Latest / The Breakfast Club / Classic: "Shoot Your Shot" and Sevyn Streeter/ Corey Holcomb Interview

Transcript

Classic: "Shoot Your Shot" and Sevyn Streeter/ Corey Holcomb Interview · The Breakfast Club

• 0:01
  Speaker 1: This is your wake up call, wake up Breakfast Club
• 0:05
  Speaker 1: to show you love to hate from the East to
• 0:07
  Speaker 1: the West Coat dj En Charlomagne, the really show on
• 0:11
  Speaker 1: the planet. This is where I respect this show because
• 0:14
  Speaker 1: this is a voice of society. James in the game.
• 0:16
  Speaker 1: Guys are the coveted morning show. What y'all earning? Exacting
• 0:20
  Speaker 1: the coach up in the morning and stay. Want to
• 0:23
  Speaker 1: hear that Breakfast the world's most dangerous morning show. Wake up,
• 0:31
  Speaker 1: wake up, wake y'all, as this is you're time to
• 0:34
  Speaker 1: get it off your chest, your man or blessed. We
• 0:38
  Speaker 1: want to hear from you on the breakfast block. Hello,
• 0:40
  Speaker 1: who's this? Hello? What's up? Brokeing it off your chest?
• 0:43
  Speaker 1: All right? What up? Envy? What up? Envy? Well you
• 0:47
  Speaker 1: said what up? In twice? Where are you, sir? I'm good,
• 0:52
  Speaker 1: shout man. Listen, I'm blessed and I'm not blessed. I'm both. Listen.
• 0:57
  Speaker 1: My thing is, I'm getting to it and I'm not
• 1:00
  Speaker 1: letting nothing stop me. Right yet, some like I'm talking
• 1:04
  Speaker 1: to these little kids and I'm trying to teach them
• 1:07
  Speaker 1: about gun violence and stopping the violence. You know, I
• 1:10
  Speaker 1: got shot. I'm in a wheelchair, but I can't be
• 1:14
  Speaker 1: active because my wheelchair is broke. You feel me? So
• 1:18
  Speaker 1: I need to help me. He can't move around all right?
• 1:23
  Speaker 1: My my leg on my wheelchair is messed up? Do
• 1:27
  Speaker 1: you feel me? So? I can't really move the way
• 1:29
  Speaker 1: I need. Why you got legs on your wheelchas had wheels? No,
• 1:32
  Speaker 1: got to hold this leg up. I'm trying to be
• 1:34
  Speaker 1: funny ver. I don't know what the leg this leg up? Man? Yeah?
• 1:41
  Speaker 1: I need help. I need a leg kid? Help me,
• 1:45
  Speaker 1: please don't. I don't know what you're talking about. What
• 1:47
  Speaker 1: is a leg on a wheelchair? I'm that serious? You
• 1:49
  Speaker 1: mean this that you? How much is that? Bro? How
• 1:52
  Speaker 1: much is that leg piece? Bro? I don't know. I
• 1:55
  Speaker 1: need a new chair. Oh, you need a new chair.
• 1:57
  Speaker 1: He needs a chair because the leg chair can't Once
• 2:02
  Speaker 1: I get a new chair, I swear to God, I'm
• 2:03
  Speaker 1: gonna be everywhere, like everywhere. I'm not gonna stop him
• 2:06
  Speaker 1: to My name is on school. I hate to be
• 2:09
  Speaker 1: this guy. But how can we prove that you're in
• 2:10
  Speaker 1: a wheelchair? Sir? What you want me to send you
• 2:13
  Speaker 1: pictures of man in a wheelchair? A lot of dudes
• 2:15
  Speaker 1: out here doing a lot of strange things for some change.
• 2:18
  Speaker 1: I'm gonna be host with you. You know, any go
• 2:20
  Speaker 1: fund means I got regular people like sending me go
• 2:22
  Speaker 1: fund me. I'm like, look, Envy, I ain't him the
• 2:25
  Speaker 1: guy that seen you outside of the station at night
• 2:29
  Speaker 1: in a chair. O can't even call. I gave you
• 2:32
  Speaker 1: the flash drop in a wheelchair. Do you remember that, Envy?
• 2:35
  Speaker 1: I don't remember that. When was that? Was it recently?
• 2:37
  Speaker 1: It was like last year in the summertime. I gave
• 2:40
  Speaker 1: you a flash draw last summer I was in a wheelchair.
• 2:43
  Speaker 1: I'm not gonna lie. I run into a lot of
• 2:44
  Speaker 1: people with wheelchairs that raped by anything. I don't need
• 2:48
  Speaker 1: to think about you that I will remember. I was
• 2:50
  Speaker 1: by myself and I had my homeboy. He was well.
• 2:53
  Speaker 1: He was drowning yourself. We're gonna put you on We're
• 2:57
  Speaker 1: gonna put you on hold, and we're gonna talk to you.
• 2:59
  Speaker 1: Many happened them. You have an Instagram page or something.
• 3:02
  Speaker 1: My name on Instagram is Big Underscore Homie eight one
• 3:07
  Speaker 1: as B eight one as B. We're gonna roll at
• 3:10
  Speaker 1: this moment, but we're gonna put you on hold. Why
• 3:13
  Speaker 1: he's never talking to that? Have a good morning. Hold
• 3:19
  Speaker 1: on hold, on. He's stupid. Well, I gotta roll for goodness. Hello,
• 3:24
  Speaker 1: we didn't want you to hang up. He hung up, man,
• 3:25
  Speaker 1: I told him, hold on. I don't know if this
• 3:28
  Speaker 1: is him. Post called back. Bro, We're gonnaee if you
• 3:32
  Speaker 1: get help and there's nothing in a wheelchair on him.
• 3:34
  Speaker 1: Oh god, you never know. I'm telling people doing some
• 3:36
  Speaker 1: screen things with some change nowadays. Bro, my goodness, get
• 3:39
  Speaker 1: it off your chest. Eight hundred five eight five one
• 3:42
  Speaker 1: on five one to breakfast club. Good morning the breakfast club.
• 3:48
  Speaker 1: Pick up the mother mother phone and don this is
• 3:51
  Speaker 1: your time to get it off your chat nother. You're man.
• 3:55
  Speaker 1: We want to hear from you on the Breakfast Club.
• 3:57
  Speaker 1: But he better have the same energy. Hello is this Kira?
• 4:01
  Speaker 1: Hey Kira. I am blessed because, first of all, I
• 4:05
  Speaker 1: loved your show case crews helping me in my husband
• 4:08
  Speaker 1: a lot a love lest service. Thank you. Let's services
• 4:12
  Speaker 1: also off the chain. I will be graduating on Base
• 4:15
  Speaker 1: twenty fifth. I'm a certified surgical technologist, so good glass,
• 4:20
  Speaker 1: what does that mean? Past few years? But we all
• 4:23
  Speaker 1: have jobs in our fields looking before we graduate. I'm
• 4:26
  Speaker 1: also a little upset because I graduated with three point
• 4:29
  Speaker 1: four seven and I needed a three point five to
• 4:32
  Speaker 1: get honored. Any Yeah, what what kind of surgeon are you?
• 4:39
  Speaker 1: What are you going to do? Like? What did that mean?
• 4:40
  Speaker 1: What kind of doctor is that? I'm a surgical technologist,
• 4:43
  Speaker 1: so I work in the operating world. I passed instrument
• 4:46
  Speaker 1: to the surgeon and I set up the sero fields
• 4:49
  Speaker 1: and maintain the sorough field, maintain the blue accounts, different
• 4:52
  Speaker 1: things like that, oh got you got you keep yes. Basically,
• 4:57
  Speaker 1: I make sure that you don't get anything left in
• 4:59
  Speaker 1: your body and like a junior mental good exactly or
• 5:03
  Speaker 1: more instrument than congratulations. Thank you guys. I love you,
• 5:09
  Speaker 1: by the way, we love you your congratulations. Hello. Who's
• 5:14
  Speaker 1: this Gloria? I'm calling from Hampton. Hey, Gloria from the
• 5:17
  Speaker 1: seven five to seven eight h four. What's up? Mama?
• 5:20
  Speaker 1: You mad this morning? Yeah? I need to call my
• 5:24
  Speaker 1: son's father around a kid. He's eleven years old. He
• 5:28
  Speaker 1: hasn't seen this man since he was two years old.
• 5:31
  Speaker 1: And I've been sending the messages on Facebook. Yeah Facebook,
• 5:36
  Speaker 1: Yeah it is not even no no, no, Well you
• 5:39
  Speaker 1: know in nine years you show he's alive. Yeah, he's
• 5:45
  Speaker 1: posting some things on Facebook. I know you're alive. You're
• 5:48
  Speaker 1: posting on Facebook. I know you ain't Dad Craig. Can
• 5:52
  Speaker 1: I say his name? Yeah? What's his name? His name
• 5:55
  Speaker 1: is Philip Evolved. He's in the Mason he is um.
• 5:59
  Speaker 1: I think he lived from South Carolina. Now, I mean
• 6:01
  Speaker 1: I have had the same cell phone number. We live
• 6:04
  Speaker 1: in the same house for I mean all these this
• 6:07
  Speaker 1: kid blight, so it ain't like he'll know where we live,
• 6:10
  Speaker 1: you know, damn? Sorry for now? Yeah? Hello, who's this yo? Yo?
• 6:14
  Speaker 1: Was popping with popping? You bless? Why you mad? Noah? Man? Man,
• 6:18
  Speaker 1: I got baby mama problems right now? Man going down? Man,
• 6:21
  Speaker 1: I think your baby mom just called now she can't
• 6:24
  Speaker 1: called it skaan woke, but he mad as hell though,
• 6:26
  Speaker 1: like you, I think I might end up on Roth Star.
• 6:28
  Speaker 1: I have faked a fight. I fight with my baby
• 6:32
  Speaker 1: mom with somebody else. One of my actors got got
• 6:34
  Speaker 1: kind of crazy on me and she wanted to fight
• 6:36
  Speaker 1: my baby mom. Star hooked her up to fight my
• 6:38
  Speaker 1: home girl who looked like her. And now somebody hopped
• 6:41
  Speaker 1: out a video tape to fight and they was yelling
• 6:43
  Speaker 1: at roth Star. And he don't try to clean it
• 6:45
  Speaker 1: up now, girl, no, no, he said, it was two
• 6:49
  Speaker 1: girls fighting. Were you going to jail for being the
• 6:51
  Speaker 1: dun king of a two girl fight? Nah? Why would
• 6:56
  Speaker 1: you do something like that because I'm trying to figure
• 6:58
  Speaker 1: out like I was trying to I was trying to
• 7:00
  Speaker 1: keep my baby mama out of it and keep the
• 7:02
  Speaker 1: eggs away from the baby mom. Yeah, it doesn't sound right, man,
• 7:09
  Speaker 1: so crazy off and I told her that my baby
• 7:11
  Speaker 1: mama was moving back in. So she wants to fight
• 7:13
  Speaker 1: the baby mom now because it is all your fault. Yeah,
• 7:16
  Speaker 1: it definitely does. Get it off your chest. Eight hundred
• 7:18
  Speaker 1: five eight five one o five one. If you're upset,
• 7:20
  Speaker 1: you need to vent hit this up now. Was the
• 7:22
  Speaker 1: Breakfast Club? Good morning? Everybody is DJ Enviy Angela Yee,
• 7:27
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We got
• 7:29
  Speaker 1: a special guest in the building. Good morning, welcome back.
