Latest / The Imperfect Impulse w/Bree O'Connor / S 2 Ep 20: Your Feelings Make Me Uncomfortable
Transcript
- 0:01SPEAKER_00: Welcome to the Imperfect Impulse with Brie O'Connor.
- 0:05SPEAKER_00: I'm your host, Brie O'Connor.
- 0:08SPEAKER_00: All right, today is our 40th episode.
- 0:12SPEAKER_00: That's right, two seasons, 20 episodes apiece.
- 0:17So after today,
- 0:18I'm going to be taking a little break from recording and
- 0:21releasing.
- 0:23SPEAKER_00: There may be a few surprises that I'll release during the interim,
- 0:28SPEAKER_00: but suffice it to say that you've got a lot
- 0:31SPEAKER_00: to listen to 40 episodes.
- 0:34SPEAKER_00: It's quite a bit.
- 0:35So I want to start with a little rabbit hole that I went down
- 0:41in this past week.
- 0:43Something led me to a Reddit thread that was actually ongoing a
- 0:48few years ago.
- 0:50And I read through this entire thread and it really made the
- 0:54hairs on the back of
- 0:56SPEAKER_00: my neck stand up and it activated like all of my
- 1:01SPEAKER_00: nerve endings and I felt like, screamy and punchy and angry.
- 1:07And upon a little bit of self investigation,
- 1:14I came to a bunch of realizations.
- 1:17SPEAKER_00: Now let me back up and talk a little bit about this threat.
- 1:21SPEAKER_00: The original poster said something to the effect of,
- 1:26SPEAKER_00: pardon my paraphrasing,
- 1:28SPEAKER_00: I cannot watch a play.
- 1:29SPEAKER_00: I cannot watch people act live and in person.
- 1:34SPEAKER_00: I hate, hate, hate it.
- 1:36SPEAKER_00: I hate everything about it.
- 1:38SPEAKER_00: I hate it.
- 1:39afterwards were a bunch of people agreeing with this poster's
- 1:45opinion and and then
- 1:46of course a bunch of people who were triggered like I was and
- 1:50were responding with
- 1:52well you just don't get it and you're blah blah blah blah blah
- 1:56and there was a lot
- 1:57of flinging accusations back and forth about whether the
- 2:01original poster had ever
- 2:03SPEAKER_00: seen decent theater in their lives and
- 2:06SPEAKER_00: What was wrong with it and why they couldn't appreciate it as,
- 2:11SPEAKER_00: you know,
- 2:11SPEAKER_00: trying to come up with all kinds of faults.
- 2:14Most of those faults being the original posters,
- 2:17intellectual inadequacy or emotional wrongness.
- 2:23SPEAKER_00: I found that disturbing,
- 2:25although that was my original response because it's really hard
- 2:29to hear people
- 2:31SPEAKER_00: denigrate something that,
- 2:32SPEAKER_00: you know,
- 2:32SPEAKER_00: you've dedicated your life to.
- 2:34And it's really easy to fall into this porcupine defense and
- 2:39wanting to shoot back
- 2:41SPEAKER_00: and poke at this person.
- 2:43So I slowed myself down and I went to an internal place to
- 2:47figure out what might
- 2:49SPEAKER_00: cause me to feel that kind of distress.
- 2:54There are plenty of things in my life that cause me that kind
- 2:56of distress.
- 2:57SPEAKER_00: Things that crawl up the back of my spine and make me blind with rage.
- 3:04SPEAKER_00: One of them being...
- 3:05SPEAKER_00: misophonia.
- 3:06SPEAKER_00: Now for those of you who are not familiar with this,
- 3:11SPEAKER_00: well,
- 3:12SPEAKER_00: quote unquote condition,
- 3:13SPEAKER_00: there is definitely some debate on what misophonia is.
- 3:20But my experience of misophonia is that certain sounds can
- 3:26trigger an intense
- 3:28SPEAKER_00: emotional response.
- 3:30SPEAKER_00: Honestly, when I go back to edit this episode,
- 3:33SPEAKER_00: I'm going to hear myself breathing.
- 3:35I know that there's a lot about my current physical situation
- 3:39that's cut me off
- 3:40SPEAKER_00: from my lower body.
- 3:41SPEAKER_00: So I know I take deeper inhales.
- 3:45SPEAKER_00: I often dump breath.
- 3:47All of these things that I spent a lot of money to train myself
- 3:51not to do.
