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I'm All Prepared to Jump Up & Down if Necessary (S2 E1, Sadie, Sadie) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in, Want kiss you, I am all
• 0:17
  Speaker 1: in with Scott Patterson and I Heart Radio podcast. Everybody's
• 0:21
  Speaker 1: Scott Patterson and this is the I Am all in podcast,
• 0:25
  Speaker 1: The Heart Radio I Want to Live In Productions, Episode one,
• 0:29
  Speaker 1: Season two, Sadie Sadie, Can you believe it? I know
• 0:33
  Speaker 1: a little. We're kicking off season two. I'm all excited.
• 0:37
  Speaker 1: What an episode? Wow, Richard getting into Dean's grill and
• 0:42
  Speaker 1: owning him. It was my god. But but but do
• 0:48
  Speaker 1: you get it? Do you understand? I understood him? Okay,
• 0:51
  Speaker 1: Riley superstar, newly minted superstar of the ball Club. It
• 0:57
  Speaker 1: is time to give your synopsis of this episode. Go
• 1:01
  Speaker 1: this is Season two, Episode one, Sadie Sadie or date October.
• 1:05
  Speaker 1: Loura accepts max proposal, but when Emily hears about the
• 1:08
  Speaker 1: upcoming wedding from Suki, she is hurting angry that Lorela
• 1:10
  Speaker 1: did not bother to tell her. Meanwhile, Rory brings Dean
• 1:13
  Speaker 1: to dinner at her grandparents house. What a wait? Wait,
• 1:16
  Speaker 1: what a way to start out the second season? Do
• 1:19
  Speaker 1: they kind of do that? So? Like premiers and finales
• 1:22
  Speaker 1: are like guns blazing, like we gotta come out with
• 1:24
  Speaker 1: our best stuff. Yeah, I'm well, they've had the whole
• 1:28
  Speaker 1: hiatus to come up with the first episode or or
• 1:31
  Speaker 1: you know, refine the arc. Danielle Yo, Romo, Romo, what's up?
• 1:37
  Speaker 1: I'm not on today, You're not on? And though the
• 1:40
  Speaker 1: yacht is moored, moored somewhere, is it doct somewhere? All right?
• 1:47
  Speaker 1: And you know, it wasn't so complex and interwoven. It
• 1:50
  Speaker 1: was like they really took their you know, their set
• 1:53
  Speaker 1: pieces and there were a couple of them, and they
• 1:55
  Speaker 1: were there was just enough going on, but it was,
• 2:00
  Speaker 1: it was It was really great compact um And you know,
• 2:05
  Speaker 1: I don't mind the intricate storylines and all the interwoven stuff.
• 2:09
  Speaker 1: That's great, but this was just like so much fun
• 2:11
  Speaker 1: to watch. It was really you and Lore and sort
• 2:14
  Speaker 1: of the town and that, and then obviously Richard versus
• 2:19
  Speaker 1: Dean and then sort of the b storyline seemed to
• 2:22
  Speaker 1: be like Lane and her parents sending off. Yeah, I
• 2:27
  Speaker 1: mean that was good. That was funny, you know, in
• 2:29
  Speaker 1: that huge suitcase that was that was pretty funny. That
• 2:32
  Speaker 1: was actually pretty funny. Um, poor kid, poor kid, she's
• 2:36
  Speaker 1: getting shipped off to South Korea. But I mean, look,
• 2:38
  Speaker 1: it's a chance to travel. You're a teenager. You're going
• 2:40
  Speaker 1: to a foreign country, for God's sake, Embrace it. Yeah,
• 2:42
  Speaker 1: I think she just was worried if she's ever coming in.
• 2:44
  Speaker 1: I understand. Actually, of course she's coming back. Her mother
• 2:48
  Speaker 1: is not going to ship her off. You don't miss
• 2:50
  Speaker 1: her too much. Okay, So should we start with you
• 2:52
  Speaker 1: and Lorelae or should we start with Richard and Dean.
• 2:55
  Speaker 1: Let's start with me and Laura Lae? Because that scene, See,
• 3:00
  Speaker 1: it's from my perspective and I've never seen it before
• 3:03
  Speaker 1: and now I remember shooting it and I didn't realize
• 3:07
  Speaker 1: it was just such a great set up for that scene.
• 3:10
  Speaker 1: I mean, they really set us up so well for
• 3:13
  Speaker 1: that scene of the townspeople following behind Laurel and Roy.
• 3:16
  Speaker 1: I mean, what an hysterical image. Um and the Bootsy
• 3:20
  Speaker 1: thing when Bootsy interrupted her when she first picked up
• 3:22
  Speaker 1: the Bridal magazine. And you know what, that made me
• 3:24
  Speaker 1: sad because you know he died recently. Yes, he did
• 3:28
  Speaker 1: pass away, He did pass away unfortunately. Yeah. He was great.
• 3:34
  Speaker 1: He was a great hang. He was just such a
• 3:36
  Speaker 1: great actor and such a great guy. You know, he
• 3:39
  Speaker 1: was died in the Wold New Yorker. Um. I think
• 3:42
  Speaker 1: he's from Hell's Kitchen or someplace. But he just a
• 3:45
  Speaker 1: great guy. He didn't do a lot of episodes, but
• 3:48
  Speaker 1: whenever he was there, it was just a ton of fun.
• 3:51
  Speaker 1: A real guy, you know, a guy's guy. Yeah, Brian Tarantina, Yeah,
• 3:56
  Speaker 1: terrific guy. Rest in peace, buddy, rest in peace. Um
• 4:00
  Speaker 1: so yeah, that was It was bitter sweet to see
• 4:03
  Speaker 1: him on on the episode because he's gonna such a
• 4:05
  Speaker 1: great heart. And it reminded me that he does recur.
• 4:11
  Speaker 1: H yeah, not a lot, but he's but he's in.
• 4:14
  Speaker 1: He's in. Um, he's in the family. And did anyone
• 4:17
  Speaker 1: like I did zoom in to try and see who
• 4:19
  Speaker 1: was on the cover of that in Style wedding? No,
• 4:22
  Speaker 1: I didn't do that, did you? Did you? Did you? Ladies?
• 4:24
  Speaker 1: Did I reveal it? Who's on the car? So? I'm
• 4:28
  Speaker 1: pretty sure it was Courtney Thorne Smith from Melrose. I'm
• 4:31
  Speaker 1: sure someone will correct me, but I thought it was
• 4:34
  Speaker 1: interesting because they used all those real magazines. Uh yeah.
• 4:38
  Speaker 1: So anyway, so the ramp up to that scene, wow,
• 4:43
  Speaker 1: really set us up for greatness, Patty. Really it's and
• 4:48
  Speaker 1: now the town isn't even hiding that they know, you know,
• 4:52
  Speaker 1: and Rory isn't hiding it. So Miss Patty says like,
• 4:55
  Speaker 1: have you told Luke be gentle? So it's like they're
• 4:58
  Speaker 1: really like, uh, you' all like each other. And then
• 5:03
  Speaker 1: Rory says, like the whole town knows he's got a
• 5:07
  Speaker 1: thing for you, and it's like whoa, yeah, but she
• 5:11
  Speaker 1: can't deny it. At this point, they've been in you know,
• 5:14
  Speaker 1: delicate situations together where she knows he's about to ask
• 5:18
  Speaker 1: her out. She's still trying with that we're just friends. Yeah,
• 5:23
  Speaker 1: come on, come on, Well, you know I can't blame her.
• 5:25
  Speaker 1: You know you can't. It's a small town. You gotta
• 5:28
  Speaker 1: you know, you don't want to you know what where
• 5:31
  Speaker 1: you eat if you know what I mean. It was
• 5:33
  Speaker 1: almost like Luke had been prepping for that moment because
• 5:39
  Speaker 1: he was ready, like I'm going to be cool, I'm
• 5:43
  Speaker 1: gonna be supportive, and I'm about to prove to you
• 5:46
  Speaker 1: that this is not the right It was, I say,
• 5:50
  Speaker 1: a master stroke in psychology. I mean it was just
• 5:55
  Speaker 1: what a move. And it's the first time I realized that.
• 6:00
  Speaker 1: I mean, it really made Luke and Laureli legit I mean,
• 6:05
  Speaker 1: they really legitimized that that that narrative right there with
• 6:08
  Speaker 1: that scene. I mean it was like, if you had
• 6:11
  Speaker 1: any doubts that this is going to be a theme
• 6:14
  Speaker 1: throughout the the entirety of the series, here it is.
• 6:18
  Speaker 1: Look at this scene. Then, boy, everybody's anticipating Luke's reaction
• 6:21
  Speaker 1: to this and more to the point, how she's going
• 6:25
  Speaker 1: to tell him, and oh man, wow, what a great
• 6:30
  Speaker 1: it was perfect. It was perfect. He nailed it. Yeah,
• 6:34
  Speaker 1: but even better and smarter. Uh, that great little scene
• 6:39
  Speaker 1: between Laurel and Rory before she went up You're gonna
• 6:41
  Speaker 1: tell them, You're gonna go U until no, I'm i
• 6:42
  Speaker 1: gonna tell you know, all that little patter back and forth.
• 6:46
  Speaker 1: I mean just yes, I mean even teed it up
• 6:48
  Speaker 1: even higher, you know, ramped up the tension even more.
• 6:52
  Speaker 1: It was beautiful. We'll get into the detail of that scene.
• 6:54
  Speaker 1: But the choreography required for the scene where Rory and
• 6:59
  Speaker 1: Lorel are and talking and the entire town starts to
• 7:02
  Speaker 1: walk behind them, and then the moment they turn around,
• 7:05
  Speaker 1: the entire town turns around, it looks like they're very
• 7:09
  Speaker 1: busy talking. I mean, it was like that could not
• 7:13
  Speaker 1: have been easy to shoot. I mean, oh my god, no,
• 7:16
  Speaker 1: I mean they're all you know, it's all self contained
• 7:19
  Speaker 1: set and they lock it down and you know, they
• 7:22
  Speaker 1: just get a ton It was so perfect. And the
• 7:24
  Speaker 1: flowers everywhere, I mean, just the yellow flowers everywhere. You know. Now,
• 7:29
  Speaker 1: I remember shooting that scene and enjoying that scene so
• 7:32
  Speaker 1: much to do because he was in a in a
• 7:36
  Speaker 1: rare occasion, not uptight and not irritated, and he was
• 7:41
  Speaker 1: cool as a cucumber. And you saw a different side
• 7:44
  Speaker 1: of Luke who was just like kind of kind of
• 7:47
  Speaker 1: playing a role there to to get under her skin
• 7:49
  Speaker 1: a little bit because he knew that was his only chance. Right.
• 7:53
  Speaker 1: Is that how you saw it? Is that how you
• 7:55
  Speaker 1: girls saw? You saw Luke a million person flipping the
• 7:58
  Speaker 1: psychology because that's the only chance he has, Riley Danielle,
• 8:02
  Speaker 1: Is that how you guys felt? Because that's what I thought.
• 8:04
  Speaker 1: I mean, I thought, he is handling this so beautifully,
• 8:09
  Speaker 1: he cares, he's trying to be kind, He's like, oh
• 8:13
  Speaker 1: that's great, and then he's just like boom boom, boom boom,
• 8:18
  Speaker 1: without being like an ass. Sorry, can you say asleep athlete?
