Latest / The Breakfast Club / The Latest: Loren LoRosa Takes Art Basel, Black Creativity Wins, Kehlani’s Growth & No More Disses From Pusha T?

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The Latest: Loren LoRosa Takes Art Basel, Black Creativity Wins, Kehlani’s Growth & No More Disses From Pusha T? · The Breakfast Club

• 0:03
  Speaker 1: And this is.
• 0:07
  Speaker 2: All things pop culture and it's news room baby.
• 0:13
  Speaker 1: So we are just getting back literally last night.
• 0:17
  Speaker 2: I got back from Miami, not my first time in Miami,
• 0:21
  Speaker 2: of course, but my first time my art baso, which
• 0:23
  Speaker 2: was fire. I so outside of the event that I
• 0:26
  Speaker 2: went there to host, which was it was like an
• 0:29
  Speaker 2: art like a I was gonna say, like called art Brunch,
• 0:31
  Speaker 2: but it was a blend of art, culinary taste, jazz,
• 0:37
  Speaker 2: just a lot of good feeling in community put on
• 0:39
  Speaker 2: by McDonald's.
• 0:40
  Speaker 1: It was called Unk's Art House.
• 0:42
  Speaker 2: And the reason why they call it Unk's Art House,
• 0:44
  Speaker 2: like the Unk is supposed to represent like you know,
• 0:48
  Speaker 2: the og in your family who got you know, all
• 0:50
  Speaker 2: the they have all the stories, all of the wisdom,
• 0:53
  Speaker 2: all of the jokes. Sometimes a little bit you know,
• 0:55
  Speaker 2: jokes a little go a little bit too far, but
• 0:58
  Speaker 2: they're just you know, that person that pulled up in
• 1:00
  Speaker 2: your family that is all about the family, all about community,
• 1:04
  Speaker 2: community and just brings the energy to the group chat,
• 1:06
  Speaker 2: brings the energy to the family function.
• 1:09
  Speaker 1: And that's what it felt like. We had such a
• 1:11
  Speaker 1: great time.
• 1:12
  Speaker 2: I really didn't know what to expect walking into it
• 1:15
  Speaker 2: because even in like our production prep they didn't really
• 1:19
  Speaker 2: tell us too much kind of about you know, what
• 1:21
  Speaker 2: to expect. We also throughout the venue there were a
• 1:26
  Speaker 2: ton of different black artists that were featured. I just
• 1:30
  Speaker 2: want to go through some of the artists because they
• 1:33
  Speaker 2: have you know, they partner with Art House Studios. It's
• 1:37
  Speaker 2: a R T E H A U s okay. Yeah,
• 1:41
  Speaker 2: so it's an art house and then they have art
• 1:44
  Speaker 2: House Studios, which is where which is where McDonald's showcased.
• 1:47
  Speaker 2: It's thirty incredible artists that they worked with throughout. So
• 1:51
  Speaker 2: my event was one event. They had several others. They
• 1:53
  Speaker 2: had a comedy show they which was like a comedy show, dinner,
• 1:57
  Speaker 2: then my brunch event that I hosted with Domit shouts
• 1:59
  Speaker 2: a dome Tu Domity, you guys know him from MTV.
• 2:03
  Speaker 2: Chef kwalm Chef Kwime of Tatiana was in the building
• 2:06
  Speaker 2: doing like the food.
• 2:07
  Speaker 1: Remix for us.
• 2:09
  Speaker 2: I got to try Cavyard for the first time. But
• 2:11
  Speaker 2: these artists were on display throughout all the events of
• 2:14
  Speaker 2: the weekend, So I just wanted to shout out some
• 2:16
  Speaker 2: of the artists that were on display. Because the artwork
• 2:19
  Speaker 2: all weekend, all of the artwork that I was running
• 2:22
  Speaker 2: into and getting a chance to see was just so
• 2:24
  Speaker 2: fire Like. I went to the Scope Like exhibit, which
• 2:29
  Speaker 2: is actually on South Beach in Miami. I did that
• 2:32
  Speaker 2: right before my flight was over because I was like,
• 2:35
  Speaker 2: I can't be at art Bizol and not really get
• 2:37
  Speaker 2: a chance to like dive into some art exhibits and
• 2:40
  Speaker 2: man like the attention to detail and just I don't know,
• 2:45
  Speaker 2: like you look at a painting that someone did and
• 2:50
  Speaker 2: how detailed it is almost looks like you know, a
• 2:52
  Speaker 2: lot of times these these pieces are coming off of
• 2:55
  Speaker 2: the canvas literally like you're you're living in this artwork
• 2:59
  Speaker 2: that you're looking and it just makes me just I
• 3:02
  Speaker 2: remember being in the exhibit being like this is how
• 3:04
  Speaker 2: you know God is real?
