Latest / The Bald Brothers Podcast / 61: Top 10 Black Comedies | #TheBaldBrothersPodcast

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61: Top 10 Black Comedies | #TheBaldBrothersPodcast · The Bald Brothers Podcast

0:00
Speaker 1: Oh, man, window, look out the window. No more, we
0:02
Speaker 1: need it. I don't look out the window, but I
0:03
Speaker 1: need that window.
0:04
Speaker 2: Actually, it kind of freaks me out every time we
0:06
Speaker 2: take off what we're doing. When I look outside and
0:11
Speaker 2: you see how big that plane is, especially if it's
0:15
Speaker 2: the bigger the plane, the more the thought is, you're
0:18
Speaker 2: just like when you walk down, you're like, man, this
0:21
Speaker 2: thing should not be able to remember when I worked
0:23
Speaker 2: at Boring, we went to the big factory and everywhere
0:27
Speaker 2: they work make like the seven seventy seven is and
0:28
Speaker 2: the seven eight seven or seven four to seven. Man,
0:31
Speaker 2: the engine is like three times you and it's just like,
0:35
Speaker 2: how we It's so heavy and I get it like
0:40
Speaker 2: I get it lift and velocity. Trust me, it's it's
0:45
Speaker 2: a flying cigard to and the things are the alloy
0:50
Speaker 2: is thin. It's gotta be like to be like, it's freaky.
0:55
Speaker 1: Man.
0:56
Speaker 3: Every every flight that I'm on, I look out that
0:58
Speaker 3: window see us lift off.
1:00
Speaker 4: I just be like, man, I go away from it.
1:03
Speaker 2: At any moment, I go away from it because you're
1:06
Speaker 2: just like and the thing is how quick the stuff
1:09
Speaker 2: gets small.
1:10
Speaker 1: Oh my god.
1:11
Speaker 2: It's like when cities just look like square, like you
1:14
Speaker 2: can see rids. We're just looking at grids and in
1:18
Speaker 2: the car it started looking like you're playing the sims
1:20
Speaker 2: and then you just can't see anything.
1:22
Speaker 4: Then you wake up in your brother clouds. You're like,
1:24
Speaker 4: I'm just.
1:24
Speaker 3: Like I think about it every flight, every time, every time.
1:31
Speaker 1: It's never been a flight helicopter.
1:34
Speaker 2: I would buy it. It's small, it's got the one thing.
1:38
Speaker 4: It's light. I get it, and it it goes.
1:40
Speaker 2: Up straight like you can see, oh generating, it's pushing
1:43
Speaker 2: down helicopter when I flew in.
1:46
Speaker 4: That doesn't bother me. But plane, you.
1:54
Speaker 1: Haven't been in a helicopter.
1:56
Speaker 4: We were in Hawaii. Did the Jurassic Park? Uh, the fly?
2:00
Speaker 1: Yeah, it's crazy? Is it scary?
2:03
Speaker 2: Just like, man, this is beautiful. But but Lissa said Aftercobe,
2:05
Speaker 2: She's like, we're never doing.
2:07
Speaker 1: Oh kobead doors.
2:10
Speaker 4: Oh you did the one with the Vietnam it's a
2:14
Speaker 4: good morning ray cam.
2:17
Speaker 1: Was your arm hanging out?
2:18
Speaker 4: Were you strapped in.
2:23
Speaker 1: What?
2:24
Speaker 5: Cow?
2:25
Speaker 2: Yeah?
2:25
Speaker 4: You people.
2:29
Speaker 2: Wow, there's no reason you should be in the helicopter,
2:31
Speaker 2: no doors, with nothing. You should be locked into the
2:34
Speaker 2: hardest seal me in nah Cam, I can't be in there.
2:39
Speaker 2: Roll like that.
2:41
Speaker 1: Lord that's that's the Vietnam extraction.
2:44
Speaker 4: That's not that's the one song of.
2:46
Speaker 2: You, my fa favorite part of the movie.
2:55
Speaker 4: That way, they always get to the ladding. All right, Tucky,
2:58
Speaker 4: drop your gear here, man, this is probably tie hairs.
3:00
Speaker 2: Man, he's gonna show you up. Grab some child over there. Man,
3:03
Speaker 2: we're gonna head off. It's always always chaos.
3:06
Speaker 4: On the land when they get to the cab.
3:08
Speaker 2: Yeah, man, grab you some ChIL mate, best lieutenant Dad,
3:11
Speaker 2: make sure to keep dry, smoot day and be like, man,
3:14
Speaker 2: y'all don't even have no warm up to the Vietnam
3:17
Speaker 2: none of it.
3:18
Speaker 4: They straight to the balls to the wall in man.
3:22
Speaker 3: I love the smell of napalm in the morning. Yeah,
3:38
Speaker 3: we out here is the thick of it. Baby, we're
3:41
Speaker 3: in the thick of it now, baby.
3:43
Speaker 4: Oh my god.
3:44
Speaker 2: All right, welcome to the Bar Brothers Podcast with Kep
3:47
Speaker 2: on stage.
3:47
Speaker 4: And there we go.
3:50
Speaker 2: We're doing this podcast because we're friends and we wanted
3:52
Speaker 2: to do a podcast together. Because you're at work, likely
3:56
Speaker 2: and you don't want to all right, turn that reform
4:00
Speaker 2: didn't let it ain't gonna fire.
4:01
Speaker 4: You quit your job, Quit your job. As long as
4:03
Speaker 4: you don't quit our patreons.
4:06
Speaker 1: The money, you get the money, how you get it.
4:07
Speaker 4: But this podcast is just the reason for us to
4:09
Speaker 4: talk about movies.
4:09
Speaker 2: We disguised it with other topics to there's no disguise.
4:14
Speaker 4: Top ten Black comedies of all time. This is tough,
4:20
Speaker 4: all right. We gotta narrow and we might have to
4:22
Speaker 4: argue on this one tone. We might have to argue.
4:25
Speaker 4: We got to get the strongest list present to other cultures.
4:28
Speaker 1: Because we're not doing the personal.
4:30
Speaker 2: Now we're going together, okay, but we gotta If you
4:33
Speaker 2: feel like keV, this is weak, put this on.
4:36
Speaker 1: You gotta present to the other cultures.
4:37
Speaker 2: Oh gotch okay, go go the white people, they're gonna
4:40
Speaker 2: present their top ten.
4:41
Speaker 4: We are the delegation for the Blacks.
4:43
Speaker 2: For the blacks of the top ten comedies. We're stacking
4:46
Speaker 2: up against the Latino comedies, agent comedies.
4:49
Speaker 4: Let's get all right, who went first?
4:52
Speaker 1: Last time? I did you kick it first? Kick it off?
4:56
Speaker 4: I'm gonna go.
4:56
Speaker 1: I already know what you're doing.
4:58
Speaker 4: You know what I'm going with. I'm still coming to it.
5:00
Speaker 4: I knew it, I knew I knew you. I knew
5:04
Speaker 4: It's okay.
5:05
Speaker 1: To know known.
5:08
Speaker 4: Marshanch Is gonna.
5:09
Speaker 2: Run the Patriots? Who cares to you know? You still
5:11
Speaker 2: gotta tackle them? You still run it four times? Man,
5:16
Speaker 2: this is you know Michael Jordan's getting the shot. They
5:19
Speaker 2: still passed it.
5:21
Speaker 4: Who cares?
5:21
Speaker 1: Coming to America? Is that move?
5:24
Speaker 4: That movie? Comedy?
5:26
Speaker 1: Perfect comedy.
5:27
Speaker 2: The only problem I have with this movie, and it's
5:29
Speaker 2: not the comedy. The last fifteen to twenty you fade
5:34
Speaker 2: out by The last thing I remember laughing at and
5:37
Speaker 2: enjoying is the train if you're really a prince out
5:40
Speaker 2: Aria after that.
5:45
Speaker 4: Started over.
5:47
Speaker 2: I have a lot of comedies fail in the last
5:50
Speaker 2: most comedies phase resolution. They they don't have them. We
5:56
Speaker 2: up to the funny games too, they're right wrapping it up.
6:02
Speaker 2: They'd be like, it's hard, it's hard, it's hard wrapped
6:05
Speaker 2: jud Avatad does a hard turn. He always goes for
6:08
Speaker 2: the heart strings for another forty five minutes, which works,
6:11
Speaker 2: sometimes doesn't work, or what I think happens, there's just
6:16
Speaker 2: not enough time, like people want to wrap it up
6:18
Speaker 2: quicklyeah or there wasn't enough story told to make a
6:22
Speaker 2: worthy wrap up in the third act, you know what
6:24
Speaker 2: I'm saying. So, but all that being said.
6:29
Speaker 1: I'm trying to think of what happens in the last
6:31
Speaker 1: fifteen minutes.
6:32
Speaker 2: So that's when he's when Amani is like, he's basically
6:36
Speaker 2: chasing her. He's trying to get back with her because
6:40
Speaker 2: on the on the train ride, he's trying to get
6:41
Speaker 2: to her house.
6:42
Speaker 4: And she's like, no, I don't want to I don't
6:44
Speaker 4: want to be with you.
6:44
Speaker 2: It's like that, and then they get married and they
6:46
Speaker 2: got the wedding scene.
6:48
Speaker 1: When did they have the issue at the mcdowald house.
6:51
Speaker 1: Is that in the last.
6:51
Speaker 2: Fifteen minutes that I believe is probably the last twenty
6:55
Speaker 2: five I think that's before that.
6:58
Speaker 4: That's the blow up when she finds out who he
7:00
Speaker 4: really is.
7:01
Speaker 1: Okay, yeah, because his parents show up.
7:03
Speaker 2: Yeah, okay, But I'm trying to think of when that
7:06
Speaker 2: moment you feel like it ran out.
7:09
Speaker 1: I gotta look at it. I gotta look at coming
7:11
Speaker 1: to the more.
7:11
Speaker 4: The thing is no joke.
7:13
Speaker 2: After that training scene, I haven't watched the rest of
7:16
Speaker 2: the movie because I just was after a couple of times,
7:20
Speaker 2: I was like, man, I don't really like nothing else
7:23
Speaker 2: that happens, and I really like everything that happens up until.
7:26
Speaker 1: That point of course.
7:27
Speaker 2: So but anyway, still I'm not hard when I'm coming
7:29
Speaker 2: to America. I feel like it's a flawless addition to
7:34
Speaker 2: black cinema. It's got a great story for me, like
7:40
Speaker 2: simple stories.
7:41
Speaker 3: Story is simple. The characters are super likable. It's mad
7:45
Speaker 3: likable characters. The quotables, the quotables are all the chain.
