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Hopalong Cassidy - "Dead Man's Hand" (Old Time Radio, 1950) · Hopalong Cassidy | Old Time Radio

• 0:00
  Speaker 1: A letter in unfamiliar handwriting sends hop Along Cassidy and
• 0:03
  Speaker 1: California Carlson toward Indian Springs, where a gold strike, a
• 0:08
  Speaker 1: missing sheriff, and a busy hotel gambling room raise immediate questions.
• 0:13
  Speaker 1: This is hop Along Cassidy in dead Man's Hand, first
• 0:16
  Speaker 1: broadcast on Mutual on January first, nineteen fifty, the opening
• 0:20
  Speaker 1: broadcast of the series nineteen fifty run. William Boyd stars
• 0:25
  Speaker 1: as Hoppy with Andy Clyde as California Carlson. Harold Swanton
• 0:30
  Speaker 1: wrote the script and Ted Bliss directed. From the open
• 0:34
  Speaker 1: range to a rough frontier town, Hoppey follows the trail
• 0:38
  Speaker 1: of his old friend Kit Kirby, Ladies and gentlemen. Here
• 0:42
  Speaker 1: is the original broadcast.
• 0:44
  Speaker 2: It hop Along Capody, with axiom and suspense, all of
• 0:53
  Speaker 2: the Old West comes the most famous ill of them all,
• 0:56
  Speaker 2: hop Along Capity, starring William Boyce. The jingle of the
• 1:06
  Speaker 2: silver Spurs heralds that fabulous figure of the early West,
• 1:10
  Speaker 2: hop Along Cassidy, the same happy U cheer in motion pictures,
• 1:14
  Speaker 2: with the same California You've left that one hundred times
• 1:17
  Speaker 2: in your local theaters. These famous partners come riding into Radio,
• 1:21
  Speaker 2: just as you best for us. William Boyd as hop
• 1:24
  Speaker 2: Along Cassidy and Andy Clyde as California our story tonight
• 1:30
  Speaker 2: dead Man's hands, with winter coming on and the snow
• 1:41
  Speaker 2: beginning to crawl down the distant mountains. There are one
• 1:44
  Speaker 2: hundred things to be done around the bar twenty rank,
• 1:47
  Speaker 2: but hop Along Cassidy knows that some of those things
• 1:49
  Speaker 2: will have to wait for he in California.
• 1:51
  Speaker 3: Are going to have another job to do.
• 1:54
  Speaker 2: Or it might be an easy job, like just giving
• 1:56
  Speaker 2: a friend a help in hand. Then again, it might
• 1:59
  Speaker 2: mean tangling with a treacherous gang who put gold nuggets
• 2:03
  Speaker 2: about human life happy?
• 2:08
  Speaker 3: How incarnation? Am I going to get my work done?
• 2:10
  Speaker 3: Would you sneaking me and off in the range like
• 2:12
  Speaker 3: a laned up job? I wouldn't have sent that writer
• 2:14
  Speaker 3: out after you without a pretty good reason. California, Well,
• 2:17
  Speaker 3: my years it up. Let's have her. You remember Kit Kribby?
• 2:20
  Speaker 3: Do I remember Kit? Why? He was one of the
• 2:22
  Speaker 3: best Hans we ever had. He's in trouble. Listen to
• 2:25
  Speaker 3: this letter I got this morning, Dear Hoppy. I'm writing
• 2:29
  Speaker 3: you because I think you're the only friend I got left.
• 2:31
  Speaker 3: Gold is where you find if they say, and my
• 2:34
  Speaker 3: partner Joe and I have found her that for three years,
• 2:36
  Speaker 3: and these god forsaken mountains our first samples, as said
• 2:39
  Speaker 3: five hundred dollars to the turn, she willie, which strife
• 2:43
  Speaker 3: sure is. We thought we were luck inn till the
• 2:46
  Speaker 3: day Joe left with the second batch of samples, and
• 2:48
  Speaker 3: I found him ten hours later, and Whitewater passed with
• 2:50
  Speaker 3: a bullet. These back. So I'm alone now, but that's
• 2:54
  Speaker 3: not why I'm writing you. My wife Sally is alone
• 2:57
  Speaker 3: too an Indian Spring, and she needs help. Take your
• 3:00
  Speaker 3: kind of help. That's all I can say. Now. Wish
• 3:03
  Speaker 3: me luck, pal Kit Kirby, which I always liked. The
• 3:06
  Speaker 3: boy has got yourself in trouble, and I believe Kit's
• 3:09
  Speaker 3: in real trouble or the this letter tells you. See,
• 3:13
  Speaker 3: I know Kid's handwriting. And this letter is a bad innovation.
