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"House of L.L. Bean" First Look · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on artists on artists.
• 0:02
  Speaker 2: Boy, do we have a panel for you today.
• 0:04
  Speaker 3: The Stream's screenwriting expert panels New voices in Hollywood.
• 0:08
  Speaker 4: Costumes are character.
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  Speaker 5: Buck Mary Kill wide shot, two shot, close up.
• 0:13
  Speaker 3: This is on artists on artists on artists.
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  Speaker 2: Do you know why they call it show business? I
• 0:19
  Speaker 2: always wonder that.
• 0:26
  Speaker 3: Welcome back to artists on artists on artists on artists,
• 0:29
  Speaker 3: and it's all about houses today.
• 0:31
  Speaker 5: House of Gucci is one of the most popular movies
• 0:33
  Speaker 5: that has ever been made, garnering oscar buzz and generating
• 0:39
  Speaker 5: lots of talk about US performers. But another movie about
• 0:44
  Speaker 5: another popular clothing line also came out at the same time,
• 0:49
  Speaker 5: and we have that team here in the studio.
• 0:52
  Speaker 6: That's right, the creative team behind House of ll Bean
• 0:57
  Speaker 6: are here to promote their new movie.
• 1:00
  Speaker 4: Now, sit down and relax and enjoy House of Llban
• 1:05
  Speaker 4: cast and crew.
• 1:07
  Speaker 3: Hello. I'm Jeff Jeffries and I played Tony Bean.
• 1:11
  Speaker 4: Hello, I'm Sabrina Catching and I directed this little film.
• 1:18
  Speaker 5: My name Miss Walter Walter Gunn and I played Leon
• 1:27
  Speaker 5: Leon wood Bean, the creator of Ellbean.
• 1:33
  Speaker 6: Hi, I'm e Fie Jacobs and I was the costume
• 1:37
  Speaker 6: designer for House of ll Bean, and I'm really excited
• 1:43
  Speaker 6: for people to see this movie. I don't know about
• 1:45
  Speaker 6: you guys. I know we've been overshadowed by a bigger
• 1:49
  Speaker 6: movie tragically, but I think that our little movie has
• 1:53
  Speaker 6: a lot to offer.
• 1:55
  Speaker 4: I think our movie is a little nugget for movies
• 2:01
  Speaker 4: and stories about a small brand who's a giant. What's
• 2:05
  Speaker 4: good about ellll Bean is they are a giant in
• 2:08
  Speaker 4: the fashion world, but you don't know.
• 2:11
  Speaker 2: You don't know exactly.
• 2:13
  Speaker 6: You don't know it because the client tell who are
• 2:17
  Speaker 6: wearing House of Elllbean?
• 2:19
  Speaker 2: Are you know?
• 2:21
  Speaker 6: Their East Coast mothers and fathers, and they're rather cold.
• 2:25
  Speaker 6: I would say the Yellllbean client is a cold client.
• 2:28
  Speaker 5: You know it. If you go to Maine, you know it.
• 2:30
  Speaker 5: If you walk into a bookstore, you know it. If
• 2:33
  Speaker 5: you're in a coffee shop, you know it. If you
• 2:35
  Speaker 5: are at a niece's.
• 2:40
  Speaker 3: Wedding, you know it.
• 2:42
  Speaker 4: If you're tired, you know what.
• 2:44
  Speaker 6: If you're sitting around campfire and you know it. If
• 2:49
  Speaker 6: your aunt gave you a Christmas gift and it's a turtleneck,
• 2:53
  Speaker 6: you know it.
• 2:54
  Speaker 3: Then I only found out about it when I signed
• 2:56
  Speaker 3: on to the movie.
• 2:57
  Speaker 4: And it was amazing when we added you onto a movie,
• 3:00
  Speaker 4: both of you. It was it was so exciting because
• 3:04
  Speaker 4: we were looking for cast for for a while a while.
• 3:08
  Speaker 3: Once I heard that Walter Gunn was doing the movie,
• 3:10
  Speaker 3: I said, come in. I want to see how this
• 3:12
  Speaker 3: guy plays, you know, I want to see how this
• 3:14
  Speaker 3: guy moves. I want to see how he fights.
• 3:17
  Speaker 4: And Leon Leon Wood is he carities the story of Ellen.
• 3:23
  Speaker 2: Leon Leon would be the founder.
• 3:26
  Speaker 5: Of LL real name founding man. I mean, when I
• 3:30
  Speaker 5: found out that this guy's name was Leon Leon would Be,
• 3:33
  Speaker 5: I was hooked. You know, that's all I needed to know.
• 3:36
  Speaker 5: I said, that sounds like an interesting guy. So I
• 3:38
  Speaker 5: did some research. You know, he was born around nineteen thirteen,
• 3:42
  Speaker 5: and uh, and they've been they've been making you know,
• 3:45
  Speaker 5: they made boots first. He's the kind of guy where
• 3:48
  Speaker 5: one hundred percent money back, and they got him into
• 3:51
  Speaker 5: a little bit of trouble, you know, because if something
• 3:54
  Speaker 5: went wrong, you know, he'd give he'd give you your
• 3:57
  Speaker 5: money back. And I just thought that was so interesting.
• 4:01
  Speaker 5: He'd give you your money back if it didn't work out.
• 4:04
  Speaker 5: And uh, that's you know, that's all I needed to
• 4:08
  Speaker 5: know to make a full fledged character choice.
• 4:11
  Speaker 6: And he's an honest man.
• 4:13
  Speaker 5: He's a good man, and he's making boots and then
• 4:16
  Speaker 5: he's making jackets, and and then all the drama with
• 4:20
  Speaker 5: his you know, son Tony. When I want to be
• 4:22
  Speaker 5: clear that the character Tony Bean was invented for the movie.
• 4:26
  Speaker 2: You know, we take artistic liberties.
• 4:27
  Speaker 3: Yeah, a false character, a false son character.
• 4:30
  Speaker 4: Shout out to our screenwriter, Aaron uh a titan of
• 4:37
  Speaker 4: our industry, Say who who didn't want to take on
• 4:40
  Speaker 4: this story? It took me a while. I know him
• 4:45
  Speaker 4: from my niece. My niece slept with him.
• 4:50
  Speaker 2: Okay, and.
• 4:53
  Speaker 5: My niece this story.
• 4:55
  Speaker 2: Know how this came to be, Well, my.
• 4:58
  Speaker 4: Nie slept with him. And when she slept with him,
• 5:04
  Speaker 4: my niece, we we had Thanksgiving and we were sitting
• 5:07
  Speaker 4: around and she was talking about her conquests of the
• 5:12
  Speaker 4: past year, being thankful for.
• 5:14
  Speaker 6: So you go around the table, you say what you're
• 5:15
  Speaker 6: thankful for, and then you say your conquest.
• 5:17
  Speaker 4: Well she does. She's young. So she's a young girl.
• 5:26
  Speaker 2: Give us an age conquest.
• 5:29
  Speaker 4: She's a young girl. She's a young girl and we're
• 5:34
  Speaker 4: sitting God, she was she's a young lad, and we're
• 5:38
  Speaker 4: sitting down and we were talking about the conquests, and
• 5:43
  Speaker 4: she said, I slept with the pizza man. I slept
• 5:48
  Speaker 4: with a marathon runner. I slept with a screenwriter. And
• 5:53
  Speaker 4: I said, knowing in the back of my head, I
• 5:56
  Speaker 4: have three projects in development, of course, one of which
• 5:59
  Speaker 4: I can not find a writer for ll Bean story
• 6:02
  Speaker 4: of Leon the Young wood beeen. I'm so, I said,
• 6:06
  Speaker 4: who is this screenwriter you slept with? She said, eron Shock.
• 6:12
  Speaker 4: And I said, let me shoot my shot and let
• 6:16
  Speaker 4: me ask if I can have his phone number? And boy,
• 6:21
  Speaker 4: was it a hunt.
