Latest / Four Finger Discount (Simpsons Podcast) / Lisa The Drama Queen (S20E09)

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Lisa The Drama Queen (S20E09) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Lisa, do you want to be best friends? Gosh, this
• 0:03
  Speaker 1: is all happening so fast.
• 0:05
  Speaker 2: I don't know what to say, so yes, so yes,
• 0:08
  Speaker 2: I loved you. Whoa good night, Lisa, I have a
• 0:16
  Speaker 2: best friend. You heard me say that, didn't you?
• 0:20
  Speaker 1: I did.
• 0:20
  Speaker 2: We're still cool, all right? We are? My best friend
• 0:23
  Speaker 2: is so cool? Four finger discount dude.
• 0:43
  Speaker 1: Welcome to four figure discount. Why this week we're here
• 0:45
  Speaker 1: to review a confusing episode of the Simpsons. It is
• 0:49
  Speaker 1: not Lisa the beauty Queen. It is Lisa the drama Queen.
• 0:52
  Speaker 2: I'm Dando and I'm guy, and much like this episode,
• 0:55
  Speaker 2: I am confused and confusing that Lisa the drama Queen
• 0:59
  Speaker 2: wa all over the place, and not in a good way.
• 1:04
  Speaker 1: Well, I watched this right and we got a good
• 1:07
  Speaker 1: ten minutes into it, and I just had in my notes,
• 1:10
  Speaker 1: I don't exactly know what I'm watching, what the point
• 1:13
  Speaker 1: of this is. It just feels so boring. I can imagine.
• 1:17
  Speaker 1: But what I try to do now when I do
• 1:18
  Speaker 1: reviews is I imagine myself watching it. And also if Elliott
• 1:21
  Speaker 1: were watching this, because it seems it's supposed to be
• 1:23
  Speaker 1: for adults and for kids. Sure, and I'm finding more
• 1:25
  Speaker 1: and more recently it seems to be the rise of
• 1:27
  Speaker 1: write the show for themselves, not necessarily the kids watching
• 1:29
  Speaker 1: the show right, And I'm thinking Elliott would find this
• 1:32
  Speaker 1: so boring. There is just nothing here. This Juliet character
• 1:36
  Speaker 1: has just come out of absolutely nowhere. Emily Blunt apparently
• 1:40
  Speaker 1: did the voice, which I was very surprised by. I was, indeed,
• 1:43
  Speaker 1: I'm just going, who is this voice? Like, what is
• 1:46
  Speaker 1: this accent? It just is British, so she is.
• 1:49
  Speaker 2: But this is not Emily Blunt's usual voice.
• 1:51
  Speaker 1: No, this sounded like a Simpsons cast. Mean, we're trying
• 1:54
  Speaker 1: to do a British accent, I thought. And I'm watching
• 1:56
  Speaker 1: this going I can't get emotionally invested in this. And
• 1:59
  Speaker 1: what I what I've sort of realized is I think
• 2:02
  Speaker 1: the reason I was getting baffled and not annoyed but
• 2:05
  Speaker 1: just confused, was that I think they rushed the story
• 2:08
  Speaker 1: too much, and they expected you to have all this
• 2:09
  Speaker 1: emotional investment. At least they're having a new best friend.
• 2:13
  Speaker 1: It was happening too fast. They kept and they kept
• 2:14
  Speaker 1: beinging up, this is happening so fast, This is happening
• 2:16
  Speaker 1: so fast. That was their crush of saying we're rushing
• 2:19
  Speaker 1: this story.
• 2:20
  Speaker 2: Yeah, or an alternative way of looking at that is
• 2:25
  Speaker 2: that first rush of sort of platonic love that can
• 2:29
  Speaker 2: almost have an aspect of romantic love to it. Ah
• 2:34
  Speaker 2: and yeah, a feeling like, Wow, I've found someone who's
• 2:37
  Speaker 2: very in sync with me, very sympatico. It's that stepbrother's line, Wow,
• 2:43
  Speaker 2: did we just become best friend?
• 2:44
  Speaker 1: Yep, well best friend's romantic friend. That first realization is
• 2:49
  Speaker 1: very special, it certainly. I mean.
• 2:51
  Speaker 2: One of the notes that I took about this, and
• 2:53
  Speaker 2: it was early on, maybe around the same time that
• 2:55
  Speaker 2: you're thinking of, and that I think sort of was
• 2:59
  Speaker 2: the core of the episode was it's always nice when
• 3:02
  Speaker 2: you discover someone into the same shit as you. And
• 3:05
  Speaker 2: this I'm going way back in the time there, but
• 3:08
  Speaker 2: particularly in the pre Enginet era, you know. I mean,
• 3:10
  Speaker 2: one of the first things that you know, we really
• 3:12
  Speaker 2: enjoyed about the net when it came online was like,
• 3:15
  Speaker 2: wait a minute, you like Blade Runner as well. I mean,
• 3:18
  Speaker 2: that's a really sort of weird example to use because
• 3:21
  Speaker 2: a lot of people like Blade Running, but you know,
• 3:23
  Speaker 2: for a while, and particularly if you're in not necessarily
• 3:27
  Speaker 2: in a big city or something like that, to discover.
• 3:29
  Speaker 2: It's like, oh, wait a minute, there are people into
• 3:31
  Speaker 2: the same shit that I am. And but when you
• 3:32
  Speaker 2: meet someone like that in the wild. I've told this
• 3:35
  Speaker 2: story before about you know, one night I was out
• 3:37
  Speaker 2: at the nightclub just talking to some dude and we
• 3:38
  Speaker 2: started talking about movies.
• 3:39
  Speaker 1: Yeah.
• 3:40
  Speaker 2: Yeah, it started talking about stuff that I thought was
• 3:42
  Speaker 2: like fucking Ark of the Covenant. No one's ever heard
• 3:45
  Speaker 2: of this shit. And he's like, oh no, that's a
• 3:47
  Speaker 2: really great movie. You know what, else as good as
• 3:48
  Speaker 2: this guy?
• 3:49
  Speaker 1: It is really good, you know what.
• 3:51
  Speaker 2: No, it's like that meme where the guy in the
• 3:53
  Speaker 2: corner said nobody knows that I'm such and such and
• 3:56
  Speaker 2: while everyone's just having a party. But yeah, we ended
• 3:59
  Speaker 2: up talking about movies, and I was like, that's kind
• 4:02
  Speaker 2: of what this felt like. It's like, wow, am I
• 4:04
  Speaker 2: getting drunk not just off the booze behind the bar,
• 4:06
  Speaker 2: but on this guy's company whose name I don't remember,
• 4:09
  Speaker 2: who I never saw.
• 4:10
  Speaker 1: Again, but you remember him forever? Oh yeah, I.
• 4:13
  Speaker 2: Remember him because just a bad feeling of like, wait
• 4:17
  Speaker 2: a minute, you like this as well? Or wow, we're
• 4:19
  Speaker 2: talking the same language in a room full of people
• 4:21
  Speaker 2: who are who are not predator.
• 4:23
  Speaker 1: It was the same as when you go on a
• 4:24
  Speaker 1: holiday with your family and a caravan parking is a
• 4:27
  Speaker 1: kid that you just make friends with, and you go,
• 4:29
  Speaker 1: I know, we're never going to see each other after
• 4:30
  Speaker 1: this trip, but you're best friends forever. Yeah, oh yeah.
• 4:34
  Speaker 1: What do they call it in.
• 4:36
  Speaker 2: Fire club? Single serving friends? When you're next to some
• 4:38
  Speaker 2: person on a plane and you I'm having a perfectly
• 4:41
  Speaker 2: nice conversation.
• 4:42
  Speaker 1: Well, yeah, yeah, that's exactly it. But this is based
• 4:44
  Speaker 1: on a film. It is based on a film.
• 4:45
  Speaker 2: Yeah, it's drawing inspiration from a film called Heavenly Creatures
• 4:48
  Speaker 2: from I think nineteen ninety four.
• 4:49
  Speaker 1: It's apparently Kate Winslet's first film.
• 4:52
  Speaker 2: Certainly may be the first feature film, maybe not a
• 4:54
  Speaker 2: first acting role, but also the first definitely the first
• 4:58
  Speaker 2: film and maybe a first acting role for an actor
• 5:00
  Speaker 2: named Melanie Lynsky, who is quite well known these days.
• 5:03
  Speaker 2: She's on Yellow JACKETSSS.
• 5:04
  Speaker 1: Kate When's in their feature film debut? Feature film debut.
• 5:07
  Speaker 2: I think Kate wins would have been on a bit
• 5:08
  Speaker 2: of English TV prior to this, but this really.
• 5:10
  Speaker 1: Made her a star.
• 5:12
  Speaker 2: But yeah, it's written and directed by Peter Jackson of
• 5:17
  Speaker 2: the Lord of the Lord of the Rings fame.
• 5:19
  Speaker 1: For me though as a nineties kid, when you say
• 5:21
  Speaker 1: Peter Jackson, it's not meanly get lord. No, no, you
• 5:24
  Speaker 1: Peter Jackson. Peter Jackson. Is he like a big and
• 5:27
  Speaker 1: tall like the actual director Peter Jackson.
• 5:30
  Speaker 2: No, no, no, like like I don't know clothing, I
• 5:33
  Speaker 2: have no idea for Peter Jackson. Yeah, I was wondering
• 5:37
  Speaker 2: who it was, like Fletcher Giants is like quality men's tailoring, ye,
• 5:40
  Speaker 2: or if it was like, hey for the for the
• 5:42
  Speaker 2: slightly bigger dude, you for husky dudes.
• 5:44
  Speaker 1: I thought Peter Jackson reminds me of kind of like
• 5:46
  Speaker 1: a country road kind of via Peter Jackson.
• 5:48
  Speaker 2: I'll get where you're coming from.
• 5:50
  Speaker 1: Not not target, but also not yes fancy fancy not
• 5:54
  Speaker 1: fancy pants. Yes, you can't get fancy pants. You can't
• 5:56
  Speaker 1: get fancy pants anyway.
• 5:57
  Speaker 2: But Heavenly Creatures is based on the true story about
• 6:00
  Speaker 2: these two young women I believe in New Zealand who yeah,
• 6:04
  Speaker 2: per formed this very tired bond. Yeah, with the best
• 6:07
  Speaker 2: of friends, maybe even lovers, who knows.
• 6:09
  Speaker 1: But I was wondering whether that this story was going
• 6:12
  Speaker 1: to get interesting go down that one much is going.
• 6:15
  Speaker 1: I'm thinking in my head, this is either going to
• 6:18
  Speaker 1: be this Juliet is imaginary, or they're going to fall
• 6:20
  Speaker 1: in love and LEAs gonna have her first lesbian sort
• 6:22
  Speaker 1: of feelings. Didn't do either. It's very disappointed.
• 6:28
  Speaker 2: It's from YSA storyline.
• 6:31
  Speaker 1: I'll give you the Google description. Basically, it's just teenagers,
• 6:33
  Speaker 1: Pauline and Juliet. Oh so Juliet's the same, yeah name
• 6:36
  Speaker 1: all right, bond over a love of fantasy and literature.
• 6:39
  Speaker 1: They conspire to kill one of the girls mothers when
• 6:41
  Speaker 1: he tries to end the girl's intense and obsessive relationship. Okay,
• 6:45
  Speaker 1: so now it makes sense knowing that. Yeah, still, what
• 6:49
  Speaker 1: an odd thing to parody.
• 6:51
  Speaker 2: It's an odd thing to parody because look, it was
• 6:53
  Speaker 2: a well regarded movie at the time, and I think
• 6:56
  Speaker 2: it's sort of Peter Jackson before this was Knownver is
• 6:58
  Speaker 2: really sort of gory, splatstick horror movies.
• 7:02
  Speaker 1: It was the Muppet one he did The Feeble Feebles
• 7:05
  Speaker 1: and The Bad Taste, The Taste Come.
• 7:08
  Speaker 2: Under and one either called brain Dead or Dead Alive.
• 7:11
  Speaker 1: Dead a life great, incredibly gory.
• 7:14
  Speaker 2: And this is kind of oh no, he can handle
• 7:15
  Speaker 2: things in a bit more of a serious vein can
• 7:17
  Speaker 2: work with act as well. Yeah, give him a lot
• 7:20
  Speaker 2: of the rings.
• 7:22
  Speaker 1: Yeah, I think they were when they start production in
• 7:24
  Speaker 1: those films would have been late nineties.
• 7:26
  Speaker 2: Like ninety nine or something like that.
• 7:28
  Speaker 1: Yeah.
• 7:28
  Speaker 2: No, no, no, no, no, no, no, eight. But he made
• 7:32
  Speaker 2: his way. I mean this was I think Heavenly Creatures
• 7:34
  Speaker 2: was distributed by Miramax, so I think it probably got
• 7:37
  Speaker 2: an Oscar.
• 7:38
  Speaker 1: For New Zealand. Film. Yeah.
• 7:40
  Speaker 2: Biographical, good movie, yeah, yeah, but as you're saying, an
• 7:45
  Speaker 2: odd choice to parody because it's not necessarily that well
• 7:48
  Speaker 2: known and the storyline doesn't really lend itself to a
• 7:51
  Speaker 2: half hour animated comedy. But that core idea, as I said,
• 7:56
  Speaker 2: of finding someone that you're very, very in sync with
• 7:58
  Speaker 2: and instantly becoming best brands, even though the foundation of
• 8:02
  Speaker 2: that is kind of Yeah, this weird fantasy world that
• 8:05
  Speaker 2: they create and bond over and we create together and
• 8:08
  Speaker 2: bond over and almost become consumed by.
