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Transcript

Lux Radio Theater - 503Saltyoroarke Broadcast 11/26/1945 · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: Luck presents Hollywood.
• 0:18
  Speaker 2: Look Grenwell, bring Joe Alan Rodd, William Demaris and Marjorie
• 0:23
  Speaker 2: lellod In. Lord, Ladies and gentlemen, We're happy again to
• 0:33
  Speaker 2: present our producer, mister William Keeley, who gave you such
• 0:36
  Speaker 2: screen hits as Brother Rat Balley of the Giants, God's
• 0:40
  Speaker 2: Country and the Women Collid Zone, Each John I Die
• 0:44
  Speaker 2: and many others. Mister William Keeley.
• 0:53
  Speaker 3: Readings from Hollywood, Ladies and gentlemen. Tonight we are host
• 0:57
  Speaker 3: to a very distinguished Dadoins in our theater. Everyone present
• 1:01
  Speaker 3: has gained his or head admission to the.
• 1:03
  Speaker 2: Purchase of a victory bond. All together our theater.
• 1:07
  Speaker 3: Audience has purchased for this performance almost two million dollars
• 1:11
  Speaker 3: worth for bonds, probably one of the highest admissions ever
• 1:14
  Speaker 3: rais for a radio broadcast.
• 1:17
  Speaker 2: Certainly the money is invested.
• 1:19
  Speaker 3: For great wires and patriotic reasons. As for you of
• 1:23
  Speaker 3: the listening audience, I'm sure you too intend to be your.
• 1:27
  Speaker 2: Part in putting over the current victory lane.
• 1:29
  Speaker 3: Driver ing bring you on this stage tonight an exciting
• 1:34
  Speaker 3: post war dramma of a racetrack.
• 1:37
  Speaker 2: Palmount's screen hit Saortyr Walk.
• 1:40
  Speaker 3: Starting our cast is a gentleman for whom his studio
• 1:44
  Speaker 3: has great plans, and for whom this theater has great affections.
• 1:48
  Speaker 3: Alan Lad in his original school role as Salting co
• 1:53
  Speaker 3: starred with Allan Is, Bill Demros also Fain the screen cast.
• 1:57
  Speaker 2: And Marginal Reynolds has Barbara Books, the.
• 2:01
  Speaker 3: Girl whose charming loveliness melt the hearts of two men
• 2:05
  Speaker 3: who supposedly have hearts above the melting point. And when
• 2:09
  Speaker 3: it comes to women who from melt hearts, we are
• 2:12
  Speaker 3: pretty close to our product. Lux Tellatso Lovely women from
• 2:17
  Speaker 3: Center and their clear to Belmont Park quit their faith
• 2:21
  Speaker 3: in LUs Tellatso, for they found that wherever romance is
• 2:25
  Speaker 3: at stake, it pays our heavily. It's post time and
• 2:29
  Speaker 3: Where's the first act, starring Alan Ladd as several rock women,
• 2:34
  Speaker 3: Demorist as Smithing, and Margina Reynolds as Barbara where the James.
• 2:39
  Speaker 2: Cardwell as Johnny Kate. It's a chilling the rainy afternoon
• 2:52
  Speaker 2: in Los Angeles.
• 2:54
  Speaker 3: In a deep, dimly lighted corner of a second rate cafe,
• 2:58
  Speaker 3: three men discussed the lousy got from amantament of prints.
• 3:03
  Speaker 1: Yees sawdy and Servan was too bad about your partner.
• 3:06
  Speaker 1: Jackson was a nice fellow. Yeah, I guess somebody must
• 3:08
  Speaker 1: adde it in from her sawbie or bullets in his head.
• 3:12
  Speaker 2: Now, you guys didn't follow me the l at the car.
• 3:14
  Speaker 1: But Jackson, no, you owe me twenty thousand dollars when
• 3:18
  Speaker 1: I hurt 'em in. Jackson barred that dough from you.
• 3:20
  Speaker 1: Not mean that's right, and then he skipped down. I
• 3:24
  Speaker 1: never even saw the money. Jackson was your partner. What
• 3:26
  Speaker 1: he does, you're responsible for. See, that's what the law says.
• 3:29
  Speaker 1: And I say I'm on my dough or elseon something
• 3:33
  Speaker 1: like that. Yeah, well I'm dog giving a little time.
• 3:36
  Speaker 1: Suppose I said no, Now, you know better than man.
• 3:39
  Speaker 1: The dead man can't pay up.
• 3:41
  Speaker 2: Okay, I'm giving you thirty days.
• 3:44
  Speaker 1: They tell me something.
• 3:45
  Speaker 2: How are you gonna raise twenty grand in thirty days?
• 3:48
  Speaker 1: Right? Well, I uh, I got a horse in mine.
• 3:51
  Speaker 1: Guess I'm thankful buying the resouce. Good luck, Selviy Come
• 3:54
  Speaker 1: on there, you.
• 3:55
  Speaker 2: Will hurt 'em thirty days?
• 3:57
  Speaker 1: Yeah, I heard him.
• 4:05
  Speaker 4: But porch, where you're gonna raise twenty thousand bucks?
• 4:07
  Speaker 2: That's what that's so long to Now. I don't know, Smitty,
• 4:10
  Speaker 2: but we're starting.
• 4:10
  Speaker 1: In my cuplings. Getting back to myself again. They all
• 4:14
  Speaker 1: are bringing up to buy the horse.
• 4:16
  Speaker 5: Horse?
• 4:16
  Speaker 1: What horse? The matter of fact's horse Whippers?
• 4:19
  Speaker 6: A horse I told you a doesn't times Whipper is
• 4:22
  Speaker 6: great that the end of jockey leven they.
• 4:23
  Speaker 2: Can stay on his back. He's a man either.
• 4:26
  Speaker 1: Why I'm try the bund us a cheap that's for
• 4:28
  Speaker 1: a jockey. I think maybe Johnny Cake's that boy?
• 4:31
  Speaker 2: Have you blown that topper orse?
• 4:33
  Speaker 4: Nobody can ride in my jacket. He has been buying
• 4:35
  Speaker 4: from every track in the country.
• 4:36
  Speaker 2: That's the best I can do with the two rug
• 4:38
  Speaker 2: Then well, promise me one thing.
• 4:40
  Speaker 6: That you won't buy this horse until your pointing out
• 4:42
  Speaker 6: whether this little rook fair crook and ride him or not?
• 4:46
  Speaker 2: Okay, got riders where Johnny Case might be right now? Yeah,
• 4:50
  Speaker 2: they don't want it all.
• 4:51
  Speaker 1: I think you're going with these couplings run our way
• 4:56
  Speaker 1: over start there's an a couple of his fad Oh
• 5:04
  Speaker 1: I got that?
• 5:05
  Speaker 2: Huh No, I'm not couplings ring around storm people.
• 5:09
  Speaker 6: I found him inside there botch. Give me a couple
• 5:11
  Speaker 6: of bruns playing the slot.
• 5:12
  Speaker 2: Machines for makeup.
• 5:13
  Speaker 1: Johnny.
• 5:13
  Speaker 2: My name is sorry Roy, every one?
• 5:15
  Speaker 1: What what's that you re se that back there and
• 5:19
  Speaker 1: look judging, Johnny, don't give me a cigar.
• 5:22
  Speaker 2: I don't have a cigar. Don't shut up now, you boys.
• 5:25
  Speaker 1: Mind if I getting on the elevating discussion, I ask
• 5:28
  Speaker 1: to what it's all about? Then I would like to
• 5:30
  Speaker 1: be a jockey again, Johnny, come again my jockey and
• 5:33
  Speaker 1: my partner.
• 5:35
  Speaker 2: I'm the honest that it.
• 5:36
  Speaker 1: Is the ten and we do the Buddhies.
• 5:37
  Speaker 2: We work together and live together. And when the devil
• 5:39
  Speaker 2: and harm to get together with two thousand bucks, No.
• 5:43
  Speaker 1: They're going to raise slight there, I says to put
• 5:45
  Speaker 1: a first poop.
• 5:46
  Speaker 2: Oh, I got the play doll. I needs the boy.
• 5:48
  Speaker 2: But what's the hood? The one becoming the middle you?
• 5:51
  Speaker 2: And it's this horse we got he eats shots the
• 5:54
  Speaker 2: cat riding.
• 5:54
  Speaker 1: The smooth deal.
• 5:55
  Speaker 2: But put the doll a little that I can't drive,
• 5:58
  Speaker 2: But we won't live the track of the stage. See
• 6:01
  Speaker 2: some things about a crooked race.
• 6:03
  Speaker 1: I was in a cent as a bathing or never
• 6:05
  Speaker 1: mind that. I can get your license. You've got a brother,
• 6:08
  Speaker 1: haven't you.
• 6:09
  Speaker 2: Yeah, I come book them dad, me seventeen years old
• 6:12
  Speaker 2: into regular information and you're twenty one. You're wrong twenty two.
• 6:18
  Speaker 1: There's nothing to it.
• 6:19
  Speaker 2: All you do is right for Timothy's er specific and
• 6:21
  Speaker 2: that's that. Hey, you're a pretty cagy citizen. Huh, okay
• 6:27
  Speaker 2: versus please, I can't ride.
• 6:28
  Speaker 1: I got him at a ranch in the San Diego
• 6:30
  Speaker 1: what take a look at him the night that that rightsman?
• 6:33
  Speaker 6: That's right?
• 6:34
  Speaker 2: Stay around eleven thirty? Let you mean eleven thirty? God,
• 6:37
  Speaker 2: worry kid, you don't mind running in the dark. I
• 6:40
  Speaker 2: don't get this at are okay?
• 6:42
  Speaker 1: Smitty?
• 6:43
  Speaker 2: Yes, the boy wants a hill latch.
