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Transcript

The Pretty Little Podcast: Farewell, My Lovely · Your One And Only Source

• 0:00
  [SPEAKER_01]: Hello and welcome back to the pretty little podcast where you're hosts my name is Phoebe and my name is Caroline and guess what can you feel the vibes can you feel the palpable vibe shift we're in person we are live in in person we're not live for you but we're live for you we're actually going to be doing the first the last two episodes in the same place we did the first two up okay okay romantic okay everything is actually romantic and guys as we're
• 0:28
  [SPEAKER_01]: Tuesday is going to go crazy tomorrow.
• 0:30
  [SPEAKER_01]: We're going to the Lord.
• 0:32
  [SPEAKER_01]: We're having a crazy weekend you guys Tuesdays episode will be crazy.
• 0:36
  [SPEAKER_01]: Don't miss it.
• 0:36
  [SPEAKER_01]: Okay.
• 0:37
  [SPEAKER_01]: We're going to tie then.
• 0:38
  [SPEAKER_01]: I literally have a pit in my stomach with this being the penultimate episode.
• 0:42
  [SPEAKER_01]: Like the penultimate episode ever.
• 0:45
  [SPEAKER_01]: That makes me sick.
• 0:46
  [SPEAKER_01]: That's my stomach.
• 0:48
  [SPEAKER_01]: I'm like.
• 0:49
  [SPEAKER_01]: I don't want to watch the finale.
• 0:50
  [SPEAKER_01]: I just, I'm not, I'm honestly so glad that the thing we're supposed to do tomorrow got moved because I was not ready for that.
• 0:55
  [SPEAKER_00]: I know, actually.
• 0:56
  [SPEAKER_00]: I think it wouldn't have had the same weight if you watched 19 and 20 just back to back.
• 1:01
  [SPEAKER_00]: I'm just like, I can't believe we should watch it together before we take sure.
• 1:06
  [SPEAKER_01]: I can't believe we did it.
• 1:10
  [SPEAKER_01]: like actually think about it.
• 1:11
  [SPEAKER_01]: We have been doing this for almost four years.
• 1:14
  [SPEAKER_01]: It took us almost four years to go through this whole show.
• 1:17
  [SPEAKER_01]: Yeah.
• 1:17
  [SPEAKER_01]: Wow.
• 1:18
  [SPEAKER_01]: And honestly like I just would love to go talk to us on that it feels like yesterday when we sat in these chairs and recorded the first episodes, but I would just love to go back and talk to us and be like, so what do you see for the future?
• 1:29
  [SPEAKER_01]: Guess what it's gonna be weirder than you think you had to predict which Yeah, it's pretty little iris you would have heard online beef.
• 1:36
  [SPEAKER_00]: Yeah, who do you think I don't think it'll be who you think or maybe?
• 1:39
  [SPEAKER_01]: Well, I mean, I think one of them might be yes, but on yeah, you you might lose any any possible Collabs with can possible along the course of this podcast and that was so best ultimately, but okay, anyway
• 1:52
  [SPEAKER_01]: So we're doing this.
• 1:53
  [SPEAKER_01]: We're doing this today.
• 1:54
  [SPEAKER_01]: By the way, if you didn't see on our story, I did post we announced we are doing another episode with Sarah Shepherd.
• 2:01
  [SPEAKER_01]: Obviously, like last time we had her on that summer, we mostly talked about nowhere like home, her book for book club.
• 2:06
  [SPEAKER_01]: That was quarter away of getting her on.
• 2:07
  [SPEAKER_01]: You know, we were like, hey, we don't just want to talk about the main thing you do.
• 2:11
  [SPEAKER_01]: Looking at me, she was bored of that.
• 2:13
  [SPEAKER_01]: So we got her in through that, but then she's like so cool.
• 2:15
  [SPEAKER_01]: And she's been such a great supporter of our podcast.
• 2:18
  [SPEAKER_00]: Yeah, we just
• 2:19
  [SPEAKER_01]: Absolutely love her.
• 2:20
  [SPEAKER_00]: She couldn't be better so if you're not following her like you've got to go do it I take sit um gracing camey and said yeah Asked if they had any questions for me.
• 2:27
  [SPEAKER_00]: Yes, so I was like you guys are the Can me can we go oh my god.
• 2:31
  [SPEAKER_00]: I have so many questions.
• 2:32
  [SPEAKER_00]: Okay, can we start writing them down?
• 2:34
  [SPEAKER_00]: I was like you'd
• 2:35
  [SPEAKER_00]: you do.
• 2:37
  [SPEAKER_01]: No, but ask us send in questions.
• 2:39
  [SPEAKER_01]: We got a ton through our stories.
• 2:40
  [SPEAKER_01]: I also posted it on Reddit.
• 2:42
  [SPEAKER_01]: We probably won't ask every single question, but the goal is like, and I want to ask hard-hitting questions.
• 2:47
  [SPEAKER_01]: Like, I want to once we finish the finale, look back at the 15-year interview they did and read through it and be like, so Sarah, what do you think of this and read a quote?
• 2:54
  [SPEAKER_01]: Like, I want to get messy.
• 2:56
  [SPEAKER_01]: And I think Sarah's down.
• 2:57
  [SPEAKER_01]: I got the vibe from the last
• 3:01
  [SPEAKER_01]: Anyway, if you have questions send them to us, we are recording this next week.
• 3:04
  [SPEAKER_01]: So if you're listening to this, you have like a few days to get us your questions as we're prepping, but it's exciting.
• 3:10
  [SPEAKER_01]: We're going to literally look back at all of pretty little liars and talk about it with her, which is so cool.
• 3:15
  [SPEAKER_01]: We couldn't do that last time I didn't know.
• 3:16
  [SPEAKER_01]: I didn't even know Mona was a live last time we talked to her.
• 3:18
  [SPEAKER_01]: Oh my god.
• 3:19
  [SPEAKER_01]: This boy, okay, she was like, well, I am just going to say that Mona is in the perfectionist.
• 3:25
  [SPEAKER_01]: And they still didn't didn't go there.
• 3:26
  [SPEAKER_01]: But anyway, and then she's watching the finale too.
• 3:30
  [SPEAKER_00]: It's a testament to how great I did.
• 3:32
  [SPEAKER_01]: Oh, you did.
• 3:33
  [SPEAKER_01]: You really did.
• 3:34
  [SPEAKER_00]: But I think it's also crazy that she's going to like go back and watch the finale.
• 3:37
  [SPEAKER_00]: I want to talk about it.
• 3:37
  [SPEAKER_00]: I want to ask her.
• 3:38
  [SPEAKER_00]: I should write that down.
• 3:39
  [SPEAKER_00]: I want to ask her when the last time she watched it is before.
• 3:42
  [SPEAKER_01]: Yeah.
• 3:43
  [SPEAKER_01]: She wants to be like super prep.
• 3:44
  [SPEAKER_01]: So that episode is going to come out right after the finale.
• 3:48
  [SPEAKER_01]: So once we release the finale, that will be the next episode.
• 3:53
  [SPEAKER_01]: here there for that and I also want to bring up some of the storylines we've created and be like so what do you what do you think of Emily what do you think of Emily what do you think of Emily what do you think of Emily what do you think of Emily what does that mean she gets to pick which in character yes I love that idea oh my god yeah we'll be it will be like so was it intentional that Ella Montgomery's on horse tranquilizers or was that just kind of like that just happened on a call organically yeah
• 4:18
  [SPEAKER_01]: So any who that's just an exciting update for you guys and we've got more exciting updates coming as well So now is not the time to fall off.
• 4:26
  [SPEAKER_01]: Okay.
• 4:27
  [SPEAKER_01]: I'm on the recap.
• 4:28
  [SPEAKER_00]: Thank you guys I was actually stressed about that.
• 4:30
  [SPEAKER_01]: I could not remember.
• 4:32
  [SPEAKER_01]: Well, you're welcome.
• 4:33
  [SPEAKER_01]: You're welcome.
• 4:33
  [SPEAKER_01]: I actually knew your stress It is your turn, but I prepped it because I knew you were stressed.
• 4:36
  [SPEAKER_01]: That's a lie.
• 4:37
  [SPEAKER_01]: Of course.
• 4:37
  [SPEAKER_01]: It's a lie.
• 4:38
  [SPEAKER_01]: Don't read your mind We are fraternal twins not identical.
• 4:41
  [SPEAKER_01]: Can I read your mind?
• 4:42
  [SPEAKER_01]: You know that okay, so
• 4:44
  [SPEAKER_01]: Things you need to know, Mona has cracked the code.
• 4:47
  [SPEAKER_01]: Hannah was like, we got to bring in the big guns.
• 4:49
  [SPEAKER_01]: We all know the big guns around here at Mona Vanderwalt.
• 4:51
  [SPEAKER_01]: By the way, I ordered my skeleton jelly cat, and somebody submit that the name should be Bona Vanderwalt sold, done.
• 4:57
  [SPEAKER_00]: So, I wonder if there's another bone pun we could throw in to the last name somehow.
• 5:03
  [SPEAKER_01]: I don't think it even needs it.
• 5:04
  [SPEAKER_01]: We could think of one.
• 5:05
  [SPEAKER_01]: I mean, like, do your best, do your worst, but I think we're got Bona Vanderwalt's.
• 5:09
  [SPEAKER_00]: But I liked Anthony's suggestion.
• 5:11
  [SPEAKER_01]: What was a femur, so I'll put the pH?
• 5:13
  [SPEAKER_01]: No femur was really good too, but I had already seen Bonavander while when all these came in.
• 5:17
  [SPEAKER_01]: I was like, we're kind of sorry, nothing.
• 5:19
  [SPEAKER_00]: And she's your favorite character.
• 5:21
  [SPEAKER_00]: And this is actually after this episode.
• 5:22
  [SPEAKER_00]: Great episode.
• 5:24
  [SPEAKER_00]: Also.
• 5:25
  [SPEAKER_00]: Okay guys, here I am, saying in live on air, it was a good episode for Arya.
• 5:31
  [SPEAKER_00]: I thought, okay, we'll get into that.
• 5:33
  [SPEAKER_00]: Terrible episode for Ezra and it's like that's why you guys deserve each other.
• 5:36
  [SPEAKER_01]: Yeah, but also we'll get into that.
• 5:38
  [SPEAKER_01]: I have some maybe conflicting thoughts on like that, but not like I don't think it was a bad up.
• 5:42
  [SPEAKER_01]: We'll get into it.
• 5:42
  [SPEAKER_01]: Okay.
• 5:43
  [SPEAKER_01]: So Mona has deduced the area as on the A.D.
• 5:47
  [SPEAKER_01]: team tells the girls the catcher in the app and they're like, yeah, if you were done with the area, ABCD, E, F.U.
• 5:53
  [SPEAKER_01]: is what they say.
• 5:54
  [SPEAKER_01]: And they're like, you're out of the girl and so are they at home and your sister and your dog is like low blow.
• 6:01
  [SPEAKER_01]: And Ari doesn't have one because they don't keep pets as they don't keep animals as pets.
• 6:05
  [SPEAKER_01]: Right.
• 6:06
  [SPEAKER_01]: They don't, they're like, they're like, I'm not, you mean a wolf?
• 6:09
  [SPEAKER_01]: If I adopted a dog, it would set them free.
• 6:11
  [SPEAKER_01]: I would say go be free, but they're wolf brothers with your wolf pack.
• 6:14
  [SPEAKER_01]: Anyway, the police have issued search warrants on all the girls houses, but somehow Ari has come away from this clean because obviously she's on the AD team and that's like her reward.
• 6:24
  [SPEAKER_01]: as they're all playing this game are a finally told Ezra everything that's going on and told him about the files that she never filed but they're a port where she said like he's a predator and he was like cruel I know that I'm a predator and I know that you wrote that but it's okay so they're all good now and yeah yeah yeah
• 6:40
  [SPEAKER_01]: Well, because you're talking about you and your friends, and proof that I am a predator, yes.
• 6:43
  [SPEAKER_01]: So I can't really be mad at you, actually.
• 6:45
  [SPEAKER_01]: I've no room to be mad.
• 6:46
  [SPEAKER_01]: Mona currently has the game in Caleb and Ezra have cracked that, found her with it.
• 6:51
  [SPEAKER_01]: So they think that she is now like running the show.
• 6:54
  [SPEAKER_01]: Lugina Butter Scotch made her triumphant return.
• 6:56
  [SPEAKER_01]: She is a hot on the girl's case.
• 6:58
  [SPEAKER_01]: She said, I will get you my pretty and your little talk to.
• 7:01
  [SPEAKER_01]: And Archer Dunhill's body, by the way, in the back of Arias trunk.
• 7:04
  [SPEAKER_01]: Oh my God, who put it there.
• 7:05
  [SPEAKER_01]: She just got, she just got in some car trouble.
• 7:07
  [SPEAKER_01]: And now a cop is showing up.
• 7:08
  [SPEAKER_01]: Oh great.
• 7:09
  [SPEAKER_01]: No great no great, and that's really and then Caleb and Hannah got married, which is the best part and I know they're not going to get married in real life But they did make TikToks together and that is the next thing.
• 7:18
  [SPEAKER_01]: Could you believe that no and I would say to me privately and on the podcast and tag I was like those all TikTok trends for them to do the one
• 7:27
  [SPEAKER_01]: come on mom goes he is so cute she goes maybe it's you on the show you recognize maybe he's cuter now it's like I don't think he's cuter now than he wasn't show but like yes he is so cute thank you right mom I don't know the moment of gone for the flat iron bins here no she wouldn't have she didn't hit events got a haircut you know you've been on the house for at least 72 hours we've got a haircut steps knit babe all right so we open with lieutenant butter scotch requesting urgent signatures on a
• 7:56
  [SPEAKER_01]: She is the leader day of film.
• 7:58
  [SPEAKER_01]: You can hear the click.
• 7:59
  [SPEAKER_01]: Clack of those to let us because they make their she's not wearing her fuck me.
• 8:01
  [SPEAKER_01]: He'll she's wearing her.
• 8:02
  [SPEAKER_01]: I mean business heels.
• 8:04
  [SPEAKER_01]: She's wearing her let's arrest some layers heels.
• 8:06
  [SPEAKER_00]: Yeah, and it's like Christmas Eve for her.
• 8:08
  [SPEAKER_00]: She's like, yeah, it she's giving a kid on Christmas morning who's like, we can't open presents yet.
• 8:12
  [SPEAKER_00]: Your mom is asleep.
• 8:14
  [SPEAKER_00]: Well, wait, girl.
• 8:15
  [SPEAKER_00]: Yeah.
• 8:15
  [SPEAKER_01]: What's the hurry?
• 8:16
  [SPEAKER_01]: This is time.
• 8:17
  [SPEAKER_01]: Send it people.
• 8:19
  [SPEAKER_01]: Hello.
• 8:19
  [SPEAKER_01]: Yeah, exactly.
• 8:20
  [SPEAKER_01]: They're like, what if there's a dog under the tree and it can't breathe in the wrapping paper?
• 8:23
  [SPEAKER_01]: Like, come on.
• 8:24
  [SPEAKER_01]: That's sort of her, her level of urgency.
• 8:26
  [SPEAKER_01]: And then we go to Arya in her moment.
• 8:28
  [SPEAKER_01]: This, I would, what would you do in this moment?
• 8:31
  [SPEAKER_01]: You're pulled over.
