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Classic with a little of New · The Breakfast Club

• 0:00
  Speaker 1: DJA and Charlotte. Ain't the guy congratulate you Hall of famers.
• 0:06
  Speaker 1: So I had to be in the presence radio royalty
• 0:09
  Speaker 1: to the world's most dangerous morning show, The Breakfast Club.
• 0:12
  Speaker 1: It's a big deal deal. I think that y'all have
• 0:15
  Speaker 1: a certain amount of respect for you know what everybody
• 0:17
  Speaker 1: else does, and y'all are just the best of what
• 0:20
  Speaker 1: y'all do. We love y'all, Man, thank you for being
• 0:22
  Speaker 1: the people's champs, probably the greatest all thrill. Y'all is
• 0:30
  Speaker 1: your time to get it off your chests, whether you're
• 0:32
  Speaker 1: mad or blest, so we better have the same industry.
• 0:35
  Speaker 1: We want to hear from you on the Breakfast Club. Hello,
• 0:39
  Speaker 1: who's this? It's what sor? Oh Savante? What's up? King?
• 0:45
  Speaker 1: How are you? I'm good? Just hosted it out really excited.
• 0:49
  Speaker 1: I read it to the real It's my first time
• 0:51
  Speaker 1: everything killer clock. I love all of y'all so much,
• 0:55
  Speaker 1: uh especially you. I got my really estate license, I
• 0:59
  Speaker 1: guess will Georgia, and I just want to give myself
• 1:02
  Speaker 1: a shout out for that and just of course let
• 1:04
  Speaker 1: everybody know, I mean, how you're doing real estate. Congratulations King,
• 1:08
  Speaker 1: I told myself I'm gonna take the real estate license
• 1:10
  Speaker 1: myself because you took the class online. Right well, iours
• 1:14
  Speaker 1: license already in Vegas, out a lot of Vegas, and
• 1:17
  Speaker 1: I moved here and which applied for different type of applications,
• 1:22
  Speaker 1: so I didn't really have to take the testings Georgia
• 1:25
  Speaker 1: and back a lot of Vegas. That's good, you know,
• 1:28
  Speaker 1: I'm taking the classes right now. That's what. That's whatself.
• 1:31
  Speaker 1: It's a pretty hard getting my license. Yeah, I recommend
• 1:34
  Speaker 1: that to everybody, especially while you're home during the pandemic.
• 1:36
  Speaker 1: You could take the class online. You don't have to
• 1:38
  Speaker 1: go anywhere. You could just you know, watch it on
• 1:40
  Speaker 1: on on classes that they offer and group on offers
• 1:43
  Speaker 1: a lot of cheap classes. Just to give everybody to
• 1:45
  Speaker 1: heads up. Yeah, it's a pretty hard test if you
• 1:48
  Speaker 1: really didn't stop doing that. I just said, so everybody's
• 1:50
  Speaker 1: study really hard because the test is no jokes. Absolutely, Yeah.
• 1:54
  Speaker 1: I think you still have to take the test in person,
• 1:56
  Speaker 1: but you got it. You can take the classes. It's
• 1:58
  Speaker 1: like sixty two hours, king tell some houses, all right
• 2:04
  Speaker 1: with you much success? Shout out about my Instagram so
• 2:07
  Speaker 1: everybody can go follow me on the area's importantly as
• 2:09
  Speaker 1: a business. What is it to savantage underscore real estate underscore?
• 2:15
  Speaker 1: God all right, and if you get any great deals
• 2:18
  Speaker 1: hit me on my Instagram brother dm me. He's like,
• 2:21
  Speaker 1: I'll keep playing if you got it, If you get
• 2:24
  Speaker 1: any great deal hidden envy on his Instagram. I said, deals, man,
• 2:28
  Speaker 1: you're kinky. Hello, who's this antoine? Get it off your chance, bro.
• 2:34
  Speaker 1: I feel like on the radio, I'm an ONMNNA fish
• 2:36
  Speaker 1: all off. So we have more of a responsibility to
• 2:39
  Speaker 1: talk about comments when we get poured over about the
• 2:42
  Speaker 1: week in America, we don't have rights to black people,
• 2:44
  Speaker 1: So I don't like hearing on talking about our amendments
• 2:46
  Speaker 1: because our God gets right if the top say you
• 2:49
  Speaker 1: get off the car, get off the car. A lot
• 2:51
  Speaker 1: of times I see a lot of hostility coming from
• 2:53
  Speaker 1: the first being poured over, and I feel like we
• 2:56
  Speaker 1: see we're dying, So why don't just get off the term?
• 3:00
  Speaker 1: Why don't you just shut up? Why don't you just
• 3:01
  Speaker 1: about the information given? Because we're they're undefeated. A lot
• 3:06
  Speaker 1: of times people a lot of times people do follow
• 3:08
  Speaker 1: instructions and it still goes last. You know, as I
• 3:12
  Speaker 1: haven't seen that Filando Filando cast still was following I
• 3:16
  Speaker 1: have a registered gun, and people hold on, hold on,
• 3:19
  Speaker 1: hold on, hold on a lot of times the hossibility
• 3:21
  Speaker 1: coming from those people, he wasn't hostile when every time
• 3:25
  Speaker 1: I'm looking, I can always see where we went wrong. Family,
• 3:28
  Speaker 1: they're gonna do what they do. They're gonna feel so comply. Yeah,
• 3:35
  Speaker 1: I mean, my brother, nothing be right, my brother. I
• 3:38
  Speaker 1: respect you, Hey, my brother, I respect your opinion. But
• 3:42
  Speaker 1: I mean when you look at people like Elijah McClean
• 3:45
  Speaker 1: twenty three years old, you know, when you look at
• 3:46
  Speaker 1: people like Filando cast Still, that kind of proves you wrong.
• 3:49
  Speaker 1: But I do. I'm upset that you know, you've gotten
• 3:52
  Speaker 1: to the point in your life where you're so defeated
• 3:54
  Speaker 1: that you don't even feel like the constitution are Are
• 3:57
  Speaker 1: the laws of the land apply to you. Somebody who
• 3:59
  Speaker 1: gets pulled over this I agree with that, Nah, But
• 4:03
  Speaker 1: somebody get pulled over a lot man. You have the
• 4:05
  Speaker 1: right to ask why are you pulling me over? Ye?
• 4:07
  Speaker 1: Just you just ain't got to buckle down and be like, okay,
• 4:09
  Speaker 1: you pull me up and get out the cup up
• 4:11
  Speaker 1: my hand? No, why are you pulling me over? I
• 4:12
  Speaker 1: did nothing wrong. My registration is right, my insurance is right.
• 4:16
  Speaker 1: My license is not. But hear me over right, we
• 4:21
  Speaker 1: go through all of that and then we're the ones
• 4:23
  Speaker 1: that end up there. Let the people who's fighting the
• 4:25
  Speaker 1: fight fights the fight. We don't have that right, don't. Yeah,
• 4:31
  Speaker 1: my brother have right, my brother. Don't let these my brother.
• 4:34
  Speaker 1: Don't let these wife and premisses beat you down so
• 4:36
  Speaker 1: much that you don't even feel like you citizen in
• 4:37
  Speaker 1: this country. You are. I get what you're saying. I
• 4:42
  Speaker 1: want to get home to my family too, But what's
• 4:44
  Speaker 1: right is right, and I'm not gonna just just lay
• 4:46
  Speaker 1: down on my knees while you just beat me over
• 4:48
  Speaker 1: the head. No, I want to know why are you
• 4:49
  Speaker 1: pulling me over? And I pulling you over because I've
• 4:52
  Speaker 1: seen the air freshmen in your your window. No, tell
• 4:54
  Speaker 1: me why you're pulling me over. And by the way,
• 4:57
  Speaker 1: by the way came because your blood exactly. But listen, King,
• 5:00
  Speaker 1: your way has not been proven correct gainst the law.
• 5:03
  Speaker 1: Your way has not been proven correct. We've seen black
• 5:06
  Speaker 1: people get killed every which way you try to handle it,
• 5:09
  Speaker 1: whether you comply, don't comply, walking away in handcuffs on
• 5:13
  Speaker 1: the ground, So your way, your way is not it's
• 5:16
  Speaker 1: not been proven right, sir. But but don't get it twisted.
• 5:18
  Speaker 1: I will say this. If my son gets pulled over,
• 5:21
  Speaker 1: I tell him to shut the f up and just comply.
• 5:23
  Speaker 1: I do tell my son that because I want my
• 5:25
  Speaker 1: son to go No, but I do tell my son
• 5:27
  Speaker 1: that because I'm scared for my son. And my dad
• 5:29
  Speaker 1: told me the same. But I'm with you with that
• 5:31
  Speaker 1: one day. But that don't mean that cops still may
• 5:33
  Speaker 1: not violate. Violate, just learn that you can follow all
• 5:37
  Speaker 1: the instructions, you can still get killed. Don't take the
• 5:41
  Speaker 1: troop you really think, right you? You just said we
• 5:48
  Speaker 1: don't have no rights, but you think we went in court. Okay, brother,
• 5:51
  Speaker 1: have a good day. Thank you. But I understand what
• 5:54
  Speaker 1: he's saying because my dad used to tell me that
• 5:56
  Speaker 1: all the time. My dad would just be like, YO,
• 5:57
  Speaker 1: shut the f up and make it home. You can't
• 5:59
  Speaker 1: win in on the street with that police officer, but
• 6:02
  Speaker 1: at least when you make it home, you have an
• 6:03
  Speaker 1: opportunity to win in court. My dad is to say
• 6:05
  Speaker 1: the same thing. Yeah, I'm not telling him the curse
• 6:07
  Speaker 1: cops out and fight cops. All I'm simply saying is
• 6:09
  Speaker 1: you do have rights as a black person in this country.
• 6:12
  Speaker 1: You do. But as as somebody that gets pulled over time, No,
• 6:15
  Speaker 1: I want to know why you pulling me over. I'm
• 6:16
  Speaker 1: not just gonna assume know why. Tell me why, and
• 6:19
  Speaker 1: then when you get an attitude, I get at it.
• 6:20
  Speaker 1: You know, but you know why you ask those questions
• 6:22
  Speaker 1: because you know that you have rights. The constitution is
• 6:24
  Speaker 1: supposed to work for all of us. Get it off
• 6:27
  Speaker 1: your chest. Eight hundred five eight five one oh five one.
• 6:30
  Speaker 1: If you need to vent, hit this up now. It's
• 6:31
  Speaker 1: the breakfast Club. Go morning, the Breakfast Club. I'm I'm
• 6:39
  Speaker 1: telling you if this is your time to get it
• 6:44
  Speaker 1: off your chest, whether you're mad or blessed. Eight five
• 6:47
  Speaker 1: eight five one five one. We want to hear from
• 6:49
  Speaker 1: you on the breakfast Club. Hello, who's this? Get know
• 6:56
  Speaker 1: if it's chests? Y'all was talking about how jobs killing people, man,
• 7:00
  Speaker 1: I wanted to talk about it. You're dying. I feel
• 7:03
  Speaker 1: like I feel like it, man. I gonna like three
• 7:05
  Speaker 1: where you work at? I work at a factory. Man,
• 7:08
  Speaker 1: forty five years old working at a factory. It's like
• 7:13
  Speaker 1: I worked at one of those. Back in the day.
• 7:15
  Speaker 1: I worked at a place called Industrial Acoustics Company. I
• 7:18
  Speaker 1: worked there for two weeks and I got fired by
• 7:20
  Speaker 1: a woman named Gail Cops. She was my supervisor. Gail
• 7:23
  Speaker 1: Cops said that I did not fit in to whatever
• 7:26
  Speaker 1: the hell they was trying to do an industrial acoustics company.
• 7:28
  Speaker 1: I mean, you got man like working more than forty
• 7:32
  Speaker 1: hours a weeks, like not even wriking with dude's like
• 7:35
  Speaker 1: in hell. Yeah. But you know what I tell y'all.
• 7:37
  Speaker 1: I tell people, man, I'm about to say kids that
• 7:39
  Speaker 1: you're not kid, You're a grown man. You're you're a
• 7:41
  Speaker 1: younger king. You're a younger king. But it's one hundred
• 7:44
  Speaker 1: and sixty eight hours in a week, Bro, That's more
• 7:46
  Speaker 1: than enough time to do something that you may not like, Right,
• 7:49
  Speaker 1: forty hours at the job, but then you got a
• 7:52
  Speaker 1: hundred and twenty eight other hours to do everything else
• 7:55
  Speaker 1: you want to do. You can pursue your dreams, you
• 7:57
  Speaker 1: can sleep, you can work out whatever it is. It's
• 8:00
  Speaker 1: a lot of time, bro, Listen, shark. That's why I
• 8:03
  Speaker 1: got up so early. I'm from I'm from Illinois, so
• 8:06
  Speaker 1: you know, y'all our head over there. So I've really like,
• 8:09
  Speaker 1: I'm gonna call a breathas club to plug at least
• 8:11
  Speaker 1: my IDs or music or stumping on here. Okay, rap
• 8:15
  Speaker 1: go ahead and plug it. Oh yes, sir, yes, sir,
• 8:17
  Speaker 1: let's go the sixteen matter of fact, I mean you
• 8:18
  Speaker 1: got the world listening ahead, brother sixteen. He's a plug
• 8:22
  Speaker 1: a spit bro, one of the two Graham cash out
• 8:26
  Speaker 1: Chris as h O U P T Chris oh YouTube
• 8:31
  Speaker 1: cashers everything the same hand, man, I'm selling murch got closed.
• 8:36
  Speaker 1: I got a little follow when I ain't gonna say
• 8:37
  Speaker 1: I'm drink going there and nothing, but you know I
• 8:39
  Speaker 1: got a little bit. You don't have to say that, sir, Chris.
• 8:43
  Speaker 1: You don't have to tell us you're not Drake. We
• 8:45
  Speaker 1: know you don't like Drake. No, it has nothing to
• 8:49
  Speaker 1: do with that. It has the fact that we know
• 8:51
  Speaker 1: you're not we know you're not bad. Wow. Brother, Okay,
• 8:54
  Speaker 1: you're talking about more like Shad mug Now, y'all gonna
• 8:59
  Speaker 1: stop disrespecting man came up that man, I'm so sick
• 9:03
  Speaker 1: of a boy while sanding, y'all gonna stop slandering by
• 9:06
  Speaker 1: Wow like by wow didn't give us fresh as I'm answer.
• 9:09
  Speaker 1: Did he write it? I don't, It don't matter he
• 9:12
  Speaker 1: performed it and delivered. Okay, you don't have to question
• 9:15
  Speaker 1: about drink, so don't ask him about bay Wow to shake,
• 9:18
  Speaker 1: to shake, to shake. Hello, who's this from Alabama? Good morning, Alabama?
• 9:24
  Speaker 1: What's up? Good morning? Get it if your chest. I'm
• 9:27
  Speaker 1: tired of work and I'm tired of capital living. I'm
• 9:32
  Speaker 1: just tired. When we were kids, we didn't have to
• 9:36
  Speaker 1: worry about none of that. We wanted to be adults
• 9:38
  Speaker 1: so bad when we kids nine and I'm an adult,
• 9:40
  Speaker 1: I want to be a kid again. Bro, Man, I
• 9:42
  Speaker 1: didn't wanted to drinking when I grew up. Than all
• 9:44
  Speaker 1: these deals come with it. Yeah, listen, you gotta pay
• 9:48
  Speaker 1: for that drinking smoke. I know you know how much
• 9:51
  Speaker 1: it deals down here. Now, let me ask you this.
• 9:54
  Speaker 1: Are you getting ready for a retirement at all? Though?
• 9:57
  Speaker 1: Are you saving? Do you have a plan so that
• 9:59
  Speaker 1: you know X amount of years? I'm just wondering because
• 10:03
  Speaker 1: that's something I think about all the time. Okay, I
• 10:06
  Speaker 1: got a four one can gone. But I've been trying
• 10:09
  Speaker 1: to do a crypto thing. But I've just been laying
• 10:11
  Speaker 1: a dice roll on it. So yeah, me too. I
• 10:14
  Speaker 1: haven't figured it out. I've just been letting it die.
• 10:15
  Speaker 1: I've been doing pretty good letting the dice roll a
• 10:17
  Speaker 1: little bit. But you just never know what that man,
• 10:20
  Speaker 1: but Lida had to see alone. Brother, save you. Somebody
• 10:25
  Speaker 1: about to have a drink right now, get it off
• 10:27
  Speaker 1: your chest. Eight hundred five eight five one o five
• 10:29
  Speaker 1: one if you need to hit us up now, it's
• 10:31
  Speaker 1: the Breakfast Club, Go Morning, the Breakfast Club. Yeah, that's
• 10:37
  Speaker 1: the world most dangerous morning show, The Breakfast Club. Charlomagne
• 10:40
  Speaker 1: and God Angelie ye Envy had to bounce, but we
• 10:42
  Speaker 1: got an icon a legend on the line with us
• 10:45
  Speaker 1: right now. Ice Que, what's up, King Blessed Black and
• 10:50
  Speaker 1: Holly Favorite. I know you're like fifteen days late, man,
• 10:52
  Speaker 1: but happy, happy for lated brother, Oh, thank you man.