• 3:16
  Speaker 3: You mean you mean it ain't. Someone wants us to
• 3:19
  Speaker 3: come to Indian Spring, California, and they want it badly
• 3:22
  Speaker 3: enough to forge this letter. Now a word from your announcers.
• 4:17
  Speaker 2: Now back to hop Along Cassody. There was a four
• 4:29
  Speaker 2: day ride behind them when Hoppy in California pulled into
• 4:32
  Speaker 2: the rough dirty little town of Indian Springs. And as
• 4:35
  Speaker 2: they walked into the town's rickety hotel, past the poker
• 4:38
  Speaker 2: game to the bar, Hoppy knew that only gold would
• 4:41
  Speaker 2: bring Kit Kirby to a place like this.
• 4:44
  Speaker 3: That's a better open radus. I'm good for it.
• 4:47
  Speaker 4: How many?
• 4:48
  Speaker 3: How many?
• 4:48
  Speaker 5: What?
• 4:49
  Speaker 3: Well? All we got? Chrisky?
• 4:50
  Speaker 4: So I don't ask what do you want? I ask
• 4:52
  Speaker 4: how many?
• 4:53
  Speaker 3: And suppose a fellow wants a room for the night,
• 4:55
  Speaker 3: how long you stand? Does that make any difference? Oh?
• 4:58
  Speaker 4: Not to me, my to you?
• 5:01
  Speaker 3: Why was you?
• 5:01
  Speaker 4: I'd ride on the Sahara in the morning.
• 5:04
  Speaker 3: You know, mister oh Sam, I'd say you were scared
• 5:07
  Speaker 3: of something.
• 5:08
  Speaker 4: It ain't only me, it's everybody around here. Look, if
• 5:12
  Speaker 4: you're smart, you get right back on that horse.
• 5:15
  Speaker 3: Yeah, Luke, you're around here to ten bar, ain't you? Jerry?
• 5:20
  Speaker 4: Sure?
• 5:20
  Speaker 3: Aren't sure what you're shooting off your mouth and self
• 5:23
  Speaker 3: in that drink. Yeah, you're here right away, Luke, Jerry.
• 5:29
  Speaker 3: That's Jack Rabbit. Look at him, jump talking all the time,
• 5:35
  Speaker 3: talking any objections. Yeah, talking can get him in into
• 5:40
  Speaker 3: a heap of trouble. Battle. Remember that on your way
• 5:44
  Speaker 3: out of town tomorrow. Okay, boys, this is the money
• 5:48
  Speaker 3: hands I want to be in at the start. Jilly Gosh,
• 5:52
  Speaker 3: how I wouldn't turn my back and hitching post in
• 5:54
  Speaker 3: this town. Look at that poker game twenty dollars limit.
• 5:58
  Speaker 3: Some naked here without a sick scunn me ship here come,
• 6:01
  Speaker 3: Jerry mister.
• 6:05
  Speaker 4: This sounds no place for a cowpoke on the loose.
• 6:08
  Speaker 4: Now take my y us right on to so Warle
• 6:12
  Speaker 4: trails plane and you have a move. What's the world
• 6:15
  Speaker 4: they've got the law in so while government marshall?
• 6:18
  Speaker 3: You mean there's no law around here?
• 6:20
  Speaker 4: Oh, I don't know. Nobody's seen the sheriff since the
• 6:23
  Speaker 4: day before yesterday. How that Luke Barry over there, he's
• 6:27
  Speaker 4: a killer, got the whole town buffalo. Oh, there's gonna
• 6:31
  Speaker 4: be trouble. I can smell it.
• 6:34
  Speaker 3: Maybe I don't smell it. Sharp as you, Jayrry stunt.
• 6:37
  Speaker 5: Double chuck me?
• 6:38
  Speaker 3: Will your hot? Do't you get down? I thought it's gone,
• 6:46
  Speaker 3: you too have got luke that was fast drawing down.
• 6:48
  Speaker 3: So I'm pull a gun on me with help defense.
• 6:50
  Speaker 3: I had to shoot to doctor Earl. I'm still a doctor,
• 6:53
  Speaker 3: and my dude to see what I can do for him,
• 6:55
  Speaker 3: Help me get him over to my office. You come
• 6:58
  Speaker 3: up behind the bar, now, Jerry Luke, what was it?
• 7:02
  Speaker 3: Was it? Luke?
• 7:03
  Speaker 4: Nobody ever pulled a gun on Luke before.
• 7:07
  Speaker 3: But again, over to my office fast. I'm a pretty
• 7:09
  Speaker 3: too late, but I'll do what I can. I'm you're
• 7:11
  Speaker 3: awful concerned about it? Pulla he just shot? Who is that? Jay?
• 7:15
  Speaker 4: Oh? I stopped? Sheldon. You got a shingle hanging out
• 7:18
  Speaker 4: right across the trees.
