Latest / The Lone Gunman Podcast : JFK Assassination / RRR W/ Rob - Trust Me, I'm An Expert!
Transcript
- 0:02Speaker 1: Hey there, pull up a chair.
- 0:06Speaker 2: Rob's got a question to share.
- 0:22Speaker 3: Started with a loud red rod and an old note
- 0:25Speaker 3: in the margin thinning.
- 0:27Speaker 1: Then a side road turned to three more roads and
- 0:29Speaker 1: here we go again.
- 0:31Speaker 3: A photograph, a witness, a date that doesn't quite align.
- 0:36Speaker 3: One small fact becomes a winding track by a quarter
- 0:39Speaker 3: after nine. Random research, ramblings with a rock.
- 0:45Speaker 2: Take the long way.
- 0:46Speaker 3: Let the rabbit hole bob From odd little facts To
- 0:51Speaker 3: the big what ifs We'll follow every tangent Till the
- 0:55Speaker 3: evidence slips Random research Ramblings with.
- 1:00Speaker 2: Rob Bring your questions.
- 1:03Speaker 3: Bring your curious thoughts Was it the grassy knoll or
- 1:08Speaker 3: a file misfiled?
- 1:11Speaker 2: Rob's got a.
- 1:11Speaker 3: Theory but he's checking them out No final answers, just
- 1:16Speaker 3: a notebook.
- 1:17Speaker 1: And a grin Tuning for the question And the rabbit
- 1:24Speaker 1: hole within Random research ramblings with Rob Where the side
- 1:32Speaker 1: note is.
- 1:32Speaker 2: Where we begin What's up, everybody? Welcome into the show.
- 2:02Speaker 2: It's your boy, Big Bad Bob, here with you. Trust me,
- 2:11Speaker 2: I'm an expert. And you may be thinking, Well, that's
- 2:16Speaker 2: awfully big-headed of you there, sir. Well, I'm not really
- 2:21Speaker 2: going to be talking about me so much this episode,
- 2:25Speaker 2: as I am going to be talking about what exactly
- 2:29Speaker 2: constitutes being a so-called JFK expert. Because I see a
- 2:40Speaker 2: lot of them floating around in this sphere of if
- 2:46Speaker 2: you will. And I'll just say that most of them
- 2:54Speaker 2: are horrible researchers, for one. Don't really know how to
- 3:05Speaker 2: put a thought together or convey an idea properly. or
- 3:15Speaker 2: have their facts straight, or just plain out and out
- 3:19Speaker 2: have some cuckoo, crazy, batshit ideas that they try to
- 3:24Speaker 2: speak about in an authoritative manner, and maybe they have
- 3:31Speaker 2: some kind of a background in something that would make
- 3:36Speaker 2: them a so-called expert. Okay? Let's take Cyril Wecht, for example.
- 3:45Speaker 2: I met Cyril Wecht back in 2014 at a conference.
- 3:51Speaker 2: Very cool dude. Very personable, very down to earth, and
- 3:57Speaker 2: very funny. Very funny human being. And I thoroughly enjoyed
- 4:01Speaker 2: the time spent in the hotel bar with Cyril Wecht.
- 4:05Speaker 2: That's for sure. Now, given somebody like Cyril Wecht's background
- 4:13Speaker 2: as a forensic pathologist... and him having done work on
- 4:22Speaker 2: a lot of bodies, and having been able to see
- 4:25Speaker 2: what ballistics can do to a body, one would probably
- 4:33Speaker 2: tend to raise his opinion above others when it comes
- 4:39Speaker 2: to forensically analyzing certain things about the case. And I
- 4:45Speaker 2: would agree. The problem is, however, and it's not Cyril
- 4:52Speaker 2: Weck's fault, is he didn't actually get to perform an
- 4:57Speaker 2: autopsy on JFK. All we have to go by is
- 5:04Speaker 2: what's left behind. And what's left behind are the autopsy
- 5:10Speaker 2: doctor's testimony, the autopsy notes, and some pictures. Now, it's
- 5:20Speaker 2: hard to... It's hard to formulate... I mean, it's not
- 5:29Speaker 2: hard to formulate a theory, but what it is hard
- 5:31Speaker 2: to do is to convey that theory authoritatively and be certain. Now,
- 5:41Speaker 2: one thing for certain is Zero Wekt, always called the
- 5:45Speaker 2: magic bullet... the magic bullet... What did he call it?
- 5:52Speaker 2: The magic bullshit. And I would tend to agree with
- 5:58Speaker 2: him as well. And, you know, as a forensic pathologist,
- 6:03Speaker 2: not only did he have his opinions about the actual
- 6:07Speaker 2: forensics and the pathology of, you know, what we have
- 6:12Speaker 2: left to study about JFK's body, but he would also...
- 6:21Speaker 2: give his opinion on other things. Like ballistics, like trajectories,
- 6:26Speaker 2: like all kinds of other stuff. But he mostly stayed
- 6:31Speaker 2: in his lane. You know, what he knew best. And
- 6:37Speaker 2: he did so for many, many years. And I would
- 6:39Speaker 2: consider somebody like Cyril Wecht to be a JFK expert. Now,
- 6:50Speaker 2: Like I said, the one drawback is he never was
- 6:52Speaker 2: able to forensically autopsy JFK's body. Had he done that,
- 6:58Speaker 2: had he been able to be hands-on, I would put
- 7:03Speaker 2: my trust in his opinions 100%. But without that being
- 7:08Speaker 2: the case, we can only take things so far. And yes,
- 7:14Speaker 2: there's such a thing as opinions, and then there's such
- 7:17Speaker 2: a thing as informed opinions. Experienced opinions. So, I take
- 7:25Speaker 2: none of this lightly. And I'm using him as an
- 7:31Speaker 2: example of somebody that I would put more faith in
- 7:36Speaker 2: than just some rando, right, who claims that they are
- 7:43Speaker 2: a JFK expert in the medical evidence. There are several
- 7:51Speaker 2: of these folks in the community. I think you have
- 7:59Speaker 2: to put some credence into what the Parkland doctors saw.
- 8:07Speaker 2: Less so with the Bethesda, because that is a military,
- 8:11Speaker 2: government-controlled forensic autopsy, if that's even what it was. I
- 8:18Speaker 2: don't think the doctors were allowed to do certain things
- 8:21Speaker 2: that in a normal autopsy would have been done. Also,
- 8:25Speaker 2: you know, they frankly stole the body from Parkland, from Dallas,
- 8:30Speaker 2: and whisked it back to Washington, which one could understand
- 8:38Speaker 2: that happening. You know, you got to remember, we're in
- 8:45Speaker 2: the middle of the Cold War. You have a nuclear
- 8:49Speaker 2: war around every corner. You don't want to be seen
- 8:55Speaker 2: as vulnerable at a time like that as a nation.
- 9:02Speaker 2: So our government must take steps to avoid that from happening.
- 9:08Speaker 2: I mean, what would the alternative been? You're going to
- 9:11Speaker 2: leave JFK and Dallas because you have to get the
- 9:15Speaker 2: new president back to Washington. That would be LBJ. You
- 9:19Speaker 2: have to get him back. So are you going to
- 9:22Speaker 2: leave JFK and Dallas along with his wife and all
- 9:27Speaker 2: of their entourage? Or are you just going to grab
- 9:33Speaker 2: everybody up, including JFK, and throw him in the plane
- 9:36Speaker 2: and get back to Washington as soon as possible? I mean,
- 9:41Speaker 2: people like to point things out, but, you know, it
- 9:45Speaker 2: was a different time back then. And back then it
- 9:48Speaker 2: was a different time than the early 1900s. You know,
- 9:52Speaker 2: before that there was an impending doom of intercontinental ballistic
- 9:56Speaker 2: missiles and nuclear warheads and things of this nature. But
- 10:02Speaker 2: I digress. You know, I listen to some of these
- 10:07Speaker 2: so-called JFK experts. And from shows that aren't really JFK
- 10:15Speaker 2: type shows, yet they'll have a JFK expert come on
- 10:21Speaker 2: the show to talk about the case so what constitutes
- 10:26Speaker 2: being a JFK expert okay I mean is it is
- 10:36Speaker 2: it your pedigree meaning are you a former lawyer are
- 10:42Speaker 2: you a former professor are you a former law enforcement
- 10:49Speaker 2: officer Are you a former CIA officer? No. None of
- 10:56Speaker 2: those things makes you a JFK expert. It's how you
- 11:01Speaker 2: apply the knowledge that you have to the knowledge of
- 11:07Speaker 2: the case. And what I mean by that is, for example,
- 11:17Speaker 2: if you have a former CIA person claiming to be
- 11:21Speaker 2: a JFK expert and kind of claiming that they kind
- 11:27Speaker 2: of know what happened, should we trust them more than
- 11:32Speaker 2: the average Joe, somebody like a D'Eugenio who claims that
- 11:39Speaker 2: the CIA was behind everything, or do we put more
- 11:44Speaker 2: faith in the actual CIA person And can we trust
- 11:49Speaker 2: the CIA person? You know, E. Howard Hunt famously, well,
- 11:55Speaker 2: it wasn't really a deathbed confession. It was more of
- 11:57Speaker 2: a hospital confession. He wasn't exactly on his deathbed yet.
