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Season One, Episode 4: Trapped Within Finale: Slippery When Wet · Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast

• 0:01
  Greeting Scum and Welcome to Flail to the Face, My name is
• 0:04
  Cannibal. Chris and I will be our GM as we
• 0:06
  continue to play Trapped Within. This is Episode 4.
• 0:10
  Hello, I'm Levi I play Fisk Baskins.
• 0:14
  I'm Thomas and I'm playing women.
• 0:17
  I'm Kevin and I'm playing scoops.
• 0:20
  Jake the Snake here and I play Brussels sprouts.
• 0:23
  His last name is Sprouts. Love it.
• 0:26
  I'm Nate and I play General Cedric Balthazar, but hit this
• 0:29
  multi flailer. So last we left you guys, you
• 1:00
  were at the end of a hallway. You took a left, You saw some
• 1:03
  mirrors. A nook is unconscious.
• 1:06
  He fainted. Oh yeah, And we got Brussels.
• 1:10
  He's he's doing fine. Recently murdered a friend of
• 1:13
  his acquaintances. I mean, why?
• 1:17
  Yeah, friends of strong women. Goose has an Arrowhead stuck in
• 1:22
  his chest. Wimut's mother of Curl of Not
• 1:25
  Curl, Brussels. He wishes Fisk has Gould dot on
• 1:34
  your back. I believe you're still carrying
• 1:36
  him around like he's Steve's ripo in your Chewbacca and
• 1:39
  general Cedric belts. Azar is.
• 1:41
  Here there, yeah, before you guys stands a door that we left
• 1:46
  at the end of last episode. It is a weak wooden door.
• 1:53
  Cedric, you can still see through stone, right?
• 1:56
  Are these walls? The walls are the same stone
• 1:59
  that you have passed through before you can pass through
• 2:02
  before you can pass through it. Now the door though you cannot
• 2:05
  because it's weak wood. Well, I can surely try.
• 2:13
  And I'll try. I'll go through and I'll, I'll
• 2:17
  peek an eyeball out through the other side.
• 2:20
  What you see is this massive tall hall.
• 2:22
  It's a high ceiling, very long. You don't hear as much as you
• 2:26
  feel screams from the past kind of inhabiting this room.
• 2:31
  It's got that weird darkness that you guys have become
• 2:33
  familiar with. And you see to your left on the
• 2:37
  South. Keep in mind you are facing West
• 2:39
  as you go through this wall. OK, so to the South you see a
• 2:43
  wide, damp staircase. In this room you also see six
• 2:47
  equally spaced plinths, where there are five shattered and
• 2:52
  disfigured fat moose statues. The last plinth has a giant
• 2:56
  stone bear statue, and rotting bodies and bones carpet the
• 3:01
  floor and the insides of your nose.
• 3:03
  You know what I mean? To the north is a giant wooden
• 3:07
  door, and directly across from this room is a tapestry hanging
• 3:11
  on the wall. It's pretty dingy, so it's a
• 3:14
  little hard to tell what exactly is the tapestry of, but
• 3:17
  absolutely in the LESS. Did you say which direction the
• 3:19
  staircase went Up or down? The staircase goes up.
• 3:23
  OK. And this is, it's like a light
• 3:25
  stair. It's like if you were to walk
• 3:27
  into a room from a slightly more elevated room.
• 3:29
  There's like two or three steps down, you know?
• 3:31
  Is there anything that would give me an idea of why these
• 3:36
  people are dead in here or how they were killed?
• 3:40
  Nothing particularly. Like they're pretty rotted.
• 3:43
  Like they clearly have been here for quite a while.
• 3:45
  OK, some of them look like they were been brutally murdered.
• 3:50
  Some of them, you can't really tell.
• 3:52
  Some of them are have a lot of their organs pulled out of
• 3:55
  certain orifices. Those various types of dead, all
• 3:59
  the types of dead have been represented.
• 4:02
  All right, I go back and relay this information.
• 4:04
  It does not look great in there. I will let you know now.
• 4:10
  Lots of death. Multiple directions to choose
• 4:13
  from. What are you talking about?
• 4:15
  My nuke wakes up. It's morning now, I think.
• 4:19
  No, it's not. Wait, you hear the bell?
• 4:22
  Fuck if it is Somebody, anybody. Give me a D12.
• 4:30
  I'll. I'll do.
• 4:30
  A thing this time Three at the three.
• 4:34
  All right tomorrow morning it's a D10.
• 4:36
  And everybody, if you've if you have no more omens, roll those
• 4:42
  roll powers for the day and scoots, give me a D100 on A2 or
• 4:47
  less. The Arrowhead in your chest
• 4:48
  kills you. It's a 2% chance, but you never
• 4:51
  know. I got a 30 God that could have
• 4:56
  been, that could have been bad, That could have been an Arthur.
• 5:01
  Bully fuck bags. What about me and Nathan's?
• 5:05
  I took two damage from your infections, that's true.
• 5:07
  You actually will take a D6 damage.
• 5:10
  Oh shit, isn't I'm infected? Too, huh?
• 5:12
  Yes you are. Yep, that is also you I took.
• 5:15
  Now I don't want the damn it. I can't remember the book says
• 5:17
  that at all because I think the book just mentions no healing
• 5:20
  when resting, but the the screen says infection, no healing when
• 5:24
  resting D6 damage each day. Yeah, I kind of like it, though,
• 5:28
  because that's fucking brutal. And it kind of makes sense that
• 5:30
  the infection would weigh on you.
• 5:31
  How much help did I have left from the last episode?
• 5:34
  Not much. Oh, I have.
• 5:35
  I think one No, maybe 1. I think he's actually right.
• 5:39
  Yeah. I'm dead.
• 5:40
  He died. He took four damage from the
• 5:43
  infection. Oh no.
• 5:46
  Oh my baby boy benefit. From resting instead to D6HP is
• 5:50
  lost. It does say that.
• 5:51
  OK, good to know. All right then.
• 5:53
  Yeah, the as you as you hear that bell, you see Brussels
• 5:59
  collapse to the ground. You too also.
• 6:01
  Have my baby boy and I'm just, like, running my hand through
• 6:05
  his greasy hair. Oh, yuck.
• 6:07
  Wake him up. We need to go.
• 6:09
  Hello. Kick him, he farts.
• 6:14
  I start poking him with my white hot crowbar.
• 6:16
  Get up. Come on, this is no place to lay
• 6:19
  down. We hear like little stinges
• 6:20
  every time you do that. Just some.
• 6:21
  Gas being let loose. Yeah, it's Little Farts too with
• 6:24
  that's one of these folks. Aren't you gonna check his
• 6:26
  prison pocket? I that seems like the ongoing
• 6:29
  bid around here. I think you were the one it.
• 6:32
  Wasn't take up that's. Fucking Thing.
• 6:35
  No, it wasn't. You were the 1:00 to take up
• 6:37
  that mantle. Now I'm I'm all about the toes.
• 6:40
  Yeah, and you just covered them up with the shit boots earlier.
• 6:43
  Well, that was for different reasons.
• 6:45
  I don't want to know. Well, fuck it.
• 6:48
  To answer your question, no, I'm not going to be reaching into
• 6:51
  his colon to see what's in there.
• 6:52
  No. Well, I'm glad he's dead,
• 6:54
  honestly. I tend to agree.
• 6:57
  He was. He was liability.
• 7:00
  Yeah. Did you see what you did to
• 7:01
  Brian? My God.
• 7:03
  Yeah, what the fuck was up with that?
• 7:04
  We had another little buddy. Have you not ever murdered
• 7:08
  somebody just for the fun of it regularly?
• 7:11
  No one's. That.
• 7:12
  Yeah, no one. It seems like they were lovers.
• 7:15
  I mean, I didn't know that. I murdered multiple lovers like
• 7:19
  mid coitus. Some.
• 7:22
  That's what. So I'm going to kick in the door
• 7:27
  and yeah, you see all of this stuff in here.
• 7:30
  See, I told you, and as you are you going into the room.
• 7:34
  No, I'm not going to enter the room.
• 7:35
  I'm just going to kick the door in and and look in there.
• 7:38
  Here, let me help you out and I'm going to grab this little
• 7:41
  What was your name? Paul.
• 7:42
  No he. Doesn't have Brussels oh.
• 7:45
  Yeah, I'm going to grab this little dead creature and just
• 7:48
  throw them in there and see what happens.
• 7:50
  Yes, he could do one last thing to help us.
• 7:52
  Out, yeah, or just one thing to help us in general.
• 7:55
  Who the fuck threw this at me? Well, I got good shot.
• 7:58
  Damn. Hello.
• 8:00
  What? Howdy.
• 8:01
  Who's there? Calm it down.
• 8:03
  Hey, if if this is like one of those hallways, does it have,
• 8:06
  like, the light up shit inside here?
• 8:08
  Yeah, yeah. OK.
• 8:09
  Doesn't volume matter here? Yeah.
• 8:12
  OK. Yeah.
• 8:12
  As you guys are screaming, you hear like a like a grinding of
• 8:16
  stone. That's not good.
• 8:18
  No, it's fucking his problem. Close the door.
• 8:26
  Fuck. Oh God, I I need a name.
• 8:28
  Fuck you. So who are you alone in that
• 8:30
  room? If you want to, you can give me
• 8:36
  a D68. Yeah, let's do that real quick.
• 8:39
  Wait, D68A D 6:00 and then a D8. So yeah, D68.
• 8:43
  Two and where's an 8? I I happen to know on Ichio
• 8:47
  there's this other list for generating.
• 8:52
  Two in a four. We don't want that.
• 8:54
  Two in a four. Your name's graft.
• 8:56
  Graft. How are you going?
• 8:57
  Broft GRAFT. Fair.
• 9:00
  I'm also a skeleton. What is he Here?
• 9:04
  I'm a catacomb Saint as well. We.
• 9:07
  Yeah, that's totally fine. If you guys want to double up, I
• 9:10
  don't really care. He's a Tomb Raider.
• 9:11
  This is my last fucking character I got in the pocket,
• 9:14
  so. Oh, that's the last.
• 9:16
  Yeah. OK, all right.
• 9:18
  What's your ability then? Because he's got the the anal
• 9:21
  beads of Jesus or whatever it is.
• 9:25
  What do you got? I start with the random scroll,
• 9:29
  random sacred scroll all right. Give me a D10 for that then.
• 9:32
  OK, Fucking Christ. I'm all shaky because I died
• 9:36
  again. I.
• 9:36
  Can't believe it. A1 You have Grace of a dead St.
• 9:40
  That's a demon. Creatures regain D10HP each.
• 9:44
  OK, that's. Useful hewing scroll.
• 9:45
  That's very useful, yeah. And then I also have Werner's
• 9:49
  shield of faith. OK, that's different.
• 9:51
  Or Animated Shield that reflects damage back to attackers.
• 9:54
  All damage blocked by the shield and your armor is dealt back to
• 9:57
  your attacker. That's pretty every.
• 9:58
  Fucking time it just, yeah. All the time Wait well.
• 10:02
  That's awesome. That is awesome.
• 10:03
  Yep. Damage blocked by the shield and
• 10:06
  your armor is dealt back to your attacker.
• 10:08
  So as long. As you block it, yeah.
• 10:10
  So they hit you reduce the damage by the shield, which is
• 10:14
  1. Any armor that you have on top
• 10:16
  of that is sent back to them okay, so you do take damage past
• 10:20
  that, but only the damage absorbed is.
• 10:22
  That is way better than Jesus anal beads.
• 10:28
  Yeah, that's probably true. So graft.
• 10:31
  You hear this like stone grinding in the room, and as it
• 10:35
  draws your attention, you notice that the bear statue is
• 10:38
  animated. Oh God, and it roars and it
• 10:44
  approaches you. I try to befriend it.