• 7:35
  Speaker 1: I'm miss y'all. How are you boo? I am so good. Miss.
• 7:39
  Speaker 1: I can't believe this is your first album because it
• 7:41
  Speaker 1: feels like you didn't had your first My first album,
• 7:44
  Speaker 1: like real life, my first album. No man, EPs, I've
• 7:49
  Speaker 1: got two EPs. I've toured off from my EPs. Gonf
• 7:52
  Speaker 1: I've gone on like three tours off of my EPs. Wow,
• 7:55
  Speaker 1: well congratulate, I mean, listens, it worked. So why Atlantic
• 7:59
  Speaker 1: just decide and now saying, hey, you know what Seven
• 8:01
  Speaker 1: put the album out. You know what, it wasn't Atlantic,
• 8:03
  Speaker 1: It was me. Okay, um, you know, I just I
• 8:05
  Speaker 1: didn't feel like my album was completed. Chet. It was
• 8:08
  Speaker 1: very very very important for me to like, you know,
• 8:10
  Speaker 1: tell all of my truth on this album. It was
• 8:12
  Speaker 1: very important. Well, you started off really just talking about
• 8:15
  Speaker 1: things that you were going through. You said you decided
• 8:17
  Speaker 1: you wanted to call the album girl Disrupted. Yes, but
• 8:20
  Speaker 1: then you said your life really got disrupted? What happened?
• 8:22
  Speaker 1: Kah got disrupted? Um? Okay, I'm sorry, I'm sorry. You
• 8:29
  Speaker 1: know what the thing is, it wasn't necessarily um a man.
• 8:34
  Speaker 1: You know, like I say all the time, man, um,
• 8:36
  Speaker 1: I write a lot about you know, love and when
• 8:39
  Speaker 1: I go through a love and relationship and all of that.
• 8:41
  Speaker 1: But um, I just went through a lot over like
• 8:44
  Speaker 1: the last year and a half of my my life.
• 8:46
  Speaker 1: You know, I silently suffer with depression for like a
• 8:50
  Speaker 1: solid year and a half and didn't tell anybody my
• 8:52
  Speaker 1: mother what happened. So it's a lot of different things
• 8:55
  Speaker 1: in my life that changed, you know. Um, For one,
• 8:57
  Speaker 1: I lost my grandfather. That was extreme heart and we
• 9:00
  Speaker 1: lost them in a week. So that was really really hard. No,
• 9:03
  Speaker 1: thank you, we lost my grandfather in a week. Um.
• 9:07
  Speaker 1: You know, I haven't really told a lot of people,
• 9:09
  Speaker 1: but I found out that, um, you know, my sister
• 9:11
  Speaker 1: that has been my sister all my life for thirty years,
• 9:14
  Speaker 1: found out last Christmas that we have different fathers and
• 9:17
  Speaker 1: that the entire time her mother knew the truth, but
• 9:19
  Speaker 1: none of us knew. So that was really tough to
• 9:22
  Speaker 1: deal with. UM, you know, then dealing with you know,
• 9:25
  Speaker 1: it's still my sister and I still love her, but
• 9:28
  Speaker 1: it was really really tough to deal and it's still
• 9:29
  Speaker 1: really tough to deal with. Um. You know, obviously I
• 9:32
  Speaker 1: was in a very public relationship and so um, you know,
• 9:35
  Speaker 1: just kind of getting over that because I feel like,
• 9:37
  Speaker 1: at the same time, I still lost a friend that
• 9:38
  Speaker 1: was still a friend to me, Bob, that was still
• 9:41
  Speaker 1: my friend. It's not even that I'm just saying like
• 9:48
  Speaker 1: in terms of so it was just a lot of
• 9:50
  Speaker 1: different things. And I'm a cancer, i am. And then
• 9:54
  Speaker 1: on top of that, you know, I pour my everything
• 9:56
  Speaker 1: into my music, my career and anytime you you're working
• 10:01
  Speaker 1: one hundred and twenty percent and you just feel like
• 10:03
  Speaker 1: it's not in a place where you wanted to be. Um,
• 10:06
  Speaker 1: it just takes a toll on you. There were so
• 10:08
  Speaker 1: many different things that, um, you know, that really just
• 10:11
  Speaker 1: got got to me. And you know a couple of
• 10:13
  Speaker 1: people in my life that you know, I needed to um,
• 10:16
  Speaker 1: you know, kind of God separate ways from And that
• 10:19
  Speaker 1: was really tough too. So all of people reach out
• 10:21
  Speaker 1: to me saying that they represent you now as management. Yeah,
• 10:24
  Speaker 1: I was like, I've never known seven to have any
• 10:26
  Speaker 1: other managers other than Tina Davis, Yeah, and Brittany, So
• 10:30
  Speaker 1: that had to be tough for you. Yeah, that that
• 10:32
  Speaker 1: was really really tough. I mean, I definitely I love them.
• 10:34
  Speaker 1: I always loved them. For people who don't know who
• 10:36
  Speaker 1: Tina Davis is, she used to work at death Cham.
• 10:38
  Speaker 1: She found Chris Brown, Brown was sleeping with I don't
• 10:44
  Speaker 1: know anything about that, but she found Chris Brown and
• 10:46
  Speaker 1: was managing seven Street. So you got to a point
• 10:48
  Speaker 1: where you wanted to kill yourself. Yeah, it was a Yeah,
• 10:51
  Speaker 1: it was a lot I dealt with a whole whole
• 10:53
  Speaker 1: lot um and it was it was just a combination
• 10:56
  Speaker 1: of so many things, and um, you know through I
• 11:00
  Speaker 1: have a really great family. My mother is amazing. My
• 11:03
  Speaker 1: mother is a man of My aunt is my past out.
• 11:07
  Speaker 1: He's still married. She was like, I'm having her sister,
• 11:13
  Speaker 1: your mom with a little crap. But you're talking about
• 11:20
  Speaker 1: I have a side booth showing at My dad is
• 11:28
  Speaker 1: a very lucky man. They've been together thirty years. Mama
• 11:31
  Speaker 1: a very lucky man. But no man. But it was
• 11:34
  Speaker 1: just a number of different things, you know what I mean.
• 11:36
  Speaker 1: Like I said, career things, you know, love and type
• 11:40
  Speaker 1: of things. You know that by my sister that was
• 11:42
  Speaker 1: my grandfather. Just so many different things that just it
• 11:46
  Speaker 1: took its toll on me all at once. Did you
• 11:48
  Speaker 1: ever think for a second you was like, damn, like
• 11:51
  Speaker 1: Bill be believes in a flatter If I was giving
• 11:53
  Speaker 1: this man the poom poom? Did that ever bring you
• 11:54
  Speaker 1: down a little bit? Nah? Didn't bring me down for
• 11:57
  Speaker 1: what I mean, you know, those are his beliefs, ain't mine.
• 12:00
  Speaker 1: Did you get a therapy shoot shoes? Sorry? Shoot, I
• 12:05
  Speaker 1: tried it. I did. I tried. I tried it, and
• 12:07
  Speaker 1: I wasn't crazy about it, you know, But that to
• 12:10
  Speaker 1: each his own. It's not for everybody's not for me.
• 12:12
  Speaker 1: What I was you never know is what somebody's going
• 12:14
  Speaker 1: through because you know me, it's seven of friends, and
• 12:16
  Speaker 1: I had no idea. Yeah, like every time you see seven,
• 12:19
  Speaker 1: she's very upbeating. We've had some really fun times and
• 12:22
  Speaker 1: I never would have guessed that you were going through depression.
• 12:25
  Speaker 1: That's time saying you never know. It might look like, Okay,
• 12:29
  Speaker 1: seven came up in we drank with her and got
• 12:30
  Speaker 1: her drunk. Honestly, I have done that before. I definitely have. Um,
• 12:35
  Speaker 1: but I'll come up here. I have a good time
• 12:37
  Speaker 1: with y'all. Keep it light harder, I have a great time.
• 12:39
  Speaker 1: How to get over it? How do you get over everything? Um? Honestly,
• 12:43
  Speaker 1: you know what? Today I feel great good And I
• 12:45
  Speaker 1: mean to say that on the album too. Yeah, you
• 12:47
  Speaker 1: know what I mean. Like today I feel great and um,
• 12:50
  Speaker 1: I'm in a really good space because so many things
• 12:52
  Speaker 1: in my life. I figured out what my triggers were,
• 12:54
  Speaker 1: you know what I mean, And it's very important. I
• 12:56
  Speaker 1: figured out what my triggers were, and um, you know
• 12:59
  Speaker 1: I handled all all of them accordingly and dealt with
• 13:01
  Speaker 1: them and face them. And you know, I have a
• 13:03
  Speaker 1: really great family. Like I said, and they were praying
• 13:05
  Speaker 1: for me even when I didn't want to pray for myself.
• 13:07
  Speaker 1: So you know that always helps. No, that's okay. And
• 13:11
  Speaker 1: then you know, I write, and writing is super duper
• 13:14
  Speaker 1: therapeutic for me, like extremely therapeutic for me. But I
• 13:17
  Speaker 1: look about this album is when I listened to it,
• 13:19
  Speaker 1: I know which I can feel like I know what
• 13:20
  Speaker 1: you're talking about. Yeah, because if you know seven and
• 13:22
  Speaker 1: because she writes, saw her music and write for other people.
• 13:25
  Speaker 1: I'm listening to the music and I'm like, Okay, she's
• 13:27
  Speaker 1: talking about him. He's talking about this to you. Listen,
• 13:30
  Speaker 1: I talk about it all I said. I mean, I
• 13:32
  Speaker 1: would put it on my I G I'm like, look,
• 13:34
  Speaker 1: I'm probably gonna write a song about you at some point,
• 13:36
  Speaker 1: you know, I mean, because I tell all my own
• 13:38
  Speaker 1: business and records, you know what I mean. I just
• 13:39
  Speaker 1: it's it's very therapeutic for me. It works, all right.
• 13:42
  Speaker 1: We got more with Seven Streeted. When we come back.
• 13:44
  Speaker 1: It's the Breakfast Club morning, the Breakfast Club Winding. Everybody
• 13:48
  Speaker 1: is d J Envy, Angela Yee, Charlomagne, the guy we
• 13:51
  Speaker 1: are the breakfast Club. Seventh Streeted is in the building. Charlemagne.
• 13:55
  Speaker 1: Do you deal with colorism in the music industry because
• 13:57
  Speaker 1: we saw it? To Natcher say that you know that
• 14:00
  Speaker 1: we all you know, I always talk about that. Yeah,
• 14:03
  Speaker 1: I've always been very vocal about you know, I can't
• 14:05
  Speaker 1: speak about our experiences. I don't you know, I don't
• 14:07
  Speaker 1: know like that, but my experiences I've been dealing with
• 14:10
  Speaker 1: us since I was fifteen years old, and every and
• 14:12
  Speaker 1: every group that I have, you know, been in. You know,
• 14:16
  Speaker 1: I say it all the time is not coming from
• 14:17
  Speaker 1: a place of arrogance, but honesty when you know that
• 14:20
  Speaker 1: you can write or dance or saying just as well
• 14:22
  Speaker 1: as the next person, but you don't get that opportunity
• 14:25
  Speaker 1: because of you know, them feeling like someone who looks
• 14:27
  Speaker 1: a different type of way can sell you know, can
• 14:30
  Speaker 1: sell a record or sell a group you know better issues. Honestly,
• 14:35
  Speaker 1: I think that you know, the younger you are, the
• 14:37
  Speaker 1: tougher it is to deal with those types of things.
