Latest / Four Finger Discount (Simpsons Podcast) / The Devil Wears Nada (S21E05)

Transcript

The Devil Wears Nada (S21E05) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Only everyone loves my calendar, but only you get to.
• 0:04
  Speaker 2: Flip the pages.
• 0:05
  Speaker 3: Helendar. Oh my god, I forgot to move Carl's twelve
• 0:08
  Speaker 3: thirty to two point thirty. His astrologist will show up
• 0:11
  Speaker 3: at the same time.
• 0:12
  Speaker 1: Is this astronomer?
• 0:14
  Speaker 2: This is not good?
• 0:15
  Speaker 4: This is not good.
• 0:17
  Speaker 2: How about a little marge madness four finger discount?
• 0:22
  Speaker 4: Dude, welcome to four figure discount where this week we're
• 0:40
  Speaker 4: going to be getting that kid off?
• 0:42
  Speaker 3: Maybe I do know? What do you feel like? The
• 0:46
  Speaker 3: gym before it is a devil? Was not aroundano and
• 0:48
  Speaker 3: I am guy. Yes, U brace yourself for adult themes. Yeah,
• 0:54
  Speaker 3: this is a bit of a racy episode.
• 0:55
  Speaker 4: And yeah, there's a lot happening in this episode.
• 0:58
  Speaker 3: I thought there is a fair bit. Yeah, the two storylines,
• 1:01
  Speaker 3: and they do a nice job of sort of dubtailing
• 1:03
  Speaker 3: those two together. They sort of, yeah, they complement each
• 1:07
  Speaker 3: other quite well. We did a bit of research into this,
• 1:10
  Speaker 3: funnily enough, and one thing that came up was that
• 1:12
  Speaker 3: the Simpsons stuff often feel a little uncomfortable when it
• 1:15
  Speaker 3: comes to sort of presenting the intimacy between Homer and March.
• 1:19
  Speaker 4: Intimacy. I think it's an intimacy. What's intimacy.
• 1:22
  Speaker 3: Let me try that. Think.
• 1:25
  Speaker 4: Yeah, snugly moments. It's weird because I've always even though
• 1:29
  Speaker 4: they have a lot of them. Yeah, they have a
• 1:31
  Speaker 4: lot of snuggle moments throughout Simpsons. And I actually put
• 1:33
  Speaker 4: a post up recently where I feel like that is
• 1:35
  Speaker 4: the cornerstone of the Simpsons Golden I feel like the
• 1:38
  Speaker 4: corner stid of the Simpsons Golden.
• 1:39
  Speaker 3: You put a post up online. I'm sorry, I thought
• 1:41
  Speaker 3: that was a euphemism.
• 1:43
  Speaker 4: I put a post up saying that I feelt the
• 1:45
  Speaker 4: cornerstone of the Simpsons Golden era was the relationship between
• 1:49
  Speaker 4: Homer and March, because through all of his faults and
• 1:52
  Speaker 4: March has some faults as well, but mostly Homers, at
• 1:54
  Speaker 4: the end of the day, they just love each other.
• 1:56
  Speaker 4: And he would and you knew, you knew at the
• 1:58
  Speaker 4: end of the day he would do anything for much
• 2:00
  Speaker 4: as well. And a lot of the time when he
• 2:01
  Speaker 4: was doing things that felt like selfish, he wasn't deliberately
• 2:04
  Speaker 4: trying to be a jerk. It's just, you know, sometimes
• 2:06
  Speaker 4: we do things that yeah.
• 2:08
  Speaker 3: Yeah, yeah, there are certainly people who do stuff like
• 2:11
  Speaker 3: that without caring about the impacts or ramifications or anything
• 2:14
  Speaker 3: like that.
• 2:14
  Speaker 4: But he always learned his lesson by the end.
• 2:16
  Speaker 3: Yeah, but you always got the sense at home was
• 2:18
  Speaker 3: just doing it because of thoughtlessness or anything like that,
• 2:20
  Speaker 3: but he always did. When it twigged that, I was like, oh,
• 2:24
  Speaker 3: this is gonna, you know, diminish me in the eyes
• 2:27
  Speaker 3: of the woman that I love, I was like, oh God,
• 2:29
  Speaker 3: what an idiot I am. Yeah, and would mend his
• 2:32
  Speaker 3: ways and you know, things would be righted by the end.
• 2:34
  Speaker 3: But yeah, I think there are certain episodes in the
• 2:36
  Speaker 3: later seasons where it's like, oh, he doesn't really care
• 2:38
  Speaker 3: what he's doing at all, or doesn't care if it's
• 2:40
  Speaker 3: Marge or whatever.
• 2:41
  Speaker 4: That's the thing.
• 2:41
  Speaker 3: Yeah, But at the end of the day, their sex
• 2:43
  Speaker 3: life was always rocking. You know, they just love one another. Yeah, exactly.
• 2:48
  Speaker 4: It wasn't just oh, they're just because they're married to
• 2:50
  Speaker 4: having sex. It's like, no, they seem like they genuinely
• 2:53
  Speaker 4: love each other and want to have sex. Right this
• 2:56
  Speaker 4: episode here, there's a lot that I liked, there's a
• 2:58
  Speaker 4: lot that I didn't like. Right, So before we get
• 3:02
  Speaker 4: into what I didn't din't like, let's talking about the
• 3:04
  Speaker 4: tie in here. So in early November two thousand and nine,
• 3:07
  Speaker 4: this in mid November, Marge was on the cover of
• 3:10
  Speaker 4: Playboy and she was interviewed by play Playboy and she
• 3:12
  Speaker 4: had a spread. I remember it being released. I never
• 3:15
  Speaker 4: bother getting a copy. I was just like, it's just
• 3:17
  Speaker 4: March in Playboy. So I just I looked it up
• 3:19
  Speaker 4: for this episode. Can you believe they drew Marge's nipples?
• 3:23
  Speaker 4: I can't believe that. I was like, oh, they.
• 3:26
  Speaker 3: Actually went there. I was a little taken aback. But
• 3:29
  Speaker 3: what is it? Is it rule thirty four that it's
• 3:31
  Speaker 3: called that. It's like, you know, if there's if anything exists,
• 3:33
  Speaker 3: there's a there's a porno parody of it.
• 3:36
  Speaker 4: Okay, there's a live action Simpson's porn parody. I'm pretty sure.
• 3:40
  Speaker 3: Oh yeah, yeah, I think I like painted yellow and stuff.
• 3:43
  Speaker 3: And I was like, what's going on. I think I
• 3:44
  Speaker 3: came across that and then other hours. That's a wrong,
• 3:46
  Speaker 3: that's a bad choice of words. But yeah, I'm aware
• 3:49
  Speaker 3: that it exists, and I have no desire to watch.
• 3:51
  Speaker 3: Oh no.
• 3:52
  Speaker 4: But the thing is Marge being in Playboy. She was
• 3:55
  Speaker 4: interviewed and I was just like, this, that's so weird
• 3:58
  Speaker 4: to think that Marge, because we've always seen her as
• 4:00
  Speaker 4: like a mum right, I grew up. I was like,
• 4:03
  Speaker 4: I know it's just drawn, but it's still like I
• 4:05
  Speaker 4: don't need it's just felt. I felt weird looking at it.
• 4:07
  Speaker 4: It's like I shouldn't see Marjor's boom.
• 4:11
  Speaker 3: Yeah, this was a true case of milk porn. In
• 4:14
  Speaker 3: this case, milk stands for material i'd like to forget.
• 4:16
  Speaker 4: Yeah, but you were saying that you don't think it's
• 4:19
  Speaker 4: actually a nipple edited straight up a nipple.
• 4:22
  Speaker 3: I was, as is my wand playing Devil's Advocate Ding
• 4:25
  Speaker 3: ding Ding, and I was saying that these that the
• 4:29
  Speaker 3: artists here were giving themselves maybe a little bit of
• 4:32
  Speaker 3: an escape hatch because you can look you could look
• 4:36
  Speaker 3: at it. Admittedly I was looking at it on my phone.
• 4:38
  Speaker 3: It was a relatively small picture and I hadn't cleaned
• 4:41
  Speaker 3: my glasses, but it was kind of like, because I've
• 4:44
  Speaker 3: fold up, but you can look at that and go
• 4:47
  Speaker 3: if someone got really up and I can't believe this
• 4:50
  Speaker 3: is your painting in Marge Simpsons zipple. No, No, no,
• 4:54
  Speaker 3: that's that's a fold of the lingerie. You know. If
• 4:56
  Speaker 3: you were seeing it that way, that's on you. But no,
• 4:58
  Speaker 3: we didn't draw it that way. If you think that's
• 5:00
  Speaker 3: a nipple. That's a nipple, that's a straight nipple. I
• 5:02
  Speaker 3: think it's a nipple. I use this line all the time.
• 5:06
  Speaker 3: But the Christmas is coming up so we can talk
• 5:08
  Speaker 3: about it. But one of my favorite bits in Scrooged
• 5:12
  Speaker 3: the Bill Murray version of the Christmas Carollters. And they've
• 5:16
  Speaker 3: got like the solid gold dancers on there, and the
• 5:19
  Speaker 3: sensor is saying, you can't have these women on TV.
• 5:22
  Speaker 3: You can you could see her nipples through that thing.
• 5:25
  Speaker 3: Bill Murray's late, No, no, you can't, you can't. And
• 5:28
  Speaker 3: then you've got a couple of old guys on the
• 5:30
  Speaker 3: Old Life is on the cruiseade you can you.
• 5:32
  Speaker 4: Can hardly see them nipples see, and these.
• 5:35
  Speaker 3: Guys are really looking of my favorite Sorry, long way
• 5:41
  Speaker 3: to get around to that line, but I mean, look,
• 5:45
  Speaker 3: I agree with you. Yes they have been racy. They
• 5:47
  Speaker 3: have put Marge in a see through neg and yes
• 5:52
  Speaker 3: that's full breastage.
• 5:54
  Speaker 4: And it was the time. It actually wasn't a tie
• 5:56
  Speaker 4: with this episode and it wiped out that way. So
• 5:58
  Speaker 4: al Jie said they thought of this story long time ago,
• 6:01
  Speaker 4: and they then Playboy approached them as they can be
• 6:03
  Speaker 4: doing he tie in They're like cool, and I thought,
• 6:04
  Speaker 4: lets you use that episode now clever marketing.
• 6:08
  Speaker 3: Oh absolutely, yeah, I mean when you see an opportunity,
• 6:10
  Speaker 3: take it. Yes.
• 6:11
  Speaker 4: The thing is though with this episode, so the calendar, right,
• 6:15
  Speaker 4: it's a parody of the Devil Wears prior of with
• 6:17
  Speaker 4: their Homer story. And this is Marge Calendar girls. That
• 6:21
  Speaker 4: Calendar girls.
• 6:22
  Speaker 3: Yeah, that's yeah, that's what I was just looking up
• 6:24
  Speaker 3: as well, because I was wondering about the other timeline
• 6:26
  Speaker 3: on this. This is a movie that came out in
• 6:28
  Speaker 3: two thousand and three, a British movie starring Helen Mirren
• 6:32
  Speaker 3: and Julie Walters and a bevy of other shall we
• 6:36
  Speaker 3: say British actresses of a certain age, And that was
• 6:39
  Speaker 3: a bit of a trend in the early two thousands
• 6:41
  Speaker 3: of racy calendars with women who were not necessarily sort
• 6:46
  Speaker 3: of like blonde bombshells or anything like that, or your
• 6:48
  Speaker 3: traditional pin up girl, but you know, sort of in
• 6:51
  Speaker 3: suggestive posse, sexy in their own yeah, yes, but with
• 6:54
  Speaker 3: their Scandinavian part is what they call it scam with
• 6:56
  Speaker 3: their Scandinavian regions covered up. Yeah, yeah, this is a
• 7:00
  Speaker 3: bit of a play on that as well. But Marge
• 7:02
  Speaker 3: doesn't get nude for this, No, it's just suggestive. Yeah.
• 7:06
  Speaker 4: One thought was kind of them, like why is.
• 7:09
  Speaker 3: Everyone getting so worked up?
• 7:10
  Speaker 4: Yeah, and the fact everyone's like carrying around calendars. I
• 7:12
  Speaker 4: was like, it just seems a bit far fetched and
• 7:14
  Speaker 4: kind of creepy a little bit.
• 7:16
  Speaker 3: But there's undertones of creepiness in this whole episode. And look,
• 7:20
  Speaker 3: I don't want to sound too pure talic or anything
• 7:22
  Speaker 3: like that. I don't mind the idea of Marge and
• 7:26
  Speaker 3: the other women involved, and it seems like it's all
• 7:28
  Speaker 3: Marge in this calendar. Seems like they threw her under
• 7:31
  Speaker 3: the busy. Seems like she's every month. Yeah, I don't
• 7:35
  Speaker 3: mind the idea of them having like a glass of
• 7:36
  Speaker 3: one or two to sort of like loosen up. But
• 7:39
  Speaker 3: it seemed like, you know, Hank doing one of Jul
• 7:44
  Speaker 3: doing his Spanish accent yet again, was really playing it
• 7:48
  Speaker 3: with the Andalusian and yeah, to the point where says, oh,
• 7:50
  Speaker 3: I don't remember doing that. It's like, well, you're pretty
• 7:53
  Speaker 3: fucking derelict in the bud. This feels kind of, yeah,
• 7:58
  Speaker 3: very sketchy.
• 8:00
  Speaker 4: They were doing it for charity, were they not? I
• 8:01
  Speaker 4: believe I feel like they needed to emphasize that at
• 8:05
  Speaker 4: least it was going towards something, because it's just like
• 8:07
  Speaker 4: all those calendars coming out, it's like margin needed to go, well,
• 8:10
  Speaker 4: at least I've made money for something.
• 8:12
  Speaker 3: Well, that's the thing. Yeah, I mean when she is
• 8:15
  Speaker 3: celebrated for it. I mean there's that scene where where
• 8:17
  Speaker 3: she shows up at church and everyone's kind of like, whoa, yeah, Marge.
• 8:20
  Speaker 4: But it was just a way of getting them to
• 8:23
  Speaker 4: for Marge's sex drive to be increased because she feels sexier.
• 8:25
  Speaker 3: Well, yes, it's a pretty sex positive episode in that regard,
• 8:28
  Speaker 3: but it also did feel like it's like you could
• 8:31
  Speaker 3: have gone you could have gone about this a slightly
• 8:33
  Speaker 3: different way because some of it feels a little uneasy.
• 8:37
  Speaker 4: Because I feel like there was a bit of a
• 8:38
  Speaker 4: missed opportunity here because there was a scene where Nelson
• 8:41
  Speaker 4: and Milhouse and mocking Bart in the classroom, and.
• 8:44
  Speaker 3: They feel like they were mocking him. I think like
• 8:46
  Speaker 3: they were legitimately kind of like whoa, yeah.
• 8:49
  Speaker 4: I know, But but Nelson was doing it to piss
• 8:51
  Speaker 4: off Bart by the end, Yeah, I guess so, because
• 8:54
  Speaker 4: he was saying I wouldn't wasn't I know, I'd rather
• 8:57
  Speaker 4: just making puns essentially, and but Bart saying stop a stop,
• 9:00
  Speaker 4: but he keeps going, he keeps going. They needed to
• 9:02
  Speaker 4: emphasize the impact of this was having on the kids,
• 9:04
  Speaker 4: and I think they deliberately left Lisa out of this episode. Oh,
• 9:07
  Speaker 4: shouldn't Lisa have an issue with this? That's yeah, that's interesting.
• 9:11
  Speaker 4: They completely just ignore Lisa. She's just not in this episode.
• 9:14
  Speaker 3: Yeah, because there have been occasions when Lisa has Yeah,
• 9:19
  Speaker 3: I won't say incidents like this have exactly happened, but
• 9:21
  Speaker 3: there have certainly been incidence where Lisa had to go, Oh, look,
• 9:24
  Speaker 3: I feel bad about it for this reason, but I
• 9:26
  Speaker 3: also feel okay about it this reason. And this would
• 9:28
  Speaker 3: be a perfect opportunity for Lisa to do that kind
• 9:30
  Speaker 3: of thing where it's like, well, you know, this is
• 9:32
  Speaker 3: female empowerment, but at the same time, it's exploitation.
• 9:35
  Speaker 4: That's why I feel like it's a missed opportunity because
• 9:37
  Speaker 4: he could have literally had a pro like a pro
• 9:39
  Speaker 4: playboy aspect angle to it, saying yeah, these women are,
• 9:42
  Speaker 4: you know, showing their bodies, but you know they're doing it.
