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Flash Back to Monique Interview, Neal Brenan Interview and More · The Breakfast Club

0:02
Speaker 1: Rous Morning Show, the Breakfast Club? What club? Y'all together?
0:08
Speaker 1: Y'all are like a maga for us. Y'all just took
0:11
Speaker 1: over every Chris Brown, I've officially joined the Breakfast Club.
0:16
Speaker 1: Say something, mother, I'm with it. Stand Rous Morning Show,
0:20
Speaker 1: crekface club. This is your time to get it off
0:23
Speaker 1: your chest. Whether your man from you on the Breakfast Club.
0:28
Speaker 1: But you got something on your mind? Let out hello?
0:32
Speaker 1: Who's this? What's up in me? Hey? Traff? Hey? Have
0:36
Speaker 1: you mad at me? No? I'm not mad at you?
0:39
Speaker 1: What up? Since? Good morning? How are you? You snuck
0:42
Speaker 1: into the back door again today? Huh? Fright and early, Charlie,
0:44
Speaker 1: I want to let you know your your little clapp
0:46
Speaker 1: back on. You're on your page after But when the
0:48
Speaker 1: guy kept accusing you of only making it because you
0:50
Speaker 1: sold just Sottle and you worshiping the devil, and he
0:53
Speaker 1: was like, you don't know how powerful my guy is,
0:55
Speaker 1: I was like, okay, Charlie, may I mean that's just
0:57
Speaker 1: common sense. I don't know why people put so much
0:59
Speaker 1: stock in the devil, but whatever, right, listen, I want
1:02
Speaker 1: to say about this song. I call like maybe this
1:05
Speaker 1: t to be about two three years ago and I
1:07
Speaker 1: told y'all about this story about the little eight year
1:09
Speaker 1: old boy, Gabriel Fernandez him like, I'm sorry, what's what
1:14
Speaker 1: happened with him? His um, his stepdad? But let me
1:17
Speaker 1: except that like his mom's boyfriend, UM had thought he
1:20
Speaker 1: was gay, so he used to like beat him and
1:22
Speaker 1: he starved um like Donald for beat me gun, forcing
1:25
Speaker 1: to eat like dud trying to be trying to be
1:27
Speaker 1: big gay away right, Yeah, he killed them. Yeah, he
1:33
Speaker 1: killed a little boy. So basically, as an update, the
1:36
Speaker 1: mom's boyfriend just got sentence like last week to death.
1:40
Speaker 1: So I was gonna go and drop one of the
1:41
Speaker 1: clues bombs that they're killing that man. You go drop
1:43
Speaker 1: one clues bombs for him. Good riddens. I like, I like,
1:48
Speaker 1: I like when people like that get canceled. Absolutely absolutely
1:53
Speaker 1: all right, bro, all right, hello, who's this yo? I
1:57
Speaker 1: don't want two alms out type bo what's up? Bro?
2:00
Speaker 1: Adam with two ms? Get it off your chess. Third. Yeah,
2:03
Speaker 1: I just want to give thanks some praise to guys
2:06
Speaker 1: for my daughters in DAYA. She's a blessing to my life, sir.
2:11
Speaker 1: And six weeks old on Thursday. So just my first
2:14
Speaker 1: child and I just want to give thanks there and
2:16
Speaker 1: her name actually means to give thanks. So named the
2:20
Speaker 1: actress um funny story. I saw her on Spider Man
2:24
Speaker 1: and yeah, pretty much. I love like intrigued by her.
2:27
Speaker 1: So yeah, I love that name. By the way, I
2:30
Speaker 1: love I love name Deathtart with Z. I got one
2:32
Speaker 1: of my daughter's names. Well, enjoy it, man, they grow
2:35
Speaker 1: so fast. Man, enjoy it yea. Her middle name is
2:38
Speaker 1: Marley Peter in Love to the world. There you go,
2:41
Speaker 1: so Dia Marley. We was just talking about how everybody
2:43
Speaker 1: puts Molly on everything in order to sell stuff. We
2:46
Speaker 1: just literally was having that conversation. Hello, who's this yo?
2:49
Speaker 1: This will will get it off your chess. Hey man.
2:52
Speaker 1: First of all, I love you, yeah man, Charlotte Man,
2:57
Speaker 1: I got the book Thank You. I follow you all
3:00
Speaker 1: on Instagram, but I got something called my chest Man.
3:03
Speaker 1: Are you never why you never shout out? How you closing?
3:06
Speaker 1: One of the hottest merchants out here. I love how
3:08
Speaker 1: you Clothing? You know how you Clothing does? Does my
3:12
Speaker 1: merchandise for my podcast? But I don't talk about my
3:15
Speaker 1: podcast on the Breakfast Club, I said, yeah we do, Hill,
3:18
Speaker 1: Oh it's from my man from how You oh yeah
3:20
Speaker 1: for show. But you know, I don't like, I don't like,
3:22
Speaker 1: I don't like, I don't like, I don't like I
3:24
Speaker 1: don't like the mix to two right now, you shout
3:27
Speaker 1: at them out. You brought on the clothes bomb, drop
3:29
Speaker 1: on a clothes bombs for How You Clothing? They got
3:31
Speaker 1: a lot of dope stuff, like even even outside of
3:33
Speaker 1: my merch, Like you know, they got like Malcolm X
3:35
Speaker 1: stuff and we got to talk about that podcast. You
3:38
Speaker 1: feel me? Yeah, the hottest merch out here. Yeah, but
3:41
Speaker 1: they did. Artist is that he shout out to shout
3:43
Speaker 1: out to nas you rocketed. Yeah, I love How You Clothing? Man?
3:48
Speaker 1: When I wore my Malcolm X jersey on Malcolm X's birthday,
3:51
Speaker 1: that was from How You Clothe? All right, Well eight
3:55
Speaker 1: hundred and five ain't five one on five one. If
3:57
Speaker 1: you need to vent, hit this now. It's the Breakfast Club.
3:58
Speaker 1: God morning, the break first club. You get, pick up
4:04
Speaker 1: the mother mother phone and dial. This is your time
4:07
Speaker 1: to get it off your chat, whether you're man or last.
4:11
Speaker 1: We want to hear from you on the Breakfast Club,
4:12
Speaker 1: so you better have the same energy. Hello, who's this
4:16
Speaker 1: So it's resting from six month phone what's up, bro?
4:18
Speaker 1: Get it off your chest? What's up? I'm just called
4:21
Speaker 1: gluon Green movie. I just recently released my first get
4:23
Speaker 1: your film was call all You one on YouTube right now,
4:27
Speaker 1: I wrote director, somebody call what your phone with out?
4:30
Speaker 1: Your phone is going crazy? Brother. It's called she Evil
4:33
Speaker 1: Volume one. It's on your right now. I guess this
4:36
Speaker 1: morning is the promo morning. Huh? Everybody calling and get
4:38
Speaker 1: your promo on Luke and she Evil Volume one. What
4:41
Speaker 1: is that a movie? You said? Yes? Jesse Dagod Morning
4:44
Speaker 1: breakfast club. Jesse, what's up? Man? Get it off each other?
4:47
Speaker 1: Get it off my chest today? I am Blesseddays my
4:49
Speaker 1: wife's birthday, and all she says she wanted for her
4:52
Speaker 1: birthday was for uncle Charlotte. That wish her happy birthday.
4:54
Speaker 1: What's her name? Kisa? Happy boy day? Keisha? What keishat?
4:58
Speaker 1: She in the bed right now waking up? Did you
5:00
Speaker 1: let me at your question? How long y'all have been together?
5:02
Speaker 1: Going on nine years now? Do you remember the first
5:04
Speaker 1: time y'all ever had sex? Yes? Do you remember the date? No?
5:08
Speaker 1: You should remember the date that that's the anniversary repertoire Okay,
5:11
Speaker 1: like I did. My mind is June eight, But it's
5:14
Speaker 1: a little cheer because that's also Charlemagne's cousin's birthday. Doesn't matter.
5:17
Speaker 1: I remember, I know, I know he because it's not
5:20
Speaker 1: actually he remembered the birthday exactly. You should remember that.
5:23
Speaker 1: But have the anniversary. To you and the white Man,
5:25
Speaker 1: it's a birthday, bro oh, birthday all the same, the anniversary.
5:29
Speaker 1: All all we gotta do is men to show up
5:31
Speaker 1: to something. All right, I know it's something of her
5:33
Speaker 1: to day. Hello, who's this precious? Hey, precious, good morning,
5:37
Speaker 1: good morning. How are you doing all right? Why are you?
5:39
Speaker 1: Why are you calling this morning? Mama? Because my girls
5:42
Speaker 1: and called me her ex the same A couple of currents. Hey,
5:46
Speaker 1: shout out to shout out to your girls ex for
5:48
Speaker 1: having that good game. No, what is she doing in
5:53
Speaker 1: the bedroom or is it just d yes? Yes, yes,
5:57
Speaker 1: yes in the bedroom. You know that means that means
6:00
Speaker 1: that her jaw game way better than yours. Step it up.
6:03
Speaker 1: It's not funny. I'm train what's her ex name? I'm
6:09
Speaker 1: not gonna her name. Whatever you may be off the chamber.
6:12
Speaker 1: She can't forget her ex name? What's her name? Credit?
6:15
Speaker 1: What's her name? We just want to know her name MoMA, mama? Okay,
6:18
Speaker 1: so maybe so what does she say when she says
6:20
Speaker 1: her name by accident that she pretended didn't happen that
6:23
Speaker 1: she apologize, Yeah, she pretended doesn't have it didn't happen. Wow,
6:28
Speaker 1: like I heard you. That's what she gotta like. I'm moaning, moaning,
6:34
Speaker 1: I'm sorry, I'm sorry. Game, she got like she gotta
6:40
Speaker 1: be like I was just watching Love and Hipper have Mona.
6:43
Speaker 1: That's crazy that your jaw game so whack. She can't
6:45
Speaker 1: forget her ex his name though, I'm gonna be honest.
6:47
Speaker 1: What not what? Maybe you need some new tricks. Try
6:50
Speaker 1: Halls in your mouth for something. Halls all right, mama,
6:52
Speaker 1: thank you for calling Mona? Thank you? That sucks? Say that? Yeah? Literally,
6:57
Speaker 1: what's Upsequil? Get you off your chest? Morning too? Things
7:01
Speaker 1: I want to say. Dan asked for the UNIMEX while
7:04
Speaker 1: guys never gave it to me, because that's one past
7:06
Speaker 1: whatever people's choice. They didn't give my choice. But what
7:11
Speaker 1: with the Brooklyn shooting, I'm in the why I wasn't
7:14
Speaker 1: in a marine corps. I just got out for when
7:16
Speaker 1: somebody fires out up and say, Charlomans my friend and
7:20
Speaker 1: he gets shot, but somebody put their weapon on. We're
7:23
Speaker 1: no longer allowed to kill that person. Why should the
7:26
Speaker 1: police be able to kill that person and they're no
7:28
Speaker 1: longer a threat? And now was the shooting in Brooklyn?
7:30
Speaker 1: He was holding the weapon. I'm pretty sure there's other
7:32
Speaker 1: ways to just arm him. Like why do they never
7:34
Speaker 1: shoot people in the legs? Maybe? Why why you had
7:36
Speaker 1: to start the story off with me getting shot? I mean,
7:38
Speaker 1: could you could have explained the situation without Charlomagne when
7:42
Speaker 1: they get man? You know you you you would be
7:45
Speaker 1: my friend and you get killed. No longer they're no
7:49
Speaker 1: longer a threat. You can't you can't kill that person. Yeah,
7:53
Speaker 1: I would be shot the fire those round Yeah. I
7:57
Speaker 1: can't tell cops how to do their job. But if
7:58
Speaker 1: they jumped out of this car, they didn't give a
8:00
Speaker 1: warning before they fired fired ten rounds. I think something's
8:03
Speaker 1: a little bit wrong there. Get it off your chest.
8:05
Speaker 1: Eight hundred five eight five one o five one. If
8:07
Speaker 1: you need to vent, you can hit us up at anytime.
8:09
Speaker 1: Keep it locked. This to Breakfast club, Good morning, moaned,
8:11
Speaker 1: everybody is DJ Envy Angela Yee. Charlottagne, the guy we
8:15
Speaker 1: all the breakfast club. We got a special guest in
8:17
Speaker 1: the building, my guy Neil Brunning. Yeah, I got my Starbucks. Everybody.
8:23
Speaker 1: So after that training, I will say it took a
8:26
Speaker 1: while to get service as a white person. But really
8:29
Speaker 1: they finally once they took care of all the black people,
8:32
Speaker 1: they finally got to me. Oh so, so y'all a
8:34
Speaker 1: secondary now saw Bucks. I didn't realize all I could
8:37
Speaker 1: use the bathroom was a nightmare. Really. Yeah, did you
8:40
Speaker 1: see the anti biased training that they had to do.
8:42
Speaker 1: I don't what do you think they did? Has there
8:44
Speaker 1: been any inside Yes, we have it right here. Yes,
8:47
Speaker 1: we had the whole entire question. That's the question is
8:50
Speaker 1: that they had to ask people. Well, now, pating here,
8:51
Speaker 1: I'm gonna have you answer room. I don't know if
8:53
Speaker 1: Neill had an experience working with black people. So we
8:57
Speaker 1: want you to recall when was the first time that
9:00
Speaker 1: you noticed your racial identity. Oh that's a great question. Um,
9:06
Speaker 1: I guess right away. Right when I came out, I
9:11
Speaker 1: was like, it's good to be white. It is good
9:15
Speaker 1: to be uh No, you know what's when I was
9:18
Speaker 1: a kid that black people were always nice to me,
9:20
Speaker 1: Like when I my brother worked was like an usher
9:23
Speaker 1: in Chicago at the Chicago Stadium, and like Rigleyfield, and
9:26
Speaker 1: like black all the black tuts you work with. We're
9:28
Speaker 1: all straight with me. What's the next question. The first
9:31
Speaker 1: time you noticed how your race affected your beauty standards? Um? Well,
9:35
Speaker 1: you know people say I look like Scottie Pippin. I
9:42
Speaker 1: see it too that this is a good one for you. Yeah,
9:50
Speaker 1: when it is the first time you altered your communication
9:53
Speaker 1: style in other words, you died or the king of that.
9:56
Speaker 1: To avoid playing into stereotypes. When I when I'm dealing
10:00
Speaker 1: with a someone, a someone I know is black on
10:04
Speaker 1: the phone, it's really hard for me not to be like,
10:06
Speaker 1: all right, bet a bet that. But I would be like,
10:11
Speaker 1: thank you, thank you very much. Okay, agreed, and then
10:14
Speaker 1: it's agreed too. So I am racist in that way
10:17
Speaker 1: in that I try to be like, ah, a little
10:20
Speaker 1: bit like bet, say, I know, Bet, I know. What
10:24
Speaker 1: is that? You just kind of like using the latest
10:28
Speaker 1: slap you say dead ass when you walk into naked
10:35
Speaker 1: but ass? But do you use then? Do I don't
10:39
Speaker 1: I really cut down? I'll say that if at all
10:43
Speaker 1: my policy jokes, I used to do it. I did
10:46
Speaker 1: it in a joke. Now my policy is like Neil,
10:48
Speaker 1: just black people got enough problems, like don't want to
10:51
Speaker 1: add to it. Yeah, I don't think it's worth it.
10:52
Speaker 1: It's not. It's like it takes so much energy, which
10:55
Speaker 1: sounds like a white priivlet thing to say, like do
10:57
Speaker 1: you know how much energy it takes to say the animal?