• 6:46
  Speaker 1: We'll, we'll. I've got the love. That's better.
• 6:49
  Speaker 2: Oh, Smithy, you want to make a phone call, don't you? Yeah? Yeah,
• 6:54
  Speaker 2: I guess I better.
• 7:03
  Speaker 4: Be sure you wanna go through with this horse?
• 7:05
  Speaker 1: Uh? Stu things and chicken? What the watchmen say? Just
• 7:08
  Speaker 1: like you said when they found him. Oh, I guess
• 7:10
  Speaker 1: everything is okay. I gave him ten bunching and disappeared,
• 7:14
  Speaker 1: stilling all and down for him when footballs each saddles only?
• 7:18
  Speaker 2: I where what away up? Why don't you tell me this?
• 7:21
  Speaker 1: There's a crust your stable?
• 7:22
  Speaker 4: Put the pipe down?
• 7:23
  Speaker 1: Huh? What's the matter?
• 7:24
  Speaker 7: Shut up?
• 7:25
  Speaker 2: What's all they buy? Whispering for?
• 7:26
  Speaker 1: Oh?
• 7:27
  Speaker 2: Uh?
• 7:27
  Speaker 1: We just stone and wake the other horses kidding.
• 7:29
  Speaker 2: Huh oh, huh oh, this is Ripper, a great horse. Great,
• 7:34
  Speaker 2: bring your monsterdy? Well what about climb they do? Get
• 7:38
  Speaker 2: out of there? You have to take that of fee?
• 7:40
  Speaker 2: Come in, I get down, said why else?
• 7:41
  Speaker 1: Money?
• 7:41
  Speaker 2: I'm making him discipline? Well, what do they think he's going?
• 7:43
  Speaker 4: They may get down there?
• 7:45
  Speaker 7: Back back here for it?
• 7:47
  Speaker 1: Back?
• 7:47
  Speaker 2: What's seeing him and the horse supposed to be doing?
• 7:50
  Speaker 2: Oh uh oh, Stelly just justified me. He loves horses
• 7:54
  Speaker 2: all like it. Come I take him, give me a trouble.
• 7:57
  Speaker 1: What uh watches meday? Okay, okay, I just take a
• 8:02
  Speaker 1: couple of turn in the practice director. I I wanna
• 8:05
  Speaker 1: say him and remember this nag's got a mind of
• 8:09
  Speaker 1: his own. I'm the God's gonna change it. Let him go,
• 8:12
  Speaker 1: all right, come on to that to Patty kicks, come on, ask.
• 8:16
  Speaker 4: Me why don't you hold on?
• 8:17
  Speaker 2: I want care kick and star on and I top man, Well,
• 8:20
  Speaker 2: I'm top to come on, get out there and run.
• 8:22
  Speaker 4: Come on, now, let's go.
• 8:23
  Speaker 2: That's way I'll say this day.
• 8:27
  Speaker 6: Look at that damhl good and there the kid look
• 8:30
  Speaker 6: at him, look at him? All right, bryer man, kid,
• 8:38
  Speaker 6: bring him in, Oh, how did you do it?
• 8:40
  Speaker 1: That was was a man killer.
• 8:41
  Speaker 2: I'll just talk to him, man the man. You talk
• 8:45
  Speaker 2: to him that, he says, everything's gonna be okay, worse,
• 8:49
  Speaker 2: what are here now?
• 8:49
  Speaker 1: I'm talking horse?
• 8:51
  Speaker 2: Okay, So let me take him back to his star,
• 8:52
  Speaker 2: will stop by, let him buy him by him. Don't
• 8:55
  Speaker 2: tell you any wrong this nag all right?
• 8:57
  Speaker 1: Just see if you could ride him? Didn't I hopefully
• 8:59
  Speaker 1: tell Let's get got here? Well, I do like the
• 9:07
  Speaker 1: Bungalow kid. Yeah, no complaints, but I was his home,
• 9:10
  Speaker 1: sweet home. The latter the Dllington handicap. You mean a
• 9:12
  Speaker 1: job Clive's boss.
• 9:14
  Speaker 5: Yeah.
• 9:14
  Speaker 1: I just saw the real estate man downtown.
• 9:16
  Speaker 2: Oh h Johnny.
• 9:18
  Speaker 1: I stopped by the track too. I saw the racing
• 9:21
  Speaker 1: secret tak now. Yeah.
• 9:22
  Speaker 2: But we settle there that nictity where everything's okay. It's
• 9:25
  Speaker 2: just a little matter.
• 9:26
  Speaker 1: Of going to school. Go under there. School at uh
• 9:30
  Speaker 1: versus certificate says you're seventeen. The state law says you
• 9:33
  Speaker 1: gotta go to the eighteen.
• 9:34
  Speaker 2: Oh there was from the time, no horses, I d
• 9:37
  Speaker 2: don't do no right.
• 9:38
  Speaker 1: They got our school outside of the track. All under
• 9:40
  Speaker 1: age jockeys go there. But if you wanna ride, that's
• 9:43
  Speaker 1: where you're going.
• 9:43
  Speaker 2: I got all the education I need and I ain't
• 9:45
  Speaker 2: gone over do it. I look, it's three weeks before
• 9:49
  Speaker 2: the handicap.
• 9:50
  Speaker 1: You're gonna kick us oude a bundle of joe just
• 9:52
  Speaker 1: because you don't wanna go to school.
• 9:54
  Speaker 6: I ain't gone Okay, okay, toss it in the beat
• 10:00
  Speaker 6: one for the fifty grand.
• 10:02
  Speaker 2: Over sixteen thousand bucks.
• 10:05
  Speaker 1: Yeah, I think it over stupid.
• 10:08
  Speaker 2: Uh, come on some very let's dig at dinner.
• 10:10
  Speaker 7: What about me?
• 10:11
  Speaker 1: Now that's up to you.
• 10:12
  Speaker 2: M M Paul care Okay, I'll case they're drain in
• 10:15
  Speaker 2: the morning if I like it. No, they'll tried for
• 10:17
  Speaker 2: a couple of days.
• 10:19
  Speaker 1: Well that's better. Here you are, junior, have a cigar
• 10:24
  Speaker 1: that right? Come in?
• 10:31
  Speaker 6: Yes, I'm man.
• 10:32
  Speaker 2: Uh where can I find a game that runs this grain?
• 10:34
  Speaker 1: Coach?
• 10:35
  Speaker 2: I'm not worse if you drop mine. I'm not a down.
• 10:38
  Speaker 2: They're a good looking dog like you're the teacher.
• 10:40
  Speaker 7: What did you wanna see me for?
• 10:42
  Speaker 1: Oh you asked me that a minute ago, and now
• 10:43
  Speaker 1: they've been stuck. But uh now the think of a
• 10:46
  Speaker 1: lot of things.
• 10:48
  Speaker 2: Twenty marks, that's what I want, sister on Timothy Kate,
• 10:52
  Speaker 2: and they hung a school rap on me. How old
• 10:54
  Speaker 2: are you? Uh seventeen?
• 10:56
  Speaker 7: But uh that don't quap my style.
• 10:58
  Speaker 1: Day.
• 10:58
  Speaker 2: It's down and us without lonster min I come keeping
• 11:01
  Speaker 2: you off to school and where we think I'm angling
• 11:03
  Speaker 2: for a trip or for buffle to get out.
• 11:06
  Speaker 1: Thank it's so sister yet out no expelled ready you know?
• 11:10
  Speaker 1: And they'll track record in and out of school in
• 11:13
  Speaker 1: two minutes.
• 11:14
  Speaker 2: Some home fellas. I still don't understand what you're beefing about. Boss,
• 11:26
  Speaker 2: You don't understand. I send you out to buy a
• 11:28
  Speaker 2: ripping and you come back with two horses.
• 11:29
  Speaker 6: But I told you they give me raily here for nothing.
• 11:32
  Speaker 6: You didn't have block Friday some stock gon'll claim him
• 11:35
  Speaker 6: and you'll make.
• 11:36
  Speaker 4: A quick drock crocket.
• 11:37
  Speaker 6: All right, all right, tell him I to stop walking him.
• 11:40
  Speaker 6: He's able to get all out of breath if he
• 11:42
  Speaker 6: don't keep moving.
• 11:43
  Speaker 4: He's sat down. Hey Mac, that's en up.
• 11:46
  Speaker 2: I rail let him makes the ripper. Yes, now look women,
• 11:50
  Speaker 2: the kid here, you're lying.
• 11:52
  Speaker 1: To you in school.
• 11:53
  Speaker 2: I've been looking for you.
• 11:54
  Speaker 6: They sprung mer sprung. Yeah, you don't want me the teacher.
• 12:00
  Speaker 6: It's a what a rat person? Why doesn't she want you.
• 12:03
  Speaker 2: I don't know.
• 12:04
  Speaker 1: That's Benna be for ractor like a gentleman's gotta be
• 12:06
  Speaker 1: in myself. Can't you get her through your fixed scholars
• 12:10
  Speaker 1: You've got to go to school. I don't know, see school.
• 12:13
  Speaker 1: He's gonna blow our chances. Oh that's a name, miss
• 12:17
  Speaker 1: uh Snooks or something?
• 12:19
  Speaker 2: Ah, whatever her name is, she's gonna get my number
• 12:21
  Speaker 2: one pitching quick find out when.
• 12:23
  Speaker 1: School got smitty. You and I are calling on a teacher.
• 12:31
  Speaker 1: Come on, Oh, pardon me. I must have been a
• 12:35
  Speaker 1: mistake and I'm looking for the Snooks.
• 12:37
  Speaker 7: I'm the only teacher here.
• 12:38
  Speaker 1: My name is Books.
