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Gilmore Girls Gazette: Bunheads: More Dancing Please? · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in again. Oh let's you y'll more
• 0:18
  Speaker 1: Girls Gazette with Amy Sugarman and Danielle Romo, an iHeartRadio podcast.
• 0:24
  Speaker 2: It's time for your weekly dose of Bunheads.
• 0:28
  Speaker 1: How are you feeling about it?
• 0:29
  Speaker 2: I really liked the last year, so this one it
• 0:32
  Speaker 2: was good. It was good, way better than the beginning ten. Yeah,
• 0:37
  Speaker 2: just not as good as the last three were.
• 0:39
  Speaker 1: Really seeah, I disagree. I actually I actually think we're
• 0:43
  Speaker 1: like firing on all cylinders, as they say, all right,
• 0:46
  Speaker 1: but I have a question for you. I think, Okay,
• 0:51
  Speaker 1: am I dumb and just not artistic? Is there more
• 0:55
  Speaker 1: to the dances at the end? Because they kind of
• 0:59
  Speaker 1: keep putting that in these sort of performances. Then like
• 1:03
  Speaker 1: I'm getting like, I understand, okay, Sasha's dealing with like
• 1:07
  Speaker 1: a tough situation, so that's why she's doing the dance.
• 1:12
  Speaker 1: But I'm like, is there am I supposed to be
• 1:14
  Speaker 1: getting like deep meaning from this?
• 1:16
  Speaker 2: Well? I think the meaning was paired with the music
• 1:20
  Speaker 2: of that last and Jackie and Emma please pull up
• 1:24
  Speaker 2: the lyric it was it was the song was about
• 1:28
  Speaker 2: it being in tough times. I just I can't get
• 1:31
  Speaker 2: the exact words of it in my head right now
• 1:33
  Speaker 2: and recall it. But I think the music is depicting
• 1:39
  Speaker 2: the time or what Sasha is feeling, because we don't
• 1:42
  Speaker 2: always get that from her words. So I think it's
• 1:46
  Speaker 2: like her way, or rather Amy Sherman Palladino's way. Oh
• 1:50
  Speaker 2: she didn't write this one.
• 1:51
  Speaker 1: Well their way, yeah, sure, sure that the writers are
• 1:57
  Speaker 1: still writing in.
• 1:57
  Speaker 2: Her Yeah, their way of communicating what Sasha's feeling inside.
• 2:03
  Speaker 2: I like that.
• 2:03
  Speaker 1: Okay, that's the I can get that out of it.
• 2:07
  Speaker 1: It's there's a lot to those dances that I'm like,
• 2:11
  Speaker 1: is this over my head? Like I am, I just
• 2:14
  Speaker 1: not savvy enough to fully get it.
• 2:19
  Speaker 2: Yeah, I understand that. I think the reason why I
• 2:22
  Speaker 2: like it is what I just said. But also it
• 2:25
  Speaker 2: is bun heads and this this episode didn't really have
• 2:29
  Speaker 2: that much dance in it.
• 2:31
  Speaker 1: Do you sort of like get up though? When the
• 2:33
  Speaker 1: dancing starts, You're like.
• 2:34
  Speaker 2: I definitely am not like I need to watch this.
• 2:38
  Speaker 2: I'm like, okay, I could kind of maybe look at
• 2:39
  Speaker 2: an email during this.
• 2:41
  Speaker 1: Right, I'm like, okay, I get up and brush my
• 2:43
  Speaker 1: teeth now, Okay, so little tidbit. This is directed by
• 2:47
  Speaker 1: Jackson Douglas which is our jackson from Gilmore Girls.
• 2:52
  Speaker 2: This episode that we're talking about, season one, episode thirteen,
• 2:54
  Speaker 2: I'll be Your Meyer Lanski, Michelle and Fanny struggle with
• 2:57
  Speaker 2: financial troubles while the girls remain activated by the new students. Meanwhile,
• 3:01
  Speaker 2: Sasha's move continues to affect.