7:50
Speaker 3: Just it's just it's perfect.
7:52
Speaker 2: That might be my gun to my head. You have
7:54
Speaker 2: to quote the most of any movie in the world,
7:57
Speaker 2: probably like that. The barbershop sequence is yeah, Randy.
8:02
Speaker 1: Every time we bring out by it right out loud,
8:07
Speaker 1: so funny.
8:08
Speaker 3: The movie I'm picking is probably can go toe to
8:11
Speaker 3: toe on quotables.
8:12
Speaker 4: Really yeah, really.
8:15
Speaker 1: My first pick to is Friday. Down there. The whole
8:20
Speaker 1: movie is quotables. Friday has to be on.
8:24
Speaker 4: Friday nails the resolution it does.
8:26
Speaker 1: The resolution is firing.
8:28
Speaker 2: Friday nails it because you know you got the money stuff.
8:34
Speaker 1: Yeah.
8:34
Speaker 4: But Craig and Dee Bowl has been building.
8:37
Speaker 1: That's a great ending too.
8:39
Speaker 3: I remember when I first saw Friday, I was at
8:41
Speaker 3: a movie theater in Amarillo, Texas because it wasn't playing
8:44
Speaker 3: in close. I was in close, New Mexico at the times.
8:46
Speaker 3: We went to Amarillo, and when that scene came up,
8:50
Speaker 3: he pulled the gun and he shot it.
8:52
Speaker 4: Yeah.
8:53
Speaker 3: I was like, oh, this movie just took a turn dark.
9:00
Speaker 3: We just got Hood real quick. And this is at
9:02
Speaker 3: the time when Hood movies was thick. It's all just like,
9:06
Speaker 3: oh we we had to have this.
9:08
Speaker 4: Yeah.
9:09
Speaker 3: I was just like, damn. And then the switches it
9:12
Speaker 3: was just him imagining that.
9:14
Speaker 1: Oh my god. And then the fight was exciting.
9:18
Speaker 4: And the pop pops lesson Yeah, win something you lose.
9:22
Speaker 2: Here's the thing where I think Coming to America work,
9:24
Speaker 2: but I do agree on quotables. Yeah, but the set
9:27
Speaker 2: pieces in Coming to America was just like, man, the
9:31
Speaker 2: whole all the barber shop scenes, Eddie our Sineo, even Clyde,
9:38
Speaker 2: the other black dude, was just like, remind me of
9:41
Speaker 2: the other dude in Harlem Knights who just shot the
9:43
Speaker 2: gun the other barber. It wasn't Eddie or he was funny,
9:48
Speaker 2: they were, but Brandy Watson. I remember being like the
9:51
Speaker 2: first time I saw that, I was like, man, this
9:54
Speaker 2: is just.
9:55
Speaker 4: I was like, play so beautiful, don't you agree? Like
9:58
Speaker 4: I was just like, it's just.
10:06
Speaker 2: And I like even when in that song when they
10:09
Speaker 2: go to the the other people and Randie's quiet.
10:13
Speaker 4: It's still funny. He's staying on the low end, make
10:19
Speaker 4: them easier. The way he was doing it, the way
10:22
Speaker 4: he dropped the marcat.
10:23
Speaker 3: Was like it was so it was so dramatic, random,
10:28
Speaker 3: so much happening in that scene.
10:30
Speaker 2: The dude put the chicken ball, Why would that be
10:33
Speaker 2: the trash?
10:35
Speaker 4: I thought that was a trash.
10:37
Speaker 3: And and and them playing multiple characters was so seamless.
10:42
Speaker 1: Or Eddie, it was so seamless.
10:45
Speaker 2: And I loved that at that time my life. It
10:47
Speaker 2: was Martin was doing all like for me. I didn't
10:50
Speaker 2: watch Them to America when it first came out. I
10:52
Speaker 2: watched it on the like later sold And when did
10:56
Speaker 2: you first see Coming to America? Funny thing about it,
10:58
Speaker 2: So I don't remember not not seeing it. I just
11:02
Speaker 2: know it came out with eighty eight or eighty eight
11:04
Speaker 2: eighty eight.
11:05
Speaker 4: I know we didn't go to the.
11:06
Speaker 2: Theaters and watch it, Okay, definitely, I mean at that
11:09
Speaker 2: time I was going in theaters, was not.
11:11
Speaker 4: We didn't go all the time.
11:14
Speaker 3: Yeah, for sure, we're not gonna put our butts and
11:16
Speaker 3: he's dirty secular seat.
11:18
Speaker 4: We're gonna just watch the exact movie. Jesus would be here.
11:21
Speaker 1: We're not gonna be there.
11:23
Speaker 4: What's the same movie at home?
11:25
Speaker 1: Though?
11:25
Speaker 4: And it's totally fun. I ever tell you what end
11:27
Speaker 4: up happening.
11:27
Speaker 2: Why my family believe that My pastor said it was
11:30
Speaker 2: a sin, just my personal pastor. Yeah, so I thought
11:33
Speaker 2: it was a for all Christians. When I was older,
11:36
Speaker 2: I asked my grandma what he was like. She was like, oh, yeah,
11:38
Speaker 2: his son was having sex and movie theaters and I
11:41
Speaker 2: was like, so so we all that became a because
11:46
Speaker 2: we was on I just want to watch the Lion
11:48
Speaker 2: King and stuff like I don't. I don't want to
11:49
Speaker 2: watch sex movies. It was like everything our movies inherently, Yeah, theaters.
11:55
Speaker 6: And seats you're sitting in watching your Lion King. And
11:58
Speaker 6: then I went and had sex and MOVI you know,
12:01
Speaker 6: comes back. But Noah, I think.
12:08
Speaker 2: Even when uh, when the Key was talking about the
12:12
Speaker 2: football game, they kicked an oblong ball through a giant age.
12:15
Speaker 4: It was most exhilarator like.
12:18
Speaker 2: And Sam Jackson was in there already he was he
12:21
Speaker 2: was he was already old, no.
12:23
Speaker 3: No nonsense from from jump you disease right now, pizzle pizzle.
12:30
Speaker 3: I wanted to be the landlord so bad that's not
12:32
Speaker 3: the character I want to play.
12:35
Speaker 5: Man.
12:35
Speaker 1: I wanted that role.
12:39
Speaker 3: Falling down the stairs, crap on me, your wrints do?
12:46
Speaker 3: I felt that in my soul because if you owe
12:49
Speaker 3: me Rent and I say you falling down the stairs,
12:52
Speaker 3: I'm not gonna show no compassion. I'm like your wrints due,
12:56
Speaker 3: don't pull that falling down stairs. He was like, he's like, man.
13:04
Speaker 4: And I love. When they traded apartments with him, Oh man,
13:08
Speaker 4: it was like, this is really not he was living
13:11
Speaker 4: in there.
13:11
Speaker 1: He was in the Jacuzi art man. Well, he dropped
13:16
Speaker 1: him off. He boys from Africa used to that like.
13:23
Speaker 2: Super racist, now super super It hurt us growing up
13:28
Speaker 2: in America with no concept of Africa fan.
13:31
Speaker 4: The movie did not help.
13:32
Speaker 1: Oh my god.
13:33
Speaker 3: When they had on all their wares outside in the community,
13:37
Speaker 3: that was so funny to me. They were just out there.
13:39
Speaker 3: They had the first coats on the necklaces.
13:41
Speaker 4: On the necklaces were big boxes.
13:44
Speaker 1: Of gold with chilling out there. I was like, this
13:47
Speaker 1: is hilarious.
13:49
Speaker 4: Oh he had nothing but the entrepreneur nigga nice gotta
13:55
Speaker 4: be eight dollars.
13:58
Speaker 1: I mean, bro, yeah, those two, those two movies right there.
14:03
Speaker 4: Go to other cultures. Are going to have a hard time,
14:06
Speaker 4: all right. Number three, I'm gonna jump out with Life.
14:10
Speaker 1: I like Life.
14:11
Speaker 2: I'm staying with Eddie Murphy, really proud of Martin. Man
14:16
Speaker 2: Martin was the perfect I'm sad they didn't do nothing
14:19
Speaker 2: else together together after that boomerang in Life, but Man
14:24
Speaker 2: Martin was great. Eddie was in rare form in life.
14:30
Speaker 2: Life is a more tragic like actual story. Story are
14:34
Speaker 2: telling super sad and the other resolution in life too, they.
14:38
Speaker 3: Did, But the comedy in life, that's that's Eddie Murphy's
14:43
Speaker 3: to me. That's my second favorite. Eddie Murphy coming to
14:46
Speaker 3: America in life. Yes, Life is number two. Life has
14:50
Speaker 3: slowly climbed up year after for me too. And every
14:54
Speaker 3: time I watched Life, I'll be dying like I've never seen.
14:57
Speaker 2: It, dying like I never seen it holds up partly
15:01
Speaker 2: because of the period piece.
15:02
Speaker 3: The ending is strong. Ray said, when they get old,
15:06
Speaker 3: it gets even funnier.
15:07
Speaker 2: Than all they went to and again we said, the
15:11
Speaker 2: third act is tough. Martin old with the toe in the.
15:14
Speaker 1: Oh my god, this got a toe in the bottle.
15:18
Speaker 3: And I love the fact that Martin was the straight man,
15:21
Speaker 3: the cranky man.
15:22
Speaker 1: All the way up. But then when when they.
15:25
Speaker 3: Got old, Eddie's now cranky and Martin was hilariously loose,
15:31
Speaker 3: and I was just mart Man.
15:34
Speaker 4: The pot was too hot hot.
15:38
Speaker 3: That argument they have in the bedroom. Just about to
15:42
Speaker 3: say that that scene is perfect. I know it word
15:45
Speaker 3: for word, though, He's like, what you're looking at?
15:48
Speaker 1: Ray?
15:49
Speaker 4: Just what the fuck you looking at? Ray? I noticed you?
15:54
Speaker 1: And uh, just keep going.
15:58
Speaker 3: Not a friend and lady man. What y'all want to
16:01
Speaker 3: be a couple or something? Y'all got brewing? When I
16:03
Speaker 3: got brewing?
16:04
Speaker 1: What I got brewing?
16:05
Speaker 4: Ray? You tell me.
16:10
Speaker 3: I got a ass whooping from brewing for you? Ray,
16:12
Speaker 3: you don't quit fucking me. He just an old man.
16:15
Speaker 1: I like to talk.
16:16
Speaker 3: That's all that is. That's all that Oh here, old
16:19
Speaker 3: man like to talk. Well, I'm a old man. I
16:21
Speaker 3: like to talk to What you.
16:22
Speaker 1: Wanna talk about?