• 10:47
  That's what work well you. Shake hands.
• 10:50
  I try to tame it. You're going to try to tame it?
• 10:52
  I mean, you're I. Don't know you're a.
• 10:53
  Skeleton. OK, so I'm alone.
• 10:55
  What am I going to do? I run to the door.
• 10:57
  Hey, fantastic. OK, that's a great idea.
• 10:58
  Where am I? Are you moving the door open?
• 11:01
  I'm just going to run through the door, run through it, like
• 11:03
  crash into it. Yes.
• 11:04
  Oh yeah, the. Weak.
• 11:05
  One door it is. That's true.
• 11:06
  That is a weak. It's a weak.
• 11:10
  But yeah, you crashed through the door and you see the you
• 11:15
  crashed into this group of people who have been shut.
• 11:18
  You in here. Oh yeah, who shut the door?
• 11:20
  Me. I'm not made of stone, so we're
• 11:22
  going to collide. That's true, sure.
• 11:27
  Who the statue is, though? That's interesting.
• 11:29
  Natural. Yeah, what does natural stone?
• 11:30
  Natural. I mean, like, no.
• 11:33
  Concrete unworked, right? Stone unworked.
• 11:37
  So that would this has been worked, yeah.
• 11:39
  Well, technically all the walls are works.
• 11:40
  That's actually true too, because they're like hewn.
• 11:42
  But I guess not. Not this time.
• 11:44
  It's already passed through, so therefore it is.
• 11:47
  It's become cannon. Yeah.
• 11:48
  I mean, it could have easily been carved out tunnels, you
• 11:50
  know what I mean? So I guess that is the case.
• 11:53
  What the fuck are you doing? We we had enough skeletons.
• 11:56
  I've said this before. There's a bear in there.
• 11:59
  Great. He can stay there.
• 12:00
  OK, well, he's on his way, so I'm just going to move to the
• 12:03
  side here and let you deal with them, yeah.
• 12:05
  Bullshit. I push him back to towards the
• 12:07
  door. Step out of the way.
• 12:09
  I'm going to help. You ran right into me,
• 12:11
  motherfucker. At this point, the bear is very
• 12:16
  close. Yes, of course.
• 12:17
  So roll initiative. 5 Five that is you guys.
• 12:21
  First. I push him.
• 12:26
  What is your agility there? 00?
• 12:30
  OK, so it's going to be a 12 for you to push him on the strength?
• 12:34
  All right. I think I kind of like that
• 12:36
  idea. I.
• 12:37
  Don't know. We'll try.
• 12:38
  We'll try it out. Oh, that's a.
• 12:40
  That's a that's a 20. Oh yeah.
• 12:42
  So you push him and he. Yeah, he goes into the room.
• 12:45
  Fuck and I back up. You push him right into the
• 12:48
  Bears range too, so. But there are still you still
• 12:50
  have a chance to. Move I back up into the wall.
• 12:53
  Just sitting in the stone. That's the safest damn place in
• 12:56
  the world. Just shut the door.
• 12:58
  It's broken. Yeah, the door.
• 12:59
  He. Gathered.
• 13:00
  It's just bones. Fucked bones are harder than
• 13:05
  weak would even. It's going to like go past
• 13:09
  Cedric and like have his rusty deck and he's like, you don't
• 13:12
  know. He could be fat and like.
• 13:14
  Go out in. There.
• 13:17
  Fuck You take care of it, then. We might.
• 13:20
  Say you. Is that you, Laura?
• 13:24
  Groft. I know the size.
• 13:26
  Anyway, Laura Groff. Oh man.
• 13:31
  My name is Laurel groved. Laurel groved.
• 13:34
  Is it actually? He's a Tomb Raider.
• 13:37
  Oh fuck, Laurel Groff. Laurel Groff, Catacomb Thief at
• 13:41
  your service, says it to him in the middle of combat.
• 13:45
  OK, so we you're in the room too, right?
• 13:47
  With the. I'm going in.
• 13:49
  In, yeah, I'm going to engage the bear.
• 13:51
  OK, Are you gonna attack him with your dagger?
• 13:53
  That seems fucking bad on Diego. That is a 15 look at that
• 13:57
  definitely hits Give me damage for four damage minus D8.
• 14:02
  Oh my God. Which is honestly higher than
• 14:05
  the actual armor scales go, but. Right.
• 14:08
  It's rock. Yeah.
• 14:09
  Nope. It negated 8 that it's ran it.
• 14:11
  Yeah, I'm just like up there. And it's just like.
• 14:15
  Yeah, fuck that. See you guys.
• 14:18
  Hey is the Volts 2 handed? A what?
• 14:21
  A volge? A Volge?
• 14:22
  I don't know what that even is. I got.
• 14:24
  Yeah, it's like a polar. My pen.
• 14:26
  Fuck. Is it OK?
• 14:28
  Can it be wielded with one hand? Yeah, cuz.
• 14:32
  There's more like a short spear. OK, I see what it is.
• 14:35
  It's one of that's badass, actually.
• 14:37
  It's fun, yeah. I would say if you want to wield
• 14:40
  it 1 handedly cuz that guy got to imagine that that would take
• 14:44
  away your strength modifier when you use it.
• 14:46
  That makes sense. So that makes sense.
• 14:47
  I have a -1 so God so I guess it would double it then negative.
• 14:52
  No, I guess you said it takes away the modifier or just or
• 14:55
  just. Knock down the damage a little
• 14:59
  bit. Maybe the Dr. one.
• 15:00
  The Dr. can go up. That would make sense, yeah.
• 15:02
  But we'll just add 2 to the Dr. if you're using it one handed.
• 15:05
  That's not. Fair, that's.
• 15:06
  Fair to me. Yeah.
• 15:07
  I mean, I. Already have a -1?
• 15:08
  One hand. So yeah, that's true.
• 15:10
  Yeah. I mean, if you want to use that
• 15:11
  thing normally, you'd have to back to the field or you know,
• 15:15
  but. Which is my specialty, my anal
• 15:17
  beads of whatever. Before you keep that shield.
• 15:21
  Yeah. Ooh Oh yeah.
• 15:24
  I. Hope it's just a buckler.
• 15:26
  It's an anal bump cover. Anal bump cover like anal bump.
• 15:31
  I think I'm gonna. I'm gonna shield bash, I dual
• 15:34
  hand my shield and I'm gonna shield bash this thing as I'm
• 15:37
  flying towards it. OK.
• 15:38
  You're just dropping the the bulge then?
• 15:40
  It's just on my back, OK? OK.
• 15:42
  I figured I'd started off with just carrying my shield.
• 15:44
  That's right. Yeah.
• 15:45
  OK, so yeah, so you go and shield bash the bear.
• 15:48
  Yeah, damage for that. Would she call that a D4 for
• 15:51
  improvised weapon? I to handing it D4, otherwise it
• 15:57
  would be a D2, wouldn't it? Well, a D2 was like hands and
• 16:00
  face. Yeah, D4 sounds right.
• 16:02
  D 4 sounds right. If you're double handing it,
• 16:04
  that would make it a little bit easier.
• 16:06
  I don't know. That'd make it easier.
• 16:08
  D5 No, I mean like the Dr. could adjust because you're too
• 16:13
  hitting it. I would say they would probably
• 16:15
  go down by two for a jet for that.
• 16:17
  So if it's a 12, so you would need a 10 to hit them.
• 16:19
  Okay, I'm cool with that. If you guys are cool with that,
• 16:21
  yeah. I don't.
• 16:23
  I'm hanging on the wall. I don't.
• 16:24
  Oh shit. It's it don't fucking matter.
• 16:26
  That's a five son you. Also, they're no sudden.
• 16:31
  I've been playing a lot of Red Dead.
• 16:32
  Yeah, I get it. True.
• 16:33
  Okay. Yeah, you try to shield bash
• 16:36
  this thing, but like somehow, well, you've so misjudged your
• 16:40
  distance that you like just open air.
• 16:42
  Drop my glasses. It doesn't even have eyes.
• 16:46
  Yeah, okay. So we still got Scoots and Fisk.
• 16:50
  Well, I'll run in there and try to hit them with the crowbar.
• 16:55
  That's an 11 an 11 that does not hit.
• 16:59
  Okay. So now I'm in the room with him
• 17:01
  swinging, Missing, okay. So the three of you are in the
• 17:04
  room. We still have Fisk.
• 17:06
  What are you doing? Where are the exits on the other
• 17:11
  side of the well there okay. So you guys come in from the
• 17:14
  east wall, right? Yes, there is one to the South
• 17:17
  with a little bit of a step going up to it and there is a
• 17:21
  large wooden door on the N wall on the other wall is across me,
• 17:26
  this attached. In this room, yes.
• 17:28
  I just turn around and walk away, just going back down the
• 17:31
  hall. Yep.
• 17:32
  See you guys later. I ain't talking with that thing
• 17:34
  and you just see him. You're around the corner.
• 17:37
  Taking my goal with me. You're right.
• 17:39
  He's dead. He's dead, right?
• 17:43
  Okay. So that's everybody the bear
• 17:45
  then. There are three of you in the
• 17:47
  room. Somebody give me a D4.
• 17:50
  And on a four, Okay. So what I'm gonna do is I'm
• 17:52
  gonna go 1 weemit 2 scoots 3. I can never remember your name.
• 17:57
  Laurel. And on a four, I'm just gonna
• 18:00
  pick one. That's Weiman.
• 18:03
  Sorry. So this thing swings its massive
• 18:06
  stone closet. You give me an agility test.
• 18:10
  That is a 13, which actually I do, no, I don't have my scale
• 18:16
  now yet. So yeah, no, that's so 14 or 13,
• 18:20
  OK13 that successfully misses. So good job it was a 12.
• 18:25
  So yeah. Yep, you duck below this thing's
• 18:29
  obviously Telegraph swing and just catches air initiative.
• 18:34
  Fuck. Bake your battles.
• 18:36
  I'll roll it. I got a six, a six of you guys.
• 18:41
  I imagine as he walked around the corner like he's dragging
• 18:45
  the skeleton behind him and that one just, like, waved goodbye to
• 18:48
  us. Yeah, And he does, Yeah.
• 18:49
  It just gives you. Double fingers on the way out.
• 18:53
  Yeah, I like it. He's upside down, too.
• 18:59
  I'm going to. Pop out of the wall in front of
• 19:02
  Fisk. Oh, that's great.
• 19:04
  Yep. And then what?
• 19:06
  Hey pal, I've been waiting for a moment to kill you.
• 19:10
  What? I don't know why you would do
• 19:12
  that. Because you're useless.
• 19:14
  I let you hear to ride in me. I'm swinging your hammer at him.
• 19:16
  Oh, you have no choice. You were in my.
• 19:20
  You're swinging your hammer at him?
• 19:21
  Yep. What's your Agility?
• 19:23
  I got a + 2 to Agility, Big Boy. OK.
• 19:25
  We're calling that a 12 because we're just going 10 plus
• 19:27
  Agility, right? I think that's what it is that
• 19:30
  makes sense. Oh baby, that's a 20 again.
• 19:33
  Oh, give me that damage. Will do.
• 19:38
  Oh, that's a four. How much do you armor?
• 19:40
  Your toes sucking days are over. You don't have anything.
• 19:43
  No, we nobody has armor. Oh, right.
• 19:44
  OK, that's a great point. Yeah.
• 19:46
  Take that four damage. Oh, why?
• 19:50
  Because you're useless. I've made it clear.
• 19:53
  If you want to go over there, there and fuck with that thing,
• 19:55
  no. But I would very much like to
• 19:57
  kill you. You can try.