• 12:40
  Speaker 2: Uh oh, then you're the one who expoes Timothy Katy
• 12:43
  Speaker 2: Who's I did?
• 12:44
  Speaker 7: Are you his father?
• 12:46
  Speaker 6: Oh?
• 12:46
  Speaker 1: Oh my no, but uh Smitty here, I mean mister Smith,
• 12:50
  Speaker 1: he's uh Timothy's godfather.
• 12:52
  Speaker 2: You sure you're the teacher we're looking for?
• 12:55
  Speaker 1: Yes? Why? Oh, nothing except for Timothy's You are expected
• 12:59
  Speaker 1: us spends too well, No, not exactly.
• 13:02
  Speaker 2: Yes, what Jerry did Gill? Did he do that made
• 13:04
  Speaker 2: you throw him out? He was influent incident and this
• 13:06
  Speaker 2: whats of my entire class?
• 13:07
  Speaker 1: Oh, missus Brooks, I'd hate to see you make a mistake.
• 13:10
  Speaker 1: That might be on your conscious the rest of your life.
• 13:12
  Speaker 7: Mistake.
• 13:13
  Speaker 1: Yes, right now, this boy's on his way up. He's
• 13:15
  Speaker 1: supporting in good mother and two little sisters, one of
• 13:19
  Speaker 1: them works of the church. If you make a wrong
• 13:21
  Speaker 1: decision at this point, well we uh right with her rooms.
• 13:24
  Speaker 2: In his entire life. Well, I'm supporting her mother too.
• 13:27
  Speaker 2: What's going to happen to her if the boy.
• 13:28
  Speaker 7: Discharges me for an a patient thing?
• 13:30
  Speaker 1: H You see, mister Smith, the old law self preservation,
• 13:33
  Speaker 1: no matter who was of hers say.
• 13:36
  Speaker 2: I wish you wouldn't put it that way. You know.
• 13:38
  Speaker 1: It's a funny things, Brooks. But twenty years ago a
• 13:41
  Speaker 1: school teacher just liked you had to make a decision,
• 13:44
  Speaker 1: and if you hadn't made the right one, well I
• 13:47
  Speaker 1: wouldn't be where I am today. Well maybe I should
• 13:52
  Speaker 1: make some concession.
• 13:53
  Speaker 2: Oh, thank you, that's first I said. Did he said
• 13:54
  Speaker 2: the person in the morning? Oh, I didn't think he
• 13:56
  Speaker 2: could come back. I think it over white chili, don't
• 13:59
  Speaker 2: get over there.
• 14:00
  Speaker 7: I'm sorry, that's my decision.
• 14:02
  Speaker 1: Uh, certainly, I thank you very much for your time
• 14:06
  Speaker 1: for buying the Brooks good afternoon, A beautiful dollar like
• 14:10
  Speaker 1: that and more. The disposition, and I'm not to hear
• 14:13
  Speaker 1: what I think you never pitched. Tonight I got ah
• 14:16
  Speaker 1: dress up that let her on the desk, and she
• 14:18
  Speaker 1: made a crack about uh having her mother, didn't you?
• 14:21
  Speaker 1: But more do? I mean? That's ay s I been
• 14:23
  Speaker 1: my neighbor saw up And even when you can't get
• 14:25
  Speaker 1: that our houses, maday, I don't handle the day, oh
• 14:36
  Speaker 1: get evening. These brooks surprised to see me?
• 14:38
  Speaker 7: Well, I, uh, don't you come in?
• 14:41
  Speaker 1: I've only a minute. I'm afraid I must have seen
• 14:44
  Speaker 1: terribly insistent this morning. Besides, I I took up a
• 14:47
  Speaker 1: lot of your time.
• 14:48
  Speaker 2: And well here it's just a little trinket, a present.
• 14:52
  Speaker 1: Come in? Well, no, you see it's a sewing task
• 14:55
  Speaker 1: that I saw it in the window, and it looks
• 14:57
  Speaker 1: so much like the one my dear mother used to
• 14:58
  Speaker 1: have that I well, I watched the mother night like
• 15:02
  Speaker 1: to have it.
• 15:03
  Speaker 7: That's very sweet of you, mother, Yes, ill like you
• 15:06
  Speaker 7: to meet me to a rock.
• 15:08
  Speaker 2: He has a present for you. How do you do,
• 15:11
  Speaker 2: getting man?
• 15:12
  Speaker 1: How do you do? That's really nothing?
• 15:15
  Speaker 2: Oh oh it's just beautiful.
• 15:18
  Speaker 5: How many men do you think it's such a present
• 15:20
  Speaker 5: because it's sewing baskets.
• 15:22
  Speaker 2: Oh, thank you very much.
• 15:24
  Speaker 1: My friends consider me very old fashioned.
• 15:26
  Speaker 2: Oh well, Mitchill rock is in the horse racing booklets,
• 15:28
  Speaker 2: aren't you? Oh it's it's really just a.
• 15:31
  Speaker 1: Hobby, my chief, and just drive knowledge life insurance.
• 15:34
  Speaker 2: Tell me where you at the race track?
• 15:36
  Speaker 1: You ever bet? Oh well, that comes pretty close to gambling,
• 15:40
  Speaker 1: missus Brooks. No, my big thriller is trying to win
• 15:43
  Speaker 1: the first prize.
• 15:44
  Speaker 2: How many horses do you have me for a rock?
• 15:46
  Speaker 1: Now?
• 15:46
  Speaker 2: Just a couple at the moment when i'm's going on Friday?
• 15:49
  Speaker 7: Good here?
• 15:50
  Speaker 1: Oh well, what I meant to say? He's racing on Friday?
• 15:53
  Speaker 1: Oh h how's much Columbia? I guess you do?
• 15:56
  Speaker 2: Oh oh oh, I'm I think we couldn't mount him.
• 16:00
  Speaker 7: Mother will do it? Good to get out, mister Rourke.
• 16:02
  Speaker 7: We we accept with thanks.
• 16:04
  Speaker 1: Well splendid, I'll call for you. Oh I'm sorry having
• 16:08
  Speaker 1: a horse running on Friday. H Who Now, I just
• 16:11
  Speaker 1: remember that my jacket got in trouble at school today.
• 16:13
  Speaker 1: He won't be on this room at school, Barby.
• 16:15
  Speaker 2: Can you take care of that?
• 16:17
  Speaker 1: Well? No, I'm not so sure.
• 16:19
  Speaker 2: Uh, you win me or.
• 16:22
  Speaker 7: We'll give Timothy another chance?
• 16:24
  Speaker 1: Oh you don't know how happy you're making that. Boy. Well,
• 16:27
  Speaker 1: I'm probably keeping your people up late. Why do you
• 16:29
  Speaker 1: know it's nine thirty.
• 16:30
  Speaker 2: Oh, sometimes we stay up much later.
• 16:33
  Speaker 1: You'll probably think I'm just a little stick in the mud,
• 16:36
  Speaker 1: but we horsemen like to keep respectable hours.
• 16:39
  Speaker 7: I'll get your hat or thank you his books.
• 16:41
  Speaker 2: And thank you so much for my beautiful presents, and
• 16:43
  Speaker 2: good night you do till pride even good night mother.
• 16:59
  Speaker 3: I couldn't he rises on at two of Sauvia Law,
• 17:03
  Speaker 3: starring Alan Ladd in the title role, William Demost as Smitty,
• 17:07
  Speaker 3: and Marginal Lemmonds as Barbara Brooks, with James Cordwell as
• 17:12
  Speaker 3: Johnny Kate.
• 17:20
  Speaker 2: It's a few minutes later.
• 17:22
  Speaker 3: Johnny Kate, the Joppey is lying in bed leisingly blowing
• 17:26
  Speaker 3: smoke rings.
• 17:27
  Speaker 1: Up the ceiling.
• 17:28
  Speaker 3: A strange and beautiful smile is on his face as
• 17:31
  Speaker 3: Saudia Law comes in.
• 17:34
  Speaker 1: Oh will work, Hey, don't you know that's danger smoking
• 17:36
  Speaker 1: cigars in bed? What help me think? What about?
• 17:39
  Speaker 6: Oh?
• 17:39
  Speaker 2: Nothing?
• 17:40
  Speaker 1: Smitty just tells them we got rarely set today place
• 17:43
  Speaker 1: on Flanny, Yeah, and I just got your set with
• 17:46
  Speaker 1: miss Brooks Dona Argon Stee The like to school in
• 17:49
  Speaker 1: the morning.
• 17:49
  Speaker 2: Hey, that's great that squirrel you you.
• 17:53
  Speaker 1: Like landing or suddenly? Oh, just full of surprise ronch sono.
• 17:58
  Speaker 2: Let's say you're house chances are making a light touch sort,
• 18:01
  Speaker 2: we say, hepsy bet their box? Oh I like the
• 18:04
  Speaker 2: ground once in a while. Look at something else beside
• 18:06
  Speaker 2: the horse's neck.
• 18:09
  Speaker 1: Well this settle for fifteen duties? There's ten? Are you
• 18:13
  Speaker 1: sure you can spell it? Now? Get yourself to sleep.
• 18:17
  Speaker 2: But just don't let me oversleep.
• 18:18
  Speaker 1: You hear they got to the post that got screw
• 18:20
  Speaker 1: at eight thirty and I ain't gonna be late. They smety,
• 18:23
  Speaker 1: you better call of that. I think the killer has
• 18:25
  Speaker 1: got a favorite.
• 18:26
  Speaker 5: Oh my boy, forty five minutes draw recreations.
• 18:38
  Speaker 2: Hey, come on kill, we're gonna play bar let him
• 18:40
  Speaker 2: and let him huh are you guys? Hey?
• 18:42
  Speaker 7: Come here?
• 18:42
  Speaker 1: Come on?
