Latest / Crime and Horror / Abandoned dorm is a portal to another universe Campfire Stories with MrBallen

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Abandoned dorm is a portal to another universe Campfire Stories with MrBallen · Crime and Horror

• 0:00
  Speaker 1: Welcome back to the Campfire. Tonight I have two very
• 0:04
  Speaker 1: weird and equally creepy stories to share that in many
• 0:10
  Speaker 1: ways are perfect for this setting. Stories to be told
• 0:14
  Speaker 1: by a campfire. But before we get into tonight's stories,
• 0:18
  Speaker 1: if you're a fan of the Strange, Dark, and Mysterious
• 0:20
  Speaker 1: delivered in story format, then you've come to the right campfire,
• 0:23
  Speaker 1: because that's all we do, and we upload two, three,
• 0:26
  Speaker 1: even four times every week. So if that's of interest
• 0:29
  Speaker 1: to you, please invite the like button to go camping
• 0:31
  Speaker 1: with you. But don't tell them that you've secretly lined
• 0:34
  Speaker 1: the inside of their sleeping bag with itching powder. Also,
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  Speaker 1: please subscribe to our channel and turn on all notifications
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  Speaker 1: so you don't miss any of our weekly uploads. Okay,
• 0:44
  Speaker 1: let's get into tonight's stories. On the morning of April 25th, 2013,
• 1:06
  Speaker 1: a 17-year-old high school senior named Henry was standing in
• 1:09
  Speaker 1: the courtyard of this old abandoned dorm building that was
• 1:12
  Speaker 1: on his school's campus in Tianjin, which is a major
• 1:15
  Speaker 1: city in northeastern China. Now, Henry, at this time, was
• 1:19
  Speaker 1: actually supposed to be with the rest of the students
• 1:21
  Speaker 1: in his gym class right now, playing badminton on the
• 1:24
  Speaker 1: school's outdoor courts, but the courts were all full. So
• 1:28
  Speaker 1: Henry and one of his friends, whose name was Wen...
• 1:31
  Speaker 1: had decided to start their own game in this courtyard instead,
• 1:35
  Speaker 1: even though they were not technically supposed to be over
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  Speaker 1: here at all. And so Henry, he hit the badminton
• 1:40
  Speaker 1: shuttlecock towards Wynn, and they were bouncing it back and forth,
• 1:44
  Speaker 1: when suddenly Henry heard somebody calling his name. And so Henry,
• 1:47
  Speaker 1: you know, he turned to see who was calling to him,
• 1:50
  Speaker 1: and he saw two other boys who were heading towards
• 1:52
  Speaker 1: their courtyard, and they too were holding badminton rackets. And Henry,
• 1:56
  Speaker 1: as soon as he saw who these two were, he
• 1:58
  Speaker 1: broke into a big smile, because he One of them
• 2:01
  Speaker 1: was one of his other classmates, whose name was Lee,
• 2:03
  Speaker 1: who he was friends with. But the other was his
• 2:06
  Speaker 1: childhood best friend, Pan Bowen. Henry and Pan had been
• 2:10
  Speaker 1: very close ever since elementary school, and now they're high
• 2:13
  Speaker 1: school seniors. And they had a ton in common. They
• 2:17
  Speaker 1: were both tall and thin. They wore glasses. They were
• 2:21
  Speaker 1: both kind of quiet and nerdy. And they both loved
• 2:24
  Speaker 1: video games. But Henry and Pan, of late, had not
• 2:28
  Speaker 1: had a chance to spend much time together. because they
• 2:30
  Speaker 1: were both very busy studying for something called the Gaokao,
• 2:34
  Speaker 1: which is China's national college entrance exam. This test is
• 2:37
  Speaker 1: sort of like the SAT in America, except realistically it's
• 2:42
  Speaker 1: way more high stakes, because it's literally the only thing
• 2:46
  Speaker 1: that some colleges in China take into account for admissions.
• 2:50
  Speaker 1: And so if Henry and Pan wanted to get into
• 2:53
  Speaker 1: good colleges, they needed to ace this test. So they
• 2:56
  Speaker 1: had both spent the last several months basically studying upwards
• 3:00
  Speaker 1: of 14 hours every single day. And as a result,
• 3:04
  Speaker 1: they didn't see their friends much, including each other. And
• 3:07
  Speaker 1: so this was a nice break from that. And so Henry,
• 3:10
  Speaker 1: he's so jazzed up, you know, he sees his buddies
• 3:13
  Speaker 1: coming over here. And so he calls out to Pan
• 3:15
  Speaker 1: as he's getting closer and he goes, hey, and he
• 3:18
  Speaker 1: hits the badminton shuttlecock towards Pan. And Pan, he's ready.
• 3:22
  Speaker 1: He's got his racket and he hit it back. But
• 3:25
  Speaker 1: it sort of veered off to the side and it
• 3:27
  Speaker 1: bounced along the ground in front of one of the
• 3:29
  Speaker 1: dorm buildings. And then, before anybody could stop it, the
• 3:33
  Speaker 1: shuttlecock fell into an open window that led into this
• 3:38
  Speaker 1: abandoned dorm building's basement. A minute later, Henry, Pan, Lee,
• 3:42
  Speaker 1: and Wen all gathered around this basement window. And this basement,
• 3:47
  Speaker 1: it was just for ventilation, so it was only a
• 3:49
  Speaker 1: couple of inches tall. And when Henry knelt down and
• 3:52
  Speaker 1: tried to peek inside to see where the shuttlecock had gone,
• 3:55
  Speaker 1: all he could see inside was darkness. And so he
• 3:59
  Speaker 1: turned back to the group and said they'd just have
• 4:02
  Speaker 1: to go back to the gym and get a new shuttlecock.
• 4:05
  Speaker 1: But Pan said he didn't want to do that. They
• 4:08
  Speaker 1: weren't technically supposed to be playing over here at all,
• 4:11
  Speaker 1: and so if they admitted that they had lost the shuttlecock,
• 4:14
  Speaker 1: You know, it's entirely possible that one thing might lead
• 4:17
  Speaker 1: to another and they might discover, you know, where the
• 4:20
  Speaker 1: lost shuttlecock was. It was in this off-limits area. And
• 4:23
  Speaker 1: so Pan's like, I don't want to get in trouble.
