Latest / Notable Nostalgia / Ep. 142 - The Bradys - Bottoms Up (1990)

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Ep. 142 - The Bradys - Bottoms Up (1990) · Notable Nostalgia

• 0:04
  Speaker 1: And what if I lost both my hands tomorrow.
• 0:07
  Speaker 2: You could be a seat model star. I was sixteen
• 0:11
  Speaker 2: at the time or fifteen, And and then hook it
• 0:14
  Speaker 2: up with a witch and that was that. Cats can
• 0:19
  Speaker 2: smile apparently, whoa weird, But it doesn't always mean that
• 0:24
  Speaker 2: they're happy.
• 0:25
  Speaker 1: Lucy receives a call from what I can only assume
• 0:28
  Speaker 1: is the future winner of every acting award ever.
• 0:31
  Speaker 2: Yeah, Jenny Moon is a star. Her looks looks.
• 0:35
  Speaker 1: Weren't part of the issue. He's like, I had to
• 0:38
  Speaker 1: sell my last talk out for Grannis.
• 0:41
  Speaker 2: Maybe this is not appropriate eitherre but wet's see. Hello listener,
• 0:49
  Speaker 2: here's the story of a guy named Andy and another
• 0:52
  Speaker 2: guy named Jeffrey, and we're here with notable nostalgia. And
• 0:56
  Speaker 2: this week we are going to be chatting about a
• 0:59
  Speaker 2: show called The Brady's. And if you think we're gonna
• 1:03
  Speaker 2: talking about the Brady Bunch, you are mistaken. This is
• 1:06
  Speaker 2: the nineties iconic show called The Brady's, which was a
• 1:13
  Speaker 2: comedy drama that lasted a whopping six episodes. Yeah, but welcome.
• 1:18
  Speaker 2: I am jeff I'm and Andy. Have you heard of
• 1:21
  Speaker 2: the show prior to well, like, when did you hear
• 1:23
  Speaker 2: about the Bradys.
• 1:24
  Speaker 1: So I just okay, so really quick. What made me
• 1:29
  Speaker 1: start thinking the Bradies recently was Greg brad Williams, Barry Williams. Yeah,
• 1:36
  Speaker 1: was just on the Billy Corgan podcast and it's a
• 1:38
  Speaker 1: great episode. So I listened to that and then they
• 1:40
  Speaker 1: start talking about the nineteen ninety Brady's and then I
• 1:43
  Speaker 1: was like, oh yeah, And I think one time, when
• 1:45
  Speaker 1: I was a little kid, I thought it was going
• 1:48
  Speaker 1: to be like The Brady Bunch, but it was the Brady's.
• 1:50
  Speaker 1: I remember kind of watching it, but I don't remember
• 1:53
  Speaker 1: any of it. I remember them being in suits. That's
• 1:55
  Speaker 1: like the only thing I kind of remember. And every
• 1:58
  Speaker 1: single person in this show was in a soup.
• 2:01
  Speaker 2: Yeah. It was wild. Yeah. So for listener who don't
• 2:05
  Speaker 2: know or might have just like kind of heard of
• 2:07
  Speaker 2: The Brady Bunch. So the Brady Bunch was a show
• 2:09
  Speaker 2: that came out, I think it was like the late
• 2:11
  Speaker 2: sixty years. Yeah, nice, and it was very like tongue
• 2:15
  Speaker 2: in cheek, like the silly, like goofball, like a family,
• 2:19
  Speaker 2: like a broken two broken homes. And then they come together.
• 2:23
  Speaker 2: So Carol the mom has three girls, and then Mike
• 2:27
  Speaker 2: the dad, has three boys from a previous marriage and
• 2:30
  Speaker 2: then they get together and chaos ensues, things like breaking
• 2:34
  Speaker 2: a lamp or vase or whatever, like mom never Mom said,
• 2:38
  Speaker 2: don't play ball in the house, or my nose yeah yeah,
• 2:42
  Speaker 2: or Marsha marsham Art, you know what I mean. It
• 2:45
  Speaker 2: was very silly and and just like comfort TV back
• 2:48
  Speaker 2: in the days of like you know from the millennials,
• 2:50
  Speaker 2: like the Nicked Nights with the Gilligan's Island and the
• 2:52
  Speaker 2: idream Aginie. It was like in that kind of you know,
• 2:56
  Speaker 2: that's where it goes in my nostalgic brain.
• 2:58
  Speaker 1: Yeah, say, I remember I watch I remember watching A
• 3:00
  Speaker 1: Bunch when I was a kid because it was like
• 3:01
  Speaker 1: always on TV. And a cool little fact, since they
• 3:04
  Speaker 1: Brady Bunch got syndicated, it's been on TV at least
• 3:08
  Speaker 1: one day since like nineteen seventy four seventy five when
• 3:11
  Speaker 1: I got syndicated, So it's been on TV once a
• 3:14
  Speaker 1: day minimum since then, which is crazy.
• 3:17
  Speaker 2: Yeah. I I do have notes or whatever, but you know,
• 3:20
  Speaker 2: in my style, so before we get into this, you
• 3:24
  Speaker 2: know how, I'm like, I'm petty and like I know
• 3:26
  Speaker 2: all of these assholes, like the actors have so much
• 3:28
  Speaker 2: more fucking money than me. But the thing I always
• 3:31
  Speaker 2: do whenever I watch a program of like a movie,
• 3:33
  Speaker 2: a TV show, whatever, I look up their networth. So okay,
• 3:37
  Speaker 2: so Andy nice out of the how many characters? Nine characters?
• 3:42
  Speaker 2: So like the three girls, three boys, the parents, then
• 3:44
  Speaker 2: Alice the housekeeper. Who do you think was like the richest?
• 3:48
  Speaker 1: Uh? Like like after the show ended?
• 3:51
  Speaker 2: Yeah, like right now or at the time that they died.
• 3:54
  Speaker 1: I'm gonna say Marcia.
• 3:56
  Speaker 2: Marcia, she was kind of in the mid so the
• 4:00
  Speaker 2: horust one unfortunately, and I like, I feel like this
• 4:02
  Speaker 2: is kind of like Alice and by Davis. I feel
• 4:06
  Speaker 2: like she was, in my opinion, the most talented of everybody.
• 4:09
  Speaker 2: Like her comedic timing was so good. In her face,
• 4:12
  Speaker 2: she just looked like somebody's grandma or like Nana or whatever.
• 4:15
  Speaker 2: She when she passed away in twenty fourteen, this is
• 4:18
  Speaker 2: so petty. Why they do this, Tom Petty? She died
• 4:22
  Speaker 2: with two hundred thousand.
• 4:23
  Speaker 1: She retired. I think the only episode of the Brady
• 4:26
  Speaker 1: she was on was this one for that little cameo. Overally,
• 4:29
  Speaker 1: and she retired. And what she did up until her
• 4:31
  Speaker 1: death was she volunteered at Eposcopole, Oh church. Oh.
• 4:36
  Speaker 2: She died, so good for her. Bobby the asshole Bobby
• 4:40
  Speaker 2: you might remember him from the show the movie The
• 4:43
  Speaker 2: Mask with Schaer Oh that was him.
• 4:45
  Speaker 1: No oh, but but he those Rocky Dennis.
• 4:49
  Speaker 2: Yeah, he looks really similar.
• 4:50
  Speaker 1: Okay, so he waits to share.
• 4:54
  Speaker 2: Yeah, so he is estimated worth of two million dollars.
• 4:58
  Speaker 2: He did a lot of work behind the s, like
• 5:00
  Speaker 2: producing or whatever, sendy two million dollars with voiceover which
• 5:04
  Speaker 2: I'm like, good for you with your little lisp. And
• 5:06
  Speaker 2: then we had Greg two million dollars. A lot of
• 5:10
  Speaker 2: that comes from like his tell All book, because he
• 5:13
  Speaker 2: was the one that like really divulges a lot of
• 5:15
  Speaker 2: the tea, which do you know some of the tea
• 5:16
  Speaker 2: with him? Yeah, he was wanting to bang Marsha and Carol.
• 5:21
  Speaker 2: That would have been hot or not hot, I don't know,
• 5:24
  Speaker 2: really related, yeah, okay. And then Mike three million dollars
• 5:29
  Speaker 2: when he died in nineteen eighty two. So that's a
• 5:31
  Speaker 2: little bit more. You know, we counter for inflation. We
• 5:35
  Speaker 2: had Carol Florence Henderson ten million dollars when she died
• 5:39
  Speaker 2: it in twenty sixteen Jan six to seven million, six seven.
• 5:44
  Speaker 2: Mainly I guess with like paintings. Oh wow, yeah, probably
• 5:47
  Speaker 2: like paintings of like Marsha being hung or something, or
• 5:50
  Speaker 2: like murdered. Yeah, Peter ten million dollars wow, yeah, like
• 5:54
  Speaker 2: businesses and then he like got yeah, got married to that.
• 5:59
  Speaker 2: Now she's an av lady. Avon Avon's fucking disgusting. Like
• 6:05
  Speaker 2: it's just it's it's like an older person's version of
• 6:08
  Speaker 2: like you know, the Sensy Pyramids teams, Like there's scumms
• 6:12
  Speaker 2: scum like pay extra money and you have to have
• 6:15
  Speaker 2: those weird interactions when I drop off your product and
• 6:18
  Speaker 2: you have to pay more. Yeah, my car is fucking disgusting.
• 6:22
  Speaker 2: You don't want to buy perfume that's been in my car?
• 6:24
  Speaker 2: I think that's it with them on the money train.
• 6:30
  Speaker 2: And then so okay, so Brady Bunch of Iconic and
• 6:33
  Speaker 2: it was created by Shortwood Schwartz and he also created uh,
• 6:38
  Speaker 2: Gilligan's Island, and he butted heads with Mike. I'm not
• 6:41
  Speaker 2: gonna use like the real names because I don't care
• 6:43
  Speaker 2: to learn them as Mike. What was his name though,
• 6:45
  Speaker 2: And now I'm curious Robert Yeah, and he was a homosexual,
• 6:49
  Speaker 2: and back then homosexuals were bitchy and vindictive and.
• 6:54
  Speaker 1: Carol knew so I guess in the very first episode,
• 6:57
  Speaker 1: the director was like yelling at Robert because Robert uncomfortable kissing,
• 7:01
  Speaker 1: and then so she took the director aside, said hey,
• 7:04
  Speaker 1: do you know that he's gay? And the guy was like, oh,
• 7:06
  Speaker 1: I had no idea. So then they kind of calmed
• 7:07
  Speaker 1: down a little bit, and I guess that's how they
• 7:09
  Speaker 1: got through the scene. So it's pretty cool that Carol.
• 7:11
  Speaker 1: I've seen the real I've said the fact names too,
• 7:13
  Speaker 1: but yeah, it's cool that she didn't like tell everybody
• 7:16
  Speaker 1: and she was like, you know, thoughtful at least.
• 7:18
  Speaker 2: And we'll get into this as we talk about this episode,
• 7:20
  Speaker 2: but that kind of like art imitating life or vice versa,
• 7:23
  Speaker 2: Carol really does insert her like life into like other
• 7:27
  Speaker 2: people's business one hundred percent, because that could have got
• 7:31
  Speaker 2: him fired. Oh yeah, that could have got him blacklisted
• 7:34
  Speaker 2: or worse. Like, so she that's so true.
• 7:36
  Speaker 1: Yeah, it's because from like I was thinking, oh, yeah,
• 7:39
  Speaker 1: it's pretty nice that she tried to like help, but
• 7:41
  Speaker 1: she did it in a way where she shouldn't have
• 7:43
  Speaker 1: done it. Now that that's a great point.
• 7:44
  Speaker 2: She should have pulled mic aside and been like Hey,
• 7:46
  Speaker 2: I got you, like, let's you know whatever, like yeah
• 7:50
  Speaker 2: so true, yeah, yeah, bitch okay.
• 7:53
  Speaker 1: So after go ahead, Oh, I was gonna say with
• 7:55
  Speaker 1: the Gilligans aland I just found out the reason it
• 7:57
  Speaker 1: got canceled is because the producer, the someone in NBC
• 8:00
  Speaker 1: or ABC whatever, they wanted Bonanza to be a bigger show,
• 8:03
  Speaker 1: so they come Gilligan's Iron off before they had a
• 8:06
  Speaker 1: real ending. Is that fucking bush? It makes me so upset.
• 8:10
  Speaker 1: I love Gilligans Island.
• 8:11
  Speaker 2: They did have the TV movies which were good, and
• 8:13
  Speaker 2: then the random one with the Harlem Globetrotters, and then
• 8:16
  Speaker 2: they had like robots and stuff like that, but it's
• 8:19
  Speaker 2: never the same, like when shows should have an ending.
• 8:21
  Speaker 2: And I just got to okay side of bar. I
• 8:23
  Speaker 2: just got done watching the series finale of Hacks, which
• 8:26
  Speaker 2: everybody should watch, like run to watch. But how they
• 8:29
  Speaker 2: wrote it. They wrote the entire series from the beginning,
• 8:33
  Speaker 2: so it had a perfect arc to it and in
• 8:36
  Speaker 2: an ending that was satisfying. But like Gilligan's Island, I
• 8:39
  Speaker 2: think like Tina Louise, which I'm how I can't remember,
• 8:43
  Speaker 2: like if I like, you know, wiped my butt after
• 8:46
  Speaker 2: shitting I don't know. I know Tino Louise's name, but
• 8:50
  Speaker 2: she didn't come back for the one where they escaped
• 8:51
  Speaker 2: from or leave Gilligan's Island. And but yeah, so after
• 8:57
  Speaker 2: a Brady Bunch, they did have spin off and it
• 9:00
  Speaker 2: was Brady Bride's, which was more the tone of the
• 9:05
  Speaker 2: Brady Bunch, like a little more tongue in cheek and
• 9:07
  Speaker 2: silly and goofy and like who like that kind of
• 9:10
  Speaker 2: vibe or like we're mad at you, We're gonna put
• 9:12
  Speaker 2: a tape down, the tape down the how and it
• 9:15
  Speaker 2: was like Jan and her husband and Marcia and Wally,
• 9:18
  Speaker 2: same actors from the Showyah, okay.
• 9:20
  Speaker 1: Because I've never seen the Brady Brides, I just learned about.
• 9:22
  Speaker 2: That much much better, okay. And Alice is in it
• 9:26
  Speaker 2: more Carol of course, like puts her vagina in everything
• 9:29
  Speaker 2: and and a lot cuterer anyways, and then have TV
• 9:33
  Speaker 2: movie is like Christmas with the Brady's and that that
• 9:35
  Speaker 2: was more in line with like the Brady's the show
• 9:37
  Speaker 2: that we're gonna be talking about today. And then it was,
• 9:43
  Speaker 2: oh my god, let me to get into this. Okay.
• 9:44
  Speaker 1: Another crazy thing about the Brady Bunch is so Shorewood
• 9:48
  Speaker 1: Shorts pitched it about two or three years before it
• 9:50
  Speaker 1: actually went on air, and uh so every single is CBS,
• 9:55
  Speaker 1: ABC and NBC were the three main and they all
• 9:57
  Speaker 1: kind of turned it down because they had little things
• 10:00
  Speaker 1: that they wanted him to change. He goes, I can
• 10:02
  Speaker 1: kind of change it, but I got to change it
• 10:04
  Speaker 1: the way I want to change. They're like, now, we're good.
• 10:06
  Speaker 1: So about two years ago by Lucille, Ball's in a
• 10:09
  Speaker 1: movie where it's basically the same exact TV show that
• 10:12
  Speaker 1: he pitched, and it did great. So then they were like, ooh,
• 10:17
  Speaker 1: weren't we talking to the short Shorts about a show
• 10:19
  Speaker 1: like this. They call him up and he's like, oh, yeah,
• 10:21
  Speaker 1: I'm still interested. Well, then the movie tried to sue
• 10:25
  Speaker 1: them for that, but luckily he had everything all copyrighted,
• 10:28
  Speaker 1: so they go, no, actually, we could probably technically sue
• 10:30
  Speaker 1: you because we already had that idea. You know, so
• 10:33
  Speaker 1: crazy and another crazy because I read a whole book
• 10:36
  Speaker 1: for this episode just because of that Billy Corgan podcast.
• 10:40
  Speaker 1: But so they cast the children first, right, But what
• 10:43
  Speaker 1: they did was they cast six girls and six boys,
• 10:47
  Speaker 1: three with blonde hair, three with dark hair, and the
• 10:49
  Speaker 1: same with the boys and so they're like, depending on
• 10:53
  Speaker 1: the parents, you might have a job cast the parents past.
• 10:57
  Speaker 1: What the fuck that was? Could you imagine being like
• 10:59
  Speaker 1: a going like, I'm might have a job, but since
• 11:01
  Speaker 1: I have brown hair, they're not going to give me
• 11:02
  Speaker 1: the job. If you're a little girl, that's so fucked up,
• 11:04
  Speaker 1: you know.
• 11:05
  Speaker 2: So I'm glad they went with a way that they
• 11:07
  Speaker 2: did because like, again, like this is coming from a
• 11:09
  Speaker 2: blondeish person at least that as a kid, I was
• 11:11
  Speaker 2: more blondie blonde kid like males like that sexts. I know,
• 11:17
  Speaker 2: it's weird, it's weird, like it's and you know, and
• 11:20
  Speaker 2: even like later seasons of the Whole Cousin Oliver things,
• 11:23
  Speaker 2: he was a towhead and fucking disgusting. Does that mean
• 11:27
  Speaker 2: like's almost like white hair so blond that it's white.
• 11:31
  Speaker 1: Robbie Wrist is the actor's name that guy is.
• 11:34
  Speaker 2: He's still alive.
• 11:35
  Speaker 1: L's okay. The actually almost brought him in a lot sooner,
• 11:38
  Speaker 1: because like season two or three, they were thinking about
• 11:41
  Speaker 1: having Caroly and Mike have a baby. But one of
• 11:44
  Speaker 1: the reasons they didn't do it was because they liked
• 11:46
  Speaker 1: the symmetry of the intro and how are we going
• 11:49
  Speaker 1: to add a baby to that, So it's kind of
• 11:50
  Speaker 1: the whole reason they didn't do it, which is crazy.
