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Inside The Kellogg's Cinematic Universe · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on artists.
• 0:08
  Speaker 2: This week we're talking IP, not the Marvel Cinematic Universe,
• 0:13
  Speaker 2: but the Kellogg's Cinematic Universe.
• 0:16
  Speaker 3: That's right.
• 0:17
  Speaker 4: As every single brand tries to make a steak at
• 0:21
  Speaker 4: building a world of their own in the realm of cinema,
• 0:25
  Speaker 4: Kellogg's is next to the plate with a bevy of characters, products, cereals, cookies,
• 0:31
  Speaker 4: and breakfast foods that are going to be gracing your
• 0:34
  Speaker 4: silver screen very soon.
• 0:36
  Speaker 1: We gathered these four directors of the upcoming Kellogg's films
• 0:41
  Speaker 1: to talk process, IP and Cereal.
• 0:45
  Speaker 5: So let's sit back, relax, and listen in as you
• 0:49
  Speaker 5: take a bite of delicious Ceial movies.
• 0:52
  Speaker 3: Let's listen in.
• 0:53
  Speaker 5: And welcome to the wonderful Dynasty Typewriter Theater.
• 1:01
  Speaker 6: Wow.
• 1:02
  Speaker 3: This wow, amazing, is awesome. This.
• 1:07
  Speaker 5: I've been on just so many email threads with you guys, yes,
• 1:11
  Speaker 5: but it's so fun to finally sit down and meet
• 1:14
  Speaker 5: the faces behind the email yeah signatures.
• 1:18
  Speaker 2: Yes, I mean, and and you're all legends in your
• 1:20
  Speaker 2: own right of course, and and we've all you know,
• 1:23
  Speaker 2: been out there and filmmaking. And then when when Kellogg's approached.
• 1:28
  Speaker 2: I don't know how it was for you, but when
• 1:29
  Speaker 2: Kellogg's approached me, it seemed to be very urgent, very fast.
• 1:33
  Speaker 2: We have to get these movies out eighteen months right away.
• 1:36
  Speaker 4: And all the emails I get from Kellogg's, by the way,
• 1:39
  Speaker 4: and I love this company, I love this I love
• 1:41
  Speaker 4: we love this company.
• 1:44
  Speaker 6: Love I have Cereal, I love it.
• 1:46
  Speaker 4: Have you noticed all the emails in between about six
• 1:48
  Speaker 4: thirty am and nine thirty am and then they're just
• 1:51
  Speaker 4: dead quiet.
• 1:52
  Speaker 1: And they're done because I'll be honest, and I love Kellogg's.
• 1:55
  Speaker 1: Love love them, and I love It's not a filling breakfast.
• 1:59
  Speaker 1: You kind of crash around ten am.
• 2:02
  Speaker 6: That's kind of what cereal is.
• 2:03
  Speaker 2: If you eat cereal at six you're kind of you
• 2:06
  Speaker 2: need another thing in the middle.
• 2:07
  Speaker 3: Of the day.
• 2:08
  Speaker 1: And there's a place for there's a place for them
• 2:12
  Speaker 1: in the home and on the screen.
• 2:15
  Speaker 3: Yes, exactly exactly, and let's go through it.
• 2:18
  Speaker 4: I think we should talk about the movies that we're
• 2:20
  Speaker 4: putting together. As you know, there's at least four movies
• 2:23
  Speaker 4: in play where all directors of different films in the universe.
• 2:26
  Speaker 4: We're on the threads to connect the threads.
• 2:29
  Speaker 1: Wow, it's really special that, like, none of us actually
• 2:33
  Speaker 1: went into contract negotiations until all of us were kind
• 2:36
  Speaker 1: of doing it. It's kind of like, how is it?
• 2:39
  Speaker 6: Is it?
• 2:40
  Speaker 1: James Cameron's doing it right where you film them all
• 2:42
  Speaker 1: together right, and then they're going to figure out how
• 2:44
  Speaker 1: to release someone.
• 2:45
  Speaker 4: And James Cameron is doing the Pringles movie for guess yes,
• 2:48
  Speaker 4: which is lunch, So that's not us.
• 2:51
  Speaker 6: So that's a different round day.
• 2:54
  Speaker 1: That's ude, and that's noon, that's not that's directors.