• 14:39
  Speaker 1: And my whole, my whole vibe right now, you just
• 14:42
  Speaker 1: gotta surround yourself with like good positive people. I don't
• 14:46
  Speaker 1: have time for anything else. I just don't you know
• 14:48
  Speaker 1: what I mean. Now, what's the situation with Chris Brown now,
• 14:50
  Speaker 1: because ye are you still like sign I know what
• 14:53
  Speaker 1: was your situation where you were signed to him? Okay,
• 14:56
  Speaker 1: are you still signed to Chris Brown? I believe I am. Honestly,
• 14:58
  Speaker 1: I need to check and see, but I think that
• 15:00
  Speaker 1: I am still signing him. I do, like I mean,
• 15:06
  Speaker 1: I'll be all the way honest and transparent. I love
• 15:08
  Speaker 1: him to death. We haven't worked together in a very
• 15:10
  Speaker 1: long time, you know, and I hate that that's the case.
• 15:13
  Speaker 1: But you know, there are other factors that are out
• 15:15
  Speaker 1: of our control. I don't really think that it necessarily
• 15:18
  Speaker 1: has anything to do with our personal you know, our personalation.
• 15:22
  Speaker 1: I think they're just so many different factors. But you know,
• 15:24
  Speaker 1: I love him. I wish him the best. You know,
• 15:27
  Speaker 1: he looks, he seems happy. He has a beautiful daughter,
• 15:29
  Speaker 1: So I'm happy for him. Nothing about Chris Brown that
• 15:31
  Speaker 1: says executive and I'm not. That's not a dis He
• 15:33
  Speaker 1: just don't seem like he's all the way together to
• 15:35
  Speaker 1: be running other people's career. Um, I will I will
• 15:38
  Speaker 1: say this in terms of my career and his input
• 15:41
  Speaker 1: in my career, He's been very instrumental. Um. You know,
• 15:44
  Speaker 1: like I said, even with it won't stop you know,
• 15:46
  Speaker 1: him getting on that record, him getting on don't kill
• 15:48
  Speaker 1: the fun, Like I sue, I always appreciate that the
• 15:51
  Speaker 1: number one song, Yeah, it was number one song. Like
• 15:53
  Speaker 1: you have artists who do this for years and never
• 15:55
  Speaker 1: get to have a number one record, So I'll always
• 15:57
  Speaker 1: be appreciative. That was Tina Davis that was running his
• 15:59
  Speaker 1: bit inside of those audists at the time, where it
• 16:01
  Speaker 1: wasn't no, that was Chris Yeah, like he was very
• 16:05
  Speaker 1: he was very hands on, like very very hands on,
• 16:07
  Speaker 1: because you know, you got an album up. I mean,
• 16:09
  Speaker 1: I'm I'm sure he does. He posted on the ground.
• 16:12
  Speaker 1: I don't think he has. You know what, Listen, it
• 16:17
  Speaker 1: doesn't matter to me. I'm I'm just really in a
• 16:19
  Speaker 1: good place with my own self. I love my album.
• 16:21
  Speaker 1: My fans are very happy with my album, and that's
• 16:23
  Speaker 1: really all that matters to me. Now, why album time, Like,
• 16:26
  Speaker 1: why was it important for you to put out an
• 16:27
  Speaker 1: album because you put out two EPs already? It was
• 16:29
  Speaker 1: important because, I mean, for one of my fans deserve it,
• 16:32
  Speaker 1: and um too, I've waited my entire life to put
• 16:34
  Speaker 1: out an album. EPs are cool. EPs are fun. I
• 16:37
  Speaker 1: love that lead up to an album, right, They're supposed
• 16:39
  Speaker 1: to lead up to an album. So um, and you
• 16:41
  Speaker 1: just you know, you get to put out more songs,
• 16:43
  Speaker 1: you get to be more creative. Like on this album,
• 16:45
  Speaker 1: I literally got to tell so many different sides of
• 16:49
  Speaker 1: my story. Like I said, I got songs about sex.
• 16:52
  Speaker 1: I got songs about you know, motivating yourself. I have
• 16:55
  Speaker 1: songs about um, you know obviously love and breakups and
• 16:59
  Speaker 1: all that makeups, all that good stuff. So you just
• 17:01
  Speaker 1: get to do lihere y'all a little more freedom. Boy.
• 17:05
  Speaker 1: I am thirty one years old. Um, I told my
• 17:09
  Speaker 1: mama had sex at sixty. Wow, yeah, take it. I mean,
• 17:13
  Speaker 1: like any other mother. She wasn't surprisingly, she wasn't angry
• 17:17
  Speaker 1: because of the way that she found out was through
• 17:19
  Speaker 1: like a hating friend, a girlfriend of mine, and she
• 17:23
  Speaker 1: just so did not appreciate the way that she found out.
• 17:26
  Speaker 1: And she we've always just had a really great relationship,
• 17:29
  Speaker 1: and so we sat down, we talked about it. Um,
• 17:32
  Speaker 1: and you know, unfortunately, the way that it happened for
• 17:35
  Speaker 1: my first time was not, Um, it wasn't that great.
• 17:39
  Speaker 1: It was actually really terrifying for me. Yeah. So nah,
• 17:44
  Speaker 1: it wasn't that. It was just a really uncomfortable situation.
• 17:47
  Speaker 1: Now won't. It's not you know, rape or anything. I
• 17:49
  Speaker 1: want to say. That wasn't that, but it was just
• 17:51
  Speaker 1: very very uncomfortable. Um and I was in a not
• 17:54
  Speaker 1: so great, you know situation. But my mother is has
• 17:57
  Speaker 1: always been very vocal, very transparent, like I never like,
• 18:02
  Speaker 1: you know, hid anything from me. So we've always had
• 18:04
  Speaker 1: the conte I don't think she told him initially. I
• 18:08
  Speaker 1: don't she give you any sex tips. Um. I remember
• 18:12
  Speaker 1: when I was like probably early early twenties. Um, oh,
• 18:15
  Speaker 1: she's gonna kill me, early twenties. But we definitely had
• 18:19
  Speaker 1: a conversation and how she didn't teach me how. No,
• 18:25
  Speaker 1: she didn't teach me how. But um, like I said,
• 18:27
  Speaker 1: she's very like laid all out on the table like
• 18:29
  Speaker 1: when once I became grown, it's like these things are
• 18:33
  Speaker 1: what goes down conversation. Um well, because I was like,
• 18:37
  Speaker 1: oh no, like to those when I was like, yeah,
• 18:41
  Speaker 1: I mean listen, yeah, basically we all been there. We
• 18:45
  Speaker 1: all been there conversation. Of course, I'm not gonna eat
• 18:51
  Speaker 1: the poem poem. I'm not gonna eat that, right, I
• 18:54
  Speaker 1: feel you. Yeah, so your mom, your mom not gonna
• 18:57
  Speaker 1: give you all the tricks till you get married though. Really, Yeah,
• 19:00
  Speaker 1: she's gonna wait till you get married. Open up that
• 19:02
  Speaker 1: water Chester. It is how you keep me for thirty years.
• 19:04
  Speaker 1: I mean, I'm gonna need that. I'm gonna eat all
• 19:05
  Speaker 1: that advice. Mama coming here with her? Fine, so you
• 19:07
  Speaker 1: leave my mama alone moment here? Are getting anybody? Um?
• 19:13
  Speaker 1: It was so stupid. I'm gonna tell my day. Oh
• 19:17
  Speaker 1: you know they watch you in here. Mama. Remember when
• 19:19
  Speaker 1: I was like in my early twenties, you were telling
• 19:21
  Speaker 1: me that sex is a very it's an important part
• 19:24
  Speaker 1: of a relationship. It is you're married. It is different, Mommy.
• 19:30
  Speaker 1: She did not know it was important. Yeah, it was
• 19:37
  Speaker 1: important that it was. You know, it's important to get
• 19:40
  Speaker 1: fla nothing. No, nothing is to foul in the bedroom
• 19:43
  Speaker 1: when you're married. Yeah. So, oh so I told her,
• 19:46
  Speaker 1: I said, you're probably waiting until she gets married to
• 19:47
  Speaker 1: give her all the tricks. Yeah. She won't give me
• 19:50
  Speaker 1: all of me. She won't give me a let me.
• 19:53
  Speaker 1: She kill my daddy for thirty one years now about
• 19:56
  Speaker 1: thirty five, thirty five five, I'm here. Do you like
• 20:01
  Speaker 1: the guys that seven days until they hurt her? Because
• 20:05
  Speaker 1: I think she can choose. Well, you know, it's just
• 20:07
  Speaker 1: they just mess up. When you find out Bill be
• 20:09
  Speaker 1: believed in the flatter, what did you think? I'm an educator?
• 20:13
  Speaker 1: So hey, I just felt like you need to go
• 20:15
  Speaker 1: back to the book. Yeah, because that's not what he
• 20:20
  Speaker 1: Oh my gosh, I just think he's a little missing.
• 20:23
  Speaker 1: When you see Chris Brown do his antics and stuff.
• 20:26
  Speaker 1: Do you ever worry about seven being signed to him?
• 20:29
  Speaker 1: Absolutely not, because Chris and his personal life and the
• 20:34
  Speaker 1: things that he has experienced never affected her. He's always
• 20:39
  Speaker 1: shown her the utmost respect, said always, she's never seen
• 20:44
  Speaker 1: him do anything that she's nothing happened around you or
• 20:47
  Speaker 1: I literally can honestly say I've never seen him do
• 20:50
  Speaker 1: I relationship boys Seven Street albums out right now? Girls, Yeah, mama,
• 21:01
  Speaker 1: we appreciate you coming. Thank you because you gotta hide
• 21:04
  Speaker 1: that sign boom because you had married. There you go.
• 21:13
  Speaker 1: It's sand Street, It's the Breakfast Club, good More. It's
• 21:23
  Speaker 1: time to shoot your shot. To shoot your shot with
• 21:25
  Speaker 1: the Breakfast Club. Want chance, don't mess it up? Mess
• 21:29
  Speaker 1: it up, mess it up, mess it up. We got
• 21:31
  Speaker 1: Manny on the mama. Manny, what's up? Man Hey, what's
• 21:34
  Speaker 1: going on? Guys? What's happening? Brother, how are you feeling
• 21:36
  Speaker 1: the day? I'm hopefully stilling better after this. Now you
• 21:40
  Speaker 1: want to shoot your shot? Who you want to shoot
• 21:41
  Speaker 1: your shot with? Bro? With this girl? Name with Rosa?
• 21:44
  Speaker 1: Tell Us about tell us about Rosa. I'm not at
• 21:47
  Speaker 1: a family party a couple of months ago. I think
• 21:49
  Speaker 1: she was like a friend of one of my cousins
• 21:52
  Speaker 1: or whatever that I don't get to see that often.
