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Our Unforgettable Night at America’s Most Mysterious Castle- Part 1 · The conspiracy

• 0:10
  Speaker 1: Just stop. Now we're back in Pennsylvania, okay.
• 0:16
  Speaker 2: Now we're back in Pennsylvania, is that what you just said?
• 0:20
  Speaker 1: Yeah, we were in New York for a second then
• 0:22
  Speaker 1: we got back to Pennsylvania.
• 0:22
  Speaker 3: Oh yeah, it does that.
• 0:23
  Speaker 1: I love that.
• 0:41
  Speaker 2: Hello, everybody, and welcome back to our Highway to Hell series.
• 0:44
  Speaker 2: I'm CallMeKris.
• 0:44
  Speaker 4: And I'm Selina Spookyboo, and tonight we are at Grey
• 0:47
  Speaker 4: Towers Castle at Arcadia University.
• 0:49
  Speaker 2: Come with us to unravel the dark, mysterious love story.
• 0:53
  Speaker 1: Let's do it.
• 1:10
  Speaker 2: Stop, stop, stop, stop.
• 1:11
  Speaker 1: No, no, no, no.
• 1:16
  Speaker 2: Originally built in 1893, the main house burned down and
• 1:20
  Speaker 2: Grey Tower Castle took its place in 1898.
• 1:23
  Speaker 4: William Harrison, his wife, and two kids resided at Grey
• 1:27
  Speaker 4: Towers Castle, where their family life was no fairy tale.
• 1:30
  Speaker 4: William would commit adultery behind his wife's back more times
• 1:33
  Speaker 4: than you can count.
• 1:34
  Speaker 2: Home to more than 50 gargoyles all around the property,
• 1:37
  Speaker 2: this building was the most elegant in the area, hosting
• 1:40
  Speaker 2: by the best events throughout the ballroom, library, and grand foyer.
• 1:44
  Speaker 4: Sometimes you can hear the banging of William on the ground,
• 1:47
  Speaker 4: which was a demand for his maids to fetch him
• 1:49
  Speaker 4: more whiskey.
• 1:50
  Speaker 2: Or on the third floor, where students now reside throughout
• 1:53
  Speaker 2: the school year, can hear the creaking of Bertha's rocking
• 1:56
  Speaker 2: chair as she cries and mourns the death of her daughter,
• 1:59
  Speaker 2: who perished in a riding incident.
• 2:01
  Speaker 4: Their daughter, Geraldine, had a friend over. When running down
• 2:04
  Speaker 4: the stairs, her scarf got caught in the banister. plunging
• 2:07
  Speaker 4: her over and hanging her.
• 2:09
  Speaker 2: Abigail, a local aristocrat and friend, fell in love with
• 2:12
  Speaker 2: the stable boy, Toby, and told him she wanted to
• 2:15
  Speaker 2: elope on the bridge outside of the castle. Her parents
• 2:17
  Speaker 2: found out and stopped her from seeing him and leapt
• 2:20
  Speaker 2: to her death onto the atrium, impaling herself and bleeding
• 2:24
  Speaker 2: onto the terrace where her family and friends were having brunch.
• 2:28
  Speaker 1: To this day, you can.
• 2:28
  Speaker 4: See the lights across from each other at the bridge flicker,
• 2:31
  Speaker 4: as if Abigail and Toby are still trying to find.
• 2:34
  Speaker 2: Peace and love in the afterlife. Supposedly, if you waggle
• 2:38
  Speaker 2: a flashlight in the nursery, you can see children running
• 2:41
  Speaker 2: in the mirrors playing.
• 2:42
  Speaker 4: Or if you dance with your loved one in front
• 2:44
  Speaker 4: of the mirror in the great ballroom at midnight and
• 2:46
  Speaker 4: see the Harrison family staring back at you, then your
• 2:49
  Speaker 4: love is meant to last a lifetime. All of these
• 2:51
  Speaker 4: spirits are said to pay a visit to those brave
• 2:54
  Speaker 4: enough to ask.
• 2:55
  Speaker 2: The Harrisons may not have had the happiest life on Earth,
• 2:58
  Speaker 2: but maybe things are different on the other side.
• 3:04
  Speaker 4: Guys, today we are here at Grey Towers Castle.
• 3:07
  Speaker 2: And we are here with our first tour guide.
• 3:09
  Speaker 1: Hi, I'm Rhi.
• 3:10
  Speaker 5: I'm the event chair for Society for Castle Restoration, and
• 3:12
  Speaker 5: I'm a senior media communications student.
• 3:14
  Speaker 3: And I'm here to take you on the tour of
• 3:16
  Speaker 3: our first few rooms.
• 3:17
  Speaker 2: That was a great intro.
• 3:18
  Speaker 1: Great job. First take. Good job.
• 3:20
  Speaker 2: Let's go.
• 3:21
  Speaker 1: All right. Go ahead. Let's go.
• 3:22
  Speaker 5: So we're passing through the Rose Room right here. This
• 3:26
  Speaker 5: is where we do some events throughout the year. It's
• 3:30
  Speaker 5: gorgeous room, but the real star of the show is
• 3:33
  Speaker 5: right through here.
• 3:34
  Speaker 3: This is the mirror room.
• 3:35
  Speaker 5: Oh, so come on in.
• 3:39
  Speaker 1: Look at the mural on the roof.
• 3:42
  Speaker 5: So this here is like one of the most gorgeous
• 3:47
  Speaker 5: rooms on the property.
• 3:48
  Speaker 3: Um, this is Mrs. Harrison side of the castle. So the,
• 3:53
  Speaker 3: let me tell you the story about the Harrison.
• 3:54
  Speaker 2: So Mr. And Mrs.
• 3:55
  Speaker 5: Harrison, were a very tumultuous couple, but one of their
• 4:00
  Speaker 5: happiest moments here was where they had their first dance
• 4:02
  Speaker 5: for their wedding in the mirror room. So right over here,
• 4:06
  Speaker 5: which is the largest freestanding mirror we have, they were dancing,
• 4:10
  Speaker 5: they saw themselves and they were like.
• 4:12
  Speaker 3: This young, happy couple.
• 4:13
  Speaker 5: But then there was, you know, a lot of infidelity
• 4:18
  Speaker 5: in the relationship on Mr.
• 4:19
  Speaker 3: Harrison's side.
• 4:20
  Speaker 5: And it's said that people who come in here to
• 4:24
  Speaker 5: dance at midnight, they'll see a reflection of the Harrisons.
• 4:29
  Speaker 5: but which version of the Harrisons you see is indicative
• 4:31
  Speaker 5: of how your relationship is going to turn out.
• 4:33
  Speaker 3: So if you see a.
• 4:34
  Speaker 5: Young, happy couple, you're going to be like blessed in
• 4:36
  Speaker 5: your relationship and it's going to be great.
• 4:38
  Speaker 3: If you see an old couple, not going to last.
• 4:41
  Speaker 2: Oh.
• 4:42
  Speaker 1: Ooh. Interesting. Will it also work for friendships if we
• 4:45
  Speaker 1: dance together?
• 4:46
  Speaker 3: I asked my one friend to try. We didn't see anything.
• 4:49
  Speaker 1: Okay.
• 4:50
  Speaker 2: Well, maybe we're not as close as we are.
• 4:52
  Speaker 1: Maybe.
• 4:53
  Speaker 2: I'm just kidding.
• 4:54
  Speaker 6: We're still going to try.
• 4:56
  Speaker 1: No, definitely.
• 4:57
  Speaker 6: Try it out.
• 4:57
  Speaker 1: Totally. Wasn't that hand-painted? You know what?