• 3:03
  Speaker 1: Her two pop culture questions that they may need to
• 3:08
  Speaker 1: look up for us. Who is Meyer Lansky? And number two?
• 3:13
  Speaker 1: There's a moment when the uh accountant calls them who'sy
• 3:20
  Speaker 1: and Doozy?
• 3:21
  Speaker 2: Oh?
• 3:21
  Speaker 1: Yes, and then she says, I don't really appreciate the
• 3:24
  Speaker 1: appreciate the who'sy and Doozy? Reference? Who were those two people?
• 3:28
  Speaker 1: And who were those two people?
• 3:31
  Speaker 2: Darn, You're like, I know exactly what you're talking about,
• 3:35
  Speaker 2: what I'm talking about, but you're trying to see if
• 3:36
  Speaker 2: it's in my notes.
• 3:39
  Speaker 1: I do not think Jackie says meyer Lansky is a
• 3:43
  Speaker 1: mob boss account my boss? What accountant?
• 3:46
  Speaker 2: Accountant? Accountant?
• 3:48
  Speaker 1: Okay, okay, sure, sure, sure, sure, but those two you know,
• 3:56
  Speaker 1: Chip and Dale. But it wasn't that.
• 3:59
  Speaker 2: No, it's not like Thelma Louis.
• 4:01
  Speaker 1: See if somebody can look it up. While we talk
• 4:03
  Speaker 1: about the rest of the episode, Also, where was Boo
• 4:06
  Speaker 1: I know Boo.
• 4:08
  Speaker 2: Okay, you're you stand Boo so hard.
• 4:12
  Speaker 1: I was okay to have her break. Here's the thing
• 4:15
  Speaker 1: I prefer Ginny. I really like it.
• 4:18
  Speaker 2: I really like Ginny.
• 4:19
  Speaker 1: How about Melanie just being so violent just one teking
• 4:24
  Speaker 1: when she pulled that girl's ponytail. I was like, what,
• 4:30
  Speaker 1: I have loved it.
• 4:32
  Speaker 2: I know I'm not trying to condone violence here, but
• 4:34
  Speaker 2: I thought it was.
• 4:36
  Speaker 1: It made me get it too. And then she just
• 4:38
  Speaker 1: knocks the door right out of his chairs, like what
• 4:40
  Speaker 1: is happening? That was aggressive?
• 4:44
  Speaker 2: Oh my god, it was so aggressive and so unexpected,
• 4:48
  Speaker 2: like and.
• 4:48
  Speaker 1: I do love that those two people are so popular
• 4:52
  Speaker 1: and the girls are like how did this happen?
• 4:54
  Speaker 2: And yeah, And the thing is is those they don't
• 4:57
  Speaker 2: even talk.
• 4:57
  Speaker 1: Which is like the most.
• 4:59
  Speaker 2: Ironic part, Like they don't even say any words.
• 5:01
  Speaker 1: That girl is super cool though. That plays with coset.
• 5:04
  Speaker 1: I feel like I know her from something and I'm like,
• 5:06
  Speaker 1: why do I know her? Also, I actually felt bad
• 5:08
  Speaker 1: for Charlie getting dumped, even though Charlie's kind of a
• 5:11
  Speaker 1: pain in the ass. Yeah, I felt bad for him.
• 5:16
  Speaker 2: Everyone needs a taste of their own medicine sometimes.
• 5:20
  Speaker 1: I mean, I guess so the same we've got this.
• 5:23
  Speaker 1: We're back with the same financial advisor that we were
• 5:26
  Speaker 1: with before, and they're just trying to figure out how
• 5:28
  Speaker 1: to make money. Yeah, which seems to be like a
• 5:31
  Speaker 1: recurring thing. I don't know why we're not just like
• 5:33
  Speaker 1: selling part of the land.
• 5:35
  Speaker 2: I know, I'm like, why are.
• 5:38
  Speaker 1: We not just selling part of it?
• 5:40
  Speaker 2: I completely agree with you. You don't even know half
• 5:44
  Speaker 2: the land you have.
• 5:45
  Speaker 1: Crazy. I also love that they're going into business with Paris.