• 21:54
  Speaker 1: So things are going good. Got a couple of drinks
• 21:57
  Speaker 1: in us. We're out there on the dance floor, She's crying,
• 22:00
  Speaker 1: and then you know, everything's going good. I get her,
• 22:03
  Speaker 1: I get her her Instagram. I hit her up later on,
• 22:08
  Speaker 1: you know, hit her up in the DMS and got
• 22:10
  Speaker 1: her number. We started text team. It just hasn't progressed
• 22:14
  Speaker 1: from there, you know, I because you don't know how
• 22:16
  Speaker 1: to talk. You paused after every other word. You know
• 22:18
  Speaker 1: what I'm saying. The best thing for you to do
• 22:20
  Speaker 1: is probably text. You're probably a terrible conversational list. Why
• 22:23
  Speaker 1: would you want to progress what you did? You ask
• 22:25
  Speaker 1: her out mass I've tried to get with her a
• 22:27
  Speaker 1: couple of times. Just hasn't worked out. I mean, you
• 22:30
  Speaker 1: sound like you steam, you don't believe in yourself. Why
• 22:34
  Speaker 1: should she believe in your penis jeeves? Yeah, I believe
• 22:37
  Speaker 1: in my penish. Yeah, Manny, we need you to hype
• 22:39
  Speaker 1: it up. Man, you can't be kicking games. Sounded like this.
• 22:41
  Speaker 1: Look in the mirror and say you're the problem. You
• 22:43
  Speaker 1: the reason you can't get No, it seems like you
• 22:45
  Speaker 1: work better with liquor in your system. Though, all right,
• 22:47
  Speaker 1: that I could be a case. I could agree with that.
• 22:49
  Speaker 1: I mean, I what loose a little more? You got
• 22:51
  Speaker 1: some looking at the house now? Yeah, I need you
• 22:54
  Speaker 1: to take a few shots or something right now? Manny,
• 22:56
  Speaker 1: what do you Yeah? And call us back? Manny, what
• 22:58
  Speaker 1: are you gonna say to Rosa? Basically, let's get together.
• 23:01
  Speaker 1: We've been flirting back and forth. Let's just finally drink now.
• 23:08
  Speaker 1: Isnt now you got anything to do today? No, you
• 23:13
  Speaker 1: don't gotta drive nowhere nod go poured three shots of liquor,
• 23:18
  Speaker 1: shoot them right now. Go do it while you on
• 23:20
  Speaker 1: the phone. Go go right now, Hold on, hold on
• 23:23
  Speaker 1: hold that we're gonna get a soul's so easily influence.
• 23:27
  Speaker 1: I want to him take the shots. We got to
• 23:29
  Speaker 1: hear him take the shots. And then we go to
• 23:31
  Speaker 1: the song that might be that might be against a
• 23:33
  Speaker 1: protocol drinking nickel on air. But he's home, I know,
• 23:37
  Speaker 1: but we're not when we get when we get back,
• 23:39
  Speaker 1: let's hello, take a couple of Shotny and it will cool.
• 23:43
  Speaker 1: You poured the liquor. Oh yeah, let me let me
• 23:46
  Speaker 1: how you drink one? Okay, I don't believe him. He
• 23:50
  Speaker 1: was sucking. It's all good, brother, it's all good. We
• 23:55
  Speaker 1: want to come back. Let's play. So let him take
• 23:56
  Speaker 1: the shot. Go Rose it don't move. It's to breakfast club.
• 23:58
  Speaker 1: Good morning. Remember shoot shot. We have Manny on the line. Now,
• 24:02
  Speaker 1: Manny's gonna call Rosa gat Mannie. Hello, Hey, you don't
• 24:14
  Speaker 1: say how are you? It's Mannie O. Hi, Manny, how
• 24:18
  Speaker 1: are you? You? Rember me from the from the party
• 24:21
  Speaker 1: a couple of months ago. Yeah, I remember what? Um,
• 24:24
  Speaker 1: this is a different number. I just you know, I'm
• 24:27
  Speaker 1: at my friend's house and okay, I try I give
• 24:30
  Speaker 1: you a call. We haven't been able to connect, so
• 24:33
  Speaker 1: I was hoping that we could get together soon. Um, Mannie,
• 24:39
  Speaker 1: I don't know about this. I feel a little uh
• 24:43
  Speaker 1: weird with us talking. Okay, what's the ball? I mean, wait,
• 24:50
  Speaker 1: what do you realize that we are um cousin. Oh, well,
• 24:55
  Speaker 1: this is not going anywhere. No way, Nanny has gonna
• 25:00
  Speaker 1: talk to your cousins. But who is this? This is Manny?
• 25:05
  Speaker 1: You have multiple people on the Hello, come on, slow down,
• 25:08
  Speaker 1: It's not just multiple people. It's the breakfast club a god. Now, wait,
• 25:15
  Speaker 1: what do you mean we're related? So everybody calmed down,
• 25:18
  Speaker 1: Calm down. I am from South Carolina. I have experience
• 25:21
  Speaker 1: and humping cousins. Let's talk about this. Okay, what number
• 25:24
  Speaker 1: cousin are you? First? Second? Third? What is it? Well, Rosa, okay, no,
• 25:28
  Speaker 1: you got to notice what is wrong? That's a good question.
• 25:31
  Speaker 1: What is it? How does Manny not know this? But
• 25:33
  Speaker 1: Rosa knows it because my mom explained to me. I
• 25:36
  Speaker 1: had asked her, you know who is Manny to us? Like,
• 25:39
  Speaker 1: is he's just a friend, family friend? She's like, no,
• 25:42
  Speaker 1: he's your cousin. What kind of cousin? How much of
• 25:45
  Speaker 1: a cousin? Manny? You're you're not like blood related to
• 25:50
  Speaker 1: a weird So that's so you guys are cousins by marriage? Yeah?
• 25:57
  Speaker 1: But by marriage? Are y'all? Good man? You just you wait,
• 26:02
  Speaker 1: you didn't use did you know this though? Before all
• 26:04
  Speaker 1: the all the dancing and all the all the Texas. Manny,
• 26:07
  Speaker 1: you know who's drunk. I was. I did not know
• 26:09
  Speaker 1: you from Adam. I wish Manny is drunk right now, Adam, listen.
• 26:13
  Speaker 1: I don't think it matters. I've had sex with my
• 26:16
  Speaker 1: cousin before and it's one of those things names. Shut up.
• 26:19
  Speaker 1: This happened in months corner, South Carolina, and you find
• 26:21
  Speaker 1: out after the fact somebody be like, yo, you want
• 26:23
  Speaker 1: some older relatives like yo, you know what? That's y'all
• 26:25
  Speaker 1: cousin me and curl Rocca. Cousins, well, not like first cousins.
• 26:29
  Speaker 1: Second cousins don't really mean nothing unless they like your
• 26:32
  Speaker 1: mama's brother sisters, cadge man cattle titles on first cousins
• 26:37
  Speaker 1: matter first. Second is a little sketchy. You know what
• 26:39
  Speaker 1: I'm saying. Cousins is Okayard cousins, you can get that off.
• 26:42
  Speaker 1: I wear a condomy just the case you don't want
• 26:44
  Speaker 1: you to. You guys aren't related by blood though, So
• 26:48
  Speaker 1: do you just not like Manny? No? I do? I
• 26:50
  Speaker 1: like Manny Um? I just it. I did bose fum
• 26:55
  Speaker 1: when that happened. When my mom told me you're you're
• 26:59
  Speaker 1: you're my cousins. Cousin, Yeah, Rosa, let's start no chair,
• 27:04
  Speaker 1: were perfect cattle ten ax, don't contingule? How about we? Uh?
• 27:10
  Speaker 1: Can I give you a call later and you'll pick
• 27:12
  Speaker 1: up this boy? I would not. Y'all don't need to
• 27:17
  Speaker 1: be having no conversations with each other. Y'all just need
• 27:19
  Speaker 1: to text each other, right, each other letters. There's nothing
• 27:22
  Speaker 1: It might be a great couple. Y'all. You know your
• 27:24
  Speaker 1: kids are gonna be the slowest talking kids on the planet.
• 27:28
  Speaker 1: They don't talk. That fact. Don't need for you to.
• 27:32
  Speaker 1: Your accent is awful. I don't know you sound like
• 27:34
  Speaker 1: y'all commas after every word, Oh my god, bye, bye manny?
• 27:40
  Speaker 1: And what's the girl name? Rosa? Okay? Have a BLUs
• 27:44
  Speaker 1: I sail? We are the black. Why are you quoting Spanish? Spanish? No?
• 27:50
  Speaker 1: I know Spanish though? Why Why are they all sure
• 27:54
  Speaker 1: they Spanish? Rosa Spanish? Everybody can't really trust that. I
• 27:57
  Speaker 1: don't let your a A lot of people faking actually
• 28:00
  Speaker 1: listen that since the part hurricane to Puerto Rico, a
• 28:02
  Speaker 1: lot of people are faking actings and putting go fund
• 28:04
  Speaker 1: me links up. All right, well, we think Rosa Spanish? Okay, anyway,
• 28:07
  Speaker 1: when we come back and speaks, you know she does
• 28:09
  Speaker 1: speak Spanish? What you mean? Look at I say, you
• 28:11
  Speaker 1: said she is Spanish? What was I supposed to say Spanish? Nothing?
• 28:18
  Speaker 1: That's the point trying to make lego rumors on the way.
• 28:22
  Speaker 1: It's the breakfast What does that mean? Lest anyway, that's
• 28:27
  Speaker 1: all I'm swatching egg's determinating. I don't know what the
• 28:29
  Speaker 1: hell you quote right, it's the breakfast clogal morning. It's
• 28:40
  Speaker 1: time to shoot your shot. To shoot your shot with
• 28:42
  Speaker 1: the breakfast club. You want chance? Don't mess it up?
• 28:45
  Speaker 1: Mess it up, mess it up, mess it up. We
• 28:47
  Speaker 1: have Ashley on the line. Ashley, Hey, Hey, what's up?
• 28:51
  Speaker 1: What's up? Ashley? How are you bo what's going on?
• 28:54
  Speaker 1: You shave your legs at this morning? Stop it now?
• 28:56
  Speaker 1: As who do you want to shoot your shot with
• 28:58
  Speaker 1: my ax? You know? Okay? Wh Why did y'all break up?
• 29:02
  Speaker 1: You know? I think it was my fault. Anybody listening,
• 29:06
  Speaker 1: any lady's out there listening, and your man cheaps know
• 29:09
  Speaker 1: that you played a role in it, like I wasn't
• 29:11
  Speaker 1: giving him enough attenion. I work all the time. Oh
• 29:14
  Speaker 1: like your victim blaming booth so actually he cheated on you,
• 29:17
  Speaker 1: but it's your faults. He cheated on you. Yeah, you
• 29:20
  Speaker 1: gotta make sure that you take your home first. She
• 29:22
  Speaker 1: got a point. I mean, it's just like be for
• 29:24
  Speaker 1: a woman. Sometimes women they say they cheating because they
• 29:26
  Speaker 1: wasn't getting what they want wanted from a man. So yeah,
• 29:28
  Speaker 1: they can work both when it more of a like
• 29:30
  Speaker 1: conversation that you guys have of him, maybe perhaps breaking
• 29:33
  Speaker 1: up instead of cheating or saying I'm not getting what
• 29:35
  Speaker 1: I need. I mean, sometimes that's kind of fuzzy, right.
• 29:38
  Speaker 1: I mean, it's a little stuck together for five years,
• 29:42
  Speaker 1: and it's not always easy to be like, hey, you
• 29:44
  Speaker 1: know what, maybe this isn't working. Sometimes it's just easier
• 29:47
  Speaker 1: to just, you know, go be with somebody else real quick. True. True, true,
• 29:52
  Speaker 1: of course that's easier. But relationships doesn't always mean taking
• 29:55
  Speaker 1: the easy way up. I mean, yeah, I just I
• 29:58
  Speaker 1: recognize this hard and all I know is I want
• 29:59
  Speaker 1: my back. And it's not like y'all was married. You
• 30:02
  Speaker 1: know what I'm saying. You like a car that he
• 30:04
  Speaker 1: was test driving. He went to go test driving another
• 30:06
  Speaker 1: one to see if he wanted to buy that one.