• 6:23
  Speaker 6: That's so interesting because you're very well connected in the industry,
• 6:27
  Speaker 6: I would say, but you needed your niece to sleep
• 6:29
  Speaker 6: with him in order to get his contact info.
• 6:32
  Speaker 2: That's just very surprising to me.
• 6:33
  Speaker 5: Niece has kind of got this movie made, is what
• 6:36
  Speaker 5: I'm noticing. You know, an that we're talking.
• 6:38
  Speaker 3: My niece told me that you were signed on. That's
• 6:41
  Speaker 3: how I joined. Your niece is my manager, Yeah, my
• 6:43
  Speaker 3: niece is your manager.
• 6:44
  Speaker 5: At your niece Yes, yeah, yeah.
• 6:48
  Speaker 3: My niece is a manager at CIA. She's one of
• 6:53
  Speaker 3: the youngest managers ever. We have a situation where I'm
• 6:56
  Speaker 3: a young son and I have an older, older brother.
• 6:59
  Speaker 5: Listen, I am really into crypto. So I'm all about disruptors,
• 7:04
  Speaker 5: and I know that the young people are going to
• 7:07
  Speaker 5: be the ones running this industry. And I said, I
• 7:10
  Speaker 5: want a disruptor, and I want a sixteen year old manager.
• 7:14
  Speaker 2: Niches.
• 7:14
  Speaker 1: Are the disruptors of the industry or your nichees?
• 7:17
  Speaker 3: Are you?
• 7:17
  Speaker 4: BM?
• 7:18
  Speaker 5: Yes?
• 7:19
  Speaker 6: Yes, and she was famously well, I think we can
• 7:23
  Speaker 6: talk about it.
• 7:23
  Speaker 2: She was fired for.
• 7:25
  Speaker 6: Leaking scenes to YouTube for her own personal YouTube page.
• 7:30
  Speaker 4: People don't know that if you leak something that people
• 7:33
  Speaker 4: don't want to see, it's still leaking.
• 7:37
  Speaker 2: It's still leads.
• 7:38
  Speaker 6: So video has one hundred and fifty views on YouTube.
• 7:44
  Speaker 3: What is this?
• 7:45
  Speaker 2: Yes, people leak, but it's a breach of trust. Yeah,
• 7:48
  Speaker 2: I need to breach Star trust.
• 7:49
  Speaker 4: And that's what happened with our HR department. They said,
• 7:52
  Speaker 4: this isn't technically a leak. This isn't that marvel when
• 7:55
  Speaker 4: someone leaked a man. I said, this is a leak.
• 7:59
  Speaker 6: This is It's if a tree falls in the forest
• 8:01
  Speaker 6: but no one's there to hear it. If you if
• 8:03
  Speaker 6: you post a link of a movie that is a
• 8:05
  Speaker 6: quieter movie, I wouldn't say that We're a low performing movie.
• 8:09
  Speaker 6: I would say that we were overshadowed by certain other
• 8:13
  Speaker 6: films that maybe you know, not to say the name of.
• 8:16
  Speaker 1: The beast, but how some of Gucci House of Gucci.
• 8:19
  Speaker 6: Contained a murder. But they're relying on cheap tricks. They're
• 8:23
  Speaker 6: relying on a murder to carry the story. We're relying
• 8:26
  Speaker 6: on the drama of turtleneck design, certainly not.
• 8:30
  Speaker 5: Relying on prosthetics. By the way, Jared Leto looks exactly
• 8:35
  Speaker 5: like me in that makeup.
• 8:38
  Speaker 6: We couldn't which you should have guessed, were you up
• 8:41
  Speaker 6: for that?
• 8:44
  Speaker 5: And they said we I think we're thinking of going
• 8:46
  Speaker 5: with someone younger. And I said, it makes sense, and
• 8:48
  Speaker 5: then they said, on the inside, that's fruit.
• 8:52
  Speaker 4: What's crazy is you were in tons of makeup and
• 8:58
  Speaker 4: prosthetic to get you looking younger.
• 9:01
  Speaker 3: Yeah, so when.
• 9:02
  Speaker 5: For the tape, we could have told you this.
• 9:04
  Speaker 4: We could have just switched you, switched you out, but
• 9:07
  Speaker 4: it was your that was good.
• 9:09
  Speaker 2: You know, I probably don't know.
• 9:10
  Speaker 3: Go ahead.
• 9:11
  Speaker 5: I's just frustrating to watch character actors nowadays be the
• 9:15
  Speaker 5: pretty boys. You know. Let's I don't want to say
• 9:18
  Speaker 5: the thing that you know no one's talking about, but
• 9:20
  Speaker 5: Jared Leto was forty nine years old. He's actually a
• 9:23
  Speaker 5: year older than me, but I look like an old
• 9:26
  Speaker 5: Bert Buccant of spaghetti.
• 9:28
  Speaker 4: Oh my niece is almost fourteen.
• 9:30
  Speaker 3: Really okay, that's so good that.
• 9:35
  Speaker 2: I'm very happy to hear that she was a younger.
• 9:38
  Speaker 4: Remembered you asked her age and I this.
• 9:42
  Speaker 3: Is this is what I'm picturing him. Head for your
• 9:45
  Speaker 3: parents had a very old daughter and then maybe thirty
• 9:49
  Speaker 3: to forty years later had you. In the time you're
• 9:53
  Speaker 3: because how old are you?
• 9:55
  Speaker 4: You did so much work to change I got it.
• 9:59
  Speaker 5: On the on would be mentality we can talk about.
• 10:04
  Speaker 4: Which is a mentality?
• 10:05
  Speaker 5: Well, he was bootsman, he was a virgerator, he was
• 10:09
  Speaker 5: out in the road.
• 10:09
  Speaker 3: We're just gonna completely ignore that age question.
• 10:12
  Speaker 5: He worked and he was out in the field.
• 10:16
  Speaker 4: And some people think maybe movies are made with protagonists
• 10:20
  Speaker 4: like House of Gucci that are more erratic or passionate.
• 10:25
  Speaker 4: But this movie is about a working man. Working men
• 10:29
  Speaker 4: are hard for protagonism because all they do is head down.
• 10:32
  Speaker 6: What Sabrina, I think it's very brave of you to
• 10:35
  Speaker 6: make a movie about a quiet man. For me, as
• 10:39
  Speaker 6: a costume designer, it was very exciting to dress quiet man,
• 10:44
  Speaker 6: especially one who's very plain, whose clothes are very plain.
• 10:48
  Speaker 2: It was really it was really good.
• 10:50
  Speaker 6: And you know, yes, my sister was the costume designer
• 10:53
  Speaker 6: on House of Gucci. Yes, we were both up for it.
• 10:55
  Speaker 6: But I think I actually prefer this. I think it's
• 10:59
  Speaker 6: really great. I think it's really great. And some would
• 11:01
  Speaker 6: call me bitter, but I don't think I'm bitter at all.
• 11:03
  Speaker 6: I don't think I'm bitter at all.
• 11:05
  Speaker 3: So why don't we I've got a good question. Why
• 11:06
  Speaker 3: don't we say the year that we graduated high school.
• 11:11
  Speaker 3: I'm thirty four, so I graduated in roughly two thousand
• 11:15
  Speaker 3: and four. Anybody else want to jump on this one?
• 11:20
  Speaker 2: Well, I've did. Okay, I'm thirty four. I graduated in
• 11:23
  Speaker 2: two thousand and four.
• 11:26
  Speaker 5: I'm forty eight, which means I graduated high school. Oh
• 11:31
  Speaker 5: my god.
• 11:34
  Speaker 4: I graduated high school in a small little.
• 11:37
  Speaker 7: Town location, not the location high school.
• 11:44
  Speaker 5: The little Danish town outside of La.
• 11:46
  Speaker 4: There a little high school out today. That is where
• 11:49
  Speaker 4: I'm from, Sulvang. My great aunt is used to be
• 11:56
  Speaker 4: the mayor of Sulvang. And that's probably why I make
• 12:01
  Speaker 4: movies like this. I like the quiet Yes, yes, the
• 12:07
  Speaker 4: the quiet souls. I think that is a big part
• 12:10
  Speaker 4: of this middle act structure.