• 18:43
  Speaker 2: Why? Well, here we are on the nice sunshine, and
• 18:47
  Speaker 2: there she is cooped up inside, miss Brooks working for us?
• 18:50
  Speaker 2: I said, oh, well, do we do anything for her?
• 18:53
  Speaker 2: Do we I like get it? Do we ever give
• 18:56
  Speaker 2: miss Brooks anything to show we appreciate it?
• 18:58
  Speaker 1: Oh? What if she wants? She could give a lot
• 19:00
  Speaker 1: of things. There's got a lot of that dress you
• 19:02
  Speaker 1: wear a little brother, Well, thank god she feels she
• 19:05
  Speaker 1: wants to look nice?
• 19:06
  Speaker 2: But how ten she on our school teachers?
• 19:08
  Speaker 1: Grab?
• 19:08
  Speaker 2: Maybe we could take up a collection charity.
• 19:11
  Speaker 1: Nah, I got a better idea.
• 19:12
  Speaker 2: If you guys are willing, you will, I'll buy you
• 19:16
  Speaker 2: a ticket on that horse I'm riding this afternoon. See,
• 19:18
  Speaker 2: I'm nearly he would have been about fifteen to one.
• 19:21
  Speaker 2: Hefted the one God that goats. Maybe a little more
• 19:24
  Speaker 2: in there.
• 19:24
  Speaker 1: And where do we come in?
• 19:26
  Speaker 2: Well, you guys go riding against me.
• 19:28
  Speaker 1: All you gotta do is give me a little head
• 19:30
  Speaker 1: start coming out of the gate.
• 19:31
  Speaker 2: See, and everybody ride right, he can try to catch me.
• 19:34
  Speaker 2: You know nothing crooked And it's awful, miss books.
• 19:38
  Speaker 1: Now what are you saying? Sure?
• 19:41
  Speaker 2: Gee that swell fellas. You'll make me very happy because
• 19:45
  Speaker 2: every year.
• 19:51
  Speaker 6: Now listen to mate, Johnny, when you get this better
• 19:53
  Speaker 6: on the track just walking to the gate. He's got
• 19:56
  Speaker 6: to save his strength, Okay, smite.
• 19:58
  Speaker 1: He hasn't got a chance to make him look good.
• 20:00
  Speaker 2: He's not claim without a I wouldn't say you don't
• 20:03
  Speaker 2: got a chance. He felt like mental war when I
• 20:05
  Speaker 2: rapped them up.
• 20:06
  Speaker 1: Yeah, well, don't break out in front of somebody's lable
• 20:08
  Speaker 1: to run over you.
• 20:09
  Speaker 2: I'm telling you you'd better have a chunk on him.
• 20:11
  Speaker 2: Come on the what's on?
• 20:13
  Speaker 6: Where you gonna watch sorty up in the box? Oh yeah,
• 20:16
  Speaker 6: I forgot the school teacher and the old lady that
• 20:19
  Speaker 6: front board.
• 20:24
  Speaker 2: I'll tell.
• 20:26
  Speaker 1: You what look to get off and stop.
• 20:29
  Speaker 2: And you wasn't gonna take a chance.
• 20:31
  Speaker 1: The most unexpected mother, I said, I like play down
• 20:36
  Speaker 1: and all thought it all right?
• 20:38
  Speaker 6: All right or not?
• 20:40
  Speaker 7: Or if you left?
• 20:41
  Speaker 6: Knock the door.
• 20:42
  Speaker 1: I'm thinking about sometime and he's right not No, it's
• 20:45
  Speaker 1: it's too late to can, and neither can.
• 20:48
  Speaker 2: I come on here.
• 20:53
  Speaker 7: Now I dumping now I get no, no, I l
• 20:59
  Speaker 7: I I.
• 21:06
  Speaker 5: Cofore the store arc it's only got the glimbers.
• 21:16
  Speaker 2: Now have the murther rely, twenty two dollars a week.
• 21:23
  Speaker 2: Oh no, I got a surprise for you.
• 21:25
  Speaker 1: Look that's a five dollars ticket on railing snows.
• 21:28
  Speaker 2: When you go buy that, I didn't buy it.
• 21:30
  Speaker 7: It came in the snow.
• 21:31
  Speaker 6: He'll read it.
• 21:33
  Speaker 1: Their teacher this horse wings. You can buy yourself a
• 21:36
  Speaker 1: new dress. You're loving students? Does not look like Timothy's
• 21:40
  Speaker 1: handwriting to you? Oh well it couldn't be. You know,
• 21:43
  Speaker 1: it's better than to do a thing like that.
• 21:45
  Speaker 2: Oh, let's go meet.
• 21:46
  Speaker 7: I have a better idea. I'll return it to the
• 21:48
  Speaker 7: boys and let them catch with them for the.
• 21:50
  Speaker 1: Athletic fund that's here.
• 21:52
  Speaker 2: Oh, I wouldn't do that if I were you.
• 21:53
  Speaker 1: You're a live to get the boys in trouble.
• 21:55
  Speaker 7: They didn't do anything dishonor.
• 21:56
  Speaker 1: Oh no, but the school boy might think they did,
• 21:59
  Speaker 1: and that's just as bad.
• 22:00
  Speaker 4: Okay, boss, Hey, boss, I gotta see it.
• 22:01
  Speaker 1: Uh, excluse you a mina letters, But you see what
• 22:05
  Speaker 1: I saw? You know it's so's that's thing I funk
• 22:07
  Speaker 1: got a ticket for the school teacher, and she's gonna
• 22:09
  Speaker 1: turn her money over there by the fund, we'll be
• 22:11
  Speaker 1: buyed for life. Now if I can get her to
• 22:13
  Speaker 1: spend some of that dough, she'll be all a partner.
• 22:15
  Speaker 1: And then then she can't score.
• 22:16
  Speaker 4: Get out of that bors, get out of fair.
• 22:26
  Speaker 7: Where are we going now, Sliday?
• 22:28
  Speaker 1: I'm driving you home here. Mother might be worried. Oh,
• 22:31
  Speaker 1: it's a wonderful night, and it's been such a wonderful day.
• 22:35
  Speaker 1: Forget it.
• 22:35
  Speaker 7: The races being a drive in the country.
• 22:38
  Speaker 1: And that new dress.
• 22:39
  Speaker 7: You boy the dress. Why did you do it?
• 22:42
  Speaker 1: Do what?
• 22:43
  Speaker 2: I wasn't going to buy the dress.
• 22:44
  Speaker 1: It was much too expensive, nineteen seventy five, too expensive, Saldy.
• 22:49
  Speaker 7: I saw you pay the sales lady the difference.
• 22:51
  Speaker 1: Uh oh, I'm sorry. Why did you do that? Because
• 22:56
  Speaker 1: it was a dress you like? Because I wanted you
• 22:59
  Speaker 1: to have it? Are you you didn't take it back?
• 23:02
  Speaker 2: No?
• 23:02
  Speaker 7: I I should, but I'm not well.
• 23:06
  Speaker 2: Yeah, I wanted a good idea anyway about getting the
• 23:08
  Speaker 2: boys a party at the end of the tournament the
• 23:10
  Speaker 2: rest of my winnings.
• 23:11
  Speaker 1: Ah, sure, they'd like that better than turning it over
• 23:13
  Speaker 1: for athletics. You know you're a strange person me strange.
• 23:20
  Speaker 2: Yes, Why should a man like you be carrying a gun?
• 23:24
  Speaker 1: Is that?
• 23:25
  Speaker 7: Why do you carry a gun?
• 23:27
  Speaker 1: I'm sorry, I'm didn't careless.
• 23:28
  Speaker 7: I didn't think it was noticeable, Sordy. I I'd like
• 23:33
  Speaker 7: to go home right away.
• 23:34
  Speaker 1: That's where I thought I was taking Alright, Johnny, are wise?
• 23:43
  Speaker 1: I don't wake up? Huh? Who oh you're spoken to
• 23:46
  Speaker 1: me and start explaining.
• 23:48
  Speaker 2: Oh yeah, sure, because I want yourself to him?
• 23:50
  Speaker 1: Can I help?
• 23:50
  Speaker 2: It's a quicker jockey?
• 23:52
  Speaker 7: Show me in.
• 23:52
  Speaker 1: They let that doll along you no good, lying little crook.
• 23:56
  Speaker 2: Oh, I gotta live. Don't I be sorry?
• 23:58
  Speaker 1: I told you up bet on 'em so you could
• 24:00
  Speaker 1: pull up faces that could have tossed the hand again
• 24:02
  Speaker 1: and fifty jews right out of the window.
• 24:03
  Speaker 2: Except I wasn't caught.
• 24:04
  Speaker 1: Was I don't know how close she came. That school
• 24:07
  Speaker 1: teacher friend of yours was gonna give the winnings from
• 24:08
  Speaker 1: the ticket you senter the athletic fund. So what happened?
• 24:11
  Speaker 1: I stopped it? Oh? But that was hard.
• 24:13
  Speaker 2: I never seen a dame yet that. Come use a
• 24:14
  Speaker 2: little yo.
• 24:16
  Speaker 7: Guys.
• 24:16
  Speaker 1: The neighbors can hear you all over the block. Alright,
• 24:18
  Speaker 1: listen to Maypunk from now on. You're gonna give me
• 24:20
  Speaker 1: an honor shake and start turning. And if you're done,
• 24:22
  Speaker 1: I'm getting me a no board.
• 24:23
  Speaker 2: Ah, No you're not.
• 24:24
  Speaker 1: Yeah, who says so they're talking?
• 24:26
  Speaker 2: Horse says, so whipp it the horse nobody else can ride? Remember,
• 24:30
  Speaker 2: So why don't you too?
• 24:31
  Speaker 1: Gn out of here?
