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Gilmore Girls Gazette: Parenthood: Admitting Wrong Doings (Season 2 E13 “Opening Night”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in again.
• 0:06
  Speaker 2: Oh, let's you Gilmore Girls Gazette with Amy Sugarman and
• 0:20
  Speaker 2: Danielle Romo, an iHeartRadio podcast.
• 0:24
  Speaker 1: May your blessings keep you always, May your wishes all
• 0:27
  Speaker 1: come true. That's right, Braverman's Inn. It is time to
• 0:30
  Speaker 1: talk parenthood and what I thought Mark was a fantastic episode.
• 0:35
  Speaker 2: Oh my god, we disagree.
• 0:38
  Speaker 1: Get out of here.
• 0:39
  Speaker 2: First of all, great intro, really really really proud of
• 0:43
  Speaker 2: you for that geniusness. Stay tuned till the end because
• 0:47
  Speaker 2: I have an amazing menopause minute. This was not my favorite.
• 0:50
  Speaker 1: Wow, this is my best one yet that I've been
• 0:52
  Speaker 1: here for.
• 0:53
  Speaker 2: Oh my gosh, I am stunned by that.
• 0:56
  Speaker 1: Let's start with Haley and Alex and that whole drama.
• 0:58
  Speaker 1: I love that she answers her cool little pink cell
• 1:00
  Speaker 1: phone from twelve. First, what am I doing? We need
• 1:03
  Speaker 1: to do a synopsis? Oh you know, I stick to
• 1:06
  Speaker 1: the fundamentals. People, Season two, episode thirteen.
• 1:09
  Speaker 2: First of all, I love them. Just anyone listening, just enjoy,
• 1:14
  Speaker 2: Just sit back and enjoy the messy ride we're on.
• 1:19
  Speaker 1: It's messy. Opening night, air Day, January eighteenth, twenty eleven.
• 1:23
  Speaker 1: Christine and Adam catch Hattie sneaking around with Alex and
• 1:26
  Speaker 1: forbid her from seeing him anymore. Sarah faces a new
• 1:29
  Speaker 1: challenge when Drew Telser he needs to sell five hundred
• 1:31
  Speaker 1: dollars with a wrapping paper. Meanwhile, Crosby and Jasmine have
• 1:34
  Speaker 1: to deal with Jabbar's bad case of stage fright right
• 1:36
  Speaker 1: before the school play. And that's what made me think
• 1:39
  Speaker 1: of it is because their cell phone was so twenty eleven.
• 1:41
  Speaker 1: That's why I had to go back and read the synopsis.
• 1:44
  Speaker 1: But I love the opening. First of all, that's a
• 1:47
  Speaker 1: fantastic scene, the confrontation on the front lawn. There he is,
• 1:51
  Speaker 1: there she is.
• 1:52
  Speaker 2: Yes, that was that. Yes, the episode started off.
• 1:56
  Speaker 1: The parents coming bursting through the front door.
• 1:58
  Speaker 2: Well, first of all, she's like waiting for them to leave,
• 2:01
  Speaker 2: and then they.
• 2:01
  Speaker 1: Leave, Max forgot.
• 2:03
  Speaker 2: They come back, and you know, she tries to run
• 2:05
  Speaker 2: out and it's just like ooh, and then and sort
• 2:08
  Speaker 2: of the drama of it, and then Michael B. Jordan's
• 2:11
  Speaker 2: reaction like.
• 2:12
  Speaker 1: You're unbelievable, and then he walked off. But they're all
• 2:15
  Speaker 1: on top of each other. It's a classic Parenthood kind
• 2:17
  Speaker 1: of improv scene.
• 2:18
  Speaker 2: Yeah. No, that was really good. Good, Yeah, I was
• 2:22
  Speaker 2: in I have some flags on the rappet.
• 2:25
  Speaker 1: We'll get to that. So then Haley goes to Camille.
• 2:28
  Speaker 2: Well, and you teed me up to not like the play.
• 2:31
  Speaker 1: But I was so delighted by the plan. But we'll
• 2:33
  Speaker 1: get to that too. But so Hattie goes to Camille,
• 2:37
  Speaker 1: has a moment that I like, I have to go
• 2:39
  Speaker 1: to school.
• 2:41
  Speaker 2: And the grandma did the right thing. You know. Look,
• 2:44
  Speaker 2: I think Christina tends to be a little not so
• 2:48
  Speaker 2: nice to Camille, typical mother in law daughter in law situation.