• 8:32
  [SPEAKER_01]: or you're not put up or sorry, your car, you're hearing something in your car, you get out to check it out, you open your trunk dead body, dead body that like you're low key on the hook for.
• 8:40
  [SPEAKER_01]: Drop your keys, cop pulls up, slam it shut, now I don't have my keys.
• 8:43
  [SPEAKER_01]: You know the cop is going to offer to help you bitch, cop comes out, what do you do?
• 8:47
  [SPEAKER_01]: What do you say?
• 8:50
  [SPEAKER_01]: I run.
• 8:51
  [SPEAKER_01]: I run.
• 8:52
  [SPEAKER_01]: I run.
• 8:52
  [SPEAKER_00]: I run.
• 8:52
  [SPEAKER_00]: I run.
• 8:52
  [SPEAKER_00]: I run.
• 8:52
  [SPEAKER_00]: I run.
• 8:53
  [SPEAKER_00]: I run.
• 8:53
  [SPEAKER_00]: I run.
• 8:53
  [SPEAKER_00]: I run.
• 8:53
  [SPEAKER_00]: I run.
• 8:53
  [SPEAKER_00]: I run.
• 8:54
  [SPEAKER_00]: I run.
• 8:54
  [SPEAKER_00]: I run.
• 8:54
  [SPEAKER_00]: I run.
• 8:54
  [SPEAKER_00]: I run.
• 8:55
  [SPEAKER_00]: I run.
• 8:55
  [SPEAKER_00]: I run.
• 8:55
  [SPEAKER_00]: I run.
• 8:55
  [SPEAKER_01]: I run.
• 8:55
  [SPEAKER_01]: I run.
• 8:56
  [SPEAKER_01]: I run.
• 8:56
  [SPEAKER_01]: I run.
• 8:56
  [SPEAKER_01]: I run.
• 8:56
  [SPEAKER_01]: I run.
• 8:57
  [SPEAKER_01]: I run.
• 8:57
  [SPEAKER_01]: I run.
• 8:57
  [SPEAKER_01]: I run.
• 8:57
  [SPEAKER_01]: I run.
• 9:16
  [SPEAKER_01]: You would think it was her and it's not even that environmentally friendly, which is like, okay, that's good.
• 9:20
  [SPEAKER_01]: Well, maybe She sold out She honestly sold out always knew she will knew she would had knew she had it in her He's like this is the most professional podcast I've ever felt the way that I'm holding those friends You are acting like you are I feel like I'm in a few times and you're interviewing Kamala Harris Honestly, your whole vibe is giving that right now and mine too
• 9:38
  [SPEAKER_01]: Well, I mean, we are both in sweat here.
• 9:41
  [SPEAKER_01]: We are both in sweat.
• 9:42
  [SPEAKER_01]: So that is kind of getting the unwell vibe, but and I'm speaking I'm a presidential wife.
• 9:47
  [SPEAKER_00]: I usually do a few guys could picture how ethereal Elixx who always looks just that's how we look.
• 9:52
  [SPEAKER_00]: That's how we look.
• 9:53
  [SPEAKER_00]: I don't look like I haven't shot me today.
• 9:54
  [SPEAKER_01]: I might have been a bit more of a goal and she has sometimes better.
• 9:58
  [SPEAKER_00]: She's been she did.
• 9:59
  [SPEAKER_00]: We were trying to do that.
• 10:00
  [SPEAKER_01]: Yeah, she's just that damn.
• 10:01
  [SPEAKER_01]: I'm not stressed.
• 10:01
  [SPEAKER_01]: You're very good.
• 10:02
  [SPEAKER_01]: I feel comfy.
• 10:03
  [SPEAKER_01]: Thank you to the face mask.
• 10:04
  [SPEAKER_01]: Just kidding.
• 10:05
  [SPEAKER_01]: I didn't, but I need to.
• 10:06
  [SPEAKER_00]: Arya, though, even though she's so stressed, she still has it in her two kind of just be a bitch because the cop is like helping her and she's like, it's okay.
• 10:15
  [SPEAKER_00]: My friends like literally right here are going to help.
• 10:17
  [SPEAKER_00]: And he played cool a little bit.
• 10:19
  [SPEAKER_00]: Arya.
• 10:19
  [SPEAKER_00]: He's like, no, it's okay.
• 10:20
  [SPEAKER_00]: Like, let's save them a trip.
• 10:21
  [SPEAKER_00]: I can do it.
• 10:22
  [SPEAKER_00]: It's my jaw.
• 10:23
  [SPEAKER_00]: The cop look.
• 10:23
  [SPEAKER_00]: It's like suspicious of her.
• 10:25
  [SPEAKER_00]: he did, but I know he wasn't, but I'm just saying what I'm getting to is that he says it's not just getting cats out of trees.
• 10:33
  [SPEAKER_00]: And all right, he goes, that's a fire fireman.
• 10:35
  [SPEAKER_01]: Okay, and now I'm opening your trunk and whatever's in here.
• 10:38
  [SPEAKER_01]: I don't care what it is you're on the hook for and you're going to drill.
• 10:41
  [SPEAKER_01]: And I don't care if I just find a tire in here.
• 10:42
  [SPEAKER_01]: I'm just throwing out a way to incriminate.
• 10:44
  [SPEAKER_01]: It's still it.
• 10:44
  [SPEAKER_01]: It's actually so long vehicle now.
• 10:45
  [SPEAKER_01]: Yeah, that's a so long vehicle.
• 10:47
  [SPEAKER_01]: It's actually illegal to be standing outside of the road.
• 10:49
  [SPEAKER_01]: So, design never, it's dark against you them.
• 10:52
  [SPEAKER_01]: Anyway, so yeah, so Arya is like coming up with a story as fast as she can, trying to get the couple away from her, he starts trying to shake the trunk loose.
• 11:01
  [SPEAKER_01]: I mean, I, at this point, I was shocked she didn't like pull out a weapon and hit him over the hat or something like and just add two bodies, so she was just going to be the killer.
• 11:08
  [SPEAKER_01]: The trunk opens up.
• 11:10
  [SPEAKER_01]: But like, not all the way.
• 11:12
  [SPEAKER_00]: She's so lucky.
• 11:12
  [SPEAKER_01]: She's like, one of those other crimes.
• 11:14
  [SPEAKER_01]: Oh, my God, she is so lucky.
• 11:15
  [SPEAKER_00]: She's also lucky that she drives this freaking sedan.
• 11:17
  [SPEAKER_00]: I know.
• 11:18
  [SPEAKER_00]: And not an SUV, though.
• 11:18
  [SPEAKER_00]: Exactly.
• 11:19
  [SPEAKER_00]: Well, she wouldn't have dropped the keys in there.
• 11:20
  [SPEAKER_01]: No, she would never drive an SUV.
• 11:22
  [SPEAKER_01]: Hello, gas-gozzler.
• 11:23
  [SPEAKER_01]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
• 11:36
  [SPEAKER_01]: I think it was almost a media.
• 11:38
  [SPEAKER_00]: I think it was, as soon as they bought a car as a family, they bought the model S. Yeah, no, for sure.
• 11:42
  [SPEAKER_01]: And so now, but what ever name is, has a cyber truck?
• 11:46
  [SPEAKER_00]: Yes, but now, Arya and Ezra have the sticker on the back of their car that says we bought this before, yeah, yeah.
• 11:53
  [SPEAKER_00]: We bought this before, FAFSA.
• 11:54
  [SPEAKER_00]: Arya will not drive it.
• 11:55
  [SPEAKER_01]: She's like, I will not be seen in this.
• 11:56
  [SPEAKER_01]: I already have a target on my back.
• 11:58
  [SPEAKER_01]: I will not be seen in this.
• 11:59
  [SPEAKER_01]: Arya's like, hey, hey.
• 12:00
  [SPEAKER_01]: Don't call me that.
• 12:02
  [SPEAKER_01]: Yeah, exactly.
• 12:03
  [SPEAKER_01]: Okay.
• 12:05
  [SPEAKER_01]: So then everything's good, I guess.
• 12:06
  [SPEAKER_01]: She gets her keys out of the car and turns around to take some kind of call and she's able to get it out.
• 12:12
  [SPEAKER_01]: I'm like, it's probably the call being like, hey, we need to arrest these girls.
• 12:15
  [SPEAKER_01]: So Caleb is talking to all the girls.
• 12:17
  [SPEAKER_01]: Are we at the dealer into Stungeon?
• 12:18
  [SPEAKER_01]: We're in the barn.
• 12:19
  [SPEAKER_01]: We're in the barn.
• 12:19
  [SPEAKER_01]: Okay, he's telling all the girls that Moana definitely has the game.
• 12:23
  [SPEAKER_01]: And just again, sweet Hannah, she's so bummed, she's like, come on, Mona, like, she's given Mona so many chances.
• 12:29
  [SPEAKER_01]: And she's gotten the girls to give her so many chances.
• 12:32
  [SPEAKER_01]: And it's just like, imagine at the end of the day, like, having to be wrong.
• 12:36
  [SPEAKER_00]: I know she's not, but like, teacher who vouches for her student to the other teacher.
• 12:40
  [SPEAKER_00]: Yes.
• 12:40
  [SPEAKER_00]: And they're like, I promise.
• 12:41
  [SPEAKER_01]: Yeah, if they just apply themselves and then the student fucks it up and teachers like okay I've never pretty mice and then you can get another another another chance Yes, and then you fuck that one.
• 12:50
  [SPEAKER_01]: Yeah, it just is constant and the girls are so ready to like jump down Hannah's throat any way that I just hate it for.
• 12:55
  [SPEAKER_01]: Do you think this was Alex?
• 12:57
  [SPEAKER_00]: What in this episode and I pretty much just assume anything from here on I feel like I haven't seen Sponsor in weeks because There were a couple weird things like with Caleb where I thought maybe it was her and then also
• 13:08
  [SPEAKER_00]: In this scene when she's like, well, it's just good.
• 13:11
  [SPEAKER_00]: It's good.
• 13:12
  [SPEAKER_00]: You guys did not barge in there and confront her about it.
• 13:15
  [SPEAKER_00]: We just need to go straight to the point.
• 13:16
  [SPEAKER_00]: Exactly.
• 13:16
  [SPEAKER_01]: Because we're at this part right now where they're like, okay, we need to go to the cops.
• 13:21
  [SPEAKER_01]: We believe that Mona is AD and Spencer's like, well, we need Mona before we can go.
• 13:25
  [SPEAKER_01]: And Ali is like, why?
• 13:26
  [SPEAKER_01]: And this is the first kind of moment that I was tipped off that like, I still think it's Alex.
• 13:30
  [SPEAKER_01]: And she's like, well, because then Mona can like,
• 13:33
  [SPEAKER_01]: Tell them that, yes, it was her and like it's all fine, but it just seems like a moment where she's kind of stalling going to the cops for some reason.
• 13:39
  [SPEAKER_01]: And I don't know.
• 13:41
  [SPEAKER_01]: And then there are moments later where she says a few things to Kayla that I'm like, I don't feel like Spencer would say that in this moment, but we'll get to that.
• 13:48
  [SPEAKER_01]: So Caleb and Hannah are going to go talk to Mona.
• 13:50
  [SPEAKER_01]: Hannah's like, I'm going to go talk to her and Caleb's like, not alone, you aren't wifey.
• 13:53
  [SPEAKER_01]: They're so funny, Clyde has been wifey this episode.
• 13:56
  [SPEAKER_00]: I love this getting the sense that if this is Alex, I'm going to do not walk into the fact that Spencer and Spencer and Caleb are over.
• 14:02
  [SPEAKER_00]: Because Spencer like, made a look to over to.
• 14:06
  [SPEAKER_00]: Hannah and Caleb that was like if it was Spencer, it almost looked like jealousy.
• 14:12
  [SPEAKER_01]: Oh, well, and then she sees I wonder if it's just like they have a weird air about them this episode that if they feel very like a package deal and they have, but
• 14:22
  [SPEAKER_01]: It feels more like it's almost like that almost when you're wearing blooded bliss kind of thing where it's like we just got married we're on a high from like literally like six hours ago we got married and we're on a high from it and now you're not doing anything without me like and also because they can't testify each others against each other so if they go together that's safer than like it being yeah a different way I guess but um as your can't get in touch with Ariad he's fucking mad at the launcher to kill guys
• 14:45
  [SPEAKER_01]: She's kicked her out of the freaking group.
• 14:47
  [SPEAKER_01]: And kicked out of the group now.
• 14:48
  [SPEAKER_01]: I can't get in touch with her.
• 14:49
  [SPEAKER_01]: She's my wifey, too.
• 14:50
  [SPEAKER_01]: I know you're on the one with a wifey Caleb.
• 14:53
  [SPEAKER_00]: Wait, what did I just spill the beans before that those Spencer saw in the doorway a line bottle with a note and she like wants everybody out of their ace out because she's like Mary kind of bold.
• 15:05
  [SPEAKER_00]: She's feeding and Ezra says the only edge that y'all had over 80 was that you could forgive each other.
• 15:11
  [SPEAKER_00]: And here's what I want to say.
• 15:13
  [SPEAKER_00]: Of course, that's what Ezra thinks is the only thing that this friend group has over 80 because it's the only thing that exclusively has benefited area
• 15:22
  [SPEAKER_00]: every time the forgiveness typically ends up going mainly to one person.
• 15:27
  [SPEAKER_00]: Yeah, and that's area.
• 15:29
  [SPEAKER_00]: So the well but the one time
• 15:33
  [SPEAKER_00]: they aren't willing to quickly forgive Arya.
• 15:36
  [SPEAKER_00]: It's the biggest fucking problem in the world.
• 15:39
  [SPEAKER_01]: Yes, but also I'm like, I do feel like, if we wanna pull it out a lot of times, they've really forgiven each other.
• 15:46
  [SPEAKER_01]: Like, you know, the moment with the museum ticket where Arya had to forgive me, I'm taking a way back where Arya had to forgive Hannah or the moment where we get
• 15:56
  [SPEAKER_01]: And I need you to forgive Arya because Arya snapped at her about weird Zach or whatever his name was or we have them needing to forgive Allison for fucking everything or Mona for everything or or Z, you know, so I do feel like he's like that's been your superpower and now you don't have it, but it's also like okay, but if
• 16:15
  [SPEAKER_01]: Are you as the one do you and also as a you don't have all the information to think that that's the only thing they have over 80 is is what's weird because it's like They forgive and everyone is billion times.
• 16:25
  [SPEAKER_00]: Yeah, they've had this is you're not is there's been a bigger issue Applay and it's been like well when you're not taking a second to step back and say well what this is different right right and it's just like a stupid mistake.
• 16:35
  [SPEAKER_00]: Yeah
• 16:36
  [SPEAKER_01]: I feel like this episode we see so much loyalty from like the partners.
• 16:38
  [SPEAKER_01]: We see so much of them like being like it's too real now, stop it, and whatever.
• 16:43
  [SPEAKER_01]: So, Aria is driving.
• 16:45
  [SPEAKER_01]: They're going to go find Aria.
• 16:47
  [SPEAKER_01]: And as you're like, sorry, as just storms out, Caleb follows him.
• 16:51
  [SPEAKER_01]: And as was like, I'm sorry that I included you in all that.
• 16:54
  [SPEAKER_01]: Like, I don't include you.
