Latest / Aaron Mahnke's Cabinet of Curiosities / Sky High
Transcript
- 0:04Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of
- 0:07Speaker 1: iHeartRadio and Grimm and Mild. Our world is full of
- 0:14Speaker 1: the unexplainable, and if history is an open book, all
- 0:18Speaker 1: of these amazing tales are right there on display, just
- 0:22Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities.
- 0:36Speaker 1: Alvar slowly blinked his eyes open. The sun had been
- 0:39Speaker 1: beating down on him while he slept, and it was
- 0:41Speaker 1: time to take his surroundings in. Everything seemed to have
- 0:44Speaker 1: a blue tint. While his vision adjusted, his skin stung
- 0:48Speaker 1: all over. It was burnt in raw from the sun,
- 0:51Speaker 1: the saltwater, and the sand. His beard was caked with
- 0:54Speaker 1: the latter, but he slowly climbed to his feet. Looking around,
- 0:58Speaker 1: he saw that he was on an island. The Gulf
- 1:00Speaker 1: of Mexico stretched out to one side, and a small
- 1:03Speaker 1: bay leading to a coastline was on the other. As
- 1:06Speaker 1: his mind came back to him, he remembered that it
- 1:08Speaker 1: was the year fifteen twenty eight. He was on an
- 1:10Speaker 1: expedition to Florida for the Spanish crown, but it had
- 1:14Speaker 1: gone terribly wrong. Hundreds had died from disease, starvation, or
- 1:18Speaker 1: combat with the indigenous peoples. The last of them had
- 1:21Speaker 1: tried to flee to Mexico City on makeshift rafts, but
- 1:24Speaker 1: clearly that had gone just as badly. Looking down at
- 1:28Speaker 1: the beach, he saw several other Spanish sailors recovering as well.
- 1:32Speaker 1: They were now shipwrecked on an unknown land. Despite the
- 1:35Speaker 1: glare from the sun, the men were all freezing. It
- 1:38Speaker 1: was winter, and a cold wind blew across the island.
- 1:42Speaker 1: Alvar huddled near his fellow sailors, wondering where they would
- 1:45Speaker 1: go next, but he didn't have much time to mull
- 1:48Speaker 1: it over before new arrivals to the beach drew his attention.
- 1:52Speaker 1: Nearly one hundred native warriors waded across the bay and
- 1:56Speaker 1: onto the island. They were tall and imposing. Their nipples
- 1:59Speaker 1: and up her lips were pierced with small pieces of wood.
- 2:02Speaker 1: They were unlike anyone Alvar had ever seen. They all
- 2:05Speaker 1: carried bows, and Alvar was sure that they were here
- 2:08Speaker 1: to finish off the expedition. A few of the indigenous
- 2:11Speaker 1: warriors stepped forward, and he was sure that they were
- 2:14Speaker 1: about to start firing, but instead they did something else
- 2:17Speaker 1: that astonished him they started to weep. Soon all the
- 2:21Speaker 1: other warriors joined in they laid their hands on the sailors.
- 2:25Speaker 1: It soon became clear to Alvar and the others that
- 2:28Speaker 1: the tribe was trying to show them sympathy for what
- 2:30Speaker 1: had befallen them. It was a far cry from the
- 2:33Speaker 1: warfare that they had experienced in Florida. These Native Americans
- 2:37Speaker 1: took the sailors back to their huts on the mainland
- 2:39Speaker 1: and shared their fires and food. They mostly ate roots
- 2:42Speaker 1: from the small, water filled plants dotting the arid landscape,
- 2:46Speaker 1: but they would eat just about anything, lizards, spiders, even
- 2:49Speaker 1: deer droppings. While many of Alvar's fellow sailors turned their
- 2:53Speaker 1: noses up at this, he quickly adapted, learning to live
- 2:57Speaker 1: as the native peoples did. Soon he was even working
- 3:00Speaker 1: for them, traveling further inland to trade shells and pearls
- 3:03Speaker 1: for food with other tribes. The Native Americans believed in
- 3:07Speaker 1: healing by laying on hands and breathing uninjured or infected
- 3:11Speaker 1: body parts. They thought that the Spanish, with their lighter skin,
- 3:14Speaker 1: were somehow sent from the heavens and could perform these
- 3:18Speaker 1: healing duties especially well, and so Alvar became known as
- 3:21Speaker 1: a healer, traveling around this strange land selling shells and
- 3:25Speaker 1: breathing on injured body parts. It turns out that none
- 3:28Speaker 1: of the other Spanish sailors were as adaptable as Alvar.