• 8:24
  Speaker 1: I wrote a note down when I was watching it,
• 8:26
  Speaker 1: and I and I said Luke is being so cool
• 8:29
  Speaker 1: and caps like just all caps like you were so cool,
• 8:35
  Speaker 1: like calm, cool, collected during that whole thing, which is
• 8:38
  Speaker 1: what you had to do for her to go. I
• 8:44
  Speaker 1: don't know the answer to anything, put it out in
• 8:47
  Speaker 1: her mind, but I you know, I kind of pushed her,
• 8:51
  Speaker 1: pushed her into saying yes, pre maybe a little bit
• 8:53
  Speaker 1: of a premature yes. I kind of feel like something's
• 8:56
  Speaker 1: going to happen. I kind of know. I don't know
• 8:58
  Speaker 1: exactly what's going to happen, but I know that's not happening, um,
• 9:03
  Speaker 1: and I'm really intrigued to find out how it all dissolves.
• 9:07
  Speaker 1: You know, I'm sure it's gonna be really fun to watch,
• 9:09
  Speaker 1: but that was really fun to watch, and I'm so
• 9:11
  Speaker 1: glad and it's and look, let me I don't mean
• 9:13
  Speaker 1: to cut you off, but it's it's one of the
• 9:15
  Speaker 1: rare times that I've ever seen And I know a
• 9:18
  Speaker 1: lot of people don't care about this, but I'm just
• 9:20
  Speaker 1: gonna say it anyway. It's one of the few times
• 9:23
  Speaker 1: I've ever kind of enjoyed watching myself in a scene.
• 9:28
  Speaker 1: I get it, I would too, because it was because
• 9:31
  Speaker 1: it was, like, you know, I was in command, and
• 9:33
  Speaker 1: it was just like I wasn't reactive, and I was
• 9:35
  Speaker 1: just like kind of kind of pushing the narrative there.
• 9:37
  Speaker 1: And and she was the one that was flummixed. And
• 9:40
  Speaker 1: isn't she wonderful as the flummixed person. I mean just
• 9:44
  Speaker 1: had no idea what was going on, and it was
• 9:47
  Speaker 1: just the great reads on her face. It was just fantastic.
• 9:51
  Speaker 1: It's so perfect and even rory when she's like, okay, um,
• 9:55
  Speaker 1: like you better tell him, Oh, can you get me
• 9:56
  Speaker 1: a muffin while you're up there? Okay, we have a
• 10:02
  Speaker 1: little surprise for you. Oh good wow. The break so
• 10:06
  Speaker 1: you need to like we need to go to commercial, okay, alright, alright,
• 10:10
  Speaker 1: get ready. Oh my god. I love surprises. All Right, everybody,
• 10:13
  Speaker 1: we're gonna we're gonna take a little break here and
• 10:16
  Speaker 1: and when we come back, and there's going to be
• 10:18
  Speaker 1: some surprises. I love surprises. Um, all right, kiddos, we'll
• 10:24
  Speaker 1: be back after these messages. Yea, all right, everybody, We're back.
• 10:31
  Speaker 1: Scott Patterson. I am all in podcast a Heart Radio
• 10:34
  Speaker 1: one to Live in Productions, and we've got a surprise.
• 10:36
  Speaker 1: The girls have cooked something up there springing in on me.
• 10:39
  Speaker 1: I have no idea. What's going on? What is this?
• 10:41
  Speaker 1: There's a script scene re enactment? What's going on here? Okay? So,
• 10:47
  Speaker 1: because we also felt that this scene was crucial, we
• 10:52
  Speaker 1: don't want anyone to how can you know, memory lapses
• 10:57
  Speaker 1: where they don't remember the scene exactly. So or Luke
• 11:01
  Speaker 1: and Laura Lae two re enact this scene starring Riley
• 11:07
  Speaker 1: and Danielle. Oh my god, starring Riley and daniel I'm
• 11:12
  Speaker 1: not in the scene. No, You're just gonna have to
• 11:14
  Speaker 1: sit back to new Gosh darn, that's awesome. I love this.
• 11:20
  Speaker 1: Are everybody? Everybody settled down? Everybody settle Are we right
• 11:25
  Speaker 1: over there? All right? Are you really good? Settled place
• 11:29
  Speaker 1: and acting? Okay? God? Fine? Hey, fresh coffee will be
• 11:34
  Speaker 1: ready in a minute. Unless you want to roll, just
• 11:35
  Speaker 1: roll up a dollar bill and go no, no thanks,
• 11:37
  Speaker 1: I can wait. What the hell is going on with them? Oh?
• 11:39
  Speaker 1: I don't know. Crazy people. Whole town should be medicated
• 11:42
  Speaker 1: and put in a red room with the ping pong
• 11:43
  Speaker 1: tables and hand puppets. What nothing? I well, I have
• 11:47
  Speaker 1: something to tell you, you know, I have something to
• 11:49
  Speaker 1: share with you, actually to share with me. Yes, because
• 11:51
  Speaker 1: when exciting things happen in your life. You want to
• 11:53
  Speaker 1: share them with the people in your life. You think
• 11:55
  Speaker 1: you find them exciting, which I think you will. What
• 11:57
  Speaker 1: is it, Well, it's very exciting. I've heard. I'm all
• 12:00
  Speaker 1: prepared to jump up and down if necessary. Okay, here
• 12:03
  Speaker 1: it is. Max has asked me to marry him. Yeah.
• 12:05
  Speaker 1: I figured you did. Well, it was obvious. You know
• 12:07
  Speaker 1: you two were getting kind of close. He was around
• 12:09
  Speaker 1: a lot. Then last night with that life changing thing comment.
• 12:12
  Speaker 1: You know, I put two and two together and figured
• 12:14
  Speaker 1: it out. Oh congratulations. By the way, I thank you.
• 12:17
  Speaker 1: You said a date. No, I haven't answered him yet.
• 12:18
  Speaker 1: You're gonna say yes. How do you know? Well, you're
• 12:20
  Speaker 1: making a big deal about telling me he proposed. I
• 12:22
  Speaker 1: don't think I'm making a big deal, and you wouldn't
• 12:24
  Speaker 1: do that if you weren't going to say yes, okay,
• 12:26
  Speaker 1: I'm sharing something with you. Sharing is not making a
• 12:28
  Speaker 1: big deal. Sharing is a nice gesture. Like when you're
• 12:30
  Speaker 1: a kid and you have one of those popsicles and
• 12:32
  Speaker 1: you break it into two and the other half of
• 12:33
  Speaker 1: the other kid. That is sharing. That is what I'm doing.
• 12:36
  Speaker 1: You offered me half a popsicle? Yes, okay, So now
• 12:39
  Speaker 1: you know, No, I know. I guess I'll just have
• 12:41
  Speaker 1: two blueberry muffins and some coffee coming right up. Okay,
• 12:43
  Speaker 1: you know, I think it's good you're doing this. You
• 12:45
  Speaker 1: do good me too. I mean, not not that I'm
• 12:48
  Speaker 1: definitely doing it, but but if I do, then it
• 12:53
  Speaker 1: will be good. Acting is hard. So are you're gonna live? What? Here? Hartford? Here?
• 13:02
  Speaker 1: I don't know. We haven't really, we haven't talked about it. Actually,
• 13:05
  Speaker 1: prefer it's probably good. Oh yeah, I guess, of course,
• 13:09
  Speaker 1: it's a little far from the end. Yeah, but who
• 13:12
  Speaker 1: knows how long you'll work after you're married. Excuse me, Oh,
• 13:15
  Speaker 1: but you probably already talked about that, right. No, but
• 13:17
  Speaker 1: I do think he and my father have to come
• 13:19
  Speaker 1: to an agreement. How many goats I'm worth? Hey, I'm
• 13:22
  Speaker 1: just talking here. It's great. Really, you're gonna have more kids? Hi? Personal?
• 13:25
  Speaker 1: I mean he wants kids right in the world. Yes,
• 13:27
  Speaker 1: he wants kids. You haven't talked about that either. Okay.
• 13:30
  Speaker 1: You know what we have to not discuss is none
• 13:32
  Speaker 1: of your business? Joined checking accounts, Luke. You don't know
• 13:34
  Speaker 1: his last name, don't you? I want my popsicle back?
• 13:36
  Speaker 1: Find your business? Yes, it is it's my business. Hey.
• 13:39
  Speaker 1: Some people go their entire lives without having these kinds
• 13:41
  Speaker 1: of conversations. My parents didn't discuss a damn thing. My
• 13:44
  Speaker 1: entire childhood worked fine for them. Of course, when my
• 13:47
  Speaker 1: mom died, she had to tell my dad where the
• 13:49
  Speaker 1: cup on drawer was. Took him ten years to find it,
• 13:51
  Speaker 1: used a copy can the whole time. Okay, I don't
• 13:54
  Speaker 1: care what anyone says. A cup on can is not
• 13:56
  Speaker 1: as good as to keep on drawer? How are those
• 13:57
  Speaker 1: muffins coming? But you know what you might like a
• 14:00
  Speaker 1: upon can? You never know? Here you go to blueberry muffins.
• 14:03
  Speaker 1: Thank you and congratulations. Again, that is hard, tongue twister.
• 14:10
  Speaker 1: I don't know how you guys did it. I seriously don't.
• 14:13
  Speaker 1: I know your professionals, but that is hard. Acting is hard.
• 14:18
  Speaker 1: So hard? Do you say coupon? Weird cue? She said cupon?
• 14:24
  Speaker 1: It's coupon, isn't it? Cupan? You can say cupon, You
• 14:27
  Speaker 1: can say cupon. I've never heard that said that way,
• 14:31
  Speaker 1: but she said it. It It didn't sound off cupon. It
• 14:35
  Speaker 1: sounded weird to me, like it's sound a more cultured
• 14:38
  Speaker 1: you guys. My entire life, I've said cup on This
• 14:41
  Speaker 1: is a this is a debate that will rage Potato Potato,
• 14:45
  Speaker 1: same same thing, Scott. What do you think of their performance? Yeah,
• 14:50
  Speaker 1: I mean I think it's a good first shot at it.
• 14:55
  Speaker 1: But let's you know, look, acting is really hard and
• 14:59
  Speaker 1: you can't just pick a up and do it right.
• 15:01
  Speaker 1: It's a it requires years. And scene that was on
• 15:06
  Speaker 1: television that was spectacular, and they made it what I
• 15:10
  Speaker 1: would call mediocre at best. You can try, you can try.
• 15:14
  Speaker 1: You want to try it? No, no, no, I'll act
• 15:18
  Speaker 1: next week. But I do love that scene. I thought you,
• 15:24
  Speaker 1: I thought you both acquitted yourself. You represented yourselves and
• 15:28
  Speaker 1: your families with honor. They also like messed up some
• 15:33
  Speaker 1: major words where like the word was I do and
• 15:36
  Speaker 1: they said I don't, which like destroy the whole meaning
• 15:39
  Speaker 1: of everything. But it's all right. They can't take that
• 15:41
  Speaker 1: one away from you. Guys. You said yes, and you
• 15:44
  Speaker 1: did it. At least you said yes, at least you tried.