- 3:52SPEAKER_00: And here I am doing it.
- 3:54SPEAKER_00: And while that bothers me from a technical perspective,
- 3:58SPEAKER_00: there are other sounds that go even deeper.
- 4:01SPEAKER_00: Wet mouth noises drive me to distraction.
- 4:05SPEAKER_00: I don't want to hear spit in anyone's mouth.
- 4:10Occasionally I will hear it in these recordings and I want to
- 4:16crawl under the
- 4:17SPEAKER_00: floorboards and hide.
- 4:19SPEAKER_00: I hate ASMR.
- 4:22SPEAKER_00: That makes me ball my fists up and want to punch, right?
- 4:29SPEAKER_00: So what's happening when I'm having these intense automatic responses?
- 4:34SPEAKER_00: And there's a nervous system issue here.
- 4:37There's something about these sounds that trigger repulsion,
- 4:43that trigger a sense of disgust.
- 4:47And I'm not sure if I necessarily feel unsafe because I don't
- 4:52feel myself in danger
- 4:54SPEAKER_00: necessarily,
- 4:55SPEAKER_00: but I do feel
- 4:57have an intense automatic response to punch things so in that
- 5:04sense I do understand
- 5:05the poster's response from a physiological perspective like
- 5:11that's a feeling that
- 5:12I've encountered I've just never encountered it with that
- 5:17stimulus so I started
- 5:22SPEAKER_00: traveling down several different rabbit holes and
- 5:26SPEAKER_00: to explore this phenomena.
- 5:29And I think a lot more of us have this response than we care to
- 5:34necessarily address or admit.
- 5:39I think when it comes to experiencing story in concert with a
- 5:44bunch of strangers
- 5:47SPEAKER_00: and the immediacy of that story being unedited,
- 5:52SPEAKER_00: unfiltered,
- 5:53SPEAKER_00: right in front of you,
- 5:55SPEAKER_00: where a certain,
- 5:57SPEAKER_00: not really permission,
- 5:59SPEAKER_00: there's something asked of you when you step into a theater.
- 6:02SPEAKER_00: You are required to suspend your disbelief in order to...
- 6:09SPEAKER_00: Sorry,
- 6:10SPEAKER_00: there is a truck outside my window.
- 6:12You're required to suspend your disbelief in order to engage
- 6:17with the story in front of you.
- 6:19SPEAKER_00: You are going to have to accept that these actors
- 6:23SPEAKER_00: aren't really brother and sister or husband and wife or,
- 6:29or a giant rabbit or whatever it is they're asking you to
- 6:33believe that they are.
- 6:35And there's some discomfort about being in a group of people
- 6:41who are buying into
- 6:42SPEAKER_00: that circumstance for the sake of enjoying the story.
- 6:46SPEAKER_00: And I can see where that would cause some discomfort
- 6:50And I'm going to be projecting quite a bit here because I don't
- 6:53know this poster
- 6:54and I can only guess at what's operating on their system when
- 6:59they think about
- 7:00SPEAKER_00: going to the theater.
- 7:01SPEAKER_00: And I mean,
- 7:03SPEAKER_00: enough so that they had to,
- 7:07SPEAKER_00: unbidden by anyone,
- 7:09SPEAKER_00: post on Reddit their complete dislike of this experience.
- 7:14SPEAKER_00: That had to have been intense, right?
- 7:16SPEAKER_00: Like they had to have been thinking about it.
- 7:18SPEAKER_00: It was not a whim.
- 7:20They did not just wake up bored thinking about 10 million other
- 7:24things and then
- 7:25SPEAKER_00: suddenly think,
- 7:27SPEAKER_00: you know what,
- 7:27SPEAKER_00: I'm going to randomly talk about how much I hate the theater.
- 7:32SPEAKER_00: No,
- 7:32something has been bothering them and perhaps they've had some
- 7:38pressure from other
- 7:39SPEAKER_00: people in their lives and
- 7:42SPEAKER_00: They had to let that escape, you know, give it a little release valve.
- 7:48And I'm thinking about all of the things that theater requires
- 7:53of you and how our
- 7:58SPEAKER_00: society is really set up to divorce us from that experience.
- 8:05SPEAKER_00: Hang with me, because this is going to take a little bit of a journey.
- 8:09SPEAKER_00: Over my lifetime, I have definitely seen danger in public vulnerability.