• 5:50
  Speaker 1: I do too, Like that makes my whole too, because
• 5:53
  Speaker 1: she's pretty pretty legit in this. She looks cool. It's
• 5:58
  Speaker 1: like she's cool. I like that she's truly sister. That
• 6:03
  Speaker 1: whole thing the trivia night that was funny, Rose was great.
• 6:07
  Speaker 1: I like Thatly and her sister have so much animosity.
• 6:12
  Speaker 2: They couldn't be the exact opposite. And I did like
• 6:15
  Speaker 2: the it's kind of people are gonna be mad at
• 6:21
  Speaker 2: me for saying this, but I do kind of like
• 6:23
  Speaker 2: the payoff that Sparkles was named after her cat that
• 6:26
  Speaker 2: she put down.
• 6:27
  Speaker 1: Oh my gosh, and that like truly just keeps setting
• 6:31
  Speaker 1: up Sparkles like everywhere.
• 6:33
  Speaker 2: Else I know, I know, but I love how this
• 6:40
  Speaker 2: character is so like Paris but different at the same time.
• 6:45
  Speaker 1: Yes, but there's definitely.
• 6:48
  Speaker 2: Paris in this. Yeah, so much Paris.
• 6:51
  Speaker 1: How could you not? I mean, how could you not?
• 6:53
  Speaker 1: I know she does, does she?
• 6:56
  Speaker 2: I don't really know much about Licen's career.
• 6:59
  Speaker 1: She's in How to get Away with Murder? Was a
• 7:02
  Speaker 1: Shonda Rhymes m soft. I I wouldn't call her soft
• 7:07
  Speaker 1: in How to get Away with Murder. She's edgy, but
• 7:11
  Speaker 1: I don't mean edgy like fashion forward edgy. She's gotten
• 7:15
  Speaker 1: edge to her. You know, she played in Scandal, So
• 7:18
  Speaker 1: I don't know if you remember this, but in the
• 7:19
  Speaker 1: very first couple episodes of Scandal, there is a young
• 7:24
  Speaker 1: woman I think it's sort of a La Monica Lewinsky
• 7:28
  Speaker 1: that has a relationship with the president, and that is
• 7:33
  Speaker 1: played by Liza While and she's a bit softer in that,
• 7:37
  Speaker 1: but still with sort of a sharp edge. And she's
• 7:40
  Speaker 1: murdered murdered, oh wow, murdered by if I'm remembering, not
• 7:48
  Speaker 1: by the chief of staff. But he gets somebody to
• 7:51
  Speaker 1: murder her, which ends up being sort of this kind
• 7:54
  Speaker 1: of hired bad guy, and they end up working with
• 7:58
  Speaker 1: him quite a bit. And another character, actually even I
• 8:01
  Speaker 1: think Mary's him or has a baby with him. But anyway,
• 8:04
  Speaker 1: Liza Whyles in the first few episodes. She's very important
• 8:08
  Speaker 1: in the first like season of Scandal.
• 8:11
  Speaker 2: I never really I no, I watched a few episodes
• 8:14
  Speaker 2: of Scandal, but I think it was too young at
• 8:15
  Speaker 2: the time.
• 8:16
  Speaker 1: You like it. I'm rewatching it, and I think you
• 8:18
  Speaker 1: would like it. She's a bit of a tough cookie,
• 8:20
  Speaker 1: but with a real softer side a little bit.
• 8:23
  Speaker 2: I want to see her be like a hippie and
• 8:26
  Speaker 2: like a I.
• 8:28
  Speaker 1: Just don't know that I can see it. I keep
• 8:29
  Speaker 1: seeing Paris.
• 8:31
  Speaker 2: I want to see her do something just so different.
• 8:34
  Speaker 1: And then she was a major character in How to
• 8:36
  Speaker 1: Get Away with Murder? If I remember with Viola Davis
• 8:40
  Speaker 1: another Shonda Rhymes, she kind of only works with Shonda
• 8:43
  Speaker 1: Rhymes or Amy Sherman Palladino.
