Latest / The Bootleg Kev Podcast / #443 - Coyote

Transcript

#443 - Coyote · The Bootleg Kev Podcast

• 0:03
  Speaker 1: All right, Man, Boulet Cap Podcast special guests in here,
• 0:06
  Speaker 1: Coyote here.
• 0:08
  Speaker 2: Cracking.
• 0:09
  Speaker 1: Are you guys coyote for hire officially? Now?
• 0:11
  Speaker 3: I think so, Man, because you become for googling, well
• 0:15
  Speaker 3: for listen, for Google reasons.
• 0:18
  Speaker 1: I feel like when I Google coyote a lot of
• 0:20
  Speaker 1: other things, like as you know, the search engine optimization,
• 0:23
  Speaker 1: that's your purposes only. I feel like you guys should
• 0:26
  Speaker 1: go with the coyote for higher h.
• 0:29
  Speaker 4: I feel like people knows for that. People shout us
• 0:32
  Speaker 4: out for that, and we don't shot away from it.
• 0:33
  Speaker 4: Our record label is Coyote for Hire. But we're still Coyote.
• 0:38
  Speaker 4: You know why we're still Coyote because I heard Pitbull say.
• 0:40
  Speaker 2: Some real shit.
• 0:41
  Speaker 4: He was like, you know what, I know I made
• 0:43
  Speaker 4: it when pit Bull came above the and the dog
• 0:47
  Speaker 4: when he when you.
• 0:49
  Speaker 1: Google, that's true, you know what that's true?
• 0:51
  Speaker 5: So you guys at least can see what hey, when
• 0:54
  Speaker 5: you google pit Bull, the dog don't come up, you guys.
• 0:57
  Speaker 5: You guys have your goal set.
• 0:58
  Speaker 3: Yeah, so that's what I was saying. That's finish line.
• 1:00
  Speaker 3: But I like Coyote for a little ring to it,
• 1:02
  Speaker 3: you know what I'm saying? A little abbreviation as well.
• 1:05
  Speaker 3: See four h.
• 1:07
  Speaker 1: You can play with that.
• 1:08
  Speaker 2: Calls whatever you want. You know what I'm saying.
• 1:11
  Speaker 4: People, by the fault, you become your Instagram handle by
• 1:14
  Speaker 4: the fall.
• 1:14
  Speaker 2: Yeah, for sure, you know what I'm saying.
• 1:16
  Speaker 4: So but when you look us up on Spotify and ship,
• 1:18
  Speaker 4: it's just Coyote. But the record label that releases all
• 1:21
  Speaker 4: our music is Coyote for Hire, So I think we
• 1:24
  Speaker 4: pop up even though someone try to take that name too.
• 1:26
  Speaker 4: And now artists called Coyote for Hire that pops up
• 1:30
  Speaker 4: on our ship, and I'm trying to fucking figure.
• 1:32
  Speaker 3: They might have strate strategically did that to get us
• 1:35
  Speaker 3: to give them some money or something and buy her
• 1:37
  Speaker 3: fucking name back.
• 1:38
  Speaker 1: You know what happens a lot.
• 1:39
  Speaker 5: They be dropping music too, and they drop music, then
• 1:42
  Speaker 5: they're just fucking they're just biting.
• 1:44
  Speaker 3: Yeah exactly. But we'll find them, is what it is.
• 1:46
  Speaker 3: And all the time we'll find you and we'll kill you.
• 1:50
  Speaker 4: Allegedly we're Coyote. Coyote man. Two of us are fucking idiots.
• 1:55
  Speaker 1: I really like the Yode's.
• 1:56
  Speaker 3: I've been trying to push the change Coyote to the Yotis.
• 1:59
  Speaker 3: But you know coyote represents it's two of us, and
• 2:02
  Speaker 3: it represents one of us, you know what I'm saying.
• 2:05
  Speaker 1: So, yeah, you guys a few different fucking AKA.
• 2:08
  Speaker 2: The thing was like, you know, when you hear Queen,
• 2:10
  Speaker 2: it's like singular.
• 2:11
  Speaker 4: I mean it's singular, and it's like all these great
• 2:14
  Speaker 4: Linn Park, Lincoln Park. So it's like when you see him,
• 2:17
  Speaker 4: you see me, when you see me, you see him
• 2:19
  Speaker 4: mob deep Yeah exactly, Well yeah, mob I gus gang stars.
• 2:24
  Speaker 1: They didn't call the gang stars exactly. Yeah.
• 2:27
  Speaker 3: It fucking irks me when motherfuckers called us the coyotes.
• 2:31
  Speaker 1: I'm like, what, don't add an S to it?
• 2:33
  Speaker 3: Man, If you're gonna say you're gonna add the s,
• 2:36
  Speaker 3: just say the Yodi's.
• 2:38
  Speaker 5: I got to say, I'm super proud of you guys, man,
• 2:40
  Speaker 5: because talking to you a lot about yeah, in the
• 2:44
  Speaker 5: last couple of years, your journey and yeah, checking in
• 2:46
  Speaker 5: everyone you.
• 2:47
  Speaker 1: Hated us when you first met us, so you know
• 2:51
  Speaker 1: what I mean, both no, but I with y'all.
• 2:52
  Speaker 5: I remember like telling him, like when you guys came out,
• 2:54
  Speaker 5: I was like, man, this dude's got like a fucking
• 2:56
  Speaker 5: sick ass.
• 2:56
  Speaker 1: Look like this song just sucks.
• 2:59
  Speaker 3: Yeah, shout out the head too, man. He just shouted
• 3:01
  Speaker 3: us out not too long ago. He said, everything we've
• 3:04
  Speaker 3: been doing for the past twelve months is fucking fire.
• 3:06
  Speaker 1: You know, bullshit, and you.
• 3:07
  Speaker 3: Know it means a lot coming from Head. He's a
• 3:09
  Speaker 3: tough fucking critic, you know what.
• 3:11
  Speaker 4: Let me say one thing, bro, when it comes I'm
• 3:13
  Speaker 4: gonna give Kevis flowers when it comes to this Mexican
• 3:16
  Speaker 4: rap shit.
• 3:17
  Speaker 2: This anyone talking about Mexicans.
• 3:19
  Speaker 4: The only person whoever brings us up in every conversation
• 3:23
  Speaker 4: or at least several that I've heard in the media's keV.
• 3:26
  Speaker 4: In the media spaces bootlet keV. Motherfuckers can't bring up
• 3:29
  Speaker 4: Mexican rappers and keV don't throw our name in there, bro.
• 3:32
  Speaker 2: So for that, because Kevin knows what's up. Man.
• 3:35
  Speaker 3: You already know he's a true hip hop head and shit.
• 3:38
  Speaker 3: So man, he's always showing us love and you know
• 3:41
  Speaker 3: it's gonna be away.
• 3:42
  Speaker 5: You guys are joke, man, And like you know, I
• 3:44
  Speaker 5: always use you guys as an example now because I
• 3:46
  Speaker 5: have like upcoming artists coming up here or they'll be
• 3:48
  Speaker 5: recording in the studio and then like if I walk
• 3:50
  Speaker 5: by the like, hey, you got any game, and I'll
• 3:52
  Speaker 5: be like, man, you know, like at the end of
• 3:54
  Speaker 5: the day, bro, like what you guys are doing with
• 3:56
  Speaker 5: like freestyles and just like yeah, fucking putting up using
• 4:01
  Speaker 5: cap cut and putting your lyrics like you know, like
• 4:05
  Speaker 5: at the end of the day, everybody's got an excuse
• 4:07
  Speaker 5: for why, Well, I don't have a content guy, or
• 4:09
  Speaker 5: I don't have someone to shoot this shit, or I
• 4:11
  Speaker 5: don't have this like bitch, you got an iPhone in
• 4:12
  Speaker 5: your pocket.
• 4:13
  Speaker 2: Yeah, exactly.
• 4:14
  Speaker 1: So either you apply yourself enough to figure out how
• 4:18
  Speaker 1: to fucking do shit on your own, because I remember
• 4:20
  Speaker 1: you and I were talking and you're like, Bro, I'll
• 4:21
  Speaker 1: just find a cool spot, you set up the.
• 4:23
  Speaker 5: Phone and record, and then I'll edit it and then
• 4:25
  Speaker 5: it's up. And then anytime you guys have ever come
• 4:28
  Speaker 5: on my show, you're very adamant about, like, Yo, send
• 4:31
  Speaker 5: me the raw shit so I can put the lyrics
• 4:33
  Speaker 5: on it, so I can click it up myself.
• 4:35
  Speaker 1: And we started that way.
• 4:36
  Speaker 4: Man.
• 4:36
  Speaker 3: Now, if you're on Instagram, and if now you're go
• 4:39
  Speaker 3: on Instagram, there's a lot of motherfuckers that are doing
• 4:41
  Speaker 3: that little formula that we were doing back then. Now
• 4:44
  Speaker 3: we're switching it up, you know, because you can't. You
• 4:46
  Speaker 3: can't be a fucking a single trick pony and shit.
• 4:48
  Speaker 3: But you know what I mean, we damn near inspired
• 4:51
  Speaker 3: a whole little wave of people.
• 4:53
  Speaker 1: Trying to do that formula. You know what I'm saying.
• 4:55
  Speaker 4: There's a track record, you can find it. I guarantee
• 4:57
  Speaker 4: if we're not the first, we're one of the first
• 5:00
  Speaker 4: to take that real form just with iPhone, single shot,
• 5:03
  Speaker 4: semi creative and put the lyrics in it, and it
• 5:06
  Speaker 4: started working for us. The thing is when it starts working,
• 5:08
  Speaker 4: then it comes becomes easily duplicated. Sure, and we gave
• 5:11
  Speaker 4: a lot of people the game. A lot of homies
• 5:13
  Speaker 4: were hitting us up. I won't say names like we
• 5:16
  Speaker 4: do my artist elections.
• 5:18
  Speaker 2: I remember I was like, bro like, and you should
• 5:21
  Speaker 2: do that because we have eight billion people on the phone.
• 5:25
  Speaker 4: Your job is to just find them. So that's why
• 5:28
  Speaker 4: I say getting best for us, when we got best
• 5:31
  Speaker 4: was the best thing that could have ever happened to
• 5:33
  Speaker 4: us because we knew we were those guys. So because
• 5:37
  Speaker 4: we had a chip on our shoulder, we're like, man,
• 5:39
  Speaker 4: fuck that, like We're gonna prove to them we are
• 5:41
  Speaker 4: those guys, and the only way to prove it was
• 5:43
  Speaker 4: to attack the Internet. And because we were on our
• 5:46
  Speaker 4: ass and we couldn't drop music, we just were forced
• 5:49
  Speaker 4: to get creative.
• 5:49
  Speaker 5: Well, I want to talk about that because obviously, like
• 5:52
  Speaker 5: I'm very hip to your guys's journey with whatever's going
• 5:55
  Speaker 5: on in the background. But for people who don't know,
• 5:58
  Speaker 5: you know, a lot of people were introduced to you
• 6:00
  Speaker 5: through being.
• 6:00
  Speaker 1: Signed to Whack. Yeah, right, shot to Whack. Whack's my guy.
• 6:06
  Speaker 5: Give people kind of a breakdown because you guys are
• 6:08
  Speaker 5: currently not with Whack anymore.
• 6:09
  Speaker 4: Correct, we are not so whack. Essentially, he found us
• 6:13
  Speaker 4: when we were just an idea. We had just created Coyote,
• 6:17
  Speaker 4: like two months prior, and we shot two videos, which
• 6:20
  Speaker 4: was Viva Mexico and one that never came out, and
• 6:23
  Speaker 4: it got into Wax's hands and he's like, oh, well,
• 6:26
  Speaker 4: it got into a lot of people's hands, a lot
• 6:27
  Speaker 4: of labels, and they were all interested, but of course
• 6:29
  Speaker 4: they wanted to see logistics, what the numbers were like,
• 6:32
  Speaker 4: and they're like, well, it's just an idea, it doesn't exist.
• 6:35
  Speaker 4: Whack liked that it didn't exist, and he's like, fuck it,
• 6:38
  Speaker 4: we'll take you from the ground up. Blah blah blah.
• 6:40
  Speaker 4: So within two months of inception, we were signed to
• 6:43
  Speaker 4: Whack and we were on tour with Blue Face and
• 6:46
  Speaker 4: he put he put his money where his mouth. Us
• 6:47
  Speaker 4: put a check in our in our bank account, first
• 6:50
  Speaker 4: big check as rappers, and that's pretty tight, right yeah.
• 6:54
  Speaker 4: But then twenty twenty happened, So that was late twenty nineteen.