10:59
Speaker 1: But it's just not worth it? Was it easier to
11:01
Speaker 1: say during the Obama era because that's when you I
11:03
Speaker 1: remember you doing the jokes during that time. It was
11:05
Speaker 1: easier to say it closers fell show in that I
11:08
Speaker 1: was just so immersed in it and like getting called
11:11
Speaker 1: it constantly. Uh so I felt like it Wasnay, it was,
11:15
Speaker 1: it was all right. I did a joke about it,
11:18
Speaker 1: so it was like about the word and you like
11:20
Speaker 1: it was about using it. Yes, So now you just
11:23
Speaker 1: don't do that joke anymore. That joke has been retired. Um,
11:28
Speaker 1: but I will say that I was on ambient whenever
11:30
Speaker 1: I'm kidding. Yeah, I just don't say it's just not
11:36
Speaker 1: worth it. Let me ask you. Of course, as Charlemagne
11:38
Speaker 1: uses a term that some white people don't like, Manni's
11:41
Speaker 1: cause white people mayonnaise offended by that. No, like you,
11:46
Speaker 1: I call racist bigots mayonnaise because mayonnaise is disgusting, so
11:50
Speaker 1: so is racist and bigotry. I don't think there's anything
11:52
Speaker 1: wrong with I know people that are like, don't like
11:54
Speaker 1: white trash. I don't like saying white trash. A cracker
11:58
Speaker 1: ass cracker is great. Hall of famer. Mayonnaise is a
12:03
Speaker 1: Hall of Famer just because Chris said it. Because you can't.
12:05
Speaker 1: Yeah that's it. Oh can't not say it like that, Yeah, mayonnaise.
12:11
Speaker 1: I feel like it'll have a hard time catching on.
12:13
Speaker 1: Oh they hate it. They hate it because I can
12:15
Speaker 1: say crack ass crack a white devil on the radio,
12:17
Speaker 1: but when I say mayonnaise, they call and complain. Oh yeah,
12:20
Speaker 1: that's the weirdest thing in the world. Cracker is a delicious.
12:23
Speaker 1: Mayonnaise is disgusting, true, And I think it's the connotation
12:26
Speaker 1: of the mayonnaise. It's gross. Who eats mayonnaise exactly. I
12:29
Speaker 1: don't mind mayonnaise. Although I am vegan. I go with
12:31
Speaker 1: a vegan mayo, which is kind of almost whiter than maya.
12:35
Speaker 1: All Right, we got more with comedian Neil Brennan when
12:37
Speaker 1: we come back, So don't move. It's the Breakfast Club,
12:39
Speaker 1: Go Morning, The Breakfast Club wanting everybody is DJ N
12:47
Speaker 1: v Angela Yee, Charlomagne, the guy. We are the Breakfast Club.
12:50
Speaker 1: We have a writer for the Dave Chappelle Show and
12:52
Speaker 1: comedian Neil Brennan in the building. Charlomagne, do you think
12:55
Speaker 1: have you even following the Drake push your beef? Yeah?
12:57
Speaker 1: What do you think of blackface? Here's the thing about
13:01
Speaker 1: you can't as a black person. It seems like you
13:05
Speaker 1: can't ever, ever, ever, ever do black face under any circumstances, Like,
13:11
Speaker 1: you just can't. It's like herpes. It's cooling in it's
13:13
Speaker 1: the Mistress Show here, but it's gonna be found out.
13:15
Speaker 1: The fact that it was on that guy's page. Did
13:18
Speaker 1: you go to the page? Yeah, yeah, yeah, and like
13:20
Speaker 1: it was and it wasn't even featured. It was like
13:22
Speaker 1: bottom left, like it's another one of my photos. Drake
13:25
Speaker 1: and black face, No big deal. But yeah, you just
13:27
Speaker 1: can't do black Do you think that was the most
13:29
Speaker 1: damning part of the to me? I think the fact
13:32
Speaker 1: that he's not wasn't we don't know, but claiming his child.
13:35
Speaker 1: I think people were more upset about that, like, damn,
13:37
Speaker 1: Drake's now he's a dead be dead like. I think
13:38
Speaker 1: people are more upset about that at first, But Jake
13:40
Speaker 1: and say, I'm not a dead bee Dad. I just
13:43
Speaker 1: did not put my son out there yet. But I
13:45
Speaker 1: take care of him. He hasn't released the Sun yet.
13:48
Speaker 1: He's got a dry, he's got a date. He's a
13:50
Speaker 1: release the soun. You got to roll the Sun out slow,
13:53
Speaker 1: you get the whole promo department behind it, and then
13:56
Speaker 1: you bring the kid out. Come on. Man. Can put
13:58
Speaker 1: a lot of pressure on people when it came to
13:59
Speaker 1: the rolling your sign, man, that's that's exactly right. You
14:03
Speaker 1: know what's a mean song? When the nicest thing he
14:05
Speaker 1: said was you have an illegitimate song. Yeah, because like
14:08
Speaker 1: that was the nicest thing he said, Like listen, and
14:11
Speaker 1: I was like, that's me. The Sun part was pretty nice.
14:14
Speaker 1: I was pretty sweet. Yeah, it's nicer than um. Did
14:18
Speaker 1: anything offend you? Nothing offendive. I would like to say
14:20
Speaker 1: that last time he dis Drake, he mentioned me specifically
14:25
Speaker 1: on I don't know that it was some. It was
14:28
Speaker 1: like some. It was a Chapelle Show reference and Dave
14:30
Speaker 1: having writers and mentioned me specifically. Really yeah, push to it, Yeah,
14:34
Speaker 1: go back with this. Look at the tape, Homie it's there,
14:37
Speaker 1: but he just mentioned it's like that Drake has writers. Um.
14:41
Speaker 1: The fact that he was talking about his friend dying
14:44
Speaker 1: is a bit like, yeah, it was a bit like, well,
14:48
Speaker 1: first I clutched my pearls. I like that how guys
14:52
Speaker 1: are rapping like rich white women now where like the
14:56
Speaker 1: audacity was with Drake Son and the last one. Then
14:59
Speaker 1: he's like, I'm upset. He's got a song coming out
15:01
Speaker 1: called I'm Flummixed. Um and and uh pusher wrapped about
15:07
Speaker 1: caviare facials yes, and uh yeah. Like now he's like,
15:11
Speaker 1: I don't think you're capable of love, Drake. That's right.
15:15
Speaker 1: I don't think of love. I think because your father
15:18
Speaker 1: walked out on your mother when you were five, I don't.
15:20
Speaker 1: I've spoke to your therapist, and I think you're in
15:22
Speaker 1: a lot of emotional troupe. He did, He said, Uh,
15:26
Speaker 1: Chappelle show all of You Knew Brennan sketch comedy, Who
15:29
Speaker 1: was for Real? Pinning? See yourself as I pull up
15:31
Speaker 1: in that Mirrord scene skins versus blouses? You member, Prince
15:35
Speaker 1: Chappelle's show All of Your Neil Brennan's sketch comedy Who
15:39
Speaker 1: Was for Real? Pinning. Okay, you know what you know
15:42
Speaker 1: in the middle of ra beef. I've been out here man,
15:45
Speaker 1: and you from an era where you actually saw real
15:47
Speaker 1: beefs rap beef. You know what's funny, If anything happens
15:50
Speaker 1: to either one of those guys, they have to make
15:53
Speaker 1: sure each other are okay now, because if anything happens
15:55
Speaker 1: to Pusher, they're bringing in Yeah, they're bringing Draking like first,
16:00
Speaker 1: so like he should hire Pushing security and like a
16:03
Speaker 1: doctor and make sure his health is good because like
16:05
Speaker 1: they're they're the number one suspect for either. The fact
16:09
Speaker 1: that Biggie and Tubac got It's like and no one
16:11
Speaker 1: got arrest is still amazing in light of this very
16:14
Speaker 1: like well, I think both of the people that killed
16:15
Speaker 1: him it dead though, that's why I think. That's what
16:17
Speaker 1: I think. I think the streets did what they was
16:19
Speaker 1: supposed to do, right, But I could just be making
16:21
Speaker 1: it up. Yeah, you got your own show in development
16:23
Speaker 1: as well, I did, so what's going on with It's Dead? Sorry,
16:27
Speaker 1: thanks for bringing it up. Thanks for bringing it up,
16:31
Speaker 1: Thanks for bringing it up. Push your tea, Pushing Pushing, Pushing,
16:37
Speaker 1: Well this y'all go check Neil out man here we
16:39
Speaker 1: go here, I am. I'm coming to Chicago June seventh
16:43
Speaker 1: at Taliah Hall. Then yeah, then I'm going to Milwaukee.
16:46
Speaker 1: Then I'm going to Indianapolis. Then the next week, I'm
16:49
Speaker 1: going to Kansas City. Then I'm going to Detroit. Then
16:52
Speaker 1: I'm going to Minneapolis. Uh, Chicago. I added a show
16:55
Speaker 1: because it was it's so hot. Your seven thirty show
16:58
Speaker 1: sold up, you know what I mean? Um? And uh,
17:01
Speaker 1: but it's a nine o'clock show too though, yeah, yeah, yeah, Um,
17:04
Speaker 1: I appreciate just as a white person, I gotta say,
17:07
Speaker 1: you guys, so a few white people on here that
17:09
Speaker 1: it feels good and uh, and I hope white people.
17:13
Speaker 1: I hope that I represented as well. Lead The last
17:15
Speaker 1: white person who was here was Melissa McCarthy. That's a
17:17
Speaker 1: big deal. Tell them what to find you new? Uh.
17:19
Speaker 1: Neil Brennon n A A. L. B ri Nna n
17:21
Speaker 1: dot Com, Neil Brennon on Twitter, Neil Brenna on Instagram.
17:25
Speaker 1: Uh yeah, those are my two main forms of communication. Well,
17:29
Speaker 1: it's Neil Brennon. It's the Breakfast Club. Good Morning Brondon.
17:33
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlo Migne, the guy.
17:37
Speaker 1: We are the Breakfast Club. Now, you guys all, No,
17:40
Speaker 1: Monique stopped by the Breakfast Club yesterday and we're getting
17:42
Speaker 1: it on today. So we're gonna play that for you
17:45
Speaker 1: special guestsed to build it, Miss Monique. Good morning, good morning,
17:52
Speaker 1: good morning, good morning. Yea. When Monique walked in, I
17:54
Speaker 1: gave a hug. I wanted her to know it's all love. Yes,
17:57
Speaker 1: he did my life. We just here to have a conversation.
18:00
Speaker 1: That's all we're doing. Now, what's going on today, miss Mornique.
18:03
Speaker 1: A while ago, I had to come out and I
18:04
Speaker 1: spoke in reference to Netflix that we had to boy
18:07
Speaker 1: you know, I was asking folks to stand with us
18:09
Speaker 1: as we boycott Netflix for gender bias and color by
18:12
Speaker 1: it correct and we were fighting for equality. And then
18:16
Speaker 1: I found out that I had become Donkey of the
18:19
Speaker 1: day by Leonard, and I gotta call you by your name, baby,
18:23
Speaker 1: because then, okay, okay, baby, he's getting real special Leonard.
18:27
Speaker 1: But we're gonna and then I was called Donkey of
18:31
Speaker 1: the day, and it really caught me off guard because
18:35
Speaker 1: when I met this brother some years ago, and I
18:38
Speaker 1: met a young man that was full of humility and respect,
18:42
Speaker 1: and when I got on an elevator. He actually held
18:45
Speaker 1: the door. I remember like it was yesterday, and I said, oh, baby,
18:49
Speaker 1: thank you, and he was just like that, yes, ma'am,
18:52
Speaker 1: and miss Monique, is a pleasure to meet you. And
18:54
Speaker 1: we had a very beautiful exchange. And I said to
18:57
Speaker 1: that brother, tell your mama that she raised you right,
19:02
Speaker 1: And I said it was my mama and my grandmama, yes, man.
19:06
Speaker 1: So I felt like this was as still as a
19:08
Speaker 1: beautiful young brother making this way, but full of humility
19:11
Speaker 1: and respect. Two we fast forward and I become dunkey
19:16
Speaker 1: of the day. So I didn't want to have to
19:19
Speaker 1: be here say. I didn't want to have anybody exchange
19:22
Speaker 1: words that I may have said to him. So my
19:24
Speaker 1: husband and I wanted to come on so we could
19:26
Speaker 1: understand how I got titled dunky of the day. So
19:30
Speaker 1: why did you give a dunkey to day, Charlema, Well,
19:32
Speaker 1: I think it was due to the whole Netflix situation.
19:34
Speaker 1: You know, when I heard you say that you know,
19:36
Speaker 1: you wanted us to boycott because of racial and gender biased,
19:40
Speaker 1: but then you went on to you know, mentioned two
19:41
Speaker 1: brothers and a woman. So I said, maybe she should
19:45
Speaker 1: be more specific and say black woman gender biased but
19:48
Speaker 1: then also just from a business aspect, I wanted to
19:50
Speaker 1: know why did you feel like, you know you should
19:53
Speaker 1: have gotten whatever Chris Rock got, whatever Day Chappelle got,
19:55
Speaker 1: or whatever Amy Schulman got, because I feel like this
19:58
Speaker 1: is a what are you doing for me right now?
20:00
Speaker 1: Our type of age. She didn't say what they got,
20:01
Speaker 1: she said she should have got more than she was offered.
20:04
Speaker 1: And then Charlemagne you brought up an old Netflix special
20:07
Speaker 1: as well, but that was later on. But my point
20:10
Speaker 1: was like, this is what are you doing for me
20:12
Speaker 1: right now? Kind of inski. We all know Monique is
20:14
Speaker 1: the legend, but we also know that those things, those
20:16
Speaker 1: deals that Netflix are given out are based off recent
20:19
Speaker 1: stand up shows, recent shows, recent concert recent arena's, recent
20:22
Speaker 1: tours like that. So I just wanted to know why
20:24
Speaker 1: you felt like you deserved that much. Daddy, would you
20:27
Speaker 1: like to start or would you like for me? It
20:29
Speaker 1: didn't start with the offer where the color bias and
20:32
Speaker 1: the disrespect transpired. It started from when we had our
20:37
Speaker 1: initial conversation after Monique got her reviews from The Knights,
20:41
Speaker 1: in which Benjamin and Caitlin, who were representatives for Netflix,
20:46
Speaker 1: came out to see Monique, and which on two different
20:49
Speaker 1: nights they saw her get a standing ovation, which subsequently
20:53
Speaker 1: gave them reviews of amazing and great show. So when
20:58
Speaker 1: we're in the midst of having the carversation prior to
21:01
Speaker 1: them giving the offer, we're in the midst and he says, well,
21:05
Speaker 1: I want to make it very clear that, you know,
21:08
Speaker 1: people speak about Dave Chappelle, Amy Schumann what they got.
21:12
Speaker 1: I want to just make it clear, you know, so
21:14
Speaker 1: we can manage expectations that everybody doesn't get those type
21:18
Speaker 1: of deals. Well, when we're in the midst of that conversation,
21:20
Speaker 1: the phone disconnects. We never reconvened, He never gets us
21:25
Speaker 1: back on, and our attorney looks, calls me up and
21:27
Speaker 1: we speak and we're like, well, that was strange. Are
21:30
Speaker 1: we going to get back on the phone or not,
21:32
Speaker 1: because anybody who does business knows that this is a
21:35
Speaker 1: key time in wish to build the value of your client.
21:38
Speaker 1: Then we came back with an offer that they allegedly
21:42
Speaker 1: had sent over that our attorney and I had never received,
21:47
Speaker 1: and then on that it was a certain time limit
21:50
Speaker 1: in which we were supposed to respond. Well, we had
21:53
Speaker 1: passed the time limit because we never received it. When
21:56
Speaker 1: our attorney had asked them to please resend the offer
21:59
Speaker 1: that they had allegedly sent. It was clear that it
22:02
Speaker 1: had never been sent in the first place. That to
22:04
Speaker 1: the second red flag when we get on the phone
22:07
Speaker 1: to discuss the offer that they had then finally sent over.
22:10
Speaker 1: Initially they didn't want to have the conversation until I
22:14
Speaker 1: expressed to them it is very ironic that the call
22:17
Speaker 1: we had was disconnected. We never reconvened. You became evasive.
22:22
Speaker 1: You can't get on the phone. Now I have to
22:24
Speaker 1: express what it's feeling like, which is gender biased, color biased.
