up on the left side of the highway and don't even bush and hit tree and hit.
• 43:30
  Speaker 3: That is crazy, that we just go about life like normal and it's almost like if it happened.
• 43:36
  Speaker 3: It happened and everybody feel like a driver.
• 43:39
  Speaker 3: But if you feel as a best driver, everybody feel they can hold a liquor, everybody have a theory and trend out about what make them comfortable doing these things and it's just sad to see that we do it.
• 43:49
  Speaker 3: So that he was saying if they had bill just a half mile every year, you know what I mean Do a mile a year, if you could just do, if budget is a problem or you look at what they had done and I saw that driving.
• 44:04
  Speaker 3: Or believe somewhere in Georgia where they do this cable system, if you, you know the cable system right, they put it down and I decided the highway, the cable system designed to break it, designed to breaks the last of the car and keep your on the road.
• 44:16
  Speaker 3: So keep the car on the tires, hopefully right when you have your best chance.
• 44:20
  Speaker 3: And now any little bongs and hit that cable is two, three months for them to fix it back.
• 44:28
  Speaker 3: If they fix it back, it looked like no, they give up on it.
• 44:31
  Speaker 3: The cables just lined down on the ground from all the way after Shagona's, all the way to just before San Fernando, all the cable and them just laje on the ground.
• 44:40
  Speaker 3: They're not serving any people.
• 44:41
  Speaker 3: And, matter of fact, it might be more dangerous now because the cable might help your car to topple into the ditch in the middle.
• 44:48
  Speaker 3: And then he is wondering, like the again, I don't like this idea of coming on to the government and the government.
• 44:55
  Speaker 3: But the thing is we who got to do something about it.
• 44:57
  Speaker 3: But a part of it is electing officials who you trust to appoint people like Rohan Sinanan who's saying well, I will come down any night.
• 45:07
  Speaker 3: You need to come down at night.
• 45:09
  Speaker 3: The people don't tell you why.
• 45:10
  Speaker 3: It's just happening already.
• 45:10
  Speaker 3: We mean, you need to come down any night as a minister to see for yourself for something to happen.
• 45:16
  Speaker 3: So after these accidents happen, you are to see.
• 45:19
  Speaker 3: What do you want to see?
• 45:21
  Speaker 3: You're gonna speed down there and see, see if you see it late and if you flip and die, you're gonna go and get a whole police entourage.
• 45:28
  Speaker 3: You're a mountain flashing light.
• 45:30
  Speaker 3: You have you might find, but it's junction bright.
• 45:32
  Speaker 3: It's junction bright like hello, people climbing on it and is the police light lighting up the junction for you and I'm not sure what's the how we, what was the system in place for this Is the system build it and when something happens we react.
• 45:46
  Speaker 3: That seems to be the system and this is not just road works we talking about.
• 45:49
  Speaker 3: This seems to be how we treat it, everything and it's a sad way to look at, to look at life.
• 45:55
  Speaker 3: This is the greatest asset we have as a people in this country.
• 45:59
  Speaker 3: You know what I mean.
• 46:01
  Speaker 3: So the DJ like Clyde the Outlaw, who obviously had a huge impact on many, many, many people in the entertainment industry.
• 46:08
  Speaker 3: Personal stories that never ended that day that he died.
• 46:11
  Speaker 3: Personal stories from everybody About the encouragement Clyde give them and the boost he give them and he put them on and let them play for the first time and as the first person.
• 46:20
  Speaker 3: He was with everybody saying the same thing.
• 46:22
  Speaker 3: So Chinese laundry hood have been his boss, I suppose, and friend by now making an appeal for what is happening down in point 14.
• 46:30
  Speaker 3: He himself saying listen, I'm not here to blame government or anything like that, but to make an appeal to see what we could do to make the area safer.
• 46:38
  Speaker 3: The area is obviously unsafe.
• 46:40
  Speaker 3: What we need a minister to go there and check to see if it unsafe, or we need a consultant to know about the road.
• 46:47
  Speaker 3: To say I always look at things right when you see a and I hate to always compare here to the state, but sorry, when you see the men doing road works, is the amount of light them.
• 46:58
  Speaker 3: Is light up road works and things.
• 47:00
  Speaker 3: If you drunk your sober when you start to see light and arrow flashing this way and a whole but a mile with a cone coming down the road and somebody to point and tell you, but here it's have a way where the, the investment thing that tells their road works or might have an arrow, but the arrow short, the lights dim so you ain't seeing it until you reach up on it anyways.
• 47:22
  Speaker 3: This is so dangerous.
• 47:23
  Speaker 3: A lot of the roads we have they extremely dangerous, never part of that highway just before you reach to Rubber Stadium there when it, like Maracas, is just wave going down the road and it is the.
• 47:35
  Speaker 3: We again trust our driving ability a whole lot.
• 47:38
  Speaker 3: But the issue is not so much that you are a great driver here, not, but you're not.
• 47:42
  Speaker 3: It's not so much you being a great driver or not, it's just that the marginal error so slim.
• 47:45
  Speaker 3: And when the marginal error go wrong with do, go in your favor.
• 47:49
  Speaker 3: I could tell you what the front was happened to your family at that point in the time.
• 47:53
  Speaker 3: I could tell you what, what, what, what you could personally go through at that point in the time from my own experience now.
• 47:57
  Speaker 3: So I just want to take a minute again to say condolences to Clyde the Outlaw, great one.
• 48:03
  Speaker 3: My heart reach out to people from jugglers in particular, like Charlotte Barry Perriman, because I remember.
• 48:09
  Speaker 3: I remember jugglers coming out of that downtown outlaws camp right just with Clyde the Outlaw, and they said that Clyde is the first person who really bring them into music and tell them you know I should DJ or they should try it or they stay with it and that kind of thing.
• 48:23
  Speaker 3: And I remember them losing truth man in an accident like that.
• 48:26
  Speaker 3: If people remember truth man from back in the day, the original mic man before Charlotte, one of the mic men when Charlotte was now coming up to and it was, it was sad.
• 48:35
  Speaker 3: I remember that day.
• 48:36
  Speaker 3: I'll never forget that day on radio when you started coming and talking about truth man coming from a party and running off to Jordan and getting a fatal accident.
• 48:44
  Speaker 3: So condolences to the family, friends, co-workers and everybody who would have been touched and influenced by Clyde the Outlaw.
• 48:51
  Speaker 3: I just wanted to take a minute to talk about that and, in true Rash sort style, shorty have a song here that is also dedicated to somebody who passed premotorily, but the words in the song so relevant for somebody like Clyde the Outlaw.
• 49:05
  Speaker 3: This looks great.
• 49:14
  Speaker 3: His lineability is going downward.
• 49:23
  Speaker 1: It looks like he was a man, a great composer, his compositions.
• 49:51
  Speaker 2: What doves of a master Maestro superstar tomorrow.
• 50:00
  Speaker 2: What a blow to Calypso.
• 50:04
  Speaker 2: He had to go To high world of music.
• 50:15
  Speaker 2: I know he's there.
• 50:16
  Speaker 2: To high world of music.
• 50:30
  Speaker 2: I know he's there.
• 50:53
  Speaker 1: Whoa, yeah, whoa, whoa, just in his prime on the verge of prism.
• 51:22
  Speaker 2: Life was so kind to leave him like this.
• 51:26
  Speaker 2: When the master called your number, you just got to answer.
• 51:37
  Speaker 2: Oh, my brother, to a high world of music.
• 51:44
  Speaker 2: To a high world of music, I know he's there.
• 51:54
  Speaker 2: To a high world of music, I know he's there.