• 11:53
  Speaker 2: That does make sense. Yeah, and then like flash forward
• 11:56
  Speaker 2: to like our time in the nineties, Step by Step
• 11:59
  Speaker 2: was really big and that was kind of the same
• 12:01
  Speaker 2: situation like Suzanne Summers had I think she had two
• 12:06
  Speaker 2: girls and a boy, and then Patrick Duffy had two
• 12:08
  Speaker 2: boys and a girl, and it was the same kind
• 12:11
  Speaker 2: of vibe I know of the show, like if I
• 12:13
  Speaker 2: saw a picture of it, but I don't know one episod.
• 12:15
  Speaker 1: I don't know if I've ever watched an episode of
• 12:16
  Speaker 1: that show. We should do an episode.
• 12:18
  Speaker 2: It's actually it's not bad, and knowing like how intense
• 12:23
  Speaker 2: Suzanne Summers is behind the scenes makes it so good.
• 12:27
  Speaker 2: And then Patrick Duffy is just fucking hot. Like and
• 12:30
  Speaker 2: Patrick Duffy was friends with that Jason Marston who was
• 12:34
  Speaker 2: on the podcast, so he just m and you know
• 12:37
  Speaker 2: who else is getting better with age. I was looking
• 12:39
  Speaker 2: at new pictures new pictures of Kevin Bacon and I
• 12:44
  Speaker 2: was like, he is looking like his nose bothers me.
• 12:46
  Speaker 2: But like other than that, I'm like, yes.
• 12:48
  Speaker 1: That's so funny because I thought you were gonna say that,
• 12:50
  Speaker 1: And I just watched a recap of that hollow Man movie.
• 12:52
  Speaker 1: Oh yeah, and it's fucking wild because like just because
• 12:55
  Speaker 1: he is invisible doesn't mean he's not. Like so like
• 13:00
  Speaker 1: he rapes a girl in the movie, which is crazy,
• 13:02
  Speaker 1: and then if she goes, I don't know, somebody raped me.
• 13:05
  Speaker 1: He's the only one on earth that is invisible. Yeah,
• 13:08
  Speaker 1: so like they would know be like, oh, it's probably
• 13:10
  Speaker 1: that guy, you know what I mean, Like, just because
• 13:11
  Speaker 1: you're invisible doesn't mean you're not gonna go to prison.
• 13:13
  Speaker 2: Yeah, it's like an invisible police officers and invisible people
• 13:18
  Speaker 2: see other invisible people.
• 13:20
  Speaker 1: Oh I don't know.
• 13:20
  Speaker 2: Yeah, Like there needs to be technology we need to
• 13:23
  Speaker 2: be thinking about before we start doing that, like turning
• 13:26
  Speaker 2: people invisible. We need more science and like accountability. Okay,
• 13:32
  Speaker 2: so this.
• 13:33
  Speaker 1: Show of the show, so they so crazy. Thing about
• 13:38
  Speaker 1: the show is it never got higher than the highest
• 13:42
  Speaker 1: the TV show ever ranked was thirty one. Isn't that crazy?
• 13:47
  Speaker 1: But they would still get sometimes episodes of people watching
• 13:49
  Speaker 1: about thirty to forty million people because there are only
• 13:52
  Speaker 1: three networks. That's crazy because like the end of Game
• 13:54
  Speaker 1: of Thrones, I think got eighteen million, and that was huge.
• 13:57
  Speaker 1: So so for a show to be ranked thirty one
• 14:00
  Speaker 1: and still get thirty or forty million people watching, it's
• 14:02
  Speaker 1: just crazy. And then if they didn't canceled after season five,
• 14:08
  Speaker 1: I think it's what I canceled. They were gonna kill
• 14:11
  Speaker 1: off Mike and then the next season was going to
• 14:13
  Speaker 1: be Carol trying to find a new husband and the
• 14:16
  Speaker 1: kids like trying to help her find a new husband
• 14:18
  Speaker 1: because he was so difficult to work with.
• 14:20
  Speaker 2: I guess, oh, I thought this is the show only
• 14:21
  Speaker 2: lasted six episodes.
• 14:23
  Speaker 1: Oh, I'm talking about the actual the original brand. Okay, yeah,
• 14:26
  Speaker 1: because I think.
• 14:27
  Speaker 2: Like I heard that, like the original plot to this
• 14:31
  Speaker 2: was going to be that he died like in a
• 14:32
  Speaker 2: plane crash. Oh really, like before the series, I'm like,
• 14:36
  Speaker 2: oh my god, I don't just don't bring back a
• 14:39
  Speaker 2: show like when they when the whole Roseanne thing happened,
• 14:42
  Speaker 2: Just be done with the show. Yeah, Like, we don't
• 14:44
  Speaker 2: need to do this anymore. The show is literally called Roseanne, right,
• 14:47
  Speaker 2: don't like for sure, don't do that.
• 14:49
  Speaker 1: And I guess the reason Marsha wasn't in this one
• 14:51
  Speaker 1: is because she was doing a play at the time,
• 14:54
  Speaker 1: or like another TV show or something like that. She goes,
• 14:56
  Speaker 1: I'm willing to do it, but I can only work
• 14:58
  Speaker 1: four days out of the month, and they're like, no,
• 15:00
  Speaker 1: because we don't want to have to give special treatment
• 15:02
  Speaker 1: to everybody, so we're just not gonna have you, which
• 15:04
  Speaker 1: is crazy.
• 15:04
  Speaker 2: I didn't know that because I just assumed she was like, Oh,
• 15:07
  Speaker 2: Marcia's like got some sense.
• 15:09
  Speaker 1: Well, it's so for not having Marcia in there. They this,
• 15:12
  Speaker 1: I'm not sure because it's only six episodes. Yeah, and
• 15:14
  Speaker 1: so the original Brady Bunch. I think one reason why
• 15:16
  Speaker 1: it did so well, even though it's only ranked thirty
• 15:19
  Speaker 1: one at the highest of its prime was every episode
• 15:22
  Speaker 1: was about a different kid, so everybody could find something
• 15:24
  Speaker 1: to relate with. Oh, so it's weird that they had
• 15:27
  Speaker 1: Marcia in this when it wasn't really Marsha and it
• 15:29
  Speaker 1: was such a heavy Marsha episode. If I was like
• 15:31
  Speaker 1: the director of the producer, I'd be like, it's not
• 15:33
  Speaker 1: the real Marshall. Let's just have her kind of a background.
• 15:35
  Speaker 1: I don't know, because everybody's gonna be thinking like, oh,
• 15:37
  Speaker 1: why isn't she here? You know.
• 15:38
  Speaker 2: So yeah, but nobody really really wants like a jan
• 15:41
  Speaker 2: heavy episode especially this jam Oh the worst, Okay, So
• 15:49
  Speaker 2: I think we'll just hit shot because I like May
• 15:51
  Speaker 2: made some notes but I was a little phoned. So okay,
• 15:54
  Speaker 2: some of my knows I don't understand, but I I
• 15:57
  Speaker 2: I apparent, and I haven't reread them or anything like that.
• 15:59
  Speaker 2: So fill in the blanks for me if you would.
• 16:01
  Speaker 2: But I wrote, OMG okay, and I don't know. Okay.
• 16:08
  Speaker 2: So the opening of it, it's like a slowed down
• 16:10
  Speaker 2: version of and the Brady Bunch of the theme song.
• 16:12
  Speaker 2: All the songs from back in the day were so iconic,
• 16:15
  Speaker 2: and it's like a slow down, like kind of dramatic
• 16:17
  Speaker 2: version I guess, or like more instrumental version of the
• 16:20
  Speaker 2: of the theme song. So I thought that was odd.
• 16:23
  Speaker 2: And then it kind of gives you a little taste
• 16:24
  Speaker 2: of who they all are all are about. So it
• 16:26
  Speaker 2: gives you a taste that, like my parents are somehow
• 16:28
  Speaker 2: involved in like politics, the og Marcia didn't want to
• 16:32
  Speaker 2: be a part of this, so I don't know she
• 16:34
  Speaker 2: really had much go I don't remember her as like
• 16:36
  Speaker 2: probably hugging and child or something. Jan it's clear they
• 16:40
  Speaker 2: want to be like, oh, she's you know, liberals and educated,
• 16:43
  Speaker 2: so she adopted a child Cindy Radio. Greg is a
• 16:48
  Speaker 2: really creepy doctor. But I think it's like and I
• 16:50
  Speaker 2: think a lot of that comes from like the mustache
• 16:53
  Speaker 2: of it all.
• 16:53
  Speaker 1: Oh yeah, that must way too big.
• 16:56
  Speaker 2: Yeah, so and maybe it's just a different time where
• 16:58
  Speaker 2: mustaches were more like society, like to help, uh, welcoming
• 17:03
  Speaker 2: in society.
• 17:04
  Speaker 1: But I don't know. I thought it was really odd
• 17:06
  Speaker 1: and then yeah, oh.
• 17:08
  Speaker 2: No, it's just like Peter like it's like a creepy
• 17:10
  Speaker 2: like gym teacher or something. I don't know what what
• 17:12
  Speaker 2: was what was he doing there? But in the show
• 17:14
  Speaker 2: he's like helping his dad like run the campaign or something.
• 17:17
  Speaker 3: Yeah.
• 17:18
  Speaker 2: And then Bobby like really like kissing this girl but awkwardly,
• 17:21
  Speaker 2: and I was like, that's what he's that's what he's into.
• 17:23
  Speaker 1: And he's in a wheelchair, which I because.
• 17:26
  Speaker 2: That happens in one of the made for TV movies,
• 17:29
  Speaker 2: so I didn't realize it until later in this episode.
• 17:33
  Speaker 2: Was like, Oh, he's in a wheelchair. What is it?
• 17:35
  Speaker 2: And I was like, oh, yeah, he's in a wheelchair.
• 17:36
  Speaker 2: I'm like they really should have mentioned that. Yeah.
• 17:38
  Speaker 1: Yeah. At the beginning, there's a family and the youngest
• 17:42
  Speaker 1: one is sitting in a chair.
• 17:43
  Speaker 2: Which if I was to ever, if I had any
• 17:46
  Speaker 2: acting talent, that would be the role I would want
• 17:48
  Speaker 2: for sure, Like get a sit all day, Like fuck yeah,
• 17:51
  Speaker 2: I don't have to worry about like moving and grooving around.
• 17:54
  Speaker 2: And then oh Alan, and then this is the part
• 17:56
  Speaker 2: because I haven't watched this in so fucking long, and
• 17:58
  Speaker 2: at this show, I probably just watched couple episodes here
• 18:00
  Speaker 2: and there, but I was like, oh fuck, Like Alice
• 18:02
  Speaker 2: is still working and I was like, oh, I guess, like,
• 18:05
  Speaker 2: like what's going on here? Like do they not pay
• 18:07
  Speaker 2: her well? Is she codependent on them? Like what's going on?
• 18:10
  Speaker 1: Well? Actually, Barry Williams says, and a lot of them
• 18:14
  Speaker 1: said so. Their syndication nowadays is way different than it
• 18:18
  Speaker 1: used to be back in the day. So the syndication
• 18:21
  Speaker 1: deals they had prior was you only got paid for
• 18:24
  Speaker 1: up to ten years after it got syndicated. So if
• 18:27
  Speaker 1: the Brady Bunch for TV Wise, if it got syndicated
• 18:31
  Speaker 1: in nineteen seventy five, they got no more royalties nineteen
• 18:34
  Speaker 1: eighty five moving on, and every single episode has been
• 18:38
  Speaker 1: played at least one hundred thousand times, which is fucking
• 18:41
  Speaker 1: crazy and they're getting nothing from that, and they have
• 18:44
  Speaker 1: it since eighty five or whenever it got syndicated.
• 18:46
  Speaker 2: Me if I was them, I would be like milk
• 18:48
  Speaker 2: and every comic con, every every bar mitzvah or whatever.
• 18:52
  Speaker 2: I like, I'm jan yeah, and they're like I'm out,
• 18:56
  Speaker 2: like give it to me. Where's marsha at? And then
• 18:58
  Speaker 2: she's like, oh my god, because this to be like
• 19:00
  Speaker 2: art or life imitating art or whatever and that like
• 19:03
  Speaker 2: there's gotta be like Marcia was hot, like not as
• 19:06
  Speaker 2: the kid, but like Marcia's gorgeous now still, you know
• 19:09
  Speaker 2: what I mean. Okay, So off the bat, I'm like
• 19:11
  Speaker 2: the show is starting, and I'm like, oh okay, it's
• 19:13
  Speaker 2: you know, single camera, which is a difference from multi
• 19:17
  Speaker 2: camera like the usually that comes.
• 19:18
  Speaker 1: Are Oh yeah, it was single camera, so so listen.
• 19:22
  Speaker 2: So like multi camera is like like you know, it's
• 19:25
  Speaker 2: almost like a play. So there's cameras throughout the stage. Yeah,
• 19:29
  Speaker 2: a single camera is like more of our shows like
• 19:31
  Speaker 2: you know, came up Thrones you mentioned, or Brinky Bad
• 19:34
  Speaker 2: or whatever. So immediately almost took a picture. Yeah, okay,
• 19:40
  Speaker 2: immediately I'm like okay, so it's it's not in front
• 19:43
  Speaker 2: of a life studio audience, but there's a fucking laugh track.
• 19:46
  Speaker 1: Actually, the original show I don't think was in front
• 19:48
  Speaker 1: of a studios either, but.
• 19:50
  Speaker 2: At least there's like that, you know, this is this
• 19:53
  Speaker 2: is there's at least that a lure that it is.
• 19:55
  Speaker 1: Well. I think in the first one it made a
• 19:56
  Speaker 1: lot more sense because it the show came off like comedy.
• 20:01
  Speaker 1: This one, I feel like they didn't know what they
• 20:02
  Speaker 1: were trying to do. So the laugh tracks are really weird,
• 20:06
  Speaker 1: which actually, oh are wait, are you gonna wait? Do
• 20:11
  Speaker 1: you have a scene or something? Oh?
• 20:12
  Speaker 2: Is it the one I was gonna tell you about
• 20:13
  Speaker 2: that I sent you the Full House one?
• 20:15
  Speaker 1: Oh no, no, no, no, okay thought that to you.
• 20:18
  Speaker 2: I didn't say, oh yeah you did? Ye? Would you
• 20:20
  Speaker 2: mind playing that really quick? Okay? So it gave this.
• 20:25
  Speaker 2: So I saw on Instagram this scene. It's super dark,
• 20:29
  Speaker 2: so trigger warning or whatever, but it's a scene with
• 20:33
  Speaker 2: Stephanie Tanner from Full House with one of her friends
• 20:35
  Speaker 2: who's getting abused by his dad, and it's like the
• 20:38
  Speaker 2: theme of the of the video is inappropriate laugh tracks,
• 20:42
  Speaker 2: and it kind of mirrored how this show was.
• 20:45
  Speaker 1: This is a perfect example of it.
• 20:46
  Speaker 2: Yeah, all right, look The thing is, my dad does
• 20:51
  Speaker 2: give me sometimes, but it's my own fault for ticking
• 20:55
  Speaker 2: him off. Boy, are you really club me last week?
• 21:01
  Speaker 2: You mean when you came to school with that black
• 21:03
  Speaker 2: guy and you said you walked into a door.
• 21:05
  Speaker 1: Yeah.
• 21:07
  Speaker 2: Death. That's how the episode started because immediately the starting
• 21:15
  Speaker 2: of the show is like Marsha and Wally and their
• 21:17
  Speaker 2: two kids are living at the Brady's house and the
• 21:20
  Speaker 2: kids are just criticizing Marsha for not making peper and
• 21:22
  Speaker 2: jelly sandwiches.
• 21:23
  Speaker 1: They are really harsh too, and then Carol looks like
• 21:27
  Speaker 1: so I was like, oh, so, basically what Carol's wearing
• 21:29
  Speaker 1: is she's like, it looks like a Star Trek uniform
• 21:32
  Speaker 1: and it looks like she would be ahead of security.
• 21:34
  Speaker 1: So it's like basically what Wharf did in the next generation,
• 21:38
  Speaker 1: that's what Carol looks like. She's wearing.
• 21:40
  Speaker 2: The costume designer, the wardrobe whoever just outmatched. And then
• 21:46
  Speaker 2: they take how she like the lumpiness of the peanut
• 21:49
  Speaker 2: butter and then start talking like alluding to like her body.
• 21:53
  Speaker 1: Yeah for sure, yeah they go yeah, yeah.
• 21:56
  Speaker 2: Like blumpy, but I like lumps or whatever like that
• 21:59
  Speaker 2: kind of thing, like oh my god, Oly.
• 22:00
  Speaker 1: Has a Jerry curl mullet, which is just I know
• 22:03
  Speaker 1: it's kind of the style back then, but it's just
• 22:05
  Speaker 1: not very good.
• 22:05
  Speaker 2: It seems wally too, like oh my god. Yeah. So yeah,
• 22:08
  Speaker 2: so the kids are like being a little assholes about that,
• 22:11
  Speaker 2: and you could tell the okay, like this is Marsha's
• 22:14
  Speaker 2: going to be feeling some feelings in this. So then
• 22:16
  Speaker 2: the dad comes in and who does also kind of
• 22:18
  Speaker 2: have a creepy mustache. But I'm like, oh, okay, that,
• 22:21
  Speaker 2: oh hair. I wasn't completely put as much as I was.
• 22:27
  Speaker 1: From great I think looks great in this, Like he
• 22:30
  Speaker 1: looked a dope. Like there's a scene later on where
• 22:32
  Speaker 1: he like I have in my notes, but I was like,
• 22:34
  Speaker 1: he looks like a fucking badass.
• 22:36
  Speaker 2: So he comes in and he says that he has
• 22:37
  Speaker 2: a meeting with Jim Sacks, and I'm just like, girl,
• 22:40
  Speaker 2: because I'm just like, you know, he's gonna empty a
• 22:42
  Speaker 2: gym sack, you know what I mean. He's gay. So
• 22:45
  Speaker 2: the back kids are the brat kids are bullying their mom,
• 22:48
  Speaker 2: and the husband's a piece of shit. Seems like Marcia
• 22:51
  Speaker 2: is feeling without purpose.
