Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - May 2026

Transcript

After Hours - May 2026 · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions podcast network.
• 0:06
  Speaker 2: Hey, this is Jason Kleeberg from The Force five podcast,
• 0:09
  Speaker 2: a show that forces a guest to come up with
• 0:11
  Speaker 2: a movie themed top five list topic, and then we
• 0:14
  Speaker 2: reveal our picks on air. Top five heist Films, top
• 0:17
  Speaker 2: five tier Jerkers, top five movie dogs. Every show you'll
• 0:21
  Speaker 2: be asking yourself what would be on my list. Guests
• 0:24
  Speaker 2: include directors, screenwriters, actors, podcasters, musicians, authors, and even a
• 0:28
  Speaker 2: professional wrestler. Subscribe to the Force five podcast and you
• 0:32
  Speaker 2: won't just be a listener, you'll be a listen nerd.
• 0:34
  Speaker 2: The Force five podcast available wherever you are listening now.
• 1:44
  Speaker 3: I think Steve would win with his VHS collection.
• 1:47
  Speaker 4: I honor agree, that's not even in the background.
• 1:50
  Speaker 3: The massacre of vhs you have a loan would make it.
• 1:54
  Speaker 3: You know, you would win?
• 1:56
  Speaker 5: Yeah, I completely agree. You have one of those? Do
• 1:58
  Speaker 5: you have one of those spinny shelves for the new
• 2:01
  Speaker 5: y spinner?
• 2:02
  Speaker 4: Dude?
• 2:02
  Speaker 3: Those things are so expensive. Have you guys looked to
• 2:04
  Speaker 3: buy those? No, Well, they're.
• 2:07
  Speaker 4: Expensive buying them new it is. But when I got
• 2:11
  Speaker 4: mining it was actually for it was like a pre
• 2:13
  Speaker 4: de surprice, though I think it's filled. It's like you
• 2:18
  Speaker 4: have to like hulk out to move it.
• 2:21
  Speaker 5: Yeah, or when it's empty full? Oh okay, that makes sense. Yeah,
• 2:27
  Speaker 5: VHS man. I I had to make a pinned comment
• 2:30
  Speaker 5: on my video I posted today because Brian got upset
• 2:33
  Speaker 5: the v I didn't include VHS's in the all formats.
• 2:36
  Speaker 3: Well, did you include beta Max?
• 2:38
  Speaker 5: I know I'm trying to sure laser disc listen, dude,
• 2:45
  Speaker 5: leave me.
• 2:47
  Speaker 3: What kind of collector are you? You call yourself?
• 2:49
  Speaker 4: Picking out all the flaws in that video.
• 2:52
  Speaker 5: Jez Brian, did you choose?
• 2:55
  Speaker 3: Did you pick sixteen millimeter film? Yeah? I did? Actually,
• 2:59
  Speaker 3: there's a yeah, this whole segment I did.
• 3:02
  Speaker 5: What about Uh, Steve, did you get the Texas chains
• 3:05
  Speaker 5: asking turbine media set? Don't do the listeners cannot hear
• 3:12
  Speaker 5: your eyebrows moving up and now.
• 3:15
  Speaker 4: Eyebrow? Did you raising? I did?
• 3:20
  Speaker 3: Hell?
• 3:21
  Speaker 5: I love that, like one one, one hundredth of the
• 3:26
  Speaker 5: numbers of these sets have gone to just us.
• 3:31
  Speaker 4: You know what, It's okay, it's going to a good home.
• 3:33
  Speaker 5: Fourteen and forty four.
• 3:34
  Speaker 3: I think it was limited to right.
• 3:37
  Speaker 5: There was definitely fomo with that in my Oh yeah, am.
• 3:41
  Speaker 4: I I think Jordan hit the nail on the head
• 3:44
  Speaker 4: when he said, after this, you basically are all like
• 3:49
  Speaker 4: Texas Texas chain saw it out right?
• 3:51
  Speaker 6: Was that was that I said, I have a release,
• 3:56
  Speaker 6: and now I have this, and it's like, you pretty
• 3:58
  Speaker 6: much have everything that there is to offer in terms
• 4:02
  Speaker 6: of content.
• 4:03
  Speaker 5: Do you have a plastic chainsaw?
• 4:07
  Speaker 3: In terms of content? That's everything that that's right you're
• 4:11
  Speaker 3: gonna have.
• 4:12
  Speaker 5: I see. The reason I want the Dark Sky one
• 4:15
  Speaker 5: isn't so much because of the Chainsaw. I just want
• 4:18
  Speaker 5: the fiftieth anniversary slipcover. Yeah, you know, because fifty years
• 4:23
  Speaker 5: from now, when I'm eighty five, I'm gonna be like, wow,
• 4:26
  Speaker 5: look I got this fiftieth anniversary slipcover.
• 4:28
  Speaker 3: And then they're going to release the one hundredth anniversary.
• 4:32
  Speaker 5: Oh I bet I bet you there's gonna be like
• 4:33
  Speaker 5: a fifty third anniversary, fifty fourth anniversary, fifty fifth anniversary.
• 4:40
  Speaker 4: I don't think I need to own any more like
• 4:42
  Speaker 4: copies of it. I feel like I'm pretty good. I mean,
• 4:44
  Speaker 4: I have the VHS.
• 4:46
  Speaker 5: Listen, it's easy for y'all to say owning the second
• 4:48
  Speaker 5: site ones.
• 4:50
  Speaker 4: That's true, just I mean release special features.
• 4:56
  Speaker 3: It has got the documentary in there.
• 4:57
  Speaker 5: I still need it. It has the David Gregory documentary.
• 5:00
  Speaker 5: The Turbine one has the David Gregory documentary.
• 5:04
  Speaker 3: Yeah, but there's produced only one that's only on theirs.
• 5:07
  Speaker 5: Yeah, I know, we interviewed the director.
• 5:09
  Speaker 3: Man, then then why don't you have it?
• 5:12
  Speaker 5: I would What am I gonna do? I? I asked him,
• 5:15
  Speaker 5: Steve Can. I asked him if there was like a
• 5:17
  Speaker 5: vault with all these out of print things in it,
• 5:20
  Speaker 5: to try to be like hey, and I actually said
• 5:22
  Speaker 5: to him, I'm missing the specific one that I would
• 5:25
  Speaker 5: love to have, hoping he would be like, you know what, man,
• 5:28
  Speaker 5: since you gave such a great interview to me, then
• 5:32
  Speaker 5: I would send it your way. And that did not work.
• 5:34
  Speaker 3: We're gonna put it back into production. No fire, fire
• 5:42
  Speaker 3: up the warehouse. We're gonna make one just for Chris,
• 5:46
  Speaker 3: Just for Chris.
• 5:47
  Speaker 5: Honestly, that's what I expect. Never getting to the point,
• 5:51
  Speaker 5: Welcome back to After Hours.
• 5:52
  Speaker 3: This is our.
• 5:54
  Speaker 5: Beyond the Blood uh spin off show where basically we
• 5:58
  Speaker 5: just hang out and uh bullshit of about what we bought,
• 6:00
  Speaker 5: what we've been watching, really anything we want. This is
• 6:03
  Speaker 5: kind of no rules. It's all improv no scripts, you know,
• 6:07
  Speaker 5: I've been watching a lot of kill Tony lately, so
• 6:10
  Speaker 5: I've been kind of, you know, in this whole improv.
• 6:14
  Speaker 5: But you know what I mean.
• 6:15
  Speaker 4: Look at you, man, dude, you watch kil Tony, He's
• 6:18
  Speaker 4: just gonna start roasting us.
• 6:21
  Speaker 3: You got inspiration now.
• 6:22
  Speaker 5: I got to work just early enough today that I
• 6:25
  Speaker 5: could listen to the new episode. And I feel silly
• 6:28
  Speaker 5: because I'm in my store alone with headphones on, laughing audibly.
• 6:34
  Speaker 5: I don't know what's going on there, but you know,
• 6:38
  Speaker 5: so anyway, joined here by as always the handsome, very
• 6:42
  Speaker 5: shiny tonight. You look very good. You look very geen,
• 6:46
  Speaker 5: very ready, radiant, very Yes, you look very you look
• 6:50
  Speaker 5: very radiance films tonight. It was always shown by Steve
• 6:54
  Speaker 5: from After Hours Video. How are you, Steve?
• 6:56
  Speaker 4: What's happening? Guys? Happy to be here, Ready to talk
• 6:59
  Speaker 4: some movies.
• 7:00
  Speaker 5: Jordan's you also look beautiful. You look like you spent
• 7:05
  Speaker 5: the day chopping wood. Is that what you did today?
• 7:12
  Speaker 3: I came face to face, actually, I was breaking down
• 7:14
  Speaker 3: cardboard a lot today and I came face to face
• 7:16
  Speaker 3: with a black widow that was probably the size of
• 7:19
  Speaker 3: a silver dollar. Confirmed, dude, I've got pictures I will
• 7:24
  Speaker 3: send to you, dude, that thing scared for ship out
• 7:27
  Speaker 3: of me.
• 7:28
  Speaker 4: Yeah, she's not coming to California.
• 7:31
  Speaker 5: Confirmed.
• 7:32
  Speaker 3: Like confirmed. We have black widows here.
• 7:35
  Speaker 4: And man, listen, you just go on uh go online, man,
• 7:40
  Speaker 4: compare and contrast.
• 7:41
  Speaker 5: We have black widows here in Jersey. I'm sure you
• 7:44
  Speaker 5: in the middle have black widows.
• 7:46
  Speaker 3: It's not a coast.
• 7:47
  Speaker 4: At Michigan Lakes, we got lakes freeze.
• 7:51
  Speaker 5: Where there's lakes, there's there's placids. Man, you can get
• 7:56
  Speaker 5: Google are there.
• 7:57
  Speaker 4: We've got lakes and street violence in Detroit.
• 8:00
  Speaker 5: I was gonna say, you gotta worry about more about
• 8:02
  Speaker 5: getting shot. Yes, black widows are found in Michigan. You listen.
• 8:05
  Speaker 5: Your state is the home.
• 8:08
  Speaker 1: Oh okay, not to be confused, not to be confused
• 8:12
  Speaker 1: with the home starring uh Pete Davidson, but the home
• 8:16
  Speaker 1: of the Northern black Widow.
• 8:20
  Speaker 5: So there you're you're done for.
• 8:22
  Speaker 4: Dude, was that on a box you were folding?
• 8:25
  Speaker 3: No, it was a box I was breaking down.
• 8:31
  Speaker 4: Wait, it was a picture you sent.
• 8:35
  Speaker 3: Then you can see the see the black widow. That's
• 8:39
  Speaker 3: a close one, but there's a further away one.
• 8:42
  Speaker 4: Confirmer Tony. If you let it bite you would you
• 8:45
  Speaker 4: get Spider Man LI like abilities.
• 8:47
  Speaker 5: Wait, where's the red where's the red thing on its butt?
• 8:51
  Speaker 3: I know I always thought that, So I don't want
• 8:54
  Speaker 3: to attempt to get that close at that angle.
• 8:57
  Speaker 5: I think. I think it's fucking scary.
• 8:58
  Speaker 4: Dude, What did you do with it?
• 9:02
  Speaker 3: I killed it?
• 9:03
  Speaker 4: Oh?
• 9:05
  Speaker 3: You know what's funny is so we were we were unboxed,
• 9:08
  Speaker 3: taking the boxes down, and we were spraying it with
• 9:12
  Speaker 3: like aunt roach killer and didn't do anything. And then
• 9:17
  Speaker 3: so my wife grabbed a driver club was an old one,
• 9:22
  Speaker 3: and dude, she just was hacking the ship out of it,
• 9:25
  Speaker 3: like just going nuts after it, like dude hatchet style,
• 9:30
  Speaker 3: and she killed it. I was very proud of her.
• 9:34
  Speaker 4: Hell, dude, the reason it didn't die is because it's
• 9:36
  Speaker 4: from Oscorp.
• 9:39
  Speaker 3: It's gonna come back like three times bigger.
• 9:43
  Speaker 5: You're it all man, You're gonna wake up tomorrow with powers.
• 9:48
  Speaker 5: It's gonna be You're gonna you're gonna take you're it's
• 9:50
  Speaker 5: gonna be blurry with your glasses on. You're gonna take
• 9:53
  Speaker 5: them down, not blurry, and.
• 9:55
  Speaker 4: Then you're gonna have chocolate bar abs.
• 9:59
  Speaker 3: You're gonna be like, hey, it's going on like, I'm fine.
• 10:04
  Speaker 4: I always think when he comes down the steps and
• 10:06
  Speaker 4: he just like completely scales like the side of the stairwell.
• 10:11
  Speaker 5: That always bothers me because he didn't get anywhere faster,
• 10:16
  Speaker 5: like it probably would have been quicker if he just
• 10:17
  Speaker 5: finished the down the steps.
• 10:20
  Speaker 4: Yeah, but it looked cool, it did.
• 10:21
  Speaker 3: It did look cool with ship.
• 10:23
  Speaker 5: I saw an AI version where he did that and
• 10:24
  Speaker 5: then like whooped the ship out of Uncle Ben. See
• 10:30
  Speaker 5: AI is good in some some uses. Yes, you know,
• 10:34
  Speaker 5: so guys, let's uh, let's talk about let's talk about
• 10:39
  Speaker 5: some you guys been spending money lately.
• 10:40
  Speaker 4: Or what not?
• 10:46
  Speaker 3: As much as much I've spent more?
• 10:50
  Speaker 5: Did you? Did you guys get anything from the Vinegar
• 10:52
  Speaker 5: Syndrome halfway to Black Friday?
• 10:55
  Speaker 3: So no, I got, Well, I did the only thing.
• 10:59
  Speaker 3: I ordered. Nothing on sale, but I ordered. Why can't
• 11:05
  Speaker 3: uh the control to pre ordered the Mangler?
• 11:09
  Speaker 5: Oh yeah, that was that's part of my I will
• 11:12
  Speaker 5: be getting that via the When I did the pre
• 11:14
  Speaker 5: order during the secret titles.
• 11:17
  Speaker 3: The Mangler with that glow in the dark slip, it's
• 11:21
  Speaker 3: pretty sweet.
• 11:22
  Speaker 5: I So I got crap. I can't get on to
• 11:26
  Speaker 5: their site because I forgot that they're.
• 11:29
  Speaker 4: Released, what the mangler it?
• 11:35
  Speaker 5: So I think it ships for partners or that not partners,
• 11:41
  Speaker 5: the subscribers, and then it ships for people like me
• 11:43
  Speaker 5: who pre ordered it during like before the title got announced, okay,
• 11:48
  Speaker 5: and then for everyone else it'll ship. I think that's correct.
• 11:52
  Speaker 5: I think I read that. I think if you order
• 11:54
  Speaker 5: it when it's a secret title, you ship after the subscribers.
• 11:56
  Speaker 5: That's like the advantage just is from buying it.
• 11:58
  Speaker 4: Then, Chris, I'm actually close to the Alchemist.
• 12:02
  Speaker 3: Just go there to the archive or the archive art
• 12:05
  Speaker 3: would you call it the Alchemist? The archivist is what
• 12:08
  Speaker 3: I called it, but the archive.
• 12:09
  Speaker 5: Yeah, no, I'm not drive three and a half hours ago, So.
• 12:14
  Speaker 3: There you go three and a half. I don't know.
• 12:17
  Speaker 3: I don't know how travel.
• 12:18
  Speaker 5: Works over there, honestly. I've been there once during the
• 12:21
  Speaker 5: halfway to Black Friday week because they kind of do
• 12:23
  Speaker 5: like an in store sale all week for it, and
• 12:26
  Speaker 5: the new titles are impossible to get there unless you're
• 12:28
  Speaker 5: there like day one, like they have a line outside.
• 12:31
  Speaker 3: Basically.
• 12:32
  Speaker 5: That's cool though, because they do a whole store. They
• 12:35
  Speaker 5: do a whole like used media sale and all kinds
• 12:37
  Speaker 5: of stuffs. Yeah. So I'm not. I don't want to
• 12:42
  Speaker 5: go when it's that that crazy. But I also I
• 12:47
  Speaker 5: reached out to uh Tony from Gloria Video. He got
• 12:52
  Speaker 5: he got me a copy of and I couldn't get
• 12:55
  Speaker 5: the title because their site is down. Of the new
• 13:00
  Speaker 5: I think, I think I'm going to order it. He's
• 13:02
  Speaker 5: got to put it in a thing for me. The
• 13:05
  Speaker 5: new Mitchell Brothers title that came out from Melu scene,
• 13:09
  Speaker 5: so I got that as well. It's called the Autobiography
• 13:13
  Speaker 5: of It's right here, right, it's right here. Uh, the
• 13:19
  Speaker 5: auto Biography of a Flea.
