Latest / The Bootleg Kev Podcast / #144 - G Perico, JayNari & Dupri

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#144 - G Perico, JayNari & Dupri · The Bootleg Kev Podcast

0:11
Speaker 1: Yeah, what's up, y'all. Welcome to the Bootleg cav Podcast.
0:15
Speaker 1: Special guests on the show today the homie g Perico
0:18
Speaker 1: making a return to the podcast. Now Geeperico somebody who
0:23
Speaker 1: we always can have fun conversations with. He brought Jnari
0:27
Speaker 1: and Dupre on the show. To incredible producers. We chopped
0:30
Speaker 1: it up. It was a good time, so be on
0:32
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Speaker 1: one thousand dollars. All right, let's get into the episode
1:59
Speaker 1: with gp Rico, Dupre and J Nari. It's the bulet
2:02
Speaker 1: Cat Podcast. Let's get it bulet Cat Podcast. Special guests
2:06
Speaker 1: in here. G Perico, Yeah, yeah, yeah, Dupre, Jnari Yes, sir, okay,
2:12
Speaker 1: well Prico, you were just on the show. Yeah, so
2:15
Speaker 1: you gotta tell me what is going on? So I
2:18
Speaker 1: just I wanted to bring the click with me. Okay,
2:21
Speaker 1: p you know what I'm saying. You hurting woo woo woo. Legendary.
2:27
Speaker 1: First of all, you guys are some legends in the
2:28
Speaker 1: city man on some on some producer ship. Like I
2:32
Speaker 1: feel like you guys, ah don't get enough credit the
2:35
Speaker 1: League of Stars in general, just as a unit, it
2:39
Speaker 1: was very much synonymous with the West Coast sound that
2:44
Speaker 1: was popping nationally in facts. So salu to y'all appreciated
2:49
Speaker 1: people who don't know who you guys are what you
2:51
Speaker 1: guys have made. You guys have made some amazing songs
2:54
Speaker 1: that we all know. Just kind of give us a rundown,
2:56
Speaker 1: you know. Uh yeah, So so mine goes start and
3:00
Speaker 1: from like tie me Down. I did a time Me Down.
3:03
Speaker 1: Shout out to Ray Jna time the New Boys. What
3:07
Speaker 1: happened to the New Boys? Man, that was a great record. Man,
3:13
Speaker 1: It's unfortunate, but yeah, like they had a cool run.
3:16
Speaker 1: One of them was fucking t Nase before anyone who
3:19
Speaker 1: to Nash was I liked to Nash, I remember we
3:23
Speaker 1: were too Look we had a concert. I think it
3:27
Speaker 1: was like I don't want ninety one of them big
3:31
Speaker 1: concerts at one of them amphitheaters and yeah, I'm like
3:36
Speaker 1: I told Earl when I was with rock Nation, I'm like,
3:38
Speaker 1: take me to meet right quick. You know what I'm saying.
3:41
Speaker 1: Took me come out? What's up? You know what I mean? Nice?
3:46
Speaker 1: Tie me down? Yeah? So I did, tie me down.
3:49
Speaker 1: I did, like well for Problem, I did, like why why?
3:56
Speaker 1: Yeah I did. I don't want to for Eric Bellinger,
4:00
Speaker 1: don't want to. Yeah, thought for Game I remember the
4:04
Speaker 1: Thought record. Yeah. Yeah. Then you know, just a bunch
4:09
Speaker 1: of a bunch of other random ship like I did
4:11
Speaker 1: high right now for Tyler yahweh's part of that. Shout
4:15
Speaker 1: out to Tyler, shout wait there was a remix to
4:19
Speaker 1: that too, right with with Whiz. Yeah, Tyler looks like
4:22
Speaker 1: Whizz's doppelganger or his legitimate child. That was the perfect
4:26
Speaker 1: person to get on that. But yeah, you know, and
4:29
Speaker 1: then recently I just been doing you know, I did
4:31
Speaker 1: to play the Win. Executive produced it nice. You know
4:34
Speaker 1: there it is played the Win. I was on the
4:37
Speaker 1: five Free Wing and the bench Fast Gang did a
4:40
Speaker 1: gang all right, what about you man? God damn. The
4:43
Speaker 1: free bro Ship produced the walk through for Richond mcquinner. Problem.
4:49
Speaker 1: It's a big record, produced down for Easy shout out too,
4:55
Speaker 1: and uh ship a lotto, yeah big, a lot of
4:59
Speaker 1: my bad lot of but uh and then I produced
5:02
Speaker 1: l summers for like the four Project, and then we
5:05
Speaker 1: got Tango that's about to drop next Friday. She got
5:08
Speaker 1: more ship than that. I mean that's just I'm a man,
5:11
Speaker 1: you know. And then some ship that I got coming
5:17
Speaker 1: uh next week, I got we got Tango. Then I
5:20
Speaker 1: got a record with Ruby Rose dropping next Friday. Have
5:22
Speaker 1: you only got with Ruby Roads? I haven't yet. She
5:25
Speaker 1: finds the motherfucker. It's cool, though, I mean, I'm just
5:28
Speaker 1: good on the production with HER's all good, you know. Yeah,
5:31
Speaker 1: I'm just wondering, like I've been contemplating, like I've never
5:34
Speaker 1: signed up for an Only Fans account, but I know
5:37
Speaker 1: she has one, So I was just wondering if you
5:40
Speaker 1: guys have seen it, because I'm like not even know.
5:42
Speaker 1: I wasn't where she Well, they do got reddit right
5:46
Speaker 1: where you could just get ready, Yeah, everything is free already.
5:51
Speaker 1: What'd you say she should feature me on our Only
5:54
Speaker 1: Fans featuring Prico? I mean, you know, I did do
5:58
Speaker 1: the bio pick with the Porno Store, but y'all got
6:01
Speaker 1: that record coming. That's co produced with my boy Extendo
6:06
Speaker 1: and Mike Crook Shot I e we, I just saw
6:09
Speaker 1: two you posted. Your first plaque was with Tiger first
6:12
Speaker 1: platinum plaque. Yeah, I produced four records on the legendary
6:15
Speaker 1: Well on his last album he dropped and that was
6:17
Speaker 1: the album. Was that the that's the one we had
6:20
Speaker 1: taste on it? Oh yeah, I mean yeah, that's the one. Yeah,
6:23
Speaker 1: thank god I was a part of that. So yeah,
6:24
Speaker 1: I went that was like come back album. Platinum. That
6:28
Speaker 1: was the comeback album right there. Yeah, we thought Tiger
6:31
Speaker 1: was dead. They said nope, peers didn't. We actually got
6:34
Speaker 1: some come actually for his next ship. So Tiger's a beast. Yeah,
6:38
Speaker 1: you know he always come with that one or two.
6:40
Speaker 1: That's how you know, don't get it. You can't give
6:43
Speaker 1: this ship up, you can, you can't give up. I
6:45
Speaker 1: always tell everybody's always a hit away. We were just
6:47
Speaker 1: talking about riche on m Kwan, right. Rich On m
6:49
Speaker 1: Kwan was like that motherfucker. He got into a shitty
6:51
Speaker 1: label situation. His label wasn't letting him release music and
6:55
Speaker 1: then like I don't know, just just shi it was.
6:59
Speaker 1: It just ain't what it was, but he had it though,
7:02
Speaker 1: and he could get it back. He still is one
7:04
Speaker 1: record away. Like think about it. T Pain last year
7:07
Speaker 1: had the top twenty or top ten song of radio.
7:10
Speaker 1: He really did this song Withny that was his record. Yeah,
7:13
Speaker 1: he sampled himself that I need to sample walk through then.
7:18
Speaker 1: So it's like you're just one record away, man, everyone's
7:21
Speaker 1: always one record away. John was one record away about that.
7:28
Speaker 1: He came all the way back. You ain't lying making
7:32
Speaker 1: cloud he did. He didn't come all the way back,
7:34
Speaker 1: but he came back back yet. But I mean, yeah,
7:38
Speaker 1: you can't. You can't really count people out because you
7:40
Speaker 1: never know. Bouck. I really, I think it's a consistency.
7:45
Speaker 1: Like if you keep dropping dropping, they keep hearing you eventually.
7:48
Speaker 1: That's what honestly, Loki, That's what Tiger was doing. He
7:50
Speaker 1: just kept dropping ship and then something especially caught on,
7:53
Speaker 1: Like you know, there's a lot of that ship, wasn't it?
7:55
Speaker 1: You know what I'm saying. But it's hard to beat
7:57
Speaker 1: the motherfucker that don't quit, man. That's the truth. That
8:00
Speaker 1: the truth. The one that don't quit always reaped through
8:02
Speaker 1: the rewards. Though, who probably isn't one record away? Is
8:06
Speaker 1: there anybody that's just not going to be able to
8:10
Speaker 1: come back, even with the fire record. I feel it
8:12
Speaker 1: could be anybody, anybody, honestly, especially with like TikTok and
8:17
Speaker 1: like like even if it's funny, you know, like you know,
8:20
Speaker 1: like ships, they got a good beat and the hard hook.