• 52:14
  Speaker 3: Yeah, yeah.
• 52:15
  Speaker 3: So again, rest in peace and condolences to the family, everybody who's here touching music.
• 52:23
  Speaker 3: He's going to high world of music.
• 52:24
  Speaker 3: Shorty says he knows he's there.
• 52:25
  Speaker 3: So tell Shorty what's good.
• 52:28
  Speaker 3: Tell Shorty, we always have him in mind and we honour him just like how we honour him.
• 52:33
  Speaker 3: Now this is the portion of the podcast where I want to just put a little pause here and say that this might be the time to let the children make our wrongs.
• 52:41
  Speaker 3: It might be the time to tell children, so you know, to attack back and come back.
• 52:46
  Speaker 3: All you might want to give him about 5-10 minutes here.
• 52:49
  Speaker 3: This is for the ears of adults only, right.
• 52:54
  Speaker 3: This is not for the ears of the babes and sucklings, right, because Shorty has some tune here, right, and I'm not playing this about nobody in particular, but I want to get into a couple stories here about crime, and maybe the children should listen to them about crime anyway, and this would be an excuse to tell them, listen to them.
• 53:17
  Speaker 3: Listen to them about crime and take it away here and become a no criminal.
• 53:20
  Speaker 3: So don't listen to this part of the podcast.
• 53:22
  Speaker 3: Cork Day is right, but let me jump into the folks who are seeing about crime here you know what I mean.
• 53:27
  Speaker 3: The road accidents.
• 53:28
  Speaker 3: If you road accidents and kill with the criminals, go kill with them.
• 53:30
  Speaker 3: So where to start?
• 53:33
  Speaker 3: Them fellas and the moz in crime talks the other day, right, garry um, rolly and Kamla say here we're going on, that we come together and talk about crime because crime is the biggest issue apparently and it's better we join together and make our joint opposition and government crime talks.
• 53:49
  Speaker 3: Right, you know what I mean.
• 53:50
  Speaker 3: So there was all the way going along with it and everything was smooth until Kamla said here, where is he seen?
• 53:54
  Speaker 3: Garry had to be on my team.
• 53:56
  Speaker 3: You know what I mean.
• 53:58
  Speaker 3: Garry is who we work.
• 53:59
  Speaker 3: There's our security consultants and so on.
• 54:02
  Speaker 3: When we come to security, we trust Garry.
• 54:04
  Speaker 3: And Rolly say what nonsense.
• 54:08
  Speaker 3: Rolly even want nothing to do with Garry and he say that he have a report in front of him, that he have a gag order on, where he can't say exactly when.
• 54:17
  Speaker 3: The report about the FUL thing and the kind of corruption Garry involved in.
• 54:19
  Speaker 3: So there's no way he come into, sit down and meet with Kamla.
• 54:23
  Speaker 3: If Garry involved, as far as he concerned, garry don't need to be involved.
• 54:27
  Speaker 3: So I thought that was the end of the crime talks and I wasn't surprised, because I was actually surprised when they say they will meet and talk about it and treat crime like a serious issue.
• 54:37
  Speaker 3: But it didn't last longer than we read.
• 54:40
  Speaker 3: House fires, my grandmother used to say, because the crime talks break down, but apparently up comes Garry and save the day.
• 54:45
  Speaker 3: So Garry was talking about it and, of course, take his normal digs at the Prime Minister.
• 54:50
  Speaker 3: I haven't read this article yet, but I expect that there will be something that Garry the headline is Garry stands down from anti crime talks, but I could guarantee you, without having read this yet, that he take some swings while he was doing this.
• 55:02
  Speaker 3: So let me read from the Guardian here, and this is by Gail Alexander Senior political reporter Garry Griffiths out Start the anti crime talks.
• 55:13
  Speaker 3: Opposition UNC leader Kamla Posadbe-Sessar revealed yesterday that National Transformation Alliance National Transformation Alliance leader, guy Griffith, has put his inclusion on the opposition's team for the talks on hold and he's now calling on the Prime Minister to Dr Ketrow to lead the government's team to the discussions.
• 55:32
  Speaker 3: Posadbe-sessar said Griffith did so since he didn't want to be scapegoated for the reason for the talks to be scuttled.
• 55:38
  Speaker 3: Hopefully, Mr Griffiths non-attendance will assuage the fears and insecurities of the Prime Minister, who will now reconsider his refusal to attend the proposed talk, kamla Posadbe-Sessar said.
• 55:51
  Speaker 3: In a media statement.
• 55:53
  Speaker 3: Posadbe-sessar, while reiterating the opposition's willingness to participate in the talks, also reinforced a call for broadening the scope and agenda of discussions.
• 56:02
  Speaker 3: Posadbe-sessar announced developments after Rawley recently blamed UNC for the stall talks.
• 56:08
  Speaker 3: As is always Then go blame one, the next one, go blame the next one.
• 56:11
  Speaker 3: Right like I see somebody say recently that he's a, he's a, he's, he's, he's the picture of him.
• 56:18
  Speaker 3: Any papers may want to call the name, but he was next to the deceased Burki.
• 56:22
  Speaker 3: If you know, burki is right and being headlined as one of the community leaders in the sea lots area or beat them or somewhere like that.
• 56:29
  Speaker 3: And the way the article written like he's a known community leader, right, I don't want to use no other term.
• 56:36
  Speaker 3: And he's saying that gangs entering that is not a problem.
• 56:40
  Speaker 3: The two biggest gang is the red and yellow guy.
• 56:42
  Speaker 3: The yellow gang, imagine he's saying that.
• 56:44
  Speaker 3: I think he forget the blue gang too, right?
• 56:47
  Speaker 3: But Since he went on, discussions arose in September.
• 56:50
  Speaker 3: Posadbe-sessar made it clear that the former police commissioner would be part of the UNC's team.
• 56:54
  Speaker 3: The government, meanwhile, had announced that a ministerial team for the talks, for the talks here is squad Fitzgerald Heinz, marvin Gonzalez, randall Mitchell and Stuart Young, and that attorney general Reggie not Reggie Amor will convene discussions.
• 57:08
  Speaker 3: I don't know, I don't know.
• 57:11
  Speaker 3: I like the idea of them meeting so that they could put heads together.
• 57:14
  Speaker 3: When you see the heads they point together, only think we should run for elections, like all who talking and think like me.
• 57:20
  Speaker 3: So should start to get involved in the political process more, because from time I see Fitzgerald Heinz's if it's name here at Elbert I don't worry that already and it feels like it's not it.
• 57:29
  Speaker 3: It will be devoid of any fresh ideas on new directional energy or anything like that.
• 57:35
  Speaker 3: Should, is it enough to just talk about this, or should we be?
• 57:38
  Speaker 3: Or just vote and put these people back?
• 57:40
  Speaker 3: You know you're not voting for them directly.
• 57:43
  Speaker 3: Sometimes you vote and you put the red or the yellow back in charge and they get to pick and choose whoever they want anyway.
• 57:49
  Speaker 3: After Amor wrote to Posad Beceso early in November seeking her team's name, she declined to reply, saying she was awaiting reply from Rawley to Hocktober 14th.
• 57:56
  Speaker 3: Let's just seeking clarification on several issues.
• 57:59
  Speaker 3: Rawley hasn't replied, but on a media briefing on last month he accused the opposition of not being serious when the crime talks are contained and not wishing to see any improvement in the crime situation, since that was a political bonanza for them.
• 58:11
  Speaker 3: You know sometimes when I hear these fellas talk, so anyway, he said for Passat B Sessar to insist that Griffith be a part of the negotiations was sufficient to tell you all you need to know.