• 9:45
  Speaker 4: They're choosing to do this, and there's a benefit of it.
• 9:47
  Speaker 4: They know they're making money. For charity or that kind
• 9:48
  Speaker 4: of thing. So Lisa needs to go. Oh, I really don't.
• 9:51
  Speaker 4: I don't agree with this, but I also see the
• 9:52
  Speaker 4: positives of it as well.
• 9:53
  Speaker 3: Yeah, there's a great line in an episode of Cheers,
• 9:55
  Speaker 3: I think where it's like in the Kirsty Alley era,
• 9:58
  Speaker 3: where I think she's doing something and the answers I
• 10:02
  Speaker 3: thought you were against female exploitation goes, Yeah, well when
• 10:04
  Speaker 3: a man does the exploitation, when a woman does it,
• 10:06
  Speaker 3: it's good business.
• 10:10
  Speaker 4: Yeah, you're right.
• 10:11
  Speaker 3: I mean it does feel like they, yeah, left a
• 10:13
  Speaker 3: few storytelling and point making opportunities on the table.
• 10:17
  Speaker 4: Because they opened it up with the bart scene and
• 10:19
  Speaker 4: then just there's no follow up to it. Did they
• 10:22
  Speaker 4: follow up to what? Did she make any money did
• 10:24
  Speaker 4: the Yeah?
• 10:26
  Speaker 3: I don't even know what what charity they were doing
• 10:29
  Speaker 3: this summer, and they talked about the charity added last time. Yeah,
• 10:31
  Speaker 3: don't step on my one of my questions. But yeah,
• 10:34
  Speaker 3: I think they really talk about You're right, there's a
• 10:37
  Speaker 3: lot of holes in this.
• 10:40
  Speaker 4: Just open ended story.
• 10:41
  Speaker 3: Oh yeah, yeah, well what a holes but open things?
• 10:45
  Speaker 4: Yeah that's true.
• 10:45
  Speaker 3: Yeah, but you've been digging one.
• 10:47
  Speaker 4: As I was saying that, Marge, she in many ways. Uh,
• 10:51
  Speaker 4: she's a sexy woman, right, She's always been portrayed as sexy.
• 10:54
  Speaker 4: Right in threat the episode, she's she's weird in her
• 10:56
  Speaker 4: own way, but she's she's still sexy. She's very you know,
• 11:00
  Speaker 4: to get down and dirty.
• 11:00
  Speaker 3: He's like, weird, what do you mean?
• 11:02
  Speaker 4: Like people make fun of her hair and she's not
• 11:05
  Speaker 4: weird personality wise, but she's just normal. What would you say?
• 11:09
  Speaker 4: She's just average? Average is the right word I'm looking for.
• 11:11
  Speaker 4: She's average, but she's also you know, she's kinking when
• 11:14
  Speaker 4: she wants to be king Jo right, freaky, yeah, fredge freaky.
• 11:17
  Speaker 4: I do think it was kind of weird seeing Homer's
• 11:21
  Speaker 4: friends look at her in this way, like in the calendar,
• 11:23
  Speaker 4: it's like even like the principal skinner and charmers in
• 11:26
  Speaker 4: front of bar, and I was like, it just felt
• 11:28
  Speaker 4: kind of weird, And I felt like Marge, through all
• 11:30
  Speaker 4: the body positivity in this episode came across kind of
• 11:34
  Speaker 4: negatively because Homer, with the size story of Homoe, becomes
• 11:37
  Speaker 4: Karl's assistant, right, and he's worked like a dog like
• 11:40
  Speaker 4: devil West Prada, Yes, and Marg just she's got a
• 11:43
  Speaker 4: new sex driving now because she's feeling sexy. Everyone's complimenting
• 11:46
  Speaker 4: the way she looks, yadayada YadA, but she but Homas
• 11:49
  Speaker 4: just got no sex driver docu. He's tired, and Marge
• 11:51
  Speaker 4: gets frustrated with Homer and it's almost like she can't
• 11:54
  Speaker 4: she's ignoring the fact that he's working himself like a dog.
• 11:56
  Speaker 4: He doesn't want this job, but he's been threatened if
• 11:58
  Speaker 4: you don't do it, I'm going to fire and there's
• 12:00
  Speaker 4: no jobs elsewhere, so he has to take this job.
• 12:02
  Speaker 3: Yeah. I think it's a really interesting sort of I
• 12:04
  Speaker 3: think it's a really strong foundation for a story as well,
• 12:07
  Speaker 3: that these yeah, mismatched levels of desire, but you know,
• 12:11
  Speaker 3: each have got their own reasons for behaving the way
• 12:15
  Speaker 3: they do and feeling the way they do. Yeah, but
• 12:17
  Speaker 3: they never really I don't know. It feels like the
• 12:20
  Speaker 3: audience has to join a few of the dots here
• 12:22
  Speaker 3: or do a bit of the heavy lifting.
• 12:24
  Speaker 4: The one takeaway that I disliked the most from this
• 12:26
  Speaker 4: episode was the fact that Marge almost kissed Flanders right,
• 12:30
  Speaker 4: and Flanders almost kissed March. It just felt so out
• 12:33
  Speaker 4: of nowhere, especially from the Flanders perspective, because like all
• 12:37
  Speaker 4: of a sudden March has some water splashed on it,
• 12:39
  Speaker 4: and all of a sudden, Flanders is hot for March.
• 12:41
  Speaker 4: Yeah what, And like Flanners is wanting to throw at
• 12:45
  Speaker 4: all of his beliefs, all of his morals because March
• 12:48
  Speaker 4: is a bit of water splashed on it. I'm assuming
• 12:50
  Speaker 4: Flanders hasn't seen the calendar because that's just not who
• 12:52
  Speaker 4: he is, right Truret. And Marge was willing to kiss
• 12:55
  Speaker 4: Flanders and cheat on Homer because Homer doesn't want to
• 12:58
  Speaker 4: have sex with it, but it's not that he doesn't
• 12:59
  Speaker 4: want to, you can't. So I was just like, I
• 13:03
  Speaker 4: don't think Marge came across very well in this episode.
• 13:06
  Speaker 4: From that perspective, I was.
• 13:07
  Speaker 3: Reading a review of this episode which said, look, this
• 13:11
  Speaker 3: episode kind of knee kepts itself from the start because
• 13:15
  Speaker 3: you know that Marge's never get a cheat on home,
• 13:18
  Speaker 3: you just know it. And likewise, with Flanders, you know
• 13:22
  Speaker 3: that he's not going to do this kind of thing
• 13:23
  Speaker 3: as well, So it's really just okay, you can tell
• 13:26
  Speaker 3: us that this is happening, or you can show us
• 13:28
  Speaker 3: that this is happening. But it feels like sort of
• 13:31
  Speaker 3: clad cuckoo Land stuff. It feels like a fairy tale.
• 13:34
  Speaker 3: It's never really going to happen, so there's no stakes. Yeah,
• 13:37
  Speaker 3: but I wouldn't say ni Kappa from the start because
• 13:39
  Speaker 3: not from the start.
• 13:41
  Speaker 4: Of the story. Yeah, and it just it just it
• 13:44
  Speaker 4: was like the last five minutes of the episode. Yeah,
• 13:46
  Speaker 4: and they're trying to say on March she she just
• 13:48
  Speaker 4: wants to be shaded by somebody, and I was like,
• 13:51
  Speaker 4: that's just it doesn't feel like a Marge thing, you know.
• 13:53
  Speaker 4: It's just it's Marge getting frustrated because she wants to
• 13:55
  Speaker 4: have sex. It's like, but your husband's tired, and I
• 13:59
  Speaker 4: know they trying to have Homer going to Paris for businesses,
• 14:02
  Speaker 4: like he's leaving me for cars. No, he's not in job.
• 14:06
  Speaker 3: There's that scene where Marge is doing it damned to
• 14:10
  Speaker 3: seduce hom but all he can see is Carl, I
• 14:12
  Speaker 3: mean his Carl's face on her boobs.
• 14:15
  Speaker 4: And I feel sorry for March in those moments because
• 14:18
  Speaker 4: she wants to make love to her husband. He's tired.
• 14:21
  Speaker 3: Look, it's get angry at him. It's terrible when a
• 14:24
  Speaker 3: couple has that mismatched level of desire or intensity, it
• 14:27
  Speaker 3: happens to the best.
• 14:28
  Speaker 4: That's why I thought was a positive of this episode,
• 14:30
  Speaker 4: I thought, as that story in itself is so relatable,
• 14:33
  Speaker 4: particularly if you've been in a long relationship or a marriage,
• 14:36
  Speaker 4: because you have these moments where you're just like, I'm
• 14:38
  Speaker 4: just so tired. It's something I don't want you. I'm
• 14:41
  Speaker 4: just tired, absolutely, And part of marriage is getting through
• 14:44
  Speaker 4: those moments, you know, working through it.
• 14:45
  Speaker 3: But then you know in the later part of the
• 14:47
  Speaker 3: episode where marges and none but home is not around, Okay,
• 14:52
  Speaker 3: there's this unky dude next door, because you know they
• 14:54
  Speaker 3: play it once again, it's like, oh, yeah, it's actually jacked,
• 14:58
  Speaker 3: you know, sort of super imposed home his face onto
• 15:00
  Speaker 3: things or something like that. Because I don't know, I
• 15:02
  Speaker 3: think it's pivotal to the sort of like the Simpsons ethos.
• 15:05
  Speaker 3: I guess that Marge is only hot for Homer, well
• 15:09
  Speaker 3: most of the time or ninety nine percent of the time.
• 15:12
  Speaker 4: But she's trus she read their books and stuff he loved. Yeah,
• 15:16
  Speaker 4: she's got Yeah, she's attracted to other people in the
• 15:19
  Speaker 4: sense that, oh, she finds them attractive, but she doesn't.
• 15:22
  Speaker 3: Yeah, but invariably it's going to be like, oh, when
• 15:25
  Speaker 3: I'm fantasizing, I see Homer, but with like the hair
• 15:28
  Speaker 3: of Fabio or something like that, or I know, and
• 15:31
  Speaker 3: I think that's maybe something that they should have done.
• 15:34
  Speaker 4: Window Shopping's fine. Oh, you know, you never you never
• 15:37
  Speaker 4: believe that, Marge. I think, is this the first time
• 15:39
  Speaker 4: I've seen this is almost like a Last Temptation of Homer.
• 15:41
  Speaker 4: But Marge, right, oh yeah, but the stakes in that
• 15:43
  Speaker 4: one felt more believable, and it's like, Homer, they built
• 15:46
  Speaker 4: it up to that moment. This just came fucking out
• 15:48
  Speaker 4: of absolutely nowhere.
• 15:50
  Speaker 3: Yeah. And I mean, look, listeners and viewers of the
• 15:53
  Speaker 3: show will know my love the Last Temptation. But one
• 15:55
  Speaker 3: reason that really works is that, you know, Homer's feeling
• 15:57
  Speaker 3: this not irrational attraction because he's pretty hot and voiced
• 16:01
  Speaker 3: by Michelle Feiffer, but he feels very conflicted about it. Yeah,
• 16:05
  Speaker 3: and he does it.
• 16:06
  Speaker 4: That's the story of the episode.
• 16:07
  Speaker 3: Yeah, that's why it's called the Last Imptation. But I
• 16:10
  Speaker 3: mean he's all like, oh, I don't I don't want.
• 16:13
  Speaker 4: To do doing his best to do to resist it.
• 16:16
  Speaker 3: Yeah, yeah, yeah, yeah, And but.
• 16:18
  Speaker 4: This is just Marge going, oh, it's a hunk in
• 16:19
  Speaker 4: my kitchen now, and let's go for it. It's like
• 16:22
  Speaker 4: and it's they're slowly moving towards the kiss, and I was.
• 16:24
  Speaker 3: Like, no way, yeah, we're not buying it, no sale.
• 16:28
  Speaker 4: And Flanners to be doing it as well. I just
• 16:30
  Speaker 4: felt like then ah, and it just gets wrapped up
• 16:33
  Speaker 4: so weird where it's just I think Marge, Yeah, Marge
• 16:36
  Speaker 4: ces home is in the reflection of Ned's glassess any
• 16:39
  Speaker 4: one person I should be in strawberries with Ned goes. Yeah,
• 16:41
  Speaker 4: I've always felt the same way. I'm like, were you
• 16:43
  Speaker 4: just about to kiss her?
• 16:44
  Speaker 2: It was just weird.
• 16:45
  Speaker 3: Look, human desire is a bit of a mysterious thing.
• 16:50
  Speaker 3: But yeah, but I liked the ending in particular. I
• 16:53
  Speaker 3: thought it's one of the better endings for a long time,
• 16:55
  Speaker 3: where Homer rolls the dice and it's just he says,
• 16:57
  Speaker 3: classic love wife. I think it's classic example of to
• 17:01
  Speaker 3: use that word stick the landing, and it makes the
• 17:03
  Speaker 3: episode come across better. Yeah, sure, because there are faults
• 17:06
  Speaker 3: throughout this episode. But I liked the ending so much
• 17:09
  Speaker 3: that I went, you know, that was nice, you know,
• 17:11
  Speaker 3: Oh yeah, but yeah, you're a simp. He my favorite.
• 17:16
  Speaker 4: Did you have any favorite moments from the episode.
• 17:18
  Speaker 3: I did have a few, actually, when the quote unquote
• 17:21
  Speaker 3: charity chicks are looking at the Honky Cops calendar, just
• 17:27
  Speaker 3: love the one of Eddie. Eddie is the lollibob. Got
• 17:30
  Speaker 3: all these kids like, what the hell, because what he's
• 17:34
  Speaker 3: he's doing the lollibop duties. But I think he's just
• 17:36
  Speaker 3: in like briefs or yeah, why I've already used the
• 17:42
  Speaker 3: term Scandinavian regions this episode, but I think that's a
• 17:45
  Speaker 3: very good euphemism for private parts. It's right up there
• 17:47
  Speaker 3: with a five club's bathing suit area.
• 17:49
  Speaker 4: So this is the thing Marge says, they've seen my
• 17:51
  Speaker 4: Scandinavian regions.
• 17:52
  Speaker 3: I'm like, so was she newt No? But we know
• 17:56
  Speaker 3: that Marge isn't necessarily approved. Oh I think she's what's
• 18:01
  Speaker 3: the old saying, you know, lady in the streets freaking
• 18:02
  Speaker 3: the sheets, one of my favorite sayings. And the fact
• 18:07
  Speaker 3: that she's probably you know, I'm guessing that by the
• 18:10
  Speaker 3: time we get to August or September or whatever in
• 18:13
  Speaker 3: the calendar, you know, she's probably down to her probably
• 18:16
  Speaker 3: down to her small it's probably down to her undies
• 18:18
  Speaker 3: or something like that, and that's not something that you
• 18:20
  Speaker 3: want everyone to see. So that, yeah, she would probably
• 18:22
  Speaker 3: like if you've seen me in my bra and panties,
• 18:26
  Speaker 3: order then you've basically seen me naked.
• 18:28
  Speaker 4: But what I really enjoyed was I liked the roll
• 18:29
  Speaker 4: in the dice thing, right but when I whispering as
• 18:35
  Speaker 4: But then March has some incredibly sexy lines in this
• 18:37
  Speaker 4: one here, and then she says something like maybe you
• 18:39
  Speaker 4: just roll me, and I was like hot diggity down
• 18:45
  Speaker 4: flashed home and I was like this March is on.
• 18:48
  Speaker 4: I think she says, everyone enjoyed my calendar, but you
• 18:50
  Speaker 4: get to flip the pages. I was like, holy shit, some.
• 18:55
  Speaker 3: Other stuff that I enjoyed. Yeah, episode.
• 18:57
  Speaker 4: I thought Flant has had some funny lines in this
• 18:59
  Speaker 4: one too, which I'll get to.
• 19:00
  Speaker 3: Yeah. I think they were talking about sort of their
• 19:03
  Speaker 3: mental images and their mismatched libidos in that and the
• 19:08
  Speaker 3: the not an Idea boat. I thought it was hilarious.
• 19:10
  Speaker 3: And the minute that it came up, I'm pretty sure
• 19:13
  Speaker 3: this guy is gonna go.
• 19:14
  Speaker 4: Oh yeah.
• 19:16
  Speaker 3: He did. I was like I was very happy.
