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One Piece, 442 & 443 · Spoil Me! One Piece

• 0:02
  This is an Unspoiled Network podcast. This is spoil Me, covering one piece
• 0:12
  episodes four forty two and four forty three. Ace's Convoy begins battle on the
• 0:18
  lowest floor, level six, and the Ultimate Team has formed Shaking impelled down.
• 0:27
  In these episodes, we have got a team of usual suspects put together.
• 0:34
  Y'all know. I'm a fan of this, and we get to see
• 0:37
  Crocodile's power work again and it's wonderful. Welcome to spoil Me, Welcome to
• 1:00
  the show everyone. I am Natah. Oh good, I am Natasha.
• 1:04
  Sorry. David is in the chat and he couldn't hear me earlier, and
• 1:07
  we were wondering if it was maybe, you know, an issue with me,
• 1:11
  but it seems like he can hear me, so we're good. Thank
• 1:15
  you very much to Florian for commissioning this episode. I was really glad that
• 1:19
  we only had two episodes to cover this time, because I have so much
• 1:23
  that I want to talk about. Like the past few groupings, I have
• 1:27
  wanted to talk more than I mean it went over. I think for both
• 1:33
  of the most recent ones. There is just so much delightful goodness in this
• 1:41
  arc, and I I'm trying to temper my excitement because you know, I
• 1:53
  was so thrilled with the thriller Bark arc. I didn't mean to do that.
• 1:59
  It's fun, though, I was so thrilled with it, and it
• 2:05
  sort of felt like it ended on a bit of a whimper for me.
• 2:07
  So while I definitely loved that arc and how like totally goofy it was,
• 2:13
  there were parts of it that I just felt like, Man, this had
• 2:15
  more potential, and I feel like you didn't really do with it what you
• 2:19
  could have. So you know, that may be the way that this arc
• 2:23
  wraps for me. But I feel so guilty, you guys, at how
• 2:28
  much I'm loving this arc Because none of Lufy's compatriots are in it. I
• 2:35
  really feel like I shouldn't be this hype when everybody's gone and off doing their
• 2:40
  own things. Like I just feel disloyal, you know what I mean,
• 2:46
  And I can't help it. It just feels like the story is paced so
• 2:50
  much better because we don't have a million people that we need to check in
• 2:54
  on, and while we do check in it, it feels like we're allowed
• 3:00
  to check in in a more natural way versus the obligatory sort of way that
• 3:07
  we were having to before. And also like there is something to be said
• 3:10
  for the fact that whenever he has his crew with him and they go off
• 3:17
  and face their you know, the whatever, like sidekick or henchmen, they
• 3:25
  we know that ultimately they're going to win somehow, you know, and it's
• 3:34
  just feels like a chore occasionally, like it's something on a list that we
• 3:38
  have to check off. Okay, so you know we're going up against so
• 3:42
  and so and his henchmen are so and so, so we're gonna assign each
• 3:46
  of his henchmen to one of the crew members, and how are they gonna
• 3:50
  And it's always like, you know, I shouldn't be saying always that's unfair,
• 3:55
  but it is very frequently kind of the book, and in some ways
• 4:01
  that's fine. You know, to a degree. Doing things by the book
• 4:04
  is part of what draws you to a series, is that you know what
• 4:08
  you're getting and you like the format and the formula of it. And that's
• 4:13
  not an inherently bad thing, but I just think that it's remarkable how pulling
• 4:17
  away from doing it that way has seemed to do the show so many favors
• 4:24
  in this arc. So all right, let's get into this here, because
• 4:31
  I, like I said, have so much that I want to say.
• 4:36
  So the way that this like starts off, we pick up where we had
• 4:45
  left off with. You know, Lufy is with Iva, having just eaten
• 4:54
  and regained most of his strength, and poor Bonclay is on the ground having
• 5:02
  like fucked himself up pretty good, trying to urge Loufy to get well,
• 5:09
  he like sacrifices his There's almost a sense to me like Bonclay infused his vitality
• 5:18
  into Loofy and it was sucked out of him, and so Lufy is okay,
• 5:24
  but now Bonclay is not and uh so, yeah, he's on the
• 5:29
  ground here, and we have a reminder about Ace and the situation with him.
• 5:38
  Iva tells h Lufy to pull out the VIV card and when he does,
• 5:45
  this is actually I think a little bit later but when they get to
• 5:48
  a different level, the VIV card is moving like in a really weird way,
• 5:57
  and that turns out to be because Ace has been removed from the facility,
• 6:00
  so he's not directly above them anymore. So yeah, then we go
• 6:06
  to Magellan, who has come to Ace and is telling him like we are
• 6:12
  about to move you to a new location, and Ace is giving him that
• 6:15
  death glare, which I have to assume he would be doing anyway. But
• 6:21
  I also think that if he knows Lufy is in the building, that he
• 6:26
  must resent it even more that he's being moved just in time for when Lufy's
• 6:31
  trying to track him down. You know, so we have all of our
• 6:36
  friends that have agreed to help Loofy. It's such a weird scene because Lufy
• 6:44
  just goes running, sprinting down the stairs and he says gumgum pistol and takes
• 6:50
  down all of the guards who are waiting and trying to stop him. He
• 6:57
  is being like, they have these weird traps that create like a grid of
• 7:03
  spears that pop out, and Lufy is able to just dance in amongst them
• 7:09
  like an acrobat. And then when they're trying to figure out where aces,
• 7:17
  Iva is standing over one of the guards and says I'm going to need you
• 7:23
  for a moment and puts the guard over his shoulder, And I'm thinking,
• 7:30
  like, what is what is he gonna do with this guy? Well,
• 7:33
  we will see this later. At this point, Lufy's doing gumgum ricochet and
• 7:39
  I love that all of these different transponder snails are filming Lufy going through them
• 7:46
  like a hot knife through butter. It's so embarrassing to them. They really
• 7:53
  were trying, and they are getting to level six and it is like no
• 7:58
  problem for them at all. And the guards that are watching this are actively
• 8:03
  sweating because they know eventually they're probably going to be expected to go up against
• 8:07
  this guy themselves, and he made such short work of the others that is
• 8:13
  just really not something to look forward to. So this is when we get
• 8:20
  to level six and Lofey begins looking around for Ace. I love that this
• 8:24
  fucking guard is still over. I have of a shoulder just kicking, and
• 8:30
  h Loviy just starts yelling, Ace, where are you? Because the place
• 8:35
  feels very open. It's like it seems much more like a solitary room than
• 8:41
  it does a whole floor of the facility, the way the others have,
• 8:46
  like every other place in this prison has really seemed like its own ecosystem in
• 8:54
  a way, but this genuinely feels like we're just kind of in a weird
• 8:58
  little wing, which makes sense because it seems like this is sort of the
• 9:01
  lesser used area a lot of people don't even know it exists. So this
• 9:07
  is when Iva makes use of the guard and injects him with female hormone.
