Latest / I Said No Gifts! A comedy interview podcast with Bridger Winegar / Anna Drezen Returns to Disobey Bridger Again
Transcript
- 0:02Speaker 1: When I.
- 0:09Speaker 2: Invited you here I thought I made myself perfectly clear
- 0:16Speaker 2: When you're a guest in my home You gotta come
- 0:22Speaker 2: to me empty-handed I said no gifts, your presence is
- 0:29Speaker 2: presence enough And I already had too much stuff So
- 0:35Speaker 2: how do you dare disobey me?
- 0:39Speaker 1: Guitar solo.
- 0:47Speaker 3: Welcome to I Said No Gifts, I'm Richard Weiniger. We're here.
- 0:55Speaker 3: I'm back from TJ Maxx. The line was around the store.
- 0:59Speaker 3: If you were looking for a deal, you'd still be there.
- 1:03Speaker 3: I'm glad I didn't find anything. Morning. The morning for
- 1:10Speaker 3: me started... This morning I woke up and almost immediately
- 1:15Speaker 3: began texting with the manufacturer of my garbage disposal. And
- 1:21Speaker 3: we texted back and forth. It was electric. And then
- 1:25Speaker 3: I realized it wasn't the, I don't own the garbage
- 1:30Speaker 3: disposal I thought I owned. Totally different brand. I was
- 1:34Speaker 3: texting with a woman that had no interest in my
- 1:38Speaker 3: garbage disposal. But I will say the customer service at
- 1:42Speaker 3: Insincorator is excellent. They were very on top of it.
- 1:46Speaker 3: If I owned an NSYNC creator, I'd be on top
- 1:50Speaker 3: of the world. So look into that brand. I had
- 1:54Speaker 3: to get my garbage disposal working on my own. Is
- 1:58Speaker 3: there anything else going on? Let's see. I don't think so.
- 2:03Speaker 3: Let's see if I have any notes here. No, I
- 2:08Speaker 3: just Patreon, patreon.com slash I said no gifts. I'm breaking
- 2:14Speaker 3: my back. The amount of content that's being produced, it
- 2:17Speaker 3: should be illegal. I'm exploiting myself. Go over there, listen
- 2:23Speaker 3: to bonus episodes, episodes of me recapping almost anything on
- 2:28Speaker 3: television to do with women in Utah and every commercial
- 2:32Speaker 3: I see. So that's over there. Hopefully I said the address.
- 2:36Speaker 3: My memory is failing. I think that's about it. Your
- 2:42Speaker 3: spouse might be hiding something from you. That's something to
- 2:45Speaker 3: think about. I don't have any evidence, but just keep
- 2:48Speaker 3: that in mind. I want to get into the episode.
- 2:51Speaker 3: I absolutely adore today's guest. We were supposed to be
- 2:55Speaker 3: eating shepherd's pie right now, and instead I trapped her
- 2:59Speaker 3: in the podcast. It's Anna Dresden.
- 3:01Speaker 4: Hello. Anna.
- 3:02Speaker 1: Hi.
- 3:03Speaker 3: How are you?
- 3:05Speaker 4: I'm good. I feel bamboozled and wrecked. I was wearing
- 3:09Speaker 4: soft pants, and now I'm wearing hard ones.
- 3:13Speaker 3: We really had planned for me to come over and
- 3:16Speaker 3: have shepherd's pie.
- 3:17Speaker 2: Yes.
- 3:18Speaker 3: And then life intervened.
- 3:21Speaker 4: You have to do a certain number of podcast hours
- 3:24Speaker 4: per week in the terms of your parole. I'm sentenced. Yeah. No,
- 3:28Speaker 4: I think it's good. The conversation is probably better here. Yeah.
- 3:32Speaker 3: What would we be talking about over shepherd's pie?
- 3:35Speaker 4: Have you heard anything? Just at all.
- 3:40Speaker 3: Speaking of sentences, have you seen this documentary, A Killer
- 3:44Speaker 3: Story or Killer Story?
- 3:46Speaker 4: I have not, but this is on Netflix and it's
- 3:48Speaker 4: a hot one. HBO, okay, great, close.
- 3:50Speaker 3: You've got to get into this thing.
- 3:51Speaker 4: Tell me about it.
- 3:52Speaker 3: Three episodes about a gal who may or may not
- 3:56Speaker 3: have shot her husband and his new wife in the 90s,
- 4:02Speaker 3: went to prison, then a couple, just two, people out
- 4:07Speaker 3: in the middle of somewhere decided they were going to
- 4:09Speaker 3: get her out of jail. And they teamed up with
- 4:12Speaker 3: a journalist from the New York Times. And then we
- 4:16Speaker 3: watched it all unfold. We watched it unfold and were left– well,
- 4:20Speaker 3: I don't think you're wondering anything at all at the end.
- 4:22Speaker 3: I think you're actually pretty clear throughout what probably happened.
- 4:27Speaker 3: But it's– watching this lady's journey is interesting.
- 4:31Speaker 4: She does it again.
- 4:32Speaker 3: She digs him up.
- 4:36Speaker 4: Good morning.
- 4:37Speaker 3: No, but I think you would like it. I think
- 4:38Speaker 3: you would be interested in this thing.
- 4:41Speaker 4: Here's the thing. I thought I was done with true crime.
- 4:43Speaker 3: You always think that.
- 4:44Speaker 4: But then they rolled out body cam.
- 4:46Speaker 3: Wait, the... Body cams. Technology. The technology. I mean, I
- 4:50Speaker 3: was like, oh, is there now just a show called
- 4:51Speaker 3: Body Cam?
- 4:51Speaker 4: There's a new show where it's just a live feed
- 4:53Speaker 4: of a body cam. Yeah. No, it's just I find
- 4:56Speaker 4: that angle really compelling.
- 4:57Speaker 1: Of course.
- 4:58Speaker 4: Because you're like really in their face. Because usually with
- 5:02Speaker 4: true crime, you get the security and you're not seeing faces.
- 5:05Speaker 1: Right.
- 5:05Speaker 4: But this you're seeing.
- 5:07Speaker 3: Yeah, I am a little nostalgic for the corner camera, though.
- 5:10Speaker 3: There's something about like in the interrogation room that.
- 5:14Speaker 4: Yeah.
- 5:14Speaker 3: Something a little eerie about it or something.
- 5:17Speaker 4: To see someone sit on a chair is so vulnerable.
- 5:20Speaker 3: I think the last real use usage of that was
- 5:22Speaker 3: the Sherry Papini.
- 5:23Speaker 4: You told me about her and I still haven't watched it.
- 5:26Speaker 3: You got to get into Papini.
- 5:27Speaker 4: What does she do? She sang backup for Muddy Waters.
- 5:29Speaker 4: I don't remember.
- 5:34Speaker 3: Sherry Papini is a timeless name.
- 5:38Speaker 4: She was four foot one. She sang with her cousins.
- 5:43Speaker 4: My brain doesn't make memories anymore. Can you remind me?
- 5:46Speaker 3: She's the woman who kidnapped herself.
- 5:49Speaker 4: Of course.
- 5:50Speaker 3: And then had her kind of stuck around her ex-boyfriend's
- 5:54Speaker 3: condo or whatever it was in Orange County. Had him
- 5:59Speaker 3: hold up a hockey stick that she ran into to
- 6:01Speaker 3: make herself look like she'd been kidnapped. She had a
- 6:04Speaker 3: whole thing. And I don't, where is she today? I
- 6:07Speaker 3: don't know.
- 6:08Speaker 4: I don't know.
- 6:08Speaker 3: I don't think she's in jail, but she might, she
- 6:13Speaker 3: may have already served her time.
- 6:14Speaker 4: She's somewhere.
- 6:15Speaker 3: It's one of those great crimes that makes you extremely
- 6:18Speaker 3: famous and isn't really that much of a crime. So
- 6:20Speaker 3: you go to prison, you get a documentary out of it,
- 6:23Speaker 3: and then you move on.
- 6:24Speaker 4: Everyone sleeps at night.
- 6:25Speaker 3: Everybody gets to go back to bed. I, speaking of
- 6:29Speaker 3: memory loss, this is probably something you're also, I'm just
- 6:32Speaker 3: bringing up media that you've probably aren't consuming yet, but
- 6:35Speaker 3: I'm reading Emma Klein's new book, Switzy. Are you familiar
- 6:38Speaker 3: with this?
- 6:39Speaker 4: No.
- 6:40Speaker 3: It's about someone with cognitive decline. And I don't recommend,
- 6:44Speaker 3: if you're worried about your memory, I don't recommend reading it.
- 6:48Speaker 3: Because I wake up and start reading this every morning
- 6:50Speaker 3: and then just begin a panic spiral.
- 6:54Speaker 4: What are you doing to counteract the slow march?
- 6:57Speaker 3: When I forget, when I'm trying to remember something, I'm
- 6:59Speaker 3: trying to really just sit there And try to remember.
- 7:02Speaker 3: Today I was really trying to remember Christian Bale's name.
- 7:05Speaker 4: I can't believe you got it. I.
- 7:08Speaker 3: Well, actually... I can't remember it now.
- 7:09Speaker 4: I didn't get it. Oh, you didn't? You Googled.
- 7:11Speaker 3: Okay. I looked up Batman Begins Cast.
- 7:14Speaker 4: That is the craziest way to find out his name.
- 7:18Speaker 3: That's a horrifying thing to reveal. What am I doing?
- 7:22Speaker 4: And you knew which one?
- 7:23Speaker 1: Oh.
- 7:26Speaker 4: But you remembered it just now. Yeah. Which I think
- 7:28Speaker 4: is great.
- 7:29Speaker 3: Yeah. So, obviously... Something worked. Do you struggle to remember things?
- 7:35Speaker 4: Yeah, in a scary way.
- 7:37Speaker 3: And I think that something happens in your brain when
- 7:39Speaker 3: you're trying to remember and you don't. You start panicking
- 7:41Speaker 3: and it makes it worse.
- 7:42Speaker 4: Yeah. Yeah, definitely. Right? You hydroplane.
- 7:45Speaker 3: Oh, God, that feeling.
- 7:47Speaker 4: You've got to just not break at all. Just go like, oh,
- 7:50Speaker 4: I don't know. And then you'll hit it.
- 7:52Speaker 3: Yeah, especially with celebrity names. I think that's my main weakness.
- 7:55Speaker 4: Do you think we could manifest making each other not
- 7:58Speaker 4: remember a celebrity name right now?
- 8:00Speaker 2: Oh, wow.
- 8:01Speaker 3: Truly almost any celebrity. I will panic and not remember.
- 8:05Speaker 4: She won the Oscar for Paper Moon. Oh.
- 8:12Speaker 3: I actually don't know.
- 8:13Speaker 4: Is it Sean Young? Everyone's 25. No one knows.
- 8:21Speaker 3: We haven't talked since you were in Utah. Actually, I
- 8:25Speaker 3: wanted to talk about Costco as well, which you don't
- 8:27Speaker 3: go to.
- 8:28Speaker 4: I go sometimes, and I'm allowed to have my own cart.
- 8:31Speaker 4: But my husband is from the state that you're from,
- 8:34Speaker 4: which is very popular right now. Very hot state. You
- 8:37Speaker 4: can feel it about to start.
- 8:40Speaker 3: We're in the last days of Taylor Frankie Paul is
- 8:45Speaker 3: nailing the coffin herself.
- 8:49Speaker 4: Was Waco the one? Yeah, it feels Waco-y.
- 8:54Speaker 3: Yeah, it does feel a little David Koresh.
- 8:56Speaker 4: Well, she's in there.
- 8:57Speaker 3: Yeah.
- 8:58Speaker 4: Or what was the one Ruby Ridge? It feels Ruby Ridge.
- 9:01Speaker 3: Oh, the Idaho thing.
- 9:03Speaker 4: Where it's like, should we just leave her alone? And
- 9:06Speaker 4: then she posts something crazy and it's like, we should
- 9:07Speaker 4: just line up outside her house.
- 9:09Speaker 3: They probably have the– what arm of the government is it?
- 9:13Speaker 3: It's the– ATF. ATF, that's right.
- 9:16Speaker 4: My memory is amazing right now. That's very good. I
- 9:18Speaker 4: remembered both of the things that came up.
- 9:21Speaker 3: I would have to go through like– Seven different acronyms
- 9:24Speaker 3: before I got to ATF.
- 9:25Speaker 4: Did you see the video of Taylor Frankie Paul's assistant
- 9:31Speaker 4: doing a day in the life?
- 9:33Speaker 1: No.
- 9:34Speaker 4: So it's like, come with me as I do my
- 9:37Speaker 4: job as Taylor Frankie Paul's personal assistant. And it's that
- 9:42Speaker 4: she goes to, I think BJ's. It wasn't Costco. Stocks
- 9:47Speaker 4: up on a Lonnie. The caffeine.
- 9:50Speaker 3: Of course.
- 9:50Speaker 4: The mother's caffeine soda.
- 9:52Speaker 3: I've seen Taylor carrying that around on the show.
- 9:54Speaker 4: Yes. And then she picks up, she goes to a P.O. box,
- 9:59Speaker 4: I think and brings in a bunch of packages.
- 10:02Speaker 3: Fan mail?
- 10:03Speaker 4: Just like knives and like powders. And then she grabs
- 10:12Speaker 4: one of Taylor's Stanley mugs and fills it with ice
- 10:17Speaker 4: and then pours a bunch of Alani's into it. And
- 10:20Speaker 4: then gives a thumbs up to camera.
- 10:22Speaker 3: That's the day in the life.