• 24:31
  Speaker 2: I gotta get my rest.
• 24:33
  Speaker 6: Good night, boys, Come on, spanty, you're not gonna let
• 24:39
  Speaker 6: that saddle more can take charge of you.
• 24:41
  Speaker 1: There's two ways to kill a cat. Smithy, you're gonna
• 24:44
  Speaker 1: hit him over the head, or you can feed him
• 24:45
  Speaker 1: claw farm that tastes like cream. In this case, I'm
• 24:49
  Speaker 1: using cream.
• 24:56
  Speaker 5: Well, timoth think I suppose you realize why I'm keeping
• 24:58
  Speaker 5: you after school?
• 24:59
  Speaker 2: For sure this But I only whistled because you look
• 25:02
  Speaker 2: so pretty in your new dress, and I feel.
• 25:04
  Speaker 5: Why is that you do a nice thing one minute
• 25:05
  Speaker 5: and spoil at the next by being so I'll behaved.
• 25:08
  Speaker 2: Let it, I'll do nice with this dress. It was
• 25:10
  Speaker 2: very sweet of you, but you must promise never to
• 25:13
  Speaker 2: do it again.
• 25:13
  Speaker 1: Oh it was nothing.
• 25:14
  Speaker 2: You don't even have to mention it.
• 25:16
  Speaker 7: I know there's a lot of good in you, and
• 25:18
  Speaker 7: I do want to see you amount to something.
• 25:20
  Speaker 2: Sure, are you on the level of course?
• 25:22
  Speaker 1: I am.
• 25:22
  Speaker 2: I like you.
• 25:23
  Speaker 7: I want to have you if you'll let me, if
• 25:26
  Speaker 7: I'll let you.
• 25:26
  Speaker 1: Oh listen, cupcake, you and you are going on my
• 25:29
  Speaker 1: beautiful music together.
• 25:30
  Speaker 7: How dare you say such things to me?
• 25:32
  Speaker 1: Huh? Or I don't get out of here, And if
• 25:34
  Speaker 1: you brother say anything like that again, I tell you
• 25:36
  Speaker 1: forgot then Miss Brooks.
• 25:37
  Speaker 7: Get out.
• 25:43
  Speaker 1: Here.
• 25:43
  Speaker 2: He is sophy.
• 25:44
  Speaker 4: I told you a fire, the kid and the joint
• 25:46
  Speaker 4: like theirs.
• 25:47
  Speaker 2: So there's his way up there all night drink and
• 25:50
  Speaker 2: fear not not up?
• 25:51
  Speaker 1: All right, say it easy, Smithy. Maybe the boy's got
• 25:53
  Speaker 1: something on his mind. Maybe I have not that marvelty
• 25:56
  Speaker 1: school teacher.
• 25:57
  Speaker 2: Don't you talk about it like that?
• 25:59
  Speaker 1: She swelled.
• 25:59
  Speaker 2: Now wait a minute, then I stuck on. They stay
• 26:02
  Speaker 2: my what a fire?
• 26:03
  Speaker 1: Oh easy, kid, rolling trying to help you?
• 26:06
  Speaker 2: Well, tips it up, So this Brooks will talk to
• 26:08
  Speaker 2: me again.
• 26:08
  Speaker 1: Okay, but you've got to start doing your part. What
• 26:11
  Speaker 1: do you mean I'm in the first place, a fine
• 26:13
  Speaker 1: girl like miss Brooks doesn't go for guys like us.
• 26:15
  Speaker 1: She goes for guys to drink milk, not go on. Well,
• 26:19
  Speaker 1: in the second place, you got to train every day,
• 26:21
  Speaker 1: treat her with respect, prove to her that you've got
• 26:24
  Speaker 1: a fine, clean cut character. Then on the pot, tell
• 26:27
  Speaker 1: you start making your move. See that's the Dlington handicap,
• 26:30
  Speaker 1: the girl and sixteen grand in your pocket. Don't win it.
• 26:33
  Speaker 2: He's right, kid, I would have thought of it.
• 26:37
  Speaker 1: Go get her on the phone, talk to her. Oh sure, sure,
• 26:40
  Speaker 1: findon The.
• 26:40
  Speaker 2: Number is delecton seventy two seven with a phone back there.
• 26:49
  Speaker 1: Well, what did she say? I told her I had
• 26:52
  Speaker 1: something important to discuss, She says, I can come out over. Okay,
• 26:55
  Speaker 1: just remember who saw your pitching on you. I have
• 26:57
  Speaker 1: to be nice to her, don't I just don't be
• 26:59
  Speaker 1: tween now. How do you know how I have to be?
• 27:03
  Speaker 1: Every time you talk to you gets your nose in
• 27:04
  Speaker 1: the sling a smithery you and Johnny. But to get
• 27:07
  Speaker 1: back to the bungalow. And when you get still talking,
• 27:08
  Speaker 1: do I don't hang around the house. Do you hear
• 27:11
  Speaker 1: you got a kind of bad heavens? Johnny, give you
• 27:13
  Speaker 1: a pull reple when I get back.
• 27:15
  Speaker 2: Don't worry, kid, Shorty'll put it over for you.
• 27:18
  Speaker 4: He's in with an old lady too.
• 27:20
  Speaker 6: Even had had him to the races, even picked out
• 27:22
  Speaker 6: that dress for miss Brooks.
• 27:23
  Speaker 2: But he picked it sure, Smithy.
• 27:27
  Speaker 1: Look do you want to run next door and give
• 27:28
  Speaker 1: me a couple of stogies.
• 27:29
  Speaker 2: It's embarrassing when they asked me my age?
• 27:31
  Speaker 4: Here they get a kid.
• 27:33
  Speaker 6: He's here beyond me.
• 27:34
  Speaker 1: Thanks Smitty, Hey Herman. Yeah, when that guy comes back
• 27:37
  Speaker 1: to him, I just disappeared.
• 27:39
  Speaker 2: You don't know where I went.
• 27:48
  Speaker 1: I don't know what can be keeping barbering.
• 27:50
  Speaker 5: This slow art.
• 27:51
  Speaker 1: Well, he's not getting all dressed up. I just though
• 27:53
  Speaker 1: would have a little chat.
• 27:55
  Speaker 2: You didn't fool me. This is no place to talk
• 27:57
  Speaker 2: and anyway, and you.
• 27:58
  Speaker 4: Just ought to be taken out.
• 28:00
  Speaker 1: Mother. The pleasure is all mine.
• 28:02
  Speaker 2: Hell sorry, what were you two talking about?
• 28:06
  Speaker 7: Teach you on.
• 28:07
  Speaker 2: City could mother.
• 28:09
  Speaker 1: I think it's a very good idea.
• 28:11
  Speaker 5: Now you two run along, don't worry about me, to
• 28:14
  Speaker 5: run along.
• 28:14
  Speaker 1: Good night, good night, good night mom.
• 28:25
  Speaker 7: Hello, oh Brooks, this is miss Brooks.
• 28:28
  Speaker 1: I'm sorry that miss Brooks about for the evening banger.
• 28:31
  Speaker 2: Mister ran around an he he is my.
• 28:34
  Speaker 7: Daughter without three evenings?
• 28:36
  Speaker 1: Who's call he? Please? Never mind, he's do any message.
• 28:39
  Speaker 6: He's a double if.
• 28:42
  Speaker 2: He starts looking first to.
• 28:44
  Speaker 4: Tom can drunk good bie.
• 28:58
  Speaker 2: We continue with that three well Salthia Ross starring.
• 29:02
  Speaker 3: Alan Ladd as the gentleman in question, William demerists Smithy
• 29:06
  Speaker 3: and Marginie Reynolds as Barbara Brooks, with James Cardwell as
• 29:11
  Speaker 3: Johnny Kate.
• 29:19
  Speaker 2: Johnny Kate is sure.
• 29:21
  Speaker 3: That double Salpie has double crossed him with the beautifulness Brooks.
• 29:25
  Speaker 2: And while he's drowning his sorrow, the only way he
• 29:28
  Speaker 2: knows how.
• 29:29
  Speaker 3: Salvy's taken Barbara to a nightclub true to his promise
• 29:33
  Speaker 3: to Johnny. Salthie builds him up to scratisceetic heights.
• 29:39
  Speaker 1: See, Barbara, he's really a wonderful boy, loyal, ambitious frame cloth.
• 29:45
  Speaker 7: What you suggest idea about it?
• 29:47
  Speaker 1: Well, you could invite him over your arm, stiff, annoying bird.
• 29:50
  Speaker 7: But Timothy seems so well precocious.
• 29:54
  Speaker 1: Yeah, here's old for his years, but underneath he's just
• 29:58
  Speaker 1: a sweet, lovable kid.
• 30:01
  Speaker 7: All right, I didn't gute him over. Now do you
• 30:04
  Speaker 7: suppose you'd consider asking the game of all?
• 30:07
  Speaker 1: Right? No, backster, what do you want? I thought you'd
• 30:11
  Speaker 1: be glad to see me. You see, I read about
• 30:13
  Speaker 1: a long shot that came in sixty to one. Sorry
• 30:16
  Speaker 1: I didn't bet the race. He didn't bet the race,
• 30:18
  Speaker 1: that's right, okay, but the margin is still do and
• 30:22
  Speaker 1: carible after the handicapp you seem pretty sure of winning. Sure,
• 30:25
  Speaker 1: I've got the right hole, I hope. So so yeah,
• 30:29
  Speaker 1: let's me never again sometime. Sorry, Bob, here in trouble.
• 30:32
  Speaker 7: That's why you carry the gun?
• 30:34
  Speaker 2: Who was that man?
• 30:35
  Speaker 1: Let's talk about it some other time.