8:23
Speaker 1: Anybody can come back. I'm sorry, I don't know Vanilla
8:26
Speaker 1: Ice got going you taking. I was thinking I got,
8:33
Speaker 1: but I'm like, man thirty years kame with a hard
8:36
Speaker 1: ass metro booming beat. I think you could get that though.
8:41
Speaker 1: I got on that hurt that new Yeah, I don't
8:48
Speaker 1: know Vanilla Ice got it in them, not even with
8:52
Speaker 1: it was hard. I listened to that ship the other
8:54
Speaker 1: night that hey, that whole backstory on that crazy didn't
8:59
Speaker 1: you take that record? Somehow he got hung off of
9:02
Speaker 1: a balcony in l A. Yeah, and that's what some
9:05
Speaker 1: nice golden urine peeing the cup and making me drink
9:10
Speaker 1: it though, like I never heard of drink. Is this
9:13
Speaker 1: exclusive information they made? They may be drink piss sugar.
9:21
Speaker 1: I don't know, bro night pissed and allegedly a new
9:31
Speaker 1: alleged information this coming soon, but that this guy was
9:38
Speaker 1: out here drinking that goddamn that Anheuser. Fucking that Anheuser
9:42
Speaker 1: bush for real? You know what, Jesus, that's terrible. Well, okay,
9:48
Speaker 1: so your new project. You guys are just talking off
9:52
Speaker 1: the record, So you're these guys are handling all the
9:56
Speaker 1: production for the most part, Yeah, like ninety per saying everything,
10:01
Speaker 1: why not make it one hundred percent one hundred percent? Yeah,
10:03
Speaker 1: because I mean that would make Snori touch everything that
10:06
Speaker 1: I do. You know what I'm saying. Make sure we
10:11
Speaker 1: planned it. Were planning the Pause game. Pause, Yeah, hit
10:19
Speaker 1: all the records and ship everywhere, come in, put de
10:30
Speaker 1: finishing touches on the on the record. Yeah. So you're like,
10:33
Speaker 1: you're like, you're the architect. You are the everything's got
10:36
Speaker 1: to He's the over You's got to go through your
10:37
Speaker 1: hands before it gets to the approval. Touch everything me
10:42
Speaker 1: and do pre due project. He got songs on everything
10:45
Speaker 1: that I did for like the last few years. But yeah,
10:49
Speaker 1: I forgot the fucking question. Man, we did the Pause game.
10:55
Speaker 1: But yeah, now we were pretty much doing doing the
10:58
Speaker 1: production on everything from you know, the end of I say,
11:02
Speaker 1: the twenty one flood to the hurricane. Yeah, I mean
11:06
Speaker 1: we talked about this a bit. Obviously, you're you love
11:11
Speaker 1: me and you were talking about this in the gym.
11:12
Speaker 1: We talked about on the podcast a few months ago.
11:14
Speaker 1: Just your new situation. You could just do whatever the
11:17
Speaker 1: fuck you want, whatever the fuck you want. Yeah right,
11:21
Speaker 1: and it's and it's gonna make sense for me in
11:23
Speaker 1: the you know, in the long run. And like up front,
11:27
Speaker 1: like you know what I'm saying, Like we feel good
11:30
Speaker 1: about something, we drop, it ain't gotta go explaining and
11:33
Speaker 1: getting a zillion people behind it and differences of opinions
11:37
Speaker 1: and all that shit make you just hate doing music. Now,
11:41
Speaker 1: we just ay do pre We got to do pre
11:44
Speaker 1: be on me, you know what I'm saying, No rules,
11:46
Speaker 1: no r Like what is we doing this? Nigga sent
11:51
Speaker 1: me so much music every day, Like we got like
11:54
Speaker 1: a shipload of a shipload of records, you know what
11:57
Speaker 1: I mean. And I feel like what we're doing right
12:00
Speaker 1: now was just like cultivating a new scene in Los
12:04
Speaker 1: Angeles or I mean it's the same scene, but just
12:07
Speaker 1: a new ethic and a new outlook and a new
12:09
Speaker 1: a new way to approach it because like on some
12:13
Speaker 1: real shit, they've been getting boring as fuck out here. Motherfucker.
12:16
Speaker 1: Drop one thing and then play the high celebrities. Shit,
12:19
Speaker 1: ain't nobody getting dirty. We don't see niggas in the
12:22
Speaker 1: streets driving none of that shit, pulling up out dropping records,
12:26
Speaker 1: doing like nothing, you know what I mean. It's just
12:28
Speaker 1: you know, all internet shit. So you know, we're getting
12:32
Speaker 1: busy with the flood, you know what I mean, just
12:34
Speaker 1: to click and you know, we just opening doors for
12:39
Speaker 1: the I feel like the independent, the independent error, the
12:43
Speaker 1: independent market for this streaming era is untouched, untapped and
12:49
Speaker 1: stream Yeah. Yeah, I love the streaming. So it's untapped
12:53
Speaker 1: and untouched in LA and it's kind of like still
12:56
Speaker 1: foreign to a lot of people, you know what I mean.
12:58
Speaker 1: So what we're doing is bring in that to the
13:00
Speaker 1: forefront and letting motherfuckers know, like, if you got some
13:03
Speaker 1: good you need to O D go in. Yeah, I
13:08
Speaker 1: gotta ask you because problems Like what was like a moment,
13:12
Speaker 1: a big moment for the city. Man, Like that was
13:15
Speaker 1: like that was fucking crazy. I just remember that record
13:19
Speaker 1: and like how it cut through just I was living
13:22
Speaker 1: in no I was living in Phoenix at the time,
13:26
Speaker 1: but that song was such a that song changed a
13:29
Speaker 1: lot of people's lives. Yes, how did it, Like, like
13:33
Speaker 1: tell me about that song. It just that, you know,
13:35
Speaker 1: I love that that run Problem was on the Mollywood Runs,
13:39
Speaker 1: Like I mean, you know, I feel like he had
13:44
Speaker 1: it for like, you know, cool three years. I feel
13:46
Speaker 1: like like when I thought of LA I thought a problem,
13:48
Speaker 1: you know what I'm saying. And he's still doing this
13:50
Speaker 1: thing obviously, but that specific record changed a lot. Yeah.
13:54
Speaker 1: So with that record, like that was the last record
13:58
Speaker 1: that we did on you know that that project and
14:02
Speaker 1: Problem produces hisself and you know, he had the ideal
14:08
Speaker 1: for it and everything, and you know, he just brought
14:10
Speaker 1: it to me and I just kind of put my
14:14
Speaker 1: my mix on it and you know, my drums and
14:17
Speaker 1: and just turned it around like you know, changed the
14:20
Speaker 1: main lead and you know it just went crazy. Yeah.
14:24
Speaker 1: That for a while, you guys had you guys had
14:26
Speaker 1: the same manager, so he just kind of had the
14:28
Speaker 1: pick of the litter of the League of Stars beats
14:30
Speaker 1: for a while there. Yeah, But that was like at
14:32
Speaker 1: that that was early right, Yeah, at that point, so
14:34
Speaker 1: we was coming out of the Jerk era, and you know,
14:37
Speaker 1: like I had a bunch of records in the Jerk era.
14:40
Speaker 1: I was like popping, you know, and then it died out,
14:43
Speaker 1: which records is you have, so like from the Jerk
14:46
Speaker 1: era of course tied me down. I did Shia Model
14:49
Speaker 1: for YG and just a bunch of like just random
14:52
Speaker 1: stuff like like everybody that was pretty much popping, and
14:58
Speaker 1: like it started to die out. My name started to
15:00
Speaker 1: you know, kind of fizzle out with it as well,
15:03
Speaker 1: and I started seeing like the pre De Nice, which
15:05
Speaker 1: who are my homies you know from way back, they
15:08
Speaker 1: were starting to come up. So you know, like I
15:11
Speaker 1: joined Legue Stars and like that was like really my
15:14
Speaker 1: turnaround record because I was just trying to put something out,
15:18
Speaker 1: you know, I didn't have no records out that was tring. Yeah,
15:22
Speaker 1: so at that time, that just that just kind of
15:24
Speaker 1: turned everything around for me and you know like just
15:27
Speaker 1: re you know, introducing myself back into the scene, you know,
15:32
Speaker 1: from going from that fad to you know like, hey,
15:35
Speaker 1: I just saw did the New Boys just release a
15:38
Speaker 1: new Jerking song? Nah? It just went well, I don't
15:41
Speaker 1: know if they released. I know that it went ReViral,
15:44
Speaker 1: but I heard someone yesterday told me it's randomly because
15:47
Speaker 1: I was just talking about the New Boys yesterday, someone
15:50
Speaker 1: was like, yeah, they just put a new version. Oh,
15:53
Speaker 1: I mean yeah, they wouldn't be surprised. Yeah, I wouldn't
15:55
Speaker 1: be surprised. I mean it's going up, so it'd be
15:58
Speaker 1: small take advantage, take advo that ship time me down. Wow,
16:02
Speaker 1: I was a joint manah what was their names? Legacy
16:06
Speaker 1: and ben J. Yeah. I was doing so much illegal
16:11
Speaker 1: shipping around that time. Man ended up getting tied down
16:14
Speaker 1: by the state of Calier literally literally littleco La County
16:23
Speaker 1: over Now, So when you guys are working on G ship,
16:27
Speaker 1: like what is the you know, do you guys collaborate
16:30
Speaker 1: on stuff like for sure? Yeah, Like we we've been
16:33
Speaker 1: collaborating for like almost ten years now, right, so you
16:37
Speaker 1: know with G stuff, like we both bring a certain
16:40
Speaker 1: sound to G and then you know, now we're just
16:43
Speaker 1: putting it together and kind of like adding our flavors together.