• 30:08
  Speaker 1: You know, I'm just here's the thing Astley. It's fine
• 30:10
  Speaker 1: if your boyfriend cheats on you and you want to
• 30:12
  Speaker 1: get back together with him. Happens all the time every
• 30:15
  Speaker 1: day people stay together. But I don't know about blaming yourself.
• 30:19
  Speaker 1: He struggle. Jesus Christ. You shouldn't blame yourself though, Mama.
• 30:23
  Speaker 1: But you don't know what she did yet. But what
• 30:25
  Speaker 1: she wasn't doing? Hey, what did you always tell women
• 30:30
  Speaker 1: what your man don't do, another man will right same thing?
• 30:33
  Speaker 1: What does that mean that you would That mean you
• 30:35
  Speaker 1: would be justified too, because you weren't spending enough time,
• 30:37
  Speaker 1: so therefore he wasn't spending enough time with you. Um,
• 30:40
  Speaker 1: you know no, I was just working all the time.
• 30:41
  Speaker 1: I'm a nurse. I was just trying to like get
• 30:44
  Speaker 1: as much money as possible. And he wasn't working at
• 30:47
  Speaker 1: the time. Never. And you ain't never get that man
• 30:49
  Speaker 1: a warm scrub down. You ain't never walking there and
• 30:51
  Speaker 1: see if he needs some tending to. But you're so
• 30:53
  Speaker 1: big watching everybody else. Well, he wasn't even working. He
• 30:55
  Speaker 1: could watch himself. Now, what makes him so good that
• 30:57
  Speaker 1: you want to back? Mama? You know, love is real.
• 31:01
  Speaker 1: I miss him. I don't even come on do it
• 31:04
  Speaker 1: for the challenge right now. I know. Come on, come on,
• 31:07
  Speaker 1: all right, you know what, Let's just ask you. Let's
• 31:09
  Speaker 1: just call him. I want to see all right you
• 31:11
  Speaker 1: hold on, okay, okay, now watch You're about to hear
• 31:13
  Speaker 1: a whole another story from this guy. Hold on about Ashley.
• 31:16
  Speaker 1: Hold on, We're gonna call him when we come back.
• 31:18
  Speaker 1: Keep it locked. As to Breakfast Club, Good morning morning.
• 31:21
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 31:24
  Speaker 1: are the Breakfast Club. Now we're in the middle of
• 31:27
  Speaker 1: a shoot your shot. We have Ashley on the line,
• 31:29
  Speaker 1: and Ashley wants to shoot her shot with her ex.
• 31:31
  Speaker 1: His name is Nino. All right, it's up to you, asked,
• 31:33
  Speaker 1: Let's call him. Hello? What up? You know? How are you?
• 31:49
  Speaker 1: What up? What's good? Due? You? Sounds so cold? You know' listen?
• 31:55
  Speaker 1: Come on, man, you already know the deal to doing
• 31:57
  Speaker 1: it crazy all the time for real? I mean, okay,
• 32:01
  Speaker 1: but I'm off of it. I'm off it. I miss you,
• 32:03
  Speaker 1: and I want us to talk about working out. Oh man, See,
• 32:08
  Speaker 1: we're gonna go down this road again, right No, I'm no,
• 32:11
  Speaker 1: we're not. We're just gonna go down to different roads.
• 32:13
  Speaker 1: It's just Listen, we are so good together. And I've
• 32:16
  Speaker 1: been out here, I've been by myself, and I don't
• 32:19
  Speaker 1: think I'm gonna find anybody this better than you. You
• 32:21
  Speaker 1: really just missed the D. That's all it is. No,
• 32:24
  Speaker 1: that's not all it is. No that I mean, maybe
• 32:27
  Speaker 1: a little bit, but that's not holl ofhead. This guy
• 32:31
  Speaker 1: is what it is. You already know that. Let me
• 32:33
  Speaker 1: hear you say it. Say it? You really want me
• 32:39
  Speaker 1: to say it? Yeah, first you have to tell me
• 32:42
  Speaker 1: that we can be back together. This is sex. Not
• 32:45
  Speaker 1: first you guys, tell me how much you missed the pipe.
• 32:48
  Speaker 1: I miss the D. I can't hear you say it loud.
• 32:54
  Speaker 1: I miss you just a little bit of you. Tell
• 32:58
  Speaker 1: me how much you missed the pike. Actually tell him
• 33:00
  Speaker 1: how much you missed. I told you to do the
• 33:02
  Speaker 1: for the D challenge is disgusting. Disgusting. Section it is
• 33:06
  Speaker 1: not disgusting. How are you disgusting? First of all, this
• 33:10
  Speaker 1: is the Breakfast Club DJ and Angel Charlomagne and god, oh,
• 33:13
  Speaker 1: what's the guy's name? Nina? Nino? What's up? Brother? How
• 33:16
  Speaker 1: are you so? Nina? You I like your pimping? Yeah,
• 33:21
  Speaker 1: he got some good pimper I like your pimpan. You
• 33:23
  Speaker 1: know I told her before she called you that she
• 33:25
  Speaker 1: should do it for the d Challenge. She won't even
• 33:26
  Speaker 1: say it anyway. She did say it, not really, Yes
• 33:29
  Speaker 1: she did. She knew he was on the phone. We
• 33:31
  Speaker 1: wasn't on the phone. She didn't be like, I love you? No,
• 33:35
  Speaker 1: why'd you break up with? Why did you cheat on Ashley?
• 33:38
  Speaker 1: And what happened? Yo? Y'all look crazy as hell? Really
• 33:42
  Speaker 1: the Breakfast Club? Yes, yes, Nino man good one of
• 33:46
  Speaker 1: our listeners. Why did you cheat on Ashley? Yo? Actually
• 33:49
  Speaker 1: she'd be wilding out, man, you know, like she gets
• 33:52
  Speaker 1: crazy and she'd be accusing me, and so you didn't cheat? Like, Yo,
• 33:56
  Speaker 1: if you're going to accuse me, I may as well
• 33:58
  Speaker 1: do it. Nina, did you cheat? Has to know though,
• 34:01
  Speaker 1: I mean I did. I did. I'm not gonna lie
• 34:05
  Speaker 1: I did. But she wants to make her crazy anymore.
• 34:07
  Speaker 1: She wants you back, She wants to try it again.
• 34:09
  Speaker 1: She wants to start the relationship over and see where
• 34:13
  Speaker 1: it could go. It's kind of crazy, man, Like, we
• 34:15
  Speaker 1: gotta lay down some ground rules, like all that going
• 34:17
  Speaker 1: through my phone when I'm hanging out with my boys,
• 34:21
  Speaker 1: accusing me of being with other bitches. Excuse me, I
• 34:23
  Speaker 1: mean you have been with other girls. And let's lay
• 34:26
  Speaker 1: it down some ground rules for you. All that cheating
• 34:30
  Speaker 1: man cheated? How many times have you cheated? Sir? I
• 34:33
  Speaker 1: mean you know all that cheating? All right? Will you
• 34:40
  Speaker 1: get back together with Askeley's the question. I ain't gonna
• 34:44
  Speaker 1: front man. I see it freak, you know, so you know,
• 34:48
  Speaker 1: and I do miss her, you know. But also you
• 34:50
  Speaker 1: want to do enough? Now you want to do it
• 34:52
  Speaker 1: for the challenge. Yeah, I'll give it another shot. There
• 34:56
  Speaker 1: you go, all right, ask me, listen, ask judgment. This
• 35:01
  Speaker 1: is what y'all should do to make this official. As
• 35:03
  Speaker 1: should do it for the D Challenge. Nino should do
• 35:05
  Speaker 1: it for the Poom Poom challenge. Right now, actually, happy
• 35:13
  Speaker 1: that you got some ball? Happy you know you got
• 35:16
  Speaker 1: some balls for that boom boom, Come on, ask she
• 35:21
  Speaker 1: got she gotta go first? Though, for real? Well, I
• 35:25
  Speaker 1: gotta go first, ladies already said y'all crazy? Why do
• 35:31
  Speaker 1: I have to go first? Go ahead? One? Two, three? Girl?
• 35:34
  Speaker 1: Go boom? Hit the beat envy? Okay, got you shot
• 35:42
  Speaker 1: for that? I can't even live for that. That's your SCD.
• 35:51
  Speaker 1: Come on for that club and free style for that.
• 35:58
  Speaker 1: I called you up, and I don't know work for that,
• 36:02
  Speaker 1: and you know, and I know I ain't with that.
• 36:06
  Speaker 1: That gets Trash where you gotta be out of your mind.
• 36:10
  Speaker 1: If you think I want you back, you know, I
• 36:12
  Speaker 1: just call because I wanted everybody to hear that you
• 36:17
  Speaker 1: and your trash as huh wanted me what That's what
• 36:26
  Speaker 1: I'm talking about. Oh my god, I questioning, asked for
• 36:33
  Speaker 1: asked me as audible was down twenty eight three, and
• 36:42
  Speaker 1: she came back and asked, give it up. Oh my god,
• 36:46
  Speaker 1: as Nina yet, did Trash give it a fash carti
• 36:50
  Speaker 1: cardi cart noom because she dissed you. Trash drove one
• 37:01
  Speaker 1: a clue bomb for the heavyweight champion of the world. Astutely,
• 37:05
  Speaker 1: God damn it, Lord, nobody that trash Ashley. You're crazy. Absolutely.
• 37:16
  Speaker 1: I love you, girl. I don't even know you, and
• 37:18
  Speaker 1: I love you. You are my level of petty boot.
• 37:22
  Speaker 1: All right, Michelle Obama said, when they go low, we
• 37:26
  Speaker 1: go high. But sometimes you gotta take it to the
• 37:27
  Speaker 1: floor with him. You took it to the goddamn that's
• 37:31
  Speaker 1: the al just now, Oh my god, all right, thank you,
• 37:36
  Speaker 1: May God forever bless you. Absolutely stop it. Oh my god,
• 37:40
  Speaker 1: Oh my goodness. All right, oh my god, you get you.
• 38:02
  Speaker 1: I'm gonna fatten all that around your They want this
• 38:04
  Speaker 1: man to donton blowers. Many waited for Charlomagne to tops
• 38:09
  Speaker 1: have to make a judgment. Who was going to be
• 38:10
  Speaker 1: on the Donkey of the Day. They chose you, the
• 38:13
  Speaker 1: Breakfast Club bitch, Who's Donkey of the day to day?
• 38:17
  Speaker 1: All right, listen, man, Charlomagne the God here. I'm on
• 38:20
  Speaker 1: vacation until twenty and eighteen. I don't give a damn
• 38:22
  Speaker 1: what y'all think about that, because I deserve it. Now.
• 38:24
  Speaker 1: The Breakfast Club is in eighty plus markets in a
• 38:26
  Speaker 1: one hundred and fifty country, so we have a lot
• 38:28
  Speaker 1: of new listeners who probably don't even know who Charlomagne
• 38:30
  Speaker 1: the God is. So use my time off to catch
• 38:33
  Speaker 1: up on some of my past work. Okay, okay, if
• 38:36
  Speaker 1: you knew here, I do a segment every day called
• 38:38
  Speaker 1: Donkey of to Day donkey as in jackass, and that's
• 38:40
  Speaker 1: when I give someone the credit they deserve for being stupid.