• 30:37
  Speaker 7: I was sorry, won't you please quit this light? You're
• 30:40
  Speaker 7: leading by?
• 30:41
  Speaker 1: Let's it to you.
• 30:43
  Speaker 7: All? Why what's the man?
• 30:47
  Speaker 1: Let's get out of here?
• 30:56
  Speaker 6: Well yet I said, I didn't turn it because of
• 31:01
  Speaker 6: the kidder smooth. That's what I've been waiting up to
• 31:03
  Speaker 6: tell you.
• 31:04
  Speaker 7: He is.
• 31:06
  Speaker 1: He give me the slipboard, gave me the slip What
• 31:09
  Speaker 1: do you use for brains? I knew you was going
• 31:11
  Speaker 1: to ask me that. Well, all we can do is
• 31:17
  Speaker 1: is that all you've got to say? Oh that's great
• 31:22
  Speaker 1: Tomorrow Saturday. You know Whipper's running that prep race and
• 31:25
  Speaker 1: looking to shape your in. You're it drunk and Jackie
• 31:28
  Speaker 1: shut up?
• 31:30
  Speaker 6: But get this.
• 31:31
  Speaker 2: You gotta lay off of miss books.
• 31:33
  Speaker 1: Why don't you get smart? I was only trying to
• 31:35
  Speaker 1: sting you out with us. Give me that. I never
• 31:37
  Speaker 1: look sideways better than my life. But I'm not looking
• 31:39
  Speaker 1: at it again, burr, because I got to ride in
• 31:42
  Speaker 1: my pocket.
• 31:42
  Speaker 2: See, I'm the only buller that can lade Whipper. I
• 31:46
  Speaker 2: can ride him with the range in my teeth. See
• 31:49
  Speaker 2: and he shut up.
• 31:50
  Speaker 4: I didn't say anything.
• 31:51
  Speaker 1: I am like, but make one false smooth with that
• 31:55
  Speaker 1: girl over and you and that mag wind up in
• 31:58
  Speaker 1: that glue factory.
• 32:00
  Speaker 7: It's for you.
• 32:01
  Speaker 2: Yeah, bring me some ice. My head killing me.
• 32:04
  Speaker 1: I'll bring you some man taste.
• 32:06
  Speaker 2: Get in the eyes.
• 32:08
  Speaker 1: Go on. So if we got to use cream on
• 32:10
  Speaker 1: this cat. It still holds. Oh, come on, Johnny, wake
• 32:21
  Speaker 1: up at a boyd al get out of here?
• 32:24
  Speaker 4: Did you have a good night?
• 32:26
  Speaker 7: Kid?
• 32:26
  Speaker 2: What's the matter with your guy?
• 32:28
  Speaker 1: Why not a thing? Now? If you can stand some
• 32:30
  Speaker 1: good news, I just call this Brooks. She said she'd
• 32:33
  Speaker 1: be very happy to see her house after you worked
• 32:35
  Speaker 1: out with her. She did, we show you on the level,
• 32:38
  Speaker 1: but I've always been on the level with you.
• 32:40
  Speaker 2: Oh boy, thanks shorty.
• 32:43
  Speaker 7: Oh now that you're here, Timothy, that's for doing your jockey.
• 32:49
  Speaker 2: Oh yeah, yeah, yeah later, Uh, miss Brooks. Yes, I
• 32:52
  Speaker 2: got your little something here in this box. It's a pin, Timothy.
• 32:57
  Speaker 7: It's beautiful. Oh, but you shouldn't spend your money like that.
• 33:00
  Speaker 7: You have your future to think about.
• 33:01
  Speaker 1: I have thought of it.
• 33:02
  Speaker 7: It only upsets me.
• 33:04
  Speaker 5: Why some day a girl will come along and you'll
• 33:06
  Speaker 5: be thinking of settling down, having your own home.
• 33:09
  Speaker 7: You should start saving right now.
• 33:10
  Speaker 1: You think so? Well?
• 33:11
  Speaker 2: Certainly you mean the fall had say you're fifteen girl
• 33:15
  Speaker 2: in a banker girl might take a chance for me, exactly.
• 33:17
  Speaker 7: I'm down a little old fashioned, Timothy. I believe in
• 33:20
  Speaker 7: early marriage.
• 33:21
  Speaker 2: Oh you don't have to say any more, baby, I'm
• 33:24
  Speaker 2: uh will you're out in front of you.
• 33:25
  Speaker 7: You have a funny look in your eye, Timothy, is
• 33:28
  Speaker 7: there someone.
• 33:29
  Speaker 2: Fine cracking now?
• 33:30
  Speaker 1: But the one idea you'll be the first to know
• 33:32
  Speaker 1: about it. Anyway, there's a preparation for the handicappers afternoon.
• 33:35
  Speaker 1: There me and Whippers running now.
• 33:36
  Speaker 2: Tell if they don't you say, oh no, I was
• 33:39
  Speaker 2: just gonna say. When we come down that finish line, will.
• 33:42
  Speaker 1: Be thinking about you, Me and Whippers.
• 33:44
  Speaker 7: You're very sweet. Oh what a horse beat.
• 33:56
  Speaker 2: Everything by a city block.
• 33:57
  Speaker 1: Oh what a jockey. Now I'm gonna beat that in
• 34:00
  Speaker 1: the right, friend of mine for one more week to
• 34:01
  Speaker 1: get up beautiful chance of hitting that exact spot.
• 34:04
  Speaker 4: I got an idea.
• 34:05
  Speaker 6: Look the night before the handy capers that Jackie's ball,
• 34:08
  Speaker 6: all them punctions, fool will.
• 34:10
  Speaker 4: Be trying to take the teacher.
• 34:11
  Speaker 6: See now, if you could muscle Johnny into that spot,
• 34:14
  Speaker 6: we'd have a happy character in our hands.
• 34:16
  Speaker 1: Hop out it. They wait a minute. If he had
• 34:17
  Speaker 1: got something hustle down in the winter circle, Smithy, I'm
• 34:20
  Speaker 1: seeing this book right away, look.
• 34:32
  Speaker 2: At him walts and forts.
• 34:33
  Speaker 4: But once that Johnny is teaching teacher something.
• 34:36
  Speaker 2: You know, I think it over the way that kids
• 34:38
  Speaker 2: bend the visiting.
• 34:39
  Speaker 1: I'm beginning to believe his own line.
• 34:41
  Speaker 4: I was even thinking the same thing.
• 34:43
  Speaker 1: Hey, they stopped dancing. I'm real plant clip he's taking
• 34:49
  Speaker 1: it outside Boris, out in the moonlight, or to that
• 34:53
  Speaker 1: little raw meo Oh now.
• 34:54
  Speaker 4: Easy, force easy. That's what we wanted, wasn't it.
• 34:59
  Speaker 1: I want some matter with.
• 35:00
  Speaker 5: Sell all right, Timmy? Now what is that you wanted
• 35:08
  Speaker 5: to talk about but we couldn't talk about inside?
• 35:11
  Speaker 2: Well, first of all, have you noticed any change the
• 35:14
  Speaker 2: numistic Yes? And I'm very proud of you, Oh my
• 35:17
  Speaker 2: glove or hear you say that. It's what makes it
• 35:19
  Speaker 2: easier for them to talk about us, knowing for.
• 35:21
  Speaker 7: Sure how you feel about us.
• 35:23
  Speaker 2: Yeah, I h them to the DREI story again.
• 35:26
  Speaker 1: You know what it is this time?
• 35:27
  Speaker 7: I haven't any ideas.
• 35:29
  Speaker 2: Yes and engagemently, Timothy, Oh, don't stop me now. I
• 35:33
  Speaker 2: love you and I'm gonna say it when I'm marry.
• 35:37
  Speaker 2: Oh that I notice is a rot.
• 35:39
  Speaker 1: You know, I'm not serious, serious Timothy.
• 35:42
  Speaker 7: I like you very much.
• 35:43
  Speaker 2: But if I've given you the impression that my feelings
• 35:45
  Speaker 2: went anywhere, and.
• 35:46
  Speaker 1: When he said about me meeting the right girl and
• 35:48
  Speaker 1: save him my door and getting married.
• 35:50
  Speaker 2: They didn't mean us, and then you.
• 35:52
  Speaker 7: I have no idea.
• 35:53
  Speaker 2: You've listened to somebody else.
• 35:55
  Speaker 7: That doesn't make any difference.
• 35:57
  Speaker 2: There is somebody else. It's aware again, it ain't it?
• 36:01
  Speaker 7: Well, what if it is?
• 36:02
  Speaker 2: I knew it? What a lot of fun you must have.
• 36:05
  Speaker 1: Laughing at me, the both of you. No one's been
• 36:06
  Speaker 1: laughing at you.
• 36:07
  Speaker 2: Oh no, or if he's gonna laugh last, or want
• 36:10
  Speaker 2: to supper?
• 36:11
  Speaker 5: Right?
• 36:11
  Speaker 1: Be? What is? What's wrong?
• 36:18
  Speaker 7: Come out here on the terrace. You're the most contemptible
• 36:21
  Speaker 7: man that ever lived.
• 36:22
  Speaker 2: Oh no, that's trick he played on Timothy was the
• 36:25
  Speaker 2: most heartless. How could you do such an unholy thing?
• 36:27
  Speaker 1: Make me a partner to it? If you please tell
• 36:29
  Speaker 1: me what you're talking about.
• 36:30
  Speaker 7: It must be composed to me just now, and it's
• 36:33
  Speaker 7: all your fault.
• 36:33
  Speaker 1: Person.
• 36:34
  Speaker 7: He's gone.
• 36:35
  Speaker 2: He couldn't stand it when I told him.
• 36:37
  Speaker 1: When he's telling me what never mind? You must have
• 36:39
  Speaker 1: told him something to drive him away.