• 8:12
  Speaker 1: It got old so fast, it really did.
• 8:15
  Speaker 2: Yeah, and they couldn't find a way to resolve that.
• 8:17
  Speaker 2: Now it will turn it into anything all that interesting.
• 8:19
  Speaker 1: I'm watching this going, is this just the animators just
• 8:21
  Speaker 1: trying to show off their animating skills.
• 8:23
  Speaker 2: What a little Yeah, and otherwise it was just sort
• 8:27
  Speaker 2: of playing their hits as well. I mean, you've got
• 8:29
  Speaker 2: Juliette's family are a bit like the whole Jeremy's Iron thing.
• 8:34
  Speaker 1: Yeah, I was going to say Allison's family. Allison. Yeah,
• 8:36
  Speaker 1: that was literally exactly what I was thinking as well. Yeah,
• 8:38
  Speaker 1: I watched I saw a good theory about Allison. By
• 8:40
  Speaker 1: the way, so Allison, right, Lisa's Rival. The episode is
• 8:44
  Speaker 1: called Lisa's Rival. That's when I'm a writer, right, a writer. Right.
• 8:48
  Speaker 1: So she comes home and they're playing the game, and
• 8:50
  Speaker 1: the theory was do you think that this was a
• 8:53
  Speaker 1: setup by that dad and Alison to fuck over Lisa?
• 8:57
  Speaker 2: Yeah, either a test to be like, yeah, I mean
• 8:59
  Speaker 2: this is fun and games is like can you cut
• 9:01
  Speaker 2: it in our house?
• 9:03
  Speaker 1: Not even it? Can you cut it? They make themselves
• 9:05
  Speaker 1: feel better. Yeah, apparently Jeremy Iron. The only real thing
• 9:08
  Speaker 1: you can do is Jeremy's Iron. Jeremy Irons, Jeremy's Iron.
• 9:11
  Speaker 1: They gave her a ship one deliberately just to make
• 9:13
  Speaker 1: her feel stupid because this is like this chickens store. Okay,
• 9:15
  Speaker 1: so this girl's gone.
• 9:16
  Speaker 2: There's many many times and they've always.
• 9:18
  Speaker 1: Just yeah, whenever someone's on her level, they bring it
• 9:20
  Speaker 1: home and they bring them down.
• 9:21
  Speaker 2: He's always going to say, all right, give me an
• 9:24
  Speaker 2: anagram for Allgannis genuine class.
• 9:26
  Speaker 1: Yeah, I remember that, or Jeremy Irons, and it's always
• 9:30
  Speaker 1: yeah nothing. I thought, that's actually a bit of a
• 9:32
  Speaker 1: heel tend that I never really thought about. Interesting.
• 9:34
  Speaker 2: Interesting, it's more interesting than this episode. Yeah, yeah, we're
• 9:37
  Speaker 2: talking about it because yeah, there's not a whole lot
• 9:39
  Speaker 2: else in this.
• 9:40
  Speaker 1: And but as a parody, it's as a parody, it's fine, yeah, yes,
• 9:44
  Speaker 1: but it's just pointless the traditional guy.
• 9:48
  Speaker 2: It's fine, okay, but there's other stuff in here that's
• 9:52
  Speaker 2: This felt like a really mean spirited episode.
• 9:54
  Speaker 1: My notes to on going why is everyone angry? Because
• 9:58
  Speaker 1: I feel like that for a while there and the
• 10:01
  Speaker 1: Simpsons everyone was always angry, bitter, and they've kind of
• 10:04
  Speaker 1: shifted a little more positive in recent times. This episode
• 10:08
  Speaker 1: was a holdover from last season, but also the writer
• 10:10
  Speaker 1: of this episode was Brian Kelly. He hadn't written an
• 10:12
  Speaker 1: episode for five seasons, so maybe he was still stuck
• 10:15
  Speaker 1: in that season fifteen mentality of Homer's a buffoon jerk
• 10:19
  Speaker 1: wanker and everyone's angry in Springfield because Homer was just deplorable.
• 10:24
  Speaker 1: In this felt like everyone was yeah, everyone was not
• 10:28
  Speaker 1: everyone everyone is mean in Springfield? Why is everybody mean?
• 10:32
  Speaker 2: I'm just recalling a sitting from a recent episode that
• 10:35
  Speaker 2: we covered where you've got squeaky boys teen lou up
• 10:39
  Speaker 2: your car, Governor, but he's doing in the English accident
• 10:41
  Speaker 2: the guy will buss it, don't touch me. That's the
• 10:43
  Speaker 2: kind of anti social attitude that I know. I kind
• 10:47
  Speaker 2: of like in The Simpsons, where it's not people are
• 10:49
  Speaker 2: just angry, but people are kind of like, I just
• 10:50
  Speaker 2: want to get through my day.
• 10:51
  Speaker 1: Man. Even like Bart's trying to help Lisa pick out
• 10:53
  Speaker 1: something and she's berating him for it, and he points out,
• 10:56
  Speaker 1: I'm just trying to help you ask for my hop
• 10:58
  Speaker 1: and I'm given it to you. And because that's not
• 10:59
  Speaker 1: what you what you're yelling at me, I'm thinking, no
• 11:02
  Speaker 1: one is nice. March is nice. Yeah, Marche has just
• 11:05
  Speaker 1: become a punching bag. I hope it was so passionizing
• 11:09
  Speaker 1: and rude to March here with the point where she
• 11:11
  Speaker 1: says something in home and copies and he goes, if
• 11:13
  Speaker 1: you say so, March. If you say so, if you
• 11:15
  Speaker 1: said at first, that's that's fine, making it just gaslighting you.
• 11:18
  Speaker 2: Yeah, yeah, not a not a good episode.
• 11:22
  Speaker 1: No, this wasn't this wasn't good this. Yeah.
• 11:25
  Speaker 2: Well, I think we were trying to accentuate the positive
• 11:27
  Speaker 2: here and look, sorry that was.
• 11:29
  Speaker 1: A lost cause. And just to wrap up the juliet
• 11:32
  Speaker 1: saying oh cuckoo, I'm thinking, oh okay, yeah, that's it.
• 11:36
  Speaker 1: She's gone, never gonna see her again, family moves away
• 11:38
  Speaker 1: now never no history there, that's it.
• 11:40
  Speaker 2: Yeah, I mean, right yourself, a little escape patch in
• 11:43
  Speaker 2: there about oh my dad is on like a six
• 11:46
  Speaker 2: month contract or whatever, so oh now time is limited,
• 11:49
  Speaker 2: and oh we've got to embrace these moments that we
• 11:51
  Speaker 2: have together. And that gives you justifies the intensity of
• 11:55
  Speaker 2: this relationship. You know that it's going to be short lived,
• 11:57
  Speaker 2: and then you're really, oh, wait a minute, well in nuts,
• 12:00
  Speaker 2: but they're not going to be here for that long anyway,
• 12:02
  Speaker 2: so that's all right.
• 12:03
  Speaker 1: I don't know how Heavenly Creatures plays out, but I
• 12:05
  Speaker 1: think there would have been more and more interesting story
• 12:08
  Speaker 1: for this would have been that Lisa's enjoying Juliette's company
• 12:11
  Speaker 1: and then she gets to a point where she realized
• 12:13
  Speaker 1: meant juliet is a bit obsessed with this book. I
• 12:14
  Speaker 1: need to get out. But then Juliette will allow her,
• 12:17
  Speaker 1: and then she needs Marge's help to actually so, because
• 12:21
  Speaker 1: she because there was a point where she's so rude
• 12:23
  Speaker 1: to Marge where she goes, it's best if you don't
• 12:25
  Speaker 1: try and be a part of my life, Mum, March,
• 12:27
  Speaker 1: as I'm just trying to be involved in it's best
• 12:29
  Speaker 1: if you don't, And there was there was no there
• 12:32
  Speaker 1: was no call back to that.
• 12:33
  Speaker 2: Yeah, well that's yeah, clearly I think that's drawing too
• 12:36
  Speaker 2: much or drawing heavily from heavenly.
• 12:38
  Speaker 1: Creatures in that regard. But in the Simpsons University, you
• 12:41
  Speaker 1: can't just have Lisa be a rude to March and
• 12:43
  Speaker 1: not have her apologized for it. It's just silliness. It
• 12:47
  Speaker 1: needs to be Lisa saying, like, draw upon heavenly creatures,
• 12:51
  Speaker 1: but use the Simpsons spin, you don't have to follow
• 12:53
  Speaker 1: the same. So. I don't know how the movie plays out,
• 12:55
  Speaker 1: but this, to me needed Marge to be the one
• 12:58
  Speaker 1: who Lisa realizes is most important and brings her back.
• 13:04
  Speaker 1: My favorite Did you have any favorite moments?
• 13:07
  Speaker 2: I had like I had three, one of which was
• 13:11
  Speaker 2: I was surprised to this couver that was Emily Blunt,
• 13:13
  Speaker 2: who's an actor that I like. I initially thought, yeah,
• 13:16
  Speaker 2: much like it was like, yeah, they just got a
• 13:17
  Speaker 2: coustmember doing a weird and when I say weird, I
• 13:21
  Speaker 2: don't mean necessarily bed. It's like, this is least seem
• 13:23
  Speaker 2: like an odd choice.
• 13:24
  Speaker 1: This voice. It didn't feel like an English acts. It
• 13:27
  Speaker 1: felt like an American being an englishman. Yeah, it was so.
• 13:31
  Speaker 2: But props to Emily Blunt for not just because she's
• 13:33
  Speaker 2: got a lovely speaking boys. Props to her for actually
• 13:36
  Speaker 2: sort of doing a character or doing a bit.
• 13:39
  Speaker 1: So, hey, it's English actress Emily Blunt. Yeah she's married
• 13:43
  Speaker 1: to John Christian. Yeah John, Yeah. Home is mostly terrible,
• 13:50
  Speaker 1: But I did enjoy him saying at do we find
• 13:54
  Speaker 1: Juliet's last name or the professor's last name? I can't
• 13:56
  Speaker 1: remember anyway at their house, like where's your bathroom? I'd
• 14:00
  Speaker 1: like to pretend to wash my hand. Do you like that?
• 14:02
  Speaker 1: I'd like to pretend to wash my hands. That I
• 14:05
  Speaker 1: thought that was quite I'm just watching this going, why
• 14:08
  Speaker 1: is Homer such a fuckhead? I just watched it. I'm
• 14:11
  Speaker 1: just thinking Homer is just despicable.
• 14:15
  Speaker 2: It just it speaks to class insecurity and you know,
• 14:19
  Speaker 2: oh I better be seen to be trying to do
• 14:23
  Speaker 2: the right thing.
• 14:24
  Speaker 1: I thought it was kind of funny, I don't know,
• 14:26
  Speaker 1: but the fact that he told them I'm not going
• 14:29
  Speaker 1: to wash my hands. I did not like this version
• 14:33
  Speaker 1: home in this episode at.
• 14:34
  Speaker 2: All, And quite honestly, I thought it was a very
• 14:36
  Speaker 2: good suggestion by a Poo that the you know, I
• 14:39
  Speaker 2: need a candy that I'm enjoyed and that I can
• 14:42
  Speaker 2: pretend to share or something like that. Get to one
• 14:45
  Speaker 2: why Poo was run the show? Yeah, well I have
• 14:49
  Speaker 2: one moment here, tell me. And it was the bait
• 14:51
  Speaker 2: and switch where they got me of the bullies arriving.
• 14:53
  Speaker 2: I thought it was the family and I was literally
• 14:55
  Speaker 2: typed my notes going as if Marge would know she
• 14:57
  Speaker 2: was going to be Oh it wasn't Marge. Yeah, I'm sorry. Right,
• 15:01
  Speaker 2: Brian Kelly, you did this one right, bro Kelly, well
• 15:05
  Speaker 2: done you. But yeah, they were the only things I liked.
• 15:08
  Speaker 1: Next question you there Eating the Beast trivia questions. My
• 15:12
  Speaker 1: first question for you is which track of the Pelican
• 15:15
  Speaker 1: Brief did Julius Dad, make her play it's strength three.
• 15:18
  Speaker 1: Researching the brief, I didn't mind that moment as boke
• 15:21
  Speaker 1: on going. You know what I do? Enjoy me a
• 15:23
  Speaker 1: good score, as you can.
• 15:25
  Speaker 2: See here do Dan who knows the score?
• 15:29
  Speaker 1: Yes, I would buy the Pelican brief score.
• 15:31
  Speaker 2: Well you probably already know the answer to this. Then,
• 15:33
  Speaker 2: But who composed that score?
• 15:34
  Speaker 1: Oh? No, neme. He starts with HD right, short hours
• 15:38
  Speaker 1: is a hang someone?
• 15:39
  Speaker 2: No, that's the surname starts with age.
• 15:41
  Speaker 1: Ah, no, what is it? It's James Horner. James Horner all right?
• 15:44
  Speaker 2: Indeed, who also composed the music for Titanic? And who
• 15:47
  Speaker 2: is no law rulers? Ah, that's a shame. James want
• 15:50
  Speaker 2: to come up with some great scores. Yeah, one of
• 15:52
  Speaker 2: the best things. So it certainly told this story.
• 15:54
  Speaker 1: So did he write in a second? Did he write
• 15:56
  Speaker 1: then my Heart will go on? Because basically it's the
• 15:59
  Speaker 1: same music.
• 16:00
  Speaker 2: I don't know if he did. That's a really good
• 16:02
  Speaker 2: question and we should look it.