• 4:25
  Speaker 1: I think we should just go in there and get
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  Speaker 1: this thing. And then before anybody could stop him, Pan
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  Speaker 1: got up and he walked right over to the front
• 4:33
  Speaker 1: entrance of this abandoned dorm building and he reached for
• 4:36
  Speaker 1: the door handle. And like right as he's doing this,
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  Speaker 1: Henry got up and he was about to call out like, dude,
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  Speaker 1: we cannot go in there. Like this is going to
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  Speaker 1: get us in more trouble than anybody finding out about
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  Speaker 1: a lost shuttlecock. Like don't go in there. But Henry
• 4:50
  Speaker 1: watches Pan. He turned the handle on this door and
• 4:54
  Speaker 1: clearly it was unlocked. And so Pan, he opened the door,
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  Speaker 1: pushed it open and stepped inside. A minute later. Henry
• 5:02
  Speaker 1: as well had made his way over, and he was
• 5:04
  Speaker 1: now standing inside the entryway of this abandoned dorm building
• 5:08
  Speaker 1: next to Pan and then also Lee. The fourth friend, Wen,
• 5:12
  Speaker 1: had decided that this was not for them. They would
• 5:15
  Speaker 1: stay outside and stand guard in case any teachers showed up.
• 5:19
  Speaker 1: But realistically, they just did not want to go in there. However,
• 5:22
  Speaker 1: despite the fact that these other three now had, you know,
• 5:25
  Speaker 1: an official lookout outside to keep them out of trouble,
• 5:28
  Speaker 1: so to speak, Henry, just in being inside of this building,
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  Speaker 1: he couldn't help but feel really freaked out. The air
• 5:36
  Speaker 1: inside of this building reeked of mildew and it was
• 5:39
  Speaker 1: so cold that literally Henry's like shivering. Now, the front
• 5:43
  Speaker 1: entryway where they were standing was relatively well lit because
• 5:46
  Speaker 1: there were a couple of open windows that let in
• 5:48
  Speaker 1: a bunch of light. But beyond the entryway, basically the
• 5:52
  Speaker 1: hallways that went in different directions, you know, Henry's looking
• 5:55
  Speaker 1: down each of them and they were totally dark. because
• 5:58
  Speaker 1: there were no windows, at least no open windows, and
• 6:00
  Speaker 1: things were blocked by old furniture and things that had
• 6:03
  Speaker 1: sort of cluttered up against the side of the walls.
• 6:06
  Speaker 1: And so it's really dark and ominous. And so Henry,
• 6:09
  Speaker 1: he's standing in the entryway wondering, like, how do we
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  Speaker 1: even begin to find the way down to the basement? Like,
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  Speaker 1: I don't want to go down these hallways. But as
• 6:18
  Speaker 1: he's standing there, suddenly Henry, he realizes Pan has wandered
• 6:23
  Speaker 1: off already. He's gone down the right hallway. He can't
• 6:26
  Speaker 1: see him anymore. He sort of vanished into the darkness,
• 6:28
  Speaker 1: but he can hear him. And so Henry and Lee,
• 6:30
  Speaker 1: they're watching. And then they hear this metallic sort of
• 6:34
  Speaker 1: scraping sound. And it's the sound of Pan opening up
• 6:38
  Speaker 1: a door that led off that hallway. He had gone
• 6:40
  Speaker 1: down the hallway and found a door. He was opening
• 6:42
  Speaker 1: it up. And he calls out to Henry and to
• 6:45
  Speaker 1: Lee and says, hey, I think I found the door
• 6:48
  Speaker 1: that leads down to the basement. And so Henry and Lee,
• 6:51
  Speaker 1: it's sort of like, well, you know, Pan's leading the
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  Speaker 1: charge here and we're already in here. Like, let's just
• 6:56
  Speaker 1: go get this thing. And so even though they were hesitant,
• 7:00
  Speaker 1: they walked down this dark hallway until they eventually saw,
• 7:04
  Speaker 1: they saw Pan and he was standing with the door open.
• 7:06
  Speaker 1: And Henry, he peered into this, the stairwell that did
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  Speaker 1: lead down to the basement. And it was very dark.
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  Speaker 1: The only light that made it into the stairwell was
• 7:15
  Speaker 1: from up in this hallway area, which wasn't that light
• 7:18
  Speaker 1: to begin with. But with the limited light that was
• 7:20
  Speaker 1: going down there, all Henry could see was just clutter
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  Speaker 1: on these stairs. Like they were practically completely obstructed. There
• 7:28
  Speaker 1: was furniture, there were desks and chairs that looked like
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  Speaker 1: they'd almost been dumped into the stairwell. And so navigating
• 7:34
  Speaker 1: these stairs would have been hard even with the lights on.
• 7:37
  Speaker 1: And so at this point, Henry, he just had this
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  Speaker 1: sudden overwhelming feeling that they really ought to just leave. Like,
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  Speaker 1: this didn't feel right. This felt dangerous. It felt just
• 7:47
  Speaker 1: sort of reckless. And he actually said out loud, like, hey,
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  Speaker 1: let's just forget about the shuttlecock. Like, who cares? If
• 7:54
  Speaker 1: we get in trouble, we get in trouble. But this
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  Speaker 1: is not worth it. Let's just go out with Wynn.
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  Speaker 1: Let's go back. Let's just forget about this. But Pan
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  Speaker 1: is like, nah, like, we're already in here. Let's just
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  Speaker 1: go down and get it. Like, it's not a big deal.
• 8:08
  Speaker 1: You know, Pan was like, it's my fault it's in here.