• 2:54
  Speaker 2: But Christina chill out.
• 2:56
  Speaker 1: Well and then chilling out she and Adam go home
• 2:59
  Speaker 1: and take the door offer bedroom.
• 3:02
  Speaker 2: That was so aggressive and also like, like you can
• 3:06
  Speaker 2: tell by their faces that like, do we even believe what.
• 3:08
  Speaker 1: We're doing here?
• 3:09
  Speaker 2: Well, and what's that solving?
• 3:11
  Speaker 1: Right? We've dug a hole and now we're just going
• 3:13
  Speaker 1: to keep digging.
• 3:13
  Speaker 2: Right, She didn't just like what right? I'm not totally
• 3:17
  Speaker 2: sold on their parenting.
• 3:18
  Speaker 1: But so then the Christina and Camille confrontation. Christina gets
• 3:22
  Speaker 1: all mad that Hattie confided in her, which I understand
• 3:24
  Speaker 1: there's jealousy there that Hattie went to someone else. Now,
• 3:28
  Speaker 1: to me, the peak of the show the peak of
• 3:32
  Speaker 1: the shows that I've been watching. The scene with Alex
• 3:35
  Speaker 1: and Adam in Adam's office that was as good as
• 3:39
  Speaker 1: it gets. A phenomenal scene, two masters of their craft
• 3:43
  Speaker 1: at the height of their abilities going at it. The
• 3:46
  Speaker 1: sheer brilliance of Michael B. Jordan and Peter Crawse in
• 3:49
  Speaker 1: that scene blew me away.
• 3:50
  Speaker 2: First of all.
• 3:51
  Speaker 1: I know.
• 3:53
  Speaker 2: And here's why I know, because it made me google
• 3:57
  Speaker 2: what is Peter Krause working on? Because I'm so upset
• 4:01
  Speaker 2: that he was killed off nine one one. I find
• 4:03
  Speaker 2: it to be like an insane move, like almost of
• 4:08
  Speaker 2: the fact that I'm like, I don't buy it, like
• 4:10
  Speaker 2: that the director, creator whatever he is, is like, it
• 4:15
  Speaker 2: was a choice. We wanted to kill off a major character. Wait,
• 4:18
  Speaker 2: you wanted to kill off your best character, like and
• 4:21
  Speaker 2: Peter Krausa. They all say like, no, Peter didn't want
• 4:24
  Speaker 2: to leave. But I'm like, it's so crazy they did that.
• 4:29
  Speaker 2: I digress. So I was like, what's he working? I
• 4:32
  Speaker 2: need him to have a new show because he's, oh
• 4:34
  Speaker 2: my god, nothing right now, He's still an executive producer
• 4:37
  Speaker 2: of nine to one one, But my thing is he's
• 4:39
  Speaker 2: They're so good and Michael Beach Jordan is just like
• 4:45
  Speaker 2: he's so good in this show. But also the character
• 4:50
  Speaker 2: is so like confident despite the like challenges he had
• 4:56
  Speaker 2: that you really are like you respect him, and you're like,
• 5:00
  Speaker 2: why don't you get that Adam Braverman, like, why don't
• 5:03
  Speaker 2: you get that this guy is so much better than
• 5:05
  Speaker 2: the ex boyfriend that you let her date that slept
• 5:09
  Speaker 2: with the.
• 5:09
  Speaker 1: Cousin agreed, Now, I get it, my daughter, he's older,
• 5:13
  Speaker 1: private apartment, I get all that stuff. But he knows
• 5:16
  Speaker 1: he's messed up.
• 5:17
  Speaker 2: But just tell her it's not. You can't see this
• 5:22
  Speaker 2: totally classy, great guy that even Camille fully vouched for
• 5:26
  Speaker 2: right who she and she knows him have. I'm not
• 5:31
  Speaker 2: mad at parenting parenthood, but have a have a situation
• 5:37
  Speaker 2: that's tenable. Right Just telling your kid never drink is
• 5:41
  Speaker 2: just going to make your kids sneak out and drink.
• 5:43
  Speaker 2: And you know, behind the wherever if you say to
• 5:47
  Speaker 2: your kid, hey, we have concerns, here's why, and as
• 5:50
  Speaker 2: a result, we trust you. But you know you're ABC
• 5:55
  Speaker 2: whatever it is.