• 6:57
  Speaker 4: Twenty twenty happened. It started off eight we were on
• 7:00
  Speaker 4: tour with Game all over Europe, killing it, you know
• 7:04
  Speaker 4: what I'm saying, And then we come back to the
• 7:06
  Speaker 4: world being shut down, which in turn led to us
• 7:10
  Speaker 4: being benched. And then when we got benched, we kind
• 7:15
  Speaker 4: of just decided to take matters into our own hands
• 7:18
  Speaker 4: and we started moving independently even though we were signed
• 7:22
  Speaker 4: and WAC never stopped it. Soul shut out to him,
• 7:24
  Speaker 4: and then we really stepped on the gas twenty twenty two,
• 7:28
  Speaker 4: and then as of last year, it started gaining a
• 7:31
  Speaker 4: lot of momntums. So naturally he was calling because you know,
• 7:34
  Speaker 4: he put some money in our pocket, and we just
• 7:37
  Speaker 4: made it right with him. We're like, what's your number?
• 7:40
  Speaker 4: He said his number, We gave it to him, and
• 7:43
  Speaker 4: it's all up, bro, he caused the phone. I'll still
• 7:45
  Speaker 4: answer vice versa.
• 7:47
  Speaker 1: So you guys, essentially, you guys bought your contract.
• 7:50
  Speaker 3: Yeah, yeah, we pretty much brought ourselves out of our contract,
• 7:52
  Speaker 3: you know, just trying to make the business right, because
• 7:55
  Speaker 3: you know, this is a fucking just the music business.
• 7:57
  Speaker 3: So not trying to leave any bad blood or whatever.
• 8:00
  Speaker 3: But we just had to do what was right for
• 8:02
  Speaker 3: us because we were already moving independent. So it was
• 8:05
  Speaker 3: like we might as well be independent, Like why are
• 8:07
  Speaker 3: we still pigeonholding to this you know what I mean,
• 8:09
  Speaker 3: this contract? So you know what I mean, We just
• 8:11
  Speaker 3: had to make it right. We made it right, and
• 8:13
  Speaker 3: now bet on yourself exactly, bet.
• 8:15
  Speaker 4: On yourself and shout out to him because he never
• 8:17
  Speaker 4: blocked us when we were because we were releasing on
• 8:20
  Speaker 4: DSPs and all that, and he kind of let us
• 8:22
  Speaker 4: do our thing even when we were contractually.
• 8:24
  Speaker 2: On his shine.
• 8:25
  Speaker 1: He could have been like, hey, y'all ain't putting that
• 8:27
  Speaker 1: music if it in through one percent.
• 8:30
  Speaker 4: So he kept the solid. So when he named his price,
• 8:32
  Speaker 4: we kept the solid right back. And it's still all
• 8:35
  Speaker 4: ve man, but as of twenty twenty four, we've been independent.
• 8:40
  Speaker 1: Congratulations man, Thank you man, thank you man.
• 8:43
  Speaker 3: And ever since then, man, we've been moving and doing
• 8:45
  Speaker 3: cool shit. And the more shit we do, the more
• 8:48
  Speaker 3: shit happens. So like, fucking like, I'm excited to what
• 8:51
  Speaker 3: the future is going to hold for us, because man,
• 8:53
  Speaker 3: we finally got the ball rolling.
• 8:55
  Speaker 1: You know what I'm saying.
• 8:55
  Speaker 2: We're growing every fucking day for sure.
• 8:58
  Speaker 5: Give me for people who don't know, Like, obviously you
• 9:01
  Speaker 5: kind of gave us a quick You guys created the
• 9:03
  Speaker 5: group not long ago.
• 9:04
  Speaker 1: I mean it's what five years ago?
• 9:05
  Speaker 5: Yeah, about five years ago.
• 9:09
  Speaker 1: You guys were cutting hair.
• 9:11
  Speaker 4: Yeah, yeah, yeah, so we own a barbershop on Melrose.
• 9:14
  Speaker 1: You guys still got the barbershop.
• 9:15
  Speaker 5: Yeah, okay, yeah, give me the background of like, because
• 9:18
  Speaker 5: because obviously that's kind of crazy, you.
• 9:20
  Speaker 1: Know, like, let's rap.
• 9:21
  Speaker 4: Yeah yeah, so, well, we were already rapping before that.
• 9:25
  Speaker 4: We've been in many factions, you know, we've been rapping
• 9:28
  Speaker 4: for a long time.
• 9:29
  Speaker 2: Then we met Marcus.
• 9:30
  Speaker 4: Black I don't know if you know Black, course, Yeah,
• 9:33
  Speaker 4: and we met him at our Bark relationship Google.
• 9:35
  Speaker 3: Yeah, exactly exactly. One of the sicks in the game
• 9:38
  Speaker 3: for so great guy.
• 9:40
  Speaker 4: Pen Game's crazy games are crazy, super crazy. One of
• 9:44
  Speaker 4: the few people that I feel like Drake stole his
• 9:47
  Speaker 4: whole flow and just ran with it.
• 9:48
  Speaker 2: I mean a little bit.
• 9:50
  Speaker 4: You never heard Marcus Black before Drake, No, not before Drake.
• 9:54
  Speaker 4: He sounds like Drake, except.
• 9:57
  Speaker 1: I've heard it. I've heard him obviously, I've heard it ship,
• 9:59
  Speaker 1: you know.
• 9:59
  Speaker 4: Like, and there's some little insight that would kind of
• 10:02
  Speaker 4: solidify that, but whatever, I don't know, that's all hear saved, Yeah, exactly.
• 10:07
  Speaker 2: But but he's fucking an animal.
• 10:10
  Speaker 4: He's one of the few people that I take his
• 10:12
  Speaker 4: insight when it comes to my bars, if he feels
• 10:14
  Speaker 4: I could have done better.
• 10:15
  Speaker 2: So anyways, when he came.
• 10:16
  Speaker 4: To our shop, he was the first to really tell
• 10:18
  Speaker 4: us like, hey, you guys are dope, but you don't
• 10:21
  Speaker 4: have no branding. You're not you're not going hard enough.
• 10:24
  Speaker 4: He's like, so, you guys are just dope. But he's like,
• 10:26
  Speaker 4: if I would just being dope enough, And I kind
• 10:29
  Speaker 4: of was like, it kind of irked.
• 10:31
  Speaker 2: Me even at the time.
• 10:32
  Speaker 4: But then that's when my brother came up with the
• 10:34
  Speaker 4: idea of rebranding, and he came up with Coyote because
• 10:38
  Speaker 4: we were going through something.
• 10:40
  Speaker 2: I got all the genius ideas we're going through something
• 10:43
  Speaker 2: personally too that that just makes this guy takes credit
• 10:46
  Speaker 2: for him.
• 10:47
  Speaker 4: No, but you know what coyote is right obviously. Yeah,
• 10:52
  Speaker 4: And at the time our pops was deported and Marcus
• 10:57
  Speaker 4: was like, everything I gotta do should be subtly, like
• 11:00
  Speaker 4: with what's going on in your life with like y'all Mexican,
• 11:03
  Speaker 4: that's really all superpower. He's like, so everything down to
• 11:06
  Speaker 4: your names should be even if it's subtle, it should
• 11:09
  Speaker 4: be kind of all time in together for trying to
• 11:11
  Speaker 4: put it put your culture.
• 11:13
  Speaker 2: On our back.
• 11:14
  Speaker 1: Is your dad back?
• 11:16
  Speaker 2: Huh No?
• 11:17
  Speaker 1: No, damn.
• 11:18
  Speaker 3: Where in Mexico's living. He's in TJ. So he stays close,
• 11:21
  Speaker 3: you know what I'm saying. So we could go over
• 11:22
  Speaker 3: there and go back and forth taking lunch.
• 11:25
  Speaker 1: Was at the Dennis last week. I was I had
• 11:29
  Speaker 1: to get my crown reattached. Did you ever go to
• 11:32
  Speaker 1: Lionfish and TJ? I don't know the restaurant in the world.
• 11:36
  Speaker 1: It's like, uh seafood, oh my god, yeah, busting for sure.
• 11:41
  Speaker 2: The tackles by his house, all the tagos are fire
• 11:45
  Speaker 2: out there.
• 11:46
  Speaker 5: So so he's still in TJ. So he's not far
• 11:48
  Speaker 5: so you know, it's not like at least that's good.
• 11:51
  Speaker 5: How often you guys go back.
• 11:52
  Speaker 2: And see him pretty often?
• 11:54
  Speaker 1: Now? Yeah? Pretty often?
• 11:56
  Speaker 3: Probably like ship every day?
• 12:02
  Speaker 1: Yeah, I don't know every day we see him every day?
• 12:07
  Speaker 4: Oh yeah Chinese fluid, So Chinese food is great over there.
• 12:11
  Speaker 2: But yeah, shout out to my pops.
• 12:12
  Speaker 1: Man.
• 12:13
  Speaker 4: He he don't even know he was the inspiration for
• 12:16
  Speaker 4: the name, and he used to hate that we rapped,
• 12:19
  Speaker 4: but he's starting to get it.
• 12:21
  Speaker 1: Are you, like, do you like show him ship? Like, Dad, Look,
• 12:23
  Speaker 1: we have a song with Shaq.
• 12:25
  Speaker 5: Yeah, I mean, like everybody knows who Shack is, Like.
• 12:28
  Speaker 3: Like, I mean, I feel like a lot of our
• 12:31
  Speaker 3: family members were like, damn, what the fuck Shaquille Neil,
• 12:34
  Speaker 3: this is really possible, Like y'a already doing this ship
• 12:37
  Speaker 3: And we even have cousins that were artists and stuff,
• 12:40
  Speaker 3: and like we're inspiring them to like get back into it,
• 12:44
  Speaker 3: which is kind of cool to watch, you know, but
• 12:46
  Speaker 3: it's like, you don't want to do this, man, get
• 12:48
  Speaker 3: the fuck out of here.
• 12:50
  Speaker 1: It looks better than what it.
• 12:51
  Speaker 4: Really is, but it looks better than the feelds we've
• 12:55
  Speaker 4: inspired My dad.
• 12:56
  Speaker 2: Did you see the Poto video? So he was the
• 12:59
  Speaker 2: one with Mario Lopez.
• 13:00
  Speaker 3: Yeah, we had yeah, yeah, we had his song playing
• 13:03
  Speaker 3: in the beginning, and then we did a real, real
• 13:05
  Speaker 3: form the real ship that we do. We had him
• 13:07
  Speaker 3: playing the guitar, singing a song that he did in
• 13:10
  Speaker 3: one take, which was pretty fucking impressive, and we just, uh,
• 13:14
  Speaker 3: he was singing in front of a campfire with his
• 13:16
  Speaker 3: guitar and we're just chilling to promote that bultchoal rollout
• 13:20
  Speaker 3: and it.
• 13:21
  Speaker 1: Came out pretty fire.
• 13:22
  Speaker 3: And then once we posted it, he seen he got
• 13:24
  Speaker 3: like fifteen hundred likes or something like that.
• 13:26
  Speaker 1: He was.
• 13:28
  Speaker 3: He was like, he's like, he was like, wait till
• 13:31
  Speaker 3: I give him that next one. And I'm like, what,
• 13:33
  Speaker 3: ain't no next one?
• 13:34
  Speaker 1: Get here? Start your own page.
• 13:36
  Speaker 2: But that's gonna be the altro to our album. Is
• 13:38
  Speaker 2: my dad's song.
• 13:39
  Speaker 1: Oh that's fire.
• 13:40
  Speaker 4: So he did that one take, bro, because I wanted
• 13:43
  Speaker 4: him to sing them I'm throwing it on netas, but.
• 13:47
  Speaker 1: He couldn't get it.
• 13:48
  Speaker 4: And then I was like, I was like, bro, just
• 13:50
  Speaker 4: give me a song, you know, like the back of
• 13:52
  Speaker 4: your hand, right, And I just pressed record one, took
• 13:55
  Speaker 4: it and you could hear it at the end of
• 13:57
  Speaker 4: the recording and I'm like, that's the one. That's the one,
• 13:59
  Speaker 4: and I just stopped it. He killed it, So it's
• 14:01
  Speaker 4: gonna be we might have him on all of our
• 14:03
  Speaker 4: album as trust Fire.
• 14:05
  Speaker 1: I love the video because you guys have like Concrete.
• 14:08
  Speaker 1: Kemp Flores was in here.
• 14:10
  Speaker 2: Just trying to incorporate the culture. Man.
• 14:12
  Speaker 1: Bro.
• 14:12
  Speaker 5: By the way, I think Concrete is one of the
• 14:14
  Speaker 5: most ridiculously hilarious human being.
• 14:16
  Speaker 3: That fucking you don't even you don't even got to
• 14:19
  Speaker 3: like say anything like this motherfucker just makes facial.