- 8:18SPEAKER_00: And now,
- 8:19it may seem silly to suggest that sitting in an audience with a
- 8:23bunch of strangers
- 8:24SPEAKER_00: experiencing story together requires vulnerability,
- 8:27SPEAKER_00: but
- 8:28SPEAKER_00: I'm going to suggest that it does.
- 8:31SPEAKER_00: We have been turning toward entertainments,
- 8:35SPEAKER_00: especially since COVID,
- 8:37SPEAKER_00: for the express purpose of numbing ourselves.
- 8:42SPEAKER_00: So imagine,
- 8:44SPEAKER_00: if you will,
- 8:45if you are continually looking toward art to bring you comfort
- 8:51and anesthetization
- 8:53SPEAKER_00: from the difficulties of modern life.
- 8:57then you are going to find it extraordinarily difficult to sit
- 9:02in a room of 20,
- 9:08SPEAKER_00: 50,
- 9:121500 people all giving themselves over to emotional impulse.
- 9:13SPEAKER_00: In order to do that,
- 9:14SPEAKER_00: it requires a certain amount of trust that your feelings are okay,
- 9:19SPEAKER_00: whatever they may be.
- 9:22And I think we are now living in a world in which we are
- 9:26training ourselves to be
- 9:28SPEAKER_00: afraid of feeling.
- 9:32SPEAKER_00: Now,
- 9:32SPEAKER_00: there's some interesting study that I've read,
- 9:36SPEAKER_00: you know,
- 9:36SPEAKER_00: that murder is very popular these days.
- 9:40SPEAKER_00: Lots of people going toward true crime as a way to regulate themselves.
- 9:46SPEAKER_00: Now, I'm going to explain this inexpertly because I am not an expert.
- 9:51But what I do understand is that when we are in a moment of
- 9:56extreme stress and
- 9:57SPEAKER_00: strain,
- 9:58that sometimes we seek out more of that stimulus to push us in
- 10:06that further in that
- 10:07SPEAKER_00: direction that we can right ourselves.
- 10:13SPEAKER_00: A lot of times we will seek out
- 10:15really difficult stimulus,
- 10:16and I do have a certain theory about the rise of horror.
- 10:21SPEAKER_00: A lot of slasher flicks tend to become very,
- 10:25SPEAKER_00: very popular during time periods of extreme financial uncertainty.
- 10:31It ends up being a release valve for us to go ahead and
- 10:36experience the absolute
- 10:38SPEAKER_00: worst,
- 10:39SPEAKER_00: you know,
- 10:39SPEAKER_00: the biggest nightmares that we can imagine.
- 10:43And somehow that helps us breathe a little bit of a sigh of
- 10:48relief when we come
- 10:49SPEAKER_00: back to our own difficulties,
- 10:52SPEAKER_00: our own personal difficulties.
- 10:54If we're not going in that direction,
- 10:57you know,
- 10:57we might go toward cat videos.
- 11:01And let's face it,
- 11:02cute aggression,
- 11:03which if you're not familiar with this concept,
- 11:06SPEAKER_00: Cute aggression is when you find something so,
- 11:09so damn adorable that you just want to squeeze the freaking
- 11:13life out of it.
- 11:14SPEAKER_00: It's so cute.
- 11:17SPEAKER_00: That's cute aggression.
- 11:19SPEAKER_00: A lot of us definitely have that experience.
- 11:23SPEAKER_00: And that is also a way of writing ourselves is feel something way,
- 11:29SPEAKER_00: way,
- 11:29SPEAKER_00: way,
- 11:29SPEAKER_00: way,
- 11:30SPEAKER_00: way on the end of the spectrum.
- 11:31And there's a certain amount of similarities between that
- 11:35violent cuteness and
- 11:39SPEAKER_00: between wanting to murder scantily clad
- 11:43SPEAKER_00: teenagers engaging in premarital sex, which most slasher movies do.
- 11:50We're using entertainment to right ourselves as opposed to
- 11:56explore our world.
- 11:58The amount of effort that it would take to extend ourselves
- 12:02emotionally and
- 12:03intellectually to explore our world and expand it is just not
- 12:08within our capacity
- 12:10SPEAKER_00: right now.