- 12:02Speaker 2: It would be some months before he would pass. But
- 12:06Speaker 2: is that the kind of confession that you can trust?
- 12:12Speaker 2: You know, they say once you're CIA, it's always CIA.
- 12:17Speaker 2: But then you look at somebody like E. Howard Hunt
- 12:19Speaker 2: and you see what happened to his wife and his
- 12:24Speaker 2: family and his kids at the end of his life.
- 12:30Speaker 2: Is somebody like that going to stay loyal to their CIA?
- 12:35Speaker 2: I don't know. Or is he setting his son up
- 12:42Speaker 2: to make a bunch of money off being able to
- 12:44Speaker 2: write a book? I don't know. Or is it the
- 12:51Speaker 2: truth according to E. Howard Hunt, who was possibly in
- 12:58Speaker 2: the position to know some things? He was, of course,
- 13:02Speaker 2: in the sphere. Of course, he knew a lot of
- 13:06Speaker 2: the major players that we all talk about all the time.
- 13:10Speaker 2: But what did he really know about things? I don't know.
- 13:19Speaker 2: There's literally been over 2,000 books written about the Kennedy assassination.
- 13:27Speaker 2: Tens of thousands of articles and hundreds of documentaries. So,
- 13:35Speaker 2: who gets to claim authority over the most controversial six
- 13:40Speaker 2: seconds in Dallas? Unlike medicine, law, or traditional history, there
- 13:47Speaker 2: is no official board that makes you a JFK expert.
- 13:52Speaker 2: There is no degree or certification process to become a
- 13:56Speaker 2: JFK expert. The title is largely self-conferred or implied on
- 14:06Speaker 2: you by others, media bestowed, or earned through niche audience authority.
- 14:16Speaker 2: And what I mean by that is a bunch of
- 14:19Speaker 2: Skifuza podcasts have you on, label you as a JFK expert,
- 14:25Speaker 2: and therefore you become one in your own head and
- 14:29Speaker 2: in the eyes of the viewers. Scholars like David Kaiser,
- 14:39Speaker 2: Michael Beschloss, that analyzed JFK's presidency analysis, with a broader political, diplomatic,
- 14:48Speaker 2: or intelligence context, those are one sphere. Those are what
- 14:53Speaker 2: I call the academic institutional historians, right? Really, really smart guys. Really,
- 15:02Speaker 2: really smart guys. They don't like to get into the
- 15:06Speaker 2: details of things, but more about the why. Why did
- 15:10Speaker 2: this happen? Why was JFK killed? And they can sit
- 15:14Speaker 2: there for an hour or two and give you some
- 15:16Speaker 2: very long, complicated, convoluted answer. But never really say anything.
- 15:22Speaker 2: And that's fine. You know, whatever. Or you have the
- 15:28Speaker 2: independent researchers. The JFKologists, if you will. And I guess
- 15:33Speaker 2: I'm one as well. Because I don't have any formal
- 15:36Speaker 2: training whatsoever. And these are folks who... authors, private investigators, archivists, enthusiasts,
- 15:48Speaker 2: if you will, dedicating decades into researching the case, whether
- 15:54Speaker 2: it be the documents, forensic, trajectory physics, witness statements, whatever
- 16:00Speaker 2: the case may be, you can become a JFK expert
- 16:07Speaker 2: in your field. I don't think one person can be
- 16:13Speaker 2: a so-called all-encompassing JFK expert. One person can't know everything
- 16:21Speaker 2: about the case. Trust me. Trust me. I've done over
- 16:27Speaker 2: 600 or 700 podcasts about different aspects of this case.
- 16:33Speaker 2: And I'm not running out of material, folks. Right? And
- 16:38Speaker 2: a lot of this process... in getting ready for podcasts
- 16:42Speaker 2: is studying and learning things I didn't know before. I
- 16:47Speaker 2: may have vaguely knew something about something, but when you
- 16:51Speaker 2: really dial down into one microscopic piece of the assassination,
- 16:57Speaker 2: it's so amazing what you can find. There's just so
- 17:03Speaker 2: much stuff that's out there. I mean, just think about
- 17:06Speaker 2: it for a second. How many, and look around... You
- 17:10Speaker 2: can look around. How many JFK experts do you see
- 17:14Speaker 2: on the scene today? How many of these Facebook gurus?
- 17:19Speaker 2: How many of the Ed Forum gods? How many of
- 17:23Speaker 2: the speakers at the conferences? How many of the guys
- 17:26Speaker 2: who write books who consider themselves JFK experts are on
- 17:31Speaker 2: the scene today? 63 years after the assassination. 63 years
- 17:37Speaker 2: is a long time. And there hasn't been one year
- 17:42Speaker 2: out of those 63 years that we haven't had people
- 17:47Speaker 2: actively researching the case and trying to figure out exactly
- 17:52Speaker 2: what happened. That is a lot of people. Some people come,
- 17:58Speaker 2: some people go, some people stay around for a lifetime.
- 18:03Speaker 2: Look at Mark Lane, David Lifton, folks like that. Some
- 18:08Speaker 2: people do drop off after a while. You know, some
- 18:12Speaker 2: people pass away early. Some people get frustrated with the process.
- 18:20Speaker 2: Frustrated because they can't figure it out. Frustrated because nobody's
- 18:26Speaker 2: listening to what they have to say. But maybe there's
- 18:32Speaker 2: a reason nobody's listening to what you have to say.
- 18:34Speaker 2: I mean, there is some kooky, kooky, kookiness out there.
- 18:43Speaker 2: A lot of it. Believe me when I tell you this.
- 18:47Speaker 2: I mean, you know who the major kooky players are.
- 18:51Speaker 2: You know, your James Files, your Judy Bakers, your Bev Olivers.
- 18:56Speaker 2: Folks like that who have really, really put themselves off
- 19:00Speaker 2: as kooks. But then you have the lower tier level
- 19:07Speaker 2: kookiness that, you know, maybe these people have only said
- 19:13Speaker 2: some things a couple handful of times over the years
- 19:18Speaker 2: where they really don't give a crap about the Kennedy assassination.
- 19:22Speaker 2: They just might have been associated with it at some point,
- 19:25Speaker 2: and they love to mess with people. I mean, I
- 19:28Speaker 2: don't know what goes on in people's heads when it
- 19:32Speaker 2: comes to researching this case or trying to insert yourself
- 19:37Speaker 2: into history. And trust me when I tell you, the
- 19:44Speaker 2: kookiness is still out there. It is still out there.
- 19:50Speaker 2: And how some of these podcasts can have some of
- 19:54Speaker 2: these so-called JFK experts, and not just Norman Bates, but
- 20:02Speaker 2: people with actual pedigrees who should know better, right? Uh,
- 20:11Speaker 2: You know, like crime scene forensic analysts, people that have
- 20:18Speaker 2: been with police departments for 30 years, people that have
- 20:22Speaker 2: investigated crime, people that deal with people. You should know
- 20:28Speaker 2: eyewitnesses aren't reliable, right? I mean, really? Yet you want
- 20:35Speaker 2: to come on a show and talk about how one
- 20:38Speaker 2: person claimed something extraordinary. Yet nobody else in the sea
- 20:51Speaker 2: of people that were around the front door of the
- 20:53Speaker 2: school book depository ever, ever said that they saw what
- 21:00Speaker 2: this one person said they saw. But this is what
- 21:03Speaker 2: you want to focus on, is what the one person saw. Allegedly.
- 21:12Speaker 2: And trust me when I tell you, it's on a
- 21:14Speaker 2: scale of crazy. Like if it was a scale of
- 21:20Speaker 2: 1 to 10, we'd be up on like 13. Okay?
- 21:23Speaker 2: That's how crazy this, what somebody claimed. And the person
- 21:30Speaker 2: that claimed it was a part of the press. Now,
- 21:40Speaker 2: why would somebody do this? It wasn't like it is
- 21:45Speaker 2: now where being part of the press was some prestigious position,
- 21:58Speaker 2: high-paying position. The guy in question was a photographer for
- 22:07Speaker 2: a local television station who claimed that he saw something
- 22:12Speaker 2: Coming out of the front doors of the school book depository.
- 22:15Speaker 2: Immediately after the shooting. Immediately after the shooting. Yet no
- 22:24Speaker 2: one else claimed to see this. And we all know
- 22:27Speaker 2: how many people were around the front door of that building.
- 22:31Speaker 2: And trust me. It'd be like somebody walking out the
- 22:36Speaker 2: front door of the school book depository. With a decapitated head.
- 22:40Speaker 2: Fresh and dripping. And walking out of the front doors,
- 22:45Speaker 2: down the steps, and up the street. Dripping blood all
- 22:49Speaker 2: the way up the sidewalk. Yet nobody else saw anything
- 22:54Speaker 2: remotely like that. Like, this is what kooky kookiness is. Right?