16:47
Speaker 1: So like if you you heard the song, the interview
16:50
Speaker 1: produced the first half of the song, I produced the
16:52
Speaker 1: second half of Oh Dope. See. I like the cohesive,
16:56
Speaker 1: Like that's why I love what hip boys doing with
16:58
Speaker 1: like Benny the butcher Nas. It's like we were just
17:01
Speaker 1: talking about that, just talking about it's very cohesive. You know,
17:04
Speaker 1: Jam sport J's in there too doing this thing. But
17:07
Speaker 1: like just it's just I feel like right now in
17:10
Speaker 1: hip hop, like you know, Freddie Gibbs, just the whole
17:12
Speaker 1: Alfredo got nominated for a Grammy fully produced by alchemists,
17:17
Speaker 1: but just that cohesive like sound for a project to
17:21
Speaker 1: me is so like I think it's like clutch. Yeah,
17:24
Speaker 1: for a producer, I think that's important too though, like
17:27
Speaker 1: because like we get so trapped in to chasing placements
17:32
Speaker 1: and you know, just trying to work with like the
17:34
Speaker 1: artists that's hot when you and you will get a
17:36
Speaker 1: hot record and the artists won't even work with you
17:39
Speaker 1: after that. So it's like it's kind of cool to have,
17:42
Speaker 1: you know, like ownership you know, and just build you know,
17:46
Speaker 1: And I think a lot of producers are are kind
17:48
Speaker 1: of like looking past that. It's another way to make money,
17:51
Speaker 1: build your catalog and really build your legacy too. Yeah,
17:54
Speaker 1: well talk to me about tags because you I don't
17:57
Speaker 1: even what's your tag? God damn it, depreek, goddamnit dupree.
18:01
Speaker 1: I know, sorry, but like the tag shit is so important,
18:06
Speaker 1: and like I feel like there was a lot of
18:07
Speaker 1: producers hit boys. One of them I had a conversation
18:09
Speaker 1: with him or he was like man for the forever,
18:11
Speaker 1: I would never use with tag. And meanwhile, you know,
18:15
Speaker 1: some of my peers would be fucking so brandable because
18:18
Speaker 1: their tag was so you know. And so now hit
18:21
Speaker 1: Boy's got a fucking tag on every He's got like
18:23
Speaker 1: three different ones he uses. But like it's so important.
18:26
Speaker 1: How important is like the tag for a producer, because
18:28
Speaker 1: I do feel like there were there's a lot of
18:31
Speaker 1: producers who don't use tag still, but like for like
18:34
Speaker 1: branding and just for like recognition, Like if someone says,
18:37
Speaker 1: like you're Jnari and if they've heard a certain they're like, oh, yeah, shit,
18:41
Speaker 1: I know your ship, you know what I mean? Like,
18:43
Speaker 1: how important is the tag? Especially in the beginning, it's
18:46
Speaker 1: like detrimental because that's I mean, that's that's you, that's
18:50
Speaker 1: your stamp, that's your name, you know, Like that's how
18:52
Speaker 1: people can you know, like I ain't never seen you,
18:56
Speaker 1: I ain't never heard of you, but you know I
18:58
Speaker 1: heard that tag, you know. So it's important to have
19:01
Speaker 1: a tag and to have a catchy one at that,
19:04
Speaker 1: you know what I'm saying. Like, I think it's very
19:06
Speaker 1: important though in the in the beginning for show these
19:10
Speaker 1: fucking gummies as strong as how many did you did
19:14
Speaker 1: you just see one? Two? You had another one? You
19:19
Speaker 1: had three of them. Yeah, it's not a micro dose anymore.
19:22
Speaker 1: Look at the back of the back, but is a bit.
19:27
Speaker 1: You're currently in the touch of reality phase. If you
19:30
Speaker 1: look at the back of the tops back, this is
19:33
Speaker 1: touch of reality. Which one we enter you guys are
19:36
Speaker 1: in the morning micro doves face, you guys had one.
19:39
Speaker 1: Definitely somewhere perfect. I'm definitely feeling realistic right now. You
19:45
Speaker 1: know what I'm saying. I feel good though I'm saying.
19:48
Speaker 1: But yeah, hey, look, oh my god, no, look when
19:59
Speaker 1: he was the tags, I wanted to say something about
20:02
Speaker 1: producers with the tags, right, Yeah, a lot of niggas
20:06
Speaker 1: don't even worry about the beat and just they tag
20:09
Speaker 1: be more important than the beat. Like niggas be having
20:12
Speaker 1: these crappy as beats. True, but I think like with them,
20:16
Speaker 1: I don't really want to speak for them, but like
20:18
Speaker 1: just with it. Like a lot of good producers, like
20:21
Speaker 1: I think that's the last thing I watch. Motherfuckers just
20:23
Speaker 1: put so much emphasis on the tag instead of making
20:27
Speaker 1: sure that a nigga could rap on this beat and
20:30
Speaker 1: make a dope song. It's like a lot of producers
20:33
Speaker 1: just me speaking from an artist's standpoint. A lot of
20:36
Speaker 1: producers or beat makers, they make beats that's just the groove,
20:41
Speaker 1: you know what I'm saying. It's a banging ass beat,
20:43
Speaker 1: but it's like, damn where I rap at, you know
20:45
Speaker 1: what I'm saying. So it's like it's just like a
20:48
Speaker 1: special art to having some shit that that knock and
20:53
Speaker 1: somewhere where you could rap at. That's why I think
20:55
Speaker 1: a lot of like these simple beats that niggas shit on.
20:58
Speaker 1: They go because it's somewhere for the artist to wrap
21:02
Speaker 1: on this something. It getting busy and they go. You
21:05
Speaker 1: know what I mean. A lot of people do great music,
21:07
Speaker 1: but it's like the cohesiveness of the vocals and then hey,
21:13
Speaker 1: we know, we gotta stop the podcast real quick. Shout
21:16
Speaker 1: out to my bookie. Man. Listen, if you know anything
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21:44
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21:46
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21:48
Speaker 1: Is it gonna be Yokic? Certainly ain't gonna be motherfucking
21:52
Speaker 1: Russell Westbrook. Crazy odds that ain't gonna happen. That's just
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22:42
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23:02
Speaker 1: There's so many tags with uh eight weight Mafia or
23:07
Speaker 1: beats that I just always I don't know how many
23:09
Speaker 1: people are in the away Mafia, but I feel like
23:11
Speaker 1: every random mass rapper who's a nobody that I know
23:14
Speaker 1: has an eight A weight Mafia fucking like they're like, yeah,
23:17
Speaker 1: I got I got I got stuff with eight owight Mafia.
23:19
Speaker 1: I'm like, yeah, you in fucking ninety eight others? Are
23:21
Speaker 1: we sure these are mafia beats? Or someone just take
23:24
Speaker 1: the tag and put them on their shitty beats and
23:26
Speaker 1: upsell you. Is that a thing you think? Yeah, definitely, definitely,
23:31
Speaker 1: like almost like bootleg beats loky Like, Yeah, definitely because
23:35
Speaker 1: out to herd some beats with my tag on what
23:37
Speaker 1: the fucking really do nothing? Swear what Nigga's still in
23:43
Speaker 1: bro tag getting on this. You know he's selling them
23:47
Speaker 1: on the line there, you know, like you you leasing
23:49
Speaker 1: them or whatever? You know they getting paid? Do you
23:51
Speaker 1: guys do the online least game because there's good money.
23:56
Speaker 1: So so I'm I'm gonna get onto it out. I'm
24:01
Speaker 1: just not used to it, you know what I'm saying,
24:03
Speaker 1: Like and I it was me kind of being Hollywood
24:06
Speaker 1: for a second, but I have to really think about it,
24:08
Speaker 1: like how much money you leaving on the table on
24:10
Speaker 1: the table, you know what I'm saying, like being Hollywood, Like, oh,
24:13
Speaker 1: I get this much beat, but then there's somebody that
24:16
Speaker 1: got you know, their beats up and you know one
24:20
Speaker 1: hundred and fifty people bought this beat, you know what
24:22
Speaker 1: I'm saying, Yeah, like it adds up. So yeah, I
24:26
Speaker 1: definitely I got a homiehoes making like five figures of
24:31
Speaker 1: months who you wouldn't even know just off of fucking
24:34
Speaker 1: because he's his YouTube channels doing this thing, and then
24:37
Speaker 1: people like the type beat game, you know, like putting
24:41
Speaker 1: up the Roddy Rich type beat on YouTube and then
24:44
Speaker 1: the link to Lisa It or whatever. You know what
24:45
Speaker 1: I'm saying, Like, yeah, lod of Great showed me. He
24:49
Speaker 1: was showing me, you know, like what he was doing it,
24:53
Speaker 1: and you know it made complete sense. But yeah, like
24:56
Speaker 1: I just think like as a producer, like you said,
24:58
Speaker 1: like you know, I manage a couple of producers, and
25:01
Speaker 1: I know that, like the it's just important to monetize
25:05
Speaker 1: everything because if you're always chasing placements, you're gonna be
25:09
Speaker 1: fucking stressed out. It's gonna suck. You're gonna be in
25:11
Speaker 1: a fucking studio session someone like cuts your beads and
25:14
Speaker 1: then you're fucking sitting on your hands waiting to see
25:16
Speaker 1: if you could if you could have if it, is
25:18
Speaker 1: it ever gonna come out or not? You know, I
25:20
Speaker 1: bet you that's probably happening, y'all. Chasing placements had me
25:24
Speaker 1: like not making beats for like six months. Remember there
25:29
Speaker 1: used to call me like, man, what's up what you're doing?