• 22:54
  Speaker 1: Oh, feeling she has no purpose.
• 22:55
  Speaker 2: Oh feeling she has no purpose. Okay, I wrote the
• 22:58
  Speaker 2: other one even and so okay, so I don't remember
• 23:03
  Speaker 2: everything in this in this part, but pretty much the
• 23:05
  Speaker 2: kids are like Matt and then the grandma's like Carol's
• 23:08
  Speaker 2: like I'll just save the day and make the make
• 23:10
  Speaker 2: it the better. The ways the husband is being like
• 23:13
  Speaker 2: a little bit of a bitch to Marcia, and then
• 23:15
  Speaker 2: Marsha's like oo, and then Marcia is like going on
• 23:18
  Speaker 2: her to do, let's try to find somebody to hang
• 23:21
  Speaker 2: out with her, and immediately she steps in like, Okay,
• 23:24
  Speaker 2: I'm gonna I'm so desperate, I'm gonna reach out to
• 23:26
  Speaker 2: Jan Brady. But yeah, and that just well.
• 23:29
  Speaker 1: The crazy thing about too is Jan's like, oh, I'm
• 23:31
  Speaker 1: so busy with my job. I can't even help my
• 23:34
  Speaker 1: daughter when she's sick. But my husband's at home. So
• 23:36
  Speaker 1: then Marcia Marsha calls the husband and say, hey, do
• 23:39
  Speaker 1: you want to hang out? I can help you with
• 23:41
  Speaker 1: your sick child, and then the husband goes, uh, he goes,
• 23:46
  Speaker 1: he goes, no, I have help from mister Spock, and
• 23:49
  Speaker 1: she goes doctor Spock. So I looked it up. Let her.
• 23:53
  Speaker 1: Nimoy has zero books about parenting or anything related to parenting.
• 23:58
  Speaker 1: So because he was refer like he was reading a book.
• 24:01
  Speaker 1: In nineteen seventy five, Leonard Nemo came out with a
• 24:04
  Speaker 1: book called I'm Not a Spock, and then he came
• 24:06
  Speaker 1: out with like poetry books and I think some novels.
• 24:09
  Speaker 1: None of that is helpful to like a kid with
• 24:11
  Speaker 1: a cold. So I have no fucking clue what that
• 24:15
  Speaker 1: what that reference was like.
• 24:18
  Speaker 2: With Carol's outfit and then mentioning spot maybe there this
• 24:21
  Speaker 2: is like a shared universe with Star Trek or something like.
• 24:24
  Speaker 1: Well, then later on Wally said something about Jeordie and
• 24:27
  Speaker 1: I'm like another Star Trek thing, like what's going on?
• 24:29
  Speaker 2: And then for them to say like like when you
• 24:30
  Speaker 2: have a cold, you see if if Jan and her husband,
• 24:34
  Speaker 2: this just like proves the point that like straight people
• 24:35
  Speaker 2: shouldn't have kids, like you should if you're gonna adopt,
• 24:39
  Speaker 2: especially if you're gonna adopt and you're choosy to have
• 24:41
  Speaker 2: a child, you should understand like kids sneeze.
• 24:44
  Speaker 1: Yeah, one hundred, it's not like.
• 24:45
  Speaker 2: The end of the world. And anyways, so then like
• 24:50
  Speaker 2: Philip or whatever, it was like nagurl and then the
• 24:53
  Speaker 2: music like slows down again to like the dramatic Brady
• 24:56
  Speaker 2: Bunch theme, and then I think that's the only two
• 25:00
  Speaker 2: that she hits up. And then she like grabs a
• 25:02
  Speaker 2: newspaper and is like, ooh, I'm gonna check. Oh there's
• 25:04
  Speaker 2: a job opportunity for like a fashion designer. Yeah, so
• 25:07
  Speaker 2: that's she's.
• 25:08
  Speaker 1: And that fashion designer fucking dunks on her.
• 25:11
  Speaker 2: Yeah, he.
• 25:13
  Speaker 1: Guys. Yeah, when you're decided to have a family, the
• 25:16
  Speaker 1: fashion world left you in the dust or something like
• 25:19
  Speaker 1: god damn.
• 25:20
  Speaker 2: But look at her, like remember one, okay fashion designer
• 25:24
  Speaker 2: puts in a newspaper ad, so maybe they're not looking
• 25:27
  Speaker 2: for like top quality, but also for her to just
• 25:30
  Speaker 2: like walts in and be like I want to be
• 25:33
  Speaker 2: a fashion designer and I'm like what, like no, like
• 25:37
  Speaker 2: you haven't earned anything. But I guess this is like
• 25:39
  Speaker 2: a good character arc because back in the day she
• 25:41
  Speaker 2: like thought the world revolved around her. And maybe this
• 25:45
  Speaker 2: is even Jan is too busy for her, And yeah,
• 25:49
  Speaker 2: Jan would have been like screaming to hang out with
• 25:51
  Speaker 2: her back in the day. Again, the laugh track when
• 25:54
  Speaker 2: she gets denied and stuff, and like when he's like
• 25:56
  Speaker 2: ripping on her, the lap track's going, Yeah for sure.
• 25:59
  Speaker 1: I'm like, this is like serious, like emotionally damaging shit,
• 26:02
  Speaker 1: like god damn.
• 26:03
  Speaker 2: And then they uh cut back, Okay, So this is
• 26:06
  Speaker 2: like I know this is the Brady's and this is
• 26:07
  Speaker 2: the nineties, But like in TV shows, when there is
• 26:12
  Speaker 2: a character in a scene and then they're gonna be
• 26:14
  Speaker 2: in the next scene, I think that there needs to
• 26:17
  Speaker 2: be some like exterior shots and maybe like a few beats,
• 26:21
  Speaker 2: but no, they're just like go right into it. So
• 26:23
  Speaker 2: she's like getting denied at the fashion design thingy and
• 26:26
  Speaker 2: then she's like sitting on the couch trying to talk
• 26:28
  Speaker 2: to Wally and he's having like a completely different conversation.
• 26:32
  Speaker 1: Yeah. I even put that down. That's one of my
• 26:34
  Speaker 1: least favorite tropes the TV is when two people are
• 26:36
  Speaker 1: talking but they aren't listening to each other and then
• 26:38
  Speaker 1: like at the end they go, oh what like, oh,
• 26:40
  Speaker 1: I don't know why. It makes me so upset. It
• 26:43
  Speaker 1: drives me insane when TV's shows do that.
• 26:46
  Speaker 2: Yeah, this one was like played like their laugh truck
• 26:49
  Speaker 2: was of course like going a little bit, but there
• 26:50
  Speaker 2: was no punchline. It was like she is like really struggling,
• 26:55
  Speaker 2: and it doesn't have the ability to like communicate that
• 26:57
  Speaker 2: to her husband, and the husband is living in like
• 27:00
  Speaker 2: this delusional world about thinking that he is killing it
• 27:04
  Speaker 2: at his job. Little does he know. Spoiler but so god,
• 27:09
  Speaker 2: we're getting deep about the Bradys. But yeah, there's a
• 27:12
  Speaker 2: lot of issues with this. And then I get like boom,
• 27:16
  Speaker 2: cut back to cut, not back, but cut to like
• 27:19
  Speaker 2: the radio station where Lispy Cindy is working, because.
• 27:22
  Speaker 1: I don't know what time of is it the daytime?
• 27:25
  Speaker 1: Is it nighttime? Now? Is she a nighttime DJ person?
• 27:27
  Speaker 1: I don't know, because you're right, there's no exterior shots
• 27:30
  Speaker 1: telling us what the fuck is going on. It's just
• 27:32
  Speaker 1: like people's face is talking, another person's face, different location talking,
• 27:36
  Speaker 1: all right, now, it's like a lot going on.
• 27:38
  Speaker 2: And what that what movie we watched? It was like
• 27:40
  Speaker 2: Veloci Pastor. Oh, they didn't have a lot of that,
• 27:43
  Speaker 2: but they just put the captions like you know, nineteen
• 27:45
  Speaker 2: hundred China, right. You know, at least they did that
• 27:49
  Speaker 2: car exploding, like they could have done something and little
• 27:52
  Speaker 2: find out later on this episode. I'm sure if you
• 27:54
  Speaker 2: mentioned this, this episode takes place over like like a
• 27:57
  Speaker 2: few weeks.
• 27:58
  Speaker 1: Oh, is that? I don't know. I thought it was
• 28:00
  Speaker 1: like two days. Yeah, I was like, no clue.
• 28:02
  Speaker 2: Yeah, but I'm like, but you would have known that
• 28:03
  Speaker 2: because like these shots are just like boom boom poo.
• 28:06
  Speaker 2: So then Sendy's at the radio station and she got
• 28:08
  Speaker 2: some good news that she's gonna be and I put this,
• 28:11
  Speaker 2: she's annoying as fuck. Yeah, I said, God, she's annoying
• 28:13
  Speaker 2: as fuck. So she got the opportunity to go on
• 28:17
  Speaker 2: like air like I'll like be like a star of
• 28:19
  Speaker 2: a show. I think, yeah, and like which you know,
• 28:23
  Speaker 2: and then there's like this really uncomfortable like guitar rip
• 28:28
  Speaker 2: yeah during that scene, And.
• 28:29
  Speaker 1: I wasn't sure if this was like a boyfriend or
• 28:31
  Speaker 1: a boss, and I'm like, this is not. This is weird.
• 28:34
  Speaker 2: So he's like at least like ten years older. I said,
• 28:37
  Speaker 2: he's he's a real chad kind of guy, and I
• 28:39
  Speaker 2: thought he was gonna do something sinister just because we
• 28:41
  Speaker 2: live in it's like post me to era. He's much older.
• 28:45
  Speaker 2: He's her boss and he doesn't want her to get
• 28:47
  Speaker 2: this job. I'm like, okay, like she's gonna get fucked
• 28:50
  Speaker 2: over by this guy, but instead she just gets like
• 28:53
  Speaker 2: emotionally manipulated by him.
• 28:54
  Speaker 1: And then scene he goes, He goes, oh, well, I
• 28:58
  Speaker 1: want to let you know that I got off in
• 29:00
  Speaker 1: early listening of Michael Jackson's new album. So this album
• 29:05
  Speaker 1: came or this episode of The Bradys came out March second,
• 29:08
  Speaker 1: nineteen ninety so I guess we can kind of assume
• 29:10
  Speaker 1: that's when this time frame is supposed to be. Michael
• 29:14
  Speaker 1: Jackson's next album came out in November of nineteen ninety one,
• 29:17
  Speaker 1: so twenty two months after this episode came out, and
• 29:20
  Speaker 1: that was that bad CD, which is huge. But how
• 29:24
  Speaker 1: did this guy from this radio station get an early
• 29:27
  Speaker 1: copy almost two years before The City came out? Like
• 29:31
  Speaker 1: what would it even be? I have no clue, fucking.
• 29:33
  Speaker 2: Crazy, While you rarely went in for like because back
• 29:36
  Speaker 2: then they didn't have internet, so that you can't say
• 29:38
  Speaker 2: whatever the fuck you wanted, you were like yeah, yeah,
• 29:42
  Speaker 2: it's like this doesn't make sense, this isn't word. So
• 29:45
  Speaker 2: then they cut back to the to the Brady House.
• 29:47
  Speaker 2: Carol is planning to take the kids to the art
• 29:50
  Speaker 2: art store, I guess, and Marcia like fucking just goes
• 29:54
  Speaker 2: off realquick and like starts yelling at them.
• 29:57
  Speaker 1: And I put Carol is one, I'm percent on the
• 29:59
  Speaker 1: wrong here because Marsha goes, hey, I can take them. No,
• 30:01
  Speaker 1: we don't want to take care. She goes, no, I'll
• 30:03
  Speaker 1: take him. So then I feel like Marsha was like
• 30:08
  Speaker 1: no because they haven't done their chores yet, and the
• 30:09
  Speaker 1: kids are like, I will do them later. So the
• 30:11
  Speaker 1: kids aren't listening, Carol's not listening, and Marsh's giving valid
• 30:15
  Speaker 1: reasons on why she doesn't want her to go, and
• 30:17
  Speaker 1: then Carol goes wait in the car kids, and then
• 30:20
  Speaker 1: kind of gaslights Marsha going like, hey, what's wrong with you? Like, bitch,
• 30:24
  Speaker 1: I fucking told you I want to take the kids.
• 30:26
  Speaker 1: They're not listening, so they shouldn't get any presents right now.
• 30:29
  Speaker 1: And Carol's like, ah, acting weird all right later, yeah,
• 30:32
  Speaker 1: it's like what the fuck?
• 30:34
  Speaker 2: And then uh, but I did find so I tell
• 30:37
  Speaker 2: you just said that. I was a little bit more
• 30:38
  Speaker 2: team Carol, because who is Marsha to talk. They had six,
• 30:45
  Speaker 2: you know, probably seven year maybe Cindy was like seven
• 30:48
  Speaker 2: or eight seven or whatever, went at the beginning to
• 30:51
  Speaker 2: like teenage. It's six fucking kids and to stay at
• 30:54
  Speaker 2: home mom, and they still had to have a living like, uh, housekeeper,
• 30:59
  Speaker 2: just do your fucking like, there's seven of you there,
• 31:03
  Speaker 2: clean up after yourself. We're good.
• 31:05
  Speaker 1: Yeah, and they were like touring around the world and
• 31:08
  Speaker 1: stuff that they can lose vacuum.
• 31:09
  Speaker 2: You know, this was definitely a different like I don't
• 31:11
  Speaker 2: know if you caught onto or caught the uh when
• 31:14
  Speaker 2: they tried like the Brady Bunch Variety Hour. Did you
• 31:17
  Speaker 2: ever watch that?
• 31:18
  Speaker 1: I like I've seen clips and stuff like that.
• 31:20
  Speaker 2: But yeah, so back in the day, like everyone like
• 31:23
  Speaker 2: you know, Chaer and Sonny Bono, like they had like
• 31:25
  Speaker 2: a variety thing like Carol kind of vibe. And I
• 31:29
  Speaker 2: think on that that show, jan was the one that
• 31:32
  Speaker 2: didn't want to be a part of it. On the
• 31:34
  Speaker 2: Variety Hour, it's just like all singing, dancing, sequence and stuff. Okay,
• 31:39
  Speaker 2: so Carol is clearly in my This is when I
• 31:42
  Speaker 2: wrote prior clearly is trying to fill a void in
• 31:45
  Speaker 2: her lavender marriage, which a listener if you don't know
• 31:47
  Speaker 2: what that is. It's like when two when a man
• 31:50
  Speaker 2: and a woman are together and the guy usually is gay.
• 31:54
  Speaker 2: But yeah, like Eliza Minellie, she kept marrying gay guys
• 31:58
  Speaker 2: kind of vibe. I honestly, I think Marcia needs to
• 32:03
  Speaker 2: chill the funk out living rent free in the Brady House.
• 32:06
  Speaker 1: That is very true though, like a like, yeah, let
• 32:10
  Speaker 1: your mom hang out with the grand kids she wants.
• 32:12
  Speaker 1: You're not paying shit, yeah.
• 32:13
  Speaker 2: Yeah, because clearly she has some issues. Like two of
• 32:15
  Speaker 2: her three kids are like disgusting creeps, the boys. One
• 32:20
  Speaker 2: of them is in a wheelchair, which is like, not
• 32:22
  Speaker 2: no fault to him, but like that all the bedrooms
• 32:24
  Speaker 2: are upstairs, so like it's a whole hassle when he
• 32:26
  Speaker 2: stays the night and.
• 32:27
  Speaker 1: Then ale whsshle.
• 32:36
  Speaker 2: So yeah, and then and then she has to deal
• 32:39
  Speaker 2: with like you know, sind Deep getting sexually harassed by
• 32:43
  Speaker 2: her broths. Okay, so Marcia like dramatically goes for the
• 32:46
  Speaker 2: bottle at this point. So that's where that's when, like
• 32:48
  Speaker 2: I guess the first commercial break happened. So a lot
• 32:51
  Speaker 2: happened in this opening.
• 32:52
  Speaker 1: Yeah, for sure. And the thing I focused on mainly
• 32:56
  Speaker 1: was how weird the laugh track was weird time and
• 33:00
  Speaker 1: sometimes it was so quiet, You're like, is that laughing?
• 33:03
  Speaker 1: And it kind of sounds sinister it was, I don't know,
• 33:05
  Speaker 1: it was odd like and I think so it was
• 33:08
  Speaker 1: sure Wood Shorts and his son Lloyd Shorts. That's hard
• 33:13
  Speaker 1: to say, I think so. I feel like there was
• 33:15
  Speaker 1: a lot of back and forth on do we want
• 33:17
  Speaker 1: to make this a drama or do we make this
• 33:19
  Speaker 1: a comedy? Yeah, and I think there is no final decision,
• 33:24
  Speaker 1: like we'll just do both because the show is very
• 33:26
  Speaker 1: fucking weird.
• 33:27
  Speaker 2: They could have done something because I've seen, like, okay,
• 33:29
  Speaker 2: going back to Hacks, why everyone should watch Hacks. It's
• 33:32
  Speaker 2: a beautiful blend. There's like kind of four main characters.
• 33:35
  Speaker 2: Two of them are they're all funny, but two of
• 33:37
  Speaker 2: them are a little bit more funny but then also dramatic.
• 33:40
  Speaker 2: The other two were just the comic relief maybe not
• 33:44
  Speaker 2: like but also the Wally guy seems very more of
• 33:46
  Speaker 2: like a comedic actor, but maybe pairying the comedic ones
• 33:50
  Speaker 2: together a little bit more and then the more dramatic
• 33:53
  Speaker 2: ones a little bit more. But they like really put
• 33:56
  Speaker 2: them in a weird situation.