• 20:00
  Yeah, I wanna take my broad axe and go for his knees.
• 20:03
  Fuck Okay, what's your agility? +2 as well.
• 20:07
  Okay, so 12. I owe him to reduce there You.
• 20:12
  Go. Okay, give me the Demage Boy 5
• 20:19
  demos. Yeah, it killed.
• 20:20
  Me it killed. You.
• 20:22
  Yeah, absolutely. Absolutely.
• 20:23
  I had 4HP. Thought I didn't know what the
• 20:25
  fuck you were right. You called that shot.
• 20:27
  You're like, I'm gonna kill him, even if I gotta die trying.
• 20:29
  Yeah. And you die trying.
• 20:31
  Abs fucking Lutely, baby. All right, seems like a waste of
• 20:34
  ectoplasm to me. But Levi dedicating directly to
• 20:38
  just the. Unreliable part of his character
• 20:41
  and nothing else Abso fucking lutely try to kill.
• 20:44
  Him bad boys bow. Yeah, and I'm a murderer.
• 20:47
  That's also true, yeah. The murdering is what he was
• 20:49
  about, was about. So Levi, I guess.
• 20:53
  Tell me about it. I've never done this before.
• 20:57
  It's not like I haven't died before.
• 20:59
  I want to reach into his prison pocket and pull out his insides.
• 21:02
  What the fuck? You're going to Pink Sockem
• 21:06
  whatever that looks like in this form.
• 21:09
  I don't want to know, but you can visualize it, I'm quite
• 21:13
  certain. Yeah, you did this to you, not
• 21:15
  me. I'll see you now, and then you
• 21:22
  will just, he dissipates in all of his belongings on the ground.
• 21:16
  Broad region. Pull it all.
• 21:25
  And. I just pick Hammer Hammer you
• 21:28
  you seen it. That was self-defense.
• 21:31
  Nobody. Was paying attention.
• 21:33
  I know. I don't give a fuck what you're
• 21:34
  doing. Honestly, I'm just here for the
• 21:36
  ride. I'll pick up the hammer and walk
• 21:37
  away. Yeah, that was pretty cold,
• 21:39
  right? He started it.
• 21:41
  I feel like you did. No, just because I don't want to
• 21:44
  talk. Attack a giant stone bear.
• 21:47
  That's stupid. Or.
• 21:48
  Anything or anything? Where'd that come from?
• 21:53
  I love that. Are you in my head?
• 21:56
  I think he's going to be for a long time.
• 21:58
  Well, that's terrible, at least for the rest of the episode.
• 22:02
  Bye. So what about the rest of you
• 22:04
  guys? This will happen around the
• 22:06
  corner too. The three of you did not even
• 22:08
  see that. There's no way you could.
• 22:10
  Oh fuck, that's good. Anyway, what about you 3
• 22:14
  fighting the bear? Here is it.
• 22:15
  The bears turn. No, it's the three.
• 22:17
  No, it's still ours. OK, well while that's going on
• 22:21
  out there, I'm going to take a swing and uppercut swing with my
• 22:26
  shield since I missed the first time.
• 22:28
  OK, Yep. So give me that strength.
• 22:32
  Oh, that's 18. The net.
• 22:34
  Oh, yeah. OK, so that hits.
• 22:36
  Give me that D4 damage. OK, you just three.
• 22:41
  OK, minus D8. Oh my God, that's painful.
• 22:45
  I figured I'd go for. Somebody that I might be able to
• 22:47
  kill? Fucking 8.
• 22:48
  OK, yeah. So yeah, you just smack it.
• 22:51
  It doesn't even react to it. I think we should run.
• 22:54
  That's what I told you a while ago.
• 22:57
  You just hear more. I think you're right.
• 23:00
  What are? You doing?
• 23:01
  I'm running for whatever stairs I saw, OK?
• 23:03
  You're running for those stairs? Yeah, That's split the party off
• 23:06
  to the side. You really?
• 23:08
  Yeah. If anything, Fisks split the
• 23:11
  party first, so. Yeah, so as you get to those
• 23:13
  stairs, give me an agility test, Scoots.
• 23:15
  Fuck me. I was trying to split his skull.
• 23:20
  That's a 14 + 0 fourteen. OK, so yeah, you get to these
• 23:23
  stairs and they're immediately, they're really slippery and
• 23:25
  you're like, oh fuck, I'm just lost my footing, but you didn't.
• 23:28
  And you make it to the hallway. And then you see as you get up
• 23:31
  these stairs and you kind of continue running, you are in
• 23:34
  this strange, dark, narrow, organically formed passageway,
• 23:39
  like a little hallway, almost like a, just like a corridor.
• 23:42
  This is the vague smell of decay and that weird darkness still
• 23:45
  preventing your hands from igniting.
• 23:47
  You see in the middle of this too, a hole going upwards.
• 23:50
  And you know, this is because there is like a just a small
• 23:52
  beam of. Daylight.
• 23:56
  This place is soul crushing. God, it really is.
• 24:01
  And then that's okay, that's you then.
• 24:03
  So move on to weemit and what do you do when you're still little
• 24:05
  You're kind of you're not alone with this bear.
• 24:07
  You're with the bear and. And another skeleton.
• 24:10
  Laurel, yeah. Actually I also have lawn
• 24:13
  flowing luscious hair by the way.
• 24:14
  Growing out of the skull, yes. That is no.
• 24:17
  I mean, I mean it's literally in my oh, I believe you.
• 24:19
  I have a. Beautiful head.
• 24:22
  Do you still have eyeballs in your socket?
• 24:24
  I just didn't. Say anything about that, I just
• 24:26
  have the hair. Yeah, OK.
• 24:27
  Because I think you drew that out of the manic gaze, didn't
• 24:29
  you? I did.
• 24:30
  OK, that's what I thought. So if you got something like
• 24:32
  that, then yeah. But if not, then I mean, that's
• 24:34
  totally up to you. I don't care.
• 24:35
  You have a hair. He has eyeballs.
• 24:38
  Because we met. Make a run for it.
• 24:40
  I'll be right behind you. Just like just like salute at
• 24:46
  them and just take off after Scoots.
• 24:48
  OK, as you get to the stairs, give me an agility test.
• 24:51
  Oh. Shit, I'm going to go ahead and
• 24:54
  open that. What, did you get the reroll?
• 24:57
  OK, Because I got a four. That's a high number, That's
• 25:01
  all. Now I got a 10.
• 25:03
  That's still a fail, Okay. So as you get to those stairs
• 25:06
  you're at, you're kicking off. After Scoots, you get to those
• 25:08
  stairs and you just slip and you catch air and you land right on
• 25:11
  your tailbone and smack the back of your skull on the ground
• 25:14
  Again, You're not, like, damaged or anything like that, but you
• 25:18
  are definitely on your back and no longer progressing forward,
• 25:22
  yeah. If I had lung to be like this.
• 25:25
  Yeah, if you had lungs that would have knocked the wind out
• 25:27
  of you. You're lucky your eyeballs are
• 25:28
  still in your skull. Like rattling a bit, yeah.
• 25:33
  That's perfect. Yep, this loosely spinning.
• 25:35
  OK, so that's all of you guys. This bear is only hanging out
• 25:39
  with Laurel at this point, so he's going to go for the attack.
• 25:42
  He swings. He telegraphs a big stone cloth
• 25:44
  swing at you. Give me an agility test. 14 on
• 25:49
  the nuts. Very good.
• 25:50
  So yeah, you as. This thing is so telegraphed,
• 25:53
  you duck. Blow it and it catches.
• 25:55
  There again, give me initiative. Oh my.
• 25:58
  Fuck to shit. And going with that, Missy goes
• 26:03
  with the other arm and tries to do the exact same thing to you.
• 26:06
  Jamie Christmas what'd? You get. 11. 11 Are you going to
• 26:11
  keep that? You're going to omen it.
• 26:13
  Bro, how hard does this son of a bitch hit?
• 26:15
  I think I'm going to have to use an omen.
• 26:16
  You. Want to?
• 26:17
  By all means you had a chance. I have 4 omens so I'm going to.
• 26:22
  Use. Oh, yeah, yeah.
• 26:23
  OK, so hell, you you. This thing's about to get you
• 26:27
  right in the face, but in the last second you just duck back
• 26:30
  and you feel it brush the bone of your.
• 26:33
  Skin. I just realized something.
• 26:34
  Brushes through my hair. Yeah, There we go.
• 26:36
  That's perfect. I just realized something you
• 26:38
  realized? You can omen to reduce damage,
• 26:40
  yeah. You can you want to
• 26:41
  retroactively come back, you're dead anyway.
• 26:43
  No, no, no. He walked away.
• 26:45
  You're still alive then if you want to spend an omen until
• 26:48
  like. Do that we can assume that how
• 26:50
  much? Oh, yeah, yeah, yeah, yeah.
• 26:52
  Because yeah, you're D6. It's.
• 26:54
  Reduced by D6, you better. Roll it right now, then.
• 26:57
  Yeah, 5. The entirety of it.
• 27:00
  That's the entirety of it. So in other words, the entirety
• 27:02
  of it, well, he's a ghost. He literally is a ghost.
• 27:05
  And you have a. Stone Axe.
• 27:07
  It probably looks like you killed him, but to you anyway.
• 27:10
  But yeah, you know you could. You could do the same by the
• 27:12
  way, I I mean I hit you. That's true.
• 27:14
  You could open to reduce that as well.
• 27:15
  I hit you with four. Nah, I'm going to save it.
• 27:19
  OK, so as this bear almost hits you, Laurel and look at your
• 27:25
  name, everything. You're always different.
• 27:28
  I never know. But as it does, you see that it
• 27:32
  swipes through this tapestry, ripping it off the wall,
• 27:35
  revealing a hole in the wall. Like, is that closer to me?
• 27:39
  It's on the other side of the bear because he kind of swung
• 27:42
  around and how big is it? How big is?
• 27:44
  It's big enough to fit the bear. No, not big enough to fit the
• 27:47
  bear, but it's definitely big enough for you guys to hunch
• 27:49
  through. I slide through.
• 27:51
  OK, so that's Wait Bear just went roll initiative.
• 27:54
  Yeah. Wait.
• 27:55
  Wait, no, it's my turn. Air went first on the
• 27:57
  initiative. Oh, he did.
• 27:58
  So that's. Actually.
• 27:59
  Perfect. Oh yeah.
• 28:00
  Fuck. Where's, where's cousin We mutt?
• 28:02
  He is laying on the ground at the bottom of the stairs.
• 28:05
  Can the bear get down the stairs?
• 28:07
  It's upstairs. Can the bear go upstairs?
• 28:08
  Right there? Oh yeah, it's tooth blue.
• 28:11
  Oh my God, good question. You got.
• 28:12
  Yes. You had to see it to know it.
• 28:14
  That makes sense. OK, you got what I'm.
• 28:17
  Saying I raced A cousin's side. OK.
• 28:20
  He's probably not even my cousin.
• 28:21
  I don't even know. It's up to you guys, really.
• 28:22
  I don't care. Get a lot of cousins.
• 28:25
  I'm going to go grab him, pick him up and start dragging up the
• 28:28
  stairs. Are you resisting any of this?
• 28:30
  No, I'm I'm still like done. OK, OK, fair enough.
• 28:34
  So, yeah, so you're going to go up the stairs falling scooter.
• 28:37
  OK, so as you do that, give me an agility test.
• 28:40
  And since you're carrying somebody, making it a little bit
• 28:42
  tougher than the cold to keep your footing, we're going to
• 28:44
  call it a 14. That's a four on the deck.
• 28:48
  I'm going to omen the reroll. OK, yeah, by all means what is
• 28:54
  the total? I got 13.