25:32
Speaker 1: Like where you've been at? Like type ship, but you
25:35
Speaker 1: know until really g is like really what got me
25:37
Speaker 1: back on it? Because like I was, I was in
25:39
Speaker 1: studio sessions, like just uncomfortable, just like hanging out in
25:43
Speaker 1: studio sessions waiting for your chance to play bids and others. Yeah, yeah,
25:49
Speaker 1: especially if there's other producers there. It's like you would rather, yo,
25:52
Speaker 1: let's get in the studio, let's start on the same
25:54
Speaker 1: you know, everything's Hollywood now too, so you know, like
25:58
Speaker 1: I see it, bro, I see it. I would recommend
26:00
Speaker 1: producers to just find every other way of you know,
26:05
Speaker 1: like making money or you know, like you don't have
26:07
Speaker 1: to just go for like the Drakes and like all
26:10
Speaker 1: of them, like it's cool, do that too. But because ways,
26:14
Speaker 1: if you focus on only that, you're gonna be hanging
26:16
Speaker 1: out in studio sessions all fucking nd fucking with postmated
26:21
Speaker 1: Boston Nova, waiting for your chance to play your beads
26:23
Speaker 1: and then maybe someone cuts to your bead and then
26:25
Speaker 1: you're gonna be like, all right, cool, is it ever
26:28
Speaker 1: gonna come in here from now? Maybe? Maybe not, Like yeah,
26:33
Speaker 1: it's it's it's it's a man. I commend y'all, because
26:37
Speaker 1: the producer game is a tough one, man, you gotta
26:41
Speaker 1: make it fun. Y'all really gotta love it. That's like
26:44
Speaker 1: people who do photography and do graphic designs and do
26:47
Speaker 1: all this ship. I'm like, man, y'all really gotta love
26:49
Speaker 1: this ship because I don't feel you don't have to
26:53
Speaker 1: stand on the damn chick all man. That is our
27:05
Speaker 1: bino penis env That is the strain no penis envy. Yeah, yeah,
27:10
Speaker 1: it's a popular strain which camera as strong as a
27:17
Speaker 1: motherfucker this ship. Try just to see another fee. I'm good.
27:23
Speaker 1: I'm good on the level of my mom. Bro. Let's go,
27:26
Speaker 1: halpen you gotta stand up tripping. You know, I'm finna trip. Yeah,
27:32
Speaker 1: like I'm mature outside. You know what clip of our
27:37
Speaker 1: interview with the most crazy was the Clipper you saying
27:39
Speaker 1: how you eating an edible saved your life? Bro? I
27:42
Speaker 1: think I might be into some today. It might be
27:45
Speaker 1: some ship on the horizon and I need to avoid
27:48
Speaker 1: because I'm going to lay down after that. This ship.
27:55
Speaker 1: I'm going to lay down after this for sure. Oh
27:59
Speaker 1: my god, he you tripping bro this first time. This
28:04
Speaker 1: is about to be a cold car ride back. Pray
28:08
Speaker 1: for me, all. I got a blunts. The clothes doing awesome, bro,
28:14
Speaker 1: Like super just showed me some cool designs, a little
28:17
Speaker 1: shroom design. Bro, I'm mad that I didn't bring you
28:20
Speaker 1: something and you definitely getting the whole run and them shirts.
28:23
Speaker 1: I'm gonna make sure you on deck after this got you.
28:26
Speaker 1: You rightfully deserved to be the face of that T shirt.
28:30
Speaker 1: But yeah, the clothes doing great. Bro. It's ships just
28:36
Speaker 1: been opened me up, man, Like It's crazy how music
28:39
Speaker 1: brings so much ship to you, you know what I'm saying,
28:42
Speaker 1: Like I'm doing I'm doing a drop with a with
28:46
Speaker 1: network that works dope. Yeah, so I bought some stuff
28:50
Speaker 1: off of there and then resold it right and they
28:53
Speaker 1: called me to uh to work with them, but not
28:55
Speaker 1: as an artist, as a clothing designer, you know what
28:59
Speaker 1: I'm saying. You almost rather that, So that was like
29:02
Speaker 1: super dope, you know what I mean, Like, Okay, my
29:04
Speaker 1: brand got me, like getting other looks that music normally
29:08
Speaker 1: just just only music wouldn't normally get me. So I mean,
29:12
Speaker 1: it's doing great, bro. It's people calling we're still in
29:16
Speaker 1: and fucking I'm fucking high as a motherfucker, but we're
29:27
Speaker 1: still in. Fucking uh Damn. I can't say it. I
29:34
Speaker 1: really think where are you still in? The closing line
29:38
Speaker 1: is still in the Is it a store? Yes? Which store?
29:43
Speaker 1: Let's oh fuck bro. So anyway, the clothing line is
29:51
Speaker 1: in a gang of different department stores. It's in a
29:53
Speaker 1: gang of different retails. We're not a gang of different retails,
29:57
Speaker 1: one specific retail. We mainly online and it's doing great, man,
30:03
Speaker 1: you know what I'm saying. And it it's just showing
30:06
Speaker 1: me how to operate, you know, as a businessman that
30:10
Speaker 1: I need to just have structure around that in order
30:13
Speaker 1: for it to keep going. Because like as an artist,
30:16
Speaker 1: you could get lucky dropping something one time. Oh this
30:20
Speaker 1: is a dope, ass idea, everybody buy it, fuck with it.
30:23
Speaker 1: But the catch is being able to get them to
30:26
Speaker 1: fuck with it, you know, continuously make it a piece
30:29
Speaker 1: of their lifestyle. You know what I'm saying, make it.
30:32
Speaker 1: You know what I'm saying. You know beyond lifestyle. They
30:35
Speaker 1: light well life is lifestyle. So you know, just make
30:38
Speaker 1: it it day to day for them, you know what
30:40
Speaker 1: I'm saying, Meaning that every time you drop something, whether
30:44
Speaker 1: it be a hat, ash tray, whatever it is, they
30:49
Speaker 1: with the movement of the brand. You know what I'm saying,
30:51
Speaker 1: And do you like going like fucking when you like,
30:54
Speaker 1: because obviously we're in LA, there's a garment district. You
30:56
Speaker 1: go pick like the pieces you want to put shit
30:59
Speaker 1: on yourself, or you have other people handle all that ship. Yeah, yeah, yeah,
31:02
Speaker 1: I'm real hands on if the quality of everything is high.
31:06
Speaker 1: So it's like I even like I just packed like
31:08
Speaker 1: five hundred orders like myself the other night, you know
31:12
Speaker 1: what I mean, just like fuck it, I'm about to
31:15
Speaker 1: just do this ship, you know what I'm saying, Like
31:19
Speaker 1: like some of the ship though, like some of the
31:21
Speaker 1: ship I signed and did some extra ship for people,
31:24
Speaker 1: but like if they spent like yo, these these fulls,
31:28
Speaker 1: drop the bag, let me throw something in here right right.
31:31
Speaker 1: So you'll catch a rare moment where I pack orders.
31:33
Speaker 1: But for most of the time I just pay somebody
31:35
Speaker 1: to do that. But like I like to be hands
31:38
Speaker 1: on with as much as possible, so I know, just
31:42
Speaker 1: you know, everything they got to do with the business.
31:44
Speaker 1: Just in case somebody like, man, we can't do this,
31:46
Speaker 1: we can't hold up. I know how to. It's not
31:49
Speaker 1: that hard, you know what I'm saying. Kickback, I can
31:51
Speaker 1: handle it, you know, I mean have you linked up
31:52
Speaker 1: with a David Sebastian yet, David Sebastian, Yeah, yeah, yeah,
31:56
Speaker 1: David Sebastian dope. Man. I remember when I got up
31:58
Speaker 1: on him was a June teenth. He performed like in
32:03
Speaker 1: front of my shop on Renondo and Ship and I'm like,
32:07
Speaker 1: this dude, dope, Like he commanded the whole He commanded
32:10
Speaker 1: the whole block when he got there and made it
32:13
Speaker 1: a vibe, you know what I'm saying. So I've been
32:14
Speaker 1: on him since then, but we yet to his clothing
32:17
Speaker 1: line is you know he's doing like the like the
32:20
Speaker 1: I don't know if you saw the Kanye is like
32:22
Speaker 1: having homeless people model his clothes. Yeah, that's all through
32:25
Speaker 1: a collab with David Sebastian's clothing line, skared Row. So
32:30
Speaker 1: I'm up, I should do it. Y'all should do the
32:32
Speaker 1: little you know, a little Blue Tea skied Row collab. Man,
32:36
Speaker 1: it's a no brainer. We gotta do it. And you
32:38
Speaker 1: guys can eat rooms together because he is a troom guy.