• 13:24
  Speaker 3: Hmm.
• 13:25
  Speaker 4: So I definitely want to pick up Mutant and I'm
• 13:29
  Speaker 4: gonna get the Mangler at some point.
• 13:32
  Speaker 5: Dude, the Mangler I wasn't expecting. And it's funny because
• 13:35
  Speaker 5: during there, when they were teasing it and they said
• 13:39
  Speaker 5: by a by a master of literal on screen murder,
• 13:41
  Speaker 5: I was like, I didn't even think about Freddy Krueger.
• 13:45
  Speaker 4: Yeah, that's true.
• 13:46
  Speaker 5: Robert England, Yeah, didn't even think about it.
• 13:49
  Speaker 4: What was the other title? Worth two?
• 13:51
  Speaker 5: Yeah, it was the I got it right here. The
• 13:54
  Speaker 5: human are human Lanterns. It's a Shaw Brothers.
• 13:58
  Speaker 3: Oh yeah, I saw that as a Chris scored with
• 14:01
  Speaker 3: this one.
• 14:02
  Speaker 5: Yeah Yeah. It says here that equally wealthy Master Ton
• 14:07
  Speaker 5: and Master Lung are both competing to be honored at
• 14:10
  Speaker 5: the upcoming Festival of Lanterns. When Ton presents a Lung
• 14:14
  Speaker 5: with his ornately crafted lantern, Lung realizes to best his rival,
• 14:18
  Speaker 5: he must create an even more beautiful lantern. Lung engages
• 14:21
  Speaker 5: the strange craftman craftsman Chao Fang, imploring him to create
• 14:25
  Speaker 5: the most sensational lantern ever seen. It sounds like trump.
• 14:29
  Speaker 5: Fang agrees on the condition that his work be conducted
• 14:32
  Speaker 5: a complete secrecy. Soon, panic sets in throughout the region
• 14:34
  Speaker 5: as beautiful young women start to go missing, their skinned
• 14:37
  Speaker 5: corpses discovered thereafter. Says it is a cornerstone in the
• 14:42
  Speaker 5: Shaw brothers unique approach to confining traditional w wos, woopsia
• 14:46
  Speaker 5: and kungo filmaking trips, but incredibly bloody, weird and stylish
• 14:49
  Speaker 5: nineteen Days Horror, and it says that this is the
• 14:52
  Speaker 5: longest and most complete version ever on video, including extended
• 14:56
  Speaker 5: gore sequences never before available on disc, along with a
• 14:59
  Speaker 5: never on video alternate ending presented only in the Cantonese
• 15:03
  Speaker 5: export version.
• 15:06
  Speaker 4: That's the real deal.
• 15:08
  Speaker 3: Sounds like a lot of fun.
• 15:10
  Speaker 4: Yeah.
• 15:10
  Speaker 5: So there's a couple of other things that I want.
• 15:14
  Speaker 5: I'm gonna hold off on. I need the films of
• 15:16
  Speaker 5: a Stato Volume four and Rolls Royce Baby, the Jeff
• 15:21
  Speaker 5: Franco Delirium released Rolls Royce Baby. But yeah, it's just
• 15:26
  Speaker 5: cool because these are thick ass boxes.
• 15:28
  Speaker 3: These two secret titles. I'm stoke look at these.
• 15:32
  Speaker 4: Jordan's you anything this month that you haven't had a
• 15:34
  Speaker 4: chance to watch yet?
• 15:40
  Speaker 3: The one I was gonna talk about, I mean, I
• 15:42
  Speaker 3: was just gonna pull this talk about today. Just that
• 15:45
  Speaker 3: I'm excited about is the Grapes of Death and The
• 15:48
  Speaker 3: Living Dead Girl, the two of John Rome films. I
• 15:52
  Speaker 3: got them. I just have a chest to watch.
• 15:53
  Speaker 5: Yet, Jean Rolon, Chris you anything, Uh No, I do.
• 15:59
  Speaker 5: I So I have a couple of things out for
• 16:04
  Speaker 5: like pre order that haven't come in yet. I did
• 16:07
  Speaker 5: do a trade with our buddy Robbie Miles, who was
• 16:11
  Speaker 5: just on our Evil Dead Rise episode, and I did
• 16:14
  Speaker 5: get the I don't know if you guys have seen this.
• 16:18
  Speaker 5: Have you guys seen the Jorg bu Garrett set from
• 16:21
  Speaker 5: Erroo video that was an Erro Video story exclusive?
• 16:24
  Speaker 4: Uh?
• 16:26
  Speaker 5: So it's.
• 16:29
  Speaker 3: Let's say, when was when was this?
• 16:32
  Speaker 5: So for those who don't know, and I could be
• 16:36
  Speaker 5: butchering the name, I think it's bu Garrett. He directed
• 16:41
  Speaker 5: most famously Necromantic one and two. Oh okay, yeah, so
• 16:47
  Speaker 5: arrow And I know this is gonna be terrible for
• 16:48
  Speaker 5: audio listeners because you can't see what I'm showing you guys,
• 16:51
  Speaker 5: But this is the Memento Mori.
• 16:54
  Speaker 4: I do remember that very nice.
• 16:57
  Speaker 5: So this contains I mean, I don't I don't like
• 17:01
  Speaker 5: this packaging. It's the like slide out book with the
• 17:06
  Speaker 5: plastic sleeves that the discs sit in. But this contains Necromantic.
• 17:14
  Speaker 5: And one thing I like here is it comes with
• 17:15
  Speaker 5: the Grindhouse version as well, that I really like. I
• 17:20
  Speaker 5: can't say this is it dirt toadskin, Necromantic two, shrom
• 17:28
  Speaker 5: and then a fifth disc which has like the extended
• 17:30
  Speaker 5: cut of Nechromantic two and a whole bunch of other extras.
• 17:33
  Speaker 5: But one thing that's cool is that the center here
• 17:36
  Speaker 5: is like a thick ass book, Like, look how.
• 17:41
  Speaker 3: Much writing is in here. It's crazy.
• 17:45
  Speaker 5: It's a fool on like big like, I mean, it's
• 17:50
  Speaker 5: probably it.
• 17:51
  Speaker 4: Might be the biggest book I've ever seen like.
• 17:54
  Speaker 5: Let's see if there's look at this, dude, it's like
• 17:57
  Speaker 5: full on Jake from Steel Book of would love this.
• 18:01
  Speaker 4: Look at this.
• 18:05
  Speaker 5: Yeah, it's was seventy it's one hundred pages.
• 18:10
  Speaker 4: So you've got that large booklet that comes in it.
• 18:12
  Speaker 4: And how many films totally.
• 18:15
  Speaker 5: Four one, two, three.
• 18:18
  Speaker 4: Four would you end up trading him?
• 18:21
  Speaker 5: I traded him the Umbrella Monkey Shines, the Georgia Merrow,
• 18:27
  Speaker 5: and I also traded him my Vinegar Syndrome four K
• 18:30
  Speaker 5: of Summer of eighty four. Very nice for this, so
• 18:37
  Speaker 5: not bad. I already had an Achromantic one and two,
• 18:40
  Speaker 5: but there was a couple of cuts that are in
• 18:42
  Speaker 5: this that weren't available in that. This also comes with,
• 18:45
  Speaker 5: you know, the other films because I originally had back
• 18:47
  Speaker 5: before I had a region free player, I had the
• 18:50
  Speaker 5: Arrows your collection. It was called Love and Death and
• 18:54
  Speaker 5: I had troum In the other film in it, and
• 18:55
  Speaker 5: I got rid of it because I wasn't reagent free
• 18:57
  Speaker 5: yet and I've been wanting this, but I didn't want
• 19:00
  Speaker 5: to pay like the seventy nine dollars. This was on
• 19:03
  Speaker 5: the site and he listed it. He and his story
• 19:05
  Speaker 5: one day posted and it was like, oh, is anybody
• 19:07
  Speaker 5: want to trade? Because he had two of them? So yeah,
• 19:11
  Speaker 5: I'm super seriod. Yeah. I don't know how often I'm
• 19:15
  Speaker 5: gonna throw in Necromantic, but you know, I mean it's
• 19:17
  Speaker 5: sick to have.
• 19:20
  Speaker 3: Listen, Jordan, have you ever seen those movies? I have not.
• 19:23
  Speaker 3: Non you guess I've definitely heard of them.
• 19:27
  Speaker 5: Yeah, they're pretty wild man, Steve, are you a fan
• 19:28
  Speaker 5: of the necromantic films?
• 19:31
  Speaker 4: I have not seen them?
• 19:33
  Speaker 5: Oh okay, all right, well do you guys want to
• 19:35
  Speaker 5: talk about some movies?
• 19:38
  Speaker 4: Oh?
• 19:39
  Speaker 3: Yeah, yeah, well you kicked it off.
• 19:42
  Speaker 5: I was gonna talk about something I actually watched.
• 19:44
  Speaker 3: Oh I wanted to wanted me to kick it off
• 19:46
  Speaker 3: that way, Let's talk about Necromantic.
• 19:48
  Speaker 5: I was gonna chat about about Send Help okay, from
• 19:54
  Speaker 5: director Sam Raimi. I watched this on who knew?
• 19:58
  Speaker 4: Didn't look up to your expectation?
• 20:01
  Speaker 5: Oh dude, I mean I was super excited to see it. Speechless.
• 20:13
  Speaker 5: I went in not really expecting anything. I think I
• 20:15
  Speaker 5: saw the trailer, but I didn't know what to expect
• 20:19
  Speaker 5: from it, and it was completely different than any minor
• 20:23
  Speaker 5: expectation I did have. I wasn't expecting it.
• 20:27
  Speaker 3: To be.
• 20:31
  Speaker 5: So sweet and so brutal.
• 20:35
  Speaker 3: At the same time.
• 20:37
  Speaker 5: Like I've never seen a movie with more ups and downs,
• 20:41
  Speaker 5: meaning like just emotional waves in my life. It goes
• 20:45
  Speaker 5: from these moments where you really think these characters are
• 20:48
  Speaker 5: gonna end up okay to just some of the meanest
• 20:53
  Speaker 5: betrayals ever I've ever seen in a film before. And
• 20:59
  Speaker 5: one thing I will say, and I know, I love
• 21:03
  Speaker 5: to see sam REI me making movies again, but this
• 21:07
  Speaker 5: is the old The CGI just always takes me so
• 21:11
  Speaker 5: far out of it.
• 21:11
  Speaker 4: Yep.
• 21:12
  Speaker 5: Yeah, It's like it's so during like you have the
• 21:17
  Speaker 5: bar scene when she kills a boar and it's it's
• 21:21
  Speaker 5: spilling CGI blood and then it's intercutting with real blood
• 21:25
  Speaker 5: splattering on her and it was just like everything that
• 21:29
  Speaker 5: and then there's these there's a few other shots, like
• 21:34
  Speaker 5: later in the movie, there's a scene where she gets
• 21:35
  Speaker 5: a finger in her eye and it begins pushing her
• 21:38
  Speaker 5: eye and the CGI just looks terrible, like and I
• 21:43
  Speaker 5: don't know if it's terrible out of like you know,
• 21:46
  Speaker 5: not really trying to make it look photo real, but
• 21:50
  Speaker 5: it just kind of gave me like it's like who
• 21:52
  Speaker 5: framed Roger Rabbit vibes at times, so what like I
• 21:59
  Speaker 5: can I can ignore it the most part, but it
• 22:00
  Speaker 5: did take me out a couple times. I also feel
• 22:06
  Speaker 5: like there's a moment in the movie about three quarters
• 22:08
  Speaker 5: of the way through where she begins to do something
• 22:14
  Speaker 5: to Dylan O'Brien that the movie turns a one to
• 22:19
  Speaker 5: eighty on you on and tricks you with that. I
• 22:21
  Speaker 5: wish they had just gone through with I think it
• 22:23
  Speaker 5: would have made it a better movie.
• 22:24
  Speaker 4: Oh, I know what you're talking about.
• 22:25
  Speaker 5: Yep, So I feel like there was I feel like
• 22:30
  Speaker 5: I'm so mixed on it.
• 22:31
  Speaker 3: I think it was a good movie.
• 22:32
  Speaker 5: I think it's fun. I think the characters are great.
• 22:34
  Speaker 5: Rachel McAdams is awesome.
• 22:40
  Speaker 7: If I like for Sam Rami, well, I told my wife,
• 22:46
  Speaker 7: there's like flashes of Sam Raimi in it, Like there's
• 22:49
  Speaker 7: like really big flashes of him.
• 22:51
  Speaker 5: It doesn't feel as cohesive as consistent as you like
• 22:54
  Speaker 5: Drag Me to Hell. You know, Drag Me to Hell
• 22:57
  Speaker 5: was pretty unnerving all the way through, and you had
• 23:01
  Speaker 5: these big outrage of Ramy moments where send help. Feels
• 23:05
  Speaker 5: like a few Raimi standout moments, and the rest was
• 23:09
  Speaker 5: just kind of like a drama whatever. Yeah, I really
• 23:13
  Speaker 5: enjoyed the Danny Elfman score. It's very different for Danny Elfman.
• 23:17
  Speaker 5: It's very rare in that score that his typical style
• 23:21
  Speaker 5: comes through. I thought that the score was very good,
• 23:23
  Speaker 5: especially in the quieter moments like there's these really like
• 23:27
  Speaker 5: almost you know, romantic comedy style like piano moments and
• 23:31
  Speaker 5: string moments that are very very nice that I loved that.
• 23:34
  Speaker 5: I actually was listening to on the score today, the
• 23:36
  Speaker 5: standalone score, so I liked it. It's definitely not top
• 23:42
  Speaker 5: five Raimy for me. I absolutely hated the ending as well,
• 23:45
  Speaker 5: So yeah, yeah, I don't know. Somebody messaged me today
• 23:50
  Speaker 5: and they were like, what's your top five Raimi? And
• 23:52
  Speaker 5: I'm like Evil Dad, Evil Dead two dragged me to Hell,
• 23:56
  Speaker 5: dark Man, and then like spider Man two. So yeah,
• 24:05
  Speaker 5: I'd probably put it somewhere around like what's that sports
• 24:10
  Speaker 5: movie he made? I always forget that what that's called
• 24:13
  Speaker 5: for the love of the game was that him.
• 24:18
  Speaker 4: I put a simple plan up there. That's other good one.
• 24:21
  Speaker 5: A simple plan is definitely top definitely like right outside
• 24:25
  Speaker 5: the top five for me.
• 24:26
  Speaker 4: That's what I was thinking.
• 24:28
  Speaker 5: I probably put send help with like the Quicken the Dead.
• 24:35
  Speaker 4: Yeah, it's because as you were talking about them, trying
• 24:38
  Speaker 4: to like kind of frank them, and you obviously have
• 24:42
  Speaker 4: like the Evil Dead trilogy. Dark Man's definitely up there.
• 24:45
  Speaker 4: Spider I love the first Spider Man. I mean both
• 24:47
  Speaker 4: one and two are really good, but you definitely go
• 24:51
  Speaker 4: back to the first one a little bit more.
• 24:53
  Speaker 5: And it was funny because I went on letterbox and
• 24:55
  Speaker 5: I saw that I saw that Ken really liked it,
• 24:59
  Speaker 5: and then he actually said in his review, like watching
• 25:01
  Speaker 5: it a second time, it kind of bumped it down
• 25:04
  Speaker 5: for him. He didn't like it as much. So I
• 25:06
  Speaker 5: don't know, I'm curious to see how movie how this
• 25:08
  Speaker 5: movie age is. It's got his typical Bill Pope's a cinematographer, like,
• 25:14
  Speaker 5: it's got all the typical cat all, the typical crew
• 25:17
  Speaker 5: of a Sam Raimi. Bob Morowski was the editor owner
• 25:20
  Speaker 5: of Grindhouse Releasing. He edited the film. So it just
• 25:24
  Speaker 5: didn't I'm not too sure what it was that just
• 25:27
  Speaker 5: didn't really didn't sit all the way with me. I
• 25:31
  Speaker 5: loved I loved moments of it, yeah, but I kind
• 25:35
  Speaker 5: of found myself, kind of found myself like probably forty
• 25:38
  Speaker 5: five minutes. Then I got up and like started folding
• 25:40
  Speaker 5: the laundry while watching it, and kind of doing other
• 25:44
  Speaker 5: things while watching it, more than just sitting down and
• 25:46
  Speaker 5: focusing on it.