- 3:32Speaker 1: They slowly died from starvation or exposure to the elements.
- 3:36Speaker 1: A dozen decided to try their luck, walking south on
- 3:39Speaker 1: foot to Mexico. At least they thought that it was south.
- 3:41Speaker 1: They still couldn't be sure where they were, but Alvar stayed,
- 3:45Speaker 1: partly to learn more about the native people's and partly
- 3:48Speaker 1: because there was one man there, a Spaniard named Lope
- 3:51Speaker 1: de Oviedo, who was afraid of water and refused to
- 3:54Speaker 1: leave the island. But finally, after many months, Alvar convinced
- 3:57Speaker 1: him to leave by letting him ride across the bay
- 4:00Speaker 1: on his back. They traveled miles barefoot, eventually reuniting with
- 4:04Speaker 1: some of their fellow sailors, only three of whom were left.
- 4:08Speaker 1: They continued south, sometimes meeting friendly native peoples, other times
- 4:12Speaker 1: being taken captive and having to escape. Eventually, though, they
- 4:15Speaker 1: made it back to Mexico, and from there they sailed
- 4:18Speaker 1: back to Spain, but it had been almost ten years
- 4:21Speaker 1: since they first set foot in Florida. They had walked
- 4:24Speaker 1: over two thousand miles barefoot and encountered all kinds of unique,
- 4:28Speaker 1: fascinating cultures. In fact, Alvar and his friends were the
- 4:32Speaker 1: first known Europeans to set foot in some of these places.
- 4:36Speaker 1: Remember that strange land where they were originally shipwrecked. Today
- 4:39Speaker 1: we call it Texas, and Alvar, better known by his
- 4:42Speaker 1: full name Alvar Nunez Cabeza de Vaca, was the first
- 4:46Speaker 1: historian of Texas, chronicling everything he saw. His endless curiosity,
- 4:52Speaker 1: even in the face of death, led to copious journals
- 4:55Speaker 1: that give us some of our only insights into the
- 4:57Speaker 1: Native American cultures at that time. Within a few years,
- 5:01Speaker 1: many would die of disease carried by the Europeans. Others
- 5:04Speaker 1: would be wiped out by famine or warfare with the
- 5:07Speaker 1: Spanish or other tribes. So the next time you find
- 5:10Speaker 1: yourself shipwrecked or lost in a strange land, do yourself
- 5:14Speaker 1: a favor and stay curious. It might just be the
- 5:17Speaker 1: best way to make it through alive. Lunch atop a
- 5:33Speaker 1: skyscraper it's one of the most famous photos ever taken.
- 5:37Speaker 1: You've most likely seen it before. It depicts a row
- 5:40Speaker 1: of iron workers sitting along a steel beam. Below them,
- 5:44Speaker 1: the distant buildings of New York City are as clear
- 5:46Speaker 1: as day, but the men on this beam seem unaware
- 5:49Speaker 1: of how high up they are. They're sharing cigarettes, opening
- 5:53Speaker 1: their lunch boxes, talking amongst one another. The one to
- 5:56Speaker 1: the far right of the frame is the only one
- 5:58Speaker 1: who seems aware that they're being footed, squinting toward the
- 6:01Speaker 1: camera with an empty flask balanced upon his knee. The
- 6:05Speaker 1: original nineteen thirty two caption of the photo reads, in part,
- 6:09Speaker 1: while New York's thousands rush to crowded restaurants for their
- 6:13Speaker 1: noonday lunch, these intrepid steel workers atop the seventy story
- 6:17Speaker 1: RCA building in Rockefeller Center get all the air and
- 6:21Speaker 1: freedom they want by lunching on a steel beam with
- 6:24Speaker 1: a sheer drop of over eight hundred feet to the
- 6:26Speaker 1: street level. Honestly, it's no surprise that this image is iconic.
- 6:31Speaker 1: It's both deeply humanizing of these steel workers and also
- 6:35Speaker 1: vertigo inducing, almost impossible to look at without swaying on
- 6:39Speaker 1: your feet a little and being glad that you are
- 6:41Speaker 1: on firm ground. But as with every photograph of daring
- 6:45Speaker 1: and impossible feats, there's one question that many asked themselves
- 6:49Speaker 1: who took this picture? Well, it turns out there are
- 6:52Speaker 1: more photographs from the RCA building, and some of them
- 6:55Speaker 1: are just as dizzying as the lunch picture. One picture
- 6:58Speaker 1: shows a slim man in nineteen thirties attire you know, suspenders,
- 7:02Speaker 1: a tie, high waisted pants, and spats, perched on a
- 7:05Speaker 1: steel beam with both his hands around a bulky camera
- 7:09Speaker 1: pressed up against his chin. It looks as if a
- 7:11Speaker 1: stray gust of wind might blow him away. And this
- 7:14Speaker 1: man is the photographer Thomas Kelly, one of several photographers
- 7:18Speaker 1: who were present on September twentieth of nineteen thirty two,
- 7:22Speaker 1: the day that the famous picture was taken for RCA.