• 33:58
  Speaker 1: Yeah, And I am cool and dramedy's I think that
• 34:01
  Speaker 1: dramas are great, Like I'm assuming that's kind of a
• 34:03
  Speaker 1: hack is dramedy and comedy drama drama. But this one,
• 34:08
  Speaker 1: I feel like the stuff that they were saying was
• 34:11
  Speaker 1: funny just wasn't funny. A lot of it was just like, oh,
• 34:14
  Speaker 1: that's not good, and they then they just added it
• 34:16
  Speaker 1: like it just came off.
• 34:18
  Speaker 2: So a drama edy is a comedy and drama, but
• 34:21
  Speaker 2: then a dramaedy comedy would be a commodramedy. MA dramedy.
• 34:32
  Speaker 1: So good.
• 34:33
  Speaker 2: I wish that they because you listener, you can watch
• 34:36
  Speaker 2: these on YouTube, which is just shows like the quality
• 34:38
  Speaker 2: of it. But I wish that, like a lot of
• 34:40
  Speaker 2: the shows that we've watched that are from like this
• 34:42
  Speaker 2: era have like the commercials of that. I wish that
• 34:46
  Speaker 2: this one. I want to know what, like hemorrhoid cream
• 34:48
  Speaker 2: there were selling, you know what I mean. Sure, So
• 34:52
  Speaker 2: so we've gone back and Mike just got done fucking
• 34:55
  Speaker 2: Jordan and now talking politics when Wally and Peter, he
• 35:00
  Speaker 2: ends up being in a wheelchair. No Peter, no no, no, okay,
• 35:03
  Speaker 2: I should have just deleted this is to just continue
• 35:06
  Speaker 2: to type it. Okay. So Peter was on the Surreal
• 35:09
  Speaker 2: Life like we talked about, and he was with America's
• 35:11
  Speaker 2: next time we talked about that and I wrote, She's gross,
• 35:13
  Speaker 2: that's so rude. So it just felt like I was
• 35:16
  Speaker 2: just being very like unusually homophobic while watching this, Like
• 35:21
  Speaker 2: I don't know, I don't put Robert Reid as like
• 35:24
  Speaker 2: a gay icon, you know, like I don't. He was
• 35:28
  Speaker 2: the uncle from brew Bewitched. He was on Hollywood Squares
• 35:32
  Speaker 2: and he was like very gay and like, oh I
• 35:35
  Speaker 2: like flower design. Yeah, we'll have to look that up,
• 35:39
  Speaker 2: but that that's like a gay icon. He was never out,
• 35:43
  Speaker 2: but I don't have to look it up on Google.
• 35:46
  Speaker 1: Right here. I just put Mike Brady as a gangster,
• 35:48
  Speaker 1: and I didn't realize how big he was. I think
• 35:49
  Speaker 1: he's like six'. Four he's fucking huge in This Paul.
• 35:53
  Speaker 2: Lynn Paul, lynn he was like everyone knew he was
• 35:56
  Speaker 2: gay because all of his jokes were very much like,
• 36:00
  Speaker 2: skating like that kind of. THING i don't know if
• 36:02
  Speaker 2: that was one of his. Jokes BUT i should just
• 36:04
  Speaker 2: go up on stage and like do stand up and
• 36:06
  Speaker 2: just do like all stereotypes like oh, Yeah i'm Gonna
• 36:10
  Speaker 2: i'm gonna be a choreographer or. Choreographer. Okay So cindy
• 36:14
  Speaker 2: is talking about her new love Interests, gary oh, god
• 36:20
  Speaker 2: and this possible new. Job so she's like over at
• 36:23
  Speaker 2: The brady's. House marcia knew that she was coming over,
• 36:25
  Speaker 2: probably and she's sharing two things like, oh this Guy
• 36:29
  Speaker 2: i'm interested in and this new job, opportunity that's something
• 36:32
  Speaker 2: you share with your sibling if you're close with. THEM
• 36:34
  Speaker 2: i don't, know, Yea and, Yeah marsha just like flips
• 36:37
  Speaker 2: the fuck out, again and we.
• 36:38
  Speaker 1: Don't know what time of day it. Is they're drinking,
• 36:39
  Speaker 1: coffee but it seems like it's, nighttime because why aren't
• 36:42
  Speaker 1: the kids at. SCHOOL i don't, know like without having exterior,
• 36:45
  Speaker 1: SHOTS i have no clue what time of day it.
• 36:47
  Speaker 1: Is and it felt really.
• 36:48
  Speaker 2: Uncomfortable, yeah and the kids are like just kind of
• 36:52
  Speaker 2: teasing one, another And marcia flips the fuck, out and
• 36:54
  Speaker 2: it's like go to bed dah And cindy's like you'd
• 36:57
  Speaker 2: be the one defending us from mom and. Dad you
• 37:00
  Speaker 2: guys had no. Punishments you. Guys your guys' chores were
• 37:03
  Speaker 2: mowing the, lawn but the lawn was like as not
• 37:06
  Speaker 2: astroglide what was it called astro astra glides like vaginal.
• 37:11
  Speaker 1: Lubrication and then so THEN i thought they were gonna, say, like,
• 37:14
  Speaker 1: oh Maybe marsh's hung over or. Something she was just BEING.
• 37:20
  Speaker 2: I don't, Know i've, okay product placement or product idea for?
• 37:24
  Speaker 2: Us what if we came out With Notable Nostalgia lube Like,
• 37:27
  Speaker 2: astro but like focused on the woman's. Pleasure so she's
• 37:31
  Speaker 2: like a picture of me and you back to back
• 37:33
  Speaker 2: with her arms, crossed and it's like notable Nostalgia astroglade
• 37:36
  Speaker 2: for women for. Women, yeah we know that women. Need
• 37:43
  Speaker 2: oh my, god it comes if you buy like in,
• 37:45
  Speaker 2: bulk you get like a calendar of. Us, Okay so,
• 37:49
  Speaker 2: Yeah marsha flips the funk out AND i don't know
• 37:51
  Speaker 2: if she goes to the. Bottle, OKAY i didn't talk about.
• 37:54
  Speaker 2: This we reviewed the episode Of Seventh heaven where like
• 37:58
  Speaker 2: the ant like is like an alcoholic and is really
• 38:01
  Speaker 2: like you, know going through. It Maybe i'm just, like,
• 38:05
  Speaker 2: OKAY i know alcoholism. Exist yeah my, Life i've drink
• 38:11
  Speaker 2: so much more Than, marcia AND i just get jollier and,
• 38:14
  Speaker 2: jollier same until the times like lay down her, bar
• 38:17
  Speaker 2: like Then i'm, Done LIKE i don't like start yelling
• 38:21
  Speaker 2: at my, child WHICH i know that, happens so don't
• 38:24
  Speaker 2: don't write. Us BUT i guess that would have been
• 38:27
  Speaker 2: like a really bad episode if she just like is
• 38:30
  Speaker 2: a fucking bitch at the beginning and then starts drinking
• 38:32
  Speaker 2: is like everyone's. Favorite.
• 38:34
  Speaker 1: Yeah, yeah they all try to wrap up stuff at
• 38:36
  Speaker 1: the end of the, episode like you beat your, Children,
• 38:40
  Speaker 1: yeah comes, going, well no more wild turkey for.
• 38:43
  Speaker 2: You oh my. God, okay the parents now are chatting About,
• 38:50
  Speaker 2: marcia And mike knows exactly what's going, on and it
• 38:54
  Speaker 2: Like penn's, point she's feeling this way and she's feeling
• 38:56
  Speaker 2: blah blah. Blah well he's not like what the fuck
• 38:59
  Speaker 2: He it's just Like carol's, listening or actually she's, listening
• 39:03
  Speaker 2: but she's not Like mike's, like this is how you
• 39:05
  Speaker 2: resolve the. Situation and it just makes me think like
• 39:08
  Speaker 2: his drama was, sure Were? SCHWARTZ i been sure there
• 39:10
  Speaker 2: was like a drama, like, no this is how you
• 39:12
  Speaker 2: saw the. Issue this is not a realistic.
• 39:14
  Speaker 1: Thing that's mainly why he would yell and, like BUT
• 39:16
  Speaker 1: i guess he never did in front of the, kids
• 39:18
  Speaker 1: or rarely would he yell in front of the, kids
• 39:21
  Speaker 1: which is, like so like he's probably a pretty cool. Dude.
• 39:23
  Speaker 2: Yeah IF i Was Robert reid AND i didn't like the,
• 39:25
  Speaker 2: CREATOR i would tell the kids and turn the kids
• 39:27
  Speaker 2: against ten yeah oh, yeah and then Throw alice under
• 39:31
  Speaker 2: the bus.
• 39:32
  Speaker 1: Too like.
• 39:34
  Speaker 2: She's she's A vietnam sympathizer or. SOMETHING i don't, know
• 39:38
  Speaker 2: because they like he was like they're The Vietnam war
• 39:40
  Speaker 2: like the original one maybe yeah around, THERE i don't.
• 39:43
  Speaker 2: Know The Vietnam war was, pointless like that was genocide,
• 39:46
  Speaker 2: Right like one.
• 39:48
  Speaker 1: Reason it was so, shitty it was Like Henry kissinger
• 39:51
  Speaker 1: the country right next To vietnam that goes Some vietnamese
• 39:55
  Speaker 1: are going across that. Country so they just had a
• 39:57
  Speaker 1: grid system and they, go we're gonna bomb a one,
• 39:59
  Speaker 1: today a, two and so they just it doesn't matter
• 40:01
  Speaker 1: who was there or, whatever just hundreds of thousands of
• 40:03
  Speaker 1: people just getting fucking. Bombed like it was just a,
• 40:06
  Speaker 1: horrible disgusting.
• 40:07
  Speaker 2: Situation Did henry because In jersey Was secretary Of, State.
• 40:10
  Speaker 1: Yeah this piece of.
• 40:10
  Speaker 2: Shit did he Bang Barbara?
• 40:12
  Speaker 1: Walters you know a lot of people they he was
• 40:14
  Speaker 1: like a sex symbol for a, while which blows my.
• 40:16
  Speaker 1: Mind but, uh a lot of people think he was actually.
• 40:19
  Speaker 1: GAY a lot of people think that he would hang
• 40:21
  Speaker 1: out with those. Women but there's a lot of people
• 40:23
  Speaker 1: don't think he choked up with.
• 40:24
  Speaker 2: Anybody, okay even IF i was, GAY i would hook
• 40:27
  Speaker 2: up With Barbara walters if she was still. Alive, yeah
• 40:30
  Speaker 2: there's so manyanings wrong WITH i, was, yeah like there's a,
• 40:35
  Speaker 2: lot oh, yeah BECAUSE i am, gay but like if,
• 40:37
  Speaker 2: YEAH i don't know where that's. Going it's pretty. Old
• 40:41
  Speaker 2: it's just pretty. Old she, died, yeah oh. Yeah and
• 40:46
  Speaker 2: LIKE i was so bummed BECAUSE i like got her
• 40:48
  Speaker 2: book early on when it came, out BECAUSE i was,
• 40:50
  Speaker 2: like this is gonna be. Tea it's gonna be because
• 40:51
  Speaker 2: she had. Sex she had an affair with uh the
• 40:54
  Speaker 2: first black. Senator oh yeah. Yeah AND i but like
• 40:57
  Speaker 2: the book is like two feet, tall like it's, NO
• 41:00
  Speaker 2: i want the. Smut that's why my next Book i'm
• 41:03
  Speaker 2: gonna read is The Liza minelli, one because she releases
• 41:06
  Speaker 2: all the.
• 41:06
  Speaker 1: TEA i just thought of a great idea for. You
• 41:08
  Speaker 1: you read a book and just get the juicy. Part
• 41:10
  Speaker 1: and you know how they had those like they called
• 41:12
  Speaker 1: cliff notes or, whatever just called jeff, notes and this
• 41:15
  Speaker 1: is the, stuff this is the STUFF i know you.
• 41:16
  Speaker 1: Want and So i'm just gonna write and she looked
• 41:19
  Speaker 1: up with this dude at this, time and that's. It
• 41:21
  Speaker 1: you should do.
• 41:21
  Speaker 2: That that would be like An American like it's like
• 41:24
  Speaker 2: a like like heated, rivalry like that gay higher hockey.
• 41:28
  Speaker 2: THING i could just take the, episodes edit out all
• 41:31
  Speaker 2: of the romance and love and just like all of
• 41:33
  Speaker 2: just like the asshole, licking and just release us. PORN
• 41:36
  Speaker 2: i guess. Thought We, WAIT i get an argument With
• 41:44
  Speaker 2: jeremy all the time about not all the, time but
• 41:46
  Speaker 2: LIKE i count that as. Inventing, yeah LIKE i just invented.
• 41:51
  Speaker 2: PORN i know it was already, invented but that doesn't
• 41:54
  Speaker 2: take away the fact THAT i invented.
• 41:55
  Speaker 1: IT i mean that's kind of. VALID i, mean you're so.
• 41:58
  Speaker 2: Supportive, Okay so, Yeah mike is, like this is what's going,
• 42:01
  Speaker 2: on and then it just falls on deaf. Ears and
• 42:04
  Speaker 2: then but then there's like a poor joke about like
• 42:07
  Speaker 2: the uh portage joke about like The.
• 42:08
  Speaker 1: Titanic, YES i, YEAH i have that, too because well
• 42:12
  Speaker 1: The wally it wasn't the captain's fault of or. Something,
• 42:16
  Speaker 1: yeah and that was an exterior, thing SO i mean
• 42:19
  Speaker 1: it kind of wasn't really the captain's fault it. Was
• 42:22
  Speaker 1: it Was, YEAH i don't, Know i'm with. YOU i was,
• 42:24
  Speaker 1: LIKE i don't really know what they were trying to
• 42:26
  Speaker 1: hit with that.
• 42:26
  Speaker 2: Joke it's Before, titanic you, know The slandeon movie or
• 42:31
  Speaker 2: Like Leonardo, DiCaprio you know WHAT i, mean is before
• 42:33
  Speaker 2: That TITANIC onhs like that is before this. One so
• 42:36
  Speaker 2: they were just making fun of like a. Tragedy, yeah and.
• 42:38
  Speaker 1: They JUST i think The titanic got discovered for the first,
• 42:41
  Speaker 1: time like footage, Wise LIKE i think it's like eighty
• 42:44
  Speaker 1: six or eighty, four like right around. There, Yah so
• 42:47
  Speaker 1: it probably just got. Discovered so it's probably still kind
• 42:49
  Speaker 1: of relatively still in the, news thinking about fifteen hundred people,
• 42:53
  Speaker 1: dying and he's, like, oh that wally piece of.
• 42:55
  Speaker 2: Shit no. No and it's like IF i were to,
• 42:57
  Speaker 2: say like like if you did something really, good like,
• 43:00
  Speaker 2: YOU i don't, know like you're playing soccer and you
• 43:01
  Speaker 2: hit a goal and it makes it And i'm, like,
• 43:03
  Speaker 2: oh you really nailed, that like the suicide hijackers of
• 43:06
  Speaker 2: nine to, Eleven like. Yeah so SO i guess my
• 43:11
  Speaker 2: point IS i think people just need to be more
• 43:14
  Speaker 2: be more mindful of like, elevating you, know not having
• 43:18
  Speaker 2: such inappropriate.
• 43:18
  Speaker 1: Jokes, yes that's the one thing that you, said you
• 43:21
  Speaker 1: try not to do any inappropriate.
• 43:22
  Speaker 2: Jokes.
• 43:23
  Speaker 1: Yeah did we go over the part where they talk
• 43:26
  Speaker 1: about like the trauma center and all the people working.
• 43:29
  Speaker 1: Together oh, yeah so they're in.
• 43:32
  Speaker 2: It but that's important.
• 43:33
  Speaker 1: Part there's a weird part because this is WHERE i,
• 43:35
  Speaker 1: like this is it's The oh.
• 43:38
  Speaker 2: That was the next. Scene, yeah, okay, YEAH i don't
• 43:40
  Speaker 2: have anything with. It so all of the kids are
• 43:41
  Speaker 2: just like all working together.
• 43:43
  Speaker 1: Together for this trauma. Center but it was super weird
• 43:45
  Speaker 1: Because greg, goes, uh AND i, put this show doesn't
• 43:48
  Speaker 1: know what it wants to. Be greg, says this is a,
• 43:50
  Speaker 1: doctor Doctor STONE i think was her, name and she's an.
• 43:53
  Speaker 1: Expert and then she, GOES i have seen smashed, heads broken,
• 43:57
  Speaker 1: bones severed spinal, chords and even, death a lot of.
• 44:03
  Speaker 1: Death and then WHILE i, goes well that's, good well
• 44:05
  Speaker 1: not good but for a campaign, part and then there's
• 44:08
  Speaker 1: a laugh, track but she was like way into, detail
• 44:11
  Speaker 1: like severed, Spines like what the? Fuck, yeah it was.
• 44:14
  Speaker 2: Weird that was a weird scene because ALSO i get
• 44:17
  Speaker 2: it that there's so many characters in the, show but, maybe,
• 44:19
  Speaker 2: yeah some of them probably shouldn't have been in every,
• 44:21
  Speaker 2: episode or maybe like at the very end they show
• 44:24
  Speaker 2: up just to, like you, know but because So jan's
• 44:27
  Speaker 2: doing like something with THE i DON'T i forget what
• 44:30
  Speaker 2: her job was like city, Organizer LIKE i don't.
• 44:33
  Speaker 1: KNOW i Think jan was the architect artact, Building.
• 44:35
  Speaker 2: Okay and Then greg is a, doctor and Then peter
• 44:39
  Speaker 2: And wally work for the, campaign and Then bobby.
• 44:44
  Speaker 1: Was a computer computer.
• 44:45
  Speaker 2: Guy, yeah and then there was like a couple of
• 44:48
  Speaker 2: people that Weren't brady, related so and they actually seem
• 44:51
  Speaker 2: like competent.
• 44:52
  Speaker 1: People, yeah for. Sure it's just so weird because why
• 44:54
  Speaker 1: would you be like say such horrible like medical stuff
• 44:58
  Speaker 1: like a severed spine and crushed the and. Limbs and
• 45:02
  Speaker 1: THEN i don't it's just like they're, like let's try
• 45:04
  Speaker 1: to make it a drama drama for like the, adults
• 45:06
  Speaker 1: but they're a life tracking for. Kids and it came
• 45:09
  Speaker 1: OUT i keep saying, this but it came out super fucking.