16:23
Speaker 3: What you want to talk about, Ray, I'm wanna talk
16:25
Speaker 3: about the plan you've been working on.
16:29
Speaker 1: I know you, Nick, I know you got something he
16:35
Speaker 1: was looking at. I know you need.
16:40
Speaker 3: He was like, kiss my ass right? Want you just
16:42
Speaker 3: go to sleep, man, I'm gonna go to sleep. I'm
16:44
Speaker 3: gonna go to sleep. I'm gonna go to sleep, and
16:48
Speaker 3: he was like, you pissed the bill that week, ass batter, Yo,
16:52
Speaker 3: what if I do? If I do, then I'm gonna
16:54
Speaker 3: put the sheets on you. And you can see Martin crack.
16:57
Speaker 3: You can see him cracking that bro, I wanna put
16:59
Speaker 3: the sheets on.
17:01
Speaker 1: He's like, tight, n cut the light off.
17:05
Speaker 5: That scene is perfect, My god, I love the scene.
17:11
Speaker 2: I want to actually recreate this with you. We talked
17:13
Speaker 2: about doing for the ball when they try to get
17:16
Speaker 2: the whites only pie and Eddie is Martin's not assessing
17:20
Speaker 2: the situation.
17:21
Speaker 4: No, I know.
17:22
Speaker 2: I washed it back again. I'm like Martin never looks around.
17:26
Speaker 2: He's like, I want the pie.
17:27
Speaker 1: I want the pie.
17:28
Speaker 4: Man, I got to do all this for some damn pie. Ma'am.
17:33
Speaker 1: We want to get Billy.
17:35
Speaker 2: We want my name, he says on your shirt.
17:40
Speaker 4: Oh y'all, boy can read so good? Did you see
17:43
Speaker 4: side colors?
17:46
Speaker 1: The casting of that white woman was perfect because.
17:50
Speaker 4: She was my Marge.
17:52
Speaker 1: Marge, you ain't read that sign over there, like, oh.
17:59
Speaker 3: Okay, taking to these whites only pie.
18:03
Speaker 1: How about I tear y'all in the nigga pie?
18:06
Speaker 3: So you say was still pissed.
18:09
Speaker 2: Bro Eddie snuck in a little joke in that scene.
18:14
Speaker 2: It was about the recipe or something.
18:15
Speaker 4: He was like, why would she know that he's snucking
18:19
Speaker 4: in on the cools. Eddie was looking around.
18:21
Speaker 2: He's like, I don't think we know, man, I'm hungry, man.
18:25
Speaker 3: I know y'all was a serious about your pies. That
18:32
Speaker 3: movie is so good.
18:33
Speaker 4: Uh And we only talked about Eddie and Martin. When
18:38
Speaker 4: they get to the jail.
18:39
Speaker 1: Oh my god.
18:41
Speaker 2: They had every great black comedian all but they had
18:47
Speaker 2: Joe Tory got to I'm sorry, got Tori.
18:51
Speaker 5: And and and he baby Anthony. They had Bernie, Bernie
18:57
Speaker 5: mac they had Miguel Nuna Junior man, Bernie matt As
19:04
Speaker 5: Jangle lag oh man, how many times?
19:06
Speaker 4: How long we.
19:10
Speaker 2: Years?
19:13
Speaker 1: And it was like the scene, the scene.
19:16
Speaker 3: That's perfection to me as far as a comedic ensemble.
19:20
Speaker 3: One scene is fired when you know Eddie Murphy is
19:23
Speaker 3: reading the letter to one of the inmates, just like who.
19:28
Speaker 1: Else want we reading now?
19:29
Speaker 3: But the scene that's perfection is when everybody's revealing what
19:32
Speaker 3: everybody did to get put in jail, and it's going
19:36
Speaker 3: back and forth. It's just like you the one made
19:38
Speaker 3: a jacket out of him. I'm the one and that
19:41
Speaker 3: which one of you niggas killed Santa Claus. Well, I wouldn't,
19:44
Speaker 3: Santa Claus. It was he was just wearing the suit
19:46
Speaker 3: and ringing the bell. It was just like boom boom,
19:48
Speaker 3: boom boom. Every day he was just bringing the bed.
19:54
Speaker 3: So it was just perfection, a comedic.
19:58
Speaker 4: And that and one of my favorite just feel good
20:01
Speaker 4: scenes and Martin ruins it is the boom boom room.
20:04
Speaker 1: When they think about that boom.
20:05
Speaker 3: Boom room and the heavn's just like, tell me about
20:09
Speaker 3: that boom boom. Yeah.
20:11
Speaker 1: Oh man, man, you.
20:12
Speaker 4: Know what I'm saying. You gonna have gambling there.
20:14
Speaker 1: Oh you knew, just for you. I made that steak
20:17
Speaker 1: just for you. Cookie. Martin shows up like go get get.
20:23
Speaker 4: Us, yardbird boy.
20:27
Speaker 2: Martin shut up trying to hear all man, man, you
20:30
Speaker 2: shut up, man, you.
20:31
Speaker 4: Talk about the boom boom room. Man, it was so
20:36
Speaker 4: so good.
20:37
Speaker 2: The story is good, but the just funny wise this
20:41
Speaker 2: I say this all the time when they was we
20:43
Speaker 2: can't get right. They got him to play baseball and
20:46
Speaker 2: the white you took the dreams like he walked.
20:47
Speaker 4: Off spool with my drink and it did walk. He
20:50
Speaker 4: noticed it.
20:50
Speaker 1: He was like he won't gonna smool my drink man.
20:54
Speaker 4: We was trying to all ge out of jail, like
20:55
Speaker 4: we can get him, you know what.
20:59
Speaker 2: A dog?
21:00
Speaker 4: So good? All right, so you're up.
21:03
Speaker 3: Okay, number four, number four, I'm putting in Uh, I'm putting.
21:12
Speaker 1: House party in there. Okay, I'm putting house party.
21:16
Speaker 4: How many alone?
21:17
Speaker 1: Yep? Okay, house party. I watched that now, still laugh.
21:23
Speaker 4: You're talk about the one with.
21:25
Speaker 1: Original Robin Hell No, I didn't know.
21:29
Speaker 3: I just want to make sure absolutely now nineteen ninety
21:33
Speaker 3: knt' play Robin Harris, John Witherspoon, George Clinton, full force.
21:40
Speaker 1: Kick your fucking as fire years old house party for.
21:45
Speaker 4: Show Robin Robin Harris Man when.
21:49
Speaker 3: He got to the party and started roasting them up
21:51
Speaker 3: in that party. Oh, I should have known.
21:53
Speaker 1: You was here.
21:54
Speaker 3: I've seen you're dripping from the driveway. Ain't had no
21:57
Speaker 3: problem family follow That was a J.
22:00
Speaker 1: Johnson. He was roasted. Yeah, yeah, the curl. That was
22:04
Speaker 1: AJ Johnson.
22:06
Speaker 2: Oh, house saw that movie, man perfect, That whole movie is.
22:12
Speaker 4: He just wants to sneak out and go to He.
22:13
Speaker 3: Just wants to go to the party. He got in
22:14
Speaker 3: trouble for fighting his school. It wasn't his fault. The
22:17
Speaker 3: bullies was on the bullies is still on them all throughout. Yeah.
22:22
Speaker 3: I don't know why these old ass niggas is in
22:24
Speaker 3: high school. First of all, I don't know what They.
22:27
Speaker 2: Thirty five years old playing football for the University of
22:30
Speaker 2: Miami and they' supposed to be sixteen seventeen and we
22:34
Speaker 2: were just like right, sure.
22:36
Speaker 4: But only thing worse than that is the people in Greece.
22:38
Speaker 1: Oh yeah, Greece. They were.
22:40
Speaker 2: I said, this is a woman is forty eight years old.
22:43
Speaker 2: Nobody's young but Rizzo.
22:45
Speaker 3: Rizzo, Oh my god, all up in there. He's a
22:49
Speaker 3: lunch lady, Like, what is happening here?
22:51
Speaker 4: You're dropping out, ma'am. Forty eight years old?
22:56
Speaker 1: Locked on crack.
22:57
Speaker 2: That white woman was forty eight, she was she was
23:00
Speaker 2: old house. No, no, no, nothing from me. I'm gonna
23:04
Speaker 2: throw this in. I know how you feel. But for me,
23:07
Speaker 2: this was my favorite movie for a long time, little
23:10
Speaker 2: parody film called I'm Gonna Get You Sucker.
23:12
Speaker 1: Oh, yes, well, I love welcome.
23:16
Speaker 4: I'm Gonna Get Your suck. Yes, that movie.
23:20
Speaker 1: Let's get it, the Let's get it.
23:23
Speaker 4: There's so many funny things. Chris Chris rocks. One rib,
23:28
Speaker 4: one on the ribs. That scene is so long, so
23:32
Speaker 4: short because he's like the fribs. His face was one rib.
23:45
Speaker 4: How much for the soda dollar?
23:47
Speaker 1: Just my hand, pour it in my hand for a dime?
23:52
Speaker 2: You get your man pulled out when he put out
23:55
Speaker 2: the water watery. I I thought that that was comedy personified.
24:02
Speaker 3: That was my intro to Chris Rock Me Too, You
24:04
Speaker 3: Got changed one. Even though he was in Beverly Hills
24:08
Speaker 3: cop to as a valet. I didn't remember him from that,
24:12
Speaker 3: but I remember him and I'm wanna get you because
24:16
Speaker 3: the faces he was making and while he was talking. Man,
24:18
Speaker 3: it was so funny to me.
24:20
Speaker 2: One rib because hammer and Slammer they had no customers
24:25
Speaker 2: pissed off.
24:26
Speaker 4: You want one slice of a rock?
24:28
Speaker 1: Was always funny about that scene.
24:30
Speaker 3: Though they give him a big ass bag or something,
24:34
Speaker 3: he leaves there with a big ass bag, Like what
24:37
Speaker 3: what did he put in that bag?
24:39
Speaker 1: He left with a big ass bag dog.
24:42
Speaker 2: The scene where kenan Ivy Wayns is with the light
24:44
Speaker 2: skinned girl and nothing is real, My eyes aren't really
24:49
Speaker 2: green and she took the button off, she.
24:51
Speaker 3: Took a booty of titties was all once she took
24:54
Speaker 3: that leg off, and she.
24:57
Speaker 1: Had the leg.
25:00
Speaker 2: And the sound effects they had her when the butt
25:04
Speaker 2: hit the groundles are pink Tony.
25:07
Speaker 3: The way he kicked off the wig when she threw
25:09
Speaker 3: it on me. He kicked the wig off like it
25:15
Speaker 3: was a creature.
25:19
Speaker 4: And she had that little piece with the bread.