• 15:48
  Speaker 1: You know, there's a scene in One Flew Over the
• 15:49
  Speaker 1: Cuckoo's Nest where Jack Nicholson could not pick up that
• 15:53
  Speaker 1: sink and they all left it. Really Yeah, yeah he couldn't,
• 15:56
  Speaker 1: you know. He said, I'm gonna pick that thing up
• 15:58
  Speaker 1: and I'm gonna break out of here and throw it
• 15:59
  Speaker 1: through the window and take out of here and get
• 16:00
  Speaker 1: the heck out of here. And he couldn't do it,
• 16:02
  Speaker 1: and they all mocked him, and he said, yeah, but
• 16:03
  Speaker 1: at least I tried. God damn it. At least I
• 16:06
  Speaker 1: did that right. And you guys are both Jack little
• 16:10
  Speaker 1: Jack Nicholson's good for you, Scott. This is a pep
• 16:14
  Speaker 1: talk I needed today. Thank you. I appreciate you. I
• 16:18
  Speaker 1: like being compared to one fluke over the cuckoo's nest
• 16:21
  Speaker 1: for the two people still listening after that acting. No,
• 16:24
  Speaker 1: come on, it wasn't. It was you guys. You know,
• 16:28
  Speaker 1: come on, come on, and that acting is hard. It's hard.
• 16:32
  Speaker 1: It's so hard. Oh my god. That is a great scene,
• 16:36
  Speaker 1: just not the way they did it right, but a
• 16:39
  Speaker 1: great scene, well done, sir. Right. That's like you know,
• 16:43
  Speaker 1: putting I don't know, that's like putting a seven year
• 16:47
  Speaker 1: old in a race car and saying go to the
• 16:50
  Speaker 1: INND five hundred, you know what I mean? How many
• 16:51
  Speaker 1: takes would you do on a scene like that? I
• 16:54
  Speaker 1: don't know. Uh, Well, you do a master shot and
• 16:57
  Speaker 1: you do it until you nail it, and then you
• 16:59
  Speaker 1: do moving for the coverage, and then you know, you
• 17:01
  Speaker 1: do her side, then you do my side, so you
• 17:03
  Speaker 1: end up doing it, you know, at least times. And yeah,
• 17:07
  Speaker 1: and on a scene like that, do you have to
• 17:09
  Speaker 1: nail it like for that master shot to finish? Oh? Yes,
• 17:14
  Speaker 1: you do start to finish. So if somebody messes up
• 17:16
  Speaker 1: in the middle, it's wrong. No, the editor needs every
• 17:20
  Speaker 1: piece of that master shot. The master shot to the
• 17:22
  Speaker 1: audience is a wider shot, right, they do a wide shot,
• 17:26
  Speaker 1: a big profile shot, and they do a couple I
• 17:28
  Speaker 1: think they do a couple of different angles on the
• 17:30
  Speaker 1: master um um. But yeah, you know, you got to
• 17:35
  Speaker 1: nail it perfectly on the master before they even punch
• 17:37
  Speaker 1: in and and get the get the closer versions. Did
• 17:42
  Speaker 1: everybody always do this is like a real industry thing.
• 17:45
  Speaker 1: But I've heard did all of you do your own coverage?
• 17:49
  Speaker 1: Meaning if Lauren's doing a scene and it's her coverage,
• 17:54
  Speaker 1: you stayed and did your part with God? Yes, because
• 17:58
  Speaker 1: I think on some shows I've like, some people don't,
• 18:01
  Speaker 1: which is sort of is that kind of a considered
• 18:03
  Speaker 1: a jerk move if you don't stay with your Yeah,
• 18:07
  Speaker 1: it's pretty jerky it is. Yeah, you need to support
• 18:10
  Speaker 1: I mean because also the editor needs it because they're
• 18:14
  Speaker 1: going to hear dialogue, and you know what, the performance
• 18:16
  Speaker 1: has to be as good, if not better, off camera
• 18:20
  Speaker 1: as you just did it on camera. So I you know,
• 18:23
  Speaker 1: I really tried to give better and more off camera
• 18:28
  Speaker 1: because it's it's as important, you know, just because you're
• 18:31
  Speaker 1: not at you know, so uh yeah, it's it's kind
• 18:34
  Speaker 1: of and if somebody's feeling sick or they're just exhausted
• 18:37
  Speaker 1: and you want to give him a break, and the
• 18:39
  Speaker 1: editor okays it, and the director okays it, then you
• 18:42
  Speaker 1: say yeah, no, no, no worries, and and then you know, um,
• 18:46
  Speaker 1: Laurence stand In could would maybe once in what didn't
• 18:49
  Speaker 1: happen very often. I mean Lauren was a trooper, you know,
• 18:51
  Speaker 1: she she hung in there. And and then what about
• 18:53
  Speaker 1: all the backgrounds, So like Rory, you know, alexis in
• 18:57
  Speaker 1: the background, and everybody has to nail their parts to everybody, Yes,
• 19:02
  Speaker 1: even the extras in the background, they got to nail
• 19:03
  Speaker 1: at exactly how they did it at very specific points
• 19:06
  Speaker 1: in the scene. It's all got a match, and the town,
• 19:10
  Speaker 1: everything's got a match. And there's a person on set
• 19:13
  Speaker 1: who keeps you know, the script supervisor takes care of
• 19:15
  Speaker 1: all that stuff. And it's a really hard job because
• 19:19
  Speaker 1: there have we've had the real we had the reshoot
• 19:21
  Speaker 1: scenes sometimes where it was kind of impossible to get
• 19:24
  Speaker 1: everything down. But the script supervisor or when they're watching
• 19:27
  Speaker 1: it in the in the rushes and the dailies, they'll say, oh,
• 19:31
  Speaker 1: that didn't match and that guy walked across and that's
• 19:33
  Speaker 1: gonna look awkward because now there's an empty space and
• 19:35
  Speaker 1: that when we punch in and he's not there, and
• 19:37
  Speaker 1: it's like, oh, that's really distracting. So if it's distracting
• 19:40
  Speaker 1: and it takes you out of the reality of what
• 19:42
  Speaker 1: they're trying to create, yeah, you gotta shoot it again. Um,
• 19:46
  Speaker 1: because it's important. It's everything you know, you can't you
• 19:48
  Speaker 1: can't you know, you're you're you're trying to suspend people's disbelief,
• 19:53
  Speaker 1: and if they're shocked out of it, you're done. They'll
• 19:56
  Speaker 1: turn the channel. You know, they won't trust you. So
• 19:58
  Speaker 1: it's it's really really importan. Yeah, wow, yeah, And it
• 20:02
  Speaker 1: seems I mean very rarely do I get taken out
• 20:05
  Speaker 1: of my mindset when I'm watching. I'm completely honed in
• 20:12
  Speaker 1: on YouTube even though I know there, you know, the
• 20:15
  Speaker 1: background is happening and you feel like you're in the diner, right.
• 20:18
  Speaker 1: That's because everybody knows what they were doing when they
• 20:22
  Speaker 1: said this line or that line or that line. Did
• 20:25
  Speaker 1: I you know, did I turn on the muff and
• 20:27
  Speaker 1: so like a lot of the conversation you have on
• 20:28
  Speaker 1: set with the script scripty call them script eh. And
• 20:31
  Speaker 1: there were a lot of script supers came through because
• 20:33
  Speaker 1: it's a really difficult job. Won't Gil more girls, because
• 20:36
  Speaker 1: there was a lot of dialogue, a lot to take
• 20:37
  Speaker 1: care of, and people burn out pretty quickly, um and
• 20:40
  Speaker 1: say get me the hell of the show. That's too
• 20:44
  Speaker 1: much work. Uh uh no. I mean they left for
• 20:47
  Speaker 1: other reasons too, but um, you know they come up
• 20:50
  Speaker 1: and say, yeah, that didn't match. You gotta turn turn
• 20:52
  Speaker 1: a little sooner on that line and then put the
• 20:54
  Speaker 1: muffin in. And I could never do that job because
• 20:58
  Speaker 1: my brain doesn't work like that where I would be
• 21:00
  Speaker 1: able to know that it's exacting. It's just exacting. So
• 21:05
  Speaker 1: every time you see a scene that's flowing in the
• 21:07
  Speaker 1: diner and it's working perfectly, we've shot the heck out
• 21:10
  Speaker 1: of that because the editor demands it. When the editor
• 21:13
  Speaker 1: has to put that scene together in the show together,
• 21:16
  Speaker 1: they need as much footage as they can possibly have
• 21:20
  Speaker 1: to look for the perfect moments and the perfect matching
• 21:23
  Speaker 1: stuff that matches. So the more they have, the more
• 21:25
  Speaker 1: likely they are going to be to match everything from
• 21:29
  Speaker 1: master to close up to close up. Yeah, for you
• 21:32
  Speaker 1: as an actor, did you did you? As Luke? Typically
• 21:35
  Speaker 1: do your best work the first shot, like the first first,
• 21:39
  Speaker 1: first two takes. I'd nail at the first two takes
• 21:42
  Speaker 1: and get worse as we went along. Okay, so we
• 21:48
  Speaker 1: do have to take a break. But as you were
• 21:51
  Speaker 1: saying all of these things and I'm learning about acting,
• 21:55
  Speaker 1: what it made me realize is Edward Herman is a
• 21:59
  Speaker 1: genius because he scared me in that scene, like he
• 22:04
  Speaker 1: was so scary, and he literally is a genius because
• 22:12
  Speaker 1: he played it like perfect, very very gifted actor, very
• 22:17
  Speaker 1: studied actor, in total command of his his instrument, and uh,
• 22:23
  Speaker 1: you know, just yeah, I would like to discuss that.
• 22:29
  Speaker 1: All right, Well, you're gonna get your wish, young lady,
• 22:33
  Speaker 1: because I'm here for you and I'm gonna explain it
• 22:36
  Speaker 1: all all right, We're gonna be back after these words.
• 22:39
  Speaker 1: And when we come back, we got some explaining to
• 22:42
  Speaker 1: do for the sugar Man on ed Herman Genius and
• 22:48
  Speaker 1: we'll be back after these works. Yeah, everybody, we're back.
• 22:56
  Speaker 1: Scott Patterson, I am all in podcasts. I heard Radio
• 23:00
  Speaker 1: a Living Productions, and Amy has introduced us to the brilliance,
• 23:06
  Speaker 1: not that we didn't already know of Mr ed Herman.
