Latest / The Breakfast Club / INTERVIEW: Sheryl Underwood Talks Plans For Upcoming Special, Kevin Hart Roast, Comedian Etiquette + More
Transcript
- 0:01Speaker 1: Every day a week ago.
- 0:03Speaker 2: Click yours up the breakfast Club you don't finish for
- 0:05Speaker 2: y'all dune.
- 0:09Speaker 3: Morning.
- 0:09Speaker 1: Everybody is the j n V. Just hilarious.
- 0:12Speaker 4: Charlamagne the God. We are the Breakfast Club Longa roases
- 0:14Speaker 4: here as well. We got a special guest in the buildings.
- 0:17Speaker 3: Indeed, ladies and gentlemen, Cheryl underw.
- 0:21Speaker 5: I consider myself a Breakfast Club family member.
- 0:24Speaker 1: You are.
- 0:25Speaker 5: It was like the cam folk that show up early
- 0:27Speaker 5: in the morning and wake y'all up once y'all got
- 0:30Speaker 5: to eat.
- 0:30Speaker 3: That's right, that's me, you know.
- 0:34Speaker 5: Well, you know, okay, so I guess in some big
- 0:36Speaker 5: time to some big money grip.
- 0:38Speaker 1: Now you've been there, right.
- 0:40Speaker 5: Well, I was supposed to say, what a rider, you
- 0:42Speaker 5: know what I want to do the interview, right, But
- 0:46Speaker 5: you know, I just don't feel comfortable.
- 0:48Speaker 1: I just look at it like, you know, I don't
- 0:50Speaker 1: come to work to eat.
- 0:51Speaker 2: You should put Tom Brady's good nut drink on your
- 0:54Speaker 2: ride a while you got a coconut water down.
- 0:57Speaker 5: It's called I'm sorry, that's what's happen.
- 1:08Speaker 1: Feeling? How am I feeling?
- 1:10Speaker 3: Yes?
- 1:10Speaker 5: Man, you mean blessed the Holly favorite today or you
- 1:13Speaker 5: mean everything.
- 1:16Speaker 1: Absolutely. You know, the Lord is a black man.
- 1:20Speaker 5: I'm very happy, but I'm happy it's happening now, you know, because, uh,
- 1:26Speaker 5: sometimes when you get this kind of heat, pleasant heat
- 1:30Speaker 5: coming towards you, if you're not mature enough to handle it,
- 1:34Speaker 5: you get defensive, you know, like you know, I've been
- 1:37Speaker 5: looking at some things online and people felt like we
- 1:40Speaker 5: should have did things differently at the roads the next
- 1:43Speaker 5: time this happened. If you let it happen, we're gonna boycots.
- 1:47Speaker 5: But see Old Cheryl, Okay, can I cush old sir?
- 1:52Speaker 1: Who the fuck you talk to?
- 1:54Speaker 5: Where your address at? Let me roll up on you
- 1:56Speaker 5: and talk to your motherfucking ass. But New Sheryl's like, okay,
- 1:59Speaker 5: people got a right to their opinion as long as
- 2:01Speaker 5: your opinion don't interfere with my commerce.
- 2:04Speaker 2: People were not talking about you because you wanted the people.
- 2:06Speaker 2: You're the only person that really went up and checked them.
- 2:09Speaker 1: Right.
- 2:10Speaker 5: Well, I would say there are some people that felt
- 2:12Speaker 5: like we, as black comics and black people should have
- 2:16Speaker 5: went back to back with them on certain things.
- 2:20Speaker 1: And my feeling was, well, you got all this heat
- 2:22Speaker 1: for us.
- 2:23Speaker 5: You know, first of all, let me see you at
- 2:26Speaker 5: your job I'm sure there's a racist or biggot at
- 2:28Speaker 5: your job.
- 2:29Speaker 1: Now.
- 2:29Speaker 5: I need you go to work tomorrow slap shit out
- 2:32Speaker 5: of them, since you want us to throw hands on
- 2:34Speaker 5: somebody or be mad about something.
- 2:36Speaker 1: I wish people would have enough heat one who cleared
- 2:40Speaker 1: the joke, Who cleared the George Floyd job? Who cleared it?
- 2:44Speaker 5: If they cleared it and thought it was a good idea,
- 2:47Speaker 5: who cleared a lynching joke? But this is how they
- 2:51Speaker 5: roast now for me, my feeling about it just being
- 2:55Speaker 5: in the rows.
- 2:56Speaker 1: If I don't have the sufficient.
- 2:58Speaker 5: Comeback, then I set us all back, especially as female comics.
- 3:02Speaker 5: I set us all back. If I don't have nothing
- 3:04Speaker 5: to come right.
- 3:05Speaker 1: Back against that George Floyd joke, I've set back.
- 3:08Speaker 3: You still got to go outside and remember where you're at.
- 3:13Speaker 1: That's right. You ain't gonna make it out this motherfucker alive.
- 3:16Speaker 5: But I do think that, like I was talking to
- 3:21Speaker 5: somebody in the airport, they just feel like.
- 3:23Speaker 1: They know me well enough that they can sit down
- 3:24Speaker 1: and go why.
- 3:25Speaker 5: You didn't do this in roach while you feel it?
- 3:27Speaker 5: I said, Okay, I said, you got a white coworker
- 3:30Speaker 5: that say flagrant ship? Yeah, I said, I need you
- 3:32Speaker 5: go back there behind his desk. They look at me like,
- 3:37Speaker 5: why would I do that? Why you want me to
- 3:39Speaker 5: do that? Or you want me to be sometime when
- 3:42Speaker 5: you're in the moment, because I felt like whoever cleared
- 3:45Speaker 5: these jokes?
- 3:46Speaker 1: Because we didn't know a lot of people don't know.
- 3:48Speaker 5: From my fancy point, what really happened was that I
- 3:52Speaker 5: got invited to do something and I was like, bet
- 3:55Speaker 5: why because I need the money, right, I need exposure,
- 3:59Speaker 5: you know, because they don't know. I took a meeting
- 4:03Speaker 5: with Netflix to talk about an idea that I had
- 4:07Speaker 5: but comics that I wanted to host.
- 4:09Speaker 1: They was like, oh, that's great, would you consider doing Netflix?
- 4:12Speaker 1: It's a joke.
- 4:12Speaker 5: I was like sure, you know, I said, what's the dates?
- 4:15Speaker 5: What is because I'm gonna mess up my role money? Right,
- 4:18Speaker 5: So it was like what is it? So they offered
- 4:20Speaker 5: me the ice House in Pasadena one hundred cet. Yeah,
- 4:26Speaker 5: that's what That's what I got a few phone calls.
- 4:28Speaker 5: You surel Underwood doing the hundred Sea Room. Well here's
- 4:32Speaker 5: what I thought. First, it is intimate, and I like
- 4:34Speaker 5: the intimacy of a comedy club. Course, Second is Pasadena. Okay,
- 4:39Speaker 5: So I can get somebody to drive me out because
- 4:41Speaker 5: I only drive it at night, you know. And then
- 4:43Speaker 5: I thought, Okay, you're not too big time that you
- 4:46Speaker 5: can't come in on the entry level position because a
- 4:49Speaker 5: lot of people say you should be at the Hollywood
- 4:50Speaker 5: Bowl show, you should be at this show, you should
- 4:53Speaker 5: be doing that. But when somebody comes to you and
- 4:55Speaker 5: tell you what you should be doing, and then you
- 4:57Speaker 5: start feeling self conscious, like yeah I should, I'm like, no,
- 4:59Speaker 5: my I'm gonna do what they offered me so I
- 5:01Speaker 5: can show them who I am. So when I did,
- 5:04Speaker 5: when I agreed to do that, and I took the
- 5:06Speaker 5: show that I'm doing on the road, it's me and
- 5:08Speaker 5: Kyle Irby and Mike Washington used to travel with me,
- 5:11Speaker 5: but he's taking a little hiatus because he's taking care
- 5:14Speaker 5: of his family and everything.