• 38:42
  Speaker 1: So if you never heard of it, this is new
• 38:44
  Speaker 1: to you. But if you are a regular listener, and
• 38:46
  Speaker 1: this is an oldie but goody because it's the best
• 38:48
  Speaker 1: of the Donkey of the day. Donkey to Day goes
• 38:51
  Speaker 1: to sports journalists Jason Lee Whitlocke. If you don't know
• 38:53
  Speaker 1: who Jason Whitlocke is, here is the co host of
• 38:55
  Speaker 1: a deadly sports TV show that I never heard of
• 38:58
  Speaker 1: called Speak for Yourself on Fox Watch one now Fix
• 39:01
  Speaker 1: Sports one has been in the news because Colin Coward
• 39:03
  Speaker 1: had Laval ball on this showing. Laval got into an
• 39:05
  Speaker 1: exchange with Kristen Lahey, also a Fox Sports one played
• 39:09
  Speaker 1: that real quick to refresh everyone's memory. Have you sold
• 39:11
  Speaker 1: the shoes yet? Yeah? I sold a good amount to me.
• 39:14
  Speaker 1: How many stay in your name? I don't even worry
• 39:19
  Speaker 1: about her over there every speaking of sault right man? Hey,
• 39:24
  Speaker 1: My problem is you are a hate her. I never
• 39:27
  Speaker 1: disrespect women. But I tell you what, you act like
• 39:30
  Speaker 1: that something's coming to you and it's okay? Do you
• 39:33
  Speaker 1: do you think? Wait? Are you threatening me? Okay? Now?
• 39:36
  Speaker 1: I gave Christian Lahey Dunky to Day for those comments
• 39:38
  Speaker 1: because that is textbook. Let me weaponize my whiteness to
• 39:41
  Speaker 1: demonize the black man. Anybody who can't see that doesn't
• 39:44
  Speaker 1: want to see it, and I said during Dunky to
• 39:46
  Speaker 1: Day that she played the race card by accident. I
• 39:48
  Speaker 1: don't even know if she weaponized her whiteness on purpose,
• 39:50
  Speaker 1: but that's what she did, and I stand by my statement.
• 39:53
  Speaker 1: That's the same kind of energy that got Emmett Tael killed.
• 39:56
  Speaker 1: You got these idiots who want to say, how can
• 39:58
  Speaker 1: you compare laval Ball to Emmettael. I'm not comparing lava
• 40:00
  Speaker 1: Ball to Emmettail. I'm simply saying the same weaponizing of
• 40:03
  Speaker 1: whiteness to demonize the black man is what got Emmett
• 40:06
  Speaker 1: Till killed. That's the same energy Christine Lahey gave out
• 40:10
  Speaker 1: in the middle of that exchange. Yes, that man says
• 40:12
  Speaker 1: you're gonna get what's coming to you, Christine Lahy. That's
• 40:15
  Speaker 1: him simply saying comment is gonna come your way based
• 40:17
  Speaker 1: off the comments you've made about him and how he
• 40:20
  Speaker 1: raised his kids. But Christine, by your logic, if you
• 40:23
  Speaker 1: think that's a threat, then Jason Whitlock definitely threatened me
• 40:26
  Speaker 1: yesterday on Colin Cowwood Show to her, can we play that?
• 40:30
  Speaker 1: Charlomagne na God has come at Christine in a totally unprofessional, dangerous,
• 40:35
  Speaker 1: irresponsible way. Some of this is fun in a racial
• 40:39
  Speaker 1: way that I think it's difficult for white people to handle.
• 40:43
  Speaker 1: This is my area of expertise. I'm gonna go at
• 40:46
  Speaker 1: Charlomagne the God and all these idiots. The Breakfast Club
• 40:50
  Speaker 1: is the most powerful popular urban radio show in America
• 40:55
  Speaker 1: in New York, LA based. Yes, but it's a national show.
• 40:58
  Speaker 1: It's serious. Exit he needs to be dealt with, and
• 41:00
  Speaker 1: he's gonna get dealt with. When I stero sex m with,
• 41:03
  Speaker 1: iHeart damn it, I'm gonna be dealt with if I
• 41:05
  Speaker 1: need to be dealt with. That is a threat, Jason Whitlock.
• 41:07
  Speaker 1: If you think what laval Ball said to your precious
• 41:10
  Speaker 1: Christine Lady is a threat, then you see and you're
• 41:12
  Speaker 1: gonna deal with me is absolutely a threat. Jason Whitlock
• 41:15
  Speaker 1: said that I am spinning this in a racial way
• 41:17
  Speaker 1: that is hard for white people to handle. You know
• 41:18
  Speaker 1: why it's hard for white people to handle because waste
• 41:21
  Speaker 1: of good black skin like you, Jason Whitlock, get around
• 41:24
  Speaker 1: these Caucasians and corporate settings and don't tell the truth.
• 41:27
  Speaker 1: How it's gonna make racial progress in this country if
• 41:29
  Speaker 1: we don't communicate tell him the truth, same way Christian
• 41:31
  Speaker 1: Lahey can say what makes her uncomfortable? I can point out,
• 41:34
  Speaker 1: as a black man, what makes me uncomfortable? And Christian
• 41:37
  Speaker 1: Lahey demonizing laval Ball and weaponizing her whiteness by saying
• 41:40
  Speaker 1: this man was threatening her when he clearly wasn't makes
• 41:43
  Speaker 1: me uncomfortable. And yes, I use the example of Mtel
• 41:45
  Speaker 1: because that's the same kind of energy that got him killed.
• 41:48
  Speaker 1: News like that wouldn't be hard for white people to handle.
• 41:50
  Speaker 1: Jason Whitlock, if negroes in position like you to tell
• 41:54
  Speaker 1: them the truth told him the truth. But you're too
• 41:56
  Speaker 1: busy attacking black people and demonizing us that you don't
• 41:59
  Speaker 1: seem to understan and that Malcolm X once said, if
• 42:01
  Speaker 1: you're not careful, the newspapers will have you hating the
• 42:03
  Speaker 1: people who are being impressed and loving the people who
• 42:06
  Speaker 1: are doing the oppressing. Well, it's twenty seventeen. If Malcolm
• 42:08
  Speaker 1: was alive, he wouldn't say newspaper, he would say media,
• 42:11
  Speaker 1: and he would be talking directly the negroes like you.
• 42:13
  Speaker 1: Because when Jason Whitlock got on his show Speak for Yourself,
• 42:16
  Speaker 1: along with Eric Davis, Chris Bassad and the Damsel and
• 42:19
  Speaker 1: distressed Christen Lahy, he said this Charlomagne the God did
• 42:23
  Speaker 1: a commentary label in you the donkey of the day,
• 42:26
  Speaker 1: and this kind of set me over the top because
• 42:28
  Speaker 1: he went as far as to analogize this to what
• 42:32
  Speaker 1: happened with Emmett Till. For Charlomagne the Guy to use
• 42:35
  Speaker 1: his platform, the most powerful urban hip hop station in
• 42:40
  Speaker 1: America with a huge following, to throw that kind of
• 42:44
  Speaker 1: heat on you when your intentions weren't malicious at all.
• 42:49
  Speaker 1: Your interaction with LaVar Ball was in disrespectful at all.
• 42:53
  Speaker 1: For him to throw that kind of heat on you
• 42:54
  Speaker 1: and your family, this is ridiculous and it plays into
• 42:58
  Speaker 1: a racial politics that has gotten out of handle via
• 43:01
  Speaker 1: social media. Charlemagne, stop it, grow up, be a man.
• 43:06
  Speaker 1: You don't need that to build your following social media
• 43:10
  Speaker 1: people over Twitter. Please stop and think we're being racially
• 43:15
  Speaker 1: divided for no reason for the entertainment of people over
• 43:19
  Speaker 1: Twitter and Instagram. This needs to stop. This was never
• 43:24
  Speaker 1: supposed to be a war, and it's turned into it.
• 43:27
  Speaker 1: It was never supposed to work between me and LaVar,
• 43:29
  Speaker 1: between me and Charlotte Mene the God, and now it's
• 43:32
  Speaker 1: turned into that. It's It's not a war on race.
• 43:35
  Speaker 1: It's not a racial discussion. It's not a feminist discussion.
• 43:39
  Speaker 1: It was about respect. And to Charlotte Mene the God,
• 43:42
  Speaker 1: I would love to go on your show. I've actually
• 43:44
  Speaker 1: been a fan of the Breakfast Club and if we
• 43:46
  Speaker 1: can have a healthy conversation about this and make them
• 43:49
  Speaker 1: good come out of it, let's do it. Put some
• 43:51
  Speaker 1: respect on my name. Oh my good. Now, Jason Whitlock
• 43:54
  Speaker 1: has the nerve the unmitigated God to say what I
• 43:56
  Speaker 1: said was irresponsible, inappropriate, dangerous, out of bounds, even as
• 43:59
  Speaker 1: the nerves say that I don't have to demonize someone.
• 44:01
  Speaker 1: But not once did you check Christine Lahy for demonides
• 44:04
  Speaker 1: and laval Ball. Not once did you tell Christine Lahe
• 44:07
  Speaker 1: that her demonization of laval Ball is dangerous. And Eric
• 44:09
  Speaker 1: Davis and Christo Sad I'm disappointed in you both because
• 44:12
  Speaker 1: not once did either one of you. Need girl speak
• 44:14
  Speaker 1: up and try to explain to the damsel in distress
• 44:17
  Speaker 1: why she was in the wrong. Even if you feel
• 44:19
  Speaker 1: like laval Ball was in the wrong, do you think
• 44:20
  Speaker 1: her playing the victim, in positioning herself like she was
• 44:22
  Speaker 1: in some sort of danger from the big scary black man,
• 44:25
  Speaker 1: was Okay, y'all keep screaming about lack of respect for
• 44:28
  Speaker 1: Christine Lahy. But on that show, to her, she's positioned
• 44:31
  Speaker 1: in the back of the bus. You want people to
• 44:32
  Speaker 1: look her in the eyes and talk to her. How
• 44:35
  Speaker 1: what guests has eyes in the back of the head.
• 44:36
  Speaker 1: If you respect her so much, position at the way,
• 44:39
  Speaker 1: she's a real part of the show and guests don't
• 44:40
  Speaker 1: have to break their neck to talk to her. Hey, Christine,
• 44:43
  Speaker 1: the last thing I have to say to you is
• 44:44
  Speaker 1: the way they have you positions in that room is
• 44:46
  Speaker 1: how they feel you should be positions in life. Okay,
• 44:49
  Speaker 1: behind the guys, way off to the side. But if
• 44:51
  Speaker 1: that it's not about you right now, it's about Jason Whitlock.
• 44:54
  Speaker 1: Jason Whitlock, you have the nerve to talk about someone
• 44:56
  Speaker 1: being inappropriate, irresponsible, dangerous, out of bounds. Jason Whitlock, have
• 45:00
  Speaker 1: you met yourself? Okay? I remember an article you wrote
• 45:03
  Speaker 1: about Serena Williams calling her an underachiever. Of Serena Williams
• 45:06
  Speaker 1: the greatest tennis player of all time, top five athletes
• 45:09
  Speaker 1: of all time, regardless agenda, you said she was an underachiever.