- 10:24Speaker 4: No, she also picks up Taylor Frankie Paul's children's toys
- 10:28Speaker 4: and puts it away. And it was like– Yeah.
- 10:32Speaker 3: Well, how many– I feel like you can probably like–
- 10:37Speaker 3: your body can handle probably two of Alani's a day.
- 10:39Speaker 4: It does explain her posting behavior. Yeah. The like AI content.
- 10:44Speaker 3: Oh, I haven't seen the AI content. The last thing
- 10:46Speaker 3: I saw was that she's renting out her basement apartment.
- 10:48Speaker 4: That I also saw– Which is crazy because the proof
- 10:51Speaker 4: that people posted was like, that doesn't look like the
- 10:53Speaker 4: same place.
- 10:54Speaker 3: Oh, yes. I got really confused because I was like, wait,
- 10:57Speaker 3: I literally didn't even know they were trying to post
- 10:59Speaker 3: proof because the images were so clearly two different homes.
- 11:02Speaker 4: It's a different home.
- 11:03Speaker 3: I guess.
- 11:03Speaker 4: I don't know. Oh. Maybe there is an address in
- 11:08Speaker 4: the apartment listing. No, because why would you put the address?
- 11:11Speaker 4: That's so stupid.
- 11:12Speaker 3: So it's not her basement apartment or it's the basement
- 11:15Speaker 3: apartment of a different house.
- 11:17Speaker 4: I bet it's a basement apartment of a different house.
- 11:19Speaker 3: That she owns.
- 11:20Speaker 4: Your money goes further.
- 11:21Speaker 3: Maybe that Leigh-Anne owns.
- 11:22Speaker 4: They all lease. All of them lease.
- 11:25Speaker 3: Well, Jen Affleck's in a new Airbnb.
- 11:29Speaker 4: Leasing is the new owning. These girls are Airbnb-ing with
- 11:33Speaker 4: Meemaw's wedding dress.
- 11:35Speaker 3: But isn't that true of most reality stars?
- 11:38Speaker 4: Yeah, for shooting. I feel like these girls are always like,
- 11:41Speaker 4: moving day. I'm like, you're moving from one dorm to another.
- 11:46Speaker 3: When they say they're moving that often, it's like, well,
- 11:47Speaker 3: it seems like your life is a disaster. No one
- 11:50Speaker 3: moves that often unless there's like a– you're running from something.
- 11:54Speaker 4: It's something to do. Something's wrong. We should move. Fuck,
- 11:59Speaker 4: I'm pregnant.
- 12:00Speaker 3: So I guess maybe she's not renting out the apartment.
- 12:04Speaker 3: I would have loved to pounce on that opportunity. Can
- 12:08Speaker 3: you imagine?
- 12:08Speaker 4: That is who's your landlord if you're renting a basement in–
- 12:12Speaker 4: where is she, Sandy?
- 12:13Speaker 1: No.
- 12:15Speaker 3: See, this is the other thing about Secret Lives of
- 12:18Speaker 3: Mormon Wives. Constantly the chyron says Salt Lake City and
- 12:20Speaker 3: then what they show is Provo.
- 12:23Speaker 4: Yes.
- 12:23Speaker 3: Every time.
- 12:24Speaker 4: And Catholic churches.
- 12:25Speaker 3: Yeah, and Catholic churches, which makes– I have a huge
- 12:27Speaker 3: beef with that issue.
- 12:28Speaker 4: A close-up of Notre Dame.
- 12:30Speaker 3: They're showing all these crosses and stuff. They're missing just
- 12:34Speaker 3: like the most basic iconography.
- 12:36Speaker 4: Two Carmelite nuns walking, rosaries swinging.
- 12:44Speaker 3: Oh, they've got to put me in charge. But I
- 12:45Speaker 3: think the show is basically done. They've all jumped ship.
- 12:49Speaker 4: The girls are all going to be humanely euthanized.
- 12:53Speaker 3: What do you do with people like that after this thing?
- 12:57Speaker 3: They're all 25.
- 12:57Speaker 4: They go on Traitors and they go on the other
- 13:02Speaker 4: shows that need girls.
- 13:04Speaker 3: Do you watch the Traitors?
- 13:05Speaker 4: I can't get into it. I don't like freeform socializing
- 13:09Speaker 4: in general. And so the first episode, you really just
- 13:12Speaker 4: do have to watch it. 16 people move into a house.
- 13:15Speaker 4: I guess I don't like people moving.
- 13:17Speaker 3: Here's the thing. This is my biggest issue with it
- 13:19Speaker 3: is they don't live there.
- 13:20Speaker 4: What are you talking about?
- 13:22Speaker 3: When I found this out, the way that the bottom
- 13:24Speaker 3: of that thing fell out for me. Where do they go?
- 13:27Speaker 3: Some motel by the airport. That's one of the reasons
- 13:30Speaker 3: I would watch a reality show is to watch these
- 13:32Speaker 3: people trapped together. I mean, I feel like that's where
- 13:35Speaker 3: the most interesting dynamics come from.
- 13:37Speaker 1: Wow.
- 13:38Speaker 4: I guess it would be a lot easier to get
- 13:40Speaker 4: people there if they knew they had their own bathroom. Yeah.
- 13:43Speaker 4: They wouldn't be filmed. They wouldn't be filmed while sleeping.
- 13:46Speaker 1: Right.
- 13:47Speaker 4: Only be filmed when camera ready.
- 13:48Speaker 3: But that's just a basic part of reality TV.
- 13:51Speaker 4: Would you rather have more exciting cast people or they
- 13:58Speaker 4: all live there and it's we get who we get?
- 14:00Speaker 3: I think you'd end up with more freaks this way.
- 14:03Speaker 4: Do you like freaks?
- 14:04Speaker 3: Yes.
- 14:06Speaker 4: But freaks get shy on camera.
- 14:08Speaker 3: Well, I don't think this sort of freaks.
- 14:10Speaker 4: Have you ever seen a dad at a wedding? The
- 14:12Speaker 4: craziest dad is sitting there with his hands in his lap.
- 14:15Speaker 4: That's crazy people.
- 14:17Speaker 3: Have we lost the spirit of like the real world
- 14:19Speaker 3: where these people show up and are happy to be
- 14:21Speaker 3: on camera and living in a house together?
- 14:23Speaker 2: Yes.
- 14:24Speaker 3: I guess it's because it is really a job now.
- 14:27Speaker 3: So it's really a thing where you want to be
- 14:29Speaker 3: the professional version of the reality star.
- 14:31Speaker 4: Yeah. No one is showing up on reality TV without
- 14:34Speaker 4: having an agent or a lawyer look at something. It
- 14:37Speaker 4: used to just be like, shit, yeah, I'm free.
- 14:39Speaker 3: I've got the summer.
- 14:40Speaker 4: Yeah.
- 14:42Speaker 3: But– Yeah, the show truly leads you to believe they
- 14:46Speaker 3: live there. They say, we're going to bed. Then they
- 14:50Speaker 3: go up the stairs.
- 14:51Speaker 4: I need to know, do they share vans to the motel?
- 14:56Speaker 3: Right. Are they allowed to talk to each other at
- 14:58Speaker 3: the motel? They probably aren't.
- 15:00Speaker 4: Oh, is it like the OJ jury?
- 15:02Speaker 3: It's probably exactly like the OJ jury. The stakes are
- 15:06Speaker 3: just as high.
- 15:07Speaker 4: It's so good.
- 15:08Speaker 3: But they probably do use the same tech. You'd have to.
- 15:12Speaker 4: Imagine how lackadaisical the crew must be.
- 15:15Speaker 3: Oh, everybody there is just like, what?
- 15:17Speaker 4: Where am I? Nothing makes me crankier than a British crew.
- 15:22Speaker 3: Some low-budget Scottish crew.
- 15:24Speaker 4: Why are you smiling? Why are you smiling?
- 15:29Speaker 3: Well, I'm sad to hear you don't like the traitors.
- 15:33Speaker 3: I don't like about 50% of the show when they're
- 15:35Speaker 3: doing a physical challenge because the games are so convoluted.
- 15:39Speaker 3: It's like.
- 15:41Speaker 3: I just lose– I have no idea what's going on ever.
- 15:45Speaker 4: Is it like Survivor where they do puzzles that stand up?
- 15:49Speaker 3: Sort of, yeah. But then there will be like four
- 15:52Speaker 3: other elements and then they're trying to collect some sort
- 15:56Speaker 3: of object. I tune out. I wait for that part
- 16:00Speaker 3: to be over.
- 16:01Speaker 4: Fast forward through it or you let it play?
- 16:03Speaker 3: Do I fast forward? I let it play. It's just
- 16:06Speaker 3: my free looking at my phone time, I guess.
- 16:08Speaker 4: That's for Bridger.
- 16:08Speaker 3: And then I'm locked in.
- 16:12Speaker 4: I won't rush you. You won't rush me.
- 16:14Speaker 3: What are you consuming?
- 16:16Speaker 4: Couples therapy.
- 16:17Speaker 1: Oh.
- 16:19Speaker 3: See, when that comes out, I just blow through it.
- 16:22Speaker 4: Well, I somehow completely forgot the end of season one
- 16:27Speaker 4: or just didn't finish it.
- 16:29Speaker 3: What happens?
- 16:30Speaker 4: I don't. I know that now Annie and Mal are divorced.
- 16:34Speaker 2: Okay.
- 16:34Speaker 4: Because I am on the subreddit. I don't know.
- 16:37Speaker 3: Most of these people are divorced.
- 16:40Speaker 4: Everyone should be. Be divorced. I think everyone should get
- 16:42Speaker 4: married and then everyone should also get divorced except for us.
- 16:48Speaker 3: Yeah, I feel like almost every couple on that. But
- 16:51Speaker 3: I feel like, of course, you are.
- 16:52Speaker 4: Yeah. Who do you like on that show? Or who
- 16:58Speaker 4: do you hate the most?
- 16:59Speaker 3: There's no chance I'm going to be able to think
- 17:00Speaker 3: of a single one of these people. There's the guy
- 17:01Speaker 3: who's obsessed with his birthday. Do you remember this guy?
- 17:05Speaker 4: That's Mal.
- 17:06Speaker 3: Really?
- 17:07Speaker 4: That's the one who lost his mind that she didn't.
- 17:10Speaker 3: Celebrate it, right?
- 17:12Speaker 2: Yes.
- 17:12Speaker 4: That she threw him a big orgy and he was like,
- 17:14Speaker 4: you did it wrong.
- 17:15Speaker 3: Yes, I couldn't stand him.
- 17:17Speaker 4: He's really bad.
- 17:18Speaker 3: He seems like a genuinely prison-bound scumbag.
- 17:23Speaker 4: He owns a restaurant.
- 17:24Speaker 3: Oh, of course.
- 17:25Speaker 4: He and Annie owned a restaurant together.
- 17:26Speaker 3: A restaurant with black toilets.
- 17:28Speaker 4: Oh, just, and there's 3M tape on the bathroom wall,
- 17:33Speaker 4: nothing on top of it, just the tape. The idea
- 17:36Speaker 4: of soap. I really, I have trouble with them.
- 17:40Speaker 2: Yeah.
- 17:40Speaker 4: But they're very clippable. If you follow the Couples Therapy
- 17:44Speaker 4: YouTube channel, they're always clipping. The Couples Therapy channel on
- 17:50Speaker 4: YouTube will make super cuts that are like five of
- 17:54Speaker 4: the biggest pieces of shit who have ever been on
- 17:56Speaker 4: the show. And it's like, or like Dr. Orna locks
- 18:01Speaker 4: horns with narcissists. And then it shows it and then
- 18:06Speaker 4: It's still like the show is produced by therapists. I'm like,
- 18:10Speaker 4: where is the law?
- 18:10Speaker 1: Right.
- 18:11Speaker 3: That part feels tough because if you just watch the show,
- 18:16Speaker 3: I mean outside of– there's some ethical things just falling
- 18:19Speaker 3: apart because you're on camera.
- 18:21Speaker 4: I love that that show exists. I do think it's
- 18:24Speaker 4: doing a public good. I think it's Sesame Street for adults.
- 18:28Speaker 4: It's like showing you what things could be.
- 18:30Speaker 3: It makes you feel– so much better about your relationship.
- 18:34Speaker 4: Oh, my God. It also makes me more patient with
- 18:36Speaker 4: other people in public. Like, anytime I'm like, those people
- 18:39Speaker 4: are driving crazy. I'm like, some of them are married
- 18:41Speaker 4: to people that they baseline despise.
- 18:44Speaker 3: Yes.
- 18:44Speaker 4: And, like, I would also drive insane. The man in the.
- 18:49Speaker 3: Thruple may have burned down part of California.
- 18:51Speaker 4: I love the man in the thruple. If you go
- 18:54Speaker 4: on the Couples Therapy subreddit, there are people posting, I
- 18:57Speaker 4: used to live with him because their apartment was one
- 18:59Speaker 4: of those, like, revolving door, like... What do they call
- 19:03Speaker 4: it where it's like if you live here, like you
- 19:05Speaker 4: have to eat dinner with us and you have chores.
- 19:07Speaker 3: Oh, Flophouse?
- 19:09Speaker 4: Yeah, Flophouse. Fancy Flophouse.
- 19:12Speaker 3: What is that? It's like a it's not a commune.
- 19:14Speaker 4: It's like co-work, co-living space, cohabitating.
- 19:20Speaker 3: Flophouse. Yeah.