32:41
Speaker 1: Super room. Not the gummies. Now, the gummies are it, bro?
32:45
Speaker 1: Natural natural ones. You don't know what natural sign app.
32:52
Speaker 1: You gotta stuff them in like a peanut butter sandwich
32:53
Speaker 1: or something. If I ever get to that point. Yeah,
32:56
Speaker 1: now that's why you made. That's why you eat these,
32:58
Speaker 1: because these at least you know there's some sort of
33:01
Speaker 1: like guide. When you eat the natural ship, you might
33:04
Speaker 1: get a cap that's fucking ill, you know what I'm saying.
33:09
Speaker 1: I had that. I had that a couple of months.
33:11
Speaker 1: You had experience with the wrong No, no, the capsule
33:14
Speaker 1: it was you had a battery micro dose? Yeah? What
33:16
Speaker 1: was it from one of his friends? Bro? Damn? What
33:24
Speaker 1: is the bat tript? What was your Like? I was
33:27
Speaker 1: just tripping, like I just was feeling like real weird,
33:31
Speaker 1: Like my head was spinning, like I was sweating a lot,
33:33
Speaker 1: and made me stop taking strooms around that time. Yeah,
33:37
Speaker 1: Like when I laid down, it felt like I was falling,
33:39
Speaker 1: so I kept getting up ship like yeah, and it
33:43
Speaker 1: was it lasted for like two hours. Did you have
33:45
Speaker 1: did you hallucinate? Like did you see anything? No? No,
33:48
Speaker 1: I didn't hallucinate. I did that off edible, like hallucinated
33:52
Speaker 1: off of an edible. I'm not the devil. That's why
33:56
Speaker 1: I was scared of this, because like I tripped on
33:58
Speaker 1: the edible, bro, So I'm like, yeah, I mean you
34:00
Speaker 1: had is strong. You had two pieces. You had two pieces,
34:03
Speaker 1: but but if you ate that whole bag, you might
34:06
Speaker 1: three of the pieces. But if you ate the whole bag,
34:09
Speaker 1: you might have, like, you know, a conversation with Jesus.
34:11
Speaker 1: Or I would never eat the whole bag. Bro, Just
34:14
Speaker 1: imagine having a conversation with Jesus, like you could never
34:17
Speaker 1: come back. Like, man, you're gonna change. I do want
34:21
Speaker 1: to talk to him, but just not at this moment.
34:25
Speaker 1: Your whole ship gonna change your whole life Outlook how
34:29
Speaker 1: you approach it? Yeah, why wouldn't you eat the whole bag?
34:33
Speaker 1: You don't want to talk to Jesus, right Bro, that's
34:35
Speaker 1: why we talk. What would you ask Jesus if you
34:39
Speaker 1: if what would you ask Jesus though? Why they ain't
34:41
Speaker 1: hating on me? J I don't know, Like why am
34:46
Speaker 1: I up here talking to you right now? I'd be like, man,
34:49
Speaker 1: this whole time, I thought no, I thought you wasn't real. Bro,
34:52
Speaker 1: I'm gonna telling everybody stopping fool ship. I'd be like Jesus, look, man,
34:58
Speaker 1: let's make a deal, you know what I mean kind
35:01
Speaker 1: of deal with let me give you, let me give
35:03
Speaker 1: you a he take yourself into to the Lord. You said, well,
35:08
Speaker 1: you're gonna sell your soul to the Lord. Yeah, I
35:10
Speaker 1: already gave my you know, confess before the Lord and
35:13
Speaker 1: everything already did his law. Amen, I'm saved. Could you
35:16
Speaker 1: sell your souldiers to the Lord? I've never heard of
35:20
Speaker 1: except when you accept Jesus as your lord said. I
35:25
Speaker 1: never heard it like that said. Because you go to
35:27
Speaker 1: the devil and you're telling them, let's make a deal. Right,
35:30
Speaker 1: why don't we just all become scientiflog go to the
35:32
Speaker 1: Lord and said let's make a deal. Yeah, get real money. Hey,
35:37
Speaker 1: I've seen a commercial for Simon Gibson the crazy people,
35:41
Speaker 1: man Looney, Really yo them, Scientologist, fools, you always have money.
35:47
Speaker 1: That's a realized cult. That's that's a wild ship. I
35:50
Speaker 1: mean most religion is kind of cult. That's right. But
35:53
Speaker 1: like for sure, Scientologist, when you're thinking about it, you
35:57
Speaker 1: got to believe in some ship you've never seen before,
35:59
Speaker 1: I've never really touched you, and believe that it's helping
36:03
Speaker 1: you and changing your life. You know what I'm saying,
36:05
Speaker 1: Which you know, everybody gotta believe in something, right, this
36:08
Speaker 1: this is true. I believe. I just believe in my
36:11
Speaker 1: enterprise clique. You know what I mean. I believe in
36:14
Speaker 1: you know, I believe in enterprise. Click over Jesus, because
36:17
Speaker 1: you're here in front of me. Enterprise. You heard them. Well,
36:24
Speaker 1: I am extremely I'm very anti religious, so you know,
36:27
Speaker 1: I think a lot of it is all man made.
36:29
Speaker 1: And you know, my thing is just belonging to a
36:32
Speaker 1: specific religion. It's like joining the gang. You're like agnostic.
36:36
Speaker 1: You believe in high powered, believe in God. But there's
36:38
Speaker 1: just that's for sure belong to. I believe I belong
36:43
Speaker 1: to Broadway Game, but allegedly, well not because I'm a businessman.
36:52
Speaker 1: I'm much more than that. But you know, for a
36:54
Speaker 1: long part of my life I belong to that. But
36:57
Speaker 1: you know right now I belong to this enterprise Click
37:00
Speaker 1: the ship that giant beg tattoo. How painful was that?
37:03
Speaker 1: It didn't hurt? It didn't hurt. You know that ship hurt? Bro?
37:06
Speaker 1: You're calling me like bro, all shading it was from?
37:10
Speaker 1: So was it worse than the removal removed? Don't really
37:16
Speaker 1: looks like it's hurt. Like they only go over it
37:19
Speaker 1: one time. I'm getting he come into the house after this.
37:21
Speaker 1: You're getting some ship removed what do you get remove
37:23
Speaker 1: my tat on my neck. I'm cleaning up my whole
37:26
Speaker 1: little I don't know what side it's on, but I
37:29
Speaker 1: gotta ta right here. I ain't gonna lie you. You
37:32
Speaker 1: look like you was trying to look comfortable, but you
37:34
Speaker 1: look like you just it's just once. Yeah, they go
37:39
Speaker 1: over it pop or a tye one time and then back.
37:43
Speaker 1: It's like ten minutes and it's gone, and then creation
37:47
Speaker 1: is over. Oh, because it's a bunch of different treatments, right,
37:50
Speaker 1: it's about it's gonna take about like twelve sessions they
37:52
Speaker 1: said for it to go away. Damn, you smell that
37:56
Speaker 1: dark as a motherfucker, like smell it smell, and then
37:58
Speaker 1: it's like part of my throat, so I could taste
38:02
Speaker 1: it coming through my throat. You could talk when it's come.
38:05
Speaker 1: I'm like, damn, it's this ship even like safe because
38:10
Speaker 1: I need my you know what I'm saying. Yeah, I'm
38:13
Speaker 1: around end up like fucking goddamn yeah the dl C. Yeah,
38:19
Speaker 1: oh yeah, you need my vocals, you know what I'm saying.
38:21
Speaker 1: I thought about that ship too, like damn if I
38:23
Speaker 1: ever lose my voice, like me being able to talk,
38:30
Speaker 1: you know what I'm saying to like, from the beginning
38:33
Speaker 1: of time, whatever it was, I was selling dope, pimping.
38:37
Speaker 1: You know what I'm saying. I never was a jacker,
38:41
Speaker 1: you know what I mean? Music, these companies walking in
38:44
Speaker 1: these offices, it's like, I need my I need my vocals. Man,
38:49
Speaker 1: motherfucker can't talk, you know what I'm saying. Talk my
38:52
Speaker 1: way into some bags like over ms set a nigga
38:56
Speaker 1: in blue. You know throughout life that's a lot of money. Yeah,
39:02
Speaker 1: you're I spend money Like It's like I thought about
39:05
Speaker 1: it the other day. I said, damn, how I can't
39:08
Speaker 1: even tell you, Like if I was to put my
39:11
Speaker 1: finger on something like, how did this nigga? How do
39:13
Speaker 1: I make money? Man? I can't just do it. I
39:17
Speaker 1: am people be like, I can't tell you. I just
39:19
Speaker 1: got ship. I think about, like, well, not ten years
39:22
Speaker 1: ago I was balling into but like, man, times you
39:27
Speaker 1: had times in between. The last time I saw you,
39:29
Speaker 1: you're showing me your new fucking was it an Impala?