- 23:05Speaker 2: I don't get it. And some people, again, they claim
- 23:09Speaker 2: to be JFK experts. But they don't do any research
- 23:14Speaker 2: more than just reading something in a book. Go look
- 23:19Speaker 2: at what the documents say. Go look at other people's
- 23:23Speaker 2: research that has been done on the subject that you're
- 23:25Speaker 2: specifically referring to. Because maybe they did a whole podcast
- 23:30Speaker 2: about it, I don't know, a year or two ago? Maybe?
- 23:37Speaker 2: And found out the truth about the situation?
- 23:39Speaker 3: Maybe?
- 23:42Speaker 2: Yet you want to come on another show and claim
- 23:45Speaker 2: that nobody's ever looked into this before? Maybe in your
- 23:50Speaker 2: little blogosphere. And especially you haven't looked into it before.
- 23:56Speaker 2: Because if you had, you would see that other people
- 23:59Speaker 2: have talked about this. Other people have figured it out.
- 24:03Speaker 2: It's not a big mystery. It's not a big mystery.
- 24:07Speaker 2: But when somebody can come on a show and authoritatively speak...
- 24:13Speaker 2: I always said Jim Fetzer is the best example of this.
- 24:22Speaker 2: He talks so much shit, but because he's a former professor, right?
- 24:29Speaker 2: An academic professional, he has the pedigree and he knows
- 24:35Speaker 2: how to speak authoritatively about what he's discussing in a
- 24:41Speaker 2: manner so that anyone who with not even a passing
- 24:46Speaker 2: knowledge of anything, would think that this guy is a
- 24:48Speaker 2: freaking expert, he knows what he's talking about, and I
- 24:50Speaker 2: better listen to what he has to say. Because he's
- 24:53Speaker 2: saying what he's saying with such confidence, imbued on the
- 24:57Speaker 2: listener or viewer, no matter how crazy or kooky it
- 25:03Speaker 2: may seem to seasoned JFK researchers, that it gets attention.
- 25:13Speaker 2: It gets the wrong kind of attention.
- 25:21Speaker 3: So.
- 25:24Speaker 2: There's that. There's some JFK experts that focus on the documents.
- 25:34Speaker 2: I would put myself in that category. I like... looking
- 25:41Speaker 2: at the photography and the video stuff, you'll never be
- 25:48Speaker 2: able to convince anyone or everyone that some photography has
- 25:56Speaker 2: been messed with or say the Z film has been
- 25:59Speaker 2: messed with. As many red circles and arrows as you
- 26:04Speaker 2: want to draw on a photo is not going to
- 26:07Speaker 2: convince anybody of anything. or everybody of anything. There's, like
- 26:16Speaker 2: I said, forensics and ballistics experts out there who will
- 26:21Speaker 2: focus mainly on the Z film, the single bullet theory,
- 26:26Speaker 2: the wounds, the acoustics, and there's always an argument for
- 26:34Speaker 2: all of those things, for and against. For and against,
- 26:40Speaker 2: for and against. And then you have the big picture theorists,
- 26:43Speaker 2: you know, talking about geopolitical motives, like the CIA did it,
- 26:48Speaker 2: or the mafia did it, the anti-Castro Cubans did it,
- 26:51Speaker 2: or LBJ was behind it, or the Russians were behind it.
- 26:54Speaker 2: You name it. Yes, JFK had a lot of enemies. Yes,
- 27:00Speaker 2: he did. So, how does one actually become a JFK expert? Well,
- 27:09Speaker 2: in this day and age, anybody can have a podcast, apparently,
- 27:17Speaker 2: about the subject. But if you're not a JFK expert,
- 27:25Speaker 2: that means you have to rely on having them come
- 27:28Speaker 2: on your show. And my advice to those folks would
- 27:33Speaker 2: be to properly vet... their guests before having them come
- 27:38Speaker 2: on their show and having a conversation before you record
- 27:42Speaker 2: anything with them explaining how hey we're a show that
- 27:48Speaker 2: would like to be taken seriously so if you could
- 27:51Speaker 2: please leave all the kooky conspiracy bullshit out of your
- 27:54Speaker 2: little presentation that'd be great but apparently that doesn't happen
- 28:00Speaker 2: and that's okay whatever To each their own. Some people
- 28:05Speaker 2: love to watch this crap. These are your drive-by JFK looky-loos,
- 28:14Speaker 2: as I call them. Right? They have a slight interest
- 28:18Speaker 2: in the case. They love to hear the conspiracy fluff, buff-fluff.
- 28:23Speaker 2: And they just eat it up like a big ham sandwich.
- 28:28Speaker 2: Without lifting one finger on their own to do any
- 28:31Speaker 2: kind of research. to see that this so-called JFK expert
- 28:35Speaker 2: is full of crap. Whatever. Now, how do you actually
- 28:48Speaker 2: become a JFK expert if you're not self-implementing yourself as one,
- 28:54Speaker 2: of which there are many? Okay, just go look at
- 28:58Speaker 2: any conference lineup and you will see At least 50%
- 29:03Speaker 2: of them are self-declared JFK assassination experts that shouldn't have
- 29:10Speaker 2: that title. I'll just say that. Anybody can write a
- 29:17Speaker 2: book nowadays, so it doesn't make you special that you
- 29:20Speaker 2: wrote a JFK book anymore, like it used to. Writing
- 29:26Speaker 2: a JFK book 30, 40, 50 years ago garnered you
- 29:34Speaker 2: a little bit of respect because back then you had
- 29:36Speaker 2: to go through a real publishing company. who vetted your book,
- 29:44Speaker 2: who determined whether or not it had merit, truthfulness, real research,
- 29:53Speaker 2: or if it was just some thrown together piece of crap.
- 30:01Speaker 2: And you didn't get published. You know, even some of
- 30:05Speaker 2: the most respected, allegedly, JFK experts have done kooky shit.
- 30:12Speaker 2: I mean, look at David Lifton. He wrote a great book,
- 30:17Speaker 2: Best Evidence, in the 80s. But, you know, he's a
- 30:23Speaker 2: Generation 1 researcher going back to the 60s. But at
- 30:27Speaker 2: some point, this guy actually thought that somebody was dressed
- 30:29Speaker 2: up as a tree... in Dealey Plaza and actually shot JFK.
- 30:35Speaker 2: Dressed up as a tree. I'm not even joking. Like,
- 30:38Speaker 2: that's not a joke. Like, he alleged that there was
- 30:42Speaker 2: somebody in Dealey Plaza who was dressed up in some
- 30:45Speaker 2: kind of papier-mâché, guerrilla-style ghillie suits to make themselves look
- 30:53Speaker 2: like a tree, and they shot JFK. I'm not even kidding.
- 30:56Speaker 2: I'm kidding. But he's a JFK expert. I mean, he
- 31:03Speaker 2: may have went on to redeem himself, but I'm not
- 31:07Speaker 2: so sure the final charade he was saying some kooky
- 31:15Speaker 2: stuff about that that never has been published yet. But
- 31:20Speaker 2: I digress on that. So When you're talking about, well,
- 31:29Speaker 2: I've made 50 posts in my Facebook group with pictures,
- 31:33Speaker 2: so I'm a JFK expert. I retweet other JFK experts
- 31:42Speaker 2: on X. Therefore, that makes me a JFK expert. I have,
- 31:49Speaker 2: I chose to start a podcast and have a bunch
- 31:52Speaker 2: of Scafusa experts on my show. That makes me an expert.
- 31:57Speaker 2: I wrote a book and got it published on Amazon. Therefore,
- 32:06Speaker 2: I am a JFK expert. I wrote an article and
- 32:10Speaker 2: it's published over on Medium where anybody can get published. Therefore,
- 32:16Speaker 2: I am a JFK expert. I have a very loud
- 32:22Speaker 2: opinion about things and I say things assertively. That makes
- 32:29Speaker 2: me a JFK expert. You see where I'm going here, folks?
- 32:40Speaker 2: Some of them have a publication and media presence. Excuse me.
- 32:44Speaker 2: Meaning that they are published by legitimate publishing houses. Not
- 32:49Speaker 2: like Trine Day, who will publish any kooky shit over there.
- 32:55Speaker 2: But like a real... publishing house who believes that they
- 32:59Speaker 2: can make money off of your book. If they don't
- 33:03Speaker 2: think that they can make money off of selling your book,
- 33:05Speaker 2: they're not going to. So let's talk about media presence
- 33:13Speaker 2: for a second. The media wants a soundbite worthy person.
- 33:21Speaker 2: And they'd much, much rather Have someone who was formerly
- 33:28Speaker 2: in the media. Or somebody who knows how to talk
- 33:31Speaker 2: to the media. Who knows what they want to hear.
- 33:33Speaker 2: They know they want the sound bites. They can't. Give
- 33:37Speaker 2: five minute answers to a 15 second question. When they
- 33:41Speaker 2: have to go to a commercial in 30 seconds. There's
- 33:45Speaker 2: a certain type of expert that they want. They want
- 33:48Speaker 2: somebody that looks good dressed up in a suit. They
- 33:51Speaker 2: don't want. Some skafooza.