• 5:56
  Speaker 1: That's also a genius of this show. You would think
• 5:58
  Speaker 1: that after Adam talks to Alex, he would go to
• 6:01
  Speaker 1: her and say go to you know, maybe go to
• 6:03
  Speaker 1: what Christina and say, you know what, we should probably
• 6:06
  Speaker 1: reland on this. But no, he's sticking to his guns.
• 6:08
  Speaker 1: Can we had that talk with Christina? You think Christina'd
• 6:11
  Speaker 1: be like, yeah, maybe he is okay, But no, they
• 6:13
  Speaker 1: got to stick to their guns.
• 6:15
  Speaker 2: Because they're parenting out of fear instead of trusting their kid,
• 6:18
  Speaker 2: who's such a good kid.
• 6:20
  Speaker 1: But also, it's hard to admit you're wrong when you're
• 6:22
  Speaker 1: a parent. That is such a hard thing. But is it?
• 6:26
  Speaker 1: Think it is? Though it is and I I came
• 6:29
  Speaker 1: around on that and I'm pretty good at it now.
• 6:31
  Speaker 1: But I think that's what Christina going through. What are
• 6:35
  Speaker 1: we going to do now? We're even to each other that.
• 6:37
  Speaker 2: Yeah, And it's like being wrong, being wrong is okay,
• 6:41
  Speaker 2: Like if I'm going to teach you a lesson of
• 6:43
  Speaker 2: the day because I'm so wise, like it's okay to
• 6:47
  Speaker 2: be wrong. I would be so happy for them to
• 6:50
  Speaker 2: be right. Yes, do you know what I'm saying? Like
• 6:52
  Speaker 2: where they go, hey, we we didn't get this one
• 6:56
  Speaker 2: right because we're first time parents too, that's it, do
• 7:00
  Speaker 2: you know what I mean? This is the first time
• 7:01
  Speaker 2: they've ever had a sixteen year old whatever she is, yeah,
• 7:04
  Speaker 2: sixteen because she was learning to drive and fix it.
• 7:09
  Speaker 2: I find Sarah Braverman to be better, not that as
• 7:13
  Speaker 2: a parent to be like, oh, I got it wrong,
• 7:15
  Speaker 2: let me get it right. I got it wrong with
• 7:17
  Speaker 2: men with the singing, you know, like, first of all, where,
• 7:20
  Speaker 2: by the way, where was Julia? Was Julia even in
• 7:23
  Speaker 2: this episode?
• 7:24
  Speaker 1: Yeah? Not much.
• 7:25
  Speaker 2: I don't remember seeing her one time. Maybe one time
• 7:28
  Speaker 2: she went into the sure the play and maybe she
• 7:31
  Speaker 2: went into one rehearsal or something. I don't even remember. No,
• 7:35
  Speaker 2: not enough Julia for me.
• 7:46
  Speaker 1: After weeks and months of this play being an absolute mess,
• 7:48
  Speaker 1: it is now the most elaborate, complicated school play in history.
• 7:52
  Speaker 1: They have props, they have music, they have costumes, they
• 7:55
  Speaker 1: have special effects. There's running water on the stage. I mean,
• 7:58
  Speaker 1: it's insane in their production value.
• 8:01
  Speaker 2: Well, not a great play. I'm like, is that good?
• 8:04
  Speaker 2: I don't really get it. I don't get it, like
• 8:06
  Speaker 2: she Marilyn, I guess it's the history of California something yeah,
• 8:10
  Speaker 2: and jabbar and so like, okay, sorry to well. But
• 8:16
  Speaker 2: the one thing I do like is that Crosby is
• 8:20
  Speaker 2: expressing himself quite clearly as to why he wants Jabbar
• 8:25
  Speaker 2: to try again, and Jasmine is also expressing herself clearly
• 8:30
  Speaker 2: she's not wrong, like, hey, he's in kindergarten, Like do
• 8:33
  Speaker 2: we have to push him on this one? That's sort
• 8:36
  Speaker 2: of one of those parenting situations where you're like, you're
• 8:39
  Speaker 2: both right. Probably Crosby's like a little bit more right,
• 8:42
  Speaker 2: you know, like, Okay, I get it. We don't need
• 8:44
  Speaker 2: to push our kids all the time.
• 8:46
  Speaker 1: And Zeke saying him, come on, now, what are you doing.
• 8:49
  Speaker 1: You're you're the boss too, and then Crosby saying it's
• 8:53
  Speaker 1: a partnership and Zeke saying, god, that sounds dreadful. I
• 8:57
  Speaker 1: thought that was such a great lie.