• 10:55
  Speaker 1: Don't worry about it, man, I'll take it all year.
• 10:57
  Speaker 1: I'm saying absolutely absolutely. Now. You got some iconic things
• 11:02
  Speaker 1: happening with the Big Three. It's a season four right
• 11:05
  Speaker 1: because you guys canceled last year obviously. Yeah, last year,
• 11:10
  Speaker 1: the pandemic, you know, hit us pretty hard, so we
• 11:13
  Speaker 1: had to we had to cancel, which was the right
• 11:15
  Speaker 1: thing to do because we got to make our decisions
• 11:18
  Speaker 1: about the season like in February March. So February March
• 11:24
  Speaker 1: of twenty twenty was nobody knew what the what the
• 11:27
  Speaker 1: summer would hold, what the year would hold, would just
• 11:30
  Speaker 1: be a one year lockdown, two year lockdown. So the
• 11:34
  Speaker 1: smart thing to do was to cancel the season. But
• 11:36
  Speaker 1: we backed this year. Now, did you have any doubts
• 11:39
  Speaker 1: Cube about the season four? The Big Three after COVID,
• 11:43
  Speaker 1: No doubts. I got a great team that helps me
• 11:47
  Speaker 1: with this league, and we was dedicated and committed to
• 11:52
  Speaker 1: survive it. You know, most leagues don't even survive to
• 11:55
  Speaker 1: the fourth year, to be honest, you know, so I
• 11:57
  Speaker 1: think UFC is the only is the only new league
• 12:01
  Speaker 1: that came out and survived past four years. So we're
• 12:04
  Speaker 1: just happy to be here. We start July tenth. You
• 12:08
  Speaker 1: know on CBS. You don't catch the games on CBS,
• 12:11
  Speaker 1: catch us on Triller or Fight TV. Six games is
• 12:15
  Speaker 1: going down. Yeah, yeah, I love the growth of the
• 12:18
  Speaker 1: Big Three too. How you guys started in every year,
• 12:21
  Speaker 1: it's like you add on more and more to it
• 12:23
  Speaker 1: because you guys did the deal with Trailler. Now, so
• 12:25
  Speaker 1: can you explain how the deal with Trailer works for
• 12:28
  Speaker 1: people who don't know because we've seen the deal with
• 12:30
  Speaker 1: Trailer and Versus and Switz and Timberland really had to
• 12:32
  Speaker 1: break that down. So can you break down Big three
• 12:34
  Speaker 1: and Trailer? Well, you know, when we play, you know,
• 12:38
  Speaker 1: it's six games for the price of one, so it's
• 12:41
  Speaker 1: it's an afternoon a great hoops and sports. So with CBS,
• 12:46
  Speaker 1: you know, we usually have about two hours on CBS,
• 12:49
  Speaker 1: so we can get in a couple of games there,
• 12:52
  Speaker 1: but then the rest of the games will be on
• 12:54
  Speaker 1: Triller and Fight TV and they'll be free of charge.
• 12:58
  Speaker 1: So tell us it's playing this season too, because you know,
• 13:01
  Speaker 1: you know, things switch up all the time. So who
• 13:02
  Speaker 1: do we have playing? Oh man, we got Nick Young
• 13:05
  Speaker 1: here in the league, Swaggy pete Um. You know, we
• 13:08
  Speaker 1: got the old favorites of course, Joe Johnson, Nate Robinson,
• 13:13
  Speaker 1: Coatino Mobley with Sean Lewis. We got new people like
• 13:17
  Speaker 1: Jared jack. We got Leonardo bar Bolsa in the league.
• 13:22
  Speaker 1: My mood up, dude oo, Reggie Evans, Drew Good and
• 13:26
  Speaker 1: Mario Chalmers will buying him, Maurice Spates. I mean, the
• 13:31
  Speaker 1: names go on and on and on and on. What
• 13:34
  Speaker 1: did you think about Nate Robinson's Fight versus Jake Paul
• 13:36
  Speaker 1: Did you watch it? Yeah, watched it. Uh it didn't
• 13:39
  Speaker 1: turn out too good for my man, Nate, you know,
• 13:42
  Speaker 1: but uh I respect Nate for even getting in the ring.
• 13:45
  Speaker 1: You know, anybody can talk. You know, you win something,
• 13:49
  Speaker 1: you lose some. But uh, as long as you down
• 13:52
  Speaker 1: to get some, you'll be all right. So you know
• 13:54
  Speaker 1: he did his thing. Boxing ain't his sport, you know.
• 13:58
  Speaker 1: I like to see how dude doing the basketball court again,
• 14:02
  Speaker 1: know what I'm saying. They should get a little revenge
• 14:06
  Speaker 1: boy to get on the court with him for a
• 14:08
  Speaker 1: little one on one. I think Native smoke them. Now
• 14:10
  Speaker 1: you're la icon, cube, la staple, la native. So when
• 14:14
  Speaker 1: we think la, we think a cube. Do you find
• 14:17
  Speaker 1: yourself rooting for the Clippers at all? No, not at all,
• 14:22
  Speaker 1: you know what I mean. I don't root for the Dippers.
• 14:27
  Speaker 1: They kind of boat guarded their way into the city
• 14:30
  Speaker 1: years ago, you know, like a cousin that come over
• 14:33
  Speaker 1: and spend the night and never go home. That's that's
• 14:36
  Speaker 1: what they like, you know. They never went home and
• 14:39
  Speaker 1: then tried to take the city at some point, like
• 14:43
  Speaker 1: they had this Libs city going on with with Blake
• 14:46
  Speaker 1: Griffin and artists, and they tried to take the city
• 14:49
  Speaker 1: and that's where they went wrong with me. You cannot
• 14:52
  Speaker 1: have la LA belongs to the Lakers. LA belongs to
• 14:56
  Speaker 1: the Dodgers, you know what I mean, everybody else's own lease.
• 15:00
  Speaker 1: Definitely what it might having former Clippers players in the
• 15:02
  Speaker 1: Big Three, that's a good thing. Oh, we welcome all
• 15:05
  Speaker 1: NBA players to the people. When you joined the Big Three, man,
• 15:09
  Speaker 1: you know, everything's given. You know, we got some Clippers.
• 15:12
  Speaker 1: I mean some Clippers won the championship with Continuo Mowbli
• 15:16
  Speaker 1: that and u Q Richardson. You know, so there was
• 15:20
  Speaker 1: big time Clippers and they won the Ring for Power
• 15:23
  Speaker 1: in twenty eighteen. So I got love for you when
• 15:26
  Speaker 1: you cross the line and come into the Big Three. Now,
• 15:29
  Speaker 1: just as important as the players is also the commentator.
• 15:32
  Speaker 1: So who can we look forward to seeing just let
• 15:34
  Speaker 1: us know what's going on. We added John Sally to
• 15:37
  Speaker 1: the mix. Oh wow, Rapp Report was great for us,
• 15:41
  Speaker 1: and so you know, we felt like, let's bring in
• 15:44
  Speaker 1: somebody that played in the NBA that know these guys
• 15:48
  Speaker 1: personal and see if we can get some more entertainment
• 15:51
  Speaker 1: out of that. So we're you know, we're excited. You
• 15:54
  Speaker 1: know Rapp Report, Uh, he had actually had a movie
• 15:57
  Speaker 1: he had to do. So we're happy to have John Sally.
• 16:01
  Speaker 1: But we also got Lisa Leslie gonna do some games
• 16:04
  Speaker 1: when she's not that which is great. You know. We
• 16:08
  Speaker 1: got Avery Johnson who's a former NBA player. He did
• 16:12
  Speaker 1: some games for us in twenty nineteen, so he's great.
• 16:16
  Speaker 1: So you know, we're just trying to bring that top
• 16:18
  Speaker 1: level talent, you know, not only on the court but
• 16:22
  Speaker 1: off the court, because it's what people use to People
• 16:24
  Speaker 1: want the best, and that's what we're bringing them. All right,
• 16:26
  Speaker 1: we got more with ice Cube when we come back,
• 16:29
  Speaker 1: don't move. It's the Breakfast Club. Good Morning, the Breakfast
• 16:32
  Speaker 1: Club Morning. Everybody is DJ Envy, Angela Yee, Chalomagne the guy.
• 16:39
  Speaker 1: We are the Breakfast Club. We're still kicking it with
• 16:41
  Speaker 1: ice Qbe Chalomagne not ce. Does ice Cube have any
• 16:46
  Speaker 1: interest in doing versus? Not really. It's a great idea,
• 16:50
  Speaker 1: great concept, but there's nothing that's like on my bucket list,
• 16:55
  Speaker 1: wish list or nothing like that. It started off, you know,
• 16:59
  Speaker 1: on the average seray tip and then and then they
• 17:02
  Speaker 1: showed a lot of love and versus. So I like
• 17:05
  Speaker 1: how it's evolved because you know, God shouldn't be really
• 17:09
  Speaker 1: going up there putting catalog against catalog. That that right there.
• 17:13
  Speaker 1: To me, UM ain't what it's about. It's about Sean love.
• 17:17
  Speaker 1: So I would have did it a little different. You know.
• 17:20
  Speaker 1: My version of versus would have been I pulled somebody
• 17:23
  Speaker 1: out there like Chuck d a public enning me or something,
• 17:26
  Speaker 1: and I play all the songs I love from him,
• 17:30
  Speaker 1: and he played all the songs he loved from me.
• 17:32
  Speaker 1: You know what I'm saying. And it's a it's a
• 17:34
  Speaker 1: love fast. So but you know, it's not something that
• 17:38
  Speaker 1: I'm thinking about doing. You know, if it comes about
• 17:42
  Speaker 1: who knows. I ain't saying yeah, I ain't saying no.
• 17:45
  Speaker 1: That's interesting you say that because I always said if
• 17:47
  Speaker 1: I wanted, if, if, if Q wanted to do a versus,
• 17:50
  Speaker 1: I think it should be QUE versus LL or Q
• 17:53
  Speaker 1: versus public enemy because of the celebration aspect. I don't know.
• 17:56
  Speaker 1: I just I just think that would be Dope Cube
• 17:58
  Speaker 1: in ll A Cuban public man. Both of those are
• 18:01
  Speaker 1: my heroes man, you know, those are my old gez
• 18:04
  Speaker 1: in the game. I can't see myself going up against him. Man,
• 18:07
  Speaker 1: They they you know, I just I love them too much,
• 18:10
  Speaker 1: you know, they they ain't the reason I do this,
• 18:13
  Speaker 1: So I don't know. You never know, Man, which was
• 18:16
  Speaker 1: your favorite one to watch? I love a snoop DMX one.
• 18:20
  Speaker 1: I loved the Too Short Eat forty one. That was
• 18:24
  Speaker 1: funny as hell, just because you know, I'm doing a
• 18:26
  Speaker 1: project Mount Westmore forty, Mount Westmore and short, so to
• 18:32
  Speaker 1: see them get up there and get down, you know,
• 18:34
  Speaker 1: I had a ball with that. Yeah. Oh, you know,
• 18:38
  Speaker 1: we're getting our ducks in a row. You know, we
• 18:40
  Speaker 1: did uh fight Club Triller. We just got a lot
• 18:44
  Speaker 1: of opportunities coming at us, and we had to kind
• 18:47
  Speaker 1: of sift through them and see which was which was
• 18:50
  Speaker 1: the best route. So I believe when don't figured it out.
• 18:54
  Speaker 1: So we're about we were getting cocked and loaded. We're
• 18:56
  Speaker 1: getting our visuals together because when we hit we want
• 18:59
  Speaker 1: to key roll. Did did Drey do any production on it?
• 19:02
  Speaker 1: I think Drey helped with us the one song that
• 19:06
  Speaker 1: Fred reg did, but I'm not sure. You know, I'm
• 19:09
  Speaker 1: not sure he rapped on it. For sure. You know,
• 19:12
  Speaker 1: he definitely on the verse, but I don't know if
• 19:14
  Speaker 1: he gave us any production, you know, que I think
• 19:17
  Speaker 1: tomorrow it'll be the one year anniversary of the Contract
• 19:20
  Speaker 1: the Black America. Have you heard from anyone in the
• 19:23
  Speaker 1: Biden administration about it? Yeah, we heard from h. Cedric
• 19:27
  Speaker 1: Richmond a couple of times. You know, we're still waiting
• 19:30
  Speaker 1: for a follow up on some things that we were
• 19:34
  Speaker 1: trying to get set up. You know, we're doing a
• 19:36
  Speaker 1: lot of stuff behind the scenes, you know, out of
• 19:39
  Speaker 1: the public's eye because things get miss conscrewed and you know,
• 19:44
  Speaker 1: people chiming when they don't know what they're talking about.
• 19:47
  Speaker 1: So the first half of the Contract of Black America
• 19:51
  Speaker 1: when the election was going on, was really focused on
• 19:53
  Speaker 1: the on the public sector. Now, you know, since the election,
• 19:57
  Speaker 1: we've been focused on the private sector. So we got
• 20:00
  Speaker 1: some interesting things we're gonna announce as soon as they
• 20:03
  Speaker 1: you know, fully developed. You know, I just wanted to
• 20:06
  Speaker 1: take it out of all the noise that was being
• 20:08
  Speaker 1: made and really try to get some concrete things done
• 20:11
  Speaker 1: and not just all this talk and fuss and trolling
• 20:15
  Speaker 1: back and forth. I just wanted to make sure that
• 20:18
  Speaker 1: we was actually either making progress or not so I
• 20:21
  Speaker 1: can tell the people what's really going on. So there
• 20:24
  Speaker 1: is progress being made. Yeah, I see some progress being made,
• 20:27
  Speaker 1: but you know, the rubbers still got to meet the row.
• 20:30
  Speaker 1: You know what I learned with these companies, they talk
• 20:32
  Speaker 1: a good game. They like to put out releases talking
• 20:36
  Speaker 1: about what they're doing and how much money they are
• 20:40
  Speaker 1: contributing and the programs of diversity, and it's all press
• 20:45
  Speaker 1: release stuff. When you really look into it, they don't
• 20:48
  Speaker 1: do nothing. So we just got to make sure the
• 20:51
  Speaker 1: ones that are saying they're doing something, you know, we're
• 20:54
  Speaker 1: trying to you know, look behind the curtain, make sure
• 20:57
  Speaker 1: they're really doing it, or find a people that's benefited
• 21:01
  Speaker 1: from these programs, because you know, they quit to put
• 21:03
  Speaker 1: out a press release talking about how much they're doing
• 21:07
  Speaker 1: for the community and then we don't see the results.
• 21:10
  Speaker 1: So you know, we're sick at that game too. Well.
• 21:14
  Speaker 1: When the Big Three start the live tiff on CBS
• 21:18
  Speaker 1: twelve thirty Eastern, nine thirty Pacific, and uh, all day
• 21:23
  Speaker 1: we're doing it. Every Saturday, We're doing it on CBS,
• 21:26
  Speaker 1: So every Saturday all summer long, hang out with the
• 21:30
  Speaker 1: Big Three. Absolutely, I'm definitely making it to New Orleans
• 21:34
  Speaker 1: for some of those games. I'm I ready in talks
• 21:36
  Speaker 1: to try to make that happen with your public says.
• 21:38
  Speaker 1: So just so you know, I'll be out there supporting
• 21:41
  Speaker 1: like always. Come on out. You know you you supported
• 21:44
  Speaker 1: us year one when we came to Brooklyn, you know,
• 21:47
  Speaker 1: and we need that support, you know, we need we
• 21:50
  Speaker 1: need some faces in the place. You know what I'm saying.
• 21:52
  Speaker 1: So come on out and hang out and have fun. Absolutely,
• 21:56
  Speaker 1: it's the legendary ice Cube. It's the Breakfast Club. Thank
• 21:59
  Speaker 1: you brother. Yeah, so Breakfast Club, Your morning's will never
• 22:03
  Speaker 1: be the same. Matches firm's fourth of July sale has
• 22:08
  Speaker 1: been extended for a limited time. Save up to five
• 22:11
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• 22:20
  Speaker 1: you remember this that time? Bring it back? Check out
• 22:23
  Speaker 1: the classic topic discussion morning. Everybody is j Envy and
• 22:27
  Speaker 1: julu Ye Charlomagne the guy. We are the Breakfast Club.
• 22:30
  Speaker 1: Now if you just join us, we're talking about a
• 22:32
  Speaker 1: story that happened in our kea. What happened now you Well,
• 22:35
  Speaker 1: employees were upset because they actually did a June teen
• 22:38
  Speaker 1: celebration and the menu featured fried chicken and watermelon. They
• 22:42
  Speaker 1: said that was racially insensitive? All right, so we're asking,
• 22:45
  Speaker 1: is that racially insensitive? Eight hundred five eight five one
• 22:48
  Speaker 1: oh five one Charlomagne, you like chicken watermelon? Yeah? I mean, listen,
• 22:52
  Speaker 1: I get it, you know, for reasons I have never
• 22:54
  Speaker 1: explored or educated my cell phone. It is a negative
• 22:57
  Speaker 1: black stereotype when it comes chicken and watermelon. But we're
• 23:01
  Speaker 1: gonna stop backing, Like everybody don't love chicken and watermelon, okay, everybody.