• 45:11
  Speaker 2: Weird, yeah it's so. Uncomfortable and then and THEN i
• 45:15
  Speaker 2: think this is the scene where they start to like
• 45:17
  Speaker 2: kind of muddy the waters with like getting private businesses into.
• 45:21
  Speaker 2: Politics AND i was, like, oh this doesn't sound right,
• 45:23
  Speaker 2: yep so like a little like quip quip pro, Quo yeah,
• 45:28
  Speaker 2: exactly yeah kind vibe AND i have a clip to,
• 45:30
  Speaker 2: Play so this part while he's been working on a
• 45:33
  Speaker 2: deal With Greg, Jan, Bobby mike and a.
• 45:35
  Speaker 1: Corporation mike was worried about it because corporations are evil
• 45:38
  Speaker 1: and heartless and they're all taking pictures, together and before
• 45:41
  Speaker 1: THE ceo of that corporation, leaves he.
• 45:43
  Speaker 2: Says we'll change. Everything was that it was believing good
• 45:52
  Speaker 2: citizenship and civic. Duty person's got to give to his
• 45:55
  Speaker 2: community if he expects his community to give to. Him
• 45:58
  Speaker 2: it's two way. Street or So wally's led me to, believe,
• 46:02
  Speaker 2: WELL i look forward to seeing you.
• 46:03
  Speaker 4: Tomorrow so that clip is just basically, Saying, hey now
• 46:11
  Speaker 4: that this government entity for trauma center is owned by
• 46:14
  Speaker 4: this evil, corporation.
• 46:17
  Speaker 2: What the fun track on top of?
• 46:20
  Speaker 1: That? Yeah And i'm, like why was that a funny?
• 46:23
  Speaker 1: PART i don't. Understand if, anything they should play it, Like,
• 46:26
  Speaker 1: hey this is gonna be a fucking crazy situation we
• 46:28
  Speaker 1: have to work.
• 46:29
  Speaker 2: Through and THEN i think earlier When mike was Telling carol,
• 46:37
  Speaker 2: like here's how you fix The marsha situation that's starting to,
• 46:40
  Speaker 2: Happen he's also explaining, like, hey it doesn't really make
• 46:44
  Speaker 2: sense For wally to be a part of the campaign
• 46:47
  Speaker 2: because we're not running, anymore like we need to focus
• 46:50
  Speaker 2: on like our. Community so, Yeah mike has is the
• 46:55
  Speaker 2: only saying one in this.
• 46:56
  Speaker 1: Group at the very, beginning he's, like, WELL i want
• 46:58
  Speaker 1: to try to focus on getting kids lunches for. Schools
• 47:01
  Speaker 1: and then while he was, like, well you gotta watch
• 47:03
  Speaker 1: out because if you raise, taxes remember those parents' kids
• 47:06
  Speaker 1: are the ones that vote for. You and then Then mike, goes,
• 47:09
  Speaker 1: well some of those underprivileged, kids it's the only time
• 47:11
  Speaker 1: they're gonna get a real meal all. Day So i'm
• 47:13
  Speaker 1: trying to focus on feeding the, kids no laftock or.
• 47:16
  Speaker 1: Anything but, hey that's pretty. Cool that's a cool. Thing
• 47:18
  Speaker 1: so then by this corporation owning this trauma, center NOW
• 47:22
  Speaker 1: i feel like they really undercut.
• 47:24
  Speaker 2: That and this is like in The Brady bunch. Universe
• 47:26
  Speaker 2: this is all happened against so fucking. Chaotics i'm sure
• 47:30
  Speaker 2: like the Original Brady bunch and everything was chaotic as,
• 47:32
  Speaker 2: fuck but at least it like stayed in like one. Genre,
• 47:35
  Speaker 2: yeah it wasn't like you know this like evil corporations and. Stuff,
• 47:41
  Speaker 2: okay So carol is like Where's. Marcia? Oh So carol
• 47:45
  Speaker 2: is like just fucking hate so. Much so she's like
• 47:49
  Speaker 2: getting ready to play like a doubles tournament for like,
• 47:52
  Speaker 2: tennis and she's, like it's hard to play a double
• 47:55
  Speaker 2: so if you're a, single like that kind of. Thing
• 47:57
  Speaker 2: and then it's such a. Throwback she like calls The
• 48:01
  Speaker 2: Brady house on like a, payphone Which i'm, like oh that's. Why, yeah,
• 48:04
  Speaker 2: yeah that's just like such a. Throwback and then and
• 48:08
  Speaker 2: THEN i just, remember like when she's not answering the,
• 48:10
  Speaker 2: phone just like how, Annoying like home phone ringers, were, right,
• 48:14
  Speaker 2: yeah so. Annoying and then so she's like, drinking and
• 48:19
  Speaker 2: Then wally comes home with the kids and they answered the.
• 48:23
  Speaker 2: PHONE i think it's gonna Be, carol but it ends
• 48:25
  Speaker 2: up being like a who was it like a work
• 48:27
  Speaker 2: it was something work? Related oh yeah For, wally and
• 48:30
  Speaker 2: then the kids are like, ma mo, mama and then,
• 48:32
  Speaker 2: anyways and Then carol gets a hold Of wally and
• 48:36
  Speaker 2: then she's like et.
• 48:38
  Speaker 1: Cetera so LIKE i put like When marcia doesn't answer
• 48:42
  Speaker 1: the phone to play, tennis and it cuts To martia
• 48:44
  Speaker 1: and she's just like. DRINKING i don't, know, man that
• 48:47
  Speaker 1: seems like a pretty dope. Vibe, yeah count me. IN
• 48:51
  Speaker 1: i LIKE i would love to just sit at home
• 48:53
  Speaker 1: not answer the, phone kind of like nice mood, setting
• 48:56
  Speaker 1: LIKE i, put like if you had some young, dolphin
• 48:59
  Speaker 1: like a, Cigarette that's What i'm, About, like just let me.
• 49:02
  Speaker 1: Know carol's just the.
• 49:02
  Speaker 2: Worst So carol's now apparently like in real estate, too
• 49:05
  Speaker 2: which is just like the worst people and most of,
• 49:10
  Speaker 2: them but this one is it's all she, does is
• 49:13
  Speaker 2: she does real, estate ignores her husband's really good, advice
• 49:18
  Speaker 2: interferes with and gas lights her daughter and her and the.
• 49:22
  Speaker 2: Grandkids it's just fucking. Wild and then she's like playing, tennis,
• 49:25
  Speaker 2: which LIKE i could just assume people that play tennis or. Assholes,
• 49:27
  Speaker 2: yeah for. Sure every TIME i drive by like this
• 49:29
  Speaker 2: tennis court In, salem, yeah it's always typically like middle aged,
• 49:33
  Speaker 2: men And i'm, like where are your wife's, At like
• 49:36
  Speaker 2: they're just like douchebag guys with Their oakley sunglasses.
• 49:38
  Speaker 1: And tennis racts are.
• 49:39
  Speaker 2: Expensive so But i'm, like you're, like you might think
• 49:42
  Speaker 2: you look, cool but just remember you're In. Salem, YEAH i.
• 49:46
  Speaker 1: Said If marshall cracked a smoke and turned on some young,
• 49:48
  Speaker 1: dolf we call that In andy. AFTERNOON i like.
• 49:51
  Speaker 2: THAT i like that.
• 49:52
  Speaker 1: She's like a lot of.
• 49:52
  Speaker 2: You she's in the in the. Corner give, yeah scuse
• 49:58
  Speaker 2: like she's like. SIPPING i don't think you have a.
• 50:00
  Speaker 2: Problem if you're hanging out like in a nice house
• 50:03
  Speaker 2: sipping like brown, Liquor yeah you're. Not you're not having.
• 50:06
  Speaker 1: Issues if you're like chugging. It SURE i could see.
• 50:09
  Speaker 1: That maybe in the house is all messed. Up and
• 50:11
  Speaker 1: yeah no. Cigarettes sure, yeah if you have a cigarette
• 50:14
  Speaker 1: and your, YEAH i don't, know.
• 50:15
  Speaker 2: She Is, marsha she's wearing a Crazy. Yeah so now
• 50:21
  Speaker 2: the brats want to go to the shoe. Store they
• 50:23
  Speaker 2: always want to go to every fucking and. That that
• 50:25
  Speaker 2: is kind of a slice of life because if i'd
• 50:27
  Speaker 2: like Take jackson, somewhere we get, Home i'm, like, OH
• 50:29
  Speaker 2: i need to like just like. Chill first, second he's,
• 50:31
  Speaker 2: like oh you go to the and comes up with
• 50:34
  Speaker 2: another couple of places he needs to, go or LIKE
• 50:36
  Speaker 2: i have a project you, TOMORROW i need, this this and.
• 50:38
  Speaker 2: That i'm, like oh my, gosh, yeah and then someone
• 50:41
  Speaker 2: else goes and takes. Sense I'm I'm i'm Too i'm too.
• 50:44
  Speaker 2: Drunk i'm just trying to deal with. That but we
• 50:51
  Speaker 2: always like super busy with like, work to notice that
• 50:55
  Speaker 2: his wife has been drinking a, little so he like
• 50:56
  Speaker 2: throws with the key is and oh, No marsha's gonna go.
• 50:59
  Speaker 2: Drunk try something gay is going on With Jordan's oh
• 51:02
  Speaker 2: SO i Think jordan was the One Calleen, Wally not
• 51:05
  Speaker 2: that that.
• 51:05
  Speaker 1: Matters, yeah and then he calls Them jordana or. Something
• 51:08
  Speaker 1: but THIS i think is the weirdest fucking laugh track
• 51:11
  Speaker 1: in this hole in the whole. Show so essentially what
• 51:16
  Speaker 1: happens Is marcia gets in the car with the kids
• 51:19
  Speaker 1: and first she, goes, Hey, WALLY i can't go and
• 51:22
  Speaker 1: she she didn't tell him WHY i can't take him
• 51:24
  Speaker 1: to the store for, shoes but and he, Goes i'm
• 51:27
  Speaker 1: really busy here take the. Keys so the kids go,
• 51:29
  Speaker 1: there and actually she does some pretty good walk acting
• 51:32
  Speaker 1: to where she's kind of like kind of holding on
• 51:34
  Speaker 1: a little, bit LIKE i, Know i've been there a.
• 51:35
  Speaker 1: Bunch but so she gets in the car with the
• 51:37
  Speaker 1: kids and she has trouble putting the keys, in and
• 51:40
  Speaker 1: then she essentially just has like a. Breakdown, right this
• 51:45
  Speaker 1: is the craziest laugh. Track, okay we'll go, yeah that'd
• 51:49
  Speaker 1: be good for, you But i'm going to get some black,
• 51:51
  Speaker 1: shoes And i'm going to get a little bow on.
• 51:53
  Speaker 2: The top and maybe a little. Strap well MAYBE i.
• 51:56
  Speaker 2: Won't i'll get some.
• 51:56
  Speaker 1: Ruffles along the.
• 51:57
  Speaker 4: Side but what kind of fus SHOULD i?
• 51:58
  Speaker 2: GUESS i get a piquin And i'm.
• 52:00
  Speaker 1: Gonna get a loaning. Mom what's?
• 52:04
  Speaker 2: WRONG i didn't do anything, Down.
• 52:09
  Speaker 1: So marsia just had like a mental breakdown AND i
• 52:13
  Speaker 1: didn't do, anything which if you think about how crazy
• 52:16
  Speaker 1: that is mentally for that little boy to be, like,
• 52:18
  Speaker 1: Oh i'm the one causing this. Issue there's some stuff
• 52:20
  Speaker 1: we're not gonna talk about there that's not, good like a,
• 52:23
  Speaker 1: hey we should add a laugh, track like what the?
• 52:25
  Speaker 1: Fuck it's crazy to? Me, yeah an easy.
• 52:28
  Speaker 2: Solution so she's had maybe let's say she was drinking.
• 52:31
  Speaker 2: Doubles let's say she's over three, hours drink, three that's.
• 52:36
  Speaker 2: Six put the, kid both kids in the back. Seat
• 52:39
  Speaker 2: this is the early. Nineties you can still smoke in
• 52:41
  Speaker 2: the car with your kids in. There, yep you're. Fine
• 52:43
  Speaker 2: it's during the day, too cops aren't.
• 52:45
  Speaker 1: Looking you might have an early h you know album
• 52:48
  Speaker 1: Of Michael Jackson's Bad.
• 52:50
  Speaker 2: Yea and also cars back then were built like with metals, yeah,
• 52:54
  Speaker 2: metal if you get in a car, accient you're probably
• 52:55
  Speaker 2: gonna be. Fine if, anything you're probably. Better and there's
• 52:57
  Speaker 2: like enough family members in this, family like we could
• 53:00
  Speaker 2: use some. Population so, no but don't drink and drive
• 53:03
  Speaker 2: people like you, know don't be like justin Timber. Lake,
• 53:06
  Speaker 2: Okay So i'm so disappointed with Mars, okay that's this.
• 53:09
  Speaker 2: Rich i'm so disappointed With marsha drunk. Driving that's ALL i.
• 53:14
  Speaker 2: Wrote OH i, Said Oh marine McCormick was is the.
• 53:18
  Speaker 2: Og she wouldn't have done. This, yeah too smart for,
• 53:23
  Speaker 2: that BECAUSE i like blend the like real life and
• 53:26
  Speaker 2: like the surreal. Life, okay so that's when like the
• 53:29
  Speaker 2: second break. Happens, god there's a lot in the because
• 53:33
  Speaker 2: like they in the in the, sitcom it's like thirty
• 53:35
  Speaker 2: minute episodes and then you take away like commercial twenty two.
• 53:38
  Speaker 2: Minutes this is like forty five fucking, minutes.
• 53:40
  Speaker 1: And it's all, like we don't know how we're supposed to.
• 53:43
  Speaker 1: Feel sure to be, worried she'd be. Laughing it's a. Lot,
• 53:45
  Speaker 1: yeah and there's too many character stories going on at one.
• 53:48
  Speaker 1: Time you're, like, fuck what's happening With. Cindy, yeah she's
• 53:51
  Speaker 1: the one that's. Drunk, no that's not. Her oh, okay Where's.
• 53:54
  Speaker 2: Peter what's what's going on with the kid that's like?
• 53:56
  Speaker 2: Sneezing SHOULD i be? Worried let's go on.
• 54:00
  Speaker 1: Here it's just because she Was, asian LIKE i don't,
• 54:03
  Speaker 1: Care like they didn't give her any more time of.
• 54:05
  Speaker 1: Day she's we should have.
• 54:07
  Speaker 2: Cared because of LIKE covid is that? Racist that's? Racism,
• 54:13
  Speaker 2: Okay so Before marcia starts driving and she starts crying
• 54:16
  Speaker 2: and the oh the tattle tales right in and Tell wally,
• 54:21
  Speaker 2: Yeah i'm like and then again this laugh. Track there's
• 54:25
  Speaker 2: even more laugh tracks when they're the kids are, Like.
• 54:27
  Speaker 1: Mommy's crying AND i told YOU i didn't do.
• 54:30
  Speaker 2: It, yeah they're so worse because So wally comes out
• 54:35
  Speaker 2: car wash. Chokes oh he makes like a Car are
• 54:38
  Speaker 2: you crying BECAUSE i didn't clean the? CAR i didn't
• 54:40
  Speaker 2: wash the?
• 54:40
  Speaker 1: Car, like come on read the, room.
• 54:42
  Speaker 2: Man, Yeah like if my spouse was like hysterical crying
• 54:45
  Speaker 2: and be like are you upset, THAT i like like
• 54:48
  Speaker 2: put the thing there in.
• 54:50
  Speaker 1: The middle of the day, too where it's like, yeah,
• 54:52
  Speaker 1: yeah AND i see maybe she cries a, lot so
• 54:55
  Speaker 1: maybe he's just maybe she.
• 54:56
  Speaker 2: Does maybe she does have some issues and like she
• 54:59
  Speaker 2: has cried about the car watch. Before that's, TRUE i don't.
• 55:01
  Speaker 2: Know back to the nepotism meeting where the Other Brady's
• 55:05
  Speaker 2: bobby's in a wheel this is WHEN i discover he's
• 55:06
  Speaker 2: in a. Wheelchair or oh my, clip.
• 55:09
  Speaker 1: The first CLIP i played was so sweet for this.
• 55:10
  Speaker 1: One SORRY i went too.
• 55:12
  Speaker 2: Quick it might have been the same, clip, yeah or
• 55:15
  Speaker 2: not the same. Clip it might have. BEEN i don't
• 55:17
  Speaker 2: this whole thing LIKE i had to rewind or not
• 55:19
  Speaker 2: rewind like it. Twice, YEAH i had to do like
• 55:21
  Speaker 2: some of this because you know HOW i get When
• 55:22
  Speaker 2: i'm like watching, SOMETHING i like, Go i'm, like, Okay
• 55:24
  Speaker 2: i'm gonna keep it on really, quick and Then i'm
• 55:26
  Speaker 2: gonna go make me a. Sandwich but that's probably why
• 55:28
  Speaker 2: you were saying earlier that like the show had so
• 55:30
  Speaker 2: many ratings because back then a lot of times people
• 55:35
  Speaker 2: didn't have remotes maybe or lose their, remote or they
• 55:37
  Speaker 2: have THEIR tv on and like they just got done
• 55:39
  Speaker 2: watching you, know whatever show was, on and then like
• 55:42
  Speaker 2: this follows, it and then they're, like you, know going
• 55:44
  Speaker 2: and doing something else and just happens to be, on
• 55:47
  Speaker 2: BUT i.
• 55:47
  Speaker 1: Was talking about the Original. Brady oh, yeah that one
• 55:50
  Speaker 1: was only ranked to thirty, one but still had thirty
• 55:53
  Speaker 1: to forty million people watching. It, nobody nobody watched.
• 55:56
  Speaker 2: THIS i could see. THAT i could see, That so
• 55:58
  Speaker 2: that that's Why i'm really glad we chose to like watch.