• 45:12
  Speaker 1: One of your lines from that article was, seriously, how
• 45:16
  Speaker 1: else can Serena fill out her side sixteen shorts without
• 45:19
  Speaker 1: grazing at her stall between matches. Jason Whitlock said, Serena
• 45:23
  Speaker 1: Williams has chosen to smother her athletic gifts into an
• 45:26
  Speaker 1: unsightly layer of thick muscular blubber, a by product of
• 45:30
  Speaker 1: her unwillingness to commit to a training regiment and diet.
• 45:33
  Speaker 1: All of this is coming from a man who waddles
• 45:35
  Speaker 1: when he walks, A man who looks like he has
• 45:37
  Speaker 1: to concentrate with every breath he takes, has the nerve
• 45:40
  Speaker 1: the body shame Serena Williams. But that's what you do,
• 45:43
  Speaker 1: Jason Whitlock. You love tearing down black excellence. You always
• 45:46
  Speaker 1: ascribe to demonize black people in the media for absolutely
• 45:49
  Speaker 1: no reason. Let's run through a few of him, shall we.
• 45:51
  Speaker 1: I just told you about Serena well. Jason Whitlock also
• 45:54
  Speaker 1: had something negative to say about Lebron James equality commercial.
• 45:58
  Speaker 1: How do you speak out about a man who did
• 45:59
  Speaker 1: a commercial encouraging equality. Let's hear what he said about Lebron.
• 46:03
  Speaker 1: My point about Lebron James and I don't think people
• 46:07
  Speaker 1: are getting his athletic privilege and wealth define him more
• 46:15
  Speaker 1: than the poverty and or racism that he experienced growing up.
• 46:21
  Speaker 1: And therefore, if you buy that, you'll understand my analogy
• 46:26
  Speaker 1: and why I say he's no different than Donald Trump.
• 46:30
  Speaker 1: My amatil analogy is crazy. But Lebron is like Donald
• 46:33
  Speaker 1: Trump house way. Lebron is about building bridges, bringing people together.
• 46:37
  Speaker 1: Donald Trump builds walls. He wants to keep people divided.
• 46:40
  Speaker 1: Howard he remotely the same. Jason Whitlock also doesn't think
• 46:43
  Speaker 1: Colin Kaepernick is authentic. Let's hear it should have sincerity,
• 46:47
  Speaker 1: still be questions, and I think it's fair game. This
• 46:51
  Speaker 1: kid was about Instagram models, tattoos, his abs, and building
• 46:57
  Speaker 1: up the Colin Kaepernick brand until the very moment he
• 47:00
  Speaker 1: loses the starting quarterback job. And now he's out here
• 47:04
  Speaker 1: and he's Martin Luther Cornroll. I don't buy it. I
• 47:08
  Speaker 1: don't care all he's raising awareness for this or that.
• 47:11
  Speaker 1: See that rhetoric is dangerous because it makes it seem
• 47:13
  Speaker 1: like the issue that Colin Kaepernick was protesting isn't important.
• 47:16
  Speaker 1: If you're making the white people you work with feel
• 47:17
  Speaker 1: like Colin Kaepernick's protests aren't important, then by default you're
• 47:20
  Speaker 1: making what Colin Kaepernick is actually protesting, which is the
• 47:23
  Speaker 1: unarmed killing of people, especially people of colored by the police.
• 47:26
  Speaker 1: Seem not important, But Jason Whitlock, this is what you do.
• 47:29
  Speaker 1: It's just stick. This is how you get attention, attacking
• 47:32
  Speaker 1: demonized folks to a black and prominent in our community.
• 47:34
  Speaker 1: I refuse to believe you would come caping for a
• 47:36
  Speaker 1: woman of color the way you're caping for Christine. Lady.
• 47:39
  Speaker 1: See you keep telling me not to make this a
• 47:41
  Speaker 1: race thing, but the same way Christine Lahy used a
• 47:43
  Speaker 1: textbook example of weaponizing whiteness and demonizing blackness. You are
• 47:47
  Speaker 1: a textbook example of a twisted house slave. You are
• 47:50
  Speaker 1: Stephen and Django. You are doing what you have to
• 47:52
  Speaker 1: do to keep your white counterparts happy because you think
• 47:54
  Speaker 1: it gives you some sort of job security. I mean, look,
• 47:57
  Speaker 1: is documented that no black people at ESPN wanted to
• 47:59
  Speaker 1: work with you, so you went over to Fox Sports
• 48:01
  Speaker 1: one to be the white man's watched up. That's all
• 48:03
  Speaker 1: you do is ball can try to bite black people
• 48:05
  Speaker 1: on bead for the white man. Because if that wasn't
• 48:07
  Speaker 1: your agenda, you would have at least attempted to school
• 48:09
  Speaker 1: Christine Layhe on why her rhetoric was dangerous not just
• 48:13
  Speaker 1: to lava Ball, but historically why that type of energy
• 48:17
  Speaker 1: has been dangerous to black men in this country forever. Now,
• 48:19
  Speaker 1: Jason Whitlock, I know you threatened me and said I
• 48:22
  Speaker 1: was gonna be dealt with, but I need you to
• 48:23
  Speaker 1: have that same enthusiasm when it comes to dealing with
• 48:26
  Speaker 1: your obesity. Okay, you need to lose weight, my brother.
• 48:29
  Speaker 1: I right, Your first, last, and best love will always
• 48:31
  Speaker 1: be self love. And that's why you don't love anyone. Look,
• 48:33
  Speaker 1: Jason Whitlock is a house slave, but he don't love
• 48:35
  Speaker 1: the white man all. He doesn't tear down black people,
• 48:37
  Speaker 1: so we know he doesn't love us. But truth is,
• 48:39
  Speaker 1: Jason Whitlock doesn't love himself. If you loved himself, he
• 48:42
  Speaker 1: would lose weight. Hurt people, hurt people. And when you
• 48:45
  Speaker 1: are built like Cleveland Brown from Family Guy in real life,
• 48:48
  Speaker 1: nine times out of ten you're hurt. And you better
• 48:50
  Speaker 1: not get on Fox Sports one today and say our
• 48:53
  Speaker 1: body shamed you, because damn it, you body shamed Serena.
• 48:56
  Speaker 1: And I'm not going back and forth with you because
• 48:58
  Speaker 1: I know you eat this kind of attention up. I mean,
• 49:01
  Speaker 1: you eat everything up, but you really love dining on attention,
• 49:04
  Speaker 1: and I'm not giving you anymore until you lose two
• 49:06
  Speaker 1: hundred pounds. I refuse to go back and forth with
• 49:09
  Speaker 1: the man who doesn't love himself. Okay, I would not
• 49:11
  Speaker 1: take any critique from you serious until you take your
• 49:13
  Speaker 1: life serious and lose weight. Jason Whitlock, if you're confused
• 49:16
  Speaker 1: on what I'm telling you, it's simple, you're too fat
• 49:19
  Speaker 1: for for Dora, and I don't take fat house slaves
• 49:21
  Speaker 1: and for Dora seriously. I'm just using this as a
• 49:24
  Speaker 1: moment to teach you the white people you work with
• 49:26
  Speaker 1: that are confused about a lot of Christian lady. Situation
• 49:29
  Speaker 1: with laval Ball is so serious, and it's simply because
• 49:31
  Speaker 1: some white women in this country have a history of
• 49:33
  Speaker 1: weaponizing their whiteness to demonize the black man. And if
• 49:36
  Speaker 1: guys like Jason Whitlock can't convey that message, then guys
• 49:39
  Speaker 1: like Charlomagne that God can't please give the fat for
• 49:42
  Speaker 1: Dora wearing house slave. Jason Whitlock, the biggest Heath Hall Police,
• 49:49
  Speaker 1: the breakfast club. That's right, this is the breakfast club.
• 49:53
  Speaker 1: Good morning everybody, DJ M v ANGELI Ye Charlomagne, the
• 49:56
  Speaker 1: God now Charlemagne just gave donkey of the date from
• 50:00
  Speaker 1: door wearing house slave named Jason whitlock I don't have
• 50:04
  Speaker 1: anything else to say. I got my man, Corey Holcome here,
• 50:06
  Speaker 1: Cary home, come welcome, Good morning. He's a professional burper
• 50:12
  Speaker 1: anywhere from twenty to thirty times a day, um from
• 50:16
  Speaker 1: food to alcohol something he burping. Now do you think
• 50:19
  Speaker 1: he is what they call Uncle Tom? Were definitely at
• 50:22
  Speaker 1: Uncle Tom everything he says. He's looking for approval from
• 50:26
  Speaker 1: um Caucasian people. I want, I want to do those
• 50:30
  Speaker 1: guys know that Caucasian people see it. They're like, wow,
• 50:33
  Speaker 1: you really it's button deal. That's a fact. And you
• 50:36
  Speaker 1: know what Caucasian people don't like Uncle Tom's I'm gonna
• 50:38
  Speaker 1: tell you why, because if you don't love your own people,
• 50:40
  Speaker 1: it's only a matter of time you turn on them.
• 50:42
  Speaker 1: All intelligent people know if you don't love yourself that
• 50:44
  Speaker 1: you know what I'm saying, you don't love them. So
• 50:46
  Speaker 1: no matter how Jason Whitlocke tries to get cool with
• 50:49
  Speaker 1: them or whatever, I'm just saying, you're making a food
• 50:52
  Speaker 1: out yourself. You're making the food out your people, and
• 50:54
  Speaker 1: you're making the food out of everything that has to
• 50:56
  Speaker 1: do with it. I watched the people he attacked a
• 50:57
  Speaker 1: tack Lebron James Sweena Williams and now Charlomagne and God,
• 51:02
  Speaker 1: it just makes him seem like he has a problem
• 51:04
  Speaker 1: deep down inside with himself. He cannot stand people who
• 51:07
  Speaker 1: can walk up a flight of stairs. He can he
• 51:11
  Speaker 1: just if you ever let him go on some stairs
• 51:14
  Speaker 1: behind you just look back room fair, you don't see him, Like,
• 51:20
  Speaker 1: what's your experience personally with Jason went? One day he
• 51:24
  Speaker 1: was in la and he needed a ride to the
• 51:25
  Speaker 1: hotel because he knew a friend of mine, and uh,
• 51:28
  Speaker 1: you know, he put him off on me, but I
• 51:30
  Speaker 1: was nice. I was like, oh that's dude, Okay. I
• 51:33
  Speaker 1: dropped him off at the hotel and I saw the
• 51:35
  Speaker 1: loneliness in his eye. It was like when we was driving,
• 51:38
  Speaker 1: I didn't even have my radio on, but that incredible
• 51:40
  Speaker 1: Holk music was playing. Yeah, that same music around around.
• 51:47
  Speaker 1: He really wanted me to be like, hey, you want
• 51:48
  Speaker 1: to go to the bar zone, But I was just like, no,
• 51:51
  Speaker 1: let Menna drop you off, dude. I hope the elevator
• 51:54
  Speaker 1: ain't working in the hotel. Are gotta make me get
• 51:56
  Speaker 1: out and get my phone? Out. Watch you walk up
• 52:00
  Speaker 1: this stair, but I hope you're on the second flow.
• 52:02
  Speaker 1: Let's go to the full line. People want to talk.
• 52:04
  Speaker 1: Eight hundred five eighty five, one oh five one. Hello,
• 52:06
  Speaker 1: who's this? Hey, we're gonna understand. Hey. What do you
• 52:09
  Speaker 1: think of Jason with locks commins? Man? What I think
• 52:11
  Speaker 1: is man, I put him on the same level with
• 52:13
  Speaker 1: Ben Carson. He has no idea of what's going on, like,
• 52:16
  Speaker 1: he has no idea what the black community goes through.