- 5:15Speaker 1: And that's how I rolled with my crew.
- 5:17Speaker 5: So then they put a Netflix asked me to put
- 5:19Speaker 5: a BT Kingsley on the show. I said back, so
- 5:23Speaker 5: I put on a show due to show that we've
- 5:24Speaker 5: been doing on the road because I want.
- 5:26Speaker 1: People to see that show.
- 5:28Speaker 5: Well, once I agree to that, I get a phone
- 5:31Speaker 5: call from someone that I don't know if they want
- 5:33Speaker 5: me to devote name, but it will be in my book.
- 5:35Speaker 5: I'm fat because of you. Yes that I'm writing under
- 5:39Speaker 5: your blueprint. I'm not suppose, I don't think so did
- 5:49Speaker 5: I lie? Know?
- 5:51Speaker 1: Okay? Okay, so a big press release and make it big.
- 5:55Speaker 1: But they did it all.
- 5:56Speaker 5: They put a little blur about that, but right on
- 5:58Speaker 5: so okay, so yeah, so so then so where was
- 6:04Speaker 5: I here?
- 6:04Speaker 3: Were saying that somebody name?
- 6:08Speaker 1: Because I'm gonna ask them, can I say that? They
- 6:11Speaker 1: called me? Right?
- 6:12Speaker 5: So, so they called me, they said, are you willing
- 6:14Speaker 5: to would you consider doing roast Kevin Hart? I said,
- 6:17Speaker 5: because a lot of us don't like to be roasted.
- 6:19Speaker 5: A lot a lot of us don't like it. I
- 6:21Speaker 5: heard lou Nell say she don't like it. Steve Harvey.
- 6:24Speaker 5: I was trying to get Steve Harvey to do something
- 6:26Speaker 5: as a benefit, uh for Omegas. I five, uh, because
- 6:30Speaker 5: I know the president Ricky lewis out of l A.
- 6:32Speaker 5: I was like, well, let's let us roast you for
- 6:34Speaker 5: Omega SIST five scholarship.
- 6:36Speaker 1: No, now, some people don't like that, like that kind
- 6:38Speaker 1: of heat.
- 6:39Speaker 3: Right.
- 6:39Speaker 5: So when they called me and said would you be willing?
- 6:41Speaker 5: I said, yeah, I didn't even know how much it was.
- 6:43Speaker 5: I didn't know what they were doing. I was like,
- 6:44Speaker 5: whatever y'all, whatever y'all trying to do. I'm trying to
- 6:46Speaker 5: get with it right. So I was like, yeah, I
- 6:48Speaker 5: do it right. So I didn't even have the contrast,
- 6:50Speaker 5: didn't know no details or nothing. I just went to
- 6:53Speaker 5: the intranet and was like, I need to outfit bit,
- 6:56Speaker 5: So what's.
- 6:57Speaker 1: What's Olivia alide plus Olivia Olivia.
- 7:01Speaker 2: Yeah?
- 7:02Speaker 1: Yeah, so I typed. First, I type in sequent outfit.
- 7:06Speaker 1: That's all I thought. See outfit ship popped up.
- 7:09Speaker 5: I like bet, Indigo blue, Bet, and then I think,
- 7:12Speaker 5: what shoes can I walk in?
- 7:14Speaker 1: Bet? Then I called my glam dude, Damn McDonald.
- 7:16Speaker 5: I said, what you doing? I know you're coming out
- 7:18Speaker 5: for this part? Can you stay for this part? He
- 7:20Speaker 5: was like, bet for the right amount. I said, bet,
- 7:23Speaker 5: I got you faded, so he got to had a
- 7:26Speaker 5: face you had love. He put put her hands. That
- 7:29Speaker 5: looks Damn McDonald is a surgeon with some makeup brushes.
- 7:33Speaker 5: I mean, because I'm all one hundred and fifty years
- 7:36Speaker 5: old over here, but look at.
- 7:38Speaker 3: Five start the wow, Yeah, you know you look good?
- 7:44Speaker 1: Got this idea afro from you. I brought him back,
- 7:49Speaker 1: brought him back. So then I called everybody in my team.
- 7:52Speaker 5: Harry Sutherland, he's my corporate guy, Earn a Food Shape,
- 7:56Speaker 5: run my foundation, Kyle Irby, everybody. I said, listen, we're
- 7:59Speaker 5: gonna I'm together, and I need to be settled down
- 8:02Speaker 5: for this because I got to show him. This is
- 8:04Speaker 5: my time, is showing what I could do. So then
- 8:06Speaker 5: we start dealing with they writers and Vanessa Graddic, uh
- 8:09Speaker 5: Ian Edwards, Kyle Irby, uh Chris Spencer. So we we
- 8:14Speaker 5: all they sending us jokes and I'm thinking to myself.
- 8:18Speaker 1: This is ship. They think it's funny.
- 8:24Speaker 5: That's that's privilege right there, that privilege, and we would
- 8:27Speaker 5: have had to put our foot in. It would have
- 8:29Speaker 5: had to come with Encyclopedia ship, right. So I'm like, well,
- 8:33Speaker 5: this is cool. So and I'm gonna get more in detail.
- 8:36Speaker 5: All long story long, the stuff we sent back, we
- 8:40Speaker 5: got a little question on what we said back. So
- 8:42Speaker 5: I asked God, because you know, I might cuss for
- 8:45Speaker 5: a living, but I talked to the Lord and I asked, God,
- 8:47Speaker 5: show me what's happening. Give me the word Lord, And
- 8:51Speaker 5: I think the Lord sent me back. You men set up, bitch,
- 8:53Speaker 5: you better do this ship.
- 8:55Speaker 3: Gilli said that you didn't even use the joke that
- 8:58Speaker 3: was in the prompt for you.
- 8:59Speaker 1: Sometimes, my mother, my what? And then what happened?
- 9:01Speaker 5: They had the luncheon at Ted Sarando's house with Sister
- 9:06Speaker 5: Avon his lovely wife. Yes, so they had the lunch,
- 9:11Speaker 5: the brunch, the comedian brought.
- 9:13Speaker 1: Everybody, anybody that sign fail. David led him in.
- 9:15Speaker 5: John Stewart, I'm just talking to people walking up, walking up.
- 9:18Speaker 5: John Milady. I got to hug him because he did
- 9:21Speaker 5: the Kappa joke on Saturda Night Live. I said, I'm
- 9:23Speaker 5: a member of Zeta Phi Beta Serrotti Incorporated.
- 9:26Speaker 1: I greet you. Are you really a Kappa brother? We
- 9:28Speaker 1: just laughed, right.
- 9:29Speaker 5: So anyway, you're there with your colleagues, Wanda Sykes, Dave Chappelle.
- 9:32Speaker 5: There's pictures of all us taking a picture with Eddie Murphy.