• 56:03
  Speaker 2: THIS i. THINK i think a good way to watch
• 56:06
  Speaker 2: this looking back is IF i knew how much she
• 56:08
  Speaker 2: was like, drinking making it a drinking. Game, yeah, like
• 56:13
  Speaker 2: do do something whenever when there's an awkward laugh, track
• 56:16
  Speaker 2: do something When carol doesn't mind her own fucking, business
• 56:19
  Speaker 2: and then take a drink With.
• 56:20
  Speaker 1: Marcia, yeah and then every time someone drives and we, Drive.
• 56:23
  Speaker 2: Yeah, yeah we drunk. Drive, Okay, yeah this is where
• 56:31
  Speaker 2: it kind of gets off the. Track so, yeah there's
• 56:33
  Speaker 2: stuff that, happens and then and Then gary And. Cindy
• 56:38
  Speaker 2: now we're back to. THERE i guess BECAUSE i didn't write,
• 56:40
  Speaker 2: anything SO i must have been really. Distracted so, listener
• 56:42
  Speaker 2: we'll cover this in the future or you might have
• 56:44
  Speaker 2: noticed this on social. MEDIA i have a lot going
• 56:46
  Speaker 2: on in my life right, Now LIKE i just recently
• 56:48
  Speaker 2: started dyeing my dog's, hair so like there's a lot
• 56:52
  Speaker 2: going on in my home and like every Time i'm doing,
• 56:54
  Speaker 2: Something gus is my, Dog Gus Gus Gus gus underscore
• 56:57
  Speaker 2: the dog On. Instagram he like gets in my, business
• 56:59
  Speaker 2: Like i'm not focusing on, him AND i always forget
• 57:03
  Speaker 2: that he's like kind of a hot pink like magenta
• 57:05
  Speaker 2: color and it's like. Surreal and we just had to like,
• 57:08
  Speaker 2: repaint like re dye his hair because it's such a
• 57:12
  Speaker 2: shitty job on. It so it's this whole thing so
• 57:15
  Speaker 2: for so, Okay so what happened IS i was getting
• 57:19
  Speaker 2: his outfit ready for the Next Doggie dash and it's This.
• 57:23
  Speaker 2: Saturday but by the time listener listens to, this it
• 57:25
  Speaker 2: happened like two days, ago AND i must have ordered
• 57:30
  Speaker 2: dog hair. DYE i must have been looking at it
• 57:32
  Speaker 2: and then accidentally order BECAUSE i do not remember ordering.
• 57:34
  Speaker 2: It and it, came and Then Memorial day, WEEKEND i
• 57:37
  Speaker 2: was like just not doing anything for like an, afternoon
• 57:39
  Speaker 2: AND i was, like, oh there's hair. Dye there's my.
• 57:41
  Speaker 1: DOG i got, this.
• 57:42
  Speaker 2: BUT i was like super fucked. Up SO i didn't
• 57:45
  Speaker 2: want to Tell jeremy about it BECAUSE i know he'd be,
• 57:47
  Speaker 2: like that's not a good. Idea jeff so So i'm, like,
• 57:52
  Speaker 2: So i'm, Like i'm gonna go take a. Poop and
• 57:53
  Speaker 2: Then i'm, like, gus come, on because it usually comes
• 57:55
  Speaker 2: in there with. Me AND i start dyeing his, hair
• 57:59
  Speaker 2: and then about howf way, Through i'm, like, OH i
• 58:01
  Speaker 2: should have put gloves on because like permanent. Hairdie and
• 58:05
  Speaker 2: then it made such a. Mess and THEN i read
• 58:08
  Speaker 2: the instructions as he's like covered and, DIE i was,
• 58:10
  Speaker 2: like you have to wait for twenty. Minutes, oh SO
• 58:12
  Speaker 2: i was like. Fuck and then that time he was
• 58:14
  Speaker 2: like shaking all the time because he's like, wet covered in,
• 58:16
  Speaker 2: haired eye got. Everywhere it made such a fucking. Mess
• 58:20
  Speaker 2: and and THEN i called my, mom So i'm, like,
• 58:22
  Speaker 2: oh how DO i get this die off of? Me
• 58:25
  Speaker 2: and She's her response was don't you have like a
• 58:27
  Speaker 2: really important meeting, tomorrow because like my boss's boss was
• 58:30
  Speaker 2: kind OF i was, like oh my, god that's not. Helping, yeah,
• 58:33
  Speaker 2: yeah help her.
• 58:35
  Speaker 1: Gloves, YEAH i.
• 58:36
  Speaker 2: Know that's the times LIKE i wish that the people
• 58:38
  Speaker 2: wore gloves like. Fancy.
• 58:40
  Speaker 1: YEAH i my BUDDY i used to work at this
• 58:42
  Speaker 1: place and we had an opening and my Buddy ANTHONY
• 58:46
  Speaker 1: i got. IT i didn't get an interview about like
• 58:47
  Speaker 1: he should, apply you, Know and then he got the,
• 58:49
  Speaker 1: interview so he, goes, hey is there any. Tips i'm, like,
• 58:51
  Speaker 1: yeah just make sure you bring two pairs of. Glove
• 58:53
  Speaker 1: wear one but then have the other. ONE i have
• 58:57
  Speaker 1: the other pair hanging out of your pocket so they
• 58:59
  Speaker 1: know you have. Too he showed up with multiple gloves
• 59:03
  Speaker 1: and then After ardie's like why are why what was the?
• 59:05
  Speaker 1: Gloves about him, like, oh did you actually do? THAT
• 59:08
  Speaker 1: i had no fucking clue, because, yeah, MAN i probably
• 59:10
  Speaker 1: look like an. IDIOT i don't know if he got
• 59:12
  Speaker 1: the job or. Not, look that's so.
• 59:14
  Speaker 2: Awesome you're a. Hero. Okay So, Gary gary's in the
• 59:20
  Speaker 2: year chit chatting at the radio. Station gary is about
• 59:23
  Speaker 2: to Talk Jesus christ And in, barges, oh, No, Alic.
• 59:31
  Speaker 2: Okay this is a scene where like there's some tension Between,
• 59:35
  Speaker 2: gary the boss Of cindy at the radio, station being
• 59:39
  Speaker 2: like a little testy with her because he wants her
• 59:43
  Speaker 2: to he wants to keep this power To damic probably
• 59:45
  Speaker 2: and then, Yeah alice barges, In i'm, like oh Hey, Alice,
• 59:49
  Speaker 2: Hey Andy, davis and she just like the comic relief
• 59:52
  Speaker 2: of that little scene was Like cindy Wants alice to
• 59:56
  Speaker 2: sit there and watch them. FIGHT i, KNOW i was.
• 1:00:01
  Speaker 1: Excited to See, alice but it was so. Uncomfortable, alice
• 1:00:04
  Speaker 1: you're gonna sit there and they just fought in front of.
• 1:00:07
  Speaker 2: Her, yeah and they like look At. Alice she's like
• 1:00:09
  Speaker 2: kind of making like uncomfortable but kind of funny, Faces
• 1:00:12
  Speaker 2: like what is going on? Here?
• 1:00:13
  Speaker 1: Yeah BUT i.
• 1:00:15
  Speaker 2: Don't know Where. Alice where Would alice have fit in,
• 1:00:17
  Speaker 2: this like getting yelled at By marsha or like getting
• 1:00:22
  Speaker 2: like dealing with The i'm Sure alice in the like
• 1:00:25
  Speaker 2: corporate schemes, SCENE i don't know if she would have
• 1:00:29
  Speaker 2: fit with. That SO i guess this is the place
• 1:00:31
  Speaker 2: where she. Fit, yeah, Okay, yeah this was just like
• 1:00:36
  Speaker 2: such a little ship blender this this this. Scene so
• 1:00:39
  Speaker 2: then it goes to, another you, know break and how'd
• 1:00:41
  Speaker 2: you feel about that whole?
• 1:00:42
  Speaker 1: SITUATION i was excited to See, alice but THEN i
• 1:00:45
  Speaker 1: felt bad For alice instantly because she was still doing
• 1:00:48
  Speaker 1: her thing pretty, well like she's still making the kind
• 1:00:51
  Speaker 1: of funny, faces but this setting was just so uncomfortable
• 1:00:54
  Speaker 1: it was hard to find it, Funny like its JUST
• 1:00:56
  Speaker 1: i felt bad.
• 1:00:57
  Speaker 2: For her And i've never had a maid. Before but
• 1:01:01
  Speaker 2: when she was like gonna Introduce gary To, ALICE i was, thinking,
• 1:01:05
  Speaker 2: like how's she gonna introduce? Her and she was, like
• 1:01:07
  Speaker 2: this is mine AND i was, like she's a former
• 1:01:09
  Speaker 2: housekeeper and she said. FRIEND i was, LIKE i don't.
• 1:01:12
  Speaker 2: THINK i think you might think that she's a. Friend
• 1:01:15
  Speaker 2: but your dad was was her. Employer, yeah so there's
• 1:01:19
  Speaker 2: a different. Relationship like she while you guys were wearing
• 1:01:22
  Speaker 2: your pj's or getting Into shane, again she was wearing a.
• 1:01:25
  Speaker 1: Uniform yeah every. Time. Yeah and then even there's one
• 1:01:28
  Speaker 1: episode Of The Brady bunch where she feels like nobody likes,
• 1:01:30
  Speaker 1: her so she quits and then the kids are, like,
• 1:01:32
  Speaker 1: no we do like. You, okay if she was your,
• 1:01:34
  Speaker 1: friend you shouldn't let her feel that. Way. Anyways.
• 1:01:36
  Speaker 2: Yeah, so and, honestly, LIKE i Love alice so fucking,
• 1:01:40
  Speaker 2: much but like they, again they did not need.
• 1:01:43
  Speaker 1: Her, No, yeah it was it was super random to
• 1:01:45
  Speaker 1: have her in this. Episode.
• 1:01:46
  Speaker 2: Yeah, Anyway So wally is back to bragging To marsha
• 1:01:50
  Speaker 2: and is fearful About mike Firing peter for someone he
• 1:01:53
  Speaker 2: is such a nice, SAID i Hate.
• 1:01:55
  Speaker 1: Wally, yeah you think he's really going to fire his
• 1:01:57
  Speaker 1: son that didn't do anything, wrong.
• 1:02:00
  Speaker 2: Who's like actually like involved in like moving things forward
• 1:02:04
  Speaker 2: and isn't getting in bed with like big.
• 1:02:06
  Speaker 1: Corporations Even wally said it earlier when he's talking Over.
• 1:02:10
  Speaker 1: Marcia he's, like, Man peter writes this stuff all day
• 1:02:12
  Speaker 1: and that's what he, does and it's all really good.
• 1:02:14
  Speaker 1: Information so Even wally acknowledges That peter is good at his.
• 1:02:16
  Speaker 2: Job, YEAH i don't. Know wally is probably the most
• 1:02:20
  Speaker 2: realistic example of people that work in, politics, though, unfortunately
• 1:02:24
  Speaker 2: because like uh, Uh mike just won the. Election it's
• 1:02:29
  Speaker 2: like city council or. Something it's like some bullshit. Things
• 1:02:32
  Speaker 2: but he's, like, oh some time to start working about
• 1:02:35
  Speaker 2: the election the next. Election i'm, like oh my, god
• 1:02:37
  Speaker 2: this is what's wrong with. Politics and like our government
• 1:02:40
  Speaker 2: is ever there's no term limits on. Anything, Okay So
• 1:02:43
  Speaker 2: mike is nervous about working with big. Business, yeah like you,
• 1:02:47
  Speaker 2: said like he has a little bit of ethics besides
• 1:02:49
  Speaker 2: like living in Sin. Okay, YEAH i don't. Know DID
• 1:02:58
  Speaker 2: i wonder If Robert reid like had like a partner
• 1:03:01
  Speaker 2: or if he was just like banging probably just bang.
• 1:03:03
  Speaker 1: In, YEAH i mean in THE i don't. KNOW i
• 1:03:06
  Speaker 1: have no idea the did.
• 1:03:07
  Speaker 2: You watch Be? Witched so the Original darren left and
• 1:03:12
  Speaker 2: then the Second darren was also a, homosexual so.
• 1:03:16
  Speaker 1: There's that maybe they were a couple both old Nickd ni.
• 1:03:19
  Speaker 1: SHOWS i told you.
• 1:03:20
  Speaker 2: About WHEN i worked at an adult shop and there
• 1:03:22
  Speaker 2: was like at the arcade like, booths and one day
• 1:03:26
  Speaker 2: it was it was like in the morning, time this
• 1:03:28
  Speaker 2: guy comes, in goes into the booth and this other
• 1:03:30
  Speaker 2: guy comes in And i'm, like, oh, LIKE i really
• 1:03:32
  Speaker 2: hope that they have, sex because like they look like
• 1:03:34
  Speaker 2: they would go, together you. Know and they ended up
• 1:03:37
  Speaker 2: leaving getting into one, car And i'm, LIKE i bet
• 1:03:40
  Speaker 2: they win got. Breakfast oh, Yeah like they.
• 1:03:43
  Speaker 1: Just think they met like there or do you think
• 1:03:45
  Speaker 1: they planned to meet?
• 1:03:46
  Speaker 2: There SO i went to this porn film, festival like
• 1:03:49
  Speaker 2: put on By Dan savage and it's like it's very
• 1:03:53
  Speaker 2: like there's comedic artsy it's Called. Humpfest is that a
• 1:03:57
  Speaker 2: comedian kind of comedian sex columnists kind? Of and he
• 1:04:02
  Speaker 2: there was this one that it was this like a
• 1:04:05
  Speaker 2: twenty minute porn. Thing it told the story of these
• 1:04:07
  Speaker 2: two guys that met at a glory hole like in the.
• 1:04:09
  Speaker 2: Sixties or, seventies and at the end of the little documentary,
• 1:04:15
  Speaker 2: porn it was. Porn the guys are actually. Here there
• 1:04:18
  Speaker 2: are these two elderly men and they stand up and
• 1:04:21
  Speaker 2: they're like waving and, stuff and there's like thank you so,
• 1:04:23
  Speaker 2: much like this is our love stories how it. Started
• 1:04:26
  Speaker 2: and for people don't know what gloryhole is, it it's
• 1:04:31
  Speaker 2: DEFINITELY i think more involving with the penises and like
• 1:04:33
  Speaker 2: the gay. CULTURE i think it's like in a bathroom,
• 1:04:37
  Speaker 2: stall which is, disgusting and you put your penis in
• 1:04:40
  Speaker 2: and then a stranger sucks to your, penis BECAUSE i
• 1:04:43
  Speaker 2: don't think it would really work for like a like
• 1:04:45
  Speaker 2: a vagina to like slam it against the.
• 1:04:48
  Speaker 1: Hole, well especially in the sixties because they weren't having
• 1:04:50
  Speaker 1: like coed bathrooms and you know, so.
• 1:04:52
  Speaker 2: And it wasn't until recently BECAUSE i DON'T i haven't
• 1:04:55
  Speaker 2: seen the vagina in a. WHILE i always think vaginas
• 1:04:59
  Speaker 2: are where the penis it is on a, Man but
• 1:05:02
  Speaker 2: no vaginas are looking. Down they're looking, down they're staring
• 1:05:06
  Speaker 2: at the. GROUND i always think that they're like just
• 1:05:10
  Speaker 2: slightly south of your belly.
• 1:05:11
  Speaker 1: Button, yeah, WELL i don't, Know.
• 1:05:20
  Speaker 2: Oh my, god CAN i tell you one more than. Vagina,
• 1:05:22
  Speaker 2: Okay so my mom just had surgery and it's something
• 1:05:25
  Speaker 2: with like her vagina area or her vagina's, involved and
• 1:05:28
  Speaker 2: she told ME i COULD i could talk about this
• 1:05:30
  Speaker 2: BECAUSE i did she SO i, SAID i, Said i'm
• 1:05:32
  Speaker 2: going to talk about this on the. Podcast. Okay so, hey,
• 1:05:35
  Speaker 2: Mom SO i don't fully, understand SO i might be
• 1:05:39
  Speaker 2: incorrect on some of, this BUT i do know that
• 1:05:42
  Speaker 2: they crammed something in her, vagina and so THAT i
• 1:05:45
  Speaker 2: don't know what it, was but they something that's usually
• 1:05:47
  Speaker 2: when you have the, surgery like kind of out to the,
• 1:05:49
  Speaker 2: side like either hooked on or taped onto your. Leg
• 1:05:52
  Speaker 2: so they called my sister after the, surgery AND i
• 1:05:56
  Speaker 2: guess they said it five times to my, sister we
• 1:05:59
  Speaker 2: put it in her vagin we put it in her,
• 1:06:02
  Speaker 2: vagina or we crammed it in her. VAGIANTS i want
• 1:06:04
  Speaker 2: to say that they, said cram that's. Crazy and my
• 1:06:07
  Speaker 2: SISTER i was like in a, meeting but like she
• 1:06:09
  Speaker 2: knew my mom was having, surgery so she took the
• 1:06:12
  Speaker 2: call and it was more of a casual, MEETING i,
• 1:06:14
  Speaker 2: guess AND i guess her employees saw my sister's face
• 1:06:17
  Speaker 2: just like as a. Podcast but it's just kind of
• 1:06:20
  Speaker 2: like sink, in, like, wow you're seeing this five. Times
• 1:06:24
  Speaker 2: they didn't. Know they didn't tell my. Mom it was
• 1:06:27
  Speaker 2: on the discharge. Paperwork my mom urinated after. Surgery this
• 1:06:30
  Speaker 2: is really going, Indeed but that LIKE i feel like
• 1:06:33
  Speaker 2: that's like inappropriate that they put something in my mom's.
• 1:06:36
  Speaker 1: Vagina maybe that's why they told your sister so many,
• 1:06:39
  Speaker 1: times because they're, like, well in case we can say,
• 1:06:41
  Speaker 1: no we told.
• 1:06:42
  Speaker 2: Somebody she's, like my mom made a joke WHEN i
• 1:06:45
  Speaker 2: went and saw. Her she was, like at least it's
• 1:06:47
  Speaker 2: being used for, Something AND i was, like, yeah you
• 1:06:49
  Speaker 2: could like use it for, storage like if you know
• 1:06:50
  Speaker 2: WHAT i, mean or she's really into, crocheane you can
• 1:06:53
  Speaker 2: put like the ball of yarn in there and just
• 1:06:55
  Speaker 2: never like pull it.