• 19:18
  Speaker 4: Yeah, they're not not this was it? Not this time, dear,
• 19:20
  Speaker 4: not tonight, not tonight, dear. That was a that was
• 19:22
  Speaker 4: a great that's a great visual. Great.
• 19:24
  Speaker 3: Yeah, yeah, so well done well done that. I'm not
• 19:28
  Speaker 3: sure I liked the idea of ragging on French rock
• 19:30
  Speaker 3: and roll. It's very cheesy, but then the French do
• 19:33
  Speaker 3: cheese better than just made anybody?
• 19:34
  Speaker 4: Yeah exactly. I don't know plum clash Buttron, Yeah, yeah,
• 19:40
  Speaker 4: what a song. I don't know that the song.
• 19:46
  Speaker 3: And damn it, I should have written down the lyrics
• 19:48
  Speaker 3: as they were driving off in their scooters. But so, yeah,
• 19:51
  Speaker 3: that sounds like French rock and roll.
• 19:52
  Speaker 4: It sounded like sar plump.
• 19:55
  Speaker 3: So I like that very much. And because I'm a
• 19:57
  Speaker 3: movie nerd, the fact that they dropped the line like
• 20:00
  Speaker 3: truf on.
• 20:01
  Speaker 4: Hitchcock, Yes, I really liked So Flantasy's hit with the
• 20:05
  Speaker 4: mallet or whatever it is, right, and the kids are like,
• 20:07
  Speaker 4: we thought you're gonna die. We got to live. Uncle
• 20:09
  Speaker 4: Kevin and his weird friend David and Flanders I would
• 20:14
  Speaker 4: put roxy pocket and walking out to see before that's
• 20:18
  Speaker 4: that's a dark gave, but's so funny. And so I'm
• 20:22
  Speaker 4: watching this and I laugh. I thought it's hilarious, right
• 20:24
  Speaker 4: because obviously they'm playing that Uncle Kevin's gay, he's got
• 20:26
  Speaker 4: a weird from David, right, and Flanders wouldn't like that.
• 20:29
  Speaker 4: I think Flanners is getting a They've changed the character
• 20:32
  Speaker 4: of Flanders, now, haven't they. Which I think if I'm
• 20:34
  Speaker 4: a writer, I can go, well you would if your
• 20:36
  Speaker 4: wife got murdered or not, but got killed, right, so's
• 20:40
  Speaker 4: his whole personality has changed. But he is a lot
• 20:42
  Speaker 4: darker now, isn't he, don't you think?
• 20:44
  Speaker 3: Oh? Certainly in this case.
• 20:45
  Speaker 4: Yeah, but just I'll put rocks and the pockets walking
• 20:47
  Speaker 4: see before I let you do? And I was like,
• 20:49
  Speaker 4: that's dark but so funny.
• 20:50
  Speaker 3: That felt like though it felt like earlier, even pre
• 20:55
  Speaker 3: death of Maod, you reckon Flanders as well, because yeah,
• 20:58
  Speaker 3: I mean.
• 20:59
  Speaker 4: I feel like kids say it with more. I'd put
• 21:01
  Speaker 4: rucks in your pockets. He'd be chiry about this start
• 21:04
  Speaker 4: very blunt.
• 21:05
  Speaker 3: Yeh, because he always overreacts, overacted the slightest of slights.
• 21:11
  Speaker 4: This show is brought to you by the four Finger
• 21:13
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• 21:16
  Speaker 4: bonus podcasts, including exclusive Simpsons reviews and commentaries, as well
• 21:21
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• 21:24
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• 21:28
  Speaker 4: the one about Friends, and so much more. So go
• 21:31
  Speaker 4: ahead and join the family today at patreon dot com
• 21:34
  Speaker 4: slash four finger discount.
• 21:36
  Speaker 3: Yeah, that was my favorite. Do you have anymore?
• 21:38
  Speaker 4: I liked when he says, so the boys are being
• 21:40
  Speaker 4: grounded because Rod watched the Gray's Anatomy commercial and to
• 21:44
  Speaker 4: old data.
• 21:44
  Speaker 3: It Tali was it a day or a week? Today?
• 21:48
  Speaker 4: Day Italim, and I didn't mind. Just before that, the
• 21:52
  Speaker 4: kids are leaving. Button Lease at least says I'm going
• 21:54
  Speaker 4: to a tea party at Janey's parts. We're going to
• 21:56
  Speaker 4: a stink bomb party next door to Janey's no relation connection.
• 21:59
  Speaker 3: Yes, next question, you there eating the beast?
• 22:04
  Speaker 4: All right, trivia time. I've already spoort a couple of yours.
• 22:06
  Speaker 4: I'll ask one of mine. What is the name of
• 22:08
  Speaker 4: the photography studio? Oh? Shoot you in the face. Yeah,
• 22:14
  Speaker 4: shut in the face studio.
• 22:15
  Speaker 3: It's been two things correct. Wow, this episode. Really you
• 22:22
  Speaker 3: took pole position with this episode. At the vending machine
• 22:27
  Speaker 3: at the nuclear plants, Uh, what button do you press
• 22:31
  Speaker 3: to get beer?
• 22:32
  Speaker 4: The Mountain Jew. It's club Soda, Club Soda. The kids
• 22:35
  Speaker 4: have just gotten onto Mountain Jew. They love it now.
• 22:37
  Speaker 4: Mountain Jew would shore obviously Mountaine was always the one
• 22:40
  Speaker 4: that just never bothered with it just looked like it
• 22:42
  Speaker 4: looked like cleaning chemicals. I was like a lot drinking this.
• 22:44
  Speaker 4: It's like it's radioactive, it's green, but the kids love it.
• 22:48
  Speaker 3: I remember when it came out like interesting, and I
• 22:52
  Speaker 3: was like, this is like PHISI a cheaper solo.
• 22:56
  Speaker 4: It's an interesting name to mountain jew mountained you.
• 22:59
  Speaker 3: Yeah, that's the thing. I mean, you get the impressions
• 23:01
  Speaker 3: kind of like good for me, hard days hiking, time
• 23:05
  Speaker 3: to crack a mountain dew? How natural? Guy?
• 23:09
  Speaker 4: What was the solo? A quench? Quench your thirst?
• 23:12
  Speaker 3: It's low on the say, slam it down fast.
• 23:14
  Speaker 4: If it wasn't a quench your first wasn't that there?
• 23:16
  Speaker 3: Think I had something like that, But yeah, are you?
• 23:19
  Speaker 3: Are you of an age where the solo man was
• 23:21
  Speaker 3: like the the selling the selling point. Maybe this was
• 23:25
  Speaker 3: more in the seventies and eighties, but what's not but
• 23:28
  Speaker 3: if you solo was the soft drink that you drank
• 23:31
  Speaker 3: a few after a fucking hard stess like kayaking. If
• 23:35
  Speaker 3: you don't want to be a soft version of bit. Yeah,
• 23:40
  Speaker 3: I was saying to nicolacause we've been watching commercials. I'm like,
• 23:43
  Speaker 3: we've been watching these weird commercial we watch watch up
• 23:46
  Speaker 3: E streaming on Channel ten and it's like, so you
• 23:48
  Speaker 3: have to watch commercials and HBO has Max has commercial
• 23:50
  Speaker 3: got the free version, And I was like, why do
• 23:53
  Speaker 3: they just try and do weird for the sake of weird? Now,
• 23:55
  Speaker 3: like all these commercials you watch, at the end you go,
• 23:57
  Speaker 3: what did that have to do with this brand? Right?
• 24:00
  Speaker 4: What did they have to do with this brand? I
• 24:01
  Speaker 4: said to Nicola, can we go back to doing jingles?
• 24:03
  Speaker 4: Why don't we do jingles? Any no ads have jingles?
• 24:07
  Speaker 4: We used to have fucking jingle for bananas. Remember banana
• 24:11
  Speaker 4: tip top, good on your mum, on your mum?
• 24:14
  Speaker 3: They all had And how long has it been since
• 24:16
  Speaker 3: they had that tiptop ad on? And I still know
• 24:18
  Speaker 3: good on your mum tip that's the one. That's exactly
• 24:20
  Speaker 3: what I still know about. Loui with a fly.
• 24:22
  Speaker 4: Yeah, when you think of flaspreay, what flys pread do
• 24:24
  Speaker 4: you think of? Thinking more, when you think of bread,
• 24:25
  Speaker 4: what do you think of tiptop? Sunny crust tip top?
• 24:28
  Speaker 4: You know it's just bring back jingles.
• 24:30
  Speaker 3: I was speaking with my mate JP about this market
• 24:34
  Speaker 3: ingenius JP as his own n.
• 24:36
  Speaker 4: I think you've explained this, and he had a logical
• 24:38
  Speaker 4: reason I didn't agree with it.
• 24:38
  Speaker 3: Well, this was during the it was either during the
• 24:40
  Speaker 3: Olympics or during some major sporting event. But Telstra had
• 24:44
  Speaker 3: these ads on it, which is weird. They were like
• 24:45
  Speaker 3: little Wes Andersen movies. Yeah, and there's like, aren't you
• 24:48
  Speaker 3: a phone Forbader? Aren't you a Telco service? I don't
• 24:51
  Speaker 3: know what you're actually selling me here? And I said
• 24:53
  Speaker 3: to JP, I said, yeah, fus up with that, and
• 24:57
  Speaker 3: he said, it's a real flex on Telstra's party. They
• 25:00
  Speaker 3: don't need to advertise because everyone knows who they are.
• 25:02
  Speaker 3: This is just a reminder of letting you know we
• 25:05
  Speaker 3: exist and you.
• 25:07
  Speaker 4: Know what that is. That is and marketing guys who
• 25:11
  Speaker 4: are circle jerking to justify their inflated fucking wages. They're like,
• 25:16
  Speaker 4: we could just do the same jingle all the time,
• 25:18
  Speaker 4: or we can create a whole new thing. Whoa because
• 25:21
  Speaker 4: it's a flex flex buzzwords flex. Well, no use the
• 25:25
  Speaker 4: same fucking jiggle used for the last eighty years that's
• 25:26
  Speaker 4: always worked.
• 25:28
  Speaker 3: They already everyone already knows who tells her, So this
• 25:31
  Speaker 3: is just this it's a little bit of entertainment show.
• 25:33
  Speaker 4: It's marketing teams worry that they don't need them anymore,
• 25:36
  Speaker 4: so flex and create new campaigns. No, you don't need
• 25:39
  Speaker 4: a new campaign, just use the same one. It's worked
• 25:41
  Speaker 4: for twenty years. It's marketing guys fucking flex using. It's
• 25:45
  Speaker 4: justifying their wages.
• 25:46
  Speaker 3: Oh yeah, well, there's some bank service I've forgotten their name,
• 25:51
  Speaker 3: but they've got some ads out at the moment that
• 25:52
  Speaker 3: I really I could see the other ones where it's
• 25:54
  Speaker 3: they're sinking No, no, no, it's our banking is so
• 25:59
  Speaker 3: convenient that you know you can spend twenty percent of
• 26:01
  Speaker 3: your time doing that. And it's these various characters from
• 26:03
  Speaker 3: various businesses like so and so does their banking with us,
• 26:07
  Speaker 3: so they can spend twenty three percent of the time
• 26:08
  Speaker 3: doing this, and they're doing weird sort of activities. Again,
• 26:12
  Speaker 3: it's quirk just for the sake of quirk. And you
• 26:14
  Speaker 3: know they've cast these people like I don't like looking
• 26:15
  Speaker 3: at you. I find you want to be ling.
• 26:18
  Speaker 4: I saw a Luma bile ad that was talking about
• 26:20
  Speaker 4: all this stuff, and I was like, just put.
• 26:21
  Speaker 3: The Luba bill kid on.
• 26:23
  Speaker 1: That's all you need.
• 26:24
  Speaker 3: Give me thirteen thirty and thirty two.
• 26:25
  Speaker 4: That's all you need. Where's the fucking jingles? It's marketing
• 26:28
  Speaker 4: teams have killed jingles because they realized, oh shit, they
• 26:31
  Speaker 4: don't eat us anymore. That's what it is probably the case,
• 26:34
  Speaker 4: all right, So how we get to talking about that? Ummm,
• 26:37
  Speaker 4: we're doing trivia. Will ask me your question?
• 26:40
  Speaker 3: How much did the charity Chicks raise during their childhood
• 26:44
  Speaker 3: obesity drive? One hundred and twelve one hundred and twelve dollars?
• 26:47
  Speaker 3: What does the sign say at the Romantic Hotel? I'm
• 26:50
  Speaker 3: reer margin in the bedroom. You see it out the window. Oh,
• 26:54
  Speaker 3: ocean views beyond this sign. Enjoy the ocean view behind
• 26:56
  Speaker 3: this sign, behind this sign. Yeah, speaking of that, you
• 26:59
  Speaker 3: probably already know there. What is the name of that
• 27:01
  Speaker 3: romantic getaway hotel?
• 27:02
  Speaker 4: I didn't write it down. I know what was it?
• 27:03
  Speaker 4: Smooches on the beach, Switchers on the beach. I remember
• 27:06
  Speaker 4: we went to Hawaii when Alliot was ten weeks old
• 27:09
  Speaker 4: for a wedding and we tried to go to this
• 27:12
  Speaker 4: hotel was near the beach, which I just go and
• 27:14
  Speaker 4: they're like, oh, you can't come in here. You get
• 27:16
  Speaker 4: a pram. What this is a couple's retreat, and I
• 27:19
  Speaker 4: was like, ah damn, I was in silent. They all
• 27:21
  Speaker 4: look so happy. The idea of a couple's retreat. I've
• 27:26
  Speaker 4: never done it. It sounds great, no kids around, just
• 27:30
  Speaker 4: adults being adults.
• 27:31
  Speaker 3: Oh yeah, look, I think I honestly think you should
• 27:34
  Speaker 3: have that.
• 27:35
  Speaker 4: Yeah, Nikola, because you know, you have your highs and
• 27:37
  Speaker 4: loaves with marriage and whatnot, like you to get through
• 27:40
  Speaker 4: tough times. And there was a point where Nicholas sort
• 27:42
  Speaker 4: of said to us, said to me, it's like, sometimes
• 27:45
  Speaker 4: with life and work and kids, you forget why you
• 27:48
  Speaker 4: fell in love in the first place. Because you're best friends.
• 27:51
  Speaker 4: Why do we get married in the first place. We're
• 27:52
  Speaker 4: best friends. We're friends at the end, at the ground level.
• 27:54
  Speaker 4: So it's like sometimes you need to you know, as
• 27:56
  Speaker 4: much as we love the kids, we need to have
• 27:58
  Speaker 4: time for us as well. Oh yeah, you're just gonna
• 28:00
  Speaker 4: get away. And I personally it's weird. I feel almost
• 28:03
  Speaker 4: selfish when I say to Elliott we're going out for
• 28:05
  Speaker 4: dinner and it's like I want to come, and I'm like, oh, shooting.
• 28:08
  Speaker 4: And then it's like my mom was like, no, he'll
• 28:10
  Speaker 4: be fine, go out for dinner. I got and have
• 28:12
  Speaker 4: a good time, but like I still can't help but feel, oh,
• 28:15
  Speaker 4: but he's missing out. No, it's like no, no, it's
• 28:17
  Speaker 4: really important that you can't think that.
• 28:19
  Speaker 3: Way and have for like two or three hours. Dude.
• 28:22
  Speaker 4: I know, yeah, yeah, but just sometimes I just feel
• 28:25
  Speaker 4: that way.
• 28:25
  Speaker 3: Understandable.
• 28:26
  Speaker 4: Yeah. My next question, my final question will be for
• 28:30
  Speaker 4: you is what does Lenny refer to he Homer and
• 28:33
  Speaker 4: Karl as.
• 28:34
  Speaker 3: Uh the unsupervisable? Yes, yes, I had one more question.
• 28:40
  Speaker 3: We already know the name with Uncle Kevin's funny friend.
• 28:43
  Speaker 4: Don't we It's David. The other questions, no, I only
• 28:47
  Speaker 4: only have four. I try I find one more for you.
• 28:51
  Speaker 4: What were the other two besides whispering to eyes? What
• 28:53
  Speaker 4: were the other two things that Homer rolls out. There's
• 28:56
  Speaker 4: one lick hairlick eyesick eyes, and spank spank care.
• 29:00
  Speaker 3: That's right, that's all I got.
• 29:02
  Speaker 4: You ever played that game? Brother? I used to work
• 29:04
  Speaker 4: with some guy who was like, the best thing I
• 29:05
  Speaker 4: ever got was these dice, And then I watched the episode.