• 23:09
  Speaker 1: I mean, what did you think watching that scene? Since
• 23:11
  Speaker 1: this is probably like the first time you've really seen it. Well,
• 23:15
  Speaker 1: I mean, look, you have to be There's a lot
• 23:18
  Speaker 1: of ways to interpret a scene. There's a lot of
• 23:20
  Speaker 1: ways to go at Dean, right, um, But he's such
• 23:24
  Speaker 1: a courageous actor, such a gifted actor, that he really
• 23:28
  Speaker 1: went at him. I mean, he wasn't messing around. He
• 23:32
  Speaker 1: brought you know, how many you know he brought a
• 23:34
  Speaker 1: couple of decades. A disappointment came up in him and
• 23:39
  Speaker 1: directed it at Dean because he was he was really
• 23:42
  Speaker 1: just a giant laser eviscerating that young boy wanted to
• 23:46
  Speaker 1: eliminate him. I mean, and and talk about and I
• 23:50
  Speaker 1: you know, this is how the privileged shame people. It's greats,
• 23:55
  Speaker 1: it's you know, connections, it's this and boy did he
• 23:59
  Speaker 1: He pulled out all the stops of that kid like
• 24:01
  Speaker 1: a start, right from when he didn't shake his hand,
• 24:04
  Speaker 1: right from when he came into the like sitting room
• 24:07
  Speaker 1: or the library or whatever they call it. He could tell.
• 24:10
  Speaker 1: He could tell by the way he was dressed. He
• 24:12
  Speaker 1: could tell by the little little leather necklace that Dean
• 24:16
  Speaker 1: was wearing with the little stone on it or whatever
• 24:19
  Speaker 1: was on it, what was it? What was on the
• 24:21
  Speaker 1: what was on the neck was a chain, but I
• 24:22
  Speaker 1: definitely maybe it was a chain, very prominent. Maybe it
• 24:25
  Speaker 1: was whoever was the stylist, definitely perfect put that on
• 24:31
  Speaker 1: him so that Richard, because that's that's a meeting that
• 24:35
  Speaker 1: Amy and Dan have with wardrobe, saying, listen, what do
• 24:38
  Speaker 1: we put on him? To make sure that Richard sees
• 24:41
  Speaker 1: it immediately and makes that judgment and knows exactly what
• 24:45
  Speaker 1: he's dealing with. The necklace was a total crucial statement
• 24:50
  Speaker 1: because Logan would have worn a suit. Yes, I don't
• 24:55
  Speaker 1: know what Jess would have worn. That would have been
• 24:57
  Speaker 1: maybe even more of a train wreck than Dean, but
• 25:00
  Speaker 1: Logan would have wanted suit. In my mind, during that scene,
• 25:03
  Speaker 1: I started to think about Logan and how much Richard
• 25:07
  Speaker 1: loved Logan. But the beauty of that scene when it
• 25:12
  Speaker 1: when Emily first opened the door, we didn't know who
• 25:15
  Speaker 1: Rory was bringing. We didn't even know if she could
• 25:18
  Speaker 1: bring somebody. That was all information we got after the fact.
• 25:21
  Speaker 1: And there's Dean in it with a button open on
• 25:25
  Speaker 1: his inappropriate wardrobe right for that occasion, like the Friday
• 25:31
  Speaker 1: night dinner, and he's coming casual, like he's going to
• 25:34
  Speaker 1: a rock concert with his with his with his leather
• 25:38
  Speaker 1: or steel chain. Yes, it was beautiful and he was
• 25:42
  Speaker 1: dressed up, but he was just dressed all wrong for
• 25:45
  Speaker 1: the right Because as soon as she opened the door
• 25:47
  Speaker 1: I saw Dan, I said, oh, and that's what you're
• 25:50
  Speaker 1: supposed to, that's what's supposed to happen. You're like, oh, no,
• 25:52
  Speaker 1: he's not dressed right. This is gonna be bad. Really,
• 25:57
  Speaker 1: that's so interesting, Rightley Danielle. Did you guys notice the
• 26:00
  Speaker 1: necklace immediately too? I thought it was puka shells, and
• 26:04
  Speaker 1: I was like, wow, that's really really throwing it back.
• 26:08
  Speaker 1: I didn't notice the necklace so much as as much
• 26:12
  Speaker 1: as the shirt. Oh, the shirt doesn't match, it's not
• 26:16
  Speaker 1: tucked in, and it's it's wrong and it's Saturday night fever.
• 26:20
  Speaker 1: But he's so cute, guys. I loved Dean him so much.
• 26:26
  Speaker 1: He is as sweet as can be. But it was
• 26:28
  Speaker 1: all wrong for the Gilmore's. Even Emily was like, and
• 26:33
  Speaker 1: then you could you know through her eyeballs. Laurela used
• 26:37
  Speaker 1: eye communication to Emily, like knocking off that funny, like,
• 26:41
  Speaker 1: it was so nice of you, mom to invite him, right, Mom,
• 26:46
  Speaker 1: that's really good. And then so then and then they
• 26:51
  Speaker 1: really win Emily over with the whole want to drink,
• 26:54
  Speaker 1: you know, which made it that much funnier when Dean
• 26:59
  Speaker 1: leans over to Laura and so should we try the
• 27:01
  Speaker 1: beer things? I mean, I was uncomfortable. You're supposed to be,
• 27:07
  Speaker 1: You're supposed to be as an audience. They're just setting
• 27:10
  Speaker 1: you up for the big overhead smash of Richard Gilmore.
• 27:15
  Speaker 1: Did it make you dislike Richard? It's yes and no,
• 27:21
  Speaker 1: I get it. It was over the top, but I
• 27:24
  Speaker 1: get it. I mean I get where he's coming from. Right.
• 27:27
  Speaker 1: He had total PTSD and was basically like not repeat,
• 27:32
  Speaker 1: I'm not really exactly and beauty go ahead, no, no,
• 27:36
  Speaker 1: go ahead, go ahead, guy. The beauty is that lower
• 27:39
  Speaker 1: like understood, And I actually thought, wow, okay, and that
• 27:44
  Speaker 1: Emily was not having it so complex. There's so much
• 27:50
  Speaker 1: to break down. Okay, keep going because there's so much
• 27:51
  Speaker 1: to talk about. Yeah, No, I just to just to
• 27:54
  Speaker 1: sum up that scene. Um, hysterically funny, poignant, very dramatic,
• 28:00
  Speaker 1: very hard felt. And I mean the stakes were really high, uh,
• 28:05
  Speaker 1: for for Richard and Emily. I mean really really high.
• 28:08
  Speaker 1: I mean they just know Dean is a nice kid.
• 28:11
  Speaker 1: Laurel Laurea and Roy's just a nice kid. They're back together, celebrating,
• 28:14
  Speaker 1: and what a perfect setup. You know, he comes back
• 28:16
  Speaker 1: into the fold. Everything is jolly, Rory's happy as a clam.
• 28:21
  Speaker 1: Laurela is getting married. You know, this kind of a thing,
• 28:24
  Speaker 1: and we're gonna talk about that, don't we each each
• 28:29
  Speaker 1: of the people in that scene, because I felt Rory's pain, Like,
• 28:34
  Speaker 1: oh god, this is so embarrassing for her, This is
• 28:38
  Speaker 1: so disappointing for her, and she's you know, getting upset
• 28:43
  Speaker 1: and like this is her grandpa that she really has
• 28:46
  Speaker 1: grown to idolize. Oh oh yeah. But you know what,
• 28:55
  Speaker 1: there's nothing like maturity and age, uh to be able
• 29:00
  Speaker 1: to spot bad news. One it shows up. He knew
• 29:07
  Speaker 1: right away he could smell it. He knew that that
• 29:09
  Speaker 1: kid was trouble, even though that kid wasn't being trouble.
• 29:13
  Speaker 1: He's just a sweet, sensitive kid. He's you know, he's
• 29:17
  Speaker 1: from out of town. He's not a towny, that kind
• 29:19
  Speaker 1: of thing. But Richard could smell it on him, and
• 29:22
  Speaker 1: he knew that that kid didn't have the grades to
• 29:24
  Speaker 1: hang with her, and he didn't care. He understood life
• 29:28
  Speaker 1: from a different point of view. Yes, in the here
• 29:30
  Speaker 1: and now, everybody's jolly and happy, and Rory's in love
• 29:33
  Speaker 1: and he's in love. But you know, older people think
• 29:36
  Speaker 1: about future, and he's protecting his granddaughter. So do you
• 29:40
  Speaker 1: think Richard would love Tristan even though Tristan's a juror? Yes,
• 29:46
  Speaker 1: he would. Do you know why because in the crucial
• 29:50
  Speaker 1: moments when he's at the law firm with the insurance agency,
• 29:53
  Speaker 1: he'd be a killer. Yeah. Those people in business are
• 29:58
  Speaker 1: tough that you know, they're really tough, and Justin has that.
• 30:04
  Speaker 1: You know what's interesting is like these people do not
• 30:07
  Speaker 1: hold back their rudeness, because that's the other thing. Like
• 30:11
  Speaker 1: he was so blatant about it, and it flashes me
• 30:14
  Speaker 1: back to when Christopher's parents and Richard and Emily were
• 30:18
  Speaker 1: like going at it like these people don't. It's like,
• 30:21
  Speaker 1: I don't know what the word is, but it's so like, wait,
• 30:24
  Speaker 1: aren't you supposed to talk after listen? Listen. When you're
• 30:29
  Speaker 1: young and you're a student and you're in a top
• 30:32
  Speaker 1: notch private school and then you're in the Ivy League,
• 30:34
  Speaker 1: you are getting you know, your ears boxed by professors.
• 30:38
  Speaker 1: You are getting almost abused by people to work harder,
• 30:43
  Speaker 1: be better, be smarter. You're you're not being told how
• 30:46
  Speaker 1: wonderful you are. The old the old school way was,
• 30:51
  Speaker 1: you're not hacking it, You're stupid, work harder, let's go. Yeah,
• 30:55
  Speaker 1: it's like the headmaster at children. Yes there's the Yeah,
• 30:59
  Speaker 1: they give no quarter. And that world, I mean, that
• 31:03
  Speaker 1: is a super That type of level of academics is
• 31:06
  Speaker 1: super competitive and it is cutthroat um and you can't
• 31:11
  Speaker 1: make any excuses and you can't screw up, and you
• 31:14
  Speaker 1: can't get a bait. It just isn't possible. So that
• 31:17
  Speaker 1: the pressure is enormous and people wonder why you know,
• 31:20
  Speaker 1: people in the Ivy League sometimes and commit suicide or
• 31:24
  Speaker 1: it's because the pressure is enormous to excel um. So
• 31:29
  Speaker 1: I get I get what. I get where they're coming from.
• 31:31
  Speaker 1: I get where he's coming from. So what do you
• 31:33
  Speaker 1: think of the aftermath in that When Laurel lie sits
• 31:36
  Speaker 1: Rory down and says, okay, like, let's just talk about
• 31:40
  Speaker 1: it for a minute, like, your grandpa loves you more
• 31:43
  Speaker 1: than life itself and he's not doing this to you.
• 31:47
  Speaker 1: This is all about me. I thought, Wow, Yeah, it's impressed.
• 31:51
  Speaker 1: It makes her character all that much all the all
• 31:54
  Speaker 1: the more impressive because she's aware of what a disappointment
• 31:59
  Speaker 1: she is did that family and all the repercussions and
• 32:01
  Speaker 1: all of the ankst that that caused, and she's mature
• 32:04
  Speaker 1: enough to not let it affect her daughter. She's protecting
• 32:08
  Speaker 1: her daughter from all of that and trying to make
• 32:11
  Speaker 1: her realize, Look, this is this is their long game,
• 32:14
  Speaker 1: this is how they view it. You've got to understand that.