• 1:06:57
  Speaker 1: Out like it's like you know those like magic tricks were, yeah.
• 1:07:00
  Speaker 2: Oh my, god like the little like cloths that are like. Rainbows,
• 1:07:04
  Speaker 2: yeah oh my, gosh oh my. God my mom's. Great,
• 1:07:07
  Speaker 2: Okay So wally comes home and the family is getting.
• 1:07:11
  Speaker 2: Ready the kids run To wally. Excited that, Changes, oh
• 1:07:16
  Speaker 2: that changes in. Regards, Okay so WHEN i used to come,
• 1:07:19
  Speaker 2: Home jackson be, like, oh, yeah you know WHAT i. Mean,
• 1:07:22
  Speaker 2: now it's LIKE i have to like convince him to
• 1:07:24
  Speaker 2: give me like a couple of, Word like it's different
• 1:07:27
  Speaker 2: having a boy, Kid like they are going through puberty
• 1:07:30
  Speaker 2: and smelling like. Shit BUT i love them. Still i'm
• 1:07:32
  Speaker 2: still they're the. Best, Okay carol jumps in to take
• 1:07:36
  Speaker 2: care of the. Kids SO i don't know to know
• 1:07:37
  Speaker 2: what's going on. Here so oh, WAIT i skipped like
• 1:07:41
  Speaker 2: a lot okay and went directly a harder conversation With.
• 1:07:45
  Speaker 2: Wally seems like there is going to be. Misunderstanding wally
• 1:07:49
  Speaker 2: is oh. Okay So wally goes to another most miscommunication
• 1:07:53
  Speaker 2: things not done as well as like the frasiers of it.
• 1:07:56
  Speaker 2: All he thinks That mike's gonna Fire peter and there's
• 1:07:59
  Speaker 2: a huge mistress. Standing so Then mike fires and give
• 1:08:03
  Speaker 2: fires heaving the most professional, way like like do something
• 1:08:07
  Speaker 2: that you are going to be successful to, that and
• 1:08:09
  Speaker 2: you are a, salesperson so do. That you're the reason
• 1:08:12
  Speaker 2: that we won because you're a. Salesperson, Great mike is
• 1:08:15
  Speaker 2: a fucking.
• 1:08:16
  Speaker 1: Awesome mike is holding this whole. Family.
• 1:08:18
  Speaker 2: Yeah so then uh So wally comes home and the
• 1:08:21
  Speaker 2: transition is horrible and the kids are, like oh, hey
• 1:08:24
  Speaker 2: and then, uh the family is getting ready and the
• 1:08:28
  Speaker 2: kids are running all. Excited. Carol, okay, WAIT i think
• 1:08:32
  Speaker 2: this jumps to like the grand like the, groundbreaking, groundbreaking
• 1:08:37
  Speaker 2: have the trauma. Center goddamn.
• 1:08:38
  Speaker 1: It, yeah this is the movie or the show is
• 1:08:42
  Speaker 1: jumping around so fucking much with so many, characters and
• 1:08:45
  Speaker 1: apparently a few WEEKS i thought it was like a few.
• 1:08:47
  Speaker 1: Days it's a lot going on in the, show so.
• 1:08:50
  Speaker 2: Exhausting what Was.
• 1:08:52
  Speaker 1: Yeah it was way longer than forty five minutes or
• 1:08:54
  Speaker 1: whatever it.
• 1:08:54
  Speaker 2: Is, yeah and THEN i looked at like the time
• 1:08:56
  Speaker 2: on the YouTube's AND i was, like it's only like halfway.
• 1:08:59
  Speaker 2: Over fuck. Me and then we needed More alice and
• 1:09:04
  Speaker 2: like leaning into the campiness and leaving leaning into like the. Awkwardness.
• 1:09:07
  Speaker 2: Ye so so they go to the groundbreaking And marsha's
• 1:09:11
  Speaker 2: gonna be like running late or. Whatever so Did marcia drive?
• 1:09:15
  Speaker 2: Drunk that's WHAT i was.
• 1:09:15
  Speaker 1: Thinking so she's down to drive, drunk just not with her.
• 1:09:18
  Speaker 1: KIDS i guess she has no regard for anybody else
• 1:09:20
  Speaker 1: other than.
• 1:09:21
  Speaker 2: Her, Yeah so they all Leave marcia and they go.
• 1:09:23
  Speaker 2: There marcia shows up fucking hammer because before then she
• 1:09:27
  Speaker 2: was a little grumpy and like a little bit tired or.
• 1:09:30
  Speaker 2: Whatever now she's just, LIKE i love my family and
• 1:09:33
  Speaker 2: my husband got. Fired oh my.
• 1:09:36
  Speaker 1: God she has main character. Vibes, yeah for. Sure AND
• 1:09:39
  Speaker 1: i was, like, god, DAMN i love.
• 1:09:40
  Speaker 2: That she like put on like like one of those
• 1:09:42
  Speaker 2: like pashminas scarves, too like class it up so at
• 1:09:46
  Speaker 2: the groundbreaking yet to the. Trauma they should have made
• 1:09:48
  Speaker 2: it like a library or like a. Grocery like a
• 1:09:51
  Speaker 2: trauma center is so fucking. Heavy so that's WHAT i, Was, yeah.
• 1:09:54
  Speaker 1: Yeah why have a trauma it's.
• 1:09:56
  Speaker 2: Crazy, yeah, yeah let's give it up for my she,
• 1:09:58
  Speaker 2: said let's give it up for My So mike's up
• 1:10:01
  Speaker 2: there giving a. Speech there's a bunch of. People let's
• 1:10:04
  Speaker 2: give it up for my unemployed. Husband she did. Nothing
• 1:10:10
  Speaker 2: he like definitely hasn't been ignoring, her BUT i don't
• 1:10:15
  Speaker 2: know if he needed.
• 1:10:16
  Speaker 3: That, Yeah he's, like, OH i don't, know you ret,
• 1:10:18
  Speaker 3: Yeah and then she gets like instead of like Hey, marshall, yeah,
• 1:10:21
  Speaker 3: yeah like like so someone's that, drunk you need to
• 1:10:24
  Speaker 3: almost like get to their level a.
• 1:10:27
  Speaker 2: Little but they just started like pounding. Alcohol but like
• 1:10:30
  Speaker 2: but but you need to kind of like listen to,
• 1:10:32
  Speaker 2: them even if they're being chaotic and be, like, hey
• 1:10:34
  Speaker 2: let's go party over. Here, yeah like that kind of.
• 1:10:36
  Speaker 2: Thing they like just like four or five have like
• 1:10:39
  Speaker 2: dragged her.
• 1:10:39
  Speaker 1: Away this so funny the Scene she's, Like, marcia, yeah
• 1:10:45
  Speaker 1: laugh tracks and.
• 1:10:46
  Speaker 2: Everything oh my. God so then the final little stretch of,
• 1:10:51
  Speaker 2: this the family is acting like they they know all
• 1:10:54
  Speaker 2: about addiction and everyone's a fucking expert on. This, yeah
• 1:10:59
  Speaker 2: well the fucking kid will will mom get better If i'm?
• 1:11:04
  Speaker 2: Nicer that's What i'm.
• 1:11:05
  Speaker 1: Saying this can happen a lot of some kind of
• 1:11:07
  Speaker 1: trauma that like nobody even they're like whatever he, thinks
• 1:11:11
  Speaker 1: he's constantly The, Yeah marcia does say that she feels
• 1:11:15
  Speaker 1: like she's the only useless one of the family when
• 1:11:17
  Speaker 1: she's talking To carol And wally or. Whatever so there's
• 1:11:21
  Speaker 1: eight main family, members five significant, others three, kids so
• 1:11:24
  Speaker 1: total of sixteen. People so she's about six percent of the.
• 1:11:28
  Speaker 1: Family that's pretty good. Odds if you're if ninety four
• 1:11:32
  Speaker 1: percent of your family was all useful doing great, shit
• 1:11:34
  Speaker 1: your family is. Awesome. YEAH i mean somebody has to
• 1:11:37
  Speaker 1: be the weak, Link, marcia and that's just happens to be.
• 1:11:40
  Speaker 1: You so nothing wrong with. That nothing wrong with. That take.
• 1:11:43
  Speaker 1: It you, know you have a free out to just
• 1:11:45
  Speaker 1: fucking get hammered whenever you want.
• 1:11:46
  Speaker 2: Now, Yeah and she's not like, yeah like what's like
• 1:11:51
  Speaker 2: rent free and the, house like you, know when the parents,
• 1:11:53
  Speaker 2: die she's gonna just like take over the. House oh,
• 1:11:55
  Speaker 2: yeah like she has no. Problems YEAH i Don't yeah,
• 1:11:59
  Speaker 2: EXACTLY i don't. Know, Yeah, Okay carol is uh pacing
• 1:12:04
  Speaker 2: and starting to make it all about. HER i don't
• 1:12:07
  Speaker 2: know That Florence henderson, did like stage. Theater she, Did
• 1:12:09
  Speaker 2: oh she. Did, okay that totally makes sense then because
• 1:12:12
  Speaker 2: she is acting even when she's like in the background
• 1:12:15
  Speaker 2: of the, scene Like bobby's just like the you, know
• 1:12:18
  Speaker 2: and then some his like random girlfriend who LIKE i
• 1:12:21
  Speaker 2: get that we just watched like episode, five but she
• 1:12:23
  Speaker 2: like she has one line LIKE i agree or something like.
• 1:12:27
  Speaker 2: That i'm, like who the fuck is this? Bitch, like but, yeah,
• 1:12:30
  Speaker 2: No carol is like owning the, stage like pacing back and,
• 1:12:33
  Speaker 2: forth like she's not even like in. FOCUS i think.
• 1:12:36
  Speaker 1: Had four kids. Too so season one of The Real Brady,
• 1:12:39
  Speaker 1: bunch she would fly FROM la To New york to
• 1:12:41
  Speaker 1: do her stage show and raise the kids and then
• 1:12:44
  Speaker 1: fly back TO la for The Brady. BUNCH i don't
• 1:12:48
  Speaker 1: know WHY i read that entire book for.
• 1:12:49
  Speaker 2: THIS i got you Read gregg's.
• 1:12:53
  Speaker 1: Book, no it's a book called like The Complete history
• 1:12:56
  Speaker 1: of The Brady. Bunch oh you watched?
• 1:12:57
  Speaker 2: That you watched it for? This, yeah she, Says and
• 1:13:02
  Speaker 2: HERE i am like having it on And i'm, Like
• 1:13:04
  Speaker 2: i'm gonna make a sandwich.
• 1:13:06
  Speaker 1: REGARDLESS i, mean just BECAUSE i just watched that ALL
• 1:13:08
  Speaker 1: i just listened to.
• 1:13:09
  Speaker 2: That my dog's, Pink, like what the? Fuck i'm so.
• 1:13:14
  Speaker 2: Sorry it's totally.
• 1:13:15
  Speaker 1: FINE i enjoyed. IT i learned a.
• 1:13:16
  Speaker 2: Lot oh, yeah so who the fuck is that gal
• 1:13:18
  Speaker 2: that randomly says? Me neither like, What i'm surprised they
• 1:13:22
  Speaker 2: don't Bring alice, There Like alice isn't in this. Situation.
• 1:13:26
  Speaker 2: Uh wally And Carl carol argue about who should talk To.
• 1:13:31
  Speaker 2: Marcia so this is like rich to Like carol's like
• 1:13:34
  Speaker 2: wanting to be all about, this like.
• 1:13:36
  Speaker 1: Wish alice was in there With carol And wally talking
• 1:13:40
  Speaker 1: To marsha And she's, like MAYBE i shouldn't be. Here marsh's, like,
• 1:13:42
  Speaker 1: No you're gonna sit down her.
• 1:13:48
  Speaker 2: Face i'd, LIKE i Love alice so much so Then
• 1:13:55
  Speaker 2: marcia calls them both. Upstairs oh, Man So marcia says
• 1:13:59
  Speaker 2: that she should be down there apologizing to everybody for
• 1:14:02
  Speaker 2: ruining their, day which she, Did like she really just
• 1:14:05
  Speaker 2: she didn't ruin their day, necessarily but like she. Did she. Did,
• 1:14:10
  Speaker 2: yeah she she made. It they're, like you made it. Memorable,
• 1:14:15
  Speaker 2: yeah like.
• 1:14:16
  Speaker 1: The newspapers would be, like and then she should, have
• 1:14:18
  Speaker 1: Like Mike brady's daughter came literally drunk and was trying
• 1:14:23
  Speaker 1: to fight for.
• 1:14:23
  Speaker 2: People they should have made it more. Dramatic and she's
• 1:14:25
  Speaker 2: like barfing and crying and she like starts tongue kissing right,
• 1:14:28
  Speaker 2: Yeah like.
• 1:14:29
  Speaker 1: She's like like slurs and. Stuff you want you wanted this?
• 1:14:32
  Speaker 1: Drink now eat?
• 1:14:34
  Speaker 2: It like oh my. God this isn't the deleted. Scene
• 1:14:41
  Speaker 2: so not just most of her family, members but they
• 1:14:45
  Speaker 2: like all kind of belittle her or don't take. Her
• 1:14:48
  Speaker 2: they do take her for. Granted SO i kind of get.
• 1:14:50
  Speaker 2: IT i don't know, This. MARCIA i have to get.
• 1:14:54
  Speaker 2: Help i've drank fifteen. People, Oh she's, LIKE i need
• 1:14:59
  Speaker 2: to get. Help you don't LIKE i get it's alcoholic
• 1:15:02
  Speaker 2: people that have. Addictions they need to Get i'm not a.
• 1:15:04
  Speaker 2: Psychiatrist so you, know if you're looking to get advice
• 1:15:06
  Speaker 2: on addiction from, me then you're in a lot of fucking, problems.
• 1:15:09
  Speaker 2: Dude LIKE i am your. DRUGS i am your. Drug
• 1:15:12
  Speaker 2: you might be an alcoholic or a Matthewser i'm just
• 1:15:14
  Speaker 2: another form of.
• 1:15:15
  Speaker 3: That.
• 1:15:16
  Speaker 2: Okay but she's, LIKE i, LIKE I i've had like
• 1:15:19
  Speaker 2: fifteen beers of like an afternoon with you any like,
• 1:15:22
  Speaker 2: yeah like we're. Fine Yeah i'm. Not let's not ask you,
• 1:15:26
  Speaker 2: Know kathy Or, jeremy but like let's, like let's let's you, know.
• 1:15:30
  Speaker 1: Yeah i've had like twelve shots in a few hours. Before,
• 1:15:32
  Speaker 1: yeah you, know but this is LIKE.
• 1:15:35
  Speaker 2: I think that she's JUST i don't think she has
• 1:15:37
  Speaker 2: an issue at. ALL i don't even think she was drinking.
• 1:15:39
  Speaker 2: Alcohol i'm gonna be, honest.
• 1:15:42
  Speaker 1: She was just she was just.
• 1:15:43
  Speaker 2: Looking because the camera goes commercial when she goes TO
• 1:15:46
  Speaker 2: i think she was just trying to get. Attention it's
• 1:15:49
  Speaker 2: really a Sad. Marcia. Yeah so now WHEN i see
• 1:15:52
  Speaker 2: any alcoholic and you just want, attention, Okay, yeah, yeah
• 1:15:59
  Speaker 2: back to the, Point, Yeah, Mark Because mike chimes in
• 1:16:02
  Speaker 2: and says something, like you, know evaluating this whole mess and,
• 1:16:06
  Speaker 2: again this could have been a ten minute episode If,
• 1:16:08
  Speaker 2: mike if there was so many goddamn people involved in the,
• 1:16:11
  Speaker 2: Situation mike could just handled. It leave it up to
• 1:16:15
  Speaker 2: the like happy, pride like leave it up to The
• 1:16:16
  Speaker 2: gaze to like fix. Everything, Yeah marsha got everything she, wanted,
• 1:16:22
  Speaker 2: okay and Then marcia continues to blame others for her addiction,
• 1:16:26
  Speaker 2: though SO i don't. Know so it was just like
• 1:16:28
  Speaker 2: such a messy scene and there was again so many
• 1:16:31
  Speaker 2: fucking people up, there and then this. Thing so back To,
• 1:16:36
  Speaker 2: cindy WHO i guess is like just back to. Work.
• 1:16:38
  Speaker 2: Now gary's manipulating her and trying to con, act so
• 1:16:46
  Speaker 2: he's like kind of endorsing her getting the job and
• 1:16:51
  Speaker 2: getting oh wait wait he was like he knew that
• 1:16:55
  Speaker 2: she was going to get the, job so then at
• 1:16:57
  Speaker 2: the last minute he wants to kind of take credit for.
• 1:17:01
  Speaker 2: It and then like it's kind of A i feel
• 1:17:03
  Speaker 2: like that they're gonna go into the booth and like
• 1:17:05
  Speaker 2: make out or have.
• 1:17:06
  Speaker 1: Sex, yeah it's it shouldn't be her. Boss it makes
• 1:17:09
  Speaker 1: everything so, uncomfortable like.
• 1:17:11
  Speaker 2: And it was leaning towards she was going to take
• 1:17:13
  Speaker 2: the job and be Like i'm sorry. Dude, yeah but
• 1:17:15
  Speaker 2: then he got the last and it was just so
• 1:17:19
  Speaker 2: messy and it was so toxic and it seems, gary
• 1:17:23
  Speaker 2: come on, now, Okay so Now i'm, thinking like this
• 1:17:28
  Speaker 2: is The indian. Scene so now we're back to the
• 1:17:30
  Speaker 2: kitchen and the kids are, like, oh you make the,
• 1:17:33
  Speaker 2: best like peanut butter and jelly. Sandwiches, ever like they're
• 1:17:36
  Speaker 2: just gaslighting. HER i don't want her to like drink
• 1:17:38
  Speaker 2: and drive. Again and and then there she says that
• 1:17:43
  Speaker 2: she's going to pick up art. Supply so, literally these
• 1:17:45
  Speaker 2: kids have only art and and like, Sandwiches like that's,
• 1:17:50
  Speaker 2: it like that's their character. Growth she Acknowledges wally is,
• 1:17:54
  Speaker 2: struggling but chooses to ignore him as. Payback so he
• 1:17:58
  Speaker 2: is like kind of, struggling like trying to fight a
• 1:17:59
  Speaker 2: new job and like dealing with that a little, bit
• 1:18:02
  Speaker 2: but she is. Not it felt really uncomfortable because she's
• 1:18:06
  Speaker 2: not kind of being there for. Him she's just it's
• 1:18:11
  Speaker 2: almost like, payback like she does not Like.
