Latest / Ridiculous History / How Conman Victor Lustig Sold The Eiffel Tower (Twice)
Transcript
- 0:10Speaker 1: Ye, Welcome to the show Ridiculous Historians. It feels so
- 0:27Speaker 1: good to be back. We have a reunion of sorts.
- 0:31Speaker 1: You may have heard recently that Noel and I and
- 0:35Speaker 1: our good friend Matt Frederick were on the road with
- 0:38Speaker 1: our stuff they don't want you to know tour. But
- 0:41Speaker 1: we have finally returned, and we have not returned alone.
- 0:45Speaker 1: We are joined once again with our fantastic super producer,
- 0:50Speaker 1: Casey Pegrum, who came all the way back from France
- 0:54Speaker 1: to hang out with us on this show. Kay see
- 1:00Speaker 1: on the case, folks, and my trustee co host Noel
- 1:04Speaker 1: is on the road this week for a different project,
- 1:08Speaker 1: which I can't say too much about now other than
- 1:11Speaker 1: all will be revealed in time. And in the meantime,
- 1:16Speaker 1: we decided that it would be fantastic to have one
- 1:20Speaker 1: of our favorite how Stuff Works celebrities come on the
- 1:24Speaker 1: show this week. Ladies and gentlemen, help me welcome. Christopher
- 1:28Speaker 1: hasiotis back to Ridiculous History. Ben, thanks so much for
- 1:32Speaker 1: having me. I feel like I should just be sitting
- 1:34Speaker 1: here saying I'm no, but I'm not. No, I'm not.
- 1:38Speaker 1: I can grow my beard as much as I like,
- 1:40Speaker 1: but I still can't match up to the man, but
- 1:42Speaker 1: I'll do my best. He has he has spent a
- 1:45Speaker 1: lot of time on that beard, Christopher. But you know what,
- 1:47Speaker 1: just since this is an audio podcast, I just want
- 1:50Speaker 1: to describe you a little bit, if that's okay while
- 1:53Speaker 1: we're on here. I'm curious, okay, okay, So Christopher, you
- 1:56Speaker 1: have a great beard. Thank you. And I think you've
- 1:58Speaker 1: been uh you know, you've growing it out a little bit.
- 2:01Speaker 1: I see, Uh, yeah, I mean I've had it for
- 2:03Speaker 1: a while. It's it's been on my face for decades. Uh.
- 2:07Speaker 1: If you want to start talking beards. The very first
- 2:09Speaker 1: poem that I ever fully memorized was a poem about beards.
- 2:13Speaker 1: Oh do tell she Silverstein. My beard grows to my toes.
- 2:18Speaker 1: I never wears no clothes. I wraps my hair around
- 2:21Speaker 1: my bear and down the road I goes all these smokes. Okay,
- 2:25Speaker 1: I did not know. I did not know that we
- 2:27Speaker 1: would be uh, we would be privileged to sit in
- 2:30Speaker 1: on a little bit of a poetry recital. Tommy, you
- 2:33Speaker 1: didn't You didn't bring your oration today. You're not ready
- 2:36Speaker 1: to go. I have I have one that is completely
- 2:40Speaker 1: unrelated to today's episode. Uh, and it's a little bit body.
- 2:46Speaker 1: It is a poem by Ernest Hemingway. Ernest Hemingway, of course,
- 2:51Speaker 1: famous famous writer Old Man in the Sea, The Sun
- 2:54Speaker 1: also rises, all these, all these works of prose. He
- 2:58Speaker 1: has a collected book of poetry which is varied in
- 3:05Speaker 1: terms of talent and in terms of quality. But he
- 3:09Speaker 1: has one poem It's very short that I suspect he
- 3:12Speaker 1: wrote after a drunken night in Paris or Spain, where
- 3:16Speaker 1: he says, I know monks master bate at night, and
- 3:19Speaker 1: pet cats screw and some girls bite, and yet what
- 3:22Speaker 1: can I do to set things right? That's the whole poll.
- 3:25Speaker 1: It's a good poem to have in your back pocket.
- 3:28Speaker 1: Came in handy here. But speaking of fantastic segways, we
- 3:34Speaker 1: mentioned Paris just a second ago. Are you about to
- 3:38Speaker 1: talk about a taking a segue tour of Paris? I
- 3:42Speaker 1: think in a way we in a way, we we
- 3:45Speaker 1: are a segue of the mind, Christopher, And I'm already
- 3:48Speaker 1: embarrassed for you. We took we we talked a little
- 3:53Speaker 1: bit off air about some interesting stories in the world
- 3:58Speaker 1: of ridiculous history. And longtime listeners, you know that Christopher
- 4:02Speaker 1: hasiotis aside from having previously appeared on our show to
- 4:06Speaker 1: introduce us to some very strange covers of Louis Louis.
- 4:09Speaker 1: Christopher Hasiotis has been our longtime research associate and we're
- 4:14Speaker 1: we're big fans of you, Christopher. You will also always
- 4:17Speaker 1: have the coolest stories and off air. You came to
- 4:22Speaker 1: Casey and Nolan I with a pretty neat story about Paris,
- 4:27Speaker 1: non segue related. Absolutely. I thought, you know, let's let's
- 4:33Speaker 1: combine a lot of ridiculous histories interest. Let's let's take
- 4:37Speaker 1: Casey's uh francophilia. Let's take your love of Um Khan men.
- 4:43Speaker 1: You know, people who who have these elaborate scams like
- 4:47Speaker 1: Gregor McGregor and uh and Noel who is not with
- 4:50Speaker 1: us in flash but is in spirit here always uh.
- 4:55Speaker 1: He's he's got a love for the the man with
- 4:59Speaker 1: with hutzpah with uh with um. You know that that
- 5:03Speaker 1: go get him attitude, right? So I thought we should
- 5:06Speaker 1: dive into this story about Paris, about the Eiffel Tower,
- 5:10Speaker 1: and about a specific con man who wraps all of
- 5:13Speaker 1: these things up into one weird, crazy, unbelievable yet totally
- 5:18Speaker 1: human and ridiculous story. Are you talking about Victor Lustig.
- 5:24Speaker 1: I am Victor Listig born Robert V. Miller. Oh, there's
- 5:30Speaker 1: already a plot twist, there is. Yeah, so, um, there's
- 5:34Speaker 1: this man, Robert V. Miller. And so we're we're going
- 5:36Speaker 1: back to the turn of the most recent century, back
- 5:39Speaker 1: to the eighteen and nineteen hundreds. Victor Lustig is uh, well,
- 5:42Speaker 1: we'll we'll call him Count Victor Listig, Count Listig, because
- 5:45Speaker 1: that's what he called himself. It's not the only thing
- 5:47Speaker 1: he called himself, though. This is a man who had
- 5:49Speaker 1: twenty two different aliases. He was a criminal mastermind. He
- 5:54Speaker 1: was a scam artist, he was a swindler, he was
- 5:57Speaker 1: a grifter. He was born Robert V. Miller in a
- 6:00Speaker 1: little town called Hostaan a Um and that is at
- 6:04Speaker 1: the time of his birth eight that was in the
- 6:06Speaker 1: country of Austro Hungary. Uh, now it's the Czech Republic.
- 6:11Speaker 1: So the town is sort of near the border of
- 6:12Speaker 1: the Czech Republic and Poland. And this was eighteen nineties
- 6:17Speaker 1: when Robert V. Miller was born. So he is born
- 6:21Speaker 1: I believe January fourth. His real name is Robert. I
- 6:25Speaker 1: was not aware that he would accrue so many a
- 6:30Speaker 1: k A s. But we know that from a young
- 6:34Speaker 1: age he was both highly intelligent and a troublemaker. That's true.
- 6:40Speaker 1: So Miller as he was known at the time, when
- 6:43Speaker 1: he was nineteen years old, not too much is known
- 6:46Speaker 1: about his life beforehand. But when he's in his late teens,
- 6:48Speaker 1: he moves to Paris, he gets involved in gambling, he's
- 6:52Speaker 1: kind of a roused about, gets involved in the CD
- 6:55Speaker 1: Underbelly of the World, which you know is one of
- 6:57Speaker 1: the charms of Paris, right, and so uh, he he
- 7:02Speaker 1: gets scarred by a lover's boyfriend at the age of nineteen,
- 7:05Speaker 1: gets cut across the face with a knife. He's sleeping
- 7:08Speaker 1: with someone, who's sleeping with someone, and this and that.
- 7:10Speaker 1: So he's already got this sort of disreputable air about him.
- 7:15Speaker 1: Things are tough for for young Miller, right, So he
- 7:18Speaker 1: decides he needs to make some money. And we're not
- 7:22Speaker 1: getting to his big scam just yet, but I want
- 7:25Speaker 1: to lay the groundwork for some of his his history
- 7:27Speaker 1: of just taking advantage of people for his own benefits.