• 36:41
  Speaker 6: I guess I did.
• 36:42
  Speaker 1: I can't tell it to you. You've got to tell me.
• 36:44
  Speaker 1: Everything may depend on it.
• 36:45
  Speaker 2: I told him I was in love with you. Oh no,
• 36:48
  Speaker 2: world is to tell him that for because I am
• 36:52
  Speaker 2: at least I was.
• 36:54
  Speaker 7: Now, go away, go away.
• 37:07
  Speaker 1: Here to see you said, he's a rock jockey, Send
• 37:09
  Speaker 1: him and baby and beat it. Okay, good, I didn't kid,
• 37:12
  Speaker 1: I ain't got much time backs.
• 37:13
  Speaker 2: Then I know all about you, smart kid.
• 37:15
  Speaker 1: What can I do for you? Nothing?
• 37:17
  Speaker 2: I come to your whole time to tell you what
• 37:18
  Speaker 2: I can do for you.
• 37:19
  Speaker 1: You'd like that.
• 37:20
  Speaker 2: Whipping your pocket tomorrow with you?
• 37:22
  Speaker 4: Sure I would.
• 37:23
  Speaker 1: But a job like that's worth more do than I
• 37:24
  Speaker 1: can afford.
• 37:25
  Speaker 2: Well, this time, money don't count. I don't like a
• 37:27
  Speaker 2: lock anymore than you do.
• 37:28
  Speaker 1: I said, so, yeah, but where's you on black armor?
• 37:32
  Speaker 1: I got quite a little sack on black armor.
• 37:34
  Speaker 2: We put five hundred dollars nose from man.
• 37:35
  Speaker 1: We got a deal. Oh, I can do a little
• 37:37
  Speaker 1: better than that. I'm grand on his nose and say
• 37:41
  Speaker 1: five seats for spending money.
• 37:42
  Speaker 2: Okay it it's just one thing. I don't understand, the
• 37:46
  Speaker 2: where goes you go? Twenty thousand bucks and how you're
• 37:49
  Speaker 2: going to collect it?
• 37:49
  Speaker 1: At the whippered on winds? Who cares? If black I'm
• 37:52
  Speaker 1: a wins And now I'm pretty sure he's going to
• 37:56
  Speaker 1: I'll make more of my bets. At the same time, wife,
• 37:59
  Speaker 1: out a guy. I don't yes, see what you mean?
• 38:03
  Speaker 1: See what you mean? Oh, budd, he left the kids
• 38:07
  Speaker 1: homies probably have been home all the time.
• 38:10
  Speaker 2: Hello, Johnny, fire your kid, boy.
• 38:13
  Speaker 4: I weaed them. We've been checking every saloon and down.
• 38:16
  Speaker 4: We figured you've been hanging one iron again.
• 38:17
  Speaker 2: I gotta ride them, ain't I?
• 38:19
  Speaker 1: Johnny? You're okay? As for what happened tonight at the dance, well,
• 38:24
  Speaker 1: all I can say is, I'm sorry. Cut out to
• 38:26
  Speaker 1: my lackey. You're just a dirty double crossing buzz it. Oh,
• 38:29
  Speaker 1: not take it easy, kid.
• 38:30
  Speaker 2: So we mean a thing?
• 38:31
  Speaker 6: Do you?
• 38:31
  Speaker 2: Huh? Never look finish side? Wait here, and all the
• 38:34
  Speaker 2: time you're playing me with a patsy. I never had
• 38:37
  Speaker 2: an hon of shake with you, your heir.
• 38:38
  Speaker 1: Now listen, I'm there and get this straight. That girl
• 38:41
  Speaker 1: didn't mean a thing to mean, just like I told you.
• 38:43
  Speaker 1: As a matter of fact, until you brought me out
• 38:44
  Speaker 1: a couple of hours ago, I didn't even know she
• 38:46
  Speaker 1: was alive.
• 38:47
  Speaker 2: But brother, I know now kind of a slow think,
• 38:50
  Speaker 2: ain't you. All I can do is tell you again
• 38:52
  Speaker 2: I'm sorry.
• 38:53
  Speaker 1: And if I were you, I'd concentrate on that sixteen
• 38:55
  Speaker 1: grand you're gonna pick up tomorrow afternoon, because girl and
• 38:58
  Speaker 1: no girl still a pretty smart businessman.
• 39:01
  Speaker 2: You're sure Kevin on me, ain't you?
• 39:03
  Speaker 1: Yes?
• 39:03
  Speaker 2: Because a lot of the best horse in the best
• 39:05
  Speaker 2: put on the truck anyway? Do you think he drig smitty?
• 39:09
  Speaker 4: Well, kid, I'll skip it.
• 39:11
  Speaker 1: I'm going to bed, and I yes, Ardie start looking
• 39:22
  Speaker 1: for smitty horse in the pader and my triender haven't
• 39:24
  Speaker 1: even set up.
• 39:25
  Speaker 2: How am I gonna find him.
• 39:26
  Speaker 1: In that marble? Oh it's okay, so they maybe it's
• 39:28
  Speaker 1: coming by. Where have you been?
• 39:31
  Speaker 2: We're cooked?
• 39:31
  Speaker 4: So he cooked right back.
• 39:33
  Speaker 2: He's got with her in the sack, and you with her.
• 39:35
  Speaker 4: Johnny sold out the backs.
• 39:36
  Speaker 1: To their little feet running over the mob. How do
• 39:38
  Speaker 1: you know?
• 39:39
  Speaker 4: I got to play the bell hop. See we've seen
• 39:41
  Speaker 4: them together last night and back to this hotel.
• 39:43
  Speaker 1: He heard them. I don't believe him.
• 39:45
  Speaker 6: That's there's giving them fifteen hundred bucks. That little JIP's
• 39:48
  Speaker 6: got no wiley having years ahead?
• 39:50
  Speaker 1: Aren't we giving him a third of the place?
• 39:52
  Speaker 4: Waste the kid?
• 39:52
  Speaker 2: Now on the jockey room, they'll be weighing in about now.
• 39:55
  Speaker 1: Yeah, you gotta be out of him minute, there, ain't
• 39:57
  Speaker 1: They ain't time to lose.
• 39:58
  Speaker 2: Now where you're going, they would ripper bors. There's somebody
• 40:01
  Speaker 2: in a grass, fam, I gotta see. I'm telling you.
• 40:06
  Speaker 2: I'm sorry to bother you.
• 40:07
  Speaker 1: Missus Brooks. You remember me.
• 40:09
  Speaker 2: Yes, it's about Salty. Miss If he loses this race,
• 40:12
  Speaker 2: you'll never see him again.
• 40:13
  Speaker 4: They neither will anybody else.
• 40:14
  Speaker 7: What are you talking about?
• 40:15
  Speaker 4: The kids throwing the race? He's not gonna try the win.
• 40:18
  Speaker 2: And if we don't win, Salty is as good as dead.
• 40:21
  Speaker 7: Why don't you come to me?
• 40:22
  Speaker 2: Because Salty is in love with you?
• 40:25
  Speaker 1: I love you.
• 40:26
  Speaker 6: Oh please, ladies, you gotta believe me. The kid's coming
• 40:28
  Speaker 6: out for the race. I want you should talk to
• 40:30
  Speaker 6: him wherever I find him. Well, after he leaves the
• 40:32
  Speaker 6: Jackey room, he goes to the patty. I think maybe
• 40:35
  Speaker 6: there's a spot be dreams where you can grab him.
• 40:44
  Speaker 2: But I can't stop now.
• 40:45
  Speaker 7: I'm not in this race. If it's the last thing
• 40:47
  Speaker 7: I do. I've got to make you listen, Timothy.
• 40:49
  Speaker 1: What's the matter with you?
• 40:49
  Speaker 2: I can't guarantee you winner, Timmy.
• 40:51
  Speaker 7: You said once you wanted me to be happy.
• 40:53
  Speaker 1: Now you've got your chounce.
• 40:54
  Speaker 7: To prove it. I love Salty, I always will and.
• 40:57
  Speaker 2: If he wins this race, I can get him out
• 40:59
  Speaker 2: of all this.
• 41:00
  Speaker 7: Ever, what it's up to you, mont, tim you won't.
• 41:03
  Speaker 6: Give me that chance walking.
• 41:05
  Speaker 7: I'll always remember the nice things you told.
• 41:07
  Speaker 5: Me last night, and I'll always be grateful, be proud
• 41:11
  Speaker 5: of you. No matter what happens on that track, I
• 41:15
  Speaker 5: for one will always know that you tried to win
• 41:17
  Speaker 5: with all your nights.
• 41:19
  Speaker 1: Hey, hey, you kissed me?
• 41:22
  Speaker 7: Yes, Timmy, I wanted.
• 41:24
  Speaker 1: To kiss you. Oh excuse me, I I I gotta
• 41:26
  Speaker 1: see a boss up out of waits all right, kid
• 41:32
  Speaker 1: with as tight as a ten s the number it's
• 41:34
  Speaker 1: a mile and a quarter. And and what am I
• 41:37
  Speaker 1: doing trying to tell you how to ride this horse?
• 41:39
  Speaker 1: You're the only one that does know how.
• 41:41
  Speaker 2: Yeah, been here some talk saorty a little bit.
• 41:44
  Speaker 1: I don't believe it.
• 41:45
  Speaker 2: You'll know soon now, huh Yeah, yeah, I'll no sooner.
• 41:49
  Speaker 1: Good luck? Pardon?
• 41:49
  Speaker 5: Okay?
• 41:50
  Speaker 1: Well, that dirty little cook t get easy submitting. Maybe
• 41:53
  Speaker 1: he's to change his mind.
• 41:54
  Speaker 2: Yeah.