• 2:59
  Speaker 5: I don't want to reveal too much, but there might
• 3:01
  Speaker 5: be a universe crossover where lunch and snack meets breakfast,
• 3:04
  Speaker 5: but that's years away yet.
• 3:09
  Speaker 3: Breakfast for Dinner calendar, the Breakfast for Dinner is the
• 3:15
  Speaker 3: Sam Raimi one that he's doing.
• 3:17
  Speaker 6: Why can't Wait? Well, Breakfast for Dinner is a musical.
• 3:21
  Speaker 3: Yeah did you hear?
• 3:22
  Speaker 7: Yeah?
• 3:22
  Speaker 3: I heard.
• 3:23
  Speaker 5: I did read that email that it was such a
• 3:26
  Speaker 5: hard thread to parse through. It's forwards on forwards, on
• 3:28
  Speaker 5: forwards on forwards.
• 3:29
  Speaker 3: You know that breakfast cookie.
• 3:31
  Speaker 1: Called you got a cookie, Crisp Cookie crisp, right.
• 3:35
  Speaker 5: The one that's this is actually it's called the Buena
• 3:41
  Speaker 5: Vista or something. Baker Sean Bakers on Sean Bakers Buena Vista,
• 3:48
  Speaker 5: and that's.
• 3:49
  Speaker 1: In a different content calendars, which.
• 3:50
  Speaker 4: Later I heard he shooting Buenaves on an Android. That's
• 3:53
  Speaker 4: an insane h My name is Henry Shambles Junior. I
• 3:58
  Speaker 4: am the director of the Frosted Flanks Frosted Flakes movie.
• 4:04
  Speaker 4: I am the one trusted with Tony the Tiger. He's
• 4:10
  Speaker 4: being humble. He's basically the Jon Favreau of Well.
• 4:13
  Speaker 3: Look, I've been involved.
• 4:15
  Speaker 4: It's it's been pretty incredible to be involved, and I'm
• 4:17
  Speaker 4: happy all of you guys got involved.
• 4:19
  Speaker 3: I was the first person that got asked to do it.
• 4:21
  Speaker 5: Uh.
• 4:21
  Speaker 3: It's funny because I've made a lot of.
• 4:23
  Speaker 4: Irreverent, wacky, quirky indies where I was known for just
• 4:27
  Speaker 4: flying by the seat of my pants and I could
• 4:29
  Speaker 4: do whatever I wanted, and my movies we just grabbed
• 4:32
  Speaker 4: a couple of cameras who went out into the wilderness
• 4:34
  Speaker 4: and we just shot whatever we wanted to with my friends.
• 4:36
  Speaker 5: I mean, can I say, Three Babies Raise Another Baby
• 4:39
  Speaker 5: is one of my all time favorite comedies.
• 4:42
  Speaker 3: Thank you so much.
• 4:43
  Speaker 6: It's so funny. It's so funny.
• 4:47
  Speaker 1: Babies, they're real babies.
• 4:49
  Speaker 3: You guys that we did that bean scene in one take.
• 4:52
  Speaker 6: Yes, where the beans.
• 4:54
  Speaker 2: Oh my god, the smallest baby, all the babies trying
• 5:01
  Speaker 2: to use a can opener to open a can of beans,
• 5:03
  Speaker 2: and finally the baby's baby does it.
• 5:06
  Speaker 3: Yeah.
• 5:06
  Speaker 1: I watched Boss Baby the other day. I went to Convoluted.
• 5:09
  Speaker 1: I just want babies.
• 5:10
  Speaker 3: Yes, three babies raising a baby. It was incredible.
• 5:13
  Speaker 4: But it was really fun to get involved in this,
• 5:17
  Speaker 4: in this project.
• 5:18
  Speaker 2: Hey, Tony the Tiger is kind of the the He's
• 5:21
  Speaker 2: the superman of the yeah, serial world.
• 5:24
  Speaker 4: But they knew who they were bringing on, right, So
• 5:26
  Speaker 4: we want something a referend, we want something tongue in chik,
• 5:28
  Speaker 4: we want something really fun and enjoyable.
• 5:30
  Speaker 3: So I went in and I wrote whenever I wanted.
• 5:32
  Speaker 3: And we're on.
• 5:33
  Speaker 5: Draft forty four of the script now same, I'm I'm
• 5:38
  Speaker 5: about thirty drafts, you're thirty drafts.