• 23:05
  Speaker 1: Everybody loves chicken and water majority of the people love
• 23:08
  Speaker 1: chicken in all forms, whether it's fried, bob Q, drilled, sautaid, whatever.
• 23:13
  Speaker 1: And a large amount of people love watermelon, especially in
• 23:16
  Speaker 1: the summertime. Okay, Now, I Kia shouldn't have put it
• 23:18
  Speaker 1: on the June Teeth menu for black people, you know,
• 23:21
  Speaker 1: because it is a negative stereotype towards black people. So
• 23:25
  Speaker 1: I can understand why people thought it was racially intensitive.
• 23:27
  Speaker 1: But you know, other than that, man, y'all gonna stop
• 23:29
  Speaker 1: back and like, fried chicken and watermelon is not great?
• 23:32
  Speaker 1: Now were you offended by it? Was I offended? I
• 23:34
  Speaker 1: would think that you would know better than just have
• 23:37
  Speaker 1: a menu featuring watermelon fried chicken to celebrate June teenth. Like,
• 23:40
  Speaker 1: that's what black people love, give them some watermelon and
• 23:42
  Speaker 1: fried chicken. But what I get it, what if a
• 23:44
  Speaker 1: black person actually did the menu. Let's say a black
• 23:46
  Speaker 1: person said, you know what, I'm gonna do a menu
• 23:47
  Speaker 1: and I'm gonna put some of the stuff on a
• 23:48
  Speaker 1: menu that I like. Well, the black person didn't it
• 23:51
  Speaker 1: was it? No, that's what that's that's that's what they
• 23:53
  Speaker 1: was complaining. That's employees and complaining about it the menu. Yeah,
• 23:57
  Speaker 1: and that's and that was our kids problem. That's why
• 23:59
  Speaker 1: I actually why I kid should get dunk here to
• 24:01
  Speaker 1: day to day because once again, if you're going to
• 24:04
  Speaker 1: do something culturally, bring people from the culture in the
• 24:08
  Speaker 1: room to have the conversation. That goes back to what
• 24:10
  Speaker 1: we was talking about earlier with uh Michael B. Jordan
• 24:13
  Speaker 1: and Juve. If you're gonna name the drink juve, talk
• 24:16
  Speaker 1: to some Caribbean people before you do that. If you're
• 24:18
  Speaker 1: gonna put together a June teenth menu, talk to some
• 24:21
  Speaker 1: black people before you do that. It's not a hard concept.
• 24:23
  Speaker 1: Corporate America. I well, yeah, I agree what you're saying.
• 24:26
  Speaker 1: But like Michae would be Jordan's kids, right, I'm from
• 24:28
  Speaker 1: New York. I go to Juve all the time. I
• 24:30
  Speaker 1: always thought Juve was a celebration, so I would have
• 24:32
  Speaker 1: never have thought in a million years what it was.
• 24:34
  Speaker 1: You know what I mean? And I would have did it,
• 24:35
  Speaker 1: I guess saying because you know, and guess what you
• 24:37
  Speaker 1: mean right now on Instagram apologizing with Michael B. Jordan
• 24:40
  Speaker 1: and I'm gonna change the name I mean. But you
• 24:43
  Speaker 1: wouldn't you would have thought anything about it? Hello? Who's this? Yo?
• 24:46
  Speaker 1: This Troy out of VA? What's up? Joy? What's up?
• 24:50
  Speaker 1: I can't you know? Put for the June teenth menu?
• 24:53
  Speaker 1: Chicken the watermelon? Will you offended? Body? Bro? No, I'm
• 24:56
  Speaker 1: not offended. Man. If my porporate American job gave me
• 25:00
  Speaker 1: chicken and watermelon and it won't there intend to be offensive.
• 25:04
  Speaker 1: If that watermelon is nice and red, ain't got them
• 25:12
  Speaker 1: eleven earth, goodbye? Man. He got a point. If the
• 25:20
  Speaker 1: chicken is dry, you're gonna be mad as hell. If
• 25:23
  Speaker 1: the watermelon ain't ripe, you're gonna be mad as hell.
• 25:26
  Speaker 1: But boy, if that chicken is fried white right and
• 25:28
  Speaker 1: that watermelon hitting, you're gonna be happy. Got yo? Good morning?
• 25:33
  Speaker 1: What are you affected? When I can't put on the
• 25:35
  Speaker 1: many crazy. Yeah, I wasn't offended. Uh If I was
• 25:42
  Speaker 1: a thing by everything, man, I'll be exhausted. But you
• 25:47
  Speaker 1: think I love fried chicken? Uh Yo Angel Chief and
• 25:54
  Speaker 1: chicos Yo Crown Chickens got the best chicken in New
• 25:57
  Speaker 1: York City. I love Okay, Now, I don't know if
• 26:00
  Speaker 1: I would say that they have the best chicken in
• 26:02
  Speaker 1: New York City. You know where they had really great
• 26:04
  Speaker 1: fried chicken at Peaches. You ever had peaches? Oh? Yeah,
• 26:07
  Speaker 1: I love Peaches. I love I love you brunch there. Yeah,
• 26:10
  Speaker 1: they got this honey hot chicken. That's amazing. That's why. Yeah, yeah,
• 26:14
  Speaker 1: I don't know why we fronted and listen. I was
• 26:16
  Speaker 1: on a boat. I don't like watermelon, by the way, Yeah, yeah,
• 26:20
  Speaker 1: I've heard. I think that's a New York thing because
• 26:22
  Speaker 1: down I love me so I love me A nice
• 26:24
  Speaker 1: ride watermelon. I was actually in South Carolina a few
• 26:26
  Speaker 1: weeks ago, and I was on the boat with a
• 26:28
  Speaker 1: bunch of the white homies and they had they had
• 26:32
  Speaker 1: chicken tenders from publics and watermelon, and then white people
• 26:37
  Speaker 1: was tearing that chicken and watermelon up and they I
• 26:40
  Speaker 1: wasn't even supposed to be on the boat. So that's
• 26:42
  Speaker 1: what they had playing that, that's what they wanted. It
• 26:46
  Speaker 1: wasn't impressing you. I would I do try to eat
• 26:48
  Speaker 1: grilled chicken over fried chicken. I don't really eat fried
• 26:51
  Speaker 1: chicken that often. Fried chicken is very, very occasional, occasional purses.
• 26:56
  Speaker 1: But I love bacu chicken. Grilled chicken is good, Chicken
• 26:59
  Speaker 1: fil a is good, chicken is good, and watermelon is
• 27:01
  Speaker 1: good too. I don't I don't know what to tell y'all. Hello,
• 27:04
  Speaker 1: who's this? Hey? Ash? Were you offending? What our kids menu?
• 27:10
  Speaker 1: Of the fried chicken? Watermelon? You know, beer and black
• 27:14
  Speaker 1: Everybody say that we like chicken, we like watermelon, we
• 27:18
  Speaker 1: like grape soda. Personally, I don't like grace. I don't
• 27:21
  Speaker 1: like grape solda. I don't like no soda. I don't
• 27:24
  Speaker 1: do so too. I don't drink no. I think it's
• 27:26
  Speaker 1: disgusting to me. Do you like fried chicken? Everybody like
• 27:29
  Speaker 1: fried chickens. People like fried chickets? Yeah, what pepper and salt?
• 27:35
  Speaker 1: Do you like watermelon? Because watermelon is five It's just
• 27:39
  Speaker 1: really it's not really my favorite. I like sam you
• 27:43
  Speaker 1: know what I mean? It's always a stereo type with
• 27:45
  Speaker 1: us every time I pants tagg it down, but they
• 27:49
  Speaker 1: don't say anything when it comes down white boys doing
• 27:51
  Speaker 1: the same thing. Word drama. I do want to say. Sometimes,
• 27:55
  Speaker 1: you know how you have like a prefixed menu and
• 27:57
  Speaker 1: then they ask you do you want the salmon, the
• 28:00
  Speaker 1: steak or do you want the chicken? And I always
• 28:02
  Speaker 1: be like the chicken because chicken is good. Guys right there,
• 28:07
  Speaker 1: I like salmon too. I don't need see food. I
• 28:10
  Speaker 1: think we ate more spaghetti in our house growing up
• 28:12
  Speaker 1: than anything. But that ain't no negative stereotype. I had
• 28:15
  Speaker 1: velveta mac and cheese. Boy, did you put sugar in
• 28:17
  Speaker 1: your spaghetti? I don't know my mama mt I didn't
• 28:21
  Speaker 1: come hello, who's this? Oh Randy Man, Hey, Randy, how
• 28:24
  Speaker 1: are you? Randy Chugar A little fella. I feel about chicken, watermelon? Randy.
• 28:29
  Speaker 1: You know what when I lay picked the phone, I said,
• 28:32
  Speaker 1: I'm black. I don't care, but it's kind of weird.
• 28:34
  Speaker 1: I live in Wisconsin and I got like these white
• 28:37
  Speaker 1: friends and they like to make comments about chicken. But
• 28:40
  Speaker 1: I love chicken and speaking watermelon. What you mean your
• 28:43
  Speaker 1: white friends like to make comments about chicken? Give it
• 28:45
  Speaker 1: some context, Broy giving me a chicken like say, man,
• 28:48
  Speaker 1: you're gonna go draw some watermelon this summer on this weekend.
• 28:52
  Speaker 1: I'm like, that might be a little I will Why
• 28:56
  Speaker 1: would a white person just randomly you be saying that?
• 28:59
  Speaker 1: You get because I'm kind of a comedian. I like
• 29:03
  Speaker 1: to talk about the not season the chicken. Oh so
• 29:05
  Speaker 1: they're throwing the jokes back down tracking for them. Yeah,
• 29:08
  Speaker 1: but I hit a little bit nuger more harder than
• 29:11
  Speaker 1: not season and chicken, man, I mean to you, you
• 29:15
  Speaker 1: don't know how that you don't know how them comments
• 29:16
  Speaker 1: field white people? All right, well you know, and before
• 29:20
  Speaker 1: I don't know, I love all my white friend then
• 29:23
  Speaker 1: invite they're wearing they candles up the normal So I
• 29:25
  Speaker 1: love them all. Man, I love all my white friends.
• 29:28
  Speaker 1: They bring me around and they let me come to
• 29:31
  Speaker 1: their wins, and they let me come to there there there, there,
• 29:34
  Speaker 1: there there, their kindergarten graduations. I love me my white people.
• 29:39
  Speaker 1: If you want to make somebody uncomfortable, Right, yesterday with
• 29:41
  Speaker 1: the restoration, all were right, and I was like, so,
• 29:44
  Speaker 1: what's the June teent sale or is this still June
• 29:46
  Speaker 1: teent sales? The guy looked at me like June Teent tale.
• 29:48
  Speaker 1: I'm like, yeah, it was just a June tem holiday.
• 29:49
  Speaker 1: You have a holiday for everything out. You have Fourth
• 29:51
  Speaker 1: of July sales, you have late Memorial Day sales, Presidents
• 29:53
  Speaker 1: they sales. There's no junetem sale. I got a percentage
• 29:56
  Speaker 1: off that's gonna let you know no longer juneteen men,
• 30:00
  Speaker 1: what if you said Popeyes is doing sales all week?
• 30:02
  Speaker 1: If you want to go get it two piece, like
• 30:06
  Speaker 1: I heard Rick Ross doing dives. Now I heard they
• 30:08
  Speaker 1: got going on to the Marlan story is chicken is
• 30:14
  Speaker 1: good and watermelon is great, And I don't know what
• 30:15
  Speaker 1: the hell y'all talking about, but I get it, you
• 30:17
  Speaker 1: know what I mean. I kill was just tone deaf.
• 30:19
  Speaker 1: Once again. If you're going to do anything culturally corporate America,
• 30:24
  Speaker 1: bring people from the culture in the room so you
• 30:26
  Speaker 1: don't make these mistakes. It's simple hungry right now. You know,
• 30:30
  Speaker 1: It's so funny that I was trying to clean stuff
• 30:31
  Speaker 1: out of my frize and I dropped all this fried
• 30:33
  Speaker 1: chicken on the floor. This morning, niggas niggas out the
• 30:46
  Speaker 1: breakfast Club, Audible and Charlemagne the God Morning, everybody is
• 30:59
  Speaker 1: Tea j Envy, Angela Yee Charlomagne the guy. We are
• 31:03
  Speaker 1: the Breakfast Club. We got some special guests with us today,
• 31:06
  Speaker 1: the hottest podcast in the street. That's what. Oh I
• 31:09
  Speaker 1: like that. I'm ima signed a couple of hundreds in
• 31:12
  Speaker 1: your pocket. That's what's something. Man, we're in here, man, Yes, sir,
• 31:17
  Speaker 1: what's happening? My brother big announcement. Uh, we just want
• 31:20
  Speaker 1: to put it out there. Charlottagne just told us he
• 31:22
  Speaker 1: turned crip. You know what I mean, got the home.
• 31:25
  Speaker 1: You know what I mean? He doing him. No, he
• 31:26
  Speaker 1: gotta survive. He neighborhood. Still, he gotta survive. I like,
• 31:32
  Speaker 1: I like how you cold switch whatever you at, you
• 31:35
  Speaker 1: go through, you go through Chicago. You know I'm not
• 31:38
  Speaker 1: banging nothing. Yes he is. You know what I mean.
• 31:42
  Speaker 1: Oh yeah, oh yeah, my fault. I don't want to
• 31:43
  Speaker 1: sponsors to hear that. Get my hotel hot in the
• 31:46
  Speaker 1: land over the weekend, Right last weekend, I was staying
• 31:50
  Speaker 1: in the same hotel and he was shooting dice over there.
• 31:52
  Speaker 1: I was in and out. Had Gilly had people coming
• 31:55
  Speaker 1: to the hotel to play dice cool. We recorded so
• 31:57
  Speaker 1: much I was hiding it ut rolled out. You know
• 32:09
  Speaker 1: what I'm saying, You're gonna throw me under the buzz.
• 32:11
  Speaker 1: Gilly made my hotel. I started, They that's all you
• 32:15
  Speaker 1: putting that on video? Gilly. I was like, Gilley them
• 32:17
  Speaker 1: seeing worse than that in bro that was a five
• 32:19
  Speaker 1: star hotel. No, no, not not not shooting Dice that
• 32:21
  Speaker 1: the Philly. That's a that's a really supposed to be
• 32:25
  Speaker 1: a really nice hotel. So but and then what's so
• 32:27
  Speaker 1: crazy is that after I posted it, you know it
• 32:31
  Speaker 1: won't crazy viral in all the hotel people thank me, Gilly, Baby,
• 32:37
  Speaker 1: Gilly Baby. Gilly basically got in the hotel, I got
• 32:40
  Speaker 1: an elevator. The manager stepped in the elevator with me.
• 32:42
  Speaker 1: I was like, thanks for making a hotel go viral.
• 32:45
  Speaker 1: I was like the shooting, they don't care. You ain't
• 32:50
  Speaker 1: jumping Gilly. Yeah, he jumped in. See that are jumped
• 32:55
  Speaker 1: in the game. All right, Ever, tell the truth of
• 32:57
  Speaker 1: how I really want. When the Dice game for startled off,
• 33:00
  Speaker 1: I walked over there, what you's bet? Then I looked
• 33:03
  Speaker 1: down to me, he's been four hundred dollars. You ain't
• 33:05
  Speaker 1: bet no money. They all pulled their money out. We
• 33:08
  Speaker 1: got it is he don't get it up. I roused
• 33:10
  Speaker 1: him upon and then walked off and did the video.
• 33:13
  Speaker 1: I can't down see when they see me. The next day,
• 33:17
  Speaker 1: he told, but you ride game? Do you miss the
• 33:22
  Speaker 1: artist part of the game, like being a rapper performing
• 33:25
  Speaker 1: in the city the city? Do you miss that part
• 33:27
  Speaker 1: of the industry? I do, but I don't. It ain't
• 33:30
  Speaker 1: too much to miss. And he wasn't like he was
• 33:32
  Speaker 1: nobody in the games you're talking about. He miss it
• 33:35
  Speaker 1: somebody like a big artist like Wayen or Try. You
• 33:38
  Speaker 1: asked them artists. You don't ask No. Let me tell
• 33:45
  Speaker 1: you something. When when did you ever do a show?
• 33:47
  Speaker 1: When when you missed the ride? When did you do
• 33:49
  Speaker 1: a show? Ride? When did you he didn't do when
• 33:52
  Speaker 1: some of jams me, he didn't do no big joint
• 33:55
  Speaker 1: and you hosting karaoke. You ain't see him in the
• 33:58
  Speaker 1: BET Awards. You ain't seeing that, none of the big shows.
• 34:01
  Speaker 1: The soul train they was taking, they were taking anybody
• 34:06
  Speaker 1: after while the label got you on soul train. Donor
• 34:10
  Speaker 1: Nillis on his hand, No, why would he know you?