- 9:35Speaker 5: Everybody's there. But at that lunches, multiple things happened. Tony
- 9:39Speaker 5: Hinchcliffe walks up to me and he says, I'm Tony Hinchcliff.
- 9:42Speaker 5: I said, what's up, you know? And uh, he said, well,
- 9:45Speaker 5: you know, I'm on the roastwitch. Because they didn't want
- 9:47Speaker 5: us to know who was on it, but I knew
- 9:49Speaker 5: some people were coming. I said so, and I just
- 9:52Speaker 5: asked him, I said, how are you coming? He said, well,
- 9:54Speaker 5: I'm gonna talk about your husband kills himself and.
- 9:56Speaker 1: You being right?
- 9:57Speaker 3: Why did you exe?
- 9:59Speaker 1: It's not that I am not that I agree. Can I,
- 10:03Speaker 1: just as a comic, say to you what you can
- 10:05Speaker 1: and can I say? I can't. I can only make
- 10:08Speaker 1: a recommendation, but I can't tell you.
- 10:11Speaker 5: I can't say if we're on a show together, I
- 10:13Speaker 5: can't say to her, don't tell the woo woo wop
- 10:16Speaker 5: to wop joke.
- 10:17Speaker 1: I can say, well, I'm gonna tell some jokes similar.
- 10:19Speaker 5: But I'm the type of comic that if we're doing
- 10:21Speaker 5: the same type of material, right, if we're both doing
- 10:24Speaker 5: head jokes right, and which I that's my one good skill.
- 10:28Speaker 1: I know how five jail, I know how to what
- 10:36Speaker 1: surgery are we doing today?
- 10:39Speaker 3: Are we taking appendix out?
- 10:40Speaker 1: Let's go right? But I can't tell you don't do
- 10:43Speaker 1: oral sex jokes.
- 10:44Speaker 5: But if I'm a good leader and I'm hosting the show,
- 10:47Speaker 5: I do my jokes behind your joke.
- 10:49Speaker 1: That makes the show stronger.
- 10:51Speaker 3: So it's not an equivalent of your husband killing But I.
- 10:54Speaker 5: Can't agree to that. It's in the public domain that
- 10:57Speaker 5: my husband committed suicide. I talked about it. I talked
- 11:00Speaker 5: about it on the top. It's in the public domain
- 11:02Speaker 5: the way they roast. Now, whatever's in the public domain,
- 11:05Speaker 5: they feel they should be able to say. And they're
- 11:07Speaker 5: making a lot of money off of it. But here's
- 11:09Speaker 5: the thing to talk about. And I felt a lot
- 11:11Speaker 5: of people.
- 11:11Speaker 1: You a coon, and they love to throw that shit
- 11:13Speaker 1: around you a coon. Here's the thing. If you can
- 11:16Speaker 1: use it to.
- 11:17Speaker 5: Talk about certain things, use it to talk about mental
- 11:19Speaker 5: illness and black men, that my husband committed suicide, not
- 11:23Speaker 5: don't you don't have to just uplift the jokes they
- 11:26Speaker 5: told by criticizing them because it's all clickbait. Then if
- 11:29Speaker 5: you want to talk about me being rape to talk
- 11:31Speaker 5: about sexual violence, I talked about it.
- 11:33Speaker 1: I talked about that.
- 11:34Speaker 5: It was some street dudes that was very protective of me,
- 11:37Speaker 5: and they said, if we find them motherfuckers that did it,
- 11:39Speaker 5: we gonna kill him. I was like, hey, man, don't
- 11:41Speaker 5: do that on my behalf. But that is sexy at mug,
- 11:43Speaker 5: that's thorough shit that you were gonna do that for me, right,
- 11:46Speaker 5: So I've talked about it, so it's not I'm not
- 11:49Speaker 5: in concurrence or agreement of it. And I don't even
- 11:52Speaker 5: know how it's coming, right, I just know they respected
- 11:55Speaker 5: me enough to walk up to me and say that's
- 11:57Speaker 5: how we coming.
- 11:58Speaker 1: So when he said that, how did you? I said?
- 12:01Speaker 5: I looked at him. I'm like, so, what the fuck
- 12:02Speaker 5: you want? And I said, just like that, what the
- 12:04Speaker 5: fuck you want? He said, well, what you feel? I said,
- 12:06Speaker 5: it better be funny. I said it better be funny.
- 12:09Speaker 5: If it ain't funny, I'm gonna get your ass. I said,
- 12:11Speaker 5: I'll get you, I said, but I smiled at him.
- 12:13Speaker 5: I said, listen, do what you gotta do. Why because
- 12:15Speaker 5: I know these comes, these maniscript comics are getting out there.
- 12:18Speaker 1: That's why I said what I said.
- 12:20Speaker 5: You're bringing back words that when we were using them,
- 12:23Speaker 5: we got canceled. So what is funnier midget or little people?
- 12:27Speaker 5: What is funny retarded or disabled?
- 12:30Speaker 1: Right?
- 12:30Speaker 5: So you've moved so far politically correct that they pushed
- 12:33Speaker 5: it back. So now they get to use words. But
- 12:36Speaker 5: it's about accountability for me. The George Floyd Joe, I
- 12:40Speaker 5: was like, you a trip, right. But then I also thought,
- 12:43Speaker 5: and I told Tony when I went and did kill Tony,
- 12:46Speaker 5: I said, listen to me, I asked him, I said,
- 12:48Speaker 5: you want to record something with me?
- 12:49Speaker 1: And I was wearing this shirt and I wore.
- 12:51Speaker 5: Today specifically, you know what date this is? So is
- 12:59Speaker 5: this sometimes you could lead the rebellion in a different way.
- 13:03Speaker 1: Right.
- 13:03Speaker 5: So my feeling was, you ain't got to deal with me.
- 13:05Speaker 5: You gotta deal with the George Floyd family. You gotta
- 13:07Speaker 5: deal with those in the community love George Floyd. You
- 13:09Speaker 5: gotta deal with somebody walking up as you throwing hands
- 13:11Speaker 5: and you can't do shit about it because you was
- 13:13Speaker 5: a little motherfucker. You what you're gonna do because you
- 13:15Speaker 5: told the joke. Now be held accountable for the joke.
- 13:18Speaker 1: Now.
- 13:18Speaker 5: When Shane called me, same feeling. I said, how you coming,
- 13:21Speaker 5: you know? He said, well, I'm coming for suicide or whatever.
- 13:25Speaker 5: And I was like, all right, I said, and I
- 13:27Speaker 5: told them the same thing. Better be funny, I said,
- 13:29Speaker 5: And Shane my favorite Western he said, I'm named after that.
- 13:32Speaker 1: I said, Okay, if you don't.
- 13:34Speaker 5: Come funny, don't come hard enough, I'm gonna pop your
- 13:36Speaker 5: ass like my favorite movie.
- 13:38Speaker 1: Doc Holliday in Tombstone, So we laughed, right.
- 13:42Speaker 5: I don't want my laughing on a roast panel to
- 13:47Speaker 5: be misconstrued as anything other than these are my colleagues.
- 13:51Speaker 1: This is how they roast nowadays. It's not like.
- 13:53Speaker 5: Dean Martin and Pearl Bailey and Phyllis Dillon. Milton burrough
- 13:58Speaker 5: told some of the best dick jokes in the world waking.
- 14:00Speaker 5: He had the big ass dick and he's not attractive
- 14:01Speaker 5: in the faith, but he was blowing the backside of
- 14:03Speaker 5: all them starlets.