• 8:46
  Speaker 2: Not a bad sandwich to be in the middle of.
• 8:50
  Speaker 1: Good Shonda Rhymes has a new show coming that I'm
• 8:53
  Speaker 1: excited about that I can't think of what it's called
• 8:55
  Speaker 1: right now, but we'll save that for our Gilmore Girls headlines.
• 8:59
  Speaker 1: Any Way, the candle shop that's randomly on their land,
• 9:03
  Speaker 1: and then she steals the candles that whole thing was
• 9:06
  Speaker 1: just so far fetched and crazy.
• 9:08
  Speaker 2: Yeah, and also like who's profiting, Like who who's selling
• 9:12
  Speaker 2: or not selling that land but renting out that land
• 9:16
  Speaker 2: that isn't theirs.
• 9:16
  Speaker 1: And also it's an obscure piece of property and the
• 9:20
  Speaker 1: guy's selling enough candles to make a profit.
• 9:23
  Speaker 2: No, that's a.
• 9:25
  Speaker 1: Bun heads he crazy but.
• 9:27
  Speaker 2: Okay in a small small town where there's like five people. Oh,
• 9:31
  Speaker 2: the new Shonda Rhymes show is called The Residents. I
• 9:33
  Speaker 2: think we covered that in the last in the last headlines.
• 9:37
  Speaker 1: Remember that one. I'm excited about that one. Lots of
• 9:48
  Speaker 1: sort of a young girl stuff. You know, they're kind
• 9:52
  Speaker 1: of obsessed with Cosette, blah blah blah whatever. There's kind
• 9:56
  Speaker 1: of bits with Michelle and Fanny trying to fig out
• 10:00
  Speaker 1: there money and Michelle going back to the loane guy.
• 10:04
  Speaker 1: There's not a lot of meat here. It's basically the
• 10:07
  Speaker 1: no money stuff, Sasha stuff, Cosette, the new girl stuff,
• 10:13
  Speaker 1: and then Liza Wiles's character doing stuff with truly, and
• 10:21
  Speaker 1: I feel like there's one more storyline.
• 10:23
  Speaker 2: Well, we need to talk about Michelle and Gadoh and
• 10:25
  Speaker 2: that whole minor change that literally made me want to
• 10:29
  Speaker 2: hide under it a rock.
• 10:31
  Speaker 1: It made me just so secondhand embarrassment, cringe tastic, whatever
• 10:37
  Speaker 1: the word is. So basically, you guys, if you haven't
• 10:40
  Speaker 1: been watching she er, she's gonna do like a toast
• 10:43
  Speaker 1: with Goodo and because she finds out she didn't graduate
• 10:46
  Speaker 1: high school, which is also so stupid, but whatever, and
• 10:49
  Speaker 1: she does a toast and she says to us, both.
• 10:52
  Speaker 2: Being dumb and you do not say that and hope
• 10:56
  Speaker 2: for the other person to take it lightly, what is
• 11:00
  Speaker 2: wrong with her?
• 11:01
  Speaker 1: Let a load on your interest? So crazy? And then
• 11:05
  Speaker 1: he's like immediately like okay, Michelle, Like he basically was
• 11:09
  Speaker 1: just like yeah. He throws the drink behind his arm,
• 11:12
  Speaker 1: and he's like got a PhD or masters. He's obviously
• 11:16
  Speaker 1: like so smart. She should be lucky to be with GOODO.
• 11:20
  Speaker 2: Come on, that was Michelle. You really really really just
• 11:27
  Speaker 2: put that relationship potential relationship in the oyster bar garbage.
• 11:32
  Speaker 1: I try to have a little understanding for people that
• 11:34
  Speaker 1: say dumb stuff, because haven't you ever been in a
• 11:36
  Speaker 1: situation where somebody just says something so dumb but you're like,
• 11:41
  Speaker 1: I know you didn't mean it, so I'm just gonna
• 11:43
  Speaker 1: move on from it. Yeah, people say dumb stuff all
• 11:46
  Speaker 1: the time, and I'm sure so do we. I mean,
• 11:48
  Speaker 1: trust we say dumb stuff on this.