• 58:24
  Speaker 3: Rowley said he was injuncted from saying anything much about Griffith, but he knew things others didn't.
• 58:31
  Speaker 3: So again he out of it because he knows too much about Gary and Gary is not the kind of person he is, as far as I could say.
• 58:37
  Speaker 3: Or Rowley wanted to say this is a criminal himself and he comments the lead talks on crime.
• 58:42
  Speaker 3: But again, I don't think that's abnormal at all.
• 58:45
  Speaker 3: Back in the day we see people who is community leaders being a big part of the discussion with Prime Minister and them saying in big meeting and so on the Cron Plaza meeting.
• 58:56
  Speaker 3: I'm making this up, I can't remember.
• 58:58
  Speaker 3: Let me go back to somebody who seems to always be popular, once anything happened in Trinidad, somebody who's always find great doing Gibbs.
• 59:07
  Speaker 3: So there is Polo, senior reporter in the Guardian.
• 59:14
  Speaker 3: I don't know if it was a slow news day or something like that.
• 59:17
  Speaker 3: The former COP or Commissioner of Police blame state contracts for gang leaders and extortions.
• 59:22
  Speaker 3: Former Commissioner of Police Dwayne Gibbs said the award of the government contracts to gang leaders fueled in the record number of extortions he's observed during his tenure from 2010 to 2012.
• 59:34
  Speaker 3: He commented on the issue following a Sunday Guardian report on a multi-million dollar business created by gang members who demand money by menace from small and medium enterprises in the country.
• 59:45
  Speaker 3: An exclusive interview with Guardian Media published on Friday contracted detailed his heroin ordeal and provided video and audio recordings of an alleged gang leader demanding 30,000 dollars a month from his company to ensure that his family and work site would not attack.
• 59:59
  Speaker 3: The gang also demanded jobs from members for his criminal gang so the highest people when they're doing work in his area.
• 1:00:06
  Speaker 3: They also had around 30,000 dollars a month.
• 1:00:09
  Speaker 3: The business itself sometimes the highest paid people are making 30,000 dollars a month.
• 1:00:15
  Speaker 3: Imagine you extorted and you had a paid 30,000 dollars a month, just so that you could sleep well and keep your family safe.
• 1:00:21
  Speaker 3: That is something we've heard for a long time the idea of people from the ilk of politics and so on mixing with the people who are the ilk of community leaders.
• 1:00:37
  Speaker 3: Status is not uncommon.
• 1:00:39
  Speaker 3: A lot of them the same government contracts.
• 1:00:41
  Speaker 3: They get imagined Gibbs coming here and saying that, embarrassing me, but all of a sudden, no, gary Griffith have some kind of charges or something.
• 1:00:51
  Speaker 3: So he has nothing to offer If you decide to die the case, but nobody willing to move forward without it.
• 1:00:57
  Speaker 3: Now I am waiting to see what happens next because this is the last thing I see on this.
• 1:01:02
  Speaker 3: I haven't heard what they're saying here and I didn't get a comment from Rolly and no other article saying what he's saying about this.
• 1:01:07
  Speaker 3: Because if Gary Griffith was the issue and he stepped, step aside, was your thoughts hitting the crime talks will continue.
• 1:01:14
  Speaker 3: You think now that the obstacle is out of the way, everybody will move forward in a kumbaya moment and get the solution to crime?
• 1:01:23
  Speaker 3: You tell me right?
• 1:01:24
  Speaker 3: I don't know, but correcting what she said was an untruth.
• 1:01:33
  Speaker 3: Posad Beesasa added I dedicated for an invitation to be extended to all willing stakeholders to participate in anti-crime talks over a month ago, in October 14, 2020.
• 1:01:46
  Speaker 3: I wrote to the Prime Minister to clarify several key points concerning the proposed bipartisan crime talks.
• 1:01:52
  Speaker 3: Today there has been no response.
• 1:01:53
  Speaker 3: I guess that's what she's talking about Apparently, gary Griffith, is UNC or not.
• 1:02:02
  Speaker 3: Gary Griffith said he's NTA leader still and is offering UNC advice.
• 1:02:06
  Speaker 3: Meanwhile, griffith said yesterday he's a patriot first who puts country above everything else, and this was why, after consultations with Posad Beesasa, he endorsed a statement.
• 1:02:15
  Speaker 3: Gary Griffith claimed it was clear that Rowley, fueled by bitterness and rage or maybe simply it being intimidated to face me, he was prepared to use my inclusion as an excuse to falsely depict it as a deal breaker.
• 1:02:28
  Speaker 3: It is now hoped that maturity takes precedence over emotion and that he not only agrees to terms for talks but also attends and leads his team.
• 1:02:37
  Speaker 3: So I guess you want to say salute to Gary Griffith for being the bigger man in this situation and stepping aside.
• 1:02:45
  Speaker 3: Or you think Gary just passed on his plans so that Kamala and them could give his plans to Rowley, or Rowley could come down and say, well, yeah, only move Gary Griffith, and all they say is not him, but he's talking.
• 1:02:57
  Speaker 3: Or just a more peaceful Gary Griffith, and I don't want to part of this again.
• 1:03:00
  Speaker 3: What's the only expectation?
• 1:03:01
  Speaker 3: Will the crime talks go ahead or is it a breakdown?
• 1:03:04
  Speaker 3: Now, gary Griffith?
• 1:03:07
  Speaker 3: The most interesting part of the article to me is where Gary Griffith says he's still the head of the NTA, it's just he and um, what's his wife's name?
• 1:03:17
  Speaker 3: Again, it's just two of them in the NTA.
• 1:03:19
  Speaker 3: I want to be careful because I have another topic out of the way.
• 1:03:24
  Speaker 3: If he says he's head of the NTA, he's head of the NTA.
• 1:03:31
  Speaker 3: But I couldn't help but notice Nikolai Edwards leaving the NTA.
• 1:03:34
  Speaker 3: Only remember Nikolai Edwards.
• 1:03:35
  Speaker 3: He was great white hope at one point in time, great youth hope.
• 1:03:39
  Speaker 3: He was watching Nikolai Edwards as a young upcoming politician who had formed his own party and was looking like he presented something different from the yellow and the what the next people has read.
• 1:03:50
  Speaker 3: But he ended up over by Gary Griffith's side.
• 1:03:56
  Speaker 3: But now he's back.
• 1:03:57
  Speaker 3: Headline here from CNCTree says Nikolai Edwards leaves NTA.
• 1:04:03
  Speaker 3: Says he could not abandon his party.
• 1:04:06
  Speaker 3: Nikolai Edwards has resigned from his position as deputy political leader of the National Transformation Alliance.
• 1:04:12
  Speaker 3: When Edward joined the party in August 2022.
• 1:04:14
  Speaker 3: It raised several questions, since he was a political leader of his own party, the Progressive Party.
• 1:04:18
  Speaker 3: In a statement, edward said when he first joined the party, which did not have a constitution, serving both parties was an issue.
• 1:04:26
  Speaker 3: However, in June this year, the NTA drafted a constitution which, out of this allowed him from holding executive positions in two political parties.
• 1:04:33
  Speaker 3: Nikolai, will you come out?
• 1:04:36
  Speaker 3: Edward said.
• 1:04:37
  Speaker 3: Faced with the decision of continuing my political journey with either the NTA or the Progressives, I found the challenge in abandoning my party.
• 1:04:45
  Speaker 3: I, along with many supporters who later became members, at dedicated time and effort to establish.