• 34:13
  Speaker 1: Because you why would do kill Nillis? The same way
• 34:16
  Speaker 1: he had no no where, no listen, It's no where
• 34:22
  Speaker 1: in the world. I'm booking him for a show, I'm
• 34:24
  Speaker 1: not booking it. First of all, he man because he
• 34:27
  Speaker 1: started the group and then you got card. I didn't
• 34:30
  Speaker 1: get caught. I was his manage. I took him to
• 34:34
  Speaker 1: him didn't know what was going on. No, no, no no.
• 34:36
  Speaker 1: I signed him on his first contract. I wasn't a rapper.
• 34:39
  Speaker 1: He was a rapper rapper. He went through all the phases.
• 34:43
  Speaker 1: He went through the bumps kicking, the bums kicking. I'm
• 34:45
  Speaker 1: a rapping the story I take, I'll take proud of that.
• 34:49
  Speaker 1: I was a hype man in all, I went through
• 34:50
  Speaker 1: the phases of rap. I was a hype man. Hype man,
• 34:54
  Speaker 1: a hype and another is joined up. Do your heads in.
• 34:59
  Speaker 1: I looked at I'm like he was my another ass cousin. Like, listen,
• 35:02
  Speaker 1: I sign it just first contract though you you got
• 35:05
  Speaker 1: to slick as my piece in the hood. I knew
• 35:07
  Speaker 1: you correct. Then I started rapping. I was better than him. Better.
• 35:11
  Speaker 1: He wanted to back my play because I was better
• 35:13
  Speaker 1: than him. I was his first man. It was my assistant.
• 35:16
  Speaker 1: I was your man out. I was his first manager.
• 35:21
  Speaker 1: He's in that asser. I was his first manage. Just
• 35:23
  Speaker 1: say this too. Because we'd be on the phone we
• 35:25
  Speaker 1: busted up with Shar, but Wallow busted up a lot more.
• 35:30
  Speaker 1: And on the way up here, he just said something
• 35:34
  Speaker 1: that threw me off. What he said, you're riding up
• 35:37
  Speaker 1: in and he was like, when we're getting there, I'm
• 35:41
  Speaker 1: sitting next to Charlotte. Man, I can't tell you that nothing.
• 35:48
  Speaker 1: When you walked in, he cut you off and sat yall.
• 35:58
  Speaker 1: He just went as a selly. He he want to
• 36:02
  Speaker 1: group up. He really want to group up. That's all
• 36:04
  Speaker 1: that stood up. He just put me in the cell
• 36:07
  Speaker 1: with I'm sitting next to Charlotte med me and v Cell.
• 36:12
  Speaker 1: I didn't say that though, lying are you lying? Came out.
• 36:17
  Speaker 1: He's lying on me. I'm just saying we're getting him.
• 36:20
  Speaker 1: I believe Gilly Angel really threw me off. He's short
• 36:26
  Speaker 1: the name up. I'm sitting next to Shar, I call
• 36:31
  Speaker 1: it your seat. Sure, I ain't never do that. You're
• 36:35
  Speaker 1: lying on that man, you got that. I just I
• 36:38
  Speaker 1: listened back to sleep. How we got more with Willow
• 36:41
  Speaker 1: and Gilly the King. When we come back, don't move.
• 36:43
  Speaker 1: It's the breakfast morning morning. Everybody is dj Envy angela ye,
• 36:59
  Speaker 1: Charlotmagne the guy. We are the breakfast club were still
• 37:02
  Speaker 1: kicking it with Willow and Gilli the King million dollars
• 37:05
  Speaker 1: worth a game, Charlemagne Guilly, You was one of them.
• 37:08
  Speaker 1: You know, I was listening. I was listening to it
• 37:09
  Speaker 1: this weekend when you was on Que Dzy show and
• 37:12
  Speaker 1: Bani Sagu called and you went. You just went into
• 37:16
  Speaker 1: Gooby Mark show show. That was so or you gotta
• 37:25
  Speaker 1: add that man, stay your name gangster mom Man, y'all
• 37:28
  Speaker 1: know what that shait man? Y'all can't keep bern We serious, Donk,
• 37:32
  Speaker 1: you can't stop nothing else again. You think you should
• 37:35
  Speaker 1: stop us, be real with yourself, donk. We men. We
• 37:38
  Speaker 1: all know each other. Man, we men. I know you
• 37:41
  Speaker 1: ain't talking. I'm talking. Hey, Hey, Hey, what's what you
• 37:48
  Speaker 1: want to do? Man? You know, I don't even know
• 37:52
  Speaker 1: what it was? Beefing over but screaming on Beanie and
• 37:56
  Speaker 1: and Beanie called in, screaming on Gilly. That sounded like
• 38:00
  Speaker 1: then was gonna shoot each other outs soon as the
• 38:02
  Speaker 1: interview was little Gilly be but the damn that everybody
• 38:04
  Speaker 1: in this share one pan. And then I went out
• 38:05
  Speaker 1: a whole rabbit hole, and it was like Gilly and
• 38:08
  Speaker 1: Beany got into a fight, and y'all being sucker punch gilt.
• 38:12
  Speaker 1: I'm just saying, sucker punch you. You caught yourself. Baby.
• 38:16
  Speaker 1: Baby was there? He said that was a rumor too
• 38:20
  Speaker 1: on the line week bags. If you asks Beanie what
• 38:25
  Speaker 1: happen being sucker punch you? Baby was there? My man
• 38:27
  Speaker 1: number one Stunnar was there. You know, you know how
• 38:30
  Speaker 1: you know that ain't the truth because me and Beanie
• 38:34
  Speaker 1: sequel cool to this day. Yeah, I saw it. Don't
• 38:37
  Speaker 1: don't put my name. Could you go ahead me tell
• 38:40
  Speaker 1: what really happened up pick. I want to add, I
• 38:41
  Speaker 1: want to ask to it. But but that's another that's
• 38:44
  Speaker 1: to see. And it was different with y'all back then
• 38:46
  Speaker 1: because there was always a chance that it could get
• 38:50
  Speaker 1: physical or turn to some street. Absolutely it did turn
• 38:53
  Speaker 1: into some streets. It did, and you know, Spade went
• 38:56
  Speaker 1: to jail. Got real serious, you know what I'm saying.
• 38:59
  Speaker 1: So you know that's why I don't even talk on
• 39:01
  Speaker 1: that that situation because somebody from our cant went to
• 39:04
  Speaker 1: jail for murder. Somebody lost a life. It was so crazy,
• 39:09
  Speaker 1: is that. You know, we was beefing with with beans
• 39:12
  Speaker 1: and freeway and state property and a lot of the
• 39:16
  Speaker 1: one down and then you look up twenty years later
• 39:20
  Speaker 1: in these dudes are my brothers because we grew up
• 39:24
  Speaker 1: and we understood that that we was going through that
• 39:27
  Speaker 1: it wasn't didn't even make no sense, that wasn't even
• 39:30
  Speaker 1: that deep. But when't y'all realize that because you beef
• 39:32
  Speaker 1: with them and you beef with Joe, you beat with
• 39:35
  Speaker 1: so many different people. When you realize, say, oh oh,
• 39:38
  Speaker 1: let me just say this about jail. He didn't beef
• 39:39
  Speaker 1: with Joe. Beef is when somebody get killed. The shot Joe.
• 39:42
  Speaker 1: Him and Joe had a misunderstanding, but we straighten that out.
• 39:45
  Speaker 1: But you say, okay, Gilly beef with everybody, the state
• 39:48
  Speaker 1: property situation, Gilly was homemined in his business. Gilly get
• 39:52
  Speaker 1: a call turn the readio on day on the readio
• 39:55
  Speaker 1: rapping about us coming at us, Wayne dis me. Wayne
• 40:00
  Speaker 1: put out a song called problem Solved for Gilly. You
• 40:02
  Speaker 1: don't want to with me? That gonna be yeahly man,
• 40:05
  Speaker 1: I don't think you didn't should really met off urgently
• 40:08
  Speaker 1: fucking tucking the perfect. See one thing about me, I
• 40:12
  Speaker 1: never start news. But if you with me, then you
• 40:15
  Speaker 1: just know I'm coming. I ain't never start nothing with nobody, now,
• 40:19
  Speaker 1: I might talk a little the baby from town to time,
• 40:22
  Speaker 1: but that's because I was aware. I'm not seeing out
• 40:25
  Speaker 1: how seriously y'all about Willow trying to get your masters
• 40:28
  Speaker 1: back from baby? But no, baby, really I talked to baby,
• 40:32
  Speaker 1: Baby said Willow. Listen whoa? He said, whoa? Listen, whoa?
• 40:35
  Speaker 1: He said, your cousin I lost money for him. I said, well,
• 40:38
  Speaker 1: how can we straighten this out? He said, Babe, me
• 40:41
  Speaker 1: talking crazy? I said, cousin. Yeah. I got a video
• 40:43
  Speaker 1: from Gil apologizing the baby and I sent it to him.
• 40:45
  Speaker 1: So right now the lawyers just talking. So it ain't
• 40:48
  Speaker 1: gonna be that long again. On this mat he was
• 40:52
  Speaker 1: on cash money record. He on everybody man. He said, Baby,
• 40:55
  Speaker 1: how can I get my cousin masses back? He said,
• 40:58
  Speaker 1: give me a kid? You picture. That's the whole twist though,
• 41:05
  Speaker 1: But at the end of the day, at the end
• 41:07
  Speaker 1: of the day, he held his master. So I'm probably
• 41:09
  Speaker 1: I'm negotiating. It's not like it's worth something, but I
• 41:12
  Speaker 1: want to just give him to him and say, hegg
• 41:13
  Speaker 1: your masters. Yeah. I wonder how you and BENI digging
• 41:15
  Speaker 1: on good turns because you're talking about people going to jail,
• 41:17
  Speaker 1: people getting killed, right, and people gave Jeez so much
• 41:20
  Speaker 1: flak for squashing it with Gucci, and it's just like, man,
• 41:23
  Speaker 1: why can't you be bigger than the sometimes no no, no, no, no, no,
• 41:27
  Speaker 1: I'm done. I'm just you think it's two different situations,
• 41:31
  Speaker 1: and that somebody got killed. Everybody's situation is different. I think,
• 41:38
  Speaker 1: I think anybody. I can't. We can't even talk on
• 41:40
  Speaker 1: that because the days we don't even know the protect
• 41:42
  Speaker 1: you because they continued even during the verses, it was
• 41:44
  Speaker 1: still no, I'm just gonna be quiet. I'm just never
• 41:51
  Speaker 1: But if you said somebody, somebody crib to dust me off,
• 41:54
  Speaker 1: how you gonna feel? I don't kid. Forty years go by,
• 41:57
  Speaker 1: were smoking running Gee came to dust me off? Man,
• 42:03
  Speaker 1: not me away from my family. Man. It could be
• 42:07
  Speaker 1: what if Rannie g would have gotten me? So you
• 42:09
  Speaker 1: can't ask you years later that's personal. He tried to
• 42:12
  Speaker 1: dust me off. I dusted Ronnie g Off in the process.
• 42:15
  Speaker 1: I don't know how anybody else feels. But twenty years later,
• 42:18
  Speaker 1: we're smoking Ronnie g I agree. I see what you're saying,
• 42:21
  Speaker 1: But at some point you gotta let go of that
• 42:23
  Speaker 1: tra not not when he tried to come dust me off,
• 42:26
  Speaker 1: take me away from my kids, because what if he
• 42:28
  Speaker 1: went because but if he did get because I don't know,
• 42:31
  Speaker 1: you know what I mean? We what dawn like? Yeah,
• 42:37
  Speaker 1: they could have returned fire. They could have killed my
• 42:39
  Speaker 1: kids in a different everybody off in the house. So now,
• 42:44
  Speaker 1: because I was on point and caught you slipping like
• 42:47
  Speaker 1: a bad transmission, laid you down like baby heads had
• 42:51
  Speaker 1: to go to jail, I think fighting the caging on that.
• 42:54
  Speaker 1: If I'm not mistaken news years in my life for
• 42:57
  Speaker 1: money enough, I'm support dude. Feel sorry. I'm just saying
• 43:02
  Speaker 1: that's just weird too. You never let it go, Gilly,
• 43:09
  Speaker 1: I would how you let it go? Somebody tried to
• 43:12
  Speaker 1: dust you off? Yeah, the difference between you losing your
• 43:15
  Speaker 1: life and you living. It's like this, man, when I
• 43:18
  Speaker 1: when I'm hot. I don't know if y'all ever been
• 43:20
  Speaker 1: shot before. Oh okay, I've been shot before. So this this,
• 43:24
  Speaker 1: this this close. The bullet could have went this much closer.
• 43:28
  Speaker 1: I could have been done. Now, my kids growing up
• 43:31
  Speaker 1: without a father. We're smoking roddy jeef ever, I'm just
• 43:35
  Speaker 1: a petty how did you get how did you squash it?
• 43:38
  Speaker 1: Would be it? I ain't just saying we didn't lose
• 43:43
  Speaker 1: nobody on your side. Dude, No, okay, okay, got you
• 43:47
  Speaker 1: got you so, I mean it was wasn't that hard
• 43:49
  Speaker 1: for us to squash it? See, it gets personal for
• 43:52
  Speaker 1: me because they tried to kill me. How you ever
• 43:56
  Speaker 1: get over somewide coming to your house and trying to
• 43:58
  Speaker 1: dusty off? No, when we come back, we got more
• 44:01
  Speaker 1: with Guilty King and Willow, So don't move. It's to
• 44:04
  Speaker 1: Breakfast Club Gremarnis Morning. Everybody is DJ Envy Angela Yee. Charlomagne,
• 44:10
  Speaker 1: the guy we are the Breakfast Club was still kicking
• 44:12
  Speaker 1: with Guilty King and Willow. Million dollars worth a game podcast, Charlemagne,
• 44:16
  Speaker 1: what's y'all learned about each other on the podcast? Like
• 44:18
  Speaker 1: you said, Willow was gone for twenty We deal with
• 44:21
  Speaker 1: each other every day. He's like this, like my girlfriend.
• 44:23
  Speaker 1: Like I'm not gonna say my girl, but mean to
• 44:26
  Speaker 1: say that, but like he's like he was like the
• 44:29
  Speaker 1: nagging the nagging woman that he like. N I didn't
• 44:32
  Speaker 1: mean to say that. I'm sorry, guys, but he'd just
• 44:35
  Speaker 1: be nagging me all day, you know what I mean.
• 44:36
  Speaker 1: He's like a woman garry all day y'all ain't learned
• 44:40
  Speaker 1: nothing new about each other now doing the podcast, he's
• 44:43
  Speaker 1: still the losers, like the loser, he's see everybody else.
• 44:48
  Speaker 1: That's my girlfriend. I don't mean to say it like that.
• 44:52
  Speaker 1: He didn't mean to say that. I was saying, like
• 44:54
  Speaker 1: you just like a nagging like a woman and always
• 44:57
  Speaker 1: nagging you mind, because all you do is nag all day,
• 45:00
  Speaker 1: Like twenty years in jail. You never call a guy
• 45:05
  Speaker 1: your girlfriend. I'm comfortable with I'm cool, I'm not I'm
• 45:10
  Speaker 1: not anything wrong with me. Congrats on the engagement too.
• 45:12
  Speaker 1: Oh yeah, man, I changed my life. Yeah, that's a
• 45:20
  Speaker 1: great it's a great thing. Man. Were you really about
• 45:22
  Speaker 1: to sign the Rockefeller? That's all you say? Another day? Yeah? Like,
• 45:25
  Speaker 1: how close was it? We had out? No? No, no, no, no,
• 45:30
  Speaker 1: let's be for real. What did Jay really tell you though?
• 45:32
  Speaker 1: All right? Initially being signed a Rockefeller, then Major Figus
• 45:36
  Speaker 1: was supposed to sign with Rockefeller. By time they came
• 45:39
  Speaker 1: back with the deal for Major Figures, I had already
• 45:41
  Speaker 1: signed with Suave House. Then Dutch and Spade went over
• 45:45
  Speaker 1: here to entertainment. Lava went down here with Doctor Dre
• 45:49
  Speaker 1: but then Jay wanted the group, so then when they
• 45:51
  Speaker 1: came at us with the contract, it was like, I'm
• 45:54
  Speaker 1: an independent, I'm a solo artist. I get fifteen points,
• 45:57
  Speaker 1: a bump at Golden Bump at Platinum. Seven people in
• 46:00
  Speaker 1: this group. Man, we got twelve points. Man, we would
• 46:03
  Speaker 1: have to sell a a trillion records to make some
• 46:05
  Speaker 1: goddamn money. Man. So I turned the deal down. And
• 46:09
  Speaker 1: what Jay tells you? Then they went out and got
• 46:13
  Speaker 1: stayed property. No, but what the but what did jay
• 46:18
  Speaker 1: Z tell you after you turned it down? And did
• 46:20
  Speaker 1: he stand on what he said? Now, let's just say
• 46:23
  Speaker 1: the black balls real man? What did jay Z tell
• 46:26
  Speaker 1: you though? What did Hove tell you? Got him? See
• 46:29
  Speaker 1: what did he take? Shout out the man industry back then?