- 14:04Speaker 1: In the forties and the fifties.
- 14:06Speaker 5: Fries club roles, sure they used to, and Fries club
- 14:09Speaker 5: roads were private events where we were ragging on each other.
- 14:12Speaker 5: When comics talk about each other, it's misogynistus's racial, it's racist,
- 14:16Speaker 5: it's borderline.
- 14:17Speaker 1: But they make a lot of money on the type.
- 14:20Speaker 5: Of humor they do, which is bigotry and racist and racial. Right,
- 14:25Speaker 5: they making a force. They're selling out stadiums doing this
- 14:28Speaker 5: ship like.
- 14:29Speaker 3: People do that to them.
- 14:30Speaker 2: Is the question that I think a lot of people,
- 14:31Speaker 2: Yes we can, yes we can more. I guess why
- 14:34Speaker 2: don't more black people do it? Like why don't they
- 14:35Speaker 2: make jokes about their community? And things that they considered table.
- 14:39Speaker 1: We do, we do.
- 14:40Speaker 5: Paul Mooney was walking motherfuckers out of Carolina, out of
- 14:44Speaker 5: Carolina white people.
- 14:46Speaker 1: I never got damage. You will to that.
- 14:48Speaker 3: See I think white people get up in the lead.
- 14:53Speaker 5: Yes, yes, it right, that's right. One of the first
- 14:57Speaker 5: jokes I wrote was what go good with ChIL? Now
- 15:02Speaker 5: that you don't brought the white people, let's talk about
- 15:03Speaker 5: their motherfucking ass. And I got pulled off of a
- 15:07Speaker 5: radio show for doing it. I did the joke, and
- 15:11Speaker 5: and and they pulled me off of nationally syndicated radio shows.
- 15:16Speaker 5: I was a contributor on this show, No Talk, No,
- 15:23Speaker 5: and they.
- 15:24Speaker 1: Pulled me off the show for saying, what go good
- 15:28Speaker 1: with chili? Cracker?
- 15:29Speaker 5: Now that the answer was cracker by the crew. And
- 15:32Speaker 5: I said, now that you brought the white people, let's
- 15:33Speaker 5: talk about it all the time. But y'all, y'all in
- 15:37Speaker 5: a different time and you're a different type of shell, right, So,
- 15:42Speaker 5: and then I would tell this joke like, remember Joe,
- 15:45Speaker 5: while you carry your personal stage, because white folks still,
- 15:48Speaker 5: any race of people take land from the Indias to
- 15:50Speaker 5: take two or three dollars out your purse. You tell
- 15:52Speaker 5: that joke Glad has me on their website as a
- 15:56Speaker 5: homophone for jokes. I was on b I was on
- 16:00Speaker 5: doing comic view, get a standing ovation. I run down
- 16:04Speaker 5: why you can't compare your struggle to our struggle the
- 16:08Speaker 5: civil rights movement of the sixties, And I run down
- 16:11Speaker 5: through the middle, passes all the way sold into bondage,
- 16:14Speaker 5: shackle next to came speak the language to smite the oppressor.
- 16:18Speaker 1: I'll run it all the way down.
- 16:20Speaker 5: Stomping black people, stumping, stomping, stomping, and the punchline is
- 16:25Speaker 5: Dick is like secretly order and it's strong enough for
- 16:27Speaker 5: a man, but it's made.
- 16:28Speaker 1: For a woman.
- 16:29Speaker 5: You get a standing ovation, room apart, right, tear the
- 16:34Speaker 5: room apart. Glad puts me on their website as homophone.
- 16:39Speaker 5: Couldn't get arrested, couldn't get a deal. Every meeting I
- 16:42Speaker 5: was taking, I didn't, but I didn't know until somebody
- 16:46Speaker 5: black and gay pulled me aside at a meeting.
- 16:50Speaker 1: And I might put that in the book too.
- 16:52Speaker 5: Put me inside our name where the meeting was, put
- 16:55Speaker 5: me inside and say, you know you're not gonna get
- 16:56Speaker 5: this deal today. And that's when I was alerted that
- 16:59Speaker 5: you're a homophone. And at that time, my manager, when
- 17:02Speaker 5: he was alive, he was a biracio, a black and
- 17:06Speaker 5: white man, a gay man. And I said, well, let's
- 17:09Speaker 5: go meet with them. Let's go talk to them so
- 17:11Speaker 5: they can get to know me. Because I try to
- 17:13Speaker 5: leave with humanity, I can always learn. I used to
- 17:15Speaker 5: light up white girls.
- 17:16Speaker 1: Ooh in my show talking about the black man. You
- 17:19Speaker 1: get the white girl.
- 17:20Speaker 5: She's the worst white girl you've ever seen, an uneducated, fat, nasty.
- 17:24Speaker 1: Then you bring it to the club. She fucking up
- 17:26Speaker 1: the lecture slide for everybody because you done told this
- 17:28Speaker 1: bitch she know how to dance.
- 17:30Speaker 5: Those were jokes that I was telling, and then sometime
- 17:34Speaker 5: you evolve away from or back to. Right now, I'm
- 17:38Speaker 5: a Trump jokes, political jokes, Why the Democrats are not
- 17:42Speaker 5: gonna win? These are all jokes that I'm preparing for
- 17:45Speaker 5: a special. You say, why can't we do it right now?
- 17:48Speaker 5: The trend because what's in the White House. In my opinion,
- 17:51Speaker 5: what is in the White House is bullying, racism, that's right, bigotry.
- 17:57Speaker 5: But if you mad about this, and I wish people
- 18:00Speaker 5: would get off for Kevin Hart so hard, and if
- 18:03Speaker 5: you mad about this, then get motivated don't just don't
- 18:06Speaker 5: just be mad about what happened at a roast. Yes
- 18:08Speaker 5: it's international, Yes it's everywhere, but be mad when three
- 18:11Speaker 5: hundred thousand black women lost their jobs at one one penstroke.
- 18:16Speaker 5: Be mad that these farmers that was in love with
- 18:19Speaker 5: this dude now have lost their farm. Be mad that
- 18:21Speaker 5: American citizens who are brown and every other race are
- 18:26Speaker 5: being snatched up because somebody has agreed to funnel bodies
- 18:30Speaker 5: through the penal complex, right, So be mad about that.
- 18:34Speaker 5: So while you got all this energy and I'm not
- 18:38Speaker 5: against doctor Umar, I'm not against this brother, but I
- 18:41Speaker 5: bet you if Kevin Hart said, I will give you
- 18:44Speaker 5: the money for the school that you've been trying to
- 18:46Speaker 5: put together for.
- 18:47Speaker 1: Decades, what day last week? So the school the kids
- 18:53Speaker 1: that start in kindergarten.
- 18:55Speaker 2: You don't have accreditation and stufft but the school is
- 18:57Speaker 2: actually the hold on.
- 18:58Speaker 1: Okay, But then you got all this smoke for everybody else.
- 19:02Speaker 5: Why why is it that everybody seems to be mad
- 19:06Speaker 5: at us when they don't understand what was the.
- 19:09Speaker 1: Infrastructure of the roast itself.