• 3:06
  Speaker 1: Like you can't tell me God is not real.
• 3:08
  Speaker 2: Because look at all this creativity, Like where else would
• 3:11
  Speaker 2: this flow from?
• 3:12
  Speaker 1: But a higher power? Like it makes no sense.
• 3:15
  Speaker 2: So some of the artists I wanted to just give
• 3:18
  Speaker 2: them a little mentioned Howard D. Simmons was featured, Shannie Crow,
• 3:25
  Speaker 2: Reina Norwija Relo.
• 3:28
  Speaker 1: Maya Bailey.
• 3:30
  Speaker 2: There was a fire Andre three thousand piece. Oh my god,
• 3:33
  Speaker 2: this piece is forty thousand dollars.
• 3:36
  Speaker 1: Wow.
• 3:37
  Speaker 2: So this Andre three thousand art piece of artwork that
• 3:40
  Speaker 2: I had seen when I got to our house. It
• 3:44
  Speaker 2: was probably like the first It wasn't the first piece
• 3:46
  Speaker 2: of art I saw when I walked in, but it
• 3:48
  Speaker 2: was the first one that made me stop and be like,
• 3:49
  Speaker 2: oh my god, look at this. How did they do this?
• 3:52
  Speaker 2: It's forty thousand dollars. It's being commissioned at forty thousand dollars.
• 3:55
  Speaker 2: It's called Color in the South. It's by Harold Claudio.
• 4:00
  Speaker 2: And there's another one, a Big Boy by Harold Qualdiot
• 4:02
  Speaker 2: that is also forty thousand dollars. Oh my god. Then
• 4:05
  Speaker 2: there was another you guys got to check out this
• 4:08
  Speaker 2: artist as well. Her name is Raina Norwigi. I mentioned
• 4:10
  Speaker 2: her earlier.
• 4:11
  Speaker 1: She has this painting of it's like a black woman
• 4:15
  Speaker 1: like taking over ocean Drive was the energy that I
• 4:18
  Speaker 1: got from it.
• 4:18
  Speaker 2: The colors are so rich and fine. And she was
• 4:21
  Speaker 2: also one of the feature artists. So we're down in
• 4:24
  Speaker 2: Miami and South Beach hanging out. Things are going on,
• 4:26
  Speaker 2: and it just was a great time. So, you know,
• 4:28
  Speaker 2: McDonald's thank you guys for bringing me out. I got
• 4:32
  Speaker 2: a chance to, you know, really experience black excellence.
• 4:35
  Speaker 1: I don't know.
• 4:36
  Speaker 2: People say that and it's like so cliche when people
• 4:38
  Speaker 2: say that, but no, I got to really experience it.
• 4:40
  Speaker 2: I mean, the best of the best in art. I
• 4:43
  Speaker 2: met several entrepreneurs that you know, partner with McDonald's, people
• 4:46
  Speaker 2: who don't partner with McDonald's as well to Miss Kathy Hughes.
• 4:49
  Speaker 2: I talked about that a bit on The Breakfast Club.
• 4:52
  Speaker 2: So great time. Really a great time, and so many
• 4:54
  Speaker 2: people support the show on the podcast, So shout out
• 4:56
  Speaker 2: to everybody that's listening that traveled from Miami with me
• 4:58
  Speaker 2: and are back here for our first episode after Basel,
• 5:02
  Speaker 2: so you know, checking it behind the scenes to the grind.
• 5:05
  Speaker 2: I'm feeling rejuvenated. I am feeling artistic, like creative. I'm
• 5:10
  Speaker 2: feeling like people have so much passion in the things
• 5:14
  Speaker 2: that they do, and people are so gifted. I left
• 5:17
  Speaker 2: Art Basil feeling like I don't want to waste my
• 5:20
  Speaker 2: gift and I want to get out of my own way.
• 5:22
  Speaker 1: I don't think I'm.
• 5:23
  Speaker 2: In my own way a lot, but there are times
• 5:25
  Speaker 2: where like I'm not just I think we all go
• 5:29
  Speaker 2: through this as you know, whatever you do, an entrepreneur,
• 5:32
  Speaker 2: a career person, a creative a person that doesn't deem
• 5:35
  Speaker 2: myself a creative anybody with a goal or something you
• 5:37
  Speaker 2: want to achieve, you were always two hundred three hundred
• 5:42
  Speaker 2: percent worse on what it is yourself, like critiquing what
• 5:46
  Speaker 2: it is that you're actually doing, when like I said,
• 5:49
  Speaker 2: I was seeing art this week and I was like,
• 5:51
  Speaker 2: this is nothing but God. And if it's if it's
• 5:53
  Speaker 2: in you, like it's you know, like it's in you,
• 5:56
  Speaker 2: like it's not on you, it's in you.