• 16:03
  Speaker 1: Up, because the music of my heart We're going is
• 16:06
  Speaker 1: of course. Yeah, that's because Jane Cameron knows what he's doing.
• 16:09
  Speaker 1: He knows what he's doing speaking, and he knows what
• 16:11
  Speaker 1: he knows what everyone is doing, speaking of movie times,
• 16:13
  Speaker 1: because we just did we just did Golden Eye, which
• 16:15
  Speaker 1: wasn't a sometimes a video game tie in? Sure, yeah,
• 16:19
  Speaker 1: Golden Off for the Movie Guy podcast with Malton and Davis.
• 16:22
  Speaker 1: What is it called?
• 16:23
  Speaker 2: Why did I type in Jake's Horner? I don't know
• 16:24
  Speaker 2: what I'm doing?
• 16:25
  Speaker 1: What is Jake's Horner? What does it look like? Show
• 16:29
  Speaker 1: me your horner?
• 16:30
  Speaker 2: I certainly will not song by James Horner and Will.
• 16:33
  Speaker 1: Jennings, So okay, yeah it means.
• 16:36
  Speaker 2: And then Selene came on and just put that particular Canadian.
• 16:38
  Speaker 1: Source on it. Selen is nicholas favorite singer of all time? Well,
• 16:41
  Speaker 1: that's her problem. She walked down the aisle to Celendion's arm.
• 16:46
  Speaker 1: What's the one where it goes because I'm your lady,
• 16:48
  Speaker 1: you are my man power of love, power of live. Yeah,
• 16:51
  Speaker 1: that's what Nicola walked down the aisle to it. It's
• 16:53
  Speaker 1: very sweet. Yeah, she loves this Celindion. That's a very
• 16:56
  Speaker 1: good thing. All right. My next question for you is
• 16:57
  Speaker 1: they took a trip to where and which is a
• 17:00
  Speaker 1: Facebook two weeks in a row, so it's clearly the
• 17:03
  Speaker 1: writers at the Simpsons around. Hey, it's a new thing
• 17:05
  Speaker 1: the Facebook. We're better mention it for the kids watching
• 17:07
  Speaker 1: the show. But it's gonna like their trip to wear
• 17:12
  Speaker 1: Oh that's a I'll give you a clue, varmit. This
• 17:16
  Speaker 1: guy likes to shoot Varmin. You're sementy. You're talking about
• 17:21
  Speaker 1: your seventy Yeah of the the New Tunes cartoons. I
• 17:26
  Speaker 1: question for you.
• 17:28
  Speaker 2: Uh, the art teacher is reading a book or magazine
• 17:32
  Speaker 2: about what no idea sell your junk on eBay? Okay,
• 17:37
  Speaker 2: this is what we're all doing these days, apparently on
• 17:39
  Speaker 2: Facebook marketplace. Oh avoid those fees.
• 17:42
  Speaker 1: Hey, good point, Yeah, seventeen percent and everyone sells something
• 17:45
  Speaker 1: an eBay.
• 17:46
  Speaker 2: Thanks, okay, Facebook marketplace. See, we're just like the Simpsons, right,
• 17:50
  Speaker 2: we're talking about Facebook. Your next question to me.
• 17:53
  Speaker 1: How much was a shrimp cocktail? Three dollars? Five dollars?
• 17:57
  Speaker 1: Good guess? Four nine? It's not a good guess?
• 18:00
  Speaker 2: Was completely incorrect enough, so wrongs. Actually the rec center
• 18:08
  Speaker 2: is named for whom.
• 18:09
  Speaker 1: I don't know, and me, Lisa said it, what was it?
• 18:11
  Speaker 1: I'm assuming it was a joke as well, was it?
• 18:12
  Speaker 2: That's a good question because I didn't do my research
• 18:15
  Speaker 2: while watching it. It's Janet L. Muna's Robins. Let's look
• 18:20
  Speaker 2: up if that's a real person and what they did?
• 18:22
  Speaker 1: You look at the moment as you're doing that, I'm
• 18:24
  Speaker 1: going to say that the outro was done by fall
• 18:27
  Speaker 1: out Boy, who didn't guest star in the episode, but
• 18:29
  Speaker 1: they did name their band after fall out Boy. Radioactive
• 18:31
  Speaker 1: Man's assistant who Millhouse plays.
• 18:34
  Speaker 2: I did notice that, Yeah, also written what's the point
• 18:39
  Speaker 2: of this.
• 18:39
  Speaker 1: Ball out Boy track? I guess they are called fallad Boy? Yes,
• 18:46
  Speaker 1: the first The.
• 18:47
  Speaker 2: Only thing that comes up is Lisa, the Lisa the
• 18:50
  Speaker 2: drama queen, So I'm guessing the Janet l Munos the Robins?
• 18:53
  Speaker 2: Is why am I putting that that? That's sass on
• 18:56
  Speaker 2: the pronunciation of their name. They can't take offense because
• 18:59
  Speaker 2: guess what? Don't think they're a real person?
• 19:01
  Speaker 1: Who's real? Though? Sy Cutters, They're so real. Four figure
• 19:04
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  Speaker 1: could do so as well. Link for that is in
• 20:41
  Speaker 1: the description of this podcast. We love the Mummy.
• 20:44
  Speaker 2: Well, even if they are imaginary, they are Well, I
• 20:49
  Speaker 2: get the failing that you've just got a lot of
• 20:51
  Speaker 2: money that you're not telling me about and you're putting
• 20:54
  Speaker 2: it back in but you're TACKI dak. You're doing it
• 20:56
  Speaker 2: under like shell corporations and various false names. We've got
• 21:00
  Speaker 2: so many people that know katG is real, we meta.
• 21:04
  Speaker 1: Kdy G is real. KTG is real, But you know
• 21:08
  Speaker 1: what US is real? Getting Facebook demonetized, well yeah, yeah
• 21:13
  Speaker 1: that hurts. So if you listen to the show and
• 21:16
  Speaker 1: you can support us, you want the show to keep going,
• 21:17
  Speaker 1: please do so.
• 21:19
  Speaker 2: Yeah, bypass the system, Come direct to your pals, Dan,
• 21:22
  Speaker 2: the one guy. Yeah, put it in our pockets, keep
• 21:24
  Speaker 2: the lights on, keep the wolf from the door. You
• 21:26
  Speaker 2: can just or you know, or so I can go
• 21:28
  Speaker 2: to KFC again, which I.
• 21:29
  Speaker 1: Did the other Here's the thing. If you don't want
• 21:32
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• 21:33
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• 21:44
  Speaker 1: some money, do so as well.
• 21:47
  Speaker 2: Because I need it because I went to KFC the
• 21:49
  Speaker 2: other night. I haven't been there for a very very
• 21:50
  Speaker 2: long time, but you keep talking about it, and I'm like,
• 21:53
  Speaker 2: kind of the other thing was would you have Well?
• 21:56
  Speaker 2: I saw on social media.
• 21:58
  Speaker 1: Facebook that KFC have not been demonetized and k is
• 22:02
  Speaker 1: doing like a barn me. It was like but with really, yeah,
• 22:07
  Speaker 1: oh burios veriod, I.
• 22:10
  Speaker 2: Like a barn me And I don't mind KC and
• 22:12
  Speaker 2: I don't care, and I don't care. I love it.
• 22:17
  Speaker 2: And I went out there and then I was looking
• 22:19
  Speaker 2: on the app and it's like they don't seem to
• 22:21
  Speaker 2: have it here quick Googles.
• 22:23
  Speaker 1: It's like, oh, it's.
• 22:24
  Speaker 2: Only one Outlett news out well by there Amory complete
• 22:28
  Speaker 2: sun cause fallacy. I'm already a k Just give me
• 22:31
  Speaker 2: the zinger meal, ate it, and you know what I
• 22:33
  Speaker 2: didn't like it? Yeah, the chips were a little, a
• 22:37
  Speaker 2: little soggy, not quite not quite super hot.
• 22:39
  Speaker 1: I prefer the chips a little soggy, but they've got
• 22:41
  Speaker 1: to be hot.
• 22:41
  Speaker 2: Yes, this is neither.
• 22:42
  Speaker 1: So I've got an extra salt on them too. Yes,
• 22:44
  Speaker 1: So which one did you go to?
• 22:46
  Speaker 2: I went to the place that was not the good one.
• 22:48
  Speaker 2: I wasn't willing to go that is not too long?
• 22:50
  Speaker 1: Yeah, verst mistake.
• 22:52
  Speaker 2: Yeah, I can't even say rooking mistake because I'm not
• 22:53
  Speaker 2: a rookie, just an idiot anyway.
• 22:57
  Speaker 1: So what order a double tender burger though with extra
• 23:00
  Speaker 1: sauce and extra letters because they never put enough letters
• 23:02
  Speaker 1: on there. It's pretty good.
• 23:04
  Speaker 2: The upshot of this is supports the major supports a matron.
• 23:08
  Speaker 2: Maybe support Dan. I don't support me. I'll only waste
• 23:10
  Speaker 2: your money.
• 23:13
  Speaker 1: Speaking waste less some time. Yeah about leads the dramaquaen
• 23:16
  Speaker 1: Lisa the Drama Queen originally aired January twenty fifth, two
• 23:19
  Speaker 1: thousand and as you said, there was a six week
• 23:21
  Speaker 1: gap in between last week episode and this one. Yeah,
• 23:23
  Speaker 1: really bizarre production code kab F two to two, written
• 23:26
  Speaker 1: by Brian Kelly and directed by Matthew Nastak. Guest stars
• 23:30
  Speaker 1: follow Boy playing the otro and Emily Blunt as Juliette.
• 23:33
  Speaker 1: Chortboard gag I will not use permanent ink on the
• 23:36
  Speaker 1: chalk board and the cash gave the family I lot
• 23:38
  Speaker 1: the casch gag. Yeah, where they become a collectibles and
• 23:40
  Speaker 1: worst catch gag. Ever, I need to make pretting this up.
• 23:43
  Speaker 1: So this is kind of historic. So started this podcast
• 23:46
  Speaker 1: nearly ten years ago, ten years ago in May, and
• 23:49
  Speaker 1: we started episode one Their way through Got season ten.
• 23:51
  Speaker 1: You jumped on board season twenty, and this is the
• 23:56
  Speaker 1: final episode of The Simpsons that features this intro. Gonna
• 24:01
  Speaker 1: be replaced, didn't you.
• 24:02
  Speaker 2: I was about to say, normally your timing is really good.
• 24:05
  Speaker 2: You could have put a little more hot source on that.
• 24:07
  Speaker 2: This is the final episode.
• 24:10
  Speaker 1: Of this Yeah, I can see you looked a little
• 24:13
  Speaker 1: like worried. I was like, I'm just gonna get to
• 24:14
  Speaker 1: the point I'm not I'm not that concerned. But yeah,
• 24:19
  Speaker 1: it's the the intro, the final intro of the Simpsons,
• 24:21
  Speaker 1: and now it's going to be HD wide screens. And
• 24:23
  Speaker 1: I'm just saying it's gonna feel like a different show
• 24:25
  Speaker 1: now because even because it's new Simpsons in regards to like,
• 24:30
  Speaker 1: it's not golden Ear. It's more modern Simpsons season twenty,
• 24:32
  Speaker 1: but it's still at the four to three ratio. Now
• 24:34
  Speaker 1: it's wid screen. Now, I wonder watching it with wide
• 24:37
  Speaker 1: screen now where it's going to feel, Oh, this is
• 24:39
  Speaker 1: a new era of the show.
• 24:41
  Speaker 2: New area for the Simpsons, maybe new era for four
• 24:43
  Speaker 2: Finger discomp But it's going to be, yeah, just as
• 24:45
  Speaker 2: good as show as it ever was, maybe even better.
• 24:47
  Speaker 1: We're going to broadcasting in wide screen. Now we're just
• 24:49
  Speaker 1: going to talk louder.
• 24:50
  Speaker 2: Yeah, all right, So couch gag, not about couch gag,
• 24:57
  Speaker 2: but also.
• 24:58
  Speaker 1: End of an era. It is the end of an era, indeed,
• 25:00
  Speaker 1: and beginning of a new one. They ended with the
• 25:03
  Speaker 1: worst one ever.
• 25:04
  Speaker 2: Every new beginning isn't some new beginning's end, as the
• 25:07
  Speaker 2: song says.
• 25:08
  Speaker 1: The episode kicks off with Homer dropping the kids off
• 25:10
  Speaker 1: at the Springfield Rec Center. He says, when you're older,
• 25:12
  Speaker 1: you realize how much you miss these fun activities. That's
• 25:15
  Speaker 1: kind of mean to Elliot when he goes, I don't
• 25:16
  Speaker 1: want to have to go to school. I don't want
• 25:17
  Speaker 1: to know. I said, mate, understand, this is the best
• 25:20
  Speaker 1: time of your life. You have no responsible He always says,
• 25:23
  Speaker 1: I want to be an adult. I'm like, you don't, don't.
• 25:26
  Speaker 1: I understand. When you're an adult you can do things
• 25:27
  Speaker 1: you want to do, but when you're a kid, you
• 25:29
  Speaker 1: have adults who do that shit for you. Just enjoy
• 25:31
  Speaker 1: being a kid, mate. And yeah, oh, by the way,
• 25:34
  Speaker 1: shout out to Elliott. Guess what Eliot did. He got
• 25:37
  Speaker 1: voted class captain. Oh my goodness. Yeah, out of all
• 25:39
  Speaker 1: the kids, the one class each has a captain. His
• 25:41
  Speaker 1: peers voted him class captain more asbestos and they said
• 25:45
  Speaker 1: he's our man.