22:29
Speaker 1: And there's also an age issue that we didn't discuss
22:32
Speaker 1: that's in there as well. So those three things are
22:35
Speaker 1: what led to it, in conjunction with the fact that
22:37
Speaker 1: the very items that he said did not translate for Monique,
22:41
Speaker 1: which were her resume, which she's done in terms of movies.
22:46
Speaker 1: It didn't translate, but he said those were the things
22:49
Speaker 1: that translated for Amy Schumer. So why Amy resume work
22:53
Speaker 1: and Monique does not, And they could not explain that.
22:55
Speaker 1: And if he's just joining us, that's Sydney, that's Monique's
22:58
Speaker 1: managing husband. If he just joined us, you know the
23:00
Speaker 1: voices well, for I don't think Amy Human is funny.
23:02
Speaker 1: That's number one. But she did sell out fifty arenas
23:05
Speaker 1: around the world and including MSG and HBO wanted her
23:08
Speaker 1: as well, so she created a bidding war based on
23:10
Speaker 1: those stats. So I assume that's the reason her number
23:14
Speaker 1: was at that place. But I want to address something
23:16
Speaker 1: because you said, I assume, and then you also said
23:19
Speaker 1: Monique is a legend. That's what you said, absolutely, right,
23:23
Speaker 1: And then when Robbie Prole and Netflix also says Monique
23:28
Speaker 1: is a legend, correct, absolutely, And you believe that Chris
23:31
Speaker 1: Rock is a legend as I do too as well. Yes,
23:34
Speaker 1: and you would say Dave Chappelle is a legend, right absolutely.
23:37
Speaker 1: What makes me a different legend from Dave Chappelle and
23:40
Speaker 1: Chris Rock, Well when it comes to those that Netflix,
23:43
Speaker 1: specially the fact that Dave Chappelle did fifteen hundred shows
23:46
Speaker 1: prior to sign his Netflix deal. Chris Rock was on
23:48
Speaker 1: tour with the Total Blackout Tours selling our shows arenas
23:51
Speaker 1: around the world before they did it, and they learned
23:53
Speaker 1: him away from HBO. I understand what y'all are coming
23:57
Speaker 1: to the table with. When I came to the table
24:00
Speaker 1: and I said, guys, and I said it humbly. I'm
24:03
Speaker 1: gonna decorate a comedian a line and I said that humbly.
24:07
Speaker 1: And then people, some people said, oh, Monique is crazy
24:11
Speaker 1: till it was proven, till everybody actually saw the numbers
24:14
Speaker 1: and said, well, I guess she's right about that. And
24:17
Speaker 1: when you say this is a what have you done
24:19
Speaker 1: for me lately? The question is how much more do
24:22
Speaker 1: I have to do? Brother? Because when you do a
24:25
Speaker 1: film called Almost Christmas, and that film has a seventeen
24:30
Speaker 1: million dollar budget, but it makes forty five million dollars,
24:34
Speaker 1: and then my sister Amy Schuman does a film called Snatched,
24:38
Speaker 1: and that film makes forty five million dollars, but it
24:41
Speaker 1: has a budget of forty two million dollars. Now what's
24:44
Speaker 1: the profit on that? I'm asking the question. You made
24:48
Speaker 1: a lot more profit than Amy. It was actually a
24:51
Speaker 1: twenty five million dollar profit, but that movie can't Amy
24:54
Speaker 1: did her Netflix deal before Snatched, No, he said. Robbie
24:58
Speaker 1: Paul said that was what made him also give it
25:02
Speaker 1: a deal because of the big movie that she had
25:04
Speaker 1: coming out, right, and that's where we had to check, well, yeah,
25:07
Speaker 1: coming out that was so. But she did the Netflix
25:10
Speaker 1: deal before that movie came out. Well, we actually talked
25:13
Speaker 1: to the vice president of Netflix, Leonard Leonard, and what
25:16
Speaker 1: happens is when you're basing off of what you're assuming
25:19
Speaker 1: and then you give me a title of Donkey of
25:21
Speaker 1: the Day. Is your mother still alive? Yes? And you're
25:25
Speaker 1: from what city in South Carolina? South Carolina, Monks Corner.
25:28
Speaker 1: And if I was to call your mother or your grandmother,
25:30
Speaker 1: could they tell me stories of inequality that they had
25:33
Speaker 1: to deal with? Absolutely? So would your mother be a donkey? No?
25:37
Speaker 1: Would your grandmother be a donkey? No? I need you
25:39
Speaker 1: to explain how you gave me the title, because you're
25:42
Speaker 1: not explaining it. You're going off of what I assume.
25:45
Speaker 1: But because you on that microphone, and when we open
25:48
Speaker 1: up these microphones, we know just how powerful our voices
25:53
Speaker 1: can be, don't we Angelo, Yes, we do, and we
25:55
Speaker 1: know that what we say can become law, correct Lenard, Absolutely,
25:59
Speaker 1: So when we do that, we must then explain it
26:02
Speaker 1: to our community because we know how poisonous it can
26:05
Speaker 1: be when we put things out, but we can't back
26:08
Speaker 1: it up. We just say it. We have more with
26:10
Speaker 1: Monique when we come back. We got to talk more
26:13
Speaker 1: Netflix or negotiations and it gets more awkward with her
26:16
Speaker 1: and Charlomage's keep a lot. Is the breakfast club of Morning,
26:19
Speaker 1: the breakfast Club Morning, everybody is dj N v Angela Yee, Charlomagne,
26:27
Speaker 1: the guy we are the breakfast club. Monique is here, Charlemagne.
26:31
Speaker 1: I think everything you're saying about racial biases absolutely correct.
26:34
Speaker 1: Gender bias is absolutely correct. We know that the black
26:36
Speaker 1: woman is unappreciated and undervalued and a lot of different industries.
26:39
Speaker 1: But I think that when it comes to this Netflix situation,
26:42
Speaker 1: it's very specific. I think it's more of an individual
26:44
Speaker 1: thing than it is a collective problem. Like can you
26:48
Speaker 1: can you can you honestly ask you is this? Can
26:51
Speaker 1: you say? If it's an individual problem, how comes that
26:55
Speaker 1: there are no individuals of color who happen to be
26:59
Speaker 1: seen email comedians that have had the multiple million dollar
27:03
Speaker 1: pay days with Netflix? Because what happens with the black
27:07
Speaker 1: community it's what have you done lately? But when you
27:10
Speaker 1: are a white person in this industry, it's you're only
27:13
Speaker 1: as good as your last project. I thought it was
27:17
Speaker 1: drawing now, I thought the amount of people that will
27:19
Speaker 1: watch a special? Do you think it's specific to comedians?
27:22
Speaker 1: Because I do know they've given out multimillion dollar deals
27:25
Speaker 1: to a but Dubna Shonda Rhymes. So you think it's
27:28
Speaker 1: specific to the comedy industry, Well, I'll let you answer it.
27:32
Speaker 1: What black female comedian got the multi million dollars deal?
27:36
Speaker 1: But don't you think it's coming? I'm sure, I'm sure.
27:37
Speaker 1: I'm sure Tiffany Hatters will be presented with something if
27:40
Speaker 1: she hasn't already. Well, but we got to speak about
27:42
Speaker 1: the sisters. That's done it. See when Wanda Sykes is
27:45
Speaker 1: number one hundred on Comedy Central's Top Comedians Ever, number seventy,
27:51
Speaker 1: I'm sorry, daddy, number seventy on the top one hundred ever,
27:55
Speaker 1: But they offer her two fifty. So what do you
27:58
Speaker 1: say to that? La? Oh, you know, I actually asked
28:00
Speaker 1: about that. I spoke to somebody on Netflix and they
28:02
Speaker 1: offered that deal to want the Sykes before this guy
28:05
Speaker 1: that does these stand up deals even got in the
28:07
Speaker 1: position they offered this deal to her some years ago.
28:09
Speaker 1: Does it seem strange that you always have an answer
28:12
Speaker 1: when our finish line keeps getting moved When I say,
28:15
Speaker 1: name me one black female comedian that's got the million
28:18
Speaker 1: dollar payday, I'm waiting to hear the answer, right, So
28:21
Speaker 1: you think it's specific to comedians because I don't. I
28:23
Speaker 1: don't know on Netflix any what all that. But I
28:26
Speaker 1: can't safe and history name her. Well, I would ask
28:29
Speaker 1: what what what black female comedian has sold out fifty
28:32
Speaker 1: arenas around the world? Tell you when it's there's four
28:35
Speaker 1: beautiful black female comedians that we just got a Legends award.
28:40
Speaker 1: Her name is Samore, the name is Adel, her name
28:43
Speaker 1: is Miss Lore, her name is Monique. And when the
28:45
Speaker 1: Queens of Comedy was on tour, see, we made history.
28:48
Speaker 1: And I don't know if you've done your homework, because
28:50
Speaker 1: we were the only female group black, white, Latin Asian
28:54
Speaker 1: to sell out consecutively around this country. But you'll disregard
28:58
Speaker 1: that because you'll say, well, what did you do yesterday?
29:01
Speaker 1: So you can't take it away. But if I'm doing
29:04
Speaker 1: business and I'm basing it off doing it deal with
29:06
Speaker 1: somebody who did this last year, as opposed to doing
29:08
Speaker 1: it fifteen years ago, at twenty years ago, whenever it was.
29:10
Speaker 1: Wouldn't it make more sense to do it with the
29:11
Speaker 1: person who did it just a couple of years ago.
29:13
Speaker 1: If you're doing business and you say, what's Monique's resume.
29:17
Speaker 1: Now you're a businessman and you're looking at that resume
29:21
Speaker 1: and everything on that resume says number one, Everything on
29:25
Speaker 1: that resume says sell out. Now all of a sudden,
29:29
Speaker 1: is it going to change businessman? Yeah, I was saying,
29:32
Speaker 1: if I had to sign Kobe Bryant today, I'm not
29:34
Speaker 1: gonna give Kobe bryan one hundred million dollar contract. Well,
29:37
Speaker 1: you're right, but his resume is amazing. The difference between
29:40
Speaker 1: Kobe Bryant today and Monique today is when you're thirty
29:45
Speaker 1: six in the game of basketball, you don't lost your step.
29:48
Speaker 1: When you are fifty years old in the game of comedy,
29:51
Speaker 1: your season and if she had to come, if they
29:55
Speaker 1: had to come to Netflix to your point, because you
29:57
Speaker 1: make a very good point, and Monique had a stumble
30:01
Speaker 1: like a forty year old or a thirty eight year
30:04
Speaker 1: old Kobe Bryant who's got a rupture to chilles heel
30:07
Speaker 1: that you got to bounce back from, then it would
30:09
Speaker 1: make sense. But if he dropped fifty and still was
30:12
Speaker 1: dropping buckets, what would you say because they watched two
30:16
Speaker 1: standing ovations and two sold out clubs. You're absolutely right,
30:20
Speaker 1: Brothers City. Let me ask you this, Why not put
30:22
Speaker 1: together a theater, our arena tour and sell that out
30:25
Speaker 1: and then come back to the table, our table question.
30:28
Speaker 1: It doesn't have to go there and see. My whole
30:29
Speaker 1: thing is is that's something else. We were talking about
30:31
Speaker 1: the money offered, and my whole thing is as a businessman,
30:35
Speaker 1: being a legend and all that doesn't necessarily matter. It's
30:39
Speaker 1: what's what's who the people I want to see. You
30:41
Speaker 1: could be a legend and people love you, but if
30:44
Speaker 1: you can't attract the people to come to the place
30:47
Speaker 1: to see you, or to come to Netflix to watch you,
30:49
Speaker 1: it doesn't mean you're talking the question. I mean almost Christmas.
30:56
Speaker 1: Would you say that was a hit movie? Definitely a
30:58
Speaker 1: hit movie. Would you say Bessie was a hit? Yes?
31:00
Speaker 1: Would you say Precious was a hit? So the question is, so, Monique,
31:06
Speaker 1: you didn't do nothing in twenty seventeen that was on
31:08
Speaker 1: TV that we could see, So that means you're irrelevant.
31:11
Speaker 1: I don't think anything. What happens is when someone said
31:15
Speaker 1: to me, Monique, doesn't become disheartening when it's your folks,
31:20
Speaker 1: it's understandable. I don't take offense. It's understandable, and I
31:24
Speaker 1: explain why when I have to sit here and not
31:28
Speaker 1: defend but explain to people that look like me. Well,
31:31
Speaker 1: when did I become irrelevant? If that was a movie
31:34
Speaker 1: I'll call almost Christmas, what in twenty sixteen? This is
31:37
Speaker 1: twenty eighteen. So then all of a sudden, Oh, we
31:40
Speaker 1: don't know if people are gonna show up and show out. Now,
31:43
Speaker 1: when I did a show called The Bernie and said show,
31:46
Speaker 1: I'll show you know those brothers, two white brothers. And
31:48
Speaker 1: when I walked in there, Lenard, I walked in with
31:51
Speaker 1: a preconceived notion that I was going to have to
31:53
Speaker 1: defend myself because one is a strong Trump supporter and
31:57
Speaker 1: the other is a Democrat. But I'm thinking, and I'm
32:00
Speaker 1: gonna have to walk in and defend myself with these
32:02
Speaker 1: white brothers. After five minutes of us talking, they shut
32:06
Speaker 1: their showdown and they said, Monique, we're gonna call this
32:09
Speaker 1: what this is. This is nothing but racism, and we
32:12
Speaker 1: can't sit back and allow it and watch it happen.
32:15
Speaker 1: So no, we're gonna tell our listeners to boycott Netflix
32:18
Speaker 1: until they get it right, because you are a legend
32:21
Speaker 1: and we have to honor and respect you. Now, those
32:23
Speaker 1: are my white brothers. Then I come to my folks
32:27
Speaker 1: and I have to be donkey of the day, which
32:29
Speaker 1: you still haven't explained, Leonard, and you're gonna have to
32:32
Speaker 1: because when you make those type of statements about your
32:35
Speaker 1: sister to our community, what you're saying to the community
32:39
Speaker 1: is as black women, you're devalued. And if you stand
32:43
Speaker 1: up and you make a stand and you say we
32:46
Speaker 1: need equality and we have to say what's right and
32:49
Speaker 1: what's fair, and then a brother that looks like me
32:52
Speaker 1: from South Kolana, since you're the donkey of the day,
32:56
Speaker 1: you have to explain that to our community. I think
32:59
Speaker 1: that you're using racial and gender bias with your actual
33:03
Speaker 1: real issues to scrugged at the black women's going through
33:05
Speaker 1: in many industries is a real issue, but you're using
33:08
Speaker 1: it to focus on something that you're dealing with individually.
33:11
Speaker 1: Did you just see Viola Davis come out and say
33:14
Speaker 1: pay her equally? Did you just hear that? Absolutely? So
33:17
Speaker 1: when you have us saying the same thing, we're saying
33:21
Speaker 1: pay us equally, you're saying, oh, Monique, this is an
33:24
Speaker 1: isolated situation. Well, then what that says is you don't
33:26
Speaker 1: know the history of this business that you're in and
33:29
Speaker 1: you sit behind this microphone and you try to be
33:32
Speaker 1: the guru of black culture. I'm gonna need you to
33:34
Speaker 1: know the history of us before you begin to label us.
33:38
Speaker 1: And once you know the history, you know. I'm not
33:40
Speaker 1: saying anything unique. Brother, I just understannderstand how you can
33:43
Speaker 1: justify making thirty million twenty eighteen for a stand up special.
33:47
Speaker 1: When you say justify thirteen millions, did you get a
33:50
Speaker 1: chance to read what the offer was? I did read
33:54
Speaker 1: some of it, yes, well, sure, but all of it.
33:56
Speaker 1: The key is we got to read all of it
33:58
Speaker 1: because we're Chris Rock said a long time ago, if
34:01
Speaker 1: you want to hire something from a black person, put
34:03
Speaker 1: it in the book. This is not about comparing the
34:07
Speaker 1: definitive numbers as to what Amy got and what David
34:11
Speaker 1: them got, because it's married to what you just communicated.