• 52:19
  Speaker 1: He doesn't understand what the black community is doing. It's
• 52:22
  Speaker 1: such as LaVar Ball. The only reason you feel that
• 52:25
  Speaker 1: she is right and then is a threat because he
• 52:27
  Speaker 1: went into her. How many shoes he sold? The only
• 52:30
  Speaker 1: way to white man is still straightened. The black man
• 52:32
  Speaker 1: is making money and they didn't know how he's making money.
• 52:34
  Speaker 1: All right, thank you man. What do you think of
• 52:36
  Speaker 1: LaVar Ball? I think he's a cocky guy, but I
• 52:39
  Speaker 1: love what he's doing for his kids. You put it
• 52:41
  Speaker 1: in the you put it, you put it right. Man.
• 52:42
  Speaker 1: I think like if I was his friend, I'll be like, hey,
• 52:44
  Speaker 1: cool out a little bit a little bit. But we
• 52:47
  Speaker 1: behind LaVar Ball. Man. I like his swag. You know,
• 52:50
  Speaker 1: he went on the show, old girl who was trying
• 52:52
  Speaker 1: to get at him with all that negativity and try
• 52:55
  Speaker 1: to hang him in the room making saying like he
• 52:56
  Speaker 1: did something. He was just like this with her, like
• 52:58
  Speaker 1: I would be if she was talking crazy about me, right,
• 53:01
  Speaker 1: I would love him. We see what goes on when
• 53:03
  Speaker 1: somebody tells crazy on your show. We need to get
• 53:06
  Speaker 1: we need to get to go to run up on
• 53:08
  Speaker 1: Jason Whitlock Show one time five five, one to five,
• 53:15
  Speaker 1: when Corey Hole comes in the building, was still taking
• 53:18
  Speaker 1: your phone calls. It's the Breakfast Clo morning. Everybody is
• 53:21
  Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy. We are the
• 53:24
  Speaker 1: breakfast Club now if you just join us. Charlomagne gave
• 53:27
  Speaker 1: Donkey up the day to Jason Whitlock. Yes, sir, I
• 53:30
  Speaker 1: call him a fat for door wearing house slave. And
• 53:32
  Speaker 1: I'm not going back and forth with Jason. I challenged him.
• 53:34
  Speaker 1: If you want to go back and forth with me,
• 53:35
  Speaker 1: you got to lose two hundred pounds. Now, what if
• 53:37
  Speaker 1: they want to come on the show. I don't think
• 53:39
  Speaker 1: that's because now we've talked before about engaging with people
• 53:42
  Speaker 1: who might have a different point of view and kind
• 53:44
  Speaker 1: of having conversations with every If we bring Christin Lady
• 53:48
  Speaker 1: on the show, I got to bring on Angela Ry
• 53:49
  Speaker 1: up here to for woman to woman to tell her
• 53:52
  Speaker 1: why her weaponizing her whiteness to demonize the black man
• 53:55
  Speaker 1: is wrong. Okay Angela, Ye, she could do it exactly.
• 53:59
  Speaker 1: That's why I want to woman exactly. I mean, we
• 54:02
  Speaker 1: were gonna have Tommy Lauren up here before she canceled.
• 54:05
  Speaker 1: God works a mysterious way. She canceled, and we haven't
• 54:08
  Speaker 1: made that mistake yet. Now we have Corey Hole come
• 54:12
  Speaker 1: in to building now, eight hundred and five eighty five
• 54:14
  Speaker 1: one on five one. A lot of people on the
• 54:15
  Speaker 1: line want to give their view on Jason Whitlocks comments, Hello,
• 54:18
  Speaker 1: who's this? What do you think of? John Whitlocks comments
• 54:23
  Speaker 1: Jason Witlox Thommas. But I think, really I think he
• 54:26
  Speaker 1: was just reaching and the fact that he tried to
• 54:27
  Speaker 1: send anything about Charlotae man I really think he was
• 54:30
  Speaker 1: just like, because he was on that show trying to
• 54:32
  Speaker 1: appeal to her, is not really listening to what Charlotte
• 54:34
  Speaker 1: Mane said. He was just trying to admit tick and
• 54:36
  Speaker 1: the whole immag til thing and then just take that
• 54:39
  Speaker 1: and run with it. Basically, he just Okay, you got
• 54:42
  Speaker 1: the attention you wanted them. Sure, Hello, who's this? Hey? Chells?
• 54:48
  Speaker 1: What do you think? What's the comments on Jason Witlock.
• 54:49
  Speaker 1: I just want to shout out charlote Man for really
• 54:52
  Speaker 1: addressing these real issues because the things that he is
• 54:55
  Speaker 1: saying are cries out for attention, like in order to
• 54:59
  Speaker 1: defend Christina, and I feel like Charlomagne broke it down
• 55:03
  Speaker 1: with research and facts to back up his pettiness, to
• 55:07
  Speaker 1: let him know that what he's doing is not okay,
• 55:11
  Speaker 1: it was a little pettiness. He of course, y'all know
• 55:13
  Speaker 1: I'm the petty God. Come on now, I'm petty of course,
• 55:16
  Speaker 1: but God, you have to sometimes you have to because
• 55:19
  Speaker 1: they will get away with the things that they do,
• 55:22
  Speaker 1: and if there's not people like Charlomagne to call you
• 55:24
  Speaker 1: out on the bs that's going on, then it'll just
• 55:27
  Speaker 1: slide by. And I just want to say thank you
• 55:29
  Speaker 1: because for people of color all over the world, like
• 55:32
  Speaker 1: we need somebody defending us, Thank you mama. And that's
• 55:35
  Speaker 1: why it's so crazy when he says it's hard for
• 55:37
  Speaker 1: white people to understand the things that I'm saying. If
• 55:40
  Speaker 1: it wouldn't be if you would just tell the truth
• 55:42
  Speaker 1: to him when you up there. That's real man. He
• 55:44
  Speaker 1: mad because he got that dip in his bed already.
• 55:47
  Speaker 1: Know when you see him walk, Yeah, he got that
• 55:49
  Speaker 1: dip in his bid right in the middle. And it
• 55:52
  Speaker 1: ain't come It ain't come from being with a woman
• 55:55
  Speaker 1: that when he real tired and he falling that bed,
• 55:57
  Speaker 1: that difference ain't going away. And I ain't gonna you
• 56:00
  Speaker 1: gotta start over with a new bed. I want to know,
• 56:04
  Speaker 1: are you an ariz cool? Now? There lots of people
• 56:08
  Speaker 1: might not know because he wasn't in the show. Sorry
• 56:10
  Speaker 1: Oldham got a show called the fifty one fifty Show.
• 56:12
  Speaker 1: Really good show you probably thought. On Tim's the young
• 56:14
  Speaker 1: man named Zoe took off his glasses and swung a
• 56:17
  Speaker 1: hundred punches at Aries probably landed too, said that he
• 56:21
  Speaker 1: was drunk during the interview. Aries came in acting up.
• 56:26
  Speaker 1: He was drunk, and uh, you know he was. He
• 56:28
  Speaker 1: was embarrassed. So that's why I do want to say
• 56:30
  Speaker 1: this because I haven't had a chance to talk to him.
• 56:33
  Speaker 1: But I'm not mad at you. Aries. That threatened the
• 56:35
  Speaker 1: message you left on my phone. I know he was
• 56:37
  Speaker 1: just embarrassed if I if I took if I took
• 56:40
  Speaker 1: him seriously, I'll be looking for him. You know what
• 56:42
  Speaker 1: I'm saying. But I know what I see you at
• 56:45
  Speaker 1: my Goods from Brooklyn. You ain't got no goods. He was,
• 56:51
  Speaker 1: you know when I helped him up off the floor.
• 56:52
  Speaker 1: I just never felt a man so soft. You see,
• 56:56
  Speaker 1: y'all y'all only saw the fight. The video got cut off.
• 57:00
  Speaker 1: He kept hitting him till he failed to the punches.
• 57:04
  Speaker 1: He blocked the punches, he failed to the floor, and
• 57:07
  Speaker 1: I helped him up because I didn't want him to
• 57:08
  Speaker 1: get beat up. But uh, he was just really gooey
• 57:11
  Speaker 1: when I helped him up. I never felt the man
• 57:13
  Speaker 1: that's soft. Wow, you ain't never did him put up? Yeah? Yeah,
• 57:22
  Speaker 1: you didn't cost money to file a law stude. Everyones
• 57:24
  Speaker 1: ain't got money to be fighting no lawsuit about some
• 57:27
  Speaker 1: dude doing a internet show out of storage that people
• 57:30
  Speaker 1: would be like, get out off. And then you talked
• 57:32
  Speaker 1: to Zoe about you know, you gotta let you know
• 57:34
  Speaker 1: the people at your interview say what they want. You
• 57:36
  Speaker 1: just can't beat up everybody. Yeah, yeah, but this is
• 57:39
  Speaker 1: what wasn't said. Just like that lady who they never
• 57:41
  Speaker 1: say what they did. It just like they were just
• 57:43
  Speaker 1: talking about what Charlotte Magne did the whole show. He
• 57:45
  Speaker 1: kept touching them during the breaks. He was very disrespectful,
• 57:49
  Speaker 1: you know, and he was he was just a bad
• 57:50
  Speaker 1: guy while he was up there. So uh, it led
• 57:53
  Speaker 1: up to all that. But we get emotional sometimes you
• 57:57
  Speaker 1: know you're only gonna push this but too far. And
• 57:59
  Speaker 1: I told Zoe Man, I bought this equipment. What if
• 58:01
  Speaker 1: y'all taught this equipment? Because that was the main thing
• 58:03
  Speaker 1: I was working. I was worried about, don't break the desk.
• 58:06
  Speaker 1: You know what I'm saying. But you know, aries I
• 58:08
  Speaker 1: love you, man. Just be for real. If you be
• 58:11
  Speaker 1: for real, you won't have nothing to be embarrassed about it,
• 58:13
  Speaker 1: no matter what happened. If you get beat up for
• 58:15
  Speaker 1: being for real, there's nothing to be embarrassed about real.
• 58:17
  Speaker 1: Right now, How do you feel about these men arounders
• 58:20
  Speaker 1: that He's been very into the rob him they gotta
• 58:23
  Speaker 1: be baggy, Okay, so you're into it if it's baggy,
• 58:26
  Speaker 1: well yeah, if it's baggy, I might pull one off.
• 58:28
  Speaker 1: But I'm weird though I didn't wouldn't wait, no robam
• 58:31
  Speaker 1: cor I we I would wear it just for the
• 58:34
  Speaker 1: response talk about me, because I know how to signify,
• 58:40
  Speaker 1: but I can't win a tight one off, almost like
• 58:43
  Speaker 1: a mechanic or something like that. Lad if you want
• 58:47
  Speaker 1: to get him a gift for Christmas, he's looking for
• 58:49
  Speaker 1: a baggy. We appreciate you for joining us, bro. That's right,
• 58:53
  Speaker 1: and I want to say that all the ladies out there.
• 58:56
  Speaker 1: Real love is taking that burner phone number and earning
• 59:00
  Speaker 1: your way to the real phone. Oh my goodness, all right,
• 59:03
  Speaker 1: let's the Breakfast Club. Good morning, the Breakfast Club.