• 16:55
  [SPEAKER_00]: And he's like, well, you probably should have.
• 16:56
  [SPEAKER_00]: And they can't get in touch with Toby.
• 16:58
  [SPEAKER_00]: And then they're going to go look for Aria and Caleb.
• 17:00
  [SPEAKER_00]: But first I was like, what the fuck are you asking?
• 17:02
  [SPEAKER_00]: Caleb was like, does Aria have an extra set of keys?
• 17:06
  [SPEAKER_00]: I wish her car is with her, so I don't know.
• 17:08
  [SPEAKER_00]: Yeah, why let's ask him that.
• 17:09
  [SPEAKER_00]: Apparently, and this is one of those things where I'm like, did you guys just make up something technology can do?
• 17:14
  [SPEAKER_00]: Cause I don't believe that this is possible.
• 17:16
  [SPEAKER_00]: You can use the transmitter and the keys to find the car.
• 17:22
  [SPEAKER_00]: Okay, which I guess makes sense with the honking, but I'm like, if the car is on and driving, are you just gonna walk around?
• 17:27
  [SPEAKER_00]: Like, I mean, I got, well, give you their bluestr or finger or something.
• 17:32
  [SPEAKER_01]: There's probably some other people going on for it, but I hope it always is.
• 17:36
  [SPEAKER_01]: So Arya is driving and she's talking to the corpse in her backseat and she's telling it to be quiet because it's rumbling around back there and she's like, you know what?
• 17:44
  [SPEAKER_01]: I should have just let the police find you.
• 17:46
  [SPEAKER_01]: Actually, maybe I should just go to the police, turn myself and tell them I killed you and now I'll fix things with my friends.
• 17:50
  [SPEAKER_01]: This is a great moment for Arya.
• 17:52
  [SPEAKER_00]: I agree.
• 17:52
  [SPEAKER_01]: Where she, like, I can't believe it's really her.
• 17:56
  [SPEAKER_01]: her, but also the first time she's having a moment where she's like, how do I actually fix this so I couldn't.
• 18:01
  [SPEAKER_01]: But and she's not thinking about how her friends are so unfair.
• 18:04
  [SPEAKER_01]: No, she's really like she and she seems good with that.
• 18:07
  [SPEAKER_01]: I think I just always view it through this lens of like yeah, but you're still thinking of being easier for me because last episode she decided I'd rather be in jail where I can't be contacted by A ever again.
• 18:16
  [SPEAKER_01]: Like actually jail sounds like a fucking vacation.
• 18:18
  [SPEAKER_01]: So I'm like maybe she's romanticized at her moment.
• 18:20
  [SPEAKER_01]: Maybe I need to get her more credit.
• 18:22
  [SPEAKER_01]: Okay.
• 18:22
  [SPEAKER_01]: Okay, I can admit it, maybe I do.
• 18:24
  [SPEAKER_00]: Yes, the scene is kind of reminding me, I don't know if it was intentional, but it's kind of reminding me of the scenes in Psycho where the main girl is just driving around and she's so paranoid.
• 18:32
  [SPEAKER_01]: Yeah, I actually thought the same thing.
• 18:34
  [SPEAKER_00]: Knowing this show, it probably was meant to kind of be like that.
• 18:37
  [SPEAKER_00]: Almost definitely.
• 18:39
  [SPEAKER_00]: Um, that's what it reminded me of, so then we go to Mona, Mona goes inside and she hears a bunch of stuff and then she goes to take the cover over the game and it's missing.
• 18:50
  [SPEAKER_00]: It's completely gone and she almost, it's like, this is a terrible comparison, but this is like kind of how she acts.
• 18:58
  [SPEAKER_00]: You know, you know, that scene in cyber bully with Emily Osman.
• 19:01
  [SPEAKER_00]: I actually don't think I've ever seen cyber bully.
• 19:03
  [SPEAKER_00]: No need to watch it.
• 19:04
  [SPEAKER_01]: Oh, okay, usually you're like, what?
• 19:06
  [SPEAKER_01]: No, because this one's like actually like you're like, can't I mean, you know you lived it?
• 19:11
  [SPEAKER_00]: No, no actually no, he's not really insensitive.
• 19:14
  [SPEAKER_00]: There's this scene where Emily Osmond is about to
• 19:19
  [SPEAKER_00]: Okay, and she is like she can't get her friend Kay Panna Baker is somewhere figuring out that she's just upload a video online telling everybody what she's going to do and so Kay Panna Baker smart friend even though she's being a bad friend before and that's kind of old all this year and she but Emily awesome is also being a bad friend.
• 19:40
  [SPEAKER_00]: All that's what this movie's all about.
• 19:42
  [SPEAKER_00]: Teen Relay Mean Events.
• 19:43
  [SPEAKER_00]: And so, Cape Hannah Baker, Genius, Calls the ambulance, the ambulance gets their own.
• 19:48
  [SPEAKER_00]: She gets their shoe runs up to the bathroom.
• 19:50
  [SPEAKER_00]: Emily Osmond cannot get the pill cap off.
• 19:53
  [SPEAKER_00]: Oh, my gosh.
• 19:54
  [SPEAKER_00]: And so, Cape Hannah Baker is trying to wrestle it out of her hands.
• 19:58
  [SPEAKER_00]: And the thing like explodes and the pills go everywhere.
• 20:03
  [SPEAKER_00]: And Emily Osmond, like,
• 20:05
  [SPEAKER_00]: Panics she screams so loud.
• 20:09
  [SPEAKER_00]: I mean honestly Emmy worthy.
• 20:10
  [SPEAKER_00]: Oh, she's like happy it was a film So Oscar she's happy, but it was like a TV film anywhere so I'm so Oscar She's good and glow.
• 20:18
  [SPEAKER_00]: Okay, she's having like this crazy reaction She's so pissed and that is how Mona kind of I think her brain probably felt when she would she opened the little container She saw that
• 20:29
  [SPEAKER_00]: her her drugs.
• 20:31
  [SPEAKER_00]: So I wasn't there and she was late.
• 20:33
  [SPEAKER_01]: And now she and now she is an errand.
• 20:36
  [SPEAKER_01]: Yeah, the notes as time for pie be there.
• 20:38
  [SPEAKER_01]: She's like, I'm not hungry.
• 20:39
  [SPEAKER_01]: Anyway, so Hannah and Caleb are coming to check on Mona just as she's leaving her apartment, but they were sneaky.
• 20:44
  [SPEAKER_01]: They hit in the stairwell.
• 20:46
  [SPEAKER_01]: Hannah was sneaky.
• 20:47
  [SPEAKER_01]: They'll be down to like actually face all the way in the hall.
• 20:52
  [SPEAKER_00]: Why do you stop me?
• 20:53
  [SPEAKER_00]: And Hannah says, because now we can follow where you're headed.
• 20:56
  [SPEAKER_01]: Hannah's like, actually, can you stay in here?
• 20:57
  [SPEAKER_01]: You're bothering me.
• 20:59
  [SPEAKER_01]: So Hannah wants to find out where Mona is going.
• 21:01
  [SPEAKER_01]: Why all of this is happening?
• 21:03
  [SPEAKER_01]: Obviously we saw that Spencer got the note from Mary Drake in the wine bottle.
• 21:07
  [SPEAKER_01]: And Spencer goes to meet up with her at the Lost Woods Resort.
• 21:11
  [SPEAKER_01]: And Mary has a going away gift for Spencer, and she's like, Andy and Ali, so there's just like, well, I don't have anything for you.
• 21:17
  [SPEAKER_01]: And it kind of sounds like she's going to make Spencer go away, but Mary's going away.
• 21:22
  [SPEAKER_01]: She doesn't say where she's going, but she's like, I have left you and Allison.
• 21:26
  [SPEAKER_01]: The D to the Lost was resort.
• 21:28
  [SPEAKER_01]: It's in your name, and Allison's name, and it is my way of helping with the lawyers fees that you are definitely going to fucking need.
• 21:35
  [SPEAKER_01]: And it's not enough because I owe you an entire life.
• 21:37
  [SPEAKER_01]: It's a great honestly great episode for Mary Drake.
• 21:39
  [SPEAKER_00]: I kind of hope this is like the end of her story, and it can end on this note, even now I know so she killed justi, but like whatever, I kind of wonder if if this is Alex, like if this will create some kind of vendetta that Alex will then have for Mary Drake.
• 21:56
  [SPEAKER_01]: Well, my thing is like, I don't know the relationship between Alex Drake and Mary Drake, really.
• 22:01
  [SPEAKER_00]: Right.
• 22:01
  [SPEAKER_00]: But that's what I'm saying.
• 22:02
  [SPEAKER_00]: It's like, if Alex knows that Mary's her mom, too, like it's Spencer.
• 22:07
  [SPEAKER_00]: She's in Mary's, Alex is having this vantage point of like, I'm Spencer.
• 22:11
  [SPEAKER_00]: And I'm seeing everything that Mary's willing to do for Spencer.
• 22:14
  [SPEAKER_00]: Yeah.
• 22:14
  [SPEAKER_00]: And she never even like came to like,
• 22:18
  [SPEAKER_01]: I was like maybe Mary didn't know she had twins.
• 22:19
  [SPEAKER_01]: Well, I think you pretty much know that.
• 22:21
  [SPEAKER_01]: I guess Again, these are the things we'll have to discuss once I've seen the finale, which is why you have to keep listening once we finish because there will be so much to discuss But like yeah, I wonder because there is just this face on on Spencer or Alex's face.
• 22:35
  [SPEAKER_01]: It's just like
• 22:36
  [SPEAKER_01]: I can't really read it.
• 22:37
  [SPEAKER_01]: I can't really tell what it's almost giving, you know, I just saw I clip the other day of, um, it's from American Psycho, and it's the lunch scene between well-embed foe and Patrick Bateman, where they had well-embed foe, like film at three different ways, have you seen this?
• 22:52
  [SPEAKER_01]: And they have them do it one way, as though he's guilty, one way is always innocent and one way is though he's unsure, so that there would, it would look like Patrick Bateman, like, could not.
• 22:59
  [SPEAKER_01]: read him and it's a gene like I was watching and trying to figure out what you're going to watch the movie.
• 23:03
  [SPEAKER_00]: I'm going to watch the movie again.
• 23:04
  [SPEAKER_00]: It's so good.
• 23:05
  [SPEAKER_00]: It's so genious.
• 23:07
  [SPEAKER_01]: But I almost feel like.
• 23:09
  [SPEAKER_01]: That's what we've got with Alex Drake.
• 23:10
  [SPEAKER_01]: Sush Spencer here.
• 23:11
  [SPEAKER_01]: Like I cannot get a review on what she knows how she feels about anything.
• 23:15
  [SPEAKER_00]: I'm sorry.
• 23:15
  [SPEAKER_00]: If I ever get into a position where I can start to do this kind of thing, this kind of thing.
• 23:18
  [SPEAKER_00]: I don't project it for you, but okay.
• 23:20
  [SPEAKER_00]: No, no, no, no, no, no.
• 23:21
  [SPEAKER_00]: You haven't heard what I've said yet.
• 23:22
  [SPEAKER_00]: And you're still going to be like, this isn't something anybody's ever going to be able to do?
• 23:30
  [SPEAKER_01]: Okay, I'm in I'm in thanks for the invite.
• 23:32
  [SPEAKER_00]: I went a retro active Emmy category for a pretty low-rise only not even just that I just be the but my first nomination in winner is train both.
• 23:41
  [SPEAKER_00]: Sorry.
• 23:41
  [SPEAKER_00]: It's yeah one of those awards that it's like there aren't a big list of nominees.
• 23:47
  [SPEAKER_00]: It's like this is our honorary for the retro active Emmy award this year and it's
• 23:51
  [SPEAKER_01]: first and foremost awarded to train balls are yeah and everyone's like well of course and everyone on the audience is like oh dog everyone's like booye and like subs are head honestly we could probably get the send to the culture awards if we got to know to that in Bowen I bet they would hear us out and you know what I just want to know if they've watched pretty little layers because you know I don't know if Bowen would be sold but
• 24:10
  [SPEAKER_01]: not be so far the way Matt not a tornado Nashville or Pittsburgh is kind of crazy.
• 24:16
  [SPEAKER_01]: Well, I would have been there.
• 24:17
  [SPEAKER_01]: I would have been there in that's why it's crazy, but otherwise I understand.
• 24:21
  [SPEAKER_01]: Well, I don't.
• 24:22
  [SPEAKER_01]: Okay, so moving right along.
• 24:25
  [SPEAKER_01]: Spencer, whatever, gets to find a job that she's going to get the D tomorrow.
• 24:29
  [SPEAKER_01]: We are now at the dealer and does Dungeon with MSN, and the cops keep circling the house and the girls are like on edge, of course.
• 24:36
  [SPEAKER_01]: Alley thinks they should be looking for Arya, but Emily's like, no, Alley, you are safer here.
• 24:40
  [SPEAKER_01]: We're keeping you here.
• 24:41
  [SPEAKER_01]: And Alley asks some, I think, pretty reasonable questions like, hey, what's going to happen to the baby if we are arrested as it looks like we're going to be.
• 24:48
  [SPEAKER_01]: And Emily's like, Alley, that's crazy.
• 24:50
  [SPEAKER_01]: Like, we will be totally fine.
• 24:51
  [SPEAKER_01]: Emily seems delusional, but she says,
• 24:54
  [SPEAKER_01]: It took me so long to finally get here with you.
• 24:56
  [SPEAKER_01]: I didn't come all this way to lose everything now.
• 24:58
  [SPEAKER_01]: I promise you, I won't let them hurt you.
• 25:01
  [SPEAKER_01]: Not a gas leak.
• 25:02
  [SPEAKER_00]: I'm going to fall on gas leak in the house.
• 25:05
  [SPEAKER_00]: Emily does what Emily does best.
• 25:06
  [SPEAKER_00]: Here, which is made promises that she's never been able to do.
• 25:08
  [SPEAKER_00]: She's never going to keep.
• 25:08
  [SPEAKER_00]: Emily ever heard of over promising under delivering.
• 25:10
  [SPEAKER_01]: It's like your whole thing.
• 25:12
  [SPEAKER_01]: And you've got to stop.
• 25:13
  [SPEAKER_01]: I'm sorry.
• 25:14
  [SPEAKER_01]: I'm sorry, Sunmi.
• 25:15
  [SPEAKER_01]: Sunmi, I want to be warm.
• 25:17
  [SPEAKER_00]: Sunmi, I want to be.
• 25:18
  [SPEAKER_00]: Yeah.
• 25:20
  [SPEAKER_01]: I love I love that.
• 25:21
  [SPEAKER_00]: I was a love that's like that's been adopted by Ryan.
• 25:24
  [SPEAKER_00]: I ride they do it all the time I know well, and they also do and they also do Morning, I'm running.
• 25:29
  [SPEAKER_01]: I tried to explain to you that a time I think a week before they started putting it on their episodes Wow, it's hysterical when they do what I guess well everything I do is hysterical to me Yes, I love all the little tailors they put in all like honestly ride the pod and the pretty little pod Not that different Taylor to the same thing
• 25:47
  [SPEAKER_01]: Really?
• 25:47
  [SPEAKER_01]: Thank you.
• 25:49
  [SPEAKER_01]: When we look for pods that we're like, who do we want to emulate?
• 25:51
  [SPEAKER_01]: It's really changed in the past year, who we have at the top of that list, and like, right is up there.