34:15
Speaker 1: But when you ask a comedian to take a half
34:20
Speaker 1: million dollars for two years, you can't say any jokes.
34:26
Speaker 1: They don't want you to do stand up for two years,
34:28
Speaker 1: and essentially they want you to take a half a
34:33
Speaker 1: million dollars and lose out on two million dollars of
34:37
Speaker 1: work that you would have made on the road anyway,
34:40
Speaker 1: That right, there. It doesn't make sense how we have
34:43
Speaker 1: more with Monique when we come back, don't move. It's
34:45
Speaker 1: the breakfast clubal morning by everybody is DJ nd Angela Yee.
34:49
Speaker 1: Chalomagne the guy we are the breakfast club. Monique is
34:53
Speaker 1: in the building, chalomagnellion dollar deal. He just asks did
34:58
Speaker 1: we make a counter offer? And that's a very important questions.
35:01
Speaker 1: I did see that they responded to the kind offer
35:03
Speaker 1: and said they won't They regretfully won't be able to
35:05
Speaker 1: do this deal. Hopefully you guys can work together in
35:07
Speaker 1: the future, and that's the point that we have to
35:11
Speaker 1: make to you, Leonard. But in addition to that, my love,
35:14
Speaker 1: and this is in conjunction with Roland Martin and John
35:18
Speaker 1: Mary putting out a rumor that Monique was offered three
35:22
Speaker 1: million dollars and then didn't have the decency as journalists
35:26
Speaker 1: to come back and say we apologize for the misinformation.
35:30
Speaker 1: Because if you notice Monique's keep Monique keeps producing receipts,
35:35
Speaker 1: and as crazy as this sounds, this is a bigger
35:38
Speaker 1: picture than just Netflix, because what has happened was you've
35:42
Speaker 1: heard about Lee Daniels coming out speaking in reference to
35:45
Speaker 1: how difficult Monique was and the whole nine. We live
35:48
Speaker 1: in a culture in which the ladies who are going
35:51
Speaker 1: up in the room saying hashtag me too, and people
35:54
Speaker 1: are saying, well, you know, if you're going up in
35:56
Speaker 1: the room at two o'clock in the morning, you know
35:59
Speaker 1: you're to get screwed, So why did you go up
36:02
Speaker 1: there and do it? Or what happens is they'll say
36:05
Speaker 1: to Monique, why didn't you go promote a movie for
36:08
Speaker 1: lions Gate for free? Because you know what they'll do
36:11
Speaker 1: to you. So now you're in the damned if you do,
36:14
Speaker 1: damned if you don't situation. Because the women who go
36:17
Speaker 1: up in the room, the reason why they go up
36:18
Speaker 1: in the room, they know they're gonna get screwed when
36:21
Speaker 1: they go up in the room. They just don't know
36:23
Speaker 1: how bad they're gonna get screwed. If they don't go
36:25
Speaker 1: up in the room, what happens. This is why, again, Lenard,
36:32
Speaker 1: you've got to be careful with your words, because you
36:35
Speaker 1: called your sister donkey of the day, but you didn't
36:37
Speaker 1: do your research, and you pulled that poison out into
36:41
Speaker 1: our community. Was out fully doing your research, and now
36:45
Speaker 1: as we sit here, you have to almost backtrack your words, Well,
36:50
Speaker 1: when you ask a question, did you counter offer? We
36:53
Speaker 1: put all of it out there. We put the information
36:55
Speaker 1: out there. So you were so ready to do good
36:58
Speaker 1: radio that you didn't do your homework. And when you
37:02
Speaker 1: have a conversation, you know a brother named Geral Kelly. Absolutely,
37:05
Speaker 1: would you consider him your friend? Absolutely? See. I was
37:08
Speaker 1: on the road with Joel Kelly two weeks ago. Yeah,
37:10
Speaker 1: he called me and he said, Monique. I talked to
37:14
Speaker 1: uh Charlemagne and he said, man, you know I love Monique.
37:19
Speaker 1: I wasn't doing nothing but making ready up. I didn't
37:21
Speaker 1: see that with Geral Kelly, because what again, when you say,
37:28
Speaker 1: did your counter offer? See, we did, and they said
37:31
Speaker 1: there was no negotiations. You take it or leave it.
37:34
Speaker 1: But we didn't actually counter offer. What they said in
37:38
Speaker 1: the midst of our conversation, you've given us something to
37:41
Speaker 1: you on. We're gonna come back and reflect on it.
37:43
Speaker 1: And we said, and I said to them, trying to
37:46
Speaker 1: give them out, are you sure, because here's the thing.
37:50
Speaker 1: We don't want to waste your time if if it's
37:54
Speaker 1: not real. However, if it's real and we can get
37:57
Speaker 1: something done, of course we would love to do business
38:00
Speaker 1: with you. So y'all really didn't make a counter offer, no,
38:03
Speaker 1: because what we're saying, they said it was non negotiable.
38:07
Speaker 1: They were going to go back to reflect on what
38:09
Speaker 1: we had discussed, and when they came back, they said
38:13
Speaker 1: that we are based upon our discussion, we decided not
38:17
Speaker 1: to make a counter offer in reference to what it
38:20
Speaker 1: is that you're speaking in reference to hopefully we can
38:24
Speaker 1: do business in the future and so forth. Because what
38:26
Speaker 1: they were trying to emphasize to us that a half
38:30
Speaker 1: a million dollars was a strong enough number, and other
38:34
Speaker 1: people that they considered equal to Monique, which they did
38:37
Speaker 1: not name, they said, they've taken that number. If you
38:42
Speaker 1: notice you're having a conversation with Monique, why is it
38:46
Speaker 1: that Netflix won't have a conversation with people because they
38:51
Speaker 1: can bank on people like Charlemagne, They can bank on
38:55
Speaker 1: our brothers and sisters like Charlemagne that will say we'll
38:59
Speaker 1: fight them, We'll fight them for you, for you don't
39:01
Speaker 1: have to fight is I'm still trying to get you
39:03
Speaker 1: and brother Sydney to justify why you think you deserve
39:05
Speaker 1: thirteen million dollars? Was there a bidding war between your platforms?
39:08
Speaker 1: When you say when you say justify I'm gonna put
39:13
Speaker 1: my resume on the table. That's all I'm gonna have
39:15
Speaker 1: to do, is I'm gonna put it on the table
39:17
Speaker 1: when you say justify it, I'm gonna lay it out
39:20
Speaker 1: on the table for you to look at it. Do
39:22
Speaker 1: you do the numbers and ticket sales that Chris Rock
39:24
Speaker 1: does that, Dave Chappelle does that? Ahou, if given the opportunities,
39:27
Speaker 1: why don't you answer the question? See if given those opportunities,
39:31
Speaker 1: you're answering the questions for yourself. We're not given the
39:33
Speaker 1: same opportunities. Brother, But if you do your why why
39:37
Speaker 1: can't you in Sydney Garden book arena tours? Do they
39:39
Speaker 1: go I'm booked their tours or do promoter's book? Then
39:41
Speaker 1: see what we're gonna do right now is and what
39:43
Speaker 1: I'm not gonna do with you now you want to
39:45
Speaker 1: play a tip for tech And what you're saying is
39:47
Speaker 1: a black women's resume don't matter. I'm not saying that.
39:50
Speaker 1: You have to be saying trying to weaponize things like
39:52
Speaker 1: black woman the PsyS two hundred and fifty thousand dollars
39:57
Speaker 1: and she's considered one of the best, or that was
39:59
Speaker 1: years ago and they said that they would never do
40:01
Speaker 1: that now, and I literally heard just like a few
40:04
Speaker 1: weeks ago. So you did talk about the situation with
40:08
Speaker 1: Lee Daniels, and you talked about people saying that. Now
40:12
Speaker 1: we've read some things also because you're here and our cousins,
40:15
Speaker 1: but left for you to speak on this. So there
40:17
Speaker 1: are people that say that you didn't treat people well
40:20
Speaker 1: and that they've had issues working with you and that
40:22
Speaker 1: you're difficult. Yes, so let's address some of that because
40:24
Speaker 1: Roland Martin brought it up when you guys spoke on Twitter. Yes,
40:28
Speaker 1: And he talked about the Ebony magazine cover shoot that
40:30
Speaker 1: you did with Chris Rock and Steve Harvey. Yes, and
40:33
Speaker 1: he said that it was a nightmare because of you.
40:35
Speaker 1: What happened at that shoot? Well, what happened if that
40:38
Speaker 1: shoot was a check was thrown at one of our assistants,
40:42
Speaker 1: and you don't throw anything at anyone. And I had
40:45
Speaker 1: a problem with that. See, they won't fill you in
40:47
Speaker 1: on all that happened, So you had to let that
40:49
Speaker 1: person know that's not how you do business, and that's unacceptable.
40:53
Speaker 1: So I have no problem speaking on it. When they
40:55
Speaker 1: said I mistreated people on almost Christmas well, we have
40:58
Speaker 1: twenty interviews because we knew that they would say something
41:02
Speaker 1: like that with the people that worked in the background professionals,
41:05
Speaker 1: the lighting guys, the camera guys, where they all said
41:08
Speaker 1: our experience with Monique was stella. What happens is you
41:12
Speaker 1: hear the bullies speak out, but then the bullies run.
41:15
Speaker 1: Because when those videos did come out, did rolland Martin
41:18
Speaker 1: come back when the videos did come out? Just with
41:21
Speaker 1: the three little videos, you heard nothing else? Did you?
41:24
Speaker 1: Let's backtrack a little bit because with Will Packer, yes, okay,
41:29
Speaker 1: so Will Packer and Roland Martin and you know a
41:33
Speaker 1: lot of people have spoken out that have dealt with
41:35
Speaker 1: you personally and said these things. But I haven't really
41:38
Speaker 1: heard anybody say anything negative about Will Packer, about working
41:42
Speaker 1: with Lee Daniels, and I haven't heard them say anything
41:45
Speaker 1: negative about some of the people that they've worked it.
41:47
Speaker 1: So why is it? Let me I can answer that.
41:49
Speaker 1: That's a great question. You know the guy Harvey Weinstein,
41:53
Speaker 1: and he was able to do that for how many years? Decades?
41:57
Speaker 1: And why do you think that was? Well, we're working
42:00
Speaker 1: with a lot of people who felt like their career
42:02
Speaker 1: would be in jeopardy. If so they spoke out. Do
42:05
Speaker 1: you think this is a unique situation. Do you think
42:07
Speaker 1: that people are fearful to speak out when they're mistreat
42:09
Speaker 1: it mistreatment and sexual assault? Money? We we can't, we
42:13
Speaker 1: can't put out false equivalences about people. I understand what
42:16
Speaker 1: you're What is it between mistreatment and sexual Let me
42:20
Speaker 1: let me say this. Its levels to mistreatment. You're you're
42:23
Speaker 1: absolutely right, but mistreatment is mistreatment and campaign we campaign
42:28
Speaker 1: willing the same. This is the same person. Let me
42:30
Speaker 1: say this because based upon the information that you have,
42:35
Speaker 1: you feel comfortable with it. Because this is the world
42:38
Speaker 1: we live in. If you keep hearing it, it seems
42:40
Speaker 1: as if it's true. Asked David Tiber who was the
42:44
Speaker 1: director of Almost Christmas, if Monique had to stop because
42:48
Speaker 1: Will Packer was given directions over the director and he's
42:54
Speaker 1: the producer, and Monique said stop for a moment, please.
42:58
Speaker 1: What we're not gonna do is just respect to this
43:00
Speaker 1: black director, because if he was a white director, he
43:04
Speaker 1: was the producer would not give direction over him. And
43:08
Speaker 1: to his credit, at that moment, he seemed to have
43:11
Speaker 1: got it and was embarrassed by what it was that
43:14
Speaker 1: he had done. And the reason she had some difficulty
43:18
Speaker 1: with one of the individuals who were the first ap
43:22
Speaker 1: or something like that. She had walked into Monique's trailer
43:27
Speaker 1: while she was undressed without knocking. And I don't know
43:31
Speaker 1: if you know, but there was a letter that Steve
43:33
Speaker 1: Harvey had written a while ago in reference to how
43:36
Speaker 1: people just walk into his room. What happens is, she's
43:41
Speaker 1: the type of person that doesn't allow people to get disrespected.
43:45
Speaker 1: And she's not gonna have an issue with the people
43:48
Speaker 1: that are the hourly wage folks. It's typically the people
43:53
Speaker 1: who are the powerful one. She's not having no beef
43:57
Speaker 1: with nobody. There were people that were getting their fingers
44:00
Speaker 1: pointed in the face that happened to be black women
44:03
Speaker 1: by white men on the set of Precious and she said,
44:06
Speaker 1: I can't allow that to happen. Guy. So what happens
44:10
Speaker 1: is you are forgetting that this is a country that
44:14
Speaker 1: had slavery for hundreds of years. And when do we
44:18
Speaker 1: start realizing that we are so conditioned to normalize bad
44:22
Speaker 1: treatment when white men are able to say, hey, guys,
44:27
Speaker 1: she's right. How does the black community not see it?
44:32
Speaker 1: We have more with Monique when we come back, don't move.
44:34
Speaker 1: It's the breakfast club. Good morning, good morning. Everybody is
44:37
Speaker 1: DJ nd Angela. Yee, Charlomagne the guy. We are the
44:40
Speaker 1: breakfast club. We have Monique in the building still, Charlomagne.
44:44
Speaker 1: I want to know about this though. Have you received
44:46
Speaker 1: other offers from other screaming services? Let me say this
44:49
Speaker 1: because other than that help with negotiations when you can
44:51
Speaker 1: come up black ball being put over my head. The
44:54
Speaker 1: offers that come in from Netflix, they can come in
44:57
Speaker 1: low like that because they know you've been blackball. You
45:00
Speaker 1: know what the word is about you. So we assume
45:04
Speaker 1: that you're suffering and we can offer you whatever we
45:07
Speaker 1: want to offer you. So the offers have come in
45:09
Speaker 1: even lower than that. You got a Netflix special beforehand, though, right, well,
45:13
Speaker 1: I didn't have a Netflix special. What happened was exactly.
45:18
Speaker 1: I didn't make any deal with Netflix. So those shows
45:21
Speaker 1: just happened to be on it. And they've been on
45:22
Speaker 1: there for a long time. So someone would say, if
45:26
Speaker 1: this woman is not bringing in any views, why, but
45:28
Speaker 1: we hold onto the content. They've been on there for
45:30
Speaker 1: a minute. So as I well, I'm assuming so we
45:35
Speaker 1: don't get a report on that. But as I sit
45:37
Speaker 1: here again and I sit between my sister, who I
45:41
Speaker 1: know you deal with inequality. Angela. You're in the same
45:45
Speaker 1: business I'm in. But you'll look at me and you'll say, well,
45:48
Speaker 1: I need you to explain to me. They said you
45:50
Speaker 1: was a problem here and a problem there. We all
45:53
Speaker 1: know when you don't allow bullies to take place, and
45:55
Speaker 1: when you don't allow yourself to get bullied, don't you
45:58
Speaker 1: get labeled? Yes? But can I just for full disclosure please?
46:02
Speaker 1: There are definitely people that I know that have worked
46:05
Speaker 1: with you on the Ebony shoot. Yes, and I've heard things. Well,
46:09
Speaker 1: they've told me personally, people that were in the room
46:11
Speaker 1: the names and if not, like I told Lenar before,
46:14
Speaker 1: keep it on the playground. Well, okay, So I saw
46:17
Speaker 1: Alfred Edmond Jr. Who's the editor in chief of Black
46:20
Speaker 1: Enterprise Magazine. Yes, I saw that Amy Dubar Burnett, who
46:24
Speaker 1: was the editor in chief of Ebony at the time
46:25
Speaker 1: of that shoot, who was very excited to have you
46:27
Speaker 1: on the shoot. She left a comment because he posted
46:30
Speaker 1: something about you and the numbers and about your worth
46:33
Speaker 1: and how you are the most decorated comedian and she
46:36
Speaker 1: commented it was a nightmare working with her and I
46:40
Speaker 1: would never want to go through something like that. Again,
46:42
Speaker 1: I saw that comment is still on his page. Now.