- 33:55Speaker 1: Who's.
- 33:57Speaker 2: In their house, you know, with, with, uh, you know,
- 34:00Speaker 2: babies crying in the background, dogs barking, you know, your
- 34:05Speaker 2: collection of beer bottles on the wall behind you and,
- 34:09Speaker 2: you know, a t-shirt and hat. That's why you're never
- 34:12Speaker 2: going to see Bob, uh, on Fox news talking about
- 34:16Speaker 2: the Kennedy assassination. They don't want somebody like me on
- 34:21Speaker 2: their show. They want somebody like a Jefferson Morley who
- 34:25Speaker 2: is an, older and more respected former Washington Post reporter,
- 34:30Speaker 2: you know, they wouldn't be able to give the viewer
- 34:35Speaker 2: some kind of assurance that this guy's an expert, right?
- 34:39Speaker 2: And we should all listen to what he has to say.
- 34:44Speaker 2: Despite him being wrong about a lot of things, but
- 34:47Speaker 2: you don't need to know that part. He gives us
- 34:51Speaker 2: what we want. We give him what he wants, which
- 34:53Speaker 2: is exposure. Peer recognition. Acceptance within research communities. And that
- 35:02Speaker 2: would be on par with the November conferences type of thing.
- 35:10Speaker 2: So let's talk a minute about conferences. There's a big
- 35:17Speaker 2: kerfluffle about Dallas again this year. There was a changing
- 35:21Speaker 2: of the guard at Lancer. And oh my God, they're
- 35:24Speaker 2: not having it at a hotel this year. Where are
- 35:28Speaker 2: we going to stay? What are we going to do?
- 35:30Speaker 2: Is there someplace close by? Where's everybody staying? Oh my God.
- 35:36Speaker 2: You know, and then across the way, you have the
- 35:43Speaker 2: cuckoo conference is what I call it. The Judy Baker con.
- 35:48Speaker 2: And it used to be that, you know, JFK Lancer
- 35:53Speaker 2: was a respected place. for JFK experts, in quotes, to
- 36:00Speaker 2: go present their stuff. And the other conference was for
- 36:06Speaker 2: all the cookie people, the Jim Fetzers, the Larry Riveras, right?
- 36:13Speaker 2: You know, all of these folks, the people that don't
- 36:16Speaker 2: fit in, the outcasts, the outliers, the people with these
- 36:21Speaker 2: crazy theories, you know, this is where they went to speak.
- 36:28Speaker 2: and over the years it has somewhat evolved into a total,
- 36:34Speaker 2: almost a total switch. Like with Lancer being the butt
- 36:38Speaker 2: of the jokes and this other conference, uh, seemingly rising
- 36:44Speaker 2: above and eclipsing Lancer in the sphere of respectability. Not
- 36:52Speaker 2: for me, but, uh, that perception can be put out
- 36:59Speaker 2: there for sure. You know, people that would have never
- 37:03Speaker 2: spoken at the cuckoo conference five years ago are speaking
- 37:08Speaker 2: there now. Now, a lot of it does have to
- 37:12Speaker 2: do with the regression, if you will, of Judith Baker
- 37:19Speaker 2: into the woodwork. She used to be prominently front and
- 37:21Speaker 2: center with, with no problem. You know, it was her thing.
- 37:27Speaker 2: She was putting it on. It's her website. Blah, blah, blah.
- 37:32Speaker 2: And then she kind of teamed up with the JFK
- 37:34Speaker 2: Historical Group and they have slowly taken over the mantle there. Because,
- 37:40Speaker 2: you know, Judith is getting up there in age and
- 37:44Speaker 2: she's broke as hell, don't have no money. So, of course,
- 37:48Speaker 2: all these JFK Historical Group guys are more than happy
- 37:54Speaker 2: to take it over and make it their own But yet,
- 37:59Speaker 2: we're still going to give Judith her time on the
- 38:03Speaker 2: panel and this and that. If you're speaking at a
- 38:06Speaker 2: conference that allows Judith Baker to speak at the conference,
- 38:12Speaker 2: you're at the wrong conference. Then you might be at
- 38:14Speaker 2: the wrong conference. And that's all I'm going to say
- 38:17Speaker 2: about that. You have to be very careful in this
- 38:23Speaker 2: little community of ours. who you associate with, who you
- 38:29Speaker 2: give validity to, and the so-called JFK expert. Because Judith
- 38:36Speaker 2: Baker is a so-called JFK expert. Not only did she
- 38:41Speaker 2: bang Oswald back in the day and knows all that
- 38:45Speaker 2: hot mess, but, you know, she also knew David Ferry
- 38:49Speaker 2: and worked on clandestine things with Alton Ochsner and yada, yada, yada,
- 38:55Speaker 2: and she is been years in the making 30-40 years
- 38:58Speaker 2: in the making of reading and inserting herself into the
- 39:01Speaker 2: story and she's one of these people with those with
- 39:07Speaker 2: those claptrap minds that they can retain and enormous amount
- 39:15Speaker 2: of information and serve it right back to you on
- 39:19Speaker 2: a silver platter 10 minutes later and for somebody to
- 39:23Speaker 2: be able to do that over the course of 30
- 39:25Speaker 2: or 40 years with the information that they gleaned. you
- 39:28Speaker 2: know yeah it's an amazing feat you know few humans
- 39:33Speaker 2: are capable of doing it but there are people out
- 39:36Speaker 2: there with photographic memories these claptrap memories and I think
- 39:42Speaker 2: she's one of them and she has went over this
- 39:45Speaker 2: stuff so much and she I honestly think she believes
- 39:49Speaker 2: it Like she's delusional to the point of delusional. I
- 39:55Speaker 2: think she's actually been lying about this for so long.
- 39:58Speaker 2: It's become part of her milieu, part of her being,
- 40:02Speaker 2: part of her identity. And I honestly think she believes
- 40:07Speaker 2: her own bullshit at this point. But again, that's an opinion, right?
- 40:14Speaker 2: Everybody's got an opinion. That's my opinion. you wouldn't catch
- 40:18Speaker 2: me dead speaking at a conference where she is, that
- 40:21Speaker 2: she started, where they let her speak. Because if they
- 40:25Speaker 2: let her speak, and they let you speak, there might
- 40:32Speaker 2: be a problem here. At least that's from my perspective.
- 40:40Speaker 2: You know, for instance, how many years, you know, I
- 40:45Speaker 2: don't think Judith Baker has ever been allowed to or
- 40:48Speaker 2: invited to speak at a Lancer conference. For a reason.
- 40:55Speaker 2: When you start giving frauds a platform, then your credibility
- 41:02Speaker 2: goes right out the window. That I'm not even going
- 41:05Speaker 2: to listen to what you have to say. Because I'm
- 41:08Speaker 2: automatically putting you over here on a shelf in my head.
- 41:13Speaker 2: And maybe that's the wrong thing to do. I don't know.
- 41:18Speaker 2: But I digress. So let's take a look at something
- 41:22Speaker 2: real quick. Alright, what we see here is one of
- 41:32Speaker 2: the most famous images from the JFK assassination. This is
- 41:38Speaker 2: the Altgen 6. And this is the wide angle, uncropped version.
- 41:48Speaker 2: Lots of times it gets cut off either right here
- 41:54Speaker 2: where the white car is, or it gets cut off
- 41:56Speaker 2: here after one motorcycle rider, or it gets cut off
- 42:01Speaker 2: right beside Clint Hill. Because everybody wants to focus on
- 42:06Speaker 2: certain parts of this motorcycle. picture this image now this
- 42:16Speaker 2: image is famous because it is purported to show the
- 42:20Speaker 2: moment of impact or shortly thereafter of the bullet wound
- 42:27Speaker 2: to JFK's throat it shows Conley looking back to turn
- 42:32Speaker 2: sideways with a very wincing expression on his face right
- 42:42Speaker 2: It has this motorcycle cop over here to the left
- 42:45Speaker 2: looking back at JFK like, oh shit. Now, if you
- 42:50Speaker 2: look at the people, they don't realize what is going
- 42:54Speaker 2: on at this point. Obviously, a lot of people think
- 42:58Speaker 2: it is a firecracker that they've heard. We have a
- 43:02Speaker 2: lot of people smiling and waving and taking pictures. That guy,
- 43:09Speaker 2: that hardhat guy, don't seem to be concerned about much
- 43:13Speaker 2: He's just chilling, right? You go back to a lot
- 43:17Speaker 2: of these African-American folks, and they are looking on. Some
- 43:25Speaker 2: are smiling, right? And then, of course, these two Secret
- 43:32Speaker 2: Service agents who are looking back towards the depository for
- 43:35Speaker 2: some reason. There's a figure, Billy Lovelady, in the doorway
- 43:44Speaker 2: that some have proclaimed. Oh, God, it's Leslie Harvey Oswald.