- 19:12Speaker 5: If Ian Atwards were not part of that writing team,
- 19:15Speaker 5: I would not have somebody that when I said that's
- 19:18Speaker 5: not the way I would say that, or let me
- 19:20Speaker 5: take your jokes like Nicki Glazer. Nicki Glazer Chelsea came
- 19:24Speaker 5: up to me and she said, listen, I know they're
- 19:26Speaker 5: coming for you, but I'm not coming for you. I said,
- 19:28Speaker 5: I got a couple of jokes that's coming for you,
- 19:30Speaker 5: but they subtle, and she was like cool. Nicki Glazer
- 19:33Speaker 5: and I talked and I said, how they coming? She said,
- 19:35Speaker 5: they're coming for you hard.
- 19:36Speaker 1: I said, what fuck they coming from me? Hart?
- 19:39Speaker 5: Who am I that you're coming for me? I'm the
- 19:41Speaker 5: bitch that just lost a daytime talk show. I need work, right,
- 19:45Speaker 5: But then I thought, oh, but you that is that's
- 19:48Speaker 5: why you're coming from me, which is what's gonna make
- 19:50Speaker 5: what the black community being raged. That's why they came
- 19:54Speaker 5: for me. They came for me so that everybody can
- 19:57Speaker 5: be doing exactly what you're doing. Why because probably fifteen
- 20:00Speaker 5: to twenty million people have watched what everybody's talking about.
- 20:04Speaker 5: So they did it on purpose, right, And then they
- 20:06Speaker 5: put the manisphere up against black comedy. So me and
- 20:08Speaker 5: Niggi glads are talking and I said, give me some recommendations.
- 20:13Speaker 5: This is female comic to female comic I said, I
- 20:15Speaker 5: saw what you did.
- 20:16Speaker 1: What's good.
- 20:17Speaker 5: She said, tell them to send you the hardest jokes.
- 20:20Speaker 5: So that January sixth joke was part of the jokes
- 20:24Speaker 5: that they wrote. And I said, give me that one.
- 20:25Speaker 5: I said, that's the one I WoT. I said, I'm
- 20:27Speaker 5: gonna change it into a Sheryl Underwood voice, right, and
- 20:32Speaker 5: so you could tell when it's me talking. And so
- 20:34Speaker 5: what I wanted to show Netflix was one, this is
- 20:39Speaker 5: why I'm here. And when Kevin Hart said, Cheryl, I
- 20:42Speaker 5: brought you here to do what you do, I said,
- 20:43Speaker 5: that's all I need to hear. That's all I need
- 20:45Speaker 5: to hear. I'm gonna make it, do it, do it.
- 20:47Speaker 5: I'm not gonna let you down that I don't come
- 20:49Speaker 5: and do what.
- 20:50Speaker 1: I need to do.
- 20:50Speaker 5: And for me to say, if you say anything to
- 20:52Speaker 5: sound like nigga, you wanna make it out of Inglewood alive.
- 20:55Speaker 5: That was a statement to the people, to the culture
- 20:57Speaker 5: because we were sitting there and we were kind of
- 21:00Speaker 5: see the audience like this what they don't this what
- 21:04Speaker 5: it's about, right, And so I'm I'm looking at the
- 21:07Speaker 5: audience and I'm in, you're gonna respect that's in this
- 21:11Speaker 5: bitch you know, But then I'm thinking how far can
- 21:13Speaker 5: I go?
- 21:14Speaker 1: And then okay, so and which I want to know
- 21:17Speaker 1: because I feel like I'm the.
- 21:17Speaker 4: Personal jokes bother you When they talked about the suicide
- 21:20Speaker 4: and talking about the read, did that bother you at all?
- 21:22Speaker 1: Not at all?
- 21:23Speaker 5: Because if they had did it when he died, throw hands,
- 21:27Speaker 5: I'm gonna go get the thuggist ruggish bonus, motherfucking kill them,
- 21:33Speaker 5: handle them right, because I'm hurt, right, but I've had
- 21:37Speaker 5: years I was the same person.
- 21:39Speaker 1: I just tell the joke.
- 21:40Speaker 5: Whereas people said, Sharyl, give me some pussy.
- 21:44Speaker 1: No, why not?
- 21:45Speaker 5: Because you know, if my puzzon was bad enough for
- 21:47Speaker 5: my husband to kill himself, not have to fuck me.
- 21:51Speaker 1: Those were jokes I was telling.
- 21:53Speaker 5: Because comics go to the stage with the pain and
- 21:57Speaker 5: tell the jokes. Right, a lot of people, why would
- 22:00Speaker 5: you tell the joke about that? Why would you do that?
- 22:02Speaker 5: Because I'm hurt. The man I love has taken his
- 22:06Speaker 5: own life and now I'm left behind to have to
- 22:10Speaker 5: deal with it. Right, But if they have, they're not.
- 22:16Speaker 5: But see, you gotta you gotta thank God for the healing.
- 22:19Speaker 5: You gotta thank.
- 22:19Speaker 1: God for the healing. All the stuff they said about
- 22:22Speaker 1: black people.
- 22:22Speaker 5: Tony Hanscliff great villain in comedy right now, he's the
- 22:26Speaker 5: greatest villain. He's the snightly whiplash of comedy right now.
- 22:30Speaker 5: But when he was nine nine down nine Now, in
- 22:32Speaker 5: my head, I was thinking not not black female more, queen?
- 22:36Speaker 5: Are you talking about yourself? Tony Henchclip You see what
- 22:39Speaker 5: I'm saying? So to me, you don't really want me
- 22:41Speaker 5: to hit you. That's why what was mine? You ain't
- 22:43Speaker 5: hurt me. My husband died once. You die every night
- 22:46Speaker 5: with them whack ass jokes. You tell it right, see
- 22:49Speaker 5: roasting Okay, I'm gonna hit you. I'm a kidney punch
- 22:51Speaker 5: you kidney put your food food, You shame food.
- 22:54Speaker 1: You don't understand what this is.
- 22:56Speaker 5: This, Muhammad Ali, this is I'm coming to represent the culture.
- 23:00Speaker 5: I'm also coming to represent black female comics.
- 23:02Speaker 1: Now what I would have liked.
- 23:05Speaker 3: Let's talk about it.
- 23:06Speaker 1: But they said I made it was here. I gotta
- 23:08Speaker 1: say this too, everybody. She's they paid her off to
- 23:11Speaker 1: be humiliated on stage. Let me tell you what, because
- 23:13Speaker 1: it's gonna be in the book. When they came to
- 23:15Speaker 1: me after.
- 23:16Speaker 5: It was over, See, there's sure before the roast couldn't
- 23:19Speaker 5: get arrested. All my good ass ideas I wanted to
- 23:22Speaker 5: what I call you? I got a movie scirt okay,
- 23:25Speaker 5: I got an animated vehicle. Now, everybody, sure, what do
- 23:27Speaker 5: you want to do the same ship I wanted to
- 23:29Speaker 5: do today?
- 23:31Speaker 3: The record show you the book deal way before this.
- 23:34Speaker 1: Sure did.
- 23:35Speaker 5: And then and I came to you with the movie
- 23:37Speaker 5: and I said, let's do it. And listen everybody that
- 23:40Speaker 5: disliked me. You know, some people Tiffany had it said
- 23:43Speaker 5: the best. A lot of people criticize it, but you
- 23:45Speaker 5: wasn't invited to come do it. So but let's less
- 23:48Speaker 5: as black people stopped shitting on each other. But let's
- 23:51Speaker 5: go back to have and give it up to Pete
- 23:53Speaker 5: Davis and cookout Cordalition with Tony Hanchcliff said his Joe
- 23:57Speaker 5: Pete Davison got up with that killer Charlie Kirk joke
- 24:01Speaker 5: unloaded the throat.
