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What’s he Done? · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in you, I am all in with
• 0:18
  Speaker 1: Scott Patterson and I heart Radio podcast. Okay, everybody, Hey
• 0:22
  Speaker 1: Scott Patterson, we are back for another episode. Uh and
• 0:26
  Speaker 1: we're going to talk about Teach Me tonight. Episode nineteen,
• 0:30
  Speaker 1: Season two aired April and two. A day that will
• 0:34
  Speaker 1: live in infamy, let me tell you, because it is
• 0:37
  Speaker 1: the staggering debut of a film by Kirk Is it not?
• 0:42
  Speaker 1: Is it the first? Is it the premiere? Is it
• 0:44
  Speaker 1: the debut? Am I wrong? This is the first times?
• 0:48
  Speaker 1: Just absolute genius. Anyway, I am. I am here with
• 0:51
  Speaker 1: Danielle Romo, Riley Pelusis and uh Amy Sugarman is here.
• 0:59
  Speaker 1: The ball club has gathered. Riley, take us away with
• 1:04
  Speaker 1: your synopsis. So today LORIAA gets to pick a film
• 1:08
  Speaker 1: for the movie Festival. Luke asked Rory to tutor Jess,
• 1:11
  Speaker 1: but during their study night, a car accident and a
• 1:13
  Speaker 1: fractured risk leads Luke to making a decision about Jess
• 1:16
  Speaker 1: living in stars Hollow. Chris returns to comfort Lorelei and
• 1:20
  Speaker 1: Rory and wishes he can stay longer. I'll tell you
• 1:23
  Speaker 1: this was this was an emotional roller coaster, wasn't it?
• 1:28
  Speaker 1: This thing it got very heavy. I felt. I don't
• 1:31
  Speaker 1: want to I'm not I'm not saying this to be
• 1:35
  Speaker 1: you know, a jackass, but uh, you know it really
• 1:38
  Speaker 1: it started to take on this sort of this element
• 1:40
  Speaker 1: of general hospital where you're just like, oh my god.
• 1:48
  Speaker 1: You know, not that there's anything with that, but it
• 1:51
  Speaker 1: was it really was kind of shocking. What you mean,
• 1:55
  Speaker 1: I mean, it was just I mean I was completely engaged.
• 1:58
  Speaker 1: What can I tell you. I'm sitting on my couch.
• 2:00
  Speaker 1: It's it's eight pm last night, you know, my boys
• 2:04
  Speaker 1: asleep and boomp I hit play. It's like what And
• 2:11
  Speaker 1: I love the opening. I thought it was really great
• 2:12
  Speaker 1: because we get a little Michael Winner's action, you know,
• 2:15
  Speaker 1: get the Michael Winners magic when we got He's so good,
• 2:18
  Speaker 1: He's so great to watch. He really digs in to
• 2:21
  Speaker 1: the scene, you know, he really grounds it and just
• 2:23
  Speaker 1: like Ohm and he's like the perfect backboard to hit
• 2:26
  Speaker 1: the ball off with Lauraa and Rory just hitting the
• 2:29
  Speaker 1: ball back and forth. It was it was wonderful and
• 2:33
  Speaker 1: we have one of the funniest moments with a film
• 2:35
  Speaker 1: by Kurt and and the most dramatic with the fight
• 2:39
  Speaker 1: between Luca. More So, it was like whoo and then
• 2:43
  Speaker 1: the ass whooping. That's a coming to Jess once Laura
• 2:46
  Speaker 1: La gets ahold of him, she's I thought she was
• 2:49
  Speaker 1: going to run to the bus stop, get on a
• 2:50
  Speaker 1: bus and follow him to his mom's house and just
• 2:53
  Speaker 1: like dive in the living room window and start ninja in.
• 2:57
  Speaker 1: You know, when the nun chucks, who's gonna get a
• 3:01
  Speaker 1: She's gonna open up a couple of candle woo pass
• 3:03
  Speaker 1: on him. Let me tell you that kid, you know,
• 3:06
  Speaker 1: he's good. Good thing he got out of town. Good
• 3:09
  Speaker 1: thing he got out. Because I'm telling you, as a parent, yes,
• 3:13
  Speaker 1: that is your your worst fear realized. And it doesn't
• 3:19
  Speaker 1: matter if everybody's okay, and I complete her, her reaction
• 3:23
  Speaker 1: is completely justified. I mean because if anyone laid a hand,
• 3:26
  Speaker 1: I mean on my son, Oh boy, I mean, you
• 3:29
  Speaker 1: really need to restrain yourself. Right when when a little
• 3:33
  Speaker 1: bullying thing happens from at school and you hear about it,
• 3:36
  Speaker 1: he tells you about it, it's like, oh boy, you
• 3:39
  Speaker 1: know you really have to just kind of like, oh,
• 3:41
  Speaker 1: you know, here comes the monster. So um it was,
• 3:46
  Speaker 1: it was it was all consuming. What did you guys
• 3:49
  Speaker 1: think there was? I literally I have no words. There
• 3:57
  Speaker 1: was so good happening. There was so much happening. I'm like,
• 4:01
  Speaker 1: Jess and Jess and Rory that that was something else. Um,
• 4:06
  Speaker 1: Laura Leon Luke, that fight was unbelievably epic. Christopher and
• 4:10
  Speaker 1: Lura la at the end, I'm like, oh my god,
• 4:12
  Speaker 1: then you have Kirk's movie, then you have the movie Night,
• 4:14
  Speaker 1: you know, like the like the actual interaction between Rory,
• 4:18
  Speaker 1: Christopher and Laura, Like it was just so good, so
• 4:22
  Speaker 1: much happening, so much happening. I want to know what
• 4:25
  Speaker 1: both of you think about Rory and Jess. Um let me.
• 4:33
  Speaker 1: He came off a little bit too much of a
• 4:36
  Speaker 1: punk for me this episode, and I just I felt
• 4:43
  Speaker 1: and then I started feeling really bad for him. You know,
• 4:46
  Speaker 1: the poor kid. He's so troubled and he has no
• 4:52
  Speaker 1: he has no port in the storm, you know, and
• 4:55
  Speaker 1: he's looking for one, and it's just so tragic to
• 4:59
  Speaker 1: see this kid, his the wasted potential, the potential of
• 5:04
  Speaker 1: his wasted potential on the horizon here, and that if
• 5:07
  Speaker 1: he doesn't start making better decisions, you know, these opportunities
• 5:10
  Speaker 1: are going to go by the wayside and you don't
• 5:13
  Speaker 1: get them back, you don't get a second chance. I mean,
• 5:15
  Speaker 1: you can really work hard and hustle. If maybe a
• 5:18
  Speaker 1: year or two pass you by and then you sort
• 5:21
  Speaker 1: of see the light and you start applying yourself, then
• 5:23
  Speaker 1: you can recover. But if too much time passes by
• 5:26
  Speaker 1: for him, and he just wants to hang out and
• 5:29
  Speaker 1: go wherever the wind takes him and and get a
• 5:32
  Speaker 1: job here. And he you know, one of these guys,
• 5:34
  Speaker 1: you know, he's he's looking to be. Uh, what's what's
• 5:37
  Speaker 1: the movie the Matt Damon ben Affleck movie that made
• 5:39
  Speaker 1: them famous. Yeah, he's looking to be you know, he's
• 5:42
  Speaker 1: looking to turn into a little bit of a good
• 5:43
  Speaker 1: will hunting their guy. Yeah, And Roy calls him out.
• 5:47
  Speaker 1: She says, you're you're the smartest kid in school. But
• 5:50
  Speaker 1: it's that will, that's that he doesn't there's no safety
• 5:55
  Speaker 1: for him. He doesn't feel safe anywhere. He doesn't feel
• 5:58
  Speaker 1: like he can put himself out there, be social or
• 6:01
  Speaker 1: be accepted. Everything to him is negative and dark, and
• 6:05
  Speaker 1: he wants to be by himself. And he doesn't understand why.
• 6:08
  Speaker 1: And if he intellectually understands it, he doesn't emotionally. He
• 6:11
  Speaker 1: can't emotionally grasp it. He can't he can't And what
• 6:14
  Speaker 1: do you attribute that to? Knowing what you know? He
• 6:19
  Speaker 1: he has no solid base of anybody loving him. He
• 6:24
  Speaker 1: doesn't have anybody hugging him or loving him in the
• 6:26
  Speaker 1: right way. I mean, he's got Luke, but that's a
• 6:28
  Speaker 1: new thing, and that's filled with conflict, right, And I
• 6:32
  Speaker 1: don't know that Luke is I don't know if Luke
• 6:35
  Speaker 1: is the best person for this. You know, he's trying,
• 6:39
  Speaker 1: he's trying, but Luke's very busy. He's got issues of
• 6:41
  Speaker 1: his own, right. Um. And then you know, I I
• 6:44
  Speaker 1: found out in his meeting with the principle that he
• 6:47
  Speaker 1: wasn't the greatest student in the world, which surprised me
• 6:51
  Speaker 1: a little bit. I didn't think it did the character justice.
• 6:57
  Speaker 1: And I was correct because the character is very Yeah,
• 6:59
  Speaker 1: he so well, right, and so it doesn't mean that
• 7:03
  Speaker 1: he's going to do well in school. But metal shop,
• 7:07
  Speaker 1: you know, I mean not that there's anything wrong with that.
• 7:10
  Speaker 1: I mean that does takes skills to in dedication and study.
• 7:13
  Speaker 1: But um, just knowing what we know about Luke and
• 7:17
  Speaker 1: his knowledge about business and finances and taxes and law
• 7:23
  Speaker 1: and all those things in addition to being able to
• 7:26
  Speaker 1: build because but you can acquire those skills and acquire
• 7:30
  Speaker 1: that knowledge over time. Being in a business, it's not
• 7:33
  Speaker 1: necessarily academic, right he didn't. He didn't so so maybe
• 7:38
  Speaker 1: he didn't know how to study, or he wasn't the
• 7:39
  Speaker 1: greatest student. He wasn't engaged, he wasn't interested, he was
• 7:43
  Speaker 1: doing other things. Right here, he has head in the clouds.