• 5:58
  Speaker 1: All you gotta do is let it out. Just live
• 6:01
  Speaker 1: in it, do your thing, do your art, be consistent
• 6:04
  Speaker 1: about it, and get out the way.
• 6:05
  Speaker 2: That's what I left Art Baso feeling like. So we're
• 6:08
  Speaker 2: checking in behind the scenes to the grind. That's where
• 6:11
  Speaker 2: I'm at with it, unless get on into the latest.
• 6:22
  Speaker 2: So kay Lannie was on the Breakfast Club, and tell y'all,
• 6:27
  Speaker 2: kay Lannie made it clear, Okay, it's kay Lannie, not Killannie.
• 6:32
  Speaker 1: But she was on the Breakfast Club.
• 6:34
  Speaker 2: And you know, I rarely react to our interviews unless
• 6:37
  Speaker 2: it was an interview that I feel like was just
• 6:38
  Speaker 2: either a really great conversation or there was conversation from
• 6:42
  Speaker 2: the interview that I think should continue other places. Now
• 6:45
  Speaker 2: let me tell y'all watching kay Lannie grow up in
• 6:48
  Speaker 2: front of the camera, because she started so young, like
• 6:53
  Speaker 2: I mean, she was seventeen, eighteen years old, you know
• 6:58
  Speaker 2: up there the star was out of here. Watching her
• 7:00
  Speaker 2: grow up in front of the camera has has been
• 7:03
  Speaker 2: one to watch. I will say at certain points it
• 7:05
  Speaker 2: has been kind of tough to watch. And we talked about,
• 7:08
  Speaker 2: you know, some of the points that I thought were
• 7:09
  Speaker 2: kind of tough for her, Like I remember when she
• 7:11
  Speaker 2: began having conversations about her sexuality. I remember when you know,
• 7:16
  Speaker 2: and this is more recent, but and we talked about
• 7:18
  Speaker 2: this as well. I remember when Kaylanie and her child's
• 7:22
  Speaker 2: father were going through it, and you know, he accused
• 7:24
  Speaker 2: her of being in a cult, and you know, just
• 7:28
  Speaker 2: a lot of weird things surrounding their daughter. It was
• 7:31
  Speaker 2: pretty tough to watch because I think that Kaylannie, because
• 7:33
  Speaker 2: she has grew up in front of the world, grew
• 7:36
  Speaker 2: up in front of the camera.
• 7:37
  Speaker 1: There have been a lot of moments where and she's
• 7:42
  Speaker 1: young too.
• 7:42
  Speaker 2: So it's like not only she growing up in front
• 7:44
  Speaker 2: of all these things, but I think a lot of
• 7:46
  Speaker 2: time with the younger artists, what will happen is or
• 7:49
  Speaker 2: just younger people in the spotlight in general. What happens
• 7:51
  Speaker 2: is they're online with the fans arguing back and forth.
• 7:56
  Speaker 2: So there's been a lot of times where we've seen
• 7:58
  Speaker 2: Kaylani have to engage in back and forth online when
• 8:01
  Speaker 2: it comes to her and news reported around her, and
• 8:04
  Speaker 2: just different things that are happening that you know, I've
• 8:07
  Speaker 2: always watched and been like, damn, they push this through
• 8:09
  Speaker 2: it like they be putting her through it. And she
• 8:12
  Speaker 2: addressed that she talked to us just about what her
• 8:15
  Speaker 2: journey has been like over these last you know, a
• 8:20
  Speaker 2: couple of years, just figuring out that she needed some
• 8:23
  Speaker 2: help dealing with like bipolar disorder and what that really meant.
• 8:27
  Speaker 2: And I thought that this part of the interview was
• 8:29
  Speaker 2: such a good part of the interview because it was
• 8:32
  Speaker 2: so honest about her not even just realizing that there
• 8:36
  Speaker 2: was something wrong with her.
• 8:38
  Speaker 1: I think the way she spoke.