- 43:50Speaker 2: It's been photoshopped in 120 different points to make it
- 43:55Speaker 2: seem like it's Billy Lovelady, but it's really Oswald. And,
- 43:59Speaker 2: of course, this comes from JFK Expert, who also claims
- 44:05Speaker 2: that the expressway sign was removed from the Croft image
- 44:13Speaker 2: or something and it's just the ridiculousness of some of
- 44:18Speaker 2: these so-called JFK experts kills me. And then there's this
- 44:29Speaker 2: image here of a woman holding up a child in
- 44:37Speaker 2: front of a man with a hat.
- 44:40Speaker 3: Okay?
- 44:42Speaker 2: A lot of people think that that's been pasted in
- 44:44Speaker 2: to obscure the man in the hat. Allegedly. Because that's
- 44:51Speaker 2: probably Jack Ruby or somebody like that. Or maybe it's
- 44:55Speaker 2: some super secret evil CIA guy. Who knows? But this
- 45:03Speaker 2: is what some JFK experts will tell you. Oh, that's
- 45:08Speaker 2: been pasted in to obscure his face. Clearly a woman
- 45:11Speaker 2: holding a child in front of a guy with a fedora,
- 45:16Speaker 2: of which many of them had on that day. So
- 45:20Speaker 2: let's move on in this picture a little bit. Two drivers, well,
- 45:27Speaker 2: the driver and the front passenger, Sam Kinney, I believe
- 45:33Speaker 2: was the driver. They are intensely focused on JFK. Obviously
- 45:39Speaker 2: realizing that what just happened could have been a bullet
- 45:43Speaker 2: or a shot. Clint Hill also looking in JFK's direction.
- 45:50Speaker 2: You can see JFK's hands are coming up to his throat.
- 45:53Speaker 2: He has been hit. He has been hit at this point.
- 45:59Speaker 2: Connolly's turning, wincing in pain. Obviously he has been hit
- 46:02Speaker 2: as well. The flag here on the front of the
- 46:08Speaker 2: car is obscuring the driver. Other guy in the front,
- 46:17Speaker 2: you would think. In an open top convertible, these guys
- 46:20Speaker 2: would be a lot more visible. It also shows what
- 46:25Speaker 2: appears to be a crack in the windshield right here. Allegedly.
- 46:32Speaker 2: Or right here. Maybe an impact. From a bullet fragment
- 46:39Speaker 2: or a bone fragment or a ricochet or who knows what.
- 46:53Speaker 2: Oh look, there's a guy in a fedora whose face
- 46:55Speaker 2: they didn't hide. Imagine that. So let's move on over
- 47:00Speaker 2: a little bit. You still have a lot of people
- 47:04Speaker 2: hanging out, watching intently. Oh look, there's Danny Arce. Allegedly.
- 47:23Speaker 2: Let's look at the Dow text for a second. Obviously
- 47:27Speaker 2: there's three ladies, maybe four, hanging out the window of
- 47:33Speaker 2: the second floor. I don't know if these are gigantic
- 47:38Speaker 2: jugs or arms or what, but I like to go
- 47:44Speaker 2: with jugs. There is a fella sitting up here on
- 47:49Speaker 2: the fire escape. He's got a hell of a view
- 47:53Speaker 2: of everything. And again, so do the ladies. Now, if
- 47:58Speaker 2: you're looking at the windows up here, obviously, it appears
- 48:03Speaker 2: that this one is shut because you can kind of
- 48:06Speaker 2: see a crossmember coming down or it's partially open. Possibly. Possibly.
- 48:13Speaker 2: This one's definitely open. These appear to be closed. Let's
- 48:19Speaker 2: go on up to the next. This one here, it's
- 48:22Speaker 2: hard to tell, but it could be open and covered
- 48:24Speaker 2: with a curtain or something. I'm not sure. Or it
- 48:28Speaker 2: could be closed. It's hard to see this one back here.
- 48:33Speaker 2: These appear to be shut to me. But Let's go
- 48:41Speaker 2: back to the Altgen 6 photograph. We have this motorcycle
- 48:46Speaker 2: cop right here looking over towards JFK. Same with this one.
- 48:53Speaker 2: We have the door to this vehicle open for whatever reason.
- 49:01Speaker 2: And again, we've kind of tried to figure out what
- 49:03Speaker 2: this is. Looks like somebody holding something in their hand.
- 49:08Speaker 2: Not sure what. And now to the... what one JFK
- 49:22Speaker 2: expert has concluded about this photograph due to something that
- 49:30Speaker 2: I'm going to show you right here. Okay. Trying to
- 49:50Speaker 2: get this in here. Alright. You notice how right across
- 50:07Speaker 2: from the depository building, this is where cars are turning
- 50:12Speaker 2: onto Elm, that the street juts out a little bit
- 50:17Speaker 2: like this. It juts out a little bit like this.
- 50:28Speaker 2: Now keep that image fresh in your mind. Also, this
- 50:33Speaker 2: shadow right here on the ground where the JFK expert said, oh,
- 50:38Speaker 2: his hands are straight up in the air. But if
- 50:40Speaker 2: you look at the Zapruder film, there's nobody with their
- 50:42Speaker 2: hands straight up in the air. Well, all right, if
- 50:47Speaker 2: we have the shadows and they all appear to be
- 50:51Speaker 2: falling To the left from the right. That would imply
- 50:55Speaker 2: that the sun. Is up overhead. At some kind of
- 50:59Speaker 2: an angle. Behind. Whoever's standing here. And they're casting a shadow.
- 51:10Speaker 2: Now it doesn't mean they're standing there. With their arms
- 51:13Speaker 2: above their head. They could have their arms outstretched. In
- 51:17Speaker 2: front of them clapping. As a lot of people were.
- 51:22Speaker 2: As JFK is literally right there beside him. A lot
- 51:27Speaker 2: of people are cheering, clapping for JFK. They're happy to
- 51:30Speaker 2: see him. Right? So just keep this little perspective in
- 51:36Speaker 2: your mind here. And we can actually see the hands
- 51:43Speaker 2: that make the shadow. Okay? Okay? so these hands aren't
- 51:53Speaker 2: necessarily above someone's head, but they are maybe up in
- 51:57Speaker 2: front of their face clapping. Like, yeah, JFK. They're not
- 52:02Speaker 2: straight up above their head, but they may be out
- 52:05Speaker 2: stretched and clapping in front of them.
- 52:07Speaker 3: Right.
- 52:09Speaker 2: And it's hard to say exactly who these hands belong to.
- 52:14Speaker 2: There's two suspects and I'll show you them here in
- 52:18Speaker 2: a second. Um, So again, the hands are up here.
- 52:23Speaker 2: Somebody's obviously standing over to the right here. And we
- 52:27Speaker 2: see their shadow right here on the ground going into
- 52:34Speaker 2: Elm Street. Okay. So let's see here. Let's look at
- 52:48Speaker 2: a more modern picture. of Dealey Plaza and Elm Street.
- 52:55Speaker 2: And it's kind of from the same angle as the
- 52:58Speaker 2: Algin 6. Kind of. Not really. But kind of. It
- 53:06Speaker 2: appears whoever took this is standing in the middle of
- 53:10Speaker 2: this far right lane here. But if you notice the curbing...
- 53:18Speaker 2: on the right, right here, how it kind of juts
- 53:20Speaker 2: out a little bit into the street and then curves
- 53:23Speaker 2: back and then progresses on down Elm Street. So up
- 53:29Speaker 2: here is the corner that people have to turn onto
- 53:31Speaker 2: from Houston to Elm, all right, or come across Elm
- 53:36Speaker 2: to Elm. And then the road kind of bends to
- 53:42Speaker 2: the left and then kind of straightens out as it
- 53:44Speaker 2: comes down this slight incline. Now again, remember this jutting
- 53:53Speaker 2: out of the curb, okay? Which if we go back
- 53:57Speaker 2: to the Alchins, you can see right here on the right.
- 54:03Speaker 2: Right here. It kind of juts out a little bit.
- 54:06Speaker 2: Kind of jut, juts. Kind of juts out a little bit.
- 54:12Speaker 2: And again, if we're looking at an older picture, the
- 54:17Speaker 2: same kind of the same view this time taken from
- 54:21Speaker 2: the infield here of Dealey Plaza proper up on the
- 54:24Speaker 2: grass and we're looking back towards the depository you can
- 54:30Speaker 2: see right here how that juts out a little bit
- 54:35Speaker 2: it's like a little little curve little indentation and then
- 54:38Speaker 2: it comes back so you can kind of see And
- 54:46Speaker 2: you can kind of see right here these shadows being
- 54:49Speaker 2: cast by these two folks who are right here on
- 54:52Speaker 2: the right. Almost going out into the street. Almost probably
- 55:00Speaker 2: taken around the same time as the Alchins, just on
- 55:04Speaker 2: a different day. Or maybe later in the day. I
- 55:09Speaker 2: don't know. But you can imagine if someone was standing,
- 55:12Speaker 2: I don't know, three feet closer to the road That
- 55:16Speaker 2: their shadow would probably fall three feet into the road.
- 55:20Speaker 2: Much like we saw. Right here at the bottom. Over
- 55:27Speaker 2: the jut out. Right? Okay. Are you with me still?