- 24:02Speaker 1: I was like, yo, yo, that's what we're doing right here.
- 24:06Speaker 5: So for me, I want to say this about the roast.
- 24:08Speaker 5: It opened up opportunities I didn't have. This is how
- 24:11Speaker 5: they roast nowadays, this is what they do. They go
- 24:14Speaker 5: to lowest common denominator.
- 24:15Speaker 1: Could you have handled it?
- 24:16Speaker 3: Yes?
- 24:17Speaker 1: Nah, I ain't even hold you not she was this,
- 24:22Speaker 1: I was damn So what did you think?
- 24:24Speaker 5: I honestly I lived for you and kat can. I
- 24:30Speaker 5: honestly felt like Tony was funny until the end. Like
- 24:33Speaker 5: he like he kept going, didn't come up for air.
- 24:37Speaker 1: He was constantly hitting him and hitting.
- 24:39Speaker 5: But like when it got to like THEO it was
- 24:41Speaker 5: the George Floyd joke, and it was the joke before
- 24:44Speaker 5: that when he was like, nin that's right, Like you
- 24:48Speaker 5: know what I mean, because it's to be provocative, it's
- 24:51Speaker 5: to provoke that reaction out of you.
- 24:53Speaker 1: I didn't like the lynch joke.
- 24:55Speaker 5: But listen, look at I want you to go back
- 24:57Speaker 5: to the civil rights womans of the forty fifties assistance.
- 25:00Speaker 5: They was getting a dog's fire hoses, lynchings, bombs, but
- 25:07Speaker 5: they still marched on. Sometimes you got to sit there
- 25:10Speaker 5: and go okay, okay, I said, what the fuck you are?
- 25:13Speaker 5: But you ain't talking to me and you ain't talking
- 25:15Speaker 5: about us. This is how you feel about you And
- 25:18Speaker 5: if you talk to these guys, people say, well, why
- 25:20Speaker 5: would you gonna Shane get us this podcast? I'm curious
- 25:23Speaker 5: about this person's thought. So I'm gonna go in your house.
- 25:26Speaker 1: I went there.
- 25:26Speaker 5: He had all the Civil War shit around there and
- 25:28Speaker 5: every thing. I said, why John Brown fish on the float?
- 25:31Speaker 5: He was like, you know John Brown? I said, yeah,
- 25:33Speaker 5: you got done right that turn Harper's faery. Boom, Oh
- 25:36Speaker 5: you ain't saying nothing.
- 25:37Speaker 1: We read too right.
- 25:38Speaker 5: Sometimes you got to go toe to toe with these motherfuckers.
- 25:42Speaker 5: You ain't gonna change their mind, but go toe to toe.
- 25:44Speaker 5: So I go, do kill Tony? And I'm like, I'm wondering,
- 25:47Speaker 5: what is this. I don't even know what it is
- 25:49Speaker 5: because I'm watching shit. I watched two things. I watched
- 25:51Speaker 5: the news and General Hospital. Okay, so I don't watch
- 25:54Speaker 5: that now. I don't know what's happening.
- 25:55Speaker 1: And he didn't watch it before you went on there. Uh,
- 25:57Speaker 1: you didn't watch it before you went on. I don't
- 25:58Speaker 1: know what the watch.
- 25:59Speaker 5: I had heard about him developing kill Kill Tony in
- 26:03Speaker 5: the belly room, but I had never witnessed it. So
- 26:06Speaker 5: then when I got there, and if you look at
- 26:09Speaker 5: the footage, there's some girl, the blind girl, and she's
- 26:12Speaker 5: at first I thought the bitch was pregnant.
- 26:15Speaker 1: Okay, say what you figured you did a good job
- 26:18Speaker 1: on yes, because you gave you you did well.
- 26:20Speaker 3: With It's always does a good job every year.
- 26:23Speaker 1: But I didn't know. I didn't know. I was like,
- 26:25Speaker 1: and then she gonna try to buck up on me, bitch,
- 26:27Speaker 1: don't buck up on me.
- 26:28Speaker 5: I just want to know who's fucking the fat blind
- 26:30Speaker 5: bitch that you.
- 26:34Speaker 1: You don't ask me ship. But now here's what I'm feeling.
- 26:37Speaker 1: I did Andrew Schultz's last night.
- 26:40Speaker 5: Okay, what I like about this is this is where
- 26:45Speaker 5: I did Pete Davison's. You know, I want to do
- 26:47Speaker 5: as much as I can. But also I'm bringing all
- 26:51Speaker 5: of us together with him. When I walk in, we
- 26:54Speaker 5: walk in right. So for me, I want the culture
- 26:58Speaker 5: to be They said it for you to be. They
- 27:00Speaker 5: said it for you to be talking about it. So
- 27:02Speaker 5: now people that don't have Netflix, now I got Netflix.
- 27:05Speaker 5: People that are now watching, and then they discover that
- 27:07Speaker 5: and they discover you. You see what I'm saying. It's
- 27:10Speaker 5: a cost to it. But if it had been we
- 27:14Speaker 5: didn't know what.
- 27:15Speaker 1: I didn't know.
- 27:16Speaker 5: They didn't want us to know what was coming. And
- 27:17Speaker 5: then there were some jokes that you could tell that
- 27:20Speaker 5: other people were telling. I was like, Oh, that's why
- 27:22Speaker 5: you didn't want me to say mine, because you need
- 27:24Speaker 5: to give that to this person. What I'm saying so
- 27:27Speaker 5: that we're running jokes with listen jokes. But there were
- 27:29Speaker 5: some things I was like, don't say shit. I got
- 27:32Speaker 5: this special. We're working on it now. We're working on
- 27:36Speaker 5: locations where interviewing production companies and directors.
- 27:40Speaker 1: And I got to thank Kevin Hart.
- 27:42Speaker 5: I gotta think, if you the dude that can open
- 27:44Speaker 5: the door, you know, back it used to be Steve
- 27:46Speaker 5: Harvey could open the door with the hoodies and everything,
- 27:49Speaker 5: you got to go where the door can be opened.
- 27:51Speaker 5: I wish the only thing I wish about Kat, I
- 27:53Speaker 5: wish you would have came.
- 27:56Speaker 1: Harder and funnier, you know.
- 27:58Speaker 5: And I thought he was funny, but I know Cat Wis,
- 28:02Speaker 5: I know cat Wiz, But you want to stomp and
- 28:05Speaker 5: go there, you can't. You can't follow that and you
- 28:07Speaker 5: can't follow that right. But the other thing I would
- 28:10Speaker 5: have wanted I liked that they squashed their beef. I
- 28:12Speaker 5: like that they squashed it. I wish that there was
- 28:15Speaker 5: a little more banter of that. And because the same
- 28:18Speaker 5: way I wish that when what's the baby name? Will
- 28:21Speaker 5: Smith when he won that Academy Award, after he did
- 28:24Speaker 5: what he did with Chris Rock. I wish when he
- 28:26Speaker 5: got to that podium, God would have sent him a
- 28:28Speaker 5: message to say, call Chris Rock up on that stage,
- 28:31Speaker 5: daff it up and squashes.
- 28:39Speaker 1: Let be honest.
- 28:40Speaker 5: Yeah if all giving slap ship out of you right
- 28:42Speaker 5: for saying something, and then you she come up and
- 28:46Speaker 5: she accepts her wold and she's like, you know what, Cheryl,
- 28:48Speaker 5: come on here, let's let's I.