• 25:48
  Speaker 4: Did you guys see obsession yet?
• 25:51
  Speaker 3: Yeah? Well I went and saw it. Yeah, I saw
• 25:54
  Speaker 3: that was really good. Opening night. It was good.
• 25:58
  Speaker 4: Oh, you can probably go.
• 25:59
  Speaker 5: To its one hundred times budget success.
• 26:02
  Speaker 3: Definitely. I think it definitely is worth the hype.
• 26:08
  Speaker 4: Yeah. That was I think the most fun I've had
• 26:10
  Speaker 4: so far this year.
• 26:11
  Speaker 5: My brother in law said it was dull.
• 26:15
  Speaker 3: Hmm, what's his favor?
• 26:18
  Speaker 5: Teach your own, Yeah, teach your own. Just it's been
• 26:22
  Speaker 5: pretty like, I mean, I'm sure I'm gonna love it.
• 26:24
  Speaker 5: It's been pretty unanimously.
• 26:27
  Speaker 3: Yeah. That and Hokum are both i I brilliant.
• 26:31
  Speaker 5: Yeah, so have to see that.
• 26:32
  Speaker 4: We were supposed to see it the other night and
• 26:33
  Speaker 4: it didn't happen.
• 26:35
  Speaker 5: Yeah, we know, you know, we know the hokum, we
• 26:38
  Speaker 5: know the hogum.
• 26:40
  Speaker 4: Yeah, it's like an ongoing saga. And now now I
• 26:43
  Speaker 4: feel like less theaters are playing it near me. So
• 26:48
  Speaker 4: it's now getting tougher and tougher to go see this
• 26:51
  Speaker 4: movie because now it's gone from like some of my
• 26:54
  Speaker 4: favorite theaters in the area to now only AMC has
• 26:58
  Speaker 4: it nearby.
• 26:59
  Speaker 3: And what movie I didsy was Passenger in that movie
• 27:02
  Speaker 3: was utter dog shit.
• 27:07
  Speaker 4: Dude.
• 27:07
  Speaker 5: I've heard such mixed things about it.
• 27:10
  Speaker 3: Dude, it was I personally hated it. The cold opening
• 27:14
  Speaker 3: was great, which was the trailer.
• 27:17
  Speaker 5: I okay, let's let's chat about this here, because I
• 27:25
  Speaker 5: get that filmmakers like Andrea Overdal have a lot of
• 27:29
  Speaker 5: a lot of success, right with with like Autopsy of
• 27:32
  Speaker 5: Jane Doe.
• 27:32
  Speaker 3: People are still talking about Autops of Jane Doe.
• 27:35
  Speaker 5: I get it. I don't think that's a movie you
• 27:39
  Speaker 5: can use into marketing. Like they're like, oh, this is
• 27:44
  Speaker 5: this is the director of Autopsy of Jane Doe. This
• 27:47
  Speaker 5: is the scariest this, this is the next scariest thing
• 27:50
  Speaker 5: he's done. And it's like, dude, Autops of Jane Doe
• 27:52
  Speaker 5: came out like ten years ago. We're still using this
• 27:56
  Speaker 5: as like a marketing thing. Am I wrong?
• 28:00
  Speaker 3: And thinking that.
• 28:04
  Speaker 4: I've never seen it so it wouldn't really have any
• 28:07
  Speaker 4: I mean, wait.
• 28:08
  Speaker 3: For me, Yeah, I guess it's so far removed and
• 28:14
  Speaker 3: it was such a small movie that I think using
• 28:18
  Speaker 3: that as a market marketing tactic, would it really resonate
• 28:22
  Speaker 3: with people to make the general audience want to go
• 28:25
  Speaker 3: see it.
• 28:27
  Speaker 5: Yeah.
• 28:27
  Speaker 3: Now, if you said maybe like the guy who brought
• 28:31
  Speaker 3: us story Scary Stories, Telling the Dark or the Last
• 28:35
  Speaker 3: Voyage of the Demeter. Maybe, I don't remember if they
• 28:39
  Speaker 3: said anything of the director who brought you X Y
• 28:43
  Speaker 3: and Z movie.
• 28:43
  Speaker 5: All I saw was Autopsy of Jane Doe and all
• 28:45
  Speaker 5: the marketing.
• 28:48
  Speaker 3: Wait they really said that. I haven't seen any of that.
• 28:51
  Speaker 4: Yeah.
• 28:51
  Speaker 3: Yeah.
• 28:51
  Speaker 5: One of the trailer, one of the big trailers, was like,
• 28:53
  Speaker 5: I think it was like a lot of the articles,
• 28:55
  Speaker 5: a lot of the first kind of wave marketing was like, oh,
• 29:00
  Speaker 5: you know, not since the Autopsy of Jane Doe as
• 29:02
  Speaker 5: you've been so scary.
• 29:04
  Speaker 3: Yeah, I mean of his movies. I get that because
• 29:09
  Speaker 3: that definitely is his his like peak of scary movies. Yeah,
• 29:14
  Speaker 3: but this no, it just like I like I said,
• 29:18
  Speaker 3: I think the opening was great, which is what you
• 29:20
  Speaker 3: literally saw in the trailer, But then the movie shifts
• 29:26
  Speaker 3: and it's about someone completely different than what we saw
• 29:28
  Speaker 3: on the trailer. It wasn't even about them, Yeah, which
• 29:33
  Speaker 3: I mean whatever. There's a cool little one shot take
• 29:36
  Speaker 3: in the movie. They do some really cool camera work
• 29:38
  Speaker 3: in this movie, which I will say I thought was
• 29:40
  Speaker 3: really awesome, but go ahead, no, go ahead, I was saying,
• 29:48
  Speaker 3: what the problem I had? The big one is the
• 29:52
  Speaker 3: I just felt like we were treated as kids watching
• 29:55
  Speaker 3: the movie where they constantly and a lot of movies
• 29:57
  Speaker 3: do this nowadays. They constantly re mind you of a plot. Okay,
• 30:01
  Speaker 3: here's where we're going, here's what we're doing. Oh, here's
• 30:04
  Speaker 3: a callback to something we've found out earlier, and audibly
• 30:08
  Speaker 3: the character in the dialogue will say, you know, even
• 30:12
  Speaker 3: if there's no one there, this is what that said.
• 30:15
  Speaker 3: You know. It's kind of like I'm watching Dora the
• 30:19
  Speaker 3: Explorer or something, you know, where you're constantly being fed
• 30:24
  Speaker 3: breadcrumbs and like, oh, remember this, come on, let's go
• 30:27
  Speaker 3: kind of the.
• 30:28
  Speaker 5: Driver the driver of the car turns into camera and goes,
• 30:31
  Speaker 5: do you see a passenger in my car?
• 30:33
  Speaker 3: So that's how I found Is there a passenger in
• 30:36
  Speaker 3: my car? Say?
• 30:37
  Speaker 5: Yes, if there's a passenger in my car, all right,
• 30:43
  Speaker 5: that's that's like I forget. We're we're watching something newer
• 30:48
  Speaker 5: the other night and it's a there's a moment I
• 30:50
  Speaker 5: can't remember what it was, but there was something in
• 30:52
  Speaker 5: a house like it was a scary moment in a
• 30:54
  Speaker 5: house and there was just this terrible adr that you
• 30:57
  Speaker 5: could tell was thrown in, and it's like the characters,
• 30:59
  Speaker 5: here's the spooky and they turn and or something in
• 31:03
  Speaker 5: the shadows, and all you hear is them go, is
• 31:05
  Speaker 5: there something in the shadow? And I was like, yeah,
• 31:08
  Speaker 5: are we Why would you say? It didn't even sound
• 31:14
  Speaker 5: like the audio that they had been talking five seconds
• 31:17
  Speaker 5: ago sounded like it was clearly a dyrd and re
• 31:20
  Speaker 5: put in.
• 31:21
  Speaker 4: Yeah, I could always be jarring.
• 31:24
  Speaker 3: It's like, it's just no faith.
• 31:28
  Speaker 5: Like I think they think that people aren't gonna like
• 31:31
  Speaker 5: the movie because I didn't know what was going on.
• 31:34
  Speaker 5: There's plenty of movies that nobody knows what's going on
• 31:36
  Speaker 5: that we enjoy. I don't need to be spoon fed
• 31:38
  Speaker 5: no reminder.
• 31:39
  Speaker 4: I think that's a big issue with movies, is kind
• 31:43
  Speaker 4: of treating the audience like they're dumb.
• 31:45
  Speaker 5: Yeah, are you guys gonna see back rooms?
• 31:48
  Speaker 4: I want to say it.
• 31:50
  Speaker 3: I do. There's the marketing. I've been kind of well,
• 31:54
  Speaker 3: I think I told you guys in the chat. I
• 31:55
  Speaker 3: just think it's kind of funny. Some people are saying
• 31:58
  Speaker 3: this is going to change Hollywood movie because they're finally
• 32:02
  Speaker 3: recognizing these movies and seven. I don't I woantn't put
• 32:07
  Speaker 3: that much merit into it personally, but I do want
• 32:11
  Speaker 3: to see it.
• 32:12
  Speaker 5: I have a free ticket because of the Triple A
• 32:14
  Speaker 5: twenty four, so I might go. I'm off on Friday.
• 32:17
  Speaker 5: I might go see it if my local theater has it.
• 32:19
  Speaker 5: I saw today that Mark Duplas had to come out
• 32:24
  Speaker 5: and kind of take down the rumor of now Kane
• 32:28
  Speaker 5: Parsons not actually directing this movie because he's only twenty
• 32:30
  Speaker 5: years old. I guess there's been some rumors that he
• 32:34
  Speaker 5: didn't actually direct it from people that are I don't
• 32:36
  Speaker 5: know if just envious of the fact that he's finding
• 32:39
  Speaker 5: success as such a young director or what. But Mark
• 32:41
  Speaker 5: Duplas came out and said that he was actually hired
• 32:43
  Speaker 5: by the studio to come out and kind of like
• 32:45
  Speaker 5: supervise and help him out because he's such a young director.
• 32:49
  Speaker 5: And Duplas has done that on numerous occasions, and he
• 32:52
  Speaker 5: was straight up like, I didn't have to do nothing.
• 32:54
  Speaker 5: This guy directed this movie like didn't need any help.
• 32:59
  Speaker 3: He did what he had to do.
• 33:03
  Speaker 4: Interesting.
• 33:04
  Speaker 5: Crazy, Yeah, I don't know, so I'll see it. I'm
• 33:08
  Speaker 5: curious at, you know, how it comes out. I'm not
• 33:11
  Speaker 5: familiar with back rooms outside of the occasional like Instagram
• 33:15
  Speaker 5: real video that I would come across of do you
• 33:18
  Speaker 5: have them in the mall? And finding the back rooms
• 33:20
  Speaker 5: and stuff. I'm not too too caught up on exactly
• 33:25
  Speaker 5: what it is, and I'm hoping that doesn't detract from
• 33:26
  Speaker 5: my experience of it because it seems to be a
• 33:28
  Speaker 5: pretty standalone film. So I'm excited to check it out
• 33:34
  Speaker 5: if my theater's playing it.
• 33:35
  Speaker 4: I don't really know what to expect with it. I
• 33:37
  Speaker 4: think that's my only thing, and maybe that's a good thing.
• 33:40
  Speaker 5: I listen, man, you know what you know. You can't
• 33:43
  Speaker 5: expect back rooms. It's good be you.
• 33:46
  Speaker 4: That's my biggest fear.
• 33:49
  Speaker 5: But I'm gonna switch up, Jordan. Tell me about what's
• 33:51
  Speaker 5: something you watched this week? Man?
• 33:55
  Speaker 3: Well, what I've been watching this week or this month whatever.
• 33:59
  Speaker 3: So I got in this box set from Imprint. It
• 34:03
  Speaker 3: is the Neo Noir Collection, Volume four and they and
• 34:08
  Speaker 3: I was really interested in this collection because they had
• 34:11
  Speaker 3: a certain title in here that is a four K
• 34:15
  Speaker 3: title that was previously announced from Shout Factory Scream Factory,
• 34:20
  Speaker 3: and that is unlawful entry.
• 34:24
  Speaker 4: Hell yeah, I was.
• 34:27
  Speaker 3: I was very intrigued and interested to check this out.
• 34:30
  Speaker 3: I was curious about the four K.
• 34:33
  Speaker 5: Look.
• 34:33
  Speaker 3: The movie is is such a great movie. If you
• 34:35
  Speaker 3: guys haven't seen it, anybody listening, I know Steve has
• 34:38
  Speaker 3: seen it. You have Kurt Russell and you have what
• 34:43
  Speaker 3: are you saying? Madeline Stowe. They're a married couple and
• 34:47
  Speaker 3: one night they get a break into their house and
• 34:50
  Speaker 3: they called nine one one and these two police officers
• 34:53
  Speaker 3: show up to the house. I don't remember the other
• 34:55
  Speaker 3: police officers same, but Rayley Yoda is one of the
• 34:57
  Speaker 3: police officers and he gets a glimpse at Madeline Stowe's
• 35:02
  Speaker 3: character and pretty much falls for her right there, and uh,
• 35:06
  Speaker 3: he slowly makes his way into their relationship, tries to,
• 35:12
  Speaker 3: you know, form a wedge to get Kurt Russell's character
• 35:15
  Speaker 3: out of there because he thinks that, you know, he
• 35:19
  Speaker 3: he's saying, look, you, your wife deserves a better protector
• 35:22
  Speaker 3: than what you can give her. And man, he be
• 35:26
  Speaker 3: littles Kurt Russell in this movie. So, I mean, it's
• 35:29
  Speaker 3: it's pretty bad. But what's crazy about this movie is
• 35:35
  Speaker 3: this movie's a good like showcase of why police for
• 35:41
  Speaker 3: the most part where body cams nowadays, because my god,
• 35:45
  Speaker 3: like this is some there's some dark stuff in this movie.
• 35:49
  Speaker 3: But Raleioto, I always loved him as a villain. He
• 35:52
  Speaker 3: plays such an incredible villain in this movie. Now, I said,
• 35:56
  Speaker 3: I was excited about this about the four four K
• 35:58
  Speaker 3: looks great, I will say. When it starts, did I
• 36:01
  Speaker 3: was like, you know, it looks a little dark. But
• 36:04
  Speaker 3: then I got to remind us of this is a
• 36:06
  Speaker 3: noir film, so most of the shots take place at night,
• 36:09
  Speaker 3: so you know, it kind of made sense. It was
• 36:11
  Speaker 3: a little darker, but it looked great. I love this movie.
• 36:16
  Speaker 3: There's some great night shots where they go to this
• 36:19
  Speaker 3: like this Chinese restaurant looks great on four K.
• 36:25
  Speaker 4: But man, have you seen it before?
• 36:28
  Speaker 3: No, this is the first time. And as far as
• 36:31
  Speaker 3: special features, I haven't really got chance to dig into
• 36:35
  Speaker 3: what the what does screen factory one have? What does
• 36:37
  Speaker 3: this one happen? But I know this one is pretty
• 36:39
  Speaker 3: pretty loaded with stuff and with new stuff in here.
• 36:43
  Speaker 3: It's got like behind the filming of it interviews, a
• 36:46
  Speaker 3: bunch of archival interviews in this some audio commentaries and stuff.
• 36:51
  Speaker 3: But what sucks is that this is locked into that,
• 36:55
  Speaker 3: you know, massive expensive imprint set. So I mean, if
• 36:59
  Speaker 3: if you want the other films in there, that's awesome
• 37:01
  Speaker 3: because he's got like Wild at Heart and stuff like that.
• 37:03
  Speaker 3: But I need the screen factories pointing it out. So
• 37:08
  Speaker 3: if that's what you're interested, wait for that for a
• 37:11
  Speaker 3: lawful entry, right, Yeah, I'm sorry, unmuffle entry.
• 37:14
  Speaker 5: Yes, okay, So yeah, I was just saying I've been
• 37:16
  Speaker 5: waiting for an updated version, updated at least a Wild
• 37:20
  Speaker 5: at Heart same.
• 37:22
  Speaker 3: Yeah, I.
• 37:24
  Speaker 5: Getaway, Oh the Getaway is uh yeah, Alec Baldwin, Kim Bassenger,
• 37:29
  Speaker 5: James Madison, Yeah, that movie. I haven't heard about that
• 37:31
  Speaker 5: movie in forever.