• 14:21
  Speaker 5: Express skis have gotten over the years. And then I
• 14:25
  Speaker 5: just saw I never seen him do stand up. I
• 14:27
  Speaker 5: know he's been blowing up doing stand up. He's not
• 14:29
  Speaker 5: doing him for a while. And I saw him the
• 14:31
  Speaker 5: other night at the Haha Club in North Hollywood, and
• 14:34
  Speaker 5: this motherfucker had me leaking out of my face, but
• 14:37
  Speaker 5: I was dead.
• 14:38
  Speaker 4: Bro, future Goat go or future Legend. He's already he's
• 14:42
  Speaker 4: gonna do.
• 14:43
  Speaker 1: He gotta do movies, bro, like he got to write.
• 14:45
  Speaker 3: He's a good actor. We had Kemp Floors on there too.
• 14:48
  Speaker 3: He's fucking.
• 14:51
  Speaker 1: To stand up. Yeah, just he's gonna be on the
• 14:53
  Speaker 1: podcast soon.
• 14:54
  Speaker 4: I saw you saw he's funny as we're supposed to
• 14:58
  Speaker 4: have him on the video too. With that fool got
• 15:00
  Speaker 4: to Hollywood is blowing up now He's like, man, I
• 15:03
  Speaker 4: go through my agent.
• 15:05
  Speaker 1: Really, he just couldn't made Mario Lopez. By the way,
• 15:12
  Speaker 1: what happened?
• 15:12
  Speaker 2: Man?
• 15:13
  Speaker 3: Just internet fan of a fan. That's what it is, man,
• 15:16
  Speaker 3: the Internet.
• 15:17
  Speaker 1: Man.
• 15:17
  Speaker 3: Like I said earlier, Man, you do cool ship and
• 15:20
  Speaker 3: more cool shit fucking happens. And for motherfuckers like me
• 15:23
  Speaker 3: and my bro, you know what I'm saying. First generation
• 15:26
  Speaker 3: Mexican American Mario Lopez was like one of the first
• 15:29
  Speaker 3: guys that we seen, like say, by the bet, I
• 15:31
  Speaker 3: didn't even know he was Mexican. At first, I thought
• 15:33
  Speaker 3: he was like agent or something.
• 15:34
  Speaker 1: But then when.
• 15:34
  Speaker 3: I found out he was fucking Mexican, all that's pretty cool.
• 15:38
  Speaker 3: Like we have a space here, you know, in Hollywood
• 15:41
  Speaker 3: type ship, and.
• 15:42
  Speaker 4: He wrapped us the right way, like motherfucker. You know,
• 15:45
  Speaker 4: always kept making sure he looked good.
• 15:48
  Speaker 1: You look good.
• 15:49
  Speaker 3: Were usually portrayed as fat, fat ass taco eating motherfucker,
• 15:53
  Speaker 3: and he was like looking good and ship. I don't
• 15:56
  Speaker 3: know what he'd be doing, bro, motherfucker, don't eat no sugar.
• 16:00
  Speaker 1: Since I was a kid.
• 16:01
  Speaker 4: He was like one of the first proper representations of latinos.
• 16:05
  Speaker 4: So when he reached out to us, like we weren't
• 16:07
  Speaker 4: just gonna let it be like oh, he gave us props.
• 16:09
  Speaker 4: Oh this is cool. So we immediately are our head
• 16:12
  Speaker 4: starts rolling like all right, how.
• 16:14
  Speaker 3: Can we and DMUs like, man, you guys are fucking badass.
• 16:17
  Speaker 3: I love what you guys are doing. And we're already
• 16:19
  Speaker 3: thinking like, oh you think we're badass, we'll come out
• 16:22
  Speaker 3: to a video.
• 16:23
  Speaker 1: Then.
• 16:23
  Speaker 4: Yeah, it was like a serious production produced by us too.
• 16:28
  Speaker 2: Shout out to Marmos and Yody Productions.
• 16:30
  Speaker 1: Are you guys directing all your own ship? Co direct? Yeah?
• 16:33
  Speaker 2: Co directing? Damn here you know you.
• 16:35
  Speaker 1: Guys got this videos out right now? Yeah you know
• 16:37
  Speaker 1: what I'm saying.
• 16:38
  Speaker 3: Yeah, first man, Yeah, we just all get together and
• 16:40
  Speaker 3: just kind of just start throwing things at the wall,
• 16:42
  Speaker 3: spitball in and then like whenever we picked something up,
• 16:45
  Speaker 3: we just start running with it and just start treading
• 16:47
  Speaker 3: idea his back, and so.
• 16:48
  Speaker 2: We pretty much pitch it tomorrow.
• 16:50
  Speaker 4: We didn't even have a song yet, bro, but we're
• 16:52
  Speaker 4: just like, yo, we got this idea, which was that
• 16:56
  Speaker 4: Western idea I sent them the Desperado You ever seen
• 17:00
  Speaker 4: that esproto of course when Steve he's at the bar
• 17:04
  Speaker 4: and he sang, fucking course the biggest Mexican I ever seen, bro.
• 17:07
  Speaker 4: And then we then we incorporated the Selena's dad in
• 17:10
  Speaker 4: the movie. So I pretty much pitched him the whole
• 17:13
  Speaker 4: fucking bit. It took him like three weeks to respond,
• 17:17
  Speaker 4: but once she responded, he's like, man, I'm fucking in.
• 17:19
  Speaker 4: And what we do with those type of guys him Shack,
• 17:22
  Speaker 4: We pretty much structure the whole shoot around them.
• 17:25
  Speaker 1: You kind of have to their availabilities. Whenever you're available,
• 17:28
  Speaker 1: we'll make it work. Yeah.
• 17:30
  Speaker 3: Yeah, he has to do that with me too, Like
• 17:31
  Speaker 3: he has to like structure it around me because I'll
• 17:34
  Speaker 3: be like, yeah, Shack.
• 17:36
  Speaker 4: I just tell this motherfucker where to be. But I'm like,
• 17:38
  Speaker 4: this motherfucker's fucking day to day too, Dawn there.
• 17:40
  Speaker 2: Yeah.
• 17:44
  Speaker 1: Yeah, man, he gave us a date.
• 17:46
  Speaker 4: And then boom, now we're like said, now we need
• 17:48
  Speaker 4: a song because we didn't have a song. We made
• 17:50
  Speaker 4: this song like a week or two before we were
• 17:53
  Speaker 4: already shooting the video.
• 17:55
  Speaker 1: Wow. So so that song was recorded after you knew
• 17:58
  Speaker 1: he was down to this.
• 18:00
  Speaker 4: We had two potential songs, but we both He wasn't
• 18:03
  Speaker 4: sold on one and I wasn't sold on the other.
• 18:06
  Speaker 2: So then I was like, A, then we got to
• 18:07
  Speaker 2: make something else.
• 18:08
  Speaker 4: And then last minute we got Magic on it, MC
• 18:11
  Speaker 4: Magic on it, and then you know, we got the
• 18:14
  Speaker 4: whole cast legend, the legend shout up, where are you from?
• 18:18
  Speaker 1: Phoenix?
• 18:18
  Speaker 2: Phoenix?
• 18:19
  Speaker 1: Right there? It is, Yes, my bro, I notice sounds
• 18:21
  Speaker 1: a kid there.
• 18:22
  Speaker 3: Were going to tap in with Magic tomorrow. We're flying
• 18:24
  Speaker 3: out the Houston. We're going on the video there headsweek.
• 18:28
  Speaker 4: We going to Houston tomorrow to shoot a song with
• 18:30
  Speaker 4: Mexican O t N, MC Magic and the Yodis. So
• 18:34
  Speaker 4: we're just tomorrow tomorrow.
• 18:36
  Speaker 5: Yeah, ship, I just got invited by OT's dad to
• 18:38
  Speaker 5: go back out there to shoot hogs this week.
• 18:40
  Speaker 2: This week when pull up tomorrow.
• 18:42
  Speaker 5: I got a fucking interview. I got a money back
• 18:44
  Speaker 5: yo interview on fucking Wednesday. That's tomorrow, tomorrow, Wednesday.
• 18:48
  Speaker 2: Yeah, how many days you out there just in and out?
• 18:52
  Speaker 2: No man?
• 18:53
  Speaker 4: Magic literally hit us up yesterday midday and I was like, damn,
• 18:57
  Speaker 4: like we I mean, it's terrible timing, but yes, like
• 19:00
  Speaker 4: fuck it will be there you know what I'm saying.
• 19:02
  Speaker 4: So we're gonna be up there some more legendary ship.
• 19:05
  Speaker 4: We got that be Real ship. I don't know when
• 19:06
  Speaker 4: this is gonna drop, but I.
• 19:07
  Speaker 1: Saw the be Real uh trailer look sick.
• 19:11
  Speaker 4: You video is awesome. Shout out to be Real man, Like,
• 19:14
  Speaker 4: We're just it's crazy. We're in this space now where
• 19:16
  Speaker 4: we're kind of like rubbing shoulders with people that we
• 19:19
  Speaker 4: grew up admiring and they have a similar admiration to us,
• 19:23
  Speaker 4: and it's kind of like, uh, hard to grab some time.
• 19:27
  Speaker 5: What I think like too, is like you know, like, uh,
• 19:30
  Speaker 5: I don't like the I've never liked like when you
• 19:32
  Speaker 5: just box people in on their race, like when people
• 19:35
  Speaker 5: say like, yo, you're a dope Mexican rapper. Like someone
• 19:39
  Speaker 5: asked me, uh, I did a podcast yesterday and they were.
• 19:42
  Speaker 1: Just like, who's Like, who's the dope rapper from LA?
• 19:47
  Speaker 5: I mentioned you guys, I think I met, I mentioned
• 19:50
  Speaker 5: I mentioned Ruccie, but I was like, I like Lefty,
• 19:52
  Speaker 5: you know he's entertaining, but I wasn't like for a
• 19:55
  Speaker 5: Mexican guy, you know what I'm saying, Like yeah, and
• 19:58
  Speaker 5: I feel like, you know you guys as our MC's
• 20:02
  Speaker 5: happened to be Mexican, and I kind of look at
• 20:03
  Speaker 5: like OT that way, and I look at like super
• 20:05
  Speaker 5: guys that way, and it's like, I feel like the
• 20:09
  Speaker 5: the narrative of Mexican mcs being like boxed in or
• 20:15
  Speaker 5: like type cast it into like a sohol year.
• 20:18
  Speaker 1: Yeah you can go do lowrider shows you. I feel
• 20:20
  Speaker 1: like that ships like starting to finally like got away. Man.
• 20:23
  Speaker 2: It is because we got the numbers in this country.
• 20:26
  Speaker 2: It's the biggest minority in the country, and we're actually
• 20:29
  Speaker 2: now getting to the point where we can box with
• 20:32
  Speaker 2: whoever you put us in the ring with, you know
• 20:34
  Speaker 2: what I'm saying.
• 20:35
  Speaker 4: So not all of us, but a lot of us.
• 20:37
  Speaker 4: And I think Mexican OT is one of them. Like
• 20:39
  Speaker 4: you put them on a song with anyone, he could
• 20:40
  Speaker 4: probably box or hang. I think me and my brother
• 20:43
  Speaker 4: are up there, you guys, dough Man, I think is
• 20:46
  Speaker 4: up there?
• 20:46
  Speaker 1: Man is crazy? Oh god, he's yeah, she's fired.
• 20:51
  Speaker 3: You know what really fucking irks me though, When motherfuckers
• 20:54
  Speaker 3: be like, oh, this is the Mexican YG or this
• 20:57
  Speaker 3: is the Mexican Kendrick and Jcob, It's like, man, what
• 21:00
  Speaker 3: the fuck?
• 21:01
  Speaker 2: That just sounds retarded, Bro, I don't hear you know what.
• 21:03
  Speaker 1: You know what, you never heard anybody saying that kind
• 21:05
  Speaker 1: of shit about cypers.
• 21:05
  Speaker 2: Hill exactly exactly.
• 21:08
  Speaker 3: Right, because everybody try to make a post about me
• 21:10
  Speaker 3: and my bro saying we're the Mexican fucking Kendrick and
• 21:13
  Speaker 3: j Cole, which is way out of line. I think,
• 21:15
  Speaker 3: like we got our own style, you know what I'm saying.
• 21:18
  Speaker 3: And I was just like, what the fuck that's fucking weird, Yeah,
• 21:21
  Speaker 3: fucking super lame.
• 21:23
  Speaker 5: What's like almost like what you guys said about the
• 21:24
  Speaker 5: pitopull thing. It's like you guys, your guys's goals a
• 21:28
  Speaker 5: lot bigger.