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  Speaker 1: I feel responsible. I just want to go down and
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  Speaker 1: get it and not get us in trouble. And then again, without,
• 8:16
  Speaker 1: you know, getting a chance to try to stop his friend,
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  Speaker 1: Pan just started walking down the stairs or really climbing
• 8:22
  Speaker 1: on the furniture and chairs, making his way down. And
• 8:25
  Speaker 1: so Henry, he turns to Lee, who's still right next
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  Speaker 1: to him, you know, trying to get some support here. Like,
• 8:30
  Speaker 1: come on, we got to stop this guy. But Lee's like, man,
• 8:34
  Speaker 1: we're already here. And so Lee starts making his way
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  Speaker 1: across the furniture and the stuff, making his way down
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  Speaker 1: the stairs. And so Henry's like, All right, I guess
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  Speaker 1: I'm going too. So we kind of propped the door
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  Speaker 1: open to make sure as much light would come in
• 8:49
  Speaker 1: as he could get. And then he began the descent
• 8:52
  Speaker 1: as well. Now, at first, for Henry, the climb down
• 8:57
  Speaker 1: these stairs was okay. Like, he was able to navigate
• 9:01
  Speaker 1: the furniture and he was very careful. And the light
• 9:04
  Speaker 1: that he was getting from, you know, the first floor
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  Speaker 1: was pretty good. But the stairwell, as it went down,
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  Speaker 1: it eventually turned 90 degrees. And the second half of
• 9:13
  Speaker 1: the stairs that actually led down into the basement went
• 9:17
  Speaker 1: sort of down in the opposite direction. And as soon
• 9:20
  Speaker 1: as Pan and Lee, who were ahead of Henry, as
• 9:22
  Speaker 1: soon as they made that turn, Henry, like he watched
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  Speaker 1: as they sort of vanished into darkness as they were
• 9:28
  Speaker 1: in that section of the stairs. And so he knew,
• 9:31
  Speaker 1: Henry did, that once he made that turn, it was
• 9:33
  Speaker 1: going to be just totally dark. And he was you know,
• 9:36
  Speaker 1: kind of nervous, but now he's committed. He's all the
• 9:39
  Speaker 1: way in here. And so Pan and Lee, they're moving
• 9:42
  Speaker 1: on down that last leg of the stairs. They're in
• 9:44
  Speaker 1: total darkness. Henry can't see him. He makes that turn
• 9:46
  Speaker 1: on the stairs. And as he's making the turn into
• 9:49
  Speaker 1: that last leg, the very dark leg, he can hear
• 9:52
  Speaker 1: Pan and Lee. They're clearly still navigating this this last
• 9:57
  Speaker 1: segment of the stairs but he can't see him at
• 9:59
  Speaker 1: all he kind of calls out to them to hey
• 10:01
  Speaker 1: like slow down like let me catch up but they're
• 10:03
  Speaker 1: just they're they're moving along you know they're calling back
• 10:05
  Speaker 1: to him letting him know like come on dude like
• 10:07
  Speaker 1: hurry up but they're moving along and so henry's like
• 10:10
  Speaker 1: man i gotta go faster and he makes the turn
• 10:12
  Speaker 1: and he starts making his way down that last leg
• 10:14
  Speaker 1: but like once he was on that leg it was
• 10:17
  Speaker 1: like pitch black and he was truly just operating by touch,
• 10:21
  Speaker 1: and all he can hear is the sound of Pan
• 10:23
  Speaker 1: and Lee somewhere ahead of him as he descends into
• 10:27
  Speaker 1: this void. I mean, it was terrifying. But just a
• 10:29
  Speaker 1: moment later, as Henry is still navigating this dark section,
• 10:33
  Speaker 1: he hears Pan and Lee call back to him. They're
• 10:36
  Speaker 1: not that far away, but again, he can't see him.
• 10:38
  Speaker 1: They call back to him like, hey, we reached the bottom.
• 10:41
  Speaker 1: We're on the landing, and now we know where we
• 10:44
  Speaker 1: have to go. And so they're clearly waiting for Henry,
• 10:47
  Speaker 1: and Henry's like, okay, good. He manages to climb over
• 10:50
  Speaker 1: the last big couple pieces of furniture and tables and
• 10:53
  Speaker 1: stuff that are blocking his way, and he gets to
• 10:55
  Speaker 1: the bottom. And when he does, immediately he too sees
• 10:59
  Speaker 1: what they're talking about. Because once he reached the bottom,
• 11:02
  Speaker 1: and effectively was in the basement now, he's at the
• 11:05
  Speaker 1: very bottom of the stairs, there was this long hallway,
• 11:08
  Speaker 1: and at the very end of the hallway, there was
• 11:11
  Speaker 1: one source of light. There was a a door that
• 11:14
  Speaker 1: was slightly open, and there was obviously light shining in
• 11:18
  Speaker 1: the room beyond the door. So the open door led
• 11:21
  Speaker 1: to a room that had light. And considering clearly there
• 11:24
  Speaker 1: are no lights on, like electrical lights on inside of
• 11:27
  Speaker 1: this building, that light had to be from sunlight, which
• 11:31
  Speaker 1: suggests that's got to be the room where that window
• 11:34
  Speaker 1: was that led outside where the shuttlecock went into the
• 11:36
  Speaker 1: basement in the first place. And so all they got
• 11:39
  Speaker 1: to do is go down this hallway, go to that door,
• 11:41
  Speaker 1: open it up, go inside, get the shuttlecock, and get
• 11:44
  Speaker 1: out of there and be done with this place. And
• 11:47
  Speaker 1: so Henry, he felt around and grabbed Pan and he
• 11:50
  Speaker 1: grabbed Lee. He locked arms with them because it's like
• 11:53
  Speaker 1: so dark, it's almost intuitive that we need to walk
• 11:56
  Speaker 1: locking arms here so we don't get separated. And then
• 11:59
  Speaker 1: they started slowly walking down the hallway towards the door. However,
• 12:04
  Speaker 1: after only walking down the hallway a few steps... Henry
• 12:07
  Speaker 1: felt Pan stop and unlink his arms and turn around. And,
• 12:12
  Speaker 1: you know, Henry and Lee, they can't see what Pan
• 12:15
  Speaker 1: is doing. And so they're like, hey, what are you doing?
• 12:17
  Speaker 1: And Pan's like, I can't find my keys. I lost
• 12:20
  Speaker 1: my keys. I think I must have dropped them on
• 12:23
  Speaker 1: the climb down here, like back on the stairs. And
• 12:26
  Speaker 1: then Pan just began shuffling back towards the stairs. And
• 12:30
  Speaker 1: Henry and Lee, they can hear the sound now of
• 12:33
  Speaker 1: Pan moving. climbing on the furniture, like looking for his
• 12:36
  Speaker 1: keys in the total darkness. Like, how is he going
• 12:38
  Speaker 1: to find his keys here? And they're like, hey, like,
• 12:40
  Speaker 1: come on, like we can find these later. But Pan's like, no,
• 12:44
  Speaker 1: I have to find these keys. I won't be able
• 12:45
  Speaker 1: to get home later unless I have these keys. I
• 12:47
  Speaker 1: got to look. And so Henry and Lee, they're like,
• 12:50
  Speaker 1: oh my gosh, we don't want to be down here.