• 41:55
  Speaker 6: Look, I've just been doing some snooping in the jackety
• 41:57
  Speaker 6: robe a kid and the kid's rocker five hunder cash
• 42:00
  Speaker 6: backs to get him the salty, and he's riding you
• 42:03
  Speaker 6: straight till the undertakers and still late to worry about us.
• 42:05
  Speaker 4: Now, yank whip her out the race?
• 42:07
  Speaker 1: They can him out, and what good would that do?
• 42:09
  Speaker 1: We can't win with him, we can't win without him.
• 42:11
  Speaker 2: And let's blow out of here while we can.
• 42:14
  Speaker 1: Okay, get the car, it's in front of the gack.
• 42:22
  Speaker 2: Okay, boss, I got the car.
• 42:23
  Speaker 1: Let's go. Uh uh, I changed my mind up. Think
• 42:26
  Speaker 1: of just sit here on the bench floor you nuts.
• 42:29
  Speaker 6: Yeah, probably, I'll get over the bundle launch stot packet.
• 42:32
  Speaker 1: Here go ahead of see a little one. Hello, saw
• 42:45
  Speaker 1: them Collot books.
• 42:47
  Speaker 7: I followed you out here, I saw you leave.
• 42:50
  Speaker 1: You're not going to watch the base? Oh you never
• 42:54
  Speaker 1: called me books before? All before? I love books and
• 43:01
  Speaker 1: funny about something.
• 43:03
  Speaker 2: I'm in love too, Stormy. Yeah, but I'm just a
• 43:06
  Speaker 2: guy who found out to that.
• 43:07
  Speaker 7: Why love of that?
• 43:09
  Speaker 1: You know? Long story books and one that didn't work out.
• 43:14
  Speaker 1: If out of one mis raced, the whole world would
• 43:16
  Speaker 1: have looked different.
• 43:16
  Speaker 7: But but you have him lost to us with them
• 43:18
  Speaker 7: they still didn't and he's in.
• 43:20
  Speaker 1: A boat ride.
• 43:20
  Speaker 7: No, it's salty. I know about Timothy, but we might
• 43:23
  Speaker 7: go judging too soon.
• 43:24
  Speaker 1: We must me Brooks I no good with words unless
• 43:28
  Speaker 1: I'm lying to somebody. But I'm not lying now. I
• 43:32
  Speaker 1: want you to start walking to that gate and go
• 43:34
  Speaker 1: right on and through without looking back. This is good bye.
• 43:37
  Speaker 7: You know it isn't started because where you go, I'll
• 43:41
  Speaker 7: go too.
• 43:42
  Speaker 1: No, you can't. Someday when things stay themselves out, I'll
• 43:46
  Speaker 1: come back and not until they and like because you
• 43:50
  Speaker 1: could buy them. Will you let me.
• 43:58
  Speaker 2: Know the moment you didn't wanna make him good?
• 44:01
  Speaker 1: More sense?
• 44:02
  Speaker 6: What would you do?
• 44:03
  Speaker 2: We're helping if you're run away wonders place?
• 44:05
  Speaker 1: Could you what makes you? All right? Step off with
• 44:09
  Speaker 1: the day we get.
• 44:10
  Speaker 8: The minute when they pop back and the next second
• 44:13
  Speaker 8: a bright come back some let my gotta get me flos.
• 44:16
  Speaker 1: Doing all right?
• 44:17
  Speaker 8: Let me come on tiny talk, come on get like
• 44:21
  Speaker 8: no time last man. I see now that there's black
• 44:26
  Speaker 8: times that weber.
• 44:27
  Speaker 2: They're kind of now that's now the black time of
• 44:30
  Speaker 2: one leg.
• 44:32
  Speaker 8: I had something I have no er it's bark bomb weeper,
• 44:35
  Speaker 8: all right, go out him another right on my now
• 44:38
  Speaker 8: by noy, it's my my coma.
• 44:40
  Speaker 5: Let's find of down there.
• 44:40
  Speaker 1: I fin now I am wre where you go?
• 44:54
  Speaker 2: Let's go the case and many of you soon. I
• 44:56
  Speaker 2: sre mis girl, Rod.
• 44:57
  Speaker 7: Could we just beat it?
• 44:58
  Speaker 1: What?
• 44:59
  Speaker 2: Yeah?
• 44:59
  Speaker 1: Just now? You sure seem in a hurry.
• 45:01
  Speaker 2: Say Doc Bus has been looking for him too.
• 45:03
  Speaker 1: That's if you're hurry, So all you hit it out
• 45:05
  Speaker 1: that way for all those character Thanks Max. He knows
• 45:11
  Speaker 1: where that's from, Doctor the little rock. He'll find a
• 45:13
  Speaker 1: car with keys. He'll lay him out of here. There
• 45:15
  Speaker 1: he goes, Now everywhere that did not happened. I'm just son.
• 45:18
  Speaker 1: You come on the other side day. I'll come up
• 45:20
  Speaker 1: post way. What's your hurry, kid? You're not going anywhere?
• 45:25
  Speaker 7: Hello?
• 45:26
  Speaker 6: Do that?
• 45:27
  Speaker 4: Look for sure?
• 45:28
  Speaker 2: Surprise this thing he done it.
• 45:30
  Speaker 1: It's a rook. That's a break for you, kid. Sorry
• 45:32
  Speaker 1: this way, I gotta give it to your fast one.
• 45:46
  Speaker 1: Tell her one.
• 45:50
  Speaker 7: Telling funny one.
• 45:59
  Speaker 1: Mm hm.
• 46:00
  Speaker 2: They carry into the ambulance.
• 46:02
  Speaker 1: He's Dansel dead, murdered.
• 46:06
  Speaker 7: Where are you going?
• 46:07
  Speaker 1: I'm dropping you off at your house and gotta get
• 46:09
  Speaker 1: the club.
• 46:10
  Speaker 2: You're going after this man. You gotta take revenge and.
• 46:12
  Speaker 1: You'll be your killing. They're nervous and excited. Go to
• 46:16
  Speaker 1: lie down when you get home.
• 46:17
  Speaker 7: H you'll be back for me.
• 46:20
  Speaker 1: Yeah, I'll be back for you. Don't worry. I'll be back, mama. No, ruric,
• 46:30
  Speaker 1: I've been waiting for you for the late aunt your Yeah,
• 46:33
  Speaker 1: there was an accident at the track backs. Uh, I
• 46:35
  Speaker 1: was delayed. Oh what happened? My jockeys dead? Somebody murdered him.
• 46:42
  Speaker 1: You're sure you don't know anything about it? Why should
• 46:44
  Speaker 1: I know anything about it? Too bad? You are in
• 46:47
  Speaker 1: a good race. Yes, you do for me? Alright, let's
• 46:51
  Speaker 1: got the chatter. You only twenty grands? Yeah, yeah, it's here,
• 46:55
  Speaker 1: miss umble. Thanks not going to county. Huh huh. You see,
• 47:01
  Speaker 1: if I was to counter the rook, you might start
• 47:03
  Speaker 1: reaching for a gun. Well, except I I don't have
• 47:06
  Speaker 1: a gun. No, no, your pound baby was waiting for
• 47:09
  Speaker 1: me when I stepped out of the elevator. Oh yeah,
• 47:12
  Speaker 1: I stuck a cannon in my back and uh, search thing.
• 47:15
  Speaker 1: That baby just hasn't gone any manners. No, and neither.
• 47:21
  Speaker 1: Let me have it, babe, Let me have it. Sorry, Baxter,
• 47:25
  Speaker 1: but Babe's detained. Will we do cops?
• 47:27
  Speaker 6: Well, that's right, Duck get his gun, Jensen h thirty
• 47:31
  Speaker 6: eight alright for thirty eight.
• 47:33
  Speaker 1: I have three slugs from a thirty eight. Killed that
• 47:35
  Speaker 1: kid this afternoon.
• 47:36
  Speaker 2: Oh uh you you couldn't spare me a couple of
• 47:38
  Speaker 2: minutes along with this rat, could you?
• 47:40
  Speaker 4: No, we couldn't.
• 47:41
  Speaker 1: I didn't think so, But we might spare you a
• 47:44
  Speaker 1: couple of minutes at the curb. Uh, there's a dame
• 47:46
  Speaker 1: down there, O Rook sitting in your car waiting for you.
• 47:51
  Speaker 1: Oh so this is your idea, I'm sending for the cops.
• 47:54
  Speaker 7: I had too salt, you might have been killed.
• 47:56
  Speaker 2: Don't you understand?
• 47:57
  Speaker 1: All I understand is some things are meant to be
• 47:59
  Speaker 1: settled just one word, right.
• 48:00
  Speaker 7: No one knew that better than Timothy.
• 48:02
  Speaker 1: That's why he won that race for you this afternoon. Yeah, yeah,
• 48:08
  Speaker 1: I ask you what you mean books saying, But you're.
• 48:11
  Speaker 7: Right, some things are meant to be settled just one way.
• 48:17
  Speaker 1: Hey, hm, would you mind trying to kiss again? Just besides?
• 48:28
  Speaker 2: Well, boy, let's get out of here, teacher.
• 48:31
  Speaker 1: I've got to catch on my homework.
• 48:34
  Speaker 3: Oh, our sponsors, the makers of Lux fail that sold,
• 48:51
  Speaker 3: join me and inviting you to be with us again
• 48:54
  Speaker 3: next month?
• 48:54
  Speaker 1: Do you do when the Lux.
• 48:56
  Speaker 3: Radio Theater presents James Cagnea and Sylvia Sidney in Blood
• 49:00
  Speaker 3: on the Sun.
• 49:02
  Speaker 2: This is William Keeley saying good night to you.
• 49:05
  Speaker 7: From Hollywood m
• 49:12
  Speaker 1: HM