39:31
Speaker 1: Were money Carlo? It was a money Carlo. Yeah yeah,
39:34
Speaker 1: you have a serious car issue. Yeah yeah, yeah. I'm
39:37
Speaker 1: on the opposite side of myrole. The keys to that
39:39
Speaker 1: vehicle and car my car's paid off. It's also two
39:42
Speaker 1: thousand and seven Sequoia, but it's paid off, you know
39:44
Speaker 1: what car. But it's like i' just be thinking about evolution,
39:51
Speaker 1: Like I was driving up. I stayed on Magnolia on
39:53
Speaker 1: the other end of Magnoia when I first got out
39:55
Speaker 1: of jail and ship the valley. Yeah, and the rent
39:58
Speaker 1: was like twelve hundred a month, thirteen under the month,
40:00
Speaker 1: and it's like, man, I couldn't I never live in
40:02
Speaker 1: no spot like this. And then the home you remember
40:05
Speaker 1: when I said that last night and he's like, oh
40:08
Speaker 1: you boogie, And it's like when I think about it,
40:10
Speaker 1: it's like damn, like think, yeah, for real, when did
40:16
Speaker 1: you get out of the valley? My daughter, my daughter
40:19
Speaker 1: mom moved to l A so just to be able
40:23
Speaker 1: to uh stay for she could be close to her
40:27
Speaker 1: mom and go to a night school. I just moved
40:30
Speaker 1: in there. I feel like, you know, so many artists
40:32
Speaker 1: like will leave LA to go to the valley just
40:34
Speaker 1: to get away from the hood. But do you feel
40:38
Speaker 1: like so many people have moved to the valley now
40:41
Speaker 1: that it's like still something like you might go to
40:43
Speaker 1: the corner store and running this story because valley is
40:46
Speaker 1: kind of active. Now. We were saying that to look
40:51
Speaker 1: and see see a nigga. I'm like the just the
40:54
Speaker 1: street and me was ready to bust to you. And
40:59
Speaker 1: but it's like in the valley, bro, you know what
41:01
Speaker 1: I'm saying, Like, I'm like, I'm driving this is this
41:04
Speaker 1: is over a year ago, so it doesn't matter. But
41:06
Speaker 1: I'm like fucking driving down Lankership over here on Magnolia
41:10
Speaker 1: and just Mazzi's crossing the street, you know, like to
41:13
Speaker 1: go by himself to go to Hot Dave's Hot Chicken
41:15
Speaker 1: over twelve months ago. But I was like, yo, and
41:18
Speaker 1: I was like, you know, everybody who's a rapper and
41:26
Speaker 1: they all live like right here, they all record like
41:29
Speaker 1: right here, Like the valley is like I ain't gonna
41:33
Speaker 1: lie miss me in in the valley, within the same
41:35
Speaker 1: couple of blocks. Everybody got everybody, everybody got a fucking
41:38
Speaker 1: studio over here. It's it's crazy and it only makes sense,
41:43
Speaker 1: like all right, you got the rapper district, you got
41:47
Speaker 1: the fashion district, you got this, you got that. You
41:49
Speaker 1: know what I'm saying, Like there was a very popular
41:52
Speaker 1: rapper who was on my show yesterday who probably you know,
41:57
Speaker 1: there's some perceived smoke going on with this guy and
42:01
Speaker 1: we're just standing on a corner and I'm just like, yo, man,
42:06
Speaker 1: like yeah, but like we're on the corner of Magnolia
42:09
Speaker 1: and Kuwayne to just hanging out the hood though it's
42:12
Speaker 1: not so it's good. But it's like this, look when
42:16
Speaker 1: you outside of the ghetto. Because it's the thing about
42:20
Speaker 1: La right every area is it's like it's an army
42:25
Speaker 1: around that motherfucker. So if you caught on any of
42:28
Speaker 1: these blocks, niggas could get online. You know, it's niggas
42:31
Speaker 1: coming out of spots like ship like this. If I
42:34
Speaker 1: bump into somebody that I may have a problem with,
42:37
Speaker 1: you know what I'm saying, We have the same disadvantage
42:42
Speaker 1: and becossible advantage. You're not on your home area. Yeah,
42:46
Speaker 1: we fishes out of water. So if some crack I
42:49
Speaker 1: still got to get to safety after everything transpire, you
42:53
Speaker 1: know what I'm saying, Or you know, however it might in,
42:57
Speaker 1: motherfuckers still got to get somewhere low. So you know,
43:00
Speaker 1: out here it's all even playing field. How but we
43:04
Speaker 1: ain't looking for that. We're getting money now. I was
43:06
Speaker 1: gonna say, how like when it comes to like some
43:08
Speaker 1: of your younger homies were from where you're from. How
43:13
Speaker 1: like do you try to give them advice? Do you
43:15
Speaker 1: try to make sure that they're Yeah, like anybody that
43:17
Speaker 1: are listened. But like when I was growing up, I
43:20
Speaker 1: wouldn't like I was a little different though. It's like
43:24
Speaker 1: sometimes I didn't want to hear that shit, but I'll
43:26
Speaker 1: be really hearing that shit. You know what I'm saying.
43:28
Speaker 1: I'll be acting like I ain't trying to hear that,
43:30
Speaker 1: but you know what I said, So you know, I'll
43:34
Speaker 1: just be whoever want to listen and whoever I see
43:37
Speaker 1: potential in, you know what I'm saying. And when whenever
43:40
Speaker 1: one of the young homies is ready to listen, I
43:42
Speaker 1: know they're gonna come to me. Cause it in the ghetto.
43:46
Speaker 1: Bro's so much like them ass pride like Nigga be
43:50
Speaker 1: so prideful for no fucking apparent reason besides nigga whoop whoop.
43:56
Speaker 1: Don't need no nigga and woo whoop the bullshit that
44:00
Speaker 1: niggas get fed. You know what I'm saying, I don't
44:02
Speaker 1: need nobody. I'm tougher than everybody, this, that, and the other.
44:06
Speaker 1: I ain't finna be listening to no nigga, no nigga,
44:08
Speaker 1: finna have no over, but not realizing that in this world, like,
44:13
Speaker 1: it's full of people for a reason. People make this
44:16
Speaker 1: shit go around. So you need people, You need relationships,
44:20
Speaker 1: You need somebody that you could get gained from and
44:22
Speaker 1: guide you in the right direction. You know what I'm saying,
44:24
Speaker 1: Ain't nothing wrong with that. So yeah, like, whoever, whoever
44:28
Speaker 1: you want to listen, like, I'm open to like fucking with,
44:32
Speaker 1: give me niggas all the game that I got for sure. Hey,
44:35
Speaker 1: we gotta stuff a podcast, man, real quick. Appreciate y'all
44:37
Speaker 1: for watching, really mean it. Subscribe like eve a comment,
44:42
Speaker 1: even if you're one of those dickheads wh leaves the comment.
44:44
Speaker 1: You're always interrupting the guests because it's my fucking podcast.
44:47
Speaker 1: I don't know I like to talk to anyway. Hey,
44:53
Speaker 1: shout out to odd Socks man, they've been our sponsor
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45:53
Speaker 1: get back to the interview. What would be some producer
45:56
Speaker 1: advice you guys would give to up and coming producers.
