Latest / The Price of Fear Collection / The Price of Fear - Fish
Transcript
- 0:11The Price of Fear, brought to you by Vincent Price. Hello there,
- 0:23do you like fish to eat? I mean, not to look at or
- 0:27catch what I do. I am, in fact one of the world's most
- 0:31compulsive episcopores. I find there is an almost ritual purity about fish. The
- 0:38Japanese, you know, eat their fish raw, shredding and flaking the flesh
- 0:43and dipping it into peco sauces. So yeah, horseradish, that sort of
- 0:48thing. The effect can be delicious, a delicate point and counterpoint, air
- 0:53and descant plucking at the palette. The taste can be exquisite. And yet
- 0:58if you should think too hard about those raw, gelatinous strips of fish,
- 1:03you may find the feel of them, the sight of them even is somehow
- 1:07obscene. But in my attitude in these matters is colored by a most unnerving
- 1:15experience I underwent in Australia. I'll call this story simply fish, because as
- 1:23each stage of the episode unfolded, it was impressed on my memory by some
- 1:30episcatorial piece of gastronomic delight. It started in a Sydney restaurant about five years
- 1:38ago, with a dozen of the celebrated rock oysters, with lemon and cayenne
- 1:44pepper and all the usual trimmings. I was lunching with Greg Rossmark, an
- 1:49aspiring actor who wanted to come to work in London. We were just debating
- 1:53whether another half dozen would be sheer bliss or pure greed, when suddenly Vincent
- 2:02It is Vincent, isn't it Vincent Price? Well, yes, Jane Williamsy,
- 2:09I don't suppose you remember, but we did once actually work on a
- 2:15film together. Well, yes, I believe I do remember. It was
- 2:20a long time ago at Elstreet, wasn't it. That's right? I strangled
- 2:25you? What a charming fun But I only strangled the nicest people. Sorry,
- 2:31Jane, let me introduce you to Greg greg Rossmark. He's also an
- 2:36act, an eminently unsuccessful one. Hello, how do you do? Won't
- 2:39you join us? No? No, thank you very much. I must
- 2:43be going. Are you working over here? And no, missus Williamsy in
- 2:49the theater, I mean no, no, the theatre gave me out for
- 2:52dead right after Vincent strangled Well, I can't believe that I was that realistic.
- 2:58It was probably symbolic of something or other, don't you miss it?
- 3:05The theater maybe, but you can't have everything. Can you sure you won't
- 3:09join us? Now? This seems so much we might talk about No,
- 3:13No, really, I can't. Richard's already waiting at the table, and
- 3:16he's due to start glowering any moment. Now, Oh that's a shame.
- 3:22Look how long are you here for? Oh? Just a week or so.
- 3:24I started filming in Hong Kong at the end of the month. Why
- 3:29don't you come over to lunch with us on Sunday. We're only over at
- 3:32Manly and I'm a much better cook than I ever was an actress. I'd
- 3:42love to come. Oh well, very well, then we'll both come.
- 3:46Oh well, fine, Well it's number six Sandy Avenues. It's right on
- 3:52the beach. You can't miss this right till Sandy Then, anytime after twelve,
- 3:57we'll be there. Bye bye, good bye, Lovely one. I
- 4:03do apologize, Ben, since whatever before falling in on your invitation like that,
- 4:08it obviously through you. While I suppose it did, I just wasn't
- 4:12expecting it summer, neither was she. I was. I was trying to
- 4:17stampede you into accepting that. You succeeded admirably. I don't see why that.
- 4:23And I thought that you were going to refuse. Well, would that
- 4:26have been so disastrous? Not to you, maybe, but it it might
- 4:32have been to her. I didn't see how it could have been. I
- 4:34hadn't seen her for years, and I barely knew her even theirs. I
- 4:39know, I know, but there's just something about her. It's well,
- 4:45it's sort of difficult to put your finger on. But the eyes were out
- 4:49of phase with the voice all the while she was talking. The eyes looked,
- 4:56well, they looked, Oh, come on, Greg, don't let
- 5:01your imagination run away with your imagination? Be damned imagination? What is imagination?