• 1:04:54
  Speaker 3: This sentiment was acknowledged and respected by Mr Griffith when, in an email response dated June 23rd, agreed an amicable separation that permits the NTA and the Progressive Party to consider collaborating on matters of mutual interest aimed at enhancing the governance of Trinidad and Tobago.
• 1:05:11
  Speaker 3: In short, gary could have his crime talks with Nikolai Edwards when both of them became power, and NTA became power and Progressive Party.
• 1:05:20
  Speaker 3: However, the Progressive Party became opposition and opened up crime talks with him.
• 1:05:27
  Speaker 3: So the saga continues.
• 1:05:30
  Speaker 3: We await the response of Rowling on whether he will go ahead with the talks now, and I just want us to continue to observe whether or not there is real political will to directly address a crime situation that have all of us frightened.
• 1:05:46
  Speaker 3: I see a loot man, 20-something years old, get shot in his own house trying to protect his own home from home invaders.
• 1:05:53
  Speaker 3: And this is the talk of the people, who in charge, who are responsible, who put themselves as wanting to be responsible.
• 1:06:01
  Speaker 3: I mean, we didn't ask them to do this, nobody in Beg them.
• 1:06:04
  Speaker 3: They offered themselves up to be there Daisy kind of games these men playing.
• 1:06:08
  Speaker 3: But anyway, I really come here to talk about shorty and again, parental advisory told her to listen to this right and this song have nothing to do with what I just read or any of the articles or anybody involved, right?
• 1:06:22
  Speaker 3: So here is the music.
• 1:06:53
  Speaker 2: I sing only daughter king.
• 1:06:55
  Speaker 2: Some saga boy has she baby in?
• 1:06:57
  Speaker 2: Yes, for I sing, so embarrassed he want to marry him fast, fast, fast.
• 1:07:03
  Speaker 2: So he unjustly tried to arrange a wedding for King.
• 1:07:08
  Speaker 2: She barely get in wrong like a shining pole.
• 1:07:11
  Speaker 2: So her voice when he was get pushy somehow.
• 1:07:14
  Speaker 2: So he talked to pilot her boy of lowling hoy winging and chen sing why he want a man for king.
• 1:07:22
  Speaker 2: He want a man for king, he want a man for king.
• 1:07:25
  Speaker 2: And any talk to the time come no, come to form like wing and toy.
• 1:07:30
  Speaker 2: Why he want a man for king, he want a man for king, he want a man for king.
• 1:07:35
  Speaker 2: The situation getting critical, so before the babies arrival I sing to win anything, just to get a man for king.
• 1:07:47
  Speaker 3: It's for Kim.
• 1:08:18
  Speaker 2: From tongue in to point, pointing in every nook and corner.
• 1:08:22
  Speaker 2: He's still changing.
• 1:08:23
  Speaker 2: If a lad get in desperate, he want a man for king.
• 1:08:27
  Speaker 2: He voice too late.
• 1:08:28
  Speaker 2: So in every Chinese parlor he propose a marriage for his daughter Using every Chinese tricky book by the book called the crew.
• 1:08:38
  Speaker 2: Something was get hooked.
• 1:08:39
  Speaker 2: So he talked to the toilet jet to the same show, let on new sing and he sing.
• 1:08:46
  Speaker 2: Why he want a man for king.
• 1:08:48
  Speaker 2: He want a man for king.
• 1:08:49
  Speaker 2: And any talk to the people what you come for will be folk tingling and leasing.
• 1:08:55
  Speaker 2: Why he want a man for king.
• 1:08:57
  Speaker 2: He want a man for king.
• 1:09:02
  Speaker 2: I sing in a terrible quandary.
• 1:09:04
  Speaker 2: Old man decide to marry she.
• 1:09:06
  Speaker 2: Of course you refuse him.
• 1:09:08
  Speaker 2: He ready and want no man for king.
• 1:09:10
  Speaker 2: I'm sure you can imagine this train and I sing under going here.
• 1:09:49
  Speaker 2: No horse when I'm she barely.
• 1:09:50
  Speaker 2: It is an Indian and we grow her Chinese.
• 1:09:53
  Speaker 2: So to ease the frustration he decide he accept in any man no collar always is on his motor.
• 1:10:01
  Speaker 2: All his bodies are further for Kim's in front.
• 1:10:04
  Speaker 2: So he talk to Samsung.
• 1:10:07
  Speaker 2: It's in Thompson, but they think he soon and lazing.
• 1:10:11
  Speaker 3: Why he want a man for king he want a man for king I why he sing this in a car.
• 1:10:18
  Speaker 2: Talk to the people.
• 1:10:19
  Speaker 2: And there's the rest of the girls calling for read and just sling why he want a man for king.
• 1:10:24
  Speaker 2: He want a man for king.
• 1:10:25
  Speaker 2: One night I up, I felt house performing, he walking.
• 1:10:29
  Speaker 2: It was so embarrassing Because I hear him telling show you me that I am the man for king.
• 1:10:42
  Speaker 3: Those say I tell her when you see a trance, you know I want them to go.
• 1:10:45
  Speaker 3: Say I never warn you, I give you the ample warning.
• 1:10:48
  Speaker 3: So if you, if you didn't take warning, that is on you.
• 1:10:52
  Speaker 3: Now I saw another article right.
• 1:10:55
  Speaker 3: One of the things I always back and forth with here is while they playing and pussy for 10 million crime situation, what should I do?
• 1:11:02
  Speaker 3: Because I have a family to protect, I can afford for my mother to be in problems and people want to kick in door or home my man want to kick down door.
• 1:11:10
  Speaker 3: Here I can live like that.
• 1:11:12
  Speaker 3: I don't want to attract their energy, but I also don't want to sit down like a duck unprepared for it.
• 1:11:17
  Speaker 3: Now, going back to your boy Gary.
• 1:11:19
  Speaker 3: Your boy, gary, had offered a lot of FUL and a lot of variation for people which people made use of, right.
• 1:11:25
  Speaker 3: So the conversation has always come back up as to whether I mean the conversation now is whether we should be entering that at all.
• 1:11:32
  Speaker 3: But conversation is whether, you know, do we police ourselves?
• 1:11:36
  Speaker 3: Do we protect ourselves?
• 1:11:37
  Speaker 3: Do we look for FUL or whatever we had to get to make sure that we safe?
• 1:11:42
  Speaker 3: Now why, like, ponder that from time to time and I still earn the side of no, as I know, if I want that energy, especially when in a country where you have to go any police station every year to remind them that you have a FUL, that they could remind them criminal friends that they could come and take from a band like Miso who had no plan to use it.
• 1:12:03
  Speaker 3: But I see a little thing going on around on Facebook Nice good looking woman on Facebook coming to tell a story and thing and when I press play they think song's on.
• 1:12:12
  Speaker 3: Now, you know, I mean she say hello, brejren's and sister, you know Rasta is talking, I mean.
• 1:12:17
  Speaker 3: Or the deep, deep, deep breast woman the other way they're talking.
• 1:12:20
  Speaker 3: You know, hi, brothers and sisters and Brejren's of the Lord and savior.
• 1:12:25
  Speaker 3: And I just want to say to my Idren's today, you know Rasta and I was talking when they're sweet, you know, I mean when they take the little sauce, the sweet when they're talking to listening to the story and woman so calm and nice, and turns out that the one who is talking telling his story is the wife of the great Levi Myers, suddenly great Nappy Myers.
• 1:12:45
  Speaker 3: I know Levi, levi and Fatima are talking and if I was to see Levi.
• 1:12:50
  Speaker 3: Now I think you will talk the same exact way.
• 1:12:52
  Speaker 3: Hi, brejren, what's up, brejren?