45:58
Speaker 1: I know a lot of producers these days are getting
46:00
Speaker 1: on with like just setting out loops, you know, certain
46:02
Speaker 1: shit like that. Like, what would be some advice you
46:04
Speaker 1: guys would give? So, Like, my biggest advice that I
46:07
Speaker 1: give to new producers is like, first of all, conquer
46:10
Speaker 1: your city. If you can get your city behind you,
46:14
Speaker 1: you know you can expand. And that's kind of like
46:17
Speaker 1: how I did it. And I will also say just
46:20
Speaker 1: be original, Like there's always like rules to produce and
46:26
Speaker 1: like you need you know, your kicks go here, your
46:29
Speaker 1: claps go here. But you know, like when you're doing
46:31
Speaker 1: melodies and like stuff like that, you always think out
46:34
Speaker 1: the box because if you can make that dope, like,
46:36
Speaker 1: you got a better chance of starting what's new rather
46:39
Speaker 1: than following what's you know everybody else is doing because
46:42
Speaker 1: only a couple of people are going to get on
46:44
Speaker 1: doing that certain thing. And you know it's always somebody
46:48
Speaker 1: that comes and changes the landscape and that's you know,
46:52
Speaker 1: those are the ones that usually you know, we remember, right,
46:55
Speaker 1: that's real. What about you? Oh, what I would say
46:58
Speaker 1: to up, like to up and cooming producer, say say
47:00
Speaker 1: like like stay consistent and lock in with an artist
47:03
Speaker 1: that like fits your sound because trying I think that's important,
47:06
Speaker 1: trying to chase like you know, superstars. If you walk
47:09
Speaker 1: in with one guy, maybebe with that one. They're dope,
47:11
Speaker 1: they're on the come up, or they're just someone you
47:13
Speaker 1: believe in and you do a whole project with them
47:15
Speaker 1: and you lock and develop a sound with them. That
47:17
Speaker 1: shit to me is super important. That's like most important,
47:19
Speaker 1: Like that's like a gym. And I would like I
47:21
Speaker 1: would say, like Bill, I would say, like build that,
47:24
Speaker 1: you know what I mean, like like like build relationships,
47:26
Speaker 1: Like don't worry about like that quick check. Yeah, you
47:29
Speaker 1: built the relationships. You built the catalog. I didn't build
47:31
Speaker 1: relationships with like g Tiger, Like, so I'm always gonna
47:34
Speaker 1: be on like they projects. Yeah, Like nowadays, if you're
47:36
Speaker 1: independent and let's say you're a producer and you're fucking
47:38
Speaker 1: with an artist and y'all do an album dropping on
47:40
Speaker 1: disco kid and just set up the splits and you
47:43
Speaker 1: you know what I'm saying, You're getting paid off of
47:45
Speaker 1: the fucking streams. You know what I'm saying, Like you
47:46
Speaker 1: might not sell ten beats to that artist, but you
47:49
Speaker 1: guys can be partners on the on the project, you know. Yeah,
47:51
Speaker 1: And that's advice for producers who've been doing this shit
47:54
Speaker 1: for ten years and you know, like are just learning
47:58
Speaker 1: the importance of walking in with the artists versus trying
48:02
Speaker 1: to send out beats and you know, and then just
48:05
Speaker 1: speaking on like sending the beats, I would just add
48:07
Speaker 1: on to just saying like don't get discouraged, like if
48:10
Speaker 1: you send a beat like today, and like the artists
48:12
Speaker 1: don't say nothing or even if they read it, you
48:14
Speaker 1: know what I mean, like wait the next day or
48:15
Speaker 1: next day, like use that as motivation because I didn't
48:17
Speaker 1: have certain artists. Even with this guy, I send him
48:20
Speaker 1: a beat on Tuesday, he won't get back to me
48:22
Speaker 1: like till next Saturday. You know what I'm saying. But
48:24
Speaker 1: I'm still sending them ship within that process when someone's like, yo,
48:27
Speaker 1: send me a pack, what what would you guys suggest like,
48:30
Speaker 1: because sometimes it's like it's over It's an overkill, right,
48:34
Speaker 1: somebody will send your paint. I'm saying I'm a texture
48:36
Speaker 1: to beats man because that packs you can get caught
48:38
Speaker 1: up in the loop with then I mean that was
48:41
Speaker 1: another producer. I mean like nowadays, for me, I like
48:44
Speaker 1: to go in and create more than the packs. Like
48:46
Speaker 1: I'll send a couple, but like it's better for me
48:49
Speaker 1: to to actually get in and make something new from
48:52
Speaker 1: scratch with the artists. So that way, yeah, that's real
48:54
Speaker 1: or just vibee. If I'm not making something from scratch,
48:57
Speaker 1: it'll be good to get in with the artists so
48:59
Speaker 1: we could just vibe up. I didn't got placements just
49:01
Speaker 1: selling the beat. It could be regular, but me just
49:04
Speaker 1: I'm a cool dude, so I'm a vibe with you
49:05
Speaker 1: know what I'm saying. They get that vibe and it's
49:07
Speaker 1: like we got a record so that I ain't gonna lie.
49:10
Speaker 1: I don't even listen to beat packs like niggas and
49:14
Speaker 1: I look at all that. It been so many times
49:18
Speaker 1: where a motherfucking plays some ship for me, like even
49:21
Speaker 1: these niggas like and it's like I've been senting you
49:23
Speaker 1: this ship. It's like I never checked that email yeah
49:27
Speaker 1: for you as a fucking beat packs, because when I did,
49:30
Speaker 1: it'd be like, all right, this part of the beat
49:33
Speaker 1: is tight, especially if it's not my producers. This part
49:37
Speaker 1: of the beat is tight. But like I said earlier,
49:40
Speaker 1: where do I fit in on this? Motherfucker? They forget
49:43
Speaker 1: that and we can't rego in on it and redo
49:46
Speaker 1: it like I'm not even fucking Yeah. The cool thing
49:49
Speaker 1: about g is with he got a vision, so he'll
49:52
Speaker 1: hear something and I might have produced it, and he
49:55
Speaker 1: might hear something that he wants the pre to do
49:56
Speaker 1: on it, so he might be like take this out
49:58
Speaker 1: or you know this year, you know, like you got
50:01
Speaker 1: that luxury right because if it's just some random producer
50:04
Speaker 1: from Atlanta and they send you a beat, you like,
50:05
Speaker 1: I might like this, but where are you at the send? Like,
50:07
Speaker 1: let's stand this bitch out listen. Yeah, bro, And it's
50:10
Speaker 1: rare that I find the beat where I just like
50:12
Speaker 1: rap over the whole shit and I don't need nothing change.
50:15
Speaker 1: It's like, all right, it's too heavy right here. My
50:17
Speaker 1: voice is clashing with this ship. I don't you know
50:20
Speaker 1: what I'm saying, Like I used to do that ship,
50:22
Speaker 1: but now it's like, I don't know. We're just making
50:24
Speaker 1: music and having fun. So that pack shit to listen,
50:29
Speaker 1: You've been dropping a bunch of shit. But what's what's like?
50:31
Speaker 1: What's what's this all leading up to South Central the album,
50:36
Speaker 1: like the album album South Central and then Hot Shot
50:39
Speaker 1: the album, So two albums this year, like you know.
50:43
Speaker 1: And then it's just a gang of projects Tango steal G,
50:46
Speaker 1: slim Me and j nor w ain't put a name
50:49
Speaker 1: on our project, me and loder Grade. It's a lot
50:52
Speaker 1: of projects coming on the way and a lot of
50:55
Speaker 1: leaks l A Summers too. Oh yeah, I forgot about that.
50:59
Speaker 1: It's just a lot of projects in a lot of
51:01
Speaker 1: leaks that we got coming, cause it's just like I said, Bro,
51:04
Speaker 1: we fucking we're paving a way for this new error. Bro,
51:09
Speaker 1: it's a streaming era. It's a new underground era. And
51:13
Speaker 1: the market and the scene is untapped in La. Everybody
51:16
Speaker 1: want to do shit and get signed and fake look
51:19
Speaker 1: good and fake me rich. You know what I'm saying, Like,
51:22
Speaker 1: we really getting to it and you're gonna like this summer,
51:26
Speaker 1: We're gonna funck shuit up because I you know, be
51:29
Speaker 1: out here that money Carlo put together? Care about me
51:33
Speaker 1: pounding them South Central blocks? Yeah, this guy did get
51:36
Speaker 1: a new money Carlo. Yeah. That the bubble back window. Yeah,
51:41
Speaker 1: the bubble back window. Look fly and you got a
51:44
Speaker 1: deal on it. You're telling me you came up. Yeah. Yeah.
51:47
Speaker 1: When I told oh boy, I'm like yeah, Bro. Like
51:51
Speaker 1: the bank that I'm with, they don't really give out.
51:52
Speaker 1: I got an order to cash, so it's like, Bro,
51:55
Speaker 1: I ain't finna be able to Can I give you
51:59
Speaker 1: a cash here check? And he like, uh man, you
52:02
Speaker 1: I gotta go to the bank with you for that.
52:04
Speaker 1: I'm like, listen, bro, my name is Parka. Wait wait
52:07
Speaker 1: waitko everything what pen you was in? And wooty woo
52:12
Speaker 1: woo whoop. I'm like the lain of like nigga this
52:16
Speaker 1: this It was one of my pottoners. I was in
52:19
Speaker 1: the pen with and ship. Oh ship, it worked out.
52:23
Speaker 1: It worked out, like I got that ship. So when
52:26
Speaker 1: you get a new car, do you sell a car
52:28
Speaker 1: or do you just keep them all? Yeah? I don't.
52:30
Speaker 1: I never sold a car on my life. You know,
52:33
Speaker 1: if you were to sell a car, never, now is
52:35
Speaker 1: the time. Either give sh away. You're giving cars away, ship,
52:40
Speaker 1: get fucking totaled out. Uh it go to the impound.
52:45
Speaker 1: If I ain't got no license, I didn't go get
52:47
Speaker 1: it like this or I yeah you had you had
52:50
Speaker 1: a carget this, You had a car you impounded and
52:52
Speaker 1: you just left it. Yeah, hell yeah, plenty times a
52:55
Speaker 1: lit when I didn't have no license. That's terrible. I'm
52:59
Speaker 1: never so want a carver, Well, you know, just give
53:02
Speaker 1: it to somebody. There's a chip. There's a chip shortage
53:04
Speaker 1: right now. So if you wanted to sell, that'd be
53:06
Speaker 1: the time because cars are fucking I know my truck
53:08
Speaker 1: like thirty thousand more than what I got it for
53:10
Speaker 1: right now, sell it. But it's like I don't even
53:14
Speaker 1: care to sell it. Might as well, extra, get that
53:17
Speaker 1: extra thirty. Let me get another car. See with me
53:23
Speaker 1: and cars, it's a different convo. It's like, I just
53:26
Speaker 1: like having the motherfuckers, So it's like it's like a
53:28
Speaker 1: real bond. It seems like like some wraps and some
53:32
Speaker 1: T shirts and you can't let go the extra thirty
53:36
Speaker 1: other ship. But it's like, I just like cars, bro,
53:41
Speaker 1: are you because you're obviously I'm gonna get a warehouse
53:44
Speaker 1: soon and just go up the same way speer. Dude,
53:46
Speaker 1: it's gonna be like fucking garage. Jaylen will be right
53:50
Speaker 1: around Burbank all the time in the most wild ass
53:52
Speaker 1: car should That's really where my uh my passion at
53:58
Speaker 1: in my life. Like you're just gonna see me in
54:00
Speaker 1: vehicles like moving. I figured it out. That's what I'm
54:03
Speaker 1: doing outside of his music ship, but you know, spend
54:08
Speaker 1: all my money on that. I feel like like, when
54:11
Speaker 1: you're on rock Nation, you know, this guy's got fucking
54:16
Speaker 1: his his thing ringing over there. No, when you're when
54:20
Speaker 1: you're on rock Nation, I feel like, you know, I
54:22
Speaker 1: feel like you have your core fan base and you
54:25
Speaker 1: you're really really you're I don't want to call you,
54:30
Speaker 1: but I'm saying I think about it trying to find
54:32
Speaker 1: a single, like you are historically a West Coast sonic sonically,
54:39
Speaker 1: that's where your base is, right, that's the music you make, right.