- 5:10A mental trick? A simple piece of sleight of mind that projects facts
- 5:15into fantasy or fantasies into fact. Anyway, the following Sunday, Greg picked
- 5:23me up at my hotel and drove us out across the Sydney Harbor Bridge towards
- 5:28the North Shore and Manly. The other day in the restaurant Vincent, when
- 5:33Jane Williamsey introduced herself, did you really remember her right off? Just like
- 5:40that? Yes? Yes, she wasn't the sort of woman you'd forget easily,
- 5:44especially after her performance in that film. Was she good in it?
- 5:48Very good on it? Positively scandalous, Yes, quite literally. So she
- 5:56brought the picture to a grinding halt about halfway through the schedule, or how
- 6:00she managed. She ran off with the director. Oh yeah, she took
- 6:04off just like that, left us, her husband, everybody flattened, just
- 6:09a cough. Believe me, it was no laughing matter. It couldn't have
- 6:12been, and at least it wasn't. At that time. We had to
- 6:15get a new director in and a new lady for me to strangle, and
- 6:19we reshot every scene that Jane had been in. Oh, it was an
- 6:23absolute nightmare. And U and what happened to her, Jane was she just
- 6:30disapeated. They both did off the set, out of the business, off
- 6:35the face of the earth, for all I knew. Her husband hired some
- 6:40inkury agents to find them, and for a few weeks we were all up
- 6:43to our ears in private eyes. I sometimes wonder why he bothered. It
- 6:48could hardly have come as a surprise to him, not with a woman like
- 6:53that, A woman like what, well, she was younger then, of
- 6:57course a lot more arrogant. She seemed to generate a sort of sexual electricity.
- 7:04She had an almost animal magnetism that could devastate a man. I'll tell
- 7:12you something, Vincent, she still got it. I wonder what a husband's
- 7:21lying were more important. I wonder if he's a film director, or even
- 7:28an ex film director. I guess we'll soon find out we did and he
- 7:33wasn't a film director. Jane's husband turned out to be a broker on the
- 7:40Sydney Stock Exchange, but even that turned out to be more of a sideline.
- 7:45His real occupation was swimming, surfing, yachting, all the classic activities
- 7:50of the professional outdoor type. Richard was a good outdoor cook too, and
- 7:58what he could do with an open fire was beyond belief. It's going on
- 8:03nicely, won't belong Benson? You always eat our fresco like this, Richard.
- 8:09We only make a think of it at the weekend, and I can
- 8:11think of worse ways of passing the right. Nice to see Jen enjoying yourself
- 8:20so much, and I'm surprised takes it out of you, especially when you're
- 8:28not used to it. Greg was he was teaching me to ride the sun?
- 8:35Sure, Greg, what's that mark? But they're on your leg?
- 8:41Oh? Oh that that's a birthmak all right. It's almost a family crest.
- 8:46It occurs at least once in every generation in our family. Always the
- 8:50same place. No, but it's usually on an arm or a leg somewhere,
- 8:54and it's always but always the same shape. You see an open rose.
- 9:00Oh, yes, how you pointed out it is like a rose my
- 9:03uncle, my grandfather. There's more identical. What's extraordinary? How far does
- 9:09that go back? Well, you see, my family's name is ros Mark,
- 9:13and I suppose originally it was a rosemark. But well, god knows
- 9:20when that starts. Oh, that really does smell delicious, Richard, it's
- 9:26coming on. What is it inside the tinfoil? I mean, it's a
- 9:30whole big time. It really is very good eating. Richard carves it off
- 9:35in great chunks, and you dip it in the showy sauce. Well,
- 9:39I can hardly wait. Tell me where on earth did you learn to cook
- 9:43food? Japanese star Richid I found any style of cooking absolutely fascinating. We
- 9:48were taught this by a party of Japanese stockbrokers that we took fishing. But
- 9:52what sort of fishing? Tuna? Barrakuda? Marlon, if you're lucky,
- 9:56oh, the big game bit huh. Richard has his own boat down the
- 10:03coast at Burmagooey. We charted it out most of the time, but we
- 10:09reserve a few odd weeks for ourselves. You go fishing, Jane, No,
- 10:15he prefers to stay here. Hmm. I can imagine. It must
- 10:20be a far cry from el Street to burmagoy. Don't drag all that up
- 10:24rosmuck, for peepsake, drag all water, the theater, the bright lights
- 10:28and all that crap. It's much better up where she is. Anti Jane,
- 10:35Yes, did did you two know each other before before? What?