• 21:28
  Speaker 4: We're up there for sure, and people, I think that's
• 21:30
  Speaker 4: why it's taking us longer to get there because people,
• 21:36
  Speaker 4: I don't know, man, in La, you see what's going on, bro,
• 21:39
  Speaker 4: Like besides the people that are already huge, like Tyler
• 21:42
  Speaker 4: and all the TV guys, no one in our realm
• 21:45
  Speaker 4: of success or fame or a little above or below
• 21:49
  Speaker 4: it's doing creative stuff like us, Bro. Not nobody like
• 21:52
  Speaker 4: point them out, brocause I.
• 21:53
  Speaker 2: Don't see it, you know what I'm saying.
• 21:55
  Speaker 4: And sometimes in Las it takes longer because they're used
• 22:00
  Speaker 4: to seeing the same ship and the same ship.
• 22:03
  Speaker 1: Works and it's the same the same ship.
• 22:05
  Speaker 5: Like that's the thing is, like, you know, you guys
• 22:07
  Speaker 5: aren't doing like running gun hip hop videos. You guys
• 22:09
  Speaker 5: are doing like really well thought out, like yeah, fucking
• 22:13
  Speaker 5: movies I did.
• 22:14
  Speaker 1: Like, are you guys working with one person that shoots
• 22:17
  Speaker 1: this stuff tomorrow?
• 22:19
  Speaker 3: He's been doing our stuff as of lately, but we
• 22:21
  Speaker 3: gotta we got a couple of dudes we like to
• 22:22
  Speaker 3: fuck with.
• 22:23
  Speaker 1: You know. The visions all feel very like similar to.
• 22:26
  Speaker 2: Yeah, very similar.
• 22:27
  Speaker 3: Yeah, yeah, the ones we've been posting lately, Yes, all
• 22:30
  Speaker 3: working with Marmo Smatmo Films and the DP.
• 22:33
  Speaker 4: He has a super dope to Caesar, shout out to Caesar.
• 22:36
  Speaker 4: We got a good thing going, man, where they see
• 22:39
  Speaker 4: our visions and they're able to elevate them and add
• 22:42
  Speaker 4: their own vision. And sometimes most times we co direct,
• 22:45
  Speaker 4: but the last one to be real one and even
• 22:48
  Speaker 4: the Devil one, we kind of step back on that
• 22:51
  Speaker 4: one and kind of just let them do it because
• 22:54
  Speaker 4: typically we're so hands on where we probably get annoying
• 22:57
  Speaker 4: because we're like just like but then when we step
• 23:00
  Speaker 4: back sometimes we're like we should have stepped in more.
• 23:04
  Speaker 1: Yeah, this last one is coming out.
• 23:05
  Speaker 3: I was kind of fucking pissed off about it, but
• 23:08
  Speaker 3: it's gonna be cool still. At the end of the day,
• 23:10
  Speaker 3: it's just my own nitpicking and I'm my worst critic,
• 23:14
  Speaker 3: you know what I mean. So whenever I see space
• 23:17
  Speaker 3: for improvement, I'm gonna fucking be vocal about it and say, nah,
• 23:21
  Speaker 3: you fucking should have fucking listened to me, jackass, when
• 23:23
  Speaker 3: I told you this about fucking film this goddamnit, say that.
• 23:26
  Speaker 2: No one's gonna know.
• 23:27
  Speaker 4: But you know, but because when we see our contemporaries,
• 23:31
  Speaker 4: a lot of people like you said one of the
• 23:33
  Speaker 4: boxers in with the Mexicans, right, which I'll take it, bro,
• 23:36
  Speaker 4: Like I fuck with the doat Mexican movement going on.
• 23:39
  Speaker 4: I love it, and you know, we're not the head
• 23:42
  Speaker 4: of the spirit, but we're on the way. But our
• 23:45
  Speaker 4: contemporaries to me is like Kendrick lamar Uh Tyler the creator.
• 23:51
  Speaker 1: Right Creatively, that's that's the bar you're trying.
• 23:53
  Speaker 4: To So we have a conversation with ourselves where it's like, Okay,
• 23:57
  Speaker 4: if this is how we view ourselves, we have to
• 24:01
  Speaker 4: present it as such, you know, what I'm saying, So, uh,
• 24:04
  Speaker 4: you know, we're making bread off music.
• 24:06
  Speaker 2: It comes to the point so and you.
• 24:08
  Speaker 1: Guys are obviously reinvesting because these videos are.
• 24:10
  Speaker 2: Back cheap man. You know what I'm saying.
• 24:11
  Speaker 4: Motherfuckers go by bust downs and we know we like
• 24:13
  Speaker 4: to look flying. We got our shit, you know what
• 24:15
  Speaker 4: I'm saying, But we're reinvesting it in the in the
• 24:17
  Speaker 4: product because we got to separate ourselves from the bunch,
• 24:21
  Speaker 4: because they try to put us in with the bunch,
• 24:23
  Speaker 4: but most.
• 24:24
  Speaker 5: People would skim on the video and then go buy
• 24:27
  Speaker 5: a fucking exactly a Gucci belt or something.
• 24:29
  Speaker 4: We're doing the opposite, and we still got enough to
• 24:31
  Speaker 4: look fly, you know what I'm saying. Right, and we
• 24:33
  Speaker 4: were the bustdowns are on the way, you know what
• 24:35
  Speaker 4: I'm saying. We just met up with a dealer and
• 24:37
  Speaker 4: all that. But for us, it's more like the art
• 24:40
  Speaker 4: comes first.
• 24:41
  Speaker 3: But when I look at these fucking receipts sometimes I'm like,
• 24:44
  Speaker 3: Namn Man should have just pulled up in front of
• 24:46
  Speaker 3: a fly as Web with some bitches and just did that,
• 24:48
  Speaker 3: because god damn, you gotta spend this on that and that,
• 24:52
  Speaker 3: because the fucking the tab on the clothes and the
• 24:56
  Speaker 3: gear and all that also adds up, you know.
• 24:58
  Speaker 5: Well how much Like because you guys, there's a few
• 25:01
  Speaker 5: western towns you could get around around l A. That's
• 25:04
  Speaker 5: not cheap cheap.
• 25:06
  Speaker 2: That's all.
• 25:06
  Speaker 1: Yeah, put that ship for two days. You've got a
• 25:10
  Speaker 1: minimum time, Yeah, especially people you two days.
• 25:13
  Speaker 4: Yeah, just to do the math some motherfuckers out here,
• 25:16
  Speaker 4: you know what I'm saying, Like, Uh, we don't.
• 25:19
  Speaker 2: We don't take this ship lightly. Bro. We spent bag
• 25:22
  Speaker 2: six figures on videos.
• 25:23
  Speaker 1: Bro.
• 25:24
  Speaker 2: It's like like we changed the way we see this ship.
• 25:26
  Speaker 3: Like like it's like, what could you do for this
• 25:30
  Speaker 3: for hip hop or or whatever it is? You know,
• 25:32
  Speaker 3: what can we do for it instead of what it
• 25:33
  Speaker 3: could do for us?
• 25:34
  Speaker 1: Like you know what I'm saying.
• 25:35
  Speaker 3: So we're trying to give it something great, wow, and
• 25:38
  Speaker 3: in return that could give us something you know what
• 25:40
  Speaker 3: I'm saying. We're just trying to track, trying to switch
• 25:42
  Speaker 3: the way we were thinking because we used to wrap
• 25:44
  Speaker 3: like to get the money, the fame and all that.
• 25:47
  Speaker 3: Now it's like, nah, let's do something fucking good. Let's
• 25:49
  Speaker 3: give it back to the Yeah, that's what we're trying to.
• 25:52
  Speaker 4: Eat because we want the culture to not only we
• 25:55
  Speaker 4: want the culture is starting to respect our pen game.
• 25:59
  Speaker 4: And we said our contemporaries like and all these people
• 26:02
  Speaker 4: are doing shit for love, Shaq free ninety nine, Mario
• 26:05
  Speaker 4: Lopez free ninety nine, be real same. So we have
• 26:09
  Speaker 4: all these people that are pulling up because not only
• 26:11
  Speaker 4: do they give us a look, a great look, they
• 26:14
  Speaker 4: trust us that in return, We're gonna give them a look,
• 26:17
  Speaker 4: you know what I'm saying. So, as crazy as it sounds,
• 26:20
  Speaker 4: we gave Shack a look. This motherfucker went viral. Snoop
• 26:22
  Speaker 4: Dogg posted it, TMZ posted us like three times.
• 26:26
  Speaker 2: And Rick Ross trying to copy Kobe and hyeah they copy, Yeah,
• 26:32
  Speaker 2: they for show copied it. But Kobe and Shack of this,
• 26:34
  Speaker 2: yeah for sure.
• 26:37
  Speaker 4: And even Mario Lopez, you know what I'm saying, like
• 26:39
  Speaker 4: he's showing a mad love.
• 26:40
  Speaker 2: But yeah, yeah, Like what the fuck we don't own Shack?
• 26:43
  Speaker 1: You can do record, brother, you want? How was that? Like, Shack?
• 26:47
  Speaker 5: How you guys are from l A obviously, so Shacks
• 26:49
  Speaker 5: a Laker legend, for got a statue outside of the
• 26:52
  Speaker 5: fucking Staple Center.
• 26:53
  Speaker 2: Love that guy.
• 26:54
  Speaker 1: One of the most famous human beings ever walked the
• 26:55
  Speaker 1: face of the ever.
• 26:56
  Speaker 3: Yeah, his fucking or is crazy. He's like a god
• 26:58
  Speaker 3: amongst men already.
• 27:00
  Speaker 5: Third Yodie, how like, first of all, what were the
• 27:03
  Speaker 5: discussions between him just being a fan because he always
• 27:06
  Speaker 5: shows loved a lot of different artists. Yeah, yeah, a
• 27:09
  Speaker 5: lot of independent artists too, But like, how do you
• 27:11
  Speaker 5: translate that from like him rapping with you?
• 27:15
  Speaker 1: So that's that's fucking sick.
• 27:18
  Speaker 4: The first time he ever hit us up, which was
• 27:20
  Speaker 4: also video my brother posted just on his phone again
• 27:22
  Speaker 4: going back on the phone.
• 27:23
  Speaker 2: I was parked on the phone.
• 27:25
  Speaker 3: And then we had just recorded a song at I
• 27:28
  Speaker 3: forgot whose studio was. We did a song whatever it
• 27:31
  Speaker 3: was Holly Morning, yeah in Vegas. Now, this was at
• 27:34
  Speaker 3: his house over here. I don't know if he still
• 27:36
  Speaker 3: has it.
• 27:36
  Speaker 1: It was a while talking about the Giant House, like
• 27:40
  Speaker 1: like the White House.
• 27:40
  Speaker 2: Yeah, yeah, long gone with French, I never got oh.
• 27:44
  Speaker 1: Yeah yeah you said about you take the elevator down?
• 27:46
  Speaker 3: Yeah, that spot. We did a song that he had
• 27:48
  Speaker 3: a record with French Montana. It never got really sound
• 27:50
  Speaker 3: about right, yeah, And I was hearing it the next
• 27:53
  Speaker 3: day and I was like, damn, I gassed this motherfucker.
• 27:55
  Speaker 3: So I just recorded myself rapping the lyrics posted it,
• 27:58
  Speaker 3: didn't think nothing of it, and fucking came across Shack's
• 28:02
  Speaker 3: eyes and then fucking next thing you know, we got
• 28:05
  Speaker 3: a fucking DM from Shacks ain't dope.
• 28:07
  Speaker 1: I'll funk with y'all. Y'all dope as fuck like.
• 28:09
  Speaker 3: You're going, and he shot us to follow and then
• 28:12
  Speaker 3: we're fucking super hyped that day.
• 28:14
  Speaker 2: It was during the pandemic.
• 28:15
  Speaker 4: Too, so immediately, like I was legit a fan of
• 28:19
  Speaker 4: shacks raps, I love no hooks with him.
• 28:22
  Speaker 1: I mean, I know people like to try to give
• 28:24
  Speaker 1: Damian the props, but Shack had fucking jay Z and
• 28:27
  Speaker 1: Nas on.
• 28:27
  Speaker 3: The record and Wool Tang Biggie Black thought you went
• 28:31
  Speaker 3: platinum as a rapper like most like it was a
• 28:35
  Speaker 3: different time, but this motherfucker had you can't stand the rain, you.
• 28:39
  Speaker 4: Understand was fire, So before stopped the ring. Whatever you
• 28:43
  Speaker 4: can can't stop, the r can't stop. So not only
• 28:46
  Speaker 4: did we show him admiragers and for being a laker,
• 28:48
  Speaker 4: but almost immediately we're like above that, like I love
• 28:51
  Speaker 4: your pen game as a rapper, I respect you too,
• 28:54
  Speaker 4: So immediately we dropped the seed.