• 32:17
  Speaker 1: And I think in a way, Um, Laurel I was
• 32:21
  Speaker 1: comforted by that. I didn't see I didn't see Laurel
• 32:24
  Speaker 1: I objecting to at all to what Richard was doing,
• 32:27
  Speaker 1: because I think Laurel I probably felt an inkling that
• 32:31
  Speaker 1: he was doing the right thing. Two Dean right, like
• 32:36
  Speaker 1: why could why why didn't why couldn't my dad have
• 32:39
  Speaker 1: been like that with me? Right, because otherwise Laurel I
• 32:42
  Speaker 1: would have stormed out of there. She sat there, She
• 32:45
  Speaker 1: sat there, so she she maybe agreed a little bit
• 32:50
  Speaker 1: like you know, this guy isn't wrong. It reminded me
• 32:54
  Speaker 1: too of when in when Laurel I as to Rory,
• 33:01
  Speaker 1: I have a problem with letting people in our relationships.
• 33:06
  Speaker 1: I don't want you to have it because I have it,
• 33:09
  Speaker 1: Like I'm realizing, Laura Lae has very clear self awareness
• 33:14
  Speaker 1: and almost like gets it, which is cool. She's extremely intelligent.
• 33:20
  Speaker 1: She's extremely intelligent, and um, I mean it was just
• 33:25
  Speaker 1: a wonderful parenting moment. Again, yet another wonderful parenting moment
• 33:30
  Speaker 1: for Laura. Yes, she still moral life, stayed very calm,
• 33:34
  Speaker 1: which I think helped the situation. She was very funny
• 33:37
  Speaker 1: when she says to Emily like, wait, wasn't supposed to
• 33:39
  Speaker 1: be us, you know it was just a Dean well
• 33:44
  Speaker 1: welcome to being a Gilmore girl, kind of like diffusing
• 33:49
  Speaker 1: it a bit, yeah, by saying like this is how
• 33:51
  Speaker 1: it goes, and like it's all going to be all good,
• 33:54
  Speaker 1: tough enough, Buttercup, this is what it's like. And then
• 33:57
  Speaker 1: what did you think of Emily when she goes into
• 33:58
  Speaker 1: Richard's office and says, you will call. I think it
• 34:01
  Speaker 1: was a beautiful moment, beautifully acted. And I think the
• 34:05
  Speaker 1: thing that really stayed with me was after she closed
• 34:08
  Speaker 1: the door and she was by herself in the hallway
• 34:11
  Speaker 1: experiencing that deep pain. Um. She is such a wonderful actress.
• 34:18
  Speaker 1: She can communicate that pain in a look and I mean,
• 34:21
  Speaker 1: it's all she's all feeling it. But oh, I felt
• 34:24
  Speaker 1: so bad for her. I felt her pain me too,
• 34:27
  Speaker 1: because you realize Emily doesn't like that. She doesn't have
• 34:32
  Speaker 1: a good relationship with lor She's not like one of
• 34:35
  Speaker 1: those moms like, oh that's just how it is, Like
• 34:37
  Speaker 1: it pains her. Yeah, as sarcastic as she is with
• 34:40
  Speaker 1: her own daughter, there's still hope. I think there's still
• 34:44
  Speaker 1: hope that there can be some normalcy in a a
• 34:47
  Speaker 1: little bit of detent, you know. Um. I just yeah,
• 34:51
  Speaker 1: very poignant scene with Emily and Richard. And you will
• 34:54
  Speaker 1: do this and you will apologize and this is why.
• 34:57
  Speaker 1: And she was right, it is Richard cross the line. Richard,
• 35:02
  Speaker 1: even though we get it, he went too far. And
• 35:05
  Speaker 1: it's like, you just can't do that. To a kid,
• 35:08
  Speaker 1: some kid that's over at your house for dinner. I
• 35:11
  Speaker 1: don't know. I don't know. And you know, it's hard
• 35:13
  Speaker 1: for me to criticize Richard for that. It's hard. I look,
• 35:18
  Speaker 1: I've come on, when your kids a teen and he
• 35:22
  Speaker 1: has a girl over, you're never going to do that.
• 35:25
  Speaker 1: I'll blow her. I'll blow her out of the water
• 35:27
  Speaker 1: if she's if she's not the right girl. It's one
• 35:30
  Speaker 1: thing to say it too like your child, but then
• 35:35
  Speaker 1: to say at dinner in front of an audience with
• 35:37
  Speaker 1: your child significant other than there, that's where it killed, right,
• 35:41
  Speaker 1: the sweet little boy. And I thought Dean Jared played
• 35:46
  Speaker 1: that so well too, because he stayed calm, He tried
• 35:51
  Speaker 1: to be polite, he tried to answer the questions. And
• 35:54
  Speaker 1: the sad part is you know that he's questioning like, yeah,
• 35:57
  Speaker 1: I'm not good enough for her. I think he's yeah,
• 36:00
  Speaker 1: the thing he's being to realize it. But I think
• 36:02
  Speaker 1: the most interesting part of this is what wasn't said.
• 36:05
  Speaker 1: And Laurea I did not say a thing because really
• 36:08
  Speaker 1: it was like Dad, knock it off, because it's it's
• 36:11
  Speaker 1: it's so easy for her to talk that way to Emily.
• 36:13
  Speaker 1: But he brought her own father, Dad, knock it off.
• 36:16
  Speaker 1: Don't talk to him that way. Okay, we're leaving. That's enough, Dad,
• 36:19
  Speaker 1: knock it up. So that was supposed to be. Yeah,
• 36:26
  Speaker 1: she agrees, Laurel I agrees, yeah, because in the conversation
• 36:30
  Speaker 1: she had with Rory, you know, she says he's worried
• 36:33
  Speaker 1: you'll repeat my mistakes, and she says, I'm not going
• 36:36
  Speaker 1: to get pregnant, so they're maybe you're right, and that
• 36:39
  Speaker 1: there was some element of like Flora, I sing to herself, well,
• 36:42
  Speaker 1: I'm happy I didn't have to do it. Well she
• 36:44
  Speaker 1: said it was yeah, yeah, right, and and and she's like,
• 36:46
  Speaker 1: she said, it's a hundred how does that happen? Mom?
• 36:48
  Speaker 1: While it's a hundred years of inbreeding will get you
• 36:51
  Speaker 1: right there. Their standards are very high, and you know
• 36:54
  Speaker 1: this kind of thing, and they're not kidding they are.
• 36:57
  Speaker 1: They're impossibly high. I mean, yeah, if you're not of
• 37:02
  Speaker 1: you know, royal blood, forget it, forget it. They're not
• 37:05
  Speaker 1: going to let anybody else in no way. Logan yea,
• 37:12
  Speaker 1: why I love stop it, stop it right now, stop
• 37:15
  Speaker 1: it counting down the day, stop it, knock it off.
• 37:21
  Speaker 1: Did anybody else feel disappointed that we didn't get to
• 37:23
  Speaker 1: see the homemade twinkies a little, but we did, yeah,
• 37:26
  Speaker 1: a little. I'm actually yeah, I was left hungry. I
• 37:29
  Speaker 1: was salivating again, another another evidence of brilliance of the show.
• 37:36
  Speaker 1: It left you salivating for twinkies after all that drama. Somehow,
• 37:41
  Speaker 1: of course Lorela had twinkies in the plastic. How many
• 37:48
  Speaker 1: are they gonna eat? Jesus, how do they stay so thin?
• 37:52
  Speaker 1: It's amazing? I mean, my god, Yeah, there were at
• 37:55
  Speaker 1: least ten, and the beef ERNI there because it was
• 38:00
  Speaker 1: so cute that like they made what Rory wanted. Let's
• 38:06
  Speaker 1: get into Max and let's get into Should we take
• 38:09
  Speaker 1: a break and come back? Yeah, all right, everybody, listen,
• 38:12
  Speaker 1: We're gonna take a little break. We we gotta take
• 38:14
  Speaker 1: we gotta, we gotta towel off. We got sweaty hair,
• 38:16
  Speaker 1: and we gotta take a break or get some gatorade going.
• 38:19
  Speaker 1: We'll be back after we towel off. All right, kids,
• 38:21
  Speaker 1: by Yeah, all right, We're back. Scott Patterson, I am
• 38:30
  Speaker 1: all in podcast. I Heart Radio, one of leven productions
• 38:32
  Speaker 1: we were going to talk about in episode one season
• 38:36
  Speaker 1: to Sadie, Sadie, Max and Lorala engagement big news flash,
• 38:41
  Speaker 1: big deal. Wow, thoughts, I was fine with that. What
• 38:47
  Speaker 1: did you think of that scene when they're out there
• 38:49
  Speaker 1: on the bench and he gives the ring and the
• 38:51
  Speaker 1: So it was a very nice scene. They were both
• 38:54
  Speaker 1: They were both very cute and adorable and very likable,
• 38:57
  Speaker 1: and I'm glad that they're happy. I actually thought that
• 39:04
  Speaker 1: the scene where he handed the ring wasn't cheesy. It
• 39:08
  Speaker 1: was kind of cool. Listen. I didn't make my play.
• 39:12
  Speaker 1: I have no right to feel any other way. I
• 39:15
  Speaker 1: did not make my move if I you know, look,
• 39:20
  Speaker 1: I'm supposed to be some old school guy. That character
• 39:23
  Speaker 1: Luke is supposed to be this old school guy. He
• 39:24
  Speaker 1: didn't make a move. He allowed people to interrupt him,
• 39:28
  Speaker 1: you know. He he wasn't aggressive in us. He didn't
• 39:31
  Speaker 1: get the girl. Yeah, I mean, I I like Max.
• 39:35
  Speaker 1: I like Max. I you know what it is. I
• 39:38
  Speaker 1: guess it doesn't feel like Laurel loves Max, that she
• 39:43
  Speaker 1: can't live without Max, that Max is her soul mate.
• 39:48
  Speaker 1: She likes Max fine, she seems perfectly I agree. I agree.
• 39:52
  Speaker 1: I think they're they're They're a lot alike. There's a
• 39:55
  Speaker 1: lot of similarities there, but it doesn't feel like it's
• 40:00
  Speaker 1: and all be all deep passion. How can she marry
• 40:03
  Speaker 1: a guy that the town doesn't even know, like miss
• 40:06
  Speaker 1: Patty eating? Like is he a nice man? Is very
• 40:08
  Speaker 1: nice man? What? What what planet are we on? Like?
• 40:11
  Speaker 1: How could how could she marry someone that they don't
• 40:13
  Speaker 1: all know? She doesn't know either though kind of you
• 40:16
  Speaker 1: know what I mean? Like Luke was in my head
• 40:18
  Speaker 1: that entire episode after where are you going to live?
• 40:21
  Speaker 1: Are you going to have kids? And she couldn't answer
• 40:23
  Speaker 1: those questions. So like they love each other and they're
• 40:26
  Speaker 1: so cute, but the whole time I was like, Luke's right,
• 40:29
  Speaker 1: like they don't they don't actually match up, you know,
• 40:33
  Speaker 1: I don't. They don't know each other. It really it
• 40:36
  Speaker 1: really shows that Luke has given this a great deal
• 40:39
  Speaker 1: of thought in his downtime alone in his room above
• 40:47
  Speaker 1: the diner, and you know, he was probably tossing and turning,
• 40:51
  Speaker 1: couldn't sleep. And why am I not more bothered by this?