- 10:41Well, before before Jane gave up the theater? My yes, of course
- 10:50I married her when she was still a drama student, and in the end
- 10:56it was me that made her give it all up, wasn't it done?
- 11:03Could hardly believe it. This was the husband that she had left on her
- 11:07runaway romance. What could have happened had he found her or had she come
- 11:13back to him? And what about the flyaway film director? What had happened
- 11:18to him? Well? When I got back to London, I mentioned his
- 11:24name around a few times to see if I had got any response. I
- 11:28didn't. People remembered him, but no one had seen or heard of him
- 11:33since he had run off with that actress. As they put it, they'd
- 11:39both run off, of course, but only Jane had come back. I
- 11:45wondered, so dark a thought, So dark a thought, It lodged unnoticed
- 11:54in the shadows of my memory until last year when I went back to Australia,
- 12:00back to Sydney. Perhaps it was the same unnoticed thought that made me
- 12:05phone the one time Jane Willielmsy and her husband to invite them both to dinner.
- 12:13I remember the occasion. Well, we had a quite extraordinary Australian Hawk
- 12:18with a quite excellent lobster, a lamorica. How long will you be in
- 12:26Australia this time? It's only a few more days than I go to Japan
- 12:30for eight weeks of filming. Might come back here after that, though,
- 12:33just for a short vacation trip. Oh well, then you must come up
- 12:37to stay with us in Brisbane. It'd be lovely to see you. Yes,
- 12:43I didn't, Richard, tell you, But tell me what, Richard,
- 12:46we're moving has Well, what would you do in Brisbane? Fish?
- 12:56I've sold much this interest here in Sydney and invested in a couple of boats,
- 13:00awful engines properly fitted out. You know, chair rods, harpooned,
- 13:03rotation barrels, a lot. We can take anything, salefish, black marlin,
- 13:09the big sharks, the tigers and the great whites. Why do you
- 13:13go all the way up to Brisbane? I mean, why not stay in
- 13:16BRIMAGOUI That was Richard's decision. The charter rates are much higher up in Queensland,
- 13:26better fishing all the year round. Two Richard's going to skip a one
- 13:30of the boats himself. Well what will you do, Jay, I'm sure
- 13:33there'll be a great deal to keep me occupied. You're probably enjoyed. Once
- 13:37she gets settled in, we'll see. Have you seen Greg greg Oh?
- 13:46Greg Rossmark? You mean now, have you seen anything of him recently?
- 13:50No? Yes, not recently. How is he? Why it's it working?
- 14:00No? No? He gave up the theater. After dinner. I
- 14:05saw them to their car with a promise that I would visit them in Brisbane
- 14:09on my return from Japan. I watched them out of sight and turned to
- 14:15walk down to my hotel and the cool night air. Suddenly I became quite
- 14:20chillingly aware that someone was walking almost at my shoulder, following me. I
- 14:28stopped. Suddenly, I had to turn and face him out it been surprised.
- 14:37Yes, do you remember me, Greg greg with the rosemark on his
- 14:43leg? Greg Greg ross Mark. Of course I hardly recognized you. Are
- 14:50you all right? Let's just say that I'm sort of sick. You were
- 14:56with her, weren't you? You mean Jane? Yes, I've just had
- 15:01dinner with her and Richie. Ye I saw it. Did you mention me?
- 15:05She said, you hadn't seen you recently? No, No, he
- 15:11won't let her, not since he found out found out her. Well,
- 15:18is that why you never went to England? Yes, it happened again.
- 15:28You see we are Ah, you wouldn't understand you mean you ran away together?
- 15:35No? Everything, But that's funnily enough. She wouldn't come with me.