• 28:56
  Speaker 2: The first day, like.
• 28:57
  Speaker 4: One day, hopefully we get you out of retirement and
• 28:59
  Speaker 4: get you on a song. And he was just like,
• 29:01
  Speaker 4: as long as its hardcore, I'm with it, you know
• 29:03
  Speaker 4: what I'm saying. But that was two years before we
• 29:05
  Speaker 4: actually got the song done, so it was just like
• 29:08
  Speaker 4: relationship building. He started sending his means, we were saying
• 29:11
  Speaker 4: me there was like regular stuff. And then last year
• 29:14
  Speaker 4: he started sharing our stuff a lot. He was just
• 29:16
  Speaker 4: sharing what we were doing. So we're like, all right,
• 29:18
  Speaker 4: he's tapped in, so maybe now is the time to
• 29:21
  Speaker 4: send him a song. And we had done the song
• 29:23
  Speaker 4: that was super hardcore, the Three Locals one, and it
• 29:26
  Speaker 4: was with ghost Face Killer in mind because we talked
• 29:29
  Speaker 4: to somebody that potentially it could have happened. Yeah, and
• 29:33
  Speaker 4: it didn't happen, but we had it and we're like,
• 29:36
  Speaker 4: fucking I'm send it to Shack.
• 29:37
  Speaker 1: He's my favorite member.
• 29:39
  Speaker 2: Really, he's up. There's top three. I love method.
• 29:42
  Speaker 5: Man, goes Face in my top ten ever, So top
• 29:45
  Speaker 5: ten ever, Yeah, sure, I think goes Face.
• 29:47
  Speaker 1: Yeah, his new album's Crazy too Fire.
• 29:51
  Speaker 2: He never lost it, yeah, he never.
• 29:53
  Speaker 3: He hasn't lost a step bro, and even on the features, bro,
• 29:56
  Speaker 3: he still fucking goes crazy.
• 29:58
  Speaker 2: Shit with him and nams.
• 29:59
  Speaker 3: He went banana, Yeah, I don't never disrespect me records.
• 30:04
  Speaker 5: You guys, uh, get get in the record. He sends
• 30:06
  Speaker 5: it back to you, and now it's like, all right,
• 30:08
  Speaker 5: well we gotta shoot the video.
• 30:09
  Speaker 4: Yeah, so again it goes back. He facetimes us. My
• 30:12
  Speaker 4: brother immediately like this is the thing. We don't let
• 30:16
  Speaker 4: the opportunity just pass. We shoot our shot if it
• 30:18
  Speaker 4: felas and felt my brother first thing down there he's
• 30:20
  Speaker 4: my brother says, was you know, we gotta bring you
• 30:23
  Speaker 4: out to the video.
• 30:24
  Speaker 2: Shack's like I'm there, I'm there.
• 30:26
  Speaker 4: So we're already like okay, and you know, we hang
• 30:29
  Speaker 4: up and then we kind of want to not bother him,
• 30:32
  Speaker 4: and then he keeps texting us. He starts sending us
• 30:34
  Speaker 4: beats and like da, So I'm like okay, Like Shack's
• 30:37
  Speaker 4: really like he's fucking.
• 30:38
  Speaker 3: With also sending us memes and ship of yeah dying
• 30:41
  Speaker 3: on Instagram.
• 30:42
  Speaker 2: It was just pretty so all right, we're on the
• 30:46
  Speaker 2: same you guys.
• 30:47
  Speaker 1: We're the saying.
• 30:49
  Speaker 3: Once you start trading memes with each other, you're like,
• 30:51
  Speaker 3: all right, this is becoming like a friendship here.
• 30:54
  Speaker 1: So it was like all right, he just got.
• 30:56
  Speaker 3: A little bit more comfortable, you know what I mean.
• 30:57
  Speaker 3: He can tell his motherfucker anything.
• 30:59
  Speaker 1: So he was on tour.
• 31:00
  Speaker 4: I saw he was in La one day and I
• 31:03
  Speaker 4: was like, shock, if you could give us fucking one hour,
• 31:05
  Speaker 4: bro that yeah, we'll plan it around done in an hour. Yeah,
• 31:09
  Speaker 4: he said, yes, we planned it. He gave us two
• 31:12
  Speaker 4: hours and we did what we did and he we
• 31:15
  Speaker 4: went stupid viral and that was like another step on
• 31:20
  Speaker 4: the gas that it boosted us even more than what
• 31:22
  Speaker 4: we were already doing. Man, he's been a real blessing.
• 31:25
  Speaker 4: He text us randomly. He's really embodied being the third
• 31:27
  Speaker 4: member of Coyote. We have a few other songs with him. Yeah,
• 31:32
  Speaker 4: he just text us randomly like around.
• 31:35
  Speaker 3: But there was an award for like the most random
• 31:37
  Speaker 3: link up. I think that one would have won it
• 31:40
  Speaker 3: for for sure, the most random link of shack.
• 31:44
  Speaker 1: But ship we made that ship.
• 31:46
  Speaker 2: I would have never thought.
• 31:48
  Speaker 1: There Jersey Living.
• 31:51
  Speaker 2: Yeah, we got to songs that we got to.
• 31:53
  Speaker 3: We're gonna hang those up at the studio, you know
• 31:55
  Speaker 3: what I mean. Yeah, but that's the bro And it's
• 31:58
  Speaker 3: crazy to say that, but it's true, like us to bro,
• 32:00
  Speaker 3: like we talk to them all the time.
• 32:03
  Speaker 5: Explain to me, like, how because you guys obviously being
• 32:07
  Speaker 5: with Whack, I felt like I felt like you guys
• 32:10
  Speaker 5: were kind of obviously when you sign with Whack, opportunities
• 32:14
  Speaker 5: come because Whack is a well connected person. Those opportunities
• 32:17
  Speaker 5: don't necessarily translate into like real fans.
• 32:20
  Speaker 2: Yeah, definitely not right.
• 32:21
  Speaker 5: But I feel like what you guys have been doing
• 32:23
  Speaker 5: the last like year and a half or so, you
• 32:26
  Speaker 5: guys are building like a real buzz or real fan base.
• 32:28
  Speaker 5: What was it like that you feel like you guys
• 32:31
  Speaker 5: started to do differently that translated into people becoming actual fans,
• 32:37
  Speaker 5: not like passive fans. I'm talking about like people who like,
• 32:39
  Speaker 5: go buy a ticket, people who buy a T shirt,
• 32:41
  Speaker 5: people who are like you.
• 32:41
  Speaker 3: Just you can't cheat the work, bro, You can't fool
• 32:44
  Speaker 3: the people. You can't cheat the work. Like if a
• 32:46
  Speaker 3: motherfucker puts a bag behind you and it it throws
• 32:49
  Speaker 3: you out there, that doesn't mean it's gonna work, you
• 32:51
  Speaker 3: know what I mean. You can get all the code
• 32:53
  Speaker 3: signs in the world, but if your shit's not connecting
• 32:55
  Speaker 3: with anybody, you don't got a message, Like what's your movement?
• 32:59
  Speaker 1: What is it for?
• 33:00
  Speaker 2: Mean?
• 33:00
  Speaker 3: Like people aren't gonna fucking follow you because you can't
• 33:03
  Speaker 3: cheat the system like you need a What we did
• 33:08
  Speaker 3: was like we started trying to cater to them, and
• 33:10
  Speaker 3: we fucking forgot what made us get in this position
• 33:13
  Speaker 3: in the first place. That's why we hit a little
• 33:16
  Speaker 3: bump on the road, you know what I mean at
• 33:17
  Speaker 3: that time. But what we fucking started doing is like, nah,
• 33:20
  Speaker 3: what God is here? The way we were fucking rapping
• 33:23
  Speaker 3: back then, So let's get back to that and start
• 33:25
  Speaker 3: connecting with people on a different level so we can
• 33:28
  Speaker 3: build this colt following that just follows us. And then
• 33:32
  Speaker 3: once you build that bro like in music, you'll never
• 33:34
  Speaker 3: go hungry.
• 33:35
  Speaker 1: Like those motherfuckers are gonna always support you to support,
• 33:38
  Speaker 1: so they're gonna they're gonna buy buy the sweater exactly
• 33:41
  Speaker 1: by the heart, special edition whatever.
• 33:44
  Speaker 3: Yeah, So that's what That's what was our mentality going
• 33:47
  Speaker 3: into it, like, nah, we can't cheat the ship, Like,
• 33:49
  Speaker 3: let's put the footwork in that's needed instead of like,
• 33:51
  Speaker 3: all right, let's get this fucking big ass fucking industry
• 33:55
  Speaker 3: to put their name behind our ship and blasts out there.
• 33:58
  Speaker 3: Because they did that, and now the hood rat record
• 34:00
  Speaker 3: that you're a fan of you love so much. Win
• 34:03
  Speaker 3: but yeah, yeah, to win top forty on rhythmic rhythmic charts.
• 34:07
  Speaker 3: I don't know if that means anything. I don't know
• 34:08
  Speaker 3: what the fuck rhythmic.
• 34:10
  Speaker 2: Charts is, but I remember it's a billboard though.
• 34:13
  Speaker 1: Yeah, and they record is dope.
• 34:15
  Speaker 3: But you can't cheat the fucking work, bro, Like you
• 34:17
  Speaker 3: want to build fans, go out there, let the people
• 34:20
  Speaker 3: touch you while the fuck you acting famous when you
• 34:22
  Speaker 3: got fucking whatever followers you got, Like, Bro, you can't
• 34:26
  Speaker 3: cheat the fucking work.
• 34:27
  Speaker 4: And I think also, like again going back to what
• 34:30
  Speaker 4: you're trying to appeage, there's A and RS and people
• 34:33
  Speaker 4: telling you when we pull up with our dope shit,
• 34:35
  Speaker 4: even like the ship we deal with sim but we
• 34:37
  Speaker 4: pulled up like yo, look what we got, and people
• 34:39
  Speaker 4: are like, no one wants to hear this ship. No
• 34:41
  Speaker 4: wants to hear this ship.
• 34:42
  Speaker 3: You start beleave in bro and nowadays broke because of
• 34:46
  Speaker 3: the Internet, there's a space for anybody to find their
• 34:49
  Speaker 3: crowd and grab them and then fucking eat off of the.
• 34:52
  Speaker 5: Problem with the people who you're talking about A and
• 34:54
  Speaker 5: RS is like their livelihood, like them being gainfully employed,
• 34:58
  Speaker 5: depends on whether or not a song is uote unquote
• 35:00
  Speaker 5: hit record. So when they get like I would almost
• 35:03
  Speaker 5: say almost any A and R period, when they give
• 35:06
  Speaker 5: you feedback, it's coming from a place of job security.
• 35:09
  Speaker 4: Yeah, and that's why now they're losing their jobs in
• 35:11
  Speaker 4: the industries and shambles because you have people like us
• 35:15
  Speaker 4: that we're direct to consumer, like I don't need nobody's approval.
• 35:18
  Speaker 4: Like once we started doing, like, look, bro, this is
• 35:20
  Speaker 4: what we want to do. This is not only what
• 35:22
  Speaker 4: we want to do. This is what we're best at.
• 35:24
  Speaker 4: Because trying to do the LA sound and all this
• 35:26
  Speaker 4: other stuff, we could do it. But if I'm Steph
• 35:29
  Speaker 4: Curry in the three pointers, my fucking go to while
• 35:31
  Speaker 4: the fuck am I not shooting the three Yeah, So
• 35:35
  Speaker 4: that's kind of the angle we started taking. And if
• 35:37
  Speaker 4: we fell on what we're good at, at least it's
• 35:40
  Speaker 4: on our fucking it's on us, it's on you.
• 35:43
  Speaker 5: You're like going out your way, Like hey man, I
• 35:46
  Speaker 5: can't blame this on anybody because you could at least
• 35:48
  Speaker 5: go to sleep at night knowing we did it our
• 35:50
  Speaker 5: way and it didn't work, and that's fine. But if
• 35:52
  Speaker 5: you go to sleep at night and it didn't work
• 35:54
  Speaker 5: because you followed trends, or you followed with some.
• 35:57
  Speaker 4: That doesn't feel good, that feels terrible, that's work because
• 36:00
  Speaker 4: you agree with them. I remember people started saying it
• 36:02
  Speaker 4: about hood right even when you guys told us and
• 36:04
  Speaker 4: a few other people, I was like, man, the fuck
• 36:06
  Speaker 4: the things I agree with these motherfuckers. I hate this song,
• 36:09
  Speaker 4: you know what I'm saying, But now I appreciate it
• 36:11
  Speaker 4: because it did put a battery in our back.