• 7:46
  Speaker 1: Who knows what was going on, But it's like it's
• 7:49
  Speaker 1: like it seems like the bloodline has you know, the
• 7:52
  Speaker 1: Danes blood or something has gotten into Jest a little
• 7:56
  Speaker 1: bit obviously, and and he's it's interesting the principle calling
• 7:59
  Speaker 1: you miss ordained so much because we don't hear it
• 8:02
  Speaker 1: that often in the show. And that was a bit
• 8:06
  Speaker 1: and and truly truly pleased to see the legendary Lawrence
• 8:10
  Speaker 1: Hilton Jacobs. I mean, I forgot that I got to
• 8:13
  Speaker 1: act with him, And isn't he great? Isn't he just superb?
• 8:18
  Speaker 1: And I just was I was so pleased. Um, I
• 8:22
  Speaker 1: love that scene. But yeah, I think Jess needs something different.
• 8:26
  Speaker 1: He does need a change of scenery being with Uncle Luke.
• 8:30
  Speaker 1: I don't think it's well as we see there. It's
• 8:34
  Speaker 1: it's just filled with the complications and conflict and how
• 8:39
  Speaker 1: did you Scott Slash Luke feel about the low blow
• 8:42
  Speaker 1: he said about the diner. Oh, maybe I'll work in
• 8:46
  Speaker 1: But that's again, that's a goodwill hunting type of like,
• 8:49
  Speaker 1: this kid is so smart. He's gonna make you know.
• 8:51
  Speaker 1: He's gonna look at the painting Robin Williams painting like, oh,
• 8:54
  Speaker 1: old man, he's losing his oars. He's drifted, sea's lost
• 8:58
  Speaker 1: and you know what, And then you find out that
• 9:00
  Speaker 1: his wife died of cancer. So it was one of
• 9:02
  Speaker 1: those situations where it's like Luke is like, boy, this
• 9:05
  Speaker 1: poor kid's really lost. I mean, if he's attacking me,
• 9:08
  Speaker 1: then that kid is really defensive. He's really nasty. Uh
• 9:13
  Speaker 1: and he ain't changing soon. The only thing that's going
• 9:15
  Speaker 1: to change him. And I hate to say this now
• 9:19
  Speaker 1: that I see this, I hate to say this. He
• 9:21
  Speaker 1: needs Rory more than anything, but that he's going to
• 9:24
  Speaker 1: be bad for Rory because it's gonna take Rory's full
• 9:29
  Speaker 1: tank of fuel, of her love and her compassion and
• 9:35
  Speaker 1: her empathy to get this kid on the right track,
• 9:37
  Speaker 1: and it's gonna throw her off her track. It's gonna
• 9:40
  Speaker 1: pull her foot. What do you think about Luke asking
• 9:42
  Speaker 1: Rory for help, and how he did it, and what
• 9:46
  Speaker 1: do you think of I think I think I would
• 9:48
  Speaker 1: have had the same reaction, like, Mike, don't come around
• 9:51
  Speaker 1: to my kids. She's she's focused, she doesn't have time
• 9:53
  Speaker 1: for this. I don't want this kid around. He's bad news.
• 9:56
  Speaker 1: And she was right. She sees the future. She's a mother,
• 9:59
  Speaker 1: she gets it in her gut, and she's a good
• 10:02
  Speaker 1: enough friend to Luke and she's a good enough person
• 10:06
  Speaker 1: to allow this, and that's why she was so upset.
• 10:09
  Speaker 1: She was mainly upset with herself for allowing it, because
• 10:11
  Speaker 1: she tried to put a stop to her and she
• 10:12
  Speaker 1: should have put her foot down. But again, she doesn't
• 10:14
  Speaker 1: want to be that. She doesn't want to be that
• 10:17
  Speaker 1: woman who stands in the way of her daughter and
• 10:20
  Speaker 1: is not a good friend to Luke. And she's part
• 10:21
  Speaker 1: of a community. And you know this is helping because
• 10:24
  Speaker 1: down the line she's going to ask him for help,
• 10:26
  Speaker 1: and she's asked. She's going to the well with Luke
• 10:28
  Speaker 1: many many times, and he's always there for her and
• 10:31
  Speaker 1: he always will be there for her. So I guess
• 10:33
  Speaker 1: she feels obligated, of course, but she went a better
• 10:36
  Speaker 1: She went against her better instincts and she and there's
• 10:40
  Speaker 1: no stopping Rory because Rory, like she did she play
• 10:47
  Speaker 1: that beautiful? Isn't she just wonderfully nuanced and subtle? And
• 10:51
  Speaker 1: again there's there's those eyeballs, there's the cute face, and
• 10:56
  Speaker 1: she's just she doesn't do too much because she doesn't
• 10:59
  Speaker 1: have to. And you read I read her face so
• 11:02
  Speaker 1: easily and so well, she's so good at this and
• 11:05
  Speaker 1: and just I don't know, I don't know that she
• 11:08
  Speaker 1: came out of any background in acting. I think she
• 11:10
  Speaker 1: was in film school and it's kind of remarkable how
• 11:13
  Speaker 1: she can do this. So um, And what did you
• 11:16
  Speaker 1: think of Milo's performance? Oh? He's great. I mean, he's
• 11:19
  Speaker 1: really great when he when when you hate him, when
• 11:23
  Speaker 1: you have to hate him. He knows that as an actor,
• 11:25
  Speaker 1: and you're like, wow, this guy's trouble because that's the
• 11:28
  Speaker 1: fine line that he has to walk, right. It's like,
• 11:32
  Speaker 1: I he trusts the writing so much that he's okay
• 11:36
  Speaker 1: getting the direction. Like Milo, you know, I'm sorry, but
• 11:39
  Speaker 1: they have to hate you here because we're gonna bring
• 11:41
  Speaker 1: you back and to this degree and we're gonna bring
• 11:44
  Speaker 1: it back this percentage. And he understands that there's So
• 11:49
  Speaker 1: that's what makes it interesting to watch because we know
• 11:51
  Speaker 1: there's going to be these peaks and valleys, we know
• 11:53
  Speaker 1: there's going to be this range that the actors can play.
• 11:56
  Speaker 1: So there's all this freedom within the very big range.
• 11:59
  Speaker 1: So so he's he's And what did you think of
• 12:01
  Speaker 1: the scene when Luke finds Jests on the bridge, the
• 12:07
  Speaker 1: infamous bridge I love fell in love with Jess again
• 12:11
  Speaker 1: because he was on the verge of tears and you
• 12:16
  Speaker 1: could hear it crackling in his voice a little bit,
• 12:18
  Speaker 1: and he said, listen, I did everything I could and
• 12:20
  Speaker 1: he knew he screwed up and he knew. I think
• 12:23
  Speaker 1: that was a big moment in his life where the
• 12:27
  Speaker 1: you know, the the love of his life, the woman,
• 12:29
  Speaker 1: the girl that he thinks that he can can save him.
• 12:33
  Speaker 1: But he's gonna blow it. He's gonna blow it every time,
• 12:35
  Speaker 1: and he's gonna go away because he knows he's not ready.
• 12:37
  Speaker 1: And I think that he's noble that I think there
• 12:39
  Speaker 1: was some real nobility in in him and in the
• 12:43
  Speaker 1: end and the choice he made to get on a
• 12:45
  Speaker 1: bus and get out of town go back to his mother.
• 12:47
  Speaker 1: I don't know if what the it's going to turn
• 12:49
  Speaker 1: out to be whether Luke forced him onto that bus
• 12:51
  Speaker 1: and saying, get the hell out of here. I've had enough.
• 12:53
  Speaker 1: You've hurt you know, my family here, which is Laurel
• 12:57
  Speaker 1: and Rory. You've hurt my family. Get the heck. I
• 13:00
  Speaker 1: don't know if Luke did that. I want to say
• 13:03
  Speaker 1: that nobility one the day and Jess withdrew honorably and said,
• 13:09
  Speaker 1: I'm going to go back to my mom. I'm not
• 13:11
  Speaker 1: ready to be in a society. I am not ready.
• 13:15
  Speaker 1: I've got to go. I've got to go get my
• 13:16
  Speaker 1: act together, get my head together, and deal with my
• 13:19
  Speaker 1: problems with my mother and maybe be a better guy.
• 13:21
  Speaker 1: So that can't wait till you see what's coming. But
• 13:25
  Speaker 1: what did what did Riley and Danielle think of the
• 13:30
  Speaker 1: of the whole thing save that the fight. We're going
• 13:33
  Speaker 1: to talk about that, but what did you think of
• 13:36
  Speaker 1: all of it? So, like Scott was saying earlier, how
• 13:39
  Speaker 1: Jess needs Rory, and I feel like that last scene,
• 13:43
  Speaker 1: just like you're saying, Scott, like he realized how badly
• 13:47
  Speaker 1: he messed it up, and he was so remorseful, and
• 13:50
  Speaker 1: I felt for him so much in that moment. But
• 13:53
  Speaker 1: then I'm also like Jess, she's the one that wanted
• 13:56
  Speaker 1: to turn right one more time, like it is out
• 14:00
  Speaker 1: too much, like it's had her fault too. But in
• 14:04
  Speaker 1: that moment, I was like, oh, man, like he really
• 14:07
  Speaker 1: is just shattered, like completely gutted. I felt for him
• 14:12
  Speaker 1: so shattered. But how how Jess and Rory looked at
• 14:16
  Speaker 1: each other in the car especially like gave me all
• 14:20
  Speaker 1: the fields. It was like, like just the way they're
• 14:22
  Speaker 1: looking at each other, you can like see you can
• 14:24
  Speaker 1: see how much they like each other. And then the
• 14:26
  Speaker 1: bridge scene, like how beautiful, like the metaphor was that
• 14:30
  Speaker 1: once the bridge that once Luke pushed Jess off, he's
• 14:35
  Speaker 1: now sitting next to Jess, lifting him up and like
• 14:37
  Speaker 1: being there for him and wearing matching green jackets. Yea,
• 14:43
  Speaker 1: and in the same spot where Jess and Rory had
• 14:46
  Speaker 1: the picnic. Yeah, that was a wonderful scene. That's sitting
• 14:51
  Speaker 1: down next to him. What do you think about the
• 14:55
  Speaker 1: fact that Dean and I'm using quotes air quotes is missing.