• 28:56
  A13OK, so yeah, you go pick him up, you go to continued up the
• 28:59
  stairs. You know what he was going.
• 29:00
  To be drinking lots of milk. And you both go down.
• 29:05
  So. Scoots, what are you doing
• 29:07
  there? So do I hear both of them fall
• 29:10
  on their ass clattering in the. You heard we might go down for
• 29:14
  sure and then you probably heard the clattering of of Laurel
• 29:18
  follow and then they both go down again.
• 29:21
  So you know, you can probably put the pieces together with
• 29:22
  what you're hearing for. Sure, I'm going to run down
• 29:24
  there and help them up so I can get them up the up the stairs.
• 29:28
  OK. So yeah.
• 29:30
  I have no idea where Cedric is and I have no idea where Fisk is
• 29:32
  so. OK, so at.
• 29:33
  This point, they're dead to me. Fair enough.
• 29:35
  You usually go back down those stairs again, but since you're
• 29:38
  well aware of it, I'm going to knock it down to A10.
• 29:41
  The other one. An obstacle is always a problem.
• 29:44
  Yeah, so off like the stairs. It's an 11.
• 29:49
  An 11? Perfect.
• 29:50
  So you make your way down them, you pull the both of them up off
• 29:53
  the ground, and you make your way back up the stairs.
• 29:55
  I'm not going to make it real. Look at it back up there.
• 29:56
  Again. Come on guys, let's go get your
• 29:58
  Bony asses in gear. Yep, Yep, Yep.
• 30:00
  I'm I'm right. All right.
• 30:03
  Just be careful with my joints. Can I hear the bear?
• 30:07
  You can see the. Bear.
• 30:08
  And he's kind of like tangling with the the tapestry as it's
• 30:12
  kind of caught on his claws. Oh, it looks a little derpy, but
• 30:15
  it's happening. Was Laurel going to point out
• 30:21
  the the passageway? That's up to Laurel.
• 30:23
  Yeah. I mean, you might have seen it.
• 30:26
  You were in the room so while you were days though so hard to
• 30:28
  say. Yeah, I I was This eyes are
• 30:30
  still rolling. I feel like we would not quite
• 30:32
  run back to that hole with the bear down there.
• 30:35
  The bear is we're. We're trying to get up these
• 30:37
  stairs, so I'll run with holy. Scooter, Where's the new stairs?
• 30:41
  Whoo, right. He's probably back in the
• 30:42
  hallway. He hasn't really done much.
• 30:45
  Oh, you never know where A new kiss.
• 30:47
  You know, he's not much of a combatant.
• 30:50
  So he's not much help either, come to think of it, I.
• 30:53
  Feel like that's by design, yeah.
• 30:56
  He's next. Both Phil's and mine.
• 31:02
  Now we'll catch up with him later, I guess.
• 31:03
  All right, so we get to the top of these stairs, right?
• 31:05
  Yeah, you get up there. Yep.
• 31:06
  So. Yeah, we're booking.
• 31:08
  We still have Fisk and the General secretly.
• 31:11
  So Fisk, what are you doing? You don't know that the
• 31:13
  general's alive If he if you can, call him.
• 31:15
  That he fades into the floor. You think I should have went
• 31:20
  back in there, Skelly, man. I mean, you think I acted a
• 31:25
  little brash? I mean generally, yeah.
• 31:27
  I mean, I mean, you're pretty. You don't make it this far.
• 31:31
  Useless. Yes, yes, you don't.
• 31:34
  He's in my head still. Yeah, yeah, he is.
• 31:38
  No, you don't get a successful meat cart like I do by, you
• 31:41
  know, running into shit. Let.
• 31:43
  Me ask you a question, shoot it from the hips.
• 31:45
  Do you consider these people to be your friends?
• 31:47
  I mean, he was inside me. He attacked me first, though.
• 31:51
  That seems like it's more than friends, but anyway, if they
• 31:54
  really are your friends, maybe you treat them with a little
• 31:56
  more. We just support, honestly.
• 31:58
  Oh, you just met and he's already inside you.
• 32:00
  Yeah. Are you one of those?
• 32:01
  I move quick. Oh well.
• 32:03
  Yeah, there's so much more heart than this should be.
• 32:05
  This should be. I really get out of my head.
• 32:09
  I don't. Think he's dead?
• 32:16
  I step out of the wall. Because I hear him too.
• 32:11
  But I mean, what if he was dead? He wouldn't.
• 32:13
  He'd just be haunting you. Why would I hear?
• 32:17
  See. You have one more opportunity to
• 32:20
  make yourself useful. Giving you an ultimatum.
• 32:23
  I mean, what's he going to do? Touch me with his little hands?
• 32:26
  I got his hammer right here. I suggest you maybe give that
• 32:29
  back to him, it's probably more useful.
• 32:30
  Also, he's your friend. Remember?
• 32:33
  Friends don't attack friends. They just abandoned them.
• 32:35
  What? That?
• 32:36
  That's how all my friends do it. Oh buddy.
• 32:39
  Oh, complex back story. The long game, The long game.
• 32:49
  For real. Here's the deal.
• 32:52
  If you plan on going back for them, I will distract the bear,
• 32:56
  give you an opportunity to get through.
• 32:58
  But if you reject this proposal now, I will strangle you to
• 33:02
  death. I feel like the options are
• 33:05
  limited, yes, but I've been waiting for a kill.
• 33:09
  Let me flip this corn real quick.
• 33:12
  Oh, come on. Just like it.
• 33:13
  Take the High Road. Fine, fine.
• 33:15
  Take the Hammer, God damn it. But I swear to God, if you come
• 33:18
  after me again, it depends. I'm gonna snort your dust
• 33:24
  starting from your toes. Naturally, they're beautiful,
• 33:27
  actually. It depends on your future
• 33:29
  usefulness and. I phase back into the wall
• 33:32
  again. Nice.
• 33:33
  So that's enough for you guys. Okay.
• 33:36
  So I feel like the turn or the round with Scoots helping the
• 33:40
  other two up the stairs, you two doing what you guys did, which
• 33:43
  took probably forever. It's all happening at the same
• 33:46
  time, baby. Let's just roll initiative
• 33:48
  again, cuz I don't think, I think the bear started
• 33:50
  initiative, didn't he? Yes, yes.
• 33:51
  Okay. Okay, there we go then.
• 33:52
  Let's just roll it again. I'll go.
• 33:54
  That's the bear. The bear.
• 33:55
  OK, so the bear is struggling with that tapestry, but he does
• 33:59
  manage to free it from his claws real weirdly, too.
• 34:03
  Like he's just whipping it around like it's a.
• 34:04
  Like a Chinese finger trap. Yeah, OK.
• 34:08
  I was thinking more like a grocery bag caught on him, but I
• 34:11
  figured that makes some sense. It doesn't.
• 34:15
  Right. Thank you.
• 34:18
  Yeah. But it's OK.
• 34:19
  That's fine either way. He's free of that now.
• 34:22
  But that's his turn. What about the rest of you?
• 34:24
  I'm still heading upstairs. Okay, you getting down into the
• 34:27
  hallway there. Yeah, but with the other two
• 34:29
  guys. You the skeletons.
• 34:31
  Yeah, I managed to kind of reorient myself.
• 34:34
  So yeah, I'm following, Scoots. And.
• 34:37
  Holding my new buddy's hand. Your cousin?
• 34:40
  Yeah, I wonder if they're kissing cousins.
• 34:45
  Never mind. I mean, I'm out.
• 34:46
  So did you say that this hallway goes on past the stairs?
• 34:51
  Even a little bit. No.
• 34:53
  So if you go up those little flight of stairs, you'll be in
• 34:56
  that hallway that I described for Kevin.
• 34:58
  No, no. I mean like where the bear is.
• 35:00
  Oh, the bear. Yeah, If you were to take a
• 35:01
  right instead of the left, you would end up at a large wooden
• 35:04
  door, kind of in the middle of all those plints.
• 35:06
  You know, OK, so there is hallway there.
• 35:09
  Yeah, going back at least a little bit.
• 35:10
  The room is just a giant rectangle.
• 35:12
  You know what I mean? Yeah.
• 35:13
  And you guys are coming in from the side of it.
• 35:16
  I'm going to come out of the wall on the opposite side of
• 35:19
  that hallway and. I would assume it's on the
• 35:22
  opposite side of the bear and Fisk, yes.
• 35:25
  Yeah, that makes sense. OK then I am.
• 35:27
  I'm going to come out of the hallway there.
• 35:30
  Looks like you missed one for the.
• 35:32
  Bear Yes, He turns at you and roars.
• 35:34
  Yeah, yeah. Very nice.
• 35:37
  Very nice. Fuck.
• 35:38
  You anyway. And I just keep going, like
• 35:40
  walking down the hallway a bit and to the towards the door.
• 35:44
  Towards the door, yeah. And then fucking as far as like
• 35:48
  far back as I can, kind of just face back into the wall.
• 35:51
  Okay. Yeah, I got you.
• 35:52
  Saying so you're kind of in the wall by the big door.
• 35:54
  Yeah. Got you.
• 35:55
  Okay. Wonderful.
• 35:56
  Just trying to distract them back down that hallway.
• 35:58
  That's really smart idea. What about, I guess we still
• 36:01
  have Laurel and Fist. Laurel, did you follow the
• 36:03
  Skeleton and Scoots? Yeah.
• 36:05
  Okay. So you're you're all in that
• 36:06
  hallway. What about you, Fisk?
• 36:08
  I knew. Did you see where these guys
• 36:10
  went? I know you're just sitting by
• 36:11
  this doorway. Oh yeah, Which guys?
• 36:15
  All of them. Oh yeah, they all went down that
• 36:17
  way. They fell down the stairs a
• 36:18
  bunch. It's really funny.
• 36:20
  But no. Scoots picked him up and they
• 36:22
  dipped off down the hall. You want to come with me?
• 36:27
  There are other options. Nope.
• 36:28
  And I throw them over my shoulders there.
• 36:29
  Enough SO. I guess, yeah, he does.
• 36:34
  Where you going? The way he told me to go.
• 36:36
  Up the stairs. Sure.
• 36:37
  With with them, Sure. OK.
• 36:39
  So you get across this room, the bear is over.
• 36:41
  You see that the bear is kind of going off to the other side of
• 36:43
  the room. I'm very cautious on the stairs
• 36:45
  cuz he said it was slippery. Who did Anuk?
• 36:48
  He said he slipped on all that. They were all.
• 36:49
  He did say, yeah, he did tell you that.
• 36:50
  So you are aware. OK DR10 then for the agility,
• 36:53
  that's great. Good, good, good eye or good
• 36:55
  ear? Oh, that's a 21.
• 36:57
  Oh fuck yeah. So with that that insider
• 37:00
  information, that's insider baseball, right?
• 37:03
  Doesn't. Make any sense?
• 37:07
  Anyway, you go up the stairs, you see the the skeletons and
• 37:11
  scoots kind of standing almost like under a spotlight of that
• 37:15
  vertical shaft. Yeah, I thought we'd do.
• 37:19
  No. Glad to see you guys are all
• 37:20
  right. Oh, look who decided to join us.
• 37:23
  Where's? Where's?
• 37:25
  Lord Cedric Mars is all right. Pretty good.
• 37:29
  I'm not sure I. Don't know who any.
• 37:31
  Of you are, he's acting like you don't know anything that
• 37:33
  happened. He's just playing dumb.
• 37:35
  I like that. How you doing, cousin?
• 37:37
  We met. Wow, what are you doing down
• 37:39
  here? Oh, you know, just serving some
• 37:41
  time. You Robin Tombs again?