• 36:13
  Speaker 5: And No, but when you guys, even when you guys
• 36:15
  Speaker 5: came and rapped, you guys killed it. Yeah, I was like, well,
• 36:19
  Speaker 5: these are hard like shit like dope for uh, for
• 36:24
  Speaker 5: you guys, man, like give me you guys obviously have
• 36:28
  Speaker 5: a guy with two belts, oh.
• 36:30
  Speaker 2: Yeah, with a tag team chests.
• 36:32
  Speaker 4: But these are our belts really too for everyone I
• 36:34
  Speaker 4: think you know what I'm saying, like.
• 36:35
  Speaker 3: Kind of heavy, so we need a big, strong, hefty
• 36:38
  Speaker 3: guy in the back hold of them for us.
• 36:39
  Speaker 4: We actually won these too. This ain't no belts have
• 36:42
  Speaker 4: been given this the homicide one.
• 36:44
  Speaker 1: Those are WWF's by the way, too, so you didn't
• 36:46
  Speaker 1: those aren't fucking like I went to the w W
• 36:49
  Speaker 1: shopping bottom recently. No, because that's a w.
• 36:51
  Speaker 3: W like if you know, you know, you know what
• 36:53
  Speaker 3: I mean. We're fucking big vintage fans.
• 36:55
  Speaker 2: You know what I'm saying.
• 36:57
  Speaker 1: You know I'm walking some vintage right now. And you
• 36:59
  Speaker 1: guys areso wrestling guys.
• 37:00
  Speaker 3: Yeah, grew up wrestling, Yeah, I mean I fucking almost
• 37:05
  Speaker 3: killed this guy at one point.
• 37:06
  Speaker 1: Can you say you grew up wrestling in the dockyard? Yeah,
• 37:09
  Speaker 1: in the backyard.
• 37:09
  Speaker 2: It was doing a backyard.
• 37:11
  Speaker 1: Table ladders, real matches.
• 37:16
  Speaker 3: That shit became like a thing where our parents would
• 37:18
  Speaker 3: be like when they leave the house and then leave
• 37:20
  Speaker 3: us there no wrestling.
• 37:22
  Speaker 2: It was like we didn't know it was fake.
• 37:24
  Speaker 4: So we're over here really making each other cry because
• 37:26
  Speaker 4: we had belts that we would It was a twenty
• 37:28
  Speaker 4: four to seventh thing where you could win the belts, right,
• 37:31
  Speaker 4: so any given.
• 37:32
  Speaker 3: Time and then you win the hardcore belt. Was this
• 37:36
  Speaker 3: stuff alcohol right, twenty four to seven belt. I'll be
• 37:39
  Speaker 3: walking out the motherfucking bathroom in this motherfucker steel chair.
• 37:42
  Speaker 4: But but legit making each other cry, like putting each
• 37:46
  Speaker 4: other through tables. He threw a center block in my head.
• 37:49
  Speaker 3: I got I was an accident, though it was an
• 37:51
  Speaker 3: accident because look one of the little my little cousin Anthony.
• 37:56
  Speaker 3: He ended up throwing the belt over the fence because
• 37:59
  Speaker 3: we were fining for one of these belts right here
• 38:01
  Speaker 3: back in the days, though not these exact belts, but yeah,
• 38:04
  Speaker 3: he threw it over the fence and we couldn't wrestle
• 38:06
  Speaker 3: anymore because we were trying to climb the ladder to
• 38:08
  Speaker 3: get the belt.
• 38:09
  Speaker 2: You guys have a ladder match, terrible ladders and in
• 38:12
  Speaker 2: the backyard.
• 38:13
  Speaker 3: Yeah, so we were all like, damn, I didn't want
• 38:15
  Speaker 3: to jump the fence. I could have jumped the fence,
• 38:16
  Speaker 3: but I kind of pretend I can't. Yeah, I try
• 38:19
  Speaker 3: to act like my fucking ankle was heurt or whatever.
• 38:22
  Speaker 3: And then he was like, all right, I'll fucking do it.
• 38:24
  Speaker 3: But he couldn't get up there because he was a
• 38:26
  Speaker 3: little chunky kid, you know what I mean.
• 38:28
  Speaker 2: Put the center block on the floor.
• 38:29
  Speaker 3: So he put the center block on the floor, still
• 38:31
  Speaker 3: on the center block, jumped over, and he was like,
• 38:33
  Speaker 3: but when I jump over, I need the cinder block
• 38:36
  Speaker 3: to jump back.
• 38:36
  Speaker 2: So when I land, you threw the cinder block so
• 38:39
  Speaker 2: I can step on it.
• 38:41
  Speaker 1: Wait one second.
• 38:43
  Speaker 3: As he jumped over, I grabbed the cinder block, said
• 38:45
  Speaker 3: fuck you. I didn't even think I just threw it.
• 38:47
  Speaker 2: I don't even want.
• 38:51
  Speaker 1: I heard was.
• 38:53
  Speaker 3: I was like, I got I know there was a ladder.
• 39:01
  Speaker 4: Now and then no one could jump to the defence.
• 39:04
  Speaker 4: But not everyone don't.
• 39:05
  Speaker 3: I'm scared, like, oh no, he's hurt adrenaline. This guy,
• 39:11
  Speaker 3: we don't use the block to jump back over. It
• 39:13
  Speaker 3: was covered like his whole face was red. Leading mom
• 39:16
  Speaker 3: just stished me up all the time. I'm thinking, like
• 39:18
  Speaker 3: how am I getting? How am I going to get
• 39:20
  Speaker 3: out of this ship with my mom? She's gonna fuck
• 39:21
  Speaker 3: me up?
• 39:22
  Speaker 1: And I was like, I got it. I'm gonna blame Anthony.
• 39:24
  Speaker 2: He's only four years old. The first we're blaming a
• 39:28
  Speaker 2: four year old.
• 39:28
  Speaker 1: Yeah, he threw the seconds, but he chucked it. He
• 39:32
  Speaker 1: got fucking straight. I said, if.
• 39:34
  Speaker 3: Anthony would have never threw the belt over the fence,
• 39:36
  Speaker 3: he would have never got crabbed.
• 39:37
  Speaker 2: I said, I fell off the fence.
• 39:39
  Speaker 3: He shot the Anthony man, he was a real one.
• 39:41
  Speaker 3: He took my mom's chew out like a champion and
• 39:43
  Speaker 3: wrapped me out. He just sat there and cried him,
• 39:47
  Speaker 3: almost chewing him out.
• 39:48
  Speaker 2: Like you motherfucker, you throw the belt. Look at what
• 39:51
  Speaker 2: happened A big Yeah. They just stished me up out
• 39:54
  Speaker 2: there on the kitchen table.
• 39:57
  Speaker 5: Have you guys got to link with any wrestlers yet?
• 39:59
  Speaker 5: Anybody chat or tapping off?
• 40:02
  Speaker 4: We know the homie Santana Proud what's his name?
• 40:05
  Speaker 1: From New York? You guy should work with?
• 40:08
  Speaker 3: Uh?
• 40:09
  Speaker 1: You know there's a guy named st Strickling is the
• 40:11
  Speaker 1: a W champ? A rapper really hard? You know him? Yeah?
• 40:16
  Speaker 1: He last week we're doing the record fuckers that had
• 40:20
  Speaker 1: been crazy.
• 40:21
  Speaker 4: We're trying to throw an event where we mixed hip hop,
• 40:24
  Speaker 4: wrestling and comedy.
• 40:25
  Speaker 1: Bro, y'all should do it. Fucking let's go. We're talking down,
• 40:29
  Speaker 1: I'm down, and let's do it.
• 40:31
  Speaker 4: We got Rakisi right, we still got Rakeshi's number. We're
• 40:34
  Speaker 4: talking with a lot of these guys. Man, let's do it.
• 40:36
  Speaker 4: We're gonna have Vernee and Ken hosted.
• 40:38
  Speaker 1: I know all kind of wrestlers.
• 40:40
  Speaker 2: Dog, let's say less, bro, don't tell.
• 40:42
  Speaker 5: Me super tighted with someone like like ah, like a
• 40:45
  Speaker 5: few of the USO guys like U Zilla, who's to
• 40:48
  Speaker 5: Who's uh the Roman Ranges?
• 40:51
  Speaker 1: I think it's his cousin? Fire him, bro? Yeah, I
• 40:56
  Speaker 1: know a lot of those guys.
• 40:57
  Speaker 2: We're trying to do like a festival bow where's a
• 40:59
  Speaker 2: called Yodi Man and ship show.
• 41:01
  Speaker 4: Where it's wrestling, comedy and rap. But in the coolest way.
• 41:05
  Speaker 3: Where would you do that in the States. The ring,
• 41:08
  Speaker 3: it's going to be a wrestling ring. Whoever performs, the
• 41:11
  Speaker 3: performers are rapping in the ring. Yeah, everything in the ring.
• 41:14
  Speaker 3: The comedy is in the ring, spying in all in
• 41:17
  Speaker 3: the ring. It's gonna be a complete ship show. Chaos
• 41:20
  Speaker 3: but beautiful sounds fire.
• 41:22
  Speaker 2: You heard don Coyote.
• 41:24
  Speaker 1: The venue they have like.
• 41:29
  Speaker 2: But they already throw wrestling events there. They throw wrestling events.
• 41:33
  Speaker 4: They're already. We could put the ring in there, and
• 41:36
  Speaker 4: we could put bleachers in there. We got the connection
• 41:38
  Speaker 4: for bleachers and then they got an upstairs part balcony
• 41:41
  Speaker 4: wraps around it.
• 41:43
  Speaker 2: All that you're down. What were trying to make it
• 41:45
  Speaker 2: like a yearly.
• 41:46
  Speaker 3: Fucking complete circus should be hard Midget strippers.
• 41:49
  Speaker 2: Midge strippers, that would be hard.
• 41:51
  Speaker 1: I I got a lap dance from a single midget
• 41:55
  Speaker 1: stripper before.
• 41:56
  Speaker 2: What you smashing is it wasn't married.
• 42:00
  Speaker 1: If you were married, I'm no, of course not, but
• 42:04
  Speaker 1: if I wasn't married, you're a single. I give it
• 42:06
  Speaker 1: a just to just to say I did it.
• 42:10
  Speaker 2: I guess for the story, like very like chunky.
• 42:13
  Speaker 1: Yeah, you know, they.
• 42:14
  Speaker 3: Got definitely got. They're definitely thick. They thick in the
• 42:18
  Speaker 3: forehead too. Their faces looks like Rihanna's look like Rihanna
• 42:25
  Speaker 3: on a small body.
• 42:28
  Speaker 1: Gorgeous is what I'm saying. But you know they got forehead.
• 42:31
  Speaker 2: Yeah, that's what I'm saying. Like Rihanna is like a
• 42:33
  Speaker 2: full grown midget.
• 42:38
  Speaker 3: US bad mission just kept going.
• 42:46
  Speaker 4: I think she's one of the battest girls out there.
• 42:47
  Speaker 4: But you know, yeah, for sure there's a resemblance there.
• 42:51
  Speaker 1: Yeah, I know there's a resemblance there. For sure.
• 42:53
  Speaker 4: When I see a bad midget, I'll be like, man,
• 42:55
  Speaker 4: I look like Rihanna.
• 42:56
  Speaker 2: Like that.
• 43:01
  Speaker 1: It's great. So talk, let's talk about the album. Yeah.
• 43:04
  Speaker 2: LT Aliens dropped this before after before before on the twelve,
• 43:10
  Speaker 2: I think, so, I think, so that's the day we're
• 43:12
  Speaker 2: aiming for right now.
• 43:13
  Speaker 4: That's you know, on the corner, Yeah to light twelve.
• 43:17
  Speaker 4: So we we we're gonna have a release show.
• 43:19
  Speaker 1: Fourteenth is the fourteenth, Friday Friday.
• 43:23
  Speaker 3: I don't know what today is, so I don't fucking
• 43:26
  Speaker 3: around that time, sometime in June.
• 43:28
  Speaker 1: I think it's July.
• 43:29
  Speaker 2: July, yeah, July, Okay, July twelve.
• 43:34
  Speaker 4: L Dot Aliens featuring the Yodis, Shaq, west Side, Bugie.
• 43:40
  Speaker 2: Rigan, Ricky Blanco, Ricky Blanco, the Game, Dom Man, Jesus.
• 43:46
  Speaker 2: There's a lot of dope ship on there, Sucker Free
• 43:49
  Speaker 2: the Homie from Lantic one on four. It's gonna be dope, man.
• 43:53
  Speaker 2: I'm super proud of it. Uh.
• 43:55
  Speaker 4: We might have a show at the Saint Rock in
• 43:57
  Speaker 4: the South Bay. I know people like to stay in
• 43:59
  Speaker 4: fucking hot, so we're trying to move people out of
• 44:01
  Speaker 4: Hollywood and go to our side of town. That might
• 44:05
  Speaker 4: be the final Roxy though, I know. But they're out
• 44:07
  Speaker 4: of business right now.