• 8:39
  Speaker 2: About it, because a lot of times when people you know,
• 8:41
  Speaker 2: have to come out and say like they're dealing with
• 8:42
  Speaker 2: bipolar disorder or whatever, like you know, in our community
• 8:46
  Speaker 2: or like just casually socially, when people talk about bipolar
• 8:51
  Speaker 2: it's just like, oh, you be moody, like It's almost
• 8:53
  Speaker 2: like the running joke, like, yo, she's bipolar.
• 8:56
  Speaker 1: So to be an artist.
• 8:57
  Speaker 2: That people don't always love to prop up the way
• 9:01
  Speaker 2: that they should and then have to, you know, get
• 9:03
  Speaker 2: on a platform like the Breakfast Club and be honest
• 9:05
  Speaker 2: about some of the moments that we've seen her go through.
• 9:08
  Speaker 1: And she even said, like some of the moments she
• 9:10
  Speaker 1: was like out of it. Let's say, listen, when did
• 9:12
  Speaker 1: you realize I could be that vulnerable? And was it
• 9:14
  Speaker 1: a hard line to draw to be like do I
• 9:16
  Speaker 1: want to be this vulnerable?
• 9:17
  Speaker 3: Do I want to share this experience?
• 9:19
  Speaker 4: I think I've always been messally vulnerable, but I grew
• 9:23
  Speaker 4: up in front of the world. You know, everybody's been
• 9:25
  Speaker 4: seeing me doing interviews like this since I was nineteen
• 9:27
  Speaker 4: years old, and I think when you're viewing it on
• 9:31
  Speaker 4: the outside, it you kind of timestamp people like artists
• 9:35
  Speaker 4: get timestamped and whatever version of themselves stuck out to
• 9:38
  Speaker 4: the fan. So there's people who still view me as
• 9:41
  Speaker 4: something I went through when I was twenty four, and
• 9:43
  Speaker 4: like that's who they'll see me as forever. And when
• 9:46
  Speaker 4: you're twenty four at that time, you're also confidently speaking
• 9:48
  Speaker 4: in these interviews because You're like this who I am
• 9:50
  Speaker 4: right now? And I get it. Then ten years later
• 9:51
  Speaker 4: you're like, oh my god, I don't know who that person.
• 9:53
  Speaker 4: I mean, it hasn't been ten years for me, but
• 9:55
  Speaker 4: I'm thirty now and I'm looking back at things I
• 9:57
  Speaker 4: said when I was twenty four to twenty five, even
• 9:58
  Speaker 4: twenty seven, and I'm like, yikes, even a year ago,
• 10:01
  Speaker 4: I'm like, okay, like growth, I'm different now now.
• 10:04
  Speaker 2: Kaylani has said she posted to her x account a
• 10:08
  Speaker 2: few hours ago, so this is breaking. She said, this
• 10:10
  Speaker 2: is one of the best interviews I've done in ages.
• 10:13
  Speaker 1: Check it out.
• 10:14
  Speaker 2: And to be honest with you guys, I really think
• 10:16
  Speaker 2: it's because so we talked to Kaylanni as the artist, right,
• 10:21
  Speaker 2: and when you get to talk about the music and
• 10:22
  Speaker 2: the performing and the you know, the microscope. She talked
• 10:26
  Speaker 2: about the microscope that she's often under and how that
• 10:28
  Speaker 2: is now that she's a mom. But I felt like
• 10:33
  Speaker 2: in the interview, Kaylani just was able to talk about
• 10:35
  Speaker 2: things that Kaylani was interested in. And I think that's
• 10:37
  Speaker 2: the beauty of platforms that champion not just like you know,
• 10:44
  Speaker 2: topical things, but people, because she was able to come
• 10:48
  Speaker 2: there and just be a person and have a conversation
• 10:50
  Speaker 2: about the things that she's indebted to, like things that
• 10:54
  Speaker 2: she truly believes in her herd, things that she wants
• 10:55
  Speaker 2: to stick up for no matter how much do people
• 10:57
  Speaker 2: drag her.
• 10:58
  Speaker 1: She got into her poly sign calvern say and kind
• 11:00
  Speaker 1: of where that.
• 11:01
  Speaker 2: Took her, and then the things that we're taking off
• 11:04
  Speaker 2: the table opportunity wise, when she spoke out, I think
• 11:07
  Speaker 2: she really just got the the platform in the space.