- 12:11SPEAKER_00: Interestingly enough,
- 12:13SPEAKER_00: we have social media,
- 12:15SPEAKER_00: we have binge watching,
- 12:18we have all of these solo activities that are designed to keep
- 12:23us isolated and
- 12:25SPEAKER_00: hyper-engaged and addicted to these dopamine hits,
- 12:32SPEAKER_00: to this anesthetizing experience.
- 12:36which we are once again sold this idea that somehow the outside
- 12:42world is terrifying.
- 12:44SPEAKER_00: And everyone who is out there is a racist, a misogynist, a Nazi.
- 12:51SPEAKER_00: Everyone out there is dangerous.
- 12:55SPEAKER_00: Your neighbors are dangerous.
- 12:58SPEAKER_00: The people in the next state over are dangerous.
- 13:03SPEAKER_00: And you should hate them.
- 13:05This is designed to keep us solo,
- 13:10to keep us alone and separated,
- 13:13controllable.
- 13:14SPEAKER_00: To further this design,
- 13:17SPEAKER_00: defunding arts support,
- 13:19SPEAKER_00: which was,
- 13:20SPEAKER_00: let's face it,
- 13:21in this rather large country of ours has been minimal to begin
- 13:27with by making sure
- 13:30SPEAKER_00: that certain voices are not
- 13:32SPEAKER_00: elevated,
- 13:33SPEAKER_00: that certain stories are not told,
- 13:37SPEAKER_00: that we go back to a very,
- 13:40very narrow prescription for existence that makes a
- 13:44statistically very small number
- 13:47SPEAKER_00: of people more comfortable,
- 13:50SPEAKER_00: keeps us isolated and afraid.
- 13:53The more isolated we are,
- 13:55the more dysregulated we are,
- 13:57the more easy it is to sell us products.
- 14:02SPEAKER_00: to help ease our discomfort.
- 14:04SPEAKER_00: It's a self-fulfilling cycle to stay on the phone.
- 14:09We're seeing the effects of it as we watch our public
- 14:13experiences start to suffer.
- 14:16SPEAKER_00: How many times have I,
- 14:18SPEAKER_00: in New York City,
- 14:20SPEAKER_00: gone to see a movie on a Friday night in a near empty theater?
- 14:27SPEAKER_00: in a city of over 8 million people.
- 14:30SPEAKER_00: This is problematic.
- 14:32SPEAKER_00: And granted,
- 14:33I don't necessarily want to make an enemy out of technology or
- 14:39out of Silicon
- 14:41SPEAKER_00: Valley.
- 14:41SPEAKER_00: But listen,
- 14:44we look at who is the face of these mega corporations that are
- 14:50now controlling our
- 14:51SPEAKER_00: social lives.
- 14:53SPEAKER_00: We call him Mark Zuckerberg.
- 14:57SPEAKER_00: When we look at his ability to relate to the camera,
- 15:03SPEAKER_00: to audiences of people,
- 15:05SPEAKER_00: to the Senate committee hearings,
- 15:09SPEAKER_00: and we look at this,
- 15:11SPEAKER_00: person who,
- 15:13SPEAKER_00: at least on the outset,
- 15:14SPEAKER_00: does not appear to have the most amazing set of social skills.
- 15:19SPEAKER_00: Why are we making these people the arbiters of our American social life?
- 15:28SPEAKER_00: Why are they in charge of how we are relating to one another,
- 15:33SPEAKER_00: how we engage with one another,
- 15:36SPEAKER_00: how we meet one another?
- 15:38SPEAKER_00: We are not engaging in the public sphere anymore.
- 15:42SPEAKER_00: I mean,
- 15:44SPEAKER_00: yes,
- 15:45SPEAKER_00: I recognize that as a really gross,
- 15:48SPEAKER_00: I don't know,
- 15:48SPEAKER_00: exaggeration is not the right word,
- 15:50SPEAKER_00: but it's maybe an overstatement.
- 15:53SPEAKER_00: However, the trend lines are pretty clear.
- 15:56SPEAKER_00: I mean,
- 15:56if we've read these articles lately about men using their
- 16:02female partners as really
- 16:04SPEAKER_00: their main thing,
- 16:06SPEAKER_00: friendship, that they are not socializing outside of the home.
- 16:10They go to work,
- 16:11they have whatever time they have at work,
- 16:14and they come home
- 16:15and spend time with their female partners and place a lot of
- 16:20emotional weight on
- 16:22how that relationship is going and how that socialization
- 16:26becomes their everything.