• 7:20
  Speaker 3: Come on, California, let's take a look. Look for work
• 7:24
  Speaker 3: copy k We already seen a note. Hmmm, this is
• 7:27
  Speaker 3: a funny one. Why are you looking at them cards?
• 7:30
  Speaker 5: Well?
• 7:30
  Speaker 3: This is the dead man's hand, California, and I find
• 7:32
  Speaker 3: it very interesting this this Luke fella isn't here, wasn't he?
• 7:36
  Speaker 3: That's right? And the fellow who shot him was here?
• 7:39
  Speaker 3: Oh okay, what do you say we just forget the cards?
• 7:42
  Speaker 3: Wait a minute, California. Luke said something about the other
• 7:45
  Speaker 3: fellow double's denkon He pulled his gun first. That's right.
• 7:48
  Speaker 3: We shounded like that. It was under a table by
• 7:51
  Speaker 3: that time. Take a look at the cards. Luke's got
• 7:53
  Speaker 3: a full house here. The other man held a pair
• 7:56
  Speaker 3: of tens. Now, why should that guy with a winning
• 7:58
  Speaker 3: hand pull a gun first? Were maybe maybe maybe he
• 8:02
  Speaker 3: was drunk or not? That drunk watch on your mind? Oh,
• 8:06
  Speaker 3: just something to think about, that's all. Fix us up
• 8:09
  Speaker 3: at the room. Well you know, my name's uh mckinnay.
• 8:13
  Speaker 3: Let's just count up on your jones. Looks like we'll
• 8:16
  Speaker 3: be here in Indian Springs for quite a while.
• 8:18
  Speaker 4: Well it's your.
• 8:19
  Speaker 3: Funeral, maybe don't fare sing and Jerry, could you tell
• 8:23
  Speaker 3: us where Kit Kirby's wife lives. I'd kind of like
• 8:25
  Speaker 3: to write out and see her the night.
• 8:38
  Speaker 5: I'm so glad to see you, mister Cassidy.
• 8:41
  Speaker 3: Kid is very close to name Missus Kirby.
• 8:43
  Speaker 5: Oh, we do need help. We're afraid. The whole town's afraid.
• 8:46
  Speaker 5: I wished a thousand times kid hadn't found that gold.
• 8:49
  Speaker 3: Do you think that has something to do with it?
• 8:51
  Speaker 5: I had everything to do with it. The night Joe
• 8:54
  Speaker 5: brought in the first sample, someone broke into the essay
• 8:56
  Speaker 5: office and stole the reports. That's how news of the strike.
• 8:59
  Speaker 5: Guy Joe went to Sheriff Underwood, but I guess someone
• 9:02
  Speaker 5: else got there first. Well, the sheriff seemed afraid to
• 9:06
  Speaker 5: do anything. Then mister Sikes said will Fargo called a
• 9:09
  Speaker 5: protest meeting. He was attacked on the street the next night,
• 9:13
  Speaker 5: left town after he got a note threatening his family.
• 9:15
  Speaker 3: Or didn't anyone do anything about it?
• 9:18
  Speaker 5: The editor of the weekly paper tried to. He wrote
• 9:21
  Speaker 5: up the story together with what he knew about the
• 9:23
  Speaker 5: golds price, but the paper never came out.
• 9:25
  Speaker 3: Well why not?
• 9:27
  Speaker 5: His office burned to the ground last week presses.
• 9:29
  Speaker 3: And awekay Mark and you finally knew what he was
• 9:32
  Speaker 3: talking about. When was Kit's partner's shot on the trail.
• 9:36
  Speaker 5: Just before the fire. That's when I knew it was
• 9:38
  Speaker 5: more than I could handle, mister Cassidy. Sheriff Underwood promised me.
• 9:42
  Speaker 3: He'd do something, but yeah, but he left town in
• 9:45
  Speaker 3: a hurry too. You got any idea who's tying this news? Hervey?
• 9:49
  Speaker 5: Oh? I thought it was Luke Barry until this afternoon.
• 9:52
  Speaker 3: You heard about the shooting.
• 9:54
  Speaker 6: Yes, I want to give you something, mister Cassidy.
• 10:04
  Speaker 5: I'll tell you how to get to the mine after
• 10:07
  Speaker 5: the trail least Whitewater pass. I just threw it from memory.
• 10:10
  Speaker 5: No one knows how to get there. You see, there's
• 10:13
  Speaker 5: amaze of mountains and canyons beyond the.
• 10:15
  Speaker 3: Path gets up there now. Huh.
• 10:17
  Speaker 5: He hasn't come out for a month. I haven't even
• 10:19
  Speaker 5: seen him in that long.