• 9:15
  So I'm like waiting for a terrible reaction, and the guard transforms into a
• 9:22
  woman and then looks down and says, is this me? And Iva says,
• 9:28
  it's the you you were always afraid to be. I'm beautiful. You've
• 9:35
  been reborn, my dear, You're no longer a jailer. You're a new
• 9:39
  comma. Now, Oh thank you. What have I been doing all of
• 9:46
  these years? My gosh, I don't know how I can ever repay you.
• 9:50
  Iva. I am absolutely living for this, like you know it.
• 9:58
  It was questionable, although I didn't have a real problem with it when Iva
• 10:05
  did this to somebody who was like just going to be taking offense at the
• 10:09
  fact that they were seen as a woman now and that it was an insult
• 10:13
  to his masculinity. But this guard being like, finally I am who I
• 10:22
  was supposed to be. I love it, And I can't tell, like
• 10:28
  I have a saying it's who you've always wanted to be. I couldn't tell
• 10:33
  whether I've actually knew that or if And like it's supposed to be that Iva
• 10:37
  has a sort of sixth sense about people who are questioning their their gender identity,
• 10:43
  you know what I'm saying, or if it's just that gender. Like
• 10:48
  the way that Iver saw this guard react meant that I've followed the cues and
• 10:56
  was just reading the room, you know what I'm saying. So anyway,
• 11:01
  Uh, they ask her where's Ace, and she just like freely points and
• 11:07
  says that way, But he's not. We've finally gotten here and he's been
• 11:11
  fucking taken away, which truly is so infuriating you guys, Like you know,
• 11:18
  it's the sort of thing that makes total sense if you know where he's
• 11:20
  headed. Just get the guy out of there. And then what but after
• 11:24
  everything to like finally reach this floor and he's already been removed. I just
• 11:30
  really felt for Lufy on this. It's like, you know, getting changed,
• 11:37
  washing your face, getting into bed and you're all cozied up and blankets
• 11:43
  are perfect, and then you realize that, like you left your book that
• 11:46
  you were intending to read out in the kitchen or something, that's exactly what
• 11:52
  it's like. I hope that my comparison to leaving a book out in the
• 11:56
  kitchen that you understand, I am direct equating it with realizing that your brother
• 12:03
  has been removed for execution. I hope that that came across that that's those
• 12:07
  are equivalent things to me. So anyway, yeah, he gets there,
• 12:16
  cel is half empty because you've got this other fishman, Jimbay, who is
• 12:20
  really wild looking. He sees Loofy and knows like the straw hat and goes,
• 12:26
  oh, man, that's got to be him, and he says,
• 12:33
  are you that straw hat? You're a moment late he was here. They
• 12:39
  took him to the elevator for the prison chance transfer. There's still a chance
• 12:45
  that you can catch him, and I've sees Jim May and recognized the hime
• 12:50
  Iva has apparently just really rocked with a pretty like mixed crew, because I
• 12:58
  keep saying, she I'm sure that they would not care which pronoun I use.
• 13:05
  They know everybody, and it seems like on a very personal level.
• 13:13
  So they take off to the elevator. Jimbay at this point has not attempted
• 13:22
  to join them, which I was surprised by. Now that comes later,
• 13:26
  but I really thought in this moment that he would be sort of like,
• 13:28
  maybe I'll go ahead and ask if they'll let me out and I can help,
• 13:33
  and we find out that, like when Ace was saying Lufy is here,
• 13:37
  Jim Bay was sort of going, are you sure, dude? That
• 13:41
  feels pretty far fetched, and he had said this earlier, but he continues
• 13:46
  to sort of try and bring Ace down to earth. I think he really
• 13:50
  doesn't want him to get his hopes up, and he seems to feel a
• 13:54
  little bit goofy that he was so wrong. So our friends are sprinting toward
• 14:03
  the elevator and Iva is trying to like use the operating system of the elevator,
• 14:09
  which is just looks like it's the sort of pulley thing, trying to
• 14:13
  get it back up, but instead it's another trap. And there's like a
• 14:18
  weight with spikes that comes plummeting down almost takes Lufy's fucking head off. And
• 14:26
  I have a looks down and it's just like, oh, they can't let
• 14:30
  things be convenient for us. We'll have to find ourselves another way because they're
• 14:35
  watching us. Let's go back to the stairs, and Loofy is like I
• 14:45
  and just the fact that he is still keeping up after everything. I know
• 14:50
  he's basically fully healed here, but it's really I'm I just want to say
• 14:58
  that I'm proud of him, which feels silly. But so they drop a
• 15:03
  cage around the staircase as well so that they can't get to it. Then
• 15:09
  this like fog of gas comes down, which it turns out is not a
• 15:13
  killer gas, but it will send you to sleep, and Lufy is just
• 15:18
  going, oh, it's fine, I don't care. I'm gonna do what
• 15:22
  I'm gonna do, which is what he already always does, charges into it
• 15:26
  and drops like a fucking stone. Meanwhile, is just like, did he
• 15:33
  really just do that? Oh my god, And the guys who are in
• 15:35
  the cells around the mourning them are just yelling like, get out of here,
• 15:41
  move and they are only able to just get that out before they collapse.
• 15:46
  Also, so up in the observation room, they're watching finally that this
• 15:56
  gas seems to be working after everything else fucking failed. And this is Hannibal
• 16:03
  and he's saying this, now that I've done this, I can keep my
• 16:08
  job now to place the blame for this entire fiasco on Magellan, And one
• 16:15
  of the guys says, uh, sir, the microphone is still on,
• 16:18
  and he just yells come on Man, and I love that when we go
• 16:22
  to Magellan, he doesn't have any reaction because I think he just assumes anything
• 16:27
  Hannibal does is him attempting to undermine him in some ways. So he just
• 16:32
  does not take it that personally, which I think is really funny. And
• 16:38
  he turns to Ace and is just like, huh, it's a pretty funny
• 16:44
  how Lufy just managed to make it's a level six like a minute after we
• 16:48
  took you away, So I having really sucks. Huh. And Ace turns
• 16:53
  around with this like genuine look on his face, and I kind of wanted
• 16:57
  to yell at Ace, and I know that this is just me being like
• 17:02
  the pettiest bit you've ever met in your life. But that's exactly the reaction
• 17:07
  Michellen wants. Ace. Don't give him a satisfaction, just keep that shit
• 17:11
  inside, like you know what I'm saying. But again, that's me just
• 17:15
  I don't like to dance to other people's tunes. If it seems like somebody
• 17:21
  is really trying to get a specific reaction out of me, I am instinctually
• 17:26
  going to try and give them the opposite of what they want. And it's
• 17:30
  it has nothing to do with whether or not I like you. It's just
• 17:33
  like an instinct with me, you know what I'm saying. So anyway,
• 17:38
  fucking loofy, dead ass asleep here with this this fog that they put down,
• 17:45
  and the like the situation here, with the fact that he is asleep,
• 17:52
  the fact that they have an eye on him and they know exactly where
• 17:55
  he is. They are very certain they've got him well in hand. He's
• 18:00
  not getting away, and they're gonna throw him into the same cell that Ace
• 18:03
  used to be in. And they tell Ace like he's gonna get to know
• 18:07
  some of the torment that you've experienced as well. And Ace loses it here
• 18:15
  and decides to try and make a run for it. Now, this is
• 18:18
  remarkable because he is just going through like he's got these manacles on, and
• 18:23
  Guys, I really really cannot stop laughing at the fact that these manacles are
• 18:30
  his hands are in front of him. That's just such a no no,
• 18:36
  don't do that. Don't when you're dealing with the prisoner of his caliber.