• 29:07
  Speaker 4: I was like, yeah, he was like I love it.
• 29:12
  Speaker 4: Who's saying that? This guy was like forty five single
• 29:15
  Speaker 4: and you know, just hadn't had a relationship longer than
• 29:18
  Speaker 4: not three months, you know, but you know he was
• 29:21
  Speaker 4: I guess these guys are good at fucking No. He no,
• 29:24
  Speaker 4: he was like the casanova. He's like the guy that's like,
• 29:27
  Speaker 4: you know, he's.
• 29:29
  Speaker 3: He's got to pick it up. He's not good at
• 29:30
  Speaker 3: fuck you reckon. Yeah, I'm sorry. Things that good at
• 29:37
  Speaker 3: it if you had a spice up with dice or
• 29:43
  Speaker 3: with bullshit fucking chocolate spread on, forget it, just be
• 29:48
  Speaker 3: good at fucking a bit back to basics. It's just
• 29:51
  Speaker 3: now the fundamentals, dude, le's a number one from Chris Gott.
• 29:56
  Speaker 3: Just get your fundamentals right. In that note, people, what
• 30:02
  Speaker 3: was that guy French?
• 30:02
  Speaker 4: Was he? Yes?
• 30:03
  Speaker 3: Really yeah, even worse the side down. That's why he's here.
• 30:10
  Speaker 3: They kicked him out of France.
• 30:11
  Speaker 4: Yeah, speaking of the fundamental speaking of the fundamentals, Yeah, yeah, it's.
• 30:19
  Speaker 3: A big stretch. It was pretty good. That was actually
• 30:22
  Speaker 3: that was actually pretty good.
• 30:24
  Speaker 4: We're starting with the incredible Kenny g of course.
• 30:36
  Speaker 3: Kady g Roll the dice was it come up? Absolute legend.
• 30:40
  Speaker 4: Yes, Glenn Glenn gomer is just a Parker. Good fu you,
• 30:43
  Speaker 4: Agan zach Ali j O'Neil, Isabella Murphy Rache Beasley, Stephen Roberts,
• 30:49
  Speaker 4: Shawn d V p Anderson, Timothy Bells and Andrew Davis, Kevin
• 30:52
  Speaker 4: Dental Planed, Flood Bellow, Windo Bank, Jack McFadden, Heath Apple
• 30:55
  Speaker 4: be Adriam McCleod, March Eleven Ginger and Pickle, Preston Murray,
• 30:57
  Speaker 4: to Lee, Enriquez, decl and Phoenix, Brian McCoy le, b
• 31:00
  Speaker 4: James Shepard, Joe Read and Say, Dave Pretis, McNelly, Gavin Lage,
• 31:02
  Speaker 4: Dami Miler, Charlie Joe, Abigail B Sharp Carter. I think
• 31:06
  Speaker 4: you've been top tier stone Cutter supporters of ours on Patreon.
• 31:09
  Speaker 3: A bunch of names, a bunch of heroes, a.
• 31:11
  Speaker 4: Bunch of absolute heroes. Indeed, I don't use.
• 31:13
  Speaker 3: The word hero very often, but I do use that
• 31:15
  Speaker 3: joke a lot heroes, absolutely, every last one of them.
• 31:20
  Speaker 4: Let's get into a review of The Devil Wears Nada,
• 31:22
  Speaker 4: which apparently is also a thing, The Devil wes Nada.
• 31:25
  Speaker 4: I typed the Devil wes Nada and something else came up.
• 31:27
  Speaker 3: Yeah, the movie The Devil was Nader. We discussed this
• 31:29
  Speaker 3: on our previous episode. Is that an actual movie as well? Yeah,
• 31:32
  Speaker 3: I'm not sure if there is an actual porno called
• 31:34
  Speaker 3: the Devil, but there is also the B movie that
• 31:37
  Speaker 3: has a bit of nudity. It did, Yes, I was
• 31:39
  Speaker 3: directed by your mate, directed by my man, Jim Warnowski.
• 31:44
  Speaker 3: I think it might have been the legendary kat G who.
• 31:47
  Speaker 4: Or oh yeah, I think it was Katy G who.
• 31:50
  Speaker 3: Brought oh name checking Jim Wowski someone.
• 31:53
  Speaker 4: I think KAG was somebody. You don't check somebody.
• 31:56
  Speaker 3: Yeah. Look, if it wasn't katG, first of all, shouted
• 31:59
  Speaker 3: Katy G. But if it's someone else, my apologies and
• 32:03
  Speaker 3: shout out to whoever you are. I might do a
• 32:05
  Speaker 3: little bit of research and we'll give you a proper
• 32:06
  Speaker 3: shout out in later episodes.
• 32:08
  Speaker 4: So the original edit was November fifteenth, two thousand and nine.
• 32:12
  Speaker 4: The top three films at the US box office were
• 32:14
  Speaker 4: number three, The Man Who Stairs It Men, The Men
• 32:16
  Speaker 4: Who Stare It Goes.
• 32:18
  Speaker 3: I think it's got George, it's got a good cast. Actually,
• 32:20
  Speaker 3: it's got like Jeff Bridges, George Clooney, Kevin Spacey. Do
• 32:24
  Speaker 3: you know the author John Ronson? He really is a
• 32:27
  Speaker 3: really good social commentator and a podcaster. You McGregor is
• 32:30
  Speaker 3: in it, you'll Agregor Yeah, it's about this sa Patrick. Yeah,
• 32:33
  Speaker 3: secret department of like the CIO or the FBI or
• 32:35
  Speaker 3: something that basically was conducting mind control experiments and like, oh,
• 32:39
  Speaker 3: we've heard there are guys out there who have got
• 32:40
  Speaker 3: like telekinetic powers and telepathic powers. Let's see if that's
• 32:44
  Speaker 3: actually real and we can use it as a weapon.
• 32:46
  Speaker 3: And it's all sort of a black comedy. Don't think
• 32:47
  Speaker 3: it's very good.
• 32:48
  Speaker 4: This has nothing like the description on Google Discripminer. After
• 32:51
  Speaker 4: his wife leaves him, Bob, a newspaper reporter, sets off
• 32:53
  Speaker 4: to Kuwait to cover the ongoing war. He gets more
• 32:56
  Speaker 4: than he bargins for when he meets Lynn Cassidy, an
• 32:58
  Speaker 4: next US Army Special Forces operator.
• 33:01
  Speaker 3: If you go beyond that, I'm pure starts to come there.
• 33:04
  Speaker 3: I was like, where's the my controls? Number two was
• 33:08
  Speaker 3: a Christmas Carol. Oh, okay, so that'd be the Robert
• 33:11
  Speaker 3: Robertson mecha sort of motion capture one Jim with Jim
• 33:15
  Speaker 3: Carry's episode me neither Christmas.
• 33:18
  Speaker 4: They keep doing versions of it all the time, all
• 33:22
  Speaker 4: the Christmas. Carroll, you peaked, you might as well to stop.
• 33:25
  Speaker 3: Yeah, for Dane, you've got uppa Christals Carroll for a
• 33:26
  Speaker 3: guy You've got scrooged.
• 33:28
  Speaker 4: Just stop there.
• 33:29
  Speaker 3: But there's that one. They did a guy Pierce one
• 33:32
  Speaker 3: not long ago where he was screwged. Apparently he's really
• 33:34
  Speaker 3: good in it, and they're making a new one with
• 33:37
  Speaker 3: Johnny Depp as Scrooge.
• 33:39
  Speaker 4: Johnny Depp's coming back apparently back in He's back in
• 33:44
  Speaker 4: Scrooge form.
• 33:45
  Speaker 3: And twenty twelve was number one from a Man Rolling
• 33:49
  Speaker 3: Emrick a pakistone favorite at the Rock that's and Andres. Yes,
• 33:54
  Speaker 3: this one's got John Q Sagudy Harrelson.
• 33:56
  Speaker 4: Any good twenty twelve.
• 33:57
  Speaker 3: Never watched it, not as good as The Day After Tomorrow, But.
• 34:01
  Speaker 4: I remember hating it when I watched it, But that
• 34:02
  Speaker 4: was when it first came out.
• 34:03
  Speaker 3: Yeah, very prescient as well. Yeah, yeah, gotta have twenty
• 34:09
  Speaker 3: two and it's about I think it's like the last
• 34:14
  Speaker 3: one of those really big sort.
• 34:15
  Speaker 4: Of disaster movies, like, yeah, we haven't done one for
• 34:18
  Speaker 4: a long time.
• 34:18
  Speaker 3: We have not because the world's disaster now.
• 34:22
  Speaker 4: Yeah, I feel like it's time for another, a good
• 34:25
  Speaker 4: alien invasion movie or a disaster movie of some kind that, yeah,
• 34:30
  Speaker 4: the perfect Netflix movie, Like you can put one of
• 34:32
  Speaker 4: these out every year and people would eat that ship up.
• 34:34
  Speaker 3: Well that's the Unfortunately the last version we got was
• 34:36
  Speaker 3: that ice Cube War of.
• 34:37
  Speaker 4: The World's Yeah. I got about twenty five minutes in
• 34:40
  Speaker 4: and I was like, so someone toil me. It's worth watching.
• 34:42
  Speaker 4: It's good. And then I started watching it.
• 34:44
  Speaker 3: I was like, it might have been me saying this
• 34:46
  Speaker 3: is so bad it's good, or this is so fucking strained.
• 34:49
  Speaker 4: No, no, because then I messaged my friend. I was like,
• 34:51
  Speaker 4: I'm halfway half now does it get better? And he
• 34:54
  Speaker 4: was like, well, you actually started watching it. I was
• 34:55
  Speaker 4: kidding it starts, asked c what were you thinking? And
• 34:57
  Speaker 4: I'm like, it's not just Cube the Star and Ghosts
• 35:01
  Speaker 4: of Marks Friday and you know Triple X two Colin,
• 35:05
  Speaker 4: State of the Name, Stay the Union, for those were
• 35:09
  Speaker 4: the top three films that US box office when this
• 35:11
  Speaker 4: episode originally and What a Time to Production code l
• 35:14
  Speaker 4: A B F one seven written by Tim Long dread
• 35:16
  Speaker 4: by Nancy Cruz. Right, So the episode kicks off with
• 35:19
  Speaker 4: what was it, Davis, Well, don't forget how you know Billboard,
• 35:23
  Speaker 4: chalk Board, Yeah, cloudy gag and you know Billboard, facet
• 35:26
  Speaker 4: Billboard comes first.
• 35:27
  Speaker 3: Billboard, Don't face this Christmas sober stuff man. Yes, that
• 35:33
  Speaker 3: felt it felt lazy.
• 35:35
  Speaker 4: I didn't mind it.
• 35:36
  Speaker 3: Yeah, it just felt like, I don't know, you could
• 35:38
  Speaker 3: have had an opportunity for like sort of better word
• 35:40
  Speaker 3: playing there, or you could have been really just like
• 35:44
  Speaker 3: this is a joke as well as.
• 35:45
  Speaker 4: Like being a little more saddle with it, have like
• 35:48
  Speaker 4: a reindeer cords.
• 35:51
  Speaker 3: Or something like that.
• 35:52
  Speaker 4: I didn't mind it. But yeah, you're right, chopboard gag.
• 35:55
  Speaker 4: I do not have the hots for my mum. I
• 35:58
  Speaker 4: have issues with this. So Bart was walking dound saying
• 36:01
  Speaker 4: he did have the hots for his mom. Yeah, what
• 36:04
  Speaker 4: the hell is going on here? So Bart's punishment was
• 36:07
  Speaker 4: to say, no, you do not have the hots for
• 36:09
  Speaker 4: your mother. Yeah.
• 36:10
  Speaker 3: When when did the song Stacy's Mom come out?
• 36:13
  Speaker 4: I was like twenty three?
• 36:15
  Speaker 3: Yeah, fo Yeah, I'm trying to just come up with
• 36:19
  Speaker 3: any sort of pop culture connections, like.
• 36:20
  Speaker 4: Because kind of like ties into the story of this
• 36:22
  Speaker 4: episode as well. But yeah, but I don't think Bart
• 36:24
  Speaker 4: having the hots for his mom. It's just I meant
• 36:27
  Speaker 4: hot for teacher. Yeah that doesn't work either.
• 36:31
  Speaker 3: Yeah, yeah, being hot for moms and mean being hot
• 36:34
  Speaker 3: for milks or whatever. Yeah, but it's like, yeah, this joke,
• 36:36
  Speaker 3: need a little more explaining it or just does not exist.
• 36:39
  Speaker 4: Yeah, and the cash gave the Simpsons are cave people
• 36:40
  Speaker 4: who sit on a log sinks into the tar pits,
• 36:43
  Speaker 4: and they are in a museum on the as a
• 36:46
  Speaker 4: catch gay. So the episode kicks off with Ted's farewell party.
• 36:50
  Speaker 4: Here is the supervisor of sixty seven.
• 36:52
  Speaker 3: G indeed got a soft spot for Ted. You got
• 36:55
  Speaker 3: a good plan for retirement. He's just going to do
• 36:57
  Speaker 3: some gardening, have a little early dining, and maybe learn
• 36:59
  Speaker 3: some Chinese early dining. Oh so you appreciate you get. Look,
• 37:05
  Speaker 3: you get a few more miles on the meter. It's like,
• 37:07
  Speaker 3: why have dinner at seven thirty when I got have
• 37:09
  Speaker 3: it at five?
• 37:10
  Speaker 4: Yeah? That can be out, you know, doing stuff at
• 37:12
  Speaker 4: seventh thing?
• 37:13
  Speaker 3: What I fucking life hack early dining rules man?
• 37:17
  Speaker 4: Yeah. Yeah, Because Nicol and I went through a phase
• 37:20
  Speaker 4: where the kids would eat first and then we want
• 37:21
  Speaker 4: to eat out dinner and pizza. We'd eat dinner at
• 37:23
  Speaker 4: like seven thirty eight, and it's like it's too late. Oh,
• 37:25
  Speaker 4: it's most a bedtime and it's like I feel heavy
• 37:27
  Speaker 4: when I go to bed. It's like, no, just eat
• 37:29
  Speaker 4: it five.
• 37:29
  Speaker 3: And it's funny for so long. That was even when
• 37:32
  Speaker 3: I even when I was young, kind of like, ah,
• 37:35
  Speaker 3: it was a yeah. The code was like, oh, well
• 37:39
  Speaker 3: when I get on, I'm going to have dinner at
• 37:41
  Speaker 3: five thirtyes something. Oh god, what a way to live.
• 37:43
  Speaker 3: That sucks. And then you look at it now it's.
• 37:45
  Speaker 4: Like maximize your nighttime. It's brilliant. And he also is
• 37:49
  Speaker 4: going to learn mandeviin but apparently he's garbage at it.
• 37:52
  Speaker 3: Well, yeah, the young the subtitles on the Disney Plus
• 37:55
  Speaker 3: thing was like gibberish chines as it says I Cam,
• 37:58
  Speaker 3: at which point the one Asian person said.
• 38:01
  Speaker 4: That who had never seen before.
• 38:03
  Speaker 3: Yeah, I thought, by the way, a nice I would say,
• 38:07
  Speaker 3: culturally sensitive nod. But yeah, he say he's learning Mandarin Chinese.
• 38:12
  Speaker 3: He's not just learning Chinese.
• 38:13
  Speaker 4: It feels like Golden would have said Chinese.
• 38:15
  Speaker 3: Yes, indeed, I suppose, Yeah, Hank is here he sorry
• 38:20
  Speaker 3: hand under the Bus's episode you're take catching strays, buddy,
• 38:24
  Speaker 3: But yeah, learning Mandarin Chinese as opposed to Cantonese.
• 38:27
  Speaker 4: Yes, Lenny khen Homer celebrated, By way, did you think
• 38:31
  Speaker 4: I thought Ted was a giant hand guy covering his
• 38:33
  Speaker 4: hand oh, you couldn't see his hands, Like, is he
• 38:36
  Speaker 4: gonna reveal to be that the giant hand. I would
• 38:37
  Speaker 4: know he's a supervisor because.
• 38:40
  Speaker 3: He looks like Halloween was not long ago.
• 38:42
  Speaker 4: I mean it was like a month aw dood was
• 38:43
  Speaker 4: that costume?
• 38:44
  Speaker 3: But I am tired joking.
• 38:47
  Speaker 4: Yeah, it's crazy.