• 15:01
  Speaker 1: You know that he's at Grandma's during all of this,
• 15:03
  Speaker 1: as opposed to sort of being there, which would have
• 15:06
  Speaker 1: been a totally different version what is so funny. Poor Dean,
• 15:11
  Speaker 1: he's just his car's getting crushed. His heart's getting That
• 15:14
  Speaker 1: car is emblematic of his heart, right, that's a pre
• 15:18
  Speaker 1: crushed heart. He doesn't know that his heart is going
• 15:21
  Speaker 1: to end up like the car, but it's going to
• 15:24
  Speaker 1: end up like the car, and it's the poor kid.
• 15:28
  Speaker 1: I just feel bad for him. I don't know what's coming,
• 15:30
  Speaker 1: but it ain't good for old Dean. Are old buddy Dean?
• 15:34
  Speaker 1: You know? To interject? You know. The thing I like
• 15:36
  Speaker 1: about Bilmore Girls is like, you know, because I don't
• 15:39
  Speaker 1: when did when did this episode? Arrogain Riley April April?
• 15:46
  Speaker 1: So we're heading into like May sweeps. So you could
• 15:48
  Speaker 1: have had an episode where it's like the car accident
• 15:51
  Speaker 1: and a big you know, a very special Gilmore to
• 15:54
  Speaker 1: be continued and we're all left like that. But the
• 15:57
  Speaker 1: thing that's so brilliant about it is like the car
• 16:00
  Speaker 1: accident was in the middle of the episode. There was
• 16:04
  Speaker 1: so much more and we still got the movie and
• 16:06
  Speaker 1: the levity and the sort of the scene between Lane
• 16:09
  Speaker 1: and Rory as they're walking, and that I think is
• 16:12
  Speaker 1: something that I really like about the show. It does
• 16:15
  Speaker 1: the unexpected because so many shows would have left us
• 16:18
  Speaker 1: hanging on a cliffhanger and like, oh my god, and
• 16:21
  Speaker 1: instead we get real life. We didn't even see the accident,
• 16:26
  Speaker 1: and for the second time, an animal caused a car accident.
• 16:31
  Speaker 1: But wait a minute, wait, let's go back. You said something.
• 16:33
  Speaker 1: It did end on a cliffhanger. It ended on correct
• 16:36
  Speaker 1: with Jess leaving right, But that could have been the
• 16:40
  Speaker 1: second cliffhanger that could have, you know. So here's what's
• 16:43
  Speaker 1: so funny. And I know you guys weren't be able
• 16:45
  Speaker 1: to help me with this, so I really hope people
• 16:47
  Speaker 1: listening will I've seen this episode at least three times,
• 16:51
  Speaker 1: probably four, because I watched it when it was on originally,
• 16:55
  Speaker 1: then I watched all the dvs, so now I'm watching
• 16:58
  Speaker 1: it third, fourth time in streaming. In my mind, we
• 17:02
  Speaker 1: saw the car accident. So the whole scene in the car,
• 17:05
  Speaker 1: I was having like a stomachache. I'm like, it's coming,
• 17:08
  Speaker 1: it's coming. And I watched it through my hands because
• 17:11
  Speaker 1: I was so nervous, like I know the car accidents coming.
• 17:14
  Speaker 1: It's so blew my mind that we don't see the
• 17:16
  Speaker 1: car acts and it don't need to see it. You
• 17:19
  Speaker 1: don't need to see it correct, but it was so weird.
• 17:21
  Speaker 1: I wonder if anyone else listening had that same reaction
• 17:25
  Speaker 1: on like a second or third watching, where you forgot
• 17:27
  Speaker 1: that you don't see it because the it's so dramatic.
• 17:31
  Speaker 1: I felt like we saw it. I did actually like rewind,
• 17:36
  Speaker 1: like when when Roy was in the hospital, was like,
• 17:38
  Speaker 1: did I just miss something like a scene like where
• 17:41
  Speaker 1: was the crash? Really like rewound it like a minute
• 17:44
  Speaker 1: and I'm like, oh no, it just jumps right to
• 17:46
  Speaker 1: the hospital, which is so interesting. Your imagination does the
• 17:50
  Speaker 1: work for you. That's that's that's good writing, where it's
• 17:53
  Speaker 1: like you don't need to see it because you've already
• 17:56
  Speaker 1: seen it in your mind. And then they do show
• 17:58
  Speaker 1: the car and the tow truck, so you're like, oh,
• 18:01
  Speaker 1: that's no fender bit. No, No, that was a big hit,
• 18:07
  Speaker 1: a big that's like goodbye Dean car. It's like that's
• 18:10
  Speaker 1: a big hit. Yeah, that's all right. So anyway, I interject,
• 18:14
  Speaker 1: but back to what you all think of Dean and
• 18:17
  Speaker 1: and Dean and Grandma's I'm happy he wasn't in this episode.
• 18:22
  Speaker 1: I don't think I can do another pouting Dean scene.
• 18:27
  Speaker 1: I just I can't. They just they just need to
• 18:30
  Speaker 1: put him in a body bag and get him off
• 18:32
  Speaker 1: the show. I mean, he's just just he's done. He's
• 18:36
  Speaker 1: gonna he's gonna spontaneously combust. I mean, he's just gonna
• 18:39
  Speaker 1: does he explode in an episode? I mean, I mean,
• 18:43
  Speaker 1: the poor guy. I mean, so for the three of you,
• 18:46
  Speaker 1: do you think the car accident and the drama that
• 18:50
  Speaker 1: ensues will bring Rory and Jess closer or split them up?
• 18:55
  Speaker 1: I definitely think I'll bring him closer. I think he's
• 18:58
  Speaker 1: going to come back, and I think she's gonna be
• 19:00
  Speaker 1: thinking about it so much. She's gonna be sitting there
• 19:02
  Speaker 1: with her broken wrist fractured wrist, and be thinking about
• 19:06
  Speaker 1: Jazz and if he's okay. And I think that constant
• 19:08
  Speaker 1: thinking and he'll be doing the same, and I'll just
• 19:10
  Speaker 1: bring him closer. Danielle, I agree. I think Jess is
• 19:15
  Speaker 1: going to check in on Rory and apologize and just
• 19:18
  Speaker 1: feel super crappy about it, and he's going to be like, Rory,
• 19:22
  Speaker 1: are you doing okay? I'm sorry, and then she's gonna
• 19:24
  Speaker 1: be like, oh my god, he cares about me. Ballo. Yeah,
• 19:27
  Speaker 1: I I don't see Jess. The thing that interests. Intrigues
• 19:31
  Speaker 1: me the most is how Jess is going to get
• 19:33
  Speaker 1: past the the tank divisions that Laurel I places in
• 19:38
  Speaker 1: front of the house to to fend him off if
• 19:41
  Speaker 1: he ever comes near again. I love that you guys
• 19:45
  Speaker 1: don't know. I mean, I know, everyone's like in their cars,
• 19:48
  Speaker 1: were like, I don't know vacuuming right now, going how
• 19:52
  Speaker 1: do they not? But it's like, but it's but it's
• 19:56
  Speaker 1: you know, there's going. I know that I know one thing,
• 19:58
  Speaker 1: and this is my prediction in and I don't know
• 20:00
  Speaker 1: this in any other way except in my predictive capabilities.
• 20:06
  Speaker 1: But but but I think there's gonna be a big
• 20:09
  Speaker 1: mother daughter scene where Rory begs or Rory tries to
• 20:14
  Speaker 1: make Laurel I understand how she feels. And I think
• 20:18
  Speaker 1: that's gonna be a big, tumultuous scene. There's gonna be
• 20:22
  Speaker 1: a lot of conflict in it. Maybe it's two conversations,
• 20:26
  Speaker 1: maybe it's three. It's gonna take three conversations for for Laurel.
• 20:29
  Speaker 1: I had to call off the Doberman's um who are
• 20:33
  Speaker 1: now currently sniffing jess socks, you know, getting the scent.
• 20:37
  Speaker 1: So I'm not gonna say it again. But I think
• 20:39
  Speaker 1: we should all just tell all off right now. Anyway,
• 20:42
  Speaker 1: let's let's get some refreshments. I'm gonna pass around some
• 20:45
  Speaker 1: cucumber slices and we'll be back after these works. Yeah, right, everybody,
• 20:54
  Speaker 1: we're back. That was good, cucumber. Thank you? That was
• 20:58
  Speaker 1: nice refreshing. Uh do you like Christopher list? I do?
• 21:04
  Speaker 1: What what made me uncomfortable? And it's again this sort
• 21:07
  Speaker 1: of Lukey Scott thing jealousy, uh, stuff that doesn't really exist,
• 21:13
  Speaker 1: but it does, um, it does. I didn't like that
• 21:18
  Speaker 1: she that Laurelized kept saying like in sort of with
• 21:21
  Speaker 1: her mooney eyes to him, like I really like it
• 21:24
  Speaker 1: when you're here. Yes, I like it too. You know
• 21:27
  Speaker 1: this his girlfriend. Yeah, but are none of you getting
• 21:31
  Speaker 1: a vibe? Things aren't so, Sherry? Yes, it's not so
• 21:40
  Speaker 1: sunshine and rainbows. You must in right now because again
• 21:45
  Speaker 1: I know so I don't see it with fresh eyes.
• 21:48
  Speaker 1: So you guys are seeing it And that was clear
• 21:51
  Speaker 1: because I felt it was clear, But I didn't know
• 21:52
  Speaker 1: if I was, like, I'm sure quarterbacking because I know
• 21:55
  Speaker 1: what's happening. Were you happy to feel that, Sherry? You
• 22:00
  Speaker 1: know there's trouble in Paradise with Christopher and Sherry. No, right,
• 22:06
  Speaker 1: not at all. I'm like, get the possessive side of me?
• 22:12
  Speaker 1: Is I get back to Sherry? You know, tend tend
• 22:15
  Speaker 1: to business. I mean, I I get sure he needs
• 22:17
  Speaker 1: to be with his daughter, and but it was just
• 22:19
  Speaker 1: it was so um, that was a little uncomfortable for
• 22:23
  Speaker 1: me to watch. I didn't like seeing Laurel. I like that. Um,
• 22:28
  Speaker 1: And what do the girls think? Because I like it.
• 22:30
  Speaker 1: I look, you're my number one, but I like Christopher.
• 22:34
  Speaker 1: Unpopular opinion, Christopher is my number one. I love when
• 22:38
  Speaker 1: they're together. I know, I'm sorry, I'm sorry, but smile
• 22:44
  Speaker 1: ear to ear every single time I see them together.