• 46:34
  Speaker 1: Hove told him, I'm gonna make it hard for you.
• 46:36
  Speaker 1: It's gonna be hard for you. Damn he said that,
• 46:43
  Speaker 1: Blue Daddy. Now what you betching? Now? Did you Feelo
• 46:46
  Speaker 1: was affected? Did you feel that the black balls? Man?
• 46:48
  Speaker 1: Everybody know? Come on, man, because you know I went
• 46:51
  Speaker 1: through the system. I got the text message, told you
• 46:57
  Speaker 1: the text messager. First of all, DJ Drama already said
• 47:02
  Speaker 1: what it was. Yeah, I know Little Wayne put that on.
• 47:05
  Speaker 1: You know cash money? Did it too, but man, at
• 47:07
  Speaker 1: the end of the day, may you look up twenty
• 47:08
  Speaker 1: years later? Me kam blackball guy. I always played you
• 47:11
  Speaker 1: on my mixtape, don't you always? We always had a
• 47:12
  Speaker 1: great to the text game though. Oh well, maybe he
• 47:20
  Speaker 1: meant it in like a comp friendly competition, where like,
• 47:23
  Speaker 1: you know you're gonna sign the Suave House, We're gonna
• 47:25
  Speaker 1: make it hard for you. Yeah, yea, yeah, yeah. I
• 47:28
  Speaker 1: think that might have been like some friendly competition, like
• 47:31
  Speaker 1: how did you feel when I'm gonna grab young in
• 47:33
  Speaker 1: the game. I didn't know Jay was about to be
• 47:35
  Speaker 1: the next biggest for twenty years, so I was like,
• 47:40
  Speaker 1: time about y'all lover smoke after that. Yeah, when I
• 47:43
  Speaker 1: was signing Cash Money, we wanted to the studio one
• 47:47
  Speaker 1: day and I knew I was supposed to stay on
• 47:49
  Speaker 1: the bus because Baby told me to stay on the bus. Baby, Baby,
• 47:54
  Speaker 1: I told you my man, Baby, because they knew. He
• 47:57
  Speaker 1: knew I had an issue with with them before you
• 48:01
  Speaker 1: Beans was on cash I mean, Baby says stick, keep
• 48:05
  Speaker 1: your ass on the ball, keep your butt on the
• 48:09
  Speaker 1: Baby was like you you might want to you know
• 48:10
  Speaker 1: what I mean? And I was like, no, you got
• 48:14
  Speaker 1: off the butts. I want to fucking the studio. He
• 48:17
  Speaker 1: was like, wow, I was going on in here. Basically
• 48:23
  Speaker 1: he was sought about me being in that bull. But
• 48:26
  Speaker 1: that was it some therapy. Man. Yeah, he's been a
• 48:29
  Speaker 1: lot of Listen, there's no boys. Just the best advice
• 48:38
  Speaker 1: young put him through the to you offender on the
• 48:40
  Speaker 1: way up? Man, because the calls that go down behind
• 48:43
  Speaker 1: closed doors that you would never know about. It can't
• 48:47
  Speaker 1: fuck your life up, but it definitely put your to
• 48:50
  Speaker 1: a halt. Man. And let me tell you something about
• 48:52
  Speaker 1: a lot of these artists, the big name artists with money, man,
• 48:55
  Speaker 1: these this is jazz man. Because one thing about me, Man,
• 48:59
  Speaker 1: I would never stopped New from trying to eat. Man.
• 49:02
  Speaker 1: I don't give what me and you go through out here.
• 49:04
  Speaker 1: I don't give we beefing in the streets. I don't
• 49:06
  Speaker 1: give we had to shoot at each other. I don't
• 49:08
  Speaker 1: give what we're going through out here. I ain't gonna
• 49:10
  Speaker 1: never try to stop New from getting no money. So
• 49:13
  Speaker 1: all of youth out there, why you you offend on
• 49:16
  Speaker 1: the way up? Because these some mos Man. And I'm
• 49:19
  Speaker 1: not extremely si talking about jay Z and know I'm
• 49:22
  Speaker 1: talking about that industry period. Man. The biggest thing I've
• 49:25
  Speaker 1: learned from being in this industry is these ain't who
• 49:28
  Speaker 1: they say they is. Have you ever gone back and
• 49:30
  Speaker 1: zeba back into business with people who back then, because
• 49:34
  Speaker 1: like you said, you know is when you was coming up.
• 49:36
  Speaker 1: Have you ever gone back and done business? I mean,
• 49:38
  Speaker 1: if they want to sock into my pocket like a rocket.
• 49:40
  Speaker 1: But one thing I know about these names, these don't
• 49:42
  Speaker 1: do business. I had an US worth them a billion dollars.
• 49:46
  Speaker 1: I ain't even gonna say his name. This calls me
• 49:48
  Speaker 1: much back. I'm sitting in the bed with my wife.
• 49:50
  Speaker 1: They called me and say, man, you're killing it out here. Man,
• 49:53
  Speaker 1: you're doing your thing. Man, we gotta figure out the
• 49:56
  Speaker 1: way we can get some money together. Man, okay, cool,
• 49:58
  Speaker 1: But I like to work on a bart. We don't
• 50:00
  Speaker 1: do no barter. No, you're talking about man forty four
• 50:03
  Speaker 1: years old. We don't do our phone. We don't do that.
• 50:06
  Speaker 1: You think I'm hype because you calling me, You ain't
• 50:08
  Speaker 1: who you used to be. Who we will get into
• 50:11
  Speaker 1: the system talking about I'll work on the socket in
• 50:15
  Speaker 1: my pocket like a rocket. SYS. Every time it comes
• 50:17
  Speaker 1: to the culture, I want to screen from the culture. Culture,
• 50:20
  Speaker 1: all of them all is that called us I see
• 50:23
  Speaker 1: what you do with That's all they was talking. I
• 50:25
  Speaker 1: love what you're doing. Hold, I'm gonna see if I
• 50:27
  Speaker 1: could make something happen for you. I'll tell you what
• 50:30
  Speaker 1: the white folks did chit ching, So what if it?
• 50:35
  Speaker 1: Let me tell you something the realists get in the game.
• 50:37
  Speaker 1: It's in the room right now, Charlotte Mane. And I'm
• 50:39
  Speaker 1: gonna say this, and I'm and I'm gonna getting out
• 50:41
  Speaker 1: of it, and I'm selling. I want to share the
• 50:43
  Speaker 1: motherfucking plumps and the connection. I want to eat with.
• 50:47
  Speaker 1: You want to compete with, And we don't want to
• 50:49
  Speaker 1: compete with nobody. We we only in only, We don't
• 50:52
  Speaker 1: care about we don't care about how much money you're
• 50:54
  Speaker 1: to maim me. Joe Buddings, Ronnie Joe Joe, Ronnie Race
• 50:57
  Speaker 1: car Way, Donnie. We don't count them this pocket man.
• 51:01
  Speaker 1: We hope Charlotte Magne go up to five hundred million
• 51:04
  Speaker 1: dollars DJ m V. You need to really get up
• 51:08
  Speaker 1: to that. You need to start sharing some of them
• 51:09
  Speaker 1: houses with me too. Okay, Yeah, yes, I called you
• 51:18
  Speaker 1: and the season the season you got you, you gonna
• 51:26
  Speaker 1: call you ain't call my phone. I called your phone
• 51:28
  Speaker 1: in and run down on my But I'm gonna say
• 51:39
  Speaker 1: this though. I'm gonna say this though, Charlotmagne, we got
• 51:41
  Speaker 1: to salute you. Get your flowers now, because I'm telling you, bro,
• 51:45
  Speaker 1: this be so fake. It was so many people. Oh,
• 51:48
  Speaker 1: I like the part. You're killing them, You're killing them.
• 51:51
  Speaker 1: Listen man, listen man. None of these boys called talking
• 51:55
  Speaker 1: no money. Never we talked to when when the mother
• 51:58
  Speaker 1: people call, tell me what you want, Just tell me
• 52:00
  Speaker 1: a number, Tell me the numbers. I said, I don't
• 52:03
  Speaker 1: talk like that. My lawyer deal, I call you back
• 52:05
  Speaker 1: click every time we talk to them. But any time
• 52:07
  Speaker 1: a bro, let's get to get. Don't call us about
• 52:09
  Speaker 1: no champagne. Don't call us about no clothes. Don't don't
• 52:13
  Speaker 1: call us about if it ain't no brunch, if it
• 52:16
  Speaker 1: ain't no, if it ain't no, if it ain't no budget,
• 52:18
  Speaker 1: don't call us. So y'all not going through the rock
• 52:20
  Speaker 1: nation brudgets now, Hold up, Hold up, hold up. I
• 52:22
  Speaker 1: do want to take a picture with jay Z. I
• 52:24
  Speaker 1: gotta send it back to the homies. You got you
• 52:26
  Speaker 1: gotta take away. I gotta send it back to the
• 52:28
  Speaker 1: homies in jail. You know how man, this is want
• 52:31
  Speaker 1: to sound block. Wa did it with jay Z and
• 52:34
  Speaker 1: I gotta write the caption. I just gotta do it
• 52:35
  Speaker 1: one time everybody else in the game. But let me
• 52:39
  Speaker 1: ask you a question. What picture is bigger to you?
• 52:41
  Speaker 1: Jay Z? A baby? I can't let baby here you
• 52:44
  Speaker 1: say this. Your contract might be messed up. So can
• 52:46
  Speaker 1: I not comment on that because if I if I
• 52:48
  Speaker 1: go to wrong way, I might care get your masters back.
• 52:52
  Speaker 1: Hold we love I just like no, I'm gonna keep
• 52:56
  Speaker 1: it all way real. Even when we was doing business
• 52:58
  Speaker 1: with them, Hove was all was the coolness, you know.
• 53:01
  Speaker 1: Dane was the that was a little He just rubbed
• 53:05
  Speaker 1: you the wrong way, like to use a coaster. You
• 53:11
  Speaker 1: anybody saying when we come back, we got more with
• 53:16
  Speaker 1: Guilly the King and Willow, so don't move. It's the
• 53:18
  Speaker 1: Breakfast Club Go Morning coming up in ten minutes. We
• 53:22
  Speaker 1: got a classic Donkey on the day. It's the Breakfast
• 53:25
  Speaker 1: Club Morning. Everybody is DJ Envy Angela Yee, Charlemagne the guy.
• 53:30
  Speaker 1: We are the Breakfast Club. Usually this is where we
• 53:33
  Speaker 1: do rumors. But we still have Guilly the King and
• 53:35
  Speaker 1: Willow here a million dollars worth of game. This is
• 53:38
  Speaker 1: very interesting, jay Z or Drake. There is a conversation
• 53:41
  Speaker 1: everybody's been having. They had that reflex. That was a
• 53:43
  Speaker 1: good one. Jay Z and Drake first of all, just
• 53:45
  Speaker 1: say this, I'm not a Drake fan. I've never in
• 53:48
  Speaker 1: my life gotten the current through Drake on. That's the
• 53:50
  Speaker 1: god honest truth. You know what, I like him when
• 53:53
  Speaker 1: he wraps. I don't like all that sing you know,
• 53:56
  Speaker 1: pepper freestyle he was spitting on. It's a subjective all
• 54:00
  Speaker 1: day every day, jay Z, Man, what the is we
• 54:03
  Speaker 1: talking about? I don't understand why do we what is
• 54:05
  Speaker 1: we talking? We grow older though, so I understand we
• 54:08
  Speaker 1: don't be singers, Like what are we talking about? We're
• 54:11
  Speaker 1: gonna say who who better? Chris Brown and jay Z
• 54:14
  Speaker 1: Like what we talking about? Not the same? Man? It is?
• 54:18
  Speaker 1: These kids love Drake. No no, no, no no no
• 54:21
  Speaker 1: no no no, because listen, Drake is the greatest of
• 54:24
  Speaker 1: his time. That don't mean I have to listen to you.
• 54:27
  Speaker 1: Jay Z was the greatest of our time. On he
• 54:29
  Speaker 1: sold two three million records? Are you time? He came out?
• 54:32
  Speaker 1: So everybody one listening to him. All I'm saying is
• 54:35
  Speaker 1: Drake say a lot of light skins, home boy? That
• 54:40
  Speaker 1: nigger that you love so bad. Who's gonna tell a
• 54:44
  Speaker 1: girl that you hate me all the time. I know
• 54:53
  Speaker 1: you think about the times we've had. No, she's not.
• 54:57
  Speaker 1: You just said she let us. What do you talk?
• 55:02
  Speaker 1: I'm just saying you could do better? Wait, any you
• 55:06
  Speaker 1: think your woman can't do better than u? MB you
• 55:08
  Speaker 1: think my woman can't do better than me? Here's what Yes,
• 55:10
  Speaker 1: she can't. That's why y'all do side. That's why you
• 55:13
  Speaker 1: do side. You gotta do the I'm gonna gonna hate
• 55:18
  Speaker 1: only if you make me how you gonna make me hate?
• 55:22
  Speaker 1: Making me deep? Your baka gonna dish you, y'all. I'm
• 55:26
  Speaker 1: just talking true. Clue, Clue go ahead. I just was
• 55:40
  Speaker 1: talking to Clue up just the mixtape. Were talking about
• 55:42
  Speaker 1: this great mixtape. You're the perfect one Drama Drama. Why
• 55:46
  Speaker 1: I agree because Drama had a little longer run and
• 55:50
  Speaker 1: brand name the same the whole time. Clue that professional
• 55:55
  Speaker 1: run through one hundred and it would be the same brand.
• 55:58
  Speaker 1: But what I'm saying is Clue set the stage for Drama.
• 56:01
  Speaker 1: He did after I'm gonna say that, but when Drama
• 56:03
  Speaker 1: dropped that gangster grills like everybody that Drama dealt with
• 56:07
  Speaker 1: on that Gangster Grills at one point in time that
• 56:10
  Speaker 1: you took off from the Jess to the tea. I'm
• 56:12
  Speaker 1: gonna say that Wayne's to the unit already though, but
• 56:16
  Speaker 1: that it took him and propelled them. Clue broke fave
• 56:19
  Speaker 1: pace and the locks that people that know what I'm saying, Yes, Jesus,
• 56:25
  Speaker 1: but I'm saying clue. Man, I'm saying clue. I'm saying clue.
• 56:28
  Speaker 1: I was gonna put on them, I understand, but I'm
• 56:30
  Speaker 1: saying clue because I was in jail, and before I
• 56:32
  Speaker 1: went to jail, Clue had this. He did the dudes
• 56:35
  Speaker 1: wasn't doing. I think DJA Drama had the biggest series
• 56:39
  Speaker 1: because nothing was bigger than Gangster Grill. No, No, Clue
• 56:42
  Speaker 1: broke envy, broke envy, and Drama said to be a superstar. Yeah,
• 56:48
  Speaker 1: because after Gilly stopped writing for Wayne, then Wayne started
• 56:52
  Speaker 1: heating up again through those mixtapes through do You Believe?
• 56:56
  Speaker 1: Not Really? Thank You mean? He's you with me though
• 57:01
  Speaker 1: I don't think he ain't coming. Let's ask Giley, did
• 57:04
  Speaker 1: you write clear right now? Did you write for a
• 57:07
  Speaker 1: Little Way nine? Not one bar? I'm tired of joy?
• 57:11
  Speaker 1: Kind of the original Quentin miller Man because he helped people.
• 57:14
  Speaker 1: But then he got to show it in this like
• 57:16
  Speaker 1: like like, let's just go when the all of that
• 57:19
  Speaker 1: I said in the freestyle telling me one lie your
• 57:23
  Speaker 1: four albums in and ain't received a publishing check two
• 57:27
  Speaker 1: thousand and four. Wayne was just suing baby Foot fifty
• 57:34
  Speaker 1: two million in twenty seventeen, right from one thing I
• 57:37
  Speaker 1: don't do, man, I don't do no fake, no no froll.
• 57:39
  Speaker 1: He told He told Wayne about what the publishing check was.
• 57:43
  Speaker 1: He didn't know, say it, man, I just know if
• 57:46
  Speaker 1: I go if I go gold, I get gold money.