• 9:01
  Speaker 2: Speak. That's been kind of awesome in like the last
• 9:04
  Speaker 2: three or four episodes butting in as a parent and
• 9:08
  Speaker 2: I'm like, I'm here for it, Like I'm here for it. Also,
• 9:13
  Speaker 2: the thing that I did love about this episode was
• 9:15
  Speaker 2: Sydney's negota.
• 9:17
  Speaker 1: Yes, that was great.
• 9:19
  Speaker 2: I'm like that little kid, yeah, her mom, and it's
• 9:23
  Speaker 2: kind of awesome. And Joel's like, no, Sydney, we're not
• 9:26
  Speaker 2: doing that, and yeah, Shepherd's like I'll play, I'll play. Yeah.
• 9:31
  Speaker 2: That was cute. And also that made me not feel
• 9:33
  Speaker 2: bad for her, So I thought it was like effective,
• 9:36
  Speaker 2: Like I think I would have had sort of oh no,
• 9:37
  Speaker 2: you just took her part away. But in this case,
• 9:40
  Speaker 2: I didn't have to feel bad and I could be
• 9:42
  Speaker 2: happy for Jabbar because it was cool with it.
• 9:45
  Speaker 1: Another example, really into the show, they've taken the time
• 9:47
  Speaker 1: to develop the character of Sydney that she's wants to
• 9:51
  Speaker 1: be on stage. She wants to spotlight. As soon as
• 9:53
  Speaker 1: you borrow out, she's right in there and she's just
• 9:55
  Speaker 1: like her mom with the negotiation. How many shows have
• 9:57
  Speaker 1: the time to develop.
• 9:58
  Speaker 2: A kid correct And she's so like aasure doing business
• 10:00
  Speaker 2: with you, Like, you don't have to feel bad like that,
• 10:02
  Speaker 2: this kindergartener got her heart taken away. You're like, I'm fine,
• 10:05
  Speaker 2: it's fine, All is fine, and yea Jabar. Although here's
• 10:08
  Speaker 2: the thing I don't totally like. Of all the things
• 10:12
  Speaker 2: I remember in the episode, the play is sort of
• 10:15
  Speaker 2: like was that the end? I don't really remember.
• 10:17
  Speaker 1: It, just like I thought this was so great. They're
• 10:19
  Speaker 1: walking back to the car after the play and Drew
• 10:22
  Speaker 1: didn't like the play very much, and Sarah calls him
• 10:24
  Speaker 1: al Roker for his bad review, and they often be
• 10:27
  Speaker 1: like Al Roker's not a movie he's not a critic,
• 10:29
  Speaker 1: He's a weather man. Like was that in the script?
• 10:32
  Speaker 2: Or I think they're met Leonard Malton or Roger Ebert
• 10:36
  Speaker 2: or Jans's skill. Wait, I missed so completely. I feel
• 10:40
  Speaker 2: like I don't know. Was I falling asleep? What happened
• 10:42
  Speaker 2: to me? I feel like I missed the very end.
• 10:44
  Speaker 1: Of the very casual conversation, like as they're walking across
• 10:47
  Speaker 1: the parking lot, it seemed very off the cuff to me,
• 10:49
  Speaker 1: and maybe it was I don't know, and that was no,
• 10:51
  Speaker 1: And then and then they get back to the car
• 10:54
  Speaker 1: and I don't I don't remember.
• 10:57
  Speaker 2: Right something see episode was? I know you love it?
• 11:00
  Speaker 1: But is it at that point that they find out
• 11:02
  Speaker 1: that Zeke bought all the wrapping paper? I think, maybe, yes,
• 11:05
  Speaker 1: so much.
• 11:05
  Speaker 2: Sorry you are, and he gives that wink. But here's
• 11:08
  Speaker 2: my flaw on that. But under their money troubles, Zeke
• 11:13
  Speaker 2: and Camille, remember they had the building he bought, and
• 11:17
  Speaker 2: you know ed Julia's ex boyfriend, the guy from Scandal,
• 11:22
  Speaker 2: was like gonna buy it, and like all of a sudden,
• 11:25
  Speaker 2: that just went away.
• 11:26
  Speaker 1: Always gonna spend on your grandkids.
• 11:29
  Speaker 2: Correct, but five hundred bucks for all the wrapping paper,
• 11:31
  Speaker 2: I get it, But like, are we just over their
• 11:34
  Speaker 2: money problems? It seems like that storyline has vanished and
• 11:36
  Speaker 2: I'm fine with it.