• 22:46
  Speaker 1: I'm like, there's just so much chemistry. I love. I
• 22:51
  Speaker 1: love them. I do well, And especially because it's so
• 22:56
  Speaker 1: coming after the biggest fight that Luke Lorea have ever had,
• 23:02
  Speaker 1: so we're like, oh, god, Riley, what do you think?
• 23:08
  Speaker 1: I think? Um, it's so hard I love. I can see,
• 23:13
  Speaker 1: like I have that love for Christopher and Lorelei because
• 23:16
  Speaker 1: the connection is crazy and they have all that history.
• 23:19
  Speaker 1: But I'm rooting for Luke and Laura Lai just because
• 23:21
  Speaker 1: I want to see how it happens. I want to see,
• 23:24
  Speaker 1: you know, them get there. It's so it's so dividing, Amy,
• 23:29
  Speaker 1: What do you how do you feel knowing? How do
• 23:32
  Speaker 1: you feel? How do you feel about this? Okay? One
• 23:37
  Speaker 1: is I understand why everyone's like losing their bleep over
• 23:44
  Speaker 1: the car accident and the whole situation. That being said,
• 23:48
  Speaker 1: these are teenagers, So I'm not sure that the Luke
• 23:53
  Speaker 1: Lorelei blow up. I feel that it could have been
• 23:57
  Speaker 1: avoided if cooler heads prevailed. Do you know what I'm saying? Like,
• 24:00
  Speaker 1: I totally understand why Laurel is exploding the way she is,
• 24:04
  Speaker 1: and why Luke has to defend his nephew, his blood,
• 24:09
  Speaker 1: his family, and and why they had that fight. That
• 24:13
  Speaker 1: being said, let's all calm down, Do you know what
• 24:16
  Speaker 1: I mean? Like, let's all calm down. So there's that.
• 24:20
  Speaker 1: I also love Christopher, and I like that Laurel I
• 24:25
  Speaker 1: has a crush on Christopher and the flirty flirt flirt
• 24:28
  Speaker 1: with Christopher, and I like that he dropped everything to
• 24:32
  Speaker 1: be there. I just know that everything is way more
• 24:36
  Speaker 1: complicated than we've learned. You know what? She she she
• 24:40
  Speaker 1: falls in love with everybody, She gets a crush on everybody.
• 24:43
  Speaker 1: I'm the only guy for her. Shut up kidding me?
• 24:50
  Speaker 1: Are you kidding me with this malarkey? It's malarkey, is
• 24:54
  Speaker 1: what it is. For God's sick, you know. I also
• 24:58
  Speaker 1: like how they got to or their fight quickly. We
• 25:02
  Speaker 1: didn't belabor that. It was like here, here he is,
• 25:05
  Speaker 1: you know. I like that he came in the room
• 25:07
  Speaker 1: and just slept there he was. He is being a
• 25:10
  Speaker 1: good dad, even though he was like an absent dad
• 25:13
  Speaker 1: for so long. I don't blame Laurelai for screaming at
• 25:19
  Speaker 1: me when you get that frightened, because you know, she's
• 25:24
  Speaker 1: not seeing a fractured drist. She's seeing a dead child. Potentially,
• 25:28
  Speaker 1: like one inch right or left, she could have hit
• 25:31
  Speaker 1: her head and died. She could have been dead. And
• 25:34
  Speaker 1: that's the thing that scares her so much. And she
• 25:38
  Speaker 1: is justified it really blowing up at Luke. But what's
• 25:43
  Speaker 1: Luke to do? I mean, it's just one of those
• 25:44
  Speaker 1: situations where he's got to understand and not take it personally.
• 25:49
  Speaker 1: I think actually Luke was a little flawed in that scene,
• 25:54
  Speaker 1: and I think that shows something about Luke that his
• 25:57
  Speaker 1: tolerance level and his compath seems to I mean, he's
• 26:03
  Speaker 1: I mean you have to be mature enough to know
• 26:06
  Speaker 1: that's that how upset she could be. But he you know,
• 26:11
  Speaker 1: I mean April has not come on the scene yet, right,
• 26:13
  Speaker 1: he's not aware. I mean he's not even aware he
• 26:16
  Speaker 1: has a child. Correct, So you can't know. You can't
• 26:22
  Speaker 1: know if you don't have a child yourself, if it
• 26:26
  Speaker 1: is not your d NA, you cannot know how deeply
• 26:32
  Speaker 1: you are capable of loving someone. And at the same token,
• 26:36
  Speaker 1: you cannot know how frightening it is at the prospect
• 26:40
  Speaker 1: of of that love being. He could have that love
• 26:44
  Speaker 1: for Jess. No, he could know. He could not. He
• 26:47
  Speaker 1: could not. It's not the same. I have loved people
• 26:52
  Speaker 1: very deeply that I am not related to, and then
• 26:54
  Speaker 1: when my son was born, it's a whole different level.
• 26:57
  Speaker 1: It's a whole different ball game. You and if they
• 27:02
  Speaker 1: potentially get injured, or they get injured, they could potentially die. Man,
• 27:05
  Speaker 1: you will freak. It takes a tremendous amount of trant
• 27:08
  Speaker 1: and the fact that Luke is childless at this point,
• 27:11
  Speaker 1: doesn't know about his daughter. He needed to show more
• 27:16
  Speaker 1: more understanding to Laurela and more compassion. Stop being so defensive.
• 27:20
  Speaker 1: He could have been a little better with her. I
• 27:23
  Speaker 1: don't but his life experience didn't allow that to happen.
• 27:26
  Speaker 1: I don't know. I feel like he really defended, but
• 27:31
  Speaker 1: there's no defense for it. There's no defense for it.
• 27:34
  Speaker 1: It's not defensive criticizing Luke for bringing him here. And
• 27:40
  Speaker 1: I think that's unfair. I do, I think that, But no,
• 27:45
  Speaker 1: it's not that right. And she said that, and she's saying,
• 27:48
  Speaker 1: you know, she's gonna be emotional. Of course, I understand
• 27:51
  Speaker 1: she's gonna be, you know, ripping anybody that had anything
• 27:54
  Speaker 1: to do with this, and that's her right as a mother.
• 27:57
  Speaker 1: And being that afraid, Oh my god, it's the worst
• 28:00
  Speaker 1: feeling in the world of fear and and and you
• 28:03
  Speaker 1: got to let it out. And Laurel E is not shy.
• 28:05
  Speaker 1: She lets her feelings be known. She's established this for
• 28:10
  Speaker 1: forty episodes. Um, and you've got the perfect actress to
• 28:14
  Speaker 1: do that. So you know, give her the ammo. Let
• 28:17
  Speaker 1: her blast away at Luke and see what he does.
• 28:19
  Speaker 1: And I just I just think that Luke could have
• 28:22
  Speaker 1: been better that just maybe understanding where this is coming from.
• 28:25
  Speaker 1: But he can't since he doesn't have a child, he
• 28:27
  Speaker 1: doesn't know the fear. That's the part that I'm like, well,
• 28:31
  Speaker 1: he's protecting blood, he's protecting his blood right, and he
• 28:35
  Speaker 1: needed to do what he did. He needed to bring
• 28:37
  Speaker 1: Jess here. That is what someone does. And so as
• 28:42
  Speaker 1: a man, as a man, I'm sorry, I'm sorry, but
• 28:45
  Speaker 1: as a man, he has to he has to show
• 28:48
  Speaker 1: more restraint. He can't unload on Laurel. Lie like that.
• 28:53
  Speaker 1: I don't know, because if you're saying Laurel I was
• 28:55
  Speaker 1: justified in how she felt, then to me, Luke is
• 28:59
  Speaker 1: just as justified in how he felt because he also
• 29:03
  Speaker 1: has that same fear that something could have happened to Jess.
• 29:08
  Speaker 1: Jess could have been but it's not a kid. It
• 29:12
  Speaker 1: doesn't know I see. I disagree. That's like saying that
• 29:14
  Speaker 1: somebody who adopted a kid doesn't love it in the
• 29:16
  Speaker 1: same way that somebody's loves there there there, you know, biologic.
• 29:23
  Speaker 1: I wanted him to show more restraint. I wanted him
• 29:26
  Speaker 1: to show more compassionate, a little more understanding. I think
• 29:30
  Speaker 1: this is interesting because I like how he had his
• 29:36
  Speaker 1: kids at the end. Okay, but at the end of
• 29:39
  Speaker 1: the day, Luke is telling Laurela at the end of
• 29:42
  Speaker 1: this day that with all these events, happening, right, and
• 29:45
  Speaker 1: Rory almost losing her life because she's the one that
• 29:47
  Speaker 1: got hurt, not Jess. Right that that it ends up
• 29:52
  Speaker 1: what Luke says to her right back at you go
• 29:55
  Speaker 1: to hell, right, that's the other result of this. So
• 30:00
  Speaker 1: that's that doesn't land well for me. I'm sorry it
• 30:04
  Speaker 1: does not land well for me on the character Lorala.
• 30:07
  Speaker 1: I also needed to see it from your perspective because
• 30:11
  Speaker 1: if the tape, yes, she does, she has given. She's given.
• 30:17
  Speaker 1: Oh you and I are going to butt heads in
• 30:18
  Speaker 1: this episode, lady, let me tell you. But that's okay
• 30:21
  Speaker 1: because no, no, no, what does she think you weren't
• 30:24
  Speaker 1: supposed to take in your nephew? But it's no, it's
• 30:27
  Speaker 1: it's like, it's like it's this kid that she can't
• 30:30
  Speaker 1: get rid of. She can't keep her daughter away from this.
• 30:34
  Speaker 1: It's and and yes, it can turn into a self
• 30:37
  Speaker 1: fulfilling prophecy. And she's sort of bringing it all into two,
• 30:41
  Speaker 1: to this sphere of existence. If you want to get
• 30:44
  Speaker 1: you know, um, what's the word I'm looking for if
• 30:48
  Speaker 1: you want to get the wifty about it? But uh um,
• 30:52
  Speaker 1: I don't blame her, and I think she was completely
• 30:54
  Speaker 1: justified she has been trying to repel. I don't blame
• 31:00
  Speaker 1: he is ape. I don't blame he's a repellent individual.