• 5:00
  Speaker 2: Stupid question.
• 5:02
  Speaker 1: Yeah, it was. It was robots back then. So up here,
• 5:04
  Speaker 1: we have a mural. It's featuring the Zodiac.
• 5:06
  Speaker 3: So you can.
• 5:08
  Speaker 1: Gorgeous. A child. No. A child.
• 5:12
  Speaker 2: No.
• 5:13
  Speaker 5: And then we have other motifs throughout here that are
• 5:15
  Speaker 5: all instruments. This was the ballroom, effectively.
• 5:18
  Speaker 2: Yeah.
• 5:18
  Speaker 3: So, like, all of the entertaining would be done here.
• 5:20
  Speaker 1: Yeah.
• 5:21
  Speaker 3: So I can take you down this way. This is
• 5:24
  Speaker 3: another fun thing. It's a little hidden door.
• 5:25
  Speaker 1: Whoa, the wall's open.
• 5:27
  Speaker 2: Yeah.
• 5:29
  Speaker 4: Ooh!
• 5:30
  Speaker 3: Yeah, this is the bathroom where we just found the.
• 5:32
  Speaker 5: Yeah, this is where we found the mosaic over the summer.
• 5:35
  Speaker 3: It's really exciting.
• 5:37
  Speaker 5: We're so excited to be working with an art restorationist
• 5:39
  Speaker 5: from the Philadelphia area.
• 5:41
  Speaker 3: So we're going to get that up and looking really nice.
• 5:53
  Speaker 4: Can you go near that round table again if you're here?
• 6:02
  Speaker 1: Oh, okay.
• 6:05
  Speaker 2: Okay.
• 6:08
  Speaker 1: Geraldine, right?
• 6:10
  Speaker 2: Maybe Geraldine.
• 6:11
  Speaker 6: Is that the woman who was in here?
• 6:12
  Speaker 3: Is that where they had their first dance?
• 6:14
  Speaker 4: Guys, so we just started setting up actually in this
• 6:17
  Speaker 4: room and both in the mirror room oh yeah the
• 6:20
  Speaker 4: mirror room so the whole story behind here is you
• 6:23
  Speaker 4: know the couple they were great when they got together
• 6:24
  Speaker 4: that the wife bertha really liked swinging this room because
• 6:27
  Speaker 4: this might be where she well where she had her
• 6:29
  Speaker 4: first dance but it said that if you stand in
• 6:31
  Speaker 4: front of this mirror around midnight that if you see
• 6:33
  Speaker 4: them as a young couple then you're destined to be
• 6:36
  Speaker 4: together forever but if you see them as an old
• 6:38
  Speaker 4: couple and they're like tumultuous time then your relationship is
• 6:41
  Speaker 4: not going to last, but it's also a ballroom where
• 6:43
  Speaker 4: they dance, so yeah.
• 6:45
  Speaker 1: It's a beautiful place.
• 6:46
  Speaker 2: We figured we would, you know, we put up some
• 6:49
  Speaker 2: REM pods, we put up some cat balls, and we
• 6:51
  Speaker 2: would dance a little bit and maybe look in the
• 6:52
  Speaker 2: mirror and see if Selena and I's friendship is going
• 6:55
  Speaker 2: to last forever or not.
• 6:56
  Speaker 4: Yeah, hopefully, and to any spirits in this room, feel
• 6:59
  Speaker 4: free to just go near these REM pods. Go near
• 7:02
  Speaker 4: any of these cat balls.
• 7:03
  Speaker 3: Oh, that one went off.
• 7:07
  Speaker 1: Oh!
• 7:08
  Speaker 2: Oh.
• 7:08
  Speaker 1: Okay.
• 7:09
  Speaker 2: Might have been residual.
• 7:11
  Speaker 1: Well, let's try it again. Let's try it again.
• 7:14
  Speaker 2: No, no, no. It's literally, you have to step right
• 7:18
  Speaker 2: beside them.
• 7:18
  Speaker 1: Yeah, that one went up.
• 7:20
  Speaker 4: Okay.
• 7:21
  Speaker 1: Well, that's all the way over there, though. Hold on.
• 7:23
  Speaker 4: I'm going to try and hit this one when that
• 7:24
  Speaker 4: one stops and see if it happens again.
• 7:29
  Speaker 2: What is that?
• 7:30
  Speaker 1: Yeah, what was that? like a huge door opening yeah
• 7:43
  Speaker 1: yeah okay so it's very connected.
• 7:46
  Speaker 2: Okay so we have a rampart over here cat balls
• 7:48
  Speaker 2: over here okay we're uh what do we want to
• 7:59
  Speaker 2: do that cat ball's going off oh yeah do we
• 8:05
  Speaker 2: want to um We should just do a shindiggy, buddy.
• 8:08
  Speaker 2: Do you want to dance a little bit?
• 8:09
  Speaker 4: Yeah.
• 8:10
  Speaker 2: Okay. Jay and Post, put some music on.
• 8:14
  Speaker 4: Hey, we're friends and we're dancing around because we're friends. Hey, hey, hey,
• 8:20
  Speaker 4: we are friends and we like to do ghosty stuff.
• 8:24
  Speaker 1: Take it away. Okay, what are we supposed to see?
• 8:26
  Speaker 2: We're supposed to see a young couple.
• 8:28
  Speaker 1: Cat ball.
• 8:28
  Speaker 2: Ball.
• 8:29
  Speaker 1: Oh, it likes our dancing. It really likes our dancing.
• 8:32
  Speaker 2: Wait, Taylor taught me to throw it back.
• 8:34
  Speaker 1: Throw it back. Three, two, one. No, did it wrong.
• 8:38
  Speaker 1: Did it opposite. Okay, three, two, one. No, I didn't.
• 8:44
  Speaker 1: What is going on?
• 8:45
  Speaker 6: I'm doing it opposite.
• 8:47
  Speaker 2: Maybe if I do it right, the ghost will like it.
• 8:50
  Speaker 1: How do I do it again? Oh, right, right, right. Yeah. One, two, three. Oh, no, no.
• 8:58
  Speaker 1: Didn't like that.
• 9:03
  Speaker 2: Is there anybody here? You can also make a noise.
• 9:07
  Speaker 2: You can show yourself in one of the mirrors.
• 9:10
  Speaker 1: Yeah. Let's see.
• 9:10
  Speaker 3: Let's just ask.
• 9:13
  Speaker 4: If there's a spirit here. I know there's a lot
• 9:14
  Speaker 4: going on. Can you make an audible sound for us? Oh,
• 9:31
  Speaker 4: you scared the bejesus out of me. Okay, ball going
• 9:35
  Speaker 4: off on its own.
• 9:35
  Speaker 1: Thank you. It's really nice to see you over here. Yeah,
• 9:38
  Speaker 1: you must be standing right over there. Yeah, can you.
• 9:40
  Speaker 2: Are you able to move around the room? Yeah.
• 9:42
  Speaker 1: Make any of the other pieces of equipment go off.
• 9:50
  Speaker 2: Hmm.
• 9:52
  Speaker 1: Let's question them.
• 9:57
  Speaker 2: Hmm. That was for you.
• 9:59
  Speaker 1: I got what you mean. I don't know their names.
• 10:04
  Speaker 1: I don't remember. Who's the guy's name again? Sugar Daddy. Oh, oh, oh.
• 10:11
  Speaker 4: William?
• 10:12
  Speaker 2: I can look in the book.
• 10:12
  Speaker 5: It's right here.
• 10:15
  Speaker 1: Terrible. Oh, REM pod twitched.
• 10:19
  Speaker 2: Okay.