• 37:44
  Well, you know, and it's for corpse Luton and what it always
• 37:48
  has been. Got to keep this hair somehow
• 37:51
  plucking all them little Danny's.
• 37:55
  What is he talking about? I have no idea.
• 37:58
  I mean, your hair is quite lovely.
• 38:00
  I got to give you that. The wealthy tombs, they always
• 38:03
  got the nice wigs in them. Well, they turn into wigs.
• 38:06
  You got to pluck them when they're fresh with a hair color,
• 38:10
  still sturdy. Kind of reminds me of Paul.
• 38:12
  Risk of peace, Paul. I kind of miss the other guy.
• 38:14
  What other guy? I don't know who you are.
• 38:17
  I'm. Right here.
• 38:18
  Oh, there you are. Who's Goldie with you?
• 38:20
  Hey, don't talk to him. He's mine.
• 38:22
  Pleasure. To meet you, I I.
• 38:25
  You're going to ask me if I recognize you, aren't you?
• 38:27
  No. The other one did.
• 38:29
  No. Oh, well, good, because I don't.
• 38:31
  He's a smart cousin. Sounds.
• 38:33
  Like, I feel like there's better things we could be doing with
• 38:36
  the talk. Oh, he's back.
• 38:38
  There he is. Like Crown through the Wall?
• 38:40
  Yeah, haunt my dreams. And there's still a bear down
• 38:43
  there. It didn't just go away.
• 38:45
  That's right. Yeah, we we should keep going.
• 38:47
  Stop jerking off around here and get the fuck.
• 38:49
  Moving and I go back in the wall.
• 38:52
  I I motioned to the beads in my pelvis.
• 38:55
  With what? Can't be jerking much, really.
• 38:58
  If it's sad, shake a pale failure or something.
• 39:02
  I don't know he. Doesn't even have those.
• 39:04
  Yeah, that's true. Shakes his pelvis.
• 39:05
  Sounds like Marraca. I open the door.
• 39:11
  You open the door. What door or whatever is in
• 39:13
  front of us? OK.
• 39:14
  So, yeah, it's just a hallway. You do see like as you guys get
• 39:17
  underneath that, that that vertical shaft that you can see
• 39:22
  like people, you can hear them. And there it's a ways up there,
• 39:26
  like probably well over 100 feet.
• 39:28
  It's a very smooth shaft, I see. In your Tomb Raiding days, how
• 39:38
  did you usually handle this? Rope A rope bow.
• 39:41
  A rope bow. To be honest.
• 39:46
  But also the the hallway or this corridor does continue on.
• 39:50
  Then you see, you can't really tell much beyond that.
• 39:52
  See Cousin We met normally I'm breaking into the tombs not
• 39:55
  already in it, so can't really help you out of it.
• 39:59
  You normally have to get out of them after you, yeah.
• 40:02
  When I came in, I know how to get out.
• 40:04
  I'm the one I got in. Don't.
• 40:06
  Don't you remember how they brought you in unconscious?
• 40:10
  So no, yeah, that's fair. I mean, I remembered.
• 40:12
  Well, that's true. Yeah, I'm going to put you down
• 40:14
  now. You're kind of heavy.
• 40:15
  If you insist. So who's here in charge?
• 40:20
  The guy bleeding from the chest with the with the fucking
• 40:24
  charcoal hands or what? And what's going on here?
• 40:26
  I never said I was in charge. I just want to get the hell out
• 40:28
  of here and I guess head further down the quarter it's.
• 40:33
  Still got all the the geodes and stuff right keeping me from.
• 40:36
  It does this place and. Is Scoot's hand still out?
• 40:41
  Yes, they've been out ever since you guys got into that room with
• 40:45
  the bear. So you guys push on a little bit
• 40:48
  down this hallway and you come to a perpendicular hallway going
• 40:52
  left and right to you guys, and it's familiar.
• 40:56
  You see the blood flowing between paved stones.
• 40:59
  It's that hallway, the one that you guys were in, that led to
• 41:02
  the guards room, but you're now coming at it from another
• 41:05
  direction. You know that if you were to go
• 41:07
  directly to the door in front of you, you would end up back in
• 41:09
  the kitchen. Well, this sucks.
• 41:12
  I feel like we just went in a big circle.
• 41:14
  You literally did. This is all new to me.
• 41:17
  Never been here. I think I left toes over that
• 41:19
  way. I doubt you left any toes
• 41:25
  anywhere. Now guys.
• 41:26
  Look, the only place I haven't been is this place, and if you
• 41:30
  were telling me right now that you've already been here, I can
• 41:33
  only think of. One Direction.
• 41:35
  Yes. There's a hole in the wall
• 41:37
  downstairs by the bear that I haven't been.
• 41:40
  Have you been? No.
• 41:42
  OK, well, that might that might very well be where we gotta go.
• 41:47
  I'm just saying. And you couldn't have said that
• 41:50
  before. I mean, we can always go back to
• 41:52
  our cage and go through that hole.
• 41:55
  What? There's a hole over there.
• 41:56
  All this talk about holes is get me kind of hungry.
• 42:01
  I don't. I'm going to go back towards
• 42:04
  where the bear was. What do Bones eat?
• 42:06
  He seems confident I'm going to follow him and it's it's prison
• 42:09
  pockets. Are we on the Are we on the
• 42:12
  opposite side of the that hallway, the the kitchen?
• 42:17
  Like, not where we first started, but.
• 42:19
  When we left it, yeah, when you exited it, cuz remember, you
• 42:22
  exited it. There was that hallway and then
• 42:23
  the geos were exploding. It's that hallway with the
• 42:26
  exploding geodes. And then and.
• 42:28
  Then you know that like the guard cuz in other words from
• 42:30
  this direction you guys are facing S looking at this.
• 42:34
  Blood flowing hallway. Yes, the kitchen is directly
• 42:36
  across from the hallway from you.
• 42:38
  If you were to go down to the right, on the same wall that you
• 42:40
  guys are breaching the hallway from, you would find the guard
• 42:43
  room where you guys saw the guards playing Goblin teeth.
• 42:46
  If you were to go all the way to go to left all the way to the
• 42:49
  end of the hallway, you would come to that room where you guys
• 42:51
  saw the egg and then Scoots killed the baby.
• 42:54
  Murderer. And that was notable.
• 42:58
  And then also there was that little blood pool over there as
• 43:00
  well on that end of the hall. Do we want to go hit the hole?
• 43:04
  I'd rather not. We'll hit all sides of it.
• 43:08
  I'd rather not take my chances with that fucking bear again.
• 43:11
  Well then we got to go back through the kitchen and hit that
• 43:14
  that hole behind the thingy. Unfortunately, it looks like
• 43:17
  Scoots has already made-up his mind for us as they watch him
• 43:20
  like walking off down the hall. They.
• 43:22
  Walked down wrong, wrong. He made-up his mind for him.
• 43:26
  I'm. I'm going to be following Scoots
• 43:27
  because I I have some questions for his weird hands.
• 43:30
  I'm going to go, I'm going to listen to.
• 43:32
  The, you know, guard door family.
• 43:34
  So I'm going to go. I'm a travel.
• 43:36
  Team player here to this team is divine.
• 43:39
  But Scoots and Laurel, and we might As you guys get back to
• 43:43
  this room, you're at the top of the stairs.
• 43:45
  You see that the bear is just standing there still, like like
• 43:48
  a like a statue. Oh, nice.
• 43:50
  This would probably be a good time to take a break.
• 44:17
  Welcome back, the files of the face.
• 44:23
  That's my favorite part. Screaming.
• 44:26
  All right, so the three of you Scoots and the skeletons.
• 44:30
  That's your new band? Yeah, definitely a Scott band.
• 44:35
  Your name is. Oh yeah, yeah, yeah.
• 44:37
  You guys stand on the South end of this room of the bare room.
• 44:41
  We're calling it now General and Fisk.
• 44:44
  What are you guys doing? I guess we have to follow.
• 44:47
  Oh, General, you were looking listening to the guard door.
• 44:49
  I was going to, yeah, see if they're still in there.
• 44:51
  OK, we'll deal with that first, then you're following the The
• 44:54
  Crew. I'll follow the general.
• 44:56
  OK. So yeah.
• 44:57
  Then sees the one that's. I got to keep an eye on you.
• 45:01
  OK, whatever. So yeah, you guys go down that
• 45:04
  you're listening to the door and you hear the hooting and
• 45:06
  hollering you heard last time you came by here.
• 45:09
  Definitely not the best direction.
• 45:12
  Oh yeah, both seems pretty bad if you think about.
• 45:15
  It agreed. Fuck.
• 45:17
  All right, let's go fucking follow the Human Torch and
• 45:21
  Skellermans or whatever. The fuck.
• 45:22
  Come on, a nook. Throw them back over my
• 45:24
  shoulder. Quiet.
• 45:32
  So the four of you, cuz yeah, you're carrying around two other
• 45:34
  people, which I God imagine that I should really just start being
• 45:41
  like Dr., the boosting. Well, I mean, essentially
• 45:43
  they're both both skeletons. He's.
• 45:46
  Not far off. You're not wrong.
• 45:48
  The gold one's got to weigh it. Good amount, though.
• 45:51
  You think gold weighs more than bone?
• 45:53
  Yeah, he's gold leafed like a gold.
• 45:54
  Gold leaf like a gold skull, like possibly.
• 45:58
  Is he solid gold? We don't have.
• 46:00
  He's gold leafed does. He feel like he.
• 46:02
  No, OK. Thanks That you're the one
• 46:04
  holding. Him.
• 46:05
  He's got gold teeth. Those are solid.
• 46:08
  Oh yeah, you gotta get that gold grill against the grill.
• 46:11
  It would look weird if those were what?
• 46:13
  We make it look easy. Real trap shit.
• 46:20
  Anyway, so yeah, all of you guys stand on the South end of this
• 46:23
  bare room, the Bears standing completely still.
• 46:26
  What now? Where do we go?
• 46:28
  Shut the fuck up. Why?
• 46:30
  As you say, what's the point as you say that you see like
• 46:32
  flashing of the Geos in the ceiling?
• 46:34
  Oh, those things. That firstly, yes.
• 46:37
  I didn't see that last time. I'm sorry.
• 46:39
  I guess he's. Not really.
• 46:42
  If you say I'm sorry, I guess you're not sorry.
• 46:45
  Not at all. Trust me, I tried that.
• 46:47
  Just, just give, just give me a minute, all right?
• 46:50
  And I'll go through the wall and come out by the bear.
• 46:53
  You guys better watch your back. He tried to attack me earlier.
• 46:56
  You're coming out by the bear. Yeah.
• 46:57
  OK And you see that he's like, completely catatonic.
• 46:59
  Not catatonic, but he's a statue.
• 47:01
  I I moved my hand in front of his face.
• 47:03
  Nothing. Why?
• 47:04
  Why would he? Why would he attack you?
• 47:07
  I'm not sure. And he was inside my prison
• 47:09
  pocket. Oh, you would figure yet like
• 47:13
  some sort of bomb that you people wouldn't break?
• 47:15
  I gave him a free run. He tried to jump my bones, if
• 47:19
  you know what I mean. I point to the gold skeleton.
• 47:21
  I. Mean look at Laura was like.
• 47:23
  Sure you want to be a part of this?
• 47:24
  I don't know anymore to be honest.
• 47:26
  Yeah, that's what I thought. I don't.
• 47:27
  Much blame you. He said if I don't take alone,
• 47:29
  he's going to come after me so. I love how you're fucking just,
• 47:32
  like, lying to these boys. But I'm not.
• 47:35
  Well, you're kind of honest. No, you're not.
• 47:37
  But you are making you're victimizing yourself pretty
• 47:39
  hard. You're playing the victim.