• 12:52
  Speaker 1: And they're like, look, let's just go down. We'll get
• 12:55
  Speaker 1: the shuttlecock. We'll come right back. And I'm sure by
• 12:57
  Speaker 1: the time we're back, he'll still be looking for his
• 12:59
  Speaker 1: keys and we can help him and we'll figure it out.
• 13:02
  Speaker 1: And so Pan, like he's in his own world, he's
• 13:04
  Speaker 1: looking for his keys, and Henry and Lee, they sort
• 13:07
  Speaker 1: of relink their arms, and they begin speedwalking down the
• 13:11
  Speaker 1: hall to get this shuttlecock. However, after only a few moments,
• 13:16
  Speaker 1: Henry and Lee began to notice something really unsettling about
• 13:20
  Speaker 1: what was happening to them. Like, they're in this dark hallway,
• 13:23
  Speaker 1: they have this single light ahead of them that they're
• 13:26
  Speaker 1: walking towards, and all they want to do is get
• 13:28
  Speaker 1: to that door, get through there, and get where they
• 13:30
  Speaker 1: came here to come find. But it was like, no
• 13:32
  Speaker 1: matter how fast they walked, they couldn't get closer to
• 13:37
  Speaker 1: the light. They couldn't get to the door. And as
• 13:40
  Speaker 1: they both, like, simultaneously, but without saying anything, are experiencing this,
• 13:45
  Speaker 1: they began speeding up to the point where they were
• 13:47
  Speaker 1: practically running down the hall, but it didn't matter. It's
• 13:50
  Speaker 1: like they could not get to this door. And eventually
• 13:54
  Speaker 1: the two came to a stop, and Henry, in a
• 13:57
  Speaker 1: very fearful voice, he says to Lee in the darkness,
• 14:01
  Speaker 1: they can't see each other, he's like, hey, does it
• 14:03
  Speaker 1: feel like we're not getting closer to the door? And Lee,
• 14:06
  Speaker 1: in an equally frightened voice, is like, yeah, we're not,
• 14:10
  Speaker 1: but I don't know what's going on. And so Henry,
• 14:13
  Speaker 1: for whatever reason, he turned around to just look in
• 14:16
  Speaker 1: the direction they had come from. And when he turned around,
• 14:21
  Speaker 1: It's like the only thing he could say is it
• 14:23
  Speaker 1: was like he was looking into the blackest blackness he
• 14:26
  Speaker 1: had ever seen in his life. It was like there
• 14:28
  Speaker 1: was a vacuum, a void in front of him where
• 14:31
  Speaker 1: the hallway had been. I mean, before it had been
• 14:33
  Speaker 1: a dark hallway where he couldn't see anything, but it
• 14:36
  Speaker 1: was like even in this total darkness, he was discerning
• 14:40
  Speaker 1: somehow something that was even darker. Like he had been
• 14:43
  Speaker 1: swallowed by something. And so now he's scared, you know,
• 14:48
  Speaker 1: He has no idea if Lee is also experiencing this
• 14:51
  Speaker 1: weird phenomenon of feeling like he was in this void.
• 14:53
  Speaker 1: But for Henry, it was like the only thing that
• 14:56
  Speaker 1: was anchoring him to reality was the fact that he
• 14:58
  Speaker 1: could feel Lee on his arm. And so Henry began
• 15:01
  Speaker 1: yelling out for Pan because he's, you know, in his mind,
• 15:04
  Speaker 1: he's looking back in the direction of the stairs, even
• 15:07
  Speaker 1: though he can't see them. And his friend Pan, his
• 15:09
  Speaker 1: best bud, is like right over there. He's calling out
• 15:12
  Speaker 1: to him. But not only did he not get a
• 15:14
  Speaker 1: response from Pan... But when Henry called out, his voice
• 15:19
  Speaker 1: echoed like way more than it should have. There hadn't
• 15:22
  Speaker 1: been an echo when they got down there. Now his
• 15:24
  Speaker 1: voice is echoing as if he's inside of like a
• 15:27
  Speaker 1: massive cave or something. And so Henry, he waited for
• 15:31
  Speaker 1: the echo to stop. And when it did, he expected
• 15:35
  Speaker 1: to maybe hear somewhere in the distance the sound of
• 15:38
  Speaker 1: Pan sifting through all the furniture on the stairs, still
• 15:41
  Speaker 1: looking for his keys. But no, it was silent. It
• 15:44
  Speaker 1: was like a completely eerie silence had fallen over the
• 15:48
  Speaker 1: space that they were inhabiting. And Henry, he felt Lee
• 15:51
  Speaker 1: grip onto his arm even tighter. And then Henry, he
• 15:55
  Speaker 1: had this thought that was so strange and so crystal clear.
• 16:01
  Speaker 1: It almost felt like it was coming from outside of him.
• 16:04
  Speaker 1: It was like a voice whispering in his mind. And
• 16:08
  Speaker 1: when this happened, it filled Henry with this overwhelming, almost
• 16:12
  Speaker 1: primal sense of fear. The voice that now was just
• 16:16
  Speaker 1: magically playing in Henry's head, it said, the place you
• 16:20
  Speaker 1: came from doesn't exist anymore. And as soon as Henry
• 16:24
  Speaker 1: heard that, it was like he felt goosebumps rise all
• 16:27
  Speaker 1: along his arms. He felt like a caged animal desperate
• 16:30
  Speaker 1: to escape. He was trapped down here. And the only
• 16:33
  Speaker 1: way out now was just to get out that door
• 16:36
  Speaker 1: at the end of the hall. That was the one
• 16:37
  Speaker 1: thing he knew he had to do, was just get
• 16:39
  Speaker 1: out of that door. And so Henry, you know, feeling
• 16:42
  Speaker 1: Lee on his arm still, he just yelled, we have
• 16:45
  Speaker 1: to run, run towards the door. And the two of
• 16:47
  Speaker 1: them turned and they just start sprinting down the hallway
• 16:50
  Speaker 1: as fast as they could to get to that door.
• 16:53
  Speaker 1: And so Henry and Lee, they're holding hands, they're sprinting
• 16:56
  Speaker 1: as fast as they can to get to this door.