• 31:04
  Speaker 1: He is unsafe, he is dangerous, he is risky. She
• 31:08
  Speaker 1: feels it in her gut. She is protecting her sweet daughter.
• 31:12
  Speaker 1: Get him out, yes, get on a bus. Oh my god,
• 31:16
  Speaker 1: I want her to. I want her to go after him.
• 31:18
  Speaker 1: I want the next episode to start off with her
• 31:20
  Speaker 1: open up some cands of whoop ass. She's got her
• 31:22
  Speaker 1: a k she's got you know, she's got some ninja knives,
• 31:25
  Speaker 1: She's got all kinds of stuff, and she's going she's
• 31:27
  Speaker 1: going to go after Jess. Look, I understand why Lorela
• 31:30
  Speaker 1: doesn't want Rory with Jess, But I also understand Luke
• 31:35
  Speaker 1: has all the right in the world to have taken
• 31:38
  Speaker 1: in his nephew. He's doing the best he can. Look,
• 31:42
  Speaker 1: Rory could have been a bad kid. Let's just say
• 31:44
  Speaker 1: she was. Let's say the roles reversed. You think Lorala
• 31:48
  Speaker 1: is not gonna love Rory just as much if she's
• 31:50
  Speaker 1: stealing the baseballs, of course she is. So. Luke is right.
• 31:55
  Speaker 1: He is being a father because he is saying I
• 31:58
  Speaker 1: love this kid so much that I have to have
• 32:02
  Speaker 1: his back, and I need to know that my kids okay,
• 32:06
  Speaker 1: because remember in that fight, he doesn't know that yet,
• 32:10
  Speaker 1: not that he might not be physically okay, but emotionally okay.
• 32:13
  Speaker 1: You are the father. I thought it was selfish of
• 32:17
  Speaker 1: Luke to ask Rory to tutor Jess in the first place.
• 32:22
  Speaker 1: I thought it was not appropriate. I agreed with Laurela.
• 32:26
  Speaker 1: I thought if Luke was really a responsible quote unquote parent,
• 32:31
  Speaker 1: he would have gotten a tutor. So why first of
• 32:35
  Speaker 1: all that, but try it first before inconvenient? Like he
• 32:39
  Speaker 1: now if he sat down and said, listen, I've tried
• 32:41
  Speaker 1: three different tutors. It's not working out. Jess isn't respecting
• 32:45
  Speaker 1: them at all. You're my last resort. I'm trying to
• 32:48
  Speaker 1: help this kid, right, And they could he could have gone,
• 32:51
  Speaker 1: you know, why not go after a tutor. That's kind
• 32:54
  Speaker 1: of you know, and Luke, like Laurel, I like, you
• 32:56
  Speaker 1: know somebody that could be jealous of Hey, let's rewrite
• 32:59
  Speaker 1: the story line here. Let'st's take a pause. Let me
• 33:02
  Speaker 1: let me ask you guys a question. Right right when
• 33:04
  Speaker 1: I'm making a great point, you want to take a pause.
• 33:07
  Speaker 1: Oh my god, Let's just take a pause when I'm
• 33:11
  Speaker 1: making a super important point, impactful point, and I will continue.
• 33:17
  Speaker 1: I will continue. You will not pause me. I am
• 33:20
  Speaker 1: not I'm not a computer. You can't push. I'm not pausing.
• 33:24
  Speaker 1: You can see continuing trying to defend what I'll get.
• 33:39
  Speaker 1: But look at the opportunity. You could have gone to
• 33:41
  Speaker 1: some girl in the next town who you know. They
• 33:45
  Speaker 1: kind of like, kind of like it. They're vibing each other. Right,
• 33:49
  Speaker 1: we would be right back here in three episodes from
• 33:51
  Speaker 1: now what who would be who? Yes? Yes, but get them?
• 33:55
  Speaker 1: But that buys you three more episodes that might buy
• 33:58
  Speaker 1: you a whole newother season to go more right could
• 34:02
  Speaker 1: have been season nine, could have been a foregone conclusion
• 34:04
  Speaker 1: had he just gone for three tutors, Luke or Lorela
• 34:08
  Speaker 1: have to be wrong for the other one to be right.
• 34:10
  Speaker 1: I think each of them sounded like a song. Thank
• 34:14
  Speaker 1: you so much. So here's my game for you, guys.
• 34:23
  Speaker 1: I want to know what you think. Had Rory been driving,
• 34:27
  Speaker 1: everything is the same. But Rory drove, They still turned right,
• 34:32
  Speaker 1: they still swerved for the animal. Jess broke his wrist
• 34:36
  Speaker 1: the car. Everything is the same. We're just switching Rory's
• 34:39
  Speaker 1: driving the car. I want to know what you all
• 34:41
  Speaker 1: would have think of I don't think I think Rory
• 34:43
  Speaker 1: would have had, you know, deer in the headlights literal
• 34:47
  Speaker 1: deer in the headlights experience after the deer hit her car, right,
• 34:52
  Speaker 1: she would have had more experience handling animals coming at
• 34:55
  Speaker 1: her car. I don't think she would have swerved as much.
• 34:58
  Speaker 1: It's in the script Boom. I just dropped that on you.
• 35:02
  Speaker 1: I just want to reach back in season one of Boom.
• 35:05
  Speaker 1: Just blew up your argument everything everything is the same? Ye? Sorry,
• 35:10
  Speaker 1: I hear your reviews when you say on tomorrow everything
• 35:17
  Speaker 1: is the same. Do you think Lorala and Luke would
• 35:20
  Speaker 1: have had that big of a fight if Jess broke
• 35:24
  Speaker 1: his wrist and Rory? Sorry, can you speak? But I
• 35:28
  Speaker 1: don't recognize who this person is speaking? Thank you, thank you,
• 35:32
  Speaker 1: because then going to get the ice cream wasn't a
• 35:35
  Speaker 1: big deal. Their drama and fatal flaw was that. Rory,
• 35:39
  Speaker 1: let just drive because suddenly it becomes something totally different.
• 35:44
  Speaker 1: Turns and turn right. Listen, You're you're talking about the
• 35:50
  Speaker 1: difference of fractured wrist on a beautiful bird soaring two
• 35:55
  Speaker 1: heights that are immeasurable as opposed to a cage down
• 36:00
  Speaker 1: mole who needs to be maybe put down. Uh, Luke
• 36:08
  Speaker 1: wouldn't be allowed to flip out if Rory crashed the
• 36:11
  Speaker 1: car on his kid. It's a little that we've got,
• 36:14
  Speaker 1: like a weird double standard. No. I think Laura Laie
• 36:18
  Speaker 1: has been beyond patient with Jess. She has been beyond
• 36:22
  Speaker 1: the commodating with Luke, beyond the commendating with Rory, being
• 36:26
  Speaker 1: a great mom, being completely understanding that she's balancing her
• 36:30
  Speaker 1: daughter's feelings for this kid which she no exists, trying
• 36:34
  Speaker 1: to push her towards Dean a little bit, trying to
• 36:36
  Speaker 1: help out, knowing that it's a lost cause, right and
• 36:40
  Speaker 1: and and Jess is just this inevitability that she has
• 36:43
  Speaker 1: to deal with in her life. It's one of these,
• 36:45
  Speaker 1: you know, these these potholes on the freeway to Rory's success,
• 36:49
  Speaker 1: and she's trying to get her through it. She doesn't
• 36:52
  Speaker 1: want her daughter to screw up her life. And here
• 36:54
  Speaker 1: we go, boom. She was right again. She has every
• 36:57
  Speaker 1: reason to blow that guy out of Rory's life, and
• 37:00
  Speaker 1: she has every reason to go at Luke like that.
• 37:03
  Speaker 1: And I can completely said, if if that happened to me,
• 37:06
  Speaker 1: I would have to really restrain myself with the other
• 37:10
  Speaker 1: parents responsible, especially not to interrupt. I apologize, but but
• 37:20
  Speaker 1: but but but it's like but it's like, you know,
• 37:22
  Speaker 1: there's this sort of freedom that Luke and Laurel I have, right,
• 37:25
  Speaker 1: I mean, the they It makes sense to me that
• 37:29
  Speaker 1: she can unload on Luke because she's so comfortable with him,
• 37:33
  Speaker 1: and she's maybe done it before in little ways, nothing
• 37:37
  Speaker 1: like that. We haven't seen anything like this, but they
• 37:38
  Speaker 1: have this freedom with each other. They have a sort
• 37:40
  Speaker 1: of this this license with each other, like we're gonna
• 37:43
  Speaker 1: say the thing, the inappropriate thing, the cutting thing that
• 37:46
  Speaker 1: nobody takes personally because we have this friendship and we
• 37:50
  Speaker 1: have this potential romance and we do have feelings for
• 37:52
  Speaker 1: each other, which is going to allow us to be
• 37:55
  Speaker 1: ourselves in this friendship. And that means we're gonna be
• 37:59
  Speaker 1: you know, throwing some owns and cast some aspersions from
• 38:01
  Speaker 1: time to time and nobody takes it personally, and it's
• 38:04
  Speaker 1: all humor. It's all great to watch. It also fun.
• 38:06
  Speaker 1: Now it gets real. So the doors have been opened
• 38:09
  Speaker 1: in their friendship, in their quote unquote unspoken relationship, So
• 38:13
  Speaker 1: the doors are wide open for this. So she feels
• 38:16
  Speaker 1: like it's okay to do this. It would I think
• 38:18
  Speaker 1: be more devastating had they a different relationship and more
• 38:21
  Speaker 1: traditional relationship. That's interesting and and and valid. I'm so
• 38:26
  Speaker 1: relieved you think so yeah. No, hell no, you sometimes
• 38:29
  Speaker 1: you make I think I want to know from moms
• 38:34
  Speaker 1: of teenagers listening, is there a mom of a teenager
• 38:38
  Speaker 1: that would have handled it differently than Laura La that
• 38:42
  Speaker 1: maybe would have said, I'm so glad you're all are okay.