• 12:12
  Speaker 5: And I just want to hail you guys. Representation older
• 12:17
  Speaker 5: quiet men. There's been a lack of representation in the
• 12:20
  Speaker 5: film industry. Yes, and it's been really nice.
• 12:23
  Speaker 3: I think quiet men across the board, quiet.
• 12:24
  Speaker 5: Men across the board. We are seeing so much. And
• 12:27
  Speaker 5: as a quiet man, myself, proud quiet man. It's proud,
• 12:30
  Speaker 5: proud to be quiet.
• 12:32
  Speaker 6: I hate when they cast a loud man and a
• 12:34
  Speaker 6: quiet man role. You could tell when they're an extrovert
• 12:37
  Speaker 6: and they're just faking.
• 12:38
  Speaker 5: You can tell when they're when they're they're using their
• 12:41
  Speaker 5: muscles to force their mouth shut. There's a difference between
• 12:44
  Speaker 5: being naturally quiet and being forced quiet. I see a
• 12:47
  Speaker 5: big trick. I see a lot of a lot of
• 12:49
  Speaker 5: loud mouth actors. They hold their lips, They hold their
• 12:53
  Speaker 5: lips like they're thinking of a question, but you know
• 12:55
  Speaker 5: that they're they're not actually naturally quiet. I would say
• 12:58
  Speaker 5: there's only one loud actor and that's done good quiet acting,
• 13:01
  Speaker 5: and that's Bruce Dern and Nebraska.
• 13:03
  Speaker 3: He's great in that, yeah, but he's a loud motherfucker Otherwise,
• 13:06
  Speaker 3: he's inappropriate otherwise. Yeah, so we actually have a clip
• 13:10
  Speaker 3: of that, one of my favorite clips in the Nebraska, Nebraska.
• 13:13
  Speaker 3: We have actually a clip on Nebraska.
• 13:15
  Speaker 5: The movie.
• 13:15
  Speaker 6: I would love to, you know, distract for mother and
• 13:18
  Speaker 6: it's good to while we have this platform of one
• 13:20
  Speaker 6: hundred and fifty views on YouTube.
• 13:22
  Speaker 3: To kids play the sea where the grandma pee's on
• 13:26
  Speaker 3: the grave in Nebraska.
• 13:31
  Speaker 5: What are we doing on it?
• 13:34
  Speaker 3: Wow? Jard Okay, that was it. That was great. But
• 13:39
  Speaker 3: I also wanted to play another clip from our movie
• 13:42
  Speaker 3: and the scene where the two the son and the
• 13:44
  Speaker 3: father meet at the river, just a real the loveliest scene.
• 13:48
  Speaker 4: Oh yes, we shut this on thirty five.
• 13:54
  Speaker 5: Yeah, so now I don't know now, Oh my good god.
• 14:00
  Speaker 5: Oh Michael, your boots, your boots, now, your boots, Your
• 14:05
  Speaker 5: boots are all dirty now, m.
• 14:08
  Speaker 3: No, no, my boats are dirty, Doddy.
• 14:14
  Speaker 5: We've gotta got job some new boots now, y'all.
• 14:16
  Speaker 3: Song oh kind.
• 14:21
  Speaker 2: And I want to applaud Sabrina for your direction on this.
• 14:24
  Speaker 3: Because quiet scene.
• 14:25
  Speaker 6: I had no idea that the people in Maine in
• 14:29
  Speaker 6: nineteen twelve used that accent.
• 14:32
  Speaker 4: Thank you. I'm actually seventy one years old.
• 14:35
  Speaker 5: Oh she answers it. I think she always well.
• 14:38
  Speaker 4: I sometimes here the question a little like.
• 14:42
  Speaker 2: You're leaving little nuggets of Well.
• 14:46
  Speaker 3: Actually, I'll say the accents were mostly work between Gun
• 14:50
  Speaker 3: and I Walter. Yeah, you know, we didn't meet before
• 14:53
  Speaker 3: we showed up on set because you know, we're all busy.
• 14:55
  Speaker 3: Well works, and I also make the choice of I'm
• 14:58
  Speaker 3: going to do the work by myself, when I'm make
• 15:00
  Speaker 3: my choices by myself, I'm gonna do the research, and
• 15:02
  Speaker 3: then when I show up, I'm throwing it all away
• 15:05
  Speaker 3: because I just want to be there. So I had
• 15:07
  Speaker 3: been working on that accent with my vocal choice, Richard Rory,
• 15:10
  Speaker 3: for about, you know, six to eight months, just practicing
• 15:13
  Speaker 3: what a main accent could sound like. And that's what
• 15:18
  Speaker 3: we ended up with with this really robust nineteen twelve
• 15:21
  Speaker 3: main sounding accents where they really open up the gut,
• 15:25
  Speaker 3: the guttural, and they open up the gut and you
• 15:28
  Speaker 3: basically sing a song and you can really.
• 15:30
  Speaker 6: Hear you doing that in the main confrontation scene at
• 15:34
  Speaker 6: the very end of the movie where they're arguing about
• 15:37
  Speaker 6: which color turtleneck to put in their fall live.
• 15:40
  Speaker 3: And this was the crux of the movie. This was
• 15:42
  Speaker 3: the biggest emotional thing was the movie builds to a
• 15:46
  Speaker 3: father son's fight about which color a turtleneck could be.
• 15:49
  Speaker 6: And it's as from a fashion perspective, it's very interesting
• 15:51
  Speaker 6: because you had the old school, you know, sort of
• 15:55
  Speaker 6: like burnt umber tones of turtleneck, and then you have
• 15:58
  Speaker 6: the new wave of people who want who want blue turtlenecks,
• 16:02
  Speaker 6: and it caused a huge division in the East Coast
• 16:05
  Speaker 6: fashion industry.
• 16:07
  Speaker 5: Really disrupted everything money versus money.
• 16:11
  Speaker 3: Well, let's play that clip. If you guys don't mind,
• 16:13
  Speaker 3: I would love to see myself act.
• 16:16
  Speaker 5: What do you think, sore.
• 16:19
  Speaker 7: Or nay oh nani? I think when he has something different?
• 16:29
  Speaker 7: Abergeene m abergine, mm hmmm, pastels, dunny.
• 16:39
  Speaker 1: Mister bean. Mister Bean, the representative from J. C. Penny
• 16:43
  Speaker 1: is at the door and she needs to know which.
• 16:46
  Speaker 7: Color, Daddy, which one are we going to choose? I
• 16:52
  Speaker 7: think it should be a pistel color.
• 16:55
  Speaker 5: I don't.
• 16:58
  Speaker 3: This is why Land.
• 17:03
  Speaker 4: When he declares that the region the family isn't together,
• 17:08
  Speaker 4: is this underneath the subtext of fashion?
• 17:13
  Speaker 5: I quiver I thought that was brave that that's the
• 17:16
  Speaker 5: first time that's even mentioned.
• 17:19
  Speaker 3: In the room.
• 17:20
  Speaker 4: Also, we should we should acknowledge Gala Gado for that.
• 17:25
  Speaker 3: For not playing the mother, for playing the secretary that
• 17:31
  Speaker 3: was another woman, my niece.
• 17:36
  Speaker 4: Because of course, ah, dude, Gala Gado and did our
• 17:45
  Speaker 4: movie for She said, you can come on for a
• 17:46
  Speaker 4: couple of hours, So we did that.
• 17:49
  Speaker 6: Okay, So she was two hours later to set and
• 17:51
  Speaker 6: it was because she was having sex with your kniece.
• 17:53
  Speaker 5: I think we're gonna get the handle later. I think
• 17:55
  Speaker 5: we're going to leave it. I think we can leave
• 17:57
  Speaker 5: it for now.
• 17:58
  Speaker 3: We'll come back.