• 10:20
  Speaker 3: Well, No, isn't it surprising? And I got a letter
• 10:23
  Speaker 3: from him, dated less than three weeks ago, but I
• 10:29
  Speaker 3: thought maybe he'd send it out by you. But you
• 10:31
  Speaker 3: say you haven't seen him. You know, Missus Kirby, it's
• 10:34
  Speaker 3: awfully hard to help when you just know half the story.
• 10:38
  Speaker 5: All right, I'll tell you I did write that letter,
• 10:43
  Speaker 5: but it was only because Kit needs help so desperately.
• 10:46
  Speaker 5: And even if he could get a letter to you,
• 10:48
  Speaker 5: you know how proud he is. She never asked anyone
• 10:50
  Speaker 5: for help.
• 10:51
  Speaker 3: I know he's got more spears than Topper. Is that Shay? No,
• 10:55
  Speaker 3: there's Topper. He mighty finds that a horse flesh.
• 10:57
  Speaker 5: It was wrong of me to sign Kit names that
• 11:00
  Speaker 5: let her, I know. But you do understand why I did.
• 11:03
  Speaker 3: It, Yes, I do, missus Kirby, but just don't make
• 11:05
  Speaker 3: a practice of it, or somebody else might not understand.
• 11:08
  Speaker 3: Now about kid, he's afraid he might get the same
• 11:11
  Speaker 3: reception as his partner if he starts down the tail,
• 11:13
  Speaker 3: so he just sits and tie. Huh.
• 11:15
  Speaker 5: Yes, but he has to come out, mister Cassidy. It's
• 11:17
  Speaker 5: knowing up there already, and he's almost out of supply.
• 11:20
  Speaker 5: What about the gold well that's up there too, over
• 11:23
  Speaker 5: forty thousand dollars worth of it and it's got to
• 11:26
  Speaker 5: come out sometime through Indian spring? Will Fargo?
• 11:28
  Speaker 3: Tell me? Is there anyone in town you know you
• 11:31
  Speaker 3: can trust?
• 11:32
  Speaker 5: Just Doc Sheldon. He's one of Kit's best friends. He Oh,
• 11:37
  Speaker 5: I see him coming up the work now.
• 11:40
  Speaker 3: We'll be in the next room. Don't tell him where here,
• 11:42
  Speaker 3: but he's please, Oh, all right, I'm on California, right, Hello,
• 11:56
  Speaker 3: Doc Shirley. You heard about Luke Berry.
• 12:00
  Speaker 5: I heard he was shot.
• 12:01
  Speaker 3: Is he died in my office an hour ago? He
• 12:04
  Speaker 3: drew a gun on me? First here cut case of
• 12:06
  Speaker 3: self event? Have a does witnesses? I thought you don't
• 12:11
  Speaker 3: want to know, Sally, Luke told me everything.
• 12:16
  Speaker 5: Well, what do you mean, Doc?
• 12:18
  Speaker 3: He was back of the whole thing, that business at
• 12:19
  Speaker 3: the essay office, the fire, all of it. Tallah, Honey,
• 12:24
  Speaker 3: I think we're out of the woods now. The ragin
• 12:27
  Speaker 3: of terror is over.
• 12:29
  Speaker 5: I'm not so sure.
• 12:31
  Speaker 3: You still think Luke was working for someone else?
• 12:34
  Speaker 5: Oh, I don't know, Doc, it's in such a nightmare.
• 12:37
  Speaker 5: I can't think anymore.
• 12:38
  Speaker 3: We've got to think, Sally, a Chip. You've got to
• 12:41
  Speaker 3: get out of the mountains before the snow bottles him up.
• 12:43
  Speaker 5: Any news on the shelf, haven't heard.
• 12:46
  Speaker 3: I think he's gone to Suara for the Marshall. Take
• 12:51
  Speaker 3: a look out the window there, Well, that sky snow
• 12:55
  Speaker 3: could hit those mountains again tonight. It doesn't make sense, Sally.
• 12:58
  Speaker 3: We've got to go up there and get kid out.
• 13:00
  Speaker 5: I told you I arrange for the sheriff.
• 13:02
  Speaker 3: Doc. I tell you the secrets of business is only
• 13:04
  Speaker 3: hurting Chips. Winter doesn't wait for anyone.
• 13:08
  Speaker 4: All right, Doc.
• 13:09
  Speaker 5: If the sheriff isn't back by tomorrow morning, I'll take
• 13:12
  Speaker 5: you up.
• 13:12
  Speaker 3: That's better, Sally. Now you're being simpial. I'll be here
• 13:16
  Speaker 3: tomorrow morning yet, Sonner.
• 13:18
  Speaker 5: Yes, Doc, I'll be ready.
• 13:19
  Speaker 3: Good night, Sally, good night. You say you can trust him,
• 13:29
  Speaker 3: so I hope.
• 13:30
  Speaker 6: So you mean I shouldn't have promised to god him
• 13:33
  Speaker 6: up there?