- 7:31Speaker 1: So Robert Miller is looking to make a name for himself,
- 7:34Speaker 1: or maybe make twenty two names for himself, or keep
- 7:37Speaker 1: his name off the books altogether. But Basically, he's been
- 7:39Speaker 1: in in trouble with the authorities in a bunch of
- 7:42Speaker 1: different countries for scamming people, robberies, uh, swindles, the sort
- 7:46Speaker 1: of thing. So his first big attempt at a at
- 7:50Speaker 1: a big plot involves ocean liners. He hops on an
- 7:55Speaker 1: ocean liner that's going from the Atlantic ports in France
- 7:58Speaker 1: to New York and back. And so basically like he
- 8:00Speaker 1: rides back and forth, back and forth, back and forth
- 8:02Speaker 1: between France and New York, pretending to be a Broadway producer. Yeah,
- 8:08Speaker 1: and this this is when he's only uh, he's he's
- 8:10Speaker 1: still in his teens or twenties. So we're talking right around, uh,
- 8:13Speaker 1: the time, right before World War One. So he's on
- 8:17Speaker 1: board literally saying, I'm I'm a Broadway producer. I have
- 8:21Speaker 1: all this money, but I need more to put on
- 8:23Speaker 1: a great, big show. And that's when he first adopts
- 8:25Speaker 1: the name Victor Listig. Victor Listig gives him the sense
- 8:29Speaker 1: of grandeur so much so that he starts calling himself
- 8:32Speaker 1: Count Victor Listig. And he meets all these other well,
- 8:36Speaker 1: they're not other rich people, they're the rich people. He's
- 8:38Speaker 1: the person trying to get their money. He meets these
- 8:40Speaker 1: people on board the ship, says, I'm putting together a
- 8:43Speaker 1: Broadway show. It's gonna be the best, it's going to
- 8:45Speaker 1: be the most beautiful, it's going to be the most
- 8:47Speaker 1: fantastic Broadway show ever put on. But I need some investors,
- 8:51Speaker 1: So are you on board? Will you give me some money?
- 8:54Speaker 1: And basically he he just sells them this whole fantasy
- 8:58Speaker 1: and he gets all this money, and uh goes back
- 9:01Speaker 1: and forth and back and forth and scams people out
- 9:03Speaker 1: of out of money for a show that doesn't exist.
- 9:05Speaker 1: It's it reminds me a little bit of I don't
- 9:07Speaker 1: know if you know this film The Producers by mel
- 9:10Speaker 1: Brooks that's nineteen sixties sixties seven. I think about Gene
- 9:15Speaker 1: Wilder and Zero Mostel pretend to be producers of a
- 9:18Speaker 1: Broadway show to raise money. They basically figure out if
- 9:21Speaker 1: you put on a failure of a show, you'll make
- 9:23Speaker 1: more money if if the whole thing loses. I don't
- 9:26Speaker 1: know that mel Brooks was inspired by the story of
- 9:29Speaker 1: Victor Listig wouldn't be surprised. And we should also mention
- 9:33Speaker 1: one of the big questions about this early scam, how
- 9:37Speaker 1: did he manage to do this? Successfully multiple times without
- 9:41Speaker 1: getting caught. I advanced to you that his fluency multiple
- 9:46Speaker 1: languages helped because I'm sure that sometimes the people he
- 9:50Speaker 1: was conning were entirely French speakers, and then sometimes they
- 9:54Speaker 1: might have been entirely German speakers. Yeah, and Listig spoke
- 9:57Speaker 1: five languages at least that we know of. So the
- 10:00Speaker 1: ability to switch back and forth between languages with fluency,
- 10:05Speaker 1: it puts forth this idea of confidence, of power, of authority,
- 10:11Speaker 1: and uh, you know, if you can, if you can
- 10:13Speaker 1: take on a cute accent, maybe, uh, that can sometimes
- 10:17Speaker 1: inspire feelings of of warmth, depending on who you're talking to. So, yeah,
- 10:21Speaker 1: as he's going back and forth across the Atlantic, he's
- 10:23Speaker 1: talking to all these people, just scamming them left and
- 10:26Speaker 1: right in various languages. But this didn't go on forever, correct,
- 10:31Speaker 1: because you said you said you was active at this
- 10:33Speaker 1: time directly before World War One, Right, So the First
- 10:38Speaker 1: World War kind of interrupts a lot of this transatlantic rigamarole,
- 10:43Speaker 1: and he finds himself in trouble in the US and
- 10:46Speaker 1: comes back to France on a more permanent basis in
- 10:51Speaker 1: and that's when we arrive at the main topic of
- 10:54Speaker 1: our story today, and um, I think it's I think
- 10:57Speaker 1: it's a good one. It's weird. It's the sort of
- 10:59Speaker 1: thing you would think could never happen today because of
- 11:02Speaker 1: the prevalence of information, the willingness of people to believe,
- 11:06Speaker 1: the skepticism. But I don't know. I think what the
- 11:09Speaker 1: shows and and we're about to get to it. But
- 11:12Speaker 1: it shows that people are always willing to believe what
- 11:16Speaker 1: will benefit them. Yes, yes, I do want to do
- 11:19Speaker 1: one brief sidetrack while we're on the way to France.
- 11:23Speaker 1: Let's do it. Okay. So Lustig also had some American
- 11:27Speaker 1: adventures during Prohibition. He went to Missouri. That's right. Yeah,
- 11:33Speaker 1: he went to Missouri and he used another alias, Robert
- 11:36Speaker 1: duval I like it, and he used he used this
- 11:41Speaker 1: alias to try to run a ranch. So essentially, he
- 11:47Speaker 1: offered this bank twenty two thous dollars in liberty bonds
- 11:51Speaker 1: and convinced them to exchange an additional ten thousand dollars
- 11:55Speaker 1: of the bonds for cash. They said yes. The money's
- 11:58Speaker 1: placed in two identical envelopes and he uses some like
- 12:02Speaker 1: stage magic, some sleight of hand to switch the envelopes,
- 12:06Speaker 1: make off of the bonds and the cash. He gets
- 12:08Speaker 1: arrested in Kansas City, but he manages to talk his
- 12:12Speaker 1: way out of the indictment. And that's the thing I
- 12:16Speaker 1: find so so so crazy. I mean, it's the sort
- 12:18Speaker 1: of thing you think you would never be able to
- 12:20Speaker 1: talk to a bank and walk away with both the
- 12:22Speaker 1: notes and the cash and everything, and then talk a
- 12:25Speaker 1: way out of court. Yeah, it's crazy. How how endearing
- 12:28Speaker 1: do you have to be? It's like some sort of crazy,
- 12:31Speaker 1: huge version of the you know, the twenty dollar change game,
- 12:34Speaker 1: where you I won't go into the details, but you
- 12:37Speaker 1: can go up to a cashier and you start quick
- 12:39Speaker 1: talking and asking them to make change for one thing
- 12:41Speaker 1: after you have a legitimate transaction. Then you get some change,
- 12:45Speaker 1: and you change some ones for a ten, and then
- 12:47Speaker 1: you switch things around a little bit, and all of
- 12:49Speaker 1: a sudden, you've doubled your money and you also got
- 12:51Speaker 1: whatever you bought. And here in Atlanta, just decide. Note, folks,
- 12:55Speaker 1: we do refer to that as the hasciotas do we?
- 12:58Speaker 1: We do know. I'm sorry that you had about that
- 13:00Speaker 1: on air, but that's that. The American Adventure is primarily
- 13:05Speaker 1: important because it shows how well he was able to
- 13:10Speaker 1: handle getting caught because almost anybody else would have gone
- 13:15Speaker 1: to jail. That is bank robbery, and it is fraud.
- 13:18Speaker 1: But Victor has at this point accumulated quite a range
- 13:23Speaker 1: of skills, quite a range of aliases. And as you said, Christopher,
- 13:28Speaker 1: in May, he goes back to Paris. He has had
- 13:32Speaker 1: a close call in Kansas City. He thinks, you know,
- 13:35Speaker 1: maybe things are getting a little too hot on this
- 13:37Speaker 1: side of the Atlantic. So so what happens when he
- 13:41Speaker 1: returns to France. Well, let me ask you, when when
- 13:43Speaker 1: you think of Paris, what do you think of when
- 13:46Speaker 1: I think of Paris? Well, this is this is a
- 13:49Speaker 1: weird story. I don't know if I ever told you
- 13:50Speaker 1: I was homeless in Paris for a week? Who wasn't?
- 13:54Speaker 1: Who was it at? Yeah? I think of wonderful music.
- 13:59Speaker 1: I think of street side cafes. I think of obviously,
- 14:04Speaker 1: I think of you, Casey, and I think of the
- 14:07Speaker 1: Eiffel Tower. I think that's one of the number one
- 14:10Speaker 1: things that people think of when they think of Paris. Yeah,
- 14:12Speaker 1: who doesn't. And and uh, you are not, unlike Victor, realistic,
- 14:16Speaker 1: at least in this one way, because he thought of
- 14:17Speaker 1: the Eiffel Tower as well. You want to go back
- 14:20Speaker 1: into a little bit of Eiffel Tower history for for
- 14:22Speaker 1: people who may not be familiar with it. I think
- 14:24Speaker 1: that's a great idea, man. Okay, so we all know
- 14:28Speaker 1: what the Eiffel Tower looks like. It's a huge iron
- 14:31Speaker 1: lattice tower. But how did it get there? Yeah? I
- 14:34Speaker 1: mean so, basically, the Eiffel Tower was constructed over four
- 14:37Speaker 1: or five year period in the late eighteen eighties, was
- 14:40Speaker 1: put in place for the eighteen eighty nine World's Fair.