• 25:48
  Speaker 2: Meanwhile, yeah, the other kid was sort of like voting
• 25:50
  Speaker 2: on more science ficient books in the library.
• 25:52
  Speaker 1: I love the way they The teacher explained it to
• 25:54
  Speaker 1: me too. So they got ten people or put their
• 25:56
  Speaker 1: hand up, so we want to go for class captain.
• 25:58
  Speaker 1: They all got the front. They all did a little speech.
• 26:00
  Speaker 1: Elliot said, he apparently she goes, Elliott just went up
• 26:02
  Speaker 1: there and he said, I'm going to be good as
• 26:04
  Speaker 1: class captain because I'm kind, respectful. I'll help you guys learn.
• 26:07
  Speaker 1: If you need anything, I will help you. And everyone
• 26:09
  Speaker 1: else just kind of said because because they won c
• 26:12
  Speaker 1: and then basically Ali was Elliott was a tie with
• 26:15
  Speaker 1: somebody else. So she said, we don't got the other
• 26:17
  Speaker 1: two on the up the front. And how do you
• 26:19
  Speaker 1: think they decided who was going to be the class captain?
• 26:21
  Speaker 2: I want to say I'm wrestle.
• 26:22
  Speaker 1: No, they just said, right, who voced? Ali put your
• 26:25
  Speaker 1: hands up and apparently like everyone will popular everyone except
• 26:28
  Speaker 1: for like two kids put the head of for Alliot.
• 26:30
  Speaker 1: And I'm like, oh that is so harsh. Great.
• 26:34
  Speaker 2: See now now Eliot has his own baby, baby Gerald. Yeah,
• 26:38
  Speaker 2: he's got a nemesis.
• 26:38
  Speaker 1: He's got a nemesis. Yeah, I like Elliott, I get wrong,
• 26:42
  Speaker 1: he's a good kid. Said that. Well, I said to her,
• 26:44
  Speaker 1: you realize that's how super Villain's upborn. This kid's just
• 26:50
  Speaker 1: going to steal in it forever. Well, then Elliot, how's
• 26:53
  Speaker 1: his face feeling? Because he goes, oh, yeah, he proa
• 26:55
  Speaker 1: the creaker bat. It's it's going down. No, fracture in
• 26:57
  Speaker 1: the jaw, though it might have been frast went to
• 26:59
  Speaker 1: get scans and whatnot. So he's he's still much better.
• 27:01
  Speaker 1: But it's like a little hard ball. And I think
• 27:03
  Speaker 1: it might be like they think it's melanoma or something
• 27:05
  Speaker 1: like that.
• 27:06
  Speaker 2: That sounds serious.
• 27:07
  Speaker 1: It does. Maybe it's not that he meta melano is
• 27:13
  Speaker 1: skin can it's not that, even Tom that's the one, yes,
• 27:16
  Speaker 1: big words computer bell, so he has that in his
• 27:22
  Speaker 1: face possibly, so think it's an ultra sound on that
• 27:25
  Speaker 1: to see if that's all right. But it's gone down,
• 27:26
  Speaker 1: doesn't hurt the touch anymore. It's this is very good.
• 27:28
  Speaker 2: He's back playing cricket again. This is very good news.
• 27:31
  Speaker 2: In semi related news, Lou's daughter Audrey is house captain
• 27:35
  Speaker 2: of the House school. So yeah, we're just associated with
• 27:38
  Speaker 2: Well done Audrey. Yeah, well done Audrey.
• 27:41
  Speaker 1: Well done.
• 27:42
  Speaker 2: Bart and Lisa going off to the rec center. Yes
• 27:44
  Speaker 2: it was a silky seguay, wasn't it was?
• 27:46
  Speaker 1: Indeed? Yeah, Homer bails on them coming with guys doing
• 27:48
  Speaker 1: some showering kung fu. All this is just pointless. A
• 27:50
  Speaker 1: lot of fat shaming this episode. Yeah, this is the voice.
• 27:53
  Speaker 1: Certainly in this first part there's always fat shaving in
• 27:55
  Speaker 1: the Simpsons, No fat chicks. Yeah, but that was funny.
• 28:01
  Speaker 1: This is just a guy saying that there's nothing to
• 28:02
  Speaker 1: do with my weight. It's all about what is it?
• 28:04
  Speaker 1: He's chi is it? It's cheap? He's chea Yes, he
• 28:07
  Speaker 1: says on my signal, which is it a matrix reference
• 28:09
  Speaker 1: or a rock reference? Just bring it. That looks a
• 28:11
  Speaker 1: bit like it.
• 28:11
  Speaker 2: Although I'm pretty sure that martial artists have been doing
• 28:14
  Speaker 2: that since spread since martial arts.
• 28:16
  Speaker 1: By the way, I learn to confort.
• 28:18
  Speaker 2: Yeah, anyone who's watched a Hong Kong action movie over
• 28:23
  Speaker 2: the last thirty or so years may be aware of
• 28:26
  Speaker 2: Samo Hung, who's like a contemporary of Jackie Chan, except
• 28:29
  Speaker 2: he's a big guy, like a big guess, a fat guy,
• 28:32
  Speaker 2: but absolutely kickars. He was like, you know, Chris Farley's
• 28:36
  Speaker 2: really bleetic, like he's very graceful. Samo Hung's a bit
• 28:39
  Speaker 2: like that, but also with violence. Okay, So there you go,
• 28:43
  Speaker 2: So I wouldn't be dis in comic book John Thick,
• 28:47
  Speaker 2: John Thick, John Thick, there you go. There what a guy.
• 28:54
  Speaker 1: So Lisa's in art class, the teacher's not having a
• 28:56
  Speaker 1: good time. Actually didn't mind this as well. So she's
• 28:57
  Speaker 1: saying this orange is not that orange, just it. She's like,
• 29:00
  Speaker 1: what is it? Lor your expectations, Lory expectations.
• 29:04
  Speaker 2: Stop stop, Juliet, this is terrible.
• 29:07
  Speaker 1: Your art is personal and wrong.
• 29:09
  Speaker 2: I was painting with my heart and if you look
• 29:12
  Speaker 2: carefully you can see that the night is Josh Groebin
• 29:15
  Speaker 2: are young century's greatest vocalist. Oh another grob night.
• 29:20
  Speaker 1: I didn't get all the Josh Grobn loving this either.
• 29:21
  Speaker 1: It just went on forever.
• 29:23
  Speaker 2: No, I mean, I was expecting to see in the
• 29:25
  Speaker 2: closing credits special guest star Josh.
• 29:27
  Speaker 1: Rober period was not in it. I'm like, what are
• 29:29
  Speaker 1: we doing here? Did I love Josh Grovin in Heavenly Creatures?
• 29:33
  Speaker 2: No, Heavenly Creatures set like in the nineteen fifties or something.
• 29:36
  Speaker 1: What is the point? I don't know? But did they
• 29:39
  Speaker 1: sing in songs? They're doing this? I just it doesn't
• 29:41
  Speaker 1: make any sense to me. But Lisa says, she goes, well,
• 29:44
  Speaker 1: do you want to be a teacher? Yes? I do,
• 29:45
  Speaker 1: and she Lisa takes over the class. Then they bail
• 29:48
  Speaker 1: her and Juliette leave. Juliet is new in town. Her
• 29:51
  Speaker 1: father's lecturer at the Uni.
• 29:53
  Speaker 2: I guess so letter somewhere specializing in the works of
• 29:56
  Speaker 2: John Grisham.
• 29:57
  Speaker 1: Yes, indeed, Yeah, and then they sing some Josh Grobin
• 30:00
  Speaker 1: which goes on forever and I've got here. This is
• 30:01
  Speaker 1: just killing time, really just killing time, and Willie puts
• 30:05
  Speaker 1: the broom in his ears and Wiggans put the gun
• 30:06
  Speaker 1: in his ears and what was the point?
• 30:08
  Speaker 2: This is killing time? And also my will to live.
• 30:10
  Speaker 1: Yeah. Lisa is now with Bart at the Quickie Mart.
• 30:13
  Speaker 1: So it seems she's invited Bart down to the quicker
• 30:15
  Speaker 1: Mart to help her buy candy for the first playdate
• 30:17
  Speaker 1: because she's not used to having playdates anymore. She doesn't
• 30:19
  Speaker 1: really have a friend.
• 30:20
  Speaker 2: But it feels weird that she's referring to it as
• 30:22
  Speaker 2: a playdate.
• 30:23
  Speaker 1: Yeah, she's eight. Yeah, we wouldn't really.
• 30:26
  Speaker 2: But I think I think something that you organize yourself,
• 30:30
  Speaker 2: you would not necessarily call a playdate.
• 30:31
  Speaker 1: Yeah. I was going to say, when I organize something,
• 30:33
  Speaker 1: I said, you should we organize a playdate for the kids.
• 30:35
  Speaker 1: But it's not just hey, can I come over and
• 30:37
  Speaker 1: play it? So that's not a playdate. Yeah. Anyway, Bazaar,
• 30:42
  Speaker 1: So thereout the Quickie Mark, Bart is offering some suggestions
• 30:45
  Speaker 1: in Eminem and Eminem's are great, and she's shutting them down.
• 30:49
  Speaker 1: You're an idiot with whom being cruel, who comes in
• 30:52
  Speaker 1: with a suggestion of the Almond Joys. Finally a real suggestion.
• 30:56
  Speaker 1: I just went, why is everyone like this? Why is everybody? Look?
• 31:00
  Speaker 1: In this episode so far everyone has been mean? Yes,
• 31:02
  Speaker 1: so far. Ow. She arrives at Tuition Academy, which is
• 31:06
  Speaker 1: unfortunate scholarship free, which means she's never getting in, and
• 31:08
  Speaker 1: Lisa does not know what to do on a playdates.
• 31:11
  Speaker 1: It's been so long, and Juliet says, my parents have
• 31:14
  Speaker 1: bought me a pass for the Folk Art Museum, which
• 31:17
  Speaker 1: includes access on Wednesdays apparently okay, and likely today is Wednesday,
• 31:22
  Speaker 1: so that we have a montage with them at the
• 31:23
  Speaker 1: Folk Art Museum, which is just again killing time. Oh yes,
• 31:26
  Speaker 1: but one of the robot sculptures, though, I will say,
• 31:29
  Speaker 1: look like linguomember Linguo, which was that's the one based
• 31:32
  Speaker 1: on go right and run, Lola run, that's right? Yeah, yes,
• 31:35
  Speaker 1: the multiple being Linguo dead. Linguo is dead. Yes, But
• 31:39
  Speaker 1: besides that, though, there was nothing else to really relate
• 31:41
  Speaker 1: in this. It was just them having fun at a
• 31:43
  Speaker 1: Folk Art Museum.
• 31:44
  Speaker 2: Yeah, as I said, when you yeah, you find a
• 31:47
  Speaker 2: kindred spirit who someone's in the same weird shit that
• 31:49
  Speaker 2: you are. Or it is like no one else would
• 31:51
  Speaker 2: ever go to the Folk Art Museum with me. This
• 31:53
  Speaker 2: person's not just here under like I suppose it'd be
• 31:55
  Speaker 2: a nice place to go to. But we're both enthusiastic
• 31:57
  Speaker 2: about this. It's a great feeling. It's a fantastic feeling.
• 32:00
  Speaker 1: But it's me when I was a kid, when I
• 32:02
  Speaker 1: discover someone else who liked wrestling, I go, you liked
• 32:05
  Speaker 1: wrestling too? The yeah shit. Oh but Marge is happy
• 32:11
  Speaker 1: that Lisa has finally found a friend and she's asked
• 32:13
  Speaker 1: her to come over and to the house and play,
• 32:16
  Speaker 1: finally starting to act like, as the book would say,
• 32:18
  Speaker 1: normal childhood behavior. Well last, hey, man, can you yet
• 32:28
  Speaker 1: sleep over? Are your parents okay with that?
• 32:30
  Speaker 2: They never met us. We could be murderers, could have
• 32:33
  Speaker 2: been if we hadn't had kids. These all feel like
• 32:37
  Speaker 2: lines that would go over well in the writer's room.
• 32:39
  Speaker 2: It was like, oh, yeah, Homer would say something like that,
• 32:42
  Speaker 2: except yeah, there's a real disconnect in like each deliver
• 32:46
  Speaker 2: I won't say how Dan's delivered.
• 32:48
  Speaker 1: It's the way it plays out in the scene, isn't it. Yeah,
• 32:51
  Speaker 1: But having dinner here's another moment here. So they're having
• 32:54
  Speaker 1: dinner and she brings up how father's the foremost scholar
• 32:57
  Speaker 1: for John Grisham books, and she says that he discovered
• 32:59
  Speaker 1: the real villain Time to Kill was the legal system itself,
• 33:03
  Speaker 1: the legal system itself, and then goes told you, March
• 33:05
  Speaker 1: told you, and it just looks at him. I don't think,
• 33:08
  Speaker 1: what the hell is going on?
• 33:09
  Speaker 2: And then I didn't mind that all that much because
• 33:11
  Speaker 2: it makes sense.
• 33:13
  Speaker 1: Why would I what it's not.
• 33:17
  Speaker 2: It's a kind of a really obvious point in a
• 33:19
  Speaker 2: Time to Kill.
• 33:20
  Speaker 1: It's like, well, you know, the.
• 33:20
  Speaker 2: Systems kind of flawed or whatever.