• 10:21
  Speaker 1: Can you go near that red pot again?
• 10:25
  Speaker 2: William Harrison would be William Harrison.
• 10:28
  Speaker 1: Okay.
• 10:29
  Speaker 2: Maybe it's William. William, you owned this building. You built
• 10:34
  Speaker 2: this place.
• 10:35
  Speaker 6: I heard you're kind of a perv.
• 10:41
  Speaker 1: Kind of a ladies man.
• 10:43
  Speaker 4: Heard you're a little bit of a sugar daddy. But
• 10:48
  Speaker 4: that's where the name actually came from because You were
• 10:50
  Speaker 4: a sugar baron. You want a little sugar from our
• 10:55
  Speaker 4: Christina over here?
• 10:57
  Speaker 1: Or do you like them a little bit bigger? Because
• 11:00
  Speaker 1: I like sugar. Like the literal... I.
• 11:06
  Speaker 2: Feel like if this is William, we might have to move.
• 11:08
  Speaker 1: To the man cave.
• 11:09
  Speaker 2: Yeah.
• 11:10
  Speaker 1: To get some more info.
• 11:12
  Speaker 4: If this is William, and you want us to move
• 11:14
  Speaker 4: to the man cave so we get you in your era...
• 11:17
  Speaker 4: In your area, can you give us a sign by
• 11:20
  Speaker 4: touching any of the equipment around us, setting anything off?
• 11:24
  Speaker 1: Be it the.
• 11:24
  Speaker 2: Cat ball, be it a REM pod.
• 11:30
  Speaker 1: Is there anybody here who would like to make their
• 11:32
  Speaker 1: presence known? Some rooms just aren't as active. No, and
• 11:41
  Speaker 1: that's okay. That's the truth about ghost hunting.
• 11:43
  Speaker 2: We're not going to force anything. We'll move on to
• 11:45
  Speaker 2: the next room. If anybody is in here with us,
• 11:47
  Speaker 2: feel free to come to the next location.
• 11:50
  Speaker 4: Give you one last opportunity in three, two, one, zero.
• 12:02
  Speaker 2: Let's go to the next location.
• 12:04
  Speaker 3: So if you come down here, this is the man cave.
• 12:10
  Speaker 6: Where Mr.
• 12:11
  Speaker 5: Harrison would keep all of his booze, bring the women
• 12:14
  Speaker 5: he was having affairs with.
• 12:16
  Speaker 1: Was his wife here when he was having affairs? Yeah.
• 12:19
  Speaker 2: Oh, my gosh.
• 12:20
  Speaker 3: You'll probably hear more stories about that. Did she hear things?
• 12:23
  Speaker 1: Oh, yeah. 100%. She knew about it. She hated it.
• 12:26
  Speaker 3: That's so sad.
• 12:28
  Speaker 5: This is where we do, like.
• 12:31
  Speaker 3: It smells like ghosts.
• 12:32
  Speaker 2: We love this smell. No, it's like musty.
• 12:34
  Speaker 3: Yeah, this is where we do.
• 12:37
  Speaker 5: Student housing work. And other on-campus stuff, but this used
• 12:43
  Speaker 5: to be Mr. Harrison's man cave, you know, you can
• 12:46
  Speaker 5: kind of feel the vibe.
• 12:48
  Speaker 4: High windows so nobody can see in it what you're doing.
• 12:51
  Speaker 5: And then there's like, Nice big fireplace. And then that
• 12:54
  Speaker 5: door leads into the bathroom. Again, everything in here is connected.
• 12:57
  Speaker 2: Okay.
• 12:57
  Speaker 1: Oh, so that goes into the lady's bathroom.
• 12:59
  Speaker 4: Yeah. Oh, scum.
• 13:02
  Speaker 3: Yeah. So I can bring you back out again.
• 13:05
  Speaker 2: We tried to break into here earlier.
• 13:07
  Speaker 1: You'd think he would have opened that for us. This
• 13:10
  Speaker 1: is the cheater.
• 13:11
  Speaker 5: This is Mr. Harrison. He is where the term sugar
• 13:18
  Speaker 5: daddy originates from because he got all of his money
• 13:20
  Speaker 5: from sugar, sugar cane.
• 13:22
  Speaker 1: Oh my gosh.
• 13:23
  Speaker 4: Oh my gosh.
• 13:24
  Speaker 1: Wait, now it's attractive. How rich was he?
• 13:26
  Speaker 5: He was wealthy enough to build this, to build this, um,
• 13:31
  Speaker 5: gray towers castle in 1929 was worth about $ 750, 000, which
• 13:32
  Speaker 5: is 12 million today.
• 13:39
  Speaker 3: I don't know how much.
• 13:40
  Speaker 5: The original property was built for but he did have
• 13:43
  Speaker 5: enough money to leave his son about a million dollars
• 13:45
  Speaker 5: in 1929 wow um.
• 13:48
  Speaker 3: That was for only if he.
• 13:50
  Speaker 5: Was able to marry somebody then he got the money
• 13:54
  Speaker 5: oh damn yeah those baby blue.
• 13:56
  Speaker 1: Eyes i would never get that money i would never.
• 13:59
  Speaker 3: Get that never get that money man god damn.
• 14:12
  Speaker 6: Cockroach or something.
• 14:15
  Speaker 1: That was the scariest thing.
• 14:19
  Speaker 2: We are here in the man cave and selena is
• 14:22
  Speaker 2: under to do automatic writing so we just want to
• 14:26
  Speaker 2: know uh if anybody's here with us william we know
• 14:29
  Speaker 2: this is your man cave and you did terrible things
• 14:34
  Speaker 2: in here but we want to hear your side of
• 14:36
  Speaker 2: the story as well or anybody else that's in here
• 14:40
  Speaker 2: So you can use Selena as a conduit to speak
• 14:44
  Speaker 2: to me. Did bad stuff go on in here? Hello. Oh, cursive.
• 15:03
  Speaker 1: All right.
• 15:04
  Speaker 2: Yeah, yeah, totally.
• 15:06
  Speaker 1: Yeah, more.
• 15:09
  Speaker 2: Morphine morphine morphine did you use and abuse morphine like
• 15:19
  Speaker 2: that was pretty common back back in the day what
• 15:30
  Speaker 2: does it say keep keep her quiet keep her quiet
• 15:33
  Speaker 2: keep her quiet who who are you talking about did
• 15:36
  Speaker 2: you hold a woman in this room Is this William
• 15:41
  Speaker 2: that we're talking to? I can't read. Could you help me?
• 15:47
  Speaker 1: Annie. Annie.
• 15:49
  Speaker 2: Amy. Amy or Annie, are we talking to you?
• 15:53
  Speaker 4: Want a drink?
• 15:54
  Speaker 2: Want a drink? Yeah, I think that's right. Want a drink?
• 16:02
  Speaker 2: Want a drink?
• 16:07
  Speaker 1: Okay.
• 16:09
  Speaker 2: Are we talking to Annie? Annie? Or did you give
• 16:12
  Speaker 2: Annie a drink with morphine in it? Were you trying
• 16:14
  Speaker 2: to drug her? Hello, are we talking to somebody new?
• 16:18
  Speaker 2: It's different writing, so I'm assuming we are. We're talking
• 16:21
  Speaker 2: to Annie. Okay, Annie, we would love to hear your story.
• 16:26
  Speaker 2: Did something happen to you in here? Okay, yes, something
• 16:28
  Speaker 2: happened to you in here. Something bad happened to you
• 16:30
  Speaker 2: in here? We heard that. Money. Were you a prostitute? Yes.
• 16:42
  Speaker 1: Okay. Okay.