46:44
Speaker 1: I would love to sit down and talk with that
46:46
Speaker 1: sister face to face so she can tell me about
46:48
Speaker 1: the nightmare, because what they won't do is they won't
46:51
Speaker 1: fill it in. See they won't fill in. We were
46:53
Speaker 1: being arrogant and we wanted to treat that woman as
46:56
Speaker 1: if we were doing her a favor by putting her
46:58
Speaker 1: on the cover. As my husband told me years ago,
47:02
Speaker 1: we don't disrespect anyone, but we over respect no one.
47:06
Speaker 1: And I want you to look at me. I'm a
47:08
Speaker 1: big fat black woman. We'll talk what big fat black
47:13
Speaker 1: woman has to stand stands up and says this is
47:16
Speaker 1: not fair because what the feeling is with some of
47:19
Speaker 1: our sisters and brothers. Monique, you should be grateful you
47:22
Speaker 1: just got invited to the party because of the way
47:25
Speaker 1: you look. So for anyone that says they ever had
47:28
Speaker 1: a problem with me, bring them to the table. Bring
47:31
Speaker 1: them to the table and let's have a conversation. But
47:33
Speaker 1: what you'll find is we'll speak about this woman when
47:37
Speaker 1: she can't see us. We'll make comments. But we're the
47:40
Speaker 1: type of people that say, let's have a conversation. And
47:43
Speaker 1: when you find out that they're wrong, Will you then
47:46
Speaker 1: speak up loudly for me as you speak up for them. Absolutely,
47:51
Speaker 1: You'll ask you a question. Let's just talk numbers. If
47:54
Speaker 1: you put your numbers up against the Amy Humors, the
47:57
Speaker 1: Chris Rocks to Dave Chappeld and I'm talking about selling
48:00
Speaker 1: out arenas all over the world. How can you justify
48:03
Speaker 1: getting a huge payday like that when you're saying that
48:06
Speaker 1: you're gonna offer her one twenty six of what Amy
48:09
Speaker 1: Schumer got and you're referring to moniquez a legend, and
48:13
Speaker 1: you're seeing her performance and you see the people standing
48:19
Speaker 1: up for at the end of the show. Have you
48:21
Speaker 1: read the reviews to the Netflix special for Amy Schumer?
48:25
Speaker 1: I don't think Amy's funny. You don't got it. You
48:27
Speaker 1: don't got Amy got me blocked on. This is the part, Daddy,
48:33
Speaker 1: and we gotta wrap up the show. But you did
48:35
Speaker 1: sell out then if they arenas around the world and
48:38
Speaker 1: MSG a few times an HBO's pressure, that did great.
48:41
Speaker 1: And this was all in twenty Here's what brother Leonarda saying.
48:45
Speaker 1: Let this year another show comes and they become number
48:48
Speaker 1: one and not the Breakfast Club. And then let a
48:51
Speaker 1: host come in here that's been doing it for maybe
48:53
Speaker 1: five years less than you, and then they get paid
48:56
Speaker 1: twenty six times more than you. Then you come back
48:59
Speaker 1: and have a conversation sation with us, because right, that's
49:02
Speaker 1: all because what happens is when you sit here and
49:05
Speaker 1: you say, make it make sense, Well, we don't have to,
49:08
Speaker 1: because again we and if no, you do have to
49:10
Speaker 1: make it make sense, especially if you're calling on people too.
49:13
Speaker 1: We made things like we made it make gender bias
49:15
Speaker 1: because we're saying, here's the resumes, guys in conjunction with that.
49:20
Speaker 1: The only thing we're saying is if, hypothetically speaking, it
49:23
Speaker 1: wasn't thirteen million Charlemagne, we're saying, is how come there's not.
49:28
Speaker 1: They're saying to the community that it's not one black
49:32
Speaker 1: woman that is a veteran comedian out there the day
49:36
Speaker 1: that is worth a seventh figure number. So what would
49:39
Speaker 1: have been a respectable number for miss Monique? Answer? Let me,
49:47
Speaker 1: let me give you a respectable number for Monique, something
49:52
Speaker 1: that would supersede what she would have made in two years,
49:57
Speaker 1: and at the very least what she would have made
49:59
Speaker 1: two years to be able to take to two years
50:03
Speaker 1: off that they're contractually asking her to do to not
50:06
Speaker 1: be able to tell jokes. You would not take a
50:10
Speaker 1: deal because they're gonna give you a lump summer cash
50:13
Speaker 1: that's gonna castrate you out of three fourths of your income.
50:17
Speaker 1: Do you understand what I'm saying? Didn't include the two
50:20
Speaker 1: years and didn't have that You couldn't tell jokes? If
50:23
Speaker 1: I would have taken a deal for five hundred thousand
50:25
Speaker 1: dollars Angela, what position would that pot of the babies
50:28
Speaker 1: that's coming after you? No, the deal is foul. The
50:30
Speaker 1: deal is absolutely positively found. Nobody says the deal is right,
50:32
Speaker 1: but you know, and in Sydney, you're a businessman, Monique
50:35
Speaker 1: your businesswoman. Right, the deal is foul. I mean, let's
50:38
Speaker 1: be clear. But that's why you that's why you counter
50:40
Speaker 1: off everything that they're hearing and based on what they know.
50:43
Speaker 1: They know Monique's reputation as far as what people are
50:47
Speaker 1: rumored to say, if it does matter, they other networks
50:52
Speaker 1: are not necessarily giving her the money and giving her less.
50:55
Speaker 1: They know what it is. So why would I give
50:57
Speaker 1: as a business person obscene number when I know she
51:01
Speaker 1: can't get it anywhere else? It's foul. But it's business.
51:04
Speaker 1: But if you say, Monique, it is foul, and you
51:07
Speaker 1: are right. So if we know it's right and we
51:10
Speaker 1: know it's foul, then what do we do. We do
51:12
Speaker 1: it on our own. That's just like talking to Steve Harvey,
51:15
Speaker 1: and brother Steve Harvey says, mo, I know you're right,
51:19
Speaker 1: and I know you're not lying, but could you have
51:21
Speaker 1: done it another way? No, you know, what's the suggestion?
51:24
Speaker 1: What's the other thing? I don't want you to do
51:26
Speaker 1: any other way. We do it. We do do it
51:28
Speaker 1: on our own. But we still got to speak up,
51:31
Speaker 1: Like you say, Angela, well just go somewhere else. Do
51:33
Speaker 1: you know how long we've been going somewhere else. But
51:35
Speaker 1: here's the thing, and we we have to. We have
51:39
Speaker 1: to and that's not an issue or what we're saying.
51:42
Speaker 1: Is this just so people are aware, this is what
51:45
Speaker 1: they're doing over here, and we want it to be
51:48
Speaker 1: known because, as Wadsike so kindly said, she essentially suffered
51:53
Speaker 1: in silence. She was hurt by but she went somewhere
51:56
Speaker 1: else and the offer that they gave her was less
51:58
Speaker 1: than half. And it doesn't matter about that was way
52:02
Speaker 1: before they got what they got, because she was even
52:04
Speaker 1: hotter than she came up under the wing of Chris Rock.
52:07
Speaker 1: Her audience and Chris Rock are very, very similar. She's
52:11
Speaker 1: very unique in the industry and that she caters to
52:13
Speaker 1: a white artist. Now, over time, Monique has of her
52:16
Speaker 1: multitude of people in her and her crowd. However, we
52:20
Speaker 1: know the people that focus are people of color in
52:24
Speaker 1: terms of her crowd. From a standpoint of the comedy world,
52:28
Speaker 1: I think the problem started with you coming out comparing
52:30
Speaker 1: yourself to Chris Rock Dave Chapelle and why and she
52:33
Speaker 1: she well, here's the thing, because because because there's no
52:36
Speaker 1: way that you can justify getting that amount of money
52:38
Speaker 1: that they got. Now, since you have gotten more than
52:40
Speaker 1: five hundred thousand, yes, and I've said that they won, Well,
52:42
Speaker 1: here's what I say. No, that's not what y'all know.
52:45
Speaker 1: What y'all was saying was y'all should have got the
52:47
Speaker 1: same amount of roche. Let me, let me, let me said.
52:51
Speaker 1: Let me answer that, Daddy. What I said was, if
52:54
Speaker 1: I'm considered a legend like my brothers, then why wouldn't
52:57
Speaker 1: I get what legends get? Because that is exactly what
53:01
Speaker 1: I said, because their resume recently, We're gonna listen Leonard.
53:06
Speaker 1: We're gonna let you hold on to that. But what
53:09
Speaker 1: I will say to you is, and to all the
53:11
Speaker 1: black women and women of color that is listening when
53:14
Speaker 1: you hear this brother's voice come over the air, and
53:16
Speaker 1: I'm unapologizing about what I'm getting ready to say. He
53:19
Speaker 1: does not have a value on black women and women
53:22
Speaker 1: of color can say, I'm gonna I'm gonna tell you,
53:27
Speaker 1: I'm gonna tell you contradictory. I'm gonna tell you why
53:30
Speaker 1: I said it. Because what happens is when you leave
53:33
Speaker 1: a place called Monk Monk's Corner, South Carolina, and you
53:37
Speaker 1: come to a big city named New York, and then
53:40
Speaker 1: you change your name to Shaloman Morning. Well, when you
53:44
Speaker 1: were there, you become Shaloman the God. Now I don't
53:46
Speaker 1: know if you took the same principles that your mama
53:48
Speaker 1: and your grandmamma gave you in Monk's Corner and you
53:52
Speaker 1: bought it to Manhattan, New York. Because the brother I
53:55
Speaker 1: did meet on that elevator, I meant a brother that
53:57
Speaker 1: was full of principle. And i'man a brother who would
53:59
Speaker 1: not I call a sister a donkey of a day
54:04
Speaker 1: unless he knew all the information and he could back
54:07
Speaker 1: up his statements. But as we sit here and we
54:09
Speaker 1: did this interview, you begin to ask questions that you
54:12
Speaker 1: should have asked before you make the statement. So what
54:15
Speaker 1: I have questions, but y'all really don't have any answer.
54:17
Speaker 1: I have not justified why you feel like you should
54:19
Speaker 1: have gotten that money you should have got that. We're
54:22
Speaker 1: not back. And here's the thing, brothers and sisters that
54:30
Speaker 1: get it the way that they get it, and we
54:31
Speaker 1: get it the way that we get it. And it's
54:33
Speaker 1: not an argument. I respect your decision. I respect your
54:37
Speaker 1: no because you're entitled to it, however, as we are
54:40
Speaker 1: entitled to ours. So what I am saying that the
54:43
Speaker 1: devalue you place on black women, And you say, how
54:46
Speaker 1: can I say that? Because out of your mouth you're
54:48
Speaker 1: saying there is no black female comedian that is worth
54:51
Speaker 1: that money. There's saying that hasn't been I'll go if
54:57
Speaker 1: I go down the list of black female comedian and
55:00
Speaker 1: the work that those sisters have put in through the
55:03
Speaker 1: years that opened up doors so that people like you
55:07
Speaker 1: could sit where you sit. Her name is Marsha Warfield.
55:10
Speaker 1: Her name is there for a doll. Her name is
55:12
Speaker 1: mom's Mayblee, which she's no longer with us. That the
55:14
Speaker 1: list goes on and on and Monique, it's true, Monique
55:22
Speaker 1: wrapping it up. What are you going to do moving forward?
55:24
Speaker 1: As far as with this special, We're gonna keep on pushing.
55:28
Speaker 1: See the special's gonna happen. What's gonna happen, and we're
55:31
Speaker 1: gonna let y'all see it. But what we're gonna do
55:33
Speaker 1: with this situation right now called the fight for inequality,
55:36
Speaker 1: we're gonna keep standing and we're gonna hope the sisters
55:39
Speaker 1: like you would stand with us to say when it's inequality,
55:42
Speaker 1: we must speak up, and we must speak loudly because
55:45
Speaker 1: your daughters are coming. Okay, well, thank you for joining us, Monique.
55:51
Speaker 1: When we come back, we have Donkey of the Day,
55:53
Speaker 1: so don't go anywhere. It's the Breakfast Club. Good morning, Charmaine,
55:58
Speaker 1: say that gang. Don't get out to shame man you
56:02
Speaker 1: are or don't you? Donkey today does not discriminate. I
56:08
Speaker 1: might not have the song of to day, but I
56:10
Speaker 1: got to donkey that. So if you ever feel I
56:12
Speaker 1: need to be a donkey man, hit it with the
56:16
Speaker 1: Breakfast Club bitches. They just don't give the day today
56:19
Speaker 1: all right, listen, man, Charlomagne the God here, I'm on vacation.
56:22
Speaker 1: I don't give a damn what y'all think about that,
56:23
Speaker 1: because I deserve it. Now The Breakfast Club is in
56:26
Speaker 1: eighty plus markets in one hundred and fifty country, so
56:28
Speaker 1: we have a lot of new listeners who probably don't
56:29
Speaker 1: even know who Charlomagne the God is. So use my
56:32
Speaker 1: time off to catch up on some of my past work. Okay, okay,
56:36
Speaker 1: if you knew here, I do a segment every day
56:38
Speaker 1: called Donkey to Day donkey as in jackass, and that's
56:40
Speaker 1: when I give someone the credit they deserve for being stupid.
56:43
Speaker 1: So if you've never heard of it, this is new
56:45
Speaker 1: to you. But if you are a regular listener and
56:46
Speaker 1: this is an oldiep but goody because it's the best
56:49
Speaker 1: of the Donkey of the day, don't here to day
56:51
Speaker 1: goes the comedian Kat Williams. Now if you missed it,
56:53
Speaker 1: Kat Williams was a guest on Frank Sky and Wander's
56:55
Speaker 1: Morning show, Drop on a clues bomb for Frank Skin
56:57
Speaker 1: and Wanda. Franky has always been good to the Breakfast Club,
57:00
Speaker 1: always showed us love. Scalut to that man. I respect
57:03
Speaker 1: everything he does in business and in the game of radio.
57:05
Speaker 1: The reason I can respect that man is because, unlike
57:07
Speaker 1: Kat Williams, I am not a bit ass Hayter. That's
57:10
Speaker 1: all Kat Williams was doing on Frank Sky and wanted
57:12
Speaker 1: to show Hayton with a side of lion. A matter
57:14
Speaker 1: of fact, that wasn't a side of lion. Cat Williams
57:17
Speaker 1: served us two entrees during that interview. One was the
57:19
Speaker 1: main course of French chicken pot lie. The other was
57:22
Speaker 1: stir fried Hayton. Okay, what dish would you like to revisit? First?
57:26
Speaker 1: Let's start with the chicken pot lie. Okay, this is
57:28
Speaker 1: Kat Williams on Frank Sky and Wanda running down some
57:31
Speaker 1: of his resume. Let's hear it. I do have more
57:34
Speaker 1: comedy specials than any comedian breathing or dead. That's only
57:38
Speaker 1: seven more than Richard Bryron, six more than Martin Lawrence,
57:41
Speaker 1: and six more than Ris Frock, five more than Dave Chappelle.
57:46
Speaker 1: Those are just facts, sir. I have the top two
57:49
Speaker 1: comedy specials on Showtime, HBO, Comedy Central, and we just
57:53
Speaker 1: moved to Netflix. I'm on my fifteenth consecutive one hundred
57:56
Speaker 1: city tour on the exact day that Monique was asking
57:59
Speaker 1: for a Netflix boycott, Netflix had just cut me a
58:03
Speaker 1: check for two million dollars for the special that I
58:05
Speaker 1: got paid three hundred thousand dollars to do in Jackson,
58:08
Speaker 1: pep Chronicles has already gross over twenties four million dollars
58:13
Speaker 1: alone as one special because of Atlanta. What are your
58:17
Speaker 1: thoughts about Netflix? Well, everybody has to understand that Netflix
58:20
Speaker 1: doesn't have an opinion on stand up comedy. They base
58:24
Speaker 1: what they pay you by the amount of ticket sales
58:27
Speaker 1: for your last tour. So Moniqu's last tour had three
58:31
Speaker 1: hundred and sixteen thousand tickets. Therefore that's what she got offered.