• 18:41
  That's the rooky mistake, kiddos. You don't chain their hands together in front
• 18:45
  of them anyway. So we get this amazing moment that I loved so much
• 18:55
  because I feel like it's something that kind of is what I am always thinking,
• 19:02
  but never really happens with the kind of like emphasis that it happens in
• 19:07
  this scene. Ace is you know, left right with this this trident and
• 19:12
  really like killing it, and everything is feeling like he's a badass and maybe
• 19:21
  he's actually going to manage to like take care of this. And then as
• 19:26
  every man is like going down like a fucking sack of flower, Magellan just
• 19:33
  steps forward and grabs the end of the trident between his thumb and forefinger.
• 19:41
  And what I mean about this is the emphasis of how small this weapon is
• 19:48
  in proportion to Magellan and how little strength it takes him to bring it all
• 19:53
  to a complete halt. This is something that I think about with these villains
• 19:59
  a lot, because so many people in this universe are oversized. They're all
• 20:03
  wildly different sizes. So you've got folks that it just feels like they should
• 20:08
  be able to handle a fight in this manner, and instead, for whatever
• 20:15
  you know scene that you're in, we have to have them fighting at a
• 20:21
  level that suggests this character who is a tenth of their size is as strong
• 20:26
  as they are in a way that doesn't really it doesn't always read like it
• 20:33
  works, fe know what I'm saying. So I just really really enjoyed this
• 20:38
  even though it doesn't you know, like Ace like drops the trident and he
• 20:41
  backs up, so there's a confrontation of a different kind, but it's just
• 20:45
  wild, like he runs away here and Magellan just grabs Ace. Like.
• 20:53
  When I say grab, I don't mean like, oh, he grabs him
• 20:57
  by the arm, because his hand is almost the same size as Ace's entire
• 21:06
  body, so he just reaches out and grabs Ace like by the back of
• 21:12
  the head and presses him into the floor until his hand is completely covering Ace
• 21:21
  from the top of his head to the base of his torso, and he
• 21:26
  is flattened like somebody just draped several weighted blankets over him. And I,
• 21:36
  you know, again, this is just something that is so frequently on my
• 21:41
  mind that it should work this way, and it doesn't. It just often
• 21:48
  doesn't work this way in the show, and I really enjoyed getting to see
• 21:52
  it in a way that's like, obviously, we couldn't have this happen for
• 22:00
  Loofy. Usually he went up against Magellan and he actually put up a fairly
• 22:06
  solid fight in some ways, despite the fact that he obviously wound up getting
• 22:11
  poisoned and was in pretty bad shape. But you never see this sort of
• 22:17
  like humiliating tactic used on Loufy. It's very very rare, and a part
• 22:23
  of me is like glad of that, and another part of me kind of
• 22:26
  wishes that we would because I just feel like it's an elephant in the room.
• 22:33
  How much huger the villains are than our guys. That should just be
• 22:38
  an inherent advantage that he's rarely taken advantage of. So anyway, we then
• 22:49
  like a says, damn it, Lufy, I was hoping a Hancock was
• 22:55
  lying and Magellan were inside his head, and he's like, I don't get
• 23:00
  it. How has this kid recovered from my poison at all? And secondly,
• 23:06
  how is he like up and about even surviving? It is remarkable?
• 23:11
  But he's out here fighting the good fight and how is that even like?
• 23:15
  And he's really starting to get a little bit shook, which I really like
• 23:19
  because we know that Lufy got help. You know, this was this was
• 23:25
  not because he himself is so resilient, although that's certainly a factor, but
• 23:30
  it is because somebody else was able to do something for him. But all
• 23:36
  Magellan knows is this dude survived somehow, and that adds to Lufy's mystique.
• 23:44
  I like it. So then we go to Mister three and Buggy and you
• 23:52
  guys, this shit HADMI cracking up so bad. So we've got one of
• 24:00
  those like weird Sphinxy creatures that is doing the uh the noodles thing, you
• 24:08
  know, and he's yelling pennae and wheat flower with noodle or wheat flower noodle
• 24:14
  with curry or whatever and chasing them. Eventually, these guys wind up penned
• 24:22
  up underneath something I can't remember if it's like a a table with like a
• 24:26
  tablecloth over it. It's the sort of thing where they are not actually physically
• 24:30
  protected. But I think that maybe the sphinxes just don't know they're under there.