• 38:48
  Speaker 3: Sorry, anytime I quite they learn, I've got to do that,
• 38:50
  Speaker 3: boye because it's perfect. If that was said, that is brilliant,
• 38:57
  Speaker 3: that'd be a nice, nice callback or shout out.
• 38:59
  Speaker 4: But Lenny, Karl and Homer they say they're going to
• 39:01
  Speaker 4: Misted because he lets them get away with murder. Basically,
• 39:03
  Speaker 4: they have adjustments to the vending machine. They've put beer
• 39:05
  Speaker 4: where it should be club soda, and they call they
• 39:08
  Speaker 4: call themselves the unsupervisables. But then mister Burns arrives and
• 39:10
  Speaker 4: Homo suggests. He says that we're going to get a
• 39:12
  Speaker 4: new supervisor. Hamasons can't be just supervised ourselves. And he
• 39:14
  Speaker 4: has the vision or apparently all three from have the
• 39:16
  Speaker 4: vision of them just writing cars around our plan or whatever. Yeah,
• 39:18
  Speaker 4: power plan, isn't it?
• 39:19
  Speaker 3: Yeah it is. I'm trying to figure if that was
• 39:21
  Speaker 3: a shout out to anything. It kind of looked like
• 39:23
  Speaker 3: the Italian job. It looked like it was meant to
• 39:24
  Speaker 3: be something, didn't they Yeah, you're ware of the Italian Joeyeah,
• 39:27
  Speaker 3: I am, indeed. Yeah, they're remake like twenty Yeah. Mark Warlberg, right, it.
• 39:33
  Speaker 4: Was Mike Wahlburg me by movie knowledge.
• 39:35
  Speaker 3: In earlier for Jason Statham. Really yeah, playing I believe
• 39:40
  Speaker 3: Handsome Bob. One thing I liked before that was the
• 39:45
  Speaker 3: guys hiding their beer. Is I just gotta laugh out
• 39:48
  Speaker 3: of Gum putting in his pants and.
• 39:50
  Speaker 4: It looks like, well that's coming up, Because this is
• 39:53
  Speaker 4: where burn says, I'm going to choose one of you
• 39:54
  Speaker 4: guys going to He says, which one will I choose?
• 39:57
  Speaker 4: Homer's sitting there looking dumb. The fly flows up his
• 39:59
  Speaker 4: nose up here, it's hollow inside. Then he tries to
• 40:02
  Speaker 4: hide the beer, puts it on his pants, as you
• 40:03
  Speaker 4: were saying, is with himself, and Carl fixes a light bulb.
• 40:06
  Speaker 4: So we choose up front runner and immediately, as you know,
• 40:09
  Speaker 4: as the cliche goes, as soon as they're promoted, they're
• 40:11
  Speaker 4: not your friends anymore correct correct.
• 40:13
  Speaker 3: By the way, I also liked Burns's line about promoting
• 40:16
  Speaker 3: people him because his kidney.
• 40:17
  Speaker 4: Is now his heart or something on those lines. Yeah,
• 40:19
  Speaker 4: it's none funny. Gives him the key to the executive washroom,
• 40:22
  Speaker 4: and Carl just sees himself in the reflection. It's like, oh,
• 40:24
  Speaker 4: a man, I've grown. And Homer says, our boss is
• 40:28
  Speaker 4: our best buddy. But they're giving high fires. But Carl
• 40:30
  Speaker 4: doesn't give high fire because he's now saving his arm
• 40:32
  Speaker 4: for filling out employee evaluations.
• 40:34
  Speaker 3: Indeed, yes, but according to them, the nitwits are indeed
• 40:37
  Speaker 3: running the goof house.
• 40:38
  Speaker 4: Yeah yeah, but he says no. They look at him.
• 40:40
  Speaker 4: At least he hasn't changed, and then Carl of this
• 40:41
  Speaker 4: speaker says, I have changed in ways you're only beginning
• 40:44
  Speaker 4: to suspect. Marge meanwhile, has caught a meeting of the
• 40:47
  Speaker 4: Springfield charity Chicks. Last year's cake and cookie sale raised
• 40:50
  Speaker 4: one hundred and twelve dollars to fight childhood obesity. We
• 40:52
  Speaker 4: cut to Bart Martin and Utter in the treehouse eating
• 40:55
  Speaker 4: all of these cakes and cookies.
• 40:56
  Speaker 3: Don't.
• 40:59
  Speaker 4: Utter falls through the roof off the floor, which is
• 41:01
  Speaker 4: kind of depending where it is the floor. It's the
• 41:03
  Speaker 4: floor of the tree of the tree house. But it's
• 41:05
  Speaker 4: like it's high as a roof to go to the.
• 41:07
  Speaker 3: Beastie Boys on pools, which one man's ceiling is another
• 41:09
  Speaker 3: man's floor.
• 41:10
  Speaker 4: Yes, he falls through Luen and suggests that this year
• 41:13
  Speaker 4: calendar they should do it like the Beefcake one. I
• 41:15
  Speaker 4: love it, called Beefcake, the beefcake Police calendar.
• 41:18
  Speaker 3: I love it because yeah, male calendar is are beefcake
• 41:21
  Speaker 3: and female calendars of cheesecake? Is it?
• 41:23
  Speaker 4: Yeah? Have you never have cheesecake calendar? I had fun,
• 41:32
  Speaker 4: But she says they need a theme and margin. Looks
• 41:34
  Speaker 4: at the history of genocide. How about history? Yes. This
• 41:42
  Speaker 4: show is brought to you by the four figure Discount Patreon,
• 41:45
  Speaker 4: where you'll find over one hundred hours of bonus podcasts,
• 41:48
  Speaker 4: including exclusive Simpsons reviews and commentaries, as well as exclusive
• 41:52
  Speaker 4: episodes of Going Down to South Park, tales of Futurama,
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  Speaker 4: Bob's Pods, Speaking of the Hill, talking Sifould, the one
• 41:59
  Speaker 4: about Brands, and so much more. So go ahead and
• 42:02
  Speaker 4: join the family today at patreon dot com slash four
• 42:05
  Speaker 4: figure discout. They were at the studio and Julio is
• 42:09
  Speaker 4: shooting lan Edward the camera of course taking over the land.
• 42:12
  Speaker 3: And yes, Hank is putting on his notoriously fruity finish
• 42:15
  Speaker 3: accent yep, which is what he uses for everything pretty
• 42:18
  Speaker 3: much the man of a dozen vites. He sorry, Hank,
• 42:23
  Speaker 3: I love your work. Buddy.
• 42:24
  Speaker 4: Marjin comes in as the Tiger Woods of the nineteen thirties. Yeah,
• 42:28
  Speaker 4: Babe Didrickson Sahara Saharias, Yeah, who probably an absolute legendary golfer.
• 42:34
  Speaker 4: Oh yeah, yeah, But then he asks for more, babe
• 42:36
  Speaker 4: and less Didrickson Saharias. So she suggests taking off one glove.
• 42:40
  Speaker 4: She takes off gloves another glove underneath. So then he
• 42:42
  Speaker 4: gets gets her drunk on wine indeed, yeah, and she
• 42:45
  Speaker 4: starts getting funky shakes all at one point shakes all
• 42:47
  Speaker 4: the clothes off.
• 42:48
  Speaker 3: It certainly seems that way. Yeah, it's a little bit
• 42:50
  Speaker 3: about babe. Didrickson not only a world champion golfer, she
• 42:53
  Speaker 3: won two gold medals in track and field at the
• 42:55
  Speaker 3: thirty two Olympics.
• 42:56
  Speaker 4: Holy shit, what.
• 42:58
  Speaker 3: A lady. Although, yeah, let's be gender inclusive, gender non specific.
• 43:05
  Speaker 4: What lord?
• 43:05
  Speaker 3: Yeah, holy shit, babe. Some people are just good at everything.
• 43:08
  Speaker 4: Yeah for me, But it's like Alliott, he just picks
• 43:13
  Speaker 4: up a cricket ball, just bowls the board, just bowls
• 43:15
  Speaker 4: me out. I'm like, you're seven, how are you bowling? Pace? Not?
• 43:20
  Speaker 4: This thing is now he washed a shamee worn. It's
• 43:22
  Speaker 4: like before a game one day, like Shane war teaching
• 43:24
  Speaker 4: how to do his various balls, so he washed it.
• 43:26
  Speaker 4: He studied this because Alliot the kids had COVID last week,
• 43:29
  Speaker 4: so and Nicol had COVID. I didn't get COVID. So
• 43:32
  Speaker 4: he was just watching cricket videos on YouTube and he
• 43:34
  Speaker 4: was studying. Shane won't explaining how to do balls. Now
• 43:37
  Speaker 4: he can do a flipper. Wow, he's like he was teaching.
• 43:41
  Speaker 4: I was like, he goes, I show how to a flipper.
• 43:42
  Speaker 3: Dad.
• 43:42
  Speaker 4: I was like you just no, no, you use this
• 43:44
  Speaker 4: finger this thing and you get like flick it like
• 43:46
  Speaker 4: that and then you flick it. But you're gonna try
• 43:47
  Speaker 4: to make a bounce. He said that chicks and make it.
• 43:49
  Speaker 4: Think it's going to be a leg spin, but it
• 43:50
  Speaker 4: goes straight towards the stumps. And I was like, you're seven.
• 43:55
  Speaker 3: Too much cricket terminology in this conversation, but I get
• 43:57
  Speaker 3: where you're coming from. I appreciate it. He's dude, wait
• 44:00
  Speaker 3: it out.
• 44:01
  Speaker 1: Well.
• 44:03
  Speaker 4: But then they were shopping more and Marge's dragging Bart
• 44:05
  Speaker 4: to go buy some new clothes, and Bart straight and saying,
• 44:07
  Speaker 4: one day, I'm going to drag you around to buy
• 44:08
  Speaker 4: some new clothes and margins like that seems lovely, That's
• 44:10
  Speaker 4: very nice. It's like, I've got here my notes. It's
• 44:13
  Speaker 4: amazing how kids can find a way to complain when
• 44:15
  Speaker 4: you're doing something for them. We're gonna go to a supermarket,
• 44:18
  Speaker 4: I know, I know. It's like, well, do you want
• 44:19
  Speaker 4: to eat? Yeah, I'm getting new food. Yeah, I'm wasting
• 44:23
  Speaker 4: my money. Oh yeah on you shad.
• 44:27
  Speaker 3: Okay good yeh. Flipping bowling is yeah. Remember when I
• 44:30
  Speaker 3: was a teenager, you know, Mum would take me into
• 44:32
  Speaker 3: town and getting new shoes.
• 44:33
  Speaker 4: I like, and it'll make these sneakers.
• 44:35
  Speaker 3: I want these slightly more expensive sneakers that look cool.
• 44:40
  Speaker 3: There's no tick and get a fucking job.
• 44:42
  Speaker 4: Yeah, Junior, It's like me buy kids hungry jacks or whatever.
• 44:46
  Speaker 4: I'm pincher chips like that's my chip. I'm like, motherfucker,
• 44:53
  Speaker 4: welcome to Spike Club.
• 44:56
  Speaker 3: Yeah, but that does like March, that'd be very sweet.
• 45:00
  Speaker 3: Took me around them all and bought me much.
• 45:02
  Speaker 4: We want to go shopping with the kids, of course.
• 45:04
  Speaker 4: But Marge realizes here that she's been pinupped.
• 45:08
  Speaker 1: I've been pinupped, and every month there's me I don't
• 45:16
  Speaker 1: remember doing this. Oh, I certainly don't remember doing August.
• 45:22
  Speaker 2: Hey, calendar lady, you don't take your clothes off? No, well,
• 45:27
  Speaker 2: I got the next birst thing.
• 45:37
  Speaker 4: Yeah, that joke went on for maybe like two seconds
• 45:40
  Speaker 4: too long, you did, Yeah that was We come up
• 45:42
  Speaker 4: a commercial at the power plant, and Homer has a
• 45:45
  Speaker 4: great safety report. Karl is supporting him, saying, well done,
• 45:48
  Speaker 4: and they're going to make you my safety assistant. Her says,
• 45:50
  Speaker 4: kind of just keep my current job, whatever that is.
• 45:52
  Speaker 4: And you, Carl threatened, saying you're either going to be
• 45:54
  Speaker 4: my assistant or you're gonna look elsewhere. And in this
• 45:56
  Speaker 4: economy hiring, especially in this econdoment. Bolly Margin arrives to
• 46:02
  Speaker 4: church without Homer. I guess how is busy with Karl?
• 46:05
  Speaker 3: Now? Yeah?
• 46:07
  Speaker 4: Yeah, I mean whatever that thing.
• 46:09
  Speaker 3: You could have taken the two seconds with cleaders and
• 46:12
  Speaker 3: put them like, sorry, I can't come to church. But yeah,
• 46:16
  Speaker 3: Carl's got me, you know, doing spreadsheets. Yeah.
• 46:19
  Speaker 4: Then Comic book guy says that it's the woman who
• 46:21
  Speaker 4: made February the hottest month of the year. Mister Burns
• 46:23
  Speaker 4: compliments her shapely gambs and then some woman look like Oprah. Yeah,
• 46:28
  Speaker 4: so she's wearing purple, like the color of purple, Like
• 46:31
  Speaker 4: what is going on here?
• 46:32
  Speaker 3: True?
• 46:32
  Speaker 4: Yeah, a lot, that's true. Yeah, it's not missus Hibbitt. No,
• 46:38
  Speaker 4: it's not at all. It's not missus Hibbitt, absolutely not.
• 46:42
  Speaker 4: It's just it looked like Oprah, I thought anyway, but
• 46:43
  Speaker 4: it was Oprah. Think in two thousand and nine, when
• 46:45
  Speaker 4: did she finished? But he's never not a bitter thing,
• 46:47
  Speaker 4: but like her TV show, like it wasn't on TV anymore.
• 46:49
  Speaker 3: Yeah, but then she's still Oprah. But what is she
• 46:51
  Speaker 3: doing now? Being Oprah?
• 46:53
  Speaker 4: Where doing what?
• 46:54
  Speaker 3: Everywhere? Where?
• 46:56
  Speaker 4: The name one thing I've seen Oprah do in the
• 46:58
  Speaker 4: last five years she did that interview with Harrr. Besides
• 47:02
  Speaker 4: the royal interview.
• 47:03
  Speaker 3: I think she just exists in the in the zeitgeist.
• 47:07
  Speaker 3: But doing what no, as I like to say, when
• 47:10
  Speaker 3: you're super rich, she's sitting on a beach and only
• 47:12
  Speaker 3: twenty percent. Yeah, she's, you know, hanging out with Steadman.
• 47:17
  Speaker 4: This person says, yeah, the pants aren't hiring because your
• 47:19
  Speaker 4: butt won't quit and the Margin's like, oh wait a minute,
• 47:21
  Speaker 4: people are coming to here. They thought it was good.
• 47:23
  Speaker 4: Homan that gets home exhausted, and Marge is dressed very sexy.
• 47:25
  Speaker 4: She says, everyone loved her calendar, but only he gets
• 47:28
  Speaker 4: to flip the pages, and Homer's reminded, oh my god, calendar,
• 47:31
  Speaker 4: Carl's calendar. He's astrologer, is going to be this astrologer
• 47:34
  Speaker 4: same time as astronomer.
• 47:35
  Speaker 3: Astrologer and astronomers.
• 47:36
  Speaker 4: Yeah, yeah, she's just he's freaking out, just panicking about work.
• 47:39
  Speaker 4: And I think we've all had times where it's like
• 47:41
  Speaker 4: I'm bringing my work home with me and I can't
• 47:43
  Speaker 4: switch off. Yeah, and I can relate to this completely.
• 47:45
  Speaker 4: And she suggests a marge madness and the visions of
• 47:48
  Speaker 4: the various libidos, so hers is just like firing and
• 47:50
  Speaker 4: all cylinders and how is this there? And Homer suggests cuddling.
• 47:57
  Speaker 4: She's cuddlings for after and then he falls asleep. She
• 47:59
  Speaker 4: says to my love, and I was like, you know,
• 48:01
  Speaker 4: that's very sweet, but we've all been here.
• 48:03
  Speaker 3: Oh goodness, give it his cuddle, because you know, sometimes
• 48:09
  Speaker 3: the spirit is willing, but the flesh is weak. But
• 48:12
  Speaker 3: sometimes sometimes the spirit and the flesh are both unwilling.