• 25:57
  [SPEAKER_00]: I know it's a different vibe, but I know we're on the two, whether it's time show, but like, the two we met after time.
• 26:02
  [SPEAKER_00]: The two others have like, kind of don't know for me.
• 26:05
  [SPEAKER_00]: I mean, they're the same.
• 26:06
  [SPEAKER_00]: It's, it's Seek Treatment, lost coach.
• 26:08
  [SPEAKER_00]: Right.
• 26:09
  [SPEAKER_01]: For a while, also pop of politics, but like, now I feel like we're on two different paths.
• 26:14
  [SPEAKER_01]: Certainly, certainly two different colors.
• 26:15
  [SPEAKER_01]: We're having different colored glasses.
• 26:17
  [SPEAKER_01]: Yes, for sure, even outfits, even dots on her licensees or something.
• 26:22
  [SPEAKER_01]: Wait, what?
• 26:24
  [SPEAKER_01]: What?
• 26:25
  [SPEAKER_01]: They would definitely wear a wearing right now.
• 26:27
  [SPEAKER_01]: We're like, never mind.
• 26:28
  [SPEAKER_01]: Okay, so I'm just going to keep going on this.
• 26:30
  [SPEAKER_01]: So anyway, there is literally a gas leak happening in the house.
• 26:34
  [SPEAKER_01]: Just as Emily says I'm going to keep you safe and it's like, hey, I'm this is what I was talking about.
• 26:37
  [SPEAKER_01]: When I said the over-promising under delivering this is kind of what I always should, this is just such a terrible joke.
• 26:41
  [SPEAKER_01]: Oh, great.
• 26:43
  [SPEAKER_01]: Um, so Ari is outside the police station gathering her statement.
• 26:46
  [SPEAKER_01]: You know, she's like this has to be perfect.
• 26:48
  [SPEAKER_01]: Send him out.
• 26:48
  [SPEAKER_01]: She's like writing it in her head.
• 26:50
  [SPEAKER_01]: She's waiting to go in.
• 26:51
  [SPEAKER_01]: She gets fucking attacked by Azra.
• 26:54
  [SPEAKER_01]: I was like, what are you doing?
• 26:56
  [SPEAKER_01]: And Arias is going to turn myself in.
• 26:59
  [SPEAKER_01]: And Ezra has some really funny lines as episode.
• 27:01
  [SPEAKER_01]: You also have some lines that he definitely thinks are really funny.
• 27:04
  [SPEAKER_01]: It's the line.
• 27:05
  [SPEAKER_00]: The way he has been waiting since we started for you to hear.
• 27:08
  [SPEAKER_01]: The, yeah, well, I don't want to say it yet because we're not there, but like, yeah, believe me.
• 27:12
  [SPEAKER_01]: It made an impact.
• 27:13
  [SPEAKER_01]: I can hear her.
• 27:15
  [SPEAKER_01]: Just keep talking.
• 27:15
  [SPEAKER_01]: This is way better than it would be in their FYI.
• 27:18
  [SPEAKER_01]: Um, so yeah, you know, she can't come and lock the door.
• 27:21
  [SPEAKER_01]: I didn't know what you meant at first.
• 27:23
  [SPEAKER_01]: Okay, so oh my god, you've had a move like We know mom's gonna try to get in here.
• 27:28
  [SPEAKER_01]: That's why Phoebe's locking the doors The only rule now is we can lock the doors My famous famously we know because Phoebe's to do our dance parties on here.
• 27:38
  [SPEAKER_01]: No, let's go have to watch okay, so
• 27:42
  [SPEAKER_01]: As she's like, oh, sorry, as her says, I'm not interested in you making more sacrifices for your friends.
• 27:47
  [SPEAKER_01]: You have an ally by like, why would you do this?
• 27:49
  [SPEAKER_01]: And she says, well, his body's in my trunk, so I won't.
• 27:51
  [SPEAKER_00]: I wouldn't have.
• 27:52
  [SPEAKER_00]: I wouldn't have.
• 27:52
  [SPEAKER_00]: I wouldn't have.
• 27:53
  [SPEAKER_00]: I wouldn't have.
• 27:53
  [SPEAKER_00]: I wouldn't have.
• 27:53
  [SPEAKER_00]: I wouldn't have.
• 27:54
  [SPEAKER_00]: I wouldn't have.
• 27:54
  [SPEAKER_00]: Of sacrifices.
• 27:55
  [SPEAKER_00]: I wouldn't have made for these girls.
• 27:57
  [SPEAKER_01]: No, I would love to know.
• 27:59
  [SPEAKER_01]: So next, Caleb and Mona, or Caleb and Hannah are watching Mona.
• 28:02
  [SPEAKER_01]: She's in the diner.
• 28:03
  [SPEAKER_01]: She's got her pie.
• 28:04
  [SPEAKER_01]: She's waiting for the lover.
• 28:05
  [SPEAKER_01]: She's meeting.
• 28:06
  [SPEAKER_00]: When, um, he,
• 28:09
  [SPEAKER_01]: when when she says when he says you have an alibi and she says do i there's a freaking body in my trouncy she's like and then it's like you know everything it's real it's honestly such this is such a man while I'm looking anyway rock music sure and then rock yeah it's giving it's giving it's giving hunting why this is giving hunting that's why my mom's gonna put a gun and try to get in here
• 28:39
  [SPEAKER_01]: It's getting out of the impossible.
• 28:40
  [SPEAKER_01]: We don't have guns.
• 28:40
  [SPEAKER_01]: It's giving hunting money.
• 28:42
  [SPEAKER_01]: Oh, oh, oh, oh.
• 28:43
  [SPEAKER_01]: Mom is pounding on the door mom.
• 28:45
  [SPEAKER_01]: We have to get this done.
• 28:46
  [SPEAKER_01]: We did lock you out on purpose.
• 28:48
  [SPEAKER_01]: What?
• 28:53
  [SPEAKER_01]: Mom said she's mortified that anything about us would be giving hunting wives and honestly, I got it.
• 29:00
  [SPEAKER_01]: Yep.
• 29:06
  [SPEAKER_01]: Because we locked ourselves in the play room.
• 29:10
  [SPEAKER_01]: Hunting vives No, why would you need a cocktail protective?
• 29:16
  [SPEAKER_01]: Do you think we're hey?
• 29:18
  [SPEAKER_00]: We're the age 22.
• 29:18
  [SPEAKER_00]: I'm a right 30 years old.
• 29:19
  [SPEAKER_01]: So there's not much
• 29:28
  [SPEAKER_00]: We do have a conversation.
• 29:31
  [SPEAKER_01]: She's like, maybe because I can't hear you because you locked me out.
• 29:33
  [SPEAKER_01]: If I was in the room, she's purposely confusing.
• 29:36
  [SPEAKER_01]: If I was in the room, we could actually have a conversation.
• 29:39
  [SPEAKER_00]: The reason this has given me no ending, right?
• 29:40
  [SPEAKER_00]: It's because not this situation, the show that we're talking about.
• 29:45
  [SPEAKER_00]: as Hannah and Caleb are watching this the bluesy music that started to play when she said the thing about the body being the trunk and it switches over to the scene and then we're watching this it like gives us like this little like what's that called when when a camera's on a doll and it's going up it pans over this like the two crows diner of course little dive yeah and it's been here before right many times yes it's giving when in hunting mice when they go to jose
• 30:14
  [SPEAKER_00]: Ah, yes, this is the kind of music that would be playing.
• 30:16
  [SPEAKER_01]: The whole thing, good point.
• 30:17
  [SPEAKER_01]: So true.
• 30:19
  [SPEAKER_01]: So they're waiting, they're watching.
• 30:21
  [SPEAKER_01]: And this is a moment I was like, as a salix, because Spencer shows up.
• 30:23
  [SPEAKER_01]: And I was like, well, Spencer is supposed to show up.
• 30:25
  [SPEAKER_01]: Did she show up here to meet Mona?
• 30:27
  [SPEAKER_01]: And like, you know what I mean?
• 30:29
  [SPEAKER_01]: And like, I was like, and now she's just playing it cool, because originally it was just, and I'm also like, how does Spencer even know they're here?
• 30:35
  [SPEAKER_01]: Like, because they decided to come here after being at Mona's apartment by themselves.
• 30:39
  [SPEAKER_00]: And she's only holds up the note later.
• 30:40
  [SPEAKER_00]: Yeah.
• 30:41
  [SPEAKER_01]: So I don't know, just something I thought of, but Spencer shows up and she's like, uh, well, if we go in, like we're not going to figure out who she was supposed to meet.
• 30:47
  [SPEAKER_01]: So I feel like she just wants to sit there and wait and see and 80 knows that nobody will ever come Hannibal is known as here to meet CC, which was a bizarre line to me.
• 30:56
  [SPEAKER_01]: She goes, she's here to meet Charlotte.
• 30:58
  [SPEAKER_01]: What?
• 30:59
  [SPEAKER_01]: No, she was saying she came here to meet Charlotte.
• 31:02
  [SPEAKER_01]: Oh, before the night.
• 31:03
  [SPEAKER_00]: Because remember when Mona called from to cross.
• 31:05
  [SPEAKER_01]: Yes.
• 31:06
  [SPEAKER_01]: Okay.
• 31:06
  [SPEAKER_01]: Now I got it.
• 31:07
  [SPEAKER_01]: Hannah, of course, our girl, heart of gold still believes Mona can be innocent at which point Spencer pulls her aside.
• 31:13
  [SPEAKER_01]: She's like, look, I talked to Mary.
• 31:15
  [SPEAKER_01]: She left the motel.
• 31:16
  [SPEAKER_01]: She thinks we're gonna have lair fees.
• 31:17
  [SPEAKER_01]: Like, we need to get Mona while we can.
• 31:19
  [SPEAKER_01]: They turn around before this we all live in a party in Slip though.
• 31:22
  [SPEAKER_01]: We do.
• 31:22
  [SPEAKER_00]: Because Spencer says, you guys were arguing like married people.
• 31:26
  [SPEAKER_01]: And they look at each other and Caleb's like, Hellia.
• 31:28
  [SPEAKER_01]: Caleb was like that was totally the goal of his trying to act like I was like and he wasn't going to know as reacting married as fog.
• 31:34
  [SPEAKER_01]: Is that anyone going to look up on anyone and he was like kind of pissed about yeah exactly he was like what we're supposed to get married first anyhow um so Caleb has gone inside to meet Mona and we see him walk in through the window and this is hilarious he like walks up to the table with Mona he's like how's the pie she says she's not hungry he's like okay grabs it starts eating it then he's like so she looks by the way
• 31:55
  [SPEAKER_01]: She was like, okay, did you not read Emily post out of get book?
• 31:59
  [SPEAKER_01]: It's like a big thing in the show.
• 32:01
  [SPEAKER_01]: So anyway, he takes a bite of her pies like so who are you waiting for?
• 32:03
  [SPEAKER_01]: And he says, you and I are going to walk out of here.
• 32:05
  [SPEAKER_01]: We're going to go to the police.
• 32:06
  [SPEAKER_01]: But first, we're going to go pick up the game at your house.
• 32:09
  [SPEAKER_01]: And she says, and she starts, I don't know.
• 32:11
  [SPEAKER_00]: This is, this is giving like someone just said, we're going to go get the drugs that you've been taking.
• 32:16
  [SPEAKER_00]: Yeah, we're going to flush down the toilet.
• 32:18
  [SPEAKER_00]: And she's like,
• 32:19
  [SPEAKER_00]: She's like, uh, and I really wish we could even go find them.
• 32:22
  [SPEAKER_00]: I know, but she, it's gone and everyone's stealing the game from me.
• 32:25
  [SPEAKER_00]: Someone's always stealing the game from me.
• 32:27
  [SPEAKER_00]: She's freaking out.
• 32:28
  [SPEAKER_01]: She's, she's, she's reverting back to, sorry to say it.
• 32:31
  [SPEAKER_01]: Loser Mona, she's, she's, she's tweaking out.
• 32:33
  [SPEAKER_01]: Hey, she's like I told Hannah, it was a bad idea for me to touch that.
• 32:36
  [SPEAKER_01]: We are out of our depth here.
• 32:37
  [SPEAKER_01]: There is always somebody watching or manipulating in Caleb says, this is Rose at Mona, not Area 51.
• 32:43
  [SPEAKER_00]: Finish your pie.
• 32:44
  [SPEAKER_00]: Second contender for our retroactive Emmy category is Janelle Perry.
• 32:50
  [SPEAKER_00]: Yeah, of course because when she grabs that napkin in the scene and she like she's like I told Hannah Yes, we would she my messing with that thing.
• 32:58
  [SPEAKER_00]: Yeah, it's the way she's starting to talk I do the concept of loser Mona.
• 33:02
  [SPEAKER_00]: Yes, anyone's safe space.
• 33:04
  [SPEAKER_01]: Yeah, like going back to your safe space It's so sad.
• 33:08
  [SPEAKER_01]: He's literally reverting to like but also when she says later on Spencer says, you know
• 33:14
  [SPEAKER_01]: The most dangerous thing she had to deal with was Allison bullying her not somebody trying to fucking kill Yeah, I guess.
• 33:22
  [SPEAKER_01]: Yeah, exactly.
• 33:25
  [SPEAKER_01]: So I'm going to get the receipt for the pie and she makes it run forward immediately when Spencer and Hannah barge and they barge in it like basically flipping tables we're like all right this is a stick up
• 33:38
  [SPEAKER_01]: Like they walk in my crate.
• 33:40
  [SPEAKER_01]: Yeah, okay, you're right.
• 33:41
  [SPEAKER_01]: It's giving crazy.
• 33:41
  [SPEAKER_01]: It's giving fucking grew They go to the back home up the check and it says on it.
• 33:46
  [SPEAKER_01]: Leave now.
• 33:47
  [SPEAKER_01]: I'm like did the waitress give us to you That's when we grab the waitress was how long go get the waitress?
• 33:51
  [SPEAKER_01]: Someone go get the waitress.
• 33:52
  [SPEAKER_00]: Someone go after Mona It's not even what the receipt looks like no they passed it down to I'm also like was that an Alex is fucking Was I was gonna slide that over?
• 34:00
  [SPEAKER_01]: Yeah, I don't know, but anyone so Caleb they go into the bathroom They think that she like left through there
• 34:06
  [SPEAKER_00]: That's where they find the note.
• 34:07
  [SPEAKER_01]: This is bonkers to me.
• 34:08
  [SPEAKER_01]: Caleb starts feeling the walls and like, I know it works out, but I'm like, okay, but I saw the door.
• 34:13
  [SPEAKER_00]: The thing to me is like, I walked in and I immediately saw the, the massive, like, door shaped thing in the panel.
• 34:18
  [SPEAKER_00]: Totally messed up.
• 34:19
  [SPEAKER_00]: I was clearly a door and I'm like, Caleb, yours will be smart.
• 34:22
  [SPEAKER_01]: He's like, not knock, listening for like a whole lot while he finds it.
• 34:24
  [SPEAKER_01]: There's like this secret passageway and Hannah, of course, first one to volunteer to go down.
• 34:29
  [SPEAKER_01]: Caleb says, I'm not letting you jump and hit anymore holes anymore.
• 34:31
  [SPEAKER_01]: And Spencer's like, I don't know where he had.
• 34:33
  [SPEAKER_01]: I'll go with him.