• 11:50
  Speaker 2: Thing all the time.
• 11:52
  Speaker 1: So but that was it was pretty next level dumb.
• 11:55
  Speaker 1: It was a pretty dumb.
• 11:58
  Speaker 2: Yeah. But the payoff is Michelle sits down with Milly
• 12:02
  Speaker 2: and she wants to sell Milly some of the land,
• 12:06
  Speaker 2: and she that amazing, amazing idea of wanting to build
• 12:13
  Speaker 2: an amphitheater so that they can do their dance performances
• 12:17
  Speaker 2: out there. And yeah, the YadA YadA, and Milly jumps
• 12:21
  Speaker 2: on the amphitheater idea and wants to partner even though Michelle.
• 12:25
  Speaker 1: Which I think she's smart, I think Milly's smart because
• 12:27
  Speaker 1: I do think the amphitheater is actually a good idea.
• 12:30
  Speaker 2: Well, it's one of those things in a small town
• 12:32
  Speaker 2: like that, you everyone wants something to do, right, and
• 12:38
  Speaker 2: so this is like another place that there can have
• 12:42
  Speaker 2: they can have all those small town festivities at.
• 12:45
  Speaker 1: Tons of use for it. And I actually liked the
• 12:47
  Speaker 1: interchange between Michelle and Truly talking about friendship. You know,
• 12:51
  Speaker 1: I thought, Okay, I'm into that, Like that was good. Yeah,
• 12:55
  Speaker 1: and then we get to the craziest part of the
• 12:57
  Speaker 1: whole thing. Sasha at a house. I'm sorry, what mother?
• 13:04
  Speaker 1: Excuse me? What? Mother? First of all, I understand if
• 13:07
  Speaker 1: you have a teenager, that's like basically they're probably juniors
• 13:10
  Speaker 1: or seniors or whatever they are. You say you want
• 13:13
  Speaker 1: to live with your mom or your dad. That's fine.
• 13:14
  Speaker 1: The kid can totally choose. I have no problem. Nobody
• 13:18
  Speaker 1: just abandons their kid. Okay, fine, here's the keys. You
• 13:22
  Speaker 1: got two weeks till the house is gone.
• 13:25
  Speaker 2: What I know. But also the one thing that irked
• 13:30
  Speaker 2: me even more than that is when Sasha was saying,
• 13:33
  Speaker 2: I was gone at Godford for three weeks and you
• 13:36
  Speaker 2: didn't even notice when I came back, and the mom
• 13:39
  Speaker 2: was like, you didn't tell me you came back, So
• 13:41
  Speaker 2: that's on you. No, no, no, no, no.
• 13:44
  Speaker 1: That mom is crazy crazy.
• 13:48
  Speaker 2: The fact that you don't know where your kid is
• 13:51
  Speaker 2: is a problem.
• 13:52
  Speaker 1: No, it's like Michelle and then I do. I do
• 13:55
  Speaker 1: like the scene of Michelle sort of saying, we're gonna
• 13:56
  Speaker 1: figure this out, obviously, like Michelle needs to. I mean,
• 14:00
  Speaker 1: Sasha's gonna move in with Michelle or move in with
• 14:02
  Speaker 1: Fanny or something. But what mother just goes, okay, bye,
• 14:07
  Speaker 1: peace out?
• 14:09
  Speaker 2: What mom? That I don't know?
• 14:12
  Speaker 1: That was so weird.
• 14:13
  Speaker 2: That was that was so weird. But also, where's the dad?
• 14:17
  Speaker 2: Why is the dad not even saying anything? Like I
• 14:21
  Speaker 2: don't like any of it. You have two parents and
• 14:23
  Speaker 2: they both that's why Sasha is the way she is totally,
• 14:27
  Speaker 2: so I don't even care totally.
• 14:31
  Speaker 1: Here it's a little bit far fetched too.
• 14:35
  Speaker 2: Yeah, well, I mean this could happen.