• 40:54
  Speaker 1: I mean I'm bothered by this and it's inevitable and
• 40:57
  Speaker 1: why don't you make a move? But wait a minute,
• 40:59
  Speaker 1: what about these very logical questions, these very practical questions
• 41:03
  Speaker 1: that are yet to be answered, Right, she's not gonna
• 41:06
  Speaker 1: this isn't gonna work out because A, B and C
• 41:08
  Speaker 1: figured it out. Then he wants to sleep, yeah, because
• 41:11
  Speaker 1: he's like, this is not happening. No, it's not happening yea.
• 41:15
  Speaker 1: And so he had that calm demeanor of a person
• 41:18
  Speaker 1: who knows that it ain't gonna happen. We should re
• 41:23
  Speaker 1: establish that when we created this show, and everyone makes
• 41:26
  Speaker 1: fun of us for this, but we wanted one person
• 41:29
  Speaker 1: who had never seen it. So that's why we have
• 41:31
  Speaker 1: Danielle because I have seen it a million times and
• 41:36
  Speaker 1: Scott was in it, so he knows what's going to happen. Yeah,
• 41:39
  Speaker 1: but I don't. I don't really remember what happens. I
• 41:42
  Speaker 1: do not remember any of these not really, alright, alright,
• 41:45
  Speaker 1: I mean I'm like, and I'm I'm closer to Danielle
• 41:48
  Speaker 1: than anything because I just I have no clue. I
• 41:50
  Speaker 1: watched these episodes and I'm like, oh, this is fantastic.
• 41:53
  Speaker 1: I don't remember this, you're marr Yeah, well I know that. Yeah, right, Okay,
• 41:58
  Speaker 1: So Danielle, you have not seen anything ahead of this,
• 42:02
  Speaker 1: So I want to know what do you predict for
• 42:06
  Speaker 1: lore La and Max? What do you think is going
• 42:09
  Speaker 1: to happen. I can't get this, like I can't say like, oh,
• 42:14
  Speaker 1: he's been cheat on her, Like I don't think that's
• 42:16
  Speaker 1: going to happen. But I do know that they're not
• 42:19
  Speaker 1: going to end up together, like that's pretty obvious right now.
• 42:24
  Speaker 1: And seeing with Dean Dean and Rory too, I'm like, oh,
• 42:27
  Speaker 1: I love Dean, but it's not gonna work out. Just yeah,
• 42:31
  Speaker 1: in a show like this, the unpredictable nature of this show. Uh,
• 42:38
  Speaker 1: when things are going really well, that's a warning sign
• 42:41
  Speaker 1: that things are about to go really badly. So the
• 42:44
  Speaker 1: better they get, the more, the more la la la
• 42:46
  Speaker 1: music and daisies around and everybody's in love and happy,
• 42:50
  Speaker 1: it's not gonna end well. Do you think Max and
• 42:52
  Speaker 1: Lorelei will get married? You're asking me, No, I want
• 42:57
  Speaker 1: to ask you, Scott, but I think that you know.
• 43:00
  Speaker 1: I don't. I actually don't know. I don't. I don't
• 43:02
  Speaker 1: know if they do or not. What do you think, Daniel?
• 43:05
  Speaker 1: I don't think they'll actually get married. I think she'll
• 43:08
  Speaker 1: be like runaway bride? Is that what happened that, Hanny?
• 43:15
  Speaker 1: I don't know. I don't. Yeah, I have no idea,
• 43:19
  Speaker 1: but I do think it's interesting to see what y'all
• 43:21
  Speaker 1: predict because I know what it's gonna happen. Yeah, I
• 43:24
  Speaker 1: can't even chime in on this. I don't know the details.
• 43:27
  Speaker 1: I just know it's not gonna happen. But I don't
• 43:29
  Speaker 1: know if it happens and then it goes bed or
• 43:31
  Speaker 1: it just never gets to the altar. I have no idea.
• 43:34
  Speaker 1: So I'm I'm dying to watch the next couple. I
• 43:37
  Speaker 1: want to binge this show, and I can't. It's so frustrating.
• 43:40
  Speaker 1: You don't even know how frustrating this podcast would be.
• 43:42
  Speaker 1: I can only watch one episode a week. It sucks.
• 43:48
  Speaker 1: So you can figure out what happens. I want to
• 43:50
  Speaker 1: watch like ten episodes man at the same time, anat popcorn.
• 43:55
  Speaker 1: That's that's too good. That's frustrating. Yeah, everyone makes fun
• 43:59
  Speaker 1: of it. That have Daniel who has never seen it.
• 44:01
  Speaker 1: But I still stand strong on the fact that it
• 44:03
  Speaker 1: was good to have one person. Yeah the person. Look,
• 44:07
  Speaker 1: there's gonna be a percentage of people they're going to
• 44:09
  Speaker 1: have a problem with anything we do. Don't worry about it.
• 44:12
  Speaker 1: To the one person listening that hasn't seen it. I
• 44:15
  Speaker 1: am here for you person. We need Dan, Yeah, we
• 44:20
  Speaker 1: need that support that relatability. Right, speaking of things, people
• 44:26
  Speaker 1: love Riley, it sun for Riley. I will follow that
• 44:34
  Speaker 1: introduction because my mom loves me and a few other people,
• 44:38
  Speaker 1: so it's okay. I know people love me. I love myself.
• 44:42
  Speaker 1: Sometimes we love you because you are a superstar. You
• 44:48
  Speaker 1: are a superstar. Got before we do this, we forgot
• 44:53
  Speaker 1: to announce the next person that's doing friends Giving with you.
• 44:57
  Speaker 1: Can I can I say? I want to Hey, I
• 45:00
  Speaker 1: want to say. It's going to be Grantly Phillips, Ladies
• 45:07
  Speaker 1: and gentlemen, Grant Lee Phillips, the incredibly talented singer songwriter,
• 45:15
  Speaker 1: Grantly Phillips, the town Troubadour. And here's an extra little
• 45:20
  Speaker 1: added bonus for everybody. He is going to perform some
• 45:26
  Speaker 1: some music and he's Janius Juniors. How do I get tickets?
• 45:32
  Speaker 1: How do you get tickets? Amy, you don't know how
• 45:34
  Speaker 1: to get tickets? You go to looped live dot com
• 45:38
  Speaker 1: l O O P E D l I v E
• 45:42
  Speaker 1: dot com looped live dot com and you can get
• 45:45
  Speaker 1: your tickets there. You get a fifteen dollar general mission.
• 45:48
  Speaker 1: You get a twenty five dollar v I P which
• 45:50
  Speaker 1: means you get to do Q and A with me
• 45:52
  Speaker 1: and Grant and Emily Corona and we have other guests
• 45:55
  Speaker 1: that we haven't mentioned yet, but we will. Is the
• 45:59
  Speaker 1: money going to a good call? Oh my goodness, my
• 46:02
  Speaker 1: two that are near and dear to my heart. St.
• 46:04
  Speaker 1: Jude's Children's Hospital and Baby to Baby. So we're gonna
• 46:07
  Speaker 1: help people. So looped live dot com. I am All
• 46:11
  Speaker 1: in Friends Giving November eleven, five pm Pacific, eight pm
• 46:15
  Speaker 1: Eastern Time. Looped Live dot com. Get your tickets. Yeah,
• 46:25
  Speaker 1: I'm Riley and this is your pop culture. So first
• 46:27
  Speaker 1: we have Laura Lee and r are you talking about
• 46:29
  Speaker 1: the potential wedding? And while they're walking around stars Hollow,
• 46:32
  Speaker 1: Laura Lie says, you know how on All in the
• 46:35
  Speaker 1: Family with Edith and would be yapping and about something
• 46:38
  Speaker 1: and Archie would pretend to make a noose and hang
• 46:40
  Speaker 1: himself and shoot himself in the head. While in the
• 46:42
  Speaker 1: Family is an American sitcom television series on CBS that
• 46:45
  Speaker 1: ran for nine seasons from nine nine. The show was
• 46:49
  Speaker 1: honored on a thirty three cent stamp by the USPS
• 46:53
  Speaker 1: and Sally Struthers, who plays Babette, co starred in All
• 46:56
  Speaker 1: in the Family. Do you guys know this show? Amy?
• 46:58
  Speaker 1: Do you know, All in the Family, to and l
• 47:00
  Speaker 1: you know, All in the Families. So you're too young,
• 47:03
  Speaker 1: I do do Let's let's hear your Edith imitation? Do
• 47:09
  Speaker 1: come on, do an impression. Come on, you're on the spot.
• 47:11
  Speaker 1: I'm putting you on the spot. You gotta do an impression.
• 47:13
  Speaker 1: Come on, do it? You know? Okay, that's good, you
• 47:18
  Speaker 1: did good, Auchy you Dennis ready, there you go, come on,
• 47:23
  Speaker 1: can you can do it? I think it's funny that
• 47:26
  Speaker 1: they do a pop culture reference to All in the
• 47:28
  Speaker 1: Family on a show that Sally Struthers is on. Well,
• 47:32
  Speaker 1: I mean, it was just it was just, you know,
• 47:34
  Speaker 1: the the greatest sitcom in the history of television. Problem
• 47:38
  Speaker 1: Edith impression? Go ahead? I can do based off your impression?
• 47:43
  Speaker 1: Maybe go ahead? Go ahead? Achi. That sounded like like
• 47:53
  Speaker 1: a hundred and fifty year old woman. I would have
• 47:55
  Speaker 1: liked to hear Riley sing the All in the Family
• 47:57
  Speaker 1: theme song a little bit. Oh yeah. It was a
• 48:01
  Speaker 1: thing in the seventies. It was a huge Norman Lear,
• 48:05
  Speaker 1: huge sitcom for its time. It was it was groundbreaking
• 48:09
  Speaker 1: television because it got very very political and they were
• 48:12
  Speaker 1: into big issues. Uh every single episode. My favorite Rob
• 48:17
  Speaker 1: Reiner and Rob Reiner. Rob Reiner was Mike Mike Stivick. Yeah,
• 48:22
  Speaker 1: so Sally Struther played the daughter and then she married Rob. Yeah,
• 48:28
  Speaker 1: it's off the charts and then it spun off like
• 48:30
  Speaker 1: a million television shows like The Jefferson the other shows. Yeah,
• 48:37
  Speaker 1: that's a fantastic show. Anyway, go ahead, Sorry, Riley, that
• 48:42
  Speaker 1: was wow, that's pretty good. You nailed it good at all.
• 48:50
  Speaker 1: That's uh. Laura I talks to Suki in the kitchen
• 48:55
  Speaker 1: of the Independence In after Laura I says she's engaged,
• 48:57
  Speaker 1: and Suki says, who's catering? And Laura LI says. Bobby Flay.
• 49:00
  Speaker 1: Bobby Flays an American celebrity, chef, restaurateur, and reality television personality.