- 19:22Speaker 4: But that like he would never do his chores and
- 19:23Speaker 4: he also wouldn't eat meals with them. And then he
- 19:26Speaker 4: was a piece of shit. And I was like, yeah,
- 19:28Speaker 4: I know.
- 19:29Speaker 3: Actually, this sounds like me when I first moved to L.A.
- 19:31Speaker 3: I lived with a couple and their baby, and they
- 19:33Speaker 3: were very upset that I didn't want to eat dinner
- 19:34Speaker 3: with them.
- 19:36Speaker 4: That's crazy. They were insane. How did you find them?
- 19:43Speaker 3: Craigslist. Everything about it was very poor decision-making on my part.
- 19:50Speaker 3: I think I was because they needed to rent out
- 19:53Speaker 3: this room.
- 19:53Speaker 4: Okay.
- 19:54Speaker 3: And it was clear that these were two people who
- 19:56Speaker 3: had spent a lot of time in the club scene
- 19:57Speaker 3: in the 90s, both of them extremely tan and were
- 20:00Speaker 3: probably like the money was drying up. So it was like, well,
- 20:03Speaker 3: let's find a guy on Craigslist to take the room
- 20:06Speaker 3: across from the baby.
- 20:07Speaker 4: You really do have– Perfect Craigslist roommate written all over
- 20:10Speaker 4: your face. If you came to the Starbucks to meet
- 20:14Speaker 4: up with me, I'd say jackpot.
- 20:18Speaker 3: Well, I hadn't even met them. I had a phone
- 20:21Speaker 3: call while walking through a Walmart in Sandy, Utah with
- 20:24Speaker 3: one of them. And that's how we confirmed that I'd
- 20:27Speaker 3: be staying with them.
- 20:28Speaker 4: And how long after that phone call were you there?
- 20:32Speaker 3: I don't know, a month, maybe three weeks. Not long.
- 20:36Speaker 4: What was their house like?
- 20:38Speaker 3: It's now demolished. It was right behind Magnolia Bakery on
- 20:42Speaker 3: 3rd Street. It was like a part of a duplex
- 20:46Speaker 3: or something. And they had a giant signed poster of
- 20:51Speaker 3: Crazy Town, the band.
- 20:54Speaker 4: Did they ever explain how they knew Crazy Town?
- 20:57Speaker 3: I pretty quickly just tried to shut down any communication
- 21:00Speaker 3: with them. But, of course, I was so curious.
- 21:03Speaker 1: Oh, my God.
- 21:04Speaker 4: You know Crazy Town. How do you guys know each other?
- 21:05Speaker 4: Where is that conversation going? Just go in your room.
- 21:08Speaker 3: Why does Crazy Town have a six-foot-tall poster?
- 21:11Speaker 4: Did they ever, like, ask you, hey, would you mind
- 21:14Speaker 4: kind of keeping an eye on the baby?
- 21:17Speaker 2: No.
- 21:18Speaker 3: I was only there for three months. And they were
- 21:21Speaker 3: almost immediately mad at me because I didn't want to
- 21:24Speaker 3: pay $ 150 a week for groceries.
- 21:25Speaker 4: You were there— answer to a lot of problems.
- 21:32Speaker 3: And then not.
- 21:33Speaker 4: You did not fulfill.
- 21:36Speaker 3: They were so mad when I left, but they still
- 21:38Speaker 3: made me take pictures of the whole place and post
- 21:40Speaker 3: it on Craigslist.
- 21:44Speaker 4: You work there. Not only are you one of their children,
- 21:47Speaker 4: you're also their realtor.
- 21:48Speaker 3: It was so great.
- 21:49Speaker 4: Three months is so long.
- 21:51Speaker 3: Oh, it felt like forever. And you can't be mad
- 21:53Speaker 3: at me. I didn't have a year lease. I can
- 21:55Speaker 3: leave whenever I want.
- 21:56Speaker 4: I'm a scary man.
- 21:57Speaker 3: I'm a scary... I'm... I'm a nobody's person. I could,
- 22:01Speaker 3: you know, you just let me into your house. I
- 22:03Speaker 3: could be a ghost.
- 22:05Speaker 4: I'm a nobody's person.
- 22:07Speaker 3: It's entirely their fault.
- 22:09Speaker 4: How do you feel about the like trend of plays
- 22:14Speaker 4: in Los Angeles that are like haunted?
- 22:17Speaker 3: I saw, I did see Paranormal Activity, the play.
- 22:22Speaker 4: I did too. Guess what? I loved it.
- 22:24Speaker 3: Had a wonderful time.
- 22:26Speaker 4: I brought up this trend like I didn't like the trend.
- 22:29Speaker 3: Are there more of them?
- 22:30Speaker 4: There was one called 222, A Ghost Story.
- 22:33Speaker 3: Okay.
- 22:34Speaker 4: That was pretty similar.
- 22:35Speaker 2: Was it scary?
- 22:35Speaker 4: It came out a year before. It was terrifying.
- 22:37Speaker 3: I couldn't believe I was scared by a play.
- 22:39Speaker 4: Oh, my God. We screamed. People behind me on a
- 22:43Speaker 4: date screamed.
- 22:44Speaker 3: I will say that part of the fear came from
- 22:48Speaker 3: the fact that the first hour is whispering. And then
- 22:52Speaker 3: the moment you hear anything above a whisper, of course,
- 22:54Speaker 3: you're going to be terrified.
- 22:55Speaker 4: I just think it's scary when people go into a house.
- 22:57Speaker 4: I'm like, as we've established.
- 23:01Speaker 3: I love haunted houses. I love them, too. I love
- 23:05Speaker 3: a little bit of spookiness. And there aren't enough haunted
- 23:07Speaker 3: house movies or at least the type of haunted houses
- 23:09Speaker 3: I like.
- 23:10Speaker 4: It's not enough. What was your favorite?
- 23:13Speaker 3: I don't like a new build. I don't. I don't
- 23:14Speaker 3: think that that's— You think.
- 23:15Speaker 4: That makes your original— you like an old haunted house?
- 23:19Speaker 3: I prefer kind of a hacky old haunted house.
- 23:24Speaker 4: Did you like Haunting of Hill House?
- 23:26Speaker 3: The TV show?
- 23:27Speaker 2: Yes.
- 23:28Speaker 3: I love the book. I love the original movie. And
- 23:33Speaker 3: I don't like when maybe it's our trauma.
- 23:36Speaker 4: Yeah, for sure.
- 23:38Speaker 3: I think I need to give it another chance because
- 23:40Speaker 3: people loved it so much. You liked it.
- 23:42Speaker 4: I loved it. My experience with it was very much
- 23:46Speaker 4: my experience of Stephen King where the cynical part of
- 23:50Speaker 4: me is like, this is corny. But then every other
- 23:53Speaker 4: part of me is like absolutely riveted and so happy
- 23:57Speaker 4: and ready to make fan art. It's so scary.
- 24:01Speaker 3: Is it? Just tell me this. Is there like... A
- 24:04Speaker 3: chance that it's actually ghosts in the show, or is
- 24:07Speaker 3: it just it is our trauma? Because if it is
- 24:09Speaker 3: our trauma, I'm not watching it.
- 24:12Speaker 4: That is such a good question. I'm trying to remember.
- 24:15Speaker 4: It's both.
- 24:16Speaker 3: I need at least one real visitor from the other side.
- 24:19Speaker 4: They're all real.
- 24:20Speaker 3: Okay.
- 24:22Speaker 4: It might be kind of both where it is ghosts,
- 24:26Speaker 4: but the thing we need to do is face the thing.
- 24:29Speaker 3: Uh-huh.
- 24:31Speaker 4: But also, like, it doesn't have a— I wouldn't say it
- 24:33Speaker 4: has a happy ending.
- 24:35Speaker 3: Okay.
- 24:35Speaker 4: It's quite scary. Do you like scary scary?
- 24:38Speaker 3: I like scary.
- 24:39Speaker 4: It is quite scary.
- 24:40Speaker 3: I just like real ghosts.
- 24:42Speaker 4: The ghosts are fucking real, Richard. You could reach out
- 24:46Speaker 4: and not touch these things. They're scary ass.
- 24:50Speaker 3: Okay.
- 24:51Speaker 4: They're going around. They're being all crazy.
- 24:52Speaker 1: Okay.
- 24:53Speaker 3: Being all crazy.
- 24:55Speaker 4: There are also– there's a lot of great like misdirects
- 24:58Speaker 4: of like, oh, we're going to find out that the
- 25:00Speaker 4: ghost was just this thing. And then you find out
- 25:02Speaker 4: that it.
- 25:02Speaker 3: Wasn't that way. Oh.
- 25:03Speaker 4: Like mold.
- 25:04Speaker 3: Oh, and I've heard that like if you go back,
- 25:08Speaker 3: they're like things you don't see through the first thing,
- 25:10Speaker 3: spooky things.
- 25:11Speaker 4: One of my favorite Jezebel articles is here are all
- 25:14Speaker 4: the ghosts you missed in Haunting of Hill House. And
- 25:15Speaker 4: it's like a slideshow of 40 pictures. And that to me,
- 25:20Speaker 4: that Jezebel article is one of the scariest movies I've
- 25:22Speaker 4: ever seen. Oh. Just looking at a blurry background actor
- 25:25Speaker 4: who's wearing like CVS face paint kind of behind a plant.
- 25:30Speaker 4: I don't feel safe.
- 25:32Speaker 3: Have you seen the trailer for his new adaptation of Carrie?
- 25:36Speaker 4: No.
- 25:37Speaker 3: Looks tough.
- 25:38Speaker 4: Yeah.
- 25:39Speaker 3: I don't want to see that world with cell phones.
- 25:42Speaker 4: I don't like plucky female characters written by men.
- 25:47Speaker 3: That's where you and I are different.
- 25:50Speaker 4: Because they're like, what's her want? And I'm like, have
- 25:52Speaker 4: you ever met a teenage girl? None of them want anything.
- 25:57Speaker 4: None of them want anything. And I don't want to
- 26:03Speaker 4: hear your guess. I'd rather hear somebody else's guess. We're
- 26:08Speaker 4: all making it up.
- 26:09Speaker 3: This seems like it's going to be a nightmare for
- 26:10Speaker 3: you then. Unless he didn't write it, I don't know.
- 26:13Speaker 3: But I think he does it all.
- 26:14Speaker 4: I don't mind him. I like that his wife is
- 26:18Speaker 4: so pretty. Oh, who's his wife? It's part of it.
- 26:20Speaker 4: Kate Siegel. She plays the one with the touch, with
- 26:22Speaker 4: the glove. Oh, you didn't see Haunting of Hill House.
- 26:24Speaker 1: Oh, no.
- 26:25Speaker 4: She's in all the stuff.
- 26:26Speaker 3: Her name's Katie.
- 26:28Speaker 4: Kate Siegel.
- 26:28Speaker 3: Because then there's Katie.
- 26:29Speaker 4: There's not Katie Segal.
- 26:30Speaker 3: No, Katie Segal.
- 26:32Speaker 4: No.
- 26:32Speaker 3: Right, who I love.
- 26:33Speaker 4: None of the people that I've been trashing this episode
- 26:37Speaker 4: are famous enough to deserve it.
- 26:39Speaker 3: Katie Segal is also married to the guy who did,
- 26:42Speaker 3: who created the motorcycle show. Oh, my God. We've got
- 26:46Speaker 3: to move on.
- 26:46Speaker 4: Sons of Anarchy.
- 26:47Speaker 1: Yes.
- 26:48Speaker 4: And she has a show. She had a pilot out.
- 26:50Speaker 4: Did it get picked up?
- 26:51Speaker 3: I have no idea.
- 26:52Speaker 4: Notalia Leone.
- 26:54Speaker 1: Oh.
- 26:55Speaker 4: Was it like a– Someone else.
- 26:58Speaker 3: We wish Katie the best.
- 27:00Speaker 4: We wish Katie the best.
- 27:02Speaker 3: Peg Bundy.
- 27:03Speaker 4: Peg.
- 27:04Speaker 3: You went to Utah.
- 27:06Speaker 4: Yes.
- 27:07Speaker 3: You went to JCPenney.
- 27:09Speaker 4: I went to JCPenney. I went with my husband and
- 27:12Speaker 4: my in-laws and– To the basement of a JCPenney at
- 27:15Speaker 4: a hot 6 p.m. on a Monday. We got there
- 27:18Speaker 4: at 5.58 and sprinted.
- 27:21Speaker 3: It closed at 6?
- 27:23Speaker 4: No, it closed at 7, but our appointment was at 6.
- 27:25Speaker 3: Oh, the photo studio closed at 7.
- 27:28Speaker 4: Photo studio closed at 7. Okay. We were in the
- 27:30Speaker 4: basement of the mall near the hair area.
- 27:32Speaker 3: Yes, did you smell the conditioner?
- 27:36Speaker 4: No, because no one's getting their hair washed in the
- 27:38Speaker 4: basement of a Macy's at this point. All the people
- 27:40Speaker 4: who would do that died during COVID. They're not doing it.
- 27:45Speaker 4: They're putting on filters and calling it a day. No
- 27:48Speaker 4: one's getting a condition at the South Town Center shopping center.
- 27:54Speaker 3: Some dank basement.
- 27:56Speaker 4: I almost bought stuff. I was like, what am I doing?
- 27:59Speaker 4: Like me and my sister-in-law looking at like the bobble
- 28:03Speaker 4: hair things that are like look like phone cords.
- 28:06Speaker 3: Oh, I don't know what this is.
- 28:06Speaker 4: I was like, that's a good price. Like none of
- 28:08Speaker 4: the prices had been updated since before COVID.