• 44:08
  Speaker 3: They're they're not going to open till September or some
• 44:12
  Speaker 3: ship like that.
• 44:12
  Speaker 1: I'm glad they're fixing it. Every time you have to rock,
• 44:14
  Speaker 1: you're like, what the fuck?
• 44:16
  Speaker 4: I think they're opening it back up in August, but
• 44:18
  Speaker 4: I think August is already booked, so they're thinking about
• 44:20
  Speaker 4: booking us there in September.
• 44:22
  Speaker 1: The South Bay show, and then you gotta spin the
• 44:25
  Speaker 1: block and do the Roxy. Yeah.
• 44:26
  Speaker 3: Yeah, it's gonna be more of a like listening type
• 44:29
  Speaker 3: of party, you know what I mean.
• 44:30
  Speaker 2: I don't know. I still don't know what we're gonna do.
• 44:32
  Speaker 3: That we might do, I mean, Ship, we might pull
• 44:34
  Speaker 3: out the midges and tables and ladders and chairs there Ship,
• 44:37
  Speaker 3: who knows it's still away from now.
• 44:39
  Speaker 1: The echo that echoes it's an echo park. That's that's
• 44:44
  Speaker 1: the first time OT was in TOWNY did the echo
• 44:46
  Speaker 1: It's it's a it's a good room.
• 44:48
  Speaker 2: I think we went there.
• 44:49
  Speaker 1: I think it's like four or five hundred tickets.
• 44:51
  Speaker 2: Oh, it came to the studio after that night. Yes, yeah,
• 44:55
  Speaker 2: I remember that was that. I think that was the Echo.
• 44:57
  Speaker 1: Yeah.
• 44:58
  Speaker 5: So there's the Echo Plex and then the Echo. They're
• 45:00
  Speaker 5: like one's it's super fucking weird because one's like below
• 45:04
  Speaker 5: the other.
• 45:06
  Speaker 1: But so you got to like go down the stairs
• 45:09
  Speaker 1: and like walk past all the homeless piss to get
• 45:11
  Speaker 1: to the real. But there's two venues in that space,
• 45:14
  Speaker 1: one of them smaller, one of them is bigger. But
• 45:15
  Speaker 1: it's a good venue, I mean Ship.
• 45:17
  Speaker 2: Yeah.
• 45:18
  Speaker 4: The thing about the same rock, I think we got
• 45:19
  Speaker 4: it for free.
• 45:22
  Speaker 2: They don't like pain.
• 45:23
  Speaker 3: We don't even pay our producers deal Ship because you know,
• 45:30
  Speaker 3: the hardest process for us is just kidding, man, shout
• 45:33
  Speaker 3: all the motherfucking producers.
• 45:34
  Speaker 1: Man.
• 45:37
  Speaker 4: So we go through I swear people think we're joking,
• 45:39
  Speaker 4: but we'll probably go through five hundred beats to find one,
• 45:43
  Speaker 4: and like I guess, we could write to anything, right, Like,
• 45:45
  Speaker 4: if I have to do a.
• 45:46
  Speaker 2: Song, I will.
• 45:47
  Speaker 1: So it's the hardest part for you, Yeah, just because
• 45:50
  Speaker 1: lately we've been we've been.
• 45:51
  Speaker 3: Fighting the beat and then getting the first line is
• 45:53
  Speaker 3: probably the hardest part. You know, Once we got that
• 45:56
  Speaker 3: and then everything just starts flowing.
• 45:58
  Speaker 4: Like you ever hear people say the worst has come
• 46:01
  Speaker 4: to me. So that's what we're searching for now. So
• 46:04
  Speaker 4: I hear it.
• 46:04
  Speaker 2: Bet I want the worst to come. Yeah, just nothing forced.
• 46:07
  Speaker 4: I don't want to thinking, oh I like this beat,
• 46:10
  Speaker 4: and then I'm thinking thinking thinking which I can if
• 46:12
  Speaker 4: I have to. But lately what I'm looking for is
• 46:14
  Speaker 4: I want the beat that pull the ship out of
• 46:18
  Speaker 4: me pretty.
• 46:18
  Speaker 2: Much, So going there with some fully loaded clips.
• 46:22
  Speaker 4: It takes fucking going through five hundred beats, and sometimes
• 46:26
  Speaker 4: we find them on YouTube or beat stars will pay
• 46:28
  Speaker 4: the forty dollars fucking lease or whatever. Sometimes forty dollars
• 46:33
  Speaker 4: exclusive you know what I'm saying.
• 46:35
  Speaker 1: YouTube, Like, YouTube is a great place to find beats.
• 46:39
  Speaker 4: Yeah, but you know, once it shit really starts popping off.
• 46:42
  Speaker 4: I know we're going to get a lot of.
• 46:43
  Speaker 3: People type beat records on this project that we're putting in.
• 46:46
  Speaker 1: So when you find the type beat type record, you
• 46:49
  Speaker 1: just fucking just in the bio.
• 46:52
  Speaker 3: Yeah, there's this thing called it's called transfer YouTube to
• 46:56
  Speaker 3: MP three, no trust, copy baste and then they go
• 47:00
  Speaker 3: straight to the iTunes and then boom, I get on it.
• 47:03
  Speaker 1: Listen. The best way to I'm not even I fuck
• 47:05
  Speaker 1: with a lot of producers, but the best way to
• 47:07
  Speaker 1: really steal a beat is to just send it to
• 47:09
  Speaker 1: a producer who's good enough and be like, can you
• 47:10
  Speaker 1: reproduce this?
• 47:11
  Speaker 2: Yeah, that's facts, that's fact.
• 47:13
  Speaker 1: Now that's frowned upon.
• 47:15
  Speaker 4: Yeah you shouldn't. I get it. Producers probably hate us.
• 47:17
  Speaker 4: But if we know the producers different, we'll give them
• 47:19
  Speaker 4: the splits and all that. But there's been times where
• 47:22
  Speaker 4: we find a producer on YouTube or beat start them
• 47:24
  Speaker 4: and we'll hit them up and there there's no response.
• 47:26
  Speaker 4: I'm like, all right, I'm gonna just upload your ship,
• 47:29
  Speaker 4: you know what I'm saying. Like the dude, we did
• 47:30
  Speaker 4: with Shack. He's never reached out that beat, so he
• 47:33
  Speaker 4: don't know that he has.
• 47:38
  Speaker 1: You must have like giving up on his dream. Has
• 47:40
  Speaker 1: no idea that Shacks wrap it on his beat.
• 47:42
  Speaker 4: No fucking clue, you know what I'm saying. But again,
• 47:45
  Speaker 4: when the producers reach out, we get the business right,
• 47:47
  Speaker 4: you know what I'm saying. But oftentimes we just find
• 47:50
  Speaker 4: the beats on the women. It's like, all right, I
• 47:51
  Speaker 4: don't know who this saying. Yeah, and it's hip hop.
• 47:54
  Speaker 1: Man, you're independent, you know ship hip hop.
• 47:57
  Speaker 2: It was made off stealing, so yeah, for sure. Whatever. Yeah,
• 48:01
  Speaker 2: we've had people what.
• 48:02
  Speaker 3: Was that dude that hit us up? Was like, hey,
• 48:04
  Speaker 3: I bought this beat? You guys are rapping up, Like,
• 48:07
  Speaker 3: all right, buddy, hits ours now? Like, what do you
• 48:09
  Speaker 3: want to do? Suis sue me?
• 48:11
  Speaker 1: Fuck it? Take it down? Yeah? How many streams did
• 48:13
  Speaker 1: you get on the one that you bought? Nothing?
• 48:17
  Speaker 2: Nothing?
• 48:18
  Speaker 3: It was nothing because we looked it up and we're like,
• 48:20
  Speaker 3: what the fuck this shit got like fucking thirty plays?
• 48:23
  Speaker 3: Bro and the kicker is a lot of people use
• 48:25
  Speaker 3: that beat, so I send them a lot of songs
• 48:26
  Speaker 3: I love.
• 48:27
  Speaker 1: How many people use this beat?
• 48:28
  Speaker 3: Like, while you hitting us up because he's seen it
• 48:30
  Speaker 3: was the most traction, like, hey this is my beat,
• 48:32
  Speaker 3: I bought it, I used it, blahlah blah blah blah.
• 48:35
  Speaker 3: And I was like, what are you gonna do, Suis
• 48:36
  Speaker 3: fuck it dude, the producer.
• 48:38
  Speaker 4: Fuck dudecause you already let eight other rappers wrap over
• 48:40
  Speaker 4: there too.
• 48:41
  Speaker 1: Motherfuckers used to resell beats.
• 48:43
  Speaker 3: I'm trying to get sued, bro, to be honest, I
• 48:45
  Speaker 3: want to get sued. It's gonna show me that I'm
• 48:47
  Speaker 3: doing something right.
• 48:48
  Speaker 5: Alchemist once had a beat that he sold to Jadakiss
• 48:52
  Speaker 5: and raz Cast and raz Cast disstant On van Goya,
• 48:58
  Speaker 5: at least on the Van Go demo that they were
• 49:00
  Speaker 5: passing out of Tower Records.
• 49:01
  Speaker 4: Okay, you know Alchemists. Yeah man, I'm trying that. That's
• 49:05
  Speaker 4: our next collab project. We're trying to well.
• 49:08
  Speaker 5: Alchemists is, in my opinion, uh to Go, possibly the
• 49:11
  Speaker 5: greatest of all time.
• 49:12
  Speaker 1: Yeah, up there he's up there, Bro.
• 49:14
  Speaker 2: What I like for what we like?
• 49:15
  Speaker 5: Think about the run he's been on the last like
• 49:17
  Speaker 5: fucking five or six years, bro, Like Alfredo Grammy nominated
• 49:21
  Speaker 5: he did with Larry June, Like all these collab albums
• 49:23
  Speaker 5: he's doing like it's like his second breath is so
• 49:26
  Speaker 5: crazy and for the ship that like you definitely I
• 49:28
  Speaker 5: think Kanye, Timberland, all those guys you know who.
• 49:31
  Speaker 3: Got a sick This is like you know who got
• 49:35
  Speaker 3: nick as second breath of fresh air, Bro, Limp, Biscuit,
• 49:38
  Speaker 3: Fred Durst and them out of nowhere. Bro, They're going crazy.
• 49:42
  Speaker 3: They're the world fucking packing that ship out. And it's
• 49:46
  Speaker 3: not like old motherfuckers in the crowd. There's a bunch
• 49:48
  Speaker 3: of young motherfuckers in the crowd going crazy.
• 49:51
  Speaker 1: I'm not gonna lie, dude.
• 49:52
  Speaker 4: You know we got a Fred Durt's feature coming to
• 49:55
  Speaker 4: we did? We linked up with Dj Lethal Legend.
• 49:58
  Speaker 1: Yeah, he's been fucking shopping Biscuit.
• 50:01
  Speaker 2: Uh.
• 50:02
  Speaker 1: I liked Significant Other a lot. That's a great album.
• 50:06
  Speaker 4: The first album I ever stole was the Chocolate Star Fist.
• 50:09
  Speaker 1: Hot Flavored Water. So some of their songs haven't aged
• 50:15
  Speaker 1: the best.
• 50:16
  Speaker 2: No, I haven't heard that album along.
• 50:17
  Speaker 3: You know roll that Rolling song was a smash right
• 50:20
  Speaker 3: from what I remember. That's but now, like when you
• 50:22
  Speaker 3: hear it, rolling is kind of hard. Breakstuff is breaks
• 50:27
  Speaker 3: up is hard rolling, and you hear it is kind
• 50:28
  Speaker 3: of cheesy.
• 50:29
  Speaker 5: Bump break stuff to but like that ship the ship
• 50:31
  Speaker 5: with method Man pretty hard hardest, hardest.
• 50:36
  Speaker 2: That beat is still one of its beats.
• 50:38
  Speaker 1: Ever, when a freestyle over that.
• 50:42
  Speaker 3: I think, I think I've written to that beat multiple times,
• 50:45
  Speaker 3: but then the verses goes somewhere else.
• 50:47
  Speaker 1: Yeah, fire beat.
• 50:50
  Speaker 2: Rocking, Yeah, all that a good era.
• 50:54
  Speaker 4: That was a good era, bro, your t R my
• 50:56
  Speaker 4: childhood exactly, DM mad Black Kid. You know, and what
• 51:01
  Speaker 4: you think of Eminem ship Man. I saw you do
• 51:03
  Speaker 4: a post about it, the verse or the video he rapped.