• 57:48
  Speaker 1: If I go platinum, I get platinum money. Go what
• 57:52
  Speaker 1: he came down in the old system? Up, dud, Was
• 57:55
  Speaker 1: you that death cash money? Yeah? He told he, I
• 58:00
  Speaker 1: gotta random to start finding out. Wait, hold on, this
• 58:03
  Speaker 1: is on the label and because it's your manager. Yeah,
• 58:07
  Speaker 1: that's a conflict of interest. I don't know about no
• 58:10
  Speaker 1: conflicting interest. I didn't know, Okay, Yeah, I just know
• 58:13
  Speaker 1: you're getting So why you end up beefing if you
• 58:15
  Speaker 1: was talking about I'd have no idea why we And
• 58:18
  Speaker 1: so do you respect an artists like Drake or artists
• 58:21
  Speaker 1: like Wayne who not necessarily always right. Respect. Let me
• 58:25
  Speaker 1: tell you something, man, music is about going in the studio,
• 58:29
  Speaker 1: having fun, expressing yourself. Sometimes there's one person in there,
• 58:33
  Speaker 1: sometimes there's three persons in there. Sometimes there's five people
• 58:36
  Speaker 1: went there like people keep fronting like a lot of
• 58:39
  Speaker 1: these great some are some are greatest artists. They didn't
• 58:41
  Speaker 1: have people that write it for him. We don't only
• 58:43
  Speaker 1: John Ron music. They're so worried about that. Everybody else
• 58:46
  Speaker 1: most of they hit stayn't even right. That's why rappers
• 58:49
  Speaker 1: were having a limited shelf, like we have limited like
• 58:51
  Speaker 1: guess guess guess guests who don't care that Drake ain't
• 58:54
  Speaker 1: right to that music film woman, that's gonna suck at
• 58:57
  Speaker 1: the end of the night. There's something melody. We're gonna suck, Drake,
• 59:03
  Speaker 1: Get split them down at the end of the bed.
• 59:05
  Speaker 1: Not quin Quinn. Who listen, somebody gonna edit that sounds
• 59:11
  Speaker 1: crazy talk. Clearly, we're gonna suck as long as we
• 59:18
  Speaker 1: get as long as you get paid. I said they're
• 59:21
  Speaker 1: gonna suck, Drake. We said we man, I say we're
• 59:28
  Speaker 1: gonna suck, Drake. Get split them down at the end
• 59:31
  Speaker 1: of the bed. Oh my god, Oh not me. I
• 59:33
  Speaker 1: ain't gonna do with that. Anybody gonna get drake down,
• 59:36
  Speaker 1: and I ain't gonna do with that. This boy spicy
• 59:39
  Speaker 1: right here. Man, If anybody listen, man, you man say
• 59:45
  Speaker 1: this on TV. Listen happening. It's just happening. But I
• 59:49
  Speaker 1: want to say this though I got these books, I
• 59:51
  Speaker 1: run for y'all. It's for you right here about brother,
• 59:53
  Speaker 1: I'm gonna get this whist they got Actually, listen, they
• 59:56
  Speaker 1: got hold up, they got glass around. Keep giving you
• 59:58
  Speaker 1: the book. It's like a prison, is it like? We're
• 1:00:00
  Speaker 1: up here? Look you see this like a prison and
• 1:00:04
  Speaker 1: you're coming home? Yo? What's up? But listen, man, everybody
• 1:00:08
  Speaker 1: is out there right going zoom in on these Part one,
• 1:00:11
  Speaker 1: Part two, Part three. This is the your daily push
• 1:00:13
  Speaker 1: Wallow two six seven, Life the mindor Wallow two six
• 1:00:15
  Speaker 1: sept One two and three. You can check it out
• 1:00:17
  Speaker 1: on Wallow two six seven dot com. Go out then
• 1:00:19
  Speaker 1: show me some love. Got some merch on there too.
• 1:00:21
  Speaker 1: Some other things you can also go on Only fans
• 1:00:24
  Speaker 1: guil got an only fan. He gotta feat feet page.
• 1:00:27
  Speaker 1: He's dipping his feet in all type of desserts and uh,
• 1:00:29
  Speaker 1: all type of dressings like only fans dot com slash gil.
• 1:00:35
  Speaker 1: You can find all types of stuff over there. I
• 1:00:36
  Speaker 1: saw y'all coaching with Dion another day. Oh yeah, yeah,
• 1:00:40
  Speaker 1: I game some of my plays. Man, y'all got y'all,
• 1:00:42
  Speaker 1: y'all got Dion on barstool, right, yeah, yeah, we went
• 1:00:44
  Speaker 1: you know what I mean? That's our guy. He when
• 1:00:46
  Speaker 1: you passed the connects off, you opened our minds up.
• 1:00:48
  Speaker 1: The connects don't don't don't hold on to the connects.
• 1:00:52
  Speaker 1: So when you helped a lot of people to have
• 1:00:54
  Speaker 1: them on too, This boy right here, Black Effect is
• 1:00:57
  Speaker 1: doing some great things. I want to get a shout
• 1:00:58
  Speaker 1: out of the DOW. I gotta get his brothers flowers
• 1:01:00
  Speaker 1: right now earlier leads your Big Fact podcast. Uh eighty
• 1:01:04
  Speaker 1: five South. What's the name? What's my girl name? She funny, Jess, hilarious. Here.
• 1:01:10
  Speaker 1: You got everybody over there, you're building the empire doing
• 1:01:13
  Speaker 1: all right? We're doing no, No, y'all not doing it?
• 1:01:15
  Speaker 1: Are you trying to downplay Matt Barnes in them over there? Everybody? Listen, everybody.
• 1:01:19
  Speaker 1: I'm happy to be working for all of those individus. Listen. Yeah,
• 1:01:22
  Speaker 1: getting all that money, yes, we get money. That's that's
• 1:01:24
  Speaker 1: why I'm telling about weed. I just try to put
• 1:01:28
  Speaker 1: out here and we appreciate you brothers for joining us. No, man,
• 1:01:31
  Speaker 1: these boards is these boards? Man? We see Wallow and
• 1:01:33
  Speaker 1: Gilly on TV, so y'all will it's coming. I'm not
• 1:01:37
  Speaker 1: saying that. I'm not gonna say nothing. I say that,
• 1:01:39
  Speaker 1: I'm not saying nothing. Gilly Wallow appreciate listen, man, we
• 1:01:43
  Speaker 1: appreciate y'all. Man. The Breakfast Club do not have breakfast here,
• 1:01:46
  Speaker 1: so to be coming here, don't look for nothing to
• 1:01:48
  Speaker 1: eat these they will starve you in this joint. It's
• 1:01:50
  Speaker 1: the Breakfast Club. Good boarding up for the full interview.
• 1:01:54
  Speaker 1: Come on check out the Breakfast Club more the best
• 1:01:57
  Speaker 1: of the Breakfast Club coming out. So Breakfast Club, your
• 1:02:01
  Speaker 1: mornings will never be the same. If summer is inspiring
• 1:02:05
  Speaker 1: you to be a little bit healthier, Audible is a
• 1:02:07
  Speaker 1: great help. Check it out for guided meditations, motivating podcasts,
• 1:02:11
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• 1:02:14
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• 1:02:16
  Speaker 1: trial at audible dot com. Slash a breakfast Club. Hey, listen,
• 1:02:20
  Speaker 1: if you hear me talking to you right now, that
• 1:02:22
  Speaker 1: means I'm not really here, Okay, we're on vacation. It's
• 1:02:24
  Speaker 1: the best of show. But you know, don't here to day.
• 1:02:27
  Speaker 1: I remember ten years ago when I started this segment, um,
• 1:02:29
  Speaker 1: I said that I hope that one day, you know,
• 1:02:31
  Speaker 1: it'll grow to be a legendary you know, radio segment.
• 1:02:35
  Speaker 1: It's still not up for me to say that. But
• 1:02:37
  Speaker 1: we've had some pretty good ones. Okay, they say this
• 1:02:39
  Speaker 1: one is a classic. Here you go dates you get
• 1:02:45
  Speaker 1: drunky you are or drunk, I'm gonna fatten all that
• 1:02:55
  Speaker 1: around your eye dog and blows many charm to have
• 1:03:01
  Speaker 1: to make a judgment. Who was going to be on
• 1:03:03
  Speaker 1: the Donkey of the Day. They chose you as a
• 1:03:06
  Speaker 1: breakfast club bitchy. Who's Donkey of the Day today? Wow,
• 1:03:09
  Speaker 1: donkey of a Dave goes to the Newsmax anchor Greg Kelly.
• 1:03:14
  Speaker 1: Greg Kelly is a man who doesn't like weed, marijuana, cannabis, pot, grass,
• 1:03:19
  Speaker 1: gotta whatever you want to call it. He's not with it.
• 1:03:22
  Speaker 1: This is Greg Kelly and doctor Kevin Sibet on his
• 1:03:24
  Speaker 1: newsweek show talking about refers plural Listen. New York State
• 1:03:28
  Speaker 1: legalizes the recreational use of marijuana, and we join more
• 1:03:33
  Speaker 1: than a dozen other states now where you can light
• 1:03:37
  Speaker 1: up for no other reason at all than to get high. Personally,
• 1:03:43
  Speaker 1: I think this is a very very bad move. Doctor. First,
• 1:03:47
  Speaker 1: to you, you're not cool with this, right, this is
• 1:03:49
  Speaker 1: a bad thing. I know, all kind of gateway drug,
• 1:03:52
  Speaker 1: all that stuff, not to mention all the mental health issues. Yeah,
• 1:03:56
  Speaker 1: it's a really bad idea. You know, today's marijuana. It's
• 1:03:58
  Speaker 1: not your woodstuck weed of the past. Let me tell
• 1:04:01
  Speaker 1: you something. I am not a weed head by any means. Okay,
• 1:04:04
  Speaker 1: your uncle Charlotte. When I was a young lad growing
• 1:04:06
  Speaker 1: up in Monk's Corner, South Carolina, dropping a clue bump
• 1:04:08
  Speaker 1: from Mons Corner, South Carolina, I used to smoke a
• 1:04:10
  Speaker 1: lot of weed. In fact, myself and some of my
• 1:04:13
  Speaker 1: partners when we was in our teens, we called ourselves
• 1:04:15
  Speaker 1: the infamous Buddha Heads. We all took weed like names.
• 1:04:19
  Speaker 1: There was Bobby Buddha It kabad is Am, Mikey Marijuana
• 1:04:22
  Speaker 1: to name a few. Me, well, I was Charlie Chronick.
• 1:04:26
  Speaker 1: What I didn't realize back then was I was shut up.
• 1:04:29
  Speaker 1: Don't judge me. I was young. What I didn't realize
• 1:04:31
  Speaker 1: back then was I was prone to having severe anxiety attacks.
• 1:04:33
  Speaker 1: The weed was not helping that. I just didn't know
• 1:04:36
  Speaker 1: what it was back then, and I just thought it
• 1:04:38
  Speaker 1: was the life I was living along with the weed excreme.
• 1:04:40
  Speaker 1: Paranoid just came with the territory. And when I saw
• 1:04:42
  Speaker 1: Chris Tucker, you know, playing Smoky and Friday, hiding out
• 1:04:45
  Speaker 1: in the chicken coop after smoking some weed, I said, Oh, so,
• 1:04:47
  Speaker 1: it's just perfectly normal for me to be paranoid scad
• 1:04:49
  Speaker 1: and go hide out in the woods just because. But
• 1:04:51
  Speaker 1: then I went to jail for a Sultan Brady wouldn't
• 1:04:54
  Speaker 1: tend to kill if you wanted to whys? In my
• 1:04:55
  Speaker 1: New York Times bestseller Black Privilege, I told you this
• 1:04:57
  Speaker 1: story a million times. Don't need to rehash, but why probation.
• 1:05:00
  Speaker 1: It just became too much of a hassle to smoking
• 1:05:02
  Speaker 1: state clean. So I was doing everything from golden stale
• 1:05:04
  Speaker 1: to catch claw. I had partners telling me they would
• 1:05:07
  Speaker 1: give me the piss, but it was just all too much.
• 1:05:10
  Speaker 1: So I just quitch smoking. Okay, we to prison, easy
• 1:05:12
  Speaker 1: choice for me, but then every now and again I
• 1:05:15
  Speaker 1: would attempt to do it. And that's when I realized
• 1:05:17
  Speaker 1: smoking weed is just really not for me, because it
• 1:05:19
  Speaker 1: makes my anxiety go through the roof. Back then I
• 1:05:21
  Speaker 1: had no idea, But now I fully understanding to this diet.
• 1:05:25
  Speaker 1: If I smoke weed, I have panic attacks. Now edibles,
• 1:05:28
  Speaker 1: that's another story. I can do edibles. Okay. I don't
• 1:05:31
  Speaker 1: know what it is about the edibles versus of smoking,
• 1:05:33
  Speaker 1: but the right dosage of edibles, my god, ten milligrams
• 1:05:37
  Speaker 1: twenty no more than thirty of a nice Indica screen.
• 1:05:41
  Speaker 1: It's heaven. Okay. I will lay around the house on
• 1:05:44
  Speaker 1: the weekend when the kids go to sleep, high off
• 1:05:46
  Speaker 1: plant based medicine, no anxiety, no stress, eating everything and
• 1:05:50
  Speaker 1: the sleep man. The sleep is fantastic. So yes, I'm
• 1:05:54
  Speaker 1: saying all that to say I am a fan of
• 1:05:56
  Speaker 1: plant based medicine. On a bigger note, I am happy
• 1:05:58
  Speaker 1: that all these states are legalizing, especially the two states
• 1:06:01
  Speaker 1: I spend the most time in, which is New Jersey
• 1:06:03
  Speaker 1: in New York. Not only do I want we legalized,
• 1:06:05
  Speaker 1: I want every brother and sister who is in jail
• 1:06:07
  Speaker 1: for a non violent weed defense to come home. All
• 1:06:10
  Speaker 1: the folks who because all these tough on crime drug
• 1:06:13
  Speaker 1: bills that Joe Biden wrote, by the way, I want
• 1:06:15
  Speaker 1: them home. If you are in a state where weed
• 1:06:17
  Speaker 1: is legal. But you know, this is America. We all
• 1:06:20
  Speaker 1: don't think the same. So we have the Gray Kelly's
• 1:06:23
  Speaker 1: of the world. And the reason Greg Kelly is getting
• 1:06:25
  Speaker 1: donkey of the day is not because he's against weed
• 1:06:27
  Speaker 1: being legalized recreationally. I don't care about that. It's his opinion.
• 1:06:31
  Speaker 1: He's getting donkey because it is tweet he posted, listen,
• 1:06:34
  Speaker 1: this is Greg Kelly. If you don't believe me, his
• 1:06:37
  Speaker 1: Twitter handle is Greg Kelly USA. But he tweeted and
• 1:06:40
  Speaker 1: I quote, smoking weed aka grass is not a good idea.
• 1:06:46
  Speaker 1: I've tried it back in the day and it was
• 1:06:48
  Speaker 1: worse in capital letters than anything that happened to Hunter Biden.
• 1:06:52
  Speaker 1: I don't know exactly what that means. I do know
• 1:06:54
  Speaker 1: Hunter Biden just revealed he's battled addiction his whole life,
• 1:06:58
  Speaker 1: alcohol and drugs. In fact, Hunter Biden said he was
• 1:07:00
  Speaker 1: smoking crack every fifteen minutes. It's in his new memoir,
• 1:07:03
  Speaker 1: Beautiful Thing. So I guess he's saying weed was worse
• 1:07:05
  Speaker 1: than anything that happened to Hunter Biden. That's false. But
• 1:07:07
  Speaker 1: then he goes on to say I choked up with
• 1:07:11
  Speaker 1: some buddies in Kentucky and woke up in Nairobi, Kenya,
• 1:07:17
  Speaker 1: with no idea what happened. Oh, I did not leave
• 1:07:22
  Speaker 1: out this part. He said he woke up four days
• 1:07:24
  Speaker 1: later in Nairobi, Kenya, with no idea what happened. So
• 1:07:29
  Speaker 1: you smoked weed with your buddies in Kentucky and woke
• 1:07:32
  Speaker 1: up four days later in Nairobi, Kenya. And then you
• 1:07:36
  Speaker 1: put don't do drugs, Greg Kelly, you smoked weed in
• 1:07:39
  Speaker 1: Kentucky and woke up four days later in Nairobi, Kenya.
• 1:07:42
  Speaker 1: Now I don't know what part of Kentucky you are in,
• 1:07:44
  Speaker 1: but I know Louisville, Kentucky is eighty thirteen miles away
• 1:07:47
  Speaker 1: from Nairobi, Kenya. I googled it. Okay, the flight time
• 1:07:49
  Speaker 1: is sixteen hours and thirty two minutes, but get how
• 1:07:51
  Speaker 1: long it takes to get there. You said you didn't
• 1:07:53
  Speaker 1: wake up until four days later. That, sir, is what
• 1:07:56
  Speaker 1: the kids call chat. All right, Greg, I'm not the
• 1:08:00
  Speaker 1: highest grade of weed in the dispensary, nor am I
• 1:08:02
  Speaker 1: the strongest avenger, but I have a feeling that to you,
• 1:08:05
  Speaker 1: chap ten America is the strongest avenger, Greg Kelly, what's
• 1:08:08
  Speaker 1: your sign? You seem like a chop rock horn Okay,
• 1:08:11
  Speaker 1: I saw I tweet you posted about being mad. McDonald's
• 1:08:15
  Speaker 1: didn't have the big Fish anymore, which I thought was
• 1:08:17
  Speaker 1: crange because you seem more like a Chop ten D's
• 1:08:20
  Speaker 1: kind of guy. Greg Kelly, if you did the drug
• 1:08:22
  Speaker 1: that caused you not to wake up for four days
• 1:08:24
  Speaker 1: and you ended up in night Robi, Kenya, by where
• 1:08:26
  Speaker 1: in Kentucky? You need to file a police report. Okay,
• 1:08:29
  Speaker 1: there needs to be an investigation. The hardest drug I
• 1:08:31
  Speaker 1: ever smoked in my life was cocaine mixed with wheat.