• 24:34
  I'm trying to remember. I you guys, I was. I was
• 24:41
  watching this and like the whole scene and the way that it unfolds. I
• 24:47
  don't know why, but I feel like this might have been one of the
• 24:49
  funnier things that's ever happened in the show. And I'm gonna wait until I
• 24:52
  get there. So that I can go line by line, but it progressively
• 24:56
  got funnier and funnier, and it's the sort of thing that I wonder,
• 25:03
  very sincerely wonder how it works with the sub instead of the dub, because
• 25:08
  the dub is so hysterical, and you guys know that, Like, I
• 25:15
  really have strong feelings at this point about how much better the dub conveys certain
• 25:22
  jokes, whether the joke is the same joke or not, it seems like
• 25:26
  they manage to do something with it with the dub that gets the point across
• 25:32
  and still manages to convey the humor even though the subject matter of the joke
• 25:37
  maybe different. And I was just listening to the Overdue podcast those of you
• 25:42
  who don't know it. It's a podcast about the books you've been meaning to
• 25:47
  read. And I guessed on it like once a year. Just recently did
• 25:52
  one with them to cover the book Cackle by Rachel Harrison and the boys from
• 25:56
  Overdue Long Read project every few months, And what they're doing right now is
• 26:06
  they're covering the Iliad. And for those who aren't aware, you know,
• 26:12
  people call it Homer's Iliad, and it's actually theorized that like there was no
• 26:18
  Homer, like, this is just a name that they gave in in order
• 26:25
  to assign a single writer to a work that actually is a compilation of a
• 26:33
  lot of different storytellers and a lot of different time periods. So the issue
• 26:38
  that can come up with the translation of it is that the original Greek is
• 26:48
  not consistent in its time period and the slang that was used, so you
• 26:53
  run into this like kind of weird effect where you're attempting to translate it ver
• 26:59
  beta. But if you do that, the tone of it is really uneven
• 27:03
  and all over the place, because it shouldn't. That's not really the way
• 27:07
  that it was intended to be consumed. And the whole thing with uh,
• 27:18
  the what I found interesting with the Overdue boys covering it. I can't remember
• 27:23
  the name of the translator, but they have chosen in particular a woman that
• 27:27
  they have read another translation of hers that they really really liked. And this
• 27:34
  woman has done a really interesting thing with the translation, attempting to use like
• 27:42
  language that feels modern enough that it is fresh and immediate, but isn't like
• 27:48
  so pop culture and irreverent that it feels totally anachronistic. And she attempted at
• 27:56
  first to use the same exact number of lines when she was translating, and
• 28:03
  then realized that didn't work, and there were a lot of things that she
• 28:06
  needed to be able to add a little context within the text itself and not
• 28:11
  in the footnotes for the line itself to work, And so it wound up
• 28:18
  being longer in the end because she added things, and how she wrestled with
• 28:25
  that. You know, she was working on this translation for like a year
• 28:27
  and making very little progress and getting super frustrated until she finally realized, I'm
• 28:33
  trying too hard to do a like quote faithful translation. That is, I
• 28:41
  will translate each word into each thing when there's not always an equivalent word in
• 28:48
  the English language, or the joke they're telling makes no goddamn sense in our
• 28:52
  current context. Things like that, And her whole forward is about the context
• 29:00
  of everything really influencing how you should translate things, because the way it was
• 29:07
  intended to be consumed is with an eye toward the relevance to like certain current
• 29:15
  events or trends or fashions or whatever. And you can make that relevant,
• 29:22
  but you can't make it relevant to today and keep the language identical in translation.
• 29:30
  So anyway, all this to say, I really it's that series that
• 29:36
  the Overdue Boys are doing is called Stop Homer Time, and they post it
• 29:41
  on their main feed, but you get it earlier if you're a patron.
• 29:44
  And it really was like sort of reassuring to me, because you guys know
• 29:48
  that I had a lot of like weird feelings about transitioning over to the dub
• 29:55
  at first, and feeling like there's so much I don't want to say hate
• 30:00
  because that's not exactly right, but I feel like there's a real puritanical quality
• 30:07
  to the way some folks watch anime where it's like, if you do the
• 30:12
  dub, then it's not accurate. And seeing the way that this translator treated
• 30:18
  a work that's like Seminal the Iliad and feels that if anything, the way
• 30:26
  she's translating it is more accurate was sort of validating to the way that I
• 30:30
  feel about the DUB. I understand the thought behind, like, well,
• 30:37
  this is what it originally said, and I want to read it the way
• 30:40
  it was originally said, or watch it the way, but you're not inherently
• 30:45
  a translation isn't the way it was originally said, and not everything works in
• 30:52
  a word to word translation. So I really like the moments in this show
• 30:59
  where there are certain jokes that are just genuinely really really funny. I haven't
• 31:06
  been watching it the way I used to, which was I would have the
• 31:08
  sub that was in Japanese playing at the same time that I had the dub.
• 31:15
  I haven't been doing that anymore because I decided it was like too distracting.
• 31:18
  But I kind of want to go back and watch some of these scenes
• 31:22
  because I feel that this arc has more genuinely laugh out loud moments than any
• 31:29
  of the arcs so far, and I'm just really curious how much of that
• 31:34
  comes from the original text and how much of it comes from them really knowing
• 31:41
  how to translate it and make it work super well, you know. So
• 31:47
  anyway, we then have this, uh, what's the name of the guy
• 31:49
  with the split orange and white? He is a scissor man and he is
• 31:56
  cutting up the floor like it's paper and then can curl it like you know.
• 32:02
  He just sliced a ribbon out of it and just lift it upwards.
• 32:07
  And it's so weird because he does a bunch of these ribbons and I'm watching
• 32:12
  this like I do not understand what the goal is here, but it's to
• 32:16
  wrap up around the pipe that is pouring all of this poison gas into the
• 32:24
  room, and it closes it off so the gas isn't coming in. But
• 32:30
  all I could think was like, how are you able to like be right
• 32:35
  up next to it as you're doing all of this and it does not affect
• 32:37
  you. I guess it's supposed to be that we have to reach a certain
• 32:40
  like concentration of it, but yeah, I just really this scissor man is
• 32:47
  a pretty fun bit. He can manipulate whatever he cuts as though it's made
• 32:52
  of paper. And I love Lufy just getting up and saying, really that's
• 32:57
  cool and fall asleep. And I was sort of like, I think that
• 33:02
  it's just supposed to be that he's still recovering, but I was puzzled by
• 33:07
  the fact that Lufy keeps on falling asleep, So we gotta keep going up.
• 33:14
  Crab guy, thanks for blocking out the gas. But now I can't
• 33:16
  go up the stairs to ace, and they have to figure out another way
• 33:22
  that they're going to do this. So Iva takes down. There's a transponder
• 33:32
  snail that she's able to I see, I'm doing the she and he I
• 33:37
  don't think they would care, but I'm gonna try and do they as much
• 33:40
  as I can. It's it's one of those things that I really judge myself
• 33:46
  for because they as pronouns is a valid like you know, it's a totally
• 33:54
  valid choice, and it's in keeping with the way we speak already as much
• 34:00
  to some people try to protest, but I find they so much harder to
• 34:06
  remember than just transitioning to a different gender entirely like they is. We're using
• 34:15
  it now in a way that I'm not as used to, and so I
• 34:19
  feel like awkward with it, and I often fuck it up. So forgive
• 34:23
  me, everybody listening if I fuck it up. I'm really really trying.
• 34:28
  But I know, I just want to forewarn you that I know this is
• 34:32
  a pronoun that I trip up on a lot, and it's just because of
• 34:37
  ingrained habit, you know. So I love this. When I was just
• 34:44
  like, we have quite the milunge of obstacles in our way, and there's
• 34:50
  just a scan across of all of these different people that they are going to
• 34:53
  have to deal with. And this is when Lufy pulls out the Viver card
• 34:58
  and realizes, like, oh okay, well, they must have Ace outside
• 35:01
  of the facility now, and yeah, we see him on the surface and
• 35:05
  he is being led to a ship. He's like on a dock here.