- 28:11Speaker 3: I got a lot of back to school outfits in
- 28:13Speaker 3: that basement of that mall, of that JCPenney.
- 28:17Speaker 4: What is the emotional color of that JCPenney as you're
- 28:20Speaker 4: thinking about it now?
- 28:21Speaker 3: I would say kind of a like sandblasted blue.
- 28:25Speaker 4: Couldn't be more accurate. I will share with you the
- 28:29Speaker 4: photos that were taken because the woman who met us
- 28:31Speaker 4: there was the most professional, organized person. Clear-visioned person I've
- 28:41Speaker 4: ever encountered.
- 28:42Speaker 3: I think Penny's is doing a great job of hiring
- 28:44Speaker 3: because I went to the one at the Americana and
- 28:47Speaker 3: got some pictures taken by Giancarlo. He was wonderful.
- 28:50Speaker 4: Was he great?
- 28:51Speaker 3: Couldn't have been better.
- 28:52Speaker 4: I'm thrilled to hear this because we did opt to
- 28:56Speaker 4: have a membership as opposed to paying.
- 28:58Speaker 3: There's a membership?
- 28:59Speaker 2: Yes.
- 29:00Speaker 3: And all you can eat? If we paid.
- 29:03Speaker 4: If we paid for the photos, it would have been
- 29:05Speaker 4: like $ 14, 000 because there were 10 of us. But she
- 29:09Speaker 4: was like, if you get a membership, it's like 50 bucks.
- 29:12Speaker 4: We were like, what? And she was like, I don't know.
- 29:14Speaker 4: And so we did it and now we like can
- 29:18Speaker 4: get free photo or like it's free. I don't know.
- 29:22Speaker 3: This is actually a great idea because digital photos don't
- 29:25Speaker 3: cost them anything. No. If you paid– I would pay
- 29:29Speaker 3: 50 bucks a month to go to Penny's– once a
- 29:32Speaker 3: month to get my photo taken.
- 29:34Speaker 4: It's just good to know.
- 29:34Speaker 3: I'm looking into this. It's great. Penny's reach out.
- 29:38Speaker 4: Penny's. We're ready. It'd be so alarming to hear JCPenney
- 29:41Speaker 4: as a podcast sponsor. Like, whoa, do I not understand?
- 29:44Speaker 3: Where'd this money come from?
- 29:46Speaker 4: I don't know anything. Who's gay at JCPenney?
- 29:54Speaker 3: Well, I think we need to talk about something else.
- 29:57Speaker 3: You brought a gift. This is your third time on
- 29:59Speaker 3: the podcast. Just refuse to stop.
- 30:01Speaker 4: Yep.
- 30:02Speaker 3: Should we open it here?
- 30:03Speaker 4: I think so.
- 30:04Speaker 2: Okay.
- 30:08Speaker 3: Let's see here.
- 30:09Speaker 4: There's one item in there that's a little.
- 30:13Speaker 3: Should I take them both out at the same time?
- 30:15Speaker 4: No.
- 30:16Speaker 3: There's one that's an object and one that's more of
- 30:18Speaker 3: a paper.
- 30:19Speaker 4: Take the paper first.
- 30:25Speaker 3: It's a bumper sticker that says, I met Elvis at
- 30:27Speaker 3: Haley and Henry's wedding.
- 30:29Speaker 2: Yeah.
- 30:30Speaker 4: Show the people.
- 30:30Speaker 3: Thank you. You should produce the show.
- 30:34Speaker 4: I should. I'm going to get into TV. Look at that.
- 30:38Speaker 4: My friends had the most beautiful wedding and they flew
- 30:41Speaker 4: in an Elvis impersonator who, shock of the lifetime alert,
- 30:47Speaker 4: Has good politics. Whoa. Wrote a song about how Bernie
- 30:51Speaker 4: Sanders is awesome.
- 30:52Speaker 2: Wow.
- 30:53Speaker 4: You're flying in an Elvis impersonator from Vegas for your
- 30:55Speaker 4: wedding and you find a political song on his profile
- 30:59Speaker 4: and aren't horrified?
- 31:00Speaker 3: That's crazy. He was amazing. Do we know his name?
- 31:03Speaker 4: I don't.
- 31:04Speaker 2: Okay.
- 31:04Speaker 4: No, I don't want to get sued.
- 31:06Speaker 3: Jim worked with an Elvis impersonator on tour in Les Mis.
- 31:10Speaker 2: Oh.
- 31:10Speaker 3: It's very high. The competition is very, I mean, like
- 31:14Speaker 3: it's high stakes for Elvis impersonators.
- 31:16Speaker 4: I don't. I don't want to be there.
- 31:19Speaker 3: Very. I imagine people train their entire lives to become
- 31:23Speaker 3: an Elvis impersonator.
- 31:24Speaker 4: It's really hard, too, because with the impersonating game, they
- 31:29Speaker 4: age out of it at a certain point.
- 31:31Speaker 3: Oh, interesting, because you can't live past the dying on
- 31:34Speaker 3: the toilet. We don't know what Elvis looked like after that.
- 31:37Speaker 4: That would be a really great Elvis to get for
- 31:39Speaker 4: your wedding. We got Hunk of Burn in Love, but
- 31:42Speaker 4: I want to see the Elvis who's just fumbling around
- 31:45Speaker 4: for pills in a bath mat. That, it was amazing.
- 31:49Speaker 4: It was the most entertaining thing. The bride's grandmother, who
- 31:52Speaker 4: had had surgery two months before, got up and danced
- 31:55Speaker 4: with Elvis.
- 31:56Speaker 2: Oh, my God.
- 31:56Speaker 4: And looked so happy.
- 31:57Speaker 3: Did he have a band? Or did he just play guitar?
- 32:00Speaker 4: No, they were piping in. Oh, okay. They had the
- 32:02Speaker 4: karaoke track.
- 32:02Speaker 3: Oh, this makes sense. This makes sense.
- 32:04Speaker 4: It was great. It was really good.
- 32:06Speaker 3: How many songs did he do?
- 32:07Speaker 4: A good amount. It didn't feel too long. Okay. It
- 32:09Speaker 4: did not feel too short.
- 32:10Speaker 3: And it was a thing where you didn't have to...
- 32:13Speaker 3: Be a captive audience. You could dance.
- 32:15Speaker 4: We could dance. I will say that it was at
- 32:17Speaker 4: the L.A. River Center.
- 32:19Speaker 3: Okay.
- 32:19Speaker 4: Which is an old Lowry's seasoning factory.
- 32:23Speaker 3: Oh, I like to hear that.
- 32:23Speaker 4: That is now a beautiful courtyard. It's a good wedding venue. Okay.
- 32:32Speaker 4: But it was very spacious. So it felt like there
- 32:38Speaker 4: weren't a ton of people watching him. So it felt
- 32:41Speaker 4: like Elvis was giving it all for like a couple
- 32:44Speaker 4: of folks, even though it was like 150 people.
- 32:46Speaker 3: That's probably a lot of his experience.
- 32:49Speaker 4: He was not a fan. I mean, he saw that
- 32:51Speaker 4: there was a woman who previously couldn't walk, who then
- 32:54Speaker 4: leapt to her feet and was dancing. And he was like,
- 32:56Speaker 4: I'm fine. I'm fine. I don't.
- 32:59Speaker 3: He's healed this woman.
- 33:01Speaker 4: He's great. I took a picture of them.
- 33:03Speaker 3: Did you talk to him at all?
- 33:04Speaker 4: No.
- 33:05Speaker 3: I wondered, like, does he stay in character when he's
- 33:08Speaker 3: talking to people?
- 33:09Speaker 4: I think he bridges the gap. Because my friends– we
- 33:11Speaker 4: took a picture with him and it was like a–
- 33:13Speaker 4: or it was like– he didn't– I don't think he
- 33:17Speaker 4: said thank you very much, which feels crazy.
- 33:19Speaker 3: Yeah, it's a missed opportunity.
- 33:20Speaker 4: But he was bridging– he was still– he wasn't breaking character.
- 33:24Speaker 4: But when– at the end of the picture when he
- 33:26Speaker 4: was like, thanks for coming, you could tell he was
- 33:28Speaker 4: looking at us with his eyes.
- 33:30Speaker 3: You could see a human in there.
- 33:31Speaker 4: You could see the human in there past the goofy mouth.
- 33:33Speaker 4: You could see the eyes. And– But he wasn't breaking
- 33:38Speaker 4: the facade.
- 33:39Speaker 3: The Elvis oath.
- 33:40Speaker 4: I really appreciate it.
- 33:40Speaker 3: Did it look like he had had surgery to become
- 33:42Speaker 3: Elvis or was he just naturally born?
- 33:44Speaker 4: I mean, so much of the work is done by
- 33:48Speaker 4: the hair and the white jumpsuit and the glasses.
- 33:51Speaker 3: Yeah. Oh, if you got the glasses on.
- 33:53Speaker 4: The key is to be an impersonator of someone whose
- 33:56Speaker 4: face is completely obscured.
- 33:57Speaker 2: Yeah.
- 33:57Speaker 4: Because then you can really ride that.
- 34:00Speaker 3: Jason Voorhees.
- 34:04Speaker 4: You know, you remembered his last name. That's a big deal.
- 34:08Speaker 3: Why am I able to remember his name and I
- 34:09Speaker 3: can't remember Christian Bale?
- 34:10Speaker 4: But you did.
- 34:11Speaker 1: Oh.
- 34:12Speaker 4: You remembered it just now from before.
- 34:13Speaker 3: I've committed it to memory. Maybe I'll remember him forever.
- 34:16Speaker 2: Yeah.
- 34:17Speaker 3: I don't know.
- 34:18Speaker 4: I am incapable of giving a gift without putting a
- 34:20Speaker 4: little thing in it.
- 34:21Speaker 3: I know because the first time you were on, you
- 34:23Speaker 3: gave me a button that says I need attention and
- 34:26Speaker 3: it's been on my bag. Up until just recently because
- 34:28Speaker 3: it fell off in a restaurant and I panicked.
- 34:31Speaker 4: Oh, I'm sorry.
- 34:31Speaker 3: No, I've got it back. But I'm not putting it
- 34:33Speaker 3: back on the bag because I'm worried about it coming
- 34:36Speaker 3: loose again.
- 34:36Speaker 4: Yeah, when you said you put it on the bag,
- 34:39Speaker 4: I was picturing the loose, rusty knife of the back
- 34:42Speaker 4: of a pen.
- 34:43Speaker 3: Yeah, it's just not sturdy. I guess I could hot
- 34:47Speaker 3: glue it or something. That feels phony.
- 34:50Speaker 4: Someone write in.
- 34:51Speaker 3: Somebody must know how to secure a button to a bag. Well,
- 34:56Speaker 3: this is– so Elvis just shows up mid-wedding and starts singing.
- 34:59Speaker 4: Not mid-wedding. At the end of the night.
- 35:01Speaker 3: Oh, at the end of the night. Perfect.
- 35:05Speaker 4: Perfect.
- 35:06Speaker 3: Had there already been dancing?
- 35:08Speaker 4: Yes.
- 35:09Speaker 1: Oh, wow.
- 35:09Speaker 3: So he's really performing to a tired group.
- 35:12Speaker 4: I couldn't have given you a falser impression. It really
- 35:16Speaker 4: was when there was just enough them left in the people. Yeah.
- 35:24Speaker 4: Where it was kind of like then instead of people
- 35:27Speaker 4: getting drunker, Elvis came in. Where Elvis was the idea
- 35:30Speaker 4: of a fourth drink.
- 35:32Speaker 3: Oh, interesting.
- 35:33Speaker 4: That's a good comparison. So he was the naughty treat.
- 35:35Speaker 1: Right.
- 35:37Speaker 3: Are you an Elvis listener?
- 35:39Speaker 4: I've heard.
- 35:39Speaker 3: Would you like get on Spotify or whatever and be like,
- 35:42Speaker 3: time for Elvis?
- 35:43Speaker 4: God, we did it once on a road trip. Jason
- 35:48Speaker 4: worked on... So there was an animated show called Agent King. Okay.
- 35:53Speaker 4: That was on– oh, no. They changed it to Agent
- 35:57Speaker 4: Elvis at the last minute. Produced by Priscilla Presley.
- 35:59Speaker 2: Oh, good.
- 36:00Speaker 4: She voices herself as a 12-year-old.
- 36:02Speaker 3: What?
- 36:03Speaker 4: It came out under the cover of Night. No one
- 36:06Speaker 4: has seen it. The character design is awesome. There's cool–
- 36:09Speaker 4: like the voice actors are– I want to look at
- 36:11Speaker 4: this thing. The guy who voices SpongeBob voiced Elvis' monkey.
- 36:16Speaker 4: This is like a real thing.
- 36:17Speaker 2: Yes.
- 36:17Speaker 1: Yes.
- 36:19Speaker 4: Tom Kenny voices the chimp. Johnny Knoxville had a really
- 36:23Speaker 4: big part.
- 36:24Speaker 3: Okay.
- 36:25Speaker 4: And Elvis is voiced by Matthew McConaughey.
- 36:28Speaker 3: What was this even on?
- 36:31Speaker 4: My nightmares. No, it was.
- 36:33Speaker 3: It looks like it was Niecy Nash.
- 36:35Speaker 4: Yeah, the cast is great. It looks great. That was
- 36:38Speaker 4: my 2022 was hearing my dear husband not break a
- 36:41Speaker 4: sweat while instructing a famous person how to set up
- 36:44Speaker 4: a Zoom recording. That's scary.