• 1:18:12
  Speaker 1: WALLY i don't think anybody would Like. Wally, NO i
• 1:18:15
  Speaker 1: can't stand that. Hair, NO i would fucking lose my.
• 1:18:18
  Speaker 2: Shit, no nobody should have A Jerry curl unless you're like, easy,
• 1:18:21
  Speaker 2: yeah or like A Leonard, no what's his? Name lione Old, Richie, yeah. Exactly. Yeah, okay,
• 1:18:29
  Speaker 2: again if the a listener of this feels like it's
• 1:18:31
  Speaker 2: going on, forever believe you. Me we had to watch.
• 1:18:33
  Speaker 2: It So mike Tells wally about his best friend and
• 1:18:37
  Speaker 2: former roommate who was an.
• 1:18:39
  Speaker 1: Artist, okay it was good, acting but did you know
• 1:18:42
  Speaker 1: how Much mike was moving his? Hand yeah the whole.
• 1:18:44
  Speaker 1: Time he's, like and it was, good but it was
• 1:18:45
  Speaker 1: like it felt, real but LIKE i couldn't look away
• 1:18:48
  Speaker 1: from his hand.
• 1:18:49
  Speaker 2: MOVING i was judging that because back before people come
• 1:18:53
  Speaker 2: out sometimes like back in the, nineties, eighties, seventies it
• 1:18:56
  Speaker 2: was always the roommate or the. Friend oh you know
• 1:19:00
  Speaker 2: WHAT i. Mean so he was banging this. Guy the
• 1:19:03
  Speaker 2: guy didn't love what he was. Doing he became an. Artist,
• 1:19:07
  Speaker 2: okay very.
• 1:19:08
  Speaker 1: True and they put a laugh track and goes he
• 1:19:10
  Speaker 1: was going to be a, dentist but he didn't like
• 1:19:11
  Speaker 1: being a, dentist you, know he did like, like, uh
• 1:19:14
  Speaker 1: standing the teeth or, something and then they put a
• 1:19:16
  Speaker 1: laugh check on that didn't REQUIRE i don't why was that?
• 1:19:19
  Speaker 1: Funny why was that? FUNNY i don't, Know god damn.
• 1:19:22
  Speaker 3: It.
• 1:19:25
  Speaker 2: Mike's advice is actually helpful wanted ads on a physical.
• 1:19:29
  Speaker 2: PAPER i thought that was like an interesting, throwback just like. Dating,
• 1:19:33
  Speaker 2: Uh LIKE i introduced one of my friends to she's, younger,
• 1:19:35
  Speaker 2: uh to tabloids and there's still like personals and the
• 1:19:39
  Speaker 2: tabloids in the. Back i'm, like that's so. RETRO i
• 1:19:41
  Speaker 2: love that.
• 1:19:42
  Speaker 1: Not only Did mike offer great, advice he was also supportive.
• 1:19:45
  Speaker 1: Too he, GOES i don't know what these bricks, are,
• 1:19:46
  Speaker 1: goes if everybody can sell, him you, can because you're
• 1:19:48
  Speaker 1: really good at. This mike fucking held everything down like
• 1:19:51
  Speaker 1: a boss during this.
• 1:19:52
  Speaker 2: Episode so there's just so many it's like whack a,
• 1:19:54
  Speaker 2: Mole like all of his kids are just fucking stupid or.
• 1:19:58
  Speaker 2: Creepy oh, Yeah cindy IS i, Said cindy is pretty
• 1:20:03
  Speaker 2: much a podcast. Host, yeah Which i'm, like that's the fucking, Worst.
• 1:20:08
  Speaker 1: And i'm just, yeah, BASICALLY i, mean, yeah that's the.
• 1:20:13
  Speaker 2: Podcast and then SO i think that the kitchen scene
• 1:20:16
  Speaker 2: would have been. Cute you, know let's wrap this. Up
• 1:20:18
  Speaker 2: but Now marsha is gonna be the first guest On
• 1:20:21
  Speaker 2: cindy's podcast to.
• 1:20:22
  Speaker 1: Do a long fucking boring ass, speech so.
• 1:20:26
  Speaker 2: Insincere and then the whole.
• 1:20:27
  Speaker 1: Family got together to listen to. This and THEN i
• 1:20:30
  Speaker 1: didn't realize About bobby's whelchair because there's no fucking ramps
• 1:20:33
  Speaker 1: in the, house so they had to, like, yeah.
• 1:20:35
  Speaker 2: It was they have to like push the wheelchair down
• 1:20:37
  Speaker 2: and like carry him and like change his diaper or.
• 1:20:40
  Speaker 2: Something but then at least when they were listening to
• 1:20:42
  Speaker 2: the to the, episode they did Have alice, there but
• 1:20:45
  Speaker 2: there was no like. Quirkiness it was just like her
• 1:20:49
  Speaker 2: like her hand on her head or something like. That
• 1:20:51
  Speaker 2: it was so.
• 1:20:51
  Speaker 1: Uncomfortable alice wasn't around at all during the alcohol. Things
• 1:20:54
  Speaker 1: that means somebody called her and it was, like, hey
• 1:20:56
  Speaker 1: so what are you doing tonight or this? Morning we
• 1:21:00
  Speaker 1: don't know what time today it. Is oh, NO i,
• 1:21:02
  Speaker 1: said Just i'm just making a ham or. Whatever she. Does,
• 1:21:05
  Speaker 1: well do you want to come over and listen to
• 1:21:07
  Speaker 1: the radio with? Us, no not, really it's About. Marcia
• 1:21:11
  Speaker 1: she's an. Alcoholic. What, yeah that is a lot behind
• 1:21:14
  Speaker 1: the scenes that happen.
• 1:21:15
  Speaker 2: They that would have been a good LIKE i would
• 1:21:17
  Speaker 2: watch that scene and then when.
• 1:21:19
  Speaker 1: She's on the, phone but she's like trying to like
• 1:21:21
  Speaker 1: clean with one foot and like the ovens coming. Down she's,
• 1:21:24
  Speaker 1: like OH i don't Want, yeah these are doing. Everywhere
• 1:21:27
  Speaker 1: oh my, god.
• 1:21:28
  Speaker 2: Everything is so. Good but, Yeah Brady brides has a
• 1:21:31
  Speaker 2: lot More alice in, it which is, good AND i
• 1:21:34
  Speaker 2: think that's pretty much the fucking. Music marcia is going
• 1:21:39
  Speaker 2: to complete meltdown mode when the kids. Leave, yeah so
• 1:21:42
  Speaker 2: she's Unless marcia's completely manipulated the situation and gasling everybody
• 1:21:47
  Speaker 2: and like not an alcoholic if she does have a
• 1:21:50
  Speaker 2: lot of trauma or like a lot of dependency. Issues
• 1:21:53
  Speaker 2: her solution was being more needed by her. Family, yeah
• 1:21:57
  Speaker 2: but what's gonna happen when they go off.
• 1:22:00
  Speaker 1: Mm, hmm or if while he gets a job and
• 1:22:02
  Speaker 1: they get their own house again and the kids are at,
• 1:22:04
  Speaker 1: school like what do You, YEAH i know what she gonna.
• 1:22:06
  Speaker 2: Do like that this doesn't, work that's some. Good that's
• 1:22:10
  Speaker 2: some Good mike. Advice not the most appropriate kids for that,
• 1:22:17
  Speaker 2: MOMENT a kiss for that?
• 1:22:19
  Speaker 1: Moment oh the way the episode, Ended, yeah yeah for sure.
• 1:22:24
  Speaker 2: To like his goofy little face when he's trying to
• 1:22:26
  Speaker 2: because he can't act or like like serious, act so
• 1:22:28
  Speaker 2: he just looks like he's making like bowel movement, faces
• 1:22:31
  Speaker 2: and then he comes over after she allegedly like pours
• 1:22:34
  Speaker 2: her heart out on a public, platform he like shoves
• 1:22:38
  Speaker 2: his mouth on. Her, yeah that's. It that's maybe a
• 1:22:42
  Speaker 2: peck if she initiates, it or kiss on the cheek
• 1:22:46
  Speaker 2: or just.
• 1:22:46
  Speaker 1: Like grub the shoulder Saying i'm here to support, you
• 1:22:48
  Speaker 1: not your, mouth and she's, like my sister's right. There
• 1:22:53
  Speaker 1: we're still on the, air the.
• 1:22:54
  Speaker 2: Air this is the first episode of my sister's big,
• 1:22:58
  Speaker 2: break and you're just gonna do.
• 1:23:00
  Speaker 1: THIS i was, like sorry for all those kissing. Noises,
• 1:23:02
  Speaker 1: yeah it was really, inappropriate fucking.
• 1:23:03
  Speaker 2: Disgusting, okay so what did you that's The Brady's.
• 1:23:07
  Speaker 1: This, is hands, DOWN i THINK tv, wise without a,
• 1:23:12
  Speaker 1: doubt the worst show we've. Watched it was very hard
• 1:23:16
  Speaker 1: to get, through AND i don't. LIKE i watched it
• 1:23:17
  Speaker 1: twice because the first TIME i was, like MAYBE i
• 1:23:20
  Speaker 1: missed some, stuff you, KNOW i was like because and
• 1:23:22
  Speaker 1: it felt like FOREVERYONE i was, like it just wasn't.
• 1:23:24
  Speaker 1: There MAYBE i didn't. Really so the second TIME i
• 1:23:26
  Speaker 1: watched it one hundred percent focused AND i was, like
• 1:23:28
  Speaker 1: this is BECAUSE i was doing my nose the first.
• 1:23:30
  Speaker 1: Time it's REALLY i do not recommend.
• 1:23:32
  Speaker 2: This it's LIKE i think The Brady bunch, movies the
• 1:23:37
  Speaker 2: ones With Shelley long and that was like seven years
• 1:23:42
  Speaker 2: later or something like, that like late, ninety like mid
• 1:23:44
  Speaker 2: to late, Nineties so there was enough distance between the
• 1:23:48
  Speaker 2: seventies or sixty seventies and then the nineties for them
• 1:23:51
  Speaker 2: to reflect and be, like, oh The Brady bunch was,
• 1:23:53
  Speaker 2: camp so let's lean into, that like the movies did.
• 1:23:56
  Speaker 1: Ye so if they.
• 1:23:57
  Speaker 2: Would have leaned into the, camp, yeah it would have
• 1:23:59
  Speaker 2: been so. Funny but those, movies the campy, ones are so.
• 1:24:02
  Speaker 2: Great it has Like Rube paul and it AND i.
• 1:24:05
  Speaker 1: READ i render those movies a ship tone. Roun, Yeah
• 1:24:08
  Speaker 1: LIKE i remember liking them a.
• 1:24:09
  Speaker 2: Lot so this this they were. Taken they were wanting
• 1:24:13
  Speaker 2: to be serious people in this.
• 1:24:15
  Speaker 1: WELL i think another issue with The brady's is because
• 1:24:17
  Speaker 1: it was such a big show after it got off the,
• 1:24:20
  Speaker 1: air because of like syndication and like GEN X kids
• 1:24:23
  Speaker 1: and you know and us and you. Know so then
• 1:24:25
  Speaker 1: what would happen is they would have like these little
• 1:24:27
  Speaker 1: bit of, specials like A christmas, special and then ratings
• 1:24:30
  Speaker 1: are crazy and then they're, like, oh we got to
• 1:24:32
  Speaker 1: capitalize and put an show, together but nobody to watch
• 1:24:34
  Speaker 1: it BECAUSE i think people because people are. Curious i'm, like,
• 1:24:38
  Speaker 1: OH i wonder what The brady's tap. Too oh we
• 1:24:39
  Speaker 1: got a little taste of. It i'm good for another
• 1:24:41
  Speaker 1: five or six years and then instead of like doing
• 1:24:43
  Speaker 1: a FULL tv show and then nobody watches, it you,
• 1:24:45
  Speaker 1: KNOW i don't. Know it was freaking.
• 1:24:46
  Speaker 2: Weird, yeah this was a bizarre fucking movie or. Show
• 1:24:49
  Speaker 2: AND i WANT i don't want to be a, masochistic
• 1:24:52
  Speaker 2: BUT i do kind of want to watch another episode
• 1:24:54
  Speaker 2: BECAUSE i want to see what other how how uncomfortable
• 1:24:57
  Speaker 2: it would. Be and this is the fifth, episode so
• 1:24:59
  Speaker 2: they've had it times to, like, yeah, yeah what do
• 1:25:04
  Speaker 2: you think would be so a Serious Brady bunch series
• 1:25:08
  Speaker 2: was a pretty hard one to. Review what would be
• 1:25:10
  Speaker 2: another show or movie that would be really? Difficult do you?
• 1:25:13
  Speaker 1: THINK i don't, know maybe like some of those like
• 1:25:17
  Speaker 1: what Uh West worlds or something like that where it's, like,
• 1:25:20
  Speaker 1: uh yours like? Stuff MAYBE i don't, know, Yeah or
• 1:25:24
  Speaker 1: LIKE i like.
• 1:25:25
  Speaker 2: A political drama where just like a lot of dialogue driven,
• 1:25:28
  Speaker 2: yeah because Then i'm, like so Now nicole is saying
• 1:25:31
  Speaker 2: blah blah blah blah, blah, yeah we should do. That
• 1:25:33
  Speaker 2: just find like a very dialogue driven like episode and
• 1:25:36
  Speaker 2: just like word for, word Say i'll read. It another
• 1:25:42
  Speaker 2: one that would be really hard to do would be
• 1:25:44
  Speaker 2: like a documentary with a lot of, interviews because then
• 1:25:48
  Speaker 2: it would be, like, oh like Like helga is talking
• 1:25:51
  Speaker 2: about when she was In. Auschwitz like that would be
• 1:25:53
  Speaker 2: very that would be very. Uncomfortable, anyways, listener if you're
• 1:25:58
  Speaker 2: still here and haven't, like had a, drink do yourself a. Favor, drink, smoke, Drink,
• 1:26:03
  Speaker 2: yeah play with. YOURSELF i don't know right now you'd
• 1:26:05
  Speaker 2: be playing with yourself, Listener but if you are good for,
• 1:26:07
  Speaker 2: you that's. Weird thank, you and the here's some things
• 1:26:13
  Speaker 2: that can make you. Happy go onto our. Instagram see
• 1:26:17
  Speaker 2: what's going on, There listen to former, episodes leave us a,
• 1:26:20
  Speaker 2: review tell us something shitty that we should talk.
• 1:26:24
  Speaker 1: About, yeah, yeah BECAUSE i don't think anything in top of.
• 1:26:27
  Speaker 1: That this was real, Bad SO i do not recommend watching.
• 1:26:30
  Speaker 1: IT i do if you want to see what we're
• 1:26:32
  Speaker 1: talking about and just see how bad it. Is but
• 1:26:35
  Speaker 1: it wasn't even so. Bad it was. Good it was odd.
• 1:26:37
  Speaker 1: BAD i did.
• 1:26:38
  Speaker 2: Not it was. Uncomfortable it was very uncomfortable with somebody
• 1:26:40
  Speaker 2: that like a, librarian like a substitute librarian would would have.
• 1:26:44
  Speaker 2: WATCHED i don't, KNOW i just fucking fuck this. Show. Yeah, anyways,
• 1:26:48
  Speaker 2: listener we have a lot going on right. Now, so
• 1:26:50
  Speaker 2: LIKE i, said go to a social media, page listen to,
• 1:26:52
  Speaker 2: dad daughters and. Diplomas follow my dog who's who's like magenta?
• 1:26:56
  Speaker 2: Color AND i don't know how that's gonna, work like
• 1:26:58
  Speaker 2: because it eventually. Fade is this is this his new? Lifestyle,
• 1:27:02
  Speaker 2: like what's gonna? Happen it's not a dog that like
• 1:27:04
  Speaker 2: his hair grows AND i cut, it so it's gonna
• 1:27:06
  Speaker 2: be like This for a long, TIME i did not
• 1:27:08
  Speaker 2: think that.
• 1:27:09
  Speaker 1: Through, yeah that's so. True yeah.
• 1:27:11
  Speaker 2: Yeah AND i painted his nails like a neon. Blue
• 1:27:14
  Speaker 2: and then his outfit for the doggy. Dash we'll put
• 1:27:15
  Speaker 2: it on social, media but it is all, silver so
• 1:27:19
  Speaker 2: it's a silver. Gown and THEN i got him a
• 1:27:22
  Speaker 2: silver wig and then a tiara and then some. Sunglasses
• 1:27:26
  Speaker 2: so it's gonna be a. Vibe, okay, listener until next,
• 1:27:29
  Speaker 2: Time I'm, Jeff I'm, andy and we'll see you Next.
• 1:27:31
  Speaker 1: Tuesday brady Any ray tell him Acquire.
• 1:27:36
  Speaker 2: And that's a wrap for this episode Of Notable.
• 1:27:39
  Speaker 1: Nostalgia we hope you enjoyed our trip down memory lane
• 1:27:42
  Speaker 1: just as much as we. Did if you love reminiscing with,
• 1:27:44
  Speaker 1: us don't forget to subscribe great and leave a review
• 1:27:47
  Speaker 1: and be sure to tune in next time for more nostalgic.
• 1:27:49
  Speaker 1: Fun Notable nostalgia was created By ALI. J, ward produced
• 1:27:53
  Speaker 1: By Andrew, lipsey and edited By Andrew. Lipsey you can
• 1:27:57
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• 1:28:01
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• 1:28:09
  Speaker 2: Nerds