• 1:12:54
  Speaker 3: How are you doing?
• 1:12:54
  Speaker 3: Love and everything right, love and respect and light and manners, and whatever Rasta says.
• 1:12:59
  Speaker 3: She's talking just like and seems so calm and nice.
• 1:13:02
  Speaker 3: And telling a story about coming back from Digo Martin, coming into St James and driving under the flyover in Kokoree, coming onto St James and there was a cyclist who was on the road and Levi pulled up behind the cyclist and he was passing near him, so he just took his horns and let him know that he was passing by.
• 1:13:22
  Speaker 3: This is the story.
• 1:13:23
  Speaker 3: You can't stop one, the way she ever talking voice and how to get this woman podcast because she easy to listen to.
• 1:13:29
  Speaker 3: When he only has she talking, he wants to hear what's the rest of the story.
• 1:13:32
  Speaker 3: So the story is husband was driving, she the child, I think, the two train in the backseat and Levi must be past the car, past the fellow on the bike and blow the horn, or blow the horn for the fellow to come out of it, whatever it is, and when the car passes now the man coughs him up.
• 1:13:50
  Speaker 3: So, levi no, I know Levi a little bit right, just from school days and he was one of the more mellow people you will reach.
• 1:13:56
  Speaker 3: But also I don't think he's the kind of person you want to come across too much, I mean.
• 1:14:01
  Speaker 3: But you know Rastas want to get a little zoot Everybody's become so he generally have a very, very calm demeanor and easy smile and very, very cool guy.
• 1:14:10
  Speaker 3: So apparently, according to her story, he take the cuss up from the cyclist and he keep it pushing.
• 1:14:17
  Speaker 3: They reach the corner of Bond Road now, together with Coconut Water.
• 1:14:19
  Speaker 3: I know the coconut man by Bond Road.
• 1:14:21
  Speaker 3: They're going to get a coconut water.
• 1:14:24
  Speaker 3: Who is to show up?
• 1:14:25
  Speaker 3: The same cyclist now who now cost them up, quite done by the foreshore, cost them up there.
• 1:14:32
  Speaker 3: How fast can you cycle?
• 1:14:34
  Speaker 3: Because I can tell you this right, if you blow me on your road, pause and I decide to follow you right From the foreshore.
• 1:14:44
  Speaker 3: There I might be able to follow you to buy a hot shop, right, buy a hot shop there.
• 1:14:49
  Speaker 3: I roast.
• 1:14:50
  Speaker 3: I can't follow no motor car.
• 1:14:52
  Speaker 3: So I tell myself something and write with a story, because how the cyclist was able to keep up with their car, or all the way to Bond Road corner Turns out, the cyclist is none other than the great ginger animal, samuel and Gene Samuel come now to continue the cuss and to confront Levi and within the melee, cussing and carrying on the man, wife in the car and the children in the car, and them, this is weekend on a on a, on a, on a, on a on a on a, on a on a, on a, on a, on a on a on Bond Road corner, the main road busy.
• 1:15:26
  Speaker 3: This is busy times you talk about.
• 1:15:28
  Speaker 3: You know what I mean and you order Use Gene Samuel.
• 1:15:31
  Speaker 3: Number one is a national hero.
• 1:15:33
  Speaker 3: Levi is a national hero by extension to all.
• 1:15:36
  Speaker 3: They should be quarreling in your road.
• 1:15:37
  Speaker 3: They should never happen, but apparently it happened.
• 1:15:39
  Speaker 3: And in the midst of the argument, gene Samuel is to brandish his um, maybe his, possibly guy Griffith license issued fire from me, from a pouch.
• 1:15:50
  Speaker 3: So you're right, you, this is what we come to, a trend out to be this sweetie auntie when Natasha, what um?
• 1:15:57
  Speaker 3: They sing both.
• 1:15:58
  Speaker 3: Is it Natasha Wilson sing sweetie auntie?
• 1:16:00
  Speaker 3: I frightened to call him.
• 1:16:02
  Speaker 3: Now this is the same place we're talking about, where a national hero like Gene Samuel is riding with a gun on him and willing to brandish it allegedly to show people.
• 1:16:12
  Speaker 3: He will kill you right now, because the words that Levi wife was saying was that Gene's on them, I will kill you right now, I will kill you right here, okay, and they call each other by name, and which are making this worse because Levi obviously recognizes Gene Samuel and Gene Samuel know Levi, so it's like why it had to come to that.
• 1:16:29
  Speaker 3: And this is the thing.
• 1:16:30
  Speaker 3: This is the thing about that whole firearm is suing thing.
• 1:16:34
  Speaker 3: It likely to raise more of those issues than issues where somebody invade your home and you actually protect yourself because how much of the people who own firearms going to training to make sure you know how to use it, the cleaning and maintaining it properly, they're storing it properly and all those kind of things they go into psychological training in which Levi wife suggests that gene need, you know, see property a little therapy and them things so you're not tripping off when you have a bad day.
• 1:17:01
  Speaker 3: Now your bad day could end up fatal for somebody else or yourself.
• 1:17:05
  Speaker 3: I'm not sure how much people willing to put in the work that associated with that or even carry it properly so that when you ride it now and you're thinking you're pouch and then go off, you know what I mean.
• 1:17:16
  Speaker 3: I don't know how none of these things is work, but I'm not sure that I want to live in a country where the default is that the police and doing not net our three gang ready yellow and blue.
• 1:17:25
  Speaker 3: And we are now different ourselves as civilians, with more man like the brandish thing.
• 1:17:31
  Speaker 3: When they find out they wife are man and them kind of thing, they think that is the kind of situations we'd rather see.
• 1:17:35
  Speaker 3: Or or bike man and come and fighting for road and gene Samuel is a cyclist, so he fighting for the rights of all cyclists by brandish and I hope that I glad everybody in that situation safe, that that that could be.
• 1:17:48
  Speaker 3: That could be a tragedy.
• 1:17:50
  Speaker 3: Thank God the dice situation.
• 1:17:52
  Speaker 3: That story went viral.
• 1:17:55
  Speaker 3: I like gene Samuel, I buy my bike and think by Geronimo's muscle bike.
• 1:17:59
  Speaker 3: That is where I go.
• 1:18:00
  Speaker 3: I don't want to get into this thing where he's canceled Geronimo's and don't buy from them again.
• 1:18:05
  Speaker 3: But that is not a nice thing and he seems such a nice person, so calm and extremely helpful to me, that that is the last person I would think.
• 1:18:12
  Speaker 3: Brandish are going on the little breaks and my son biking and working and he kicks down and working so great but frightened to go back.
• 1:18:20
  Speaker 3: No me and what that he had to.
• 1:18:22
  Speaker 3: My son and I learned to drag it for any girl in the morning.
• 1:18:25
  Speaker 3: So right back, locked them and drag it for the stop, Gene Samuel, and go shoot me.
• 1:18:31
  Speaker 3: But back to my music, and this is.
• 1:18:34
  Speaker 3: This is shorties response to the crime situation.
• 1:18:37
  Speaker 3: The Lord shorty, again right over over a shorty, and this song is the accompaniment.
• 1:18:45
  Speaker 3: Here is Frankie Francis and Joey Lewis orchestra.
• 1:18:48
  Speaker 3: That is the show sweet and watch.
• 1:18:49
  Speaker 3: Music used to go into this man, but this is his response to crime back in the seventies away.
• 1:18:55
  Speaker 3: Listen to this then and tell me how you find its song in comparison to the crime today.
• 1:19:24
  Speaker 2: Criminals in the place is really a damn disgrace.
