Latest / Stuff Mom Never Told You / Activists Around the World: Katherine Paul
Transcript
- 0:05Speaker 1: Hey, this is Annie and Samantha. Come welcome to stuff
- 0:08Speaker 1: when I never told your production of I Heard Radio.
- 0:16Speaker 2: And for today's activists around the world, we are talking
- 0:20Speaker 2: about the works and art from Katherine Paul. So. Catherine Paul,
- 0:25Speaker 2: also known as black Belt Eagle Scout in the music
- 0:28Speaker 2: world and industry, is an Indigenous queer musician who has
- 0:33Speaker 2: always been surrounded by music and now uses her talent
- 0:37Speaker 2: as a way to celebrate her indigenous voice and culture.
- 0:41Speaker 2: There was a part in one of our articles which
- 0:43Speaker 2: I don't mention later, so I we've mentioned now where
- 0:46Speaker 2: she talks about the fact that she's not afraid to
- 0:48Speaker 2: be pigeonholed as a Native artist because that's who she is,
- 0:52Speaker 2: and I'm like that. She said that there's not enough representation,
- 0:55Speaker 2: not enough talking about it, especially those who are both
- 0:58Speaker 2: Native and queer. So she is cool and happy to
- 1:01Speaker 2: be a voice for that, and so are we. Because
- 1:05Speaker 2: if you get a chance, you should definitely go to
- 1:07Speaker 2: black Belt Eagle Scout dot com check out her music
- 1:10Speaker 2: because it's incredible. So it kind of reminds me of
- 1:13Speaker 2: some of that Portland slash West Coast sound that I
- 1:18Speaker 2: grew up hearing. If you're a part of the alternative world.
- 1:21Speaker 2: Very cool, cool sound as well as great message. It
- 1:25Speaker 2: does feel like it speaks to you if you get
- 1:27Speaker 2: a chance to listen. She's not gonna be a part
- 1:28Speaker 2: of my rotation because I really do like her music.
- 1:31Speaker 2: Her first song, soft SuDS, she calls it her qua anthem. Yeah,
- 1:35Speaker 2: you gotta love it.
- 1:36Speaker 1: I really enjoyed it too.
- 1:38Speaker 2: I think you're gonna put this in your like writing list.
- 1:41Speaker 2: I have a feeling.
- 1:42Speaker 1: Do you have playlists? Yeah, yeah, I probably will because
- 1:47Speaker 1: it kind of has that like you can chill while
- 1:49Speaker 1: listening to it, but also it's very emotional.
- 1:52Speaker 2: Yeah but calm, but it feels like you're connecting to
- 1:57Speaker 2: like the environment around you too. I feel like it's
- 1:59Speaker 2: gonna definitely be part of your playlist. But so yes,
- 2:02Speaker 2: if you want to take some time to go and
- 2:04Speaker 2: listen to that before jumping in about who she is,
- 2:06Speaker 2: or you want to do it after, that's fine. But
- 2:08Speaker 2: either way, listeners, you should be listening to this music,
- 2:11Speaker 2: so back to it. She is a part of the
- 2:14Speaker 2: Swinnamish Indian travel community from her father's side, as well
- 2:17Speaker 2: as the part of the native of Katsabou in Alaska.
- 2:20Speaker 2: As her mother was from the Annabach community, so she
- 2:22Speaker 2: grew up in the Swinnamish reservation in the northern Washington area,
- 2:27Speaker 2: and her family has always been involved in music as well.
- 2:30Speaker 2: In fact, she was a jingle dress dancer with them
- 2:33Speaker 2: when they would go to the regional ceremonies or powows.
- 2:36Speaker 2: A bit more about that from Audio music dot Com.
- 2:39Speaker 2: Music was embedded in her upbringing. Her family taught her
- 2:43Speaker 2: coastal Salis music, drumming, in jingle dress dance, and when
- 2:46Speaker 2: she goes back to the reservation, the tight knit community
- 2:49Speaker 2: is very proud of her in a lot of ways.
- 2:51Speaker 2: She's paying this forward her music. I love that that's
- 2:55Speaker 2: been a part of her culture and something that she
- 2:57Speaker 2: always has taken to heart. And obviously, again we've talked
- 3:01Speaker 2: about Native Indigenous dancing and how important it is in
- 3:04Speaker 2: their culture and how important it is to tell stories,
- 3:07Speaker 2: so obviously it's something that's been in her life. And
- 3:10Speaker 2: she continued her musical journey by playing flute and piano
- 3:13Speaker 2: in her school band and then going on to learn
- 3:16Speaker 2: the guitar and drums by watching old VHS tapes of
- 3:19Speaker 2: Nirvana and Whole and just teaching herself which Anye we
- 3:22Speaker 2: talked about. You did this with Green.