25:22
Speaker 1: The little girl she was hopping over to home.
25:26
Speaker 2: I used to watch that at my Sady's house every
25:29
Speaker 2: single day. Man, when when Jim Brown's told.
25:32
Speaker 3: Got you've been that stiff my bunny, the last shout
25:37
Speaker 3: of it looked like it was about the diden.
25:38
Speaker 2: They it was like, and damon Wayne's him and Kadem Harrison,
25:44
Speaker 2: Oh my god, that's a little hinchman. When when the
25:46
Speaker 2: girl gets her period, which was the first time I
25:48
Speaker 2: ever heard of that, so it like scarred me a little.
25:50
Speaker 3: Crash and he started screaming, Hags.
25:55
Speaker 4: I wasn't screaming. I was whistling. I was whistling.
26:00
Speaker 3: Those two as the thugs was mad funny than me.
26:04
Speaker 1: Thog he was like you always and they take the sticks.
26:10
Speaker 3: That time when Bernie Casey was coming down the rope
26:14
Speaker 3: with the dynamite and it blew up before he got
26:16
Speaker 3: this death. That was applied twist. I did not see coming.
26:21
Speaker 3: He was repelling down there, the music going in there by.
26:27
Speaker 4: You just don't expect that to happen. He blew up.
26:30
Speaker 4: Oh my god, man.
26:32
Speaker 1: I'm gonna get you suckers fire.
26:34
Speaker 4: I love that movie.
26:35
Speaker 2: The underrated scene is the black dude, the super black
26:40
Speaker 2: dude with the white girl.
26:41
Speaker 1: My white.
26:44
Speaker 4: Let's do it. They had bean soa. He's like, but sir,
26:47
Speaker 4: I just can't do it right?
26:49
Speaker 1: You like, yes, yes, well it was like we went
26:56
Speaker 1: in there with.
26:57
Speaker 3: Guns, came out with jobs. Williams the third oh yes, yes, wow.
27:09
Speaker 1: You see.
27:11
Speaker 2: I wanted to make parody movies forever because I just thought,
27:15
Speaker 2: I'm gonna get you suck and I never The funny
27:17
Speaker 2: thing about that movie is I didn't grow up watching
27:19
Speaker 2: black supportation films, so I didn't even know they were
27:22
Speaker 2: parroting the genre.
27:25
Speaker 1: Never solve it because it's funny on its own themes.
27:28
Speaker 2: I found that out later in the documentary. Because I
27:31
Speaker 2: was born in eighty three, the movies were like seventies
27:34
Speaker 2: Dola my, that was a, you know, very important part
27:37
Speaker 2: of our culture. But I didn't watch any of those.
27:40
Speaker 2: I just thought that was I didn't know none of
27:42
Speaker 2: the tropes.
27:42
Speaker 1: I was just like, man, they together had their own
27:46
Speaker 1: theme music. It was just it was perfect. That made
27:53
Speaker 1: me laugh so hard when I first saw the job.
27:55
Speaker 4: I love it.
27:55
Speaker 2: I want the Ways to get they deserve a documentary
27:58
Speaker 2: for their contributions to hundred percent black comedy, period, but
28:02
Speaker 2: especially black.
28:03
Speaker 3: It would be a fire documentary because it's so deep
28:06
Speaker 3: into comedy streets from working with Eddie Murphy and all
28:09
Speaker 3: this other stuff and then coming through I'm gonna get
28:11
Speaker 3: you sucking to the living color, to the post.
28:13
Speaker 1: That is man, it's so thick.
28:17
Speaker 4: Just I want to make it so thick.
28:19
Speaker 2: I don't know how to make documentaries though, and I
28:21
Speaker 2: feel like all the comics would know. One would turn
28:25
Speaker 2: you down if you got an email like, hey, we're
28:27
Speaker 2: doing a documentary on the Waynes family, you should make this.
28:31
Speaker 2: I don't know how to make documentary. We can find out,
28:33
Speaker 2: there's a certain like it's a skin.
28:36
Speaker 1: We know enough people the way we can get this
28:38
Speaker 1: documentary made.
28:39
Speaker 4: We probably do. And I want to do it while
28:41
Speaker 4: they're alive.
28:42
Speaker 1: Yeah, we got to do it now.
28:43
Speaker 4: Because Kenyan is like sixty seven.
28:45
Speaker 1: He is in the sixties for sure.
28:47
Speaker 4: He looks it looks.
28:48
Speaker 1: I feel like he's gonna be here for a long time.
28:49
Speaker 4: Yeah, me too. Their family was living long.
28:51
Speaker 2: But damon Marlin, like I was watching I'm More Money,
28:56
Speaker 2: I was watching that early.
28:58
Speaker 4: I don't remember not knowing.
28:59
Speaker 1: That ninety two. That was ninety two movie, that was nine.
29:03
Speaker 4: I was all in on the wings from jumping on.
29:06
Speaker 1: I couldn't get enough.
29:07
Speaker 2: I thought it was so funny with Mind put his
29:08
Speaker 2: leg up and you had to watch on his leg I.
29:10
Speaker 3: Said, how does he get his leg up like he
29:13
Speaker 3: was like nineteen?
29:14
Speaker 1: Yeah, he was young, baby, when he was fresh in
29:17
Speaker 1: the game. All Right, you're up in that same vein.
29:21
Speaker 3: We're still in the keenan ivory because he helped right
29:25
Speaker 3: this as well.
29:26
Speaker 1: Hollywood Shuffle.
29:27
Speaker 4: I love it.
29:27
Speaker 2: I feel like this movie doesn't get talked about it It doesn't.
29:30
Speaker 3: Hollywood Shuffle is, pound for pound, one of the funniest
29:33
Speaker 3: movies breathing, and it's so relevant even even to this day.
29:38
Speaker 3: To this day, when you when you're in the in
29:41
Speaker 3: the Hollywood Shuffle, you're like, yo, this is this is
29:44
Speaker 3: dead on and so and so. Now you know, back
29:46
Speaker 3: then it was like pimps and drug dealers that now
29:49
Speaker 3: would be like wearing a dress.
29:50
Speaker 1: So that would be the so.
29:52
Speaker 3: But Hollywood Shuffle makes so many points. But it's so
29:56
Speaker 3: funny though, funny man from top to bottom, the slavery
30:00
Speaker 3: sketches and the sneaking into movies and all that, and
30:04
Speaker 3: the and the cookie Head Jenkins, the murder mystery. So
30:08
Speaker 3: funny topped bottom with a great message, a great story.
30:11
Speaker 3: Independent filmmaking at its finest. Hollywood Shoffle was one of
30:15
Speaker 3: the funniest movies when we don't.
30:18
Speaker 1: You got John Witherspoon.
30:19
Speaker 3: In there, you got keenan Ivery Wins in there, you
30:22
Speaker 3: got Robert Townsend doing this thing.
30:24
Speaker 1: Damon Wayans is in there. Yeah. So you just see
30:28
Speaker 1: all of this just just building.
30:30
Speaker 2: And he was saying that that it was like born
30:33
Speaker 2: out of his experience at the moment. Right he was like,
30:38
Speaker 2: I'm auditioning, I'm getting this stuff, either not getting the
30:41
Speaker 2: rolls or getting them in there like this, and he
30:43
Speaker 2: was like, man, I'm gonna make this.
30:45
Speaker 1: I'm gonna make this movie.
30:46
Speaker 2: And the fact that they could play updated right now,
30:49
Speaker 2: you could play you could make that movie.
30:51
Speaker 1: Absolutely all right.
30:52
Speaker 4: Now, Okay, now here's what it's gonna get tough.
30:57
Speaker 3: It's hard coming up. I think it's a snap. It's
31:00
Speaker 3: been playing all the whole time.
31:02
Speaker 2: I'm trying to so let me ask you, does Major
31:05
Speaker 2: Pain count as a black comedy?
31:07
Speaker 1: I don't think so. Why I don't consider it a
31:09
Speaker 1: black movie?
31:11
Speaker 4: Why?
31:11
Speaker 1: Though?
31:11
Speaker 4: What makes a black movie a black movie?
31:18
Speaker 1: The cast is predominantly black?
31:21
Speaker 4: Which major?
31:21
Speaker 2: Which major is the only is the main white dude
31:25
Speaker 2: in like two maybe three cadets are not black? Because
31:30
Speaker 2: there was a main the older one. I can't think
31:32
Speaker 2: of his character name. He was the main one. There
31:35
Speaker 2: was another one. I think there was only two white
31:37
Speaker 2: kids in there. Vam Bam Bigelo's in there, but he's
31:40
Speaker 2: a cameo.
31:42
Speaker 3: I mean, if you say it's a black movie, I
31:45
Speaker 3: won't be disgruntled. But it doesn't feel like a black
31:49
Speaker 3: movie because it just it just happened. It doesn't and
31:55
Speaker 3: it just happens to have a black lead.
32:00
Speaker 2: I don't know.
32:01
Speaker 1: I don't know either.
32:03
Speaker 4: There's way more white people. There's all kind of white
32:05
Speaker 4: kids in there. Oh okay, it's like five of them. Okay,
32:12
Speaker 4: so we can't have it.
32:13
Speaker 3: I don't consider it a black film, all right, but
32:19
Speaker 3: I could be mistaken, you know.
32:21
Speaker 1: I don't know how.
32:24
Speaker 3: Because I because I asked my viewers about Major Pain
32:29
Speaker 3: before and they said they didn't really consider that a
32:30
Speaker 3: black movie.
32:33
Speaker 2: It does fit the type of movie that was coming
32:35
Speaker 2: out during that time, for sure, you know what I'm saying.
32:37
Speaker 2: Like Little Giants, it was like they made a lot
32:40
Speaker 2: of movies, so they just stopped making that those movies.
32:43
Speaker 4: I think it's I blamed Toy Story.
32:45
Speaker 1: This is my because Toy Story came out. The cartoons like.
32:49
Speaker 4: They was like, and I don't know why, because animated
32:52
Speaker 4: is way more fun.
32:52
Speaker 2: But we had from the Goonies to Little Giants and
32:56
Speaker 2: all those kind of kids movies.
32:58
Speaker 4: They just were like, all right, we don't do that with.
33:00
Speaker 3: The kids in the adults unless the kids gonna be
33:02
Speaker 3: cussing exactly.
33:04
Speaker 2: Okay, let me sink because that was gonna be one
33:07
Speaker 2: of mine. Let me put it off to the side.
33:08
Speaker 2: From my personal list, I really enjoy Don't Be a Menace. Okay,
33:18
Speaker 2: Love Don't Be a Menaced. I did grow up watching
33:22
Speaker 2: those movies, so I had seen Boys in the Hood, uh,
33:28
Speaker 2: the Woman Kane, New Jackson, Society, New jack I saw
33:33
Speaker 2: all though, so you you knew what they were.