• 17:58
  Speaker 5: This is how I've learned. I wanted to bring up
• 18:01
  Speaker 5: how starkly different Aaron's tone is.
• 18:10
  Speaker 3: It was a real departure for well, it just feels
• 18:13
  Speaker 3: like he wrote it as a chore, like he had
• 18:16
  Speaker 3: to write it otherwise he'd be canceled.
• 18:18
  Speaker 5: I wouldn't say that. I love working with Aaron.
• 18:20
  Speaker 3: I love the script. With thirty pages, it was mostly
• 18:24
  Speaker 3: scene directions going god no.
• 18:26
  Speaker 5: And that's when it really hit me, Oh, this guy's
• 18:27
  Speaker 5: kind of a silent type, this character, because there just
• 18:29
  Speaker 5: weren't a lot of lines.
• 18:30
  Speaker 6: Yeah, because I mean, this is a thirty page script,
• 18:32
  Speaker 6: you still have to fill ninety minutes, and so so
• 18:35
  Speaker 6: much of it was just b roll of ll Bean
• 18:38
  Speaker 6: stores and the clothes on the racks, and so that
• 18:40
  Speaker 6: made my job very difficult. I had to find hours
• 18:44
  Speaker 6: worth of material.
• 18:46
  Speaker 5: Some might say, some might say that the costumes are character.
• 18:49
  Speaker 3: In this peak.
• 18:50
  Speaker 6: I would say the costumes are a character in this
• 18:52
  Speaker 6: because you worked at a lot, you know, And this
• 18:55
  Speaker 6: was a This was a very intentional choice because I
• 18:58
  Speaker 6: wanted to, you know, display this tension between Leon leon
• 19:01
  Speaker 6: would Be and his son, Tony Bean, and it.
• 19:05
  Speaker 2: Was it was a very intentional choice.
• 19:07
  Speaker 6: I don't know if you notice that Tony was always
• 19:09
  Speaker 6: wearing zip up LL Bean collection. It was, and Leon
• 19:13
  Speaker 6: Leon would Be famously hated the zip up.
• 19:16
  Speaker 2: He called it. He called it the devil's jacket.
• 19:19
  Speaker 3: And that's a really We worked on that for a
• 19:21
  Speaker 3: while because it was, you know, historically accurate. Yeah, even
• 19:24
  Speaker 3: though Tony was a made up character, it was historically
• 19:27
  Speaker 3: accurate that Leon Leon hated the zip Yes, I mean.
• 19:30
  Speaker 2: In the history of our movie, the way we wrote it.
• 19:32
  Speaker 5: He said, I remember reading a quote he said in
• 19:35
  Speaker 5: Harper's Bazaar. There will never be a zipper on my
• 19:37
  Speaker 5: jackets as long as I live. Nineteen seventy one.
• 19:41
  Speaker 3: Coming and I can't read any quotes from Tony No,
• 19:44
  Speaker 3: because he doesn't exist, and it's tough.
• 19:48
  Speaker 6: It's tough to get to see the feedback on the
• 19:51
  Speaker 6: movie from the Bean would the Bean Estate because.
• 19:55
  Speaker 2: They are very upset.
• 19:57
  Speaker 6: With the way, pretty upset.
• 20:00
  Speaker 2: The other estates of the.
• 20:01
  Speaker 6: Other fashion houses all came together and they said, we
• 20:04
  Speaker 6: don't like this.
• 20:05
  Speaker 3: I don't make up things.
• 20:06
  Speaker 5: I got an email from Linda Bean herself, no, the
• 20:12
  Speaker 5: current owner of LB. Oh, sorry, she said, She said,
• 20:19
  Speaker 5: I don't even think you guys did any research. I
• 20:23
  Speaker 5: don't think you guys looked into this. We know this
• 20:25
  Speaker 5: doesn't feel like this doesn't feel like a story about us.
• 20:29
  Speaker 5: Are you sure it's about us? And I think it
• 20:31
  Speaker 5: was confusing too because we couldn't use the logo in
• 20:33
  Speaker 5: the movie, so.
• 20:33
  Speaker 6: They It was a very confusing thing for me because
• 20:36
  Speaker 6: I had to sort of approximate it.
• 20:39
  Speaker 3: But well, that was true. We couldn't use the B
• 20:41
  Speaker 3: in LL be, so we used a thirteen that's very
• 20:44
  Speaker 3: close to each other.
• 20:45
  Speaker 2: L Yeah three LL thirteen een.
• 20:48
  Speaker 4: Was how did you think of that idea?
• 20:51
  Speaker 2: Well, you know it was born out of necessity.
• 20:53
  Speaker 3: I was up to you the costume make that call, right, Yes,
• 20:57
  Speaker 3: when I.
• 20:57
  Speaker 2: Got this job.
• 20:58
  Speaker 6: I thought, honestly, what a godsend. When you're making a
• 21:02
  Speaker 6: movie about an existing fashion line, all that's available to
• 21:06
  Speaker 6: you are those clothes, So it's a It makes your
• 21:09
  Speaker 6: job a lot easier.
• 21:10
  Speaker 2: But then you throw the curveball of this.
• 21:13
  Speaker 6: We do not have the rights to the logo, and
• 21:16
  Speaker 6: suddenly I'm running this sort of sweatshop where all these
• 21:21
  Speaker 6: girls are embroidering LL thirteen een jackets, and the real
• 21:27
  Speaker 6: fashion heads we'll notice, and it's upsetting.
• 21:31
  Speaker 3: Talking about that. One of my favorite clips is when
• 21:33
  Speaker 3: we get you know, the father and the son are
• 21:35
  Speaker 3: talking just in the first one of the first LL
• 21:38
  Speaker 3: Beean houses. Yes, maybe we could see that clip too,
• 21:40
  Speaker 3: because I do love Oh.
• 21:42
  Speaker 2: Yes, this was when they opened their flagship store.
• 21:44
  Speaker 4: Yes, Galcado met.
• 21:46
  Speaker 2: My knee and there it is. There it is they.
• 21:51
  Speaker 4: Met on a walk.
• 21:54
  Speaker 2: Were walking.
• 21:55
  Speaker 3: Okay, let's list is in the star.
• 22:04
  Speaker 1: Is everything in the interior design to your liking.
• 22:07
  Speaker 2: Mister Bean, and mister Bean look at us.
• 22:11
  Speaker 5: A while ago I was making knees in my onnic.
• 22:16
  Speaker 5: Now we got a saw in Boston.
• 22:20
  Speaker 7: This is very nice and it feels like a church
• 22:25
  Speaker 7: in the name of the Father and of the Son
• 22:30
  Speaker 7: and the.
• 22:31
  Speaker 5: House of Thirteen.
• 22:35
  Speaker 2: Yeah, that was right. We couldn't even say the name
• 22:37
  Speaker 2: of el Bean in this movie, but.
• 22:39
  Speaker 4: I remember Shane, one of them say it, the other
• 22:43
  Speaker 4: one talk over and let's take our chances. So one
• 22:47
  Speaker 4: of us, I've also got Bean and one of them
• 22:51
  Speaker 4: say fearless director.
• 22:54
  Speaker 2: And when we.
• 22:55
  Speaker 4: Are on if they should wash, we'll say it's like
• 22:58
  Speaker 4: the red dress, the blue dress, the yellow dress. You
• 23:01
  Speaker 4: hear one the red blue dress.
• 23:03
  Speaker 2: You guys know that things Internet trenders.
• 23:07
  Speaker 4: Yes, with the red, in the blue and in the yellow.
• 23:10
  Speaker 3: So I've got a lot of questions about your directing
• 23:12
  Speaker 3: and style because working with you was amazing and I
• 23:14
  Speaker 3: really felt inspired, you know, it was it was it
• 23:17
  Speaker 3: was once in a lifetime to get to work with.
• 23:19
  Speaker 5: Somebody like far too short.
• 23:21
  Speaker 3: How do you approach a project like this?
• 23:24
  Speaker 4: Well it was I have three I had three projects
• 23:28
  Speaker 4: in development that was suckling.