• 11:10
  Speaker 2: And not that you know, I can't speak for other places,
• 11:12
  Speaker 2: but I'd watched a lot of her interviews preparing for
• 11:15
  Speaker 2: this interview, and ever great think she's very personable. But
• 11:19
  Speaker 2: I do think that this interview, it was almost like
• 11:23
  Speaker 2: by the time we got to talk about the music
• 11:25
  Speaker 2: for real, for real, it was time to go because
• 11:27
  Speaker 2: she had somewhere else to go. Because we talked about
• 11:29
  Speaker 2: just the world. And I think a lot of times,
• 11:31
  Speaker 2: like when you're talking about like art and we were
• 11:34
  Speaker 2: just talking about art baso, when you're talking about art
• 11:36
  Speaker 2: and artists and creators, I realize that every single time
• 11:40
  Speaker 2: I get the opportunity to just like go outside, and
• 11:43
  Speaker 2: I don't mean god'side, like we're standing on the couch
• 11:45
  Speaker 2: is I mean, like go and like experience life, how
• 11:50
  Speaker 2: much more it helps me and refreshes me and you know,
• 11:54
  Speaker 2: energizes me.
• 11:55
  Speaker 1: But also the.
• 11:56
  Speaker 2: More you experience, the more you grow and you learn.
• 11:59
  Speaker 2: And then and it's like now your artistic lens and
• 12:02
  Speaker 2: you as a person, you're speaking from a different place.
• 12:06
  Speaker 2: And I think right now, Caroline and her munch has
• 12:09
  Speaker 2: always been great, but I think right now, Kaylani, I
• 12:13
  Speaker 2: was gonna say, right now, she has the golden touch,
• 12:15
  Speaker 2: but her music has always been good. But I think
• 12:17
  Speaker 2: right now what we're seeing with her being able to say, Okay,
• 12:20
  Speaker 2: I got my mental and my emotions regulated, here's what
• 12:24
  Speaker 2: I'm not going for anymore.
• 12:25
  Speaker 1: She came in a room like and it wasn't even
• 12:27
  Speaker 1: disrespectful nothing.
• 12:28
  Speaker 2: It was just like, yo, I need to create this
• 12:30
  Speaker 2: space for myself, and I'm gonna tell y'all this is
• 12:32
  Speaker 2: not how you say my name. And I felt her
• 12:33
  Speaker 2: because you know, people be calling me everything under son,
• 12:35
  Speaker 2: Laura Lauren.
• 12:37
  Speaker 1: They be spelling it wrong, and I mean I correct
• 12:40
  Speaker 1: people right in the moment.
• 12:41
  Speaker 2: But yeah, the energy from the beginning was you know,
• 12:45
  Speaker 2: you come into somewhere and light your candles to get
• 12:47
  Speaker 2: you know, you home, you clean it. Given that from
• 12:50
  Speaker 2: the beginning of like, all right, let me set my energy.
• 12:53
  Speaker 2: And I think when you see a young star rise up,
• 12:56
  Speaker 2: someone who's as talented as she is, who's as successful
• 12:58
  Speaker 2: as she has been for all of this time, right,
• 13:02
  Speaker 2: you want them to get to this place where they
• 13:04
  Speaker 2: know how to come in and control, you know, and
• 13:07
  Speaker 2: sect their boundaries and also open up and have a conversation.
• 13:10
  Speaker 2: She was very comfortable, so we were able to talk
• 13:12
  Speaker 2: to her about a lot. Really enjoyed the conversation. But
• 13:15
  Speaker 2: when I saw that she had posted that she also
• 13:17
  Speaker 2: really enjoyed it. I was like, okay, yeah, like what
• 13:20
  Speaker 2: I was feeling in real time in that room. It
• 13:23
  Speaker 2: felt like she was comfortable. It felt like she was
• 13:25
  Speaker 2: happy to be there talking too, like she would have
• 13:28
  Speaker 2: chose to be nowhere else, but they're talking about the
• 13:30
  Speaker 2: things she talked about.
• 13:32
  Speaker 1: Love that for her.
• 13:34
  Speaker 2: She has new music out outside of a Folded Got
• 13:36
  Speaker 2: Us in the choke Hold, but she does have new
• 13:39
  Speaker 2: music out as well too. The new song is called
• 13:42
  Speaker 2: out the Window, which is crazy because I feel like in.
• 13:45
  Speaker 1: Folded, Kaylani is very accountable for either I'm done with this,
• 13:52
  Speaker 1: you got to get out of here. But wait, hold on,
• 13:54
  Speaker 1: did I make the right this is it? Am I
• 13:55
  Speaker 1: reacting too soon? Am I just all in my feelings.
• 13:58
  Speaker 1: Maybe we should sit down and talk. But out the
• 14:00
  Speaker 1: window Kailani is on the other side. Her clothes was folded.
• 14:04
  Speaker 1: She messed up, and she's very accountable to that.