• 14:38
  Speaker 1: This probably does. Yes, yeah, I mean maybe yes, but
• 14:44
  Speaker 1: it don't happen. It's just it's it's interesting. It's interesting.
• 14:49
  Speaker 1: So then we get sort of the dramatic dance, and
• 14:51
  Speaker 1: it was like, Okay, there's a lot to this dance
• 14:55
  Speaker 1: that is going over my head, but I'm good with it. Also,
• 15:00
  Speaker 1: I'm not sure I love the dancing. It's sort of
• 15:02
  Speaker 1: messy dancing.
• 15:04
  Speaker 2: But oh it's I don't what do they call that
• 15:06
  Speaker 2: alternative dance.
• 15:07
  Speaker 1: Modern ballet or something. Oh yeah, it does have a name.
• 15:11
  Speaker 2: It's called they do it Dancing with the Stars.
• 15:14
  Speaker 1: They do do it on Dancing with Stars.
• 15:15
  Speaker 2: I said, do do interpretive dancing?
• 15:17
  Speaker 1: Interpretive? Modern? It is? They do do it on Dancing
• 15:22
  Speaker 1: with the Stars.
• 15:22
  Speaker 2: Yeah, they do. And I always don't like it because
• 15:24
  Speaker 2: I want to see the ballroom feels messo or the
• 15:27
  Speaker 2: via Need's Waltz.
• 15:28
  Speaker 1: Like. I don't like it either because it feels like
• 15:32
  Speaker 1: I could do it. It's like I don't know that
• 15:40
  Speaker 1: I should be able to do the dancing. Yeah, it
• 15:42
  Speaker 1: feels like I could do that. I'm just saying, right,
• 15:46
  Speaker 1: it's a lot of that. Danielle and I are doing it,
• 15:49
  Speaker 1: if you guys want to know.
• 15:50
  Speaker 2: And we are so happy we do not post video
• 15:52
  Speaker 2: looks from mess way.
• 15:55
  Speaker 1: I'm still into button heads and I'm glad we're doing it,
• 15:59
  Speaker 1: but I'm getting looking forward to Maisel and then also,
• 16:01
  Speaker 1: I think we should do etto all.
• 16:03
  Speaker 2: Yeah, I'm down. I think we should treat yeah like
• 16:08
  Speaker 2: we did the Z Suite. Watch an episode and see
• 16:12
  Speaker 2: if we want to continue.
• 16:14
  Speaker 1: Yeah, I agree, I agree, but I'm going to give
• 16:17
  Speaker 1: it a lot of effort. Have you watched another Z Suite?
• 16:23
  Speaker 1: You have not? Nope, I know you haven't because it's
• 16:26
  Speaker 1: not that good.
• 16:28
  Speaker 2: I liked it.
• 16:28
  Speaker 1: I liked it.
• 16:29
  Speaker 2: Don't see another episode I liked it.
• 16:31
  Speaker 1: I liked it.
• 16:32
  Speaker 2: I don't know what else to say. I thought it
• 16:33
  Speaker 2: was funny and kichi and whatever, and no, I'll get
• 16:38
  Speaker 2: to it.
• 16:38
  Speaker 1: It is a no for me.
• 16:39
  Speaker 2: Dog, I'll get to it.
• 16:41
  Speaker 1: But Bunheads, I would watch the whole other season, and
• 16:44
  Speaker 1: I'm excited about Atoalle and Maisel and more Gilmour girls
• 16:50
  Speaker 1: if that ever happens.
• 16:53
  Speaker 2: It's a twenty big year, Like, please, please do something.
• 16:57
  Speaker 1: Come on. I loved lawrence idea about a prequel that
• 17:03
  Speaker 1: she narrates a Lah Kristen Bell Dexter, et cetera.
• 17:07
  Speaker 2: And that would be iconic.
• 17:09
  Speaker 1: That would be totally great, except there's there.
• 17:12
  Speaker 2: Will be no Luke, and there'll be no Rory or
• 17:15
  Speaker 2: Jess or Logan.