• 5:40
  Speaker 6: In sixty we're shooting on the first for mine. But
• 5:44
  Speaker 6: go ahead.
• 5:44
  Speaker 3: And I love I love Kellogg, I love Kellogg's, I
• 5:47
  Speaker 3: love we love and they're so fantastic. They're great girls
• 5:51
  Speaker 3: in great girls. But I will say.
• 5:53
  Speaker 4: It's almost like they didn't know what they were asking
• 5:54
  Speaker 4: for when they started have you guys felt that.
• 5:56
  Speaker 3: They said, free range.
• 5:58
  Speaker 5: You give us whatever you think is a great idea,
• 6:00
  Speaker 5: like you, We wanted to give you as much creative
• 6:03
  Speaker 5: liberty as possible, And with every draft, I feel like
• 6:06
  Speaker 5: they actually didn't mean that, even in the slightest.
• 6:09
  Speaker 1: It's almost like when someone goes up to the coffee
• 6:11
  Speaker 1: counter and they're looking for and they don't know, and
• 6:13
  Speaker 1: somehow that wondering in front of the barista lasts longer. Yeah,
• 6:18
  Speaker 1: wonder on your own.
• 6:19
  Speaker 3: They go, I'm sorry, you're like, the milk's getting cold.
• 6:21
  Speaker 3: We steamed it's getting cold. Yeah, you know what I mean.
• 6:23
  Speaker 5: And so I did just send it in a draft
• 6:25
  Speaker 5: earlier that was kind of an f you draft, Well,
• 6:29
  Speaker 5: it's really past aggressive, it's really silly. Tony the Tiger.
• 6:33
  Speaker 4: You know, in my world, Tony the Tiger starts as
• 6:36
  Speaker 4: this like lovable, bumbling hero and then with frosted flakes,
• 6:39
  Speaker 4: he becomes a superstar.
• 6:42
  Speaker 3: And so I just filled it with farts and.
• 6:44
  Speaker 1: And chick and Black's body transformation for this, Like he.
• 6:48
  Speaker 4: Is so jacked, he's so and pun intended, and he
• 6:51
  Speaker 4: keeps saying it you should hang out with him on set.
• 6:54
  Speaker 4: He loves to hang out on set. It's almost like
• 6:55
  Speaker 4: it's hard to get him to roll, but it's really
• 6:58
  Speaker 4: fun and I.
• 6:59
  Speaker 3: Love Jack black or Jacked black.
• 7:01
  Speaker 4: Jack is what he's been saying. But yeah, we'll see
• 7:04
  Speaker 4: what they say. I think, uh, they said they were
• 7:06
  Speaker 4: gonna call me sometime today. But I hope they like
• 7:09
  Speaker 4: my draft because it's definitely a little old tongue in cheek.
• 7:12
  Speaker 6: God, what did you put in there?
• 7:14
  Speaker 4: I did a lot of Tony the Tager looking straight
• 7:17
  Speaker 4: to camera going is this what you want?
• 7:18
  Speaker 3: Kellogg's that's Genie.
• 7:21
  Speaker 6: It well meda stuff. They love meta.
• 7:25
  Speaker 5: Stuff, specifically Facebook's meta stuff a lot.
• 7:30
  Speaker 4: Yeah, Tony's are iron Man and it's been fun to
• 7:34
  Speaker 4: be his guy.
• 7:36
  Speaker 2: Yes, well, I'm I'm I'm Elisa Elisa Lisa, and I
• 7:42
  Speaker 2: am you.
• 7:42
  Speaker 6: Know, from.
• 7:46
  Speaker 3: Lisa Alisa, Lisa.
• 7:49
  Speaker 6: Lisa Alisasa. It's Lisa Alisa Lisa, you know.
• 7:57
  Speaker 3: And I know this. I just thought the email was
• 7:58
  Speaker 3: maybe you accident. I thought you couldn't. No.
• 8:03
  Speaker 2: No, my mother was Lisa Lisa and my grandmother was
• 8:06
  Speaker 2: Asa Lisa Lisa Lisa.
• 8:07
  Speaker 3: And so that makes sense that.
• 8:11
  Speaker 6: We drop one.