- 3:24Speaker 1: Day, Yes, I did.
- 3:26Speaker 2: I feel like this is the right of way, like
- 3:28Speaker 2: the ride of passage for many young people who really
- 3:31Speaker 2: get into music like that. This would eventually lead her
- 3:34Speaker 2: to finding her artists and musician community like she would
- 3:37Speaker 2: travel around. Eventually she moved to Portland, Oregon to go
- 3:40Speaker 2: to school where she would get involved with rock and
- 3:43Speaker 2: roll Camp for girls, which we have a version of that,
- 3:45Speaker 2: the rock camp for young girls here who get a
- 3:48Speaker 2: chance to play music, form bands together and really thrive
- 3:51Speaker 2: in that type of culture. And of course she got
- 3:54Speaker 2: involved in different bands around the area and through her
- 3:58Speaker 2: growth and her continuing music career, always held fast to
- 4:01Speaker 2: her indigenous heritage. She released her first EP album as
- 4:05Speaker 2: Black Belt Eagle Scout in twenty fourteen, and then went
- 4:08Speaker 2: on to release her debut album, Mother of My Children
- 4:11Speaker 2: in twenty seventeen. Here's a bit from their site, black
- 4:14Speaker 2: Belt Eaglescout dot com quote this land runs through Catherine
- 4:18Speaker 2: Paul's blood, and it called to her in dreams that
- 4:21Speaker 2: she saw the river, her ancestors, and her home. When
- 4:24Speaker 2: the land calls, you listen, and KP found herself far
- 4:28Speaker 2: from her ancestral lands during the time of collect the trauma,
- 4:32Speaker 2: when the world was wounded and in need of healing.
- 4:34Speaker 2: In twenty twenty, she made the journey from Portland back
- 4:37Speaker 2: to the Scatchet River, back to the cedar trees that
- 4:39Speaker 2: stand tall and shrouded in fog, back to the tide
- 4:42Speaker 2: flats and the mountains, back to Swinnemish. It is a
- 4:46Speaker 2: powerful thing to return to our ancestral lands, and oftentimes
- 4:49Speaker 2: the journey is not easy. Like the salmon through the currents,
- 4:52Speaker 2: like the tide as it crawls the shore. This is
- 4:55Speaker 2: a story of return. It is the call and response.
- 4:58Speaker 2: It is the outstretched arm of the people who came
- 5:01Speaker 2: before welcomed her home. The land, the water, the sky.
- 5:05Speaker 2: Is a celebration of lineage and strength, even in its
- 5:08Speaker 2: deepest moments of loneliness and grief, of frustration over a
- 5:12Speaker 2: world wrought with colonial violence and pain. The songs remind
- 5:15Speaker 2: us that if we slow down, if we listen to
- 5:18Speaker 2: the waves in the wind, through the trees, we will
- 5:20Speaker 2: remember to breathe. There is a through line of story
- 5:23Speaker 2: in every song, a remembrance of knowledge and teachings, a
- 5:26Speaker 2: gratitude of wisdom passed down and carried. There is a
- 5:29Speaker 2: reimagining of Sedna who was offered to the sea, and
- 5:32Speaker 2: a beautiful rumination on sacrifice and humanity and what it
- 5:36Speaker 2: means to hold the stories that work to teach us something.
- 5:40Speaker 2: And even though this is more about her last album,
- 5:42Speaker 2: this is obviously something that she holds tight even throughout
- 5:46Speaker 2: her life, and the through line has always been a
- 5:50Speaker 2: part of her She has talked about her past experience
- 5:53Speaker 2: in music. Back to that audio music dot com article,
- 5:56Speaker 2: here's what they wrote. Black Belt Eagle Scout sees KP
- 5:59Speaker 2: embraced the creative freedom and control of being a solo artist,
- 6:03Speaker 2: especially after navigating the predominantly white, male, straight music world.
- 6:07Speaker 2: She honed her skills playing in a bunch of bands,
- 6:09Speaker 2: including Genders and Forest Park in Portland. She moved there
- 6:13Speaker 2: in two thousand and seven to attend Lewis and Clark
- 6:15Speaker 2: College after also playing in Portland's Rock and Roll Camp
- 6:18Speaker 2: for Girls, and learned the business side of things working
- 6:20Speaker 2: for Mississippi Studios. In high school, she'd drive her parents
- 6:24Speaker 2: car to nearby town and a court to catch DIY shows.