- 28:49Speaker 1: Would have did it. I knew would have did it.
- 28:52Speaker 5: Let me tell you the last time I was here
- 28:54Speaker 5: and we talked about the Queens of Comedy situation and
- 28:57Speaker 5: and some more on y'all show said yeah it was true.
- 29:00Speaker 1: It was called I don't really fuck with her like
- 29:02Speaker 1: that and all that.
- 29:03Speaker 5: I still ride hard for female comments.
- 29:06Speaker 1: They just don't know.
- 29:08Speaker 5: I be in the back going now, what you're not
- 29:10Speaker 5: gonna do or what you're on this. I've been on
- 29:12Speaker 5: flights where they wanted the black female community. We all
- 29:15Speaker 5: sitting there for class and they want to sit down. Man,
- 29:18Speaker 5: But you let Katerinea Vitt stand up in the galley
- 29:22Speaker 5: all day long.
- 29:23Speaker 1: So check my number.
- 29:25Speaker 3: Know who the.
- 29:25Speaker 1: Fuck I am.
- 29:26Speaker 5: But on be half of this black woman. See, I'm
- 29:28Speaker 5: the kind of person being the airport or the gross store.
- 29:30Speaker 5: Do we have a motherfucking problem here?
- 29:32Speaker 1: Right? So, while I'm a coon, I'm a militant, and.
- 29:35Speaker 5: I wish our people would stop stop throwing that ship
- 29:37Speaker 5: around to call somebody a coon.
- 29:39Speaker 1: We remember when they.
- 29:40Speaker 5: Talked about you, But now everybody want to get on
- 29:42Speaker 5: real talk. So do the motherfuckers that talked about you
- 29:46Speaker 5: come back and go. First of all, I apologize for
- 29:47Speaker 5: the ship I said about you. I was wrong, and
- 29:49Speaker 5: now I want to get on. Okay, did forgetting and
- 29:53Speaker 5: then speaking to him when he see him and he'
- 29:54Speaker 5: be like, hey, what's going on?
- 29:56Speaker 1: No, yes, don't bless.
- 30:00Speaker 2: You based on how people treat you. He blesses you
- 30:02Speaker 2: on how you treat people.
- 30:03Speaker 1: Absolutely.
- 30:04Speaker 5: So for everybody that wanted us to ride and throw
- 30:07Speaker 5: hands on the roast, right is would that have been
- 30:10Speaker 5: their appropriate representation for us? When me and Sharon Osborne
- 30:14Speaker 5: had a problem on the show, I think God said,
- 30:16Speaker 5: sit your ass right there, Do not do what you
- 30:20Speaker 5: want to do. Who the fuck are you talking to? No, Chryl,
- 30:24Speaker 5: you represent every black woman on a job. Don't do that.
- 30:28Speaker 5: Sit there, and show discipline. So what I want to
- 30:31Speaker 5: show on that roast, I am not thin skinned. Black
- 30:34Speaker 5: women are not always the passionate and the neck row.
- 30:38Speaker 5: I'm gonna sit here and I'm gonna show you who
- 30:39Speaker 5: I am.
- 30:40Speaker 3: And you still say what you needed.
- 30:41Speaker 1: That's right.
- 30:42Speaker 5: And I didn't even realize because sometime it's an outer
- 30:45Speaker 5: body experience when you have the entire form there and
- 30:50Speaker 5: I feel the energy of say something. Say something to them.
- 30:54Speaker 5: Don't let them just get away with it. Don't make
- 30:56Speaker 5: them feel like this is okay.
- 30:58Speaker 1: And you can see how shame was a little you know,
- 31:02Speaker 1: I'm sorry. Okay, No, you was billy badass a few minutes.
- 31:07Speaker 2: You have a special to do it now. You don't
- 31:08Speaker 2: got to play it safe. On the special. You can
- 31:10Speaker 2: go out there and say what needs to be said.
- 31:11Speaker 5: Well, I would say this, Where would you think I
- 31:15Speaker 5: should do the special?
- 31:16Speaker 1: Where a lot of black people.
- 31:19Speaker 3: You need to be around your folks, and where your
- 31:20Speaker 3: market is.
- 31:21Speaker 4: What's your biggest marketing man?
- 31:22Speaker 1: I have no idea. That's where she's from. Love her,
- 31:29Speaker 1: they love it.
- 31:31Speaker 5: The three of the three places I felt down South
- 31:35Speaker 5: Red States and I and I listen, I want to
- 31:40Speaker 5: do it right because I want to memorialize these jokes.
- 31:44Speaker 5: When I did laugh at for Loser with Jamie Fox
- 31:45Speaker 5: and Marcus King, I went to memorialize those September eleven
- 31:49Speaker 5: jokes and telling the story you let these motherfuckers come
- 31:54Speaker 5: in this country with thirty thousand dollars cash and going
- 31:56Speaker 5: to a flights training school. You didn't tell in the
- 31:58Speaker 5: ass a nigga came run a ayah with cash without
- 32:01Speaker 5: a motherfucker telling on them. I want to memorialize that, right,
- 32:05Speaker 5: So this is a day in time, and then I'm
- 32:07Speaker 5: gonna move on to the next vehicle, which we're developing.
- 32:11Speaker 5: The next vehicles Shirlando's Great American Talent Search. First place
- 32:14Speaker 5: we're doing in Lake Charles, Louisiana during the Juneteenth week.
- 32:18Speaker 5: That is going to be my next tour. Why there's
- 32:20Speaker 5: got to be away one. We keep comedy clubs afloat,
- 32:23Speaker 5: we merge with radio stations.
- 32:26Speaker 1: Right.
- 32:26Speaker 5: There's talent out there, right, So it merges my comedy
- 32:30Speaker 5: side and my daytime TV side, and we do it
- 32:34Speaker 5: together and bring the country together. Gospel Plays Spiritual Nursement
- 32:37Speaker 5: Initiative where I take my part one and part two
- 32:40Speaker 5: of the gospel plays that I own and put them
- 32:43Speaker 5: on college campuses pwi's HBCUs Community colleges so they can
- 32:47Speaker 5: learn both sides of the entertainment business. I'm working with
- 32:49Speaker 5: my sorority sister, tonea stewart from the heat of the
- 32:52Speaker 5: night and the time to kill movies. She teaches one
- 32:55Speaker 5: side of the entertainment business. And then we put it
- 32:57Speaker 5: together as a production. Starts with a table read, and
- 33:00Speaker 5: I put the money up to get the students a
- 33:02Speaker 5: stipend for the table read and pursuant to a production.
- 33:06Speaker 5: We use the Tyler Perry model. Now you can raise
- 33:08Speaker 5: money in college campuses. And we already got about eight
- 33:11Speaker 5: schools that are already doing the Governor State Florida Memorial
- 33:14Speaker 5: UA TV. So so that I'm using all of this
- 33:18Speaker 5: Netflix exposure, Charlemagne breakfast Club exposure to put people to work.
- 33:24Speaker 5: And I don't care if you like it, right, I
- 33:25Speaker 5: don't care if you like me or not. You don't
- 33:27Speaker 5: have to like me. But if we don't plan right now,
- 33:30Speaker 5: they will find out, Oh we could do this without there.
- 33:33Speaker 5: You can never do it without us, never never. You
- 33:35Speaker 5: will always need us. And just because whiteness is in
- 33:39Speaker 5: right now, you will always come back to us music, TV, radio, movies, everything, podcasting, everything,
- 33:46Speaker 5: Why we validate all culture.