- 16:29We are becoming a society that is buying a narrative that
- 16:35everyone is going to hurt you.
- 16:39SPEAKER_00: Or worse, that you are in danger of hurting others.
- 16:45SPEAKER_00: Anecdotally,
- 16:46SPEAKER_00: in the years after George Floyd and there were a lot of movements in,
- 16:53SPEAKER_00: especially in the independent theater world,
- 16:56to flatten organizational structures and look for these more
- 17:01egalitarian means of
- 17:03SPEAKER_00: doing things.
- 17:05And that somehow,
- 17:07you know,
- 17:08a certain mode of operations was looked down upon.
- 17:12SPEAKER_00: I mean, even I tried to flatten my organization.
- 17:14SPEAKER_00: That's a whole other story.
- 17:16SPEAKER_00: I can get into that at another time.
- 17:19SPEAKER_00: It didn't work.
- 17:20The thing is that I was involved in a production shortly after
- 17:25George Floyd.
- 17:26SPEAKER_00: And,
- 17:26SPEAKER_00: you know,
- 17:27there were some of us who were familiar with one another and
- 17:30some of us that were
- 17:31SPEAKER_00: strangers.
- 17:33And we had some discussion about how to handle conflict before
- 17:39there ever was any.
- 17:41SPEAKER_00: It's interesting.
- 17:42SPEAKER_00: I can get into the social science of it to a small extent.
- 17:45SPEAKER_00: Like I said, I'm not an expert, but I do enjoy learning a lot about it.
- 17:51It turns out that trigger warnings and all of those things that
- 17:56were well-meaning
- 17:57and meant to save us from emotional anguish actually signaled
- 18:01to us that we were
- 18:02SPEAKER_00: incapable of handling things.
- 18:05This played out in this group was interesting because I walked
- 18:09into this group
- 18:11SPEAKER_00: feeling like,
- 18:11SPEAKER_00: okay,
- 18:12SPEAKER_00: I am,
- 18:14SPEAKER_00: that I was one of the few white people in the room.
- 18:19SPEAKER_00: And when discussions were had,
- 18:23I was even hearing from people of color that they were afraid
- 18:28of hurting their
- 18:29SPEAKER_00: peers with their thoughts and opinions.
- 18:33SPEAKER_00: They just wanted to do their work.
- 18:35SPEAKER_00: But the atmosphere had made things really heavy for everyone involved.
- 18:40SPEAKER_00: I was expecting, you know, that that would be a fear only from my side.
- 18:45But to find that it was across the board in that particular
- 18:48instance was educational.
- 18:51SPEAKER_00: Now, I'm not saying that's true in every single instance.
- 18:54That could have been just,
- 18:55you know,
- 18:55that number of people that I was engaging with at the time.
- 18:59SPEAKER_00: But even so,
- 19:00I think there is a moment of reckoning where we have half bits
- 19:08of information about
- 19:10SPEAKER_00: one another and
- 19:11and it feels dangerous to get more it's easier to sit and think
- 19:17that that all of
- 19:18these people are um to assume that everyone is a threat
- 19:24including you to be sure i
- 19:27don't want to negate the fact that we live in an america where
- 19:31a lot of racist and
- 19:34SPEAKER_00: problematic behaviors are proliferating but what you focus on grows
- 19:42I think this serves once again to isolate us and keep us
- 19:48anesthetized and small.
- 19:51SPEAKER_00: Our feelings are great.
- 19:53SPEAKER_00: They're really lovely to have.
- 19:55SPEAKER_00: Even the ones that are painful, they're part of being alive.
- 20:00And one of the things that going to a film or reading a book,
- 20:06going to a play does for us
- 20:09SPEAKER_00: is that we learn how to be both vulnerable and strong at the same time.
- 20:15SPEAKER_00: We get to road test difficult feelings with low stakes,
- 20:20SPEAKER_00: because as we walk out of the theater,
- 20:22SPEAKER_00: none of those things really happen to us,
- 20:25SPEAKER_00: even though our systems have kind of been through that obstacle course,
- 20:31SPEAKER_00: through the course of the story.
- 20:35SPEAKER_00: And that is a valuable experience that we're losing to solo pursuits.
- 20:42SPEAKER_00: I'm concerned.