• 49:04
  Speaker 1: Bobby Flay recently exited the Food Network after twenty seven
• 49:07
  Speaker 1: years and his cat Nacho Flay is famous on Instagram
• 49:10
  Speaker 1: with two hund followers, and he learned to cook at
• 49:13
  Speaker 1: a young age while using a bag easy bake oven. Yeah,
• 49:17
  Speaker 1: Bobby Flay wanted a hundred mill, just a couple of pennies.
• 49:21
  Speaker 1: He wanted a hundred mill because the other guy got
• 49:24
  Speaker 1: eighty or something. Who's the other guy? Guy Fierry got eight.
• 49:28
  Speaker 1: He wanted a hundred mills. I wonder whether he'll go, Well,
• 49:32
  Speaker 1: he'll go somewhere and get the money. Yeah, A couple
• 49:36
  Speaker 1: of cooking Channel Listen, I'm off, I'm off for talent
• 49:41
  Speaker 1: getting as much as they can get. It's good for them,
• 49:45
  Speaker 1: good for them. Dean and Roy talked about breaking up
• 49:47
  Speaker 1: is not for them. Rory says, oh, sure, Share Greg Allman,
• 49:50
  Speaker 1: but they give it a big thumbs up. Share is
• 49:52
  Speaker 1: an American singer, actress, and television personality who is often
• 49:55
  Speaker 1: referred to as the Goddess of pop. Greg Allman was
• 49:57
  Speaker 1: the late legendary rocker of Almond Brothers Aime and He
• 50:01
  Speaker 1: and Sharon were married for four days after she finalized
• 50:04
  Speaker 1: her divorce from Sonny, but she filed for divorce from
• 50:06
  Speaker 1: him at nine days after later due to his drug problems.
• 50:10
  Speaker 1: Sharon Greg have one child together, Elijah Blue Alman. How
• 50:13
  Speaker 1: did it? But I mean it wasn't she aware of
• 50:16
  Speaker 1: his drug problems before that? And then all of what
• 50:19
  Speaker 1: what do you think? He just was like sober and
• 50:21
  Speaker 1: hiding it until they got married, and then all of
• 50:23
  Speaker 1: a sudden he's just like started using again. Oh, I
• 50:26
  Speaker 1: have to divorce you now, what's going on there? I
• 50:28
  Speaker 1: have many questions about that relations show. A huge fan
• 50:32
  Speaker 1: of both of them, but especially Greg Alman. Share. Yeah,
• 50:37
  Speaker 1: you gotta love Share, but you do a share impression. Riley? Yeah, nice, nice,
• 50:46
  Speaker 1: It's not bad, but it's comedic too. It's like she
• 50:51
  Speaker 1: kind of nails it, but there's like this comedic twist
• 50:53
  Speaker 1: to it. Do it again. That's that voice. That throaty
• 50:56
  Speaker 1: thing you do is really funny. You're you're just you're
• 51:00
  Speaker 1: superstar status. It is just just you're sealing it. Go ahead.
• 51:06
  Speaker 1: Never it got better. When I closed my eyes, it
• 51:13
  Speaker 1: was a lot better. God. That was God. Since I'm
• 51:15
  Speaker 1: not looking myself in the zoom, we're getting the Will
• 51:20
  Speaker 1: and Grace episode where Shawn Hayes impression. I just thought, yeah,
• 51:24
  Speaker 1: and the voice went down. We'll go down right, the
• 51:29
  Speaker 1: voice would go down. Oh that was that was hister.
• 51:36
  Speaker 1: I did that. I did an episode of that show.
• 51:38
  Speaker 1: He was he was a lovely guy. I did. I was.
• 51:41
  Speaker 1: I was. It was the episode called dos Boob. Was
• 51:47
  Speaker 1: this before Gilmore or oh no before yeah? Yeah, yeah,
• 51:51
  Speaker 1: I've done a Seinfeld and then I did a Will
• 51:53
  Speaker 1: and Grace and I was it was. I was an
• 51:56
  Speaker 1: artist and all, I guess an ex boyfriend or somebody
• 51:58
  Speaker 1: that she had a crush on or something. Yes, yeah,
• 52:03
  Speaker 1: and so she thought, oh, my character liked busty women.
• 52:07
  Speaker 1: She remembers that about me from it was either college
• 52:10
  Speaker 1: or whatever it was, and here I am the successful
• 52:13
  Speaker 1: artist in my show. I think it was something like that.
• 52:17
  Speaker 1: And so she got a fake she got a water
• 52:19
  Speaker 1: bra to enhance herself, and it popped and it started
• 52:23
  Speaker 1: spraying water all over the paintings and stuff. Yeah. So
• 52:26
  Speaker 1: one Saturday, I'm going to have to watch Saw five.
• 52:29
  Speaker 1: I love Saw movies. Two. Yes, I'm obsessed with the
• 52:33
  Speaker 1: Saw movies. Scariest movies I've ever seen in my whole life.
• 52:35
  Speaker 1: One is hands down the scares. I'll watched the Seinfeld.
• 52:39
  Speaker 1: What about the Exorcist? You haven't seen the Exorcist? Have
• 52:44
  Speaker 1: you thought Saul was scarier than the Exorcist. The Exorcist
• 52:48
  Speaker 1: seemed more like it's not going to happen, whereas Saw
• 52:52
  Speaker 1: was like, this is totally going to happen. This could
• 52:54
  Speaker 1: totally happen. It seems so real, and then is the
• 52:57
  Speaker 1: event off to find the event again? I could watch it.
• 53:00
  Speaker 1: It's not scary, No, I know the event was good.
• 53:01
  Speaker 1: I'm just trying to have Scott Patterson Saturday. Okay, spend
• 53:05
  Speaker 1: your time as you will. Okay, Sash wallows wallow. Why
• 53:12
  Speaker 1: are you wallowing? You're wallowing? It could be when I'm wallowing.
• 53:16
  Speaker 1: Hopefully I'm not wallowing them. Wasn't enough wallowing in my life? No,
• 53:21
  Speaker 1: we're just talking about because remember when Rory used your wallow? Yeah,
• 53:24
  Speaker 1: but why are you wallowing? I'm not right. I think
• 53:26
  Speaker 1: Riley was just saying, like, if I needed a wallow,
• 53:28
  Speaker 1: that's my playlist as opposed to the notebook. All right,
• 53:32
  Speaker 1: you know. But anyway, so Sean Hayes was just spectacular
• 53:36
  Speaker 1: on that set. They were great. They were That's a
• 53:40
  Speaker 1: great cast of people right there. That was a really
• 53:42
  Speaker 1: fun show to work on. Okay, Riley, god right, Sorry
• 53:45
  Speaker 1: we're getting off the track here. I like the track here, Okay. Laura,
• 53:52
  Speaker 1: I talked with Rory in the kitchen about the art
• 53:53
  Speaker 1: deco ring. Laura Lisa supposedly ripped off of Zelda Fitzgerald
• 53:57
  Speaker 1: Cold dead Hand. Zelda Fitzgerald was an American social light
• 54:00
  Speaker 1: novelist and painter. The Eagles wrote their song Witchy Woman
• 54:03
  Speaker 1: after being inspired by Zelda's biography. Zelda's husband was F.
• 54:06
  Speaker 1: Scott Fitzgerald, who wrote the wrote The Great Cat Spy,
• 54:09
  Speaker 1: the greatest writer of prose that ever lived. In my opinion,
• 54:14
  Speaker 1: Leo DiCaprio version of The Great Gatsby is not good.
• 54:18
  Speaker 1: I weirdly watched it the other day. The Toby Maguire
• 54:21
  Speaker 1: Leo the Robert Redford thumbs up. Dean says he's not
• 54:25
  Speaker 1: that great at math when he's at Friday night dinner.
• 54:27
  Speaker 1: Lorelai says, yeah, except who really, who is really except
• 54:30
  Speaker 1: for mathematicians or blackjack dealers or I guess Stephen Hawking
• 54:32
  Speaker 1: doesn't suck. Stephen Hawking is was a physicist and author.
• 54:36
  Speaker 1: He was diagnosed with an early onset, slow progressing form
• 54:39
  Speaker 1: of the motor Z motor disease that paralyzed him for
• 54:41
  Speaker 1: over decades. The doctor told him that he would die
• 54:44
  Speaker 1: at a young age, but he lived for fifty five
• 54:46
  Speaker 1: more years than what the doctors expected. And he was
• 54:49
  Speaker 1: known to be a wild wheelchair driver, and there is
• 54:52
  Speaker 1: rumor that he once ran over Prince Charles Toes. Ryan
• 54:57
  Speaker 1: Lane are hanging out at Lane's house and Lane keeps
• 54:59
  Speaker 1: talking about heading over to Korea with a one way ticket,
• 55:02
  Speaker 1: Lane says it's going to it's going to just be
• 55:05
  Speaker 1: like Sally Field movie where their husband took her them
• 55:07
  Speaker 1: to Iran and wouldn't let them back in accept it.
• 55:10
  Speaker 1: I won't have to keep my head covered. So the
• 55:12
  Speaker 1: movie they were referring to was Not Without My Daughter,
• 55:14
  Speaker 1: American drama film based on the book series or the
• 55:18
  Speaker 1: book with the same name. Sally Field is an American
• 55:20
  Speaker 1: actress and director. She portrayed the role of Betty in
• 55:23
  Speaker 1: this film. She was infamous for Oscar and running speech
• 55:26
  Speaker 1: where she said you like me, you really like me.
• 55:29
  Speaker 1: Sally also starred as sister bert Row in The Flying Nun.
• 55:34
  Speaker 1: Uh huh. She was the Flying Nun. She was Norma
• 55:37
  Speaker 1: Ray too. Oh yeah, she was Norma Ray. She was
• 55:41
  Speaker 1: badass norm right. Didn't she win an oscar for that?
• 55:44
  Speaker 1: Also was The Mom and Mrs Doubtfire Yea Laura Lee
• 55:49
  Speaker 1: and Suki talking the kitchen at the Independence in and
• 55:51
  Speaker 1: Suki says, Laura, I will be a Sadie. The references
• 55:55
  Speaker 1: from Funny Girl. Loria says funny Girl and they go
• 55:57
  Speaker 1: back and forth. Funny Girls In nineteen six American musical
• 56:01
  Speaker 1: comedy drama Barbara Streisan and Omar Sharif had an affair
• 56:04
  Speaker 1: that lasted for the duration of the production. Barbara vetoed
• 56:08
  Speaker 1: Frank Sinatra being cast for the film because he didn't
• 56:10
  Speaker 1: like him. She didn't like him personally. Really, that is
• 56:14
  Speaker 1: an interesting factoid. Huh. I did not know that, because
• 56:17
  Speaker 1: Frank Frank Sinatra was very aggressive about getting roles that
• 56:20
  Speaker 1: he wanted. Oh god, yeah, I mean yeah, yeah, his
• 56:25
  Speaker 1: singing career was over and he was trying to make
• 56:28
  Speaker 1: comeback in Hollywood and it worked. He was then he
• 56:31
  Speaker 1: got cast, he got casting from here to Eternity and
• 56:35
  Speaker 1: started making a comeback, and then the singing came back
• 56:37
  Speaker 1: after that. But he was broke for a while and
• 56:39
  Speaker 1: he was just like, yes Sinatra. Yeah, he was a
• 56:42
  Speaker 1: huge star for Old Blue Eyes. He was down and
• 56:45
  Speaker 1: out in Hollywood, man, and he and he and he
• 56:47
  Speaker 1: aggressively went after the rolling from here in Eternity. Yeah.