- 15:43She she was frightened, frightened of what of him? Of course she's
- 15:50terrified of him. Then when he found out about us, she refused to
- 15:56see me again. She sends my letters unopened. Every time I phone,
- 16:03she bursts into tears and keeps saying, well, moaning, stay away,
- 16:10for God's sake, stay away from me. Oh the way she says,
- 16:18it tears the heart out of you. And I know it's It's not what
- 16:26she wants to say, I can tell Greg maybe she's right. No,
- 16:30otherwise he wouldn't be taking her away from here, far away where he thinks
- 16:36I won't follow. Well, he's wrong. You can tell him from me
- 16:41that he's wrong. I'll follow wherever he takes her. I'll follow to the
- 16:48ends of the earth if need be. You tell her that, will you,
- 16:52to the ends of the earth, To the ends of the Earth's shuffled
- 17:00off backwards into the night until the shadows seemed to engulf him completely, leaving
- 17:08me with only the recollection of the desperation in his eyes and the strained emotion
- 17:15of his voice. As I turned into my hotel, I knew that I
- 17:22would need a vacation after my work in Japan had finished. Knew that I
- 17:27wanted to try my hand at big game fishing, and so nine weeks later
- 17:34I found myself on the open patio of Jane and Richard's new house, eating
- 17:40a homemade croiss on and drinking fresh ground coffee in the pale sunshine of an
- 17:45early morning in Queensland. Oh please, and by the way, I congratulate
- 17:52you on your Crossah, they're delicious. Not all even face today was just
- 17:55that inside of you it's a woman's records. Well, I certainly couldn't face
- 18:00the day at sea with a stubbach for of bacon, sausage, eggs tomato.
- 18:04Don't get the tomato. It keeps the corpuscles coming the right color.
- 18:08At least, that's what my old grannie used to say. But mine said,
- 18:11they gave you a pen deciple before Vincent. Now, I never seem
- 18:18to have had the time, and I've never been convinced that I had the
- 18:22patience. I know what you mean, but this is nothing like ordinary angling.
- 18:26You see, you don't just sit around and wait for the fish to
- 18:30come. You have to go out and look for them. Well, you
- 18:32have to know where to look. Presumably, well, I seem to know
- 18:37where to look for shark. Richard's landed more sharks in the past fortnight than
- 18:41anyone can remember. He's making quite a name for himself. What kind of
- 18:47sharks do you get in these waters? All the worst sorts or best sorts,
- 18:52according to your point of view. Tigers, mako, hammerheads. I've
- 18:56even taken a couple of whites, small, of course, but even the
- 19:02small ones a man eaters. What happens if you meet a big one.
- 19:07I beg you've got a fight on your hand. That could be real sport.
- 19:11Yes, well I'll just go and learn if I'll give you a hand,
- 19:17Rich, see to it. You've finished your coffee in peace? Yeah,
- 19:19you stay put. I know where everything goes. Vincent, have you
- 19:30seen anything of Greg? I saw him that night that I had dinner with
- 19:34you both in Sydney. Not since then? No, Why did he say
- 19:41anything about me? Well, he did say he'd follow you, follow me
- 19:45here anywhere to the end severe earth. That's what he said. Oh god,
- 19:52no, not again. That's rare. He's here. He's in Brisbane.
- 19:59You've seen When was that to? No? Nearly three weeks ago and
- 20:07you haven't heard from him since. No. I told him to keep,
- 20:11to go back to Sydney and forget me. Do you really think so?
- 20:19Do you? No? Go on, listen, kind to get moving.
- 20:26Why did you come, Jane, there's only us two fishing. You could
- 20:32try your hand. No thanks anyway. I want to go into town today.
- 20:37Yeah, okay, drive carefully. I will have a good day you
- 20:42too, Vincent. Have a good day, have a good week, have
- 20:48a good year, have a good life. What does it mean as if
- 20:53you can wish anything on anyone, or induce even the most mird no change
- 21:00in patterns of events that have been irrevocably pre cast in the unyielding concrete of
- 21:07too many yesterdays. A good day it was, then, in the sense
- 21:12that the sky was blue and the sun was warm, and the swell of
- 21:18the ocean was at its most pacific. Good boat and a good crew in
- 21:23the shape of Jack, a laconic x swagman from the northern Territories. All
- 21:29it needed was good fish. I wish that had been all we've got.