58:35
Speaker 1: My last tour had two point four million tickets, and
58:39
Speaker 1: so that's what they offer. What Now, let's unpack some
58:42
Speaker 1: of this. We live in the information age. There's nothing
58:44
Speaker 1: you can't google, but a lot of us don't take
58:46
Speaker 1: the time to research. You know. We hear someone we
58:49
Speaker 1: respect say something in an interview, we read something someone
58:52
Speaker 1: posts on social media and we run with it as
58:54
Speaker 1: fact and the fact that Kat William said these are
58:56
Speaker 1: facts solidifies it for some people. Or the reason I
58:59
Speaker 1: hate touations like this is because when you have the
59:01
Speaker 1: experience that Kat Williams has, you should be using your
59:04
Speaker 1: opportunities and experiences to teach, not lie. Now let's break
59:07
Speaker 1: down some of these lives. Okay. Kat william said he
59:09
Speaker 1: has filmed. He has more film stand up specials than
59:13
Speaker 1: any comedian breathing are dead. That is a lie. George
59:17
Speaker 1: Carlin has fourteen HBO specials. Cat Williams said he has
59:21
Speaker 1: nine specials, George Carlin fourteen. We can all do math
59:25
Speaker 1: in here, right, okay. Next, he said he has the
59:27
Speaker 1: top two specials on HBO, Showtime, Comedy Central and Naughty
59:31
Speaker 1: on Netflix. I don't even know what that means. Okay,
59:33
Speaker 1: all right, but you could google the top ten stand
59:35
Speaker 1: up specials over the last forty years on HBO, Goal
59:38
Speaker 1: or HBO now. Chris Rock has number one with Bigger
59:40
Speaker 1: and Blacker. Number two is Take Natario Boys, Girl Interrupted.
59:43
Speaker 1: Number three is Dave Chappelle killing him softly. Comedy Central
59:46
Speaker 1: has a list of top one hundred stand up comics,
59:49
Speaker 1: and Kat not even on the list. I couldn't find
59:51
Speaker 1: the Showtime stand up special rankings, and my people that
59:53
Speaker 1: Showtime haven't hit me back head. But by now we
59:55
Speaker 1: should be noticing a pattern here, so it's safe to
59:57
Speaker 1: say that was a lie too. Cat Williams said Chronicles
1:00:00
Speaker 1: is grows twenty four million dollars. All right, so far, now,
1:00:04
Speaker 1: Pimp Chronicles did great, But where did you get to
1:00:06
Speaker 1: twenty four million dollars? Number? From Kat? We would like
1:00:08
Speaker 1: to see receipts because if Pimp Chronicles grows twenty four
1:00:10
Speaker 1: million dollars, it would be in the top ten of
1:00:12
Speaker 1: stand up comedy concerts ever, but it's not. In fact,
1:00:16
Speaker 1: if the Girls twenty four million, it would be number
1:00:17
Speaker 1: four on that list. Over Kevin Hart, what now which
1:00:19
Speaker 1: grows about twenty three million, Martin Lawrence runtill that which
1:00:22
Speaker 1: did like nineteen million, Richard Pryor here and now which
1:00:25
Speaker 1: did sixteen million. All I'm saying is, if Kat Williams
1:00:27
Speaker 1: really did twenty four million on Pimp Chronicles, how come
1:00:30
Speaker 1: nobody has any record of that? But Cat oh, and
1:00:33
Speaker 1: Kat did tell the truth when he said Netflix only
1:00:35
Speaker 1: cares about ticket sales, his business never personal. I told
1:00:37
Speaker 1: you all that earlier this year in regard to the
1:00:40
Speaker 1: Monique situation. But Kat Williams said he sold two point
1:00:43
Speaker 1: four million tickets on his last tour. Do y'all know
1:00:47
Speaker 1: how much two point four million tickets sold is. I'm
1:00:50
Speaker 1: trying to put this in perspective for you. If Kat
1:00:52
Speaker 1: Williams sold two point four million tickets on his last tour,
1:00:55
Speaker 1: that's more than Beyonce sold for her Formation tour. That's
1:00:58
Speaker 1: more than Taylor's Twitch Soul for her nineteen Needy nine
1:01:00
Speaker 1: world tour. That's more than McDonald's sold for her MDMA toy.
1:01:03
Speaker 1: That's more than the Eagles sold on their Long Road
1:01:06
Speaker 1: Out of Eating toy. That's more than Justin Timberlake sold
1:01:08
Speaker 1: on his twenty twenty Experience World tour. That's more than
1:01:11
Speaker 1: Billy Joel sold on his Billy Joel and Concert tour.
1:01:14
Speaker 1: And these are artists who are doing this globally around
1:01:16
Speaker 1: the world and arenas. So tell me how it's possible
1:01:19
Speaker 1: the Cat Williams to sell two point four million tickets
1:01:21
Speaker 1: domestically and theaters. The Cat sold two point four million tickets,
1:01:25
Speaker 1: he would have made the Fores list. See catch you
1:01:27
Speaker 1: sound smart to a dumb person. And there's a lot
1:01:28
Speaker 1: of people out there who won't take the time to research.
1:01:30
Speaker 1: And I know you're asking why it was Cat line
1:01:32
Speaker 1: so much. I'll tell you why because he knew he
1:01:34
Speaker 1: was about to start hating on people, so he had
1:01:36
Speaker 1: to show y'all he out here still winning, so it
1:01:38
Speaker 1: wouldn't look as if he was hating. Because the truth is,
1:01:41
Speaker 1: it's rare that you will have a hater that's doing
1:01:43
Speaker 1: better than you. Now, let's listen to what Kat Williams
1:01:46
Speaker 1: had to say about Kevin Hart. Let me rephrase, let's
1:01:50
Speaker 1: listen to what Kat Williams had to hate on about
1:01:52
Speaker 1: Kevin Hart. Grawd called Michael Littlerell, Hannibal Birds and Tiffany Hattis.
1:01:56
Speaker 1: Let's hear it. They gonna let you do your s
1:01:58
Speaker 1: fash your gird card, Michael, but nobody's gonna watch it.
1:02:00
Speaker 1: They're gonna let you be a star, Little Real, but
1:02:03
Speaker 1: you're ugly, and white people don't believe in ugly stars.
1:02:06
Speaker 1: They think you have to be somebody that women want
1:02:09
Speaker 1: to sleep with and men want to be. But because
1:02:11
Speaker 1: we black, they say, oh, you don't even deserve that.
1:02:13
Speaker 1: So you get Kevin Hard, little Real, Gerard Carmichael all
1:02:17
Speaker 1: in a row, Hannibal Birds, just dudes that no woman
1:02:20
Speaker 1: would talk to, and Lennox all. Let alone you making
1:02:24
Speaker 1: the movie stars. Let's let's keep going Tiffany, she'd been
1:02:28
Speaker 1: doing comment since she was sixteen. You can't tell me
1:02:31
Speaker 1: your favorite Tiffany had his joke? Why because she ain't
1:02:34
Speaker 1: done a tour yet, She ain't done a special. She
1:02:36
Speaker 1: has not proven the ability to tell jokes back to
1:02:40
Speaker 1: back for an hour to nobody. Did you think she
1:02:43
Speaker 1: wrote girls Trip Goofball or do you think that was
1:02:46
Speaker 1: already a script and they handed it to her. It's
1:02:48
Speaker 1: up to you whatever you want to believe. But people
1:02:51
Speaker 1: like real. What they like, They love real because everybody's real. Then,
1:02:56
Speaker 1: so don't trip. No, no, they like whatever you at
1:02:59
Speaker 1: under the sound my voice. Do you have a real
1:03:01
Speaker 1: car worker? Do you have a ratchet friend? Do you
1:03:05
Speaker 1: have a sister, do you have a cousin? Do you
1:03:07
Speaker 1: have a nephew? Do you have a niece? Is they
1:03:10
Speaker 1: so ganto? When did that become marketable? Knock it off?
1:03:13
Speaker 1: They like her because she want to sleep with a
1:03:15
Speaker 1: white man. That's one thing to have an opinion, right,
1:03:18
Speaker 1: It's another to just hate. Cat had zero opinion on
1:03:21
Speaker 1: Little Rall's talent, Girard's talent, Hannibal's talent, Cass talent. He
1:03:24
Speaker 1: was just hating. If you would have said I don't
1:03:26
Speaker 1: find any of them funny. I don't know why people
1:03:28
Speaker 1: like them. I think these individuals are funny or cool.
1:03:30
Speaker 1: That's an opinion. But what does Rale, Gerard and Hannibal
1:03:33
Speaker 1: being ugly got to do with anything? Oh cads, girls
1:03:37
Speaker 1: would walk past them? And Lenox mall what that got
1:03:39
Speaker 1: to do with that talent? And then being funny? Not
1:03:41
Speaker 1: to mention, Tiffany Addas has a stand up special Car
1:03:44
Speaker 1: to Hood to Hollywood on Showtime. She's been on tour
1:03:46
Speaker 1: for a year. She's got another stand up coming on
1:03:48
Speaker 1: Netflix next year. Like, what's the point of lying the
1:03:51
Speaker 1: way Kat Williams is lying? And those white Hollywood executives
1:03:54
Speaker 1: that like Kevin Girard, Reral, Hannibal and tiff that's not
1:03:58
Speaker 1: the talent fault. The white actives like them. I mean,
1:04:01
Speaker 1: damn Cat, they used to like you too. But then
1:04:03
Speaker 1: you became an unensurable liability because you couldn't say out
1:04:06
Speaker 1: of trouble, simple as that. You became a liability to Hollywood.
1:04:10
Speaker 1: Kat Williams, I need you to know that destiny is
1:04:12
Speaker 1: not a matter of the chance, It is a matter
1:04:13
Speaker 1: of choice. In Kat Williams, you chose drugs over your career.
1:04:18
Speaker 1: Those are the facts, sir so kids, what is the
1:04:20
Speaker 1: lesson to be learned from all of this? Well, always
1:04:22
Speaker 1: remember someone who hates you normally hates you for one
1:04:26
Speaker 1: or three reasons. They either see you as a threat,
1:04:28
Speaker 1: they hate themselves, or they want to be Kat Williams
1:04:31
Speaker 1: looking in the mirror and ask yourself which one of
1:04:32
Speaker 1: you please give kat William's the biggest ye. All all right,
1:04:39
Speaker 1: it's not rocket science people. All right, we got more
1:04:41
Speaker 1: coming up next with a breakfast club, the Breakfast Club
1:04:47
Speaker 1: wanting everybody's dj MD Angela Yee, Charlomagne the guy we
1:04:52
Speaker 1: are the breakfast Club. It is time for ask yee. Hello?
1:04:55
Speaker 1: Who's this? Good morning? This is Quentin's from California. Quentin,
1:04:58
Speaker 1: what's upthing? What's your question for you? Bro? Before I
1:05:00
Speaker 1: go up? First, I like to let you know brother
1:05:02
Speaker 1: that you know, my God versus my enemies. Geared you're
1:05:06
Speaker 1: wearing is solid. Bro. You appreciate that. But a body
1:05:10
Speaker 1: a guy, if you want to order something happen. So
1:05:12
Speaker 1: my situation, what happened was, uh, you know, I'm actually
1:05:15
Speaker 1: looking for a wife, and you know I was bating
1:05:18
Speaker 1: this woman for about three and a half four months
1:05:21
Speaker 1: and you know, things are going really well. I introduced
1:05:24
Speaker 1: it to my family and we had one night where
1:05:28
Speaker 1: you know, we both we both made the agreement to
1:05:30
Speaker 1: not you know, you remain asking it. You know, some
1:05:33
Speaker 1: people I don't want the kids, but out of where, licker,
1:05:34
Speaker 1: that's just me. Okay, So we um, you know, we
1:05:37
Speaker 1: got real close, and you know, she stopped me and
1:05:40
Speaker 1: before we push, she let me allow me to proceed,
1:05:44
Speaker 1: which I didn't, but she let me know that she
1:05:46
Speaker 1: was transgender. Okay. My only my issue was I'm looking
1:05:50
Speaker 1: for a wife, you know, and immediately I couldn't. I
1:05:53
Speaker 1: couldn't continue the relationship because and that and that is
1:05:56
Speaker 1: your choice. And at least she did tell you that
1:05:59
Speaker 1: before you got had sex, because I think that's a
1:06:01
Speaker 1: difficult thing for a person to say off the bat,
1:06:05
Speaker 1: just in case things don't work out. You know, maybe
1:06:07
Speaker 1: they don't want to tell everything about themselves upfront. How
1:06:11
Speaker 1: do you feel now, do you still feel like you
1:06:13
Speaker 1: want to be with her as feelings? Oh no, I
1:06:16
Speaker 1: don't have any feelings, no, because I can't have kids.
1:06:18
Speaker 1: Would okay, you know, I mean to me, you know,
1:06:21
Speaker 1: and I felt that she's a woman, but Okay, I
1:06:24
Speaker 1: feel you want her to biologically carry a child. It's
1:06:27
Speaker 1: hard to not make it seem like um to be offensive,
1:06:32
Speaker 1: but okay, so yeah, you feel like you wish you
1:06:35
Speaker 1: would have known this because you wouldn't pursue the relationship.
1:06:37
Speaker 1: But now that you have found out, you guys didn't
1:06:39
Speaker 1: have sex. It didn't get that far, and now she
1:06:42
Speaker 1: revealed something about herself and you've decided that you can't
1:06:45
Speaker 1: continue the relationship. So it just didn't work out, just
1:06:48
Speaker 1: like any relationship wouldn't work out. But I feel like
1:06:50
Speaker 1: it if I mean, at least give me the option.
1:06:52
Speaker 1: But Quentin, you want her to tell you, like immediately
1:06:55
Speaker 1: when your first went on your first date, or when
1:06:57
Speaker 1: when she feels like she knows you well enough to
1:06:59
Speaker 1: share things with you about her past. I feel like
1:07:01
Speaker 1: the moment, the moment we became, we weren't sexually intimate,
1:07:05
Speaker 1: but there is some intimacy involved. Okay, I'm thirty two
1:07:08
Speaker 1: years old, I've only introduced two women to my mother's right.
1:07:11
Speaker 1: I feel for your question. Listen, I understand like it's
1:07:14
Speaker 1: a difficult situation, and every situation is different for the person.
1:07:18
Speaker 1: You know. At least she did reveal to you before
1:07:20
Speaker 1: things went there, who she was, and you know you
1:07:23
Speaker 1: love this woman, but now you feel like that's not
1:07:25
Speaker 1: somebody you could be with because of where you see
1:07:28
Speaker 1: yourself later on in life with marriage and everything in children.
1:07:30
Speaker 1: But I feel them before we get intimate, before you
1:07:32
Speaker 1: kissed me, like, let's let's be honest, I want to
1:07:34
Speaker 1: know what's going on in your life. I wouldn't want
1:07:36
Speaker 1: to know as well. Well, yeah she did tell them
1:07:37
Speaker 1: before they had sex. We've had unaccountable, passionate kisses, I'm saying,
1:07:42
Speaker 1: and I respected the person. So if they could have
1:07:45
Speaker 1: come for while we established that respect, I couldn't have
1:07:48
Speaker 1: had these these deal feelings. Can you imagine how difficult
1:07:52
Speaker 1: that must be for her? Though also aspires dating. I'm just,
1:07:55
Speaker 1: you know, putting it out there and I understand and
1:07:59
Speaker 1: that's sense. However, if if we're trying to have a solid,
1:08:04
Speaker 1: keep it one hundred relationship at the very end, I
1:08:07
Speaker 1: couldn't at least had a friend, right. My mom actually
1:08:10
Speaker 1: called on to it. She said it's something that didn't
1:08:12
Speaker 1: add up to try to have a heart to heart
1:08:14
Speaker 1: woman A woman she said, feel like a woman to her. Okay,
1:08:18
Speaker 1: and that's just from my mom's perspective, but the fact
1:08:21
Speaker 1: that I love women. A matter of fact, you probably
1:08:24
Speaker 1: one of the most beautiful, natural looking women that I've seen.