33:35
Speaker 4: So now I'm like, okay, you're getting every joke now,
33:38
Speaker 4: Oh my god.
33:40
Speaker 2: And Marlon, Wayne's Martin and Sean just they made a
33:44
Speaker 2: lot of funny movies to me, which makes me wonder
33:46
Speaker 2: just white chicks a black movie?
33:48
Speaker 4: No, but Don't Be a Minaces? What's the difference.
33:53
Speaker 3: It's the same people, because Don't Be a Menace is
33:55
Speaker 3: specifically targeting black movies, okay, and it is a black
34:00
Speaker 3: movie targeting black movie, so it's ultra.
34:02
Speaker 4: Black okay, okay, but Don't Be a Minutes? I thought had.
34:09
Speaker 1: It was just I can't so many laughs in this movie.
34:12
Speaker 2: It's just Martin's face. His hair looked off, his hair
34:16
Speaker 2: when he had to missile.
34:18
Speaker 4: Do we had a problem?
34:23
Speaker 1: I mean, And the ensemble is great.
34:25
Speaker 3: Man Darryl Heath is ice pick pick Chrispin says, super
34:30
Speaker 3: woke dude.
34:31
Speaker 1: The lights white?
34:32
Speaker 2: Excuse me, geok back, you took that white girl right there.
34:36
Speaker 3: I love the way his sons man like, oh man,
34:40
Speaker 3: y'all ain't.
34:40
Speaker 4: Never looked at no money in the shop.
34:42
Speaker 1: Just me.
34:43
Speaker 4: He's in Black Dynamo Militant, the Militants walking walk.
34:49
Speaker 1: That's him. Daryl Heath, he was on death jail. Hilarious day.
34:54
Speaker 3: And Bernie mag Another scene steal for him is that
34:58
Speaker 3: the racist cop. He's it's great hat with the gold
35:02
Speaker 3: bird's lips. I hate the black the back of the
35:05
Speaker 3: forth neck. No, why he do the extra dump. It's
35:11
Speaker 3: so funny when they go to the hospital and they're
35:14
Speaker 3: gonna be waiting long. So the dude was on fire
35:17
Speaker 3: standing in line, just these little messages within.
35:20
Speaker 4: Message mess He didn't I readune. He says that, Ye,
35:23
Speaker 4: all right, that's a good pick. Three minutes. Okay, you
35:25
Speaker 4: got number eight.
35:26
Speaker 1: I'm gonna go with Harlem Knights. Gotta put it in there.
35:30
Speaker 4: You know how I felt about that.
35:31
Speaker 1: You saw it late in life. You just saw it
35:33
Speaker 1: like last year.
35:34
Speaker 2: It was last year, two years ago, fifteen, No, it
35:38
Speaker 2: was not. I lived my receiver house back then.
35:41
Speaker 3: It wasn't two thousand, Okay, they were like seventeen. It
35:43
Speaker 3: was probably probably nineteen twenty.
35:46
Speaker 4: It wasn't twenty.
35:47
Speaker 1: You just saw nights fairly recently.
35:50
Speaker 4: It was probably nineteen.
35:51
Speaker 3: Yeah, And but I gotta put that in there. You
35:54
Speaker 3: have to ultra black. Eddie Murphy directed it. Diddy, Yeah,
35:59
Speaker 3: he directed.
35:59
Speaker 2: Hall of I didn't know that most black comedians of
36:02
Speaker 2: our class, and they've been saying this my whole comedy career.
36:04
Speaker 4: We got to get our own heart them Knight's going.
36:07
Speaker 2: But I don't know that, Like, I don't know that
36:09
Speaker 2: you could get the Richard Pryor and Eddie Murphy like
36:12
Speaker 2: those people. That's actually one of the things we have
36:14
Speaker 2: and the Red Fox like they had everybody, the legends
36:19
Speaker 2: of the day and the people who was like rising.
36:22
Speaker 2: But that movie is we.
36:23
Speaker 1: Could do that today, you think, so, yeah, you come
36:26
Speaker 1: together to who we We got the biggest people.
36:28
Speaker 3: We got Kevin Hart, we got Dave Chappelle, we got Cavoy,
36:32
Speaker 3: but they.
36:33
Speaker 2: Kind of beefing, That's what I'm saying. Hold on, I
36:35
Speaker 2: think we have that as a topic. We got it
36:38
Speaker 2: on the next episode. We'll we'll get back. We'll get it.
36:41
Speaker 3: The Harlem Nights as as a as a black film
36:46
Speaker 3: when you got the legendary comedians in there.
36:49
Speaker 2: Absolutely Dela Reice fighting Eddie Murphy.
36:52
Speaker 3: Stealing scenes like a mug, even the orange Juice just
36:57
Speaker 3: he's swallowing this.
36:58
Speaker 2: Oh my god, here's the up. But the scene where
37:01
Speaker 2: Eddie Murphy, I'm sorry, where our Senil Hall and the
37:06
Speaker 2: dude are shooting at Eddie Murphy and Arsenal Hall is
37:09
Speaker 2: crying tall.
37:11
Speaker 3: Him Miguel new Year's Junior once again, and dude with
37:16
Speaker 3: who they say is a J. Johnson's brother. I heard, really,
37:19
Speaker 3: that's what I heard. I don't know how true it is.
37:21
Speaker 4: The way our city was like queer. He was so dramatic.
37:27
Speaker 2: He was.
37:29
Speaker 1: Crying, man, don't do it again.
37:34
Speaker 4: He starts sing that last.
37:38
Speaker 2: Clearwel dies, I ain't gonna kill you, and then Nigga
37:46
Speaker 2: Eddie Murphy shooting found back.
37:52
Speaker 4: And they're all gone, I'm gonna kill you quick all
37:55
Speaker 4: you shot my brother. I ain't nobody shot your brother.
37:57
Speaker 4: Yeah you did quick.
38:02
Speaker 3: They shot the dry they shot the passenger in the
38:04
Speaker 3: head or accident in the.
38:06
Speaker 1: Car before they even got to the.
38:09
Speaker 4: Side.
38:10
Speaker 1: Julia aside, they shot Jr.
38:14
Speaker 3: In the head on the wave. Julian was chilling. Juli
38:21
Speaker 3: was chilling. Imagine you were in the front seat. Yeah,
38:24
Speaker 3: we're gonna get this cat back.
38:28
Speaker 1: That was your last thought. He was like, yeah, man,
38:31
Speaker 1: we're gonna get quick back.
38:34
Speaker 4: It's just gonna start. He just you wake up your.
38:37
Speaker 1: Head like you weren't ready. You was down. You're like,
38:40
Speaker 1: we're gonna get quick that's your last thought.
38:49
Speaker 4: You don't even hear what I'm saying. I'm sorry you was.
38:50
Speaker 3: Still in the car when they were still shooting it
38:53
Speaker 3: quick he was junior was in the car.
38:58
Speaker 4: Damn my god.
39:01
Speaker 2: Alright, okay, number nine, I'm probably stealing this from you.
39:06
Speaker 4: Black dynam Yes, put.
39:08
Speaker 2: It in there, because I was gonna put it in
39:10
Speaker 2: Tone if you did. This is another movie I saw late.
39:13
Speaker 2: I don't know this.
39:14
Speaker 4: Came out was oh six, you said eight nine?
39:17
Speaker 2: Okay, So I don't think Black Dynamite came out into Cooma.
39:21
Speaker 2: I don't think it was a nation wide release. And
39:22
Speaker 2: movies are nation wide releases. They don't go out. They
39:25
Speaker 2: didn't come out in Ta Coma.
39:26
Speaker 1: It was limited. It was limited.
39:27
Speaker 2: Yeah, so La is always gonna get it. If it's
39:29
Speaker 2: limited releases, all gonna come out in La. So I
39:31
Speaker 2: remember Tony into here was always quoting specifically, but the
39:35
Speaker 2: Black Dynamite eyes drugs.
39:37
Speaker 1: In the community.
39:38
Speaker 2: Tone, me and my and I didn't realize how hard
39:42
Speaker 2: are it was.
39:43
Speaker 4: So me and Melissa watching with the Boys two thousand
39:46
Speaker 4: and nine, Tone, we had a.
39:48
Speaker 1: Blast that night.
39:49
Speaker 4: They're so when they was fighting and he smacked that.
39:54
Speaker 3: Man hard cut to a different actor because he was
39:59
Speaker 3: like hoo hey man cut.
40:05
Speaker 2: Because we didn't realize what kind of movie it was.
40:09
Speaker 2: So we was like, hold on, that was the movie.
40:11
Speaker 2: We're like, oh this is this is a different movie. Dog.
40:17
Speaker 4: So Tommy Davis, when they.
40:19
Speaker 3: Wanted the food crean coring best, did you see us?
40:24
Speaker 1: I won?
40:24
Speaker 3: I was long saucage didn't have smush Fried and one wolf.
40:32
Speaker 3: You know that was trying to get some service around.
40:36
Speaker 1: Do you see us?
40:39
Speaker 4: Do you see us?
40:40
Speaker 3: That whole conversation when they were trying to piece together
40:43
Speaker 3: the whole thing, and the old lady was chiming in
40:46
Speaker 3: with dance, and they was all right, man, who is
40:52
Speaker 3: the god of war? Every that's to save the Euphorian?
40:58
Speaker 3: See oh man, Because he was like, I'm gonna I'm
41:02
Speaker 3: gonna shake the tree from the.
41:04
Speaker 1: Roots and rake up the fruits.
41:07
Speaker 3: I'm a because Black Dyna Miz is gonna make it
41:09
Speaker 3: all right. You for already know that you ain't even
41:12
Speaker 3: got to look. Should have left you a go.
41:14
Speaker 4: Hang a beat, my god, man, should the hell up
41:17
Speaker 4: for him?
41:19
Speaker 1: Faded? She came round and Black dyna Ice gonna make
41:24
Speaker 1: it all right.
41:26
Speaker 4: Michael John White was so mad he was pissed. Man,
41:31
Speaker 4: I already know it.
41:32
Speaker 1: I ain't even got to.
41:33
Speaker 3: Look that time he rolled up on the militants and
41:37
Speaker 3: then they were just like the militant monkey stuffed. He's like,
41:42
Speaker 3: y'all because John's the Bible skills ain't worth her dad.
41:47
Speaker 3: That movie is so funny when he kicked that dude
41:51
Speaker 3: through the wall. The dude's in there with his TV
41:53
Speaker 3: Denner just sitting there eating.
41:56
Speaker 1: Come on.