- 21:37Patience, mister Price, that's what's laid out here. But they're not biting
- 21:42to day Jack. I will I always do give a bag another bank.
- 21:48Yeck, right up? What is that thing? Yeah? Just hang it
- 21:53over the side of the boat and leaves a trail behind you for miles.
- 21:57As soon as anything finds it, it turns and follows it right onto the
- 22:02hook. At least that's the theory. But have you got inside it?
- 22:06That's what we call chum. That's a sort of a polite way of saying
- 22:11smelly bits of fish and meat and awful, especially awful anything that'll lose blood
- 22:17and oil into the water. But I wonder what it'll turn up today.
- 22:19Shark, that's all. He seems to be interesting. They'll have to take
- 22:23what comes, though, won't he. I mean, he can't pick and
- 22:26choose. He does, at least he seems to. Well, how can
- 22:30he? It's just not possible. You can't just whistle up which fish you
- 22:33want. No, but you can't take all the baked fish out of the
- 22:37dobby bag and just leave bloody meat in there. Then what you put into
- 22:42the water is not so much an oil slick as a blood trial that'll bring
- 22:48the sharks running. But kin Jack, I don't understand this obsession of his
- 22:52with sharks. I really, don't, you say? I do. Yeah,
- 22:56they're not as good as milin a sailfish. I don't have the heart
- 23:00the skippers said on fighting a big great white. But I only hope that's
- 23:03not a death witch. We got a visit a jack. What is it?
- 23:10Tiger? About ten foot of him? Better get into the chair,
- 23:14mister pass sir, There we go, right, Aw, he's curtaining for
- 23:21the strike, steady. Yeah, here he comes. Let him run and
- 23:30don't holding onto him yet. Don't strike until he stops and starts to bite
- 23:34on him and strike hard, and don't stop to pick the daisies. I'll
- 23:37tell you when. Okay he slow wait for it. Uh huh, he's
- 23:44turning. Here he turn Oh what happened the line broke? Oh? What
- 24:00is the breaking strain on that line? Around one thousand pounds? I had
- 24:03some fish? Had there vincent til I rig another hook? Yeah, Jack
- 24:07might as well. Do you think he's still around? It depends if he's
- 24:10still got the hook in him. Hey, there he is where right under
- 24:14the sun? Oh? What's he doing that for? He's circling what we
- 24:21would got nothing else? Here he comes, he's going to attack the boat.
- 24:25Hold on, hoss, he's crizy. It's madness of bloody maters.
- 24:30I I got it to get off, your pricey bastard. Get off.
- 24:41What the hell was all that about? I've never known that happened before.
- 24:47Whatever it was, I'd prefer it not to happen again. Truth, he
- 24:52was after the dubby bank. What see for yourself? We looked over the
- 25:00stern of the boat. The shark had indeed attacked the doubby bag. He
- 25:06torn over half of it away from its rope. The gristly gory bait or
- 25:10chum as Jack called. It was already dispersing through the water. And then
- 25:15I saw the canvas, a shredded piece of the bag that had been torn
- 25:19away from the rest. It was floating precariously just below the surface of the
- 25:25water. On it was a piece of meat, a small piece of meat
- 25:30with a yellowish bloodied skin. And on the skin was a mark, a
- 25:37distinctive mark in the shape of an open rose. Then the movement of the
- 25:45sea washed it off its canvas raft and committed it forever to the deep.
- 25:53Well, next time you eat fish, you may care to remember this little
- 26:00episode, But I hope it doesn't quit you off. I'm still a committed
- 26:06episcopore, with the single exception that I will never never eat fish and chips
- 26:11In Australia, flake and chips as they call it. It's a great favorite
- 26:17out there. But flake, of course is shark. Meet goodbye, bona
- 26:22petite that was Vincent Price bringing you The Price of Fear with Bruce bebe Lewis,
- 26:52vander Amanda Mari and Bill Kerr. The story Fish was first recounted and
- 26:59dramatized by Rainny Basilico and produced by John Dash