• 1:19:27
  Speaker 2: They don't care what the pick and when they're built in.
• 1:19:38
  Speaker 2: They don't care what the lashes, long as they get some cash.
• 1:19:41
  Speaker 2: All you feel is so terrible, touch me if you feel I'm making jokes and the dagger always on a leaf and so you know, if you keep it down on years at the front time.
• 1:20:08
  Speaker 3: not now though, because if it's a little bit we can't take Gene Samuel Brown.
• 1:20:24
  Speaker 2: You think I'm a different truck, even going with your phone and talking to people who are not on the shoes and anything else they could use, some deep in big and some deep in small.
• 1:20:34
  Speaker 2: Some of the people next to not not all if you leave your house and go to town, when you come back all your money to your god, all you want to play criminal and keep doing it.
• 1:20:46
  Speaker 2: I would run an informed police team.
• 1:20:48
  Speaker 2: All you feel is big and they all you feel is so terrible.
• 1:20:52
  Speaker 2: Touch me if you feel I'm making jokes and the dagger always on a leaf and so hey.
• 1:21:11
  Speaker 3: It reminds me of Sparrow Grimlock's B-Way Similar.
• 1:21:16
  Speaker 3: And then the voice of the shorty, young shorty voice, so different to his voice.
• 1:21:21
  Speaker 3: Only time we're shorty.
• 1:21:23
  Speaker 3: But as we move along, another interesting article here 18 year old woman, unborn for beating boyfriend.
• 1:21:32
  Speaker 3: What would make me choose this as a topic for the podcast?
• 1:21:36
  Speaker 3: 18 year old woman and born forbidden, 66 year old boyfriend.
• 1:21:41
  Speaker 3: I would collect that first before we get into this.
• 1:21:45
  Speaker 3: Congratulate both parties involved, because if he is 66 and you have an 18 year old woman, he is a winner.
• 1:21:51
  Speaker 3: I also want to say that if he is 18 and you have a 66 year old boyfriend, he is a winner.
• 1:21:56
  Speaker 3: Fair exchange, no robbery.
• 1:22:00
  Speaker 3: Fair exchange.
• 1:22:01
  Speaker 3: Everybody knows what they are in it for and thank god for modern marvels like Cialis and Braggren and so on.
• 1:22:08
  Speaker 3: These things could be made, but anyway, what should be temple?
• 1:22:11
  Speaker 3: An 18 year old woman was placed on a one year bond to keep the peace after pleading guilty to assaulting a 66 year old boyfriend.
• 1:22:17
  Speaker 3: She pleaded to malicious damage, assaulting occasional, occasional wound and lastly, so you rob him.
• 1:22:24
  Speaker 3: Wait, wait, wait, pops.
• 1:22:26
  Speaker 3: What are you trying to do?
• 1:22:27
  Speaker 3: You are trying to short pay.
• 1:22:28
  Speaker 3: You thought this was a lover arrangement.
• 1:22:31
  Speaker 3: I don't understand what you are doing here.
• 1:22:33
  Speaker 3: If you are 66, let me talk for myself.
• 1:22:35
  Speaker 3: If I am 66 and you see me with an 18 year old woman, I am paying.
• 1:22:42
  Speaker 3: This is not free.
• 1:22:45
  Speaker 3: This is not now in your current range.
• 1:22:47
  Speaker 3: You are probably paying up front to 11, but I have no illusions of grandeur where, at 66, you could be a lover.
• 1:22:55
  Speaker 3: Anyway, the woman was arrested following an investigation into the report of a 66 year old man who said he was at home in the eastern of that in September 7th when they reportedly got into a heated argument.
• 1:23:06
  Speaker 3: I also want to let you know that if I am 66 and I have a woman who is 18, at that point in time there will be no heated argument.
• 1:23:14
  Speaker 3: It went knife-riding in the marriage.
• 1:23:16
  Speaker 3: That's what the hell is going on here in marriage.
• 1:23:18
  Speaker 3: This will never happen to me.
• 1:23:20
  Speaker 3: This will never happen to me.
• 1:23:23
  Speaker 3: The woman acquired the true items and damaged household appliances, as well as the windshield of the manned vehicle and also where you have a hillman hunter, and also assaulting him, causing abrasion in his hands.
• 1:23:37
  Speaker 3: She was also accused of stealing several items and cash among them to 11,750.
• 1:23:42
  Speaker 3: That should be the down payment she sent for a second, for a second At 24 year old man.
• 1:23:53
  Speaker 3: I find you had to make better arrangements, man, both of us must communicate and we must know exactly what we are in for so that we don't end up in this kind of situation what to or they could be arguing about when she is 18.
• 1:24:06
  Speaker 3: You know how young 18 is.
• 1:24:07
  Speaker 3: I just want to remind you this is barely a woman, right, that 18 is just a child.
• 1:24:12
  Speaker 3: At 18, some of us are still in school Among the time.
• 1:24:14
  Speaker 3: I repeat, at 18, I was still probably in A-Levels.
• 1:24:17
  Speaker 3: So if you 66 and you get into this for arguments and them kind of thing, and she had to thief 11,750 from me, I hope to live a life at when I back down my age 66.
• 1:24:31
  Speaker 3: We take 11,750 with the 18 year old self.
• 1:24:34
  Speaker 3: Yes, what is we really arguing about?
• 1:24:36
  Speaker 3: I don't understand it, and you know police must be so annoyed when they had to deal with situations like these.
• 1:24:43
  Speaker 3: This is just a nuisance to the police in our country where it's all kind of thing happening with crime.
• 1:24:48
  Speaker 3: But again, calypso is the way to solve these issues.
• 1:24:52
  Speaker 3: It always is.
• 1:24:53
  Speaker 3: You know what I mean, and I think Shorty gave us enough to hold on to where we could simply refer to him for some guidance on this.
• 1:25:05
  Speaker 3: Before I get to the point of a few shorty songs, I want to again give you a little bit of a warning to tell you Let the children and them make a wrongs.
• 1:25:15
  Speaker 3: This is a good time to once again Let the children and them make a wrongs.
• 1:25:21
  Speaker 3: Don't let the children and them hear this kind of music.
• 1:25:23
  Speaker 3: As a matter of fact, to be honest, I don't even know if adults could hear this kind of music.
• 1:25:29
  Speaker 3: The issue here is that we must always know what we're going into situations for.
• 1:25:34
  Speaker 3: Don't go into situations trying to be in pretense and trying to play no hero, cause when you play hero, you go end up being a zero.
• 1:25:43
  Speaker 3: So I want to play this first song that you should probably let the children make a wrongs for, but I feel I identified the issue with Pops.
• 1:25:52
  Speaker 3: Instead of just putting out your 11,000 to 50 and taking what you could get, making the best out of a bad situation, I feel you're went in with these kind of intentions.
• 1:26:02
  Speaker 3: Alright, shorty, that's enough.
• 1:27:09
  Speaker 3: Enough, enough.
• 1:27:12
  Speaker 3: Bring the children back in your room now, now.
• 1:27:14
  Speaker 3: But if I don't bring them back yet, not sorry, don't bring them back yet Tell them I say hold on right.
• 1:27:17
  Speaker 3: Tell them I say hold on.
• 1:27:18
  Speaker 3: And I want to give a message to the young lady involved here.
• 1:27:22
  Speaker 3: I mean, if you's 18 and you have a man 66 and you have to beat him to get him money, you should listen to this.
• 1:27:40
  Speaker 2: Love making is an art View of us master.
• 1:27:44
  Speaker 2: Some men can't even start to kindle their woman's fire.