• 34:34
  [SPEAKER_01]: And this is another moment where I'm like,
• 34:36
  [SPEAKER_01]: Weird vibe and I walked on the steps and Spencer smacks his ass Did she really know I literally believed you because that kind of how weird she's acting this episode Let's go cowboy.
• 34:46
  [SPEAKER_01]: Okay, side note L.B.
• 34:48
  [SPEAKER_01]: There's no better scotch.
• 34:49
  [SPEAKER_00]: She has the sign arrest warrant for the girl We get this shot of all of their old mug shots and I and everybody picture in your head what are your Montgomery's head shot mug shot would look like
• 35:00
  [SPEAKER_00]: And what is her mouth doing?
• 35:01
  [SPEAKER_00]: It's exactly that.
• 35:02
  [SPEAKER_00]: Half a gap, half a gap.
• 35:03
  [SPEAKER_00]: Hey, it's exactly the trick.
• 35:05
  [SPEAKER_01]: She's going.
• 35:05
  [SPEAKER_01]: And now picture Spencer's, they just basically super imposed a photo of Spencer from like the for season one promo and her plays are and they put her in front of a lot of them.
• 35:13
  [SPEAKER_00]: Yeah, exactly.
• 35:14
  [SPEAKER_00]: Um, so then we go to the brew and Ezra is planning their escape.
• 35:16
  [SPEAKER_00]: Ezra's like, we're going to fucking beat feed, are you?
• 35:19
  [SPEAKER_01]: So there's like, have you read Romeo and Juliet?
• 35:21
  [SPEAKER_01]: Just if you haven't, don't tell me.
• 35:23
  [SPEAKER_01]: He's parking out of it just please don't if you if you read no fear Shakespeare just don't tell me Let's go ourselves together just kidding.
• 35:30
  [SPEAKER_01]: Ari is like you forgot something and he goes the dead body in the trunk of your car No, I didn't forget that which was a funny line and I don't remember what she forgot though
• 35:38
  [SPEAKER_00]: her friends and it's like it's so awesome.
• 35:41
  [SPEAKER_00]: That's so bottom of the list for Arya.
• 35:43
  [SPEAKER_00]: That's what I don't want to forget.
• 35:46
  [SPEAKER_01]: She never would say that exactly.
• 35:47
  [SPEAKER_01]: Even have it written here, Arya won't let her friends down again, even though Ezra wants her to and I still was like, I don't know what she says he forgot.
• 35:54
  [SPEAKER_01]: But I like this line.
• 35:55
  [SPEAKER_01]: She said, I did the bad thing, not them because as we, you need to like get a fucking grip.
• 35:59
  [SPEAKER_01]: Yeah, I'm also like, I'm sorry, but what Arya has done here is different than what the other girls have done.
• 36:03
  [SPEAKER_01]: Like anything that they've that she's forgiven them for if you're if you're trying to say that Arya's had to forgive them for X Y and Z, whatever she's had to forgive them for is not the same as this level of betraying.
• 36:13
  [SPEAKER_01]: So in the stakes again, in high school, the stakes are high, but this is going to say much.
• 36:17
  [SPEAKER_00]: This is dealing with adult problems, like the thing that she did to the nurse, and the fact that she's making, and also it's like it's one thing on his A doing it and like if you were just doing a couple little things that even if they didn't they might have had bad consequences, but not directly to your friends, but like
• 36:33
  [SPEAKER_00]: it's not like you were just running things to the mail for example you were like actively setting things up so that Spencer's parents would get a divorce.
• 36:41
  [SPEAKER_01]: Yes you you've caused some serious issues and at the same time the girls don't even know the depths of everything you did so I'm sure they're extrapolating and thinking of other things that they could imagine you've done like and they're also thinking what would you have done Caroline would never speak to are you know are you would be dead to me like dead to me
• 37:03
  [SPEAKER_01]: So they decide, as I was like, I want to get everybody.
• 37:07
  [SPEAKER_01]: I want to leave Tanner's jurisdiction to make this a little bit harder for her to arrest you guys.
• 37:10
  [SPEAKER_01]: But first, we're going to need you to deal with a body in your trunk, and she's like, are you sure you can handle this?
• 37:16
  [SPEAKER_01]: And he stands up as straight as he possibly can and looks at her as if he's going to salute.
• 37:19
  [SPEAKER_01]: And he says, I have a master's degree in American literature.
• 37:23
  [SPEAKER_01]: There was nothing I can't handle.
• 37:26
  [SPEAKER_01]: And walks away.
• 37:26
  [SPEAKER_01]: And I was like, you know, he felt like he ate.
• 37:28
  [SPEAKER_01]: And like,
• 37:29
  [SPEAKER_01]: You said that just like Allison would have said it though.
• 37:31
  [SPEAKER_01]: Did I?
• 37:32
  [SPEAKER_00]: That was your last lesson.
• 37:33
  [SPEAKER_01]: I didn't even read this.
• 37:34
  [SPEAKER_01]: I have a master's degree in American literature.
• 37:37
  [SPEAKER_01]: There was nothing.
• 37:38
  [SPEAKER_01]: I can't handle.
• 37:38
  [SPEAKER_01]: Something like that.
• 37:39
  [SPEAKER_01]: It's good to handle.
• 37:40
  [SPEAKER_01]: Yeah, there would be something like that.
• 37:42
  [SPEAKER_01]: There would be a vocal fray.
• 37:43
  [SPEAKER_01]: Of course.
• 37:44
  [SPEAKER_00]: Um, but as a like, I was just like, but like, I won't, again, they gave just one of those moments.
• 37:49
  [SPEAKER_00]: I want to be in the writer's room when that, when that line was pitched.
• 37:51
  [SPEAKER_01]: Yeah, well, you know, the, again, they all thought this was going to be like a mic drop moment.
• 37:56
  [SPEAKER_01]: And I don't know if it hit the way I thought I was going to hit.
• 37:58
  [SPEAKER_00]: Ari is like, imagine Ari isn't like, also like, imagine he's in fish jokes.
• 38:02
  [SPEAKER_00]: Imagine he didn't finish his masters and he says that.
• 38:05
  [SPEAKER_01]: And Ari is like, well, I mean, well, he's so too courses.
• 38:09
  [SPEAKER_01]: That's it.
• 38:09
  [SPEAKER_01]: I won't tell anyone if you get, I just, I don't know if you can really say that yet.
• 38:13
  [SPEAKER_01]: I can't I can say it, but I don't know if you're there yet.
• 38:17
  [SPEAKER_01]: I also I'm just like as are now isn't it's not like a funny time.
• 38:20
  [SPEAKER_01]: So that's I think why the joke doesn't hit that hard like if it were a time and like everyone's around.
• 38:24
  [SPEAKER_01]: It's like it's unclear if he's actually making a joke.
• 38:26
  [SPEAKER_01]: It's like you're going to dispose of a dead body.
• 38:28
  [SPEAKER_01]: Yeah, do you think do you actually believe that?
• 38:31
  [SPEAKER_00]: Right.
• 38:31
  [SPEAKER_00]: The other thing like that wasn't
• 38:33
  [SPEAKER_01]: The CMU acting didn't really make it clear.
• 38:36
  [SPEAKER_01]: Sorry.
• 38:36
  [SPEAKER_01]: I am going to say that.
• 38:37
  [SPEAKER_01]: Okay, so then they go outside and actually the body is gone and the truck is cleared out guys 80 completely forgot that as we're had American Oh Okay, we got to get this out of here.
• 38:49
  [SPEAKER_01]: She's replaced the whole car.
• 38:50
  [SPEAKER_01]: She's going to place the whole fucking garden time for this.
• 38:52
  [SPEAKER_01]: Oh my god.
• 38:52
  [SPEAKER_01]: I forgot this imagine what he's read imagine what he knows I don't want his cape of love
• 38:56
  [SPEAKER_00]: So we go to the Rosalina school apparently and Ali's got like severe eyeliner on her bottom bottom Why didn't even notice because I was studying the talkboard behind her which is citing every possible iteration of her names.
• 39:08
  [SPEAKER_00]: Did you write the mouse and do the rentous Alice and do the rentous fields Vivian dark blim a holly bar jack Amy Thurald don't know that one.
• 39:17
  [SPEAKER_00]: I'm gonna go go that one in the misses Rollins
• 39:19
  [SPEAKER_01]: So this reminds me of when Anthony and I just started dating and I was finishing up a course online and I would go to the gallery all day and like write my papers and work on it and Anthony was working at the bank and he would come over on his lunch break like she's a character from the rear window.
• 39:36
  [SPEAKER_01]: Oh, okay, cool.
• 39:37
  [SPEAKER_01]: Oh wow.
• 39:38
  [SPEAKER_01]: Good.
• 39:39
  [SPEAKER_01]: He would come in.
• 39:40
  [SPEAKER_01]: He would come in with like his full suit on from working at the bank and just sit at the table with me for like his 30 minute lunch break And one day like I was like don't talk to me and writing a paper like you can come but you can't talk to me because I have to lock in He's like, okay, so he comes and sits down.
• 39:53
  [SPEAKER_01]: He's just like writing stuff on on something and I like look over here and he's reading
• 39:58
  [SPEAKER_01]: Mr. Anthony Connell.
• 40:00
  [SPEAKER_01]: Mrs. Caroline Anthony the Angeles.
• 40:02
  [SPEAKER_01]: He's been dating for like two months at this point.
• 40:04
  [SPEAKER_01]: And he's writing every possible iteration of like armary names together.
• 40:08
  [SPEAKER_00]: That is so boy.
• 40:09
  [SPEAKER_01]: And I took a video like zooming in.
• 40:11
  [SPEAKER_01]: He's like, he's like, I just trying it out.
• 40:14
  [SPEAKER_01]: But I was like, we've been together for two months.
• 40:16
  [SPEAKER_01]: He was obsessed.
• 40:18
  [SPEAKER_01]: But this reminds me of himself.
• 40:19
  [SPEAKER_01]: I was, but he was more obsessed.
• 40:21
  [SPEAKER_01]: And he'll tell you that.
• 40:22
  [SPEAKER_01]: So the girls come in.
• 40:23
  [SPEAKER_01]: This is kind of.
• 40:23
  [SPEAKER_01]: First of me told me he loved me.
• 40:24
  [SPEAKER_01]: I responded with I smell like beef.
• 40:26
  [SPEAKER_01]: That's not guys say with me Well, we were both kind of saying it cuz we were even like quoting that tech talk And then we both looked at each other and he was like I have something I want to say to you and I knew what he was gonna say because he told me tonight's a for his like get he's like I
• 40:41
  [SPEAKER_01]: You know that whole thing and then he's like get ready for it and I was like, oh, don't please don't say it cuz I don't know if I'm ready to say it back to you And then we're like in the car one day and he was like, okay, I'm the count of three Let's just both say what we're thinking and I knew he was gonna say it and we're I was like one two Three and he and I said I smell like me.
• 40:58
  [SPEAKER_01]: I love you now.
• 41:01
  [SPEAKER_01]: I think that had something to do That was the day though the I smell like beef
• 41:06
  [SPEAKER_01]: I think that I even looked the first time you saw this that I was that way It was just like it.
• 41:13
  [SPEAKER_01]: I obviously wasn't being I mean, it was being serious, but anyway, I don't need to get it I don't actually don't have to explain myself to anyone I married him.
• 41:20
  [SPEAKER_01]: I got the ring.
• 41:21
  [SPEAKER_01]: I got the ring.
• 41:21
  [SPEAKER_00]: I got the ring.
• 41:21
  [SPEAKER_01]: I don't know you flash him out left hand You so bitter you can't stand it And for that's fun.
• 41:26
  [SPEAKER_01]: I can't wait to tell you to release his her songs so I can stop singing my versions
• 41:30
  [SPEAKER_01]: Everything is actually romantic because I'm not safe and stranded and I'm flashing my left hand and you're so better You can't stand it.
• 41:36
  [SPEAKER_01]: I like killed it that I can't believe you remember all these I remember all my fortune Like as I wrote them you used the dozzled of course I can that one goes
• 41:50
  [SPEAKER_01]: Shining bright like open light.
• 41:52
  [SPEAKER_01]: I'm the brightest damn Ryan.
• 41:54
  [SPEAKER_01]: So I'm not in your faded cause and now And I was like I held a stater of course.
• 42:00
  [SPEAKER_01]: Of course your favorite I break a bruise I'm older than you.
• 42:03
  [SPEAKER_01]: We know bulletproof.
• 42:04
  [SPEAKER_01]: I'm break a bruise.
• 42:05
  [SPEAKER_01]: I'm bulletproof I'm older than you.
• 42:08
  [SPEAKER_01]: I'm the eldest daughter.
• 42:09
  [SPEAKER_01]: I booked on my head.
• 42:10
  [SPEAKER_01]: I was dead, but a small instead I'm the eldest daughter
• 42:15
  [SPEAKER_00]: Yeah, so like no daughter's quit.
• 42:16
  [SPEAKER_01]: It's daughter.
• 42:17
  [SPEAKER_01]: Sorry.
• 42:18
  [SPEAKER_01]: I again.
• 42:19
  [SPEAKER_01]: I'm doing it from memory.
• 42:20
  [SPEAKER_01]: Oh my god.
• 42:26
  [SPEAKER_01]: What did you have sex with Jack and to not that's ruin the friendship?
• 42:32
  [SPEAKER_01]: You guys know, and she does that tune over and over with every names all the names.
• 42:36
  [SPEAKER_00]: Oh my god, there's so many.
• 42:37
  [SPEAKER_01]: I'm so excited for this album.
• 42:38
  [SPEAKER_01]: Holy shit.
• 42:39
  [SPEAKER_00]: I'm ready to start breeding the fucking lyrics.
• 42:41
  [SPEAKER_01]: Taylor, we have to stop doing lyrics out of context, Taylor.
• 42:44
  [SPEAKER_01]: Where's the team that's advising against this?
• 42:46
  [SPEAKER_00]: I hate to do it.
• 42:47
  [SPEAKER_01]: They don't exist yet.
• 42:48
  [SPEAKER_01]: You need me and Phoebe as consultants.
• 42:50
  [SPEAKER_01]: I'm just saying.
• 42:50
  [SPEAKER_01]: Cause like,
• 42:51
  [SPEAKER_01]: I know it's going to hit when I hear it and I can't I can't have my non-spifty friend now sending me these things I think I don't know about this.
• 42:58
  [SPEAKER_01]: I know you don't know about it.
• 43:00
  [SPEAKER_01]: And my friends at this point just they would never send out to me and say that so maybe it's a you issue maybe you haven't laid on the law hard enough yet
• 43:08
  [SPEAKER_01]: So Ali is having this moment where she's writing on her names.
• 43:11
  [SPEAKER_00]: Guys, and then it turns in to guess what?
• 43:13
  [SPEAKER_00]: It wouldn't be the penultimate or one of the last episodes of this iteration of the podcast if we didn't have a tie in two of the Rical Christmas Carol.
• 43:20
  [SPEAKER_01]: Well, of course.
• 43:22
  [SPEAKER_01]: Of course.
• 43:23
  [SPEAKER_01]: All the girls are running and they're like, Ali, we've got to go.
• 43:25
  [SPEAKER_01]: The cops are coming, we've got to go.
• 43:27
  [SPEAKER_01]: Spencer goes, it's too late, he's already here.