• 13:34
  Speaker 3: No, that's what it's all right, But Starling, as long
• 13:36
  Speaker 3: as you can tomorrow morning, come on, California. Where we're going, Hoby.
• 13:39
  Speaker 3: That's lest I know. At the moment. It's a sad
• 13:52
  Speaker 3: California California wakes up, California. No Mormy pulls. I get
• 14:02
  Speaker 3: all roast turkey. I can drink enough food. California Happy Happy?
• 14:09
  Speaker 3: What time is it? Why you get your bridges on?
• 14:11
  Speaker 3: It's dark? Why get your bridges on? I got an
• 14:15
  Speaker 3: idea great time to get ideas? Happy? Run me ragged
• 14:20
  Speaker 3: all day? Duck can't let in the barroom and it
• 14:22
  Speaker 3: ain't got the decent Sorry, yup, can't find my boot?
• 14:24
  Speaker 3: Shame maybe mind you're still clothes. Never mind the boots,
• 14:27
  Speaker 3: just the briches. You're ready, Yeah, but come on, what's
• 14:33
  Speaker 3: got into What time in the morning? Is it anyway
• 14:35
  Speaker 3: at four o'clock. I'll be very quiet and follow me
• 14:39
  Speaker 3: night time the stairway into the barroom.
• 14:41
  Speaker 2: What there is this?
• 14:42
  Speaker 3: I want to try a little experiment. I give up.
• 14:46
  Speaker 3: I'm going to give you a nice quiet job in
• 14:48
  Speaker 3: a truck wagon somewhere, hitting up at four in the
• 14:51
  Speaker 3: morning to do spermids. When a man works as hard
• 14:54
  Speaker 3: as I do, hopy he needs these forty wings. Yeah
• 14:57
  Speaker 3: we Areca's the table? Uh? What table? One of the boys?
• 15:00
  Speaker 3: We're playing Post of Us afternoon. Now you sit there,
• 15:04
  Speaker 3: that's it, and I'll sit here facing you with a
• 15:08
  Speaker 3: bar in my back. Now you're Luke bad and you're
• 15:11
  Speaker 3: holding the high hand. But for some reason or other,
• 15:14
  Speaker 3: you tell me I'm double backing and drawing me. What trying?
• 15:16
  Speaker 3: Wait a minute, I'm a long shopping figure. Why I
• 15:21
  Speaker 3: go ahead, go on happy, I'm ok. Barry, you shoot
• 15:24
  Speaker 3: once and miss, then we trade shot. You miss again,
• 15:27
  Speaker 3: I don't. Then I fired two more and it's over.
• 15:30
  Speaker 3: Now we can go back to bed. I don't get
• 15:32
  Speaker 3: a California. You miss me twice?
• 15:35
  Speaker 7: What have me?
• 15:35
  Speaker 3: A bullet? Look not a mink on a bar. If
• 15:39
  Speaker 3: you shot high, you the butt of that marre behind
• 15:40
  Speaker 3: it into a million pieces. Wait a minute, helping you
• 15:43
  Speaker 3: mean then shots were happy? Wait, you're under one on
• 15:47
  Speaker 3: the table. Come on down, help me look what you're
• 15:50
  Speaker 3: open first. Let's see. Now. If it weren't for mighty dark,
• 15:53
  Speaker 3: i'd help you find it. But that issue I knew
• 15:56
  Speaker 3: what it was, of course. Uh, here we are, I
• 15:59
  Speaker 3: find Doug Sheldon was pretty hasty thanking looks Bay onto
• 16:02
  Speaker 3: his office. What you got?
• 16:04
  Speaker 5: Uh?
• 16:05
  Speaker 3: There was no killing here this afternoon. I was I
• 16:07
  Speaker 3: put up John to make Santa said they think Lucas dead.
• 16:20
  Speaker 2: Before we continue with the exciting story dead Man's hand.
• 16:23
  Speaker 2: Here is a word from your announcers.
• 17:56
  Speaker 3: Now back to hop.
• 17:58
  Speaker 2: Along Cassidy Hobby in California. I've been in a lot
• 18:08
  Speaker 2: of strange places at some.
• 18:10
  Speaker 3: Very odd hours.
• 18:11
  Speaker 2: At the moment, they are under the poker table in
• 18:13
  Speaker 2: the Indian Spring barroom. It's four o'clock in the morning,
• 18:17
  Speaker 2: and they are just sitting and thinking, trying to make
• 18:19
  Speaker 2: sense out of the discovery that the shooting of Luke
• 18:21
  Speaker 2: Berry was stage and undoubtedly for Sally Kirby's benefit.