• 16:58
  Speaker 1: And this time they were able to close the distance
• 17:01
  Speaker 1: and get to the door. But when they burst through
• 17:04
  Speaker 1: the door... It was not like a room that had
• 17:08
  Speaker 1: been lit up by a basement ventilation window. There was
• 17:11
  Speaker 1: not a shuttlecock on the ground. Like, none of that
• 17:14
  Speaker 1: was in place. Instead, when Henry and Lee burst into
• 17:18
  Speaker 1: this room, all Henry could see was just sunlight. It
• 17:22
  Speaker 1: was so bright, it was almost disorienting. And he also
• 17:25
  Speaker 1: smelled fresh air, like he was outside. And then he
• 17:28
  Speaker 1: actually saw the sky was above him. He was outside.
• 17:32
  Speaker 1: And directly in front of him, was this concrete staircase.
• 17:37
  Speaker 1: And so Henry and Lee, they just, you know, without
• 17:39
  Speaker 1: saying anything, they run up these stairs because what else
• 17:42
  Speaker 1: can they do? And when they get to the top,
• 17:45
  Speaker 1: they realize they are not, you know, near the abandoned
• 17:49
  Speaker 1: dorm building that they went into to arrive in that basement.
• 17:53
  Speaker 1: They're not even on their school property anymore. Even though
• 17:56
  Speaker 1: they only went into a dorm building and only were
• 17:59
  Speaker 1: in that space this whole time, they are now on
• 18:03
  Speaker 1: an elementary school property that was blocks away from their
• 18:07
  Speaker 1: high school campus. Like it made no sense where they were.
• 18:10
  Speaker 1: And so Henry and Lee, they're looking at each other.
• 18:12
  Speaker 1: They're looking around like none of this made any sense.
• 18:16
  Speaker 1: Like there is no way to go from their high
• 18:19
  Speaker 1: school to this location here. There was no underground tunnel.
• 18:23
  Speaker 1: I mean, actually, there was pretty serious security around this
• 18:26
  Speaker 1: elementary school. There was a gate that kept people out. Like,
• 18:29
  Speaker 1: how did they bypass security and wind up here? I mean,
• 18:31
  Speaker 1: there's so many questions. It's like, what's happened? How are
• 18:34
  Speaker 1: we here? This makes no sense. But as weird as
• 18:38
  Speaker 1: this was, it actually wasn't even Henry's biggest worry at
• 18:42
  Speaker 1: this very moment. The thing that was terrifying Henry was
• 18:46
  Speaker 1: that his best friend, Pan... was not here with them.
• 18:49
  Speaker 1: He had to be back inside of that basement. And
• 18:53
  Speaker 1: so Henry's first thought was, okay, as crazy as this
• 18:56
  Speaker 1: is that we are here, we need to retrace our
• 18:58
  Speaker 1: steps and go find Pan, and then we can figure
• 19:01
  Speaker 1: this thing out. And so he and Lee, they ran
• 19:03
  Speaker 1: back down the stairs, and they tried to open the
• 19:06
  Speaker 1: door that had led them out here, but it was locked.
• 19:09
  Speaker 1: And so without any other option, Henry and Lee just
• 19:12
  Speaker 1: began running back in the direction of their high school.
• 19:15
  Speaker 1: They They jumped over the security gate that led them
• 19:19
  Speaker 1: onto the elementary school campus. They cleared that, and they
• 19:22
  Speaker 1: ran down the road, and eventually they got back to
• 19:25
  Speaker 1: the high school campus grounds, and they went directly to
• 19:28
  Speaker 1: the front door of that abandoned dorm building where they
• 19:31
  Speaker 1: had entered the first time. And Henry, he immediately tried
• 19:34
  Speaker 1: to open the door, and remember, this door had been
• 19:37
  Speaker 1: open not too long ago. That's how they got into
• 19:39
  Speaker 1: the building, but now this door was locked. Henry, at
• 19:43
  Speaker 1: this point, he spun around thinking, oh, when? The other
• 19:46
  Speaker 1: friend who had not wanted to go with them, who
• 19:49
  Speaker 1: had decided to stay outside, to stand guard. You know,
• 19:52
  Speaker 1: he's got to be out here somewhere. But Henry looked
• 19:55
  Speaker 1: around and Lee, he also began looking around. But Wen
• 19:59
  Speaker 1: wasn't out here. And there was nobody else on the
• 20:01
  Speaker 1: badminton courts either. Like this place is abandoned. There's no
• 20:04
  Speaker 1: one here. And in fact, when they looked over towards
• 20:07
  Speaker 1: like the main area where they should have been, had
• 20:10
  Speaker 1: they stayed with their gym class, they're thinking, you know,
• 20:12
  Speaker 1: there's no way gym class is over. We've only been
• 20:14
  Speaker 1: gone for like, you know, 10 minutes or something. They
• 20:17
  Speaker 1: looked and nobody was out there. Like it looked like
• 20:20
  Speaker 1: gym class had ended and the kids had gone back
• 20:22
  Speaker 1: inside the main school building. And so Henry and Lee,
• 20:25
  Speaker 1: they run over to the main building and they look
• 20:27
  Speaker 1: in one of the windows actually into the cafeteria and
• 20:30
  Speaker 1: And they see that, yes, clearly their class has gone
• 20:32
  Speaker 1: back inside and now they're in there and they're eating lunch.
• 20:36
  Speaker 1: And Henry and Lee, they immediately see their buddy Wen,
• 20:39
  Speaker 1: who was supposed to be standing guard. He was in
• 20:42
  Speaker 1: there as well and he was eating at a table
• 20:44
  Speaker 1: all by himself. And so Henry and Lee, they rush
• 20:47
  Speaker 1: inside the cafeteria. They go right over to Wen. and
• 20:50
  Speaker 1: they begin bombarding him with questions. Like, what happened? Did
• 20:54
  Speaker 1: you just like bail on us? Did Pan get caught
• 20:57
  Speaker 1: by one of the teachers? Like, we don't know where
• 20:58
  Speaker 1: he is. Did a teacher lock the door to the
• 21:01
  Speaker 1: abandoned building? Because it's locked now. We tried to go
• 21:04
  Speaker 1: in there. We don't know where Pan is. Like, hey, like,
• 21:06
  Speaker 1: where is Pan? Have you seen Pan? And Wen, he's
• 21:09
  Speaker 1: hearing all these questions, and Henry's seeing on Wen's face
• 21:13
  Speaker 1: that Wen is really confused by their questions. Not like
• 21:17
  Speaker 1: he doesn't have the answer, but it's like he doesn't
• 21:19
  Speaker 1: understand what they're even asking him. And for a second,
• 21:22
  Speaker 1: he just stared back at them when they were done
• 21:24
  Speaker 1: firing off all their questions. And he's just staring at them.