• 33:23
  Speaker 1: But it feels like the kind of thing that Homer
• 33:24
  Speaker 1: would be sort of going.
• 33:25
  Speaker 2: I think the real villain is the legal system. Like
• 33:28
  Speaker 2: he's come to this incredible inside. Okay, so I've never
• 33:30
  Speaker 2: seen a time to care or read the book. So
• 33:33
  Speaker 2: is that meant to be the joke?
• 33:33
  Speaker 1: Is that? Well, of course everyone knows that. Oh do
• 33:36
  Speaker 1: you think that's what they're going for here? I've missed
• 33:39
  Speaker 1: That's It's a real just.
• 33:40
  Speaker 2: Kind of simple inside that Homer would take as like
• 33:45
  Speaker 2: him being the the Reds and less in just a
• 33:49
  Speaker 2: corruption or whatever. It's like, yeah, he would feel like
• 33:52
  Speaker 2: the smartest person in the room pointing out something that
• 33:54
  Speaker 2: is kind of obvious.
• 33:55
  Speaker 1: Okay, but now they're writing tales of a Koalia And
• 33:58
  Speaker 1: this is where for me, I thought the episode has
• 34:01
  Speaker 1: got so boring. So it's lights out the next the
• 34:04
  Speaker 1: next This next moment here was probably the nicest moment
• 34:06
  Speaker 1: of the episode, the one moment in the story that
• 34:09
  Speaker 1: really felt like I had some emotional punch where lights
• 34:12
  Speaker 1: are out. She asked Lesa to be a best friend.
• 34:14
  Speaker 1: Marge's listening at the door, saying say yes, yes, yes.
• 34:16
  Speaker 1: She says yes, and she says to herself, I have
• 34:18
  Speaker 1: a best friend. Juliette here shays, you heard that, mustill
• 34:21
  Speaker 1: be best friend me? Okay, yes, and she's like, my
• 34:23
  Speaker 1: best friend's so cool. That's a nice moment. Sure is
• 34:25
  Speaker 1: well you where we've all had a moment in our
• 34:28
  Speaker 1: lives where we've got a best friend and we drop
• 34:30
  Speaker 1: our guard and reveal or something about For me growing up,
• 34:32
  Speaker 1: it was I had two best friends I've mentioned before,
• 34:36
  Speaker 1: Medie mockel Meade and Daniel Jones Jonesy and Media. I
• 34:38
  Speaker 1: call them, right, and now the only two of my
• 34:40
  Speaker 1: friends who knew that I wet the bed. I went
• 34:42
  Speaker 1: to the bed until I was about eleven. Right, That's
• 34:44
  Speaker 1: why I wouldn't go to school camps, wouldn't have anything
• 34:46
  Speaker 1: of that. But knowing that I could trust them and
• 34:48
  Speaker 1: they just didn't care, it is special to me. It's
• 34:52
  Speaker 1: just like, yeah, that So it reminded me of that
• 34:54
  Speaker 1: moment where I was like, ah, I want to say
• 34:56
  Speaker 1: at their house, I'm like, I wet the bed and
• 34:59
  Speaker 1: I'm like so, I'm like, oh, cool, you don't care. Yeah,
• 35:04
  Speaker 1: So that was my moment for me.
• 35:05
  Speaker 2: Yeah, no, No, it's fantastic when you have someone like that.
• 35:07
  Speaker 1: In your life. Yeah, we can reveal something and go, oh,
• 35:09
  Speaker 1: they just they genuinely just don't give a shit. It
• 35:12
  Speaker 1: doesn't bother them. I still want to be your friend.
• 35:14
  Speaker 1: But it's now the morning time and Lisa is meeting
• 35:16
  Speaker 1: her after school, margin Homer offers some advice. It was
• 35:19
  Speaker 1: the bit I was mentioning earlier. If the dog bites,
• 35:21
  Speaker 1: you don't make a big deal out of it. March
• 35:23
  Speaker 1: says that. Then Homer says the same thing and then
• 35:26
  Speaker 1: patronizes Marge for being annoyed that she didn't. Yeah, well,
• 35:29
  Speaker 1: I just didn't get what it feels like. It's writing
• 35:32
  Speaker 1: Homer into the story for the sake of h We
• 35:34
  Speaker 1: need Homer to say something. None of the jokes land,
• 35:37
  Speaker 1: in my opinion, he just says something silly, and he's
• 35:40
  Speaker 1: being rude to March. For the majority of everyone's rude
• 35:42
  Speaker 1: to March. That's the bulk of this. If he's just
• 35:45
  Speaker 1: saying something funny for the sake of it, that's different,
• 35:47
  Speaker 1: or saying something stupid. But when he's blittling March, everything's
• 35:51
  Speaker 1: blittling March. Yeah.
• 35:52
  Speaker 2: I mean, I think when we used to have Homer
• 35:54
  Speaker 2: sort of making dumbass comments, but usually that would be
• 35:59
  Speaker 2: at his own expence, and yeah, but they were never
• 36:01
  Speaker 2: sort of if they were directed at March, the joke
• 36:04
  Speaker 2: was always reflected back on Home. I always made him
• 36:07
  Speaker 2: look bad or baffoonish or whatever. Whereas this is just
• 36:10
  Speaker 2: kind of snarking and biting for the for the sake
• 36:13
  Speaker 2: of it.
• 36:13
  Speaker 1: Yeah, pointless, pointless snark, pointless snark. Yeah, now they're writing
• 36:18
  Speaker 1: the book at the at the are they writing the book?
• 36:24
  Speaker 1: So now they're writing the book outside. I think it
• 36:26
  Speaker 1: must have been after school, and they think of the Tunicorn,
• 36:28
  Speaker 1: that's their new character they've created, and she loves her accents,
• 36:31
  Speaker 1: so she says, you can do the audio book. And
• 36:32
  Speaker 1: then they're playing at the more the creative figures and whatnot.
• 36:35
  Speaker 1: Nelson mocks them and then he has a headless dart
• 36:38
  Speaker 1: Fader and email bus Stacey wrapped up in Sullifan tape
• 36:40
  Speaker 1: and makes him kiss, makes them kiss. Yes, So what
• 36:43
  Speaker 1: was your favorite figure when you're a kid.
• 36:46
  Speaker 2: Look, I had a bunch of little a little sort
• 36:51
  Speaker 2: of cowboy figures, but I don't know, might have inherited
• 36:54
  Speaker 2: from someone or whatever. Some Star Wars action figures I
• 36:57
  Speaker 2: never really play. I never like with my Star Wars
• 37:00
  Speaker 2: because I never played Star Wars. I sort of made
• 37:02
  Speaker 2: up my own stories that would have like, I know,
• 37:06
  Speaker 2: Marthkter or something like that.
• 37:08
  Speaker 1: It's because I had no originality, math data something like
• 37:12
  Speaker 1: that I had. I loved my Street Sharks, I loved
• 37:16
  Speaker 1: my Power Rangers, and I love my wrestling figures now
• 37:19
  Speaker 1: my thirty things.
• 37:20
  Speaker 2: Oh yeah, but there was nothing like the imagination you
• 37:22
  Speaker 2: had when you're a kid as well, but particularly you know,
• 37:25
  Speaker 2: sort of growing up in our eras maybe sort of
• 37:27
  Speaker 2: pre into sort of stuff. Yeah, you would take the
• 37:31
  Speaker 2: stuff that you saw, the stuff that you read or
• 37:32
  Speaker 2: order that, and but you would remix it in your
• 37:35
  Speaker 2: mind and use it as a jumping off point.
• 37:37
  Speaker 1: Which one say to Elliot because when he watches a movie,
• 37:39
  Speaker 1: for example, he loves cars, movie movie cars, where he's
• 37:41
  Speaker 1: got all the card toys and stuff. He tries to
• 37:43
  Speaker 1: recreate what he sees on the TV. And I say
• 37:45
  Speaker 1: to him, it's okay if you don't do exactly what's
• 37:47
  Speaker 1: on the TV, just do what you want. Or he
• 37:49
  Speaker 1: was coloring a coloring book the other day. We're waiting
• 37:51
  Speaker 1: for Nickel to nicol and Holly get the nails done,
• 37:53
  Speaker 1: so but to big w and we've got a coloring
• 37:55
  Speaker 1: book and we'll sit in there coloring in whist we're
• 37:56
  Speaker 1: waiting for for the girls to finish. And he's coloring.
• 37:59
  Speaker 1: He has, oh, I need a blue because because there's
• 38:01
  Speaker 1: a Sonic book. And I said it's color and green,
• 38:03
  Speaker 1: you guys, no, but Sonics blue. And I said, he
• 38:04
  Speaker 1: can be what color you want him to be, mate,
• 38:06
  Speaker 1: it doesn't matter. And it was almost like a light
• 38:08
  Speaker 1: bulb when off he went, sure, so I can just
• 38:11
  Speaker 1: be creative.
• 38:12
  Speaker 2: Yeah, there's color outside the lines don't.
• 38:14
  Speaker 1: Matter, because he used to get really frustrat when we
• 38:16
  Speaker 1: went outside the lines and I said, it doesn't matter.
• 38:18
  Speaker 1: It actually doesn't matter. And now he just does what
• 38:20
  Speaker 1: he wants to. Yet he Knuckles is the red guy,
• 38:22
  Speaker 1: you know, Knuckles from Sonic and he showed me and
• 38:24
  Speaker 1: it was like a pink knuckles and I was like, cool,
• 38:27
  Speaker 1: there you go. He's like, there's no red, sort of
• 38:28
  Speaker 1: colored pink, and I'm like, you're getting it, buddy, You're
• 38:31
  Speaker 1: getting it. It doesn't matter. Improvised, buddy, improvised.
• 38:34
  Speaker 2: This is why his house captain.
• 38:35
  Speaker 1: He is classic. Classic. He's working his way out. But anyway,
• 38:41
  Speaker 1: so the yes, the notesn't been mocking to be playing
• 38:44
  Speaker 1: with the toys on their way to dinner. Now at Juliete's,
• 38:46
  Speaker 1: the Simpsons family are and they said, we're going to
• 38:48
  Speaker 1: some big words. Homer says he'll use computer bark and
• 38:50
  Speaker 1: have doorbell nice doorbell? Is it computerized? Don't you come
• 38:59
  Speaker 1: up with any I don't think they could have gone
• 39:03
  Speaker 1: for the choke bit here because it's too much.
• 39:05
  Speaker 2: But at the same time, I think even I think
• 39:07
  Speaker 2: Julie's family is like, why are you smacking a kid
• 39:09
  Speaker 2: in the back of the head with such ferocity?
• 39:11
  Speaker 1: Yeah, I don't think that's the kind of humor that
• 39:13
  Speaker 1: the differences we need to see. I think there needs
• 39:15
  Speaker 1: to be a difference in class. We're not smacking NICKI
• 39:17
  Speaker 1: around your manners or something like that. Yeah. Yeah, so
• 39:21
  Speaker 1: the father's now talking outside, you know, her father says
• 39:24
  Speaker 1: nice to the fast friends. Did we get the toilet
• 39:25
  Speaker 1: the bathroom gave? You're saying earlier?
• 39:27
  Speaker 2: I do like that home who normally doesn't smoke a
• 39:30
  Speaker 2: pipe is smoking.
• 39:30
  Speaker 1: A pipe because in Millord and whatnot. And then the
• 39:33
  Speaker 1: father is reading from the firm over the dinner table,
• 39:36
  Speaker 1: and he tells the girls that can we perform a
• 39:39
  Speaker 1: medley of our favorite Josh Groban songs? And the way
• 39:41
  Speaker 1: again with the Grovin What the hell is going on here?
• 39:44
  Speaker 1: It's just one of the writers daughters have loved Grovin
• 39:47
  Speaker 1: or did one of the writers love Grobin? Yeah, it's
• 39:50
  Speaker 1: weird that you would do all this and not have
• 39:52
  Speaker 1: him on the show, isn't it? It is?
• 39:54
  Speaker 2: Again, I get where they're going, what they're going forward
• 39:57
  Speaker 2: this kind of thing. I mean, I'm sure. Yeah, have
• 40:00
  Speaker 2: been times when Elliott or Holly has been like, oh
• 40:03
  Speaker 2: can I read There might be people around they sort
• 40:06
  Speaker 2: of want to not show off, but can I read
• 40:09
  Speaker 2: you this poem that I wrote or something along those lines,
• 40:11
  Speaker 2: or here's the thing that I did in school that
• 40:13
  Speaker 2: I learned today.
• 40:13
  Speaker 1: And it's like, well, that's really sweet. But see it's
• 40:16
  Speaker 1: funny though, when you become a parent. I used to
• 40:18
  Speaker 1: look at parents and they put like their kids drawings
• 40:20
  Speaker 1: in the fridge and go, it's two squiggles, what are
• 40:22
  Speaker 1: you doing? I appreciate and actually my everything that my
• 40:26
  Speaker 1: kids creates, it's weird. When you're the parent, you go,
• 40:29
  Speaker 1: I know this is nothing, but something I created, created this.
• 40:34
  Speaker 1: It's a it's what keeps you from devouring your children?
• 40:39
  Speaker 1: What separazas from the what was the Homer gag? Or
• 40:42
  Speaker 1: separatezs from the weasel?
• 40:44
  Speaker 2: Something like that?
• 40:45
  Speaker 1: Yeah, who knows? But so there they haven't. They haven't.
• 40:49
  Speaker 1: They're doing the medley here for Josh groblah blah blah blah.