- 36:47Speaker 3: That's terrifying.
- 36:49Speaker 4: That's a lot.
- 36:50Speaker 3: I once had a meeting on, which I thought was
- 36:54Speaker 3: going to be Zoom, ended up being Google Meets. And
- 36:56Speaker 3: then the more powerful people on the other side had
- 36:59Speaker 3: to walk me through how to use Google Meets for
- 37:02Speaker 3: 20 minutes. And then I had a, later that day,
- 37:05Speaker 3: had a full nervous breakdown.
- 37:07Speaker 4: I'm so sorry. It's always the little things.
- 37:14Speaker 3: I feel like I'm all over the place with Elvis
- 37:15Speaker 3: and weddings, etc.
- 37:17Speaker 4: We're good. There will be plenty in this.
- 37:19Speaker 3: Let's get into it.
- 37:19Speaker 4: I think.
- 37:20Speaker 2: I have a feeling.
- 37:20Speaker 3: Oh, my God. There is so much going on here.
- 37:25Speaker 4: There's a lot going on here.
- 37:26Speaker 3: First of all, it's brand new. This is from– because
- 37:29Speaker 3: it has the sticker on it still. So I know
- 37:31Speaker 3: where it's from. And a lot of the things here
- 37:33Speaker 3: are used because it's from Deseret Industries. And, listener, if
- 37:36Speaker 3: you're not aware, Deseret Industries is a thrift store owned
- 37:40Speaker 3: by the Mormon Church mostly through Utah, probably locations in
- 37:45Speaker 3: Wyoming and Idaho, and– One in L.A., which I found
- 37:49Speaker 3: out too late. In Pasadena?
- 37:53Speaker 4: Downtown.
- 37:55Speaker 3: It feels like a glitch in the system or something.
- 37:58Speaker 3: It's like, why is there a D.I. in downtown Los Angeles?
- 38:02Speaker 4: Beautiful.
- 38:02Speaker 3: And it feels like the D.I.
- 38:04Speaker 4: Really?
- 38:04Speaker 3: Yes.
- 38:05Speaker 4: They fly in the clothes every day.
- 38:10Speaker 3: The first time I got a whiff of it was
- 38:11Speaker 3: there was a DI, like, storage unit on the Warner
- 38:15Speaker 3: Brothers lot. And I was like, what has happened? Like,
- 38:17Speaker 3: what's an Inception-style dream nightmare? That's back rooms.
- 38:22Speaker 4: Yeah.
- 38:24Speaker 3: But, okay, so that's what we're looking at here is
- 38:27Speaker 3: a notebook that's branded for– doTERRA which do you want.
- 38:32Speaker 4: To explain or you want me to I can try
- 38:34Speaker 4: okay I'd like to hear what you it's it's the
- 38:37Speaker 4: state song of Utah to explain what doTERRA is so
- 38:39Speaker 4: you know it better than I do but it is
- 38:42Speaker 4: a um multi-level marketing company that sells is it essential
- 38:47Speaker 4: oils or smells.
- 38:49Speaker 3: Wow I thought it was uh one of the drinks I.
- 38:52Speaker 4: Think it smells it's probably smells doTERRA yeah fragrance earth
- 38:57Speaker 4: earth Yeah, I think it's like fragrance diffusers.
- 39:01Speaker 1: Yes.
- 39:02Speaker 4: Yeah.
- 39:02Speaker 3: Actually, now that you say that, I feel like I've
- 39:04Speaker 3: had one of those in a place I've lived in
- 39:06Speaker 3: at some point, like somebody left on the curb.
- 39:10Speaker 4: There's no chance that you haven't. It sounds like based
- 39:14Speaker 4: on the living situations you've had in the past. Somebody
- 39:17Speaker 4: was putting in a plug-in pink hunk of rock.
- 39:22Speaker 3: Oh, did these– What do these look like? Do you know?
- 39:25Speaker 4: I don't. I am at the end of my knowledge
- 39:29Speaker 4: about doTERRA.
- 39:29Speaker 3: I feel like the essential oils thing that just came
- 39:31Speaker 3: into my life was shaped like a Hershey kiss.
- 39:34Speaker 4: Yeah.
- 39:35Speaker 3: Does that make sense?
- 39:36Speaker 4: Yeah, and it has like a scary little smoke.
- 39:38Speaker 3: Coming out of the top. Yeah, like a genie lamp
- 39:39Speaker 3: or something.
- 39:40Speaker 4: It looks like in a movie when someone gets poisoned
- 39:43Speaker 4: by gas.
- 39:43Speaker 3: Yeah, exactly.
- 39:44Speaker 4: Like, oh, no, I'm going to fall asleep. But the
- 39:47Speaker 4: other thing to know about this notebook is that it
- 39:49Speaker 4: was on an end cap. So like at the end
- 39:53Speaker 4: of an aisle where it has the little shelves there. Oh,
- 39:55Speaker 4: of course, yes. Where every single shelf was full of those.
- 40:01Speaker 4: And so what I'm assuming is it's for people who
- 40:05Speaker 4: get recruited by doTERRA to sell doTERRA. And this is
- 40:09Speaker 4: the notebook they use when they're learning. Because what does
- 40:11Speaker 4: it say?
- 40:11Speaker 3: It says pursue what's pure.
- 40:14Speaker 4: Pursue what's pure.
- 40:15Speaker 3: Okay. Established 2008.
- 40:16Speaker 4: You can open it. So look at the paper. The
- 40:18Speaker 4: paper is a little bit glossy. I've gotten a little
- 40:20Speaker 4: bit into journaling. From what I understand, it's not great
- 40:23Speaker 4: for journaling because the paper is a little glossy.
- 40:26Speaker 3: Smudgy.
- 40:26Speaker 4: The ink is going to move around. Yeah. It's not
- 40:28Speaker 4: going to bleed.
- 40:30Speaker 3: It'll just be in the. disaster for your ancestors to
- 40:33Speaker 3: look at.
- 40:33Speaker 4: It's a notebook made for not writing in a notebook.
- 40:38Speaker 4: I think the color is beautiful though.
- 40:40Speaker 3: See, I have no problem with this texture of paper. Really?
- 40:43Speaker 4: Can I feel it again? Because I bought myself one.
- 40:46Speaker 3: Yeah, that isn't... I was expecting like poster level slick
- 40:49Speaker 3: and that feels.
- 40:50Speaker 4: That's not bad at all.
- 40:52Speaker 3: If you've got just a standard pen, I think I could...
- 40:55Speaker 3: I think it's good.
- 40:55Speaker 4: I like a gel. Yeah, if you're writing.
- 40:58Speaker 3: With a You know, a Bic.
- 41:00Speaker 4: A Bic, yeah.
- 41:01Speaker 3: Throw a Bic on there.
- 41:02Speaker 4: And it's dotted, or it's dotted lines.
- 41:05Speaker 3: Yeah, probably for the.
- 41:06Speaker 4: It's not bullet journal, but it makes you think that
- 41:08Speaker 4: it is.
- 41:08Speaker 3: That's what I'm wondering. No, it is doTERRA. It's not dot-terra.
- 41:12Speaker 4: Whoa, because of the dots.
- 41:15Speaker 3: I like that non-standard line. Oh, okay, and now did
- 41:18Speaker 3: you see the little message it has?
- 41:20Speaker 4: No.
- 41:21Speaker 3: On the inside cover it says, shine... I guess shine
- 41:26Speaker 3: is something. Shine celebrates the power of small actions to
- 41:30Speaker 3: sparkle incredible growth and lasting change. You have the power
- 41:34Speaker 3: to spread healing and hope, lighting the way for others
- 41:36Speaker 3: to follow. Shine boldly as you embrace your light within
- 41:41Speaker 3: and inspire those around you to do the same. So
- 41:44Speaker 3: is shine like a sister brand or like another product?
- 41:48Speaker 4: No, I think shine, it must be like the... keystone
- 41:53Speaker 4: of their employee training and like company culture about like it.
- 41:59Speaker 3: Feels like you've been contacted by doTERRA no.
- 42:03Speaker 4: I've worked in in hotels oh sure and it is
- 42:08Speaker 4: the like I worked for a company that had desks
- 42:12Speaker 4: in hotels so I floated between Sheridan's and Hilton's and
- 42:16Speaker 4: like so I got to see the like posters that
- 42:19Speaker 4: they have in the break room that are like Here
- 42:22Speaker 4: at Sheraton, we believe honor, loyalty, family, trust. And they
- 42:30Speaker 4: all have a different thing. And Shine, yeah, Shine is
- 42:34Speaker 4: a catchier version.
- 42:36Speaker 3: Of it, I guess. It makes me feel like there's
- 42:39Speaker 3: nothing worse at a job than when your manager comes
- 42:41Speaker 3: back from a conference or a company thing and they
- 42:44Speaker 3: have some new thing.
- 42:47Speaker 4: Like, everyone come with me. We're going on a field trip.
- 42:50Speaker 4: And it's always, like, to the basement.
- 42:51Speaker 1: Yeah.
- 42:52Speaker 3: Oh, God. Whenever I hear somebody say welcome in, I'm
- 42:56Speaker 3: just like flashing back to like patient zero probably in 2014.
- 43:00Speaker 3: Some manager coming back from a conference. It's like we're
- 43:02Speaker 3: now saying this. Psychologists have proven that saying welcome in
- 43:05Speaker 3: is more comforting for customers or whatever.
- 43:07Speaker 4: I never noticed welcome in.
- 43:09Speaker 3: Oh, there was a big shift. At some point, a
- 43:11Speaker 3: book is going to be written about how it suddenly
- 43:13Speaker 3: was just what people said.
- 43:15Speaker 4: Retail greetings. Yeah. Go to grad school for retail greetings.
- 43:19Speaker 3: Oh, there we go.
- 43:20Speaker 4: The history of retail. Yeah. Go to grad school.
- 43:22Speaker 3: Because I think it used to just be welcome or hi.
- 43:27Speaker 3: How can I help you?
- 43:28Speaker 4: Hi there. I think I would say hi there.
- 43:31Speaker 3: Yeah. I worked at the Apple store, and I think
- 43:35Speaker 3: it was just approaching people and saying, how's it going?
- 43:39Speaker 3: And then disappointing them with my absolute lack of knowledge.
- 43:42Speaker 4: How's it going? It's terrible. I'm at the Apple store.
- 43:44Speaker 4: Can you help me?
- 43:45Speaker 1: No.
- 43:46Speaker 3: I own an iPod and nothing else.
- 43:48Speaker 4: I'm wearing a T-shirt.
- 43:50Speaker 3: I still have some of those T-shirts.
- 43:52Speaker 4: Are they soft?
- 43:53Speaker 3: They are soft. They're from the American apparel era of
- 43:58Speaker 3: company T-shirts.
- 43:59Speaker 4: A nice feel.
- 44:00Speaker 1: Yeah.
- 44:00Speaker 4: But nipples are always visible on a man. I don't
- 44:03Speaker 4: like that.
- 44:04Speaker 3: I don't mind it.
- 44:05Speaker 4: I don't want to know that men have those, unfortunately.
- 44:08Speaker 4: I want a thick shirt on a boy. It's okay
- 44:11Speaker 4: if there's body there.
- 44:13Speaker 3: I just don't want to— You don't want to see it.
- 44:15Speaker 4: Call me old-fashioned. I don't like a thin shirt on
- 44:19Speaker 4: a man.
- 44:20Speaker 3: I think it's great.
- 44:21Speaker 4: I don't want to know that a man is wearing
- 44:23Speaker 4: a rayon blend.
- 44:24Speaker 3: Oh, a rayon blend. No, no, no, no, no.
- 44:27Speaker 4: You know when the shirt has like a little shiny,
- 44:30Speaker 4: like tender, tiny spider fabric in the weave and you
- 44:34Speaker 4: can just see the shiny?
- 44:35Speaker 3: Like golf fabric or something.
- 44:37Speaker 4: Golf fabric, yes.
- 44:39Speaker 3: If I pick up a shirt like that's made out
- 44:40Speaker 3: of a sports material, I'm dropping it immediately.
- 44:44Speaker 4: Get out of here.
- 44:44Speaker 3: Just give me cotton.
- 44:46Speaker 4: Just give me cotton. Did you know that caring about
- 44:50Speaker 4: things having cotton or not is millennial cringe?
- 44:53Speaker 3: Oh, interesting. Like millennials just want 100 percent cotton.
- 44:57Speaker 4: When they do an impression of us, they're like, what's
- 44:59Speaker 4: the fabric?
- 45:02Speaker 3: That's interesting to me because I feel like millennials were very–
- 45:06Speaker 3: were the ones who opened the door to having 1
- 45:08Speaker 3: percent spandex in the denim.
- 45:10Speaker 4: Millennial means a lot of things.
- 45:11Speaker 3: There's a lot going on. It's too early for millennials
- 45:16Speaker 3: to be under attack. I feel like Gen X should
- 45:20Speaker 3: still be a target. We're still fighting.
- 45:22Speaker 4: Yeah. We're still out there.
- 45:23Speaker 3: I think because it felt like getting around to attacking
- 45:28Speaker 3: boomers took a long time.
- 45:30Speaker 2: Yeah.
- 45:30Speaker 3: They were like in their 60s before they were under attack.
- 45:35Speaker 4: Why? Because we wore our hearts on our sleeves?
- 45:37Speaker 3: Well, maybe that's– we exposed ourselves. We were too intimate
- 45:42Speaker 3: too quickly.