- 33:51Speaker 3: And if you need to add you as a permanent member.
- 33:53Speaker 3: I don't know why they're playing over that well.
- 33:55Speaker 1: I don't want people.
- 33:57Speaker 5: I thank God for everybody that put their fingers to
- 33:59Speaker 5: the keyboard or to say come back. I want to
- 34:02Speaker 5: be like a permanent, rotating guest host. I'm not trying
- 34:05Speaker 5: to bump nobody from a job. I'm trying to enhance
- 34:08Speaker 5: that experience because we need to view and we need
- 34:11Speaker 5: the breakfast club, we need this. But yeah, I got
- 34:14Speaker 5: I gotta, I got a little bit more this. Yeah,
- 34:22Speaker 5: and then wait, don't forget to go all my stuff.
- 34:24Speaker 5: I need a million five How you get a million
- 34:26Speaker 5: files on Instagram without me being naked or eating it
- 34:29Speaker 5: or something?
- 34:30Speaker 1: How did I do it? I mean, just do what
- 34:31Speaker 1: you be doing. You be talking, you be talking. One
- 34:34Speaker 1: of the things you say, Oh, I gotta thank y'all.
- 34:36Speaker 5: When I came to your Thanks Black Fact podcast.
- 34:40Speaker 1: So when I asked, old girl, I can't wait a minute.
- 34:42Speaker 1: So everybody was looking at me like trying to start him.
- 34:45Speaker 5: No, I knew one side of the story, and I
- 34:48Speaker 5: didn't want to say nothing.
- 34:49Speaker 1: That's why I asked are you single? And that no
- 34:53Speaker 1: I knew. I knew. I couldn't say what I knew
- 34:56Speaker 1: because I want to embarrass you. Miss. That motherfucker is
- 34:58Speaker 1: not released. What is you talking about? You not in
- 35:01Speaker 1: a relationship, you're talking about.
- 35:04Speaker 2: Right?
- 35:04Speaker 1: So she talked about he upstairs? Okay, you aside, he's
- 35:07Speaker 1: like the rest of us, bitch, what are you talking aboutship?
- 35:12Speaker 1: He's not. He's married a side peace Like.
- 35:18Speaker 5: I got a joke in my act a man to
- 35:20Speaker 5: tell your faith if you asked him, are you married? No,
- 35:22Speaker 5: I'm separated, nigga. Do your wife know she's separated?
- 35:26Speaker 2: You talking?
- 35:27Speaker 3: She know?
- 35:28Speaker 1: But here's the thing. This two ways remy because I
- 35:30Speaker 1: love her.
- 35:31Speaker 5: That's why I didn't want to say nothing flagrant, right,
- 35:33Speaker 5: because I know the situation.
- 35:35Speaker 1: Look at what's the other show? Real? Uh? Yes, what's
- 35:41Speaker 1: the one with men? DC? Okay, listen to me. This
- 35:46Speaker 1: is my feeling.
- 35:46Speaker 5: Sometime when you assimilating to somebody else's culture, you think
- 35:49Speaker 5: you can do open ship like they do. That's not
- 35:52Speaker 5: us culturally. If you don't want to be with me,
- 35:55Speaker 5: let me go, let me gout, go live.
- 35:58Speaker 2: We're supposed to get live. Okay, in there control room,
- 36:03Speaker 2: go live.
- 36:04Speaker 3: Right now, don't care. Ain't nobody in there?
- 36:10Speaker 4: Well, yeah, we got the ladies coming up anyway.
- 36:13Speaker 1: You can do that.
- 36:14Speaker 5: That's why you can't leave it, y'all can do then
- 36:19Speaker 5: that's when I came with the rage, go live, go live.
- 36:24Speaker 1: What I'm doing, Just do it?
- 36:25Speaker 3: You know we live on Netflix in the morning, I know.
- 36:27Speaker 3: But what what we were doing with you? We was taping.
- 36:29Speaker 1: Know what I want to talk about right now? Conversation
- 36:33Speaker 1: into the latest? Okay, what was you talking about?
- 36:36Speaker 3: The last saying shout out everybody watching us on Netflix. One.
- 36:41Speaker 3: She's gonna be on the view in a little while.
- 36:44Speaker 2: She's joining us for a conversation to Marble. She just
- 36:47Speaker 2: popped in before she goes back to the view already.
- 36:49Speaker 1: Yeah, we did it yesterday, Yes, first.
- 36:52Speaker 3: Morning, we did this morning. You haven't even got over
- 36:55Speaker 3: there yet.
- 36:55Speaker 1: No, no, don't.
- 36:56Speaker 5: I don't go there until after this, But we did.
- 36:59Speaker 5: Jimmy Jamming Harry Lewis was a guest. Oh, I think
- 37:03Speaker 5: we still a girls trip to their Las Vegas residency
- 37:06Speaker 5: in August.
- 37:07Speaker 1: Yes, it's gonna be fun this morning.
- 37:09Speaker 5: Uh his name Harvey n No, no, no, oh no,
- 37:16Speaker 5: that's a good. Wait.
- 37:18Speaker 1: No, let me tell you I first got to the talk, right.
- 37:21Speaker 5: That was when the dream Team fired Julie Chiir Moon, Veaz,
- 37:23Speaker 5: Aisha Tyler, Sharon Osborne, and uh Sarah Gilbert on the show. So,
- 37:28Speaker 5: Harvey Winstein come on the show, right, and so you
- 37:31Speaker 5: know how we greet everybody and hung everybody at the table.
- 37:33Speaker 5: And I look over at Julie and I give her
- 37:35Speaker 5: the look, cause me and Julie have great chemistry.
- 37:37Speaker 1: With each other. So I look at Julie.
- 37:38Speaker 5: Julie, you know, she asked, so break, I said, who
- 37:42Speaker 5: is working this fat, sweating, scally mother.
- 37:47Speaker 1: I don't need a job that damn bad. I need this.
- 37:49Speaker 1: I guess I'll never be an actress.
- 37:51Speaker 4: No, And there you have it, Ladies and gentlemen, Cheryl
- 37:54Speaker 4: Underwood performing at the Injury Packed six twenty to twenty
- 37:57Speaker 4: first of this morning.
- 37:57Speaker 5: We appreciate you for joining well, thank you, and I
- 37:59Speaker 5: think you shall may for agreeing to produce the movie
- 38:01Speaker 5: without even reading the first draft, not.
- 38:04Speaker 1: The last draft.
- 38:05Speaker 2: Come on, you might as well just say, yeah, l
- 38:06Speaker 2: you know, we in business together, you know, just let's.
- 38:09Speaker 1: Make this movie. Not do you have to do it
- 38:13Speaker 1: down South? Yeah, you want to do it down South?
- 38:15Speaker 3: Yeah, yeah, yeah.
- 38:16Speaker 1: It's a good it's a good concept.
- 38:18Speaker 5: You're gonna dig it. I just gotta let let you know.
- 38:21Speaker 5: You know, come on, man, you green lighted.
- 38:23Speaker 3: I'm with you.
- 38:24Speaker 1: We want to do We do it.
- 38:32Speaker 3: What is the Breakfast Club?
- 38:33Speaker 2: Come on every day a week, click your lass up
- 38:38Speaker 2: the Breakfast Club.
- 38:39Speaker 3: Finish for y'all.
- 38:40Speaker 1: Done,