• 35:10
  I love like all the guards behind him, these goofy, fucking like cowls
• 35:14
  that they have to wear. They look so silly. And Ace is sort
• 35:21
  of like there's a real sense of I want to do something to draw things
• 35:28
  out and make some opportunities for my brother, but he doesn't seem to know
• 35:34
  what to do. He's looking up at the sky. There's a bird up
• 35:37
  there. We have just a sort of long drawn out you know. And
• 35:42
  Ace comes forward and guys, I don't know if I noticed this before,
• 35:45
  if this is a new thing or what. But Ace's tattoo there's an S
• 35:52
  that's crossed out, and I don't know if that's something that's been referenced.
• 35:54
  And I just forgot but I do not remember at all what that's about.
• 36:01
  Sorry, guys, I'm just over in the chat over here, David is
• 36:07
  saying singular they is attested to all the way back to William and their Werewolf
• 36:13
  written before th sound was thh and was the Thorn? And Jane Austen used
• 36:21
  it and Shakespeare. It's totally fine, and was the thorn. I don't
• 36:28
  know what you mean. I'm so sorry, David. I feel like a
• 36:30
  real Dodo, but I feel like I'm misunderstanding. But yeah, it is
• 36:36
  like anybody who knows anything about language, they would are not going to argue
• 36:39
  with the singular. They like, it's a completely valid thing. It's just
• 36:44
  I am not used to using it purposely referring to a specific person. Usually
• 36:52
  I'm usually referencing like a Oftentimes I'll use a singular day in reference to someone
• 37:00
  did something and I'm not sure who it was, so I just use they,
• 37:04
  And it's really really tricky for me to switch it up in my brain
• 37:08
  and be like, no, this is in reference to somebody who you know.
• 37:15
  Thorn is a character that used to be in the alphabet and made the
• 37:17
  th sound Oh right. I know about this because the ye Old Candy Company
• 37:24
  signs that why is a like sort of evolution of the thorn like character in
• 37:35
  the alphabet. So it used to be the old candy shop. That's actually
• 37:39
  what they were saying, but we have weirdly like corrupted it and made it
• 37:45
  into yie old, which is never what it was meant to sound like or
• 37:49
  and it doesn't actually make any sense. Thank you. Yes, now I
• 37:52
  remember because I recently like watched or read something about that. So we get
• 38:01
  the the handover of Ace, and as he's walking past, he turns and
• 38:10
  looks at the prison again and is thinking about Loofy and just sort of like,
• 38:15
  is there a way to avoid getting on this ship? And it's I
• 38:22
  really felt for him because knowing all of this and only having BoA's word for
• 38:29
  it, at first, you could tell yourself like, all right, maybe
• 38:34
  she doesn't have the great information where she's fucking with me. I don't see
• 38:37
  why that would be true, but I can, like, you know,
• 38:40
  try and comfort myself. But now he's got actual confirmation that Loufy is in
• 38:45
  there. So we go inside and Loufy when he's talking up to Iva,
• 38:55
  Iva keeps saying to give up on a that I will get you out of
• 39:02
  this prison. I can break you out of here, no problem, but
• 39:07
  I'm not going to be able to help you with Ace. Put your faith
• 39:10
  in white Beard and believe that he would do something to help one of his
• 39:16
  own. He would never give up. You might not be able to make
• 39:20
  a move, but he can and this is when Lufy says, I'm going
• 39:25
  to Marine Ford and I have a tries to argue with Loofy, And it's
• 39:30
  really funny because we have a moment that's like almost exactly mirrored in the recent
• 39:38
  episode of the live action one piece. In live action, Garp is holding
• 39:44
  Lufy up and Lufy's laughing, and Garp is reminded of gold Roger, and
• 39:52
  it's the same position, like he's holding him up, and the energy of
• 40:00
  it is like it's just a transition of like what you're doing is me is
• 40:07
  reminding me exactly of the face somebody was making and the energy they gave when
• 40:12
  they did it. So what happens here with Iva is they're trying to convince
• 40:17
  Loofy to like give up, and Lufy says, I Am not going to
• 40:23
  give up. If I if I gave up, I would regret it,
• 40:28
  and he says it with this intensity that Iva suddenly sees dragons standing there and
• 40:35
  backs up in a hurry and is just sort of like, well shit,
• 40:38
  this is unflinching, and he we get interrupted here by Crocodile saying, if
• 40:47
  you want out so bad, then let me free. I'll make a hole
• 40:51
  in the ceiling of this place and you'll be free to go. I was
• 40:55
  so excited about this, you guys, and Lufy has much more of a
• 41:02
  reaction to seeing crocodile than I was expecting. But I appreciated that. We
• 41:09
  get a flashback of Lufy like impaled on his hook and are reminded, like,
• 41:15
  there have been a lot of baddies that Lufy has gone up against that
• 41:21
  have done some damage to him, but that hook through the chest, that
• 41:25
  was a real particular kind of fucked up, and I am very willing to
• 41:32
  buy that the crocodile is somebody that he is more afraid of than others.
• 41:42
  But yeah, so he's standing there grinning with his creepy fucking face. I
• 41:46
  love him. He says, did you miss me? And that's how the
• 41:50
  episode ends, and I was like, honestly, yes, a little bit.
• 41:52
  I did. Though, So we jump into the next episode from here
• 42:00
  and the main thing that I want to talk about here so well, I
• 42:07
  do, but I'm not going to do it first. We have to recover
• 42:13
  everything, so I'm trying to get through that. Oh yeah, here it
• 42:17
  is so Crocodile and Moofy like they have to sort of there's an interesting implication
• 42:29
  here, and I do not know what is going on, but the energy
• 42:34
  of it is Crocodile has some kinky shit in his past or has some things
• 42:42
  that he is like just personally ashamed of. I don't know, and Iva
• 42:47
  knows about it and is essentially holding Crocodile to his good behavior by saying,
• 42:59
  if you fucking do anything to betray us, I am going to tell everybody
• 43:07
  about your dirty little secret. Yeah I can't. I am so curious about
• 43:13
  this. There there is an if those who don't know. PG. Woodhouse
• 43:21
  is a comedic writer and he does a series, or he did long ago
• 43:28
  a series that was the Jeeves and Wooster series, and Jeeves was a butler
• 43:34
  and Wooster was his sort of like a little air headed rich master and very
• 43:44
  well intentioned but hair brained with these schemes a lot of the time, and
• 43:51
  it is such a fun series. Like PG Woodhouse is truly a master.