• 18:26
  Speaker 3: This piece of wading is when I found him on
• 18:28
  Speaker 3: a table California. A piece of warning from a blank carty,
• 18:31
  Speaker 3: blank Cartridguese. What do you know about that? Hobby? Don't
• 18:35
  Speaker 3: tell the new missus Kirkby take him up to the
• 18:36
  Speaker 3: mind if he thought Luke was out of the way,
• 18:38
  Speaker 3: sh quiet, it's the tapeman and dark can't look very
• 18:45
  Speaker 3: just about as dead as I thought. You better set
• 18:48
  Speaker 3: up now right for that bluff for a white water
• 18:50
  Speaker 3: pass the alng Way. We can't afford to be spotted.
• 18:54
  Speaker 3: What we plan still murder? You know best protection you
• 18:57
  Speaker 3: got to stay in dead Hey good, I hate to
• 19:01
  Speaker 3: miss my shuneral in the morning. I went out of
• 19:04
  Speaker 3: the plans. What about Kirby or you already hit the
• 19:06
  Speaker 3: pass on the way down about three in the afternoon, Missus,
• 19:09
  Speaker 3: Kirby will be first, then Kirby, remember that number two.
• 19:13
  Speaker 3: Who is Kirby? I'll bring up the rear after the
• 19:16
  Speaker 3: PEC news. You won't be able to tell who's who
• 19:18
  Speaker 3: at that distance. You'll draw your beat on number two.
• 19:22
  Speaker 3: And don't miss I didn't miss before, did I? He
• 19:25
  Speaker 3: talked after you left him. I didn't like that. Yeah,
• 19:28
  Speaker 3: don't worry. Kirby won't talk. And remember, I got to
• 19:32
  Speaker 3: get out of this clean. Everything depends on that. When
• 19:35
  Speaker 3: the Boss files for Kirby's clean, I'll see you in
• 19:38
  Speaker 3: six weeks in Santa Fe. All right, Remember I want
• 19:42
  Speaker 3: you on your way to what water passed before sent up? Understand, spouse, That's.
• 19:48
  Speaker 5: Why.
• 19:49
  Speaker 3: Then Jerdy double Carson Skoch and let's squab from hopping
• 19:52
  Speaker 3: not so fast, California. They'll get Kirby as he comes
• 19:55
  Speaker 3: down that train. If we grab these two right now,
• 19:57
  Speaker 3: the boss they mentioned the Santa SAYO, send somebody else
• 19:59
  Speaker 3: utter the kids. The only way to settle this writer
• 20:02
  Speaker 3: is to find out who's behind it all. So we'll
• 20:04
  Speaker 3: just have to play along. Well, let's take in my instincts.
• 20:07
  Speaker 3: But girl, Hoppy, you always seem to know best. It
• 20:10
  Speaker 3: gets down right monotonous. You're trying to flatter me. He
• 20:14
  Speaker 3: come on, it's almost daybreak and we gotta hurry up
• 20:17
  Speaker 3: and spruce up a bit, all right, Well, don't folks
• 20:19
  Speaker 3: always dress up to go to a funeral? Funeral, puppy,
• 20:22
  Speaker 3: you mean, yes, sir Luke Berry's last rite. I have
• 20:26
  Speaker 3: a hunch we're gonna find it mighty interesting. And being
• 20:40
  Speaker 3: there no preacher in Indian Spring, I just thought that
• 20:44
  Speaker 3: i'd get up and take charge here now. As you know,
• 20:48
  Speaker 3: we're sending.
• 20:49
  Speaker 7: Luke Berry to his reward, and at a time like this,
• 20:55
  Speaker 7: we're supposed to say something nice about the deceased.
• 20:59
  Speaker 3: Yeah, being the deceased is Luke Berry. That regulation puts
• 21:03
  Speaker 3: me in a flopping handicap. Hopy wanter Nation, make it easy.
• 21:07
  Speaker 3: I'll tell you when anyone present cots anything nice to
• 21:10
  Speaker 3: say about Luke and that being the case, sermon's over.
• 21:15
  Speaker 3: Let him down easy, boys, what's the matter, mister? That's
• 21:20
  Speaker 3: not the too hasty putting old Luke away. I'm one
• 21:22
  Speaker 3: of his best friends and i'd like to see the body.
• 21:25
  Speaker 3: I'm sorry, mister, she's nailed down to stay. Rip her up,
• 21:30
  Speaker 3: I want to say him, You get back down. You're
• 21:32
  Speaker 3: what I said. Take the lid off of that top
• 21:34
  Speaker 3: on it. You get tough with me with you, and
• 21:36
  Speaker 3: it doesn't cut the matter for a parson to pull
• 21:38
  Speaker 3: a gun on the chief Mourner, California. Yeah, take the
• 21:41
  Speaker 3: lid off right, Hoppsi. One of the boards just cracks.
• 21:48
  Speaker 3: Stop it right, Shut up, up out of you. Here's
• 21:52
  Speaker 3: to come there? Who's in it? I don't know, never
• 21:58
  Speaker 3: seen him?