• 8:11
  Speaker 2: We sandwich in the middle. We kind of just jumple
• 8:15
  Speaker 2: and I plan to do the same with my daughter.
• 8:17
  Speaker 2: She will be Elsa.
• 8:20
  Speaker 3: So there's no rhyme.
• 8:22
  Speaker 6: No, we kind of the.
• 8:23
  Speaker 2: Rules of the family are we can kind of anagramm it, however, were.
• 8:26
  Speaker 3: Because that's not the same you know what I mean.
• 8:30
  Speaker 3: It feels like a joke.
• 8:31
  Speaker 6: No, no, it's not funny.
• 8:34
  Speaker 3: It's funny. I have a sharp eye.
• 8:36
  Speaker 6: Yeah you do well.
• 8:37
  Speaker 5: Uh.
• 8:39
  Speaker 2: I am directing the Rice Crispy movie.
• 8:44
  Speaker 3: This was so good.
• 8:45
  Speaker 2: Snack, crackle and pop. And notice me changed the name
• 8:49
  Speaker 2: from Snap to snack because he is hot in this
• 8:54
  Speaker 2: He is a hot guy.
• 8:56
  Speaker 6: He's a snack. He's a snack.
• 8:58
  Speaker 2: We've got Chris Hemsworth, uh, Tim Meadows and rounding out
• 9:07
  Speaker 2: the cast, we have U, we have Harry Styles.
• 9:11
  Speaker 5: So it's so it's a real You have run into
• 9:13
  Speaker 5: some controversy though about the name change. I've heard people,
• 9:16
  Speaker 5: you know, the Kellogg's Warriors as they like to call themselves.
• 9:21
  Speaker 5: They are obsessed with keeping the lore to the original
• 9:26
  Speaker 5: comic book in their eyes, which is a serial box.
• 9:28
  Speaker 2: The Reddit is not is not happy with me, and
• 9:31
  Speaker 2: I will say they're they're primarily angry about two things.
• 9:34
  Speaker 2: One name from Snap to snack and two female director,
• 9:37
  Speaker 2: which is always tough. It's always imagine again, it's always tough.
• 9:41
  Speaker 6: But in my version, we're sort of and it's interesting.
• 9:45
  Speaker 6: I do.
• 9:46
  Speaker 3: I do.
• 9:46
  Speaker 6: It's interesting to hear that.
• 9:47
  Speaker 2: You're all on on on draft dozens of drafts, forty
• 9:51
  Speaker 2: five for you, even because as I mentioned, we are
• 9:53
  Speaker 2: shooting on Draft one, and so I'm starting to wonder
• 9:57
  Speaker 2: what Kellogg's plans for uh snack Apple pop.
• 10:01
  Speaker 6: And you'll notice I just changed the name to Crapple.
• 10:04
  Speaker 5: You don't need to commit to these, you can you
• 10:06
  Speaker 5: can actually have misspoken to because so far it feels
• 10:11
  Speaker 5: like everything it's accidentally as speaking.
• 10:14
  Speaker 4: It almost it almost feels like it almost feels like
• 10:17
  Speaker 4: you had a director once that said never admit a mistake.
• 10:20
  Speaker 3: You had a teacher mentor that's so interesting.
• 10:23
  Speaker 2: I mean, yes, that's true, but I would say that's
• 10:26
  Speaker 2: more of a coincidence. I wouldn't say that anything I've
• 10:29
  Speaker 2: ever said has been a mistakes.
• 10:32
  Speaker 5: Now, so.
• 10:35
  Speaker 6: We got snack and pop has not changed, and so
• 10:42
  Speaker 6: you know, and it's it's interesting.
• 10:43
  Speaker 1: It's kind of a fly by night situation.
• 10:45
  Speaker 2: As I mentioned, we are shooting on Draft one, and
• 10:47
  Speaker 2: I sent Kellogg's the draft and the email that I
• 10:50
  Speaker 2: got back.
• 10:50
  Speaker 1: Was forward forward for and forward forward, and then they.
• 10:52
  Speaker 3: Said they used different capital letters and sizes.
• 11:00
  Speaker 6: Yes, sort of like a roller coaster, yeah or something.
• 11:02
  Speaker 6: Your daughter's name.
• 11:03
  Speaker 5: Yeah.
• 11:04
  Speaker 3: Yeah, Well, congrats, very funny. Congrats on being so fast.