- 45:43Speaker 4: That's fair. That's weird. Yeah. Yeah.
- 45:46Speaker 3: And now we're being chased by just bloodthirsty 20-year-olds.
- 45:51Speaker 4: Do you think MLMs are having a trouble with Gen
- 45:57Speaker 4: Z that they don't know how to make conversation the
- 45:59Speaker 4: way that previous generations do?
- 46:01Speaker 3: Oh, interesting. And they don't have friends. Oh, so they're
- 46:04Speaker 3: not able to spread it out to each other. I wonder.
- 46:08Speaker 3: That's interesting because I feel like MLM probably now works
- 46:13Speaker 3: better online. I think it's easier to sell a phony
- 46:16Speaker 3: product when the customer's not interacting with it until it's
- 46:20Speaker 3: in their home.
- 46:21Speaker 4: I did forget about that, that LuLaRoe, a lot of
- 46:24Speaker 4: that was online.
- 46:24Speaker 3: Classic example. They had the stinky pants.
- 46:27Speaker 4: I'm so behind. Have you ever gone on TikTok and
- 46:32Speaker 4: like look at the thing your friends send you and
- 46:34Speaker 4: scroll one and it's a live of like Two really
- 46:38Speaker 4: desperate looking people in a house with like purple lights
- 46:43Speaker 4: and they're holding up dolls. They're like this one. And
- 46:46Speaker 4: there's like an auction going on. You don't understand what's
- 46:50Speaker 4: going on. But every single time you open TikTok and
- 46:53Speaker 4: you scroll past the thing your friend sent you, it's
- 46:56Speaker 4: another subculture you didn't know about.
- 46:58Speaker 3: I feel like they were doing these sales with like
- 47:02Speaker 3: pearls or.
- 47:04Speaker 4: Yes.
- 47:04Speaker 2: Right.
- 47:06Speaker 4: Yeah, they're like girls who dress up like mermaids who
- 47:08Speaker 4: are like, I'm opening this clam.
- 47:10Speaker 3: And you maybe bid on it before it got opened?
- 47:13Speaker 3: Is that what happened? What could possibly be going on
- 47:16Speaker 3: in the world?
- 47:17Speaker 4: This is the worst memento. What was the thing I
- 47:21Speaker 4: watched with their girls who were mermaids?
- 47:24Speaker 3: The last thing I saw live on TikTok was none
- 47:26Speaker 3: other than Leanne, Taylor Frankie Paul's mom, on live talking
- 47:31Speaker 3: to probably a total of four people. It was a
- 47:35Speaker 3: tough scene.
- 47:36Speaker 4: I don't like seeing older people hustle for an audience.
- 47:45Speaker 3: It's not fair.
- 47:45Speaker 4: I want them to be immune.
- 47:47Speaker 3: Yeah. A friend was just talking about how he was
- 47:52Speaker 3: home with his family and saw his– this sort of
- 47:55Speaker 3: thing truly does break my heart– saw his mom was
- 47:57Speaker 3: probably 75 looking at the likes on her post, like
- 48:01Speaker 3: who had liked her post.
- 48:04Speaker 4: It's worse than seeing like a kid looking at an
- 48:09Speaker 4: iPad for hours.
- 48:11Speaker 3: Way worse. It's so sad. Because it's like you shouldn't
- 48:13Speaker 3: have ever had to deal with this.
- 48:16Speaker 4: It does feel like the chimp documentary where you're watching
- 48:19Speaker 4: the chimp smoke a cigarette and watch a YouTube video
- 48:21Speaker 4: of other chimps. When I see my parents just addicted
- 48:24Speaker 4: to their phones, I'm like, oh, God.
- 48:26Speaker 3: Oh.
- 48:26Speaker 4: What have we done?
- 48:27Speaker 3: Devastating. I mean, I just don't know why it's so
- 48:31Speaker 3: particularly horrifying.
- 48:34Speaker 4: They have no immunity.
- 48:35Speaker 3: Yeah.
- 48:36Speaker 4: It hit them so surprised.
- 48:37Speaker 3: Yeah. In a way, like, and in its worst form,
- 48:40Speaker 3: it's like, I feel like we at least got like
- 48:42Speaker 3: MySpace when it was kind of a fun.
- 48:45Speaker 4: Yeah, where the idea was like, these are people.
- 48:49Speaker 3: Right. And they got just this curdled evil thing that's
- 48:53Speaker 3: just like, just like being sort of pure toxic waste
- 48:58Speaker 3: rather than like being. Having it slowly introduced to your diet.
- 49:01Speaker 4: There's no safe level of lead for children. There's no
- 49:04Speaker 4: safe level of Facebook reels for boomers.
- 49:08Speaker 3: Who do you think is buying meta glasses?
- 49:10Speaker 4: That is a great question.
- 49:12Speaker 3: Who in the world?
- 49:14Speaker 4: I think it's people who go to the Americana or
- 49:20Speaker 4: who drive really fast.
- 49:22Speaker 3: Maybe the second. I'm at the Americana all the time.
- 49:26Speaker 4: You know what it is? There are ads for the
- 49:27Speaker 4: Metaglasses at the Americana. When you leave the AMC, you
- 49:32Speaker 4: look out and just see a big.
- 49:34Speaker 3: Right.
- 49:34Speaker 4: And you're like, is this going to work for them?
- 49:38Speaker 3: It doesn't. I just don't like can't imagine any human
- 49:41Speaker 3: being being like now I'm going to give the company
- 49:43Speaker 3: money for any product.
- 49:45Speaker 4: Yeah.
- 49:46Speaker 3: Let alone like a thing that's going to make you
- 49:50Speaker 3: socially stand out in the weirdest way.
- 49:52Speaker 4: I think like maybe they can get influencers to start
- 49:56Speaker 4: using it because I have seen similar to body cam.
- 49:59Speaker 4: I've seen like a Scientology free run that's like from Metaglasses.
- 50:05Speaker 3: Right.
- 50:06Speaker 4: But like. So I was like, is it going to
- 50:08Speaker 4: catch on? Like, it's easier for them, but it's more
- 50:11Speaker 4: of like a tool. It would be like buying Photoshop.
- 50:15Speaker 4: That it's not, you're never going to be in your
- 50:17Speaker 4: own video. Right.
- 50:20Speaker 3: It's very like gift bag. It's very like, well, I
- 50:24Speaker 3: got it, you know, for free or whatever.
- 50:25Speaker 4: I straight up am remembering right now that I did
- 50:28Speaker 4: get it for free.
- 50:29Speaker 3: Oh, but you have the glasses?
- 50:31Speaker 4: No, but this was in like 20, this was pre-COVID.
- 50:35Speaker 4: It was like an... SNL, sometimes you'll show up and
- 50:38Speaker 4: there'll just be an Alexa on your desk and you're like,
- 50:41Speaker 4: who's that from? And they're like, EDME. You're like, I
- 50:46Speaker 4: don't know if I'm going to use that. And you're
- 50:47Speaker 4: just scared of it. But sometimes it's wine and you
- 50:50Speaker 4: give it to your neighbors. But I've never enjoyed any–
- 50:55Speaker 4: a single free.
- 50:57Speaker 3: Item like that?
- 50:57Speaker 4: Corporate item. No.
- 50:58Speaker 2: No.
- 50:59Speaker 3: I met a glass most of all.
- 51:01Speaker 4: And it was like corny. It was corn ass. It
- 51:03Speaker 4: was not cool.
- 51:04Speaker 3: No, of course it's not cool.
- 51:05Speaker 4: And there was like a big circle. It looked like
- 51:07Speaker 4: what you buy at a magic store. It was an
- 51:10Speaker 4: earlier iteration. I feel like they might still be in
- 51:12Speaker 4: my house somewhere unless I put it on the curb.
- 51:16Speaker 3: It's– also, it makes me wonder what was Google Glass
- 51:20Speaker 3: because that really seemed like everyone hated it.
- 51:23Speaker 4: Everyone was being so funny about it.
- 51:26Speaker 3: That like never even made it out the door.
- 51:28Speaker 4: It was the orange and the sort of space. They
- 51:32Speaker 4: were trying to look space.
- 51:34Speaker 3: Okay. But it was like the same concept, right? It
- 51:36Speaker 3: was just like having your phone on your face?
- 51:40Speaker 4: Yeah, I think the meta glasses, the appeal is that
- 51:43Speaker 4: you can– it seems focused on like the video capabilities.
- 51:49Speaker 2: Oh.
- 51:50Speaker 4: And that you can– like less about using it as
- 51:53Speaker 4: an interface and more about like I'm making content.
- 51:56Speaker 3: Actively collecting video data.
- 51:59Speaker 4: What I don't understand is that there is, like, a
- 52:01Speaker 4: pretty large subsection of people who see stuff like that
- 52:07Speaker 4: and don't then think, why don't we all just kill ourselves? Like,
- 52:11Speaker 4: that's most people. When I walk out of the AMZ
- 52:15Speaker 4: and I see that, I think there are some people
- 52:18Speaker 4: who look at that and don't think, let's all kill ourselves.
- 52:22Speaker 3: So many people feel that way. Most people.
- 52:24Speaker 1: Yes.
- 52:25Speaker 4: I'd say I'm in the minority. Absolutely. I don't think
- 52:29Speaker 4: most people think that, which is so interesting.
- 52:31Speaker 3: It's alarming.
- 52:33Speaker 4: What do they think? Oh, that's great. AI makes it
- 52:36Speaker 4: easier for me to do my job. Play out the
- 52:40Speaker 4: tape by three months. No? It's so cool. I can
- 52:47Speaker 4: let my computer do my work while I go and dance.
- 52:50Speaker 4: It's like, why do you think they paid for ad time?
- 52:55Speaker 4: I'm not saying they're stupid. I'm just saying I'm purely
- 52:59Speaker 4: observing that a lot of people don't find that crazy.
- 53:06Speaker 3: Yeah. I won't say who, but people within my life,
- 53:12Speaker 3: younger people, I will look at their Instagram and the
- 53:15Speaker 3: caption is clearly written by AI. And I just think,
- 53:18Speaker 3: so you just, like, I just can't get to a
- 53:20Speaker 3: place of like, I, my brain can't think of what
- 53:23Speaker 3: to say about the thing.
- 53:24Speaker 2: So I.
- 53:26Speaker 3: Have Instagram say it for me? Like, or, I don't know.
- 53:30Speaker 4: This is the first time I'm hearing that that's a thing.
- 53:33Speaker 3: It's very weird.
- 53:34Speaker 4: First of all, I think it's very young of you
- 53:36Speaker 4: to know when something's AI.
- 53:37Speaker 3: I'm very young.
- 53:38Speaker 4: I have no ability to know.
- 53:40Speaker 3: Wait, do you not, can you not tell?
- 53:41Speaker 4: I can do like the basic stuff.
- 53:43Speaker 3: Okay. I have like, I don't know, there's just something
- 53:46Speaker 3: about it that I can just, Jim sent me a
- 53:49Speaker 3: very cute video of a Rottweiler and a baby the
- 53:51Speaker 3: other day and I immediately, there was just enough of
- 53:54Speaker 3: the AI sheen. I was like, no, this is, This
- 53:57Speaker 3: is not real.
- 53:58Speaker 4: That is one of the things that I can tell
- 54:00Speaker 4: when the lighting is beautiful and golden and mid-century. I'm like, no.
- 54:04Speaker 3: But this was more insidious. This was closing in on
- 54:07Speaker 3: this looks like home video. And again, it's like, so
- 54:10Speaker 3: what psycho is creating this? What lunatic is like, now
- 54:14Speaker 3: I'm going to make the video of the baby and
- 54:15Speaker 3: the dog getting along. What satisfaction is there? You're like catfishing.
- 54:25Speaker 2: What?
- 54:27Speaker 3: Yeah, I think we should.
- 54:29Speaker 4: I do actually find it freeing because it's so all-encompassing
- 54:33Speaker 4: that I'm like, oh, I'll just do what I was
- 54:35Speaker 4: going to do anyway.
- 54:36Speaker 3: Yeah, there's no escape.
- 54:39Speaker 4: I'm canvassing, you know. I'm signing up for the canvas.
- 54:43Speaker 3: Did you get anything else at the DEI while you
- 54:45Speaker 3: were there?
- 54:45Speaker 4: I did. I got an espresso cup. For the John
- 54:48Speaker 4: Huntsman Memorial Dinner.
- 54:50Speaker 3: Oh, I think you sent a photo of this.
- 54:52Speaker 4: Yes, which is funny now. I didn't realize until now
- 54:54Speaker 4: that it's espresso.
- 54:55Speaker 3: Yeah, that doesn't.
- 54:57Speaker 4: It's a tiny cup.
- 54:58Speaker 3: Where are the Huntsman's morals?
- 55:00Speaker 4: I don't know.
- 55:01Speaker 3: They're drinking coffee.
- 55:03Speaker 4: Maybe it's tiny hot cocos.
- 55:04Speaker 3: Maybe tiny.
- 55:05Speaker 4: A hot cocoa flight.
- 55:06Speaker 3: Splash of cocoa.
- 55:07Speaker 4: A splash.
- 55:08Speaker 3: The Huntsman's kind of own Utah.
- 55:11Speaker 4: Yeah.
- 55:12Speaker 3: That name's all over Utah. I don't know where the
- 55:15Speaker 3: money came from. Chemicals?
- 55:16Speaker 4: The ground.
- 55:17Speaker 3: The ground, probably.
- 55:18Speaker 4: They dug up the ground near my in-laws and now
- 55:20Speaker 4: they all have asthma. Now the humans are drinking tiny cocoa.