• 21:59
  Speaker 4: Good lord, it's your aff Underwood.
• 22:03
  Speaker 3: Just come out of fault. Just come manute. I know
• 22:06
  Speaker 3: I'm a strange at all of you, but I'd like
• 22:08
  Speaker 3: to say something. Well, what do you got over there?
• 22:12
  Speaker 3: Since I rode into this town yesterday, I've seen nothing
• 22:15
  Speaker 3: but fear. All of you are shaken in your boots.
• 22:18
  Speaker 3: You're only as strong as you want to be. You
• 22:20
  Speaker 3: want to lie down and keep taking it. There's plenty
• 22:22
  Speaker 3: of rats who will keep walking on you. It's up
• 22:24
  Speaker 3: to you. How much long are you going to take it? Okay?
• 22:30
  Speaker 3: All right? You got a jail in town. I saw
• 22:32
  Speaker 3: it with the person here inside it, and I'll have
• 22:34
  Speaker 3: another one for you a nightfall. Come on, California. We
• 22:37
  Speaker 3: got a job to do, and do fast if we
• 22:54
  Speaker 3: don't get ourselves in the derndish places. Here, we are
• 22:57
  Speaker 3: making our own trail up the mouth side with a wind.
• 23:00
  Speaker 3: No wishman through her whiskers nod, and then even enough
• 23:03
  Speaker 3: food to keep my ribs worm. Buy you a nice
• 23:05
  Speaker 3: big steak just as soon as we get back to
• 23:07
  Speaker 3: Indian spring. No one look varies something in peaks abobus.
• 23:09
  Speaker 3: I ain't too certain of ever getting back. You aren't concerned, No,
• 23:14
  Speaker 3: you're scared. I think we better split up here. You
• 23:17
  Speaker 3: know what you're to do, don't you. I gotta do somebody.
• 23:19
  Speaker 3: I ride and reach the party before they get the
• 23:21
  Speaker 3: white water task.
• 23:32
  Speaker 5: We were so afraid that jamaicat snowed.
• 23:34
  Speaker 7: Inn't kids, it's been a long week up there, Sally
• 23:37
  Speaker 7: seems good to be headed down this trail.
• 23:39
  Speaker 3: It doesn't. You're afraid of chukots?
• 23:42
  Speaker 5: Oh? Is that someone telling us?
• 23:44
  Speaker 3: Well?
• 23:45
  Speaker 5: Chastity harp along?
• 23:48
  Speaker 7: Same?
• 23:49
  Speaker 3: What are you doing here top of the a little exercise?
• 23:53
  Speaker 3: How are your kids?
• 23:54
  Speaker 5: Oh?
• 23:54
  Speaker 3: Golly, it's good to see your hobby. Will you hear
• 23:57
  Speaker 3: about my gold strike?
• 23:58
  Speaker 5: We've had a fine fitness to Cassidy stock caton's been
• 24:01
  Speaker 5: keeping a sharp lookout. Oh have you too, mess Mister
• 24:04
  Speaker 5: Cassidy is an old fend of kit dock.
• 24:06
  Speaker 3: No, we haven't met a did doc. I guess maybe
• 24:09
  Speaker 3: I'll ride back to the end of the line and
• 24:10
  Speaker 3: join you. If you don't mind, Andy, I can help
• 24:13
  Speaker 3: you watch for any danger. I don't know what missus Kirby.
• 24:15
  Speaker 3: When we round this next tand we'll be in white
• 24:17
  Speaker 3: water pants, do you make your horse dumble and not
• 24:19
  Speaker 3: hurt yourself.
• 24:20
  Speaker 5: I don't understand.
• 24:21
  Speaker 3: Please don't ask questions. Just do what I say out
• 24:25
  Speaker 3: the back there behind the dock, and we'll be on
• 24:26
  Speaker 3: our way. I don't know what you're ideas and coming
• 24:34
  Speaker 3: up to meet this Cassidy. I can tell you that
• 24:37
  Speaker 3: I'm here to protect chick. Then we have a lots
• 24:39
  Speaker 3: in common. Don just don't sally your kid my horse.
• 24:46
  Speaker 3: What's the matter of the sally? If your horse is tired,
• 24:48
  Speaker 3: why don't you come back here with me and let
• 24:50
  Speaker 3: get lead the way? All right?
• 24:53
  Speaker 5: Idea, I will.
• 24:55
  Speaker 3: Ride through white Water pass this way, get first stocks back,
• 25:00
  Speaker 3: I wait, Sally third, and I'll bring up the rear.
• 25:02
  Speaker 3: All right, let's get going.
• 25:04
  Speaker 7: But Cassidy, I don't think we should ride this way.