• 11:10
  Speaker 3: That's so exciting for you.
• 11:12
  Speaker 2: We're really excited. Pretty much everything has been a yes
• 11:16
  Speaker 2: and with and with such speed. And it's interesting because
• 11:19
  Speaker 2: we're taking a lot of big swings, you know, where
• 11:21
  Speaker 2: we're doing sort of a a power struggle between the
• 11:26
  Speaker 2: three men to become the Crispy King.
• 11:29
  Speaker 6: And well, Loo could be rambling about my plot. We
• 11:31
  Speaker 6: don't need to get.
• 11:32
  Speaker 3: Into it, but it's why we're here.
• 11:34
  Speaker 8: You can.
• 11:36
  Speaker 6: The Chrispy King, Yes, the Chrispy King who reigns over
• 11:38
  Speaker 6: all of cereal and Milk.
• 11:40
  Speaker 5: And determines they're setting up a fanos. They're setting up
• 11:44
  Speaker 5: a fano.
• 11:45
  Speaker 2: Yes, so we are, And there is the Thanos of
• 11:47
  Speaker 2: our story is Oat Milk is Chris Old Milk's a
• 11:54
  Speaker 2: character and he's real and you know, I haven't seen Panos,
• 11:57
  Speaker 2: but but but but from my understanding, Thanos is sort
• 12:00
  Speaker 2: of the anti HEROO and so we go.
• 12:04
  Speaker 6: Yeah, I've never misspoken.
• 12:07
  Speaker 3: Okay, so now we have to go to Marble and
• 12:11
  Speaker 3: tell them that.
• 12:15
  Speaker 2: I have not misspoken. I'd like to say everything I've
• 12:17
  Speaker 2: said has been on purpose. So I'd just like to
• 12:21
  Speaker 2: have that establaged right out the gate. And and that's
• 12:24
  Speaker 2: the kind of said I'm trying to run. But I'd
• 12:26
  Speaker 2: love to hear about your movies.
• 12:28
  Speaker 3: Well.
• 12:28
  Speaker 5: Yeah, so my name is Jerome Drop and I am
• 12:35
  Speaker 5: an indie director and a commercial director. I do a
• 12:39
  Speaker 5: lot of music videos too, and I was gifted a
• 12:42
  Speaker 5: very exciting project, the Apple Jack's movie. Yeah, yeah, it's
• 12:47
  Speaker 5: been rough to be hon and I love Kellogg's. I
• 12:49
  Speaker 5: love Kelloggs great girls over there. But I will love
• 12:52
  Speaker 5: to say I was trying to push for like a
• 12:55
  Speaker 5: almost like a rebrand of reinvention. They are doubling down
• 12:58
  Speaker 5: hard that they want the cinnamon stick to beat Jamaican
• 13:03
  Speaker 5: and the Apple to still be bad. So actually, this
• 13:07
  Speaker 5: is not my pitch. This is the actual name of
• 13:10
  Speaker 5: the cinnamon stick Sinna Mon. Yes, yes, that's so you
• 13:15
  Speaker 5: really understand. He's Jamaican and Apple and the Apple's name
• 13:18
  Speaker 5: is bad Apple, which is an adjective for a name.
• 13:22
  Speaker 6: Friends.
• 13:22
  Speaker 5: They are friends and enemies. It's kind of a road
• 13:26
  Speaker 5: trip movie. Where have you seen the movie do Date?
• 13:31
  Speaker 9: Yees?
• 13:32
  Speaker 5: Yeah, that movie kind of came and went. I can't
• 13:34
  Speaker 5: believe that's a reference. Yes, so that's the reference. And
• 13:37
  Speaker 5: we are using do date left and right. They keep
• 13:42
  Speaker 5: talking do date, do date, do date, do date, do date,
• 13:45
  Speaker 5: do date, but Jamaican do date.
• 13:47
  Speaker 3: So it is Jamaican Jamaican do date, if you can believe.
• 13:52
  Speaker 3: And I'm doing it. Yes, Jerome Drop is doing the
• 13:56
  Speaker 3: Jamaican version of do Date.
• 13:58
  Speaker 6: And I think it's interesting.
• 14:00
  Speaker 1: You know, they are doubling down on but you've got
• 14:03
  Speaker 1: Robert Pattinson as cinemon.