• 40:51
  Speaker 1: He interrupts the father and Trump says we should put
• 40:53
  Speaker 1: on the Pelican brief score track three. She says, I
• 40:56
  Speaker 1: hate track three. I hate it. She runs off list
• 40:58
  Speaker 1: as I'll go get her then we get the repeatd
• 41:00
  Speaker 1: gag of Homer saying, can you tell me what this
• 41:01
  Speaker 1: lump is on my back? So the joke being I'm
• 41:03
  Speaker 1: not that kind of doctor. But then it's just that
• 41:05
  Speaker 1: it was a gummy bears. This is chewing chewing it.
• 41:08
  Speaker 1: It's just that line again, is it a pimple or
• 41:11
  Speaker 1: a boil? It was a gummy bear, same thing repeating.
• 41:15
  Speaker 1: The gags sometimes play that Julia sees a quality in
• 41:20
  Speaker 1: the backyard, and here I thought the episode was going
• 41:22
  Speaker 1: to take a turn, but no, Lissa just randomly sees
• 41:24
  Speaker 1: equality as well, and I was like, ah, okay, well, yeah,
• 41:26
  Speaker 1: this was the part where I twigged because I didn't
• 41:29
  Speaker 1: know what happens in the film. Is it?
• 41:30
  Speaker 2: Yes, they start to become pretty to their hallucination fantasies
• 41:34
  Speaker 2: and all that. In the minute they so like I
• 41:36
  Speaker 2: can see it, and it pops up at and know
• 41:39
  Speaker 2: where it's like, oh yeah, they're doing They're doing Heavenly creatures. Wow,
• 41:42
  Speaker 2: that's a.
• 41:43
  Speaker 1: Secure that's a dip cut. So basically, here they see
• 41:49
  Speaker 1: the tundicorn. They see I think it's a draft to
• 41:52
  Speaker 1: puss or something. It's a it's uncomfortable just about everywhere
• 41:55
  Speaker 1: a couple on land and on water or in water
• 41:57
  Speaker 1: and on land, and then they have a big dance
• 41:59
  Speaker 1: to Josh have a song again, not a whole or
• 42:02
  Speaker 1: two this episode now there's there's lots of just absolute filler.
• 42:05
  Speaker 1: But the girls now write in their book Marge's role playing.
• 42:08
  Speaker 1: She comes in, she's got the cookies that are shaped
• 42:10
  Speaker 1: like certain things whatever with dragon eggs. She's just trying
• 42:14
  Speaker 1: to be involved with this is our thing, not yours,
• 42:16
  Speaker 1: and I just want to be involved with the best
• 42:18
  Speaker 1: of you don't. And I thought the fact that that
• 42:20
  Speaker 1: wasn't call back on not good gott to drop the
• 42:24
  Speaker 1: ball this episode. Yeah. Skinner then calls the parents and
• 42:27
  Speaker 1: says Lisa is being unfocused, she's not really doing very
• 42:29
  Speaker 1: well at school. That's not followed up on either.
• 42:32
  Speaker 2: No, and even the whole gag about yeah, they're so
• 42:36
  Speaker 2: used to this being bart yeah, that they're not really
• 42:39
  Speaker 2: listening and they're just like, but we'll do this. It's like,
• 42:43
  Speaker 2: why is this not funny?
• 42:44
  Speaker 1: The best version of that was but no, sorry, habit
• 42:50
  Speaker 1: that's the peak. But again, this is where Skinner mentions
• 42:55
  Speaker 1: the Facebook page what and I was like, oh, you
• 42:57
  Speaker 1: old writers in the writer's room, like in the Facebooks
• 43:00
  Speaker 1: where I tell Lisa you can't see Juliet anymore because
• 43:02
  Speaker 1: you're not focused at school and you're just becoming a
• 43:05
  Speaker 1: different person. You're being mean to people. And she says, oh, disobey,
• 43:08
  Speaker 1: And Marge's already three steps ahea because she's Bart Simpson's mother.
• 43:11
  Speaker 1: She tries to think out the Winnow she catches her
• 43:13
  Speaker 1: in the wash basket. Then Bart sneaks he goes, but
• 43:15
  Speaker 1: age ten, he sneaks away. That's it. You don't see
• 43:18
  Speaker 1: where he goes. It's just that's it.
• 43:21
  Speaker 2: These are all ideas that just sound good on paper.
• 43:25
  Speaker 1: I thought Bart aged ten and he jumps away like
• 43:27
  Speaker 1: an injury outing, and I thought, how's Marge? Marge didn't
• 43:30
  Speaker 1: get him. Shouldn't the game be that? He thinks, even
• 43:33
  Speaker 1: though he's age, he's smarter than March and Marge is
• 43:35
  Speaker 1: still too smart for him.
• 43:36
  Speaker 2: He thinks, so, but I don't know, Man's I'm really
• 43:42
  Speaker 2: just I'm flammixed by this episode.
• 43:45
  Speaker 1: Yeah, it just feels very pointless, very pointless. Indeed. Now
• 43:48
  Speaker 1: Juliet meets Lisa at the school. She says, let's run
• 43:51
  Speaker 1: away together, and I'm like, what is going on? Here.
• 43:53
  Speaker 1: She says, I can't though, you can't go Juliette because
• 43:56
  Speaker 1: I have to go to the un you know, because
• 43:58
  Speaker 1: that's what Lisa does. It just Aqualia needs you. And
• 44:02
  Speaker 1: she's like, yeah, you're right, this fake thing that we've
• 44:07
  Speaker 1: made up, yep, it needs me. Aqualia is not real.
• 44:10
  Speaker 2: Yeah, I really feel like we're forced to do a
• 44:13
  Speaker 2: lot of heavy lifting off as I was here.
• 44:15
  Speaker 1: And if you haven't seen the source material and Heavenly creatures,
• 44:18
  Speaker 1: it doesn't make any sense to you. I've said time
• 44:20
  Speaker 1: and time again, the best parodies are the ones where
• 44:22
  Speaker 1: they're enjoyable, whether you've seen the actual source material or not.
• 44:25
  Speaker 1: This one is just fucking weird. It is so weird
• 44:28
  Speaker 1: that Lisa has just started fantasizing me this Aqualia, and
• 44:33
  Speaker 1: I get it, she's got a new fan and she
• 44:34
  Speaker 1: loves it.
• 44:34
  Speaker 2: But it's the responsibility is not on us as the
• 44:38
  Speaker 2: viewer to go, Okay, well, I guess she's feeling this,
• 44:42
  Speaker 2: or I guess this means that, so that it would
• 44:44
  Speaker 2: explain that, no, it's not on you to fill in
• 44:48
  Speaker 2: the blanks that the episode failed to do.
• 44:53
  Speaker 1: For me. It lost me when Lisa was visualizing it
• 44:56
  Speaker 1: all and feeling like she was actually in Aqualia. So
• 45:00
  Speaker 1: it's just them writing the book and Lisa's going and
• 45:01
  Speaker 1: then this happens, and they're this role playing and she's
• 45:04
  Speaker 1: envisioning in her mind, but to actually see it in
• 45:06
  Speaker 1: front of her and think she's in the world. I
• 45:08
  Speaker 1: thought this is just a step too far. It's weird.
• 45:09
  Speaker 2: Yeah, I won't say it's too much of a departure
• 45:12
  Speaker 2: from her traditional character, because she's an imaginative person and
• 45:15
  Speaker 2: a creative person, but this kind of thing is out
• 45:19
  Speaker 2: of sync with her kind of creative exactly her kind
• 45:22
  Speaker 2: of imagination, so she need to be under the sway
• 45:25
  Speaker 2: of someone else who has that wellspring of creativity or
• 45:30
  Speaker 2: what her that also has this kind of charisma and
• 45:34
  Speaker 2: the kind of charisma to draw you in and make
• 45:36
  Speaker 2: you see Equalia. But also, Juliet is not charismatic enough
• 45:41
  Speaker 2: for Lisa to fall under her sway. The character needed
• 45:44
  Speaker 2: to be more sort of like, oh, my god, she's
• 45:46
  Speaker 2: so mysterious and wild and everything like that. She's everything
• 45:48
  Speaker 2: that I want to be.
• 45:50
  Speaker 1: She's not.
• 45:51
  Speaker 2: No, all due respect to Emily Blunt and whoever else
• 45:56
  Speaker 2: created this character, but it's just like, yeah, to be oh,
• 46:00
  Speaker 2: she's so wild and free. She's an incredible free spirit,
• 46:03
  Speaker 2: et cetera, et cetera. Then you, oh, oh, that's because
• 46:05
  Speaker 2: she's crazy, because a.
• 46:06
  Speaker 1: Lot of people are a lot of crazy people are
• 46:08
  Speaker 1: care Lisa should have realized, oh, this chick's crazy at
• 46:10
  Speaker 1: the moment in the backyard when she's visualizing it, right,
• 46:12
  Speaker 1: and I think it would have been a better spin.
• 46:14
  Speaker 1: You don't have to just do heavenly creatures a bit
• 46:15
  Speaker 1: for bit. It could have been you're doing heavily creatures.
• 46:17
  Speaker 1: But that moment Lisa realizes, oh, wait a minute, she's
• 46:20
  Speaker 1: actually crazy, and Marge was right. And then but this
• 46:23
  Speaker 1: chick starts stalking her or something.
• 46:25
  Speaker 2: I think you need to do, like a rule of
• 46:26
  Speaker 2: threes kind of thing where you get three hallucinations. The
• 46:29
  Speaker 2: first time is Juliard is seeing it and she's explaining
• 46:32
  Speaker 2: it in great detail. Lisa can't see it, but she's like, oh,
• 46:36
  Speaker 2: there's a castle over there, and there's the dragon's leg,
• 46:38
  Speaker 2: et cetera, et cetera, et cetera. Juliet is child's imagination,
• 46:41
  Speaker 2: child's imagination, and it's so vivid and in the way
• 46:45
  Speaker 2: that Juliet explains it that Lisa's like, Wow, this person's fantastic.
• 46:48
  Speaker 2: They're so imaginative and fun. The next time she does
• 46:51
  Speaker 2: it again, and this time Lisa sees it, Wow, you've
• 46:53
  Speaker 2: draw me into this world. I'm so happy to be
• 46:55
  Speaker 2: here with you. The third time Julia does it, she
• 46:58
  Speaker 2: does it too much, and it's like and over there
• 47:01
  Speaker 2: is the spike where your father's head is or some
• 47:03
  Speaker 2: shit like that. It's like, oh, wait a minute, Oh no,
• 47:05
  Speaker 2: that's too vivid, and you were always real and you're
• 47:08
  Speaker 2: trying to bring this into the real, like to quote
• 47:11
  Speaker 2: the great poets, Hall notes, I can't go for that,
• 47:14
  Speaker 2: No can do so. Yeah, I mean that's how I
• 47:18
  Speaker 2: would certainly do that, and honestly, I think it'd be
• 47:20
  Speaker 2: much better.
• 47:21
  Speaker 1: I think we do a pretty good job of fixing
• 47:23
  Speaker 1: these episodes lately.
• 47:24
  Speaker 2: I think, just like Jimmy Saville, we'll fix it. I'll
• 47:26
  Speaker 2: wait a minute.
• 47:28
  Speaker 1: So this is where we get really saying humbers the
• 47:31
  Speaker 1: one time he ran up to a land of equality,
• 47:32
  Speaker 1: and we get him arriving at Alice Island saying that
• 47:35
  Speaker 1: he's William Doogal You're now Grand Skipper really, and that's it.
• 47:38
  Speaker 1: There's no joke there. Yeah.
• 47:41
  Speaker 2: I mean I kind of like the idea of that that.
• 47:45
  Speaker 2: I'm no fan of Willy, as everyone knows, I do
• 47:50
  Speaker 2: like the idea, like, oh, I've come from this far
• 47:51
  Speaker 2: away land to back in my home country. I was
• 47:54
  Speaker 2: a doctor and he was like, we got enough doctors.
• 47:57
  Speaker 2: He's a groundskeeper.
• 47:58
  Speaker 1: Though. I guess this is new life.
• 48:01
  Speaker 2: It's a good throwaway gag in my mind, at least,
• 48:04
  Speaker 2: I don't know.
• 48:04
  Speaker 1: This was maybe a doctor. Why we didn't come to
• 48:07
  Speaker 1: a land of Equality's I'm sure, well, I don't know.
• 48:11
  Speaker 1: It doesn't matter, don't think about it that much. The
• 48:15
  Speaker 1: girls now riding, and they arrive at Clammelot, the Rundown
• 48:18
  Speaker 1: seafood restaurant that went downhill fast. It's just where we'll live.
• 48:23
  Speaker 1: How did you sign this place? My family ate here
• 48:26
  Speaker 1: last week?
• 48:27
  Speaker 2: It really went downhill fast.
• 48:28
  Speaker 1: But if you just believe any place can be a qualia.
• 48:46
  Speaker 2: Oh no, clam Loots is closed.
• 48:49
  Speaker 1: I'm not surprised. They clam chowter smelled like shap Yeah.