• 43:57
  There's some problematic stuff, of course in certain ones. But there is a
• 44:00
  story where Jeeves finds out some dirt through a guy's butler who he talks to,
• 44:12
  and it's held over this man's head the whole book to keep him from
• 44:17
  doing shitty things because he's otherwise a fascist essentially a bad person, and has
• 44:24
  this like very upright super hyper masculine image and has to keep that in order
• 44:32
  to continue doing the work on the ground that he's doing. Like imagine a
• 44:37
  sort of like Ben Shapiro, but actually really really masculine and not the weird
• 44:45
  thing that Ben Shapiro has going on like a public figure in that way.
• 44:52
  And eventually at the end of the book you find out the thing that is,
• 45:00
  the thing that's being held over his head is that he has the most
• 45:07
  popular lingerie shop in London named you Lay, and it's like his life and
• 45:16
  he is rolling in it. But it's from that, not from what he
• 45:22
  does, which is what he lets everybody think. Like, it's not about
• 45:25
  his like you know, his fascism. It's about how much he loves to
• 45:31
  design and sell lingerie. And it's one of those secrets that feels so silly,
• 45:37
  but it works perfectly tonally with the goofiness of the book series themselves,
• 45:44
  and it's just shy of being like offensive. You know. I really love
• 45:50
  that little twist and I want to believe that's the twist here, is that
• 45:54
  Crocodile has a very successful company and that he is just super into designing lingerie
• 46:05
  and that is his dirty little secret that he doesn't want anybody to know and
• 46:07
  guards very jealously, even though it's super not really that big a deal.
• 46:14
  I can see why he would think so, and that's gonna be what I
• 46:16
  go with for his like, you know, and the fact that Iva is
• 46:22
  out here, like, look, lufy, I get it. If he's
• 46:27
  offering his help, though, we gotta take it. It's we just don't
• 46:31
  have the options here to be picky. And he calls Crocodile Sandy Pants,
• 46:38
  and then for like the rest of this episode, calls him Kroco boy.
• 46:45
  And I met him when he was a rookie, still wet behind the ears.
• 46:50
  I wouldn't worry. If this guy tries to double cross us, I'll
• 46:55
  whip him into shape in a jiffy. As long as I've got an eye
• 46:59
  on him, then he should behave just fine. He's a scoundrel, but
• 47:05
  he's a scoundrel with a weakness. I know. Well, what I really
• 47:12
  think is that maybe Crocodile started out as a woman and maybe I've a transformed
• 47:22
  him. But I really am not sure whether Iva's power works in the other
• 47:30
  gender direction, because so far we have only seen Iva turning men into women,
• 47:36
  and to a degree that really is kind of like an unfortunate thing where
• 47:42
  it almost seems, oh, well, we're going to choose the most humiliating
• 47:45
  thing, which is, of course a man being turned into a woman.
• 47:49
  But I am willing to sort of let that go and not look at it
• 47:53
  that way because of the fact that the most recent guard was not humiliated and
• 47:58
  was pleased to have been transformed. But I just don't know whether or not
• 48:04
  it was it's within I was power to turn somebody from woman to man,
• 48:10
  Like, can that be done? Ooh, sorry, I'm missing a bunch
• 48:16
  of stuff here, David says, uh, what's the secret? Speculate wildly,
• 48:22
  And it's also so on point. I think in reference to the Jeeves
• 48:25
  and Wooster thing, does Nami buy from Crocodile's company? Oh, you mean
• 48:31
  like laningerie? No? I don't know. Now. I likes pretty things,
• 48:37
  so maybe she would. She doesn't seem like a lingerie girl to me,
• 48:42
  but she actually has been known to like shopping, So I think it's
• 48:45
  just that we haven't gotten to see that side of her because they don't have
• 48:47
  leisure time in this show, you know what I mean. But yeah,
• 48:52
  so what I was saying does seem to be like working. And then we
• 48:57
  get the chiming in of Jim Bay and him saying, I'm going, I
• 49:05
  will definitely put my life on the line for Ace. Let me get in
• 49:07
  on this as well. So they've got like a pretty solid crew going on,
• 49:13
  and then a bunch of other dudes that are like off to the side.
• 49:16
  They can hear all of these deals where oh yeah, as long as
• 49:21
  you like pledge that you care about Ace and you'll put your life on the
• 49:22
  line, you're gonna get a way out of here. And they're all like,
• 49:25
  oh yeah, yeah, yeah, me too, I would die for
• 49:29
  him or whatever. And I just really like the way that was written or
• 49:32
  whatever. It's just the implication just being they have no interest in what they're
• 49:37
  talking about. There's no sincerity to it. And then we get the part
• 49:45
  that I was the most excited about. Oh wait, I'm skipping over something,
• 49:51
  my bad. All of these fucking guys coming in with their gas masks.
• 49:59
  We've reached Level six move in and they have to bust through that wall
• 50:04
  that the orange and white one put up and when they come in, they're
• 50:09
  like, well, they must still be down here, but there's a spiral
• 50:14
  that has been cut out of the ceiling. The coolest concept. I really
• 50:20
  really liked this as like an option. We don't see the way that this
• 50:23
  is done because like, if you stop and ask too many questions, it
• 50:28
  doesn't make a lot of sense that this was even possible. But in terms
• 50:32
  of like the visual of it, I love it. And so we've got
• 50:39
  one guard remaining who after everybody else? Oh no, I lie, it
• 50:45
  looked like it was a guard remaining, but no, all of them are
• 50:47
  still there and they're like, well, where is everybody? And they hear
• 50:51
  a voice and it's the original jail manager, sare you? Which it's funny
• 50:59
  because we've got Hand and we've got Magellan, which are both names of like
• 51:02
  you know, figures in history. Not really sure why Magellan was chosen.