- 7:25Speaker 1: Two of the others were William Lefwich and Charles Ebitts,
- 7:29Speaker 1: and no one can be quite sure which of them
- 7:31Speaker 1: snapped the famous lunch photograph. Like every other case of
- 7:34Speaker 1: contested authorship, this topic is hotly debated among enthusiasts. Originally,
- 7:39Speaker 1: Lewis Hine received credits. He had famously photographed the construction
- 7:43Speaker 1: of the Empire State Building as well, but it's likely
- 7:46Speaker 1: that he was not present for the RCA shoot. So
- 7:50Speaker 1: how do we determine which of these long dead men
- 7:52Speaker 1: took the photo. While Internet sleuths have taken to image
- 7:56Speaker 1: analysis by looking at the skyline behind each of the
- 7:59Speaker 1: photographers and their relative positions on the construction site, they
- 8:03Speaker 1: can make educated guesses about which part of the city
- 8:06Speaker 1: should be on the other end of the camera and
- 8:08Speaker 1: the results. None of the photographs of the photographers show
- 8:12Speaker 1: them taking the famous shot, so back to square one.
- 8:16Speaker 1: In two thousand and three, Corbis Images, a company specializing
- 8:20Speaker 1: in archival images, hired a private investigator to track down
- 8:24Speaker 1: the photographer of the famous picture. The investigator located an
- 8:28Speaker 1: old newspaper article which credits a man known as Hamilton Wright.
- 8:32Speaker 1: But it's possible that mister Wright was not even on
- 8:34Speaker 1: the building at the time. He was the head of
- 8:37Speaker 1: a photography company and he would often get credit for
- 8:39Speaker 1: images taken by people working under his employ But it
- 8:43Speaker 1: does give us at least a possible connection, because at
- 8:46Speaker 1: least one of the photographers that we know of was
- 8:48Speaker 1: employed by the Hamilton Wright company, Charles Ebbitts. Ebitts was
- 8:53Speaker 1: now the favorite candidate for authorship, but the presence of
- 8:56Speaker 1: so many other photographers on the day still cast doubts
- 8:59Speaker 1: on who who was actually responsible. The original glass negative
- 9:03Speaker 1: of the photograph is housed in a storage facility in Pennsylvania.
- 9:07Speaker 1: It's broken in several places, but has been kept in
- 9:10Speaker 1: temperature controlled facilities ever since to make sure the pieces
- 9:13Speaker 1: did not degrade with age. And as for the men
- 9:16Speaker 1: in the photograph itself, well, their identities are even less
- 9:19Speaker 1: certain than the photographer. They were most likely immigrant laborers,
- 9:23Speaker 1: never credited in their time. Whole documentaries have been produced
- 9:27Speaker 1: seeking out the identities of these men in the picture.
- 9:31Speaker 1: Some of them have been positively identified, but others are
- 9:34Speaker 1: lost to history, or perhaps not quite lost. That's the
- 9:39Speaker 1: beautiful thing about photographs like lunch atop a skyscraper. It
- 9:43Speaker 1: may not be much, but an image like this transcends time,
- 9:47Speaker 1: location and profession create an empathy between us and the
- 9:51Speaker 1: men who are working there eighty years ago. That's an
- 9:54Speaker 1: even more towering achievement than the tallest of skyscrapers. I
- 10:03Speaker 1: hope you've enjoyed today's guided tour of the Cabinet of Curiosities.
- 10:07Speaker 1: Subscribe for free on Apple Podcasts, or learn more about
- 10:10Speaker 1: the show by visiting Curiosities podcast dot com. This show
- 10:14Speaker 1: was created by me Aaron Mankey in partnership with how
- 10:18Speaker 1: Stuff Works, I make another award winning show called Lore,
- 10:22Speaker 1: which is a podcast, book series, and television show and
- 10:25Speaker 1: you can learn all about it over at the Worldoflore
- 10:28Speaker 1: dot com. And until next time, stay curious.