- 55:25Speaker 3: I try to get a mug almost any time I
- 55:27Speaker 3: go there. I've gotten some good mugs there.
- 55:29Speaker 4: I sent you a picture of a mug that I
- 55:31Speaker 4: didn't get.
- 55:32Speaker 3: Which one was this?
- 55:32Speaker 4: It said Beth all over it in like crime scene font.
- 55:38Speaker 4: I can't believe I didn't get Beth, Beth, Beth, Beth.
- 55:41Speaker 3: I'm so mad you didn't.
- 55:43Speaker 4: The thing is I have so many mugs in my
- 55:45Speaker 4: Wayfair mug container thing that it will crash and kill
- 55:49Speaker 4: a dog for sure.
- 55:51Speaker 3: That's a point of contention in our home.
- 55:54Speaker 4: Too many mugs?
- 55:55Speaker 3: Yeah. I've been asked to stop buying mugs, but what
- 55:58Speaker 3: else am I going to put in my house?
- 56:00Speaker 4: Do you know what I saw? I don't know if
- 56:02Speaker 4: this does anything for you, but I saw on Pinterest
- 56:04Speaker 4: something that maybe is AI that was the little free
- 56:07Speaker 4: libraries for books that people build.
- 56:09Speaker 2: Yes.
- 56:10Speaker 4: Someone made a mug library in front of their house
- 56:13Speaker 4: with hooks, and it's sizable.
- 56:15Speaker 1: Right.
- 56:15Speaker 4: And it's take a mug, leave a mug.
- 56:18Speaker 3: I mean, everything you're just saying, I'm now recognizing little
- 56:22Speaker 3: free libraries and mugs have absolutely got to be millennial cringe.
- 56:26Speaker 4: It's fine. Whatever.
- 56:26Speaker 3: They're going to absolutely destroy us for liking a good mug.
- 56:29Speaker 4: I think anything I say will be bad anyway. I
- 56:34Speaker 4: already thought that.
- 56:35Speaker 3: Before I got born.
- 56:36Speaker 4: Before I got born, I was like, this is about to–
- 56:42Speaker 4: I'm ready. It's not surprising to me that everything I
- 56:45Speaker 4: say is horrible. It's not crazy. I started there.
- 56:51Speaker 3: But I like the idea.
- 56:52Speaker 4: Me too.
- 56:53Speaker 3: Trade out the mugs.
- 56:54Speaker 4: Trade them out. It's fun.
- 56:56Speaker 3: I've got a few classics I'll never let go of.
- 56:58Speaker 4: Can you think of any of them?
- 57:00Speaker 3: I have one, a truly beautiful mug that says Wyoming
- 57:02Speaker 3: with a beautiful little picture of a bird, probably native
- 57:05Speaker 3: to Wyoming.
- 57:06Speaker 4: Gorgeous.
- 57:07Speaker 2: I have one.
- 57:07Speaker 3: This is Marilyn and then it describes what someone named
- 57:10Speaker 3: Marilyn would be like, kind of a nice little, you know,
- 57:13Speaker 3: sentences about Marilyn.
- 57:14Speaker 4: Is it sassy or is it nice?
- 57:16Speaker 3: It's more nice. It's more– I would say the feeling
- 57:20Speaker 3: is lavender.
- 57:21Speaker 4: Yeah.
- 57:23Speaker 3: I have a mug from Karl Malone's car dealership.
- 57:28Speaker 4: Yes.
- 57:28Speaker 3: Karl Malone body and paint I think is what it
- 57:30Speaker 3: says on the side.
- 57:31Speaker 1: Yeah.
- 57:33Speaker 3: I think those are some good ones. I have one
- 57:35Speaker 3: from New York, New York in Vegas that says Richard
- 57:38Speaker 3: on it. Some good ones. Do you have any good ones?
- 57:41Speaker 4: We've got so many good ones.
- 57:44Speaker 3: It's weird how many good mugs there are.
- 57:45Speaker 4: Crazy how many good ones. I have one from the
- 57:47Speaker 4: Lizzie Borden Museum.
- 57:48Speaker 3: Oh, wow.
- 57:49Speaker 4: Which is her house.
- 57:50Speaker 3: And did you go to the museum?
- 57:51Speaker 4: I did. I went to a bachelorette party there.
- 57:53Speaker 2: Oh, that's great.
- 57:53Speaker 4: We stayed overnight. We did a ghost tour and then
- 57:55Speaker 4: they gave us the keys.
- 57:56Speaker 3: They let you stay in the house? Yes.
- 57:58Speaker 4: In the morning they gave us a breakfast of tiny
- 58:00Speaker 4: historical pancakes. And it was great. Everyone got really, really drunk.
- 58:04Speaker 4: And we did ghost hunting with two people who were
- 58:07Speaker 4: at the nearby Naval Academy who were keeping their relationship secret.
- 58:10Speaker 4: And this was their date. And then two girls wearing
- 58:14Speaker 4: shirts that said Team Lizzie didn't do it.
- 58:17Speaker 3: Did she? No, she did it. Yes. Of course she
- 58:19Speaker 3: did it.
- 58:20Speaker 4: Yes. But the thing is, the other mug, they had
- 58:22Speaker 4: another mug there that I didn't get because it was
- 58:24Speaker 4: so upsetting. That was a heat, you know, like the
- 58:26Speaker 4: heat changing mugs where you pour in hot cocoa or
- 58:30Speaker 4: whatever and it. Makes it turn into a picture. One
- 58:33Speaker 4: of the pictures, it would go from like a portrait
- 58:38Speaker 4: of her father to the crime scene photo of his
- 58:42Speaker 4: face cut in half where it just looks like worms.
- 58:47Speaker 4: Where you're like, is that what heads are? And we're like,
- 58:50Speaker 4: you're going to drink out of that? That's crazy.
- 58:52Speaker 3: Having breakfast.
- 58:53Speaker 4: Having breakfast.
- 58:54Speaker 3: While eating yogurt.
- 58:55Speaker 4: With your secret husband. So I got the Lizzie Borden
- 59:00Speaker 4: mug where she's just kind of looking a little scary.
- 59:02Speaker 2: Okay.
- 59:02Speaker 4: And it's one of my husband's favorite mugs.
- 59:04Speaker 3: That sounds tasteful.
- 59:05Speaker 4: Really cute.
- 59:05Speaker 3: Yeah, I'll keep buying them. I don't care.
- 59:07Speaker 4: I'm not going to stop.
- 59:10Speaker 3: I truly have nothing else I need.
- 59:12Speaker 1: No.
- 59:12Speaker 3: I've got it all.
- 59:13Speaker 4: I've got it all.
- 59:14Speaker 3: Well, I'm so glad. I've slowed down on my journaling
- 59:18Speaker 3: and I need to pick it back up and this
- 59:19Speaker 3: feels like it's going to be the next journal I use.
- 59:23Speaker 3: I'm excited. This will be confusing for people in the
- 59:25Speaker 3: future to look at.
- 59:26Speaker 4: I find that Spiral notebooks are great for people who
- 59:29Speaker 4: have a tough time journaling because you always get the
- 59:32Speaker 4: feeling of a new page.
- 59:33Speaker 3: Oh, true. And a lot of my journals are the
- 59:37Speaker 3: ones where you have to kind of hold it. I'm
- 59:38Speaker 3: like writing on the bed, pushing down on it. It's
- 59:42Speaker 3: a mess. So this feels like.
- 59:44Speaker 4: There's that. They do make binder. They do make journal clips.
- 59:49Speaker 2: Journal.
- 59:49Speaker 3: Oh.
- 59:50Speaker 4: With a little clips that hold it open.
- 59:52Speaker 2: Oh.
- 59:54Speaker 4: But don't do that. Do this.
- 59:59Speaker 3: Let's play a game. Okay. Do you have anything to
- 1:00:01Speaker 3: recommend or promote?
- 1:00:02Speaker 4: No.
- 1:00:04Speaker 3: You're online.
- 1:00:05Speaker 2: I'm online.
- 1:00:05Speaker 3: You're on Instagram.
- 1:00:07Speaker 4: And all of my captions are made by humans. Okay.
- 1:00:13Speaker 3: Let's play. We're going to play invite list. I'm going
- 1:00:16Speaker 3: to start naming a list of celebrities. You tell me
- 1:00:19Speaker 3: invited or not invited. And once we get to 10,
- 1:00:22Speaker 3: that's your party. Does that make perfect sense?
- 1:00:26Speaker 2: Yeah.
- 1:00:28Speaker 4: 10's a lot.
- 1:00:29Speaker 3: 10's a lot. But once we get into it, you're
- 1:00:31Speaker 3: going to say 10's not enough.
- 1:00:32Speaker 4: Where is the party?
- 1:00:33Speaker 3: It's wherever you want it to be. What kind of
- 1:00:35Speaker 3: party do you want to have?
- 1:00:36Speaker 4: None. A kind of party that I like. I don't
- 1:00:41Speaker 4: have to know what it is, but.
- 1:00:43Speaker 3: Yeah, you don't have to know.
- 1:00:44Speaker 4: I can just.
- 1:00:45Speaker 3: Just imagine.
- 1:00:45Speaker 4: For the exercise. Okay, great.
- 1:00:47Speaker 3: All right. And you can say why or why not
- 1:00:49Speaker 3: you want to invite these people too.
- 1:00:50Speaker 1: Okay.
- 1:00:50Speaker 3: It's up to you. Dan Aykroyd.
- 1:00:52Speaker 4: Yeah, he's invited.
- 1:00:54Speaker 1: Okay.
- 1:00:56Speaker 3: Stephanie Meyer. Author of Twilight.
- 1:00:59Speaker 4: She is invited. I have eaten with her in the
- 1:01:02Speaker 4: Netflix series animation cafeteria.
- 1:01:04Speaker 3: Wow.
- 1:01:05Speaker 4: There's a Twilight animated series.
- 1:01:08Speaker 3: That's incredible.
- 1:01:09Speaker 4: And I watched her be like, where are the croutons?
- 1:01:12Speaker 4: And all of us were like, we don't care. Wow.
- 1:01:16Speaker 3: Renee Rapp.
- 1:01:20Speaker 4: She's invited.
- 1:01:21Speaker 3: You sound scared.
- 1:01:23Speaker 4: Whenever there's like people who know how to dress like that,
- 1:01:27Speaker 4: I feel sad because I'm like, I'm so far away
- 1:01:30Speaker 4: from knowing what that is.
- 1:01:34Speaker 3: Oh, this is a good Mormon one, Brandon Flowers. Yeah. Okay.
- 1:01:38Speaker 4: He can be there.
- 1:01:40Speaker 3: Cat Williams.
- 1:01:44Speaker 4: He's invited, but he'll not come.
- 1:01:50Speaker 3: Based on your current list of people.
- 1:01:51Speaker 4: I just think he gets invited to stuff and then
- 1:01:53Speaker 4: doesn't come.
- 1:01:55Speaker 3: I think that's a 50-50, I would think.
- 1:01:58Speaker 2: Okay.
- 1:01:58Speaker 4: He's coming to Burbank?
- 1:01:59Speaker 3: He's coming to Burbank.
- 1:02:01Speaker 4: He's going to drink seltzer on my couch and pet
- 1:02:03Speaker 4: my cat and be like, oh, he headbutts a lot.
- 1:02:08Speaker 3: Caitlyn Jenner.
- 1:02:13Speaker 4: Yeah, she can come.
- 1:02:14Speaker 3: Stacey Dash.
- 1:02:18Speaker 4: I feel baited. I feel baited. I barely know who
- 1:02:24Speaker 4: she is.
- 1:02:24Speaker 2: I know.
- 1:02:25Speaker 3: She's from Clueless and has had kind of a tough turn,
- 1:02:28Speaker 3: I think, politically.
- 1:02:29Speaker 4: I feel like people who are the biggest nightmares are
- 1:02:32Speaker 4: the easiest to talk to at parties.
- 1:02:34Speaker 3: Oh, interesting.
- 1:02:34Speaker 4: It's been my experience that they feel secure in how
- 1:02:37Speaker 4: much they blow, that they're not trying to prove anything
- 1:02:40Speaker 4: in the moment. So she can come.
- 1:02:44Speaker 3: Brooks Marks.
- 1:02:45Speaker 4: What is that?
- 1:02:46Speaker 3: Oh, he's one of that.
- 1:02:47Speaker 1: Yeah.
- 1:02:51Speaker 3: He is the son of Meredith Marks, the real husband
- 1:02:54Speaker 3: of Salt Lake City. He has a line of track suits.
- 1:02:57Speaker 4: How old is he?
- 1:02:58Speaker 3: I guess he's about 25 at this point.
- 1:03:02Speaker 4: He is not invited.
- 1:03:03Speaker 3: Taraji P. Henson.
- 1:03:05Speaker 4: Invited.
- 1:03:05Speaker 3: Terry Gross.
- 1:03:06Speaker 4: Can I get rid of everyone else? No, I want
- 1:03:09Speaker 4: to protect her. Who did I invite? Terry Gross?
- 1:03:15Speaker 1: Yes.
- 1:03:16Speaker 4: Keep the conversation going. And that's nine.
- 1:03:18Speaker 3: Oh, that's nine. You've got one left.
- 1:03:20Speaker 4: Okay.
- 1:03:21Speaker 3: Marlon Wayans.
- 1:03:24Speaker 4: Yeah, he can come. I don't want to not invite anyone.