- 14:43Speaker 1: It was never meant to be permanent. It was meant
- 14:44Speaker 1: to just go up for twenty years, kind of act
- 14:47Speaker 1: as this big attraction and then come down. But Parisians
- 14:51Speaker 1: loved it so much, and other people coming to Paris
- 14:53Speaker 1: loved it so much there was an argument made that
- 14:55Speaker 1: it should stand as an icon for the city. It
- 14:57Speaker 1: was also used as a really tower for telegraphs, so
- 15:00Speaker 1: it kind of came in handy too. Okay. But that
- 15:03Speaker 1: that sense of impermanence around the tower actually plays into
- 15:07Speaker 1: why Victor Listig thought of the Eiffel Tower and how
- 15:10Speaker 1: it became involved in his next scam. Oh that's right,
- 15:12Speaker 1: because he was I believe when he arrived in France
- 15:16Speaker 1: he was reading a newspaper about how the Eiffel Tower
- 15:19Speaker 1: was in poor condition and it needed some repairs, and
- 15:24Speaker 1: not everyone loved it. Some people in the city saw
- 15:27Speaker 1: it as I think the quote I read was an
- 15:30Speaker 1: expensive nuisance. Yeah, exactly. You can go either way, you know.
- 15:33Speaker 1: I mean. The thing about the Eiffel Tower is it
- 15:35Speaker 1: completely dominates the landscape. It stands out from all the
- 15:39Speaker 1: architecture in Paris. It's almost eighties stories tall, the or
- 15:42Speaker 1: the equivalent of eighty stories. It's like three twenty something meters.
- 15:46Speaker 1: It's almost a thousand feet tall, if not higher. And
- 15:50Speaker 1: most of the buildings around there are you know, three
- 15:53Speaker 1: four stories tall at the max um not not iron work.
- 15:58Speaker 1: So some people say it's an I saw. Some people
- 16:00Speaker 1: say it's magnificent either way. By when he returns to
- 16:05Speaker 1: Paris with I should add I uh looked up the
- 16:08Speaker 1: exact number. He already had forty arrests under his belt
- 16:11Speaker 1: by this time, so he was thirty five years old,
- 16:16Speaker 1: so more than one arrest for a year of his life.
- 16:19Speaker 1: And that's like two or three arrests for every year
- 16:21Speaker 1: of his adult life. That that is a baffling statistic.
- 16:25Speaker 1: Thank you for for putting it so succinctly. I guess
- 16:29Speaker 1: he wasn't that great then if he was continually getting arrested.
- 16:33Speaker 1: But I have a proposition for you, Christopher. I propose
- 16:38Speaker 1: that we call in one of our favorite segments to
- 16:42Speaker 1: learn a little bit about France. Let's do it all, right, Hey, Casey,
- 16:49Speaker 1: hey Ben, how's it going doing doing pretty well? As
- 16:51Speaker 1: we said at the top, you have returned from your
- 16:55Speaker 1: double life France, and we wanted to ask you a
- 16:59Speaker 1: little bit about how French people see the Eiffel Tower today.
- 17:04Speaker 1: That's an interesting topic, you know, it is. It is
- 17:06Speaker 1: very touristy. It is very much like even even me
- 17:10Speaker 1: having been there I think eight times in as many
- 17:12Speaker 1: years um. This past trip where I was there for
- 17:16Speaker 1: two weeks, I did not go visit the Eiffel Tower.
- 17:18Speaker 1: I didn't hang out on the Shampa Mars. I didn't,
- 17:22Speaker 1: you know, go to the Trocadero. I didn't really have
- 17:25Speaker 1: much uh involvement with the Eiffel Tower in general, other
- 17:28Speaker 1: than I could see it from the balcony of my airbnb.
- 17:31Speaker 1: So you know, as you guys were mentioning, the height
- 17:34Speaker 1: of the buildings in Paris is something that is kind
- 17:37Speaker 1: of strictly regulated, and it does ensure that the architecture
- 17:41Speaker 1: remains fairly uniform, that certain buildings like the Eiffel Tower,
- 17:47Speaker 1: or like the Tour Mont parnass or like the Arct
- 17:50Speaker 1: de Triomph, etcetera, remain visible through large parts of the city,
- 17:55Speaker 1: and it's kind of you know, you're you're always catching
- 17:58Speaker 1: glimpses of the Eiffel Tower throughout your day, which is
- 18:01Speaker 1: really really nice, and Casey correct me if I'm wrong,
- 18:03Speaker 1: But that's that's partially due to preference and tradition, but
- 18:06Speaker 1: also the just the simple geography and makeup of the
- 18:11Speaker 1: land in Paris itself. Like you've got these big sort
- 18:13Speaker 1: of modern looking business towers over in La de France.
- 18:16Speaker 1: But yes, everything else, you know, the French have not
- 18:19Speaker 1: had this tradition of tearing down old buildings. And it's
- 18:22Speaker 1: located on somewhat wet ground near the same river, so
- 18:26Speaker 1: you can't build sixties story skyscrapers. Yeah, which you know
- 18:31Speaker 1: is a is a very happy accident, I think, because
- 18:33Speaker 1: Paris does have a very consistent architectural style, although it
- 18:37Speaker 1: has been transformed quite a bit within the last maybe
- 18:41Speaker 1: couple hundred years. UM Houseman in the nineteenth century, demolished
- 18:46Speaker 1: a lot of the old Paris and created a lot
- 18:48Speaker 1: of the grand boulevards that we know today, which were
- 18:52Speaker 1: useful for instance, uh, moving large numbers of troops in
- 18:56Speaker 1: and out of the city, that kind of thing. But
- 18:58Speaker 1: he had he had a very very strict requirement in
- 19:01Speaker 1: terms of keeping the style very consistent, keeping things very
- 19:06Speaker 1: close to the curb, always having shops on the ground
- 19:09Speaker 1: floor and then living space in the floors above that.
- 19:13Speaker 1: That gives the city a very coherent, cohesive feel, as
- 19:17Speaker 1: well as buildings not terminating in a sharp corner but
- 19:21Speaker 1: instead kind of in a flat, outward facing corner. That
- 19:25Speaker 1: essentially keeps the buildings again feeling more open and inviting
- 19:29Speaker 1: and just keeping the street life very virant and alive.
- 19:31Speaker 1: I have a question for you, casey okay, what do
- 19:36Speaker 1: you have an alias when you're in France? No, um
- 19:40Speaker 1: other than kase you know that that would be it's
- 19:43Speaker 1: just kind of the frenchified monsieur monsieur case All right,
- 19:48Speaker 1: Well that has been cause on the case east wildly
- 19:54Speaker 1: d Q Yeah, perfect, perfect. So this gives us a
- 20:04Speaker 1: sense of just how iconic the building is today and
- 20:11Speaker 1: back in Lustig's time, right right, and we're talking, you know,
- 20:16Speaker 1: ish um, we're back in the seventh Arondissement. And again
- 20:21Speaker 1: this this structure was meant to last about twenty years,
- 20:24Speaker 1: so it was built in eighteen eighty nine. The plan
- 20:26Speaker 1: was initially let's take it down around nine or so,
- 20:30Speaker 1: oh no nine. Yeah, so it's already almost doubled its
- 20:35Speaker 1: lifetime and it's getting expensive. The city is complaining, saying
- 20:39Speaker 1: we don't have the money for the upkeep. It's just
- 20:42Speaker 1: really a pain in the French. But this, this is
- 20:46Speaker 1: where Lustig sees an opportunity and he says, you know what,
- 20:54Speaker 1: I bet that I could just forge some credentials and
- 20:58Speaker 1: appoint myself to a position in the local government. Yeah. Well,
- 21:03Speaker 1: he actually hires a forger. I mean, this is It's
- 21:06Speaker 1: the thing about Listig is he always thought out his
- 21:09Speaker 1: scams to the nth degree. This wasn't just some sort
- 21:12Speaker 1: of fly by night operation. And he hires a forger.
- 21:16Speaker 1: He comes up with these credentials and he presents himself
- 21:19Speaker 1: as a the deputy director general of this or that.
- 21:23Speaker 1: I think it's something like the Postal Service, the Ministry
- 21:26Speaker 1: of Post and Telegraphs exactly. So He takes advantage of
- 21:31Speaker 1: the news that the city is unhappy with the structure.
- 21:35Speaker 1: The Eiffel Tower itself weighs more than ten thousand tons.
- 21:39Speaker 1: He approaches scrap metal dealers in Paris, the five most prestigious,
- 21:44Speaker 1: the five with the biggest operation, and he says, Mr
- 21:48Speaker 1: scrap metal dealer, my name is Victor Listig. I'm the
- 21:51Speaker 1: Deputy director General. We want to sell you the Eiffel Tower.
- 21:57Speaker 1: We want to scrap the Eiffel Tower. We want to
- 21:59Speaker 1: set you seven thousand tons of it. However, let's meet
- 22:03Speaker 1: at this hotel in secret, because we can't let work
- 22:07Speaker 1: get out about this. So Listig in fights five different
- 22:11Speaker 1: representatives of scrap metal dealerships to this hotel and asks
- 22:15Speaker 1: them to bid to fight amongst themselves to offer the
- 22:20Speaker 1: most money for seven thousand tons of metal, claiming that
- 22:24Speaker 1: the Eiffel Tower is going to be scrapped, and how
- 22:26Speaker 1: how did it work out well for whom? Ben for
- 22:29Speaker 1: whom it worked out really well for Victor Listig. So
- 22:33Speaker 1: he's got these five guys in the hotel. He says,
- 22:35Speaker 1: all right, guys, you've got to keep this deal quiet
- 22:37Speaker 1: because the government doesn't want word to get out so
- 22:40Speaker 1: I want you to think about it, see what you
- 22:44Speaker 1: can do with a seven thousand tons of scrap metal,
- 22:46Speaker 1: and come back to me with an offer. But before
- 22:48Speaker 1: the meeting was over, he had identified who he wanted
- 22:51Speaker 1: to award the bid to his mark. Exactly. It was
- 22:54Speaker 1: a guy named Andre Poissan, and Listig identified Poissan as
- 22:59Speaker 1: kind of an up and summer. He was one of
- 23:00Speaker 1: the least successful of the group, and he had low
- 23:03Speaker 1: self esteem. Exactly. Yeah, So list I thought this guy
- 23:07Speaker 1: is gonna be really desperate to secure this bid. He
- 23:10Speaker 1: thought Poissant would really want to make a name for
- 23:14Speaker 1: himself with this deal and secure his place in the
- 23:16Speaker 1: business world because he felt intimidated by all these other
- 23:19Speaker 1: scrap metal dealers who are relatively well established. There's this
- 23:23Speaker 1: is where we see some of the art of the
- 23:26Speaker 1: con or the craft of psychological manipulation come into play.