• 43:28
  [SPEAKER_01]: They start barricading the door because Elliot Rollins is banging on the store, his dead body.
• 43:32
  [SPEAKER_01]: Because the lights have no change.
• 43:33
  [SPEAKER_01]: You were truly like, I mean, when I say it, the color green.
• 43:39
  [SPEAKER_01]: This is either out of it.
• 43:40
  [SPEAKER_01]: It's the set of like it.
• 43:41
  [SPEAKER_01]: I can't tell which one maybe as me Elements it it out for know it is firmly.
• 43:45
  [SPEAKER_00]: Okay.
• 43:46
  [SPEAKER_00]: Oh, there.
• 43:46
  [SPEAKER_00]: It's okay.
• 43:47
  [SPEAKER_01]: I'll give you your members It's burned in her memory.
• 43:49
  [SPEAKER_00]: So then He's awfully sprived for a guy and I guess or maybe you should have hit him hard of the first time
• 43:58
  [SPEAKER_01]: Okay, so then Ali starts backing up all scared.
• 44:01
  [SPEAKER_01]: She backs up against the wall a hand comes plunging through the wall over her mouth Which is really a throwback to how Elliot used to fucking treat her and then they wake up Or she's like Emily you can tell she's screaming Emily even with the hand over her mouth and Lisa Kelly was this Emily's dream Emily's POV she fell asleep on the floor And even the way hilarious is she fell asleep on the floor and now they're the milk.
• 44:23
  [SPEAKER_01]: I know Ali's breaking up.
• 44:23
  [SPEAKER_00]: It's so close It would be so funny
• 44:27
  [SPEAKER_00]: If this, because if this was Emily's dream and it's so classic, Ali writing her name and also like it's it would be Emily's dream to like be in a position where Ali needs help and it is screaming only for Emily I know I was like the way that we come to it really does seem like it was Emily's dream doesn't Emily's first Ali's probably like
• 44:54
  [SPEAKER_00]: No, that was a dream, no you are and that and I said I've been a dream.
• 44:58
  [SPEAKER_01]: I actually I I just had an amazing action-filled dream that made me really confident in our relationship That I am the only one that can protect you, Ali.
• 45:06
  [SPEAKER_01]: I am the only one who has your back and I need you to just know that based on what I just saw in my head Any who they both else say they don't know how they mostly but I do
• 45:17
  [SPEAKER_01]: Probably the gas leak my money's in the freaking gas leak so anyway the games in there the game has been brought into the house And it's playing our favorite old home video of Ali saying we don't have a lot of time in her old video I really wish right I understand that this is symbolic for like what's going on the game But I do wish you was saying I know you want to kiss me.
• 45:36
  [SPEAKER_01]: You too because it's just so good Or even I see you that was I got one
• 45:43
  [SPEAKER_01]: I also many more randomly comment and they're like three years later and every time curlings as I see you it still brings me to like some of us just have certain talents.
• 45:51
  [SPEAKER_01]: What are you going to do when I stop saying it?
• 45:54
  [SPEAKER_00]: Well, they're never going to have to know what they'd have to do if I stop to my Robert Tristan Prussian.
• 45:58
  [SPEAKER_01]: That is never going away.
• 46:00
  [SPEAKER_01]: Never going away.
• 46:02
  [SPEAKER_01]: Who put that sticker on upside down as my question?
• 46:04
  [SPEAKER_01]: Like, I'm in our playroom.
• 46:06
  [SPEAKER_01]: The paper plates on the wall, of course.
• 46:08
  [SPEAKER_01]: Why is there a safe in my part?
• 46:09
  [SPEAKER_01]: I know who it was.
• 46:11
  [SPEAKER_01]: Why is there a safe in my park sticker upside down on the wall?
• 46:14
  [SPEAKER_01]: Who did that?
• 46:15
  [SPEAKER_01]: I know it's Phoebe.
• 46:15
  [SPEAKER_01]: She's hiding her fucking face, but I knew anyway before she did that, it had to be.
• 46:18
  [SPEAKER_01]: It wasn't me.
• 46:19
  [SPEAKER_00]: I think I did it before I could read.
• 46:22
  [SPEAKER_00]: I mean I hope all I can say is I fucking I think I thought it was a dick sporting good sticker.
• 46:26
  [SPEAKER_00]: Oh my god.
• 46:27
  [SPEAKER_00]: You were so
• 46:29
  [SPEAKER_01]: I'm just kidding.
• 46:30
  [SPEAKER_00]: I'm just kidding, I'm just kidding, I'm just kidding.
• 46:31
  [SPEAKER_01]: The cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the cause of the
• 46:58
  [SPEAKER_00]: we were just watching the base one was on the TV last night and mom goes, oh, the pirate's plane, and I said, the pirates don't play an october.
• 47:09
  [SPEAKER_01]: The pirates play for about one month.
• 47:12
  [SPEAKER_00]: Yeah, and then you know, they got to vacate, they got a nice vacate.
• 47:15
  [SPEAKER_00]: If I was like medial, if I ever wants to be a pirate, that was mediocre at baseball, and like I didn't really care, the pirates would kind of be the team to do it on.
• 47:22
  [SPEAKER_01]: Dream job.
• 47:22
  [SPEAKER_01]: Dream job.
• 47:23
  [SPEAKER_01]: Okay.
• 47:25
  [SPEAKER_01]: So Emily wants to leave and there's a knock at the door.
• 47:27
  [SPEAKER_01]: They think it's the cops, but it's Arya's voice calling for them You know it first.
• 47:30
  [SPEAKER_01]: I thought that was the deep fake.
• 47:31
  [SPEAKER_01]: I thought that and then they're in the car.
• 47:33
  [SPEAKER_01]: That's where an Arya's Okay, sorry.
• 47:35
  [SPEAKER_00]: He's fun.
• 47:35
  [SPEAKER_00]: The technology in these couple episodes are so like 2017.
• 47:39
  [SPEAKER_00]: Yeah, we get a deep fake and then later on we get augmented reality Yeah, that was why I'll let me just say I
• 47:45
  [SPEAKER_01]: So, we go back to Caleb and Spencer walking through the creepy basement with the two-chose diner and he tells Spencer that he doesn't think Mona's AD because she was so scared.
• 47:54
  [SPEAKER_01]: Like when he met her at the thing.
• 47:55
  [SPEAKER_00]: And he says- Does Spencer grow all of them?
• 47:57
  [SPEAKER_00]: Color?
• 47:59
  [SPEAKER_01]: I don't know.
• 48:00
  [SPEAKER_01]: Middle management.
• 48:01
  [SPEAKER_01]: Oh, wait, yeah.
• 48:01
  [SPEAKER_01]: Oh, yeah.
• 48:02
  [SPEAKER_01]: I'm getting there.
• 48:02
  [SPEAKER_01]: He goes poor Mona.
• 48:03
  [SPEAKER_01]: She always wanted to be in charge of something and Spencer goes kind of she ends up in middle management.
• 48:08
  [SPEAKER_01]: That's got her hurt.
• 48:08
  [SPEAKER_00]: Yeah.
• 48:09
  [SPEAKER_01]: Well, Seth Marks doesn't seem to have a problem with it.
• 48:11
  [SPEAKER_00]: And hey, who's saying that Spencer?
• 48:13
  [SPEAKER_00]: Yeah.
• 48:15
  [SPEAKER_00]: Yeah, we put her in middle management.
• 48:16
  [SPEAKER_01]: Good point.
• 48:17
  [SPEAKER_01]: Good point.
• 48:18
  [SPEAKER_01]: So Caleb's like, oh, by the way, uh, Hannah and I are married and Spencer, he goes, there's a part of me that wants to say I'm sorry.
• 48:25
  [SPEAKER_01]: And this is a part where I'm like, I don't feel like Spencer would respond like this.
• 48:28
  [SPEAKER_01]: She says, I'm confused what are, sorry for what?
• 48:30
  [SPEAKER_01]: Don't you dare apologize for being with me and don't you ever forget it?
• 48:35
  [SPEAKER_01]: Any of it, because I won't.
• 48:37
  [SPEAKER_01]: Who?
• 48:38
  [SPEAKER_01]: I just was like, that's not a sponsor line.
• 48:40
  [SPEAKER_01]: I feel like there's like, oh my god, that's amazing.
• 48:42
  [SPEAKER_01]: I'm happy.
• 48:43
  [SPEAKER_01]: No, Caleb.
• 48:44
  [SPEAKER_01]: I'm happy for you.
• 48:45
  [SPEAKER_01]: And it's just for you.
• 48:46
  [SPEAKER_01]: Like, that's how sponsors reacting, even if she doesn't mean it.
• 48:48
  [SPEAKER_00]: And word to the wise, if you were in a relationship with someone and then you meet them somewhere down the road and you find out that they're married, you don't say don't forget it any of that because I want you to picture us having
• 49:01
  [SPEAKER_01]: I know, like, okay, like, and I don't think that's why he was apologizing really, like I think it was more of like a If this suck as I know we were just like this just together and back with it.
• 49:10
  [SPEAKER_01]: I'm sorry when I were ever together I don't feel like that's what it was another reason.
• 49:14
  [SPEAKER_01]: I'm just like I don't think I think if this person He's talking to had been there for their whole relationship and all of this relationship with Hannah as well The reaction would have been different and and Alex is or like when I think it's Alex She's got multiple moments where like she always just goes a little bit sassy or a little bit slutty or
• 49:31
  [SPEAKER_01]: Yes, so Ezra Arya Emily and Allison are on the car and Ali is apologizing to Arya on behalf of all of them.
• 49:38
  [SPEAKER_01]: What a nightmare trip.
• 49:39
  [SPEAKER_00]: You know, and I remember blood rotation.
• 49:41
  [SPEAKER_00]: There's this car.
• 49:42
  [SPEAKER_00]: There's a point.
• 49:43
  [SPEAKER_00]: There's probably a point where like Ezra and Arya want to ask.
• 49:47
  [SPEAKER_00]: But for some reason, Haylub and Emerson can't go on the trip with their own world or Haylub and Emerson not in the car together.
• 49:54
  [SPEAKER_00]: That would, those would be the couples, but then there's like for some reason they just can't.
• 49:58
  [SPEAKER_00]: So Emerson has to go with Ezraia and you know that they are just like when they're driving to wherever they're going to meet to then get in a car all four of them, they're just like,
• 50:07
  [SPEAKER_00]: They're like this is going to be a long fucking car now.
• 50:10
  [SPEAKER_01]: Just let Ariabee let her talk Emily's like, please no conflict.
• 50:15
  [SPEAKER_01]: Please.
• 50:16
  [SPEAKER_01]: I get car sick when there's conflict in the car.
• 50:18
  [SPEAKER_01]: I get motions like this All right.
• 50:19
  [SPEAKER_01]: Now, he's like you get car sick all the time.
• 50:22
  [SPEAKER_01]: Anyway, so Ali's like we shouldn't have shot you out like that Emily goes vanishing you from the tribe
• 50:28
  [SPEAKER_01]: She didn't want me to ride her, whatever.
• 50:30
  [SPEAKER_01]: Alley goes, Pamfield's watching Survivor.
• 50:32
  [SPEAKER_01]: Can I?
• 50:34
  [SPEAKER_01]: Alley goes, it's something I would have done in high school.
• 50:36
  [SPEAKER_01]: And, and Arya, understanding for the first time in her life, says, you panic, and when people panic, they go back to old behavior, which is also giving what's happening with Mona.
• 50:44
  [SPEAKER_01]: And then there's like a cops, like a safety checkpoint, and Ezra does the most conspicuous, possible thing you could do, and they basically drive over the traffic cones to get out of it.
• 50:53
  [SPEAKER_01]: I'm, if I'm a cop, I'm like, and sirens are on, and I'm literally playing you.
• 50:57
  [SPEAKER_00]: Exactly.
• 50:59
  [SPEAKER_00]: Um, so we go to Rosewood Times Square and Hannah sees like flowers starting to fall from the church tower.
• 51:04
  [SPEAKER_00]: Yes, then we go back to the tunnel.
• 51:05
  [SPEAKER_00]: What did they see?
• 51:06
  [SPEAKER_01]: They don't see anything, but there's no signal.
• 51:08
  [SPEAKER_01]: They're like trying to get in touch with someone like the phones.
• 51:10
  [SPEAKER_01]: Oh, they see the basically like a little because they go with a wall like another I don't I don't know what that was honestly
• 51:16
  [SPEAKER_00]: I mean, I was writing when it happened initially and I didn't have time to rewind.
• 51:19
  [SPEAKER_00]: Yeah, I don't.
• 51:20
  [SPEAKER_00]: I honestly don't.
• 51:22
  [SPEAKER_00]: Hannah's now.
• 51:22
  [SPEAKER_01]: Hannah's climbing the steeple.
• 51:24
  [SPEAKER_01]: Yeah, she's going up to the bell tower where she finds Mona, fully dressed as loser.
• 51:28
  [SPEAKER_01]: Hey, where were these clothes when did you have time for a costume change?
• 51:31
  [SPEAKER_01]: Yeah, have time for a costume change.
• 51:33
  [SPEAKER_01]: and a hair change and she's got those purple roses that I feel like CC fell with them, right?
• 51:38
  [SPEAKER_01]: And Mona is completely no longer like attached to reality.
• 51:42
  [SPEAKER_01]: She thinks that Hannah is Charlotte and says she was waiting for her.
• 51:45
  [SPEAKER_00]: Which is no, this situation you want to be a man you're at the top of this.
• 51:47
  [SPEAKER_00]: Well, you know what happened to Charlotte.
• 51:49
  [SPEAKER_00]: I mean, she will go up here.
• 51:50
  [SPEAKER_00]: Thank you.
• 51:52
  [SPEAKER_01]: So Mona seems to be like remembering something.
• 51:54
  [SPEAKER_01]: She said that CC had to meet her there, like use the word had.
• 51:57
  [SPEAKER_01]: And she says that she had watched CC for five years while CC played everyone.
• 52:01
  [SPEAKER_01]: We get this flashback to her, the night that CC died in there in the bell tower.
• 52:05
  [SPEAKER_01]: And she says to CC like, I've been watching you, you play the doctors, the court, the lawyers, your sister, and CC's like so pleased with it.
• 52:13
  [SPEAKER_01]: She's like, oh, well, you always wear this smart one, Mona not Spencer.
• 52:15
  [SPEAKER_01]: And Mona has decided she's going to stop CC from hurting people again.
• 52:20
  [SPEAKER_00]: And this terrible line, when C.C says, do you still see her?
• 52:25
  [SPEAKER_00]: Oh, when you look in the mirror?
• 52:27
  [SPEAKER_00]: Because I see her.
• 52:28
  [SPEAKER_01]: The loser, the loser, Mona.
• 52:30
  [SPEAKER_01]: And C.C's like, you know what?
• 52:31
  [SPEAKER_01]: I just am so proud of myself because none of the girls, including you, have any idea who you are and that's because of me, I took it from you.
• 52:39
  [SPEAKER_01]: And everything that happened before is going to feel like a picnic compared to what's coming now.
• 52:44
  [SPEAKER_01]: And Mona says this Amy actually went to person at tears when I goes I'm not going to let you do that to my friends and I'm just like knowing these girls don't fucking claim Mona at all I know her hand up.
• 52:54
  [SPEAKER_01]: So C.C.