• 11:37
  Speaker 1: I didn't need it.
• 11:38
  Speaker 2: And it was like annoying. Do you notice how they
• 11:40
  Speaker 2: work in a lot uh the time? You know, they're
• 11:44
  Speaker 2: very clear that this was a recession in America, and
• 11:48
  Speaker 2: they do that a bunch with the shoe, the whole thing.
• 11:51
  Speaker 2: It's like very clear, like and maybe because that was
• 11:54
  Speaker 2: such a big thing, then it's the one thing watching
• 11:58
  Speaker 2: back though that you're like, we're there.
• 12:01
  Speaker 1: Yeah, they wanted very badly to be every family, just
• 12:03
  Speaker 1: a random every family.
• 12:04
  Speaker 2: Is that recession from the like when the housing crisis
• 12:07
  Speaker 2: happened with all those short sales or whatever that thing
• 12:09
  Speaker 2: where yeah, where it was like nobody could afford their
• 12:12
  Speaker 2: loans and it's a big old mess. They were giving
• 12:14
  Speaker 2: they were just handing out loans. You want a loan,
• 12:17
  Speaker 2: you got loan. You want alone, you don't have any
• 12:19
  Speaker 2: money to put down the mine, It's totally fine. Give
• 12:22
  Speaker 2: a dollar, just put give a dollar.
• 12:24
  Speaker 1: Like we got one of those We got one of
• 12:26
  Speaker 1: those loans.
• 12:27
  Speaker 2: You we did. I wish i'd nothing down. Yeah, you know,
• 12:31
  Speaker 2: I'm a thirty year fixed lady. I am now a
• 12:34
  Speaker 2: thirty years I always was, always, always was, always will
• 12:38
  Speaker 2: be thirty year fixed. I am not trying to gamble
• 12:42
  Speaker 2: with a home loan.
• 12:43
  Speaker 1: No agreed.
• 12:44
  Speaker 2: Let me tell you this, people, I can never move
• 12:49
  Speaker 2: because somehow I got a three percent loan.
• 12:51
  Speaker 1: Two we refined that in the pandemic, we got two.
• 12:56
  Speaker 1: We're stuck here for the rest of our lives.
• 12:58
  Speaker 2: Just live here forever because I cannot move. I cannot
• 13:02
  Speaker 2: afford seven percent. Correct, So I'm just like, Hope, I
• 13:09
  Speaker 2: like this place, but I go all right, Well, can't move,
• 13:12
  Speaker 2: so better put money into it. Like if something doesn't
• 13:14
  Speaker 2: you know, isn't quite.
• 13:15
  Speaker 1: Right, that's it.
• 13:16
  Speaker 2: I will die here. I told me, he said, just
• 13:23
  Speaker 2: take my dead body out of there. Hope it will
• 13:25
  Speaker 2: be one hundred. No, I can't move. Luckily I got
• 13:27
  Speaker 2: one story. You got one story, or two.
• 13:29
  Speaker 1: We got two stories.
• 13:30
  Speaker 2: Oh Grandpa, that's gonna be tough when you're ninety.
• 13:32
  Speaker 1: Yes, we'll see what happens.
• 13:35
  Speaker 2: Keep going.
• 13:37
  Speaker 1: Well. We kind of gave the ending away to Drew,
• 13:39
  Speaker 1: but you know he wants to buy the wrapper.
• 13:41
  Speaker 2: The wrapping paper was Here's why I liked it. Yeah,
• 13:44
  Speaker 2: I love almost said Lorlie, I love a Lauren Graham
• 13:47
  Speaker 2: drew everything.
• 13:49
  Speaker 1: Yes, but it was just like the wrapping January is funny.
• 13:53
  Speaker 2: Yeah, I guess it was fine. It was maybe a
• 13:56
  Speaker 2: little long with the woman that was going to buy
• 13:57
  Speaker 2: the wrapping paper, but she doesn't celebrate, and it was like,
• 14:00
  Speaker 2: you've wasted a lot of your time and their.
• 14:02
  Speaker 1: Time, and then Adam's mad. She's trying to sell it
• 14:04
  Speaker 1: at work, and then Zeke's like you.
• 14:06
  Speaker 2: Right, although every other person was selling their junk of book,
• 14:09
  Speaker 2: I was. I didn't even know she still worked there.