- 23:30Speaker 1: Because I believe what happens is after that meeting with
- 23:33Speaker 1: the five people, where he's buttering them up, and he
- 23:35Speaker 1: where he identifies Andrea's his mark. He meets with Andre
- 23:39Speaker 1: the next day and Andrea says, you know, I slept
- 23:44Speaker 1: on it. I'm having a couple of doubts. I don't
- 23:46Speaker 1: know if this is the best thing, because this is
- 23:49Speaker 1: a huge project, this is a lot of money, and
- 23:51Speaker 1: Lustig gives him a very compelling empathy, building absolutely fake
- 23:57Speaker 1: story about you know, hey, just between you and me, Like,
- 24:01Speaker 1: I get it. You're an up and comer. I'm a
- 24:03Speaker 1: government employee. I don't get paid that much. Times are
- 24:07Speaker 1: tough all around, and I really you know, Andrea, you
- 24:10Speaker 1: get it. You and I are kind of similar. So
- 24:13Speaker 1: how about this, I will guarantee you the contract just
- 24:17Speaker 1: between us. Forget about those other four guys. If you
- 24:19Speaker 1: can give me just a little, you know, give me
- 24:21Speaker 1: a big give me a little bit of something on
- 24:23Speaker 1: the side, grease the wheels of bureaucracy. Yeah. So Listing
- 24:28Speaker 1: is genius in adding layer upon layer of this scam.
- 24:31Speaker 1: He builds confidence not just by putting forth this story,
- 24:35Speaker 1: but by roping Andrea poissan In on that that they're
- 24:39Speaker 1: in this together, you know. So, and it goes through,
- 24:42Speaker 1: It goes through. So not only does Andrea Possan give
- 24:44Speaker 1: Listig the money for for the Eiffel Tower, he also
- 24:49Speaker 1: bribes him to do it right. Yes, so he's he's
- 24:53Speaker 1: paying the bribe plus the deal the price that they
- 24:57Speaker 1: agree on and what happened his next So then Listick says,
- 25:02Speaker 1: I've got all this money and I'm splitting town. He
- 25:05Speaker 1: goes back to Austria and uh, he just hangs out.
- 25:08Speaker 1: He takes up with someone someone else. The details on
- 25:11Speaker 1: this or a little sketchy. I couldn't really find out
- 25:14Speaker 1: um in my research who it was, but reports said
- 25:17Speaker 1: that he swindled someone else to let him stay with them.
- 25:20Speaker 1: And while he's hanging out in Austria with all this money,
- 25:23Speaker 1: he keeps his eye on the French newspapers just to
- 25:25Speaker 1: see if he's been discovered, because he's betting on the
- 25:28Speaker 1: fact that that Andre would be so ashamed that he
- 25:33Speaker 1: wouldn't report the theft, right right, And we do know
- 25:36Speaker 1: a little bit of what happens to the unfortunate Andrea here.
- 25:41Speaker 1: After loose date skips town, Andre, who is out a
- 25:45Speaker 1: significant sum of money, goes to the government officials to
- 25:49Speaker 1: follow up on the deal, at which point they say,
- 25:52Speaker 1: what who are you talking about? You know, maybe they
- 25:56Speaker 1: were empathetic and said, I'm very sorry this happened to you,
- 25:59Speaker 1: but can you imagine that just the utter shame and
- 26:03Speaker 1: embarrassment there, That's that's what Victor. Would he played this
- 26:06Speaker 1: guy like a cello? You know? Yeah? And that's when
- 26:08Speaker 1: I like the shame is such a powerful, powerful emotion
- 26:11Speaker 1: when you're trying to get someone else to do what
- 26:14Speaker 1: you want. Yes, And so I've heard, I've heard, I
- 26:17Speaker 1: don't know from Oh you're a dangerous man. What's your
- 26:21Speaker 1: real name? After you know, during this episode, I am
- 26:24Speaker 1: now suspecting everybody of having a different alias, at least
- 26:29Speaker 1: one or two. Right, I have a couple. I have
- 26:31Speaker 1: a couple. I had to retire. One had to retire,
- 26:33Speaker 1: Chris from Boston because one day in Atlanta, someone who
- 26:39Speaker 1: knew me as Chris from Boston found me and luckily
- 26:42Speaker 1: I was with some good friends of mine who helped
- 26:46Speaker 1: me out and backed me up when I went back
- 26:48Speaker 1: to the table at the restaurant we're at and it
- 26:50Speaker 1: was like, guys, look, there might be someone here who
- 26:53Speaker 1: thinks my name is Chris. So let's just go along
- 26:56Speaker 1: with that, and if you do, the next round of
- 26:59Speaker 1: drinks is on me. So so if you're listening to this,
- 27:03Speaker 1: I hope you're having I hope you're having a great time.
- 27:07Speaker 1: Chris from Boston never did any shady criminal acts, though
- 27:12Speaker 1: Christ from Boston is not a con man, It's just
- 27:15Speaker 1: not in his character. But Lustig is an inveterate con
- 27:19Speaker 1: then an irredeemable con artist, and he clearly doesn't feel
- 27:25Speaker 1: too broken up about causing such a financial disaster. No, no,
- 27:29Speaker 1: not at all. He doesn't feel broken up. He feels emboldened.
- 27:32Speaker 1: In fact, the man who sold the Eiffel Tower for
- 27:35Speaker 1: scrap metal goes back to France, goes right back to
- 27:39Speaker 1: Paris and sells it a second time. Right, yeah, this
- 27:44Speaker 1: is crazy. The same thing. He goes and does it again. Uh,
- 27:49Speaker 1: I will say this time not quite so successfully, right,
- 27:53Speaker 1: because he he was correct in his gamble, in his
- 27:58Speaker 1: original assumption that the story would not be widely reported,
- 28:03Speaker 1: and if the news had made it to the papers,
- 28:05Speaker 1: we can say that he would not have attempted this
- 28:08Speaker 1: a second time. I don't think so. I mean, the
- 28:10Speaker 1: guy is clever, he's he may have been arrested forty times,
- 28:13Speaker 1: but he's also gotten away at least that many, right,
- 28:17Speaker 1: So he he doesn't even wait that long, you know,
- 28:20Speaker 1: He just I guess, waits until he runs out of cash, yeah,
- 28:24Speaker 1: and just needs some more and says, well, let me
- 28:26Speaker 1: go sell the Eiffel Tower again. Uh. But he so
- 28:28Speaker 1: he goes back to Paris. He gets five more guys together,
- 28:31Speaker 1: pitches them the idea says, I, you want to buy this.
- 28:34Speaker 1: See this big hunk a junk over here. Uh you
- 28:37Speaker 1: want to you want to buy it because you need
- 28:38Speaker 1: the scrap metal. Uh. This time, however, there's someone who's
- 28:42Speaker 1: suspicious of of the deal, and they go to the
- 28:45Speaker 1: police right away and um, and Victor Lestig does not succeed,
- 28:51Speaker 1: but he does succeed in in skipping town once again. Yes,
- 28:54Speaker 1: and this time he goes to the United States. He
- 28:58Speaker 1: goes back. I guess the heat from Kansas City is dissipated. Well,
- 29:02Speaker 1: the U s is a big place, right, you know,
- 29:04Speaker 1: there's a lot of places you can go. The myth
- 29:08Speaker 1: of the American West and other parts of America is
- 29:10Speaker 1: that you can reinvent yourself, especially in this pre internet,
- 29:13Speaker 1: pre telephone day. You can just present yourself as someone new.
- 29:17Speaker 1: You can present yourself as someone successful, as a count,
- 29:20Speaker 1: as a as a salesman of mystery boxes. Ah, yes,
- 29:27Speaker 1: Romanian box, Romanian boxes, yeah, after them. You know, relative success.
- 29:33Speaker 1: The first time around of the sale of the Eiffel
- 29:35Speaker 1: Tower and the lack of success. The second time list,
- 29:38Speaker 1: it goes to the US and he finds himself in Texas.
- 29:41Speaker 1: He sells something called a Romanian box. Are you m
- 29:45Speaker 1: a in I A N? I sure am sorry? So yeah?
- 29:54Speaker 1: So so what is the Romanian box? I am so
- 29:57Speaker 1: glad you asked Christopher. Essentially is a money box. That's
- 30:02Speaker 1: how he would present it. The Count, because he's Count
- 30:05Speaker 1: lu Stick again, would whine and dine and befriend Americans.
- 30:11Speaker 1: And then when people would say, hey, you know, you're
- 30:14Speaker 1: an interesting guy. What what is it that you do, Count?
- 30:17Speaker 1: What what's your line of work? What's your line of business?