• 52:55
  [SPEAKER_01]: is like looking out at the town.
• 52:58
  [SPEAKER_01]: I'm just like a fucking hate this time.
• 52:59
  [SPEAKER_01]: I'm going to have to change it to at which point Mona picks up some sort of a weapon.
• 53:02
  [SPEAKER_01]: It's like a state like a metal screwdriver.
• 53:04
  [SPEAKER_01]: Yeah, I thought so too.
• 53:07
  [SPEAKER_01]: and cc's just zero percent afraid because she doesn't think Mona has the guts to kill her to which I say you are so you don't really want to stick and yeah she wants to know her best but yeah yeah if I remember correctly cc's a you once caught her out on that yeah you have no I mean if Mona wants you dad at this point you're pretty much gonna be dad do
• 53:26
  [SPEAKER_01]: So, this is where Mona says has this great little monologue.
• 53:30
  [SPEAKER_01]: She says, people will think you committed suicide your first night home.
• 53:33
  [SPEAKER_01]: How's that?
• 53:34
  [SPEAKER_01]: Jump, and she's pushing her up at the window.
• 53:37
  [SPEAKER_01]: Jump or I'll push you.
• 53:38
  [SPEAKER_01]: I'm giving you more chance and you ever gave any of us.
• 53:40
  [SPEAKER_01]: Maybe you'll land just right and live.
• 53:42
  [SPEAKER_01]: A few broken bones and you get to send me to prison.
• 53:44
  [SPEAKER_01]: It's possible you're thinking about it.
• 53:46
  [SPEAKER_01]: You're thinking you had a lot of things, aren't you?
• 53:48
  [SPEAKER_01]: You're not going to trick me this time and then she pushes and it's actually Hannah, she's pushing and it's back to reality and Okay.
• 53:55
  [SPEAKER_00]: Yeah.
• 53:55
  [SPEAKER_01]: That's so funny.
• 53:59
  [SPEAKER_01]: Um, Caleb stops Mona from hurting Hannah and Hannah says Mona killed Charlotte.
• 54:04
  [SPEAKER_01]: Mona's right there can't even hear her just adjust her braids from like the little fall.
• 54:09
  [SPEAKER_01]: And when we get back to the car.
• 54:10
  [SPEAKER_00]: Wait, we see puzzle pieces up up and we get back to the car.
• 54:13
  [SPEAKER_01]: The puzzle pieces are hang on the.
• 54:15
  [SPEAKER_00]: Oh, I thought they were.
• 54:16
  [SPEAKER_00]: I mean, you're stable the car.
• 54:17
  [SPEAKER_00]: Yeah.
• 54:18
  [SPEAKER_00]: And Mona goes, I love puzzles.
• 54:21
  [SPEAKER_00]: And it's like, Hannah, love you girl.
• 54:22
  [SPEAKER_00]: We did really fucking hells.
• 54:23
  [SPEAKER_01]: And it's so sad because like they're like, okay, we should take Mona to the police and Hannah's like, we cannot take her to Lieutenant Butter Scotch like this.
• 54:30
  [SPEAKER_01]: Like, no way.
• 54:31
  [SPEAKER_01]: And she says that.
• 54:32
  [SPEAKER_01]: Yeah.
• 54:33
  [SPEAKER_01]: And this is where they say, like, Lieutenant Butter Scotch.
• 54:35
  [SPEAKER_01]: She says that.
• 54:35
  [SPEAKER_01]: She says what?
• 54:37
  [SPEAKER_01]: Oh man, I says the words lieutenant, but yeah, of course, um, but they here's where they say basically like she went to back to a safe place.
• 54:43
  [SPEAKER_01]: The place where the worst thing was just Ali being mean.
• 54:46
  [SPEAKER_01]: So the girls inside and they're going to call Dr. Sullivan.
• 54:48
  [SPEAKER_01]: Okay.
• 54:49
  [SPEAKER_01]: For second, I was like, you can't call her.
• 54:50
  [SPEAKER_01]: She's dead.
• 54:51
  [SPEAKER_01]: I forgot that was original sin.
• 54:52
  [SPEAKER_01]: The only pretty little Irish reference in original sin.
• 54:55
  [SPEAKER_01]: Um, so Caleb and Ezra are going to stay and watch Mona and the girls are going to go finish the puzzle, which is at the Dilarant's Dungeon.
• 55:02
  [SPEAKER_00]: Um, I think she set it up at the loss woods.
• 55:03
  [SPEAKER_00]: Oh, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right and they
• 55:08
  [SPEAKER_00]: get their grand prize and it's a picture of Elliot Rollins' idea, I guess.
• 55:12
  [SPEAKER_00]: And then it's like, okay, I guess we like, Lucien of Butter's Crochet can arrest us, but she doesn't actually have a body.
• 55:18
  [SPEAKER_00]: Right.
• 55:18
  [SPEAKER_00]: So like, what can she really say?
• 55:19
  [SPEAKER_01]: And then they like, Are they thinking of the grand prize is the body that they're going to go find it?
• 55:24
  [SPEAKER_01]: And then what the fuck do we do with it then?
• 55:25
  [SPEAKER_01]: Yes.
• 55:26
  [SPEAKER_01]: And so they get a message that says the eyes have it.
• 55:28
  [SPEAKER_01]: And the puzzle has like eyes on it.
• 55:30
  [SPEAKER_01]: And so they're watching at this point, there's like this little figure that starts walking on the phone on the puzzle.
• 55:37
  [SPEAKER_00]: Everybody wants to play Pokemon Go, but nobody wants to Pokemon Go to the bulls Exactly, baby.
• 55:45
  [SPEAKER_01]: Spencer goes it's augmented reality.
• 55:47
  [SPEAKER_00]: Okay.
• 55:48
  [SPEAKER_00]: This is you're losing me and Hannah goes not really an answer
• 55:54
  [SPEAKER_00]: It's all I do like obviously so yes or no that's such a Spencer Hannah interaction, but I do like the idea that it's Alex Drake and Hannah's just basically insulted Alex Yes, Andy work and Hannah's like what even is that yeah, and Alex has it's augmented reality
• 56:13
  [SPEAKER_00]: I went ahead and I was like, not an answer and I was sort of late in switching.
• 56:17
  [SPEAKER_01]: So, uh, is it's freaking it?
• 56:19
  [SPEAKER_01]: I think it where you can hide a body and they remember because the this person that they see the augmented reality person is tiptoeing to this mystery location, which is revealed to be ant carols.
• 56:28
  [SPEAKER_01]: Sorry, I'm like, okay, this isn't a grand prize.
• 56:29
  [SPEAKER_01]: If I had to go on a scavenger hunt, no, no, this is still this is so part of the game.
• 56:32
  [SPEAKER_01]: Yeah, and I'm also they're like, what could be there?
• 56:34
  [SPEAKER_01]: We've looked through every part of it.
• 56:36
  [SPEAKER_01]: I'm like, yeah, it's been like a year since you did that, dude, there could be plenty.
• 56:39
  [SPEAKER_00]: Like what do you mean, what could possibly be there?
• 56:42
  [SPEAKER_01]: Yeah, don't forget, there's plenty of hiding spots, I think.
• 56:45
  [SPEAKER_01]: So they remember there was that symbolic Charles grave there, and maybe, maybe, maybe, maybe they could make a fake grave of real graves.
• 56:52
  [SPEAKER_01]: So they go there, and they realize they have to check up the grave, and Arya stops them, and she's like, guys, what if we just walked away?
• 56:59
  [SPEAKER_01]: What if we don't do this?
• 57:00
  [SPEAKER_01]: Like, I don't think we have to do this anymore.
• 57:02
  [SPEAKER_01]: Every time we dig up a grave, the only graves that are dug up are hours, which is such a good point.
• 57:06
  [SPEAKER_01]: And she's like, let's walk away, like, whatever.
• 57:09
  [SPEAKER_01]: And they're wondering if they should verify that he's down there.
• 57:12
  [SPEAKER_01]: and they decide let's stop the crazy by stopping acting crazy.
• 57:16
  [SPEAKER_01]: That's what they decide so they start walking away and they hear this horrible rumble.
• 57:20
  [SPEAKER_00]: This is so epic.
• 57:20
  [SPEAKER_01]: This was epic, actually.
• 57:22
  [SPEAKER_01]: They hear the rumble of like, I was like, is that a car can't be way too big?
• 57:25
  [SPEAKER_01]: Is it a plane?
• 57:26
  [SPEAKER_01]: It's a gigantic tractor and huge lights that are shining on the girls.
• 57:30
  [SPEAKER_01]: And then from the tree is come all these fucking cops, led by Lieutenant Butterscotch.
• 57:35
  [SPEAKER_01]: Do you think she's ranked still at us?
• 57:36
  [SPEAKER_01]: And like the way she walked on this hill, this dirty dirt hill.
• 57:39
  [SPEAKER_00]: She's being developed.
• 57:41
  [SPEAKER_01]: She's on her.
• 57:41
  [SPEAKER_01]: She's on her toes.
• 57:42
  [SPEAKER_01]: She's like, my balance is not an issue.
• 57:43
  [SPEAKER_00]: So then, wait, Lutheran butterscotch says, you ladies need any help?
• 57:49
  [SPEAKER_00]: So there also said some Italian to the grave.
• 57:51
  [SPEAKER_00]: Yeah, she's like almost like a blessing.
• 57:53
  [SPEAKER_00]: I hate when, when, if you have captions on and someone says something in a different language, it just says in a foreign language.
• 57:59
  [SPEAKER_00]: Yeah, tell me the language.
• 58:00
  [SPEAKER_00]: Tell me what it's going to be.
• 58:00
  [SPEAKER_00]: Tell me what it's going to be.
• 58:01
  [SPEAKER_01]: Tell me both, actually.
• 58:02
  [SPEAKER_00]: So let me go to the police department and the girls are all here and the boys are with Mona and they don't know that any of this has happened yet obviously and they're trying to decide like what they're going to do.
• 58:13
  [SPEAKER_00]: Hey, baby, there is no plane.
• 58:15
  [SPEAKER_00]: They're really short.
• 58:16
  [SPEAKER_00]: They're talking about how they're going to get off.
• 58:17
  [SPEAKER_00]: Exactly.
• 58:18
  [SPEAKER_01]: They're like, tell the truth.
• 58:19
  [SPEAKER_01]: And Hannah's like, so that's definitely not going to get us off.
• 58:22
  [SPEAKER_01]: Because I'm a, I have this kind of a killer in case you've forgotten.
• 58:25
  [SPEAKER_01]: And since there's like, oh, Hannah, yeah, that's the baby.
• 58:27
  [SPEAKER_01]: There is no plane.
• 58:28
  [SPEAKER_01]: Like, we're, oh, we're not getting off.
• 58:29
  [SPEAKER_01]: That's not the thing.
• 58:31
  [SPEAKER_01]: The police aren't interested in mercy.
• 58:33
  [SPEAKER_01]: They're interested in justice.
• 58:34
  [SPEAKER_01]: And justice is a blindfolded bitch.
• 58:37
  [SPEAKER_01]: Whoa, let her hear her.
• 58:40
  [SPEAKER_01]: So if he walks in, says, by the way, we found the body in the grave.
• 58:43
  [SPEAKER_01]: It was identified as downhill.
• 58:44
  [SPEAKER_01]: She's like doing the drink of joy, clicking her heels vibe.
• 58:47
  [SPEAKER_01]: She's like, you guys say here, I just have to do one thing.
• 58:49
  [SPEAKER_01]: And I'm gonna make you watch.
• 58:51
  [SPEAKER_01]: And she goes in the interrogation room with Mary fucking Drake, and all the girls watch in the two way mirror.
• 58:56
  [SPEAKER_01]: as Mary Drake confesses to killing archer Don Hill.
• 59:00
  [SPEAKER_01]: She says they killed him because he's not a good man.
• 59:02
  [SPEAKER_01]: He tricked me into stealing from his family and planning to kill my niece.
• 59:05
  [SPEAKER_01]: And if I told, he said he'd tell the police that I murdered justi.
• 59:08
  [SPEAKER_01]: And then they're like, did you just like, Hellia?
• 59:10
  [SPEAKER_00]: Hellia, I fucking did that.
• 59:11
  [SPEAKER_00]: I want to take talk right here.
• 59:12
  [SPEAKER_00]: Okay, what?
• 59:14
  [SPEAKER_00]: and edit to no body, no crime with Lieutenant Butter Scotts.
• 59:18
  [SPEAKER_00]: I think he did it, but I just can't prove it.
• 59:20
  [SPEAKER_00]: Okay.
• 59:21
  [SPEAKER_00]: Well, get started, Phoebe.
• 59:22
  [SPEAKER_00]: Okay.
• 59:23
  [SPEAKER_01]: Oh, you want to meet her, do it?
• 59:24
  [SPEAKER_01]: Yeah, because you're going to be able to do it.
• 59:25
  [SPEAKER_01]: Well, we'll see.
• 59:26
  [SPEAKER_01]: We'll see.
• 59:26
  [SPEAKER_00]: I'm not going to copy it, but really.
• 59:28
  [SPEAKER_01]: Okay, well, I love it.
• 59:30
  [SPEAKER_01]: So, the only thing Mary will not do is tell Lieutenant Butter Scotts who her accomplices.
• 59:34
  [SPEAKER_01]: That's what I'm like.
• 59:35
  [SPEAKER_01]: Is it?
• 59:36
  [SPEAKER_01]: Is it Alex's house?
• 59:36
  [SPEAKER_00]: It's her.
• 59:37
  [SPEAKER_00]: It's her.
• 59:37
  [SPEAKER_00]: It's her.
• 59:37
  [SPEAKER_00]: It's her.
• 59:37
  [SPEAKER_00]: It's her.
• 59:40
  [SPEAKER_00]: So she's reading over the statement again and then I'll be comes in at all that for this and we got the girls Hey guys, they just said I don't know when I did mean that don't comment don't don't correct us If like don't tell us if this is Alex or not.
• 59:52
  [SPEAKER_00]: Yeah, don't don't don't we we will figure it out One more episode next episode and then we will now
• 59:57
  [SPEAKER_01]: I can't get over L.B.
• 59:58
  [SPEAKER_01]: coming in and saying I'm sorry for any inconvenience.
• 1:00:00
  [SPEAKER_01]: Hey, what do you mean you're sorry for any inconvenience as if you don't know anyone for sure happened?
• 1:00:04
  [SPEAKER_00]: You just like looked them in the eye and said they were about to get a rest of you.
• 1:00:06
  [SPEAKER_00]: Yeah, and then you have to admit it's fast when you like saw it when you brought someone's confession statement into a room to have them saw.
• 1:00:12
  [SPEAKER_01]: Yeah, you knew what was happening in there.
• 1:00:13
  [SPEAKER_01]: Did you just want to like, I'm confused.
• 1:00:15
  [SPEAKER_01]: She just wanted that one moment to be like, I just wanted to think I got this is that I think they did it.
• 1:00:20
  [SPEAKER_01]: But I just can't prove it moment because Hannah's like, well, you're just going to let us go.
• 1:00:22
  [SPEAKER_01]: And she goes, well, you haven't done anything wrong.
• 1:00:25
  [SPEAKER_01]: Have you?
• 1:00:26
  [SPEAKER_00]: That's how it starts.
• 1:00:27
  [SPEAKER_00]: It starts with this scene.
• 1:00:28
  [SPEAKER_00]: Good.