• 37:32
  Speaker 3: It's got Yeah, it's got a few different I've heard
• 37:35
  Speaker 3: of a few of them.
• 37:37
  Speaker 5: Oh dude, look at this. I was just looking through.
• 37:39
  Speaker 5: Mulholland Falls has a new audio commentary by our producers
• 37:43
  Speaker 5: Ryan of The Disconnected.
• 37:45
  Speaker 3: And Will Dodson.
• 37:46
  Speaker 4: That's awesome.
• 37:49
  Speaker 5: I was not a fan. I think you guys saw
• 37:51
  Speaker 5: when I texted you earlier this week. I was not
• 37:53
  Speaker 5: a fan of Freeway. So if you know, if you're
• 37:57
  Speaker 5: diving through this set and you watch Freeway, I.
• 37:58
  Speaker 3: Was not a fan.
• 38:01
  Speaker 5: What's crazy about that movie. Is hearing Renees Elwiger say
• 38:05
  Speaker 5: some of the things that she does, because she talks
• 38:07
  Speaker 5: about some pretty pretty graphic stuff in that in that
• 38:12
  Speaker 5: movie is pretty shocking. But other than that, I was
• 38:14
  Speaker 5: not a fan of that. Steve, are you a fan
• 38:17
  Speaker 5: of Freeway?
• 38:20
  Speaker 4: I'm trying to think. I don't think I've seen it.
• 38:21
  Speaker 5: With the Keefer Sutherland Renees.
• 38:25
  Speaker 4: Didn't Vineger Syndrome release at one point?
• 38:27
  Speaker 5: Yeah, I'm actually I have the two back two of them. Yeah,
• 38:32
  Speaker 5: free Way two Confessions of a Trick Baby, which is
• 38:34
  Speaker 5: even worse.
• 38:34
  Speaker 3: My god, Chris, have you seen a level entry? No?
• 38:41
  Speaker 5: I haven't.
• 38:41
  Speaker 3: I have not it. So nobody else has put that out?
• 38:49
  Speaker 3: Uh No, shout Factory is supposed to be doing it.
• 38:52
  Speaker 3: I don't remember when their's releases their four K, but
• 38:55
  Speaker 3: improt was the first one to put it out.
• 38:57
  Speaker 5: Okay, okay, and I.
• 38:58
  Speaker 3: Was looking too, because a lot of times, uh imprint
• 39:02
  Speaker 3: will use other other labels transfers and scans and stuff,
• 39:08
  Speaker 3: and a lot of times they'll put it on the
• 39:09
  Speaker 3: disc like you can see, like on the actual disc
• 39:12
  Speaker 3: face it'll say shout Factory, screen Factory or whatnot. And
• 39:16
  Speaker 3: even when you put the disc in it'll like some
• 39:19
  Speaker 3: of the stuff, it'll say, shout factory will pop up. Yeah,
• 39:22
  Speaker 3: none of that with this one. So I don't know
• 39:25
  Speaker 3: if if Imprint actually did their own transfer with this
• 39:28
  Speaker 3: or not, but it looks.
• 39:30
  Speaker 5: Good, so I think it's the same with the Halloween
• 39:32
  Speaker 5: said right, they don't have anywhere on there that they're
• 39:34
  Speaker 5: using anything from the screen factory.
• 39:36
  Speaker 3: So they are. They are. I did watch them, and
• 39:38
  Speaker 3: that's but we'll say that a little because I am
• 39:41
  Speaker 3: kind of talking about those. But they are using screen
• 39:43
  Speaker 3: factory stuff. But there's a caveat to that. There's something
• 39:47
  Speaker 3: else they throw on.
• 39:48
  Speaker 5: Okay, okay, Steve, what about you?
• 39:51
  Speaker 4: Man?
• 39:51
  Speaker 5: What do you wanna do you wanna talk about it? Dude?
• 39:53
  Speaker 5: Let's talk, man, let's chat for a while.
• 39:54
  Speaker 4: What do you want to Chat's? So it's it's been
• 39:56
  Speaker 4: a while, and uh, I figured i'd uh set the table,
• 40:01
  Speaker 4: if you will, with a nice Vinegar Syndrome release. And
• 40:06
  Speaker 4: that's none other than Massacre. So Jordan, I know you
• 40:12
  Speaker 4: had a chance to see this, Chris, have you seen
• 40:14
  Speaker 4: this one?
• 40:16
  Speaker 3: Dude?
• 40:16
  Speaker 5: I haven't seen that one in such a long time.
• 40:18
  Speaker 3: Is that.
• 40:21
  Speaker 5: Is that one of the Baba titles?
• 40:23
  Speaker 4: So it's yeah, it's one of the No, no, it's
• 40:26
  Speaker 4: a Lucio Okay, I got Okay, you're you're not completely wrong.
• 40:31
  Speaker 4: It's Andrea Bianchi who he directed Burial Ground. Yeah so close.
• 40:38
  Speaker 4: But yeah, this one was the first time watch and
• 40:43
  Speaker 4: I picked this one up here within the last month
• 40:46
  Speaker 4: I had a chance to watch it. Overall, I felt
• 40:49
  Speaker 4: like it was a fun time, you know, kind of
• 40:53
  Speaker 4: like a trashy Italian horror film. Jordan, would you think
• 40:56
  Speaker 4: of it?
• 40:59
  Speaker 3: It was? It was good. It wasn't what I expected
• 41:02
  Speaker 3: for for sure. The opening sequence really lead you to
• 41:07
  Speaker 3: think you were getting some something pretty dark and pretty
• 41:12
  Speaker 3: uh almost like satanic. But then it kind of tricks you,
• 41:19
  Speaker 3: and you really and this really isn't spoiling anything, but
• 41:21
  Speaker 3: you realize not they're really on a movie set, because
• 41:23
  Speaker 3: then you hear, like the director, you'll cut. But there
• 41:28
  Speaker 3: was some moments where I thought it dragged a little,
• 41:31
  Speaker 3: like I kind of it slowed down a lot. The
• 41:35
  Speaker 3: h the acting. There was some comical some comical death
• 41:40
  Speaker 3: scenes in this movie. But overall it was fun.
• 41:45
  Speaker 4: Yeah, it's It's definitely one that I'm like eager to
• 41:49
  Speaker 4: revisit at some point down the line. It was a
• 41:51
  Speaker 4: fun watch, but I agree with what Jordan was saying,
• 41:55
  Speaker 4: it's not really the film that you think it's gonna
• 41:58
  Speaker 4: end up being. And with this one, so obviously first
• 42:04
  Speaker 4: and foremost, you know, four K transfer. There's also commentary
• 42:09
  Speaker 4: tracks on here. You have a couple interviews as well
• 42:14
  Speaker 4: an archival interview that they included in with it. So
• 42:18
  Speaker 4: it's definitely a stack with special features. I would say,
• 42:22
  Speaker 4: I mean, this is definitely I think worth adding to
• 42:25
  Speaker 4: the collection or if you catch it on sale, but
• 42:30
  Speaker 4: just I guess give it a watch. You know, I
• 42:34
  Speaker 4: don't think that this hits the same heights as Burial Ground,
• 42:37
  Speaker 4: for example. I think kind of it feels like something
• 42:41
  Speaker 4: you would see on late like HBO or you know,
• 42:45
  Speaker 4: something along those lines.
• 42:46
  Speaker 5: Not as much, not as much nipple action.
• 42:51
  Speaker 3: No, so you've hold up the slipcover you got, because
• 42:54
  Speaker 3: they made two slipcovers, correct, so that one's a better
• 42:58
  Speaker 3: representation of this movie. The one I got.
• 43:02
  Speaker 4: Whoa that looks metal as fu dude, So.
• 43:05
  Speaker 3: That's why I got this. So you guys, you know
• 43:08
  Speaker 3: it's it's got this zombie demon looking thing with a knife,
• 43:12
  Speaker 3: can't ready to stab this lady. That's why I thought,
• 43:15
  Speaker 3: we're getting that's kind of how the opening of the
• 43:16
  Speaker 3: movie feels like this, and then it just completely just
• 43:23
  Speaker 3: switches on you to more of what like what Steve
• 43:26
  Speaker 3: has with with his slipcover.
• 43:28
  Speaker 5: That the slip cover, the slipcover, Steve, that you have
• 43:32
  Speaker 5: reminds me of the Devil's Honey. For some reason, it
• 43:35
  Speaker 5: gives me Devil's honey, it does.
• 43:37
  Speaker 4: And it's it's a blue It's definitely I mean again,
• 43:41
  Speaker 4: it's it's a movie that you know. I don't think
• 43:45
  Speaker 4: it quite lived up to what I was expecting, but
• 43:47
  Speaker 4: I thought it was definitely a fun watch, and I
• 43:49
  Speaker 4: would encourage anyone to still check it out. I think
• 43:51
  Speaker 4: it's a little with special features, and I think that
• 43:54
  Speaker 4: itself makes it worth picking up.
• 43:57
  Speaker 5: Yeah, hell yeah. I I watched Steve one of your favorites.
• 44:03
  Speaker 4: What's that?
• 44:04
  Speaker 5: And the other morning I woke up it was about
• 44:06
  Speaker 5: six am. I think I woke up at like five
• 44:08
  Speaker 5: fifty five am.
• 44:09
  Speaker 4: Oh man, okay.
• 44:10
  Speaker 5: Took my dog for a walk and for some reason,
• 44:12
  Speaker 5: I was like, you know, I'm just feeling I'm just
• 44:14
  Speaker 5: feeling some type of way today and I threw on
• 44:17
  Speaker 5: Abel Ferira's Bad Lieutenant on four Ker first time watched
• 44:22
  Speaker 5: for you, man.
• 44:23
  Speaker 4: Oh my god, what took so long? And why?
• 44:26
  Speaker 3: You know?
• 44:27
  Speaker 5: I just I've just been watching on repeat the Nicholas
• 44:31
  Speaker 5: Cage Bad Lieutenant Port of New Orleans one, you.
• 44:34
  Speaker 4: Know, not quite the same, but.
• 44:37
  Speaker 5: Now I don't know. I had always heard such extreme
• 44:41
  Speaker 5: things about it, and it was one of those movies
• 44:43
  Speaker 5: where I just felt like I had to be in
• 44:44
  Speaker 5: a mood to watch. I definitely had to be in
• 44:46
  Speaker 5: a mood to watch. It's a rough sitting. Harvey Kaitel
• 44:52
  Speaker 5: is phenomenal. I love Abel Ferira's visual style. Forget the
• 45:00
  Speaker 5: cinematographer offhand that he always works with, but love the
• 45:02
  Speaker 5: way the movie looks, love the way it feels. It's
• 45:06
  Speaker 5: a movie that I that I admire for its ability
• 45:11
  Speaker 5: to stay in such hard scenes for so long. I mean,
• 45:20
  Speaker 5: it feels like the majority of the runtime of this
• 45:23
  Speaker 5: movie is just seeing Harvey Kaitel high or getting high.
• 45:29
  Speaker 5: That's majority of the runtime.
• 45:32
  Speaker 4: Oh, it's so slazy, It's so it's so sleazy.
• 45:36
  Speaker 5: And then you have Zoe Lunn popping in. She pops
• 45:39
  Speaker 5: in twice in the movie from Miss forty five, she
• 45:43
  Speaker 5: is She makes a great appearance she gives a fantastic
• 45:46
  Speaker 5: monologue about vampires that came out of nowhere that was
• 45:49
  Speaker 5: apparently written on the day. It wasn't even in the
• 45:52
  Speaker 5: original script.
• 45:56
  Speaker 3: There is.
• 45:58
  Speaker 5: Probably one of the most shocking rape scenes I've seen
• 46:06
  Speaker 5: a movie in a long time, with the attack on
• 46:09
  Speaker 5: the nun. It's and it's a challenging.
• 46:14
  Speaker 3: Movie because.
• 46:18
  Speaker 5: You're you're watching the downfall of a character who's already
• 46:22
  Speaker 5: at the end. It's not this progression of somebody who
• 46:26
  Speaker 5: was once good and getting worse and getting worse until
• 46:30
  Speaker 5: they reach their ultimate demise. From the very beginning, he
• 46:35
  Speaker 5: has a problem, like a bad problem, and the whole
• 46:41
  Speaker 5: movie you're stuck with this guy who almost essentially has
• 46:48
  Speaker 5: a god complex, where he literally is at one point
• 46:52
  Speaker 5: in the movie like I cannot die, he cannot kill me.
• 46:56
  Speaker 4: I think there's a lot of more ambiguity in that film.
• 47:03
  Speaker 4: I mean, there's definitely you see shades of Catholic guilt.
• 47:07
  Speaker 5: Oh the moment when he's in church and Jesus is
• 47:10
  Speaker 5: literally standing in the center of the views and he
• 47:14
  Speaker 5: Harvey Kaitzell yells at him for what feels like fifteen minutes,
• 47:17
  Speaker 5: asking me asking where he was, where he's been.
• 47:22
  Speaker 3: It.
• 47:22
  Speaker 5: The imagery is pretty pretty incredible.
• 47:30
  Speaker 4: Ken kelsh was a cinematographer.
• 47:32
  Speaker 5: Okay, yes, yeah, I think he did. He did Miss
• 47:35
  Speaker 5: forty five and a bunch of other.
• 47:38
  Speaker 4: Who's on the Driller Killer Dangerous game. The addiction, Yeah
• 47:45
  Speaker 4: that he wasn't on Miss forty five.
• 47:47
  Speaker 3: I was.
• 47:48
  Speaker 4: He was on Spookies.
• 47:49
  Speaker 5: Oh on Spookies? Okay, okay, yes, mix up.
• 47:53
  Speaker 3: I loved I loved this movie.
• 47:55
  Speaker 5: Man, and you know, it's with a character like him,
• 48:00
  Speaker 5: it is kind of challenging because you you rarely see him.
• 48:06
  Speaker 5: There's not a lot of contrast between like this worst
• 48:08
  Speaker 5: side of him and a good side of him. You
• 48:10
  Speaker 5: don't you rarely ever see him the good side of
• 48:12
  Speaker 5: him come out outside of the fact that spoiler alert
• 48:17
  Speaker 5: if you haven't seen Bad Lieutenant from nineteen ninety two,
• 48:21
  Speaker 5: But you do see that that that there is something
• 48:25
  Speaker 5: good there, you know, or maybe it's just a lack
• 48:28
  Speaker 5: of understanding, like his lack of understanding the nuns forgiveness
• 48:33
  Speaker 5: towards her assailants. You know, there's there's a few there's
• 48:38
  Speaker 5: a few moments where you kind of see what you
• 48:41
  Speaker 5: think is some goodness in there. But this is a
• 48:45
  Speaker 5: character story where the character starts off bad and just
• 48:47
  Speaker 5: bad is bad all the way through.
• 48:50
  Speaker 4: You know what I mean, It's you're watching like a
• 48:52
  Speaker 4: downward spiral.
• 48:53
  Speaker 5: I feel like he's already at the I feel like
• 48:55
  Speaker 5: he's already mid spy. He's already at the end of
• 48:57
  Speaker 5: the spiral when when when the movie starts.
• 49:02
  Speaker 4: One thing I have to say, and what I love
• 49:04
  Speaker 4: about for his films is those specifically that he's done
• 49:08
  Speaker 4: and Bad Lieutenants no exception, is that it captures New
• 49:14
  Speaker 4: York in its most like raw, gritty state. And I
• 49:19
  Speaker 4: feel like for a film like this, it only enhances
• 49:23
  Speaker 4: just like what we're watching. I mean, we're basically like
• 49:26
  Speaker 4: a passenger the whole way through watching all the fucked
• 49:30
  Speaker 4: up things that he does, you know, whether it's drug
• 49:33
  Speaker 4: use or you know, just like the gambling addiction. I mean,
• 49:38
  Speaker 4: there's like certain elements that kind of remind me of
• 49:43
  Speaker 4: maybe not to like the extreme sense, like how this
• 49:46
  Speaker 4: film is, but it does remind me in little ways
• 49:49
  Speaker 4: of like uncut gems, kind of like you're seeing somebody
• 49:51
  Speaker 4: at the at the very end of a really terrible
• 49:57
  Speaker 4: addiction basically, I mean, and they do share like the
• 50:00
  Speaker 4: gambling addiction but I'm so happy you finally saw this movie.
• 50:04
  Speaker 4: That's like one of my favorites. Dude.