• 17:17
  Speaker 1: There actually could be a young Luke because you could
• 17:21
  Speaker 1: see this is when she go but it's kind of
• 17:23
  Speaker 1: like maybe when they're young, there could be a Luke.
• 17:27
  Speaker 1: Fair would be played by Luke because the person has
• 17:32
  Speaker 1: to be like twenty five or something.
• 17:34
  Speaker 2: The only red flag I would have on this, which
• 17:37
  Speaker 2: is gonna make me really really sad, But I can't
• 17:42
  Speaker 2: have Richard voiced by someone else.
• 17:44
  Speaker 1: Oh you know, you make such a good point, but
• 17:47
  Speaker 1: he would be because it's if we're going eighteen years reverse,
• 17:52
  Speaker 1: because say it's like Begins, maybe when they show up
• 17:55
  Speaker 1: at the inn, somebody else would maybe have to play them.
• 17:59
  Speaker 1: You gotta watch Dexter the way they've done it on
• 18:02
  Speaker 1: Dexter is so amazing because they have these young actors
• 18:06
  Speaker 1: that literally look exactly like the people that play them
• 18:10
  Speaker 1: on Dexter. It's almost like trips me out. It's like
• 18:13
  Speaker 1: a glitch. It's so crazy how accurately they.
• 18:16
  Speaker 2: Saw that though, right, the flashback with the youngs.
• 18:19
  Speaker 1: Were not those I was not. Those were not nearly
• 18:22
  Speaker 1: as good as the way they've done it on Dexter.
• 18:24
  Speaker 1: All right, get just look, you'd have to have watched
• 18:28
  Speaker 1: Dexter and then you watch the prequel and you're like,
• 18:31
  Speaker 1: oh my god, like this is crazy crazy. So I
• 18:35
  Speaker 1: think it's doable. I don't think those young people that
• 18:40
  Speaker 1: I don't think those were good enough. Frankly, sorry to.
• 18:43
  Speaker 2: Judge, No no judgment. Lauren Graham make it happen.
• 18:48
  Speaker 1: Yeah, it's really Amy, Sherman, Palladino.
• 18:51
  Speaker 2: Both of you. Make it happen, because I do think
• 18:54
  Speaker 2: I think Lauren Graham is going to have to have
• 18:56
  Speaker 2: a very heavy part in it.
• 18:58
  Speaker 1: A thousand per yeah, thousand percent.
• 19:02
  Speaker 2: And if there's anyone that can swindle Amy Shum and
• 19:05
  Speaker 2: Paladin you know, to doing it, it's Lauren Graham.
• 19:08
  Speaker 1: I think you're right.
• 19:08
  Speaker 2: You know what Lauren Graham. The ball is in your court.
• 19:12
  Speaker 1: So yeah, call Lauren Graham. Make it happen.
• 19:15
  Speaker 2: All right, guys, that's Bunheads.
• 19:17
  Speaker 1: Are we supposed to rate it? Do we do that?
• 19:18
  Speaker 2: Why can you say that in every episode we do?
• 19:22
  Speaker 1: Do we rate it?
• 19:23
  Speaker 2: We domm seven? Yeah, I was gonna say seven too.
• 19:30
  Speaker 2: You liked it more than me, though.
• 19:32
  Speaker 1: I enjoy it the last six here I know, I
• 19:35
  Speaker 1: like fourteen, fifteen, sixteen, seventeen, eighteen five more.
• 19:39
  Speaker 2: Yeah.
• 19:40
  Speaker 1: Crazy.
• 19:41
  Speaker 2: One of our producers, Emma said, do you think they'll
• 19:42
  Speaker 2: announce anything at paiy Fest?
• 19:44
  Speaker 1: Maybe no, I don't, but maybe. God. I love you guys,
• 19:50
  Speaker 1: talk to you already.
• 19:51
  Speaker 2: Drich Bunheads out.
• 20:00
  Speaker 1: August Data everybody to forget.
• 20:22
  Speaker 2: Follow us on Instagram at I Am all In podcast,
• 20:27
  Speaker 2: and email us at Gilmore at iHeartRadio dot com