• 48:15
  Speaker 4: Sometimes, and it's okay for a man to feel this
• 48:18
  Speaker 4: way as well, Like sometimes people as a man, it's
• 48:20
  Speaker 4: like no, no, you're not a man. If I don't
• 48:23
  Speaker 4: like to live, it's like, no, it's okay for you
• 48:24
  Speaker 4: not to want it either. Sometimes you were just not
• 48:27
  Speaker 4: up for it. And we mean that in all senses
• 48:29
  Speaker 4: of the time, and that is okay, It's all right.
• 48:31
  Speaker 3: Yeah.
• 48:32
  Speaker 4: The next night, she's keen again and Homer still focused
• 48:35
  Speaker 4: on work, so she flushes him to take his mindful things,
• 48:37
  Speaker 4: but he just sees Karl's faces in her boobies are
• 48:41
  Speaker 4: and he says, let me alone, you too. He starts crying,
• 48:43
  Speaker 4: and March was like, oh, this isn't good. But again,
• 48:45
  Speaker 4: though I don't think she's angry at him yet, she's
• 48:47
  Speaker 4: just more disappointed.
• 48:48
  Speaker 3: Oh yeah yeah.
• 48:49
  Speaker 4: And then at school, Nelson is making various puns about
• 48:51
  Speaker 4: Marge Millhouse says that she can tuck him in any time,
• 48:54
  Speaker 4: and it's just yeah, just them just mocking Bart.
• 48:56
  Speaker 3: They're dumb ass kids.
• 48:57
  Speaker 4: They are dumast kids. Yeah, but then that's fighting Nelson.
• 49:00
  Speaker 4: So he gets taken to the principal's office and then
• 49:02
  Speaker 4: Skinner and Chalmers say they're going to plan a meeting
• 49:04
  Speaker 4: with his parents. Let's check out the calendar and then.
• 49:06
  Speaker 3: Let me check my calendar.
• 49:08
  Speaker 4: Yeah creeps right, be creepy, Yeah, let me do it
• 49:12
  Speaker 4: in front of the kid carrying out a calendar. Anyway,
• 49:14
  Speaker 4: just weird home and then walks in late and he
• 49:17
  Speaker 4: says he's booked a night at a romantic hotel with
• 49:19
  Speaker 4: an obstructive view, which Marge finds very appealing. And they
• 49:22
  Speaker 4: arrive and Homers says he's worked one hundred hours this week.
• 49:24
  Speaker 4: He took a pound up on the way, so he's
• 49:26
  Speaker 4: ready to go, and Marge has brought some massage oil
• 49:28
  Speaker 4: lingerie from the Horny Hobby and some snuggle dice.
• 49:33
  Speaker 1: This one has an action and this one has a
• 49:36
  Speaker 1: body part. See muzzle neck with pleasure.
• 49:42
  Speaker 4: Let me.
• 49:44
  Speaker 3: Lick e.
• 49:46
  Speaker 4: I'll try again, spank hair? What's it?
• 49:52
  Speaker 2: Whisper into all? This game sucks?
• 49:57
  Speaker 3: Why don't you just throw me?
• 50:00
  Speaker 4: That is arguably the sexiest thing Marg's ever said. Why
• 50:03
  Speaker 4: don't you just roll me? And he starts falling asleep
• 50:06
  Speaker 4: dough and she asked, why wou'd you touch me? It's like,
• 50:09
  Speaker 4: what do you think? He just said?
• 50:10
  Speaker 3: He went one hundred outs.
• 50:11
  Speaker 4: Yeah, mother fuck is tired. And if he quits, who's
• 50:14
  Speaker 4: going to be buying your ship from the horny Hobby?
• 50:16
  Speaker 3: Well that's true, that's true.
• 50:17
  Speaker 1: I mean, but.
• 50:20
  Speaker 3: If you have set up a romantic getaway weekend, you
• 50:24
  Speaker 3: should probably a pre game as best you can to
• 50:26
  Speaker 3: make sure that you can deliver.
• 50:28
  Speaker 4: I think it's more Carl's the villain here.
• 50:30
  Speaker 3: Oh absolutely, Oh look I'm not. Yeah, I'm not having
• 50:33
  Speaker 3: to go at home. But I don't know you did
• 50:36
  Speaker 3: set this up, Bud.
• 50:36
  Speaker 4: So Yeah, he drinks the I think it's just a
• 50:39
  Speaker 4: massage oil or something.
• 50:40
  Speaker 3: He does, and the oil has gotten name. It's got
• 50:42
  Speaker 3: a joke name it I forgotten.
• 50:44
  Speaker 4: Anyway, but he drinks it. They start kissing, and then
• 50:46
  Speaker 4: Carl calls and says they're going to have been booked
• 50:48
  Speaker 4: in for fishing week. Fishing week, Yeah, fishing week in.
• 50:51
  Speaker 3: Paris, in Paris, Yeah, yes, So this is where the
• 50:54
  Speaker 3: there was Proud of stuff really sort of kicks in.
• 50:57
  Speaker 4: I remember seeing the movie.
• 50:58
  Speaker 3: You have no real recollection of it. I remember it's
• 51:00
  Speaker 3: just Anne Hathaway and Meryl Stream Meryl Street. Yeah, sequel
• 51:03
  Speaker 3: coming out very soon. It is too Yeah, what was
• 51:05
  Speaker 3: it called Devil was prior to too the Devil with
• 51:09
  Speaker 3: more Prada. Yeah, this is coming with the Devil productor
• 51:14
  Speaker 3: there's been I won't say controversy about it, but you've
• 51:16
  Speaker 3: got a lot of people in the fashion world because
• 51:18
  Speaker 3: the Devil is Prada is very beloved by a lot
• 51:20
  Speaker 3: of people, but also a lot of fashion used to think, oh, yeah,
• 51:23
  Speaker 3: this is is Finally they made a movie for us,
• 51:26
  Speaker 3: and they've been looking it's like an advanced photos and
• 51:28
  Speaker 3: going why does this fashion look so fucking cheap? I
• 51:31
  Speaker 3: was like, these people are meant to be sort of
• 51:32
  Speaker 3: like the upper echelon the you know, the trendset of
• 51:34
  Speaker 3: the movies and shakers of couture, and it looks like
• 51:38
  Speaker 3: they're wearing like fast fashion.
• 51:39
  Speaker 4: Wasn't this the first big role for what's her assistance
• 51:42
  Speaker 4: name and Emily blood Blunt? Yeah, it was this our
• 51:44
  Speaker 4: first big role, one of.
• 51:45
  Speaker 3: Her first big roles. Absolutely. Yeah, very good, isn't it.
• 51:47
  Speaker 4: They' married to John.
• 51:50
  Speaker 3: She is married to John Krazinski and her sister is
• 51:53
  Speaker 3: married to her was Prada coastar Stanley Tucci.
• 51:57
  Speaker 4: There we go?
• 51:58
  Speaker 3: How about that?
• 51:59
  Speaker 4: How about that you learn something you don't have fun,
• 52:02
  Speaker 4: but you're so basically, yeah, it's not going well for
• 52:05
  Speaker 4: home in March. But Homer's been invited to Paris. Of course,
• 52:07
  Speaker 4: so it gets to Homer leaving and Marge's angry at him.
• 52:10
  Speaker 4: Now she says, I'll make it up to you. Last
• 52:12
  Speaker 4: night was the chance to make it up to me.
• 52:14
  Speaker 4: She's the most intimate moment we've had this week was
• 52:15
  Speaker 4: when I ironed your shirts and he says, well, actually
• 52:17
  Speaker 4: Carl's shirts. And I mean this is the only sort
• 52:21
  Speaker 4: of part in the episode where Homer comes across as
• 52:22
  Speaker 4: like a bit of a dick and he doesn't want
• 52:24
  Speaker 4: to be with March. He says, it's long, I want
• 52:26
  Speaker 4: to go, go, go go, and then it takes office
• 52:28
  Speaker 4: like I think he's more just wanted to get away
• 52:30
  Speaker 4: from being in trouble. Yes, yeah, if it could be
• 52:33
  Speaker 4: shagging Marge, I think he'd be shagging Marge right now,
• 52:35
  Speaker 4: that's correct.
• 52:36
  Speaker 3: Now, Yeah, this is sort of pre the error of
• 52:38
  Speaker 3: the right to disconnect. You're aware of this when oh,
• 52:42
  Speaker 3: I hundred, if it's been passing into law or anything
• 52:44
  Speaker 3: like that, but you know people are talking about, oh,
• 52:46
  Speaker 3: you need to have the right to when you're working
• 52:48
  Speaker 3: hours are over, you can switch off your phone, or
• 52:50
  Speaker 3: you can switch off your notifications like it's after hours. Man,
• 52:54
  Speaker 3: come on paying me overtime, Yeah, exactly, overtime rates of
• 52:59
  Speaker 3: those things wonderful. Now I have another question as well,
• 53:02
  Speaker 3: and I don't think it's around this era, but as
• 53:06
  Speaker 3: the cab is pulling away leaving this why is all
• 53:09
  Speaker 3: this croquet ship on the Simpsons? What's going on? Yeah?
• 53:14
  Speaker 4: Why can we find a garden tool or some kind?
• 53:16
  Speaker 4: Why does it be a croquet?
• 53:17
  Speaker 3: Shit?
• 53:17
  Speaker 4: I feel like there must be a deleted scene somewhere.
• 53:19
  Speaker 4: I think so I had to have been. I was curious, Yeah,
• 53:21
  Speaker 4: because why is it croquets? Absolutely no sense. But she
• 53:25
  Speaker 4: throws the croquet, mallet, mallets whatever hits Flanders and you think,
• 53:29
  Speaker 4: oh my god, she might have killed him. He's balling over.
• 53:32
  Speaker 4: Then we come back with commercial on Homer and Karl
• 53:33
  Speaker 4: are on the private jet and was actually really good
• 53:36
  Speaker 4: at his job.
• 53:37
  Speaker 3: He is?
• 53:37
  Speaker 4: He talking about how you know the word on the streets,
• 53:39
  Speaker 4: the protons and now the new electrons, and Carl hasn't
• 53:41
  Speaker 4: got time for peeling and beans beans, beans squats me
• 53:45
  Speaker 4: into his mouth. Then Flanders is well better now thanks
• 53:48
  Speaker 4: to Christian prayer and doctor Sheldon Lowenstein. Is that somebody?
• 53:52
  Speaker 4: I thought it was just the name of a Yeah,
• 53:54
  Speaker 4: I don't think it's an actual doctor.
• 53:56
  Speaker 2: Well, boys, daddy's back on the beam thanks to Christian
• 53:58
  Speaker 2: prayer and doctor Sheldon.
• 54:00
  Speaker 4: Oh and Stone.
• 54:01
  Speaker 3: We thought you were going to die little uncle Killvin.
• 54:03
  Speaker 1: Would he have to raise us with his funny friend David.
• 54:06
  Speaker 2: No, I'd put rocks into your pockets and walk you
• 54:08
  Speaker 2: out to see before that happened.
• 54:10
  Speaker 4: Yea margin and avite them over for dinner. And that
• 54:13
  Speaker 4: says you're going to see the best dish washing team ever.
• 54:16
  Speaker 4: Then in Paris.
• 54:21
  Speaker 3: Rod washes Todd and then put some in the dishwasher. Anyway,
• 54:24
  Speaker 3: I don't squaky queen or no put the dish washer.
• 54:26
  Speaker 4: Yeah. But now in Paris and homerss admiring all the
• 54:29
  Speaker 4: various landmarks La crusty Burger. They arrive at fishing week
• 54:33
  Speaker 4: and like a rock star. Homer is like your security
• 54:36
  Speaker 4: and meet the French nuclear commissioner Sharma whatever. Anyway, I
• 54:41
  Speaker 4: like that. So Home is basically doing the gay that
• 54:43
  Speaker 4: we usually see Burns and Smiths, where Burns is like
• 54:45
  Speaker 4: tell me who this is? This is? I trust your
• 54:48
  Speaker 4: wife is still thank you for asking yes, now we
• 54:53
  Speaker 4: should touch on this just briefly. So this features genuine
• 54:58
  Speaker 4: parodies of the French president prime minister. I think it
• 55:02
  Speaker 4: was the Prime Minister psychos prime minister President either the
• 55:05
  Speaker 4: leader of the France Right. It's a parody of him,
• 55:09
  Speaker 4: but it also parodies his wife right, who apparently was
• 55:14
  Speaker 4: known for her various alliances, for her love life, her
• 55:18
  Speaker 4: extensive love life.
• 55:20
  Speaker 3: I think she was with Mick Jagger for a while.
• 55:22
  Speaker 4: She's been Danny rock Stars and whatnot, and they completely
• 55:25
  Speaker 4: like took the mickey out of them here, which I
• 55:28
  Speaker 4: think was kind of unfair. I feel like she was
• 55:31
  Speaker 4: I mean, it's not often though. When they went to
• 55:33
  Speaker 4: the UK, they got Tony Blair, yeah, and when they
• 55:36
  Speaker 4: I guess when they came to Australia that he's got
• 55:37
  Speaker 4: Andy and the dam so that it's kind of like
• 55:39
  Speaker 4: an Australian kind of thing. But I've read that, you know,
• 55:42
  Speaker 4: they weren't really impressed in France with how their leader
• 55:47
  Speaker 4: was was deceived, because I think it was he said,
• 55:49
  Speaker 4: you're getting cozy with Cozy with Psycosy, Cozy with Psycosy,
• 55:53
  Speaker 4: and the fact that his wife was cheating on him
• 55:55
  Speaker 4: with Carl and whatnot. It's just like, I know, just
• 55:58
  Speaker 4: if it felt kind of means well. Apparently, according to Wikipedia,
• 56:02
  Speaker 4: which as we know, always lies ha clips showing the
• 56:06
  Speaker 4: satirical appearances of French presidents Nicholas Sarkozzi and his wife
• 56:11
  Speaker 4: Calibruni in the episode became internet hits in France on
• 56:14
  Speaker 4: Daily Motion. Give me the hundreds of views on daily
• 56:17
  Speaker 4: Motion and and another cyc called YouTube. There are still
• 56:20
  Speaker 4: things on daily Motion occasionally look at it. See I'm
• 56:23
  Speaker 4: just trying. I'm looking at personal laugh. Oh god, this
• 56:27
  Speaker 4: goes on brages. In December two thousand and eight, Brunei
• 56:30
  Speaker 4: sued the makers of a bag featuring a new shot
• 56:33
  Speaker 4: taken during her youth. Jesus Closes on a Padon produced
• 56:37
  Speaker 4: ten thousands of the shopping bags emblazoned with the nude
• 56:39
  Speaker 4: photo taken in nineteen ninety three showing brune staring at
• 56:42
  Speaker 4: the camera with her crossed hands covering her crotch. No
• 56:44
  Speaker 4: link to that picture, and believe me, he's been looking.
• 56:52
  Speaker 3: Wow. If you want an interesting read by all means,
• 56:55
  Speaker 3: check out Calabrini's Wikipedia page. It's got twists and turns.
• 57:00
  Speaker 4: The interesting life. Indeed, Yes, but yeah, they parodied them
• 57:03
  Speaker 4: here and just parodied the fact that she was, you know,
• 57:07
  Speaker 4: in her former life.
• 57:09
  Speaker 3: Hey she had a life like we're all did.
• 57:10
  Speaker 4: Yeah, exactly right. Yeah, probaly she's laughed it off, but
• 57:13
  Speaker 4: it's like, it's kind of mean to do it this way.
• 57:15
  Speaker 3: Little Yeah.
• 57:16
  Speaker 4: But so you go into France for the first time,
• 57:18
  Speaker 4: how did you get the actual voice?
• 57:19
  Speaker 3: I mean maybe you didn't want to maybe, yeah, I
• 57:21
  Speaker 3: guess well they Yeah, it's more sort of mocking the
• 57:25
  Speaker 3: French way of life or gently ribbing the French way
• 57:28
  Speaker 3: of life.
• 57:28
  Speaker 4: Yeah, you should have changed their names if you know this. Yeah, yeah,
• 57:31
  Speaker 4: because you're basically saying, this is these people. If it
• 57:35
  Speaker 4: just looked and sound like me, You're like, it's just
• 57:37
  Speaker 4: meant to be like them. Yeah, it wasn't worth it
• 57:39
  Speaker 4: just to have the gag Cozy with Cozy.
• 57:42
  Speaker 3: I don't know.
• 57:42
  Speaker 2: I don't think so, Monsieur Carson. What have you enjoyed
• 57:46
  Speaker 2: must about Paris?
• 57:47
  Speaker 4: Oh?