• 48:54
  Speaker 1: Four figure discount is brought to you by our incredible
• 48:57
  Speaker 1: supporters on Patreon. With your support, we're able to high editors,
• 49:00
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• 49:03
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• 49:10
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• 49:13
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  Speaker 1: Facebook and Discord communities. So go ahead and support the
• 49:18
  Speaker 1: show today for as little as just one dollar at
• 49:20
  Speaker 1: patreon dot com slash four finger discount. Martin then calls
• 49:24
  Speaker 1: Marge because Marge thinks that she's at the un she
• 49:27
  Speaker 1: hasn't told she hasn't told the family that she's gone
• 49:30
  Speaker 1: off to Akuali, and Martin Kle says that there's no
• 49:33
  Speaker 1: Abajan you can to the extent, to an extent, you
• 49:36
  Speaker 1: can't trust the word of Belgians, So I am telling
• 49:39
  Speaker 1: the truth. Margin blames herself for Lisa running away if
• 49:42
  Speaker 1: it's not her fault at all, and Bart suggests that
• 49:45
  Speaker 1: they've probably just gone to some stupid castle. Marge like,
• 49:47
  Speaker 1: I know where they've gone. And Namma has the conversation
• 49:50
  Speaker 1: here a butt, whether she wear a tie or nice
• 49:52
  Speaker 1: shoes and whatever?
• 49:55
  Speaker 2: See again a joke that could possibly quote unquote work, Yeah,
• 49:59
  Speaker 2: don't a scene, but the whole thing is like, oh well,
• 50:02
  Speaker 2: I think I think you know Marge would need to say, oh,
• 50:04
  Speaker 2: they're at that abandoned you remember that fancy restaurant, and
• 50:08
  Speaker 2: that's now we're going to do I need my do
• 50:10
  Speaker 2: I need.
• 50:11
  Speaker 1: Wood one, Except that would ruin this moment just why
• 50:13
  Speaker 1: they didn't do it would ruin the reveal of them
• 50:15
  Speaker 1: not being at the actual place. We'll see.
• 50:17
  Speaker 2: We need this is why we need to write his room.
• 50:19
  Speaker 1: But it's right though, work it out so Marge knows
• 50:22
  Speaker 1: where they're going. And so if you want to use
• 50:24
  Speaker 1: that joke, you need that set up. You need a joke,
• 50:26
  Speaker 1: A punchline needs to set up. It does. Yeah, it
• 50:29
  Speaker 1: just very much. There was like three or four moments
• 50:31
  Speaker 1: in this episode where I'm watching this going it feels
• 50:34
  Speaker 1: like they've gone, well, we need to end with Homer
• 50:36
  Speaker 1: saying something funny or silly. How many? How many? How
• 50:39
  Speaker 1: many scenes in this episode ended with Homer saying something
• 50:41
  Speaker 1: stupid more than one. There's the one of the dinner
• 50:45
  Speaker 1: table saying told you, Marge. There's the if you say so, Marge,
• 50:48
  Speaker 1: There's this one. There's there was one day that started
• 50:51
  Speaker 1: the episode as well. I can't remember what it was exactly,
• 50:53
  Speaker 1: probably when he dropping kids off at the that wasn't
• 50:55
  Speaker 1: necessarily that wasn't relliant. Yeah, maybe kind of, but there
• 50:58
  Speaker 1: was one after that. But there's so many scenes just
• 51:01
  Speaker 1: end with Homer saying something stupid.
• 51:03
  Speaker 2: Well, for the longest time, that was kind of key
• 51:06
  Speaker 2: to the show's success.
• 51:07
  Speaker 1: Yeah, but it was also funny.
• 51:08
  Speaker 2: Well that's true. Yeah, I know, Homo saying something that's
• 51:13
  Speaker 2: gonna work.
• 51:14
  Speaker 1: But we have the girls hanging out in the in
• 51:16
  Speaker 1: the Klammelot Seaford restaurant. You think the family are arriving
• 51:19
  Speaker 1: with the silhouettes, but it's actually the bullies, which was
• 51:21
  Speaker 1: a nice they got me a nice review. They tie
• 51:24
  Speaker 1: them up because they think they're gonna blow them about
• 51:27
  Speaker 1: their stashed stolen peaches and they've seen it a bit
• 51:31
  Speaker 1: extreme waiting out the bad haircuts as well. Yeah, lots
• 51:34
  Speaker 1: of me in cages and stuff. You know, we come back.
• 51:36
  Speaker 1: They been putting the cages. Juliette says, shut your eyes
• 51:39
  Speaker 1: for a quality and this is like, can we just not?
• 51:41
  Speaker 1: She goes, well, it's better than being here, so they
• 51:44
  Speaker 1: do so.
• 51:44
  Speaker 2: As she said, what was it? The real world is
• 51:45
  Speaker 2: for people who can't imagine anything better.
• 51:47
  Speaker 1: Yes, Kearnie is an interested in their story as they're
• 51:50
  Speaker 1: talking about it. He's like, what's going on is they
• 51:52
  Speaker 1: have dragons and Lisa's about to mock him to the
• 51:54
  Speaker 1: dragons and it's like, no, no, he's got dragons chubby ball
• 51:56
  Speaker 1: ones and he's now invested in because they're the ones
• 51:58
  Speaker 1: that he likes.
• 52:00
  Speaker 2: Just to rewind just for a second, I had an issue.
• 52:02
  Speaker 2: Whether they're putting the girls in cages or tying them
• 52:04
  Speaker 2: up or whatever, this seems a bit extreme, Like I said.
• 52:07
  Speaker 1: That's what she said, that's true.
• 52:10
  Speaker 2: Why not have a sort of a not a necessarily
• 52:12
  Speaker 2: parallel storyline. But the bullies are showed up because they're
• 52:15
  Speaker 2: playing their own kind of fantasy game or something. It's like, oh, well,
• 52:18
  Speaker 2: you know they're doing like say, the girls have got
• 52:21
  Speaker 2: a quality. It's a bit more sort of a romanticy
• 52:24
  Speaker 2: kind of deal, whereas the boys are doing like a
• 52:27
  Speaker 2: Game of Thrones, more grungey kind of shit with a
• 52:30
  Speaker 2: castle or whatever. It's like, and they're locked it not
• 52:33
  Speaker 2: locked in their own fantasy. But it was like, well,
• 52:34
  Speaker 2: we've got our own fantasy game as well. We're tying
• 52:36
  Speaker 2: you to a steak, you witches or something along those
• 52:39
  Speaker 2: and those vision versus vision, it's vision versus vision, as
• 52:41
  Speaker 2: opposed to just oh, we're going to tie these girls
• 52:43
  Speaker 2: up because we stole some peaches, Like, what the fuck, man,
• 52:46
  Speaker 2: what's the point. So this way it gives you a
• 52:50
  Speaker 2: little bit of an out, and it also a little
• 52:52
  Speaker 2: bit of a nice parallel synchronousity. I think that would
• 52:54
  Speaker 2: work a whole lot better. And then Kearney gets.
• 52:56
  Speaker 1: Turned by Nys in their vision that he jumps into
• 52:58
  Speaker 1: their vision and joins their side. Yeah, I think that'd
• 53:01
  Speaker 1: be better. I think that would be great.
• 53:05
  Speaker 2: And then it's like, I better walk that back because
• 53:07
  Speaker 2: I don't think it'll be great, but better is it's
• 53:10
  Speaker 2: a much a more effective way put it.
• 53:11
  Speaker 1: The Jimbo and Dolph arrive with the cream for the peaches,
• 53:15
  Speaker 1: and they grab the book, the Equality Book, and they
• 53:17
  Speaker 1: go to burn it, and Kney helps them, and he
• 53:19
  Speaker 1: thinks or that in the vision, it looks like he
• 53:22
  Speaker 1: has beating them all up. In reality, he's just envisioning
• 53:24
  Speaker 1: himself beating them up, but he's actually been beaten up himself,
• 53:27
  Speaker 1: and Juliet and Lisa just leave him to be beaten up.
• 53:31
  Speaker 1: Way to disregard your savior, Yes, Lisa says she doesn't
• 53:35
  Speaker 1: want to do this anymore, don't want to go to
• 53:36
  Speaker 1: equality anymore. And she wants to live in the real
• 53:38
  Speaker 1: world and he said the real word is for people
• 53:40
  Speaker 1: who can't imagine anything better. And she says goodbye, Juliette googoole.
• 53:44
  Speaker 1: I'm like, hey, bitch, five minutes ago, you were invested
• 53:47
  Speaker 1: in this.
• 53:51
  Speaker 2: Human beings are complicated, as we know. There's it's not
• 53:54
  Speaker 2: outside the realms of possibility that you know a couple
• 53:56
  Speaker 2: of minutes, ten minutes, minutes earlier could be like, oh
• 53:59
  Speaker 2: my bestie is so oh my best is crazy to
• 54:01
  Speaker 2: make that transition, But what has really changed. They did
• 54:04
  Speaker 2: not do enough to show how immersed in this fantasy
• 54:08
  Speaker 2: world and this fantasy life.
• 54:10
  Speaker 1: Juliet is because it got her in a.
• 54:12
  Speaker 2: Detrimental effect you can have on the real world.
• 54:15
  Speaker 1: Because it got her into danger because they went to
• 54:17
  Speaker 1: this place and whatnot. But it's like, why don't you
• 54:19
  Speaker 1: just do a quality at your house? Then? What? Why
• 54:22
  Speaker 1: is she now suddenly crazy? It's like, no, you were heavy,
• 54:25
  Speaker 1: heaven heavily. You were heavily invested in this story and
• 54:28
  Speaker 1: this world two minutes ago, and now she's cooged because
• 54:31
  Speaker 1: she wants them to I get it. That's to wrap
• 54:33
  Speaker 1: up the episode, but silly parody. Weird because the two
• 54:36
  Speaker 1: months later and they the place in New York has
• 54:39
  Speaker 1: received the manuscript, but it's not what they're looking for.
• 54:42
  Speaker 1: But Moxer for being rejected much as willis your letter
• 54:44
  Speaker 1: all the way from New York and that's it, Like
• 54:47
  Speaker 1: that's the end of it.
• 54:49
  Speaker 2: Well, no, it's not quite because Home has written his.
• 54:51
  Speaker 1: Own but I mean Lisa's menu, that's the end of
• 54:54
  Speaker 1: it quite, Like, well, we did make sure that Qualia
• 54:56
  Speaker 1: is never mentioned again, so that's it. It'll be an.
• 55:00
  Speaker 2: I was punchline to have Juliet have written her own
• 55:01
  Speaker 2: Equality of book and it actually becomes she becomes like.
• 55:03
  Speaker 1: J K just about to say I can't believe that
• 55:07
  Speaker 1: the punchline here wasn't because I thought it was going
• 55:09
  Speaker 1: to be. Unfortunately we already have a similar story from
• 55:11
  Speaker 1: one Juliet blah blah. Yes, And I was like, why
• 55:14
  Speaker 1: is it was right there? Yeah? The fucking payoff was right.
• 55:18
  Speaker 3: Yeah, and have like as the author of a Juliet
• 55:21
  Speaker 3: k Yes bowling. Yeah, he gave us nothing. There was
• 55:25
  Speaker 3: no wrap up, no parody, It was just bar wocking.
• 55:28
  Speaker 3: Her list is saying, well, a least you got a
• 55:29
  Speaker 3: letter from New York. There was an actual joke there.
• 55:32
  Speaker 3: Why didn't you give it to me?
• 55:33
  Speaker 1: Mom?
• 55:34
  Speaker 2: They gave us another jake and said, well, Homer said,
• 55:36
  Speaker 2: I'm gonna I'm running my own book based on my
• 55:37
  Speaker 2: experiences as are dead. Except he's seeing what like someone's
• 55:41
  Speaker 2: a hot dog and they're dancing donuts or something like that,
• 55:44
  Speaker 2: and he just basically comes coclusion, writing his heart.
• 55:46
  Speaker 1: Guess what, yeah it is. Yeah, you've shown that with
• 55:49
  Speaker 1: this episode, Ryan Kelly. Is that meant to be his
• 55:52
  Speaker 1: way of saying sorry, at least you tried. At least
• 55:59
  Speaker 1: you tried in deed, So I'm sorry, Brian, but man,
• 56:02
  Speaker 1: fuck you LISTA. The Drama Queen is an episode we
• 56:04
  Speaker 1: shall not be revisiting anytime soon. Never. I haven't said revisiting, revisiting,
• 56:09
  Speaker 1: will not be revisiting this episode. It was not good.
• 56:11
  Speaker 2: No, but you get you know for that boy playing
• 56:13
  Speaker 2: the Simpsons theme over the closing credits is it.
• 56:16
  Speaker 1: Do you think they got to the end of the
• 56:17
  Speaker 1: episode when we need to live them with something good
• 56:22
  Speaker 1: they were thinking that instead you just get oh for it? Boy.
• 56:26
  Speaker 1: The singer Pat Patrick stumps he does so many kids
• 56:30
  Speaker 1: show theme songs. So he does the Spidy songs. That
• 56:33
  Speaker 1: was all the Spidy soundtracks is another one he's done,
• 56:35
  Speaker 1: Like he's really good.
• 56:36
  Speaker 2: I was reading some article the other day about Mark Mothersbaugh,
• 56:40
  Speaker 2: the front man from Devo okay, and he's done a
• 56:43
  Speaker 2: lot of soundtracks, but there was one he did the
• 56:47
  Speaker 2: soundtrack for some animated show or whatever, and it basically
• 56:49
  Speaker 2: it's just like and now I own an Ailen something.
• 56:54
  Speaker 2: He wasn't saying that, but someone was saying.
• 56:55
  Speaker 1: Like that, John love it.
• 56:56
  Speaker 2: So I wanted to put the extravagance, but it's like, yeah,
• 57:01
  Speaker 2: he gets, you know, some exorbitant amount every time it's played,
• 57:04
  Speaker 2: and it's played all the time.
• 57:05
  Speaker 1: I thought your joke was going to be he wrote
• 57:07
  Speaker 1: the soundtrack for a whippet.