• 14:04
  Speaker 5: So another huge point of contention in this film was
• 14:08
  Speaker 5: they really were pushing for Robert Pattins.
• 14:10
  Speaker 3: And I don't want to correct you, but you said
• 14:13
  Speaker 3: sit a bon. The Charactersinamon, I've never miss spoken.
• 14:17
  Speaker 6: Don't you have a character named Cinnabon as well?
• 14:20
  Speaker 5: You know what?
• 14:21
  Speaker 3: I just got an email? Yes we do now.
• 14:23
  Speaker 5: Unfortunately it's so cool. So Cinnamon cousin is named Sinnabon.
• 14:32
  Speaker 5: Uh a franchise tie in or no again a legal nightmare.
• 14:37
  Speaker 5: They ei are pushing for the name Sinnabon, knowing full
• 14:41
  Speaker 5: well there's a company called cinnabun and it's just tough.
• 14:44
  Speaker 5: So Robert Pattinson is in there and he's going he
• 14:47
  Speaker 5: wants to do full Jamaican accent, and we are really trying.
• 14:50
  Speaker 1: I shouldn't do that.
• 14:52
  Speaker 5: He really shouldn't do it, but boy does he love
• 14:54
  Speaker 5: to do it. He is like Chet Hanks, that's what.
• 14:59
  Speaker 5: Oh yeah, yes, So it's a really interesting process. I mean,
• 15:03
  Speaker 5: what I'm learning right now is how to weave a
• 15:05
  Speaker 5: line between what you want and what will ruin your career.
• 15:09
  Speaker 1: Yes, exactly are you taking care of yourself?
• 15:12
  Speaker 6: Are you sleeping?
• 15:13
  Speaker 3: Are you.
• 15:15
  Speaker 5: You know? Every once in a while I'll go online
• 15:21
  Speaker 5: and I'll play one game of Marvel Snap and that
• 15:25
  Speaker 5: is I think enough for me.
• 15:27
  Speaker 1: Okay, Okay, hey, I'm yeah. I mean you're a big
• 15:30
  Speaker 1: time director.
• 15:30
  Speaker 3: I'm a huge time director, and I.
• 15:32
  Speaker 1: Think you should claim your space.
• 15:34
  Speaker 3: I don't mean to like be in a pro I
• 15:35
  Speaker 3: mean you're the.
• 15:36
  Speaker 4: One who got Chloe seven Year her Indie Indie Spirit Awards. Yes,
• 15:40
  Speaker 4: in your movie was like the one that.
• 15:41
  Speaker 5: Yeah, so my movie with Chloe seven Yer, A Girl
• 15:44
  Speaker 5: and a Giant Coat won her a Spirit Award.
• 15:47
  Speaker 3: She was so fantastic and also so difficult to work with,
• 15:50
  Speaker 3: so I'm used to it, used to it.
• 15:54
  Speaker 5: It's it's I feel like everybody in Hollywood kind of
• 15:57
  Speaker 5: has their own obstacle, their own hurdle, and my her
• 16:00
  Speaker 5: is constantly being figuring out how to work with the most.
• 16:03
  Speaker 3: Difficult things given to you and how do you make
• 16:05
  Speaker 3: art with it. That's an art, that's an art, that's
• 16:07
  Speaker 3: an art.
• 16:08
  Speaker 5: So very excited for you, guys to see the Apple
• 16:10
  Speaker 5: Jack's movie coming out very very soon, once we nail
• 16:14
  Speaker 5: that draft and get through legal.
• 16:16
  Speaker 1: That's amazing. Hey, guys, how is everybody? I'm I'm George
• 16:21
  Speaker 1: seven year and.
• 16:23
  Speaker 3: Oh so close to Chloe seventye.
• 16:26
  Speaker 1: It's almost like I heard it and had nothing. George
• 16:30
  Speaker 1: seven year And.
• 16:35
  Speaker 3: I don't think Killhuaks is going to listen to this?
• 16:37
  Speaker 3: You think no, no. I mean maybe they did set
• 16:41
  Speaker 3: it up, but I don't think they listen to things.
• 16:43
  Speaker 1: I'm really struggling, guys, what what's going on?
• 16:46
  Speaker 6: What's going on? The movie?
• 16:48
  Speaker 3: You're working?