- 20:44So where I leave you today with this 40th episode is how often
- 20:52do you get invited
- 20:54SPEAKER_00: to go to a party or a bar or a
- 21:04You find yourself overwhelmed and flooded with feelings that
- 21:10are uncomfortable and
- 21:12SPEAKER_00: you decide to stay home in your pajamas instead.
- 21:14SPEAKER_00: I mean, sometimes that's valid.
- 21:16SPEAKER_00: Sometimes we are burnt out and we need to decompress.
- 21:21SPEAKER_00: There's nothing wrong with that.
- 21:22But if that becomes your default setting,
- 21:25is that really how you want to live your life?
- 21:27We've been granted this amazing existence and feelings are part
- 21:31of that existence.
- 21:33And no matter how bad your feelings are,
- 21:37the feelings themselves cannot do you harm.
- 21:41SPEAKER_00: It's your choices about those feelings that can do you harm.
- 21:44SPEAKER_00: Convincing yourself that you are and always will be alone, is that true?
- 21:52SPEAKER_00: Or are there places you can go?
- 21:54SPEAKER_00: No one is unlovable.
- 21:57SPEAKER_00: We're all worthy of our feelings.
- 22:00SPEAKER_00: They're marvelous.
- 22:02They're so marvelous that we have thousands of years of human
- 22:06exploration to point to.
- 22:09SPEAKER_00: We have poetry.
- 22:11SPEAKER_00: We have music.
- 22:13SPEAKER_00: We have plays.
- 22:14SPEAKER_00: We have films.
- 22:15SPEAKER_00: We have literary masterpieces.
- 22:19SPEAKER_00: We have grand comedies.
- 22:21SPEAKER_00: We have this whole beautiful world built on human emotion.
- 22:27And we have to ask ourselves if we really want to spend our
- 22:33lives anesthetizing
- 22:36SPEAKER_00: ourselves from those experiences.
- 22:40SPEAKER_00: Is safety really worth not experiencing life?
- 22:45SPEAKER_00: I too fall into the cracks of, eh, not today.
- 22:51SPEAKER_00: That sounds like work.
- 22:52SPEAKER_00: That sounds a little hard.
- 22:54SPEAKER_00: I don't want to adult today.
- 22:57SPEAKER_00: Well, I don't think that we should give in to that so readily.
- 23:02SPEAKER_00: There are benefits.
- 23:04SPEAKER_00: And the amazing thing is,
- 23:06SPEAKER_00: the more often we go outside,
- 23:08SPEAKER_00: the more often we engage with other people,
- 23:11the more often we find ourselves face to face with people that
- 23:16we aren't afraid of
- 23:18SPEAKER_00: and find out that we don't need to be feared either.
- 23:22SPEAKER_00: The world is actually,
- 23:23SPEAKER_00: I know this is hard to accept in this moment in time,
- 23:27SPEAKER_00: but it's actually a beautiful place.
- 23:29And the weirdest thing is that as a Minnesotan who fled
- 23:34Minnesota to see the people
- 23:37SPEAKER_00: who raised me behave
- 23:41with such conscience and dignity and bravery as we've seen over
- 23:47the past few months
- 23:49SPEAKER_00: has shocked me into myself.
- 23:53SPEAKER_00: My perception of who these people are and were
- 23:57SPEAKER_00: is a little skewed.
- 23:59SPEAKER_00: And it behooves me to go out in the world and reinvestigate.
- 24:06SPEAKER_00: I can survive it.
- 24:08SPEAKER_00: I can survive that investigation.
- 24:10SPEAKER_00: And I am willing to bet dollars to donuts that you can too.
- 24:16SPEAKER_00: So in this little hiatus, I am going to challenge you.
- 24:22SPEAKER_00: Get out there.
- 24:24SPEAKER_00: Go feel some feelings.
- 24:28SPEAKER_00: Skin your knee.
- 24:30SPEAKER_00: Bump your elbow.
- 24:32SPEAKER_00: Get mad.
- 24:34SPEAKER_00: Get happy.
- 24:38SPEAKER_00: Experience all the things.
- 24:40SPEAKER_00: Because that's what we're here to do.
- 24:44SPEAKER_00: Go live your life.
- 24:47SPEAKER_00: With that in mind, we'll be back.
- 24:49SPEAKER_00: with a season three of The Imperfect Impulse,
- 24:53I'll drop a few little mini episodes to let you know what's
- 24:58cooking in the future.
- 25:01SPEAKER_00: Until then, thanks for joining me on The Imperfect Impulse.