• 23:31
  Speaker 3: Right, No, not yeah, because she's going to answer it later.
• 23:35
  Speaker 8: We're going to see on this one what this could
• 23:38
  Speaker 8: go either way?
• 23:40
  Speaker 4: Ah, So I have three projects in development. One the
• 23:44
  Speaker 4: Origin Story of the Succulent working with Pixel, the House
• 23:51
  Speaker 4: of ll Beam.
• 23:53
  Speaker 3: I've got really quick your question about it. The circulents
• 23:55
  Speaker 3: are one of the oldest plants in the history of
• 23:57
  Speaker 3: the world. They're actually older than most things. It's an
• 24:00
  Speaker 3: origin story.
• 24:01
  Speaker 5: Which sounds like you're interested and you need to see
• 24:03
  Speaker 5: the movie.
• 24:04
  Speaker 3: Good call. You keep going, you're.
• 24:05
  Speaker 5: Advertising for the movie.
• 24:07
  Speaker 4: What's everyone working on?
• 24:09
  Speaker 5: I want to hear the third project you're working on?
• 24:18
  Speaker 2: She was losing.
• 24:21
  Speaker 6: I will say it was very hard to work with
• 24:23
  Speaker 6: you on site at times, Sabrina, and I love you
• 24:25
  Speaker 6: and I respect you as a director, but I would
• 24:27
  Speaker 6: come to you with two options, and I would say
• 24:29
  Speaker 6: which jacket, and then you'd say, you know, my niece
• 24:32
  Speaker 6: worked at Target for a season, and then I'd have
• 24:35
  Speaker 6: to wait two hours for the answer, and then we're
• 24:37
  Speaker 6: just burning daylight.
• 24:39
  Speaker 3: Yes, we burnt a lot of daylight.
• 24:41
  Speaker 4: Yes, but I am pretty good at answering some question
• 24:50
  Speaker 4: some I don't.
• 24:52
  Speaker 5: We're dear friends. Were working with you is a pleasure again,
• 24:57
  Speaker 5: I mean we were, we worked. We met in college.
• 25:00
  Speaker 5: We went to UC Riverside together, and we were both
• 25:03
  Speaker 5: were studying things that we're not doing. Now.
• 25:07
  Speaker 3: What were you guys studying?
• 25:08
  Speaker 4: I was studying the brain.
• 25:10
  Speaker 3: Yes, it's very different.
• 25:14
  Speaker 5: I was studying pre med.
• 25:16
  Speaker 3: I was both in the medical field.
• 25:20
  Speaker 2: And what made you change.
• 25:21
  Speaker 5: We met actually on when we were on a rotation
• 25:25
  Speaker 5: for nurses.
• 25:26
  Speaker 3: So you guys were really heavily in there. You were
• 25:28
  Speaker 3: not even pre met. You were met.
• 25:32
  Speaker 5: We saw a man die very dramatically, and I think
• 25:35
  Speaker 5: I changed us in a way where I said, I'm
• 25:37
  Speaker 5: going to try that.
• 25:39
  Speaker 4: And that is what the third project in development is.
• 25:45
  Speaker 4: It is about two young men students watching Amanda.
• 25:51
  Speaker 5: I hope I can audition for that.
• 25:53
  Speaker 4: I hope you can talk to my Nie.
• 25:56
  Speaker 2: Is she in charge now?
• 25:58
  Speaker 3: No?
• 25:58
  Speaker 4: But I use her to hie.
• 26:03
  Speaker 6: Oh hold Jesus, are you implying? Are you implying that
• 26:06
  Speaker 6: he has to have sex with your niece order to
• 26:08
  Speaker 6: hire you?
• 26:09
  Speaker 4: No, that would be very.
• 26:11
  Speaker 5: Why would it be illegal?
• 26:15
  Speaker 3: You're seventy one. I thought the niece was older now,
• 26:18
  Speaker 3: but now illegal.
• 26:19
  Speaker 4: For me to say to get a job on my show,
• 26:22
  Speaker 4: you need to sleep with me.
• 26:23
  Speaker 3: Yes, yes, okay, okay, I agree with you.
• 26:25
  Speaker 5: You're the same age, she's forty seven.
• 26:27
  Speaker 4: It's not the age.
• 26:28
  Speaker 3: It's me saying you have to Sorry, you're forty seven.
• 26:32
  Speaker 3: Medical school.
• 26:32
  Speaker 5: We were in a medical school. She was going back.
• 26:35
  Speaker 5: She was in her fifties.
• 26:36
  Speaker 4: I was studying the brain because I couldn't figure mine out.
• 26:40
  Speaker 5: I want to know what goes into being a costumer.
• 26:43
  Speaker 4: Yes, and how you started, because I find you and
• 26:46
  Speaker 4: your sister both titans of our industry.
• 26:48
  Speaker 2: Yes. Well, I've been living in her shadow a little bit.
• 26:52
  Speaker 6: Uh, I will say, she, did you know Captain the Great.
• 26:58
  Speaker 2: Phantom Bread?
• 26:59
  Speaker 6: You know all these movies that are really guarded as
• 27:03
  Speaker 6: big fashion.
• 27:03
  Speaker 5: Movies, Elizabeth favorite of hers.
• 27:06
  Speaker 2: Yeah, I would.
• 27:07
  Speaker 6: I would call, I would call, and I would say, Melissa,
• 27:11
  Speaker 6: can you get me in there? And she said sure, sure, sure, sure, sure,
• 27:16
  Speaker 6: sure show up at this address. And I went there
• 27:19
  Speaker 6: for what I thought was an interview for a new
• 27:23
  Speaker 6: Spielberg movie. It was a job interview to be an
• 27:26
  Speaker 6: assistant manager at a gap And I said why why
• 27:31
  Speaker 6: did you do this? And she said it's a job opportunity.
• 27:33
  Speaker 6: I said, I would get you a job, and I delivered.
• 27:36
  Speaker 6: She's a quiet woman. She's a quiet woman, and it's
• 27:39
  Speaker 6: it's tough to get through to her. So I've been
• 27:43
  Speaker 6: sort of on the.
• 27:44
  Speaker 1: Gap J Crew and Taylor Loft circuit.
• 27:48
  Speaker 3: Is this your first movie?
• 27:50
  Speaker 6: I did a student film once, so this I should
• 27:54
  Speaker 6: have led with this. Honestly, this is a big opportunity
• 27:57
  Speaker 6: for me. This is a huge opportunity.
• 28:00
  Speaker 4: Were a big opportunity for my niece.
• 28:02
  Speaker 6: Okay, fine, the cat's out of the bag. I slept
• 28:07
  Speaker 6: with Sabrina's niece to get this job.
• 28:11
  Speaker 3: Was I the only one that was offer only with anyone?
• 28:16
  Speaker 5: Yes?
• 28:16
  Speaker 4: He was no friend.
• 28:19
  Speaker 5: I don't know anything about you. Nobody's asked what's going on?
• 28:28
  Speaker 3: Well, Tony, is my character's name? Have you forgotten my
• 28:31
  Speaker 3: real name? Anybody know my real name?
• 28:35
  Speaker 5: He must know his name me.
• 28:37
  Speaker 3: It's Jeff Jeffries. I'm actually a nephew of Jim Jefferies.
• 28:42
  Speaker 3: The Australian comedian oh Ronchi tells it like it is,
• 28:49
  Speaker 3: but sometimes it's two is, you know, but I grew
• 28:53
  Speaker 3: up two is.
• 28:55
  Speaker 4: Well. Aaron was the one that said, if I'm gonna
• 28:58
  Speaker 4: write something, I needed least somebody in there that I like.
• 29:02
  Speaker 3: And sorry, is this answer you pre question for you? Okay? Yeah, okay, and.
• 29:08
  Speaker 4: Understand why you did that. Aaron King loves you. You
• 29:12
  Speaker 4: guys have worked.