• 14:08
  Speaker 2: So the dynamics of the songs and the different dynamics
• 14:11
  Speaker 2: in the songs I think show not only like a
• 14:13
  Speaker 2: personal growth, but I thought it was interesting to see
• 14:16
  Speaker 2: her come from both elements and both songs be just
• 14:18
  Speaker 2: as good. Now, speaking of music artists and other news man,
• 14:24
  Speaker 2: I don't know if I am like celebrating this or
• 14:27
  Speaker 2: if I'm a little sad to see this era go.
• 14:29
  Speaker 2: But Push your t says that he is done with
• 14:32
  Speaker 2: dis tracks. He says that they're dead to him. So
• 14:35
  Speaker 2: he did a a written interview with an outlet Calt Consequence.
• 14:38
  Speaker 1: They do TV, film, music, you know.
• 14:41
  Speaker 2: All of the things, and they were having a conversation
• 14:44
  Speaker 2: with him and they got on the concept of dis
• 14:47
  Speaker 2: tracks because, I mean, Push your Tea can be rained
• 14:50
  Speaker 2: as one of the greatest when it comes to dissing
• 14:54
  Speaker 2: someone on a track. I mean, the story of added
• 14:57
  Speaker 2: on we wouldn't have known that Drake Kataki if it
• 14:59
  Speaker 2: wasn't for Pushing T in his commitment to destroying a
• 15:02
  Speaker 2: person Bar Bye bar changing whips, change changing Whips, which
• 15:07
  Speaker 2: we know had some lines at Jim Jones Exodus twenty
• 15:10
  Speaker 2: three to one that was young Money Drake Lil Wayne
• 15:15
  Speaker 2: like he has and it goes on and on and
• 15:16
  Speaker 2: on like he you know who was the song where
• 15:19
  Speaker 2: he went at a Travis Scott, but Travis Scott tried
• 15:24
  Speaker 2: to go back at him and nobody really cared. And
• 15:28
  Speaker 2: then you also have so be It, which is on
• 15:29
  Speaker 2: the clips most recent project. So let's okay, let's talk
• 15:34
  Speaker 2: about what Push.
• 15:34
  Speaker 1: Your Tea said.
• 15:35
  Speaker 2: So Push your T in this interview said, it's kind
• 15:37
  Speaker 2: of dead to me. It's the ransom of what a
• 15:39
  Speaker 2: distract used to bring. There was a clear winner, somebody
• 15:42
  Speaker 2: would really bout out and then that's it. The last
• 15:44
  Speaker 2: man's standing. Now it's just a whole bunch of noise.
• 15:47
  Speaker 2: Even after we find the winners, it is still noise. And
• 15:50
  Speaker 2: it's like, man, then what is it for?
• 15:52
  Speaker 1: I've kind of been through that chapter and I'm over
• 15:54
  Speaker 1: and I will say and so be It. Push Your
• 15:57
  Speaker 1: Tea was very grown about the way he spanked Travis Scott,
• 16:05
  Speaker 1: and I know when we talked to him at the
• 16:07
  Speaker 1: Breakfast Club speaking of breakfast club interviews, when we talked
• 16:09
  Speaker 1: to him at the Breakfast Club, and you know, I
• 16:11
  Speaker 1: saw some other interviews that he did, he talked about
• 16:14
  Speaker 1: his issue and he says that his issue was because
• 16:19
  Speaker 1: I think Push Your Tea.
• 16:21
  Speaker 2: And his brother Malice, and you know, there are a
• 16:23
  Speaker 2: whole group of artists that are like this that they
• 16:26
  Speaker 2: come from an area and not even just come from an air,
• 16:28
  Speaker 2: but there are people that are morally built a certain
• 16:32
  Speaker 2: way and you expect that out of everybody you encounter,
• 16:36
  Speaker 2: but it don't happen in this But I think watching
• 16:40
  Speaker 2: Malice and Push Your Tea maneuver everything they did on
• 16:43
  Speaker 2: let God's sort them out, which is that most recent
• 16:45
  Speaker 2: album not their last album, like they're done. I think
• 16:48
  Speaker 2: that hearing him say he's done with this tracks is
• 16:50
  Speaker 2: I'm not surprised by it.
• 16:52
  Speaker 1: Like there was a.
• 16:52
  Speaker 2: Moment in our Breakfast Club interview where we were getting
• 16:56
  Speaker 2: into the whole so be it line and cause he
• 17:00
  Speaker 2: talks about, you know, having this video with Travis Scott
• 17:03
  Speaker 2: and he was going to share an ae it right,
• 17:05
  Speaker 2: and I'm like, like, well, what is the video?