• 1:27:49
  Speaker 2: Continuously they're leaving the poor woman on the shelf and always in a hurry, only satisfying the self.
• 1:27:59
  Speaker 2: Now, when she walk out and go, they can't understand that she left for lack of complete satisfaction.
• 1:28:07
  Speaker 2: But your woman could never leave you as long as she live.
• 1:28:12
  Speaker 2: If you play it smart and practice the art from this expert advice I'll give Listen.
• 1:28:19
  Speaker 2: If you want to be your woman, be the way she wants to be.
• 1:28:22
  Speaker 2: First dim the lights, then squeeze her tight.
• 1:28:28
  Speaker 2: I like that.
• 1:28:29
  Speaker 2: Whisper in her ear, stick your finger in her ear, soft she lips, massage she hip.
• 1:28:37
  Speaker 2: Then you move your pubic section in a slow circular motion as she eye gets sleepy.
• 1:28:45
  Speaker 2: Papa, is time to scoochie-woe-jee Woman, act differently.
• 1:29:01
  Speaker 2: I know, according to the race you'll find some woman noisy, anytime, anyplace.
• 1:29:08
  Speaker 2: Then summer story serve in all their doings, all the vibrant living.
• 1:29:15
  Speaker 2: Serve.
• 1:29:15
  Speaker 2: They cover their eyes and wouldn't say a thing.
• 1:29:17
  Speaker 2: Expansion Chinese will scratch you like they have claws.
• 1:29:22
  Speaker 2: The Indians, the whites, the Portuguese, mr Allis, yours.
• 1:29:26
  Speaker 2: But with a negro or a doubler you're in for a fight and I can tell you, brother, they pull up bigger and no one.
• 1:29:36
  Speaker 2: They have a betide.
• 1:29:37
  Speaker 2: Well, listen, if you want to be your woman, be the way she wants to be.
• 1:29:43
  Speaker 2: Take a nipple in your mouth that's a stickle all up.
• 1:29:47
  Speaker 2: Listen to her breathing and if she gasping like she's strangling it, go stop.
• 1:29:53
  Speaker 2: Continue.
• 1:29:54
  Speaker 2: Tell her what you're going to do, talk to she and make she answer that.
• 1:30:00
  Speaker 2: My friend builds the fire.
• 1:30:01
  Speaker 2: You must grow and grind your teeth and give me she's sour, tell she's sweet.
• 1:30:12
  Speaker 3: Don't call back the charity answer, because that song have a part too.
• 1:30:15
  Speaker 3: This might be the 18-year-old problem.
• 1:30:17
  Speaker 3: It is a risk, I agree, pushing your tongue in some women's air, because sometimes it's so waxy they might not catch in detail to hear.
• 1:30:31
  Speaker 2: So a man must have stamina and a strong constitution, because being a lover, believe me, takes a lot a man.
• 1:30:38
  Speaker 2: Imagine you kiss your girl and get a piece of her bake.
• 1:30:42
  Speaker 2: She ate quite a while.
• 1:30:49
  Speaker 2: The ex-boy lover will swallow that little smile.
• 1:30:55
  Speaker 2: And if she raise her hand and she have smell like stale potato, you must ask she, darling, she can sponk, can sponk, can sponk?
• 1:31:03
  Speaker 2: How you could smell like.
• 1:31:08
  Speaker 2: So Listen, if you want to be a woman, give her a lot of heat.
• 1:31:12
  Speaker 2: You've got to take your time.
• 1:31:16
  Speaker 2: Let's do all the grind.
• 1:31:18
  Speaker 2: And if she tell you wait, oh God's wait, don't stop you doing great.
• 1:31:23
  Speaker 2: Keep on the move, stay in the groove.
• 1:31:28
  Speaker 2: Now don't forget this nice little finger, this hot, magnificent finger, always keeping handy in case of emergency.
• 1:31:43
  Speaker 2: Yes, when a man going down the edge, he gets sponicky because that is the stage he's afraid of losing his virility.
• 1:31:58
  Speaker 2: But pleasing a woman only takes common sense and wit.
• 1:32:03
  Speaker 2: You don't have to be Superman, just know what to do and how to do it.
• 1:32:08
  Speaker 2: Some men, all they can make, but see them in the dark, hacking, if you will, trying to get a spark.
• 1:32:16
  Speaker 2: Man, this is frustrating.
• 1:32:20
  Speaker 2: Ask any woman and she will tell you she prefer take a hot dog anytime from a Chinese man.
• 1:32:27
  Speaker 2: But listen, if you want to be, you want to be the way she got to be and you're feeling old perhaps you're in jail on cold.
• 1:32:38
  Speaker 2: I know you may feel you want stimulant.
• 1:32:41
  Speaker 2: That's important.
• 1:32:42
  Speaker 2: If you feel shorty lying, we'll look for Panther asking you could do the same thing like Panther Find a girl who is a sport lover, take her to the savannah and get a hot dog, you're cricket and soccer.
• 1:32:58
  Speaker 2: What.
• 1:33:04
  Speaker 3: Alright, bring back the intro.
• 1:33:05
  Speaker 3: It's not always like that For the longest while I have this on my list and I just want to touch on the right verse, because one of the people who inspire me to do this is a woman by the name of Rhoda Bart.
• 1:33:16
  Speaker 3: When I used to see her doing her thing on going live and talking about issues and I was nowhere near as well researched and prepared as her when I come here and we had two different set of angles, right, and I was just looking at her along this I think I read this when it happened.
• 1:33:34
  Speaker 3: I can't remember, so let me go through it quick.
• 1:33:36
  Speaker 3: Right, it's a Rhoda Bart held in contempt of court to pay Gary Social media blogger.
• 1:33:43
  Speaker 3: Rhoda Bart and if you know the news source page, rhoda Bart is the person who run news source, right, she was a reporter before maybe freelance one of those media houses and she went off on her own.
• 1:33:55
  Speaker 3: I always admire people who do that, people who go off on their own and make their own websites.
• 1:34:00
  Speaker 3: I always talk about the Lysana library who carve his own thing, make your own website, make your own way, and she's been doing that for some years on the news source and breaking stories or getting deeper into some stories and going live and talking about things.
• 1:34:12
  Speaker 3: Just the way she did it, the way she put it together, it was professionally done.
• 1:34:16
  Speaker 3: It used to look good when she come on Facebook live and so on, especially during the pandemic.
• 1:34:20
  Speaker 3: It was a source of news and somebody could follow right.
• 1:34:23
  Speaker 3: So continuing to read it.
• 1:34:26
  Speaker 3: It said the declaration was made by High Court Justice Betsy Ann Lambert Peterson after Bart disobeyed a previous instructive order made by the judge that restrained her from republishing certain defamatory statements she had made against form of police commissioner Gary Griffith.
• 1:34:41
  Speaker 3: On August 2nd.
• 1:34:42
  Speaker 3: The judge had ruled that Bart was restrained, whether by herself, her servants, agents or by any other means, from speaking I don't know if that's right or wrong Publishing or causing to be published on Facebook or any other social media platform or internet web page or online media and or electronic print or media house any defamatory statements related to one of her earlier posts about Gary Griffith, in other words, dosing at Mark Gary Griffith at all.
• 1:35:09
  Speaker 3: And I was quite surprised after this first article or that first hearing that she went back and talked about it again.
• 1:35:17
  Speaker 3: Listen, you know, I don't know if you've heard the story of Tasha K and Cardi B right, they have a popular blogger named Tasha K in his state.
• 1:35:25
  Speaker 3: Go on and say a thing about Cardi B.
• 1:35:27
  Speaker 3: Cardi B carried this woman to court, win millions of dollars in her settlement that Cardi B don't need and Tasha K don't have.