• 29:13
  Speaker 3: Together, yes, yes, well, Aaron Sorkin and I have worked
• 29:15
  Speaker 3: together for a couple of years. He was actually the
• 29:17
  Speaker 3: one that said, please do this movie for me. I
• 29:18
  Speaker 3: gotta and I said, I'm not doing it. And then I
• 29:20
  Speaker 3: saw Walter Gunn in there, and I said, I gotta
• 29:23
  Speaker 3: learn how this guy fight, you know, I gotta learn
• 29:25
  Speaker 3: how this guy play.
• 29:26
  Speaker 5: He said, let's hey put him up, put him up.
• 29:28
  Speaker 5: I was very Yeah, you have a very aggressive acting style.
• 29:32
  Speaker 3: I will, well, I want to, you know, you know,
• 29:36
  Speaker 3: tear down a wall in there, become human, become primal.
• 29:39
  Speaker 3: You know. I pull a lot from animals, I pull
• 29:40
  Speaker 3: a lot from real life. So I try to tear
• 29:43
  Speaker 3: down walls and tear down things. Most of that is
• 29:46
  Speaker 3: by men fighting, men fighting and women fighting. It's a
• 29:49
  Speaker 3: lot of fighting in my world. So what I try
• 29:51
  Speaker 3: to do when I approach your role is, you know,
• 29:53
  Speaker 3: come at it with force.
• 29:55
  Speaker 6: And I will say, you really did, literally come at
• 29:58
  Speaker 6: it with force. A lot of your clothes has had
• 30:00
  Speaker 6: holes in them. By the end, you're just ripping them
• 30:02
  Speaker 6: apart in your trailer. It was a pain in the
• 30:05
  Speaker 6: ass for.
• 30:06
  Speaker 3: Me to do that with the l bean fabric, very difficult.
• 30:10
  Speaker 6: Quite because it's a quality well, my fingers were bleeding.
• 30:13
  Speaker 2: Ean fabric was a little easier to rip.
• 30:17
  Speaker 3: Sometimes it was easier and sometimes it was harder. I
• 30:20
  Speaker 3: will say that sometimes it was a very very thin,
• 30:23
  Speaker 3: thin fiber thing, and sometimes it felt like canvas, you know.
• 30:26
  Speaker 3: Sometimes it felt very.
• 30:27
  Speaker 6: I had to I had to go to Michael's at
• 30:29
  Speaker 6: times and they would I would buy out their cloth
• 30:31
  Speaker 6: fabric and then I and then they said, well, I mean,
• 30:34
  Speaker 6: which is stretched?
• 30:35
  Speaker 3: Canvas? Is definitely not It's like a retail store. You
• 30:38
  Speaker 3: didn't buy it wholesale at all.
• 30:40
  Speaker 2: Sometimes this is my first job.
• 30:43
  Speaker 5: Sometimes I'd put on a shirt and I think this
• 30:45
  Speaker 5: might be made of per mache, and I'd move my
• 30:48
  Speaker 5: arms and it would rip an.
• 30:50
  Speaker 3: But thank you for asking about me. Usually I'm the
• 30:53
  Speaker 3: one that's asked all the questions because I'm a thirteen
• 30:55
  Speaker 3: time you know, winner of a lot of different things,
• 30:58
  Speaker 3: of which thanks. Oh, I have a Grammy and Academy Award,
• 31:02
  Speaker 3: a couple teen Choice Awards.
• 31:04
  Speaker 4: Spoken word album.
• 31:06
  Speaker 3: I had a spoken word album that I really Yes,
• 31:10
  Speaker 3: I couldn't. I couldn't, Okay, I could. Which one do
• 31:13
  Speaker 3: you guys want to hear?
• 31:14
  Speaker 5: Oh? How I Feel at the top?
• 31:17
  Speaker 2: Oh, the one that plays all the time on Kiss FM.
• 31:20
  Speaker 5: Yes, I love that kiss M spoken Words song.
• 31:23
  Speaker 3: Here's a little acappella read it's all.
• 31:28
  Speaker 2: It's always acapella.
• 31:32
  Speaker 3: How I feel at the top. One Wake up, two coffee,
• 31:40
  Speaker 3: three drive, three drive, three drive every day. Now, I'm
• 31:48
  Speaker 3: going to tell you one thing I learned when I
• 31:50
  Speaker 3: was at a hospital with a little girl named Yearn.
• 31:55
  Speaker 3: She was three and I was seventeen, and we were sick,
• 32:00
  Speaker 3: and one of us would make it out. One of
• 32:02
  Speaker 3: us would make it out one.
• 32:04
  Speaker 2: It's crazy to hear Yen live.
• 32:07
  Speaker 6: It bumped me when I heard it on the radio,
• 32:09
  Speaker 6: but to hear it live, it's just as crazy.
• 32:12
  Speaker 4: It bumped me too.
• 32:14
  Speaker 5: I tell you what bumps me on the radio when
• 32:16
  Speaker 5: I'm When I am in my car and listening to
• 32:18
  Speaker 5: the radio and someone's dry out.
• 32:20
  Speaker 3: Of nowhere, it's as a quiet man. It was almost
• 32:23
  Speaker 3: all of us that that went number one. It's a
• 32:26
  Speaker 3: chart topper. It would it would go one.
• 32:28
  Speaker 2: Republican before a song of the summer.
• 32:32
  Speaker 3: People were blasting get no background music. That's it. That's
• 32:35
  Speaker 3: just I'm glad I'm.
• 32:36
  Speaker 4: Not the only one that looks around and thinks someone's
• 32:38
  Speaker 4: asking me to drive, like maybe I'm at the light.
• 32:41
  Speaker 2: For two longs.
• 32:45
  Speaker 3: Well, thank you guys for bringing that up. That's so lovely.
• 32:48
  Speaker 3: That you guys listened to the album.
• 32:49
  Speaker 5: Yeah, I think you're very good.
• 32:52
  Speaker 3: Thank you.
• 32:53
  Speaker 5: I think I think in general, I think you should
• 32:56
  Speaker 5: learn how to be on, say with other people.
• 32:59
  Speaker 3: But what do you mean?
• 33:00
  Speaker 5: It was intense? It was intense to be kind of.
• 33:04
  Speaker 5: We all have different processes. You know. I worked, I
• 33:06
  Speaker 5: grew up in you know, I worked with Strasburg when
• 33:09
  Speaker 5: I was younger.
• 33:10
  Speaker 2: I grew up after medical school.
• 33:11
  Speaker 5: Working with and Yeah, same time, moonlighting on Moonlighting rug
• 33:17
  Speaker 5: go to New York on the weekends, take it to
• 33:18
  Speaker 5: hot classes and come back to Riverside.
• 33:20
  Speaker 4: It was romantic.
• 33:22
  Speaker 5: We were crazy.
• 33:24
  Speaker 3: Get to it? Why do I need to work on
• 33:25
  Speaker 3: what this it is? Huh?
• 33:29
  Speaker 5: Exactly what you just did to me? The kind of
• 33:31
  Speaker 5: get to it is? You don't talk like that too quiet? Well,
• 33:33
  Speaker 5: we gotta move on, Okay.
• 33:34
  Speaker 6: But it's a it's an aggressive it's aggressive, it's it's fast,
• 33:37
  Speaker 6: it's too much.
• 33:38
  Speaker 5: A choir members is allowed.
• 33:39
  Speaker 7: Man.
• 33:39
  Speaker 5: You see, you think that you're winning because you're allowed
• 33:42
  Speaker 5: of it, But in reality, I'm winning because I'm still here.
• 33:46
  Speaker 6: Wow, you quoted the last scene of the movie. Yeah,
• 33:49
  Speaker 6: you're quoting that scene where where you're handing over the
• 33:52
  Speaker 6: company on your deathbed.
• 33:53
  Speaker 3: Yeah, it was. It was two final scenes of the movie.
• 33:56
  Speaker 3: One the first final scene was the debate about the
• 33:59
  Speaker 3: the turtles.
• 34:00
  Speaker 6: This was the one that played after the credits. This
• 34:02
  Speaker 6: is the post credits bonus.