• 47:40
  I'm just saying. Eyes peeled.
• 47:42
  This one's watching my back. Yes, right.
• 47:44
  I stare with my you're you're down there.
• 47:46
  You're not anywhere near here. I stare with my eyelids.
• 47:49
  Fucking gaunt face. Sure.
• 47:52
  OK, I'm down at the bottom of the stairs.
• 47:54
  Then I waved my hand in front of its face and I just shrug at
• 47:57
  him. Are we good?
• 47:58
  Oh, sorry. Yeah, as you say that, yeah, you
• 48:01
  see the Geo, it's like it's almost like wherever you are
• 48:03
  talking like the Geo, it's kind of ripple like sound waves,
• 48:06
  right. Fortunately, you barely heard
• 48:09
  him. So the bear, like the ripples
• 48:11
  only made it so far. But like, any louder and that
• 48:14
  would have woken the bear, likely.
• 48:15
  I obviously I'm not going to take any chances with that and
• 48:19
  he brought up the hole in the wall.
• 48:21
  And I saw it. I'm going to lead the rest of
• 48:24
  the game to this hole on the. Wall, I'm going to, yeah, I'm
• 48:26
  going to just like. Quietly.
• 48:28
  Shrug and point over that direction.
• 48:30
  And be careful those those stairs are slippery from when I
• 48:33
  heard stop talking. This is my whisper.
• 48:35
  Sorry, I barely have met you and you seem very useless and on the
• 48:41
  reliable. You're going to get me killed.
• 48:44
  You keep talking, you're making me nervous.
• 48:47
  I'm going to triple if you don't stop talking to me that way.
• 48:50
  Everybody shut the fuck up. I want my hands to be on fire
• 48:54
  again. I do like to close my ears.
• 48:57
  All right. Follow me.
• 48:58
  Permanently. Just follow me.
• 49:00
  Be fine, you guys going back down the stairs again.
• 49:02
  I'm going to, I'm going to sneak down the stairs and lead them to
• 49:05
  the hole in the wall. All right, so I know what's
• 49:08
  coming. Just the stairs.
• 49:10
  All right. So I'm thinking, you guys are
• 49:11
  well aware of it, right? So that's dropping it down to
• 49:14
  A10. You guys are also like, really
• 49:16
  trying to, like, be quiet. So you're definitely walking
• 49:18
  differently. I'm going to call that an 8.
• 49:21
  So you just got to make a DRA to Agility to not fall, are you?
• 49:25
  Kidding me, I tripped him. So, so, weeb it.
• 49:28
  Yep. Weeb.
• 49:29
  It takes that first step and immediately his pulls out and
• 49:33
  it's just. As you do that down, Laurel does
• 49:39
  the exact same thing like you guys are doing it like
• 49:41
  synchronized almost and then you see the sound waves.
• 49:44
  Like reaching out to the bear and the bear just roars again.
• 49:48
  That's funny, because I also fell down the stairs.
• 49:53
  And you clang with like the gold skeleton.
• 49:54
  And then you broke my hip because you're carrying two
• 49:59
  other people. It was already broken.
• 50:01
  Apparently that's not. That's new to me.
• 50:03
  Why'd you drag me down with you? What about your?
• 50:06
  Scoots what? What is?
• 50:07
  What has Scoots got? 19.
• 50:09
  Oh, excuse fucking you fucker. Suck.
• 50:14
  You like, just easily make it down these stairs?
• 50:17
  You got a two? Yeah, Yeah, it matters now.
• 50:20
  I got a three. You got a three.
• 50:23
  I got a 1230. Fuck, dude.
• 50:25
  You guys couldn't have made that any worse.
• 50:27
  Holy fuck, I'm going to scramble to stand up from the top of the
• 50:30
  stairs. I hear all this shit and I'm
• 50:32
  like. Mango is the fucking hole.
• 50:34
  You run to the hole. Yeah.
• 50:36
  OK, OK. What about you, Scoots?
• 50:38
  Are you? What are you?
• 50:39
  You made it down. All your buddies are on the
• 50:41
  wall. Buddies, whatever are on the
• 50:43
  floor around you. I'm going to stand very still
• 50:47
  and look at them very angrily. I don't know what that's going
• 50:51
  to do. That thing's awake now.
• 50:53
  Yeah, and it's it's coming. You better boot, scoot and
• 50:56
  boogie on down here. Right.
• 50:58
  I'm already down there with you guys and you guys are basically
• 51:02
  like dog piled around me, so I feel like I'm pretty much buried
• 51:06
  in skeleton. You're trapped with.
• 51:08
  It, man. Yeah.
• 51:09
  I am trapped within my party. It's a good title, man.
• 51:15
  Trapped within the party. I feel like reading out the
• 51:18
  whole title is real bad though. Like Trapped within Part 4,
• 51:22
  Trapped within the party? That's not great.
• 51:26
  So I'm just gonna stand there. For now.
• 51:28
  OK, role initiative fucking. Of course.
• 51:34
  I. Thought Thomas do.
• 51:36
  That's a three. Three.
• 51:38
  OK, so the bear. The only person in this room
• 51:41
  standing, drawing his attention is Scoots.
• 51:45
  Or. Or what?
• 51:46
  They seen our ghosty friend run away cuz he was right in front
• 51:49
  of him. It is true.
• 51:51
  Oh, that is true. I was.
• 51:52
  When he was inert. And I said that I was walking
• 51:55
  off the other direction. No, he notices us.
• 51:57
  I'm just saying, yeah. I notices.
• 51:59
  Yeah, I mean, we're, we're. Just.
• 52:01
  Saying we're the source of the sound.
• 52:02
  Specifically, I said. I shrug, and then I point off
• 52:05
  the direction of the hole and walk that way.
• 52:07
  That was all silent. That's true.
• 52:08
  OK, Yeah. OK, so this bear is coming at
• 52:11
  you, scoots. Give me an agility test.
• 52:14
  OK, ooh, I'm gonna omen. Yeah, my guest.
• 52:21
  It's 14. OK, there you go.
• 52:22
  This thing swings a big old Telegraph claw at you.
• 52:25
  And yeah, to no avail. All right.
• 52:28
  That's you guys. So as he swings, I'm going to
• 52:32
  try to run. Like or or slide or just go
• 52:36
  underneath him and go towards the hole.
• 52:38
  I love it. OK, Yeah, you managed to just
• 52:39
  slide your way to the hole. We'll call you at the hole right
• 52:41
  there with Cedric, about 3 laying on the ground.
• 52:44
  You fly. I I do like the full scooby-doo
• 52:47
  sound effects. Just scramble, run across the
• 52:50
  hole. But OK, so yeah, it gets up,
• 52:53
  scrambles to the hole. What about Fisk and his
• 52:57
  entourage? Why stand up?
• 53:00
  I grab a nook by the ankle and I run to the hole.
• 53:02
  OK, yeah, you do and make it to the hole.
• 53:06
  What about Laurel? Let's all meet at the hole.
• 53:10
  OK, you're scrambling your way over the hole too.
• 53:12
  Gould dot, however, is left sitting there.
• 53:14
  What? Yeah, you grabbed a nook.
• 53:16
  Well, he was on my back. Still you fell with everybody I
• 53:19
  feel like in his legs. If I'd known that, I would have
• 53:22
  left a nook. So who are you grabbing?
• 53:28
  Not a nook. OK.
• 53:29
  Oh yeah. No, just leave me here.
• 53:30
  That's fine. You're fine.
• 53:33
  Yeah, probably will be. Yeah.
• 53:34
  At the. Cannon fodder So.
• 53:36
  Give me initiative, just all of the hole OK5.
• 53:39
  That's us. So what do you guys do?
• 53:42
  I suppose you guys want to know what's in the hole.
• 53:43
  I'm going in hole. OK, so you got to.
• 53:45
  I'm just going to dive in. OK, so you see that pools of
• 53:49
  ancient, thick, sticky blood fill this room, overflowing up
• 53:53
  to about ankle height. You see one of those little
• 53:56
  weird Murloc dudes that we have seen occasionally?
• 54:01
  It's a little put but but I'm not sure what that is.
• 54:03
  But we've been calling him Murloc's and that's way funnier.
• 54:06
  So he's holding. Looks like he's holding a a
• 54:08
  Lantern on the other side of this puddle across from it.
• 54:12
  And that's are there any geotes in here?
• 54:14
  No, actually, as you breach the hallway, your hands ignite.
• 54:19
  Are there doors? No, there are no doors.
• 54:22
  There is just this hallway. You do see behind that dude with
• 54:27
  the Lantern, there's a small tunnel in the wall about the
• 54:31
  size of the doggie door, which is not big.
• 54:34
  Are you standing there watching you guys too?
• 54:36
  Like, he's like, kind of frozen in place.
• 54:38
  Did a nook fall through? What did a Nook make it?
• 54:41
  As you look back to see that, you see that the bear is just
• 54:44
  hovering over a nook and he's laying on the ground still
• 54:46
  because he's old and probably takes a couple turns to get up.
• 54:49
  I'm going to turn back to scoots.
• 54:51
  Hey, what about your grandpa? He'll be fine.
• 54:55
  I'm not Scoots. I'm just listening to your
• 54:57
  conversation. Yeah, you're weird.
• 54:58
  Don't like you. See how.
• 55:03
  Many of us do. Yeah, right.
• 55:04
  I don't know. I thought I was a Peach.
• 55:06
  This is an unbearable party. No one asked, tripping in it for
• 55:09
  the past three episodes. I that's not my pappy.
• 55:12
  He's fucking useless. I don't know why we're dragging
• 55:15
  his ass along. I guess we have this moral
• 55:20
  obligation to make sure he comes out alive.
• 55:22
  Well, I'm thinking you don't. No, you're you're just
• 55:25
  unreliable. I'm also belligerent.
• 55:28
  Yes. Obviously, yeah.
• 55:32
  Hey, fuck you. Fuck you.
• 55:39
  The bear attacks him. Yeah, it's coming, I'm sure.
• 55:42
  Oh. Shit.
• 55:45
  Do we go get him? No.
• 55:47
  No, look at we. I don't think so.
• 55:50
  I mean. Fuck him.
• 55:52
  I'm gonna head for the doggy door.
• 55:53
  Who? Yes.
• 55:54
  Who here wants to die for him? Raise your hand.
• 55:58
  Yeah, that's what I thought. He's standing next to us.
• 56:06
  Quietly here we can hear you guys are louder than spit all
• 56:08
  the time I was yelling at the light.
• 56:11
  I'm sure he'll be fine. Who's going for the doggy door?
• 56:14
  I'm going for the doggy door. OK, as you try to wade your, you
• 56:17
  wade through this pool of blood. And you see that the little dude
• 56:20
  with the Lantern, like he sees you coming and immediately ducks
• 56:22
  into there and just takes off. OK, lead the way.
• 56:26
  No, no. OK.
• 56:28
  No, I don't know anything beyond this place.
• 56:30
  Well, follow us and you probably die.
• 56:34
  And I'm going to try to squeeze my way through the doggy door.
• 56:37
  As you do, you see that like you're trying to.
• 56:39
  You're on the ground pretty much crawling to get through here,
• 56:42
  and your shoulders are just not narrow enough.
• 56:45
  I am a skeleton. How big of a doggy door are we
• 56:48
  talking like? Chihuahua.
• 56:50
  Like Levi's dogs. Like Levi's dogs.
• 56:52
  I don't know Levi's dogs. Oh, that's a great point.
• 56:56
  Let's call it like a 2 foot wide hole.
• 56:58
  As Scoots has tried to squeeze through this hole, I ram my
• 57:01
  shoulder into him to give. Him.