• 16:44
  Speaker 2: Did you pass away in this room? Were you drugged?
• 16:58
  Speaker 2: He is bad. He is bad.
• 17:00
  Speaker 1: Yeah, William.
• 17:01
  Speaker 2: I'm assuming you're talking about William. We've heard a lot
• 17:03
  Speaker 2: of terrible things about William. Can you tell us what
• 17:06
  Speaker 2: he did to you? Z, Z, Z, Z, Z. He
• 17:15
  Speaker 2: made you sleep. He made you sleep. Did he give
• 17:18
  Speaker 2: you too much morphine? Did he make another person? Hello?
• 17:22
  Speaker 2: Who else is here? I wanted to hear more about Annie,
• 17:30
  Speaker 2: but who else is here? Is that another woman? I
• 17:39
  Speaker 2: have a feeling a lot of women may have passed
• 17:42
  Speaker 2: away in this room. Or bad things may have happened.
• 17:46
  Speaker 1: Let's... Let's... Celebrate.
• 17:54
  Speaker 2: Celebrate. Let's celebrate. Celebrate what?
• 17:58
  Speaker 5: You.
• 17:58
  Speaker 2: Let's celebrate you. Hey. Hey, babe.
• 18:07
  Speaker 1: Hey, babe.
• 18:08
  Speaker 2: Hey, babe. Is this a man that I'm talking to now?
• 18:13
  Speaker 2: This sounds like a man. What are you celebrating? Listen, okay?
• 18:29
  Speaker 1: Shh.
• 18:37
  Speaker 2: Do you hear me? I don't hear you, but you're
• 18:42
  Speaker 2: more than welcome to make yourself known. You can tap
• 18:46
  Speaker 2: on the walls. You can make a sound in this
• 18:52
  Speaker 2: room for us.
• 18:59
  Speaker 1: Whoa, wow. He is here.
• 19:08
  Speaker 7: I don't.
• 19:10
  Speaker 2: Know what that sounds like. I don't know.
• 19:18
  Speaker 1: Willie, Willie, William.
• 19:19
  Speaker 2: Okay, William, now we're talking to you. What are you celebrating?
• 19:23
  Speaker 2: What did you do here? Wanna play? Yeah, I'll, oh,
• 19:31
  Speaker 2: wanna play sleep.
• 19:32
  Speaker 1: Oh.
• 19:35
  Speaker 2: I don't wanna play with you. But did you do
• 19:39
  Speaker 2: these terrible things to women? Did you murder women in
• 19:42
  Speaker 2: here or take advantage of them? Did you drug them?
• 19:48
  Speaker 2: And do you think that's funny? okay that means terrifying
• 19:59
  Speaker 2: though did you put them in a hole You put
• 20:13
  Speaker 2: them to sleep forever. Want a drink? Yeah, so you
• 20:23
  Speaker 2: were drugging their drinks. What else can you tell us? Drink. Ooh,
• 20:32
  Speaker 2: I just felt a cold breeze on my feet. It
• 20:37
  Speaker 2: was like. Don't tell money okay so you're telling them
• 20:48
  Speaker 2: don't tell so you took advantage of them while they
• 20:50
  Speaker 2: were sleeping and you paid them a sick fuck.
• 20:54
  Speaker 1: Oh okay.
• 20:57
  Speaker 2: Sorry no it's okay.
• 21:04
  Speaker 1: Is someone just standing against me?
• 21:05
  Speaker 2: No, no, nobody's standing there.
• 21:07
  Speaker 1: Like, no one's literally leaning against me?
• 21:08
  Speaker 2: Nobody's standing there.
• 21:09
  Speaker 4: Okay, like, full body pressure against me, like, watching, like,
• 21:13
  Speaker 4: you know, like, they had, like, one of the guys
• 21:15
  Speaker 4: with the camera was leaned over me.
• 21:16
  Speaker 2: Yeah, yeah.
• 21:16
  Speaker 1: Like, full, and then I was just like, wait.
• 21:19
  Speaker 2: After I called him a sick fuck.
• 21:21
  Speaker 1: Oh, okay, cool.
• 21:25
  Speaker 4: It's really weird because it's in the static and it's
• 21:29
  Speaker 4: behind it.
• 21:30
  Speaker 1: Yeah. And I can see it in my head and
• 21:32
  Speaker 1: kind of hear it in my side.
• 21:33
  Speaker 2: Okay.
• 21:34
  Speaker 1: But it's just kind of repeating.
• 21:35
  Speaker 2: The same things. Yeah, it's repeating the same thing. You
• 21:37
  Speaker 2: can come out of it. You can come out of it. No,
• 21:39
  Speaker 2: but we've got it. So it's William coming through and
• 21:41
  Speaker 2: he's literally, he's been drugging women. And I don't know
• 21:44
  Speaker 2: if it's to death, but it's like... He's putting drugs
• 21:48
  Speaker 2: in their drinks. He's making the prostitutes drink them. And
• 21:50
  Speaker 2: then I'm assuming he's taking advantage of them in their sleep.
• 21:52
  Speaker 4: And he's paying them. So what it was is I
• 21:54
  Speaker 4: was hearing kind of like old time. It was behind
• 21:56
  Speaker 4: the static. It was kind of in my head. But
• 21:58
  Speaker 4: it was like different. It was like a man and woman.
• 21:59
  Speaker 4: But it was almost like it wasn't sad women. It
• 22:02
  Speaker 4: wasn't like.
• 22:03
  Speaker 1: I appreciate it. Yeah, I got you. It wasn't like
• 22:06
  Speaker 1: a side woman. She was just telling it like how
• 22:08
  Speaker 1: it was. And then he was like, hey, I'm wondering.
• 22:12
  Speaker 1: He's like, what did you do?
• 22:13
  Speaker 4: And he's like, and he's kind of like playing it
• 22:15
  Speaker 4: out like a story. Like this is, this is definitely
• 22:18
  Speaker 4: like he puts, he tricks women, like gets them to
• 22:20
  Speaker 4: come in.
• 22:21
  Speaker 1: Yeah.
• 22:22
  Speaker 2: Like they come in with their own validity and then
• 22:24
  Speaker 2: he drugs them.
• 22:25
  Speaker 4: He gets them in a way that they're a little
• 22:27
  Speaker 4: more free willing if it's drugs or whatever.
• 22:29
  Speaker 1: And then there's like, I don't need any money. Yeah. Exactly.
• 22:33
  Speaker 1: That's what I got is what happens in here. Okay.
• 22:35
  Speaker 2: A lot.
• 22:35
  Speaker 1: Yeah. But in my head, it was like, it was
• 22:38
  Speaker 1: like him and like gentlemen friends.
• 22:40
  Speaker 2: Yeah. Yeah.
• 22:40
  Speaker 1: Yeah.
• 22:40
  Speaker 2: There was a few people that came through. I think
• 22:42
  Speaker 2: you said hello three different times. So I think multiple
• 22:44
  Speaker 2: people were coming through. Okay.
• 22:46
  Speaker 1: I was trying to like disconnect and just let my
• 22:47
  Speaker 1: hand do it. But like those are the bits and
• 22:49
  Speaker 1: pieces I remember.
• 22:50
  Speaker 2: Yeah. Yeah, so I think it was, I don't know
• 22:53
  Speaker 2: if he was murdering people in here, but he was
• 22:54
  Speaker 2: absolutely taking advantage of women in here.
• 22:56
  Speaker 4: Yeah, but honestly, Taylor, come stand against me for a second.
• 22:59
  Speaker 1: Or Jay, whoever's there, doesn't matter. Stand right against my arm.