• 1:00:28
  [SPEAKER_00]: And it goes in and it's all the time for them catching each other.
• 1:00:31
  [SPEAKER_01]: And then at the end, and with Lieutenant Butterscotch, then go home.
• 1:00:35
  [SPEAKER_01]: You're not criminals.
• 1:00:35
  [SPEAKER_01]: Not really.
• 1:00:36
  [SPEAKER_01]: Try and remember that.
• 1:00:37
  [SPEAKER_00]: That's the end.
• 1:00:38
  [SPEAKER_01]: OK, we got it.
• 1:00:39
  [SPEAKER_01]: Anyway, she says, I can give the judge a clean story, even if I don't fucking believe it, or I can give him a box of loose ends.
• 1:00:45
  [SPEAKER_01]: But I know what he's going to like better.
• 1:00:46
  [SPEAKER_01]: So I'm just going to do this.
• 1:00:47
  [SPEAKER_01]: And you guys can go have your fucking life.
• 1:00:50
  [SPEAKER_01]: Because what I believe in what I can prove are two different things.
• 1:00:53
  [SPEAKER_01]: And so the girls all eat.
• 1:00:54
  [SPEAKER_00]: That's why I know I couldn't be able to talk to you, because it'd be so.
• 1:00:56
  [SPEAKER_01]: No, I'd be like, oh, well, I'm proving it.
• 1:00:58
  [SPEAKER_01]: I don't care if it kills me.
• 1:00:58
  [SPEAKER_01]: And I might, but I will be proving it post you, mostly if I have to.
• 1:01:03
  [SPEAKER_01]: So the girls all leave, but Spencer hangs back behind a second is like, can I talk to Mary?
• 1:01:07
  [SPEAKER_01]: And Ellie says, it's better if you don't.
• 1:01:10
  [SPEAKER_01]: And then this is a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-a m-
• 1:01:32
  [SPEAKER_01]: She just puts her finger to- I mean, I want to do guys to know what you're doing since this isn't visual, but she does, but she doesn't do it.
• 1:01:37
  [SPEAKER_01]: She's like, presses it to her mouth really hard.
• 1:01:39
  [SPEAKER_00]: Really, really hard.
• 1:01:40
  [SPEAKER_01]: And it makes her eyes really hard.
• 1:01:42
  [SPEAKER_01]: Really hard.
• 1:01:42
  [SPEAKER_01]: She bruised her face doing it.
• 1:01:44
  [SPEAKER_00]: Because she's immediately- Oh my god, you can see.
• 1:01:46
  [SPEAKER_00]: Oh, my gosh.
• 1:01:46
  [SPEAKER_00]: I showed more of my- my massive freaking scab.
• 1:01:49
  [SPEAKER_00]: She freaked.
• 1:01:49
  [SPEAKER_00]: That's at least a centimeter deep as you absolutely freak.
• 1:01:51
  [SPEAKER_00]: She said, oh my god.
• 1:01:53
  [SPEAKER_01]: Well, you know, I bruises all over my body and the shapes of pop friends.
• 1:01:56
  [SPEAKER_01]: Because drama keeps coming over and putting all his weight on me and I have these little teeny pot.
• 1:02:00
  [SPEAKER_01]: I was like, what is this?
• 1:02:01
  [SPEAKER_01]: I like one little circle in one, two, three, like I literally have like a pot.
• 1:02:04
  [SPEAKER_01]: I was like, what could this be?
• 1:02:05
  [SPEAKER_01]: And then I realized drama will come over here and like press down on me really hard.
• 1:02:09
  [SPEAKER_01]: I'm going to see them tonight.
• 1:02:10
  [SPEAKER_01]: I know the world die they're going to be so excited to do.
• 1:02:13
  [SPEAKER_01]: Okay.
• 1:02:14
  [SPEAKER_01]: So we got to get through this.
• 1:02:16
  [SPEAKER_01]: Mona is at the resort.
• 1:02:18
  [SPEAKER_01]: All the girls are here now talking to her.
• 1:02:19
  [SPEAKER_01]: Like with a lot of kindness actually.
• 1:02:21
  [SPEAKER_01]: I've always seen photos from the scene and I didn't ever know that it was Mona sitting in the couch.
• 1:02:26
  [SPEAKER_01]: I always see it from like behind Mona's perspective and I always thought it was like the girl's fucking coming down on whoever it is.
• 1:02:32
  [SPEAKER_01]: I actually thought it was like Spencer or Alex versus whatever the girls.
• 1:02:36
  [SPEAKER_00]: when Spencer sits down and she's she's like, Mona, like, doctor's holding us coming in everything you're going to be okay.
• 1:02:43
  [SPEAKER_01]: It's going to be fine.
• 1:02:44
  [SPEAKER_01]: And then Hannah apologizes.
• 1:02:45
  [SPEAKER_01]: She's like, Mona, I'm so sorry for showing you the game.
• 1:02:48
  [SPEAKER_01]: And for pulling you in and Mona goes, but you need it.
• 1:02:51
  [SPEAKER_01]: Me and I have the whole thing.
• 1:02:54
  [SPEAKER_01]: she goes, but you needed me.
• 1:02:56
  [SPEAKER_01]: You don't know what that felt like.
• 1:02:57
  [SPEAKER_01]: You needed me.
• 1:02:58
  [SPEAKER_01]: Just like you needed me to take care of Charlotte after all the horrible things she did.
• 1:03:02
  [SPEAKER_01]: I'm sorry I messed that up.
• 1:03:04
  [SPEAKER_01]: Nothing ever happens the way it's supposed to with me.
• 1:03:06
  [SPEAKER_01]: I'm just like Mona, girl.
• 1:03:08
  [SPEAKER_01]: I want to I know she's fucking crazy.
• 1:03:10
  [SPEAKER_01]: Like I know it's giving on it all right.
• 1:03:12
  [SPEAKER_01]: Like I was
• 1:03:13
  [SPEAKER_01]: Fucking crazy, but I was free.
• 1:03:14
  [SPEAKER_01]: Like that's the vibe and I just I want the freedom from her own mind for her You know what I mean?
• 1:03:19
  [SPEAKER_01]: So here is like, okay, so she didn't actually kill Charlotte then so we go back to her I was during the journey of joy.
• 1:03:23
  [SPEAKER_01]: She's like I don't honestly want her to I was like it doesn't change how I feel about you girl That's right.
• 1:03:28
  [SPEAKER_01]: If you're I already know you're a quote, but I kill her like it's okay So we go back to the flashback and most of the says say good night to the world bully
• 1:03:36
  [SPEAKER_01]: This is the final.
• 1:03:38
  [SPEAKER_01]: I'm like actually I'm glad that wasn't the last thing CZ heard because it was not as much of a service You may be thought and she starts to push her and CZ gets thrown to the ground.
• 1:03:48
  [SPEAKER_01]: She doesn't actually like mode.
• 1:03:49
  [SPEAKER_01]: It is a not-pusher out the window She can't do it and CZ says I knew you didn't have the guts and then fucking a tax mode I'm telling her the girls will never love her et cetera et cetera
• 1:03:57
  [SPEAKER_01]: Mona pushes CC into the wall at which point like CC's whole face drops.
• 1:04:02
  [SPEAKER_01]: She falls to the ground and we see I'm not trying to be a non-believer Okay, we see the gap.
• 1:04:08
  [SPEAKER_00]: I guess that part of you can make it so sensitive, but like I don't believe that wasn't deep enough wasn't big enough wasn't enough I was expecting a pool of blood
• 1:04:21
  [SPEAKER_01]: I was too I thought she was impaled because the way it is it's, you know, obviously they were saying it was like the suitcase handle Like it was a fuck we like do that rectangular We did that whole thing about the suitcase edge or something.
• 1:04:31
  [SPEAKER_00]: We have to put something on the wall of the steeple that looks just like that because we forgot about that And that is a bottle they might call us on
• 1:04:39
  [SPEAKER_01]: So there's like, that's just the only one.
• 1:04:41
  [SPEAKER_00]: Yeah.
• 1:04:42
  [SPEAKER_01]: And we have to talk about it.
• 1:04:44
  [SPEAKER_01]: I think we're good if we just do that.
• 1:04:45
  [SPEAKER_01]: So Mona, we come back to the president and Mona's like the police never found the weapon because they were looking for something hidden and this wasn't hidden.
• 1:04:51
  [SPEAKER_01]: It was like right there.
• 1:04:52
  [SPEAKER_01]: And then the sun rises immediately.
• 1:04:54
  [SPEAKER_01]: I was like, oh no, we're birds are chirping.
• 1:04:56
  [SPEAKER_01]: Sun is up, like it happens in like five seconds.
• 1:04:58
  [SPEAKER_01]: Give them all the tools, yes.
• 1:05:00
  [SPEAKER_01]: And the game shuts down.
• 1:05:02
  [SPEAKER_01]: Congratulations.
• 1:05:03
  [SPEAKER_01]: Alley goes touch it to make sure it's dead.
• 1:05:05
  [SPEAKER_01]: To be end the game or to marry.
• 1:05:07
  [SPEAKER_01]: And Hannah's like, well, Mona ended up when she told us what happened to Charlotte.
• 1:05:10
  [SPEAKER_01]: And I thought that was the whole way.
• 1:05:12
  [SPEAKER_01]: Hey, actually, it was Mona.
• 1:05:13
  [SPEAKER_01]: Hey, actually, can we give her this like, hey, actually, we didn't do it.
• 1:05:15
  [SPEAKER_01]: And even these didn't have to hear us, it can we give her this one fucking thing.
• 1:05:18
  [SPEAKER_01]: Oh, so we realized the game.
• 1:05:23
  [SPEAKER_01]: The Mary saved them from a D if I confessing, so 80 doesn't have the leverage now over the girls to put them in jail for this.
• 1:05:28
  [SPEAKER_01]: And we're like, are we sure?
• 1:05:30
  [SPEAKER_01]: I mean, and Ari is like, again, we're just going to take it and go, right?
• 1:05:33
  [SPEAKER_01]: Okay, that's what we do.
• 1:05:34
  [SPEAKER_01]: People do things for us.
• 1:05:35
  [SPEAKER_01]: We just take it and go.
• 1:05:36
  [SPEAKER_01]: Spencer is really not sure about anything except for her freaking girls.
• 1:05:40
  [SPEAKER_01]: And Hannah says, let's get out of here before things get too mushy.
• 1:05:43
  [SPEAKER_01]: And they leave the Los Witzers or they leave the game in the room.
• 1:05:46
  [SPEAKER_01]: They're leaving this behind.
• 1:05:48
  [SPEAKER_01]: And we get this montage of the game.
• 1:05:50
  [SPEAKER_01]: Guys, this is like the last day scene over.
• 1:05:53
  [SPEAKER_01]: It's, oh my god.
• 1:05:55
  [SPEAKER_01]: And then we see the little dolls and they're in a plastic zip lock bag on the passenger seat of a car and A is driving somewhere and the song that's playing is like, I can't live if living is without you.
• 1:06:04
  [SPEAKER_01]: I can't live without you.
• 1:06:06
  [SPEAKER_01]: I can't live without you.
• 1:06:08
  [SPEAKER_01]: That's our last AC, that's crazy!
• 1:06:10
  [SPEAKER_01]: I know.
• 1:06:11
  [SPEAKER_01]: It makes me, he will.
• 1:06:12
  [SPEAKER_01]: Okay, so you guys, we're going to get into this anopsis for next week.
• 1:06:18
  [SPEAKER_01]: Ever of pretty little liars.
• 1:06:19
  [SPEAKER_01]: I can't believe that Phoebe read this in Opsis.
• 1:06:22
  [SPEAKER_01]: The Sid Nopsis.
• 1:06:23
  [SPEAKER_01]: The Sid Nopsis.
• 1:06:25
  [SPEAKER_00]: All right.
• 1:06:26
  [SPEAKER_00]: Sorry.
• 1:06:26
  [SPEAKER_00]: This is not this.
• 1:06:27
  [SPEAKER_01]: And take your time.
• 1:06:28
  [SPEAKER_01]: I don't have anywhere to be.
• 1:06:29
  [SPEAKER_01]: I'm really sorry.
• 1:06:30
  [SPEAKER_01]: Someone's probably out the door.
• 1:06:31
  [SPEAKER_00]: That one like looked really weird.
• 1:06:32
  [SPEAKER_00]: It just didn't look.
• 1:06:36
  [SPEAKER_00]: Okay.
• 1:06:37
  [SPEAKER_00]: Toldeth do us part.
• 1:06:41
  [SPEAKER_00]: It's one year later, which Caroline's going to want to hear.
• 1:06:44
  [SPEAKER_01]: I'm not watching it.
• 1:06:45
  [SPEAKER_01]: All right, I'm not watching it.
• 1:06:46
  [SPEAKER_00]: It's one year later, and the liars have moved on with their lives, but the past isn't finished with them yet as the ultimate end game is revealed.
• 1:06:55
  [SPEAKER_01]: Shhh!
• 1:06:56
  [SPEAKER_01]: I'm ready.
• 1:06:56
  [SPEAKER_01]: for some freaking answers.
• 1:06:57
  [SPEAKER_01]: I'm ready for some answers.
• 1:06:58
  [SPEAKER_01]: That's right.
• 1:06:59
  [SPEAKER_01]: I'm ready.
• 1:07:00
  [SPEAKER_01]: All right, guys.
• 1:07:00
  [SPEAKER_01]: So that's the episode.
• 1:07:01
  [SPEAKER_01]: Make sure you send in any questions you have for Sarah Shepard.
• 1:07:04
  [SPEAKER_01]: We're recording with her next week.
• 1:07:06
  [SPEAKER_01]: So if you want to ask questions, I get them in now.
• 1:07:08
  [SPEAKER_01]: Tuesday is going to go crazy.
• 1:07:09
  [SPEAKER_01]: We're going to be talking show girl.
• 1:07:10
  [SPEAKER_01]: Lord concert goes to her like fun weekend.
• 1:07:13
  [SPEAKER_00]: It's going to be great.
• 1:07:13
  [SPEAKER_01]: The ghost.
• 1:07:14
  [SPEAKER_01]: Yeah.
• 1:07:15
  [SPEAKER_01]: We're going to be vlogging this weekend.
• 1:07:16
  [SPEAKER_01]: That's going to go on the Patreon for our Dream Rotation to your two.
• 1:07:19
  [SPEAKER_01]: So check that out, of course, when it's up there, guys, our Halloween merch is out.
• 1:07:23
  [SPEAKER_01]: Get it.
• 1:07:24
  [SPEAKER_01]: It's really, really great.
• 1:07:25
  [SPEAKER_01]: You have all of October to wear it.
• 1:07:26
  [SPEAKER_01]: Please check it out.
• 1:07:27
  [SPEAKER_01]: We love you so much.
• 1:07:28
  [SPEAKER_01]: Thank you for listening.
• 1:07:28
  [SPEAKER_01]: If you've been here from the beginning, you're a fucking real one.
• 1:07:30
  [SPEAKER_01]: And if you haven't, we're just so happy you're here.
• 1:07:32
  [SPEAKER_01]: Please never leave us.
• 1:07:33
  [SPEAKER_01]: Thank you for listening.
• 1:07:33
  [SPEAKER_01]: We'll see you next week.
• 1:07:36
  [SPEAKER_01]: And... And... Cool.