• 21:27
  Speaker 1: And then he looks at Henry and he's like, who
• 21:32
  Speaker 1: is Pan? It would turn out Pan Bowen was not
• 21:36
  Speaker 1: just missing. Henry and Lee, after hearing this weird question
• 21:41
  Speaker 1: from Wen... they began speaking to literally hundreds of other
• 21:46
  Speaker 1: students at their school that same day. They just went
• 21:48
  Speaker 1: around talking to everybody, desperately trying to understand where Pan
• 21:53
  Speaker 1: Bowen had gone. Again, despite what Wen said about not
• 21:56
  Speaker 1: knowing who they're talking about, like, who's Pan? Like, forget that.
• 21:59
  Speaker 1: Where is Pan? But nobody they spoke to that day
• 22:04
  Speaker 1: knew where he was, one. But more than that, they
• 22:06
  Speaker 1: also did not know, much like Wen, who Pan was. Like,
• 22:10
  Speaker 1: they're like, who are you talking about? There is no
• 22:13
  Speaker 1: Pan Bowen. And so Henry and Lee, they literally don't
• 22:17
  Speaker 1: even know what to do. Like this is madness. And
• 22:20
  Speaker 1: so they got their hands on a list of the
• 22:22
  Speaker 1: students enrolled at their high school. And they found that
• 22:25
  Speaker 1: Pan's name was not listed. And then that day when
• 22:30
  Speaker 1: Henry went home, because what else could he do? Like
• 22:32
  Speaker 1: he couldn't find his friend. He has no explanation for
• 22:35
  Speaker 1: any of this. He goes home and he starts talking
• 22:37
  Speaker 1: to his parents about what happened to Pan. And like this,
• 22:40
  Speaker 1: none of this makes sense. And his parents are like,
• 22:43
  Speaker 1: who is this Pan person? Like his parents who know
• 22:46
  Speaker 1: Pan is his best friend. They're saying, what are you
• 22:49
  Speaker 1: talking about? Who's Pan? And then after that, Henry went
• 22:52
  Speaker 1: over to Pan's apartment where he knew he lived and
• 22:56
  Speaker 1: the apartment was there, but Pan wasn't. The apartment was
• 22:59
  Speaker 1: occupied by some different family who also didn't know who
• 23:03
  Speaker 1: Pan was. Henry eventually got back to his home and
• 23:06
  Speaker 1: he went to his computer and began looking for pictures
• 23:09
  Speaker 1: of of himself and Pan, just to like prove to
• 23:12
  Speaker 1: himself that he wasn't going crazy, that this was his
• 23:15
  Speaker 1: best friend we're talking about here. But when he would
• 23:18
  Speaker 1: open the files that he believed were pictures of him
• 23:21
  Speaker 1: and Pan, the files wouldn't open. They were corrupted or damaged.
• 23:25
  Speaker 1: And so Pan was just gone. And not just like
• 23:29
  Speaker 1: gone as in never left the basement of that old
• 23:31
  Speaker 1: dorm building. But he was gone from his apartment. He
• 23:35
  Speaker 1: was gone from all official documents. He was gone from
• 23:38
  Speaker 1: pictures of And he was gone from seemingly everybody's minds.
• 23:41
  Speaker 1: Like no one could recall who Pan Bowen was, except
• 23:46
  Speaker 1: for Henry and Lee. Henry would eventually visit a psychiatrist
• 23:50
  Speaker 1: because this was obviously an enormous trauma for him. And
• 23:54
  Speaker 1: the psychiatrist would tell him that the stress of studying
• 23:58
  Speaker 1: for that Gaokao exam had caused him to hallucinate a
• 24:02
  Speaker 1: multi-year-long friendship with a fictional person, Pan Bowen. Now, Henry
• 24:07
  Speaker 1: did not believe this. But everyone seemed to think that
• 24:11
  Speaker 1: he and Lee were basically crazy. So eventually, Henry and
• 24:15
  Speaker 1: Lee decided that, you know, realistically, their only choice here
• 24:18
  Speaker 1: is just to move on. Now, Henry didn't accept this.
• 24:22
  Speaker 1: I mean, he's thinking this is insane. Like, I didn't
• 24:24
  Speaker 1: make this up. There's another person here in Lee that
• 24:28
  Speaker 1: also knows Pam. Like, it's not just me. There's two
• 24:31
  Speaker 1: people here saying that this has happened. But, you know,
• 24:35
  Speaker 1: what Henry and Lee realized is that literally everybody in
• 24:38
  Speaker 1: their life is telling them, like, no, you're wrong. Like, basically,
• 24:41
  Speaker 1: you're crazy. And there was no way forward, at least
• 24:44
  Speaker 1: not without huge friction in their life in every way.
• 24:48
  Speaker 1: And so ultimately, Henry and Lee just decided to move on.
• 24:56
  Speaker 1: The two would go on to take their Gaokao exams.
• 24:58
  Speaker 1: They would get into different colleges and the two would
• 25:01
  Speaker 1: actually just grow apart. But eventually, Henry, he just, he
• 25:06
  Speaker 1: couldn't stop thinking about his friend Pan, and he would
• 25:08
  Speaker 1: actually write about Pan online. And what he wrote, the
• 25:12
  Speaker 1: story about what happened, the story that I've just shared
• 25:15
  Speaker 1: with you, it went extremely viral in China. Now, some
• 25:19
  Speaker 1: people thought the psychiatrist was right, and that Henry had
• 25:22
  Speaker 1: simply hallucinated the whole thing. Others thought maybe he and
• 25:26
  Speaker 1: Li were experiencing what's called the Mandela Effect, you know,
• 25:30
  Speaker 1: basically where you have this really strong memory of how
• 25:32
  Speaker 1: something was, But when you go back and look at it,
• 25:35
  Speaker 1: you realize it's completely different than how you remember it. Like,
• 25:38
  Speaker 1: people thought maybe that's it. Or, some people thought maybe
• 25:42
  Speaker 1: Henry and Lee traveled to an alternate universe. You know,
• 25:46
  Speaker 1: that's what was happening when they were in the basement,
• 25:48
  Speaker 1: that they had just gone to another universe. Or, of course,
• 25:52
  Speaker 1: the other theory was that Henry and Lee were simply
• 25:55
  Speaker 1: making this whole thing up. But we'll likely never know
• 25:58
  Speaker 1: for sure. Because only a few months after Henry posted
• 26:02
  Speaker 1: that story that went viral about Pan, he inexplicably deleted
• 26:06
  Speaker 1: it and deleted basically everything he had ever shared about
• 26:09
  Speaker 1: Pan online. And to this day, he now refuses to
• 26:13
  Speaker 1: acknowledge that he ever even shared that story. On the
• 26:27
  Speaker 1: afternoon of March 24th, 1930, a woman named Doña Esparza
• 26:32
  Speaker 1: hurried a customer out of her wedding dress shop in
• 26:34
  Speaker 1: the city of Chihuahua, Mexico. And then once that customer
• 26:38
  Speaker 1: was out the door, she quickly switched the shop sign
• 26:41
  Speaker 1: to closed and began cleaning up from the last fitting.