• 57:12
  Speaker 2: He was able to buy a dog, and that dog
• 57:14
  Speaker 2: is a whibbit. I'll look it up and I'll try
• 57:18
  Speaker 2: and put it in some show notes or something like that, but.
• 57:21
  Speaker 1: We've never seen those notes.
• 57:22
  Speaker 2: Of course, I always have the best of intentions, much
• 57:25
  Speaker 2: like this episode. But guess what I was full shot?
• 57:27
  Speaker 1: What do we learn? What did you learn it from
• 57:29
  Speaker 1: the episode?
• 57:30
  Speaker 2: Mister Davis that if you want to buy candy to
• 57:32
  Speaker 2: share it. May I recommend a tasty almond joy I
• 57:35
  Speaker 2: won't or a twist.
• 57:36
  Speaker 1: It's only if I don't want to kiss Nickoler, because
• 57:38
  Speaker 1: if I eat something with Owen's in it and kis Nickoler,
• 57:40
  Speaker 1: she's in trouble. Well, that's right.
• 57:42
  Speaker 2: What did I say yesterday about?
• 57:44
  Speaker 1: Because what was it? We dissed Crispy Cream donuts. I'm
• 57:48
  Speaker 1: not gonna lie. You showed me the pistachio donut from
• 57:50
  Speaker 1: Krispy Kreme, which she's going it still looks they pour
• 57:53
  Speaker 1: the stuff on top, because you actually watch them when
• 57:54
  Speaker 1: they rip over that donut. It looks shit inside probably does.
• 57:57
  Speaker 1: It looks looks thick, It doesn't look doesn't look how
• 58:00
  Speaker 1: it doesn't delicious, But they pour their melk. They pour
• 58:02
  Speaker 1: the melted stuff on top, so it looks all smoothing cream.
• 58:04
  Speaker 1: That's not what you're getting when you bite into that
• 58:05
  Speaker 1: don Oh no, probably not nola dry and yeah good
• 58:09
  Speaker 1: Krispy Creme. Don't rate it at all, a lam a dream.
• 58:12
  Speaker 1: I know they're ne gonna sponsor the show. I just
• 58:13
  Speaker 1: don't rate Krispy Cremes. Let us know the listeners mailbag
• 58:15
  Speaker 1: or four finger discount dot com dot you Chrispy Cream donuts,
• 58:18
  Speaker 1: you rate them or not, so that next week you're
• 58:22
  Speaker 1: gonna start a Simpson's campaign and they'll be like, who
• 58:25
  Speaker 1: should we sponsored. I'm like, oh, no, delete delete dumb button,
• 58:32
  Speaker 1: dumb but no, no, it's not interesting. It probably was. It's
• 58:39
  Speaker 1: not interesting. I'm gonna leave that in absolutely zero interest.
• 58:44
  Speaker 1: And what I was about to say, what did I learn?
• 58:46
  Speaker 1: I'm just trying to find something here. I learned that
• 58:50
  Speaker 1: one thing, one thing the bullies were correct about is
• 58:52
  Speaker 1: that you can't eat peaches without cream. That's I'm not
• 58:56
  Speaker 1: a big peaches guy. Nah, it's one of those there's
• 58:58
  Speaker 1: millions of them, millions of peaches, usually for free.
• 59:03
  Speaker 2: It feels like one of those fruits that I should like. Hmmm,
• 59:08
  Speaker 2: you know you look so juicy and sweet and delaightful.
• 59:11
  Speaker 1: This is gonna sound silly, but do you have any
• 59:13
  Speaker 1: emotional connection to a type of fruit? I have an
• 59:15
  Speaker 1: emotional connection to nectarines because the house growing up in
• 59:18
  Speaker 1: nor Lane had a really good nectarine tree at the
• 59:20
  Speaker 1: front that always kicked us during the spring, and the
• 59:24
  Speaker 1: nectarenes were massive and huge, and basically the neighborhood would
• 59:27
  Speaker 1: come in. It was like the neighborhood's nectarine tree that'd
• 59:30
  Speaker 1: come just put the nectarines off and just grow new ones.
• 59:32
  Speaker 1: Blah blah blah. It was just it was great. And
• 59:34
  Speaker 1: we grew in a tourene tree here because I was like,
• 59:36
  Speaker 1: I have this nostalgia for having a nectarine tree. I
• 59:39
  Speaker 1: don't actually like eating nectarines, but I love the idea
• 59:42
  Speaker 1: of a nectarine tree. It's like nostalgia for me.
• 59:44
  Speaker 2: Well, I certainly don't have as emotional connection as you
• 59:46
  Speaker 2: do that. It was a lovely story, Dan, though, because
• 59:49
  Speaker 2: we had a little kum quote tree growing up.
• 59:52
  Speaker 1: But excuse me, what come quartz?
• 59:56
  Speaker 2: Oh local fruit that excludes in your mouth.
• 1:00:04
  Speaker 1: I'm not a fan of those either, But I think
• 1:00:07
  Speaker 1: the way you.
• 1:00:07
  Speaker 2: Would the sky is like, oh, you know, comes the season,
• 1:00:11
  Speaker 2: and yeah, the tree is just bursting with these lovely
• 1:00:14
  Speaker 2: things you can eat. To quote Leonardo DiCaprio in that movie,
• 1:00:17
  Speaker 2: don't look up that. No one never thinks about it anymore.
• 1:00:20
  Speaker 2: We really did have it all, didn't we We still
• 1:00:22
  Speaker 2: do to some degree. But no, I don't think I
• 1:00:24
  Speaker 2: have as emotional connection.
• 1:00:25
  Speaker 1: To fruit as you do.
• 1:00:27
  Speaker 2: Although because this is very this is tangentially fruit related.
• 1:00:32
  Speaker 2: But I was in Alder the other day, and you know,
• 1:00:34
  Speaker 2: it's we're coming on a Hot Cross buns are were
• 1:00:36
  Speaker 2: and we got variants, variants love them.
• 1:00:39
  Speaker 1: You've got like six different packets or whatever. You said.
• 1:00:41
  Speaker 2: Yeah, well yeah, but I haven't done that yet because
• 1:00:43
  Speaker 2: the cinnabon ones are coming out of the end of
• 1:00:46
  Speaker 2: the week. But I was in Aldi, so they got
• 1:00:51
  Speaker 2: their versions of hot Cross buns. They got a BANOFFI version.
• 1:00:54
  Speaker 2: You know how I feel about but get you in
• 1:00:58
  Speaker 2: the I'm getting that.
• 1:01:01
  Speaker 1: He hot Cross buns.
• 1:01:02
  Speaker 2: Yeah, well I had one with my coffee.
• 1:01:04
  Speaker 1: The other was like, holy shit, this is good. Lively
• 1:01:09
  Speaker 1: in my best life.
• 1:01:11
  Speaker 2: So yeah, that's my emotional connection.
• 1:01:13
  Speaker 1: Your delivery there was very norm esque, like the other day,
• 1:01:18
  Speaker 1: you're doing normally Donald? Yeah, what l two. That's how
• 1:01:22
  Speaker 1: he told his story. It's always kind of going, yes,
• 1:01:24
  Speaker 1: he has ah. You know norm No one respected him
• 1:01:30
  Speaker 1: in the It was too late before people started to
• 1:01:33
  Speaker 1: really respect Norman Donald. Yeah. I think the true comedians
• 1:01:37
  Speaker 1: comedians respected if you knew, you knew.
• 1:01:38
  Speaker 2: Yeah, and now everyone was like, oh my god, we
• 1:01:40
  Speaker 2: didn't know how good we had it.
• 1:01:41
  Speaker 1: Yeah, from this day forward, your name will be it
• 1:01:45
  Speaker 1: is the guy Davis new Name Championship for season twenty
• 1:01:48
  Speaker 1: for Lisa the Drama Queen. The current leader board stands
• 1:01:51
  Speaker 1: at this in first position. His name is Jared on
• 1:01:54
  Speaker 1: ten points, Brian Here's he Hughes in second position on
• 1:01:57
  Speaker 1: seven points, Phil Hawkins, and Kyle is on six points
• 1:02:01
  Speaker 1: in third position. Take it away? So okay.
• 1:02:04
  Speaker 2: One point goes to Heaven Lisa creatures.
• 1:02:08
  Speaker 1: That is first time on the Leader of the Season twenty.
• 1:02:10
  Speaker 1: I believe it is Dave McNally, Ram McNally, Dave McNally
• 1:02:15
  Speaker 1: one point, But on Dave, Dave, Dave Pretzels McNally, I
• 1:02:18
  Speaker 1: reckon it might be. Okay, once said, never forgotten except
• 1:02:22
  Speaker 1: by me suddenly very thirsty. Two points go to Gone Girls,
• 1:02:27
  Speaker 1: Gone Girls. Okay, that is Oh, his name's Jared. He's
• 1:02:31
  Speaker 1: getting further and further away. He's now on twelve points.
• 1:02:34
  Speaker 1: He's five points ahead.
• 1:02:35
  Speaker 2: Oh no, Holy Molly, but we gotta hand out three points.
• 1:02:38
  Speaker 2: Three points, yes, uh, and we could close the gap.
• 1:02:43
  Speaker 2: Three points goes to lost in TransNation.
• 1:02:48
  Speaker 1: Today's three points. I'm gonna give it to him. It's
• 1:02:50
  Speaker 1: Philip Jay Hawkins gets the three points. He's not in
• 1:02:52
  Speaker 1: first position, but if he gets a three pointer and
• 1:02:54
  Speaker 1: he gets his Philip Jay Hawkins.
• 1:02:55
  Speaker 2: Gets a brief reprise or a respite from yeah, from
• 1:02:59
  Speaker 2: just being playing old Phil Hawk.
• 1:03:01
  Speaker 1: He's just jumped all the way from fourth to second
• 1:03:03
  Speaker 1: outright second on nine points. Wow, he can do this
• 1:03:06
  Speaker 1: to three points behind Jared. There's still plenty of episodes
• 1:03:09
  Speaker 1: this season, so look out, Jared fly Highill's coming, Philip J.
• 1:03:16
  Speaker 1: Hawkins wire reference. But anyway, Yeah, so if you want
• 1:03:21
  Speaker 1: to be a part of the Guy Davis New Dan Championship,
• 1:03:23
  Speaker 1: just gonna be suport of our patriot. As I said,
• 1:03:25
  Speaker 1: first position twelve points, Jared Hornby, second position, Phil Hawkins
• 1:03:28
  Speaker 1: on nine, Brian Hughes seven points in third, and Cover
• 1:03:31
  Speaker 1: Chile six points in fourth position. All right, was Davis.
• 1:03:35
  Speaker 1: It's been fun ranting about this episode, doesn't it Sure has,
• 1:03:38
  Speaker 1: getting it all out there, got it out on the system,
• 1:03:40
  Speaker 1: all right. The next episode from season twenty The Simpsons
• 1:03:42
  Speaker 1: is called take My Wife Please. This sounds like it's
• 1:03:45
  Speaker 1: gonna be a fun Homer story, Just what we need
• 1:03:51
  Speaker 1: more Homer not liking. Yeah, it could be wrong. We
• 1:03:55
  Speaker 1: could be wrong, could be wrong.
• 1:03:56
  Speaker 2: We've been wrong in the past.
• 1:03:57
  Speaker 1: I like going in with those low expectations and means
• 1:04:00
  Speaker 1: pleasantly surprised.
• 1:04:00
  Speaker 2: Because yeah, like the song says, the only way is up.
• 1:04:03
  Speaker 1: The only way is up. Indeed, I'd say that could
• 1:04:07
  Speaker 1: suck because there's I put them in categories of episodes
• 1:04:10
  Speaker 1: that I hated and episodes that I just couldn't give
• 1:04:13
  Speaker 1: a shit about, and this was probably top five episodes
• 1:04:15
  Speaker 1: I couldn't give a shit about.
• 1:04:16
  Speaker 2: I had fun trying to salvage some decipher for wreckage.
• 1:04:21
  Speaker 2: Decipher it and yeah, slput something out of the wreckage.
• 1:04:23
  Speaker 1: Yeah, it was. There's a lot of wreckage certainly was, yes, yes,
• 1:04:27
  Speaker 1: but we found some stuff. We did. Okay, we did, okay, indeed, yes,
• 1:04:30
  Speaker 1: all right, guys, thank you for support you at four
• 1:04:32
  Speaker 1: fingered Discount. As we mentioned, yeah, times be tough with
• 1:04:36
  Speaker 1: the de monetization. So if you can't support us on Patreon,
• 1:04:38
  Speaker 1: just check us with papal donation at four fingered Discount
• 1:04:40
  Speaker 1: outlook dot com. That would be much appreciated as well.
• 1:04:42
  Speaker 2: Yeah, I mean way, yeah, I mean even if it
• 1:04:44
  Speaker 2: is from Aldi Banolfi. Hot crops funds don't come cheap.
• 1:04:47
  Speaker 1: They don't come cheap. Indeed, that's right. As I said,
• 1:04:50
  Speaker 1: next week is going to be take my wife. Please,
• 1:04:52
  Speaker 1: please don't forget to continue to rate and review us
• 1:04:55
  Speaker 1: on Apple Podcasts or Spotify. Where we do find this
• 1:04:57
  Speaker 1: show and he can't get in touch with us, it
• 1:04:59
  Speaker 1: is mail Bag at four figure discount, dot com dot au.
• 1:05:02
  Speaker 1: But for now, mister Davis, any final words for those
• 1:05:05
  Speaker 1: amazing listeners out there
• 1:05:06
  Speaker 2: Well, podcasts are for people who can't imagine anything better