• 57:03
  His butt? Yep.
• 57:04
  OK, get in there with that. Thickness we we will, we'll also
• 57:08
  assist. OK, so you guys are pushing
• 57:09
  Scoots into this hole and he's like he it's narrow, but he's
• 57:13
  fitting and. Do you see, Scoots, that this
• 57:16
  tunnel takes a sharp hook to the left, and as you squeeze your
• 57:22
  way around it, you don't even see?
• 57:24
  Like the the little man's Lantern light, it's just
• 57:28
  darkness. Well, actually, for your hands
• 57:30
  are illuminating the area around you.
• 57:32
  And my eyes so oh. That too.
• 57:34
  Yeah. You like flashlights?
• 57:35
  Pretty much with thrives. Pretty much I got like high
• 57:39
  beams turn. Them off stop.
• 57:43
  Learning. Go down the highway with your
• 57:46
  brights on. Yeah, I'm that asshole.
• 57:51
  All right, so I hang the left and I I guess continue on.
• 57:55
  I I try to. I I doubt I could like Crane
• 57:58
  around to say anything to anybody behind me, but I will
• 58:02
  try to relay the message that there is a hallway that is going
• 58:06
  to the left. You see actually at this point
• 58:08
  then because you kind of went down a little bit further down
• 58:10
  after you said that, you come to a spot where it splits left and
• 58:14
  right. To the left.
• 58:15
  Okay. You keep crawling and you're
• 58:18
  crawling for a Waze. And then you eventually you come
• 58:21
  out. Well, you see light at the end
• 58:23
  of the total. Okay.
• 58:26
  Corny. And you're back in the Jake, so.
• 58:32
  If only right. I'll take my chances with Gizmo.
• 58:36
  Okay. So you continue on into the
• 58:39
  light and you see that this room is literally just.
• 58:42
  So it's like a 10 foot by 10 foot room with a door and of
• 58:47
  course the tunnel that you just crawled out of, It's big enough
• 58:49
  to stand in, but not much bigger.
• 58:51
  OK. Do I hear any of the other
• 58:54
  people following me? I don't know.
• 58:55
  Do you? Are you guys following him?
• 58:57
  I'd be close behind. You're calling.
• 58:59
  I mean, the skeletons are probably no problem, right?
• 59:02
  They're just bones. Or the ghosts.
• 59:03
  Yeah, the ghosts can could just like through the wall.
• 59:07
  I wish you would walk with this pelvis at eye level.
• 59:11
  You're like, crouched to, like, make it happen.
• 59:15
  I'll fall on. OK.
• 59:16
  So pretty much all of you guys are squeezing through here,
• 59:19
  right? That's it you assume.
• 59:20
  OK, so you guys all this room here, then this 10 foot by 10
• 59:24
  foot room really starts filling up with you guys as you guys all
• 59:27
  emerge from the tunnel. And is it all stone around the
• 59:30
  door as well? Yeah, yeah.
• 59:32
  It's like it's it's carved the same way that the tunnel is just
• 59:36
  a larger area. Why don't you take a little peek
• 59:38
  through that, see what we're cooking with?
• 59:40
  I have a bad feeling. I know where we are.
• 59:43
  I look through the wall. You look through the wall and
• 59:46
  you see a cylindrical room with like a graded floor, and it's
• 59:53
  full of these various sizes of black balls.
• 59:59
  And you realize that this door that you guys you're standing in
• 1:00:02
  front of is an unopened door in this room.
• 1:00:05
  What's the number say above it? That is number 11.
• 1:00:10
  It's it's the ballroom, not the one where you dance pulse
• 1:00:16
  corpses in there. Yep, and it is.
• 1:00:18
  You see it just. You've got to be fucking kidding
• 1:00:21
  me. I wish I wasn't.
• 1:00:23
  I mean, we can always go back and hit that.
• 1:00:25
  Other hit that other angle, but dude.
• 1:00:29
  So if we open this door, are we going to have a?
• 1:00:34
  What the fuck? Is it like a 20 foot ball?
• 1:00:36
  Don't do it. Somehow.
• 1:00:38
  Don't do it. I've never been here before.
• 1:00:42
  I walk into the wall, Jake. What are you talking about?
• 1:00:41
  And I open up the. I dive into the hole.
• 1:00:47
  Jake, give me a D2. On A1 there's no ball.
• 1:00:51
  On A2, there's a ball. It'd be.
• 1:00:53
  If you're the fucking worst. Flip the coin.
• 1:00:55
  It's a one. One is no ball, it's a one.
• 1:00:58
  OK, so you open the door and you just see this round room.
• 1:01:03
  Those balls, but no new ball I I turn around.
• 1:01:07
  Lot of balls in the here. Lot of balls.
• 1:01:10
  Expecting something else? I'm going the other way.
• 1:01:13
  Come on. You're crawling back into the
• 1:01:14
  tunnel. Oh, yeah, OK.
• 1:01:15
  If. You want you can walk in there,
• 1:01:18
  open up one of those other doors.
• 1:01:19
  I'll go check it out. Go for it, I turn around.
• 1:01:22
  No. No, no, no, no.
• 1:01:24
  Why? You see that corpse over there?
• 1:01:27
  That was Paul. He looks familiar, don't, isn't
• 1:01:29
  he? That's Fincter.
• 1:01:32
  Yeah, Oh yeah, yeah. Looks like you want to mark a
• 1:01:35
  page. I think he was also played by
• 1:01:37
  you. I don't know who you is.
• 1:01:39
  Me neither. Move on, Cool Dog's here.
• 1:01:43
  I forgot I still have an. MPC I guess I'll follow Fisk and
• 1:01:49
  go back through the the tunnel, maybe head straight instead of
• 1:01:53
  hanging the right. Oh, taking the other what was
• 1:01:57
  originally? Going left.
• 1:01:58
  OK, I'm going left. What do you mean?
• 1:02:01
  Well, left would be that way they you.
• 1:02:03
  No cuz when we came here we went down a curved and then there was
• 1:02:06
  another left and right and then you went we took the left.
• 1:02:10
  As. And going straight would be
• 1:02:11
  going the right direction, yeah. Yeah.
• 1:02:13
  So I'm going. So you guys are going the way
• 1:02:15
  you didn't go before. Yeah, correct.
• 1:02:17
  All right. So you guys crawl and you guys
• 1:02:19
  are crawling through this? Tunnel for a fucking long time.
• 1:02:23
  Do we meet up with Anuk in the tunnel?
• 1:02:25
  No, no shit, O. K you pass by the intersection
• 1:02:29
  where you took could have taken that of course.
• 1:02:30
  And you, yeah, you guys are crawling for like 30 minutes or
• 1:02:34
  so before you realize like you don't fucking know where this is
• 1:02:36
  going and you continue crawling and like an hour or so passes
• 1:02:40
  and you're still just like army crawling through this tunnel.
• 1:02:44
  We'll get there sometime. Well, wait.
• 1:02:46
  I don't know. You're just walking through it.
• 1:02:48
  You run up ahead. Find out.
• 1:02:51
  That's not quite how it works. Are you in lovely I Spy?
• 1:02:54
  I'm kind of like. There's like nothing around but
• 1:02:58
  rock. I'm kind of like Nightcrawler.
• 1:03:01
  I kind of need to know, right? You're not.
• 1:03:03
  You understand? No moving this Nightcrawler.
• 1:03:07
  You've never OK, never mind. Fuck it.
• 1:03:11
  I, I, and I'm going to start describing.
• 1:03:16
  Blood. It's in a prison pocket.
• 1:03:17
  It's blood. Quit staring at my turd, Cutter.
• 1:03:23
  Let's just go. That's so gross.
• 1:03:26
  Oh boy, that's what he calls this poop knife.
• 1:03:30
  Oh yeah, the poop knife of. Course, my old stink whistle.
• 1:03:35
  I shouldn't whistle it. Shouldn't whistle, you said.
• 1:03:40
  You called it something once. A dirt.
• 1:03:41
  Something dirt. * Yeah. Oh, dirt, dirt button.
• 1:03:44
  Dirt button. That's fucking.
• 1:03:47
  What the fuck? All right, how many hours do we
• 1:03:50
  crawl through this thing? I mean, are you gonna continue
• 1:03:53
  till something changes? Yeah, I can't turn around.
• 1:03:57
  Yeah, either that or. We back up for the next three
• 1:03:59
  hours. That's a fucking great point.
• 1:04:01
  So you guys crawl for hours and hours and hours and.
• 1:04:07
  Eventually enough for another bell to chime.
• 1:04:10
  Yes. And you don't really hear it
• 1:04:13
  because of how where you are, of course.
• 1:04:15
  But feel it in our bones. You just feel it in your bones.
• 1:04:18
  Yeah. Potential.
• 1:04:18
  Oncoming. Misery.
• 1:04:19
  Somebody give me a I feel sad. We.
• 1:04:23
  Crawled for 23 hours. Impressive.
• 1:04:28
  I'm not doing it. Anybody.
• 1:04:30
  D10. Yep, D10 all.
• 1:04:32
  Right. You guys did.
• 1:04:35
  That's a 10. Okay.
• 1:04:36
  So D8 tomorrow morning. Well, I love that fucking
• 1:04:40
  escalating. The misery date It's so.
• 1:04:42
  What do I roll? D6 Oh, a scooter has to roll.
• 1:04:46
  Did you die as your infection? Where were you in the lineup?
• 1:04:49
  I died. You died.
• 1:04:50
  I'm in the front. What did you?
• 1:04:51
  Get what did you get 3 and how many hit points did you have?
• 1:04:55
  Three you're. Ever broken again.
• 1:04:56
  So give me a D4. Oh my.
• 1:04:58
  I have one HP, because of it my. Fuck a four a 4I.
• 1:05:02
  Think that's dead? I think you died.
• 1:05:04
  Yeah. Can I?
• 1:05:05
  I think that's. Broken 4 down.
• 1:05:08
  Can I home in to reduce? I I think you can spend an omen
• 1:05:12
  on anything really. Can I spend an omen on my my
• 1:05:15
  damage here so I don't? Die my last.
• 1:05:17
  I'm here. Infection damage, Yeah.
• 1:05:19
  I don't know. I don't know.
• 1:05:21
  I mean, you're the GM, dad. That's true.
• 1:05:25
  It's a GM call at that point because I mean you could argue
• 1:05:29
  omens could be spent to re roll any die.
• 1:05:32
  That's kind of what I'm thinking, you know, is like any
• 1:05:34
  any role can be omened, you know?
• 1:05:36
  And yeah, I'll allow that. Yeah, for sure.
• 1:05:38
  If you want to roll to reduce damage, then do that.
• 1:05:41
  I'm alive still. Maybe what did you?
• 1:05:44
  I feel sick. You'd have to roll a D6 to
• 1:05:46
  determine how much you negated it.
• 1:05:50
  I believe all of it. I gained 3 health.
• 1:05:51
  OK, so your infection didn't affect you at all.
• 1:05:53
  What about general? I have one HP left right now.
• 1:05:56
  OK, OK. And you guys continuing to crawl
• 1:06:00
  also? I still have.
• 1:06:02
  To Oh yeah, give me a D100. Yeah, yeah.
• 1:06:05
  Did it. 62. You're.
• 1:06:09
  Good, I'm fine. It.
• 1:06:11
  Would be really funny if he did that too, because he's like the
• 1:06:13
  front of the pack and like it'll just be a lot.
• 1:06:18
  OK. And then we spend the next day
• 1:06:19
  just backing up. Oh God.
• 1:06:21
  A whole day of crawling backwards.
• 1:06:23
  Fuck. I mean, gets been a whole day
• 1:06:24
  crawling. Your knees are probably
• 1:06:26
  destroyed. Hmm.