- 55:32Speaker 2: This is the kind of stuff that JFK experts. Hyper study.
- 55:38Speaker 2: For some reason. Apparently it proves alteration of the Zapruder film.
- 55:45Speaker 2: It proves that they were messing with the Alton's film. And,
- 55:48Speaker 2: you know, people that really seriously believe this shit will
- 55:52Speaker 2: sit here and tell you very authoritatively exactly what we're
- 55:56Speaker 2: looking at here, folks. But I'm going to show you
- 56:00Speaker 2: why some folks think that, you know, possibly there was
- 56:09Speaker 2: some alterations going on here. Now, Let's see here. I
- 56:17Speaker 2: guess we can start here. Just to give a little perspective. Alright.
- 56:32Speaker 2: Now this is a view from shortly after shortly after
- 56:38Speaker 2: the assassination. You see JFK's motorcycle cops have kind of
- 56:44Speaker 2: or some of them, stopped in the middle of the road. Right,
- 56:50Speaker 2: the Newmans are still on the ground over here across
- 56:54Speaker 2: the street. Zapruder and Marilyn Sitzman were up here on
- 57:02Speaker 2: this pedestal. I don't see them anymore, so they may
- 57:06Speaker 2: have already dismounted. We already have a photographer over here
- 57:11Speaker 2: taking that photo. Very famous picture of the Newmans covering
- 57:14Speaker 2: their children right here. We have a pretty good shot
- 57:20Speaker 2: of the grassy knoll in the pergola area. You can
- 57:25Speaker 2: see how sparsely populated it was immediately after the assassination.
- 57:33Speaker 2: And down here we have Mary Mormon on the right, seated.
- 57:39Speaker 2: Jean Hill right beside her, the lady in red. The
- 57:43Speaker 2: Babushka Lady. Not Beverly Oliver. Whoever she was is right here.
- 57:50Speaker 2: And then seated on the lawn behind them is Charles
- 57:52Speaker 2: Brim and his five-year-old son. All right. Now, at some point,
- 58:02Speaker 2: these people, this group of people, that would be Mormon, Hill, Babushka,
- 58:08Speaker 2: and Brim and son have moved. from their original positions.
- 58:20Speaker 2: And I'll show you what I mean. Hang on one second.
- 58:25Speaker 2: So let's see here. Let me show you this first.
- 58:38Speaker 2: All right, this is a frame from the Zapruder film.
- 58:42Speaker 2: And it's just happening as Clint Hill is getting on
- 58:45Speaker 2: the back of the car. Jackie is about ready to
- 58:49Speaker 2: get up out of there and get on the trunk
- 58:51Speaker 2: to grab something. You can see JFK in a bad
- 58:56Speaker 2: way in the back seat. Flap down. This fella right
- 59:03Speaker 2: here with the camera. That is Ike Alchins. He the
- 59:10Speaker 2: guy that took the Alchins 6 photograph and the Alchins
- 59:13Speaker 2: 7 Alchins 7 shows Clint Hill Moore on the back
- 59:22Speaker 2: of the car and Jackie he's trying to push Jackie
- 59:25Speaker 2: back down into the car She's climbing out on the
- 59:29Speaker 2: trunk as they go by. He follows them and takes
- 59:33Speaker 2: the Alton 7 picture. But he just took the Alton
- 59:36Speaker 2: 6 when the limo was way back down Elm Street
- 59:40Speaker 2: a piece. I won't say way back down, but you
- 59:45Speaker 2: understand what I'm trying to say here. Now what's interesting
- 59:50Speaker 2: is if you look in these sprocket holes, and I
- 59:55Speaker 2: don't know what we're seeing here. Or where this is.
- 59:59Speaker 2: I don't know if this is the top of a
- 1:00:00Speaker 2: fence from across the street. I don't know if it's
- 1:00:03Speaker 2: some kind of reflection from a building. Rooftop somewhere. But
- 1:00:09Speaker 2: there has been talk that this appears to be a
- 1:00:12Speaker 2: shooter with a rifle. Either on top of the knoll.
- 1:00:17Speaker 2: Or on top of something. Or it could just be
- 1:00:22Speaker 2: a whole lot of nothing. Who knows? Who knows? But
- 1:00:28Speaker 2: it's odd that it looks exactly like a shooter. But
- 1:00:36Speaker 2: I digress. Probably means nothing. It's probably Paradiola or whatever
- 1:00:42Speaker 2: they call it. Paradiola. All right. So here we have,
- 1:00:51Speaker 2: at the moment of impact, JFK is bringing his hands
- 1:00:58Speaker 2: up to his throat, the same image we see in
- 1:01:02Speaker 2: the Altgen 6. Now, this guy here, and what appears
- 1:01:12Speaker 2: to be blue or white, is what we call in
- 1:01:19Speaker 2: this game the Apron Man. The Apron Man. And if
- 1:01:27Speaker 2: you watch the Zapruder film, he has his hands out
- 1:01:30Speaker 2: in front of him and he's clapping. And so does
- 1:01:33Speaker 2: this black gentleman behind him with the Kangol on. He
- 1:01:39Speaker 2: is also clapping as JFK goes by again. These folks
- 1:01:45Speaker 2: likely don't know exactly what is going on quite yet. And,
- 1:01:52Speaker 2: you know, I'm trying to see these people. rocket hole
- 1:01:54Speaker 2: images and try to figure out what they are that
- 1:01:58Speaker 2: appears to me to be the overpass maybe i don't
- 1:02:03Speaker 2: know it's very uh it's very odd so are the
- 1:02:12Speaker 2: shadows that we see apron man and kangol man You
- 1:02:22Speaker 2: see they're standing very close to the curb. Their shadow.
- 1:02:25Speaker 2: Or at least this guy's shadow. Would have been out
- 1:02:27Speaker 2: in front of him. Possibly out into the street. He's
- 1:02:31Speaker 2: definitely clapping. Or. Let's see. Alright. Here we have. Mormon
- 1:02:48Speaker 2: and Hill. This is. Marianne Mormon right here with her
- 1:02:54Speaker 2: Polaroid camera up to her face, getting ready to take
- 1:02:58Speaker 2: the iconic photograph at the time of impact. We're literally
- 1:03:04Speaker 2: microseconds away from it, if not at the exact moment. Now,
- 1:03:10Speaker 2: in the big scheme of things, allegedly, we have Altgens
- 1:03:17Speaker 2: down here off to their left, our right, somewhere off screen.
- 1:03:25Speaker 2: And to their left, or to their right and our left,
- 1:03:29Speaker 2: would be Charles Brim and son with a babushka lady
- 1:03:32Speaker 2: somewhere in behind them. Let's see if we can get
- 1:03:37Speaker 2: a little bit more perspective here. All right. All right,
- 1:03:49Speaker 2: so we have here Charles Brim. And his son. His
- 1:03:54Speaker 2: little five year old son. And they're also standing. Very
- 1:03:58Speaker 2: close to the curb. And he has his hands up
- 1:04:01Speaker 2: in front of him. Like he's clapping. Right. Clap on.
- 1:04:07Speaker 2: Clap off. The clapper. And is this babushka lady back there.
- 1:04:13Speaker 2: I don't know. I can't really tell from this photograph.
- 1:04:18Speaker 2: Or this still. But again. JFK's head has not. exploded
- 1:04:24Speaker 2: at this point yet but it's coming but he also
- 1:04:34Speaker 2: does not he's not sitting upright with his with his
- 1:04:37Speaker 2: hands at his throat anymore he has since started to
- 1:04:41Speaker 2: slump so at that initial point of impact it would
- 1:04:46Speaker 2: have been back to our left back up Elm Street
- 1:04:50Speaker 2: a little ways and Alt Jens who is down here
- 1:04:53Speaker 2: looking back up Elm Street could have possibly caught Brim's
- 1:04:57Speaker 2: hands and his shadow back this way a bit when
- 1:05:04Speaker 2: JFK was initially hit. Let's take another look at Now
- 1:05:23Speaker 2: we can't see JFK here, but when he does come
- 1:05:25Speaker 2: out from the back of the RL Thornton Expressway sign,
- 1:05:29Speaker 2: his hands are up to his throat. You can kind
- 1:05:31Speaker 2: of see it start to be here. Connolly is turning
- 1:05:34Speaker 2: to his right. I'm not sure if he's been hit
- 1:05:38Speaker 2: yet or not. But we do see Kangol Man and
- 1:05:43Speaker 2: Apron Man over here. Again, hands up and clapping. Hands
- 1:05:47Speaker 2: up and clapping. Hands up and clapping. somewhat close to
- 1:05:52Speaker 2: the curb. Now let's see things from a different perspective.
- 1:06:08Speaker 2: This would be from the other side of Elm Street.