• 26:44
  Speaker 1: And as she did, she was merrily singing to herself
• 26:47
  Speaker 1: the whole time because she was now in just a
• 26:50
  Speaker 1: great mood. So the reason Doña Esparza was in such
• 26:54
  Speaker 1: a good mood is because Her daughter, Pasqualita, was coming
• 26:59
  Speaker 1: home after this really long trip to France that she
• 27:02
  Speaker 1: had been on. So she's finally coming home. Now, the
• 27:05
  Speaker 1: circumstances surrounding why she was coming home were maybe not
• 27:08
  Speaker 1: great in terms of, you know, from her daughter's perspective.
• 27:12
  Speaker 1: After all, this trip to France was supposed to have
• 27:15
  Speaker 1: been Pasqualita's honeymoon, but the wedding had been called off
• 27:19
  Speaker 1: at the last minute. Her daughter had still gone to France, but,
• 27:23
  Speaker 1: you know, she didn't get married. Now, of course, Doña
• 27:26
  Speaker 1: Esparza felt terrible, you know, for her daughter. The idea
• 27:29
  Speaker 1: that she had to endure so much pain here, I mean,
• 27:32
  Speaker 1: that was really bad. But selfishly, as a mom who
• 27:36
  Speaker 1: really loved her daughter, she couldn't help but be a
• 27:39
  Speaker 1: little bit excited here. Because the fact that her daughter
• 27:41
  Speaker 1: was not going to be getting married meant that Pascualita
• 27:44
  Speaker 1: would not be moving out. Which meant Pascualita could live
• 27:48
  Speaker 1: at home with Doña Esparza. And she loved living with
• 27:51
  Speaker 1: her daughter, and the idea of getting to do that
• 27:53
  Speaker 1: for even a little bit longer was incredible. And the
• 27:57
  Speaker 1: added bonus was Pascualita, in virtue of living at home
• 28:00
  Speaker 1: with her mom, would also be around to help out
• 28:03
  Speaker 1: with the family store, to work in the family's dress shop.
• 28:06
  Speaker 1: So for Doña Esparza, this was kind of great. And
• 28:10
  Speaker 1: so Doña Esparza spent a while tidying up, you know,
• 28:13
  Speaker 1: just in this great mood, and then eventually she heard
• 28:16
  Speaker 1: the knock on her front door that she was waiting for,
• 28:19
  Speaker 1: and she rushed over to answer it. sure enough, just
• 28:22
  Speaker 1: a few minutes later, Doña Esparza was ushering Pascualita back inside,
• 28:27
  Speaker 1: just absolutely beaming to have her daughter back home. And
• 28:30
  Speaker 1: then as soon as they were inside, Doña Esparza, she's
• 28:33
  Speaker 1: looking at her daughter and, you know, she's really happy,
• 28:35
  Speaker 1: but she knows her daughter has, you know, had this
• 28:37
  Speaker 1: horrible thing happen to her. And so she's looking at
• 28:40
  Speaker 1: her trying to gauge, you know, how she looks, you know,
• 28:43
  Speaker 1: is she really upset here? But, but no, I mean,
• 28:46
  Speaker 1: Pasqualita looked unbelievably refreshed. She didn't look upset at all.
• 28:51
  Speaker 1: I mean, she kind of looked great. Rosy cheeks, you know,
• 28:54
  Speaker 1: her makeup all done. I mean, she was beautiful and
• 28:56
  Speaker 1: in many ways didn't appear, at least outwardly, to be
• 29:00
  Speaker 1: totally depressed about, you know, her wedding. And so for
• 29:03
  Speaker 1: the rest of that day, Doña Esparza, she totally doted
• 29:07
  Speaker 1: on her daughter. She just completely fawned over her. You're
• 29:10
  Speaker 1: so great. It's so good to have you home. And
• 29:13
  Speaker 1: then the next day, she put her daughter to work
• 29:15
  Speaker 1: because after all, She needed the help. And then, really,
• 29:19
  Speaker 1: over the next few weeks and months, you know, the
• 29:21
  Speaker 1: two of them just sort of fell into a rhythm,
• 29:23
  Speaker 1: working every day together, and it really didn't take long
• 29:27
  Speaker 1: before the canceled wedding sort of became a distant memory,
• 29:31
  Speaker 1: at least for Doña Esparza, and, you know, as much
• 29:33
  Speaker 1: as she could understand about her daughter, it seemed like
• 29:35
  Speaker 1: that was not something she was thinking about at all.
• 29:38
  Speaker 1: A few years later, on Valentine's, Day, Doña Esparza was
• 29:42
  Speaker 1: hemming a dress when she began hearing singing coming from
• 29:45
  Speaker 1: somewhere outside the dress shop. And so Doña Esparza, she
• 29:49
  Speaker 1: goes over to the window, she looks outside, and she
• 29:52
  Speaker 1: sees there's a man out there. And he's standing on
• 29:54
  Speaker 1: the sidewalk, and he's looking at the shop, and he's
• 29:57
  Speaker 1: He's clearly belting out this love song, it sounded like,
• 30:00
  Speaker 1: and he's got this bouquet of flowers in his hand.