• 38:46
  Speaker 1: You know, obviously you were supposed to be studying and
• 38:49
  Speaker 1: not going to get ice cream. But like, really, their
• 38:51
  Speaker 1: crime is so nothing. They probably were allowed to go
• 38:55
  Speaker 1: get ice like I don't even know if they like
• 38:57
  Speaker 1: broke any rules. They just had the misfortune of some
• 39:02
  Speaker 1: poss who was one of the animals mentioned a possum
• 39:08
  Speaker 1: a I think a dog, she said, a dog or
• 39:11
  Speaker 1: a cat. And they were, you know, like they were
• 39:13
  Speaker 1: going probably thirty five, I mean maybe that car, like
• 39:16
  Speaker 1: they obviously weren't going ninety or do anything. Here's an something.
• 39:20
  Speaker 1: Here's an interesting plot twist though, right it's Dean in
• 39:24
  Speaker 1: the form of a possum because he's had a sham
• 39:27
  Speaker 1: in right now getting shape shifted, right, Okay, Okay, I'm
• 39:34
  Speaker 1: glad you brought that up. If Dean was driving and
• 39:37
  Speaker 1: everything was exactly the same, lore Lae wouldn't have been mad. Yeah, yeah,
• 39:44
  Speaker 1: everyone driving is everybody? Okay, Dean, are you okay? Do
• 39:48
  Speaker 1: you want to come over for some dinner and watch
• 39:50
  Speaker 1: a movie with us? And like, that's my beef here
• 39:54
  Speaker 1: is that? Like all this drama. She wouldn't have gone
• 39:57
  Speaker 1: to Dean's father and said, how dare you bring him
• 40:01
  Speaker 1: to this town where he's gonna drive my daughter to
• 40:04
  Speaker 1: ice crea and hurt her risk. Listen, different personalities are
• 40:08
  Speaker 1: going to handle this situation in different ways. Right, You're
• 40:10
  Speaker 1: gonna get the mom who is uh who who never
• 40:15
  Speaker 1: would have been in a in a show like this, right,
• 40:18
  Speaker 1: there wouldn't have been Nobody writes about people that are
• 40:21
  Speaker 1: really really careful with their kids. They wouldn't they blow
• 40:24
  Speaker 1: out Jesse's like every day because the daughter brings home
• 40:28
  Speaker 1: another loser, right, and they're like we talked about this, no,
• 40:33
  Speaker 1: and then they're gone and then nobody's like writing about them. Right,
• 40:38
  Speaker 1: it's only with this you know where there's you know
• 40:41
  Speaker 1: where the boundaries are blurred. That's where you get these
• 40:44
  Speaker 1: characters and that's where you get these personalities. And you
• 40:49
  Speaker 1: know the writing is is is. It's so well laid
• 40:52
  Speaker 1: out because you are you understand all sides of it, right,
• 40:58
  Speaker 1: Everything is justified. You get why Laurel like back down
• 41:02
  Speaker 1: a little bit and allowed Rory to see continue to
• 41:06
  Speaker 1: see Jess. You you get you know, you know Jess
• 41:08
  Speaker 1: is thrown into this situation and he's just sort of
• 41:11
  Speaker 1: complicating everything. But you get all the angles as to
• 41:14
  Speaker 1: why he's still allowed because there's some hope, he's young,
• 41:18
  Speaker 1: there's there's there's compassion, there's empathy. Even Laureli gives him
• 41:21
  Speaker 1: a job and tries to sit sit him down, talk
• 41:23
  Speaker 1: to him, help him out. I mean, yes, he's he's
• 41:26
  Speaker 1: a very lovable, likable guy's in obvious pain. You don't
• 41:29
  Speaker 1: throw people away. You don't throw you know, people like Laurea,
• 41:32
  Speaker 1: Laon and Luke and and and Rory. Don't. They don't
• 41:35
  Speaker 1: throw people away, especially you know, I mean, they gotta
• 41:38
  Speaker 1: you gotta help the kid. I blew out a muffler
• 41:41
  Speaker 1: when I was twelve. My dad had to go get
• 41:44
  Speaker 1: my car off a tree. Jesus, Yeah, yeah, I was
• 41:50
  Speaker 1: going up a very steep driveway and like hit some
• 41:52
  Speaker 1: leaves in the car like went backwards and thank God
• 41:55
  Speaker 1: for the tree and probably be like dead and I
• 41:56
  Speaker 1: had to leave the car just hanging off of a tree.
• 41:59
  Speaker 1: And then my Dad's like, oh my god, and it
• 42:02
  Speaker 1: had to go get So it's like, you know what, Look,
• 42:05
  Speaker 1: I had a very similar situation now that I think
• 42:08
  Speaker 1: about it, and you're a treat stuck on a tree
• 42:11
  Speaker 1: with my boyfriend, so like kind of similar to Rory
• 42:15
  Speaker 1: and Jess and my dad. He did freak out, but
• 42:19
  Speaker 1: he freaked out on like both of us, not just
• 42:22
  Speaker 1: now husband, but he freaked out on both of us,
• 42:24
  Speaker 1: being like, why weren't you being safe driving in the snow? Right?
• 42:28
  Speaker 1: How come no one saying to Rory, why should you
• 42:30
  Speaker 1: let jes drive your car? Totally U K I S
• 42:34
  Speaker 1: S I n G Daniel No, I wish we skidded
• 42:41
  Speaker 1: off on the highway on the way to Big Bear
• 42:44
  Speaker 1: and the tree saved us. But yeah, my dad was like,
• 42:48
  Speaker 1: I have nothing remotely as romantic as that. When we
• 42:54
  Speaker 1: were like eleven and twelve years old in my neighborhood,
• 42:58
  Speaker 1: we would we would take out our our neighbor's car.
• 43:01
  Speaker 1: My the neighbor down the street. Had a little Volkswagen
• 43:05
  Speaker 1: with a stick ship but no clutch. Little Volkswagen bus.
• 43:08
  Speaker 1: There's a stick ship but no clutch that works. It worked,
• 43:13
  Speaker 1: so he we would take that car out and driving around,
• 43:16
  Speaker 1: you know, the neighborhood, and we felt really gread. So
• 43:20
  Speaker 1: my dad was always on business trips. He was always
• 43:22
  Speaker 1: gone right during the week and uh so one day
• 43:26
  Speaker 1: we took out his uh he had a Pontiac Laman's
• 43:31
  Speaker 1: fast right, and so I took that puppy out by myself.
• 43:38
  Speaker 1: I took it out by myself and I went I
• 43:40
  Speaker 1: was twelve years old, and I was joy joy riding
• 43:43
  Speaker 1: around with it. I think I had about fifty miles
• 43:46
  Speaker 1: an hour, and the muffler blew out, and I was like, oh, no,
• 43:53
  Speaker 1: I'm dead. So he's gonna kill me. I'm gonna die.
• 43:58
  Speaker 1: So I had to uh, I had to put it
• 44:00
  Speaker 1: back together with Scotch tape because it was right underneath
• 44:03
  Speaker 1: the seats, the front seats of the cars where it
• 44:06
  Speaker 1: came apart a little bit. So I just put it
• 44:09
  Speaker 1: back together and then my dad came home. He came
• 44:11
  Speaker 1: home on a Friday night late and Saturday we went
• 44:14
  Speaker 1: to the hardware store because he wanted to pick something
• 44:16
  Speaker 1: up and it blew out and he looked at got god,
• 44:20
  Speaker 1: how did that? Teenagers? And there it's just my friend
• 44:29
  Speaker 1: Carry had a car like the old family station wagon
• 44:32
  Speaker 1: and it didn't go and reverse, it only went forward.
• 44:36
  Speaker 1: So they called it the one way wagon and they
• 44:38
  Speaker 1: had to park it only in parking places where you
• 44:41
  Speaker 1: could go forward. That's hysterical, don't yeah, I mean anyway,
• 44:48
  Speaker 1: get back to it. Okay. Bottom line, I didn't like
• 44:52
  Speaker 1: how Louke handled that. I think he could have been
• 44:56
  Speaker 1: more circumspect. We um, should we hear that scene? Yeah? Yeah?
• 45:03
  Speaker 1: Should we maybe hear that scene again? So we can
• 45:06
  Speaker 1: let's go, can somebody put it? Can? Can? We may
• 45:10
  Speaker 1: not be allowed to air the clips, so instead we
• 45:13
  Speaker 1: have the Eyamalin players ready to go. Really, we can
• 45:17
  Speaker 1: hear it right now. You just dial it in you requested.
• 45:21
  Speaker 1: It comes into the into into your cans here. Maybe
• 45:24
  Speaker 1: could you give us like an action? All right, ladies
• 45:27
  Speaker 1: and gentlemen, this is going to be in front of
• 45:30
  Speaker 1: the gazebo scene nighttime. Uh, actress ready, let's everybody get
• 45:36
  Speaker 1: set and Scott you good, Lauren, you're good? Okay? How
• 45:40
  Speaker 1: about a couple of How about a couple of breath mints?
• 45:42
  Speaker 1: You two all right? There you go? No kissing in
• 45:45
  Speaker 1: the scene, Yeah, let's not. Let's try to keep your
• 45:47
  Speaker 1: hands on, shirt, off of each other and action. Luke Luke, Hey,
• 45:55
  Speaker 1: I was where is he? Who? Jess? Where's Jess? Luke?
• 45:59
  Speaker 1: I don't know. I just out back. What's going on?
• 46:00
  Speaker 1: I got here and they weren't here. Jess, Hey, talk
• 46:03
  Speaker 1: to me, Jess, answer me right now. What's wrong? What happened?
• 46:07
  Speaker 1: There was an accident? What? What accident? Jess? What accident?
• 46:12
  Speaker 1: Jess was driving Marie's car and he crashed it? What when?
• 46:15
  Speaker 1: What do you mean when? Tonight? Tonight? He crushed it tonight? Jess?
• 46:18
  Speaker 1: Damn it? What happened? Is anyone hurt? More? Lie? Hey,
• 46:26
  Speaker 1: talk to me here? Can we do that over time?
• 46:30
  Speaker 1: Cut cut, let's cut it. We're gonna pick it up
• 46:32
  Speaker 1: right from there, right from the flub, So let's just
• 46:35
  Speaker 1: pick it up. It was actually very good, actually, so
• 46:39
  Speaker 1: let's let me just be the judge of that. Okay,
• 46:41
  Speaker 1: thank you? Oh my god. They usually say I'm not
• 46:46
  Speaker 1: being mean, I'm just being honest. Um. I think for
• 46:49
  Speaker 1: their limited experience, it was very good. But what standard
• 46:54
  Speaker 1: are we anyway, I'll shut up anyway, Let's take it back.