• 34:04
  Speaker 3: The post credit bonus is when he hands the company
• 34:07
  Speaker 3: to which is very They say.
• 34:09
  Speaker 4: You can't fire people for leaks unless you're a Marvel movie,
• 34:12
  Speaker 4: and you can't have a post credit tag unless you're
• 34:14
  Speaker 4: a Marvel movie.
• 34:15
  Speaker 3: And I said it was crazy because it wasn't even
• 34:18
  Speaker 3: a post credit tag. It was the most pivotal part
• 34:21
  Speaker 3: of the movie was post credits.
• 34:22
  Speaker 5: And I was I read that line you think that
• 34:24
  Speaker 5: you're winning because you're louder than me, but I'm winning
• 34:27
  Speaker 5: because I'm still here. And I thought, Aaron, where was
• 34:29
  Speaker 5: that the rest of the movie?
• 34:34
  Speaker 3: Beautiful line, the only.
• 34:36
  Speaker 2: Line Aaron, A really, really, really good line.
• 34:43
  Speaker 6: It was like he wrote this movie in his sleep
• 34:46
  Speaker 6: and then he woke up and then he said, I'll
• 34:48
  Speaker 6: use this for something else.
• 34:49
  Speaker 4: Sometimes he's accidentally himself when he's not trying to bomb something.
• 34:53
  Speaker 3: The second interea, when he's not trying to blow up something.
• 34:58
  Speaker 3: Oh my gosh, I it's.
• 35:00
  Speaker 5: Time talking about movie.
• 35:02
  Speaker 2: You're about to talk about the circular movie.
• 35:04
  Speaker 4: You're still arguing because you're a loud and I'm still
• 35:08
  Speaker 4: arguing because I'm here. Isn't that the line?
• 35:10
  Speaker 6: Yes?
• 35:13
  Speaker 3: So, so I guess what I'll do here in a
• 35:15
  Speaker 3: public forum is I would like to handle this straight
• 35:18
  Speaker 3: on and to the point. I apologize if I came
• 35:21
  Speaker 3: across aggressive. I apologize if I wronged you in any way.
• 35:25
  Speaker 3: I look up to your skill, I look up to
• 35:27
  Speaker 3: you as a performer, as an artist, and all I
• 35:29
  Speaker 3: want to do is fight that. I want to figure
• 35:32
  Speaker 3: it out. I want to be two bears on set,
• 35:36
  Speaker 3: ripping each other apart. And if that's not your style,
• 35:39
  Speaker 3: I can understand that and I can adapt.
• 35:42
  Speaker 5: One.
• 35:43
  Speaker 3: Here we go. Two, everybody, three?
• 35:47
  Speaker 5: Drive drive.
• 35:50
  Speaker 4: Oh I'm not in a car.
• 35:53
  Speaker 3: Sorry. I think somebody just played it. My phone sometimes
• 35:56
  Speaker 3: plays it. Sorry, I'm getting a call.
• 36:01
  Speaker 5: Aaron.
• 36:02
  Speaker 3: Hey, just talking, okay, put him on a secret phone.
• 36:08
  Speaker 2: Hey guys, how are we doing out there?
• 36:10
  Speaker 5: Oh?
• 36:10
  Speaker 4: God, this country sucks.
• 36:11
  Speaker 5: Hey Aaron, good to see you. What are you calling?
• 36:14
  Speaker 4: Jeff Jefferies walking down talking things. They'll tell you it's
• 36:18
  Speaker 4: just like a Mars Jupiter fight out here when we're
• 36:21
  Speaker 4: all just pushing in the fight.
• 36:22
  Speaker 3: We're trying to ask him a question.
• 36:27
  Speaker 2: No no, no no no no no no no no no.
• 36:30
  Speaker 2: I just wanted to know.
• 36:31
  Speaker 6: I was just curious to know where he was because
• 36:33
  Speaker 6: I thought he was supposed to come today.
• 36:35
  Speaker 2: This is his movie.
• 36:36
  Speaker 6: But it's almost like he was disappearing into the shadows.
• 36:39
  Speaker 6: It's almost like everyone involved with this movie except for us,
• 36:42
  Speaker 6: has run, has run very far.
• 36:44
  Speaker 2: Galgano is nowhere to be seen.
• 36:46
  Speaker 3: Well, to be fair, she only had a co star
• 36:48
  Speaker 3: in this movie.
• 36:50
  Speaker 2: Yes, that was rude. That was rude.
• 36:53
  Speaker 3: Where are you, Aaron? Where are you, buddy?
• 36:55
  Speaker 4: On an airplane going to save the going to save
• 36:58
  Speaker 4: the script that the Capitol had?
• 37:02
  Speaker 3: You're gonna going to an airplane to fly to the
• 37:06
  Speaker 3: Capitol to save a script, to save a script? Aaron, Aaron, buddy,
• 37:13
  Speaker 3: we'll never figure.
• 37:14
  Speaker 2: Out, never know, We'll never know, We'll never know.
• 37:17
  Speaker 6: But listen, I think, despite what you might be hearing
• 37:21
  Speaker 6: from a lot of people, yeah, thank you. I We've
• 37:25
  Speaker 6: got a tremendous glowing review from glowing review from Napping Monthly.
• 37:31
  Speaker 6: They said, this movie works. It does what it's intended
• 37:37
  Speaker 6: to do. I was out like a rock. It did
• 37:40
  Speaker 6: say that one low point was the scene where you
• 37:43
  Speaker 6: said the line where where it? Because it was it's
• 37:46
  Speaker 6: a good movie. It wakes you up and makes you think.
• 37:48
  Speaker 5: But they said at the end, maybe there's a good thing,
• 37:50
  Speaker 5: because that means I'm supposed to leave the theater because
• 37:53
  Speaker 5: it was post credits.
• 37:54
  Speaker 3: You read the review too.
• 37:56
  Speaker 5: I read every napping mostly.
• 37:59
  Speaker 2: And we had a quiet man. It's a good magazine.
• 38:02
  Speaker 5: It is the number one magazine amongst quiet men.
• 38:04
  Speaker 4: We had a good review from a big, tall and sleepy.
• 38:10
  Speaker 3: What was that? I didn't read this book A.
• 38:12
  Speaker 4: Great blog for taller men who are sleepy.
• 38:17
  Speaker 3: Oh that's a what is the review and the review?
• 38:24
  Speaker 2: Okay, we'll we'll find that out later. But we got I.
• 38:29
  Speaker 6: In the history of the LLBAN catalog. Now we have
• 38:32
  Speaker 6: made fashion history. They have never put out a movie review.
• 38:35
  Speaker 3: But they they made a full announcement.
• 38:38
  Speaker 2: They really were ripped us.
• 38:40
  Speaker 5: In the last page of the catalog, next to the socks,
• 38:44
  Speaker 5: they put out a full page negative review of this movie.
• 38:47
  Speaker 5: Linda Bean reviewed.
• 38:48
  Speaker 6: Herself and I thought that was rude. I thought that
• 38:52
  Speaker 6: was rude and unnecessary. Look, I'm proud of what we did.
• 38:54
  Speaker 4: Me too, big, tall, and lazy. They said this movie
• 38:59
  Speaker 4: slaps sleeps.
• 39:03
  Speaker 2: It's just that slang for sleepy people.
• 39:08
  Speaker 5: I would also say I I heard my sources tell
• 39:12
  Speaker 5: me that there's this new app called niece Chat, and
• 39:16
  Speaker 5: everyone on there loves this. Everyone loves our niece Chat.
• 39:19
  Speaker 3: It's a movie for nieces.
• 39:20
  Speaker 5: It's a movie for my nieces.
• 39:22
  Speaker 2: Nieces can watch with your niece.
• 39:25
  Speaker 5: Nieces to support other nieces.
• 39:27
  Speaker 3: There's not one niece mentioned in this movie, but it's
• 39:30
  Speaker 3: a movie four nieces nieces entire.