1:08:27
Speaker 1: She's taken. She's taken, so that's okay. She has a boyfriend,
1:08:33
Speaker 1: has a boyfriend. But don't let this, don't let this
1:08:35
Speaker 1: make you give up on finding the right person, because,
1:08:38
Speaker 1: you know what, relationships don't always work out no matter
1:08:40
Speaker 1: what the situation is. There's different reasons why. But you
1:08:43
Speaker 1: just just got to put yourself out there and learn
1:08:45
Speaker 1: from everything that happens to you. Did she give you
1:08:47
Speaker 1: oral unfortunately? Yes? Unfortunately? Why it wasn't good? I mean
1:08:51
Speaker 1: it was, it was good, man, But then it doesn't
1:08:53
Speaker 1: sound unfortunately it was good. I mean I was harder
1:08:56
Speaker 1: than Chinese trig. I tell you that. Okay, well there
1:08:59
Speaker 1: you go. I don't know. It sounds like you still
1:09:02
Speaker 1: have some feelings, but he does. Listen, don't worry about
1:09:06
Speaker 1: what other people think. Just worry about how you feel. Now.
1:09:09
Speaker 1: I understand feeling like you. Wish you would have known
1:09:11
Speaker 1: so you could have made that decision earlier. But love
1:09:15
Speaker 1: is love. So what's your question for you? Bro? Thing
1:09:17
Speaker 1: is I'm having issues, you know, with trust? Just in general,
1:09:21
Speaker 1: how do I go about not assuming you know and
1:09:25
Speaker 1: having to do like gender tests, Just ask those questions
1:09:30
Speaker 1: you never asked her, right, I mean, she didn't lie
1:09:32
Speaker 1: to you. Ask that question on the first day. How
1:09:34
Speaker 1: do you ask that question on the first day. You
1:09:36
Speaker 1: can say I've had it an experience before. I'm trying
1:09:38
Speaker 1: to you know what I'm trying to do. So I
1:09:42
Speaker 1: mean the in the first in the first ninety days,
1:09:44
Speaker 1: I asked if she had if she ever had an STD.
1:09:46
Speaker 1: I mean, I thought that was kind of you know,
1:09:47
Speaker 1: because that's not the same question, sir. No matter what,
1:09:51
Speaker 1: right relationships are difficult, no matter what. It takes a
1:09:54
Speaker 1: while for us to find the right one sometimes, but
1:09:56
Speaker 1: when it does happen, it's the best thing in the world.
1:09:58
Speaker 1: I would tell you, man, you can aren't just not
1:10:00
Speaker 1: trust go around not trusting people because of this experience.
1:10:03
Speaker 1: And to keep it real, she didn't lie to you,
1:10:05
Speaker 1: and she did come clean to you without you having
1:10:08
Speaker 1: to ask her to. So you just feel deceived, and
1:10:12
Speaker 1: I get it. But no matter what, in relationships is
1:10:14
Speaker 1: a lot of things people aren't going to tell you
1:10:15
Speaker 1: from the beginning that you have to find out as
1:10:17
Speaker 1: they trust you and you trust them. I'm sure there's
1:10:20
Speaker 1: things that you held back on telling at first. I
1:10:22
Speaker 1: mean it's the vulnerability, the vulnerability piece. I actually share
1:10:26
Speaker 1: some things for her that I actually didn't share with
1:10:28
Speaker 1: any past women. And that's I think that's the part
1:10:30
Speaker 1: wropped up, betrayed. But it's moving forward. I'm not sure
1:10:34
Speaker 1: how to even and she shared some things with you
1:10:36
Speaker 1: as well. That's what relationships are. Try try Christian mingo, Bro,
1:10:39
Speaker 1: I appreciate that. Brother. All right, man, good luck. Man's
1:10:43
Speaker 1: never even been on Christian. I'm you hooie man? What's size?
1:10:48
Speaker 1: I got your size? What are not? What's your size? Bro? Pause?
1:10:54
Speaker 1: Why are you pausing? His side reacts, all right, man,
1:10:56
Speaker 1: we're gonna get you. Reacts you're a big guy. Well,
1:10:59
Speaker 1: we're gonna get you. Get your hoodie. Bro. Oh, I
1:11:01
Speaker 1: appreciate it, all right. Ask ye eight hundred five eighty
1:11:04
Speaker 1: five one on five one if you got a question
1:11:06
Speaker 1: for Ye? Calling now? It was the breakfast club. Good
1:11:07
Speaker 1: morning you are the breakfast club? Is time to ask yee? Hello?
1:11:11
Speaker 1: Who's this? Juicy? Juicy? Okay, juicy? What's your question for Ye?
1:11:14
Speaker 1: So basically I feel like I understand celebrities feel like,
1:11:19
Speaker 1: you know, all their fans are crazy or whatever. But
1:11:21
Speaker 1: I feel like if I go to every show, like
1:11:24
Speaker 1: I'm up there supporting you. I'm telling all my home
1:11:26
Speaker 1: girls about you. I play your music all the time.
1:11:28
Speaker 1: You know, anytime you come out, I'm there supporting you.
1:11:31
Speaker 1: If I respectfully ask you succumb with you know a
1:11:35
Speaker 1: company to my appointment, you know that basically it's gonna
1:11:38
Speaker 1: let me know if I got breast cancer or not.
1:11:40
Speaker 1: If I ask you as a fan, like, hey, I
1:11:42
Speaker 1: have you know, a lump in my breast, and you know,
1:11:45
Speaker 1: I have two appointments and the results you know, come out,
1:11:49
Speaker 1: you know, on the second appointment. And I wait, now,
1:11:51
Speaker 1: who who are you asking? You're asking celebrities, just random
1:11:55
Speaker 1: as well. The person I asked, I've met him three times,
1:11:58
Speaker 1: so he knows. You know, I'm not like a crazy
1:12:00
Speaker 1: fan like I'm a familyho's met him. Okay, juicy, juicy,
1:12:05
Speaker 1: all right? So I support you as an artist, and
1:12:09
Speaker 1: I asked you to. I want you to find out
1:12:10
Speaker 1: if I got breadcast or not. I'm crazy, yes, well, juicy,
1:12:13
Speaker 1: celebrity or not. You've met somebody three times, right, and
1:12:17
Speaker 1: you ask him the comments. I wouldn't ask somebody I
1:12:20
Speaker 1: met three times? Did you ask your mama? What about
1:12:22
Speaker 1: your daddy? Yeah? What about women? One of your best
1:12:25
Speaker 1: friends or something? My mama is there and my dad
1:12:28
Speaker 1: is he's not here, so I'm not here. I have phones.
1:12:31
Speaker 1: Then you have family. But I feel like you know,
1:12:33
Speaker 1: you're somebody that you know is able to help me
1:12:36
Speaker 1: in the sense that I wouldn't be in there crime.
1:12:39
Speaker 1: I wouldn't die if I found out, you know what
1:12:41
Speaker 1: I mean. I don't want to say that because I
1:12:43
Speaker 1: don't want to be like a I'm not a crazy person,
1:12:46
Speaker 1: and I don't feel like I'm crazy for asking you
1:12:48
Speaker 1: to help. Who is the celebrity? So Juicy said, let
1:12:51
Speaker 1: me okay? So he blocked you after you asked Yes,
1:12:54
Speaker 1: It's not like I was like, you know, crazier or anything,
1:12:56
Speaker 1: and I felt like I was. I said, I would
1:12:58
Speaker 1: be grateful to have this, That's what I said. I
1:13:01
Speaker 1: think you should tell us who it is so maybe
1:13:02
Speaker 1: he'll feel guilty and then maybe he'll go with you
1:13:04
Speaker 1: on your next support Who is the person? Let's nest up.
1:13:07
Speaker 1: I can't I feel like a singer? Yes, trade songs?
1:13:13
Speaker 1: Se with him? Why trade is trade. It's trade, right,
1:13:19
Speaker 1: that was so sad. It's trade. I know it was trade.
1:13:23
Speaker 1: The reason I know it was trade is only trades.
1:13:24
Speaker 1: Fans would feel like he's close enough with them to
1:13:27
Speaker 1: ask him to go right now? What is it so silly? Like,
1:13:31
Speaker 1: I'm sorry, I will just juicy Juicy Juicy supporting the
1:13:35
Speaker 1: whole music world because I feel like if I support
1:13:37
Speaker 1: you to that level, like I spent a lot of money,
1:13:40
Speaker 1: I traveled to shows like I was not because you know,
1:13:43
Speaker 1: like I wanted something to return, just because I wanted
1:13:45
Speaker 1: to support you as a fan, I'm like, you're I
1:13:49
Speaker 1: just want to say something here. Number one, I just
1:13:51
Speaker 1: want to tell you I am sorry that you're dealing
1:13:53
Speaker 1: with this with the lump in your breast and having
1:13:55
Speaker 1: to go to these appointments and everything. I'm not crazy.
1:13:58
Speaker 1: I'm not. I'm a very good person. Like I'm I
1:14:01
Speaker 1: do a lot of people like I take your own
1:14:03
Speaker 1: my siblings. I'm the oldest mama more than seven times
1:14:07
Speaker 1: in a five minute commentation. But but JUSI let me
1:14:10
Speaker 1: let me explain something to you. Okay, the artist is
1:14:13
Speaker 1: not asking you personally. Hey I need you to come
1:14:16
Speaker 1: to my show. Hey, I need You're doing this out
1:14:18
Speaker 1: of your own free will, and you should never do
1:14:20
Speaker 1: things to support people expecting them to do something for
1:14:23
Speaker 1: you in return. You should do it because you want
1:14:24
Speaker 1: to do it. You're right, You're right. So if you
1:14:27
Speaker 1: really support a person, and you're you know, a true,
1:14:31
Speaker 1: true person that feels like connected to somebody, you go
1:14:34
Speaker 1: to those shows. You spend your money because you want to,
1:14:36
Speaker 1: because it makes you feel good, and you should not say, well,
1:14:39
Speaker 1: because I've done this for you, you need to do
1:14:40
Speaker 1: this for me. I'm not. I'm just saying that I
1:14:43
Speaker 1: feel like when I did. How about you could ask
1:14:47
Speaker 1: him to just hey, can you offer me some kind
1:14:49
Speaker 1: words or let me know that I'm in your thoughts
1:14:50
Speaker 1: things like that. But you can't expect him to leave
1:14:53
Speaker 1: what he has to do in his responsibilities. He's only
1:14:56
Speaker 1: met you three times, and I'm sure it does appreciate
1:14:59
Speaker 1: your support and he loves the fact that you come
1:15:01
Speaker 1: out and support him. But you should never do anything
1:15:04
Speaker 1: in life expecting something in return. I never expect anybody
1:15:07
Speaker 1: to do anything for me. I can ask him. If
1:15:08
Speaker 1: you say no, I have to respect that. You sound
1:15:11
Speaker 1: very entitled. You're right, and I do respect that you
1:15:14
Speaker 1: don't even offer that man falaio or nothing. How you
1:15:18
Speaker 1: know I did. I asked him out. I was like, hey,
1:15:20
Speaker 1: I'll take you to dinner. You know. You know what
1:15:24
Speaker 1: did you say? I will give you falatio out of well?
1:15:26
Speaker 1: I mean it's tray thongs. He should already know that. Like,
1:15:29
Speaker 1: it's not true, true girl, this is not okay, my goodness, anyway,
1:15:36
Speaker 1: just leave him alone, don't expect anything, continue to be
1:15:40
Speaker 1: a fan and a supporter, and just chill. Jus, you
1:15:43
Speaker 1: got it For things like that. You really have to
1:15:45
Speaker 1: call on people that are very close to you, not
1:15:47
Speaker 1: somebody that you've met three times. When I told my grandma, like,
1:15:52
Speaker 1: she just was like, oh my god, it's the end
1:15:54
Speaker 1: of the world. So I stopped telling people. You know,
1:15:56
Speaker 1: I was like, oh, well, I can't tell nobody else
1:15:58
Speaker 1: because she started crying. She's like, oh, You're gonna die.
1:16:00
Speaker 1: Like so I was like, if I told anybody else
1:16:03
Speaker 1: post to me. She says, she does, ump. You got
1:16:07
Speaker 1: breast She got a lot breast cancer. She doesn't know
1:16:11
Speaker 1: what it is. But you don't know what it is.
1:16:12
Speaker 1: But I think the damn doctor doctor. I made two appointments,
1:16:19
Speaker 1: and that's why I told him. I was like, Hey,
1:16:20
Speaker 1: could you come me for the one where she's gonna
1:16:22
Speaker 1: get trade someone to go to the doctor. Yeah, just
1:16:25
Speaker 1: go hand to your business and worry about yourself. Okay,
1:16:27
Speaker 1: if you don't hang up on this dumb ass girl. Hey,
1:16:29
Speaker 1: oh my god, good like you, man, I would have
1:16:34
Speaker 1: that you don't have. And you we haven't trying to
1:16:36
Speaker 1: have patience with these people. And then you're talking to
1:16:39
Speaker 1: them and as soon as you call it, stupid, you
1:16:41
Speaker 1: the bad guy. That was the dumbest thing I ever
1:16:43
Speaker 1: heard of, Charloman and hit up ye and asked them
1:16:47
Speaker 1: to go with you. I'm not coming with you, Charlomagne. Busy.
1:16:49
Speaker 1: I got two daughters, I work hard, I got a
1:16:52
Speaker 1: lot of other things that I got to deal with
1:16:54
Speaker 1: you with your little entitled ass Shaloman daddy, Okay, crazy,
1:16:58
Speaker 1: all right, we got more coming up next. The Breakfast Club,
1:17:01
Speaker 1: The Breakfast Club Morning, Everybody's DJ Envy Angela Yee, Charlemagne,
1:17:09
Speaker 1: the guy we are the Breakfast Club as c n E. Hello,
1:17:12
Speaker 1: who's this? Hey? This is an Annie? Was he? I
1:17:17
Speaker 1: love Orlando. My aunt lives in Orlando. What's your question
1:17:20
Speaker 1: for city? All right? So I'm calling it because I've
1:17:23
Speaker 1: been with my boyfriend for twelve years and we're not married.
1:17:27
Speaker 1: I'm really frustrated. I'm a professional, a go getter, I'm beautiful,
1:17:33
Speaker 1: and I just don't understand why I can't get him
1:17:36
Speaker 1: to seriously think about and consider marriage as as possible.
1:17:41
Speaker 1: Let me, let me, let me handle this question. Let
1:17:44
Speaker 1: me handle this one. Any kids. Mommy got kids. I
1:17:48
Speaker 1: have children. He does not. All right, let me handle
1:17:50
Speaker 1: this one. I've been with my wife. I was with
1:17:53
Speaker 1: my wife since nineteen ninety eight. I proposed to her
1:17:56
Speaker 1: in two thousand and thirteen, so you do the math
1:18:00
Speaker 1: from nineteen ninety years a long term two thousand and three,
1:18:03
Speaker 1: all right, so you know, it just takes us a
1:18:05
Speaker 1: little bit of time. Plus you already got two kids,
1:18:08
Speaker 1: so you know what I'm saying. He may not want
1:18:09
Speaker 1: to take on all that baggage, all right, But but
1:18:13
Speaker 1: y'all been together twelve years, so I'm clear. I'm sure
1:18:16
Speaker 1: he loves those kids like there his own. So just
1:18:18
Speaker 1: get just give them some time. Bo, do you live
1:18:21
Speaker 1: with them? We live together? Yes, y'all live together. Has
1:18:25
Speaker 1: he been saving? Maybe he's shaving for the perfect ring
1:18:27
Speaker 1: and the perfect wedding. Is that possible. Listen, listen at
1:18:31
Speaker 1: this point, I don't even care about any of that.