• 56:52
  Speaker 1: That's actually a hint before my time. Yeah, yeah, but
• 56:55
  Speaker 1: mine too. But I mean, I you know, I read
• 56:58
  Speaker 1: sometimes anyway. Um I don't wallow and have ten houses,
• 57:02
  Speaker 1: and you know I read sometimes, so um So anyway,
• 57:07
  Speaker 1: what were you saying. That's an interesting fact to it.
• 57:08
  Speaker 1: I had no idea. God Omar Sharif was so great
• 57:11
  Speaker 1: in that role. The segment doesn't suck. Riley, you like me,
• 57:16
  Speaker 1: you really like there? You go, Sally there, that's it.
• 57:19
  Speaker 1: Give it to arm, give it to yeah. Yeah, last
• 57:25
  Speaker 1: one they threw down the gauntlet. Now you're showing them
• 57:28
  Speaker 1: what a superstar can do. This is why you got
• 57:30
  Speaker 1: the job. We saw it in you. We're bringing it
• 57:33
  Speaker 1: home with a banger, Max talking to Rory. Banger? What
• 57:41
  Speaker 1: the kids say the banger? Okay? Max is talking to
• 57:46
  Speaker 1: Rory on the phone, and Laurel starts barking when she
• 57:49
  Speaker 1: hears the ring that she likes and Max has put
• 57:51
  Speaker 1: on the phone. Please does a good scene. Couo is
• 57:55
  Speaker 1: three American horn phil based on Stephen King's novel The
• 57:59
  Speaker 1: Dogs in the nineteen three film would have their tails
• 58:01
  Speaker 1: tied down because the dogs would be enjoying themselves so
• 58:04
  Speaker 1: much that they would wag their tails to make the
• 58:07
  Speaker 1: dogs attack the car. Animal trainers put dogs favorite toys
• 58:10
  Speaker 1: in the car so the dogs would try to get them,
• 58:12
  Speaker 1: and the foam around Kujo's mouth was made from a
• 58:15
  Speaker 1: concoction of egg whites and sugar. M nice and that's
• 58:19
  Speaker 1: your pop culture. Nice research on you on you very
• 58:25
  Speaker 1: well done. So my favorite lines I had to go,
• 58:30
  Speaker 1: I have like twenty from this episode, but of course
• 58:32
  Speaker 1: the old will you get me a muffin when you're
• 58:34
  Speaker 1: up there already said, I freaking love when you said
• 58:38
  Speaker 1: I'm all prepared to jump up and down if necessary
• 58:42
  Speaker 1: of us. That entire scene was like, that's not the
• 58:45
  Speaker 1: line so much, it's the delivery of the line. And
• 58:49
  Speaker 1: you know, I still like when this is not a
• 58:51
  Speaker 1: favorite line per se, but I thought it was an
• 58:53
  Speaker 1: important scene when Miss Patty says, have you told Luke
• 58:56
  Speaker 1: be gentle? Because it just it was like, oh wow,
• 59:00
  Speaker 1: h Danielle Europe. Okay, I have four, but I'm gonna
• 59:04
  Speaker 1: just say two. So the first one the first of it. Okay,
• 59:10
  Speaker 1: you're gonna get all horror two hours long, too long already.
• 59:15
  Speaker 1: So the first one is from Emily when she goes Antonia,
• 59:17
  Speaker 1: please bring out the twinkies because a servant literally brought
• 59:21
  Speaker 1: out twinkies. So good. The second one is from Dean
• 59:25
  Speaker 1: when he goes Beer's bad bad, so good. Okay. Third
• 59:33
  Speaker 1: one is from Richard. His head is shaped like a football.
• 59:35
  Speaker 1: If he fell asleep in the car, someone would try
• 59:37
  Speaker 1: to punt him so good. And then my last one is, um,
• 59:44
  Speaker 1: when Laura La was looking at the wedding magazines that
• 59:48
  Speaker 1: I was trying to get that guy's name, the guy
• 59:51
  Speaker 1: that was working Boots Bootsy. That's why I thought I heard,
• 59:54
  Speaker 1: but I didn't know. Um so Bootsy. Um. He goes,
• 59:57
  Speaker 1: are you a Leo, and Laura La goes no, and
• 1:00:00
  Speaker 1: then he goes, thank god, those guys are getting screwed
• 1:00:03
  Speaker 1: this week, Riley. My line is from Laura Lee and
• 1:00:08
  Speaker 1: she's freaking out when they're standing outside of Emily and
• 1:00:11
  Speaker 1: Richards and she pushes the doorbell. She goes, oh look,
• 1:00:13
  Speaker 1: doorbell ding dong? Pretty sound? Where was this outside of
• 1:00:18
  Speaker 1: Emily and Richards? You know, she's freaking out before going
• 1:00:20
  Speaker 1: into dinner, and Rory is trying to talk to her
• 1:00:23
  Speaker 1: and she's just all overplace it and she says, oh look,
• 1:00:25
  Speaker 1: doorbell ding dong. Pretty That wasn't this episode. I didn't
• 1:00:29
  Speaker 1: catch that. You she was deflecting because Rory was like
• 1:00:34
  Speaker 1: asking her all the questions. Yeah, I got you right.
• 1:00:37
  Speaker 1: She was still she was disturbed by what Luke's reaction serious.
• 1:00:43
  Speaker 1: I don't know. Um, okay, So my favorite line is
• 1:00:45
  Speaker 1: Rory um, when she just said I'll have a beer.
• 1:00:50
  Speaker 1: I thought it was perfect set up for that joke,
• 1:00:53
  Speaker 1: I'll have a beer. I know, it's still good. When
• 1:00:58
  Speaker 1: Dean said she would do the beer thing again, you know,
• 1:01:00
  Speaker 1: it's like it's like they do jokes so well. I
• 1:01:04
  Speaker 1: mean it's like it's really it's like, you know sometimes
• 1:01:08
  Speaker 1: that that show just becomes a stand up routine. And
• 1:01:12
  Speaker 1: I so love that about it. I so love because
• 1:01:15
  Speaker 1: you get that good set up and then there's the
• 1:01:17
  Speaker 1: joke boom. It's good. It's good joke telling. You know,
• 1:01:20
  Speaker 1: we didn't even mention Melissa McCarthy in this episode and
• 1:01:23
  Speaker 1: how great she was. Oh several times. I mean she
• 1:01:28
  Speaker 1: burned her had she put her hand on the burner,
• 1:01:29
  Speaker 1: she cut herself, they wrapped her. When she's talking to Emily,
• 1:01:33
  Speaker 1: she did it again. Oh that was classic. And then
• 1:01:37
  Speaker 1: she just threw the phone in the sink and she
• 1:01:39
  Speaker 1: it was great. Melissa McCarthy took us on an emotional
• 1:01:45
  Speaker 1: journey getting the good news from Laura la that she's
• 1:01:47
  Speaker 1: getting it also makes you realize how amazing Lauren Graham is.
• 1:01:51
  Speaker 1: That Melissa McCarthy you forget because Lauren Graham is so amazing. No,
• 1:01:58
  Speaker 1: I don't know. I listen and I agree with you,
• 1:02:01
  Speaker 1: but I don't agree with you. I I don't. I didn't.
• 1:02:03
  Speaker 1: I didn't forget Suki. I'm the one that just brought
• 1:02:06
  Speaker 1: her up. You guys forgot her. I totally forgot. I'm
• 1:02:09
  Speaker 1: obsessed with Laura. Lie. Also, what did you think of
• 1:02:12
  Speaker 1: Laura with the glasses in this episode? Yeah, she looks
• 1:02:15
  Speaker 1: good glasses. Um, But you know the reason, you know,
• 1:02:18
  Speaker 1: it's it's like Keiko, and and and Melissa didn't have
• 1:02:21
  Speaker 1: major story arcs in this episode, which is why you know,
• 1:02:25
  Speaker 1: we we spent all the time on the major story arcs.
• 1:02:28
  Speaker 1: But you know that the performances, Wow, Melissa just hitting
• 1:02:34
  Speaker 1: it out of the park, just wonderful, and even Michelle,
• 1:02:38
  Speaker 1: even Michelle, even this little stuff, it's all such high quality.
• 1:02:43
  Speaker 1: It's like the major story arcs aren't good enough. Here.
• 1:02:46
  Speaker 1: Here's more brilliance here over here than you're going to
• 1:02:48
  Speaker 1: forget about it. But you know, it's like it's still great.
• 1:02:51
  Speaker 1: There's a lot to love here, a lot to love here.
• 1:02:54
  Speaker 1: So great episode. So what else? What else do we
• 1:02:57
  Speaker 1: have to cover here? See you next week? Done the
• 1:03:01
  Speaker 1: next episode? Season two Season two Episodes two Hammers and
• 1:03:06
  Speaker 1: vales and we will be We'll be back next time, y'all.
• 1:03:12
  Speaker 1: We're gonna have a special surprise guest and uh oh yeah,
• 1:03:16
  Speaker 1: hey guys, Uh god, I'm gonna be in Houston. Do
• 1:03:20
  Speaker 1: you want to come down and see me at the
• 1:03:21
  Speaker 1: Bayou City Comic Con November nine, Houston. Go to I
• 1:03:27
  Speaker 1: guess Bayou City Comic Con and dot com and get
• 1:03:29
  Speaker 1: tickets and uh, you know, New York Comic Con was huge.
• 1:03:33
  Speaker 1: It was so much fun. Oh my god. You know,
• 1:03:36
  Speaker 1: they have three point three million square feet there of
• 1:03:39
  Speaker 1: convention space and it was filled to the brim. Yeah,
• 1:03:43
  Speaker 1: and it was great being back in the old town,
• 1:03:45
  Speaker 1: my old stomping grounds. Man. I hope that place comes back.
• 1:03:48
  Speaker 1: It's starting to look like it's coming back a little bit. Yeah, yeah,
• 1:03:51
  Speaker 1: I'm encouraged. So if you if you're planning to go
• 1:03:54
  Speaker 1: to the Big Apple, you know, it's it's it's coming
• 1:03:57
  Speaker 1: back to life a little bit. It's nice to see anyway. Guys. Uh,
• 1:04:00
  Speaker 1: thanks for download, thanks for listening in. Y'all are the
• 1:04:04
  Speaker 1: best fans on the planet. You know it, we know it.
• 1:04:07
  Speaker 1: We love you, we always will you know. Thanks for
• 1:04:11
  Speaker 1: tuning in. I'm Scott Patterson and this is the I'm
• 1:04:15
  Speaker 1: All In Podcast, I Heart Radio one to leven Productions,
• 1:04:18
  Speaker 1: and we will see you next time. Be safe, everybody, Hey, everybody,
• 1:04:50
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• 1:04:54
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• 1:04:58
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• 1:05:01
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• 1:05:03
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• 1:05:07
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• 1:05:09
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