• 50:05
  Speaker 5: I appreciate with with what I've seen from forever so far,
• 50:08
  Speaker 5: I appreciate that he sticks to like he sticks to
• 50:16
  Speaker 5: the bit all the way through. You know, nowadays, a
• 50:19
  Speaker 5: movie like this.
• 50:19
  Speaker 3: Would have.
• 50:21
  Speaker 5: You would see, you would see him as an addict,
• 50:23
  Speaker 5: but then there would be these moments of levity where
• 50:26
  Speaker 5: you kind of hope, you kind of start rooting that
• 50:28
  Speaker 5: he's going to come out of it, and then he
• 50:29
  Speaker 5: sinks back into it. There's none of that. You are
• 50:33
  Speaker 5: just watching this character at his worst state for a
• 50:37
  Speaker 5: hundred minutes and there's no levity to it.
• 50:41
  Speaker 4: Oh the scene where he pulls over two girls, it's
• 50:46
  Speaker 4: like some of the stuff he's saying, I was like, Oh,
• 50:49
  Speaker 4: that is not a good idea.
• 50:51
  Speaker 5: Yeah you have that, you have there. There's many moments
• 50:56
  Speaker 5: of just real character discussed here, and it's haunting, and
• 51:03
  Speaker 5: I really appreciate and admire the ability to to show
• 51:09
  Speaker 5: that much darkness as consistently as it does.
• 51:12
  Speaker 3: The movie never lightens up.
• 51:14
  Speaker 5: It never gives you a moment of like feeling good
• 51:18
  Speaker 5: about anything that's happening until it's over, and then you
• 51:22
  Speaker 5: still you feel like, you know, even the ending is
• 51:26
  Speaker 5: not the ending is not an upper it's it's even
• 51:29
  Speaker 5: more of a downer.
• 51:29
  Speaker 4: It's crazy, No, it's the ending is definitely I think
• 51:37
  Speaker 4: after watching his journey all the way through, I can't
• 51:41
  Speaker 4: It's almost like we don't deserve some sort of satisfying
• 51:46
  Speaker 4: ending for his outcome. It's not some crazy shootout or
• 51:51
  Speaker 4: you know, a story of redemption. It's just kind of like, okay,
• 51:54
  Speaker 4: and then you know that's it.
• 51:57
  Speaker 5: Well spoiler spoiler warning. The thing I did appreciate is
• 52:01
  Speaker 5: that he becomes exactly what he is called to investigate
• 52:06
  Speaker 5: at the beginning of the movie, because the movie begins
• 52:08
  Speaker 5: with a shooting in a car that he reports to
• 52:12
  Speaker 5: He shows up to two women shot dead in a car,
• 52:15
  Speaker 5: and the end of the movie, he just becomes that,
• 52:18
  Speaker 5: he just becomes a victim in a car.
• 52:21
  Speaker 4: It's crazy.
• 52:22
  Speaker 5: It just loops way back around it, you know what
• 52:25
  Speaker 5: I mean. And there's moments where like you know, because
• 52:28
  Speaker 5: you're wondering, like, okay, he's he's selling drugs to well,
• 52:34
  Speaker 5: he's collecting, he's stealing evidence to then turn around and
• 52:38
  Speaker 5: sell and like there's a moment when he gets to
• 52:44
  Speaker 5: the crime scene and he gets to the it's the
• 52:46
  Speaker 5: scene of a shooting in a car. He gets there
• 52:49
  Speaker 5: and somebody that he knows tells him if there's a
• 52:52
  Speaker 5: key of coke in the back. He goes to the car,
• 52:56
  Speaker 5: goes in, goes to pick it up and drops it
• 52:58
  Speaker 5: and it falls on the ground, and another detective is there,
• 53:02
  Speaker 5: and you can tell he gets upset and he's like, oh,
• 53:04
  Speaker 5: he's like, put that in evidence, Grab that, put that
• 53:06
  Speaker 5: in evidence. And you can kind of see like a
• 53:08
  Speaker 5: little bit of a look of suspicion on the other
• 53:10
  Speaker 5: detective's face. But it never follows through any of that.
• 53:13
  Speaker 5: This is not a movie about investigating somebody who's clearly
• 53:17
  Speaker 5: doing something wrong. It's just kind of like it's a
• 53:19
  Speaker 5: brief moment where you're like, Okay, maybe maybe this chick
• 53:23
  Speaker 5: could be up, and we never even get that far.
• 53:27
  Speaker 4: Where would you rank this as far as Parra's films.
• 53:31
  Speaker 5: It's really hard to rank this movie without thinking about
• 53:37
  Speaker 5: Martin Scorsese coming out and saying that this is the
• 53:39
  Speaker 5: best movie of the nineties. Literal quote for Martin Scorsese
• 53:44
  Speaker 5: said that Bad Lieutenant is the best movie in the
• 53:47
  Speaker 5: decade of the nineties.
• 53:49
  Speaker 4: I always have a close association for those two directors.
• 53:53
  Speaker 4: I mean, they have wild, wildly different trajectories with the
• 53:57
  Speaker 4: style of films that they have directed, but there's definitely
• 54:02
  Speaker 4: uh that grittiness UH captures live the New York energy.
• 54:07
  Speaker 5: My favorite able for err film is Miss forty five.
• 54:15
  Speaker 4: Tough.
• 54:16
  Speaker 5: I don't know where this ranks. I mean, I love
• 54:18
  Speaker 5: Driller Killer because I think that was just fucking sadistic
• 54:21
  Speaker 5: as all hell. So I don't know, I just really
• 54:24
  Speaker 5: I really enjoyed it, and I do have to watch
• 54:25
  Speaker 5: the documentary. It's still I just don't know, Like when
• 54:29
  Speaker 5: am I ever going to be in a mood to
• 54:32
  Speaker 5: throw one bad lieutenant?
• 54:35
  Speaker 4: Okay, I might watch it more than I should.
• 54:37
  Speaker 5: I I did end up on my phone quite a
• 54:39
  Speaker 5: few times because of how uncomfortable I got. You're there.
• 54:43
  Speaker 5: There's six seven minute scenes of of just hardcore drug
• 54:48
  Speaker 5: use and it just keeps going.
• 54:52
  Speaker 4: And it keeps outing with Harvey, hotel dance and naked.
• 54:55
  Speaker 5: Oh dude, you know, man is packing me gun on
• 54:59
  Speaker 5: this gun on a gun.
• 55:00
  Speaker 3: On his head.
• 55:01
  Speaker 5: Yeah yeah, but uh yeah, I I mean definitely very
• 55:07
  Speaker 5: happy I watched it was a very challenging, very challenging film.
• 55:11
  Speaker 5: And I'm happy that I did pick up that four
• 55:12
  Speaker 5: K because it looks great.
• 55:16
  Speaker 4: Georgie, have you seen it?
• 55:18
  Speaker 3: Nope? Oh, just spoiled the movie. Thanks, I can sell
• 55:23
  Speaker 3: it now.
• 55:25
  Speaker 4: No, man, you still gotta watch it.
• 55:27
  Speaker 5: No, I have.
• 55:27
  Speaker 3: I have the one on one films.
• 55:29
  Speaker 5: I'm sorry, that's what I have. So I'm sorry I haven't.
• 55:31
  Speaker 3: Seen it yet.
• 55:33
  Speaker 5: I I'm sorry, would.
• 55:35
  Speaker 4: Probably put that above Miss forty five. Really yeah, and
• 55:41
  Speaker 4: then you also got to remember King of New York.
• 55:42
  Speaker 4: That's another one.
• 55:44
  Speaker 5: I've never seen. I haven't seen King of New York yet.
• 55:46
  Speaker 3: I haven't seen that one either.
• 55:48
  Speaker 5: You want to spoil it for us, No, it's okay.
• 55:52
  Speaker 4: I'm not ready to carry that burden. Jordan.
• 55:56
  Speaker 5: I'm seriously sorry. I didn't know you didn't see it yet.
• 55:58
  Speaker 4: That's right, so I should have Jordan, you should probably
• 56:00
  Speaker 4: just go watch it. I mean now that it's fresh
• 56:02
  Speaker 4: in your mind.
• 56:03
  Speaker 3: Yeah, I don't know if I'm gonna watch it tonight.
• 56:05
  Speaker 5: I I don't think I don't think you. I don't
• 56:08
  Speaker 5: think being spoiled of what happens in the movie takes
• 56:10
  Speaker 5: away from the impact of the movie whatsoever.
• 56:12
  Speaker 4: It's performance is what's what sells it. Okay, I'm telling.
• 56:16
  Speaker 5: You, yeah, his performance is incredible. It was uh, you know,
• 56:23
  Speaker 5: it was a tough one. Have you have you ever
• 56:24
  Speaker 5: seen the Nicolas Cage Bad Lieutenant?
• 56:27
  Speaker 4: It's been a long time. I don't. I don't put
• 56:29
  Speaker 4: them in the same tier from what I recall.
• 56:32
  Speaker 5: But there's also another Bad Lieutenant film coming. I believe
• 56:34
  Speaker 5: I'm a Japanese director.
• 56:38
  Speaker 1: Is it the director who did a uh yeah, yeah,
• 56:42
  Speaker 1: he's doing a Bad Lieutenant film TVD.
• 56:45
  Speaker 4: I don't know.
• 56:47
  Speaker 5: We'll see, We'll see.
• 56:49
  Speaker 4: Jordan.
• 56:49
  Speaker 5: What else you've been watching him buying?
• 56:52
  Speaker 3: Oh well, I watched this over the weekend. Actually did
• 56:56
  Speaker 3: a video on kind of a watch list for more
• 57:00
  Speaker 3: They Weakened, and this one is like a good to me.
• 57:04
  Speaker 3: It's like the perfect movie that transitions. You can watch
• 57:08
  Speaker 3: in the transition between spring and fall. That is going
• 57:11
  Speaker 3: to be Robin Hardy's The Wickerman.
• 57:14
  Speaker 4: Oh fucking love that.
• 57:18
  Speaker 3: So I watched that over the weekend. I'm just reminded
• 57:21
  Speaker 3: how great this movie is. The final cut definitely is
• 57:26
  Speaker 3: the best way to watch this movie. Christopher Lee, I think,
• 57:31
  Speaker 3: of course, I think it's obvious he is the standout character.
• 57:36
  Speaker 3: And in this movie, I mean, the dude has such
• 57:39
  Speaker 3: a presence, even his voice alone. Like there's the shot
• 57:43
  Speaker 3: after he uh, I forget the detective's name, he comes
• 57:49
  Speaker 3: back to confront him after he's saying, hey, you know,
• 57:54
  Speaker 3: I know this girl is still alive. And here's what
• 57:56
  Speaker 3: I think would happen. And he's sitting there and he
• 57:59
  Speaker 3: gets on the piano and kind of just sings a
• 58:01
  Speaker 3: little melody and do just the tambore of Christopher Lee's voice.
• 58:04
  Speaker 3: I think it's just so great. One of my favorite
• 58:07
  Speaker 3: things about this movie though, was the music. The folk
• 58:09
  Speaker 3: music in this I think is one of the standouts.
• 58:13
  Speaker 5: Yeah, the US the soundtrack on CD, and listen to
• 58:17
  Speaker 5: it all the time.
• 58:18
  Speaker 3: Man, it's so good, dude. I That's what I love
• 58:21
  Speaker 3: about folk music, and like ones like this is the
• 58:24
  Speaker 3: storytelling in the in the in the history that they
• 58:27
  Speaker 3: have within their music. I think it's just so incredible.
• 58:33
  Speaker 3: What I find so disturbing about this movie is essentially
• 58:39
  Speaker 3: through the whole movie, they are toying with this detective
• 58:45
  Speaker 3: because for the purpose of sacrificing him.
• 58:48
  Speaker 5: Mm hmm.
• 58:49
  Speaker 4: What is that wicker man?
• 58:52
  Speaker 3: Oh? Okay, oh dude, which one you haven't seen that.
• 58:55
  Speaker 3: I've got the studio canal set.
• 59:00
  Speaker 4: Oh you got okay, So it's just the larger s.
• 59:02
  Speaker 5: That's the one to pop up, right.
• 59:03
  Speaker 3: Yeah. But the tragedy what happens to the detective. You know,
• 59:11
  Speaker 3: he's this very religious, very Christian man, and you could
• 59:16
  Speaker 3: really see the struggle that he has internally with when
• 59:19
  Speaker 3: I think her name is Willow in the movie where
• 59:21
  Speaker 3: she does her seductive dancing song to try and seduce him,
• 59:26
  Speaker 3: and it's interesting because she is doing that to break
• 59:29
  Speaker 3: him basically, to see if he will give into their
• 59:33
  Speaker 3: pagan ways, which he doesn't. He stays true to true
• 59:38
  Speaker 3: to his Christian faith. But in turn that almost anchors
• 59:43
  Speaker 3: him as a perfect sacrifice for them because they're sacrificing
• 59:47
  Speaker 3: this pure, perfect sacrifice for their God, for their crops.
• 59:52
  Speaker 3: You know, the movie's so fascinating. I mean, every time
• 59:57
  Speaker 3: I watch it, I find something kind of new way
• 1:00:00
  Speaker 3: a shade about the movie.
• 1:00:02
  Speaker 5: There's a great book that came out I've been I
• 1:00:06
  Speaker 5: keep flipping through it every time I go to Barnes
• 1:00:07
  Speaker 5: and Noble about the making of the Wickerman. It's like
• 1:00:09
  Speaker 5: a big coffee table book, and every time we go
• 1:00:13
  Speaker 5: I pick it up and I flip through it and
• 1:00:15
  Speaker 5: just kind of like read a page or two and
• 1:00:17
  Speaker 5: it's fascinating.
• 1:00:18
  Speaker 3: Man, the imagery from that movie, just.
• 1:00:20
  Speaker 5: Of the burning scene at the end of the movie
• 1:00:23
  Speaker 5: is it's wild man, absolutely wild.
• 1:00:26
  Speaker 4: It's a gorgeous four K two.
• 1:00:28
  Speaker 5: From what I remember, I have like an old blue
• 1:00:31
  Speaker 5: ray of it. I didn't upgrade at the four K
• 1:00:33
  Speaker 5: yet because I actually I was at the archive shortly
• 1:00:36
  Speaker 5: after that Wickerman came out, and I believe they had
• 1:00:39
  Speaker 5: that set right there for I think it was like
• 1:00:42
  Speaker 5: one hundred dollars and I almost grabbed it and I
• 1:00:45
  Speaker 5: was like, do I need this.
• 1:00:47
  Speaker 3: On that blue ray? Does it have which cut of
• 1:00:49
  Speaker 3: the film does it have?
• 1:00:50
  Speaker 5: It's the whatever the extended cut is or whatever, the
• 1:00:54
  Speaker 5: director's cut. Yeah, the director's cut it. It doesn't even
• 1:00:57
  Speaker 5: have the theatrical one. It's just the director's cut.
• 1:00:59
  Speaker 3: So this one has at of theatrical in the final cut,
• 1:01:02
  Speaker 3: which intermingles like they're they're not very very good, probably
• 1:01:12
  Speaker 3: elements that they were able to get of it, but
• 1:01:13
  Speaker 3: they're in the movie. So that's pretty cool. But yeah,
• 1:01:18
  Speaker 3: I enjoy this movie. It's like the perfect I think
• 1:01:21
  Speaker 3: when I see this movie, I think of, you know,
• 1:01:23
  Speaker 3: late spring, early summer. The movie The Celebration kicks off
• 1:01:27
  Speaker 3: May first in the movie, and it's funny, you know,
• 1:01:33
  Speaker 3: you hear Christopher Lee talk and his arguments for why
• 1:01:36
  Speaker 3: they do what they do versus in contrast to what
• 1:01:40
  Speaker 3: the detective and his belief You're kind of like that
• 1:01:43
  Speaker 3: makes sense. I mean, I can't really argue for what
• 1:01:45
  Speaker 3: they're doing because he he he lays down a very
• 1:01:49
  Speaker 3: good argument. But no, do you what do you think.
• 1:01:55
  Speaker 5: If if the Wickerman is quintessential folk are, do we
• 1:02:01
  Speaker 5: think Midsimar is kind of like the modern day equivalent, Yeah.
• 1:02:06
  Speaker 3: Oh for sure. I mean ari Astro there's definitely tons
• 1:02:12
  Speaker 3: of inspiration that he took on a work command in
• 1:02:14
  Speaker 3: that movie.
• 1:02:15
  Speaker 5: Yeah, yeah, it's just fascinating that folk carr is. So
• 1:02:21
  Speaker 5: it feels like such a regional thing, like we get
• 1:02:24
  Speaker 5: a lot of them from you know, Ireland and and
• 1:02:28
  Speaker 5: and other places, but the US doesn't really get into it.