• 1:35:35
  Speaker 3: And Cardi B, I can like 50 cents or you can't owe at all.
• 1:35:40
  Speaker 3: You know, I mean, she's coming for shamanian and this woman seemed to want to continue to talk about very, very contentious issues.
• 1:35:47
  Speaker 3: The first person sent me a letter all the way here from here again, you know it's the end.
• 1:35:52
  Speaker 3: Enjoy all these episodes and these episodes go be up until somebody send me a letter taking down all, not me.
• 1:35:56
  Speaker 3: I cannot afford to pay no lawyer, no court and go through court as well as hearing about court.
• 1:36:02
  Speaker 3: My belly started to hurt me.
• 1:36:03
  Speaker 3: I only have polo jersey and hoodie and thing and nothing to go to court in.
• 1:36:06
  Speaker 3: So I was really surprised when I went back on here and I was still talking about it.
• 1:36:11
  Speaker 3: I feel like it was a, I guess, defiant move.
• 1:36:15
  Speaker 3: But I also assume that people like her were always so well prepared that they also read the judgment good enough to know the parameters of the boundaries or what they could do or not do.
• 1:36:26
  Speaker 3: Clearly that was the case because they caught the whole line condemned to court because they're going directly against the court ruling.
• 1:36:31
  Speaker 3: But beyond that, I saw she did her life one day and basically say, listen, there's the end, I'm not doing news source, no more.
• 1:36:40
  Speaker 3: News source was supposed to be a short term thing, so she's coming off and I'm hoping that the two things not related that you get this injunction.
• 1:36:48
  Speaker 3: You have some kind of settlement for Guy I'm not sure what the amount is, but you have a settlement for him already and you're injuncted from talking about him more.
• 1:36:56
  Speaker 3: And it's kind of sad.
• 1:36:58
  Speaker 3: As I say, I used to enjoy her thing.
• 1:37:00
  Speaker 3: At one point in time I'd stop looking at what she was doing because it was influencing so much what I would talk about.
• 1:37:04
  Speaker 3: I find myself like I'd wait, and I have a whole podcast on the Rotor Baratot and then, somewhere along the way as well, I find like she gave very PNM and I was initially seeing her as extremely balanced and I started to see that differently too because it seemed as though and you know when it was the first time I noticed it.
• 1:37:20
  Speaker 3: Funny enough, there was a time she had invited Corme Inbert on the show and maybe before that or maybe I would have never think anything of it before that Inbert invite because Inbert is finance minister, one of the most criticized ministers around and people upset with Inbert and the decision-making and stuff.
• 1:37:40
  Speaker 3: So I think even as a journalist, whether you're PNM or UNC it shouldn't really matter.
• 1:37:46
  Speaker 3: You had to be very balanced in the way you approach and things were presented.
• 1:37:50
  Speaker 3: But she was almost blushing as a giddy when she was talking to him but it was the weirdest thing I've seen.
• 1:37:56
  Speaker 3: I've never seen anything like that and she's talked a lot about professional journalism and I'm not sure if it qualifies that when he comes on her life that qualifies as journalism but it's equivalent to me of somebody like.
• 1:38:08
  Speaker 3: There's a popular sportscaster by the name of Pat McAfee in his days, just like a huge deal at ESPN.
• 1:38:13
  Speaker 3: Who's have Aaron Rogers coming on?
• 1:38:15
  Speaker 3: A quarterback from Green Bay Packers at the time.
• 1:38:18
  Speaker 3: Aaron Rogers is a common Pat McAfee show and talk.
• 1:38:21
  Speaker 3: And when you have the expert, the Duke Talking Sports Hall, they know you have a man who plays sports at the highest level one of the best I ever do it coming on your show and just talking.
• 1:38:30
  Speaker 3: And that's how I saw Coleman with.
• 1:38:31
  Speaker 3: Coming on the bar at show is like a politician at that level, one of the best I ever do it all over the years.
• 1:38:36
  Speaker 3: The longest standing politician we have over the years now, or one of and he making appearance on your show, that's a huge stamp of approval for you.
• 1:38:46
  Speaker 3: But when you just take that and you giggie, giggie, giggie and you laugh and everything he say, you blush and too early, damn, you're flitting with one another.
• 1:38:54
  Speaker 3: It look away and make me start to look at her slightly different.
• 1:38:57
  Speaker 3: And then over time I started to become sort of a a little bit of a mouthpiece for the PNM.
• 1:39:04
  Speaker 3: It was a heart attack, the things, the UNCC breakdown, that.
• 1:39:07
  Speaker 3: So I mean maybe that turned off a little bit, but I do feel like she's one of the best in the space and especially in the what you want to call that vlogging or social media influence part of the media landscape and you feel it felt like you could turn to her for a little deeper or more in her story and more integrity in the story itself.
• 1:39:27
  Speaker 3: So I mean that part is sad to see her go.
• 1:39:30
  Speaker 3: I hope the two things not related and I hope that it is a.
• 1:39:32
  Speaker 3: It is a a little hiatus and she will return in some form because, more importantly, you know if he was making a business out of that.
• 1:39:43
  Speaker 3: I would hate to think that that, talking about Guy Griffith over and over cause it's a shut down your business or kill your ambition to build what you were building, what he was working on building.
• 1:39:55
  Speaker 3: So a little news source, a little road about sad to see her go and we hope you'll be back someday.
• 1:40:05
  Speaker 3: But I have a song to play and again, you know me, I just play the songs.
• 1:40:09
  Speaker 3: You know the song might not have nothing to do with the situation that I talk about.
• 1:40:14
  Speaker 3: Sometimes the song is just fitting randomly right and it's a shorty.
• 1:40:18
  Speaker 3: So let's hear what a shorty has to say now.
• 1:40:20
  Speaker 3: I live for a long, I know you and we want to.
• 1:40:58
  Speaker 3: So I'm just a nobody with nothing to do with you.
• 1:41:06
  Speaker 3: Oh, baby, I love you.
• 1:41:13
  Speaker 3: I live for a long, I know you.
• 1:41:17
  Speaker 3: I, I know you.
• 1:41:29
  Speaker 2: I know you, but, baby, tell me, and you can't give me a word, but we can never love you.
• 1:41:40
  Speaker 2: We'll never love you.
• 1:41:43
  Speaker 2: Oh Jesus, I just love you.
• 1:41:47
  Speaker 2: You can't give me any place.
• 1:41:52
  Speaker 2: You want to take me to my best friends.
• 1:41:56
  Speaker 2: I can only watch you with my face start the game, baby.
• 1:42:04
  Speaker 2: I, I love nothing.
• 1:42:26
  Speaker 2: I, I know I, oh, I just watch you as you move on, drop in the arms of somebody.
• 1:42:43
  Speaker 2: Yes, my baby.
• 1:42:45
  Speaker 2: So I know you.
• 1:42:50
  Speaker 2: Who can love baby?
• 1:42:55
  Speaker 2: I, I, I, I, I, I need you, baby, I, I, I, I.
• 1:43:18
  Speaker 2: I I.
• 1:43:25
  Speaker 3: I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I I.
• 1:45:18
  Speaker 2: I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I I.
• 1:48:03
  Speaker 3: I I.
• 1:48:05
  Speaker 3: I.
• 1:48:07
  Speaker 3: I I.
• 1:48:10
  Speaker 3: I.
• 1:48:13
  Speaker 3: I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I I.
• 1:49:39
  Speaker 2: I, I I.
• 1:49:42
  Speaker 2: I.
• 1:49:46
  Speaker 2: I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I I.