• 23:02
  Speaker 4: This is what I have against my body. So then
• 23:05
  Speaker 4: I was there for a while, and then it felt
• 23:07
  Speaker 4: like it didn't have the warmth of a human. So
• 23:09
  Speaker 4: then I was like, And there's nothing there. So that
• 23:13
  Speaker 4: we just want to throw up.
• 23:14
  Speaker 2: I know. As soon as I said that, you're a
• 23:16
  Speaker 2: bit of a sick fuck and then you're like this.
• 23:20
  Speaker 1: Okay. Okay.
• 23:21
  Speaker 2: Wow.
• 23:22
  Speaker 1: The story deepens a little bit.
• 23:24
  Speaker 2: The plot thickens.
• 23:26
  Speaker 6: Well, William, you're fucking gross.
• 23:29
  Speaker 2: And I don't really want to talk to you anymore.
• 23:31
  Speaker 1: So let's move on. Okay. Let's move on.
• 23:43
  Speaker 2: Hello, I'm Erin.
• 23:44
  Speaker 6: I'm the new tour guide for this room.
• 23:46
  Speaker 8: I'm the sitting president of SCR and I'm also a
• 23:51
  Speaker 8: psychology major here at Arcadia along with a fine arts minor.
• 23:54
  Speaker 8: We're in the breakfast nook at the moment. This is
• 23:56
  Speaker 8: the indoor part of it where they would usually eat
• 23:59
  Speaker 8: their breakfast. We're actually going to go out to the
• 24:00
  Speaker 8: atrium and then outside where the old atrium used to be.
• 24:03
  Speaker 6: The castle's changed a bit since it's been here. And
• 24:07
  Speaker 6: there used to be a bigger building outside, which we'll
• 24:09
  Speaker 6: talk about in a second.
• 24:10
  Speaker 2: Does anything spooky happen in here?
• 24:12
  Speaker 6: It's not too crazy here. It's when you get out
• 24:14
  Speaker 6: there that's the problem.
• 24:16
  Speaker 2: It's a problem.
• 24:17
  Speaker 1: Let us follow you. Oh, I love this.
• 24:20
  Speaker 2: Oh, it's beautiful.
• 24:22
  Speaker 6: This is the more outdoor area.
• 24:24
  Speaker 2: Sponsored by Coca-Cola. Sponsored, not sponsored.
• 24:26
  Speaker 1: Sponsored.
• 24:31
  Speaker 8: So the story we're going to be telling in here
• 24:33
  Speaker 8: is about Abigail. Abigail was a friend of the Harrison's daughter.
• 24:39
  Speaker 1: Her name was Geraldine.
• 24:40
  Speaker 6: And they had a bunch of rich families used to
• 24:42
  Speaker 6: come in here all the time for like parties and such.
• 24:44
  Speaker 6: And they would stay overnight.
• 24:45
  Speaker 1: Yeah.
• 24:46
  Speaker 6: Abigail being Geraldine's.
• 24:48
  Speaker 8: Friend was a young she was a young girl, maybe
• 24:50
  Speaker 8: about like 13, 12.
• 24:52
  Speaker 6: And she was, of course, a rich family. All the
• 24:55
  Speaker 6: people here were rich.
• 24:57
  Speaker 8: And so when they came here, they would hang out
• 24:58
  Speaker 8: and everything, but she was expected to act as prim
• 25:01
  Speaker 8: and proper as possible. However, when she came here, she
• 25:04
  Speaker 8: ended up falling in love with the stable boy who
• 25:06
  Speaker 8: was over at Murphy. And when her parents found out
• 25:09
  Speaker 8: about it, they obviously weren't a fan because she's supposed
• 25:12
  Speaker 8: to be very prim and proper and he is not
• 25:14
  Speaker 8: in her class. So when they found out that they
• 25:16
  Speaker 8: were meeting up, they were meeting up on the bridge.
• 25:19
  Speaker 8: They used to meet there. After they found out, they
• 25:21
  Speaker 8: put her in this turret on the third floor. They
• 25:23
  Speaker 8: locked her up for the night. Past dinner, they were
• 25:27
  Speaker 8: lecturing her and everything. They said, you can't leave until
• 25:29
  Speaker 8: the morning because this is when you meet him at night.
• 25:32
  Speaker 8: The next morning, everybody came down to breakfast, which would
• 25:35
  Speaker 8: usually have been out there because there used to be
• 25:36
  Speaker 8: a covering.
• 25:37
  Speaker 6: And they realized that she wasn't there.
• 25:40
  Speaker 8: Abigail didn't show up to breakfast, and they only realized
• 25:43
  Speaker 8: after there was.
• 25:45
  Speaker 6: Some blood dripping from the roof onto the tablecloth. They
• 25:47
  Speaker 6: thought it was just something they spilled. They kept wiping
• 25:50
  Speaker 6: it off until they looked up.
• 25:52
  Speaker 8: She ended up throwing herself off the third floor turret
• 25:55
  Speaker 8: because she was distraught about the fact that her and
• 25:58
  Speaker 8: Toby were supposed to meet. Toby's a stable boy. They
• 26:00
  Speaker 8: were supposed to meet on the bridge, and that night
• 26:03
  Speaker 8: they were going to run away to Elope.
• 26:04
  Speaker 6: She couldn't. So she was distraught and threw herself off.
• 26:07
  Speaker 1: Where'd she land?
• 26:09
  Speaker 6: She landed. There used to be the same kind of
• 26:11
  Speaker 6: covering that's.
• 26:11
  Speaker 1: Here out there. So right out there. Yeah.
• 26:14
  Speaker 8: So on the roof of that, she landed on top.
• 26:18
  Speaker 3: Oh, so sad.
• 26:19
  Speaker 2: So you get a lot of activity out there?
• 26:21
  Speaker 6: Yes, definitely, and in here. Okay, so what do people
• 26:24
  Speaker 6: usually experience?
• 26:25
  Speaker 8: People usually hear a bunch of pounding in here or
• 26:30
  Speaker 8: running footsteps, that kind of thing.
• 26:32
  Speaker 6: It's mixed a lot with the stuff that's on the
• 26:34
  Speaker 6: third floor, which is also a lot of running footsteps
• 26:36
  Speaker 6: and moving around and stuff, yeah.
• 26:37
  Speaker 1: Okay, okay, sounds good.
• 26:37
  Speaker 8: And then you guys are going to be going to
• 26:39
  Speaker 8: the bridge where the next tour guide's going to talk
• 26:42
  Speaker 8: about Abigail and Toby, and then you're going to find
• 26:44
  Speaker 8: out what happened to Toby after that.
• 26:46
  Speaker 4: Oh!
• 26:53
  Speaker 1: So here we are outside.
• 26:54
  Speaker 4: This is kind of going to be in proximity as
• 26:57
  Speaker 4: to where Abigail landed.
• 26:59
  Speaker 2: Yes, we're at the atrium right now.
• 27:01
  Speaker 4: She jumped off of the top of this turret very,
• 27:03
  Speaker 4: very high up there.
• 27:05
  Speaker 1: And it wasn't until they noticed something dripping on their tablecloths,
• 27:07
  Speaker 1: like the.
• 27:08
  Speaker 4: Story said, that they figured out that it was their
• 27:10
  Speaker 4: daughter who had actually ended her life over the love
• 27:13
  Speaker 4: of her life. Now it's kind of said and a
• 27:16
  Speaker 4: known thing that their spirits never really connected.
• 27:19
  Speaker 1: Yeah. So we just... We want to hear from her.
• 27:23
  Speaker 2: We're going to try to help them connect.