• 1:02:34
  Speaker 3: All that much. You know, Yeah, there's there's not a lot.
• 1:02:39
  Speaker 3: I mean, yeah, I can't think you. I mean, the
• 1:02:43
  Speaker 3: Blair Witch is kind of a full car in a way.
• 1:02:49
  Speaker 3: I mean, what's the what's the other one? The last
• 1:02:53
  Speaker 3: broadcast deals with the Jersey Devil. Yeah, you know, so
• 1:02:57
  Speaker 3: I can't think of very many.
• 1:03:00
  Speaker 5: Yeah, when I was going through the severn All Haunts
• 1:03:02
  Speaker 5: by Ours box set, it was like, uh, I feel
• 1:03:06
  Speaker 5: like a world traveler. Just every movie, I'm in a
• 1:03:08
  Speaker 5: different region of the world, you know. And it's interesting
• 1:03:11
  Speaker 5: because you have such different interpretations of the same not
• 1:03:17
  Speaker 5: not the same, you know, tail but there's there's always
• 1:03:22
  Speaker 5: some sort of crisscrossing.
• 1:03:25
  Speaker 3: Believe, there's definitely a through line for each one. Yeah,
• 1:03:29
  Speaker 3: I almost pulled, but I decided to go with this one,
• 1:03:31
  Speaker 3: The Outcast that Deaf Crocodile released. Have you seen that?
• 1:03:35
  Speaker 5: Heard of it?
• 1:03:37
  Speaker 3: So that is a it's pretty decent. I don't put
• 1:03:41
  Speaker 3: it up there like obviously the Wickerman and stuff like that,
• 1:03:45
  Speaker 3: But it's about this girl who she's just kind of
• 1:03:50
  Speaker 3: kicked around. She's not looked at very highly in her
• 1:03:53
  Speaker 3: family and there in their culture, and she becomes friends
• 1:03:58
  Speaker 3: with this guy who who's kind of a magician that
• 1:04:03
  Speaker 3: does her bidding and kind of helps her escape. And
• 1:04:08
  Speaker 3: it's all right. But I almost picked that one. I
• 1:04:12
  Speaker 3: don't know if you guys haven't seen that either.
• 1:04:13
  Speaker 5: No, No, I got burnout when I went through the
• 1:04:18
  Speaker 5: All Haunts R set. I definitely got a little burnout
• 1:04:20
  Speaker 5: of faux Car, like I went in deep and.
• 1:04:22
  Speaker 3: Dude, I still have to finished it. I mean there's
• 1:04:25
  Speaker 3: so I mean let alone two volumes, Yeah, with a
• 1:04:29
  Speaker 3: third I think incoming as well.
• 1:04:32
  Speaker 5: Really probably, yeah.
• 1:04:33
  Speaker 3: I wouldn't be surprised. I'll probably grab it.
• 1:04:36
  Speaker 5: Steve is a Steve's looking for faux Car right now.
• 1:04:43
  Speaker 3: He's a hold up.
• 1:04:45
  Speaker 5: Yeah, Yeah, I'm definitely definitely great pick man. I love
• 1:04:49
  Speaker 5: the wicker Man. I wish I got my hands on
• 1:04:51
  Speaker 5: that Studio Canal, that that big deluxe one.
• 1:04:55
  Speaker 3: At least.
• 1:04:59
  Speaker 5: Yeah, Steve is gone. I was gonna pass it on
• 1:05:01
  Speaker 5: to him. But yeah, I'll talk about the the I
• 1:05:04
  Speaker 5: guess the last one.
• 1:05:06
  Speaker 3: Oh wait wait wait he's back.
• 1:05:08
  Speaker 5: Welcome back, all right? I bet guys we're waiting to
• 1:05:15
  Speaker 5: see what uh what else you got? What else you
• 1:05:18
  Speaker 5: got going on for us tonight?
• 1:05:19
  Speaker 4: Man, Well, I'm heating things up with something, uh something
• 1:05:26
  Speaker 4: I think I think you guys would appreciate from Aero video,
• 1:05:29
  Speaker 4: and that's none other.
• 1:05:30
  Speaker 5: Than John my favorite John wu movie.
• 1:05:37
  Speaker 4: Uh this one. I mean, I just feel so fortunate that,
• 1:05:42
  Speaker 4: you know, if we've gotten this SETI on Fire Hard Boiled.
• 1:05:50
  Speaker 4: I mean I had a chance to pick up the
• 1:05:55
  Speaker 4: Shout Studios releases for this and Hard Boiled, and I
• 1:06:01
  Speaker 4: think you can't go wrong with either of them. I
• 1:06:04
  Speaker 4: just like the presentation a little bit more with these
• 1:06:07
  Speaker 4: box sets that Arrow is doing, and I also know
• 1:06:10
  Speaker 4: that Imprint's doing their own thing as well. But for
• 1:06:13
  Speaker 4: those of you guys who haven't had a chance to
• 1:06:15
  Speaker 4: check this out, basically revolves around a hitman who takes
• 1:06:19
  Speaker 4: a job where basically kind of takes a wrong turn
• 1:06:23
  Speaker 4: and he accidentally blinds a singer by firing a gun
• 1:06:29
  Speaker 4: too close to her eyes. So basically he decides to
• 1:06:33
  Speaker 4: retire from his life of crime and help her get
• 1:06:36
  Speaker 4: a corny a transplant. So kind of goes off from there.
• 1:06:40
  Speaker 4: It's I mean, if you guys aren't familiar with John
• 1:06:43
  Speaker 4: Wu's films, they are probably some of the best action
• 1:06:49
  Speaker 4: films that I could think of off the top of
• 1:06:53
  Speaker 4: my head. I mean, at least this and Heard Boiled
• 1:06:57
  Speaker 4: will put up there for sure, But either way, essential viewing.
• 1:07:02
  Speaker 4: I thought this the box set, the transfer looked excellent.
• 1:07:08
  Speaker 4: It's loaded with special features in on it. Let's see,
• 1:07:12
  Speaker 4: So there's the Hero of Heroic Bloodshed. It's a brand
• 1:07:15
  Speaker 4: new feature length documentary on John Wu's career. You get
• 1:07:20
  Speaker 4: a Bullet Ballet, which is a brand new interview with
• 1:07:22
  Speaker 4: director John Wu. My Kind of Hero is a brand
• 1:07:26
  Speaker 4: new interview with producer Terrence Chang, and then you get
• 1:07:32
  Speaker 4: Editing the Killer, a brand new interview with editor David Wu.
• 1:07:36
  Speaker 4: And last, but at least, Hong Kong Confidential. I knew
• 1:07:40
  Speaker 4: appreciation by author Grady Hendrix just seeing this on the shelf,
• 1:07:48
  Speaker 4: and I've got heart boiled. Now. There's something so satisfying
• 1:07:51
  Speaker 4: about these releases. And again, I can't recommend this one enough.
• 1:07:55
  Speaker 4: This one definitely gets a higher recommendation. The Massacre, I
• 1:08:00
  Speaker 4: feel like I had as much things to say on
• 1:08:02
  Speaker 4: that one, But this one, I can't recommend it enough.
• 1:08:05
  Speaker 4: So if you can pick it up somewhere, whether it's
• 1:08:08
  Speaker 4: this one or even the Shout Studios Want or in print.
• 1:08:10
  Speaker 4: I mean, they're all good, but I really like this
• 1:08:12
  Speaker 4: release a lot.
• 1:08:13
  Speaker 3: Well, not only the artwork from Tony Stella rip.
• 1:08:18
  Speaker 4: I know that's sad.
• 1:08:20
  Speaker 5: Yeah, I need to highly recommend if you pick up
• 1:08:24
  Speaker 5: any of these Jean Wu titles. Watch the bonus feature
• 1:08:29
  Speaker 5: with Grady Hendrix. He is videos. I don't know, he's
• 1:08:33
  Speaker 5: an author. He is phenomenal. He wrote a book for
• 1:08:38
  Speaker 5: severin called if These Are These Fists Could Break Walls.
• 1:08:42
  Speaker 3: It's all about the rise of.
• 1:08:44
  Speaker 5: Kung fu cinema. I think it's called if These Fists
• 1:08:49
  Speaker 5: Could Break Well, it's something like that. Just incredible, and
• 1:08:53
  Speaker 5: he's got a great visual kind of companion piece on
• 1:08:59
  Speaker 5: the release Hard Boiled, which is super educational and fun,
• 1:09:03
  Speaker 5: and it's edited and shot really well, and he's just
• 1:09:06
  Speaker 5: a blast to listen to. So if you have any
• 1:09:10
  Speaker 5: of these, definitely check out the Grady Hendrix. It seems
• 1:09:12
  Speaker 5: to be kind of a running thing that he has
• 1:09:15
  Speaker 5: being involved with these John Woo releases. He's phenomenal.
• 1:09:20
  Speaker 4: It has me really excited for whatever Arrow has coming
• 1:09:24
  Speaker 4: down the pipeline. I already pre ordered Bolt in the Head,
• 1:09:27
  Speaker 4: so I'm very excited for that one. And I'm sure
• 1:09:30
  Speaker 4: it's just a matter of time before they start, you know,
• 1:09:33
  Speaker 4: doing their own take on some of the other films
• 1:09:38
  Speaker 4: at Shout Studios. It's tackling.
• 1:09:40
  Speaker 5: Yeah, The Killer is my favorite John. I know a
• 1:09:46
  Speaker 5: lot of people think it's crazy to put that over
• 1:09:47
  Speaker 5: Hard Boiled, but The Killer is phenomenal. First of all,
• 1:09:52
  Speaker 5: chili un fat with a mustache, a fake mustache is great.
• 1:09:57
  Speaker 5: This is like just so John. I love the production
• 1:10:01
  Speaker 5: design of the church and that comes in and out.
• 1:10:04
  Speaker 3: I love.
• 1:10:07
  Speaker 5: Especially the shootouts.
• 1:10:08
  Speaker 3: In this film.
• 1:10:10
  Speaker 5: Like it's just this movie is the ultimate John Wu experience.
• 1:10:13
  Speaker 5: I mean, Chilean fat walking out of the church with
• 1:10:15
  Speaker 5: doves flying all around him is like the seminal image
• 1:10:19
  Speaker 5: for Wu fans. So I love that movie. And I
• 1:10:25
  Speaker 5: actually didn't see that until these restorations started going around
• 1:10:29
  Speaker 5: and I watched it on the Criterion Channel and I
• 1:10:33
  Speaker 5: just loved it.
• 1:10:35
  Speaker 4: Yeah, they've they've definitely been knocking it out of the
• 1:10:39
  Speaker 4: park with these transfers. And yeah, man, very very happy
• 1:10:46
  Speaker 4: with this release. Yeah, to put it mildly.
• 1:10:49
  Speaker 5: Yeah, I got one last one and I'm not gonna
• 1:10:53
  Speaker 5: go on too long about it. I just watched the
• 1:10:56
  Speaker 5: I don't know what year technically this came out because
• 1:10:59
  Speaker 5: it had such a messy release timeline. But I just
• 1:11:02
  Speaker 5: watched the new Toxic Avenger. M have you guys seen
• 1:11:08
  Speaker 5: this yet? I am I. I hold the original Toxic
• 1:11:14
  Speaker 5: Avenger very close to my heart.
• 1:11:16
  Speaker 3: I love that movie.
• 1:11:17
  Speaker 5: Love Trauma was very nervous. I remember hearing about the
• 1:11:22
  Speaker 5: kind of the word coming out of the festivals, and
• 1:11:25
  Speaker 5: then it got shelved and nobody touched it, and then
• 1:11:27
  Speaker 5: finally it's gonna come back out. This is This is
• 1:11:30
  Speaker 5: directed by Macan Blair, who if you've seen Blue Ruin
• 1:11:35
  Speaker 5: he's in. If you've seen Green Room, he's in that
• 1:11:38
  Speaker 5: as well. I believe he's also in. Is he in
• 1:11:42
  Speaker 5: kill List? I can't remember if he is or if
• 1:11:44
  Speaker 5: he isn't if he was involved in kill lists somehow.
• 1:11:49
  Speaker 5: Time to hit the old Google. But I picked this
• 1:11:53
  Speaker 5: up back when it came out on physical media, which
• 1:11:56
  Speaker 5: was what like a little bit, so kill List is
• 1:12:04
  Speaker 5: kind of like inspiration for him doing Blue Ruin, which
• 1:12:07
  Speaker 5: he wrote and.
• 1:12:09
  Speaker 3: And and start in.
• 1:12:11
  Speaker 5: It's been out for a while now, yeah, the Toxic
• 1:12:13
  Speaker 5: Avenger and just never watched it and threw it on
• 1:12:17
  Speaker 5: last night and actually had a lot of fun with it.
• 1:12:20
  Speaker 5: It's it's very funny, it's very outrageous, and it definitely
• 1:12:27
  Speaker 5: gets dumbed down by some pretty egregious like CGI again
• 1:12:34
  Speaker 5: like CGI Blood, which just bothers the hell out of me.
• 1:12:38
  Speaker 5: But it is very very much in the like it
• 1:12:44
  Speaker 5: is exactly what you expect of a modern day trauma
• 1:12:48
  Speaker 5: film would be like if somebody spent their whole entire
• 1:12:50
  Speaker 5: life watching trauma, and it was like, I can do that.
• 1:12:53
  Speaker 5: Peter Dinglish is great. I thought the action and the
• 1:12:57
  Speaker 5: violence was was you know enough, Like I was satisfied enough.
• 1:13:02
  Speaker 3: But for me, it was just a humor. The movie
• 1:13:04
  Speaker 3: is yeah, yeah, there is, but most of it CGI.
• 1:13:10
  Speaker 5: It's a lot of CGI blood and you know, the
• 1:13:14
  Speaker 5: humor is really kind of what I was enjoying. Elijah
• 1:13:17
  Speaker 5: Wood is fucking nuts and it Kevin Bacon is out
• 1:13:19
  Speaker 5: of control. I mean at the very beginning of the movie,
• 1:13:21
  Speaker 5: Kevin he plays like the owner of this health supplement company,
• 1:13:26
  Speaker 5: which is so funny considering I've worked in supplements my
• 1:13:29
  Speaker 5: entire life. And he's very much like the Brian Johnson
• 1:13:36
  Speaker 5: of this world. I don't know if you guys know
• 1:13:37
  Speaker 5: who that is. It's a guy who was rumored that
• 1:13:39
  Speaker 5: he was doing blood translusions with his son in an
• 1:13:41
  Speaker 5: effort to stay younger a couple of years ago. There's
• 1:13:46
  Speaker 5: a there's a moment the beginning of the movie when
• 1:13:47
  Speaker 5: we're being introduced to Kevin Bacon and he's getting a
• 1:13:50
  Speaker 5: transfusion of gorilla blood put into him. It's it's really
• 1:13:57
  Speaker 5: outrageous and it's very funny, and I think more than anything,
• 1:14:01
  Speaker 5: I just had a really good time with it.
• 1:14:03
  Speaker 3: It's certainly missing.
• 1:14:06
  Speaker 5: The charm and the straight up guts of the original
• 1:14:10
  Speaker 5: Toxic Avenger.
• 1:14:11
  Speaker 3: I don't mean literal guts.
• 1:14:12
  Speaker 5: I mean just the balls to go as far as
• 1:14:15
  Speaker 5: they did in that movie. You know, it all feels
• 1:14:17
  Speaker 5: kind of dampen down in this one. But yeah, it's
• 1:14:21
  Speaker 5: still a lot of fun with it.
• 1:14:24
  Speaker 4: That's awesome. I haven't had a chance to see it,
• 1:14:26
  Speaker 4: but I might have to check it out.
• 1:14:27
  Speaker 5: There's also a great there's also a great I don't
• 1:14:31
  Speaker 5: know if it's called a visual essay, like a visual
• 1:14:33
  Speaker 5: companion done by our producers Ryan and Will on it
• 1:14:37
  Speaker 5: as well, which is absolutely fantastic. So if you own this,
• 1:14:41
  Speaker 5: please take the time to check that out. I think
• 1:14:42
  Speaker 5: it's like eleven minutes long. Take no time at all
• 1:14:45
  Speaker 5: for you to get through it before before we go
• 1:14:50
  Speaker 5: to bed, because I'm very tired. Jordan looks like he's
• 1:14:53
  Speaker 5: falling asleep actively. No, not even right now, But anything
• 1:14:58
  Speaker 5: else you guys want to touch.