- 30:20Speaker 1: And essentially, in a polite way, they were trying to ask,
- 30:23Speaker 1: how are you so wealthy? And then with the utmost secrecy,
- 30:28Speaker 1: with a just between us and the lamp post kind
- 30:32Speaker 1: of confidence, the Count would pull out this box. It's
- 30:36Speaker 1: literal box, and it's a money box that looks fantastic.
- 30:41Speaker 1: It's built out of mahogany. It's about the size of
- 30:43Speaker 1: a steamer trunk. And he would say, let me show
- 30:47Speaker 1: you how this works. And the Mark would hand him
- 30:52Speaker 1: a bill, usually asked for a hundred dollar bill, and
- 30:55Speaker 1: then he would put the bill into the machine, wait
- 30:59Speaker 1: a few hours is for quote unquote chemical processing. And
- 31:02Speaker 1: then when the people came back they went and get dinner,
- 31:05Speaker 1: lunch or something. Two bills would be there to bills,
- 31:09Speaker 1: and so Lustig would say that this box pays for itself.
- 31:15Speaker 1: What it really is is a fake contraption. Yeah, there's
- 31:20Speaker 1: there's no way you can have a It's basically a counterfeit,
- 31:24Speaker 1: counterfeiting machine. Right, So he's telling people, I have this
- 31:28Speaker 1: thing that can make fake money for you, that can
- 31:30Speaker 1: duplicate your dollar, double your money in six hours or less.
- 31:35Speaker 1: And it doesn't even work. It's a scam of a scam.
- 31:37Speaker 1: It's a scale double scam. Yeah, which you know a
- 31:39Speaker 1: lot of cons work that way because they prey on um, ambition,
- 31:45Speaker 1: greed insecurity, you know what I mean. Well, and that's
- 31:47Speaker 1: the sort of thing. So even if he were caught,
- 31:50Speaker 1: even if someone confronted him and said, hey man, this
- 31:53Speaker 1: money box you sold me doesn't work as as you
- 31:57Speaker 1: as you said it would, they're not going to go
- 31:58Speaker 1: to the police because then it would be admitting two
- 32:02Speaker 1: attempting to counterfeit. Yeah. And here's here's the thing. This
- 32:06Speaker 1: is the beautiful part of this Lou Stick's friends will
- 32:09Speaker 1: see this and they'll say, oh man, they're convinced, you know,
- 32:13Speaker 1: because he's been so reluctant and secretive about it. They say,
- 32:16Speaker 1: will you sell this to me? You name your price, anything,
- 32:21Speaker 1: And the count is very reluctant. It's been in my
- 32:24Speaker 1: family for a while. It's I don't know. I mean,
- 32:28Speaker 1: I like you, but this is a big decision for me.
- 32:31Speaker 1: And then after cajoling and raising the price sky high,
- 32:36Speaker 1: Lustig would eventually agree to sell it, sometimes for up
- 32:40Speaker 1: to thirty thousand dollars. You can read a pretty good
- 32:43Speaker 1: description of some of these adventures in various articles in
- 32:46Speaker 1: the Smithsonian who They seem to have a fascination with
- 32:50Speaker 1: loose Stick. But after he sold it, here's the thing,
- 32:53Speaker 1: he didn't skip down right away. They did some more
- 32:56Speaker 1: demonstrations so you can show them how it worked. There
- 32:59Speaker 1: are still is hidden in the machine, obviously. Yeah, well,
- 33:02Speaker 1: there are a variety of bills hidden in the machine.
- 33:03Speaker 1: And so Lustig again, it's it's his mastery of manipulation.
- 33:07Speaker 1: There were different kinds of money hidden in the machine,
- 33:09Speaker 1: and he would use his power of persuasion to convince
- 33:12Speaker 1: the person giving him the money to give him the
- 33:15Speaker 1: right kind of money that he could then slip out
- 33:17Speaker 1: a duplicate of. But the last time that Lusti sells
- 33:20Speaker 1: the Romanian mystery box, Uh, it's not even called a
- 33:23Speaker 1: mystery I'm just calling it a mystery box, the Romanian box.
- 33:27Speaker 1: It's in Texas, and his purchaser is a sheriff, right,
- 33:31Speaker 1: and the sheriff does not take being built. No, he's
- 33:36Speaker 1: out thousands of dollars. So in the past Lustig had
- 33:39Speaker 1: scammed people, left town and was generally kind of off
- 33:43Speaker 1: Scott Free, Indiana, Nebraska, Texas, Chicago. But this sheriff follows
- 33:49Speaker 1: Lustig across the country. He tracks him down finally in
- 33:53Speaker 1: I Believe in Chicago, and again this is it's about
- 33:57Speaker 1: to be listed gets away with it one more time
- 34:00Speaker 1: because the sheriff confronts Listick. He says, Man, you rip
- 34:03Speaker 1: me off. This thing is a hoax. It does not
- 34:07Speaker 1: make money. I need my tens of thousands of dollars
- 34:10Speaker 1: back or I don't know what I'm gonna do, to
- 34:12Speaker 1: which Lustig replies, Oh, that's so terrible that that happened.
- 34:18Speaker 1: Are you sure you were working the box correctly? Oh? Man,
- 34:22Speaker 1: and it works. He he convinces the sheriff, that the
- 34:26Speaker 1: sheriff was the one not operating the contraption properly. He
- 34:31Speaker 1: even as a show of good faith, gives him some
- 34:35Speaker 1: of the money back to say, hey, look, I'm promised,
- 34:38Speaker 1: I'm not scamming you. Here, take a take a portion
- 34:40Speaker 1: of the money back as good faith. Go back to Texas.
- 34:43Speaker 1: Take the box with you, figure out how to work
- 34:46Speaker 1: it on your own. You must be the one making
- 34:48Speaker 1: a mistake. And he continues because look, in addition to
- 34:54Speaker 1: oys getting away with things, Lustig never learns his lesson,
- 34:58Speaker 1: and he starts messing with some very dangerous characters. Sometime
- 35:02Speaker 1: before this is a speculative story, an alleged story, we
- 35:07Speaker 1: don't we don't have a lot of primary sources on this.
- 35:09Speaker 1: But sometime before the story is that he even attempted
- 35:14Speaker 1: to pull a scam on al Capone in Chicago. Did
- 35:17Speaker 1: you hear about that? I did? And it's it's uh.
- 35:19Speaker 1: So he had been in Chicago for a while, he
- 35:20Speaker 1: had kind of built up his name. He was getting
- 35:22Speaker 1: into the deep counterfeiting business, so not just this sort
- 35:26Speaker 1: of confidence scam, but legitimate counterfeiting of cash. And so
- 35:31Speaker 1: he's kind of operating in the same circles as Capone.
- 35:35Speaker 1: He knows of Capone, Compone doesn't quite know of him.
- 35:38Speaker 1: But Listig wants to gain his confidence. Right, So the
- 35:42Speaker 1: story is this Lustig convinced, and he's still the count loose.
- 35:47Speaker 1: Do you think he's talking with an accent? Of course
- 35:49Speaker 1: he has to, man, it would be such a missed opportunity.
- 35:52Speaker 1: If you are going to put a fake aristocratic title
- 35:57Speaker 1: in front of your name, then you must have an accent. Yeah,
- 36:01Speaker 1: that's true, because that's if he wants. If he wants
- 36:04Speaker 1: to appear to be um, a wealthy, mysterious European of
- 36:08Speaker 1: noble blood, then he has to conform to the American
- 36:12Speaker 1: stereotype of that, which requires an accent. I think probably
- 36:15Speaker 1: if you put on that that accent, then you you
- 36:17Speaker 1: give yourself the benefit of pretending there are things you
- 36:21Speaker 1: don't understand. You know that that you don't quite understand
- 36:23Speaker 1: the intricacies of American English. So maybe if someone thinks
- 36:27Speaker 1: you insulted them, you could just say, I don't know,
- 36:30Speaker 1: I'm s yes, i I'm not understand. He's how you'll
- 36:34Speaker 1: say a scam exactly. Look, we are choosing to imagine
- 36:41Speaker 1: that he has an accent, and uh, I would like
- 36:43Speaker 1: to I'd like to hear everyone's guess as to what
- 36:46Speaker 1: sort of accent he had. I thought yours was really good. Christopher. Also,
- 36:51Speaker 1: you have traveled the world and heard many accents, so
- 36:54Speaker 1: I will defer to your speculation here. Anyway, point being lustick,
- 36:59Speaker 1: goes to Cappone. The Count goes to Capone and convinces
- 37:02Speaker 1: him that if al Capone gives him fifty thou dollars,
- 37:08Speaker 1: he will double the money for Capone in sixty days
- 37:12Speaker 1: with his newest adventures, newest discovery. And he knew that
- 37:16Speaker 1: Capone was a very, very dangerous man, so once he
- 37:20Speaker 1: got the money, he just let it sit in a bank.