• 17:07
  Speaker 1: And he starts to go in and listen to this.
• 17:10
  Speaker 3: And what pisched you off about Travis Scott so much
• 17:12
  Speaker 3: that you had to mention him on a recorde?
• 17:14
  Speaker 1: What what what made you say? This isn't this nigga's
• 17:16
  Speaker 1: going too far? Ah?
• 17:17
  Speaker 3: Man, It was just you know, it was just that uh,
• 17:19
  Speaker 3: that whole coming to uh coming to Paris. You know,
• 17:23
  Speaker 3: he came to Paris during one of our sessions, you know,
• 17:26
  Speaker 3: played his album and then he you know, when when
• 17:29
  Speaker 3: he left, the album comes out and you know the
• 17:32
  Speaker 3: record that he played, you know, had a verse up
• 17:35
  Speaker 3: there that was you know, going at p whatever the
• 17:36
  Speaker 3: case may be. And I'm like, damn, you just left,
• 17:39
  Speaker 3: Like how you how you leave here? You know, he
• 17:42
  Speaker 3: was on your album and then you're letting him, you know,
• 17:45
  Speaker 3: play your album for him, you're filming it, and then
• 17:47
  Speaker 3: you come back when the album drops you got a
• 17:49
  Speaker 3: verse you know, going at him. So I just thought
• 17:51
  Speaker 3: that was corny, and again, like, you know that's part
• 17:54
  Speaker 3: of the I think that's part of just trying to
• 17:57
  Speaker 3: leave all of that behind. And it's like, man, like
• 18:00
  Speaker 3: that's the type of thing that happens over in that
• 18:04
  Speaker 3: yay world and it's okay, and they you know, it's
• 18:07
  Speaker 3: all right. They just brush it off and they be
• 18:09
  Speaker 3: friends and they go hang out together and then you know,
• 18:12
  Speaker 3: do whatever they do. Like that doesn't I didn't. I
• 18:15
  Speaker 3: didn't like that that was brought into this fold. YEAHA
• 18:17
  Speaker 3: one time they said that the verse, the drape verse
• 18:19
  Speaker 3: wasn't done as a yet it doesn't matter when it
• 18:22
  Speaker 3: was done. I don't care when it was done. You
• 18:24
  Speaker 3: you you added to it. You actually he actually had
• 18:26
  Speaker 3: a verse after that verse, so you you even added
• 18:30
  Speaker 3: to the verse.
• 18:31
  Speaker 1: Like so what's proper etiquette for a situation like that?
• 18:34
  Speaker 3: You just stay the hell away from me? Go way,
• 18:36
  Speaker 3: like I'm not I'm not into you anyway, Like I'm
• 18:38
  Speaker 3: not even into your swag and none of that, Like
• 18:40
  Speaker 3: it's not into none of it. So just stay away.
• 18:43
  Speaker 2: And I think even right there, I mean, malice seems
• 18:45
  Speaker 2: like he's always pushed. I mean he if push your
• 18:48
  Speaker 2: T's going, Malice is going, like you know what I'm saying,
• 18:51
  Speaker 2: the hands down. But it does seem like that's the
• 18:54
  Speaker 2: balance between the two, like push your t is like
• 18:56
  Speaker 2: you gotta get him to that point.
• 18:58
  Speaker 1: But once he's there, Oh, what's up?
• 19:00
  Speaker 2: And Malice is kind of like, all right, I'm gonna
• 19:02
  Speaker 2: let you go, and I'm right here if you need me,
• 19:03
  Speaker 2: but we ain't gonna give them too much. And Malice
• 19:05
  Speaker 2: even said in this interview of Consequence that you know,
• 19:08
  Speaker 2: he talked about how you know, if you arguing with
• 19:11
  Speaker 2: too many clowns, people don't know what's the circus.
• 19:14
  Speaker 1: You in the circus and you're doing all the things
• 19:16
  Speaker 1: you appearing like a clown too. So what they're.
• 19:18
  Speaker 2: Basically saying is, at this point in their career and
• 19:20
  Speaker 2: what they've done, would let God sort them out.
• 19:22
  Speaker 1: It's just elevated, and they want to stay elevated.
• 19:25
  Speaker 2: Push Your Tea also said, I'm someone right now where
• 19:27
  Speaker 2: I don't even want to make music with other people. Nevertheless,
• 19:31
  Speaker 2: have anybody else in my music or be the focus
• 19:33
  Speaker 2: of my music.