• 51:07
  Hannibal is of course for me, I'm thinking of Hannibal Lecter and you're in
• 51:13
  like a hell escape. Choosing a serial killer works, you know. I
• 51:16
  don't get the choice for Magellan though, like he was an explorer, and
• 51:20
  I'm not sure if there's a different Magell, and they're referencing that I just
• 51:22
  don't know about, but sure you doesn't ring any bells. I don't know
• 51:25
  if this is a name that's from something else or not. And he basically
• 51:30
  is like, all of you guys are pathetic. This whole place is a
• 51:32
  shambles, and three people have managed to not only escape themselves, but they
• 51:39
  got Jimbay and Crocodile the fuck out of here. So if you are interested
• 51:45
  in like salvaging this situation, go fucking tell them to let me out of
• 51:54
  here. Tell Magellan, I am going to assist if he wants. And
• 52:01
  Magellan, who is apparently like watching through a transponder Snail, finds out that
• 52:08
  these other two have been released, and he's just like, god fucking damn
• 52:14
  it. Do you think i'd be held responsible? And this other guy's like,
• 52:17
  yeah, I do. I think you will be held solely responsible,
• 52:22
  sir. So now he's in panic mode, and I think that he is
• 52:28
  going to wind up taking this advice, and of course he winds up calling
• 52:32
  out to uh my god, what is her name, Sadie and telling her
• 52:40
  to get involved. We cut over to Crocodile, who has somehow like gotten
• 52:47
  out of his prison uniform and back into his actual clothing. He's wearing rings,
• 52:53
  he's got that fur line, like that fur collar coat, he's got
• 52:59
  a cigar, like the whole bit. I don't know. They're sitting on
• 53:06
  some packing crates, so my assumption is that like they get stripped of their
• 53:12
  stuff and put into their regular like put into their uniforms, and all of
• 53:15
  their stuff gets put in crates that are just stored very close by. But
• 53:20
  it is really funny to me, And honestly, I was kind of feeling
• 53:24
  crocodile in the prison outfit, so I was a little bit disappointed that he
• 53:29
  is like changed out of that so fast. So we get Then I have
• 53:35
  a talking to to Bonclay and I was saying, emporio energy hormones only give
• 53:45
  you strength for one day. There will be side effects. Are you sure
• 53:51
  that you want to do this? And Bonclay says, go ahead and do
• 53:54
  it. What choice do I have If I don't, I won't even be
• 53:58
  able to get up off the floor. And I just love this. Yes,
• 54:02
  good point, unless I wanted to carry you, which for the record,
• 54:07
  I do not, And I just really enjoyed that delivery that line delivery.
• 54:14
  So Iva administers this hormone I felt so bad. Iva gets him in
• 54:19
  the in the nutsack is the implication, and I'm just like, why why
• 54:22
  must you? Poor Loofy, who is just like please don't die, bon't
• 54:27
  clay. And then we jump to them all in the snow and they have
• 54:34
  got to like hurry through and get out of there, and you know they're
• 54:38
  not super well dressed for it, like there's good as it's going to get
• 54:42
  with these coats and stuff. But reminder that most of I have his compatriots
• 54:45
  are wearing fishnet high high stockings on the bottoms, like you know, this
• 54:51
  is not ideal. So let's see Iva. So let's give these boys,
• 55:00
  well new Kama Land is gonna give them a fight the likes of which I've
• 55:04
  never seen before. And are you ready to rock this? Straw? Boy
• 55:10
  and I have a turns and some guy is like, oh uh, he
• 55:14
  went out on ahead of us. I thought that Iva would be upset and
• 55:19
  be like god, damn it, Loofy, but instead I just says,
• 55:21
  a free spirit, let's catch up with him candies, and it's great.
• 55:25
  Iva takes off at a dead sprint. We see these wolves that are standing
• 55:29
  there and they seem like they're maybe going to attack, and they just stand
• 55:36
  and watch, and then Von Clay goes by, going, wait, help,
• 55:43
  I'm going too fast, and he's pure a wedding and goes right by
• 55:47
  the camera and like knocks the two wolves over and like goes off screen the
• 55:52
  other side. This was so funny, you guys. There's there's a a
• 55:57
  TikTok that was going around where somebody is trying to film on a slope,
• 56:06
  a ski slope I think that they had I don't remember if they were skiing
• 56:09
  or snowboarding, but they are standing still and somebody is filming them on their
• 56:15
  phone and as they're talking, you just see you hear something coming from one
• 56:21
  side. They fly by and you just hear them go earl, and then
• 56:28
  a second shape that goes, we're going too fast and they it's like a
• 56:32
  split second that they fly past the camera and with genuine like panic in their
• 56:37
  voices. And that's the whole TikTok is just this person trying to have a
• 56:42
  calm moment and these two people who were completely out of control. So anyway,
• 56:49
  this just reminded me of that a lot. And yeah, apparently despite
• 56:55
  the hormones being a bit too much. It's so sort of you know,
• 57:00
  Bond is getting some compliments on having some excellent moves. I do like too
• 57:06
  that He's like, I'm getting sick though, I'm spinning too fast. This
• 57:09
  is too much. So we cut back to Ace. He is on the
• 57:14
  deck of the ship and he is staying. I think he's sitting on like
• 57:17
  a slab that's made entirely of that seastone because it's just sort of a weird
• 57:24
  thing. The chair is made out of it, and the ground is made
• 57:30
  out of it, which it's a pretty good precaution to not only have the
• 57:35
  chair and chains made out of it, but to have like this sort of
• 57:37
  whole environment. If what I think this is is correct, I may be
• 57:42
  wrong about that, but yeah, he is on a ship that is like
• 57:47
  heading out, and we see the huge gates opening, and I was just
• 57:53
  like, he has gotten a lot further than I was expecting. And as
• 57:59
  he's going out, we go to Magellan, who's like, well, at
• 58:01
  least the Navy didn't come inside and see what a fucking disaster we are,
• 58:05
  So we got that going for us. As he heads back inside and everybody
• 58:10
  is running up the stairs here, and we get info that it's about ten
• 58:15
  am and that probably the execution, which is scheduled at three in the afternoon,
• 58:23
  Like maybe they'll be able to stop it in time. They've got some
• 58:28
  hours here. But I just want to mention here, you guys, that
• 58:34
  Lufy is running and Jim Bay is running. Crocodile is just sort of floating
• 58:38
  like on a constant stream of sand. I don't remember seeing this before,
• 58:45
  and it may be that we never saw him having to run for a sustained
• 58:50
  period of time, so it just wasn't something that would have come up.
• 58:53
  But it is really wild looking and I kind of love it. But yeah,
• 59:00
  movie is like we still may have a chance. And it says crocodile
• 59:06
  grunts, is this supposed to slow me down? And he puts his hand
• 59:10
  on this door, I'll turn it into sand, And we get a narrator.
• 59:15
  Let's go over how crocodile sand sand devil fru power works. He can
• 59:20
  turn into sand as well as control it. His right hand can suck out
• 59:24
  any type of moisture. People in plants will wither away, will rocks and
• 59:29
  earth will turn into sand. I really do appreciate these little recaps, like
• 59:34
  I didn't need it, but I appreciate it. So he is able to
• 59:37
  completely sandify that huge door and all of these guards are positioned on the other
• 59:44
  side of it, like, oh shit, because that is nothing. It
• 59:47
  takes him like two seconds. It's really really easy. And we find out
• 59:52
  this is level four. So these dudes begin to report in and Crocodile is
• 1:00:00
  doing his crocodile thing where they shoot him up and he is just standing there
• 1:00:06
  grinning, smoking cigar, and they actually nail him through the eye and we
• 1:00:10
  get a very like Terminator kind of shot through the hole in his head,
• 1:00:16
  and then we pull out and face him front and he just grins at them
• 1:00:21
  while his head closes itself back up again. It just really was giving,
• 1:00:24
  like you know, Terminator two. So I love that when they do this.