- 37:22Speaker 1: He didn't touch it. He let us sit in a
- 37:24Speaker 1: bank for fifty nine days. On the fifty ninth day,
- 37:28Speaker 1: he comes back to out Cappone himself and says, look,
- 37:31Speaker 1: Mr Capone, the deal fell through. I'm very sorry, but
- 37:36Speaker 1: I feel so bad about this because I made you
- 37:39Speaker 1: a sincere promise, and I feel so bad about this
- 37:41Speaker 1: that I will repay the money and lost. And that's
- 37:44Speaker 1: not the only thing. He says to capon Right again,
- 37:46Speaker 1: this is it's about gaining confidence, it's about bringing people
- 37:49Speaker 1: over to your side. So not only is he involving
- 37:53Speaker 1: Capone from the get go in this complicity in the
- 37:56Speaker 1: scam that he was planning to do. The thing is
- 38:00Speaker 1: there was never a scam planned, right, Listig just wanted
- 38:03Speaker 1: to get Capone on his side. So he says, hey,
- 38:05Speaker 1: give me fifty grand, which fifty grands a lot of
- 38:07Speaker 1: money today. Back then way more money. Yes, we have
- 38:11Speaker 1: our handy dandy inflation calculator. Around that period of time,
- 38:20Speaker 1: fifty thousand dollars in today's money would be equal to
- 38:24Speaker 1: around nine hundred and forty thousand dollars. That's amazing. Can
- 38:29Speaker 1: you imagine going to someone and saying, hey, if you
- 38:32Speaker 1: could just let me borrow a million dollars too much?
- 38:35Speaker 1: Just two months? Just two months, I will give you.
- 38:37Speaker 1: I'll let me double your money. And UH and Capone.
- 38:41Speaker 1: I don't know why if it was this guy's UH
- 38:43Speaker 1: is wherewithal? But but he said yeah, but Listig did
- 38:46Speaker 1: nothing with it, and he he planned to do nothing
- 38:48Speaker 1: with it. So he went back. He said, I'm really
- 38:50Speaker 1: sorry it didn't work out, but here's your money back,
- 38:53Speaker 1: all of it, because I I lost everything. I will
- 38:56Speaker 1: pay you back out of my own pocket. Yeah, I
- 38:59Speaker 1: I don't have I've lost my clothes, I've lost my house.
- 39:02Speaker 1: But I'm an honest guy. Yeah, and this works like
- 39:06Speaker 1: a charm. According to the story, Capone is so impressed,
- 39:11Speaker 1: and he's like, hey, this guy's gotta he's got some integrity,
- 39:14Speaker 1: you know what I mean, like a you know, he's
- 39:16Speaker 1: got a little bit of spine, he's got a lot
- 39:18Speaker 1: of gold. Tell you what you don't you don't have
- 39:20Speaker 1: to pay me back all the money. You seem like
- 39:22Speaker 1: an honest fellow. And because Capone is so built, he
- 39:27Speaker 1: only accepts a certain amount. He doesn't accept the full
- 39:31Speaker 1: fifty grand back. Right, It's like he The reports vary,
- 39:35Speaker 1: but we know that Capone left him with some extrac
- 39:38Speaker 1: at least five thousand dollars, So that that's the whole scame.
- 39:42Speaker 1: So Listing borrowed almost in today's money, a million dollars
- 39:46Speaker 1: from al Capone, did nothing with it, gave it back
- 39:49Speaker 1: to pretend to be honest, gained his confidence, gained his trust,
- 39:54Speaker 1: gained a reputation as a good guy in al Capone's eyes,
- 39:57Speaker 1: and then also got almost a hundred thousand dollars just
- 40:00Speaker 1: just for hey, you know which is it's brilliant, it's effective.
- 40:03Speaker 1: But I think this sort of success leads to loose
- 40:08Speaker 1: Stig's ultimate downfall. You know, I think some criminals have
- 40:18Speaker 1: the idea that they'll get to a certain point and
- 40:20Speaker 1: then they're they're out, you know, they quit the life,
- 40:23Speaker 1: one last con. Yeah, for Lostig, the con was the life.
- 40:27Speaker 1: There was no end to this, and so he was
- 40:29Speaker 1: actually pursued at this point. You know, he's deep in
- 40:32Speaker 1: the counterfeiting game. Like we mentioned earlier, he's being pursued
- 40:35Speaker 1: by a Secret Service agent, Peter Rubino. And this is
- 40:39Speaker 1: back when the secrets you know. Today, I think a
- 40:41Speaker 1: lot of people think of a Secret Service in its
- 40:43Speaker 1: most prominent role in the public eye now is protecting
- 40:46Speaker 1: the life of the President of the United States and all,
- 40:49Speaker 1: you know, the the people around that office. But its
- 40:54Speaker 1: origins are in fighting counterfeiting. Yeah, absolutely, its origins are
- 40:58Speaker 1: fighting counterfeiting. In the him is that Loostig was just
- 41:02Speaker 1: becoming too prominent. He teamed up with a Nebraska chemist,
- 41:07Speaker 1: a guy named Tom Shaw, and they created like a
- 41:11Speaker 1: soup to nuts counterfeiting operation plates, paper ink everything. Yeah,
- 41:17Speaker 1: they were. They were so good that the Secret Service
- 41:20Speaker 1: identified them as the best counterfeiters in the country that
- 41:23Speaker 1: they called these bills that they were turning out the
- 41:25Speaker 1: Shawl Stig notes. Yeah, yeah, and this Loo Stig money
- 41:29Speaker 1: was showing up everywhere from New Orleans to Chicago. And
- 41:34Speaker 1: there's a question about whether the Secret Service would have
- 41:38Speaker 1: actually caught him because he was aware it was like
- 41:42Speaker 1: in today's money, it's it was like one point four
- 41:45Speaker 1: million dollars fake cash in the country. So it was
- 41:50Speaker 1: altering to a degree the economy. Yeah, there was a
- 41:53Speaker 1: fear that it would imbalance world world faith in the
- 41:57Speaker 1: American dollar because there was so much fake U S
- 42:00Speaker 1: money out there right right, And he would have this
- 42:04Speaker 1: is our Scooby Doo moment. He would have gotten away
- 42:07Speaker 1: with it too, if it wasn't for his girlfriend. Well, yeah,
- 42:10Speaker 1: it goes back, right, like that's that's how this thing started.
- 42:12Speaker 1: So he got he got cut across the face when
- 42:15Speaker 1: he was a teenager because he was having a romance
- 42:18Speaker 1: with someone else's romance. And you know, now we're now
- 42:22Speaker 1: we're in the thirties and the same thing happened again, right,
- 42:24Speaker 1: because he was having an affair with his friend's mistress.
- 42:29Speaker 1: Is that right, I believe so? Right, So he so
- 42:32Speaker 1: he had a lady friend who was not an official
- 42:35Speaker 1: wife or anything like that, and then his friend, who
- 42:39Speaker 1: was married, had a romantic entanglement on the side that
- 42:43Speaker 1: Lustig was then involved with that woman, and then the
- 42:46Speaker 1: woman he was seeing got mad and called the cops. Yeah,
- 42:50Speaker 1: it turned him in, And so with her assistance, the
- 42:53Speaker 1: Secret Service is able to catch Lustig in in a
- 42:58Speaker 1: pretty anti clament actic way. I think he's just walking
- 43:02Speaker 1: down Broadway on the Upper West Side in New York
- 43:05Speaker 1: and the Secret Service comes up and apprehends him, and
- 43:08Speaker 1: even they can't help but admire him a little bit.
- 43:11Speaker 1: One Secret Service agent is observing the fact that Lustig
- 43:15Speaker 1: is cool as a cucumber. He's dressed very nicely, dressed
- 43:18Speaker 1: to the nines, he has a suitcase of very nice clothes,
- 43:21Speaker 1: and the Secret Service guy has to kind of just
- 43:23Speaker 1: reluctantly shake his head and go, you're the smoothest con
- 43:27Speaker 1: man that ever lived, to which Lustig was probably like
- 43:30Speaker 1: a uh self deprecating shrug and a thank you, because
- 43:35Speaker 1: that's how he talked to people. Oh, do you want
- 43:37Speaker 1: to do his commandments? Yeah, well, I thought this would
- 43:39Speaker 1: be the perfect time before we get to to Lustig's
- 43:42Speaker 1: final fate you know, because you did bring this up.
- 43:44Speaker 1: Um okay, spoiler alert. Lustig goes to prison at some
- 43:48Speaker 1: point in his life, right right, But while in prison
- 43:51Speaker 1: for his most ultimate stint, he decides to write the
- 43:56Speaker 1: ten rules of a of a good con Right. There's
- 43:58Speaker 1: ten commandments and um, yeah, and they refer to just
- 44:02Speaker 1: what you said that he was the coolest cucumber out there.
- 44:06Speaker 1: You want to go through them? Yeah, let's do it.
- 44:07Speaker 1: So the set of instructions known as the Ten Commandments
- 44:13Speaker 1: for conment and and for those of you out there listening,
- 44:15Speaker 1: these are not legal advice. Yes, this is not legal
- 44:19Speaker 1: advice from Casey Christopher Nolan myself. These are observations. But
- 44:25Speaker 1: you know, I think they're pretty good. Why don't we
- 44:27Speaker 1: just why don't we round robin and will alternate? How
- 44:29Speaker 1: about that? Yeah? And let me if you let me
- 44:31Speaker 1: know if you agree with these. Yeah. Yeah, First, be
- 44:35Speaker 1: a patient listener. It is this not fast talking that
- 44:39Speaker 1: gets the con man his cups. You know, if if
- 44:42Speaker 1: you listen, you let the other person open up to you.
- 44:44Speaker 1: There's that innate sense of connection between two people and uh,
- 44:49Speaker 1: and that you immediately formed this bond and All you
- 44:51Speaker 1: have to do is listen, be compassionate, nod your head,
- 44:54Speaker 1: look him in the eye. I think it works. Number
- 44:58Speaker 1: two never look bored. Would she is huge And this
- 45:01Speaker 1: is this is from the time before everybody had a
- 45:05Speaker 1: smartphone sitting around. You know. The idea is to be
- 45:11Speaker 1: actively engaged with people. That means the eye contact. That
- 45:15Speaker 1: probably means a little bit of mirroring their physicality, right,
- 45:19Speaker 1: and you would be you'd be surprised how much it works.