• 19:34
  Speaker 1: What we're doing right here with clips is to me,
• 19:37
  Speaker 1: so next level. I feel like the taste level is
• 19:39
  Speaker 1: above everything else. Great taste level on this project. The
• 19:43
  Speaker 1: way they rolled it out, all the looks, all the fashion,
• 19:45
  Speaker 1: everything was very effortless but very high brow. Push Your
• 19:49
  Speaker 1: Tea continues, even being caught up in the world of it.
• 19:52
  Speaker 1: I don't like even the world of people, of the
• 19:55
  Speaker 1: back and forth. If I don't see eye to eye
• 19:57
  Speaker 1: with you, there's probably things I don't want to be
• 20:00
  Speaker 1: there about, you know what I'm saying.
• 20:02
  Speaker 2: And I think it just you know, got to a
• 20:04
  Speaker 2: point with him because he talked about it with Travis Scott.
• 20:06
  Speaker 2: It's like, you realize, these are not my type of people,
• 20:11
  Speaker 2: Like they're just not. It doesn't matter what I say,
• 20:13
  Speaker 2: what I do, how I treat them, how I maneuver.
• 20:15
  Speaker 2: These are not my type of people. And my type
• 20:17
  Speaker 2: of people I'm gonna keep around me and I'm gonna
• 20:19
  Speaker 2: protect them and everything else.
• 20:20
  Speaker 1: I don't even want to be around that. I don't
• 20:22
  Speaker 1: even want to, you know.
• 20:23
  Speaker 2: And this project felt very much that, like the few
• 20:27
  Speaker 2: subtle jabs that.
• 20:28
  Speaker 1: Were mentioned, and it was very few firm between, but.
• 20:31
  Speaker 2: It was a you know, it was s Pushy Tea knowledge,
• 20:33
  Speaker 2: so it was enough, very grown.
• 20:37
  Speaker 1: But I don't know, I just.
• 20:40
  Speaker 2: Because one thing Pusha Tea also told us in the
• 20:42
  Speaker 2: Breakfast Club interview that he did with us last was
• 20:45
  Speaker 2: that he got.
• 20:47
  Speaker 1: A lot more saved up in the cut. He'd just
• 20:49
  Speaker 1: be he'd be sitting on things.
• 20:51
  Speaker 2: It's kind of like, don't poke the bear and then
• 20:53
  Speaker 2: you poke them enough and then boom we find out
• 20:55
  Speaker 2: Drake got a baby. I don't know, guys, is this
• 20:58
  Speaker 2: a era that is, you know, never to come back again.
• 21:01
  Speaker 2: Does it take the right person for Push your Tea
• 21:04
  Speaker 2: to take, you know, very tastefully. You know, it'll be
• 21:08
  Speaker 2: with a nice little you know, great fabrics will be involved,
• 21:12
  Speaker 2: great food, great travel, great visuals, It'll be with all
• 21:16
  Speaker 2: of the things. But does it take the right person?
• 21:19
  Speaker 2: And what does that mean? Who is the person? What
• 21:22
  Speaker 2: is the you know, because there's been a few long
• 21:24
  Speaker 2: running Push of Tea beasts to get him back outside
• 21:28
  Speaker 2: in the trenches, as you know, ACG boots or whatever
• 21:33
  Speaker 2: they wear in VA. I don't know if you'll wear
• 21:35
  Speaker 2: of ACG boots and VA I just said that cuts
• 21:36
  Speaker 2: y'all close to Baltimore or DC strapped up? Does he
• 21:40
  Speaker 2: get back outsider? Do we think Push Your Tea is
• 21:42
  Speaker 2: no longer ever gonna? I wouldn't even say pick up
• 21:44
  Speaker 2: the pin at another artist because I think he's always
• 21:47
  Speaker 2: gonna probably pick up the pin. But will he ever
• 21:50
  Speaker 2: put another one in the chamber and let it fly?
• 21:52
  Speaker 1: Will we ever get to hear it again. Let me
• 21:54
  Speaker 1: know what y'all think. I'm Laura Rosa. This is the
• 21:58
  Speaker 1: latest with Laura Rosa. This Giti Deli didg gonna all
• 22:00
  Speaker 1: things pop culture, entertainment, news and all of the conversations
• 22:03
  Speaker 1: that shake the room.
• 22:04
  Speaker 4: Baby.
• 22:06
  Speaker 1: I tell you, guys, every episode, y'all could be anywhere
• 22:08
  Speaker 1: with anybody talking about all these things, with y'all right
• 22:11
  Speaker 1: here with me, and I appreciate you, guys. I'll catch
• 22:13
  Speaker 1: you in my next episode.