• 1:14:58
  Speaker 3: On before we Yeah, I've got two I can run
• 1:15:01
  Speaker 3: through real quick. Well let's let's do three. I'll do
• 1:15:05
  Speaker 3: three real quick. But anyways, it'll be quick.
• 1:15:11
  Speaker 5: It's okay, it's okay.
• 1:15:12
  Speaker 3: No, the Imprint release of the Halloween box, and now
• 1:15:15
  Speaker 3: I know this one. I feel like this one just
• 1:15:18
  Speaker 3: has a bad reputation and it's just never gonna go away.
• 1:15:23
  Speaker 3: I got a completely damaged box and there's been a
• 1:15:26
  Speaker 3: whole thing about it with it being the Pumpkin. Anyways,
• 1:15:30
  Speaker 3: I watched the first Halloween and now these are Scream
• 1:15:35
  Speaker 3: Factory transfers, every single one. They got them from Scream Factory. However,
• 1:15:42
  Speaker 3: I found out the endcoding is different. Scream Factory did
• 1:15:46
  Speaker 3: their own encoding. Uh, Imprint went to Fidelity Emotion and
• 1:15:50
  Speaker 3: to do all their encoding. That being said, if we're
• 1:15:55
  Speaker 3: getting nitpicky, and I mean at the slightest and you can,
• 1:16:00
  Speaker 3: there's just something about the Imprint one that has a
• 1:16:03
  Speaker 3: little boost to it that makes it look a little better.
• 1:16:06
  Speaker 3: Other than that, it's not worth it. I mean, I
• 1:16:09
  Speaker 3: don't think it's it's just it does have that slight edge.
• 1:16:14
  Speaker 3: Plus you're getting the twenty five years of tear with
• 1:16:16
  Speaker 3: this release, which is I mean, they guess it's pretty cool. Yeah,
• 1:16:19
  Speaker 3: because that's not on the screen factory releases at all.
• 1:16:21
  Speaker 5: Is that the first time that's been on Blu Ray?
• 1:16:27
  Speaker 3: Yes, I believe so. Yeah, you're also getting a audio
• 1:16:32
  Speaker 3: commentary in here that you were not getting on the
• 1:16:34
  Speaker 3: screen factory release, and it is a I don't remember
• 1:16:38
  Speaker 3: who was in it. Let me see here. I can
• 1:16:45
  Speaker 3: tell you. I have to google it. I forgot.
• 1:16:51
  Speaker 5: This is your first time watching Halloween, right.
• 1:16:54
  Speaker 3: Yeah, dude, I don't. I know nothing about it. So this,
• 1:16:58
  Speaker 3: uh Mike Michael Myers, I mean, would they get him
• 1:17:02
  Speaker 3: from Mike Myers? Is this a ripoff of the actor?
• 1:17:05
  Speaker 4: Like?
• 1:17:05
  Speaker 3: Come on, I was expecting to see, you.
• 1:17:08
  Speaker 5: Know, Mike Myers, star of the Cat and Hat. Yeah, dude,
• 1:17:12
  Speaker 5: I mean, and so I married an axe Marty. I
• 1:17:16
  Speaker 5: think he had to get a brief appearance in Austin Powers.
• 1:17:19
  Speaker 5: I think as well.
• 1:17:21
  Speaker 3: Yeah, dude, I thought that was pretty cool that he
• 1:17:23
  Speaker 3: showed up.
• 1:17:26
  Speaker 5: It's like the I always think of the moment in
• 1:17:28
  Speaker 5: uh in Baby Driver with Flee when they go to
• 1:17:32
  Speaker 5: the robbery and they pull out Mike Myers, like from
• 1:17:35
  Speaker 5: Austin Powers, Mike Myers Mass and Jamie Fox is like
• 1:17:38
  Speaker 5: I told you to get Michael Myers, and he's like,
• 1:17:40
  Speaker 5: this is Mike Myers. He's very good.
• 1:17:46
  Speaker 3: Okay, I don't know, he'll tip over for it. I
• 1:17:49
  Speaker 3: can't find it. But anyways, there is an audio commentary. Actually,
• 1:17:52
  Speaker 3: throughout all the movies, there's audio commentaries on each of
• 1:17:55
  Speaker 3: these that are not on screen factories. They're all archival stuff.
• 1:18:01
  Speaker 4: So there's that, all right, Jordan, I gotta ask you,
• 1:18:05
  Speaker 4: because we all know the inevitable error release is coming soon.
• 1:18:09
  Speaker 4: Are you gonna buy that one as well?
• 1:18:10
  Speaker 3: Of course it's I'm one of those. If it's Halloween,
• 1:18:14
  Speaker 3: I'm gonna buy it.
• 1:18:15
  Speaker 5: Sounds fair.
• 1:18:17
  Speaker 3: The next one, I know, see you kind of mentioned it, mutant.
• 1:18:22
  Speaker 3: I loved this movie so much. I thought it was
• 1:18:26
  Speaker 3: such a fun movie. What what you got so stoked?
• 1:18:31
  Speaker 3: Your internet can actually no, but this movie is such fun,
• 1:18:36
  Speaker 3: such a fun movie. Out Wingshauser and uh he him
• 1:18:41
  Speaker 3: and his brother are getting away from their busy city
• 1:18:45
  Speaker 3: life and they go into this town and after a
• 1:18:50
  Speaker 3: road raying incident, they end up in a ditch and
• 1:18:53
  Speaker 3: they have to say the night and after when they
• 1:18:57
  Speaker 3: wake up the next morning, wing Hauser's brother is missing
• 1:19:01
  Speaker 3: and gone, and now he's.
• 1:19:03
  Speaker 5: Second for a second, I thought this was a plot
• 1:19:05
  Speaker 5: of Texas Chansoascer three, the next generation.
• 1:19:08
  Speaker 3: It's close, it's close, not quite so his mother's gone,
• 1:19:14
  Speaker 3: so now he's got to team up with folks in
• 1:19:16
  Speaker 3: the town to try and find his his missing brother.
• 1:19:19
  Speaker 3: And there's this, uh these this infection of sorts that
• 1:19:26
  Speaker 3: is making its way, that's training people into like zombie
• 1:19:29
  Speaker 3: type creatures, mutants, and dude, I had a lot of
• 1:19:34
  Speaker 3: fun with this one.
• 1:19:35
  Speaker 5: By the way, correction, I meant to say leather Face
• 1:19:38
  Speaker 5: Texas Chansloasker four with Ken Fray. That's the one I
• 1:19:41
  Speaker 5: was referencing. Oh, I haven't seen the hot TCM three, Steve.
• 1:19:45
  Speaker 5: Do you see the connection between road rage getting driven
• 1:19:50
  Speaker 5: off the road? Ken Frey?
• 1:19:52
  Speaker 4: Wait? Was that wasn't leather Face? Is that TCM three?
• 1:19:56
  Speaker 3: That's uh oh it is three. It's a three, Yes,
• 1:19:59
  Speaker 3: it is.
• 1:19:59
  Speaker 4: Okay. I was right.
• 1:20:02
  Speaker 3: I was wrong and right at the same time.
• 1:20:04
  Speaker 4: I felt like I was about to have an inception moment, like.
• 1:20:08
  Speaker 3: His topper is spinning. It is not stopping time.
• 1:20:12
  Speaker 5: At the time of recording this, it's eleven PM.
• 1:20:16
  Speaker 3: Okay, well this is the last one Hunter's Blood. I
• 1:20:19
  Speaker 3: picked this up.
• 1:20:22
  Speaker 4: Any to get this, dude.
• 1:20:23
  Speaker 3: Let me tell you something. I enjoyed this one a lot.
• 1:20:27
  Speaker 3: It's a it's a survival, survival horror film. It's actually
• 1:20:32
  Speaker 3: the cast is pretty crazy. I didn't realize. So you've
• 1:20:34
  Speaker 3: got John Travold's brother is one of the actors in
• 1:20:38
  Speaker 3: this movie. You've got the oh, what's his name, Crispin
• 1:20:46
  Speaker 3: Glover's father, he's one of the characters in this is
• 1:20:48
  Speaker 3: named one Eye, and uh. You also have Billy Bob
• 1:20:52
  Speaker 3: Thornton in a quick little cameo says one line, and
• 1:20:57
  Speaker 3: it is because of this movie that he got his card.
• 1:21:01
  Speaker 3: So it's because of this way that. Yeah, just quick little,
• 1:21:04
  Speaker 3: quick little cameo. But there's a great making of brand
• 1:21:09
  Speaker 3: new documentary in here, which I highly recommend if anyone
• 1:21:12
  Speaker 3: picks u up watch because it is it's just so neat.
• 1:21:19
  Speaker 3: Because the whole movie is shot. I want to say
• 1:21:21
  Speaker 3: it was like in Africa, in La like Burdbank area
• 1:21:26
  Speaker 3: or so. I can't remember exactly what you said, but
• 1:21:28
  Speaker 3: it's like they go over this highway, there's a little
• 1:21:31
  Speaker 3: forest and that's where everything was shot. So there was
• 1:21:33
  Speaker 3: like buildings and freeways and stuff behind them, but they
• 1:21:36
  Speaker 3: were was shot in this little force and they made
• 1:21:38
  Speaker 3: it look like made it look like that. It was
• 1:21:41
  Speaker 3: a lot of fun. Guys. If you guys haven't seen
• 1:21:42
  Speaker 3: Hunters Blood or even.
• 1:21:43
  Speaker 4: Picked this up, I gotta pick up that way.
• 1:21:46
  Speaker 3: I think it's great.
• 1:21:48
  Speaker 5: Yeah, available. I just want to make sure people know Synaps.
• 1:21:52
  Speaker 4: Yeah, yep, that's.
• 1:21:53
  Speaker 3: Where I got mine. Synapps and then Orbit DVD and
• 1:21:58
  Speaker 3: Diabolic also Hark.
• 1:21:59
  Speaker 5: Which, by the way, y'all the confirmation that Synaps is
• 1:22:02
  Speaker 5: doing Near Dark.
• 1:22:04
  Speaker 4: Dude, that's exciting.
• 1:22:05
  Speaker 3: Fuck dude, Fuck, I'm so excited for like, between Red
• 1:22:11
  Speaker 3: Shirt and set out stuff, they're doing Fright.
• 1:22:13
  Speaker 4: Night two, a lot of exciting stuff coming on.
• 1:22:16
  Speaker 3: Yeah. I said to my wife, I don't know.
• 1:22:18
  Speaker 5: I think I mentioned this in a previous episode, but
• 1:22:21
  Speaker 5: I said to my wife a couple I don't know
• 1:22:23
  Speaker 5: if we talked about it during the Evil That Rise
• 1:22:25
  Speaker 5: episode or not, Steve, but I was. I said to
• 1:22:28
  Speaker 5: my wife, I was excited. I was like, oh, they
• 1:22:30
  Speaker 5: added the original art as an outer box option for
• 1:22:32
  Speaker 5: Fright Night Part two, And my wife was like, do
• 1:22:35
  Speaker 5: you need Fright Night Part two on four K in
• 1:22:38
  Speaker 5: a big box set? And I was like no, so
• 1:22:40
  Speaker 5: I'm not gonna get it. Any more. I was going to,
• 1:22:42
  Speaker 5: but she talked to me out of it.
• 1:22:46
  Speaker 3: Of course, you don't know, Chris, But but.
• 1:22:51
  Speaker 4: But Chris, are you can get Hunter's blood or what?
• 1:22:54
  Speaker 5: I don't even know what the hell hunter's blood is.
• 1:22:57
  Speaker 3: Check it out.
• 1:22:59
  Speaker 5: I just watched the Livers.
• 1:23:01
  Speaker 3: This has some great practical effects to in it as well.
• 1:23:04
  Speaker 3: There's a nice little scene of a head explosion, which
• 1:23:09
  Speaker 3: is unfortunate. They don't show the head getting exploded, but
• 1:23:12
  Speaker 3: they show the aftermath and it is shot so well.
• 1:23:16
  Speaker 3: What they did is they talked about they buried the
• 1:23:18
  Speaker 3: dude's head, so he laid on his back, arched his
• 1:23:20
  Speaker 3: neck back, and buried his head and put like chicken
• 1:23:24
  Speaker 3: guts and stuff all around. And then there's another scene
• 1:23:27
  Speaker 3: where they they hang this man tied to a tree
• 1:23:31
  Speaker 3: and skin him alive, and you see the aftermath of
• 1:23:33
  Speaker 3: all that. Some not a lot of crazy gore effects,
• 1:23:37
  Speaker 3: but the ones that they have are they shine for sure.
• 1:23:40
  Speaker 5: Listen, Man Cronenberg called said he wants the head explosion back.
• 1:23:44
  Speaker 3: Dude, it doesn't touch that.
• 1:23:45
  Speaker 5: Donald Glover called said he wants to skin the man
• 1:23:47
  Speaker 5: hanging upside down back compredator too.
• 1:23:51
  Speaker 3: Oh yeah, I think about that for a second.
• 1:23:54
  Speaker 5: It's been a while, Steve. What else you got the
• 1:23:58
  Speaker 5: chat about?
• 1:23:58
  Speaker 4: Man? All right? I got a couple of heavy hitters,
• 1:24:02
  Speaker 4: And I know that these aren't recent releases, but I
• 1:24:07
  Speaker 4: was weirdly enough in the mood to go back and
• 1:24:11
  Speaker 4: watch this thick Boy release of Possession.
• 1:24:16
  Speaker 3: You were in a second mood, bro, you were in
• 1:24:18
  Speaker 3: a mood.
• 1:24:20
  Speaker 4: I was surprised that it was like right place, right
• 1:24:24
  Speaker 4: time when I was feeling like watching something like this.
• 1:24:28
  Speaker 4: Oh man, I okay. I think it's easy to gloss
• 1:24:33
  Speaker 4: over some of these past releases that we've gotten before,
• 1:24:37
  Speaker 4: and especially this one. I'm sure you guys remember just
• 1:24:40
  Speaker 4: how anticipated it was at the time. We've been hearing
• 1:24:44
  Speaker 4: about it for the longest time, and it's like I
• 1:24:47
  Speaker 4: just had to stop and truly appreciate just how stunning
• 1:24:50
  Speaker 4: of a four K this is, the box set, the presentation,
• 1:24:54
  Speaker 4: the booklet that's included in with it. Because we're always
• 1:24:58
  Speaker 4: onto the next thing, and this one is I think
• 1:25:04
  Speaker 4: of this as like one of like the top tier
• 1:25:07
  Speaker 4: releases that we've gotten from Second Site. It deserves all
• 1:25:11
  Speaker 4: the love in the world, and I'm so happy to
• 1:25:15
  Speaker 4: go back and just truly have a deeper appreciation for
• 1:25:17
  Speaker 4: this release. I mean, you guys have both seen the film,
• 1:25:22
  Speaker 4: what are your thoughts on it? It's definitely I feel
• 1:25:24
  Speaker 4: like pretty out there.
• 1:25:25
  Speaker 3: I love it.
• 1:25:27
  Speaker 5: No, Yeah, the movie's batshit crazy, dude, Like absolute, absolute
• 1:25:33
  Speaker 5: batshit And you know, it's something that that you and
• 1:25:37
  Speaker 5: I Steve been talking about covering on this show with
• 1:25:40
  Speaker 5: the commentary track and stuff, and I just haven't been
• 1:25:43
  Speaker 5: up for the challenge yet because I feel like this
• 1:25:45
  Speaker 5: is a movie that requires so much.
• 1:25:50
  Speaker 3: Well it's that, but there's so many avenues you can
• 1:25:53
  Speaker 3: go with unpacking this movie. It has so much to say.
• 1:25:57
  Speaker 3: Every time you watch it, you're getting something you know,
• 1:26:01
  Speaker 3: You're you're getting something different, you know. I love the
• 1:26:05
  Speaker 3: idea of the characters are becoming kind of they find
• 1:26:11
  Speaker 3: alternates of what they want to see in each other,
• 1:26:13
  Speaker 3: and the whole you know, effect it has on the kid.
• 1:26:18
  Speaker 3: The whole movie opens up with the Berlin Wall that
• 1:26:21
  Speaker 3: reflects the isolation. I love this movie. It's just it's
• 1:26:25
  Speaker 3: it's it's a very dense, heavy, heavy movie.
• 1:26:31
  Speaker 4: Yeah, there's I agree with what you guys are saying.