- 45:22Speaker 1: I agree with that one. The third one is the
- 45:24Speaker 1: third one is wait for the other person to reveal
- 45:28Speaker 1: any political opinions and then agree with them. It's great.
- 45:32Speaker 1: I like it, which is which is kind of a
- 45:34Speaker 1: spycraft thing too. Yeah, it's the sort of politics. It's
- 45:39Speaker 1: gone back and forth. And this episode is appearing in
- 45:42Speaker 1: your your subscription feed on election day here in the
- 45:45Speaker 1: United States for the midterm elections. So maybe you've recognized
- 45:50Speaker 1: this in your personal life. If you go out and
- 45:51Speaker 1: you talk to someone, if you find that politically you
- 45:54Speaker 1: guys kind of jibe. There's that again, it's an immediate connection,
- 45:58Speaker 1: exactly exactly. And then he has a another observation about
- 46:03Speaker 1: how to react to people's opinions, let the other person
- 46:07Speaker 1: reveal religious views, then have the same views. I feel
- 46:12Speaker 1: like I've done this on dates. Well, I mean this
- 46:14Speaker 1: is what like, it's it's your yes ending an improv right,
- 46:17Speaker 1: you're just building off the other person. You build a
- 46:19Speaker 1: story together, and then you're in that existence together. And
- 46:23Speaker 1: here's this one I think is a little bit more
- 46:26Speaker 1: of a gambit. This next one it is hint at
- 46:29Speaker 1: sex talk speaking of dates, but don't follow it up
- 46:32Speaker 1: unless the other person shows a strong interest. Yeah. Again,
- 46:36Speaker 1: I think it's the sort of thing where you can
- 46:38Speaker 1: talk around an issue and you take your cues from
- 46:41Speaker 1: the other person. So you bring up you know, you
- 46:44Speaker 1: could say, oh, yeah, last weekend, I was in Cleveland,
- 46:46Speaker 1: and let me tell you the girls there are something else.
- 46:50Speaker 1: And then if the other person seems intrigued, you know,
- 46:53Speaker 1: kind of what wavelength they're on, If they seem a
- 46:56Speaker 1: little like, uh, that's not really the kind of thing
- 46:58Speaker 1: I talk about, then you might follow up with and
- 47:01Speaker 1: I'm glad I didn't go out with them, because boy,
- 47:04Speaker 1: that is not my scene. You know. Yeah, yeah, you're
- 47:08Speaker 1: you're building that rapport. I just feel like that takes
- 47:10Speaker 1: another level of skill to find the right hint, because
- 47:16Speaker 1: all of these are about attempting to create rapport, and
- 47:20Speaker 1: we should say, I mean this is where the twenties,
- 47:22Speaker 1: the thirties pretty much he's only dealing with man. So
- 47:25Speaker 1: this is this is there's that kind of like boys
- 47:28Speaker 1: room locker room talk, uh, sort of sort of atmosphere,
- 47:33Speaker 1: And how are you going to build confidence with other
- 47:35Speaker 1: people who you want to scam? In the next five
- 47:38Speaker 1: commandments are things that lu Stick believes you should never do.
- 47:42Speaker 1: Correct number six, Never discuss illness unless some special concern
- 47:46Speaker 1: is shown. So what do you what do you think
- 47:48Speaker 1: that means? I think I think it's probably a time
- 47:52Speaker 1: when private lives are a little more private. I also
- 47:54Speaker 1: think there's a sense that, um, you know, illnesses it
- 47:59Speaker 1: was a much more mysteriou thing eight years ago, could
- 48:02Speaker 1: show weakness perhaps. Yeah, that's what I'm thinking too, because
- 48:05Speaker 1: at this time, you know, disabilities were still largely vilified,
- 48:09Speaker 1: and an illness could make you undesirable, it might be contagious,
- 48:14Speaker 1: as you said, it might make you weak. Uh. He
- 48:16Speaker 1: also said, to your point about private lives, never pry
- 48:20Speaker 1: into a person's personal circumstances. Parentheses, They'll tell you all eventually. Yeah. Again,
- 48:26Speaker 1: it's it's letting your mark open up to you, right,
- 48:29Speaker 1: following the lead um and after that again number eight,
- 48:33Speaker 1: never boast. Just let your importance be quietly obvious. This
- 48:38Speaker 1: is crucial most of the time. If you see someone
- 48:42Speaker 1: who has great influence or power or importance, they're not
- 48:46Speaker 1: going around spouting their accolades. They don't have to. If
- 48:49Speaker 1: that's the difference between you know, old money and new money, right, yes,
- 48:54Speaker 1: that's what people say, right. Old money will be much
- 48:58Speaker 1: more subtle, right, and new money is like what else
- 49:01Speaker 1: can we put gold on? So this this one, I
- 49:06Speaker 1: think never boasting. I think this remains incredibly important today,
- 49:11Speaker 1: not just in cons He has another one, never be untidy.
- 49:17Speaker 1: Yeah good, Yeah, that makes sense. You know you you
- 49:19Speaker 1: want to be respectable, you want to gain people's trust. Look,
- 49:22Speaker 1: look nice. Finally, I'm gonna give listeners a chance to
- 49:25Speaker 1: think about what you think the last the last commandment
- 49:29Speaker 1: might be what you should do, what you shouldn't do?
- 49:32Speaker 1: Are you thinking? Are you thinking, casey? Can we get
- 49:34Speaker 1: a little bit of thinking music? And number ten is
- 49:52Speaker 1: never get drunk. Never get drunk. That's it, never get drunk.
- 49:56Speaker 1: And it makes sense because you will not be in
- 49:59Speaker 1: full control of your faculties. You need to be a
- 50:01Speaker 1: hundred percent engaged with the people you are trying to swindle. Yeah.
- 50:05Speaker 1: I would probably guess though, that there's a subset to
- 50:08Speaker 1: that rule. Maybe it's in one of the impendices or something.
- 50:11Speaker 1: But never get drunk, but try to get the other
- 50:13Speaker 1: person drunk. Maybe right, you apply them with a couple
- 50:16Speaker 1: of Vodkas and drink water on your own, I don't know,
- 50:20Speaker 1: or have a have a cocktail that is always just
- 50:23Speaker 1: like halfway empty half people. Yeah, and I think those
- 50:28Speaker 1: are those are pretty good and it's surprising how simplistic
- 50:31Speaker 1: they are. I would argue that a lot of these
- 50:34Speaker 1: rules aren't just applicable to trying to scam people. They're
- 50:39Speaker 1: pretty good in most things in life, some of them.
- 50:41Speaker 1: Some of them, well, I think be a patient listener,
- 50:45Speaker 1: be engaged, and avoiding being messy and drunk. I think
- 50:51Speaker 1: those four at least are just great advice. Well, I mean,
- 50:54Speaker 1: so these are all great things to uh, you know,
- 50:56Speaker 1: if you want to comport yourself as an empathetic, normal
- 51:00Speaker 1: human being and if your goal is to make connections
- 51:02Speaker 1: with other people, they're great. If your goal is to
- 51:04Speaker 1: take advantage of people, get their money and do whatever
- 51:07Speaker 1: you want with it. I guess they're also great too,
- 51:09Speaker 1: and just blindly agreeing with someone's opinions about things that
- 51:12Speaker 1: are very important to them. I totally agree with you, No,
- 51:17Speaker 1: I do. No, I agree with you on everything. Then
- 51:21Speaker 1: I agree with you on everything, Christopher. But despite our
- 51:26Speaker 1: I guess reluctant admiration of Lustig's techniques, not everybody agreed
- 51:32Speaker 1: with his methods, and law enforcement continued to hunt him. Now,
- 51:36Speaker 1: after he was arrested by the Secret Service, he did
- 51:41Speaker 1: manage to escape prison for a moment. I think not
- 51:44Speaker 1: through some clever scheme. I think he just literally used
- 51:48Speaker 1: bed sheets. Right. Well, so here's the thing. Yeah, so
- 51:51Speaker 1: Lustig was arrested, he was all set to go to trial.
- 51:56Speaker 1: The day before his trial, he faked an illness and
- 52:00Speaker 1: so I think he got a few extra liberties he
- 52:02Speaker 1: might not otherwise have. He was put in a less
- 52:04Speaker 1: secure location, and I loved it it. I don't want
- 52:08Speaker 1: to be the person who admires the criminal, you know.
- 52:10Speaker 1: I don't want to be the guy who lifts up
- 52:13Speaker 1: the person who's taking the money of everyone else. But
- 52:15Speaker 1: this is pretty amazing. You gotta say. Listing the night
- 52:19Speaker 1: before his trial, he takes a bedsheet, he ties it
- 52:22Speaker 1: around the window. He breaks through the bars somehow he
- 52:24Speaker 1: gets out. As he's hanging from the side of the prison,
- 52:28Speaker 1: you know, and that the prison is in the city.
- 52:30Speaker 1: There are some passers by who look up at him,
- 52:33Speaker 1: and he takes out a rag from his pocket and
- 52:38Speaker 1: he pretends to be washing the windows. That's I mean,
- 52:43Speaker 1: that's so not only does he have this great planning,
- 52:45Speaker 1: but he's got great improvisational skills too. It would be
- 52:48Speaker 1: great to do improv with this guy. Yeah, and uh,
- 52:51Speaker 1: so he pretends to be washing windows so people don't
- 52:53Speaker 1: report him. He leaps down from his bed sheet, lands
- 52:57Speaker 1: in front of some onlookers and passers by by hours,
- 53:00Speaker 1: and then runs away into the night. Yes, and gets
- 53:05Speaker 1: away for one month. He is captured in Pittsburgh, Pennsylvania.