41:56
Speaker 2: I also love it because my kids thought it was
41:58
Speaker 2: funny too. Was like, you know, the boys are tougher,
42:01
Speaker 2: they're tough, they're tough crowd. Yeah, the black dynamite man.
42:05
Speaker 2: We was the Milissa was mad at me because there
42:06
Speaker 2: was some titties. It was was too I was like
42:10
Speaker 2: she was like fast forward it, and I was like
42:12
Speaker 2: it was too late. You couldn't finn the butet I
42:14
Speaker 2: see it, just like I feel like it'll be over.
42:19
Speaker 4: So it was quick was right there forever. Yeah. I
42:24
Speaker 4: was just like.
42:30
Speaker 3: When you check the back of the remote for no reason,
42:32
Speaker 3: you opened it up and make sure the battery in
42:34
Speaker 3: here first, Oh yeah, they in here, they in here.
42:39
Speaker 4: Just take them out. Sometimes you gotta put.
42:44
Speaker 3: Sometimes you got to reverse it, and then you put
42:46
Speaker 3: the prong on the on the negative and the negative
42:48
Speaker 3: on the positive, and then you shake that up and
42:50
Speaker 3: then then you make sure that back is in place,
42:56
Speaker 3: and then that's when you turn the channel.
42:58
Speaker 1: Oh yeah, black dyning.
43:00
Speaker 4: Oh my god. Ten out of ten, you're up on
43:04
Speaker 4: the final pick, the final countdown.
43:07
Speaker 3: Oh so we got coming to America, we get life,
43:12
Speaker 3: we got Hollywood Shuffle, we got don't be a menaced,
43:14
Speaker 3: we got I'm gonna get you. Sucker House, party, house, party,
43:17
Speaker 3: hardam Nights in Black Dyna.
43:18
Speaker 4: Man, you said made your paints out.
43:22
Speaker 1: Yeah, even if it was a black movie, I don't
43:26
Speaker 1: know what that would be. Just top ten, man, this
43:36
Speaker 1: is tough, tough.
43:38
Speaker 2: You got Boomeraingue, got nutty professor. Y'all listen more another professor.
43:44
Speaker 2: The first one is really great. Babysed kids. I love
43:47
Speaker 2: good Night Uptown Saturday Night.
43:49
Speaker 1: I love Uptown Saturday Night.
43:51
Speaker 2: Dragon is comedy, straight up. I wouldn't consider it tripping. Okay, y'all,
43:57
Speaker 2: just name it.
43:59
Speaker 4: Undercover brother, Come on, y'all.
44:02
Speaker 1: Woo, y'all just naming Rush out considered.
44:06
Speaker 4: That's definitely a crossover. So Men was very funny, though.
44:10
Speaker 3: You know what I hate I hate to just it's
44:13
Speaker 3: a lot of Eddie Murphy in here, but he is
44:15
Speaker 3: who he is. I gotta put Boomerang in there. I
44:17
Speaker 3: would say Boomerang is one of the ultimate romantic comedies
44:23
Speaker 3: of all time.
44:24
Speaker 1: I gotta put Boomerang.
44:27
Speaker 3: It's just so good, so well cast, so many dope
44:32
Speaker 3: characters throughout it. It's just it's just a good ass,
44:36
Speaker 3: well done movie.
44:38
Speaker 2: No argument. And everybody was beautiful. Everybody was They represented
44:42
Speaker 2: black people. Yeah, great, funny, They're all great.
44:44
Speaker 4: Martin Martin.
44:45
Speaker 3: Martin was killing in that dug He was killing in
44:49
Speaker 3: that joint. Him and David Allen Green were a great contrast.
44:54
Speaker 3: The women were fire. It was just Greg Jones, Greg
44:58
Speaker 3: Jones and Earth of Kids stealing scenes.
45:01
Speaker 4: Arthur Kit is great. It was just honorable mentioned low
45:04
Speaker 4: Down Dirty Shame.
45:05
Speaker 1: Low Down Dirty Shame is great.
45:07
Speaker 3: Yeah, because I couldn't. I couldn't put it above Boomerang. Ye,
45:10
Speaker 3: anything else on that list, but Low Down Dirty Shame
45:12
Speaker 3: is fire.
45:13
Speaker 2: I love the First Nightty Professor Honible mentioned First Nightting
45:15
Speaker 2: Professor is great. Eddie Murphy, Eddie Murphy playing multiple characters
45:19
Speaker 2: at once, that dinner scene with the farting and the just.
45:24
Speaker 1: This whole list, damn toure could have been Eddie Murphy.
45:26
Speaker 4: Absolutely, that's what he did. What was what was Jimmie
45:30
Speaker 4: Fox and Tommy David Booty Call.
45:35
Speaker 1: I recently rewatched that and it's still funny if.
45:37
Speaker 4: You getting stick deep Sea.
45:39
Speaker 2: I didn't know what that meant at the time, but
45:41
Speaker 2: I found out, Oh yeah, that movie is funny.
45:44
Speaker 4: Yeah, that's good. I feel strongly about that.
45:46
Speaker 1: I'm not mad at this list.
45:48
Speaker 4: I'm good with this list. I feel like that can
45:49
Speaker 4: stand in the test of time.
45:50
Speaker 1: For sure.
45:51
Speaker 3: Andy crosses over other people. Other people that I talked
45:54
Speaker 3: to that aren't black. They love Black Dynamite as well.
45:56
Speaker 4: Oh yeah, black.
45:57
Speaker 2: When we went to see Al Johnny Black, the theater
46:01
Speaker 2: was all kinds of people and a good amount of
46:03
Speaker 2: questions was about Black Dynamo, Like this is cool black
46:06
Speaker 2: Listen when you did Black Datama what you was thinking?
46:10
Speaker 2: He was just kind of like, well you said, we
46:12
Speaker 2: kind of talking about that.
46:13
Speaker 4: I understand that, but what about black dya all right?
46:19
Speaker 4: Before we go Mount rushmore of desserts. Oh and this
46:26
Speaker 4: is your personal amount rushers?
46:27
Speaker 2: Okay, because I don't I don't want to hear it
46:30
Speaker 2: for me. I don't care what y'all say, okay, if
46:35
Speaker 2: you only get beyond there, you're blacks. It's gonna beyond
46:40
Speaker 2: there because I like it. If you only got to
46:42
Speaker 2: eat four desserts for the rest of your life.
46:45
Speaker 4: What do you choose. I don't want Tony over here online.
46:48
Speaker 2: All right, We're gonna go one by one and PUBLICA
46:52
Speaker 2: pie is not my first one, but it's gonna be
46:54
Speaker 2: on there.
46:54
Speaker 4: It's gonna beyond there. My first one.
46:58
Speaker 2: Is poundkay, okay, and you can choose the same. It's
47:02
Speaker 2: not like if I take it, you ain't. I love poundcake.
47:05
Speaker 2: I love with icing. Melissa makes a drunken strawberry pound
47:09
Speaker 2: cap with strawberries soaked in moscato overnight. Oh damn, I said, listen,
47:14
Speaker 2: you preparing for the next day. I said this. This
47:17
Speaker 2: is she started making during the panty in the pandemic.
47:19
Speaker 2: She going crazy. She was baking like all types of stuff,
47:23
Speaker 2: but the drunken strawberry moscato with the top. And I
47:27
Speaker 2: love the crispy edges on the lot of the pound
47:29
Speaker 2: cake that stick to the plate. Lemon pound cake, seven
47:35
Speaker 2: up cake. My grandma makes a good pound cake. Melissa
47:38
Speaker 2: makes a great pound cake. Shot to my grandma. I
47:40
Speaker 2: didn't know for us to be able to beat her
47:41
Speaker 2: and some stuff her. Poundcake better than Ruthie's respect you. Ruthie,
47:44
Speaker 2: Oh love, she's watching this. Yeah, Ruthie, you know you
47:49
Speaker 2: had both. Poundcake is number one.
47:51
Speaker 1: Poundcake is a good time.
47:52
Speaker 2: It's a great time. Poundcake is a good Hardly anybody
47:55
Speaker 2: don't like poundcake. It's like what Eddie Murphy said, Oh
47:57
Speaker 2: who don't like parfait?
47:58
Speaker 3: Because the name, the name is so the script. It
48:00
Speaker 3: just sounds like you collar. Just I just work eight
48:03
Speaker 3: hours a day or go home and shut my mouth.
48:05
Speaker 1: I don't go out.
48:06
Speaker 3: That's poundcake. Poundcake is just like work at the mill.
48:09
Speaker 3: I work at the mill.
48:10
Speaker 1: You know.
48:11
Speaker 4: Poundcake was on the line when General Motors went down.
48:13
Speaker 4: He was on the strake.
48:15
Speaker 1: Daddy worked down at that meal. So I just did
48:17
Speaker 1: the same. This is what we did as men.
48:19
Speaker 3: Poundcake was a heart boundcake out on construction boots, not
48:23
Speaker 3: even timblings.
48:23
Speaker 4: They just could start lunch, Yes, poundcake. Book of skyscrapers
48:27
Speaker 4: with no They were sitting on the beam. The picture and.
48:31
Speaker 3: The men on this beam and black and white they
48:34
Speaker 3: had poundcake and the lunch press.
48:37
Speaker 2: It's blue of the fall epis in their life to
48:39
Speaker 2: build the empire state building.
48:41
Speaker 1: Absolutely, pound cake.
48:42
Speaker 3: On my break, pound care okay, all right for me
48:48
Speaker 3: in my mouth, rushmore banana pudding.
48:52
Speaker 1: Banana pudding is in.
48:53
Speaker 4: There, so I'm glad we don't have to choose the same.
48:55
Speaker 1: Here's where I get controversial, though.
48:58
Speaker 4: You don't want no bananas.
48:59
Speaker 1: I don't need the wafers in there.
49:02
Speaker 3: I don't need the Oh I would. I like it
49:08
Speaker 3: as a crumb topping, but a whole wafer is too much.
49:13
Speaker 1: Too much.
49:14
Speaker 3: This is a lot for me because I already we
49:17
Speaker 3: already got pudding, we already got bananas, we already got cream.
49:22
Speaker 3: Now we need whole wafers decorate the alice.
49:26
Speaker 1: You need some structure, crumbs you can.
49:30
Speaker 3: I'm fine with the crumb wafers, just the whole wafer.
49:33
Speaker 2: What else is vanilla wafer's gonna be if they're not
49:36
Speaker 2: for banana pudding.
49:36
Speaker 4: People don't really just stand in my business. That's what
49:40
Speaker 4: they know.
49:40
Speaker 2: What it is they in the game to be in
49:43
Speaker 2: banana pus.