• 46:58
  Speaker 1: I want to stop being mean now, So let's take
• 47:00
  Speaker 1: it back. Where the flub happened and action. Hey, I'm
• 47:05
  Speaker 1: talking to you here. Where would he be? Where would
• 47:08
  Speaker 1: he go? I asked you if anyone was hurt? Was
• 47:12
  Speaker 1: anyone hurt? Well, let's see Rory's in the emergency room
• 47:15
  Speaker 1: right now with a fractured risk. So yeah, i'd say
• 47:17
  Speaker 1: someone was hurt. Rory fractured to wrist, Yes she was.
• 47:20
  Speaker 1: She has to wear a cast for two weeks. She's
• 47:22
  Speaker 1: getting X rays and test. What about Jess as he hurt? No,
• 47:25
  Speaker 1: Luke adjusted the hurting. That little punk nephew of yours
• 47:28
  Speaker 1: almost killed my kid tonight. Look, I'm sure it was
• 47:31
  Speaker 1: an accident. Accidents happened, not with Mike in the car.
• 47:34
  Speaker 1: They don't. Okay, you just need to calm down. Why
• 47:37
  Speaker 1: did you do this? What are you talking about? What
• 47:40
  Speaker 1: did I do? Why did you bring him here? What
• 47:43
  Speaker 1: if you hadn't brought him here, none of this would
• 47:44
  Speaker 1: have happened. This is my fault. Yes, it's your fault.
• 47:49
  Speaker 1: You told him to come. You let him say everyone
• 47:52
  Speaker 1: hated him. Everyone knew he was troubled, but you wouldn't listen,
• 47:55
  Speaker 1: and you wouldn't send him home. And now my daughter
• 47:57
  Speaker 1: is in the hospital. You kept pushing them together. You
• 48:01
  Speaker 1: asked her to help him study. You knew that she
• 48:03
  Speaker 1: would never say no. I told you to make it.
• 48:08
  Speaker 1: I told you it made him, it made me nervous.
• 48:10
  Speaker 1: I told you I didn't like it, and it should
• 48:12
  Speaker 1: have stopped right there. But you thought Rory wouldn't be
• 48:15
  Speaker 1: good for Jess, never mind what he would be for her.
• 48:18
  Speaker 1: That wasn't important at all, was it? Of course it
• 48:21
  Speaker 1: was important. Why didn't you put a stop to it
• 48:23
  Speaker 1: that night, at the first sign of trouble? Why didn't
• 48:25
  Speaker 1: you make him leave? He's my nephew. I had an
• 48:28
  Speaker 1: obligation to hit him in. I had an obligation to
• 48:31
  Speaker 1: take care of him. You had an obligation to this
• 48:33
  Speaker 1: town and to me and to Rory. Where are you going?
• 48:37
  Speaker 1: I have to find out where Jess is. Just let's
• 48:39
  Speaker 1: just pause it. I'm gonna push your pause button here,
• 48:41
  Speaker 1: I'm gonna borrow Amy's pause button. Push pause. But you
• 48:43
  Speaker 1: know these words, It's a lot of words. Okay, hang on,
• 48:46
  Speaker 1: hang on, I'm gonna give Riley, I'm gonna give you
• 48:48
  Speaker 1: a note. I want you to get into the fight.
• 48:51
  Speaker 1: Get into the fight. Danielle's fighting, Get into the fight.
• 48:55
  Speaker 1: Come on, dig in, get loud, let's go matcher match
• 49:02
  Speaker 1: match match her intensity and her volume, and just get
• 49:04
  Speaker 1: into the fight. Love these notes. I also know Okay, okay,
• 49:10
  Speaker 1: I stand in defense of Loot ditto. I'll tell you
• 49:16
  Speaker 1: where he's not. He's not. I'm sorry, I don't camera's
• 49:21
  Speaker 1: not ready, all right, everybody ready, set? All right, Riley,
• 49:24
  Speaker 1: get into the fight here, Come on man, okay, okay,
• 49:27
  Speaker 1: stop judging yourself and just get into the fight. Commit
• 49:30
  Speaker 1: a well, I'll tell you where he's not. He's not
• 49:33
  Speaker 1: in the emergency room having his arm plastered up. Hey,
• 49:36
  Speaker 1: I'm sorry about Rory. You know I care more about
• 49:39
  Speaker 1: her than I do myself. But at least you know
• 49:41
  Speaker 1: where Wary is. At least you know where she's okay.
• 49:43
  Speaker 1: Now I have to go find Jazz to make sure
• 49:45
  Speaker 1: that he's okay. And if that cuts into your screaming time,
• 49:48
  Speaker 1: well that's just too damn bad. Go to hell right
• 49:51
  Speaker 1: back at you. Boom cut, brilliant, brilliant, brilliant. Wow, that
• 50:01
  Speaker 1: was Luke. It came out of her. I loved it.
• 50:03
  Speaker 1: I'm not even just saying that because people are mean
• 50:06
  Speaker 1: to me when I cized you guys, So I totally
• 50:09
  Speaker 1: loved it. And also they're both right, and I guess
• 50:13
  Speaker 1: if I had to pick who's more right, it's Luke. Sorry,
• 50:16
  Speaker 1: I'm sorry, m M. I'm backing at me up on
• 50:20
  Speaker 1: this one. I'm taking the other side of that. M.
• 50:25
  Speaker 1: He's got to take those volleys. He's got to take
• 50:27
  Speaker 1: those volleys and still be understanding, compassionate loving. He should
• 50:32
  Speaker 1: he should have just said, how's Rory? When can I
• 50:35
  Speaker 1: see her? You know? No, God, she's just like blaming
• 50:40
  Speaker 1: him for everything because he took in his nephew. Is
• 50:44
  Speaker 1: she kidding me with that? Of course he took like
• 50:47
  Speaker 1: what we would not like Luke if he was like
• 50:50
  Speaker 1: to his sister. I'm sorry, Like, I can't take him
• 50:54
  Speaker 1: in because I'm really busy making hamburgers, and um, the
• 50:57
  Speaker 1: town doesn't really like him, So I'm going to go
• 50:59
  Speaker 1: with the town, like, are you kidding me? So he
• 51:02
  Speaker 1: should have been He should have gone to three tutors
• 51:06
  Speaker 1: at least before going to Rory. I think he went
• 51:08
  Speaker 1: too soon. I would have given us some very nice
• 51:11
  Speaker 1: storylines with potential tutor love interest. You gotta you gotta
• 51:15
  Speaker 1: throw in the tutor love interest because you gotta. You
• 51:17
  Speaker 1: had a Max Medina love interest. Let Why can't Luke
• 51:19
  Speaker 1: have his kind of like it's not a private school thing,
• 51:22
  Speaker 1: it's going to be a tutor love interest. Why not
• 51:23
  Speaker 1: give him that wick? Note on that Max Medina's character
• 51:26
  Speaker 1: went down hard on the resident, just saying, of course
• 51:30
  Speaker 1: he did. Lourela Repeat wore a shirt in this episode.
• 51:38
  Speaker 1: It's a favorite fashion already. I'm just I'm just because
• 51:44
  Speaker 1: everybody's a little heated. So she has that blue and
• 51:48
  Speaker 1: striped red with like a thin little red button down
• 51:51
  Speaker 1: which she once wore with red pants. She wore it
• 51:53
  Speaker 1: in this episode. Also, I still like it. This wasn't
• 51:56
  Speaker 1: my favorite fashion episode, but I enjoyed that we saw Repeat.
• 52:00
  Speaker 1: I do like her like turquoise choker. But again, this
• 52:03
  Speaker 1: was not a standout fashion episode. Um Danielle Riley Um
• 52:10
  Speaker 1: Juilliard called, they want to know if you're open in
• 52:14
  Speaker 1: the fall next. I am open, all right. They're holding
• 52:19
  Speaker 1: a couple of scholarships aside. Not bad though, I mean definitely,
• 52:22
  Speaker 1: you know, Riley, you you take direction very well, thank you. True.
• 52:28
  Speaker 1: In the scene in the diner when they are picking movies,
• 52:31
  Speaker 1: Rory and Lorela are eating what looked to me to
• 52:34
  Speaker 1: be jello with berries. Riley, what was it? It looked
• 52:39
  Speaker 1: like jello with grapes. Oh no, see, I saw blueberries
• 52:44
  Speaker 1: and raspberries and then some sort of gooey Google that
• 52:47
  Speaker 1: sounds good. So I don't know if it was a
• 52:50
  Speaker 1: bowla berries or if there was jello in there. I
• 52:52
  Speaker 1: just thought, so let's look, let's shift gears here and
• 52:55
  Speaker 1: let's cover um, let's cover a film by Kirk. Can
• 53:03
  Speaker 1: we just talk about a film by Kirk? Please? I mean,
• 53:06
  Speaker 1: I mean it's he's been working up for five years now,
• 53:10
  Speaker 1: but he can finish. I think. I think the Kirk
• 53:15
  Speaker 1: scene and the diner was my favorite scene when he
• 53:17
  Speaker 1: was saying I'd like to permission to play this film
• 53:20
  Speaker 1: at the can't cut out the cred now two hells
• 53:29
  Speaker 1: I will drop, but the damns have to stay. Um.
• 53:34
  Speaker 1: But the film itself, and they got that wonderful actor
• 53:37
  Speaker 1: to play the father, Oh my god, and Marylynn Risk
• 53:41
  Speaker 1: yeah right, And that is exactly like every pretentious student
• 53:47
  Speaker 1: film you will ever see. Because I was in a
• 53:50
  Speaker 1: bunch of them in New York. Oh yeah, and they're
• 53:53
  Speaker 1: all like that like that, and it's it's just so
• 53:57
  Speaker 1: funny to see it. It's just depict and of it
• 54:00
  Speaker 1: and oh my goodness, and how great a break dancer
• 54:05
  Speaker 1: is Seawan Gunn so good? The kid can move? My god,
• 54:09
  Speaker 1: did you see that? What a display the whole thing was.
• 54:13
  Speaker 1: Of course, Lorell and Roy love it more than life itself.
• 54:17
  Speaker 1: I love the whole the whole thing. We needed that
• 54:20
  Speaker 1: on the whole movie scene too. We needed that laugh
• 54:23
  Speaker 1: in this episode. Oh yeah, we did, We really did.