• 14:12
  Speaker 1: Yeah, that's weird. I like the movement. When Zeke said
• 14:15
  Speaker 1: to Sarah, hey, you're late with your rent and Sarah said,
• 14:17
  Speaker 1: I don't pay rent and he says, really you should
• 14:19
  Speaker 1: pay rent more. Zeke classic z.
• 14:23
  Speaker 2: Yeah, he's great. I missed Billy Baldwin. I'm not like crazy.
• 14:27
  Speaker 1: I'm not missing Bill Baldwin. I'm good, I'm fine. I'm
• 14:30
  Speaker 1: fine with see.
• 14:31
  Speaker 2: Poor Alec in the Don't Tell Me Steven Baldwin crashed
• 14:35
  Speaker 2: the rain drover. Seems like everyone was fine. They swerved
• 14:39
  Speaker 2: some sort of It didn't seem like dramatic like there
• 14:42
  Speaker 2: was some you know, like Red Herring or something. Is
• 14:46
  Speaker 2: that the same smoking gun?
• 14:48
  Speaker 1: Perhaps is a Baldwin moment also a part of the show.
• 14:50
  Speaker 1: They have the menopause minute and the Baldwin check went on.
• 14:53
  Speaker 2: I mean the Baldwin moment is like very connected to
• 14:56
  Speaker 2: it as well. I know we we did get one
• 14:59
  Speaker 2: review of people saying too many tangents, but we got
• 15:05
  Speaker 2: another refuse saying I love them just talking about random craft.
• 15:10
  Speaker 2: Who do I please? Left or right? So I guess
• 15:12
  Speaker 2: I just go in the middle.
• 15:14
  Speaker 1: But also, this is Amy, this is who Amy is.
• 15:16
  Speaker 1: If you're in a meeting with her, there's tangents galore.
• 15:19
  Speaker 2: Yeah, I can't. I don't live in a straight line.
• 15:22
  Speaker 2: I go. Yeah, I got a lot to say about
• 15:25
  Speaker 2: a lot of things. What storyline have we skipped? I'm
• 15:27
  Speaker 2: still gonna go with. This episode is only okay, This
• 15:31
  Speaker 2: episode is only okay. Let me give the quick menopause
• 15:34
  Speaker 2: minute will really only be one minute because I have
• 15:35
  Speaker 2: another meeting last night went to the Shawn Mendez concert.
• 15:38
  Speaker 2: Texted you because I didn't know Shawn Mendes was still
• 15:41
  Speaker 2: such a thing. Let me tell you, Mark, he's a thing.
• 15:43
  Speaker 2: He's a massive thing, seven thousand people, just massive. Walking
• 15:47
  Speaker 2: back to the car, got a hurry because now I'm
• 15:49
  Speaker 2: one minute late to the meeting, walking on dirt because
• 15:52
  Speaker 2: it's been muddy and rainy.
• 15:53
  Speaker 1: Here.
• 15:54
  Speaker 2: My one leg went down into a little bit of
• 15:57
  Speaker 2: a hole and I thought, WHOA, didn't fall recovered, walked
• 16:02
  Speaker 2: on like no problem, didn't even say out, just went WHOA.
• 16:06
  Speaker 2: That was weird. Drove one hour home. By the time
• 16:09
  Speaker 2: I got home, I thought my leg is sort of
• 16:10
  Speaker 2: really hurt. By midnight, no camp sleep because the leg
• 16:17
  Speaker 2: is completely messed up. And I believe this is menopause.
• 16:21
  Speaker 2: Things that I could have recovered from at twenty, like
• 16:24
  Speaker 2: a champ. Not so much everybody's asking that, not that
• 16:30
  Speaker 2: I can see, but like also menopause, Like I don't
• 16:33
  Speaker 2: have bone thin thighs anymore. So No, Black and Blues
• 16:38
  Speaker 2: took some ad built ice in it. I'll give you
• 16:40
  Speaker 2: an update next week. Don't let me forget.
• 16:41
  Speaker 1: Thank you for this episode.
• 16:44
  Speaker 2: Oh eight point nine. No, I'm gonna give it a
• 16:50
  Speaker 2: I'm gonna give it a eight point nine.
• 16:53
  Speaker 1: Wow. May you stay forever. Braverman's out.
• 16:58
  Speaker 2: Bring that energy.
• 16:58
  Speaker 1: Okay, dot everybody at Forget follow us on Instagram at
• 17:31
  Speaker 1: i Am all In Podcast, and email us at Gilmore
• 17:35
  Speaker 1: at iHeartRadio dot com.