• 57:48
  Speaker 2: I really love the Loave? Everything about it is so
• 57:54
  Speaker 2: closed on Mondays.
• 57:55
  Speaker 3: You are clearly a man of the world. May I
• 57:58
  Speaker 3: have your card?
• 57:59
  Speaker 2: My assistant will give you an ad.
• 58:00
  Speaker 4: Can we meet for lunch?
• 58:02
  Speaker 2: My sister will set that up. I want to make love.
• 58:04
  Speaker 4: Now.
• 58:05
  Speaker 2: My assistant will do a sensual dance for your arousal.
• 58:08
  Speaker 2: Come on, come on, come on, sensual dance.
• 58:10
  Speaker 1: Jump jump.
• 58:13
  Speaker 4: They're walking in the rain through Paris. Carlos everything about
• 58:16
  Speaker 4: Paris except for their lame version of rock and roll,
• 58:18
  Speaker 4: as you were saying, But he wants to extend their
• 58:21
  Speaker 4: stay indefinitely, and Homer's what about March. I think that
• 58:23
  Speaker 4: was important for Homa to constantly be saying, I need
• 58:26
  Speaker 4: to get back to March. You know, he's not forgetting
• 58:28
  Speaker 4: about March. And then Carl's just not listening to it all.
• 58:30
  Speaker 4: He just wants to further their business and go to
• 58:32
  Speaker 4: Disneyland with this lady who turns it to be Karla.
• 58:35
  Speaker 4: Homer walks around, he sees March in various places. I
• 58:37
  Speaker 4: think he sees the baghette and it's Marge's hair and
• 58:40
  Speaker 4: the windmill and whatnot. Yes, yeah. Then meanwhile back home,
• 58:44
  Speaker 4: the kids are leaving for a tea party. Janey's in
• 58:46
  Speaker 4: a stink bomb party next door. No connection to Flanders
• 58:50
  Speaker 4: arrives about his kids because they've been granded for as
• 58:51
  Speaker 4: we were saying earlier, watching a Great Anatomy commercial and
• 58:53
  Speaker 4: not telling him about it, and then they start cooking
• 58:56
  Speaker 4: dinner together, march and Flanders and Marcha's we never do
• 59:00
  Speaker 4: it anymore, cook together that is. And then he's going
• 59:03
  Speaker 4: to wash the lettuce and he sprays the water all
• 59:05
  Speaker 4: over them. So they're doing the slow motion walking in,
• 59:07
  Speaker 4: moving into close to each other, and I'm like, I'm
• 59:09
  Speaker 4: not buying this at all, and the way they did
• 59:11
  Speaker 4: it didn't You're not buying anyth like this looks too
• 59:13
  Speaker 4: far fetched, right, And then we come up from commercial
• 59:16
  Speaker 4: and ding the oven goes off and dinner is ready.
• 59:18
  Speaker 4: Thank god, we've been saved, And I'm like, weren't they
• 59:19
  Speaker 4: just preparing dinner?
• 59:20
  Speaker 3: That's truely a good point.
• 59:21
  Speaker 4: It was washing the lettuce and the water splash on
• 59:23
  Speaker 4: them because he's washing the letters to prepare dinner. And
• 59:25
  Speaker 4: then now all of a sudden, this is ready, okay, Well,
• 59:27
  Speaker 4: were they preparing a salad to go with whatever's in
• 59:30
  Speaker 4: the oven? Maybe a tossed salad, you know? But they
• 59:34
  Speaker 4: he was on fire today this episode did something to
• 59:37
  Speaker 4: your car. Then calls Homer and he says, where are you?
• 59:41
  Speaker 4: And we've got the Eiffel Tower behind him. It turns
• 59:43
  Speaker 4: out the Homer has gone back to Springfield because he's
• 59:45
  Speaker 4: a good husband.
• 59:46
  Speaker 3: That's correct.
• 59:46
  Speaker 4: Yeah, yeah, he's gone back to He's gone back for
• 59:48
  Speaker 4: his wife and Marge. And he said, I'm not scared
• 59:50
  Speaker 4: of you, Carl, casters were going to fire you. Don't
• 59:51
  Speaker 4: come back in. He's like, you know what, I don't
• 59:53
  Speaker 4: think you are because that woman you've been banging first lady.
• 59:57
  Speaker 4: And he's like, I'll just call the old president. What's
• 59:59
  Speaker 4: his name, nick so cozy? President President? I said President
• 1:00:03
  Speaker 4: Sarkozy and he's like, you wouldn't dare calls him. He's like,
• 1:00:05
  Speaker 4: you're getting cozy with Sarcozy. And then his wife was
• 1:00:09
  Speaker 4: named Carla Calabrouni. Calburni is looking a bit sort of
• 1:00:11
  Speaker 4: anxious to Carl, like, look all right, no worries, You've
• 1:00:14
  Speaker 4: got me give March my best, and he's like, I
• 1:00:15
  Speaker 4: will after I give her mind. I was like, oh damn,
• 1:00:18
  Speaker 4: this is very.
• 1:00:20
  Speaker 3: Reading. The reading sort of the not necessarily the background
• 1:00:23
  Speaker 3: of this episode. But something they did say was like
• 1:00:25
  Speaker 3: the Simpsons h Q tends to get kind of like
• 1:00:28
  Speaker 3: we get a little antsy about, you know, showing intimacy.
• 1:00:32
  Speaker 3: I think I said this earlier. Sorry, I were just
• 1:00:33
  Speaker 3: doing something a bit off kilter, yeah, or just depicting
• 1:00:37
  Speaker 3: Homer in Marge's sex life. I mean, I don't think
• 1:00:39
  Speaker 3: they ever go as hard as they do in the
• 1:00:43
  Speaker 3: scene we're about to see it.
• 1:00:45
  Speaker 4: This, this seemed very seductive.
• 1:00:48
  Speaker 3: This seem down right sexy, because we.
• 1:00:49
  Speaker 4: Have the episode where they're trying to spice up their
• 1:00:52
  Speaker 4: love life natural born Lovers. Is that one lovers natural
• 1:00:56
  Speaker 4: born kisses, kisses kisses where they end up Newton in
• 1:00:59
  Speaker 4: the football field and whatnot? That time I have sex
• 1:01:00
  Speaker 4: in various places. My favorite confidence, Oh it's a donkey.
• 1:01:04
  Speaker 3: That felt more playful. This felt more like we are
• 1:01:08
  Speaker 3: we're getting it old.
• 1:01:09
  Speaker 4: Yeah, yeah, yeah. But then we get a really fucking
• 1:01:13
  Speaker 4: weird moment. So he throws his phone in the bin
• 1:01:16
  Speaker 4: or throw something, and I'm assuming.
• 1:01:18
  Speaker 3: A terrorist, that's what it seems like, you're a spy,
• 1:01:21
  Speaker 3: And he.
• 1:01:22
  Speaker 4: Who we haven't seen through the entire episode, picks up
• 1:01:25
  Speaker 4: the phone and goes, oh, nuclear plans of Lenny, everything
• 1:01:28
  Speaker 4: I need for my plan and that's it.
• 1:01:30
  Speaker 3: What's all that about?
• 1:01:32
  Speaker 4: What that feels like a mid episode plot point? He goes, no, yeah,
• 1:01:39
  Speaker 4: would it have killed.
• 1:01:40
  Speaker 3: You people to have that guy just sort of lurking
• 1:01:43
  Speaker 3: in the background throughout France. Yeah, yeah, it's fishing week.
• 1:01:48
  Speaker 3: Of course people are going to be interested energy. You're
• 1:01:50
  Speaker 3: gonna have industrial espanage. Have that guy just sort of
• 1:01:53
  Speaker 3: sneak out his head behind the from behind a building
• 1:01:56
  Speaker 3: or something. Every one you know, who's that guy going on?
• 1:01:59
  Speaker 4: Just happened to be at the lay.
• 1:02:01
  Speaker 3: Some bread crumbs?
• 1:02:02
  Speaker 4: Yeah none at the end.
• 1:02:03
  Speaker 3: Ah, you know, I thought I was going to have
• 1:02:06
  Speaker 3: to do more than this, but that's not the accent
• 1:02:08
  Speaker 3: that goes any chance to break it out.
• 1:02:11
  Speaker 4: The things said, Now we got about the status quo.
• 1:02:13
  Speaker 4: So is Carl now fired? Is Carl going to be
• 1:02:16
  Speaker 4: the supervisor in the next episode? What's to go here?
• 1:02:18
  Speaker 4: They didn't wrap up.
• 1:02:19
  Speaker 3: I guess we're gonna have to watch the next episode
• 1:02:20
  Speaker 3: of The Simpsons to find out.
• 1:02:22
  Speaker 4: I think if I know anything about Matt Sale and
• 1:02:24
  Speaker 4: it's just just enjoy this episode, figure anything out.
• 1:02:26
  Speaker 3: Goes ain't real?
• 1:02:27
  Speaker 4: Yeah, it just has like a big change, you know,
• 1:02:31
  Speaker 4: boss at the power plane or what's the go I
• 1:02:33
  Speaker 4: have no idea, who knows who cares? Anyway, he gets
• 1:02:35
  Speaker 4: home before that though, it's time for dessert, strawberries and
• 1:02:38
  Speaker 4: whipped cream.
• 1:02:39
  Speaker 3: Oh, that's right. Yeah, we haven't and we've still got
• 1:02:40
  Speaker 3: we still got.
• 1:02:41
  Speaker 4: This stuff to resolve. So margin flat, so Flat says
• 1:02:43
  Speaker 4: a good meal. They start eating strawberries and cream or
• 1:02:45
  Speaker 4: sexy like and he gets cream and he's well trimmed, perfectly,
• 1:02:49
  Speaker 4: perfully trimmed mustache, and Marge is about to kiss him again,
• 1:02:52
  Speaker 4: and I'm like, and Flare is gonna kiss her. I'm like,
• 1:02:54
  Speaker 4: what's going on here?
• 1:02:56
  Speaker 3: And now, by the way, yeah, to go with my
• 1:02:59
  Speaker 3: man's sigment for it. Sometimes a cigar is just a cigar.
• 1:03:02
  Speaker 3: But there is one scene where Marge is holding a
• 1:03:06
  Speaker 3: strawberry dip with cream to her lips. Shape of that strawberry,
• 1:03:11
  Speaker 3: it looks like I'm going to say the tip of
• 1:03:12
  Speaker 3: something to me at.
• 1:03:14
  Speaker 4: Least, okay, unless I'm also in the green bits, just
• 1:03:17
  Speaker 4: the green bits of strawberries.
• 1:03:18
  Speaker 3: Are you. I would hope not.
• 1:03:20
  Speaker 4: I never have, no, No, I've always just dipped in
• 1:03:22
  Speaker 4: and it's not the core correct anyway. But they were
• 1:03:25
  Speaker 4: eating that, they were enjoying them. And then she sees
• 1:03:28
  Speaker 4: the reflection of the photo of Homer in Flanner's glasses
• 1:03:31
  Speaker 4: as she goes there's only one person should getting strawberries
• 1:03:32
  Speaker 4: with if Flantus say is something like yeah, I've always
• 1:03:35
  Speaker 4: I've always thought that, and I'm like you were about
• 1:03:36
  Speaker 4: to kiss her?
• 1:03:37
  Speaker 3: Yea.
• 1:03:38
  Speaker 4: It just it just felt like such a weird revelation
• 1:03:41
  Speaker 4: to happen out of absolutely nowhere for Flanders. Yeah, Planners hadn't.
• 1:03:46
  Speaker 4: I hadn't teas that Flanners finds much attractive in any way.
• 1:03:49
  Speaker 4: Why would he all of a sudden have the hots
• 1:03:50
  Speaker 4: for March.
• 1:03:51
  Speaker 3: Here's the thing, Yeah, I mean if this had been
• 1:03:53
  Speaker 3: someone else, say, Marge was buying ingredients for dinner for
• 1:03:57
  Speaker 3: herself at the supermarket and has like a meat cute
• 1:04:01
  Speaker 3: in the produce section with some with like a Jacques
• 1:04:04
  Speaker 3: type of guy, and like, oh, well let's go and
• 1:04:08
  Speaker 3: have dinner or something like that goes well, you know,
• 1:04:10
  Speaker 3: it's tough to be like that would make more sense.
• 1:04:12
  Speaker 4: Yeah, someone like that. But then because he's French as well,
• 1:04:16
  Speaker 4: true French, a French name, it's a very French name.
• 1:04:20
  Speaker 4: I'm pretty sure it's a little like breakfast but you
• 1:04:23
  Speaker 4: get the best of French bowling strut and continue look
• 1:04:26
  Speaker 4: it up.
• 1:04:27
  Speaker 3: But that could give the indications like, oh, infidelity could
• 1:04:32
  Speaker 3: actually happen here, which could be interesting.
• 1:04:35
  Speaker 4: But because if he is having to sweep back into
• 1:04:37
  Speaker 4: her life when home is gone to gone to France, yeah,
• 1:04:39
  Speaker 4: I would as a viewer buy and go. Is something
• 1:04:41
  Speaker 4: going to happen?
• 1:04:42
  Speaker 3: Is this going to be a but it could be interesting,
• 1:04:45
  Speaker 3: but it all so he could create a level of
• 1:04:47
  Speaker 3: discomfort for the viewer, Whereas because.
• 1:04:50
  Speaker 4: No one wants to see margin Hammer cheating on each other.
• 1:04:52
  Speaker 3: No, absolutely not. And you, as I said at the
• 1:04:54
  Speaker 3: start of it, was you know it's not going to happen.
• 1:04:56
  Speaker 3: These two love each other too much. But you know,
• 1:04:59
  Speaker 3: with Flanders saying, it's also like, look, it's not gonna happen.
• 1:05:02
  Speaker 3: But I feel kind of reassured because I know it's
• 1:05:04
  Speaker 3: not gonna happen.
• 1:05:06
  Speaker 4: This show is brought to you by the four Fingered
• 1:05:08
  Speaker 4: Discount Patreon, where you'll find over one hundred hours of
• 1:05:11
  Speaker 4: bonus podcasts, including exclusive Simpson's reviews and commentaries, as well
• 1:05:15
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• 1:05:18
  Speaker 4: of Futurama, Bob's Pods, Speaking of the Hill, Talking Sifould,
• 1:05:23
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• 1:05:26
  Speaker 4: ahead and join the family today at patreon dot com.
• 1:05:29
  Speaker 4: Slash four figure Discout but Homer gets home because Flanners
• 1:05:33
  Speaker 4: is leaving. They cuddle on the doorstep Flanders and Marge,
• 1:05:36
  Speaker 4: and Homer says, my wife and my worst friend. Could
• 1:05:39
  Speaker 4: it be Nah? Then he just basically says, come Marg
• 1:05:42
  Speaker 4: got someone finished business, says Hied to Flanders. Flanners leaves,
• 1:05:44
  Speaker 4: I guess, and they go upstairs, and even not the
• 1:05:47
  Speaker 4: animation of the house rocking, I'm like, oh yeah, it's
• 1:05:49
  Speaker 4: it's not just like it's like, it's not just snuggling.
• 1:05:52
  Speaker 4: This is fucking sound the dogs even here they run
• 1:05:56
  Speaker 4: into the doghouse, the doghouse lits rocking, but they're just
• 1:05:58
  Speaker 4: kissing the birds of the sh a of a love heart.
• 1:06:01
  Speaker 4: And then we get Homer and Marge in bed as
• 1:06:03
  Speaker 4: time of Homers turned to roll the dioce. He rolls,
• 1:06:05
  Speaker 4: it says classic and it says love wife, and that's
• 1:06:07
  Speaker 4: the end. I thought, yeah, that's a really nice ending,
• 1:06:09
  Speaker 4: other than even says that, you know, when he kissed
• 1:06:12
  Speaker 4: the dice for me, like the way they drew much, I'm.
• 1:06:14
  Speaker 3: Like, this looks so sexy.
• 1:06:15
  Speaker 4: Oh god, yeah, this is a very horny episode, very
• 1:06:18
  Speaker 4: horny sexy episode. But you know, sometimes you need a
• 1:06:20
  Speaker 4: bit of horniness in your life right beare sometimes not
• 1:06:23
  Speaker 4: too much? Yeah, not too much. But I thought, you know,
• 1:06:27
  Speaker 4: the story had its holes and whatnot. There's moments that
• 1:06:29
  Speaker 4: I didn't. I didn't like the flanners. I didn't like
• 1:06:31
  Speaker 4: the flanners in Marge's angle, but I did like the
• 1:06:34
  Speaker 4: relatability of the Sometimes you just don't have the sex drive.