• 51:09
  Speaker 4: It's like, the video is fucking great. No, the video
• 51:12
  Speaker 4: is great. I thought he had some videos artis. But
• 51:16
  Speaker 4: I think that as a song.
• 51:19
  Speaker 1: To me, he made that song for people like me
• 51:21
  Speaker 1: who remember nostalgia because because when he used to put
• 51:24
  Speaker 1: his old albums.
• 51:25
  Speaker 3: His first, his first record is always the one picking.
• 51:29
  Speaker 2: But it's like, how I love I don't.
• 51:31
  Speaker 3: I don't like eminem slander at all. You know, I'm
• 51:33
  Speaker 3: a hip hop d I understand.
• 51:35
  Speaker 1: And I actually thought music to be murdered by it.
• 51:37
  Speaker 3: This is my album, and I got excited about kill Jady,
• 51:41
  Speaker 3: the whole thing that he's doing right now.
• 51:42
  Speaker 2: I'm a little.
• 51:43
  Speaker 3: Excited about I'm excited to the title kN slim Shady's
• 51:46
  Speaker 3: dead or whatever. But I think him doing the guess
• 51:48
  Speaker 3: Who's back all the time, Like how many guess whose
• 51:50
  Speaker 3: back songs do we need?
• 51:51
  Speaker 1: This is what I say.
• 51:52
  Speaker 5: I think I understand. I understand what he was trying
• 51:54
  Speaker 5: to do. Yeah, I thought there was some good rapping
• 51:56
  Speaker 5: on their. Eminem is always gonna be good rapping.
• 51:58
  Speaker 1: For sure.
• 52:00
  Speaker 5: I don't love the song. My friend hates it. Who
• 52:04
  Speaker 5: I posted his text.
• 52:05
  Speaker 1: He was like, I've never wanted somebody to be addicted
• 52:07
  Speaker 1: to drugs again. See, I'm an Eminem stand So dude,
• 52:12
  Speaker 1: you have to listen because I am an Eminem fucking
• 52:15
  Speaker 1: fan and I've been so vocally like hating from like Recovery.
• 52:21
  Speaker 1: I like recovery, but anything out of recovery recovery, but
• 52:25
  Speaker 1: anything after that relapse recovery where no relap.
• 52:30
  Speaker 2: Recovery is good, but relaps wasn't relapse. Relapsed to me
• 52:35
  Speaker 2: was his last good album.
• 52:37
  Speaker 1: I think I think good.
• 52:39
  Speaker 2: I like Recovery good, bro, if you look at the
• 52:41
  Speaker 2: raps in there and the.
• 52:42
  Speaker 1: Content, it's one of the lyrically strongest album. Accent was weird, bro.
• 52:48
  Speaker 3: I know once you get past the accent and you're
• 52:50
  Speaker 3: looking at his wordplay and the concept of his records.
• 52:54
  Speaker 2: Three Crazy whatever will so Cold, the song will go.
• 53:02
  Speaker 2: That song crazy.
• 53:04
  Speaker 1: So to me like anything after Recovery so like I
• 53:07
  Speaker 1: hated Marshall Mathers LP two. I thought Revivals. I think
• 53:10
  Speaker 1: Revival is one of the worst albums.
• 53:12
  Speaker 2: That I don't know. If I heard Revival, it's.
• 53:14
  Speaker 1: It's the worst. It might be the worst hip hop
• 53:16
  Speaker 1: album by a major artist. It is an absolute I
• 53:20
  Speaker 1: don't I don't stand by these words. Kama Cozi was
• 53:24
  Speaker 1: very hard.
• 53:25
  Speaker 2: I didn't hear Kamaki you.
• 53:26
  Speaker 1: Know what to murdered by was fucking fire good. That's
• 53:30
  Speaker 1: eminem album since probably I heard it once.
• 53:35
  Speaker 3: I heard it once and I never went back to it,
• 53:37
  Speaker 3: so I probably got to go back.
• 53:39
  Speaker 5: To you remember like on like Eminem Show and the
• 53:42
  Speaker 5: g and the Ship, like he was like making beats
• 53:44
  Speaker 5: that sound like you would used to be able to
• 53:46
  Speaker 5: hear Eminem produce beating me like, oh, that sounds like
• 53:48
  Speaker 5: an Eminem bat. Like when he did nas is the Cross,
• 53:50
  Speaker 5: like like Renegade did the Cross?
• 53:53
  Speaker 2: Yes, the version Mary carry the Cross that's.
• 53:57
  Speaker 1: On that's a minem bat. What he pretty.
• 54:01
  Speaker 2: That was God. I love that song.
• 54:04
  Speaker 1: I don't know this is the thing, like I feel
• 54:08
  Speaker 1: like music to be murdered by. It sounded like a
• 54:11
  Speaker 1: fucking Eminem album. Again, it wasn't like him trying to
• 54:13
  Speaker 1: and then other thing like I wish you was stopped
• 54:15
  Speaker 1: working with Skyler Gray Dog.
• 54:17
  Speaker 2: Like he's trying to make the records and like.
• 54:20
  Speaker 5: At least like you know, they got some records. I
• 54:23
  Speaker 5: can appreciate the sky of the Great Pink Songs gotta.
• 54:26
  Speaker 1: Stop, though.
• 54:27
  Speaker 2: I like him when he's on his demonic ship and
• 54:29
  Speaker 2: he's like when he's darking on drugs for sure, like
• 54:32
  Speaker 2: that song with.
• 54:34
  Speaker 1: Bro.
• 54:35
  Speaker 3: I think this motherfucker is just speaking Chinese to us
• 54:37
  Speaker 3: because he got so technical and good that it's like
• 54:41
  Speaker 3: not good. You know, it's like so many like damn,
• 54:44
  Speaker 3: you got to rewind and hear what he said here
• 54:46
  Speaker 3: and this.
• 54:46
  Speaker 1: Like cannabis man, like two thousand BC was tough.
• 54:50
  Speaker 4: I think I think Eminem is strictly on how good
• 54:53
  Speaker 4: it is and not focused on is this a good how.
• 54:57
  Speaker 1: Good of a rapper am I going to be on?
• 54:59
  Speaker 1: I like, listen, I like music to be murdered by.
• 55:01
  Speaker 2: I need to hear it.
• 55:02
  Speaker 1: It's a really really, really really good album.
• 55:04
  Speaker 2: I'm excited about that.
• 55:06
  Speaker 1: I'm excited for the album too, because at the end
• 55:08
  Speaker 1: of the day, if you know, this is the warm up,
• 55:12
  Speaker 1: and this is like a vintage eminem warm up, for sure,
• 55:14
  Speaker 1: it should be a good album.
• 55:15
  Speaker 4: He was gussing the videos dope, video is dope. It's
• 55:19
  Speaker 4: just to me, I guess I didn't like that. It
• 55:20
  Speaker 4: was two nostalgic for me a couple because I want
• 55:22
  Speaker 4: to hear something new, right Versus's.
• 55:25
  Speaker 1: Thing obviously made that for people like us who are
• 55:27
  Speaker 1: like into his like but if it didn't connect.
• 55:30
  Speaker 2: With us, yeah, but it did, though it didn't connect
• 55:33
  Speaker 2: with a lot of.
• 55:34
  Speaker 1: But but I'm saying, like, who's the demographic for this ship?
• 55:37
  Speaker 2: Yeah it was it.
• 55:38
  Speaker 1: Ain't nobody belove thirty. Ain't nobody really like you know
• 55:40
  Speaker 1: what I'm saying. Like, But a lot of people love it.
• 55:44
  Speaker 1: I don't know.
• 55:44
  Speaker 2: I think it's just I mean that shit went stupid viral.
• 55:47
  Speaker 1: Maybe it was number one. People do love it.
• 55:49
  Speaker 2: I don't know.
• 55:50
  Speaker 1: And for the record, I don't even hate it. I
• 55:52
  Speaker 1: think it's just okay.
• 55:53
  Speaker 2: Middle America is pretty big, exactly, But you know.
• 55:57
  Speaker 3: What, we need him over like them nineteen ninety nine
• 56:01
  Speaker 3: beats like the fucking I just don't give a fuck
• 56:04
  Speaker 3: beats like bringing back to some Boom back.
• 56:07
  Speaker 1: Listen.
• 56:07
  Speaker 5: I didn't think KI was absolute. I thought it was
• 56:10
  Speaker 5: just I'm like, dog, I'm not going to re listen
• 56:13
  Speaker 5: to this. Yeah, Like I get it. The video was cool,
• 56:16
  Speaker 5: the concept was cool. Like the visually. I feel like,
• 56:18
  Speaker 5: if you want, if you listen to the song, because
• 56:20
  Speaker 5: I fucked up and I heard the song before I
• 56:22
  Speaker 5: watched the video and I was.
• 56:24
  Speaker 1: Like, this ship is whatever.
• 56:26
  Speaker 2: Dog.
• 56:26
  Speaker 1: Then you see the video and you're like, oh.
• 56:29
  Speaker 2: Yeah, just what he was doing.
• 56:31
  Speaker 1: I get it. It's paying how muge to all his
• 56:34
  Speaker 1: old videos. I get it, Like hopefully there's some dre
• 56:37
  Speaker 1: fucking beats on me and hopefully, you know, just not
• 56:41
  Speaker 1: Skylar Gray Bright.
• 56:42
  Speaker 4: What was that song, bro, the Devil in Side where
• 56:44
  Speaker 4: he's like when the Devil comes and he's like suspending
• 56:47
  Speaker 4: an animation like somebody's hold like hold to me there,
• 56:50
  Speaker 4: Like when he's just on his fucking like comic book.
• 56:53
  Speaker 2: Characters before all of that infinite he's talking about like
• 56:57
  Speaker 2: a hunted house or something, right, and he's like the
• 57:00
  Speaker 2: books are flying off, flying off shelves. Yeah, I love
• 57:04
  Speaker 2: That's one of my biggest influences.
• 57:05
  Speaker 3: I like Eminem when I hear him and he sounds
• 57:08
  Speaker 3: like a fucking comic book.
• 57:09
  Speaker 1: You know. My favorite Eminem era was eminem Show and
• 57:12
  Speaker 1: then all the gun It mixtapes and all the like
• 57:14
  Speaker 1: Green Lantern mix tapes.
• 57:16
  Speaker 2: Yeah yeah, I like the Slim Slim Shadyop was My
• 57:19
  Speaker 2: favorite album is eminem Show and then Slim Shadio P.
• 57:21
  Speaker 1: Then I had Marshall Baders.
• 57:23
  Speaker 2: There was good album classic yeah, yes, class the first three.
• 57:28
  Speaker 2: I love that guy. He was one of my biggest
• 57:30
  Speaker 2: influences to this day.
• 57:32
  Speaker 5: When after eminem Show that had just lose It and
• 57:35
  Speaker 5: had uh It had Curtain Curtain Call that was the
• 57:39
  Speaker 5: greatest hits uh not.
• 57:42
  Speaker 3: It was like, but there was all right, fuck Eminem,
• 57:47
  Speaker 3: Aliens June, what's the date today?
• 57:52
  Speaker 2: Look, I get it right, Aliens. You know what I'm saying.
• 57:58
  Speaker 2: That is gonna be crazy Core Encore. I liked Encore.
• 58:01
  Speaker 1: There's some ship on.
• 58:02
  Speaker 2: The mocking Bird song on there.
• 58:04
  Speaker 5: They had that ship with Obie Trice that you better
• 58:07
  Speaker 5: love me. I just want know. That was on the
• 58:09
  Speaker 5: eight Miles soundtrack.
• 58:11
  Speaker 4: I fucked it on Core. I fucked with everything until
• 58:14
  Speaker 4: I think relapsed. I stopped kind of listening.
• 58:16
  Speaker 1: Yeah that's fair. Well, look man, L dot aliens. Sometimes
• 58:21
  Speaker 1: sometimes July Is think it's in tune.
• 58:24
  Speaker 2: Yeah, exactly.
• 58:26
  Speaker 1: So he wants to rap or not.
• 58:27
  Speaker 2: Bro, I know we weren't here to rap, but I
• 58:29
  Speaker 2: kind of like to sure this guy always wants to rap.
• 58:33
  Speaker 2: I mean, want to put that hustle in the house
• 58:36
  Speaker 2: on there. Man, We're just gonna wrap in the house
• 58:42
  Speaker 2: rap everywhere. He damn if it was the interview segment.
• 58:46
  Speaker 1: You are now there's the freestyle segment.
• 58:48
  Speaker 2: Yeah, let's go all right on a different YouTube video now.
• 58:52
  Speaker 2: But we fumble this. We're not gonna drop it.
• 58:54
  Speaker 1: Okay, So if you don't see it, they fumbled it. Yeah,
• 58:57
  Speaker 1: you won't rap or not sure rap. I get