• 27:24
  Speaker 1: Find out if that is the story. Yeah. It's crazy
• 27:37
  Speaker 1: it hasn't gone off when we're not asking. It's so weird. Break.
• 27:42
  Speaker 4: Break.
• 27:42
  Speaker 1: Oh, she broke something falling down, that's for sure. She
• 27:44
  Speaker 1: broke a lot.
• 27:45
  Speaker 2: She broke a lot of bones. She broke through her skin.
• 27:49
  Speaker 1: Well, Abigail, obviously.
• 27:50
  Speaker 4: You already know how to use this box here. Maybe
• 27:52
  Speaker 4: you were with us in the spiral staircase. But we're
• 27:56
  Speaker 4: here where your life.
• 27:58
  Speaker 1: Ended. Yeah. Fit. Yeah, probably had a fit that night.
• 28:03
  Speaker 2: Definitely had a fit.
• 28:05
  Speaker 1: The one thing I think... Freedom.
• 28:06
  Speaker 2: Yeah. She had no freedom. She had no freedom to
• 28:10
  Speaker 2: be with the person that she loved.
• 28:11
  Speaker 1: Can you imagine not being able to be with who
• 28:13
  Speaker 1: you loved? No.
• 28:14
  Speaker 2: And being so young, it's just like.
• 28:16
  Speaker 1: They were going to run away. They were going to
• 28:19
  Speaker 1: run away, yeah.
• 28:21
  Speaker 4: Abigail, I think the reason why we wanted to come here,
• 28:24
  Speaker 4: ever since we heard the story of this place, is
• 28:25
  Speaker 4: that we wanted to try and reunite you with your love.
• 28:30
  Speaker 1: Yeah. Did you find him? That's crazy. Can you imagine looking,
• 28:44
  Speaker 1: being up there? No.
• 28:46
  Speaker 2: And just like, Yeah, we just want to know if
• 28:52
  Speaker 2: you found Toby or if you need help finding Toby.
• 28:55
  Speaker 1: Apparently you're seen out here. It's been....
• 29:04
  Speaker 4: Monday.
• 29:05
  Speaker 2: Monday.
• 29:06
  Speaker 1: Was it a Monday? It might have been on a Monday.
• 29:10
  Speaker 2: Hot. A hot Monday. A hot on a Monday. We
• 29:13
  Speaker 2: don't know the exact day. It doesn't say.
• 29:15
  Speaker 6: I don't think so.
• 29:19
  Speaker 1: Contrition. You know what freaks me out? It was really
• 29:27
  Speaker 1: hot on Monday.
• 29:27
  Speaker 2: It was.
• 29:28
  Speaker 1: Oh, God.
• 29:30
  Speaker 2: It's just this thing that's been following us the whole time.
• 29:34
  Speaker 4: I really want to talk to Abigail. Please.
• 29:37
  Speaker 2: The state of feeling remorseful. or penitent. Aw.
• 29:43
  Speaker 1: Upset that she did it.
• 29:44
  Speaker 2: Yeah.
• 29:46
  Speaker 1: Important.
• 29:47
  Speaker 2: Important.
• 29:49
  Speaker 1: It's important. Oh.
• 29:52
  Speaker 2: Are you here with us?
• 29:54
  Speaker 1: Thank you for walking in front of the music box.
• 29:58
  Speaker 2: Oh, I just got chills. Ugh.
• 30:03
  Speaker 1: Birds. I hear them.
• 30:07
  Speaker 2: You were up where the birds were, too.
• 30:09
  Speaker 1: She flew like a bird for a second. Oh. Too soon.
• 30:13
  Speaker 2: Too soon. I wasn't going to go the Nelly Furtado route,
• 30:15
  Speaker 2: but you did. I really want to know if this
• 30:20
  Speaker 2: is Abigail that we're talking to. I feel her. I
• 30:24
  Speaker 2: feel like she's here, but I want to only be
• 30:28
  Speaker 2: talking to Abigail right now.
• 30:36
  Speaker 1: She had a fit. She can hear the birds.
• 30:38
  Speaker 2: I know.
• 30:39
  Speaker 1: So she did it early that morning. That would have
• 30:41
  Speaker 1: been the first thing she heard.
• 30:42
  Speaker 2: It was important to her. Everything was, like, the relationship
• 30:45
  Speaker 2: was important to her.
• 30:46
  Speaker 4: Do you know that your love Toby died that day?
• 30:50
  Speaker 1: Yeah.
• 30:51
  Speaker 4: He was also just brokenhearted, that you never showed up.
• 31:05
  Speaker 1: Was he even kicked by a horse?
• 31:08
  Speaker 2: That's the thing, it's so long ago that I feel
• 31:11
  Speaker 2: like stories can get misconstrued.
• 31:13
  Speaker 1: Eat. Eat. They were eating. They were eating. They were
• 31:18
  Speaker 1: out here eating.
• 31:18
  Speaker 2: They were out here eating, so we are talking Abigail.
• 31:20
  Speaker 1: We are talking Abigail.
• 31:22
  Speaker 2: They were out here eating when you passed away, yeah.
• 31:26
  Speaker 4: What's the chance of Toby dying the exact same day
• 31:28
  Speaker 4: by getting kicked by a horse?
• 31:29
  Speaker 1: I don't know. What's the chance of that? That's like
• 31:32
  Speaker 1: one in a billion chance.
• 31:34
  Speaker 2: And the story just doesn't really add up to me. No. Sure,
• 31:39
  Speaker 2: horses can, but that wouldn't make sense.
• 31:42
  Speaker 1: It would be a freak accident.
• 31:43
  Speaker 2: And yes, that does happen.
• 31:45
  Speaker 1: Yeah, but the same day that she died before he
• 31:47
  Speaker 1: even knew?
• 31:49
  Speaker 2: This is, yeah. This is me just thinking there's a
• 31:54
  Speaker 2: lot of like shady shit that went on here.
• 31:56
  Speaker 1: Amy upstairs, how he drugged and paid women.
• 31:58
  Speaker 2: Like, maybe Toby died before her.
• 32:02
  Speaker 1: Maybe that's why she did. And that's why she did it.
• 32:05
  Speaker 2: That's what I'm thinking. I mean, yes, you're young and
• 32:08
  Speaker 2: you think that there's no other way, but she obviously,
• 32:11
  Speaker 2: she wasn't trapped in her room. But the only way
• 32:14
  Speaker 2: that you would feel like to just end everything is
• 32:17
  Speaker 2: if the person, like a Romeo and Juliet situation.
• 32:20
  Speaker 1: If they're dead, you're dead. Rewind.
• 32:24
  Speaker 2: Rewind. Rewind time.
• 32:27
  Speaker 1: Rewind. Walk.
• 32:29
  Speaker 2: Walk.
• 32:30
  Speaker 1: To the bridge?
• 32:31
  Speaker 2: Maybe. But you're right.
• 32:33
  Speaker 1: You're on the right thing. If they're like, oh, no,
• 32:34
  Speaker 1: you can't be with him. Go to your room.
• 32:36
  Speaker 4: You're not just going to end your life. You're going
• 32:37
  Speaker 4: to wait for your next opportunity to leave. You're not
• 32:40
  Speaker 4: just going to go. You don't just give up on
• 32:41
  Speaker 4: love like that. If you're willing to run away with
• 32:43
  Speaker 4: that person, then you're not just going to give up
• 32:45
  Speaker 4: on love immediately.
• 32:46
  Speaker 6: Yeah.
• 32:47
  Speaker 1: So did she find him?
• 32:48
  Speaker 2: There's a lot of rumors that have happened here. The
• 32:51
  Speaker 2: rumors have been carried through the years.