- 1:06:12Speaker 2: This would be from the Knicks film. We see Jackie
- 1:06:21Speaker 2: climbing out on the trunk. They are right across from
- 1:06:25Speaker 2: the steps that lead up to the grassy knoll picket
- 1:06:28Speaker 2: fence area. Clint Hill is still trying to get on
- 1:06:32Speaker 2: the back of that damn car. At this point, Alt
- 1:06:37Speaker 2: Jens is right here. He's looking that way and he's
- 1:06:41Speaker 2: probably getting ready to take his iconic Alt Jens 7 photograph. Again,
- 1:06:46Speaker 2: for perspective, Mary Mormon and Gene Hill are Back to
- 1:06:51Speaker 2: our right. And then Charles Brim and Babushka Lady further down.
- 1:06:58Speaker 2: And then Apron Man and Kango Man further down the net. Alright.
- 1:07:10Speaker 2: So now we have a view from behind. You see
- 1:07:17Speaker 2: how the Bushka lady is kind of behind Charles Brim
- 1:07:22Speaker 2: and his five-year-old son. His arms are up. He's clapping.
- 1:07:26Speaker 2: JFK is slumping. That final head shot has not occurred yet.
- 1:07:35Speaker 2: And again, a little further down to their left, our left,
- 1:07:42Speaker 2: you're going to have Mormon and Hill and then Altgen's.
- 1:07:48Speaker 2: And then to their right, you're going to have Apron
- 1:07:50Speaker 2: Man and Kangol Man. Okay. Here's a good one. All right.
- 1:08:06Speaker 2: It's at this point. And you can see from the
- 1:08:11Speaker 2: misting above JFK that this is the exact moment that Mormon,
- 1:08:16Speaker 2: Mary Mormon here, in the navy blue jacket is taking
- 1:08:21Speaker 2: her picture her famous Polaroid picture of Kennedy at the
- 1:08:26Speaker 2: point of impact there you see Gene Hill here in
- 1:08:30Speaker 2: red the cops are looking now you have the babushka
- 1:08:38Speaker 2: lady again standing here right behind Charles Brim Alchins is
- 1:08:44Speaker 2: going to be to their left still I promise we're
- 1:08:57Speaker 2: going somewhere with this, folks. I promise. Alright, here we
- 1:09:04Speaker 2: have Mormon's photograph. She's taking at the point of impact, right?
- 1:09:16Speaker 2: It still has Jim Featherstone's fucking thumbprint on there. Jackass.
- 1:09:24Speaker 2: If you look up here, you can see the Pruder
- 1:09:25Speaker 2: and Sitzman up on the pedestal. You can see this
- 1:09:32Speaker 2: is the point of impact. You got three Scafusas on
- 1:09:35Speaker 2: the steps. They turn and hightail ass up the steps
- 1:09:40Speaker 2: after this headshot. Again, who can see anything in this
- 1:09:47Speaker 2: photo from the top of the fence line? I don't know.
- 1:09:51Speaker 2: It's very hard to But that wasn't the only photo
- 1:09:58Speaker 2: that Mormon took that day. She also took a picture
- 1:10:03Speaker 2: of this motorcycle cop who I don't know if it
- 1:10:08Speaker 2: was Gene Hill that was dating him or one of
- 1:10:11Speaker 2: her other friends that was dating him. I don't know.
- 1:10:16Speaker 2: But in this photo she managed to get the school
- 1:10:18Speaker 2: book depository in the photo. The damnedest thing though damnedest
- 1:10:25Speaker 2: thing Is it cuts off right at the freaking sniper window.
- 1:10:32Speaker 2: Alleged sniper window. Unbelievable. Or maybe it wasn't even high
- 1:10:42Speaker 2: enough to catch it. I don't know. It's hard to
- 1:10:45Speaker 2: count floors here. Because the doorway is right here at
- 1:10:51Speaker 2: the bottom in this little black section. The TSBD doorway. Okay. So,
- 1:10:59Speaker 2: I mean, imagine if she would have caught and had
- 1:11:04Speaker 2: a clearer photo, but imagine if she would have caught
- 1:11:07Speaker 2: that and then this. She'd have been the most famous
- 1:11:13Speaker 2: woman in history. But it was not meant to be.
- 1:11:18Speaker 2: All right. So let's see what's going on a little
- 1:11:25Speaker 2: bit here. What in the Sam Hill is going on
- 1:11:27Speaker 2: in Dealey Plaza? Alright, so up here in the corner,
- 1:11:31Speaker 2: this is after the assassination, of course, you have Mary
- 1:11:37Speaker 2: Mormon showing her photo to Jim Featherstone. I believe he's
- 1:11:44Speaker 2: from one of the local news agencies. And he puts
- 1:11:48Speaker 2: his stupid thumbprint on her fucking Polaroid at that point.
- 1:11:54Speaker 2: She's showing him, you know, because the Polaroid prints out instantly,
- 1:11:57Speaker 2: just like Any Polaroid camera. So again, right here we
- 1:12:06Speaker 2: have Charles Brim and his son still standing there trying
- 1:12:09Speaker 2: to figure out what in the Sam Hill does happen. Right?
- 1:12:14Speaker 2: I don't see... I mean, it's hard to tell, of course.
- 1:12:18Speaker 2: Jean Hill is all in red. But I don't believe
- 1:12:24Speaker 2: that she had a babushka on, so this is not her.
- 1:12:27Speaker 2: I don't see Jean Hill anywhere. I'm guessing she'd already
- 1:12:31Speaker 2: crossed the street and went up to the knoll like
- 1:12:33Speaker 2: she said she did. Now right here is what appears
- 1:12:37Speaker 2: to be the babushka lady. The real one. Not Beverly Oliver.
- 1:12:43Speaker 2: This old hag right here with her little babushka on
- 1:12:46Speaker 2: and her tan jacket and her thick cankles. Right? Hard
- 1:12:54Speaker 2: to tell. Hard to tell. But again, this is some
- 1:13:00Speaker 2: of the immediate aftermath, if you will, of the assassination.
- 1:13:08Speaker 2: I'm just trying to give you guys a perspective on
- 1:13:12Speaker 2: where everybody was, where they were standing, yada, yada, yada. Because,
- 1:13:20Speaker 2: we're talking about perspective here. Alright, I'm going to show
- 1:13:26Speaker 2: you this. This is This is a map done by Madman, apparently.
- 1:13:32Speaker 2: It's one of them things that you start and you
- 1:13:36Speaker 2: just got to keep adding and adding and adding and
- 1:13:38Speaker 2: adding to. It's great smaller and smaller and smaller and smaller.
- 1:13:44Speaker 2: But the portion in question that we're looking at here
- 1:13:49Speaker 2: is right about in here. Right here in black it
- 1:13:52Speaker 2: says Gene Hill and underneath that in green is Mormon.
- 1:13:58Speaker 2: Down here in black is Altgen's, where he was standing.
- 1:14:07Speaker 2: Right here in black, we have Brim. And then up
- 1:14:14Speaker 2: here in the purple, you have Apron Man and Kangol Man.
- 1:14:20Speaker 2: And then we have that rounded part of Elm Street.
- 1:14:28Speaker 2: That is seen in the Altgen 6 photo. Right here.
- 1:14:33Speaker 3: So.
- 1:14:33Speaker 2: If you're Ike Altgen. Standing way down here. And you
- 1:14:38Speaker 2: have a telephoto lens. Pointed back. At the school book depository.
- 1:14:44Speaker 2: Back up Elm Street. You're going to capture. This bump out.
- 1:14:50Speaker 2: On the curb. At the turn. It's going to be.
- 1:14:56Speaker 2: Somewhat apparent. Now the question, the question, folks, is where exactly,
- 1:15:10Speaker 2: and we'll go back to it, where exactly, again, looking
- 1:15:24Speaker 2: back from Altgens with a telephoto lens, you can see
- 1:15:28Speaker 2: the bump out. Right here. You can see the hands up.
- 1:15:36Speaker 2: You can see clapping. Now this so-called JFK expert went
- 1:15:42Speaker 2: on a podcast and claimed that these hands and this
- 1:15:46Speaker 2: shadow belonged to Charles Brim. Who obviously was not standing
- 1:15:55Speaker 2: this far back up Elm Street. Obviously. near this bump out,
- 1:16:02Speaker 2: which is across from the TSBD, right? Yet he claims
- 1:16:07Speaker 2: that this is evidence that the Olchins has been messed with.
- 1:16:13Speaker 2: That those Charles Brim's hands and this shadow that shows
- 1:16:19Speaker 2: his hands above his head is evidence that this photo
- 1:16:24Speaker 2: has been messed with. You can't make this stuff up, folks.
- 1:16:34Speaker 2: If I was a betting man, I'd put my money
- 1:16:37Speaker 2: on the fact that this is probably Apron Man that
- 1:16:42Speaker 2: was standing way back further up Elm Street. And Algins
- 1:16:50Speaker 2: is turned back in this direction again all the way
- 1:16:56Speaker 2: up Elm Street to the point of you know, he's
- 1:17:00Speaker 2: got a wide telephoto lens and he takes an amazing
- 1:17:06Speaker 2: freaking picture. And I agree with the so-called JFK expert.