- 53:10Speaker 1: He's not able to talk his way out of these
- 53:12Speaker 1: these charges. He eventually pleads guilty to some of the
- 53:15Speaker 1: many things he is being hounded for. Yeah, and he
- 53:19Speaker 1: he ends up all the way on the other side
- 53:20Speaker 1: of the country. He's in uh in Alcatraz. That's where
- 53:24Speaker 1: his final days are. Well, no, not his final days
- 53:27Speaker 1: so he ends up in Alcatraz. He's there for a
- 53:29Speaker 1: stretch of time, like twenty years, I think, yeah, And
- 53:31Speaker 1: then he's transferred to another prison. I believe it was
- 53:34Speaker 1: in Missouri. I could be wrong about that, and uh,
- 53:37Speaker 1: and that's where he dies. He just dies of illness. Again.
- 53:41Speaker 1: It's the sort of anti climactic end for an exciting
- 53:45Speaker 1: life full of adventure and scam. But I mean, but
- 53:49Speaker 1: that's that's how life is, right. It doesn't always tie
- 53:51Speaker 1: up neatly in a bow. It's not a three act play.
- 53:54Speaker 1: You know, you you die in prison. On his death certificate,
- 53:58Speaker 1: do you know what it said his career was, I do?
- 54:00Speaker 1: I do? It listed his occupation as apprentice salesman. So
- 54:07Speaker 1: he yeah, he passes away of natural causes of pneumonia
- 54:11Speaker 1: on March nine seven. As you said, Christopher in Springfield, Missouri.
- 54:17Speaker 1: One of the most infamous apprentice salesman that ever apprenticed.
- 54:21Speaker 1: And the thing is, though you know he he was
- 54:24Speaker 1: so infamous, but his name was in the paper, like
- 54:26Speaker 1: people knew this guy. But you can have this acclaimed
- 54:29Speaker 1: life of infamy, of crime. And after he died, word
- 54:33Speaker 1: didn't even get out for two more years because he
- 54:35Speaker 1: was so forgotten. You know. I think his brother was
- 54:37Speaker 1: quoted in the New York Times as confirming his death,
- 54:40Speaker 1: But that wasn't until and that brother went by the
- 54:44Speaker 1: name Emil Lustig. And let us remember that the guy's
- 54:49Speaker 1: real name is Robert Miller. A lot of mysteries, a
- 54:52Speaker 1: lot of mysteries, A lot of mysteries here, Christopher, and
- 54:54Speaker 1: I gotta tell you, you know, here in ridiculous history,
- 54:58Speaker 1: we love the story of good con good heist, but
- 55:03Speaker 1: we do want to be clear that we're not we're
- 55:05Speaker 1: not endorsing this. Please don't start counterfeiting enough money to
- 55:10Speaker 1: imbalance the global economy. And despite that, you know, this
- 55:15Speaker 1: guy is clearly not a good person by any stretch, right,
- 55:19Speaker 1: and perhaps is psychologically compelled to engage in these shenanigans.
- 55:25Speaker 1: But even even with all that, even with all the
- 55:28Speaker 1: horrible things he's done, I have this reluctant and sincere
- 55:33Speaker 1: admiration for the guy's abilities. Well, I think no one
- 55:38Speaker 1: you have admired people's cones right there there where, well
- 55:41Speaker 1: wherewithal um. But I gotta say it's and and that's
- 55:45Speaker 1: the thing, you know, I don't like to uh to
- 55:47Speaker 1: gender something like this when you're talking about, but it
- 55:51Speaker 1: it does tend to be men who who pull these scams. Um,
- 55:55Speaker 1: But I would say in the future, you know, there
- 55:57Speaker 1: are a lot of really cool females, m artists who
- 56:00Speaker 1: could make for some interesting topics, some fake princesses. That's true. Oh,
- 56:05Speaker 1: that's true. You're right, Christopher. And also I would advance
- 56:08Speaker 1: if we're if we're having this discussion about cons and gender,
- 56:12Speaker 1: I would advance that it is completely possible that we
- 56:15Speaker 1: only know about more men because they are less skilled
- 56:17Speaker 1: and more likely to be caught. Oh yeah, so there's
- 56:21Speaker 1: there's this possibly that Well, in fact, it's it's because
- 56:24Speaker 1: of one man. There's one man in specific who who
- 56:27Speaker 1: gives this whole genre of criminal the name. So you know,
- 56:31Speaker 1: do you do you know why it's called a con?
- 56:34Speaker 1: Why is it called a colin Christopher, it's a condor
- 56:37Speaker 1: short for confidence, And it goes back to this one
- 56:39Speaker 1: guy in eighteen forty nine in New York City. William
- 56:43Speaker 1: Thompson was his name, and he had a scam where
- 56:46Speaker 1: he would butter people up with with golden words, with
- 56:50Speaker 1: sweet speech, and he was able to build up other
- 56:54Speaker 1: people's belief in himself so much that he said, I
- 56:57Speaker 1: want you to, as a show of confidence in me,
- 57:01Speaker 1: loan me your golden watch because you believe in me
- 57:04Speaker 1: so much. Yeah, because you believe in me so much,
- 57:08Speaker 1: loan me your golden watch. I'll go away for I'll
- 57:11Speaker 1: do whatever, and then i'll come back. You'll have your
- 57:13Speaker 1: watch back. And this man stole hundreds of watches this way,
- 57:18Speaker 1: so much so that he became known as the confidence Man.
- 57:22Speaker 1: He was written about in in newspapers, in the Times,
- 57:26Speaker 1: but he became its kind of like folk here, right,
- 57:28Speaker 1: And that's I think that's the thing that captures people's imagination,
- 57:30Speaker 1: especially here in the US, when there's what's perceived as
- 57:33Speaker 1: a victimless crime. There's no bodily harm. People just use
- 57:37Speaker 1: their use their wiles to steal money. So the confidence
- 57:42Speaker 1: Man ends up in prison and he would give interviews
- 57:45Speaker 1: to newspapers as the confidence Man, This William William Thompson,
- 57:49Speaker 1: the confidence Man. And then that became a term for
- 57:52Speaker 1: this scammer, for the grifter, the con man. That is
- 57:56Speaker 1: that is such a wonderful story. I had not heard that. Also,
- 57:59Speaker 1: that sounds like a terrible idea for a scam, but
- 58:02Speaker 1: I guess it was a different time. I mean, there's yeah,
- 58:04Speaker 1: sweet talking in the mid nineteenth century, it will get
- 58:08Speaker 1: you far. I'm pictorate a trans atlantic voice as a
- 58:11Speaker 1: mark of confidence. Give me all gold and watch i'ld rite.
- 58:14Speaker 1: And presently I'm gonna decline to do this. No more access,
- 58:18Speaker 1: no more access, Okay, all right, but I hope that
- 58:22Speaker 1: you do not decline to join us again in the future.
- 58:25Speaker 1: Christopher Hassi yotis wherein you and I and Casey and
- 58:30Speaker 1: Nolan's spirit will be exploring a very very strange story
- 58:35Speaker 1: about the Oxford English Dictionary. Yeah, if it's cool with you,
- 58:38Speaker 1: and if it's cool with the ghost of Noel on
- 58:41Speaker 1: the Cross Continental Divide, I'm gonna stick around this week.
- 58:45Speaker 1: Is that cool? I for one would love it if
- 58:47Speaker 1: you do. It's always a delight to have you on
- 58:49Speaker 1: the show. And uh no big spoilers, but Noel may
- 58:53Speaker 1: also make an appearance because he is, like me, a
- 58:56Speaker 1: big Christopher Hassi yotis fan and like you too, Casey. Right, absolutely,
- 59:02Speaker 1: and we hope that you have enjoyed this episode about
- 59:05Speaker 1: one of the most legendary con artists who ever lived.
- 59:09Speaker 1: What is your favorite story of a heist or a
- 59:12Speaker 1: con Let us know You can find us on Instagram, Facebook, Twitter,
- 59:16Speaker 1: and we'd especially love to invite you to our Facebook
- 59:19Speaker 1: community page, Ridiculous Historians, where you can hang out with
- 59:23Speaker 1: your fellow listeners and see some I don't know, some
- 59:27Speaker 1: top notch historical jokes honestly, yeah, jokes a plenty, wise cracking, sarcasm.
- 59:36Speaker 1: What else is on their clever thoughts Thoughts wordplay means
- 59:43Speaker 1: you're on there. I don't know if it's a good thing,
- 59:46Speaker 1: but do do check it out. As always, we want
- 59:50Speaker 1: to thank our super producer, Casey Pegram. We'd like to
- 59:54Speaker 1: thank my trustee co host Noel Brown. We'd like to
- 59:57Speaker 1: thank Alex Williams, who composed our opening track, and Christopher
- 1:00:02Speaker 1: will usually thank you on this show, but now I
- 1:00:04Speaker 1: can say it tuned directly. Thanks for coming, all of
- 1:00:07Speaker 1: you listening at home, at work, in the car, wherever
- 1:00:09Speaker 1: you are. You can't see it, but but Ben and
- 1:00:11Speaker 1: I are shaking hands quite vigorously right now. Hey, nice
- 1:00:14Speaker 1: watch