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How Hans Zimmer Disrupted Film Scoring | Pirates of the Caribbean Part 2
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Cheryl and Lara find out that Hans Zimmer did not in fact score Pirates of the Caribbean, which leads to a conversation about film scores. In this episode, we chat about what film music is and how it has changed in the past few decades. We also talk about how Hans Zimmer’s primary method of film scoring (mixing and layering with electronic instrumental libraries rather than writing sheet music) may have influenced the incorporation of non-instrumental sounds, like in the recent Tenet soundtrack and Trent Reznor and Atticus Ross' work in contemporary film scores.
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