• 1:08:34
  Speaker 1: And that's because I was smoking with some dudes I
• 1:08:36
  Speaker 1: didn't know from Florida that got damn Florida, all right.
• 1:08:39
  Speaker 1: A matter of fact, that devil damn Florida. All Right.
• 1:08:41
  Speaker 1: Hate to tell y'all this about the cocaine in wheat,
• 1:08:44
  Speaker 1: but it was an amazing high. I would never do
• 1:08:46
  Speaker 1: it again. I have never done it again, Okay, but
• 1:08:47
  Speaker 1: it wasn't amazing high. I'm saying all that to say
• 1:08:49
  Speaker 1: I didn't pass out for four days, nor did I
• 1:08:51
  Speaker 1: wake up in Kenya. Okay. I don't care who you ask,
• 1:08:54
  Speaker 1: Snoop Dogg, Whiz Khalifa, Willie Nelson, Cheech and Chong. They
• 1:08:58
  Speaker 1: will all tell you Gray Kelly that you a lie. Okay, look, man,
• 1:09:03
  Speaker 1: if you don't want weed to be legalized, fine, if
• 1:09:05
  Speaker 1: you don't think people should smoke weed, fine, but don't
• 1:09:07
  Speaker 1: make up stories that ironically make you sound high as hell.
• 1:09:12
  Speaker 1: Not just make you sound high, but make you sound
• 1:09:15
  Speaker 1: like you ingested some drug ware scrouging and weed. You
• 1:09:19
  Speaker 1: need to check your boys, because if you passed out
• 1:09:21
  Speaker 1: after smoking some type of drug with them, woke up
• 1:09:24
  Speaker 1: four days later and Kenya, that means they was dragging
• 1:09:26
  Speaker 1: you around like Bernie's corps. And I wouldn't be surprised
• 1:09:29
  Speaker 1: if there was a game of stinky fingerplate. But you
• 1:09:32
  Speaker 1: don't have to worry about that because it didn't happen.
• 1:09:35
  Speaker 1: Stop the blood clot capping. Please give Craig Kelly the
• 1:09:38
  Speaker 1: biggest Hea Hall. Somebody just gotta lie because they don't
• 1:09:43
  Speaker 1: want you to do something. Ye gotta make up that
• 1:09:45
  Speaker 1: kind of lie just because you don't want us to
• 1:09:46
  Speaker 1: do something that's never happened to nobody. I ain't gonna
• 1:09:51
  Speaker 1: front that didn't make me not want to do it.
• 1:09:53
  Speaker 1: That's gonna make me like I smoked some weed and
• 1:09:54
  Speaker 1: I end up in Kenya four days later I ain't
• 1:09:58
  Speaker 1: even get on a plane that so and so. Who
• 1:10:01
  Speaker 1: booked the trip for me? I don't know. So nobody
• 1:10:02
  Speaker 1: booked the trip. Who took my passport? If somebody packed
• 1:10:05
  Speaker 1: clothes for me? Who did all? I just magically ended
• 1:10:07
  Speaker 1: up in that Robie. Bring me that screen. I needed
• 1:10:09
  Speaker 1: that strain. I needed that screen right now, trying to
• 1:10:12
  Speaker 1: go back to Africa, South Africa. They don't matter. Now
• 1:10:15
  Speaker 1: take me back that back to Africa screen. Whoa who
• 1:10:20
  Speaker 1: got the back to Africa screen out there? I need it?
• 1:10:22
  Speaker 1: I think the Johanna's brod. I need to go back
• 1:10:24
  Speaker 1: to Johanda. What give that to me? Now? Geez, I
• 1:10:27
  Speaker 1: just don't name it the Mandela that would be disrespected.
• 1:10:30
  Speaker 1: Don't do that. Don't do that. I can't do that.
• 1:10:32
  Speaker 1: All right, we know how you niggas think. Thank you
• 1:10:34
  Speaker 1: for that donkey of the day. All right, we got
• 1:10:36
  Speaker 1: more coming up next. Keep it lock. It's the best
• 1:10:38
  Speaker 1: of the Breakfast Club, The Breakfast Club. Yea's days. Want
• 1:10:46
  Speaker 1: to show the Breakfast Club. Charlomagne, the God Angela Lai
• 1:10:48
  Speaker 1: dj Envy is off right now, but we got a
• 1:10:51
  Speaker 1: couple of special guests in the building. Man. Two of
• 1:10:54
  Speaker 1: my favorite young personalities in this culture. A few mouths Jones,
• 1:11:01
  Speaker 1: my niece Nla Simone, what's happening? But y'all have a
• 1:11:05
  Speaker 1: podcast called the What Ye hip Hop Questions, legends and lists.
• 1:11:09
  Speaker 1: What makes y'all qualified to talk him up? One? We
• 1:11:12
  Speaker 1: was born in it, like uh, being knowledge first for
• 1:11:15
  Speaker 1: so long. I realized like I always thought, now it
• 1:11:18
  Speaker 1: was so much younger than us. But then like we
• 1:11:20
  Speaker 1: had a conversations like she's a millennial as well, just
• 1:11:22
  Speaker 1: at the other spectrum and millennials. We are the babies
• 1:11:26
  Speaker 1: and children of the pioneers, so like we're the last
• 1:11:31
  Speaker 1: we're the tweeners, right, Like we're the ones that grew
• 1:11:33
  Speaker 1: up your jay Z. No, No, we're not gonna attack
• 1:11:39
  Speaker 1: what he does. No, so listen bad. Yes he was
• 1:11:44
  Speaker 1: the first seller for going. Let's remember that we'll never
• 1:11:47
  Speaker 1: ever on He's not hold hold this whole Okay, Okay,
• 1:11:52
  Speaker 1: So that's what makes us qualified because we can have it.
• 1:11:54
  Speaker 1: We lived through all of that. It's like hip hop
• 1:11:57
  Speaker 1: is our culture at the end of the day as
• 1:11:59
  Speaker 1: African American, Like we don't really have origins back, like
• 1:12:02
  Speaker 1: we can't go back to I'm from you know this
• 1:12:05
  Speaker 1: place in Africa, we do these traditions, but for us,
• 1:12:08
  Speaker 1: like hip hop is the culture. You know, we grew
• 1:12:11
  Speaker 1: up watching BT, Rap City, We grew up watching you know,
• 1:12:15
  Speaker 1: different rappers, and we emulate them like our heroes, Diddy, Jigga, Russell,
• 1:12:19
  Speaker 1: you know what I mean. So that's why we're qualified.
• 1:12:22
  Speaker 1: For example, just to show the opportunity to keep giving
• 1:12:25
  Speaker 1: us just and manytimes we've both been on brand idiots.
• 1:12:27
  Speaker 1: There's always somebody questioning why we take a stance, and
• 1:12:31
  Speaker 1: if they don't like our stance, why, you know. I
• 1:12:33
  Speaker 1: mean that's what hip hop does. And minute you don't like,
• 1:12:35
  Speaker 1: they don't like you, they're trying disqualify you. Minute they
• 1:12:37
  Speaker 1: don't agree with something, they trying disqualify. It's also subjective,
• 1:12:41
  Speaker 1: I mean, everybody has their own different opinions, right, absolutely, absolutely,
• 1:12:45
  Speaker 1: But just to show, you know, our qualifications, like listening
• 1:12:48
  Speaker 1: what we've been here, you know, somebody like me, I've
• 1:12:50
  Speaker 1: been here from the beginning, right, Like my whole life
• 1:12:54
  Speaker 1: is hip hop. You know what I'm saying, Like shout
• 1:12:56
  Speaker 1: out to my dad, spoon fet me. You know what
• 1:12:59
  Speaker 1: I mean. It's ninety five, ninety six. I remember reasonable
• 1:13:02
  Speaker 1: Dot and I also remember my dad being like, you
• 1:13:04
  Speaker 1: can't really get into that until you get into this,
• 1:13:06
  Speaker 1: And that's when introduced me to rock him sugar Hill,
• 1:13:08
  Speaker 1: Like I had to know sugar Hill Gang. So when
• 1:13:11
  Speaker 1: they were doing it on a band, I was like, hell,
• 1:13:12
  Speaker 1: y'all don't know the worst rapidly you know what I'm saying,
• 1:13:16
  Speaker 1: Like I've been here. So if you want, if you
• 1:13:18
  Speaker 1: want to question thatthing, you just same thing with you too,
• 1:13:20
  Speaker 1: now A right? Yeah, No, definitely. My dad hited me
• 1:13:23
  Speaker 1: to everything early. My mom is heavy R and B
• 1:13:27
  Speaker 1: uh like Erica Badoe, Jill Scott, Donald Jones, you got
• 1:13:31
  Speaker 1: if you if he if he take on Lauren Hill
• 1:13:33
  Speaker 1: and marriage? Oh god yo. The question was Lauren Hill
• 1:13:39
  Speaker 1: Miseducation of Lauren Hill better in my Life? And I
• 1:13:43
  Speaker 1: said impactful. The most impactful album is the Miseducation Lauren
• 1:13:48
  Speaker 1: Hill like that one. You're talking just music though music
• 1:13:51
  Speaker 1: to me, my life is a better way better. It's
• 1:13:54
  Speaker 1: just completely different music though. You gotta think like miss
• 1:13:56
  Speaker 1: Education for a lot of women, Like it's a hip
• 1:14:00
  Speaker 1: hop album too and R and B, but it's also
• 1:14:02
  Speaker 1: hip hop married. It's like I don't see it but
• 1:14:07
  Speaker 1: production rapping on it. It's death like having people like
• 1:14:11
  Speaker 1: Chucky and produced like that. I think Laura Hill identifies
• 1:14:14
  Speaker 1: more as a rapper than as a singer, though I
• 1:14:17
  Speaker 1: would say she considers herself a hip hop artist. I
• 1:14:19
  Speaker 1: don't know, because like all the big records, the huge
• 1:14:21
  Speaker 1: records off that album was R and B and I
• 1:14:24
  Speaker 1: love Miseducation, Laura Hill, I just think My Life is
• 1:14:26
  Speaker 1: better both classic albums. I don't like when people try
• 1:14:28
  Speaker 1: to be like, what's better, because it's you know, X facted.
• 1:14:30
  Speaker 1: It was a huge time in my life. Obviously, that
• 1:14:32
  Speaker 1: was an amazing album, But I don't see how you compare.
• 1:14:35
  Speaker 1: That's hip hop. That's but I don't think of Mary J.
• 1:14:38
  Speaker 1: Blige is a hip hop artist. She's a queen hipop school.
• 1:14:44
  Speaker 1: She's definitely a part of hip hop. But the Miseducation
• 1:14:48
  Speaker 1: is definitely the better album. But married album is on
• 1:14:51
  Speaker 1: the podcast. She does that Jedi mind trick on the
• 1:14:55
  Speaker 1: podcast too, like you'll be debating and she's like, all right,
• 1:14:58
  Speaker 1: it's the better album, Like I'm just trying. She's firm
• 1:15:01
  Speaker 1: in her convictions. But I'm glad that both of y'all
• 1:15:05
  Speaker 1: were schooled by older people on the culture. Absolutely, we
• 1:15:10
  Speaker 1: have more with Nyla and Mouse when we come back,
• 1:15:13
  Speaker 1: don't move. It's to breakfast Club, Morning Morning, everybody in
• 1:15:16
  Speaker 1: cdj Envy, Angela, Yee, Charlomagne the guy. We are the
• 1:15:20
  Speaker 1: breakfast Club. We're still kicking it with Nyla and Mouse. Ye.
• 1:15:23
  Speaker 1: Who is the queen of of rap Cardy B. It's
• 1:15:27
  Speaker 1: not even no question. It's Cardy and then like Rap City,
• 1:15:31
  Speaker 1: Cardy and Rap City. That's disrespectful. I don't say, y'all,
• 1:15:34
  Speaker 1: I didn't. I didn't. That's not my tape. I mean,
• 1:15:37
  Speaker 1: we're talking about the moment, and we're talking about right
• 1:15:39
  Speaker 1: about right that we're talking about the past five years.
• 1:15:42
  Speaker 1: I see that's different. Cardy is the queen. But after all, right,
• 1:15:47
  Speaker 1: so if we're talking about the moment, Megan would be
• 1:15:48
  Speaker 1: in the moment. No, absolutely not, yes, absolutely Never you
• 1:15:52
  Speaker 1: put over Megan in the moment is over Mege And
• 1:15:57
  Speaker 1: we're talking about MC. We're not talking getting based off TikTok,
• 1:16:01
  Speaker 1: we're not talking based off everything else. To time to
• 1:16:03
  Speaker 1: tell you why I say that. So it's Cardy Cardi
• 1:16:06
  Speaker 1: number one and then the space between number two is
• 1:16:08
  Speaker 1: pretty large. Right. The reason I say that is because
• 1:16:11
  Speaker 1: if you're going to give Meg that second spot you
• 1:16:13
  Speaker 1: They also have to account that Meg's output doesn't matter
• 1:16:16
  Speaker 1: your talent level. If I'm talking just for the moment,
• 1:16:18
  Speaker 1: like right now, I'm I'm going Megan like because we're
• 1:16:21
  Speaker 1: doing it like sports, right, and it's about the year,
• 1:16:24
  Speaker 1: Like you know, you're we're awarding people for the year,
• 1:16:26
  Speaker 1: m V people whoever. You would have to give it
• 1:16:28
  Speaker 1: to Meg for Queen. Yeah, but nobody does about it
• 1:16:30
  Speaker 1: yet for the year now nobody does about the year.
• 1:16:33
  Speaker 1: And also where with this be she had as many drops?
• 1:16:36
  Speaker 1: It's Cardi Cardie. She's won all the awards she's got,
• 1:16:40
  Speaker 1: got very celebrated during award too. Yeah, b Et went crazy.
• 1:16:45
  Speaker 1: What she wanted Gray Grammy thanks to Yeah, Beyonce got
• 1:16:54
  Speaker 1: got somebody else Grammy. Listen, I don't hate Man was
• 1:16:58
  Speaker 1: going up before Beyonceth them the sage Savage doesn't get
• 1:17:04
  Speaker 1: a Grammy Without Beyonce. It was a big record. I
• 1:17:06
  Speaker 1: mean it wouldn't have been it was a big right
• 1:17:08
  Speaker 1: because Beyonce. It would have been a TikTok record, would
• 1:17:10
  Speaker 1: been a great TikTok record, and TikTok helped put take
• 1:17:13
  Speaker 1: it to the next level. To have and I'm sure
• 1:17:15
  Speaker 1: Meg would say the same thing. Yeah, exactly like I
• 1:17:19
  Speaker 1: think it goes. And the only reason I have a
• 1:17:21
  Speaker 1: problem with just solidifying Meg a number at the number
• 1:17:24
  Speaker 1: two spot. It's like I said, her talent doesn't matter
• 1:17:26
  Speaker 1: her output. She's extremely talented. Her output doesn't say that
• 1:17:30
  Speaker 1: She's had two blood projects for after Tina Snow. She
• 1:17:34
  Speaker 1: dropped the Sugar project and I was the other one,
• 1:17:37
  Speaker 1: like hot hot something. I can't judge your music. It's
• 1:17:39
  Speaker 1: not for me. I'm not. Also, I just think you
• 1:17:41
  Speaker 1: can't really say that because I know mad girls who
• 1:17:44
  Speaker 1: who play that album absolutely maybe it's not for you guys, No, no, no,
• 1:17:49
  Speaker 1: I can. I could always point out something that's not
• 1:17:52
  Speaker 1: for me. That's easy, But I also don't let that
• 1:17:55
  Speaker 1: be a crutch, like just because not for me, put
• 1:17:57
  Speaker 1: it at the top. No I like it. So what
• 1:17:59
  Speaker 1: is what is nicky Nikki? Right now? Nikki? Somebody who
• 1:18:02
  Speaker 1: used to be she in the kingdom, still in the kingdom,
• 1:18:05
  Speaker 1: still called he out for her. She was, she was
• 1:18:10
  Speaker 1: the queen for ten years until the queen, I mean absolute,
• 1:18:13
  Speaker 1: she got she got removed. But can't you have different queendoms?
• 1:18:16
  Speaker 1: Everybody don't you don't have to have one queendom. Now,
• 1:18:18
  Speaker 1: that's what we do in hip hop, and we don't
• 1:18:20
  Speaker 1: do that with the guys. I was gonna say, we
• 1:18:22
  Speaker 1: have to make it we have to make it all fair.
• 1:18:25
  Speaker 1: Everybody's not true with guys. Everybody's compete for the same spot.
• 1:18:27
  Speaker 1: That's not true. I don't think that's absolutely not true.