• 32:53
  Speaker 1: Did she go to the bridge, see up, and see
• 32:56
  Speaker 1: him laying there?
• 32:57
  Speaker 4: Maybe.
• 32:57
  Speaker 2: Hmm.
• 33:00
  Speaker 1: A wolf in sheep's clothing. Yeah. That's immediately what I
• 33:03
  Speaker 1: thought of. That's literally what I thought of too.
• 33:04
  Speaker 2: Dude. Again.
• 33:11
  Speaker 1: But no, that's what I thought.
• 33:11
  Speaker 4: Cause everybody like in the time, like I bet nobody
• 33:14
  Speaker 4: knew about him. They probably thought he was just this
• 33:15
  Speaker 4: like awesome, crazy dude who had all this money and blah, blah, blah, blah, blah.
• 33:19
  Speaker 1: But did he do this?
• 33:21
  Speaker 2: Maybe.
• 33:22
  Speaker 1: Is he in charge of doing all these bad things?
• 33:24
  Speaker 2: With these rich families, all they wanted was control of
• 33:28
  Speaker 2: everything and everybody. And they didn't want anybody going below
• 33:31
  Speaker 2: their class.
• 33:34
  Speaker 4: If he was willing to kill Amy's mom, do you
• 33:36
  Speaker 4: not think for his daughter he would kill.
• 33:38
  Speaker 2: Yeah, the stable boy?
• 33:41
  Speaker 7: Move.
• 33:42
  Speaker 1: They said walk. Move.
• 33:45
  Speaker 2: Maybe they want us to move to the bridge.
• 33:47
  Speaker 1: Maybe that's where we get our answers.
• 33:48
  Speaker 2: Maybe that's where we get our answers.
• 33:50
  Speaker 1: Because we can ask those.
• 33:53
  Speaker 1: Okay.
• 33:53
  Speaker 2: With the deck.
• 33:55
  Speaker 1: This must be Toby. This seems like Toby. Yeah, it
• 33:58
  Speaker 1: might be Toby.
• 33:59
  Speaker 2: And Abigail might know the story. She's trying to tell us, like, no, this.
• 34:04
  Speaker 1: Is why I did it.
• 34:05
  Speaker 2: Okay. That's just the narrative. It seems so obvious for
• 34:10
  Speaker 2: some reason.
• 34:11
  Speaker 1: I don't know why. If it makes sense, sense makes sense.
• 34:15
  Speaker 7: Yeah.
• 34:16
  Speaker 1: You know?
• 34:16
  Speaker 2: Put that on a t-shirt.
• 34:18
  Speaker 1: Sense makes sense.
• 34:22
  Speaker 2: This is part two. Go back to part one.
• 34:25
  Speaker 1: Do you have anything else you want to say to us?
• 34:28
  Speaker 4: And if you are still here and you still want
• 34:29
  Speaker 4: to talk right here, please walk in front of the
• 34:31
  Speaker 4: music box.
• 34:32
  Speaker 1: But right here we have the Alice box.
• 34:34
  Speaker 4: Please, if you have anything left to say, any hints
• 34:36
  Speaker 4: you want to give us, anything you want to say,
• 34:38
  Speaker 4: please let us know.
• 34:40
  Speaker 1: In ten, nine, eight, seven. Inner.
• 34:49
  Speaker 2: Inner. what they're feeling inside, like we're just trying to
• 34:53
  Speaker 2: convey that to everybody else. If you want us to
• 34:56
  Speaker 2: go to the bridge, can you tell us anything else
• 34:59
  Speaker 2: specifically or walk in front of the music box? We're
• 35:03
  Speaker 2: getting the feeling that you're pushing us towards going to
• 35:05
  Speaker 2: the bridge.
• 35:09
  Speaker 6: Themselves.
• 35:11
  Speaker 2: They just wanted the love for themselves.
• 35:15
  Speaker 1: It's like a real Romeo and Juliet thing. It really is.
• 35:17
  Speaker 6: It really is.
• 35:18
  Speaker 2: That's what it feels like right now. It just feels
• 35:19
  Speaker 2: like everything's forbidden, everything's rumors, everything's just, just messy.
• 35:24
  Speaker 4: People are gonna show you're not good enough. It's the cast,
• 35:27
  Speaker 4: it's the Romeo and Juliet castle.
• 35:29
  Speaker 5: It really is.
• 35:31
  Speaker 1: Okay.
• 35:32
  Speaker 2: Okay, well, we're gonna make our way over to the bridge. Please,
• 35:35
  Speaker 2: please feel free to follow us. We wanna try to
• 35:38
  Speaker 2: tell your story the way it should be told.
• 35:39
  Speaker 4: All right, we're gonna turn the spirit box off in 10. Nine, eight, seven, six, five, four.
• 35:53
  Speaker 1: Ramp. The bridge. All right.
• 36:00
  Speaker 2: There's a ramp to the bridge.
• 36:01
  Speaker 1: Cross. Cross the bridge.
• 36:03
  Speaker 2: Cross the bridge.
• 36:03
  Speaker 1: Just cross the bridge to talk to him.
• 36:05
  Speaker 7: Okay.
• 36:05
  Speaker 1: All right. The other side of the bridge, closer to
• 36:08
  Speaker 1: his thing. That's insane.
• 36:09
  Speaker 2: That's crazy.
• 36:10
  Speaker 1: That's insane. Hi, I'm Maddie.
• 36:12
  Speaker 2: I'm a bio major. I focus on wildlife, so... I
• 36:15
  Speaker 2: do a lot of zoology stuff. So there's a lot
• 36:19
  Speaker 2: of gargoyles. A lot of them you're gonna notice are
• 36:20
  Speaker 2: totally different. A lot of that's for fun and because
• 36:22
  Speaker 2: they were rich Rich people.
• 36:25
  Speaker 1: They love gargoyles. No, seriously.
• 36:26
  Speaker 7: They're like, let's build a castle and do whatever we want.
• 36:29
  Speaker 1: Fair. So, I mean, I guess it's fair.
• 36:30
  Speaker 2: I guess if you have the money, you can do that.
• 36:32
  Speaker 7: But there's actually one over here that's supposed to look
• 36:34
  Speaker 7: like Mr.
• 36:35
  Speaker 2: Harrison around the corner, which is fun.
• 36:37
  Speaker 6: I mean, it's obviously not, like, a great depiction.
• 36:40
  Speaker 3: Like, I mean, it's not a flattering one.
• 36:42
  Speaker 2: Yeah.
• 36:42
  Speaker 1: I think it's the idea. Okay. Anything spooky happen on
• 36:46
  Speaker 1: the porch? I don't think so. Not that I know of.
• 36:48
  Speaker 2: Okay.
• 36:50
  Speaker 1: I think it's generally just a porch.
• 36:51
  Speaker 2: The only spooky things are when we.
• 36:54
  Speaker 6: Get locked out and then we have to call public safety.
• 36:56
  Speaker 2: Take us to the spooky stuff.
• 36:59
  Speaker 7: Yes, don't worry, there are spooky things coming. So this
• 37:03
  Speaker 7: is like the Grand Hall. I don't know if you've
• 37:05
  Speaker 7: heard that yet. We do a lot of things in here,
• 37:08
  Speaker 7: a lot of event stuff when we have the holidays.
• 37:10
  Speaker 1: The Christmas tree goes like up there in the landing. Oh,
• 37:12
  Speaker 1: it's so pretty. It's really fun. It's fun to help
• 37:14
  Speaker 1: set up.
• 37:14
  Speaker 7: So there's a story about another of the Harrison's daughter's friends.
• 37:18
  Speaker 2: Her friends were really unlucky. I guess a lot of
• 37:20
  Speaker 2: them just died.