• 1:06:38
  Speaker 4: Oh sure, and that is okay as well, Yes, yeah,
• 1:06:40
  Speaker 4: because I'm glad. I feel like that maybe they should
• 1:06:43
  Speaker 4: have probably made that more aware that it's okay to
• 1:06:46
  Speaker 4: not want to have sex.
• 1:06:47
  Speaker 3: They did that. I certainly the first night at least,
• 1:06:51
  Speaker 3: you know where he's like, oh I'm exhausted and yeah,
• 1:06:54
  Speaker 3: and you know she takes his type and gives them
• 1:06:56
  Speaker 3: because on the forad and it's like tomorrow night and all.
• 1:06:58
  Speaker 4: That kinds up and it just could have even it
• 1:07:00
  Speaker 4: was just like ten seconds have Marge at the end
• 1:07:01
  Speaker 4: say I'm sorry I was so hard on your homer
• 1:07:03
  Speaker 4: for not I know how hard you've been working.
• 1:07:05
  Speaker 3: I think the hardcore fucking at the end is probably
• 1:07:08
  Speaker 3: you know, that's that's the explanation and the resolution of that,
• 1:07:10
  Speaker 3: because but.
• 1:07:11
  Speaker 4: You could washes though and go, oh, well, that's all
• 1:07:13
  Speaker 4: I should have been doing in the first place, man mate,
• 1:07:16
  Speaker 4: and fuck your wife.
• 1:07:17
  Speaker 3: Good point.
• 1:07:17
  Speaker 4: Good point anyway, Yeah, wow that if it was not
• 1:07:23
  Speaker 4: not safe for work this episode?
• 1:07:25
  Speaker 3: What do we learn bomb?
• 1:07:26
  Speaker 4: What did you learn from the episode with the day?
• 1:07:28
  Speaker 3: What we do? We haven't done what I've learned from
• 1:07:31
  Speaker 3: this episode quite some time. Um, don't take racy photos
• 1:07:35
  Speaker 3: of someone when they're under the influence and then put
• 1:07:38
  Speaker 3: it in the calendar, and then put it in a calendar. Yeah,
• 1:07:41
  Speaker 3: first of all, don't do it. Secondly, if you are
• 1:07:42
  Speaker 3: going to do it, keep that ship to yourself. You're
• 1:07:44
  Speaker 3: a school principal. Don't hold up a calendar of a
• 1:07:46
  Speaker 3: child's mother and talk about how hot she is. All
• 1:07:49
  Speaker 3: good points. We've learned a lot from this episode.
• 1:07:52
  Speaker 4: And don't buy these dice apparently this do you want
• 1:07:53
  Speaker 4: to whisper into the enter the ass? We if you?
• 1:07:57
  Speaker 4: If you? If you? Aluis had these dice and you
• 1:08:00
  Speaker 4: rolled it and they said whisper into the ass? What
• 1:08:02
  Speaker 4: are we doing in that situation?
• 1:08:05
  Speaker 3: Are we are?
• 1:08:06
  Speaker 4: We like at this point, like, but Niicola, are we
• 1:08:07
  Speaker 4: going let's just do it the dice as we have to?
• 1:08:09
  Speaker 3: Yeah, that's right. I am seeking a refund and giving
• 1:08:13
  Speaker 3: it a one star review on Amazon dot com or
• 1:08:16
  Speaker 3: sexy land dot com, where I probably bought these dice.
• 1:08:19
  Speaker 4: I'm going to get these dice and I'll update you
• 1:08:21
  Speaker 4: what happens.
• 1:08:22
  Speaker 3: Please, just as long as not whispering into my ass
• 1:08:25
  Speaker 3: from this day forward, your name will be all right.
• 1:08:29
  Speaker 4: It is time for the Guy Davis New Name Championship.
• 1:08:31
  Speaker 4: The current leaderboard stands at this in third position, we
• 1:08:34
  Speaker 4: have Nathan Briggs and Justin Williams, both on three points.
• 1:08:37
  Speaker 4: In second position, we have Phil Hawkins on six points,
• 1:08:40
  Speaker 4: and in first position it's Clever Carle Carl Muldoon on
• 1:08:43
  Speaker 4: seven points taken away.
• 1:08:44
  Speaker 3: Okay, I just want to say some really great names
• 1:08:48
  Speaker 3: new names for this particular episode, so much so so
• 1:08:52
  Speaker 3: much that I ran a past Nando. I was like,
• 1:08:55
  Speaker 3: I think we should have like a wild card category
• 1:08:57
  Speaker 3: because I just want to give honorable mentions to four
• 1:08:58
  Speaker 3: of these other names. Okay, but it's up to you.
• 1:09:02
  Speaker 3: We can do it.
• 1:09:02
  Speaker 4: It's always up to me.
• 1:09:03
  Speaker 3: It is. Indeed, you're the one steering this particular ship here,
• 1:09:07
  Speaker 3: But I want to give honorable mentions to the following
• 1:09:10
  Speaker 3: new names. If you've actually found the names that go
• 1:09:12
  Speaker 3: with Okay, then honorable mentions to work hard, play nada.
• 1:09:17
  Speaker 3: That is Nathan Briggs, Briggs eat well done, I really
• 1:09:21
  Speaker 3: dug this liberty egalitate new detay that is.
• 1:09:24
  Speaker 4: Nathan Briggs killing it.
• 1:09:28
  Speaker 3: Pawn on the fourth of July, Porn on the fourth
• 1:09:30
  Speaker 3: of July is Mike Salter salty Live in Libido Loca,
• 1:09:36
  Speaker 3: Phil Hawkins. Okay, then cool.
• 1:09:39
  Speaker 4: You gonna say it like Ricky Martin though.
• 1:09:40
  Speaker 3: Say it again live in Libido Loca.
• 1:09:43
  Speaker 4: It was a sex symbol he was. Indeed, I never
• 1:09:46
  Speaker 4: liked he saw Maria. I love this cup of life
• 1:09:48
  Speaker 4: and live in the videoca. Maria's too, Yeah, you do
• 1:09:59
  Speaker 4: you want a Mondagreen is misshard Absolutely no idea.
• 1:10:02
  Speaker 3: It's a misheard lyric. Okay. So it's like I always
• 1:10:05
  Speaker 3: thought Jimmy Henis was saying, excuse me while I kissed
• 1:10:07
  Speaker 3: this guy.
• 1:10:08
  Speaker 4: You know it was excuse me while kiss The first
• 1:10:10
  Speaker 4: thought saying kiss your cock at night? Well you can't,
• 1:10:16
  Speaker 4: thought she kissing his night because obviously has a good
• 1:10:19
  Speaker 4: cock if you can kiss.
• 1:10:20
  Speaker 2: It what not?
• 1:10:21
  Speaker 3: In the Riddy Martin song Live in Leavita Loca, I
• 1:10:24
  Speaker 3: always thought her lips were like deviled eggs, which part
• 1:10:27
  Speaker 3: of the line lips are devil.
• 1:10:29
  Speaker 4: Red lips are devil lips like deviled eggs.
• 1:10:33
  Speaker 3: I'm like, oh, not kiss them.
• 1:10:36
  Speaker 4: The scene devil That's yeah.
• 1:10:38
  Speaker 3: Zoidberg would probably all over it because he enjoys the
• 1:10:40
  Speaker 3: devil leg as we just discussed in our most recent
• 1:10:43
  Speaker 3: Tales of Future arm episode, which covered Roswell.
• 1:10:45
  Speaker 4: That ends one one of my favorite episodes, available exclusively
• 1:10:48
  Speaker 4: on our Patreon channel right now.
• 1:10:49
  Speaker 3: Do you need a better reason to stay or become
• 1:10:53
  Speaker 3: a patron?
• 1:10:54
  Speaker 4: Almost three full seasons of Tales of the Future availble
• 1:10:56
  Speaker 4: exclusively for our five dollars plus supporters on the gravy train.
• 1:11:01
  Speaker 3: Okay, but speaking of three one two, three, top two
• 1:11:03
  Speaker 3: three okay, one point goes through Carls Junior.
• 1:11:07
  Speaker 4: That's good.
• 1:11:08
  Speaker 3: That's good.
• 1:11:09
  Speaker 4: It's clever Kyle.
• 1:11:10
  Speaker 3: Clever Carl.
• 1:11:11
  Speaker 4: I've got another points. Put him now on eight points.
• 1:11:14
  Speaker 4: Well done, clever, Kile.
• 1:11:15
  Speaker 3: I enjoyed this very much. This is two points. May
• 1:11:17
  Speaker 3: contains nudity, yeah.
• 1:11:20
  Speaker 4: Okay, because obviously March got it out in May. That
• 1:11:23
  Speaker 4: would be Mike Salter. Well done. That is Mike's first
• 1:11:26
  Speaker 4: points for the season.
• 1:11:28
  Speaker 3: We've got a double dose of soul because he got
• 1:11:29
  Speaker 3: a little wild card with the honorable mention, and now
• 1:11:31
  Speaker 3: it gets two points, well does yeah, but three points
• 1:11:34
  Speaker 3: go to Miss March.
• 1:11:37
  Speaker 4: Miss March. I like it because I think it's got
• 1:11:39
  Speaker 4: a double meaning. What are the double meanings? That's meaning
• 1:11:42
  Speaker 4: number one? What's meaning number two?
• 1:11:43
  Speaker 3: Well you've got of course, you got your Playboy centerfold
• 1:11:46
  Speaker 3: and they're invariably miss somebody usually are you're talking about,
• 1:11:49
  Speaker 3: you know, whenever you're sort of talking about a play
• 1:11:51
  Speaker 3: with you, you sort of say it's Miss March. It
• 1:11:53
  Speaker 3: could be Miss September or Miss April. But yeah, I
• 1:11:58
  Speaker 3: think there was actually a movie called Miss March, like
• 1:12:00
  Speaker 3: a dumb sort of teen comedy. I think anytime I've
• 1:12:04
  Speaker 3: heard so, like in popular culture people refer to Playboy centervirs.
• 1:12:07
  Speaker 3: I bet you were a Miss March. But the other
• 1:12:10
  Speaker 3: thing is Homer missus March.
• 1:12:13
  Speaker 4: He does indeed, yes, he misses her when he's over
• 1:12:14
  Speaker 4: in France, and she misses him as well.
• 1:12:17
  Speaker 3: Who gave us that title?
• 1:12:18
  Speaker 4: That would be it's official. Philip J. Hawks is back
• 1:12:21
  Speaker 4: on top.
• 1:12:22
  Speaker 3: Is reclaimed. The J is indeed doctor J.
• 1:12:25
  Speaker 4: He's got from six to nine points. Philip J. Hawkins
• 1:12:28
  Speaker 4: in first position. On nine points, I mean all.
• 1:12:31
  Speaker 3: Due respect to Clever Carle and everyone else who's given
• 1:12:33
  Speaker 3: us great names. And in the running there's only one
• 1:12:35
  Speaker 3: point behind Clever Carle's on eight. Yeah, okay, but yeah,
• 1:12:38
  Speaker 3: Philip J. Hawkins indeed Weld, I'm Philip J. You've done it?
• 1:12:41
  Speaker 4: And Miss March is indeed a movie from two thousand
• 1:12:43
  Speaker 4: and nine. Eugene Bell wakes up after four years of
• 1:12:46
  Speaker 4: being in a coma and finds only his best friend
• 1:12:48
  Speaker 4: Tucker waiting for him, while his high school sweetheart is
• 1:12:51
  Speaker 4: now a model for Playboy magazine.
• 1:12:53
  Speaker 3: Fun fact may not contain actual fun I believe that
• 1:12:56
  Speaker 3: the actor playing Eugene Bell is. His name is Zach Creigor.
• 1:13:01
  Speaker 3: It is Zach Creigor has gone on direct Barbarian and
• 1:13:03
  Speaker 3: this year's horror hit Weapons.
• 1:13:05
  Speaker 4: Did he really?
• 1:13:06
  Speaker 3: He's done to Jordan Peel and reinvent himself as like
• 1:13:08
  Speaker 3: the new face of horror?
• 1:13:09
  Speaker 4: Well done. This movie also starts Hugh Havena, He's actually
• 1:13:13
  Speaker 4: in it? Raquel ALESSI is she the girlfriend that would
• 1:13:17
  Speaker 4: that would scan Molly Stanton? Don't know who that is,
• 1:13:21
  Speaker 4: but see her as being a vable Miss March maybe anyway.
• 1:13:24
  Speaker 4: This has been our review of The Devil Wes Nada
• 1:13:26
  Speaker 4: we onto all those guys for the new names. What
• 1:13:28
  Speaker 4: on Philip J. Hawkins.
• 1:13:29
  Speaker 3: Well done, Philip J. But yeah, well done everyone who
• 1:13:31
  Speaker 3: gave us new names.
• 1:13:32
  Speaker 4: But it's nice that he's not I want to say
• 1:13:36
  Speaker 4: the punt. Look who's Hawkins?
• 1:13:39
  Speaker 3: Look Look who's Phlip Jay Hawkins? Now he is indeed
• 1:13:42
  Speaker 3: all right.
• 1:13:42
  Speaker 4: So the next episode from season twenty one, we shall
• 1:13:44
  Speaker 4: be reviewing pranks and greens. But also in the camp
• 1:13:46
  Speaker 4: we've got discussions with Josh Weinstein where we discussed a
• 1:13:49
  Speaker 4: fish court someone. We've got Reyo Leary reviewing.
• 1:13:51
  Speaker 3: The Cartridge Family to talk about trip stand up comeding is. Yeah,
• 1:13:53
  Speaker 3: we're gonna be.
• 1:13:54
  Speaker 4: Talking to Matt Someone again in the very near future.
• 1:13:56
  Speaker 3: Oh, I'm going to be talking to him as well.
• 1:13:58
  Speaker 3: I mean, not just you, not just your best friend, Matt.
• 1:14:00
  Speaker 3: You're in yeah, yeah, now I'm part of the circle
• 1:14:04
  Speaker 3: now with Zidebooks.
• 1:14:06
  Speaker 4: We've got aler Gene coming on the show in the
• 1:14:07
  Speaker 4: future with God bill O can'll come back on the
• 1:14:09
  Speaker 4: show in You alluded.
• 1:14:10
  Speaker 3: To the fact that a Smallville cast member might be
• 1:14:13
  Speaker 3: on the show at sometimes you probably you're looking very
• 1:14:16
  Speaker 3: smart whenever that comes up, and justifiably so.
• 1:14:20
  Speaker 4: Lots of exciting chats and reviews from up here on
• 1:14:23
  Speaker 4: the four Finger discap Network. But the Christmas season is
• 1:14:25
  Speaker 4: upon us, and if you want to give back to
• 1:14:27
  Speaker 4: your pals going down, if you've had an entire year's
• 1:14:29
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• 1:14:32
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• 1:15:00
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• 1:15:05
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  Speaker 4: a very very merry Christmas here at the poor figurediscat network.
• 1:15:11
  Speaker 3: Not just keeping the lights on, keeping the Christmas lights on,
• 1:15:13
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• 1:15:16
  Speaker 4: It's Christmas. But thank you guys for auviously for here
• 1:15:19
  Speaker 4: at the network. We would not be here without you.
• 1:15:22
  Speaker 4: I don't forget to continue to rate and review us
• 1:15:24
  Speaker 4: on Apple Podcasts or Spotify reereview. Do you listen to
• 1:15:26
  Speaker 4: this show? Whatever? Five hundred reviews now believe on Spotify?
• 1:15:29
  Speaker 4: Think it is so much five or five hundred reviews
• 1:15:31
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• 1:15:34
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• 1:15:37
  Speaker 4: And then just if you've got friends out there like
• 1:15:38
  Speaker 4: the Simpsons, let them know if they like Southbuk, let
• 1:15:40
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• 1:15:41
  Speaker 4: course the one about Friends is back as well, So
• 1:15:43
  Speaker 4: if you're like friends, you can listen to Nicola and
• 1:15:45
  Speaker 4: myself review Friends each and every week. But this has
• 1:15:48
  Speaker 4: been a review of the Devil. Where's NADAMSI Davis? Any
• 1:15:50
  Speaker 4: final words for those incredible listeners out
• 1:15:52
  Speaker 3: There, We hope you enjoyed this episode of Full Finger Discount,
• 1:15:54
  Speaker 3: the podcast where the netwits are running the goof House
• 1:15:58
  Speaker 3: sh