49:43
Speaker 4: That's none of my crazy. I've heard no I heard
49:46
Speaker 4: no banana.
49:47
Speaker 1: You're gonna have no bananas in the banana pudding.
49:49
Speaker 4: I don't like bananas.
49:51
Speaker 1: Banana is literally in the title.
49:53
Speaker 4: I don't care.
49:54
Speaker 2: My my sister in law, Tammy, she makes banana putting,
49:57
Speaker 2: no bananas with chess men instead of la wafers, very
50:02
Speaker 2: light on the pudding. I can eat it, the traditional
50:05
Speaker 2: black pudding with no body. That's like getting the Usher
50:08
Speaker 2: album and he ain't on it. Let me get the
50:11
Speaker 2: Usher album with no Usher.
50:12
Speaker 3: So you just want instrument You just want instruments feat
50:16
Speaker 3: justin bro. It's literally in the title. Let me get
50:22
Speaker 3: the banana pudding with no banana. Hate them vanilla main
50:27
Speaker 3: cheese with no macaroni and no cheese. Well, what we're doing,
50:33
Speaker 3: what we're doing in this banana pudding.
50:36
Speaker 4: I don't like it.
50:38
Speaker 1: Wafers ain't in the title, but wafers is key wafers.
50:43
Speaker 3: Mooched off of banana pudding. Yo, this is what we
50:46
Speaker 3: could do for us. Sure, this will make us more popular.
50:49
Speaker 3: The marketing team at Vanilla Wafers.
50:51
Speaker 1: Need the banana putting. The banana pudding does not need
50:54
Speaker 1: the wafers.
50:54
Speaker 2: I disagree, and I don't even like bananas. I don't
50:57
Speaker 2: like banana putting. The banana be turning brown.
51:00
Speaker 3: But you got to get the man I like brown bananas.
51:04
Speaker 3: That's when you get to the nitty gritty.
51:06
Speaker 4: Nah, they're all good.
51:07
Speaker 3: I get what you're saying. Once you see a dark banana,
51:09
Speaker 3: that's when he's just it's like to an avocado, it's
51:13
Speaker 3: been left out. The taste doesn't change. Mentally, it is diseased.
51:17
Speaker 2: Now bananas actually do taste the soft ones like the
51:23
Speaker 2: mushy mushy. It's just as that's why I don't like them.
51:26
Speaker 2: I don't know if y'all know the story went to
51:28
Speaker 2: Las Vegas for the first time.
51:29
Speaker 4: I was hungry.
51:31
Speaker 2: My grandma didn't want to go eat downstairs. I was like,
51:34
Speaker 2: can I have something to eat? She was like, here's
51:35
Speaker 2: a banana and it was The banana was like it
51:39
Speaker 2: was the biggest soft spot. And she opened it and
51:43
Speaker 2: it had like a deep, gushy part. She was like,
51:45
Speaker 2: and eat the whole thing. I'm not hungry anymore. Yeah,
51:48
Speaker 2: you was hungry, now eat it. He made me eat
51:51
Speaker 2: that whole banana and that was the last and I
51:55
Speaker 2: was just like, I don't want to. Why are you
51:56
Speaker 2: punishing me for being hung We've been in the car
51:58
Speaker 2: for seven hours, so you got to be just because
52:00
Speaker 2: of this one moment, No, because that's gross. That tastes
52:03
Speaker 2: gross and it gives in my mind.
52:05
Speaker 1: Was it brown?
52:06
Speaker 2: Was?
52:07
Speaker 4: It was like, come on, you've proven a point.
52:09
Speaker 1: It was the color of your sh It was my shirt?
52:11
Speaker 2: Oh yeah, I feel like it was just at the
52:13
Speaker 2: hotel on the back of the TV. Eat this that's
52:16
Speaker 2: been in circus circus for a month.
52:18
Speaker 1: I like my bananas with freckles on them, but that that's.
52:21
Speaker 2: That was like, come on, that's flies were like, man,
52:24
Speaker 2: I was, I was plotting on that all right.
52:28
Speaker 4: Second from me.
52:29
Speaker 3: Y'all are disgusting, by the way, talking about bananas are disgusting.
52:32
Speaker 1: Y'all disgusting. Oh yeah.
52:35
Speaker 2: My second is peach cobbler. Okay, my grandma makes a
52:38
Speaker 2: great peach cobbler. A lot of black women do. Best
52:41
Speaker 2: part is the corner. There's no health benefits of peacher.
52:45
Speaker 1: Absolutely not.
52:46
Speaker 2: It's funny because Melissa does not like peach cobbler. Melissa
52:48
Speaker 2: has anti hot fruit, but you don't eat food. She'd
52:53
Speaker 2: be so mad at me when I agree with you
52:54
Speaker 2: for that. She said, you've nefine said that before Tony
52:57
Speaker 2: Bigger I said that all of the time. Nobody else
53:00
Speaker 2: was with me. If you didn't go on that tour, Tony,
53:03
Speaker 2: you're the only one that called her out.
53:04
Speaker 4: She never ate her food but food. I agree with him.
53:08
Speaker 3: You see, I've seen her personally waist so much food. Personally,
53:15
Speaker 3: I know the truth.
53:16
Speaker 4: She says. She gets tired of you, and she's like,
53:17
Speaker 4: I just.
53:19
Speaker 3: I wish I would get tired at you. I get
53:22
Speaker 3: tired at you, and gum, that's it.
53:25
Speaker 1: Food.
53:26
Speaker 4: Never peach copper. Great.
53:29
Speaker 2: I love the corner, crispy edges, on the on the thing,
53:33
Speaker 2: but the one thing, peach copper. If it's not done right,
53:36
Speaker 2: a doeye crust.
53:38
Speaker 1: Takes you out of it.
53:39
Speaker 4: I'm out. If I get a big globe, I'd be.
53:42
Speaker 1: Like you had a spoonful of raw Duncan hines.
53:45
Speaker 4: Yes, play though, I'll be out, all right, you're up
53:48
Speaker 4: number two.
53:49
Speaker 1: I'm gonna go with.
53:53
Speaker 3: Cheesecake, Man, Tony, Cheesecake is fired, though, cheesecake and whatever
54:00
Speaker 3: was itever texture you wanted to be cheesecake fire. I
54:05
Speaker 3: could never want to do this or the creamy whatever whenever, however,
54:11
Speaker 3: turn Maxwell on Siri, play Maxwell whenever whatever whatever. Man,
54:17
Speaker 3: cheesecake is phenomenal and all of it's splendid.
54:21
Speaker 2: I do prefer the junior's type of like the thick No, No,
54:25
Speaker 2: like the light they had, like a light version the
54:28
Speaker 2: New York thick.
54:29
Speaker 1: Yeah, I want all of it.
54:31
Speaker 4: Granually cheesecake.
54:33
Speaker 3: I'll take my cheesecake with a thick ass booty, or
54:37
Speaker 3: it could be flat, creamy cheeks, whatever, whatever you want.
54:43
Speaker 3: Whatever it is, cheesecake is phenomenal. The fact that I'll
54:50
Speaker 3: be eating cheesecake on the regular is phenomenal.
54:53
Speaker 2: You can have it, yes, all right. My next one
54:55
Speaker 2: is pineapple upside down cake. I don't want to talk
54:58
Speaker 2: about to hear. Let's just leave it a that story
55:02
Speaker 2: to tell you everything you need to know about me.
55:05
Speaker 2: And Pineapple upside down cake, I love it.
55:09
Speaker 4: I love the pineapple with the little marachino cherry, the
55:12
Speaker 4: crumbly top. It's great. Yes, I ate the top of
55:16
Speaker 4: the Here's cake. It was not that big.
55:18
Speaker 2: It was like a saucer man. To hear's just be
55:21
Speaker 2: exaggerating on the bigness.
55:22
Speaker 1: Of the rag.
55:24
Speaker 2: Great story to tell. He be lying, lying, and he
55:27
Speaker 2: be over exaggerating. But Quinn Quinn made one one time.
55:32
Speaker 2: I don't remember why I think she made to give
55:34
Speaker 2: it to here, but it was great. I hate that
55:36
Speaker 2: too upside down unfeited.
55:41
Speaker 3: Now cookies allowed in the cookies are for sure of
55:45
Speaker 3: dessert cookies cookies.
55:46
Speaker 2: You said what I like boneless. We was argued about that.
55:55
Speaker 2: People whoever was with could not understand what you were saying.
55:59
Speaker 2: There was like, that's chocolate chip cook you can't have it.
56:03
Speaker 2: You care You got to add that to.
56:06
Speaker 1: It because a lot of people immediately think, oh, there's
56:08
Speaker 1: no chips. Is the sugar cookies? No, that's not what
56:10
Speaker 1: I want. Sugar cookie is a light and color.
56:12
Speaker 3: No, I want the dark chocolate chip cookie cookie with
56:17
Speaker 3: no chips.
56:18
Speaker 4: What's the what? What? What happened there?
56:20
Speaker 1: It's just sometimes the chocolate is just too much.
56:22
Speaker 4: The rich wives are too too much chocolate.
56:25
Speaker 1: Rich, and some people just overdo it with the chips.
56:28
Speaker 4: So it's just like chip, So you rather no chips.
56:32
Speaker 1: I'm just just a hint of the of the chip.
56:35
Speaker 4: People love the gooey pull apart.
56:37
Speaker 3: Yeah, I don't need you're overdoing it with the chips,
56:39
Speaker 3: you know how the chips who would make the extra
56:41
Speaker 3: chips then look out too much chips.
56:44
Speaker 4: I get, I'll get you.
56:46
Speaker 3: I don't want no, I don't want no solo chip album.
56:49
Speaker 3: I want chocolate chocolate chips. The chips are the feature.
56:53
Speaker 3: The cookie itself is the.
56:54
Speaker 2: Main chocolate cookie, right, chocolate chip, chocolate chip cooking, Splif chill,
57:03
Speaker 2: the bust of rhymes is the cookies.
57:05
Speaker 1: We don't want those Spliffs so long.
57:06
Speaker 4: Want Spliff has a whole album.
57:08
Speaker 2: He's great, great, where he's at picking, he's picking his spot.
57:11
Speaker 1: I don't want no flavored flavs.
57:12
Speaker 4: Son Man.
57:14
Speaker 1: Put them within the public enemy cookie and then we
57:16
Speaker 1: end on this.
57:17
Speaker 4: There you go.
57:17
Speaker 1: So I'm gonna put cookies on my Mount Rushing. You
57:20
Speaker 1: can have this cookies. That's that's in the sort for sure, desert.
57:23
Speaker 1: This is a sort of the lemon, the lemon.