• 1:06:28
  Those of you who have flesh. Do we keep going first?
• 1:06:30
  The any of the laurels are. Just like.
• 1:06:34
  Like, just like scratch to like like like a skate deck.
• 1:06:38
  Like like someone's grinding those rails.
• 1:06:40
  I don't want to be a downer, but I have this weird feeling if we
• 1:06:43
  just back up a couple of inches, even shit's going to change real
• 1:06:47
  quick. This place is kind of fucky.
• 1:06:49
  I. I mean, you're the expert.
• 1:06:52
  What? Sure.
• 1:06:58
  Oh God, where am I in the lineup?
• 1:07:01
  I don't know. In the middle.
• 1:07:01
  In the middle? Great.
• 1:07:04
  Probably. I mean, I'm going to move my ass
• 1:07:07
  back as much as I can. Our beep beep.
• 1:07:09
  Let's go. You guys are just backing up now
• 1:07:12
  go like 10 feet just to test it out.
• 1:07:14
  OK. OK.
• 1:07:14
  That's what you're doing. OK.
• 1:07:15
  So you go back up 10 feet and. You've.
• 1:07:18
  What miraculously changed is a 10 feet of movement.
• 1:07:23
  Nothing is different. I guess 10 feet back.
• 1:07:26
  Well, I've done all I can. I.
• 1:07:28
  Love what you think we keep going forward then.
• 1:07:31
  You guys are going to continue to crawl.
• 1:07:32
  Forward Or do we go backwards? Backwards all day.
• 1:07:34
  I'm at a certain point where I'm starting to feel like people are
• 1:07:37
  starving to death maybe. Yeah, yeah, that's a great
• 1:07:39
  point. I really feel like the skeletons
• 1:07:42
  don't have to eat, no. It actually does.
• 1:07:45
  Catacombs do not eat. OK, there you go.
• 1:07:47
  So that doesn't affect you guys. You're a ghost.
• 1:07:49
  I feel like it's the same for you.
• 1:07:51
  I'm just assuming based on the fact he's a ghost, you're
• 1:07:53
  accountable. You got to eat somebody.
• 1:07:55
  You got to eat, though. And Scoots, you got to eat too.
• 1:07:57
  I eat some of my gold toes. I guess you're.
• 1:07:59
  Not eating those? No, you won't be able to digest
• 1:08:02
  them. No, that's OK.
• 1:08:03
  You're not break one off, pop it down in there.
• 1:08:06
  Fair enough. So I take my big toe.
• 1:08:07
  I completely lose my balance. That's fine.
• 1:08:10
  I go over the pinky niblets. Yep, that one's small.
• 1:08:12
  I don't lose that just for that fine tuning.
• 1:08:15
  No. Yeah, that's OK.
• 1:08:16
  What? About you, Scoots.
• 1:08:18
  I don't. I don't want to eat anything in
• 1:08:21
  this hole. Have anything to eat?
• 1:08:24
  No, it's I'm eating Fisk. That's the only thing he can on.
• 1:08:28
  You want some on this? Absolutely not.
• 1:08:31
  I want the fuck out of here. You can have some callus.
• 1:08:34
  You. Oh yeah.
• 1:08:39
  Well, I got these shitty leather boots you can munch on.
• 1:08:44
  How will we move this sausage train along?
• 1:08:46
  Forward or backwards? We tried.
• 1:08:49
  Backwards. Ain't working.
• 1:08:50
  I don't. Think we tried forwards for 23
• 1:08:52
  hours. What do you mean?
• 1:08:54
  I don't feel like anything is working.
• 1:08:56
  I just want to see I'm starting to lose my mind in here.
• 1:08:59
  I just want to see a fucking like two people cross section of
• 1:09:02
  this thing where it's just like a side view of the tunnel and
• 1:09:04
  all you guys on your hands and knees just like yelling at each
• 1:09:06
  other. Leave the human centipede can.
• 1:09:10
  I'm going to start freaking out and start pushing whoever's in
• 1:09:13
  front of me forward. Because of the human earthworm.
• 1:09:15
  There's no fucking way that this can go on forever.
• 1:09:18
  The the blood is still flowing this way.
• 1:09:20
  No, you're way past all of that. Yeah, that was.
• 1:09:23
  That was a pool in that room where that little dude was sure
• 1:09:26
  you guys left that a day ago and it pretty much like as soon as
• 1:09:29
  you got across that pool, there was no blood.
• 1:09:31
  We keep going forward, sure. OK.
• 1:09:35
  So you guys continue crawling is.
• 1:09:36
  This the TPK. No.
• 1:09:39
  It's straight up. No, actually it's it's it's
• 1:09:42
  almost the opposite. You guys continue crawling and
• 1:09:46
  hours pass. I got to imagine you're starting
• 1:09:49
  to build. Doubt a lot, but yeah, turning.
• 1:09:53
  Around isn't a fucking option though.
• 1:09:54
  And you guys? Crawl for an entire another day.
• 1:09:58
  I'm sorry, I've been shitting this whole time.
• 1:10:00
  You. Calm, sorry, out of the ground
• 1:10:04
  and you look around you and you are outside.
• 1:10:07
  Absolutely. We fucking Shawshank this shit.
• 1:10:09
  You really kind of did, because you look around and you're like,
• 1:10:13
  I don't recognize any of this stuff.
• 1:10:15
  You don't really know where you are, but everything around you
• 1:10:18
  is just like corpses and. How long?
• 1:10:21
  Like this valley of endless misery, the air here seems tough
• 1:10:26
  to breathe. You said a full day.
• 1:10:28
  Yeah, another full day. So of course we're going to have
• 1:10:30
  a V8 here, but as you as you guys are standing here taking in
• 1:10:34
  this. Not fresh air, but like this
• 1:10:37
  fetid death air. You see the sun, kind of hazy
• 1:10:42
  light through the thick clouds of of sun that's beautiful that
• 1:10:46
  you're not really ever see. Like, you know, it's like
• 1:10:49
  someone holding a flashlight on the other side of the car, like,
• 1:10:52
  you're not going to see. I mean, somebody broke God's
• 1:10:54
  spine over there. Yeah, that's somewhere else.
• 1:10:57
  And you? We, we.
• 1:10:58
  It's like leaning over and kind of like hugging Laurel.
• 1:11:02
  And like running his hands through the hair.
• 1:11:05
  Like it's a beautiful sunrise. It's a beautiful morning.
• 1:11:08
  I told you they were kissing cousins.
• 1:11:10
  I throw my hand over his his shoulders and I smooch his
• 1:11:14
  eyeball. Is I wrong just like D?
• 1:11:19
  The eyeball, man. Yeah, you.
• 1:11:23
  You like it? Don't worry.
• 1:11:25
  Somebody give me a D8, I'll do it.
• 1:11:29
  That's an 8. OK, cool.
• 1:11:30
  D6 tomorrow morning. However, though, you guys kind
• 1:11:35
  of just take all this in. You really don't know where you
• 1:11:37
  are, but you see a super frail man sitting against a stone.
• 1:11:44
  Just it looks like he's on his on desk door pretty much.
• 1:11:46
  Hey, Scoots, is that your grandpa?
• 1:11:49
  I don't know. But no, he wasn't my grandpa to
• 1:11:52
  begin with. Stop that.
• 1:11:54
  It's not him. He doesn't look like him.
• 1:11:56
  I know what you're thinking. And he looks up at you guys.
• 1:12:00
  It's like, what are you? What are you doing here where
• 1:12:03
  you come from? Where's here?
• 1:12:05
  Hell the Valley. Unfortunate undead.
• 1:12:08
  That does sound unfortunate. Indeed, yes.
• 1:12:11
  Unfortunate. Hey, I have a quick question.
• 1:12:14
  Oh fuck. What's?
• 1:12:16
  That he holds up his leg, which is just a stump.
• 1:12:20
  Does this look infected? Fucking.
• 1:13:06
  Hey everybody, Kevin here at the end of the episode to let you
• 1:13:07
  know that this episode featured the adventure Trapped Within by
• 1:13:11
  our good friend Philip Jensen with Levi playing Fist Baskins
• 1:13:15
  the Cannibal cook by the Ex Libris Mortport archivist
• 1:13:18
  himself, Ian Graytide Long Thomas playing We met the
• 1:13:22
  Catacomb St. created by Makuti. Myself playing Scoots the Sports
• 1:13:26
  Bedlamite Written by Full Frontal Phillip Jensen and Ian
• 1:13:29
  Told Your Daddy Sir Boss Jake playing both Brussels and
• 1:13:32
  Mutated Goblin created by Heck and Viv and Laurel groft the
• 1:13:36
  Catacomb St. by the Cootie and Nate playing General Cedric
• 1:13:39
  Balthazar, The Betrayed Phantom by Sasha.
• 1:13:41
  Death of the Eldridge Tomb. Thanks to all these awesome
• 1:13:44
  third party creations and their corresponding Ex Libris.
• 1:13:48
  More court entries can be found in the description accompanying
• 1:13:50
  this episode, along with our link to the Flow of the Face
• 1:13:53
  Episode 4 Companion. Also, if you can do us a favor
• 1:13:56
  and check out our social media, our Facebook or Twitter or
• 1:14:00
  Instagram, spread the word. We're on Amazon Music, Apple
• 1:14:05
  Podcasts, Google Podcasts, Spotify, iHeartRadio, Like us,
• 1:14:10
  Share us. Greatest review us.
• 1:14:12
  The more we get out there, the better it's going to be.
• 1:14:15
  Thank you guys so much for listening and we'll catch you
• 1:14:17
  guys next time I need a name. Give me a fodder.
• 1:14:29
  Fodder cannon. Jesus Christ.
• 1:14:35
  I thought we were. I mean, not Jesus Christ.
• 1:14:37
  I mean, wait, Jesus Christ? The beats, Never mind.
• 1:14:41
  We're good here, we're good here.
• 1:14:46
  And that, And that's D Carl Druid.
• 1:14:49
  That's D Carl Druid. Yeah, the award-winning Crater
• 1:14:51
  Clam Dash. Carl, Druid.
• 1:14:57
  What's my fucking shit again? What's my fucking shit again?
• 1:15:02
  So many new characters today. Yeah.
• 1:15:09
  You did? Kevin just opened that bottle
• 1:15:10
  with his ring badass. I did tungsten carb, my bud.
• 1:15:15
  That was cool as fuck, man. One of these days I'm gonna
• 1:15:17
  break my finger. My wife's gonna be pissed.
• 1:15:20
  Likely. Not today, though.
• 1:15:22
  It would depend on what finger I would have guess, yeah.
• 1:15:24
  She might not be too upset. I got nine others.
• 1:15:32
  Thanks for noticing. Wait, this whole?
• 1:15:40
  Fucking place find fuck kind of is, yeah.
• 1:15:45
  It's literally called Trapped Within God.
• 1:15:47
  You can tell like we're starting to like it's getting to us.
• 1:15:50
  Yeah, a little bit. And then I think it's
• 1:15:52
  intentional. I'm.
• 1:15:53
  Sweating. I swear to God, if we go through
• 1:15:55
  that hole and we end up in that cell again, I'm going to have
• 1:15:59
  very stern words for Phil. Yeah, that would be pretty
• 1:16:02
  funny. For Zoid Berg, what is going on?
• 1:16:16
  I don't know fart Morse code. Impressive.
• 1:16:27
  Oh, he's going right. No, sorry.
• 1:16:32
  I meant. Oh, that's.
• 1:16:35
  Wrong, OK? Wrong inflection.
• 1:16:37
  Does Morse code have inflections?
• 1:16:39
  Different dialect. Oh, this is in German.