• 25:07
  Speaker 7: The kids out front. He exposed everything. I'll change places
• 25:11
  Speaker 7: with him.
• 25:11
  Speaker 3: I wouldn't avre you. Doc. I have my gun handy
• 25:14
  Speaker 3: in case of any emergence. Catcha Cassidy. I can't ride here.
• 25:18
  Speaker 7: I'm sick.
• 25:19
  Speaker 3: I tell you, mountain sickness. And there's nothing like a
• 25:21
  Speaker 3: good ride the cure mountain sickness. Don especially in number
• 25:25
  Speaker 3: two spots. Wouldn't be surprised if you never got sick
• 25:28
  Speaker 3: again after the day. That was a shot. What do
• 25:32
  Speaker 3: you know? Someone's out shooting girls? What can we do? Leave?
• 25:35
  Speaker 3: Listen to me, Sally, keep your places in line, four
• 25:38
  Speaker 3: year boss and Santa fe. Doc. There's no one he's
• 25:41
  Speaker 3: running the whole playoff here, isn't he. I have to
• 25:43
  Speaker 3: get mine, bound to get it, no matter who he
• 25:44
  Speaker 3: has to kill first.
• 25:45
  Speaker 7: I tell you, I don't know, Cassidy.
• 25:47
  Speaker 3: Listen.
• 25:48
  Speaker 7: Luke Bearry is up there. He's shooting at me. But
• 25:51
  Speaker 7: because I'm riding.
• 25:52
  Speaker 3: Second here here, you put him there and he's going
• 25:54
  Speaker 3: to keep shooting. Will you talk? I thought he was dead,
• 25:58
  Speaker 3: too bad. Dot. That was a good half. Look at
• 26:02
  Speaker 3: her float down the gage stopping.
• 26:05
  Speaker 7: My talk, Asidy, I talk, stop chooting at me.
• 26:19
  Speaker 2: Now a word from your announcers. Now back to hop
• 27:08
  Speaker 2: along Cavity.
• 27:11
  Speaker 3: I'll take charge of the prisoners for a while. Hoppey,
• 27:14
  Speaker 3: you won't have any trouble with the doc. Yeah, any
• 27:16
  Speaker 3: surprise And how a tap and the head otainment fella
• 27:18
  Speaker 3: like Barry.
• 27:20
  Speaker 5: So you were in on this too, California sudden, I
• 27:24
  Speaker 5: don't even know what happened.
• 27:25
  Speaker 3: Well, you see, kids, California, and I knew that Luked
• 27:27
  Speaker 3: to be up on that peak of a white waught
• 27:29
  Speaker 3: a past. So when I rode up the trailer to
• 27:31
  Speaker 3: meet you, California kind of sneaked up on Luke and
• 27:33
  Speaker 3: took over the job, like taking candy from the base.
• 27:37
  Speaker 3: Then it wasn't Luke shooting met us at all. It
• 27:39
  Speaker 3: was That's right, It was California, but the docks thought
• 27:42
  Speaker 3: it was Luke, and he had instructed Luke to kill
• 27:45
  Speaker 3: whoever was a number two positions. Why that's where I
• 27:48
  Speaker 3: had been riding. Oh shit, and with a bullets wizon
• 27:51
  Speaker 3: passing the dock. You sang like a bird. And now
• 27:54
  Speaker 3: we know about the whole truck of mining outfit, the
• 27:57
  Speaker 3: sata Tha he just needed a little pushways say, by
• 28:01
  Speaker 3: the way, there's something I forgot to compliment you on California. Yeah,
• 28:05
  Speaker 3: I'm blushing already. Uh what if that shooting in white
• 28:09
  Speaker 3: Water Paths? Brother? When you shoot them this, you should
• 28:12
  Speaker 3: don't leave much room despairsh did you tell me the mission?
• 28:17
  Speaker 3: Lordie Hoppy, I'm trying all the time to hit him.
• 28:37
  Speaker 2: Goodbye from m Along Caffany.
• 28:39
  Speaker 3: I'm tallahood.
• 28:40
  Speaker 2: Another job is done and they're heading back to the
• 28:42
  Speaker 2: bar twenty. But they'd be mighty pleased if you join
• 28:45
  Speaker 2: them again next week for another story of action and exciting.
• 28:49
  Speaker 2: Am Along Cafody Darling William Boyd is transcribed and produced
• 28:53
  Speaker 2: in the West by Walter White Junior. Dead Man's Hand
• 28:56
  Speaker 2: was written by Harold Swamps. All stories are based upon
• 28:59
  Speaker 2: the cacharacters created by Clarence E. Mot This is a
• 29:03
  Speaker 2: Commodore product.
• 29:28
  Speaker 1: That was hop Along Cassidy in Dead Man's Hand. Follow
• 29:32
  Speaker 1: Hopalong Cassidy for more classic broadcasts.