• 1:18:30
  Speaker 1: That's because I think they do give guys like more
• 1:18:32
  Speaker 1: leeway to be like, he's great, he's great, he's you
• 1:18:35
  Speaker 1: can say everybody. You could say, Drake do that all
• 1:18:39
  Speaker 1: the time. They don't say, well, Nicky's a veting this though.
• 1:18:41
  Speaker 1: I don't really think she's still she's an influence, she's
• 1:18:45
  Speaker 1: she's a true I agree with that. What about Nikki
• 1:18:47
  Speaker 1: versus Little Kim. You heard Little Kim say she went
• 1:18:49
  Speaker 1: to do that would be dope. And wait, you didn't
• 1:18:51
  Speaker 1: say who you thought was the queen. I think that's
• 1:18:54
  Speaker 1: a hard one to call because it's different, Like I
• 1:18:57
  Speaker 1: grew up more listening to Little Kim and that Nikki
• 1:18:59
  Speaker 1: came after that, and I feel like, I don't know
• 1:19:01
  Speaker 1: how I can compare Little Kim songs and Nicki Mina songs.
• 1:19:05
  Speaker 1: You know what I'm saying, and I feel like Nikki
• 1:19:08
  Speaker 1: probably got more a lot more songs too than little Kim. No,
• 1:19:11
  Speaker 1: you think probably have the same amount, because you gotta
• 1:19:14
  Speaker 1: think about all the albums that only we cared about.
• 1:19:17
  Speaker 1: You talked about Nikki being an influence. I think Kim
• 1:19:19
  Speaker 1: is yeah, yeah, everybody got some some DNA something something.
• 1:19:23
  Speaker 1: Kim's DNA we're talking about right now. That's why when
• 1:19:26
  Speaker 1: you said Nikki and then we were talking about Meg
• 1:19:28
  Speaker 1: the Stallion and Cardie. I do feel like Nikki was
• 1:19:30
  Speaker 1: an influence. We have more with Nyla and Mouse when
• 1:19:33
  Speaker 1: we come back, don't move. It's to Breakfast Club. Good
• 1:19:35
  Speaker 1: morning for the full interview on check out the Breakfast Club.
• 1:19:42
  Speaker 1: More than best of the Breakfast Club coming out the
• 1:19:46
  Speaker 1: Breakfast Club Morning, everybody in DJ Envy Angela, Yee, Charlomagne,
• 1:19:53
  Speaker 1: the guy we are the Breakfast Club was still kicked
• 1:19:55
  Speaker 1: with Nyla and Mouse. Ye what you think about the
• 1:19:58
  Speaker 1: devil XL Freshman Less? He got it right this year.
• 1:20:00
  Speaker 1: I mean from from a standpoint of from a standpoint
• 1:20:04
  Speaker 1: of who's hot, they were like eight out of tendis year.
• 1:20:07
  Speaker 1: They were eight out of tennis year. Yep, they got
• 1:20:09
  Speaker 1: my girl coy on there and they had blasts on there.
• 1:20:12
  Speaker 1: They had that list. Of course should definitely be on
• 1:20:15
  Speaker 1: that list, she said. She says she's not rappers for
• 1:20:17
  Speaker 1: dou XL freshman lists for rappers, and she says she
• 1:20:19
  Speaker 1: stand up for your artist, Nyler. She can't, she can't,
• 1:20:24
  Speaker 1: she can't do it. Off. She started off as what
• 1:20:26
  Speaker 1: she said, I'm not a rapper. She said that because
• 1:20:28
  Speaker 1: she tried everybody, no, no, no, no, who who the
• 1:20:35
  Speaker 1: greatest said I'm a rapper. Not only am I rapper,
• 1:20:37
  Speaker 1: I'm the best rapper a lot, he said, I'm not
• 1:20:39
  Speaker 1: I'm not what he said, I'm not a rapper. I'm
• 1:20:41
  Speaker 1: a hustler. He s the best rapper a lot to
• 1:20:45
  Speaker 1: retire and dinner. I say he's gonna retire from the
• 1:20:47
  Speaker 1: album one my point exactly. So she says, imagine if
• 1:20:51
  Speaker 1: you want to, she said, and she still imagine. If
• 1:20:55
  Speaker 1: imagine JD for Best New Feba rapper yesterday, she d
• 1:21:00
  Speaker 1: have been. That is somebody else's spot it. So the
• 1:21:01
  Speaker 1: only problem you have is that she says she's not
• 1:21:03
  Speaker 1: a rapper, even if she had others do that. You know,
• 1:21:06
  Speaker 1: I mean, I hate when people come again, she's an others,
• 1:21:09
  Speaker 1: But don't you love posts? What's wrong with you? Try
• 1:21:12
  Speaker 1: to start here? You trying to start here? I thought
• 1:21:16
  Speaker 1: she like post Malone. I can't curse on here. So
• 1:21:18
  Speaker 1: you told me that. I never said this guy, I
• 1:21:23
  Speaker 1: can't stay Postmalon at all. He definitely said he's not
• 1:21:26
  Speaker 1: a rapper. We should we should. And so you don't
• 1:21:29
  Speaker 1: like post Malone because you don't like his music or
• 1:21:30
  Speaker 1: you don't like him personally. Oh, I don't know him personally.
• 1:21:33
  Speaker 1: I just don't. I just have a problem, want to
• 1:21:34
  Speaker 1: have an inherent problem with like white rappers. Then when
• 1:21:38
  Speaker 1: you go and then say like you go benefit off
• 1:21:41
  Speaker 1: of our culture and you benefit off a hip hop
• 1:21:43
  Speaker 1: and then disrespecting and stroll up a poop all over it,
• 1:21:47
  Speaker 1: that's my problem, you know what I'm saying. So it's like,
• 1:21:49
  Speaker 1: all right, you said you're not a rapper, but your
• 1:21:51
  Speaker 1: first song came out White Eyevers and that's a rap song.
• 1:21:53
  Speaker 1: But you say you're not a rapper. Cool, I'm gonna
• 1:21:54
  Speaker 1: type person in anything if you say, yo, I'm not
• 1:21:58
  Speaker 1: a radio person. I'm not being like all right, cool,
• 1:22:00
  Speaker 1: Well he just do radio, but he's not radio for that. Cool?
• 1:22:02
  Speaker 1: But done don't ask for radio personality perks, you know
• 1:22:05
  Speaker 1: what I mean, because you're not radio personality. You're saying
• 1:22:08
  Speaker 1: that that's what you're telling the world. So same thing
• 1:22:10
  Speaker 1: with Coy. I don't think that the labels and the
• 1:22:12
  Speaker 1: titles are that deep. I sure want to benefits you know.
• 1:22:17
  Speaker 1: It's not even that it benefits me, is that these days,
• 1:22:20
  Speaker 1: anybody can go online and say they're doing this, and
• 1:22:22
  Speaker 1: say they're doing that. But she's a successful rapper. You
• 1:22:24
  Speaker 1: can't say she's a successful as a successful artist and
• 1:22:27
  Speaker 1: she rapped and she sing and she didn't like she
• 1:22:29
  Speaker 1: does multiple things. So it's fine, yah, because we I mean,
• 1:22:32
  Speaker 1: Drake said he's a singing we don't label him army
• 1:22:36
  Speaker 1: when he drops R and B. We we acknowledge this RMB,
• 1:22:39
  Speaker 1: but we don't label him an R and B artist,
• 1:22:41
  Speaker 1: and we still label him, well, that's a rapper. I
• 1:22:44
  Speaker 1: think people just want to be artists. I mean, if
• 1:22:45
  Speaker 1: you want to be an artist, sick, if you want
• 1:22:47
  Speaker 1: to be an autist. And I find what you're saying that,
• 1:22:49
  Speaker 1: So don't ask for rapper credit. She's not asking for credit.
• 1:22:53
  Speaker 1: Turn down the cover though, he's not gonna turn it down.
• 1:22:56
  Speaker 1: I just think because like for Coila Ray, she's had
• 1:22:58
  Speaker 1: some very frustrating things happened to her personally online, and
• 1:23:00
  Speaker 1: sometimes you say things as a reaction people going at
• 1:23:04
  Speaker 1: you because I know it's not easy for these new
• 1:23:06
  Speaker 1: artists coming up and she's trying to do things and
• 1:23:09
  Speaker 1: it's hard, right, you got people crit I didn't say
• 1:23:12
  Speaker 1: about it until she said, she said, let me ask
• 1:23:14
  Speaker 1: you this. I know you go through it right every
• 1:23:17
  Speaker 1: you look online one day people like, oh, I can't
• 1:23:19
  Speaker 1: believe you. Only I can't believe you. Did I ever
• 1:23:21
  Speaker 1: make you want to say, Well, don't say that because
• 1:23:23
  Speaker 1: I'm not. But I'm not a new person at this.
• 1:23:25
  Speaker 1: I felt like I was very fortunate I started doing
• 1:23:27
  Speaker 1: this before social media, so I was able to feel like,
• 1:23:31
  Speaker 1: it don't matter to me what people say. I'm already
• 1:23:33
  Speaker 1: did what I did. I'm not just getting statued. I
• 1:23:35
  Speaker 1: feel like, but I've also been able to build up
• 1:23:38
  Speaker 1: like a bigger tolerance than the average person, because I
• 1:23:41
  Speaker 1: think when you're younger and coming up and this is
• 1:23:43
  Speaker 1: like so prevalent for you where you make one mistake.
• 1:23:46
  Speaker 1: I made a lot of mistakes, but it wasn't broadcasted
• 1:23:48
  Speaker 1: to the world where people were coming at me. So
• 1:23:50
  Speaker 1: I'm able to deal with it much better, I feel like,
• 1:23:52
  Speaker 1: just because I built that up. So it's kind of
• 1:23:55
  Speaker 1: like I've already been successful, already in the Hall of Fame.
• 1:24:00
  Speaker 1: But imagine that. Imagine that you're just getting started now
• 1:24:06
  Speaker 1: and you're trying to make your way and everybody's coming
• 1:24:08
  Speaker 1: at you. I don't know that I could handle that.
• 1:24:10
  Speaker 1: All I'm saying is if you are rapper and that's
• 1:24:13
  Speaker 1: what you're doing and people start critiquing your wrap instead
• 1:24:17
  Speaker 1: of getting better, the first thing you do is say,
• 1:24:19
  Speaker 1: but sometimes people aren't critiquing your rap, they're just critiquing
• 1:24:21
  Speaker 1: you for the sake of critique, not but I'm just
• 1:24:25
  Speaker 1: but we're not also saying that it's easy to deal with.
• 1:24:27
  Speaker 1: That's all I mean. It's not easy to deal with.
• 1:24:29
  Speaker 1: When you release that record, you said, I want the
• 1:24:32
  Speaker 1: world to hear this record. You gotta know not for
• 1:24:35
  Speaker 1: everybody that loves it, ten people gonna hate it. That's
• 1:24:38
  Speaker 1: what you saw. But you also can't even anticipate how
• 1:24:40
  Speaker 1: hard it's going to be because until it happens to you,
• 1:24:42
  Speaker 1: you're be in a bad mood one day and then
• 1:24:44
  Speaker 1: come out. I mean, Jay said that back into Jay
• 1:24:47
  Speaker 1: Jay said, UM, just read a magazine article that my day,
• 1:24:51
  Speaker 1: So imagine how artists feel now because it's magazine articles,
• 1:24:54
  Speaker 1: blog post. So to be ready for the reason, I
• 1:24:57
  Speaker 1: don't give no credence to that bullet because they should
• 1:24:59
  Speaker 1: be ready for before they got lit, they was the
• 1:25:02
  Speaker 1: ones with their opinion. I remember rappers only lose their
• 1:25:04
  Speaker 1: opinion when they get famous. That's that's that's the weird.
• 1:25:07
  Speaker 1: I agree, you're never really ready. I mean maybe it's
• 1:25:10
  Speaker 1: not the FOREXAMT because it's a little scale dawn, but
• 1:25:13
  Speaker 1: brilliant idiots, right, you're gonna bring this as a podcaster,
• 1:25:17
  Speaker 1: you get on Briting idiots there. I always tell people
• 1:25:19
  Speaker 1: there there's there's the brillan idiots, and it's the real right,
• 1:25:22
  Speaker 1: that's that's your letterman, and that's your lingo. Those all
• 1:25:25
  Speaker 1: your pinnacles. When it comes to hip hop podcasting, cultural podcasting,
• 1:25:30
  Speaker 1: boom right it is Yeah, yeah, really, I don't know
• 1:25:33
  Speaker 1: when you talk about cultural impact. Yeah. I remember the
• 1:25:36
  Speaker 1: first time we met and he was like, yo, pull up.
• 1:25:38
  Speaker 1: I said, oh, it's over now here, the gods here
• 1:25:41
  Speaker 1: now man, I said, I must have said something about
• 1:25:45
  Speaker 1: somebody there like them. They torched me, and I'm like,
• 1:25:48
  Speaker 1: and I'm sitting there, I'm expecting like, yeah, I'm I'm
• 1:25:50
  Speaker 1: worn now. Now they weren't crazy. So I'm not supposed
• 1:25:54
  Speaker 1: to be a podcast. You did tweet out I'm not
• 1:26:00
  Speaker 1: a podcast. I never why I'm not a podcast. Debate
• 1:26:07
  Speaker 1: bro like people people talking to you and say they do.
• 1:26:10
  Speaker 1: That's not really gonna bother you because you're just gonna
• 1:26:12
  Speaker 1: talk to me back. Some people just want to put
• 1:26:14
  Speaker 1: they're no even debating, no statement, people like detrolls, no debating,
• 1:26:17
  Speaker 1: and like you debate who you want to debate. Not
• 1:26:19
  Speaker 1: everybody wants to debate, though. Some people just want to
• 1:26:21
  Speaker 1: put out they are and goo right. These people don't
• 1:26:23
  Speaker 1: owe us anything but music, and I think we forget
• 1:26:26
  Speaker 1: that in this era. But they also owe them the
• 1:26:30
  Speaker 1: critique or the law for it's like you said, like
• 1:26:35
  Speaker 1: you said, you said, remember you told me said there
• 1:26:37
  Speaker 1: the Lord ten right, It's gonna be three people that
• 1:26:39
  Speaker 1: are like you like, get three people that people that
• 1:26:41
  Speaker 1: four people that's on the fence. I'm only worried about
• 1:26:43
  Speaker 1: the four people on the fence to be honest, really,
• 1:26:45
  Speaker 1: because we can't the three people that love it. They
• 1:26:47
  Speaker 1: already love it. They loved it before we dropped it.
• 1:26:49
  Speaker 1: If we're being honest, we all have fans like that.
• 1:26:52
  Speaker 1: If you dropped something right now, there's gonna be a
• 1:26:54
  Speaker 1: set amount people that's just gonna support it because they
• 1:26:56
  Speaker 1: support you. Same thing with you, want the same thing
• 1:26:58
  Speaker 1: with you. Now there's gonna be three people who don't
• 1:27:00
  Speaker 1: know you. They they're entry point to you with something
• 1:27:03
  Speaker 1: that they didn't like, and they're always gonna hate it.
• 1:27:04
  Speaker 1: I'm only worried about the four because the four is
• 1:27:06
  Speaker 1: the people we can week we went over, went over
• 1:27:09
  Speaker 1: because they're they're pure and you should be allowed to
• 1:27:11
  Speaker 1: grow too. Like I appreciate what Seweedi said about wanting
• 1:27:14
  Speaker 1: to work on her craft and taking these um you know,
• 1:27:17
  Speaker 1: lessons and everything just to make sure she gets better
• 1:27:19
  Speaker 1: and better, because sometimes you put things out and then
• 1:27:22
  Speaker 1: you do get a response, and then you pay attention
• 1:27:24
  Speaker 1: to that response. And we should always be trying to
• 1:27:25
  Speaker 1: figure out, like, how are you gonna grow? How are
• 1:27:27
  Speaker 1: you going to improve what your art is? You can't
• 1:27:29
  Speaker 1: focus on that by just listening to the people that
• 1:27:31
  Speaker 1: love me. That's right now, I don't want to I
• 1:27:34
  Speaker 1: want to clear this up. When you say Coil, raise
• 1:27:36
  Speaker 1: your artists. That's because you're her DJ. Yeah, got you
• 1:27:38
  Speaker 1: got it's mouse Jones, give me a Twitter and Instagram,
• 1:27:41
  Speaker 1: Mouse Jones, everything the same. M O U s E
• 1:27:43
  Speaker 1: Underscore Jones, um yo Instagram, take my own underscore out yo.
• 1:27:48
  Speaker 1: Disrespecting men and make sure you guys follow me at
• 1:27:51
  Speaker 1: Nihilis Simone in y La that's y m O n
• 1:27:54
  Speaker 1: E e E. And if I can just have Nihli
• 1:27:57
  Speaker 1: Simons since we're making comments to Instagram, that would be
• 1:27:59
  Speaker 1: great also. But it's mouth Jones, Nila Simone. It's the
• 1:28:04
  Speaker 1: breakfast Club, the breakfast Club. Your mornings will never be
• 1:28:08
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  Speaker 1: breakfast club, You'll finish it. Y'all dumb,