• 39:35
  Speaker 2: I'm personally not a niece to anyone.
• 39:37
  Speaker 4: We're here because of because of a n Yes, we
• 39:40
  Speaker 4: are because we are here because a niece, because a
• 39:43
  Speaker 4: niece took a chance on us.
• 39:46
  Speaker 3: A niece and a niece are main producer in thunder
• 39:49
  Speaker 3: A nice Jones.
• 39:52
  Speaker 5: You know. I always like to say. I like to say,
• 39:54
  Speaker 5: you can have a hundred nephews in a room and
• 39:57
  Speaker 5: all it takes is one niece.
• 39:59
  Speaker 4: I like to say, behind every man, there's a hard,
• 40:04
  Speaker 4: sletty working niece.
• 40:07
  Speaker 2: That's true.
• 40:09
  Speaker 6: Well, I'd love to go around and what's next for everybody?
• 40:14
  Speaker 2: What's next?
• 40:16
  Speaker 5: Oh, I'm taking the next six months off.
• 40:20
  Speaker 8: I got a house and now mon talk and I'm
• 40:25
  Speaker 8: gonna be up there being quiet, you know, just sitting
• 40:30
  Speaker 8: in chairs, getting up and groan and every time I move,
• 40:33
  Speaker 8: and drinking coffee in the morning and stout.
• 40:36
  Speaker 5: At night and sleepy.
• 40:38
  Speaker 2: Sounds like a character study.
• 40:40
  Speaker 5: I'm studying myself. I'm just learning about myself after forty
• 40:44
  Speaker 5: eight years of living. Because if I can't be me,
• 40:50
  Speaker 5: fucking Jared Leta will so I gotta know who I am.
• 40:53
  Speaker 1: True, you gotta take that. You gotta take what you
• 40:55
  Speaker 1: can get from him.
• 40:56
  Speaker 5: I swear to God. I saw him taking photos of
• 40:58
  Speaker 5: me through a window the other day, and I saw him.
• 41:00
  Speaker 5: I saw him with a really nice camera, the kind
• 41:02
  Speaker 5: of camera that people using VR when they when they
• 41:05
  Speaker 5: turn you know, computers into bodies. I swear to God,
• 41:10
  Speaker 5: he's trying to take my likeness. I swear to God.
• 41:13
  Speaker 5: Oh I don't know. I haven't told anyone that.
• 41:16
  Speaker 3: The next thing I'm working on is my new album.
• 41:19
  Speaker 3: Actually it's spoken Word plus one man scatting in the back.
• 41:21
  Speaker 3: It's gonna be a trip.
• 41:23
  Speaker 5: Are you doing the scatting too?
• 41:24
  Speaker 3: I'm also doing the scat live together. When I do
• 41:27
  Speaker 3: it live all, I'm gonna I have my friend Toby
• 41:30
  Speaker 3: Keith he's gonna be scatting live.
• 41:33
  Speaker 2: Oh, I've heard from him before.
• 41:35
  Speaker 5: I love booting your ass.
• 41:36
  Speaker 3: Ye great song, and that's why I was like, I
• 41:39
  Speaker 3: got to get this guy live scatting behind me as
• 41:41
  Speaker 3: I speak.
• 41:42
  Speaker 2: Now, do you consider yourself more of an actor, more.
• 41:44
  Speaker 3: Of a scatter I'm kind of somewhere in the middle,
• 41:46
  Speaker 3: you know, And I don't see. I don't see the
• 41:49
  Speaker 3: difference of two trades.
• 41:50
  Speaker 2: Check of trade.
• 41:53
  Speaker 4: Because your voice is so malleable what you did with
• 41:57
  Speaker 4: that dialect.
• 41:58
  Speaker 3: Thank you? Yeah, well, I you know, I love taking
• 42:00
  Speaker 3: a role with an accent. I love taking a role
• 42:02
  Speaker 3: that will put my voice somewhere else. It feels much easier.
• 42:05
  Speaker 3: I mean, I had one of my most famous roles.
• 42:07
  Speaker 3: The reason I won you know, my Kid's Teen Choice
• 42:09
  Speaker 3: Awards was when I played one of the members of
• 42:11
  Speaker 3: The Naked Brother's.
• 42:12
  Speaker 2: Band A Naked Brother's Band biopic.
• 42:15
  Speaker 3: Naked Brother's Band, biop, Under the Naked but Brothers.
• 42:19
  Speaker 4: Oh, it's by the same woman that did Under the Duskines.
• 42:22
  Speaker 3: It's Under the Sun and Under the Silver Lake. She
• 42:24
  Speaker 3: on trilogy, It's Under the Tusk Sun, Under the Silver Lake,
• 42:30
  Speaker 3: The Third Pieces, Under the Naked brother The.
• 42:32
  Speaker 2: Big departure, a really big depart.
• 42:35
  Speaker 5: Love she does under movies?
• 42:38
  Speaker 2: What will she be under decks?
• 42:40
  Speaker 5: Which she attaches to prepositions? I love a woman like that,
• 42:43
  Speaker 5: do Ellie.
• 42:43
  Speaker 4: What's going on for you?
• 42:45
  Speaker 6: Well, I'm currently wrapped up in a lawsuit. All of
• 42:49
  Speaker 6: the women, all of the women who worked on the
• 42:54
  Speaker 6: LL thirteen in line were not too happy with the
• 42:58
  Speaker 6: working conditions. They are alleging that it was sixteen to
• 43:03
  Speaker 6: eighteen hours at a time, just seen in hours at
• 43:08
  Speaker 6: a time. So I'm gonna be pretty busy with that.
• 43:12
  Speaker 6: My court data set for February twenty twenty two. And
• 43:16
  Speaker 6: they're not suing anyone else on the production. It seems
• 43:20
  Speaker 6: it seems it's only falling on me. Interesting. But yeah,
• 43:26
  Speaker 6: so look out for my court case. It'll be up
• 43:29
  Speaker 6: and available maybe where court cases are streamed.
• 43:32
  Speaker 5: Good it good to check it out.
• 43:34
  Speaker 2: Yeah.
• 43:35
  Speaker 6: Yeah, we're talking to We're talking to Discovery Plus and
• 43:38
  Speaker 6: we're also talking to Paramount Plus about something unrelated that's.
• 43:43
  Speaker 5: A different Station's just talking to them.
• 43:45
  Speaker 2: We're just talking to them.
• 43:46
  Speaker 4: Just what's up now much?
• 43:49
  Speaker 2: I'm just calling them. I'm calling them up. I'm saying,
• 43:51
  Speaker 2: how what's going on?
• 43:53
  Speaker 3: You're in toxic.
• 43:54
  Speaker 2: It has nothing to do with my career.
• 43:55
  Speaker 5: I remember that going on.
• 44:00
  Speaker 2: She died, she died, she died.
• 44:04
  Speaker 3: This has been Artists on Artists on Artists on artists,
• 44:07
  Speaker 3: answering the question. Now, that's why they call it show business.
• 44:11
  Speaker 3: Good Night, Hot Mommies.
• 44:13
  Speaker 5: Draw Hi.
• 44:15
  Speaker 3: I'm Angela Jertana, I'm Jeremy Colhayne, I'm Patrick McDonald's, and.
• 44:18
  Speaker 2: I'm Kylie Brakman.
• 44:19
  Speaker 6: Artists on Artists on Artists on Artists is an improvised
• 44:22
  Speaker 6: Hollywood roundtable podcast available on iTunes and Spotify.
• 44:26
  Speaker 3: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 44:30
  Speaker 5: That's right, four a's with three o's in between. Then.
• 44:33
  Speaker 3: Pod music for this week's episode was provided by Gabriel
• 44:36
  Speaker 3: ponton Stars.
• 44:38
  Speaker 6: They're just like us and if you like this episode,
• 44:41
  Speaker 6: you can give us five of them by rating and
• 44:43
  Speaker 6: reviewing us on Apple Podcasts. That's all for now, good Night,
• 44:48
  Speaker 6: Hollywood