• 30:03
  Speaker 1: And from the sound of it, at least, you know,
• 30:05
  Speaker 1: to Doña Esparza, you know, it seemed like this might
• 30:08
  Speaker 1: have been a song he had written himself because the
• 30:11
  Speaker 1: lyrics were not very good. But it did suggest then
• 30:14
  Speaker 1: that he had really come here with quite a bit
• 30:16
  Speaker 1: of intention if he's singing a homemade love song. And
• 30:19
  Speaker 1: so Doña Esparza realizes that, of course, this must be
• 30:23
  Speaker 1: another suitor that has come by to try to win
• 30:26
  Speaker 1: her daughter's heart. And the reason that Doña Esparza so
• 30:30
  Speaker 1: quickly jumped to this specific conclusion is because men seem
• 30:34
  Speaker 1: to be constantly courting and trying to win the heart
• 30:38
  Speaker 1: of Pascualita. I mean, ever since she had come back
• 30:40
  Speaker 1: from France, ever since her wedding was called off, you know,
• 30:43
  Speaker 1: she had been working in the store and one of
• 30:46
  Speaker 1: her core responsibilities was actually standing in the window and
• 30:50
  Speaker 1: modeling the dresses. I mean, Pasqualita was incredibly beautiful, and
• 30:54
  Speaker 1: the dresses just looked amazing on her, and it really
• 30:57
  Speaker 1: drummed up quite a bit of business. Lots of people
• 30:59
  Speaker 1: wanted to buy the dress that Pasqualita was wearing. But
• 31:03
  Speaker 1: more than that, men were just drawn to her, and
• 31:06
  Speaker 1: they would show up, and they would sing songs to
• 31:09
  Speaker 1: win her affection. But over the years, it was like
• 31:13
  Speaker 1: no matter how many suitors tried to get Pasqualita's attention,
• 31:17
  Speaker 1: so far anyways, she had simply ignored them. And for
• 31:20
  Speaker 1: Doña Esparza... That was okay, because really, she loved having
• 31:25
  Speaker 1: her daughter here with her, at home, at the shop
• 31:27
  Speaker 1: with her. She didn't want that to change. And so really,
• 31:31
  Speaker 1: keep the men away. That was okay with her. And
• 31:33
  Speaker 1: so now, Doña Esparza, she sat at the window and
• 31:36
  Speaker 1: just openly stared at this man who was singing his
• 31:40
  Speaker 1: homemade love song, you know, through the glass to Pascualita.
• 31:44
  Speaker 1: And Doña Esparza, she just watched until the man eventually
• 31:48
  Speaker 1: just gave up and walked away. And then Doña Esparza,
• 31:51
  Speaker 1: she breathed a sigh of relief and went back to
• 31:54
  Speaker 1: her chair and just got back to work. 37 years later,
• 31:59
  Speaker 1: in 1967, Doña Esparza died. But Pascualita stayed at the
• 32:05
  Speaker 1: family dress shop, where she continued to model wedding dresses,
• 32:08
  Speaker 1: even though she was now much older. And in fact, today,
• 32:12
  Speaker 1: almost 100 years after her Her wedding was called off
• 32:17
  Speaker 1: and she came back from France almost a hundred years
• 32:19
  Speaker 1: after the fact. Pasqualita is still working in that dress shop.
• 32:25
  Speaker 1: And if you look at her, it's like she hasn't
• 32:28
  Speaker 1: aged at all. Because when Pasqualita's wedding was called off
• 32:31
  Speaker 1: in the winter of 1930, it was not because she
• 32:35
  Speaker 1: or her fiancé just didn't want to get married. It
• 32:38
  Speaker 1: was because Pasqualita died from getting stung by a scorpion
• 32:44
  Speaker 1: right before the wedding. But instead of having her daughter buried,
• 32:48
  Speaker 1: Doña Esparza sent Pascualita's corpse over to France to have
• 32:53
  Speaker 1: it embalmed. And so Pascualita's rosy cheeks were a product
• 32:57
  Speaker 1: of the makeup the morticians put on them during the
• 33:00
  Speaker 1: embalming process. And her eyes sparkled so beautifully because they
• 33:05
  Speaker 1: had been replaced with glass eyeballs. And so when the
• 33:09
  Speaker 1: now-preserved corpse came back, Doña Esparza put it in the
• 33:14
  Speaker 1: display window and told her customers that Pasqualita, her corpse,
• 33:19
  Speaker 1: was actually just a mannequin. A really realistic, beautiful mannequin.
• 33:25
  Speaker 1: But the reality was, nobody really believed her. I mean,
• 33:29
  Speaker 1: she said, this is a mannequin, but it's like, come on,
• 33:32
  Speaker 1: that's not a mannequin, that is a corpse. And that
• 33:35
  Speaker 1: is really the reason so many people showed up to
• 33:38
  Speaker 1: the shop in droves, to see the corpse, or just
• 33:41
  Speaker 1: to see what all the fuss was about. And believe
• 33:45
  Speaker 1: it or not, men really did show up with flowers
• 33:48
  Speaker 1: in hand and would sing to, you know, Pasqualita's corpse
• 33:52
  Speaker 1: in the window posing with a dress on, even though
• 33:55
  Speaker 1: obviously she could never return their love. But, you know, hey,
• 33:58
  Speaker 1: love just drives people to do crazy things, like singing
• 34:02
  Speaker 1: to a corpse. Today, Pasqualita's corpse is in the care
• 34:06
  Speaker 1: of Doña Esparza's descendants, who still own that dress shop,
• 34:10
  Speaker 1: and they still use her to model wedding dresses, and
• 34:15
  Speaker 1: they still deny she is anything other than a really
• 34:18
  Speaker 1: realistic mannequin. Although, they have refused to allow anyone to
• 34:23
  Speaker 1: see the mannequin undressed, or to allow any testing of
• 34:28
  Speaker 1: any kind. More recently though, there have been reports from
• 34:31
  Speaker 1: people who claim to have actually seen Pasqualeita move out
• 34:35
  Speaker 1: of the corner of their eye. And, it's said that
• 34:39
  Speaker 1: if you get too close to her, and you look
• 34:41
  Speaker 1: her right in the eyes, you'll meet the same fate
• 34:44
  Speaker 1: as Pasqualita and die. All right, thank you all so
• 34:58
  Speaker 1: much for joining me tonight at the campfire. And if
• 35:01
  Speaker 1: you enjoyed this, remember we actually have a whole playlist
• 35:05
  Speaker 1: of campfire episodes that are ready for you to binge
• 35:08
  Speaker 1: right now. If you want to do that, go ahead
• 35:09
  Speaker 1: and click right here and give them a watch. All right,
• 35:13
  Speaker 1: until next time, see ya.