1:18:33
Speaker 1: I really don't like you want to get married. You
1:18:36
Speaker 1: want to get married, I do. I do. Saddling, Jello
1:18:40
Speaker 1: starting to saddle, Stop it, Jello starting to sad. I
1:18:43
Speaker 1: have the conversation yet, We've been having a conversation for
1:18:46
Speaker 1: a long time, and for me, I just want to
1:18:48
Speaker 1: make sure that he is a solid you know. I
1:18:51
Speaker 1: want to make sure he's sure. I don't want to
1:18:52
Speaker 1: play any games. M O. Y'all been together twelve years.
1:18:55
Speaker 1: If you're not gonna marry you by now, if you
1:18:57
Speaker 1: don't know about now, you ain't the one listening. How
1:18:59
Speaker 1: old are the kids? My all this, it's sixteen. Have
1:19:04
Speaker 1: the sixteen year old? No, who's the youngest. What's the
1:19:06
Speaker 1: youngest one? The youngest one is twelve. I have the
1:19:09
Speaker 1: youngest one. Say when you're gonna marry my mama? Straight
1:19:12
Speaker 1: like that. I'm telling you tell her today to walk
1:19:15
Speaker 1: up on daddy and say when you're gonna marry my mama,
1:19:17
Speaker 1: when you're gonna make an honest woman out of my mama?
1:19:19
Speaker 1: Stop her staying like Cardi bars in that picture and
1:19:22
Speaker 1: put her hand on her hid and say my mama said,
1:19:24
Speaker 1: you ain't gonna make an honest woman out of her?
1:19:25
Speaker 1: All right, okay, I yes, the point where I feel
1:19:29
Speaker 1: like it's either now or never. I feel like I'm
1:19:32
Speaker 1: at the point where I want to move on, Like
1:19:35
Speaker 1: how old are you? No, I feel the same way.
1:19:38
Speaker 1: I feel the same way. Let's move on from this phone, car,
1:19:39
Speaker 1: I already told you what you do, all right, I
1:19:42
Speaker 1: hold the box from hold the box for a little bit.
1:19:44
Speaker 1: Don't let him get ne of that box until he stay,
1:19:46
Speaker 1: story starts thinking right, all right? Thanks? Oh sorry, hello,
1:19:50
Speaker 1: who's this? Hey? Jasmine asked me this morning. Good morning, Jasmine. Um,
1:19:55
Speaker 1: I was asking because I've been a single for two
1:19:58
Speaker 1: years and I'm just being back in the day and see,
1:20:00
Speaker 1: and I've been kind of uncomfortable with dating now because
1:20:03
Speaker 1: I don't really know how anymore. So I want to know,
1:20:05
Speaker 1: like what should I do? Like, what do you mean
1:20:07
Speaker 1: you don't know how to date? All? You gotta do
1:20:08
Speaker 1: a show up? Both. Yeah, it's about that easy, because
1:20:11
Speaker 1: I'll be it's like little things that turns me off
1:20:13
Speaker 1: about a guy, like what like I don't know, it'll
1:20:16
Speaker 1: be something that he says or doub or it's just
1:20:18
Speaker 1: I don't know, it'll be something, Patty, but I need
1:20:20
Speaker 1: to get past on safe. Have you been having sex
1:20:23
Speaker 1: over the past couple of years. Yeah, okay, then so
1:20:26
Speaker 1: if you can have sex, you can date. How you
1:20:28
Speaker 1: been letting these guys get the box? You've just been
1:20:30
Speaker 1: giving it to him here, We've been going on dates.
1:20:33
Speaker 1: But I'm just saying that, sorry, they want to move
1:20:34
Speaker 1: to the next level. But I'm not really like ready, Like,
1:20:37
Speaker 1: how do I How old are you? I'm twenty seven? Oh,
1:20:40
Speaker 1: twenty seven? Okay, so you're just playing the field. You
1:20:42
Speaker 1: just have a little fun right now. Yeah, every month,
1:20:44
Speaker 1: you got three more years to be a hole, so
1:20:46
Speaker 1: you know, call us back in three years. I'm saying,
1:20:48
Speaker 1: you got three more years. You got three more years
1:20:50
Speaker 1: to go through your whole phase. After thirty you kind
1:20:52
Speaker 1: of can't hold like you want to, Okay, So I
1:20:54
Speaker 1: just wait on making them, you know, want to go
1:20:57
Speaker 1: to the next level or should just enjoy yourself absolutely
1:21:02
Speaker 1: and if all else feels, If all else feels, just
1:21:04
Speaker 1: remember Laura being crossed. Stop. But if enjoy yourself. But
1:21:07
Speaker 1: I'm sure if that special certabody comes you feel it.
1:21:10
Speaker 1: Didn't know what that feels like okay, all right, good luck,
1:21:13
Speaker 1: all right, thank you, you're welcome. Mama, Todhi, good morning.
1:21:17
Speaker 1: It's as ce mama. Yes, I was asking and learning
1:21:20
Speaker 1: about pre marital sex. How do you guys feel about
1:21:23
Speaker 1: not getting that before marriage? Oh? I mean I had
1:21:27
Speaker 1: sex with my wife before we got married, and I'm
1:21:28
Speaker 1: Charlottagne definitely has sex with his wife. I think you
1:21:31
Speaker 1: need to test it out. I mean, I think you
1:21:33
Speaker 1: need to make sure that you know that you guys
1:21:35
Speaker 1: are compatibly sexually, because you might get into a situation
1:21:37
Speaker 1: where you hate it. You know, he might not know
1:21:39
Speaker 1: where he's putting this penis, he might put it in
1:21:41
Speaker 1: your You just don't like it. And I'm gonna be
1:21:43
Speaker 1: honest with you. Pre marital sex is something that the
1:21:46
Speaker 1: white man created to make the divorce rates in Black
1:21:49
Speaker 1: communities go up, because we end up marrying people who
1:21:52
Speaker 1: box was trash and we didn't realize it was trash.
1:21:54
Speaker 1: And you marry a man whose penis was trash and
1:21:56
Speaker 1: you didn't know it was trash because you was waiting,
1:21:58
Speaker 1: and now you're married and you got this whole big commitment,
1:22:00
Speaker 1: so now you got a divorce them because the sex trash.
1:22:02
Speaker 1: You know what I mean? Yeah, man, yeah, man. So
1:22:05
Speaker 1: I have a blessed dead good luck. Thanks? Don't we
1:22:08
Speaker 1: answered your question? Hello? Who's this? Patrice Jackson? Hey Patrice?
1:22:11
Speaker 1: What you're calling for? Mama? I just calling to which
1:22:14
Speaker 1: my husband John Jackson. A happy tenth year anniversary, John Jackson.
1:22:19
Speaker 1: That's fabulous John Jackson from Paul Spring Sporter. Oh, so
1:22:23
Speaker 1: what y'all doing of marriage? What are y'all doing? In
1:22:26
Speaker 1: a man? Laura Bencroft? But I'm not gonna work, so
1:22:29
Speaker 1: I wort um twelve hours ships today, so we will
1:22:32
Speaker 1: have to do something this weekend. Where does he work at?
1:22:35
Speaker 1: He works at Public distributor Center. You should take us
1:22:39
Speaker 1: take a long lunch break. You should drive over the
1:22:40
Speaker 1: public distribution center, take him in the bathroom and give
1:22:44
Speaker 1: him a fallacio of no kind and then pat him
1:22:47
Speaker 1: on his ass and go back to work for a
1:22:49
Speaker 1: fatal kind o religious to your radio station. I know
1:22:53
Speaker 1: he's wrecking up now him because I know he's listening.
1:22:57
Speaker 1: He's gonna say you need to do what Charlemagne and
1:23:00
Speaker 1: DJ ever, you should do it. It's your anniversary. Surprised
1:23:03
Speaker 1: and pop about his job. Push him in the bathroom,
1:23:06
Speaker 1: give him some great filatio, smack him on his ass
1:23:08
Speaker 1: and they have a great day. Let me give you
1:23:10
Speaker 1: one more tip. Take note, let me give you one
1:23:12
Speaker 1: more tip. When he was off in that bathroom, I
1:23:14
Speaker 1: want you to look him dead in his eyes and say,
1:23:16
Speaker 1: Laura being crossed, Oh my God, good time wanting anybody.
1:23:21
Speaker 1: It's dj M v Angela yee, Charlomagne, the guy. We
1:23:24
Speaker 1: are the breakfast club. It's time for slander the breakfast club.
1:23:27
Speaker 1: A right, this is where we opened up the phone
1:23:28
Speaker 1: lines eight hundred five eight five one O five one
1:23:31
Speaker 1: and let you slam the US. Slammer me slander, Ye, slander, Charlomagne.
1:23:35
Speaker 1: Let's go to the phone lines. Hello, who's this? Hey?
1:23:39
Speaker 1: So who you want to sland the bro I'm gonna
1:23:41
Speaker 1: slam the Andrews ye and her hate towards Phil Cosy
1:23:44
Speaker 1: what okay? All right? Well this is my deal. I
1:23:47
Speaker 1: do think angel Gig got a little hate towards Bill
1:23:50
Speaker 1: Cosby because she won't raised by black daddy, and she
1:23:53
Speaker 1: don't understand the struggle of the black men. Go through
1:23:56
Speaker 1: some of that hate is I mean about hell? What
1:24:00
Speaker 1: what do you this is so ridiculous? Go ahead? Continue
1:24:03
Speaker 1: what she goes. She goes hard against the black man
1:24:07
Speaker 1: because she don't have a grounded relationship with what man.
1:24:13
Speaker 1: She find that first Asian man who give her a
1:24:15
Speaker 1: little up, She's gonna get married. I just said part
1:24:19
Speaker 1: women who have been assaulted. That's all. You could have
1:24:22
Speaker 1: kept Billy out of this better point if you having
1:24:25
Speaker 1: to say Bill Cosby goodbye, Manby, just kept Bill Cosby
1:24:34
Speaker 1: out of you. Hello, who's this Ruby? Ruby? Who you
1:24:37
Speaker 1: want to sland this morning? Um? I kind of want
1:24:39
Speaker 1: to sland the Solomagne, But then again I want to
1:24:42
Speaker 1: kind of um hall out. I'm right here. You could
1:24:49
Speaker 1: do both, but I want to stand in him because
1:24:51
Speaker 1: he says, you know everything, like give people a chance
1:24:53
Speaker 1: to talk when you think, when you know that right,
1:24:56
Speaker 1: just be right. It's kind of like going right and
1:24:59
Speaker 1: don't say but On the other he thrum two things
1:25:09
Speaker 1: to be true. It's mama what you like about me? Though?
1:25:14
Speaker 1: He sound like she want you to be her girlfriend too. Goodbye.
1:25:19
Speaker 1: Don't be hanging up for people when they're telling me
1:25:21
Speaker 1: I'm sexy for real? Hello, Okay for real? Ruben? You
1:25:25
Speaker 1: know who you want to slam? The bro you're bollhead behind.
1:25:29
Speaker 1: I'm Charlomagne and Envy, which would Charlomagne, How are you, sir?
1:25:34
Speaker 1: Good morning? What's going on? I'm talking about I'm you know,
1:25:36
Speaker 1: I was slandering your punk behind because you told my
1:25:39
Speaker 1: daughters a thought when you get that eight book interview
1:25:42
Speaker 1: when nobody really knows the old story and he already
1:25:44
Speaker 1: knew what it was. But yeah, when he first started,
1:25:49
Speaker 1: I first had him up on the Breakfast club who
1:25:51
Speaker 1: is your doing? And once I think, but what what
1:25:54
Speaker 1: do you say about? What? What do you allegedly say
1:25:55
Speaker 1: about your daughter? He called my daughter thought? Who is
1:25:58
Speaker 1: your doing that? I don't know your sir, ex girl,
1:26:01
Speaker 1: the one that he made his first album over that
1:26:04
Speaker 1: you asked him about, Oh did you did his music
1:26:07
Speaker 1: portray her as a thought? No? Is your question that
1:26:09
Speaker 1: you portrayed her as a thought? Excuse my life? What
1:26:13
Speaker 1: was the exact question, sir? You asked him what was
1:26:15
Speaker 1: she had thought or anything? And both of y'all just
1:26:17
Speaker 1: laughed about the situation, like, my daughter some type of
1:26:19
Speaker 1: thought out there, and she's not, Well, that's that's that's
1:26:22
Speaker 1: that's why, that's why you that's why you asked the question.
1:26:25
Speaker 1: The question is what she had thought of? Somebody that
1:26:27
Speaker 1: you actually liked. Actually the boy's still in love with her,
1:26:29
Speaker 1: and the boy is still hearting up. But you shouldn't
1:26:31
Speaker 1: be talking about nobody's daughter when they do. A lot
1:26:33
Speaker 1: of daughters out here got fathers. Sir. I don't know
1:26:35
Speaker 1: what to tell you. I asked the question. I know
1:26:37
Speaker 1: you don't, but don't worry about it. You'd be good.
1:26:40
Speaker 1: You want to fight, sir, don't comment. Okay, all right,
1:26:45
Speaker 1: he did say something that you're doing it as a
1:26:47
Speaker 1: fall out here. Yeah. But if I'm asking a question,
1:26:50
Speaker 1: if I say that a boogie, was that somebody you
1:26:52
Speaker 1: loved or what she had thought to you, let's go
1:26:54
Speaker 1: to the woman. You don't know answer that question. I
1:26:56
Speaker 1: don't even remember the question me neither. I'm pretty sure
1:27:00
Speaker 1: that's what the question was about. Who's this? Yo? What up?
1:27:03
Speaker 1: It's back to who you want to sland the man? Yo?
1:27:05
Speaker 1: You hevery v That's what I want to spland the man.
1:27:07
Speaker 1: You're my man, fitny grand You know what I'm saying.
1:27:09
Speaker 1: Remember you back in the day when you do your
1:27:11
Speaker 1: start DJ man, but damn gonna do DJ B I'm
1:27:14
Speaker 1: side of here. The same music on the damn sun Man.
1:27:17
Speaker 1: You got Smiff and Wasshon head with a record that's
1:27:19
Speaker 1: fire and I ain't hear Noboddy playing it. What record
1:27:22
Speaker 1: you want to head go? I wanted that Smith and Weston,
1:27:25
Speaker 1: let it go. Let's go man, Smiff and Weston, Smiff
1:27:28
Speaker 1: and Weston Man boot camp click. You know what I'm saying.
1:27:31
Speaker 1: We're gonna do it for all the guys that were
1:27:33
Speaker 1: denim jeans short with Timberland's in the summer here in
1:27:36
Speaker 1: New York. You feel me? Yeah, Yo, the one that
1:27:39
Speaker 1: still walk around with the razor blades under their tongue.
1:27:43
Speaker 1: You know what I'm saying. All Right, I got you.
1:27:47
Speaker 1: That's what I needed. Son, Yo, we got you. We
1:27:50
Speaker 1: got you, son. Don't even worry about it. You know
1:27:52
Speaker 1: what I'm saying. I called my brother's son because he
1:27:53
Speaker 1: shined like one. What hi standing? The Breakfast Club eight
1:27:57
Speaker 1: hundred and five day five, one on five one, keep
1:27:59
Speaker 1: it like we have more all coming up next. It's
1:28:00
Speaker 1: the Breakfast Club. Patti is DJ Envy Angela yee. Charlomagne
1:28:05
Speaker 1: the guy. We are the Breakfast Club now, Charlomagne. Leave
1:28:08
Speaker 1: us on a positive note, listen, man. The positive note
1:28:10
Speaker 1: of the day is simply this The secret of being
1:28:12
Speaker 1: happy is accepting where you are in life and making
1:28:15
Speaker 1: the most out of every day. Breakfast club you're all
1:28:19
Speaker 1: finish for y'all dumb