• 37:23
  Speaker 7: But when she was little, her and her friend were
• 37:25
  Speaker 7: supposedly playing in the turret up there in the spiral staircase,
• 37:29
  Speaker 7: which you guys will see in a minute with Reek.
• 37:30
  Speaker 7: And they were running really fast, and her friend had
• 37:33
  Speaker 7: a scarf on, and it got caught, and she flew
• 37:36
  Speaker 7: over and hung herself.
• 37:38
  Speaker 1: Oh, my God.
• 37:40
  Speaker 7: And now there's rumors that if you're running down the
• 37:43
  Speaker 7: stairs up there, and I think even some of the
• 37:45
  Speaker 7: other stairs, if you feel like something is catching you,
• 37:47
  Speaker 7: that's her trying to avoid anybody else falling down the stairs.
• 37:50
  Speaker 1: So badly as she did.
• 37:51
  Speaker 7: She's got your back. Yeah, she's one of the best,
• 37:55
  Speaker 7: best ghosts here, I gotta say.
• 37:56
  Speaker 1: Do they have a name for her? I'm pretty sure
• 37:58
  Speaker 1: it's Amy.
• 37:59
  Speaker 7: Her name was Amy, and she was friends with Geraldine.
• 38:02
  Speaker 1: Okay. And we can head up the stairs.
• 38:04
  Speaker 2: Don't be friends with Geraldine.
• 38:05
  Speaker 7: Yeah, honestly, all of Geraldine's friends die.
• 38:08
  Speaker 2: Don't be friends with Geraldine.
• 38:09
  Speaker 6: Because I think they all have A names, too.
• 38:11
  Speaker 1: Oh my gosh.
• 38:13
  Speaker 7: Because the other one is Abigail. The story goes for
• 38:15
  Speaker 7: one of Mr. Harrison's affairs, he was having an affair
• 38:18
  Speaker 7: with one of the maids, and.
• 38:20
  Speaker 1: Mrs.
• 38:20
  Speaker 7: Harrison found out, and she got upset, and a scuffle ensued.
• 38:24
  Speaker 1: The maid was killed. There was blood everywhere. And then
• 38:27
  Speaker 1: the rumor goes that they.
• 38:28
  Speaker 7: Couldn't get it off the walls, so they painted the
• 38:30
  Speaker 7: walls red so nobody would know, and to match.
• 38:33
  Speaker 2: It's still red.
• 38:35
  Speaker 7: I can point out the door when we get up there,
• 38:36
  Speaker 7: but then we'll take the little steps up to the
• 38:38
  Speaker 7: attic doorway.
• 38:39
  Speaker 2: These are so short. Like, this is so problematic.
• 38:42
  Speaker 1: Yeah.
• 38:43
  Speaker 2: It's like... Just breaks and crystallizes.
• 38:46
  Speaker 1: I'm like, I don't know, like.
• 38:48
  Speaker 2: I think don't wear a really long scarf anywhere.
• 38:52
  Speaker 3: It doesn't matter what staircase you're in. Here is the
• 38:56
  Speaker 3: little doorway to the attic.
• 39:07
  Speaker 1: This is scary. Yeah, this is ideal. Yeah.
• 39:11
  Speaker 2: Ace is ideal.
• 39:13
  Speaker 4: The imagery is juicy. We'll sit in a circle room.
• 39:16
  Speaker 4: Spiral staircases, okay.
• 39:18
  Speaker 1: Okay, ready?
• 39:20
  Speaker 7: Yes.
• 39:21
  Speaker 1: You know what I learned because I have one?
• 39:23
  Speaker 2: What? Spiral staircases are portals.
• 39:25
  Speaker 3: Look up through there, that is terrifying.
• 39:28
  Speaker 2: We are here. where Amy passed away, where she accidentally
• 39:32
  Speaker 2: hung herself.
• 39:32
  Speaker 1: Yeah, running down the stairs, caught her scarf.
• 39:34
  Speaker 4: Apparently she's a kind, nice spirit.
• 39:38
  Speaker 1: She is.
• 39:39
  Speaker 2: She helps people from falling down. So we're going to
• 39:42
  Speaker 2: try to reach her by using, what is this called?
• 39:44
  Speaker 1: So this is a really interesting piece of equipment. It
• 39:47
  Speaker 1: works kind of like a REM pod where the.
• 39:49
  Speaker 4: Ghosts are actually able to manipulate turning the flashlights on
• 39:52
  Speaker 4: and off, the candles on top. Then we also have
• 39:54
  Speaker 4: the music box, which I thought we could set up
• 39:55
  Speaker 4: on one of the stairs.
• 39:56
  Speaker 6: Yeah, that's a good idea.
• 39:57
  Speaker 2: Maybe like up here.
• 39:58
  Speaker 1: Yeah. And then last but not least.
• 40:00
  Speaker 2: Alice box for Amy. So she can try to talk
• 40:03
  Speaker 2: to us through this. This uses AI. It just spits
• 40:06
  Speaker 2: out random words that they're able to use energy through.
• 40:09
  Speaker 6: They take it.
• 40:10
  Speaker 1: From the environment. Let's do it.
• 40:12
  Speaker 2: Let's set it up.
• 40:12
  Speaker 7: Okay.
• 40:14
  Speaker 2: That's on. Music box is on. Alice box is on.
• 40:17
  Speaker 2: Let's go.
• 40:17
  Speaker 1: All right.
• 40:25
  Speaker 4: Amy, you are said to be one of the kindest,
• 40:27
  Speaker 4: nicest spirits here. And that you help people and you
• 40:30
  Speaker 4: help them get to where they're going and keep them
• 40:31
  Speaker 4: safe so the same thing doesn't.
• 40:33
  Speaker 1: Happen to them. Yeah.
• 40:39
  Speaker 6: Jing kong.
• 40:40
  Speaker 2: Touch any of the devices here or use them to
• 40:42
  Speaker 2: talk to us. You can walk in front of the
• 40:44
  Speaker 2: music box. We just want to know that you're here
• 40:46
  Speaker 2: and if you have anything you want to say to us.
• 40:52
  Speaker 4: The person said that sometimes they hear some shuffling in
• 40:54
  Speaker 4: here and they say that Amy's just like a very
• 40:56
  Speaker 4: come and.
• 40:57
  Speaker 1: Go kind of spirit. Yeah.
• 41:04
  Speaker 4: In front of us is a bunch of things that
• 41:06
  Speaker 4: look like candles. You can feel free to turn any
• 41:09
  Speaker 4: of those on.
• 41:13
  Speaker 1: Became.
• 41:14
  Speaker 2: Became.
• 41:15
  Speaker 1: What became of her.
• 41:22
  Speaker 2: Can you elaborate on that? Became.
• 41:29
  Speaker 3: Or reluctant.
• 41:37
  Speaker 1: Reluctant. This just moved very weird. Stop.
• 41:40
  Speaker 6: I think we should go.
• 41:42
  Speaker 1: Just crossed the bridge to talk to him.
• 41:44
  Speaker 4: It's been a game of telephone throughout the years. It
• 41:46
  Speaker 4: just scares me because I had something attached when I
• 41:48
  Speaker 4: was younger. It's why I went to Salem last year.
• 41:50
  Speaker 1: And it freaks me out. Or if it's a part
• 41:52
  Speaker 1: of you now too. Are you him? Are you it?
• 41:54
  Speaker 1: Are you a part of both of us now?
• 41:57
  Speaker 2: That's on. The music box is on. The box is on.
• 42:00
  Speaker 1: Let's go.
• 42:00
  Speaker 2: All right.