57:25
Speaker 3: Cookies, the peanut butter cookies, the chocolate old mill raising
57:30
Speaker 3: one hundred percent.
57:31
Speaker 1: We go man. Soft, soft cookies is what's my that's
57:36
Speaker 1: my list.
57:38
Speaker 3: Don't come in here with the hard cookies now, I'm
57:40
Speaker 3: taking them off the mountain.
57:41
Speaker 1: Don't want. I don't want my cookies the same texture
57:44
Speaker 1: as the real Mount Rushmore.
57:46
Speaker 3: I need soft cookies. Gotta be soft and warm. There's
57:51
Speaker 3: no better smell than a fresh Babish chocolate.
57:54
Speaker 2: God that is bacon coffee Coochie and Gucci got a
58:02
Speaker 2: great smell.
58:04
Speaker 4: It's not freshman. I don't think however it comes now.
58:09
Speaker 3: I don't think keV has experienced enough of the sword.
58:13
Speaker 4: Maybe great, Yeah, maybe I won't great good smell.
58:18
Speaker 3: I can't give Coochie having a good smell just across
58:23
Speaker 3: the board because I've been counting some some south Patch kids,
58:27
Speaker 3: yeah southen counting some Guccies that were just not hiding.
58:31
Speaker 3: I haven't the great God, why could you give a
58:37
Speaker 3: triple double stay with this couchie?
58:40
Speaker 2: Fifteen rebounds for outlet path. Yeah, makes the right play, Michael,
58:44
Speaker 2: she hits the free throw.
58:46
Speaker 4: Great locker room, that's the ideal. Good in the media
58:50
Speaker 4: goes to the children's hospital. Franchise coaches. Yeah, this Coucie
58:54
Speaker 4: is like kissing baby.
58:55
Speaker 2: Yeah, great rep So I think it's it's fantastic. But
58:59
Speaker 2: chocking chip cookies in my high school at Lakes, Obviously
59:04
Speaker 2: I didn't have that much money at the time, but they
59:06
Speaker 2: used to sell three cookies for a dollar, and they
59:08
Speaker 2: never baked the chocolate chip cookies all the way. They
59:11
Speaker 2: would like pull them out and then let them like
59:13
Speaker 2: finish on the tray tong It's just.
59:18
Speaker 4: One dollar, give you three cookies. It's the best. Smell
59:21
Speaker 4: chocolate chip.
59:22
Speaker 2: Cookies are You'd be like, you know this, Like popcorn
59:26
Speaker 2: and chocolate chip cookies are two things you don't have
59:27
Speaker 2: to be in the mood for. If you smell them
59:29
Speaker 2: freshly done, You're like, you know what I could like
59:32
Speaker 2: when we're on the road, we walked by like a
59:34
Speaker 2: crumble or what's the other one? That's insomnia?
59:38
Speaker 1: Ton't be every time?
59:42
Speaker 2: Yeah, Disneyland smells they have the chocolate cookies.
59:45
Speaker 1: Cookies are.
59:46
Speaker 4: Cookies are good.
59:47
Speaker 1: One of my mini weaknesses in life.
59:49
Speaker 2: All right, my final one is punkin pie. Pie is
59:53
Speaker 2: gonna be on there. I'm not living for you absolutely,
59:56
Speaker 2: I'm gonna tell you what, no whipped cream. It's my
1:00:00
Speaker 2: whole October through the end of the year. If I
1:00:03
Speaker 2: couldn't have punkin pie, I would be delirious. Because the
1:00:07
Speaker 2: rest of my deserts are year round. I'm not eating
1:00:09
Speaker 2: pumpkin pie until October first. But it's part of the
1:00:13
Speaker 2: changing of the seasons. It's like eggnog Christmas time, like,
1:00:16
Speaker 2: outside of that season it's weird, but in the season
1:00:21
Speaker 2: I like it.
1:00:21
Speaker 1: It's not too sweet. Punkin Pie is a good time.
1:00:24
Speaker 4: My thing about the blacks, most of them haven't even
1:00:27
Speaker 4: had it.
1:00:27
Speaker 2: If you're being honest, sweetpeato pie and punkin pie are
1:00:30
Speaker 2: not that far off.
1:00:33
Speaker 1: They were the same thing growing up.
1:00:34
Speaker 2: The sweet tato pie is usually just a really sweet, sweet,
1:00:37
Speaker 2: sweet tasting pumpkin pie. They're not that off packet jewey,
1:00:43
Speaker 2: It's not that but have you tasted it?
1:00:46
Speaker 3: I'm just saying I hate it when people judge stuff
1:00:49
Speaker 3: with no experience.
1:00:50
Speaker 1: That's one of my pet peeves. Did you watch it?
1:00:53
Speaker 3: No, it's not that different, it's not I thought they
1:00:58
Speaker 3: were the same thing for you.
1:01:00
Speaker 4: A lot of people did.
1:01:01
Speaker 1: I was like, wait, there's a difference.
1:01:03
Speaker 2: Yeah, and sweeping toato the pipe having the strings in it,
1:01:07
Speaker 2: you had time And if you're gonna make me my
1:01:10
Speaker 2: grandma Billa May did it when your grandma left the
1:01:13
Speaker 2: strings in it.
1:01:14
Speaker 4: Now I'm doing this gross. It's gross. But I do
1:01:18
Speaker 4: like sweet potato pie. Shut the hell up. I like it.
1:01:21
Speaker 4: I'm like pumpkin.
1:01:22
Speaker 3: I love sweet potato power. Sweet potato pie is better
1:01:24
Speaker 3: than pumpkin than me. But I feel you on the
1:01:27
Speaker 3: pumpkin ask if you if you.
1:01:29
Speaker 2: Don't, I respect, But most people I talked, Yeah, did
1:01:31
Speaker 2: you taste it?
1:01:33
Speaker 4: No, you don't, just know. You can't just know.
1:01:36
Speaker 1: I just I can just feel it in my watch out.
1:01:39
Speaker 2: Taste both of them, and then tell me you hate
1:01:41
Speaker 2: you If you love sweet potato pie. It's hard for
1:01:43
Speaker 2: me to believe you hate pumpkin pie. If you hate
1:01:46
Speaker 2: sweet potato pie, I could see you hate it. But
1:01:48
Speaker 2: they're not that far off.
1:01:50
Speaker 4: Cousins. First, cousins, I feel it.
1:01:53
Speaker 1: Your final one to my final one I'm gonna go with.
1:01:58
Speaker 1: I'm back on bananas again.
1:02:00
Speaker 4: What else is there?
1:02:01
Speaker 3: Banana cream banana cream tony, that's my lick man. Banana
1:02:07
Speaker 3: banana cream pie.
1:02:09
Speaker 2: That's in nineteen thirties dessert. That's my favorite pie without
1:02:12
Speaker 2: the bananas. Banana cream pie. Can get it in pie places.
1:02:17
Speaker 3: I can go to the House of Pies right now, Hollywood,
1:02:19
Speaker 3: give me a nice slice of that banana green pile
1:02:23
Speaker 3: on top.
1:02:23
Speaker 2: A nineteen twenty five private investigator. Definitely give me.
1:02:26
Speaker 1: A comfort bowl.
1:02:28
Speaker 3: Gosh, hey, Toots, Toots, let me get a slice of
1:02:32
Speaker 3: that banana that is that dated dessert it is. I
1:02:36
Speaker 3: love it though that because I was I was gonna
1:02:38
Speaker 3: put apple cobbler in here, but I was like, but
1:02:41
Speaker 3: banana cream pie is the one I be.
1:02:43
Speaker 4: Really, you go to House of Pie.
1:02:46
Speaker 3: I used to go to Baker's Square back in the
1:02:48
Speaker 3: day in Chicago.
1:02:49
Speaker 1: Let me get that banana cream pipe.
1:02:51
Speaker 4: Really.
1:02:53
Speaker 1: Yes, I love bananas though, and so you know I.
1:02:58
Speaker 3: Was gonna also honorable man, your homemade rice pudding almost
1:03:02
Speaker 3: made the cut to you is homemade though. When you
1:03:06
Speaker 3: when you get rice pudding anywhere else, you're gambling with
1:03:11
Speaker 3: bullshit for to gam rice pudding. Usually it takes a fail.
1:03:17
Speaker 3: But the rice pudding we grew up eating the homemade recipe.
1:03:21
Speaker 3: It'll give your diabetes instantly, but it's delicious.
1:03:24
Speaker 2: I think my my I got to probably Anama mentioned
1:03:27
Speaker 2: and this is your version of banana pudding.
1:03:31
Speaker 4: I like lemon meringue pie. Take the meringue out.
1:03:34
Speaker 1: My oldest brother that's his favorite pie.
1:03:37
Speaker 2: I hate meringue. Yeah, but the lemon. The meringue is silly,
1:03:43
Speaker 2: like a sliver of meringue the whole.
1:03:45
Speaker 1: The big, big meringue. That meringue be this stick.
1:03:48
Speaker 2: Get it out, but like a little local cover meringue
1:03:52
Speaker 2: with the lemon, just to cut the sweet. Because lemon
1:03:54
Speaker 2: by itself that is too sweet. But the meringue by itself.
1:03:58
Speaker 2: That all said the lemon us, but it's way too
1:04:01
Speaker 2: much Blemma meringue is cool. It's like Oreo cookies for me.
1:04:05
Speaker 2: I can only have a couple, and then I'm like fair,
1:04:08
Speaker 2: I'm maxed out. Fair Fair Apple. The crumble apple crumbles,
1:04:14
Speaker 2: I love you crumbling crumb, blueberry crumbled apple crumble.
1:04:17
Speaker 4: That'd be the best part of.
1:04:18
Speaker 1: The apple pie. I don't know, I'll be let me
1:04:20
Speaker 1: look at crumble.
1:04:21
Speaker 4: The apple pie at the top is more dowe.
1:04:24
Speaker 1: Yeah, there's something about apple pie.
1:04:26
Speaker 4: It's doing too much over apple pie. Gasp apple apple pie,
1:04:35
Speaker 4: baseball the wackest things.
1:04:37
Speaker 1: Yeah, give me the apple.
1:04:39
Speaker 2: Crumbled apple is an infinitely better dessert than apple. I mean,
1:04:43
Speaker 2: it's run circles around. They ain't got the marketing. Apple
1:04:48
Speaker 2: pie is the best thing the little look.
1:04:51
Speaker 1: At the lines going on.
1:04:53
Speaker 3: You see the apples and the the cherry pie. To
1:04:55
Speaker 3: get the cherry pile.
1:04:57
Speaker 1: Man, get out of get it out of he watch
1:05:00
Speaker 1: out
1:05:01
Speaker 4: Alright, man, this episode over with