• 1:26:34
  Speaker 4: I feel like there is a lot to unpack with
• 1:26:35
  Speaker 4: this because you're dealing with such heavy topics, you know,
• 1:26:40
  Speaker 4: the distrust in a marriage, you know, kind of the
• 1:26:45
  Speaker 4: you know, you've got a child that's kind of caught
• 1:26:47
  Speaker 4: between the two of them, and you know, kind of
• 1:26:50
  Speaker 4: going back to what Jordan was saying earlier that you're
• 1:26:53
  Speaker 4: you're seeing these versions of each other that they want
• 1:26:59
  Speaker 4: to see and it's it's truly It's a film that
• 1:27:04
  Speaker 4: I feel like does require multiple viewings in order to
• 1:27:06
  Speaker 4: like really have a deeper appreciation for it. But this
• 1:27:12
  Speaker 4: is just one that I feel like I had to
• 1:27:14
  Speaker 4: bring up just because again, we're always onto that next
• 1:27:18
  Speaker 4: anticipated release, and it just felt like this four K
• 1:27:22
  Speaker 4: set came and went so quickly. So and then the
• 1:27:26
  Speaker 4: other one that I wanted to talk about. I know
• 1:27:29
  Speaker 4: you guys have seen this, but especially after after coming
• 1:27:33
  Speaker 4: off of the announcement that Curry Barker is going to
• 1:27:36
  Speaker 4: be doing Texas Chainsaw, I figured it was a good
• 1:27:39
  Speaker 4: time to revisit Texas Chainsaw Massacre from two thousand and three.
• 1:27:46
  Speaker 4: You guys have seen it before.
• 1:27:47
  Speaker 5: It's a great one, shot incredibly by the OG cinematographer
• 1:27:52
  Speaker 5: Daniel Pearl.
• 1:27:53
  Speaker 4: Oh yeah, and it's doesn't deviate too far from the
• 1:27:59
  Speaker 4: origin premise from the og Texas Chainsaw. But you have
• 1:28:04
  Speaker 4: a group of teenagers that make their way into the
• 1:28:07
  Speaker 4: Deep South in Texas and they stumble upon a home
• 1:28:12
  Speaker 4: where things go horribly wrong. And this is a movie
• 1:28:18
  Speaker 4: that I have an affinity for especially. This was like,
• 1:28:21
  Speaker 4: really when I was developing my love of horror films
• 1:28:25
  Speaker 4: at the time and really trying to see how far
• 1:28:28
  Speaker 4: you could take it. And I will always credit this
• 1:28:31
  Speaker 4: as one of the movies that really allowed me to
• 1:28:36
  Speaker 4: challenge myself to see what else was out there. I
• 1:28:39
  Speaker 4: recalled this at the time being very, very graphic compared
• 1:28:42
  Speaker 4: to what I you know, the other films I had seen.
• 1:28:45
  Speaker 4: But you know this this specific decade, I mean, we
• 1:28:49
  Speaker 4: were getting a number of these different remakes and reimaginings
• 1:28:54
  Speaker 4: for some of these iconic horror films, and this is
• 1:28:56
  Speaker 4: definitely a standout in my eyes. What do you guys think?
• 1:29:00
  Speaker 3: I love it? Ar Lee Ermie obviously famous for being
• 1:29:05
  Speaker 3: in full metal jacket, but him his performance in this
• 1:29:11
  Speaker 3: movie is just so well done. I can't remember is
• 1:29:15
  Speaker 3: it this one or the beginning where he's in the
• 1:29:18
  Speaker 3: patrol car with the cop.
• 1:29:21
  Speaker 5: Oh and he hits him in the face with a
• 1:29:23
  Speaker 5: glass bottle. Yeah, that's this one.
• 1:29:27
  Speaker 3: This I'm sure Chris touch on this. Yeah. The Daniel
• 1:29:32
  Speaker 3: Pearl kind of trying to one up himself with the
• 1:29:38
  Speaker 3: shot with the hitchhiker in this movie. So many iconic scenes.
• 1:29:43
  Speaker 3: One of the most chilling scenes is when you see
• 1:29:46
  Speaker 3: Kimper's face on leather face.
• 1:29:49
  Speaker 4: Yeah, brutal.
• 1:29:51
  Speaker 3: I think this is a great one. It's funny. I
• 1:29:54
  Speaker 3: just watched the seventy four text Chang saw Masacret.
• 1:29:57
  Speaker 5: Today, So good choice, best thing you could have done.
• 1:30:01
  Speaker 3: Yeah, yeah, thank you.
• 1:30:04
  Speaker 5: You know, Texas Chase three is pretty seminal to a
• 1:30:11
  Speaker 5: lot of the direction that my taste went into at
• 1:30:15
  Speaker 5: thirteen years old when Everbe came out. I think the
• 1:30:18
  Speaker 5: four K is fantastic. I think that this is one
• 1:30:25
  Speaker 5: of the best horror remakes of at least top five
• 1:30:29
  Speaker 5: for me. Daniel Pearl shoots the hell out of this movie.
• 1:30:34
  Speaker 5: It's definitely that they did build upon the original film.
• 1:30:43
  Speaker 5: I thought was nice. They brought into additional characters, kind
• 1:30:46
  Speaker 5: of extended the family a little bit. I thought it
• 1:30:49
  Speaker 5: was a very good way to try to modernize it
• 1:30:53
  Speaker 5: a bit, even though they still stuck to the seventies setting.
• 1:30:57
  Speaker 5: There is a subplot in the deleted scenes is kind
• 1:31:01
  Speaker 5: of through plot of Jessica Biel's character being pregnant, which
• 1:31:06
  Speaker 5: I feel like they removed because it might have been
• 1:31:08
  Speaker 5: a little sadistic that all this was happening to her
• 1:31:11
  Speaker 5: while she was pregnant, or they felt like they didn't
• 1:31:14
  Speaker 5: you know, it wasn't fully fleshed out or whatever. I
• 1:31:17
  Speaker 5: always thought that that was a that was kind of
• 1:31:19
  Speaker 5: something that I feel like they could have brought in
• 1:31:22
  Speaker 5: and they had had to handle it a little bit
• 1:31:23
  Speaker 5: differently than they do and had extra footage. But yeah,
• 1:31:27
  Speaker 5: I love this movie, man. I mean nothing tops that
• 1:31:29
  Speaker 5: shot of the camera going from the interior of the
• 1:31:32
  Speaker 5: van through the bullet hole, you know, out the back
• 1:31:36
  Speaker 5: of the van. It's pretty remarkable.
• 1:31:40
  Speaker 4: It's age really well. Yeah, just that the film as
• 1:31:43
  Speaker 4: a whole, but especially you know, Daniel Pearl isn't really
• 1:31:48
  Speaker 4: trying he's not trying to recapture that same aesthetic that
• 1:31:52
  Speaker 4: he did in the original. He does something I feel like,
• 1:31:55
  Speaker 4: completely different that allows this film to stand out on
• 1:31:59
  Speaker 4: its own. And going back to what Chris was saying,
• 1:32:02
  Speaker 4: is like, it's I think it's pretty cool because within
• 1:32:06
  Speaker 4: the setting, you know, we obviously had the iconic house,
• 1:32:11
  Speaker 4: but I think adding this very vast feeling of like
• 1:32:16
  Speaker 4: the Slaughterhouse on top of it, I mean it just
• 1:32:19
  Speaker 4: kind of adds to the scale of just how trapped
• 1:32:24
  Speaker 4: and just secluded they are like in that specific area.
• 1:32:27
  Speaker 4: So yeah, this is I would have to second the
• 1:32:33
  Speaker 4: fact that this is probably one of the top tier
• 1:32:35
  Speaker 4: remakes that we got in this decade.
• 1:32:36
  Speaker 3: Well, even the house itself, I mean, they looks like
• 1:32:39
  Speaker 3: a compound, the new house. But I kind of wish
• 1:32:45
  Speaker 3: they would have left the whole pregnancy part in the
• 1:32:47
  Speaker 3: movie because I think that gives more what should I say,
• 1:32:54
  Speaker 3: I guess explanation, but more reason to why Jessica Bill's
• 1:32:56
  Speaker 3: character is so adamant about the kid, that baby and
• 1:33:00
  Speaker 3: stuff like that. It kind of get okay, it's a
• 1:33:02
  Speaker 3: revelation on that makes sense, right.
• 1:33:06
  Speaker 5: Yeah, it's a good one.
• 1:33:07
  Speaker 4: Man.
• 1:33:08
  Speaker 5: That's great. I'm so happy that Arrow was the one
• 1:33:10
  Speaker 5: to bring that bring that out. There's also a great
• 1:33:13
  Speaker 5: documentary that they carried over from the DVD. That's that's
• 1:33:16
  Speaker 5: fantastic as well.
• 1:33:18
  Speaker 4: I gotta go back and watch it. But do you
• 1:33:20
  Speaker 4: guys think that we'll get leather Face TCM three or
• 1:33:26
  Speaker 4: the Next Generation from Arrow at some point.
• 1:33:30
  Speaker 5: Those are Warner titles. Because I have a Warner archive
• 1:33:36
  Speaker 5: of TCM three, I believe Next Generation is also Warner.
• 1:33:40
  Speaker 5: I think that's probably gonna be more vinegar Syndrome.
• 1:33:44
  Speaker 3: Yeah, I think likely before that happens, we would get
• 1:33:47
  Speaker 3: like Freddy versus Jason from Arrow or Yeah Arrow Warner Brothers.
• 1:33:51
  Speaker 4: Yea, I need any of them. I want them all.
• 1:33:55
  Speaker 5: What else hasn't you think they're gonna do? Uh? You
• 1:33:57
  Speaker 5: think we're gonna get a deluxe edition of Texas Chains
• 1:33:59
  Speaker 5: Off three D.
• 1:34:02
  Speaker 4: I feel like this is the first time this movie's
• 1:34:04
  Speaker 4: come up on the podcast.
• 1:34:08
  Speaker 5: We did do a TCM rating, mind you, we did.
• 1:34:10
  Speaker 4: Do yeah, but it doesn't make it okay?
• 1:34:15
  Speaker 5: Well do you think cuz? Oh my god, any any
• 1:34:19
  Speaker 5: last uh, any last editions before I go to my
• 1:34:23
  Speaker 5: deep slumber.
• 1:34:26
  Speaker 4: Really, the only thing I wanted to quickly mention was
• 1:34:29
  Speaker 4: some of the movies I haven't had a chance to
• 1:34:33
  Speaker 4: dive into yet. You got the Four Case Steele book,
• 1:34:38
  Speaker 4: David Fincher's Fight Club.
• 1:34:40
  Speaker 3: I just watched that last week.
• 1:34:44
  Speaker 5: Don't Forget the Rules, man.
• 1:34:47
  Speaker 4: Can't talk about it. I also picked up the Radiance
• 1:34:55
  Speaker 4: release for Cutter's Way.
• 1:34:56
  Speaker 5: Hell yeah, that's That's what I'm talking about right there.
• 1:35:00
  Speaker 4: So I got I'm trying to give us all a
• 1:35:01
  Speaker 4: little variety and then to end on a I don't
• 1:35:05
  Speaker 4: know if it's a high note necessarily, but I've got
• 1:35:08
  Speaker 4: Vinegar Syndrome's Escape from Death.
• 1:35:11
  Speaker 3: That's a fun one.
• 1:35:12
  Speaker 4: I enjoyed that one better than Massacre. I like to
• 1:35:16
  Speaker 4: better the Massacre more to talk about this.
• 1:35:18
  Speaker 3: It's definitely more of a Giallow film than say, Massacre,
• 1:35:23
  Speaker 3: Man Jordan.
• 1:35:24
  Speaker 5: Any last minute.
• 1:35:25
  Speaker 3: Editions, well these just showed up today. Terror Train.
• 1:35:30
  Speaker 4: I still need to get that.
• 1:35:31
  Speaker 3: And The Great Outdoors.
• 1:35:34
  Speaker 4: Where'd you get yours?
• 1:35:35
  Speaker 3: From Amazon?
• 1:35:41
  Speaker 5: Se've looked perplexed.
• 1:35:43
  Speaker 4: I you know, the thing is, guys, like I try,
• 1:35:45
  Speaker 4: I really do. I try to like stay on top
• 1:35:48
  Speaker 4: of all the upcoming releases, man, and it's just can't
• 1:35:51
  Speaker 4: get you can't get them all.
• 1:35:54
  Speaker 5: It's why I barely be I mean, honestly, there hasn't
• 1:35:56
  Speaker 5: been a whole bunch, a whole bunch lately that I'm like,
• 1:35:58
  Speaker 5: I gotta jump on that. But you know, I haven't
• 1:36:02
  Speaker 5: been buying nearly as much. But I always enjoy doing
• 1:36:05
  Speaker 5: this with you guys. I love these episodes because it's
• 1:36:07
  Speaker 5: just kind of off the cuff, you know, sometimes we
• 1:36:09
  Speaker 5: just need this in our lives. Yeah, just do something
• 1:36:12
  Speaker 5: a little zeny couple things before we before we say
• 1:36:17
  Speaker 5: our goodbyes, make sure to do us a favor. Go
• 1:36:22
  Speaker 5: to the bio or the you know buy yeah, the
• 1:36:24
  Speaker 5: bio down below. Click the link for our podcast Networks
• 1:36:27
  Speaker 5: that Want's Fair productions a whole bunch of incredible partner
• 1:36:32
  Speaker 5: shows on there. Be sure to go ahead and check
• 1:36:34
  Speaker 5: those out.
• 1:36:37
  Speaker 4: What else?
• 1:36:38
  Speaker 5: What else do I want to? What else do I
• 1:36:40
  Speaker 5: want to plug? Here?
• 1:36:41
  Speaker 4: Man? Go follow us on Instagram?
• 1:36:44
  Speaker 5: Yeah? Yeah, Steve? How about how about you tell them
• 1:36:46
  Speaker 5: where where they got to go to follow you on Instagram?
• 1:36:50
  Speaker 4: Well? Not me, I'm at the podcast.
• 1:36:52
  Speaker 5: Oh oh yeah, Beyond the Blood Pod. Go follow Beyond
• 1:36:55
  Speaker 5: the Blood Pod get all the least updates. But uh,
• 1:36:57
  Speaker 5: you know, see, I I really want to hear where
• 1:36:59
  Speaker 5: people can find you out on Instagram?
• 1:37:02
  Speaker 4: Chris? Do you even follow me on Instagram?
• 1:37:04
  Speaker 5: I don't think so. I'll follow you in Okay?
• 1:37:05
  Speaker 4: Anyways, all right, you guys can follow me after hours.
• 1:37:10
  Speaker 4: Video hours is abbreviated I am on Instagram, YouTube TikTok
• 1:37:16
  Speaker 4: you name it so you can catch up with me
• 1:37:20
  Speaker 4: see what I'm watching.
• 1:37:21
  Speaker 5: Hell yeah, Jordan, what about you, man?
• 1:37:24
  Speaker 3: Yeah, the movie den Over on Instagram and YouTube, just
• 1:37:29
  Speaker 3: talking movies and all that stuff.
• 1:37:33
  Speaker 5: Hell yeah. And as always, I am at bearded film guy.
• 1:37:37
  Speaker 5: Just you know, really becoming the short form short form
• 1:37:41
  Speaker 5: content guy.
• 1:37:43
  Speaker 3: It's been a lot of fun.
• 1:37:44
  Speaker 5: King short form king hashtag physical media positivity, mister physical
• 1:37:50
  Speaker 5: media positivity over there. Yeah, I think that's I think
• 1:37:56
  Speaker 5: that's it. It's eleven h seven pm and I have
• 1:37:59
  Speaker 5: work in uh seven hours, so.
• 1:38:04
  Speaker 4: So you're gonna watch Bad Lieutenant again.
• 1:38:06
  Speaker 5: I was thinking about it. Only only only the scene,
• 1:38:09
  Speaker 5: the pool over scene with the car though, And.
• 1:38:12
  Speaker 4: Do it for me man, nobody else.
• 1:38:14
  Speaker 5: Please don't never ask me to do anything for you
• 1:38:16
  Speaker 5: involving Bad Luten again. Well boys, it was the pleasures.
• 1:38:22
  Speaker 5: Always love you guys with all my heart. We'll see
• 1:38:26
  Speaker 5: you on the next episode of Beyond the Blow Peace.
• 1:38:35
  Speaker 5: Thank you for listening to hear more shows from the
• 1:38:38
  Speaker 5: Someone's Favorite Productions podcast network.
• 1:38:41
  Speaker 3: Please select the link in the description