- 6:28Speaker 2: The intimacies of place and sense of community among fellow
- 6:31Speaker 2: indigenous and queer people and people of color are integral
- 6:34Speaker 2: parts of her music. With the expansiveness of her melancholy sound,
- 6:38Speaker 2: she creates room for intense grief and heartbreak and personal
- 6:42Speaker 2: as well as generational trauma, and comes back to the
- 6:45Speaker 2: ways the power of friendships and relationships ground her. And
- 6:49Speaker 2: she talks about not feeling like she's a lyricist, but
- 6:52Speaker 2: obviously just in her descriptors alone, she absolutely is. She
- 6:56Speaker 2: is a storyteller in a modern way, in a modern take,
- 6:59Speaker 2: which is what oftentimes is needed and is a reminder
- 7:03Speaker 2: of where music began. Oftenimes where we see the beginning
- 7:06Speaker 2: of how tradition and sounds come forward and who actually
- 7:09Speaker 2: can carry these and I feel like represent it well,
- 7:12Speaker 2: it's oftentimes the black and Indigenous communities and she is
- 7:16Speaker 2: the prime example of that and they. As for her
- 7:18Speaker 2: last album, Paul talks about returning home to the Swinhamish
- 7:22Speaker 2: Indian tribal community. She spoke about this with Premier Guitar
- 7:26Speaker 2: dot Com, saying the writing of this album, Paul's third
- 7:29Speaker 2: full length release, started as far back as twenty twenty,
- 7:32Speaker 2: when she moved back home to the Swinhamish Indian travel
- 7:35Speaker 2: community in Skatget County, Washington, from where she'd been living
- 7:38Speaker 2: in Portland, Oregon. She says, I tend to write about times,
- 7:42Speaker 2: and this record has a lot to do with the
- 7:43Speaker 2: last couple of years of moving from one place to another,
- 7:46Speaker 2: says Paul, particularly moving back home to where I was
- 7:49Speaker 2: born and raised and where my people have been since
- 7:52Speaker 2: time immemorial. There's the theme of a journey. It was
- 7:55Speaker 2: this journey of coming back home. When I was there,
- 7:58Speaker 2: just being in my community, being with theatre, I had
- 8:00Speaker 2: this epiphany where I was like, this is where I'm
- 8:03Speaker 2: meant to be. I'm meant to be here in this
- 8:05Speaker 2: exact moment, in this exact place. It kind of rejuvenated
- 8:08Speaker 2: the awareness of how my mental health and how I
- 8:11Speaker 2: live within this world is linked to that connection I
- 8:14Speaker 2: have to where I'm from, to my homeland. And there
- 8:17Speaker 2: was a moment in her life that she had a
- 8:19Speaker 2: really scary experience where she was hospitalized near death and
- 8:23Speaker 2: had to even do a whole GoFundMe to raise and
- 8:25Speaker 2: get all of the help that she needed. And so
- 8:28Speaker 2: I'm sure returning home for her in this time was
- 8:31Speaker 2: very important to healing both mentally and physically. So we
- 8:35Speaker 2: definitely know there's a lot. She is still touring and
- 8:38Speaker 2: making music. I think there's a couple of shows coming
- 8:40Speaker 2: up if you're in the Portland area as well as
- 8:42Speaker 2: a British Columbia area, So if you get an opportunity,
- 8:45Speaker 2: I think this is a show that's worth seeing. She
- 8:48Speaker 2: is fantastic and making sure she's acknowledging the indigenous and
- 8:52Speaker 2: queer people that attend her shows, because again, to be
- 8:56Speaker 2: represented means everything, and she knows that and recognizes that
- 9:00Speaker 2: to highlight that during our shows and sees that as
- 9:02Speaker 2: something as being important, and we love that and kudos
- 9:05Speaker 2: to that. Again, if you need new music, here's a
- 9:08Speaker 2: recommendation right here. Even though her last album was released
- 9:11Speaker 2: in twenty twenty three, still worth listening. I think it
- 9:14Speaker 2: holds over time.
- 9:15Speaker 1: Yes, absolutely, and listeners as always, If you have any
- 9:22Speaker 1: music recommendations, any thoughts about this, we would love to
- 9:26Speaker 1: hear from you. You can email us at Hello at
- 9:30Speaker 1: Stuff Fromneverteld You dot com. You can find us on
- 9:32Speaker 1: blue skot at mom Stuff podcast are on Instagram and
- 9:35Speaker 1: TikTok at stuff we Never Told You. We're also on YouTube.
- 9:38Speaker 1: We have some merchandise atcom Bureau and we have a
- 9:40Speaker 1: book you can get wherever you get your books. Thanks
- 9:43Speaker 1: to our super producer, whoever they may have been. We're
- 9:46Speaker 1: in a period of transition, but thanks to the team
- 9:49Speaker 1: Casey Chandler and Darima who were excited to introduce Yes,
- 9:55Speaker 1: Yes because they've all helped during this time. And as always,
- 10:00Speaker 1: thanks to our executive producer Maya Yes, thank you, and
- 10:04Speaker 1: thanks to you for listening. Steffan Never Told you his
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