- 1:03:31Speaker 4: I have to say, though, that I famously in sixth
- 1:03:33Speaker 4: grade staged a protest of my friend's birthday. I told
- 1:03:38Speaker 4: her that I wasn't going to come unless she invited
- 1:03:40Speaker 4: the least cool girl.
- 1:03:43Speaker 1: Oh.
- 1:03:44Speaker 4: And she talked to her mom who talked to my
- 1:03:47Speaker 4: mom who talked to me and said, like, that's not
- 1:03:50Speaker 4: how stuff works.
- 1:03:51Speaker 2: Oh.
- 1:03:51Speaker 4: Don't do that. That's not very nice to your friend.
- 1:03:55Speaker 3: How was the decision not let's invite this poor girl?
- 1:03:58Speaker 4: It was like a five-person party and we were in
- 1:04:00Speaker 4: like seventh grade. We're past. It wasn't like we're singling
- 1:04:06Speaker 4: out someone. I was just finding a way to feel
- 1:04:08Speaker 4: bad that someone wasn't included.
- 1:04:09Speaker 3: I'm on your side and this loser's side as well.
- 1:04:16Speaker 1: Yeah.
- 1:04:17Speaker 3: And what did she do that night?
- 1:04:18Speaker 4: I don't know.
- 1:04:20Speaker 3: Where is she now? Well, that's very difficult of you.
- 1:04:26Speaker 4: Yeah.
- 1:04:27Speaker 3: Let's play Gift or a Curse, at least a couple
- 1:04:30Speaker 3: of these. I'm going to name things. You'll tell me
- 1:04:32Speaker 3: if they're a gift or a curse and why.
- 1:04:33Speaker 4: Okay.
- 1:04:34Speaker 3: I'll tell you if you're right or wrong. Okay. This
- 1:04:36Speaker 3: is from a listener named Libby. Gift or a curse
- 1:04:38Speaker 3: when a performer refers to audience volunteers as victims?
- 1:04:44Speaker 4: A curse.
- 1:04:44Speaker 2: Why?
- 1:04:45Speaker 4: Because I don't like it when people ask for a giggle.
- 1:04:50Speaker 2: Okay.
- 1:04:51Speaker 3: I think that's fair.
- 1:04:53Speaker 4: Don't make me perform for you. You're up there. I'm
- 1:04:55Speaker 4: down here.
- 1:04:58Speaker 3: Correct curse.
- 1:04:58Speaker 4: You wouldn't say next victim if you didn't demand to
- 1:05:03Speaker 4: be met with a.
- 1:05:07Speaker 4: No.
- 1:05:09Speaker 3: Yeah, it's a real curse. There's nothing... No one's enjoying it.
- 1:05:15Speaker 3: The performer's not enjoying it because it's not their idea.
- 1:05:18Speaker 4: You're right.
- 1:05:20Speaker 3: The audience member is just bothered.
- 1:05:22Speaker 4: They're like barely– they're worried about getting called on.
- 1:05:24Speaker 3: They're barely clocking out what you're saying. They can barely
- 1:05:27Speaker 3: hear anything. If I'm on that stage, I've already blacked out.
- 1:05:31Speaker 4: Anytime the house lights come up, my heart sinks.
- 1:05:33Speaker 1: Oh.
- 1:05:34Speaker 4: Woof.
- 1:05:35Speaker 3: If I– I just feel like the infrared victim of
- 1:05:39Speaker 3: Predator or something. Just stop.
- 1:05:43Speaker 4: I'm just a heat map at this point.
- 1:05:44Speaker 1: Yes.
- 1:05:46Speaker 4: OK.
- 1:05:46Speaker 3: This is from a listener named Ivy. Gift or a curse?
- 1:05:49Speaker 3: People wishing a heavenly birthday to an acquaintance on Facebook
- 1:05:52Speaker 3: who passed years ago.
- 1:05:55Speaker 4: I think this is a curse. Why? I think it
- 1:05:59Speaker 4: is the dictionary definition of a curse in that the
- 1:06:03Speaker 4: emotional color of it is inherently negative and it touches
- 1:06:08Speaker 4: the beyond.
- 1:06:13Speaker 3: Correct. And I have a little history. I think I've
- 1:06:17Speaker 3: talked about this on this podcast. Up until maybe two
- 1:06:20Speaker 3: years ago, I was under the impression– and this is
- 1:06:22Speaker 3: my fault. But I thought that happy heavenly birthday meant–
- 1:06:27Speaker 3: I thought that heavenly birthday was the day you died.
- 1:06:30Speaker 3: My logic was that was the day you began living
- 1:06:32Speaker 3: in heaven.
- 1:06:34Speaker 4: You got born in heaven.
- 1:06:35Speaker 3: And so to find out that it's just happy birthday
- 1:06:39Speaker 3: but you're dead.
- 1:06:42Speaker 4: You are just– you're just letting other people know that
- 1:06:45Speaker 4: your mom didn't become alive.
- 1:06:47Speaker 1: Yeah.
- 1:06:49Speaker 4: Again.
- 1:06:49Speaker 2: Yes.
- 1:06:50Speaker 3: And until Facebook existed, well, you weren't doing anything like this.
- 1:06:56Speaker 3: Why did that switch get flipped? Suddenly people wanted to
- 1:06:58Speaker 3: do this.
- 1:07:00Speaker 4: No, that's a curse. You're so right.
- 1:07:03Speaker 3: Okay. And this final one is from a listener named Margaret.
- 1:07:06Speaker 3: Gift or a curse? The phrase spooky season.
- 1:07:12Speaker 4: The culture where this comes from is very like, Not
- 1:07:17Speaker 4: my culture. However, this is a gift.
- 1:07:19Speaker 3: Why?
- 1:07:20Speaker 4: I just like this time of year. I think it's great.
- 1:07:24Speaker 3: Correct. Really? Yeah. I don't think we need a new
- 1:07:30Speaker 3: term that we have to incorporate into our holidays every year.
- 1:07:34Speaker 3: It feels like somebody is cooking up terms. It's probably
- 1:07:36Speaker 3: the people who have thought of welcome in.
- 1:07:38Speaker 4: It's the people at TJ Maxx who are like, we
- 1:07:41Speaker 4: made pillows for holidays.
- 1:07:43Speaker 3: Yes.
- 1:07:43Speaker 4: So you thought your couch was immune from decorations? Better
- 1:07:47Speaker 4: get some more bins.
- 1:07:49Speaker 3: And now there's a label for it.
- 1:07:51Speaker 4: Spooky season.
- 1:07:52Speaker 3: I think that, yeah, I can't just be, I can't
- 1:07:55Speaker 3: be too angry at it. I'm glad people are having
- 1:07:57Speaker 3: a nice time with fun decorations.
- 1:08:01Speaker 4: It's fun to feel nice.
- 1:08:02Speaker 1: Yeah.
- 1:08:03Speaker 4: Isn't it?
- 1:08:05Speaker 3: Okay. Let's answer one quick listener question. Let's see. Oh,
- 1:08:09Speaker 3: this is a nice one from Allison. If you had
- 1:08:12Speaker 3: to be a wild animal in New York, would you
- 1:08:14Speaker 3: rather be a pigeon or a rat and why? Also
- 1:08:17Speaker 3: open to other options.
- 1:08:19Speaker 4: Wow. I feel very certain of my answer.
- 1:08:24Speaker 3: What is it?
- 1:08:25Speaker 4: A pigeon.
- 1:08:26Speaker 1: Why?
- 1:08:27Speaker 4: You can go all around and be so crazy. A
- 1:08:31Speaker 4: rat looks like work.
- 1:08:33Speaker 3: It's a lot of scrambling.
- 1:08:35Speaker 4: You have to have a plan.
- 1:08:37Speaker 1: Right.
- 1:08:38Speaker 4: Pigeons can just kind of fucking figure it out.
- 1:08:41Speaker 3: But see, I immediately went to rat despite hating rats
- 1:08:44Speaker 3: because I'm thinking now I'm getting the inside scoop.
- 1:08:47Speaker 4: You want to be in there.
- 1:08:49Speaker 3: You're seeing everything in there. You're going wherever you want
- 1:08:52Speaker 3: in there, under, up.
- 1:08:55Speaker 4: Would you rather be a subway rat or a garbage rat?
- 1:08:59Speaker 3: Subway rat.
- 1:09:00Speaker 4: Why?
- 1:09:00Speaker 3: I think it's more romantic.
- 1:09:02Speaker 4: Yeah. It's very Italian.
- 1:09:04Speaker 3: Yeah. There's just something a little bit classier about it,
- 1:09:08Speaker 3: I would say. And the sights are probably more interesting.
- 1:09:12Speaker 4: Yeah.
- 1:09:13Speaker 3: I love being in a tunnel.
- 1:09:16Speaker 4: Something's going to happen.
- 1:09:18Speaker 3: Do pigeons make nests? Yes. I don't think I've ever...
- 1:09:22Speaker 3: Are they on.
- 1:09:23Speaker 4: Under bridges, which is why you'll see the, like, wire
- 1:09:27Speaker 4: things under bridges.
- 1:09:29Speaker 3: Oh, the, like, kind of spikes on benches, but for pigeons. Yes.
- 1:09:34Speaker 1: Right.
- 1:09:34Speaker 4: Yes, it is. They are cliff-dwelling guys, and they go there.
- 1:09:40Speaker 4: I think they also go in trees.
- 1:09:43Speaker 3: Yeah, I think I'm rat all the way.
- 1:09:46Speaker 4: This is great. I hope the listeners sent that in.
- 1:09:50Speaker 4: Feel satisfied.
- 1:09:50Speaker 3: That's a good question, actually. Those are two very different
- 1:09:53Speaker 3: viewpoints of New York. Yeah.
- 1:09:56Speaker 4: You like to have a plan.
- 1:09:57Speaker 3: I like to have a plan. I like to get
- 1:10:00Speaker 3: in there.
- 1:10:00Speaker 4: And I like to have the option to just not
- 1:10:04Speaker 4: do a single thing. Just mount someone near me and scream.
- 1:10:15Speaker 3: Well, we answered the question perfectly. I have my new doTERRA.
- 1:10:20Speaker 3: I wonder if we have any doTERRA, what is it,
- 1:10:22Speaker 3: a representative when you buy all of the product that
- 1:10:25Speaker 3: you keep in your garage?
- 1:10:26Speaker 4: Alums. Upstream, downstream?
- 1:10:31Speaker 3: Yeah, upstream, downstream.
- 1:10:32Speaker 4: DoTERRA.
- 1:10:33Speaker 3: It's making me think, did you read that book, what
- 1:10:36Speaker 3: is it, Education? What was that thing?
- 1:10:39Speaker 4: No.
- 1:10:39Speaker 3: About the Mormon family in Idaho?
- 1:10:44Speaker 4: If the book isn't White Fang, I haven't read it.
- 1:10:51Speaker 3: Well, that family had some connection to essential oils. I
- 1:10:53Speaker 3: don't know. The amount of media that I brought up,
- 1:10:56Speaker 3: you have no.
- 1:10:58Speaker 2: No.
- 1:10:58Speaker 4: Let me tell you about a Jezebel article.
- 1:11:03Speaker 3: All of the things I've mentioned, you'd be head over
- 1:11:05Speaker 3: heels for. That's all I'm saying.
- 1:11:08Speaker 4: I will now do Sherry Papini.
- 1:11:09Speaker 3: You've got to get Sherry Papini. There are probably four
- 1:11:11Speaker 3: different versions of the documentary at this point. So take
- 1:11:14Speaker 3: your pick. One has her sister in a turban.
- 1:11:18Speaker 4: Is it addressed?
- 1:11:20Speaker 3: No, nobody ever asks about the turban.
- 1:11:24Speaker 4: Turban was best case scenario.
- 1:11:25Speaker 3: Yeah, she knew she was going to be on camera
- 1:11:28Speaker 3: and this was her moment.
- 1:11:29Speaker 4: Great.
- 1:11:30Speaker 3: She's not on Sherry's side.
- 1:11:32Speaker 4: I am.
- 1:11:34Speaker 3: Well, I'm glad that we could be here despite not
- 1:11:37Speaker 3: eating shepherd's pie. We've got all of spooky season ahead
- 1:11:42Speaker 3: of us to kind of whip one up.
- 1:11:44Speaker 4: Whip it.
- 1:11:45Speaker 3: Thank you for being here.
- 1:11:46Speaker 4: Thank you for having me.
- 1:11:48Speaker 3: Listener. The podcast is over. Mmm. Move on. I love you. Goodbye.
- 1:12:00Speaker 3: I Said No Gifts is an exactly right production. Our
- 1:12:04Speaker 3: senior producer is Ellis Nelson, and our episodes are beautifully
- 1:12:08Speaker 3: mixed by Ben Tolliday. The theme song is by miracle
- 1:12:11Speaker 3: worker Amy Mann, and we couldn't do it without our
- 1:12:14Speaker 3: booker Patrick Kottner. You must follow the show on Instagram
- 1:12:18Speaker 3: at I Said No Gifts. That's where you're going to
- 1:12:20Speaker 3: see pictures of all these wonderful gifts I'm getting. And
- 1:12:23Speaker 3: don't you want to see the gifts?
- 1:12:26Speaker 2: When I invited you here I thought I made myself
- 1:12:32Speaker 2: perfectly clear When you're a guest in my home You
- 1:12:39Speaker 2: gotta come to me empty-handed I said no gifts, your
- 1:12:45Speaker 2: presence is presence enough And I already had too much
- 1:12:51Speaker 2: stuff So how do you dare disobey me?
- 1:12:57Speaker 1: Guitar solo