• 54:26
  Speaker 1: It was It was the perfect antidote to the heaviness
• 54:29
  Speaker 1: that came. I also love when the kitchen scene and
• 54:34
  Speaker 1: Loyalize eating marshmallows and then she just like offers, she's
• 54:37
  Speaker 1: all right, marshmallow one other question before because I know
• 54:43
  Speaker 1: we're like running short on time. What did you think
• 54:46
  Speaker 1: that Rory asked Lorlie to lie if Dean called, look
• 54:51
  Speaker 1: that's over. She wants cover. She's now resorting to um
• 54:56
  Speaker 1: jail house tactics as it were, right, like live for
• 55:01
  Speaker 1: me and all. It's it's not Rory, it's it's Jess
• 55:06
  Speaker 1: is taking Rory out of how were mother raised her
• 55:10
  Speaker 1: that's not how you know. It's like, go to Dean
• 55:12
  Speaker 1: and just say, hey, it's I'm not vibing anymore, and
• 55:16
  Speaker 1: I want to pursue this other thing, you know. But
• 55:18
  Speaker 1: she's in a small town that maybe she doesn't want
• 55:20
  Speaker 1: to create that much turmoil. So tempting is Jess, so
• 55:26
  Speaker 1: dark is his world that I will change who I
• 55:30
  Speaker 1: am to get you to lie for me so that
• 55:34
  Speaker 1: I can spend time with that serious. It's very serious.
• 55:37
  Speaker 1: It's every it's like every parent's worst nightmare. It is. Yeah, okay,
• 55:47
  Speaker 1: I have one inconsistency that I found in this episode,
• 55:52
  Speaker 1: and I think you'll find it's fascinating. And it's when
• 55:54
  Speaker 1: Luke brought the brownies now the inside brownie, oh kay,
• 56:00
  Speaker 1: And I will forward you will forward you some screenshots
• 56:04
  Speaker 1: that I took on my cell phone because I went,
• 56:08
  Speaker 1: I nailed it, you know, and my my wife came downstairs.
• 56:11
  Speaker 1: He goes, well, you shut up. I said, sorry, Um.
• 56:16
  Speaker 1: I like that. Luke's has custom made boxes though for
• 56:19
  Speaker 1: like desserts, and the box was kind of crushed though.
• 56:21
  Speaker 1: One night it was it was that bothered me too much.
• 56:24
  Speaker 1: I was like, God, why is that? It's like, is
• 56:26
  Speaker 1: that lummis not able to hold a box and did
• 56:28
  Speaker 1: he crush it with his big dumb hand? What's the Mr?
• 56:32
  Speaker 1: Metal Shop? Like, what's going on there? Right? And I'm
• 56:34
  Speaker 1: like surprised that somebody wasn't like, like, we needed a
• 56:38
  Speaker 1: good box, but maybe they only made one. I think
• 56:40
  Speaker 1: that's my fault. I fought for that box. I wanted
• 56:42
  Speaker 1: it crushed because it's more real, right, roll your eyes, Yeah,
• 56:46
  Speaker 1: there you go. Give us a brownie. Brown It's like
• 56:49
  Speaker 1: the inside brownie had it was large and much darker,
• 56:54
  Speaker 1: and it didn't have walnuts in it, and it didn't
• 56:56
  Speaker 1: have marshall. It didn't really have anything in it. And
• 57:00
  Speaker 1: then outside brownie was much smaller and much lighter brown
• 57:06
  Speaker 1: and had mega Well I'm not saying it. So they're
• 57:14
  Speaker 1: great and chocolate, they're really good. I'm sure I have.
• 57:16
  Speaker 1: I have it every night. That's my energy for that's
• 57:20
  Speaker 1: my podcast. But I like a chocolate covered a long
• 57:25
  Speaker 1: So that I think is a big thing that threw
• 57:28
  Speaker 1: me off, made me. Let's let's get some some no
• 57:33
  Speaker 1: big deal that like Jess's leaving stars hollow. Let's focus.
• 57:37
  Speaker 1: I think that you know, there's some get some politicians
• 57:40
  Speaker 1: in committee and let's launch an investigation here. Let's spend
• 57:42
  Speaker 1: some tax paramoney on this, because it's you know, some
• 57:45
  Speaker 1: people are people. Some some people need to go down.
• 57:48
  Speaker 1: Maybe we just pop them up on the Instagram and
• 57:49
  Speaker 1: we slide through those photos. I think so, I think so.
• 57:53
  Speaker 1: It's my big AHA moment in the episode. Amongst others,
• 57:56
  Speaker 1: I mentioned it wasn't my favorite fashion episode, but I
• 58:00
  Speaker 1: had some great lines. Gosh, did it? Did it? I
• 58:04
  Speaker 1: was you got a big fristbee Hinds going down at
• 58:08
  Speaker 1: six o'clock. I didn't really remember any great lines. Oh
• 58:13
  Speaker 1: my god, was good. Yeah, that was good because my
• 58:17
  Speaker 1: favorite line, think how dull your life would be without me?
• 58:21
  Speaker 1: Just to Rory Kirk and Laurel Kirk ass for a
• 58:26
  Speaker 1: minute over time, and Laurea says, I'll give you two
• 58:28
  Speaker 1: because you scare me. I also liked the can I
• 58:33
  Speaker 1: have a shot at one line before you get four?
• 58:36
  Speaker 1: I just because you're gonna steal my thunder on this
• 58:39
  Speaker 1: line and you're always doing this. I just want to
• 58:41
  Speaker 1: get you have so many great lines. Just let me
• 58:43
  Speaker 1: get one out and then you can have three. Al right,
• 58:46
  Speaker 1: thank you? UM. I think my favorite line was to
• 58:51
  Speaker 1: Taylor when he said to her, are you serious, And
• 58:55
  Speaker 1: Laurel I says yeah, I think I've got a little
• 58:57
  Speaker 1: bit of serious going there on that one. I like
• 59:01
  Speaker 1: that I've never seen the Yearling. I will now, I
• 59:06
  Speaker 1: know we're not in the special Riley's populture, but I've
• 59:09
  Speaker 1: never seen Heaven either. I I will just leave you
• 59:13
  Speaker 1: with this that when you told Jess that he wasn't
• 59:17
  Speaker 1: going to get to be a senior and he's gonna
• 59:19
  Speaker 1: have to repeat, He's like, well, at least I'll know
• 59:21
  Speaker 1: where my classes are, kid, boy. This was heated. Oh
• 59:28
  Speaker 1: my god. I also had one other question. What are
• 59:31
  Speaker 1: Wilers w y l E R S. I need to
• 59:35
  Speaker 1: google it. It's indocs mark. Is that a candy? I'm
• 59:40
  Speaker 1: finding Wilers? This says it's Instant Boilers Instant Yeah. And
• 59:47
  Speaker 1: then I guess Wilers. Oh, I guess it's a brand
• 59:49
  Speaker 1: they make and make Italian ice stuff because there's a
• 59:55
  Speaker 1: prominent Wiler's display respect to the grocery store for the
• 59:58
  Speaker 1: real brands and not trying to be like, you know,
• 1:00:02
  Speaker 1: like have like those weird TV fake brands. Oh. By
• 1:00:05
  Speaker 1: the way, here's a little behind the scenes factoid on
• 1:00:09
  Speaker 1: movie and TV grocery bags. They are not real grocery
• 1:00:12
  Speaker 1: bags because real grocery bags made out of paper crinkle
• 1:00:16
  Speaker 1: loudly and make too much noise. So so what they
• 1:00:19
  Speaker 1: do is they they the TV and film uses these.
• 1:00:23
  Speaker 1: They're kind of sacks. They're soft, they're they're kind of
• 1:00:26
  Speaker 1: a material almost, and they make no noise, but they
• 1:00:30
  Speaker 1: look like grocery bags. There you go, Wow, you'll never
• 1:00:37
  Speaker 1: hear a movie bag or a TV bag crinkling. All right, kids,
• 1:00:42
  Speaker 1: what do you think did we cover Did we pretty
• 1:00:44
  Speaker 1: much cover it? Yeah? I mean I think I won
• 1:00:47
  Speaker 1: the debate, but it's totally fine. It's not No, it's
• 1:00:50
  Speaker 1: not about winning. It's about it's about stating your case
• 1:00:54
  Speaker 1: and defending it well. And I think we both did that,
• 1:00:58
  Speaker 1: and I think we're both winners. What's next week? What's
• 1:01:06
  Speaker 1: next week? Riley? Episode twenty Help wanted? Oh you better
• 1:01:11
  Speaker 1: believe my god, we're like almost done with season two.
• 1:01:15
  Speaker 1: Help needed. Help is really needed. Let me tell you,
• 1:01:18
  Speaker 1: Jess needs to I don't know, send in your season
• 1:01:23
  Speaker 1: two questions because we should do like a special season
• 1:01:26
  Speaker 1: to wrap Q. Yes, we should extravag and send email
• 1:01:32
  Speaker 1: us your opinion on the Luke and Laurel I fight.
• 1:01:35
  Speaker 1: What do do you agree with me? Do you agree
• 1:01:37
  Speaker 1: with you agree with me? She's annoying and her voice
• 1:01:40
  Speaker 1: is loud. Do you agree with him? Because every every
• 1:01:42
  Speaker 1: email that agrees with me, we'll send you just saying,
• 1:01:47
  Speaker 1: you know, unofficially, but you actually can't say that. I'm
• 1:01:50
  Speaker 1: just kidding. Will bleep that out right right along with
• 1:01:54
  Speaker 1: the long fingernail anyway, that's it. Huh, We're gonna We're
• 1:01:59
  Speaker 1: gonna wrap this up. Yeah, all right, kiddo. Thanks for downloading.
• 1:02:05
  Speaker 1: Best fans on the planet. Love to you all and
• 1:02:08
  Speaker 1: we will see you next time. Stay safe, hey, everybody,
• 1:02:41
  Speaker 1: and don't forget follow us on Instagram at I Am
• 1:02:44
  Speaker 1: all In podcast and email us at Gilmore at I
• 1:02:48
  Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're
• 1:02:52
  Speaker 1: looking for the best cup of coffee in the world,
• 1:02:54
  Speaker 1: go to my website for my company, scott ep dot
• 1:02:57
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• 1:03:00
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