- 1:17:12Speaker 2: This is, this is not an issue of forced perspective
- 1:17:17Speaker 2: or compression or anything like that. I think whoever was
- 1:17:20Speaker 2: standing here right after the bump out, likely apron man
- 1:17:25Speaker 2: and Kangol man, uh, I believe Kangaroo Man was standing
- 1:17:30Speaker 2: further back than him. That's why you don't see his
- 1:17:32Speaker 2: shadow cast down into the street. But that's pretty much
- 1:17:38Speaker 2: the only people that we see in the Zapruder film
- 1:17:43Speaker 2: in this position at the same time that we see
- 1:17:49Speaker 2: Kennedy with his hands up to his throat. Remember this
- 1:17:56Speaker 2: is a Zapruder film when we're seeing this from the
- 1:17:57Speaker 2: other direction. And you saw who was in the background
- 1:18:02Speaker 2: of that photo. And if you don't, let me remind you.
- 1:18:13Speaker 3: Let's see.
- 1:18:14Speaker 2: Where is... Where is my guy? There he is. Again.
- 1:18:38Speaker 2: Right here. Hands up to throat. Connolly's not turned yet. So,
- 1:19:00Speaker 2: does it really matter whose hands we're seeing at this time?
- 1:19:08Speaker 2: It's definitely not Proof that they altered the Ultgens though.
- 1:19:14Speaker 2: I can tell you that. Again. We have this guy
- 1:19:21Speaker 2: standing here. And again. Remember this is a colorized version.
- 1:19:25Speaker 2: Of the Zapruder film. This is not. This is not
- 1:19:29Speaker 2: how it looked coming out of Zapruder's camera. This is
- 1:19:31Speaker 2: a very fucked with. Colorized version. Stabilized. Colorized. All kinds
- 1:19:39Speaker 2: of eyesed. version of the Zapruder film. So even though
- 1:19:42Speaker 2: it may appear blue, this could have been a white
- 1:19:46Speaker 2: or khaki uniform with the guy with the apron on.
- 1:19:52Speaker 2: He was a butcher who worked down the street. And again,
- 1:19:56Speaker 2: you can see Connolly turning right here. This more matches
- 1:20:02Speaker 2: the Altgen's shot. Because Connolly's turned to his right. He's
- 1:20:08Speaker 2: starting to wince. JFK's got his hands up to his throat.
- 1:20:13Speaker 2: And lo and behold, over here we got somebody clapping
- 1:20:16Speaker 2: with their hands out straight in front of him. Casting
- 1:20:19Speaker 2: a shadow into the street. So, you have to be
- 1:20:26Speaker 2: very careful when you're throwing things out there into the
- 1:20:31Speaker 2: public domain just thinking that because you don't understand How
- 1:20:38Speaker 2: something works. Or looks. Or you haven't done the due diligence.
- 1:20:41Speaker 2: You've just read in a book. Something that's caught your eye.
- 1:20:46Speaker 2: Or whatever. And yet. You want to come on a show.
- 1:20:50Speaker 2: And be a proponent. Of this theory. Without doing your
- 1:20:57Speaker 2: due diligence. Or without looking for yourself. And trying to
- 1:20:59Speaker 2: see what makes sense. You know. You're poisoning people's minds.
- 1:21:05Speaker 2: By just coming on and saying. Well look. Because of this,
- 1:21:10Speaker 2: you know, the Ultron 6 has been manipulated. And well,
- 1:21:14Speaker 2: then you get into, well, who could have done that?
- 1:21:16Speaker 2: When did they have time to do it? Who, you know,
- 1:21:19Speaker 2: who has the power to do that? And then it's
- 1:21:22Speaker 2: become some great grand conspiracy. Great grand conspiracy of all
- 1:21:29Speaker 2: things known to man. And look, people get things wrong.
- 1:21:37Speaker 2: I get it. That's part of it. But if you
- 1:21:43Speaker 2: knowingly participate in spreading false information that means you're a
- 1:21:52Speaker 2: disinformation agent. You're doing a disservice to the community by
- 1:21:57Speaker 2: doing this. The people having you on their shows and
- 1:22:01Speaker 2: portraying you as a JFK expert are harming the entire
- 1:22:08Speaker 2: conspiracy community by doing that. Because it makes it real
- 1:22:12Speaker 2: easy for the other side, the lone nutters, to come
- 1:22:15Speaker 2: and say, well, look, obviously this guy's an idiot. He
- 1:22:18Speaker 2: doesn't know what he's talking about. Here's what is actually happening.
- 1:22:23Speaker 2: This is why these kooky conspiracy theories, you can't trust them,
- 1:22:27Speaker 2: you can't believe them. It's a bunch of nonsense. You
- 1:22:31Speaker 2: can clearly see here, blah, blah, blah, blah, X, Y,
- 1:22:34Speaker 2: and Z. And you make it real easy for them.
- 1:22:38Speaker 2: to denigrate the conspiracy theory side of the JFK assassination
- 1:22:45Speaker 2: research community. And like I said, we get things wrong.
- 1:22:50Speaker 2: We do. But you better have them right before you
- 1:22:57Speaker 2: want to get out and disseminate them all over the place.
- 1:23:02Speaker 2: For views, or what have you. I don't know why
- 1:23:09Speaker 2: some people do this. There are folks that promulgate it.
- 1:23:16Speaker 2: They will allow it on their show. I don't get it.
- 1:23:27Speaker 2: It's always the bright, shiny objects that gets noticed the most. Yet,
- 1:23:33Speaker 2: in your quest for the truth, you are in fact
- 1:23:37Speaker 2: a purveyor of disinformation. At least in my eyes. And
- 1:23:45Speaker 2: ain't nobody got time for that. But, I digress. I'm
- 1:23:52Speaker 2: just a self-proclaimed JFK assassination expert. What do I know?
- 1:24:05Speaker 2: I know a little bit about a lot. I know
- 1:24:07Speaker 2: a lot about a little. Yet there's a difference between
- 1:24:15Speaker 2: coming on the air and exploring a topic and making
- 1:24:22Speaker 2: the caveat, hey, I know this sounds crazy. I know
- 1:24:26Speaker 2: this sounds crazy, but hear me out. This is probably
- 1:24:29Speaker 2: a bunch of bullshit. This guy that was in the
- 1:24:32Speaker 2: media probably understands sensational journalism and decided, hey, this is
- 1:24:39Speaker 2: my opportunity to get famous, so I'm going to say
- 1:24:41Speaker 2: some crazy shit. Right? Despite the fact that nobody else
- 1:24:45Speaker 2: saw anything like this. You know, it wasn't very long
- 1:24:52Speaker 2: after the Kennedy assassination that we saw the rise of
- 1:24:55Speaker 2: the Weekly World News and the Tattler and the National
- 1:25:00Speaker 2: Enquirer who loved putting stories like this on their front page.
- 1:25:08Speaker 2: But we all knew it was bullshit. Right? So, why.
- 1:25:15Speaker 1: Bother?
- 1:25:16Speaker 2: But, I digress. This JFK expert is heading to bed
- 1:25:25Speaker 2: after another crazy week, crazy day of some random research
- 1:25:30Speaker 2: ramblings with Rob. That's right. Your boy is Dunsky for
- 1:25:36Speaker 2: this week. And we're putting together a very interesting show
- 1:25:42Speaker 2: for you next week. I cannot wait to share it
- 1:25:45Speaker 2: with you. Until then, thank you for hanging out with me.
- 1:25:48Speaker 2: Make sure you, if you stayed around this long, by God,
- 1:25:51Speaker 2: you better like this damn video. Hype it. Give me
- 1:25:54Speaker 2: some hype points on this video. Hype it up, hype
- 1:25:56Speaker 2: it up, hype it up, hype it up. And we'll
- 1:26:01Speaker 2: see you next time here on Random Research Ramblings with Rob.
- 1:26:08Speaker 2: Always a pleasure. Peace.
- 1:26:29Speaker 1: Started with a loud red rod and an old, an
- 1:26:32Speaker 1: old and a margin thin. Then a side road turned
- 1:26:35Speaker 1: to three more roads and here we go again.
- 1:26:39Speaker 3: A photograph, a witness, a date that doesn't quite align.
- 1:26:43Speaker 3: One small fact becomes a winding track by a quarter
- 1:26:46Speaker 3: after nine.
- 1:26:47Speaker 1: Random research, ramblings with a rock.
- 1:26:50Speaker 3: Take the long way. from odd little facts to the
- 1:26:58Speaker 3: big what ifs we'll.
- 1:27:00Speaker 1: Follow every tangent till the evidence slips random research ramblings
- 1:27:07Speaker 1: with rob bring your questions bring your curious thoughts.
- 1:27:13Speaker 3: Was it the grassy knoll or a file misfiled? Rob's
- 1:27:18Speaker 3: got a theory but he's checking them out No final answers,
- 1:27:24Speaker 3: just a notebook.
- 1:27:24Speaker 1: And a grin Tuning for the question And the rabbit
- 1:27:31Speaker 1: hole within Random research ramblings with Rob Where the side
- 1:27:39Speaker 1: note is.
- 1:27:40Speaker 2: Where we begin Bye. Bye.