• 1:00:30
  I'm thinking to myself, they have to know that this doesn't work on
• 1:00:34
  him, right, Like don't they know what the capabilities of their prisoners are.
• 1:00:38
  But then one of the other guys says yells something like idiots use the
• 1:00:43
  prison bullets, which I don't know what that means because we're in a prison
• 1:00:46
  and those are their bullets. So I would have assumed those were the prison
• 1:00:50
  bullets, but apparently not. And Crocodile swipes his hand through these guards and
• 1:00:54
  we get a pretty gnarly like montage of each of them drying out and their
• 1:01:02
  skulls like it's really something. I love his power. It's so cinematic and
• 1:01:08
  it's just very very creepy. So Lufy catapults himself into the air and yells
• 1:01:15
  gum gun rain, and then you know, does the fist. It's basically
• 1:01:20
  like gatling, but with a wider reach. Then we've got Jimbay, who's
• 1:01:24
  like I think he says like fishman karate, and he pushes outward with a
• 1:01:32
  fist, and the guards are standing there like nothing happened. What's going on?
• 1:01:38
  Jimbey does not move a muscle, He just stands and waits, and
• 1:01:44
  then all of a sudden, you start to see the like pebbles on the
• 1:01:49
  ground starting to move away from him, and one of the guards begins like
• 1:01:55
  inching backward, and another has a weird like sort of indent in his stomach,
• 1:02:02
  as if he were pressed against a railing or something, but the railing
• 1:02:07
  is invisible. And then abruptly they all go fucking flying at the same time,
• 1:02:15
  and I have like only a very It just was such a weird moment
• 1:02:21
  how long it took that. I have to assume if they decided to run,
• 1:02:28
  it wouldn't have worked because his power sort of kept them in place.
• 1:02:31
  But I did sort of think, y'all are just standing there, going,
• 1:02:35
  well, nothing happened, Maybe you should try and attack. Then what do
• 1:02:37
  you say? But anyway, that's the moment where the camera pulls out and
• 1:02:45
  we see Jim Bay and Crocodile standing there with Loofy between them and like thirty
• 1:02:51
  guards that have been completely knocked out, and the guys who are in the
• 1:02:54
  observation room are like I Loofy plus two warlords. I just don't see it
• 1:03:02
  for us. I don't think this is gonna work. And I love when
• 1:03:07
  there's still some guards standing there. Lufy just says move, we're in a
• 1:03:13
  hurry, and we see the three of them sprint forward, and then we
• 1:03:19
  get that cool thing that the show does occasionally in really dramatic moments where the
• 1:03:23
  animation gets really detailed and there's a lot more detail and shading than we usually
• 1:03:30
  get, and I always like it, and it, you know, get
• 1:03:36
  a bit of a pause with it. As we hold on that shot before
• 1:03:38
  we go over to Hannibal and I love it. These guards are yelling like
• 1:03:44
  Hannibal, oh God help, and as he realizes how dire this situation is,
• 1:03:51
  he begins to run. Now we get the part that made me laugh,
• 1:03:57
  like really really laugh, you guys. So we're with a manticore who
• 1:04:03
  is just saying long John's tea, back, panteos, reefs, leggings,
• 1:04:14
  raw, bloomers, bloomers, reefs, briefs, briefs. Now, you
• 1:04:24
  guys, this isn't what made me laugh. This is how the scene starts.
• 1:04:28
  Is them. It's four of them just sort of sitting around and I
• 1:04:32
  guess it's a covering made of wax that they're hiding under. But buggies under
• 1:04:39
  here with mister three, and he says, this waiting around sucks. It's
• 1:04:46
  not funny anymore. Why are they hanging out here, stupid underwear fetishists And
• 1:04:53
  mister three says, just cleaning their butts must be nice, to which Buggy
• 1:05:00
  replies, this is what's gonna stop us from getting out of here, Like
• 1:05:03
  if the guards come, all of this was for nothing and these things won't
• 1:05:09
  stop farting. It's awful. You guys know that normally bathroom humor is not
• 1:05:16
  my jam. You understand how I felt about Like Magellan, there is something
• 1:05:20
  about how ridiculous the scenario already was that for him, adding and they won't
• 1:05:29
  stop farting completely sent it over the edge for me. And I had it
• 1:05:35
  playing and I was like standing at the counter in my bathroom because it was
• 1:05:40
  playing on my phone while it was brushing my teeth, and I had to
• 1:05:45
  stop and take my toothbrush out of my mouth and just lean on the counter
• 1:05:48
  because I started laughing so hard I was like spitting. I could. I
• 1:05:56
  could not handle it. The whole thing with Buddy and Miss three is pure
• 1:06:00
  gold. Everything with the two of them. I love it so much.
• 1:06:03
  It's so fucking hilarious. And then we go to like the outside like view
• 1:06:12
  of them hidden under here, and uh, we see the Manti Coors farting,
• 1:06:16
  and then all of a sudden there's like another sound, like a fart
• 1:06:21
  sound, and Buggy yel's that was you and mister three. I'm sorry,
• 1:06:29
  smells like Bardoc. Yeah, I know, what does that mean? It
• 1:06:39
  was? It was the I know, I fucking lost my mind you got
• 1:06:45
  this. This scene was so funny. I will never forget this one,
• 1:06:48
  Like this is gonna be the arc where they talk about farts for me,
• 1:06:54
  Like, ah, I live for this. This is so good. It's
• 1:07:00
  so good, you guys. So we then go to uh, Crocodile,
• 1:07:08
  and he tosses in the keys into this cell, and I love when his
• 1:07:14
  dude says, oh, thanks, buddy, and then looks up and recognizes
• 1:07:18
  crocodile, and I was sort of like, Crocodile, I feel like you
• 1:07:21
  could just melt that metal into sand. No, maybe he can't affect metal
• 1:07:27
  because the grating. Maybe it's that seastone stuff. I don't know. But
• 1:07:33
  he says, you're a man of action, aren't you, mister one,
• 1:07:40
  And the camera slowly lifts and we see mister One locked up back there in
• 1:07:45
  his shirtless glory with his blonde hair, looking real fucking intimidating. And I
• 1:07:53
  think I recall guys finding mister one really intimidating visually and fine, and then
• 1:08:00
  his like actual fighting style was sort of uninteresting. I don't fully remember,
• 1:08:06
  I'll be honest, So we'll have to wait and see about that. But
• 1:08:13
  all right, so I've got to wrap them way over time. But thank
• 1:08:15
  you guys so much for hanging out with me and listening, and thank you
• 1:08:19
  David for being here. Appreciate you Florien for commissioning this, and until next
• 1:08:24
  time to balloo motherfuckers. That was an Unspoiled Network podcast. Two