54:42
Speaker 1: And I feel like sometimes when you have a fucking
54:45
Speaker 1: hardcore fan base the way you do, it's it's easy
54:49
Speaker 1: to start chasing Atlanta or Toronto or New York or
54:55
Speaker 1: all this ship. And when you do that, you start
54:58
Speaker 1: fucking souring people who keep the lights on exactly. I
55:03
Speaker 1: fell into that ship. How you want it, how you
55:05
Speaker 1: feel I hate that fucking record, fucking um big stacks,
55:11
Speaker 1: big stacks, just like chasing the fucking family, like supposed
55:14
Speaker 1: to just trying to get a single right, and it's
55:17
Speaker 1: like the ship that we do and just throw it
55:19
Speaker 1: out as stream warning all that shit, you know what
55:21
Speaker 1: I'm saying, with no money put into it. So it's like, yeah,
55:25
Speaker 1: I gotta just stick to the core because asn't say,
55:28
Speaker 1: are you worried about like like does that even concern
55:30
Speaker 1: you to ever even try? Like, because I feel like
55:33
Speaker 1: you just keep doing what you're doing and like that
55:35
Speaker 1: shit will just come on its own exactly, like the
55:37
Speaker 1: world will come to you as opposed to you trying
55:39
Speaker 1: to force your way into like getting played a Magic
55:42
Speaker 1: City or some shit, you know, right, Yeah, I told
55:44
Speaker 1: myself this, I said, with the with the amount of
55:47
Speaker 1: work that we're putting in and just all the different
55:49
Speaker 1: ship that we bring into the culture, you know what
55:52
Speaker 1: I mean, And we're making it noticeable instead of doing
55:56
Speaker 1: it you know, in a uh like in a passive way.
56:01
Speaker 1: You know what I'm saying. We like letting our nuts
56:02
Speaker 1: hang right about get credit to give yourself credit exactly
56:07
Speaker 1: because it's like, would you rather just be like a
56:09
Speaker 1: nigga that's overrated or underrated? But anyway, I've been telling myself,
56:15
Speaker 1: like I know, I'm an influencer entire generation, whether it's
56:19
Speaker 1: now or it might happen after my time. You know
56:23
Speaker 1: what I'm saying, I might be long going, and I
56:25
Speaker 1: just influenced a whole entire all these niggas sampling me
56:28
Speaker 1: and what was g thinking and you know what I'm saying,
56:31
Speaker 1: So that's what I'll be thinking about. Like I know that,
56:35
Speaker 1: like it's gonna be a gang of motherfucker's inspired by
56:37
Speaker 1: what I do, how I think, and the ship that
56:39
Speaker 1: I'm saying, you know what I'm saying. So that's my
56:43
Speaker 1: whole like that's my driving force behind it, Like it's
56:46
Speaker 1: bigger than it just a quick song, because like I
56:48
Speaker 1: know how to get on, how to get money, Like
56:51
Speaker 1: you know what I'm saying. Yeah, we've established It's like
56:55
Speaker 1: I be thinking, like what do I be doing it?
56:57
Speaker 1: I'll just be getting money. I don't even but some
57:02
Speaker 1: reason I always got money with my boy Mike. Say
57:06
Speaker 1: ship like that, shout out to Mike Apps, Indianapolis's finest
57:11
Speaker 1: right there, We'll ship. So what's what's next for more
57:16
Speaker 1: these motherfuckers right here? You know what I'm saying. We're
57:20
Speaker 1: finna get high as ship the rest of the day,
57:22
Speaker 1: you know what I mean, And fuck the day off
57:25
Speaker 1: and get back to it tomorrow. There is what's up?
57:29
Speaker 1: What's up with you guys? Got some what's any placements
57:33
Speaker 1: coming down the pipeline? Yeah, I got a couple of stuff.
57:37
Speaker 1: Like I'm I'm really trying to get my stuff off
57:39
Speaker 1: the ground, like working on getting a little situation with
57:41
Speaker 1: the Empire and then like just putting out stuff with
57:45
Speaker 1: my you know, like artists I would work with, you know. Yeah,
57:48
Speaker 1: I feel like you you guys shrooms making the light
57:52
Speaker 1: brighter or something. I feel like there's no, like like, like,
57:55
Speaker 1: you know, the approach I've been taking with my producer,
57:58
Speaker 1: I work with Tony Chalkers, Like, I'm like, bro, So
58:01
Speaker 1: you know, we did a whole album with the artist
58:03
Speaker 1: named Caski who used to be signing cash Money white
58:05
Speaker 1: Boy chatted a fire as fuck, but he's got a
58:07
Speaker 1: crazy following, right, So we did the whole album and
58:10
Speaker 1: I was like, look, we'll just do it just he
58:11
Speaker 1: got to be primary artists on there with you. So
58:14
Speaker 1: like on Spotify, if you go to my producer's profile,
58:17
Speaker 1: it is lit as fuck, like he got like one
58:19
Speaker 1: hundred and fifty thousand monthly listeners, and so now we
58:22
Speaker 1: can start charging for least, now you got a beats.
58:25
Speaker 1: And so we did a whole album with Demrick, who's
58:27
Speaker 1: from La you know, and he's primary artist on the album.
58:30
Speaker 1: It's like, you know, but you gotta do y'all gotta
58:33
Speaker 1: do the same shit, you know what I'm saying, Like
58:35
Speaker 1: start building up that artist that that's those Spotify profiles,
58:39
Speaker 1: because if people go and see j Nari's profile and
58:42
Speaker 1: you got two hundred and fifty thousand monthly listeners, they're like,
58:44
Speaker 1: oh shit, what's going on here? I be looking at
58:48
Speaker 1: yeah like Jane got shited cracking and look up with
58:51
Speaker 1: million monthly right, eight hundred monthly listeners. And then that
58:54
Speaker 1: gives you the opportunity that if you're leasing beats, you're
58:57
Speaker 1: doing whatever you'd be like, yo, man, like I got
58:59
Speaker 1: I got cattle law too, Like outside of my placements,
59:02
Speaker 1: I got catalog as like a real collaborative artist on
59:06
Speaker 1: this ship. You know what I'm saying, So get on him.
59:08
Speaker 1: So when y'all drop these records, y'all are primary artists
59:12
Speaker 1: on the joints. You know what I'm saying, It's all
59:13
Speaker 1: on him. It's him by right that being said, I
59:21
Speaker 1: gotta take a piss take one of these rooms. Dog,
59:24
Speaker 1: we should be I gotta draft this whole interview. We
59:27
Speaker 1: gotta damn near restart this ship. I gotta drift to
59:30
Speaker 1: take some shrooms. Brod the Phoenix right now, I take one.
59:33
Speaker 1: You gotta drive the Phoenix. Yeah, my nieces Kencineida is
59:37
Speaker 1: going there. It ain't even Frida sweet sixteen. I know
59:41
Speaker 1: about the all. Huh. You know I love Hispanic girls.
59:45
Speaker 1: Hey man, shout out to my one of these things,
59:48
Speaker 1: you Parico came from like shot to my wife. My Hispanic.
59:52
Speaker 1: Well not even that wasn't my girlfriend, just somebody I
59:55
Speaker 1: was boning back in the day. She called you Perico.
59:58
Speaker 1: She she told me how to spell it. I used
1:00:00
Speaker 1: to spell it wrong, damn you know what I mean.
1:00:03
Speaker 1: She's like, oh, I had it on headbands and wristbands
1:00:06
Speaker 1: this when I was like a teenager and ship. She's like,
1:00:09
Speaker 1: are you spelling it wrong? How you spell it? I'm like, okay,
1:00:12
Speaker 1: I spelled it with a D. I see O P
1:00:15
Speaker 1: I D what I forgot? It was like I was
1:00:20
Speaker 1: niggat I was. And she's like, nah, you spell it
1:00:24
Speaker 1: like this. You know what I'm saying. And yeah, but
1:00:28
Speaker 1: I have nothing to say about your statement you just
1:00:30
Speaker 1: made because I don't know what that means. The Blue
1:00:35
Speaker 1: leg Head Podcast. Go follow these guys, Go buy a
1:00:38
Speaker 1: blue T shirt. Sit down, stop baby, collect