• 16:48
  Speaker 1: I'm working on the Mini Week's movie. And that sounds
• 16:54
  Speaker 1: easy that he doesn't have a name, guys, the miniweak guy.
• 16:58
  Speaker 1: It's not an animal, little.
• 17:00
  Speaker 3: Boy, He's literally a cereal smile and that's it.
• 17:06
  Speaker 1: He just has to smile and legs just that I
• 17:09
  Speaker 1: don't have something to pull from.
• 17:11
  Speaker 3: Well, what are your references? What do they What did
• 17:13
  Speaker 3: they tell you? YEA, for me, they kept on saying
• 17:15
  Speaker 3: Jamaican do date. And for me they said iron Man,
• 17:18
  Speaker 3: iron Man, iron Man.
• 17:20
  Speaker 1: Well for me they said, yeah, yeah, you think it's fine.
• 17:24
  Speaker 1: Believe it or not, I'm getting Manchester by the seat.
• 17:29
  Speaker 6: Yikes, yikes, Okay, this isn't.
• 17:35
  Speaker 5: I don't know who's listening, but just for the listeners,
• 17:37
  Speaker 5: Manchester the Sea is a devastating movie about a man
• 17:40
  Speaker 5: who cannot get over the grief of accidentally murdering his
• 17:42
  Speaker 5: whole family.
• 17:43
  Speaker 3: Yes, fire via fire, and then.
• 17:45
  Speaker 1: For mister miniwheats or we don't know. I'm constantly banging
• 17:52
  Speaker 1: my head against the wall and I keep going, is
• 17:54
  Speaker 1: this an animal or a food?
• 17:55
  Speaker 3: And you're not. You're not caught up in the Manchester
• 17:58
  Speaker 3: by the Sea aspect of it.
• 17:59
  Speaker 1: I can make anything work. Okay, you're looking at the
• 18:02
  Speaker 1: guy who just who told Aflac, let's hire a duck.
• 18:05
  Speaker 3: Yes, career, but I think I just need a place
• 18:10
  Speaker 3: of reference.
• 18:11
  Speaker 1: We've been going back and forth. That's why It's nice
• 18:14
  Speaker 1: to hear you talk about struggles with the script because
• 18:17
  Speaker 1: we've just been struggling. Like sure, they want like a deep, deep.
• 18:21
  Speaker 4: Drama, something so enticing, imagining a mini week walk around
• 18:25
  Speaker 4: a small New England town kind of in real time,
• 18:29
  Speaker 4: quietly sipping.
• 18:31
  Speaker 3: I don't even know what a many Week would drink.
• 18:33
  Speaker 3: And now I know the issue you have. Yeah, maybe
• 18:35
  Speaker 3: he has a mouth.
• 18:36
  Speaker 5: I feel like I feel like in my head, Many
• 18:38
  Speaker 5: Weeks drink mouths because or drink milk because they expand
• 18:42
  Speaker 5: when they when they get in the water.
• 18:44
  Speaker 1: You're already getting too specific.
• 18:45
  Speaker 3: Well, and so if that was the case, I would
• 18:47
  Speaker 3: make that a hulk. You know what I mean. I've
• 18:52
  Speaker 3: been there.
• 18:53
  Speaker 1: Let's make him change a little, Let's make him get
• 18:57
  Speaker 1: swollen and angry. And boy did that not go well.
• 19:01
  Speaker 5: I guess maybe we take a second to just figure
• 19:04
  Speaker 5: out their marvel kind of cinematic universe here, because they've
• 19:07
  Speaker 5: got a lot of different things they're trying to go
• 19:09
  Speaker 5: with it.
• 19:09
  Speaker 3: I'm not sure how to.
• 19:11
  Speaker 4: We're the core four, we're Phase one, right, We're Tony
• 19:15
  Speaker 4: the Tiger, Snap Crapple and snap Bob and then cinnamon
• 19:21
  Speaker 4: and shredded minyweed apple jacks.
• 19:24
  Speaker 3: The character's name.
• 19:25
  Speaker 4: Is cinnamon apple jacks and shredded minyweeds and then and
• 19:28
  Speaker 4: just the product not a character. Phase two we have,
• 19:32
  Speaker 4: of course, uh we have uh Sam, we have the
• 19:37
  Speaker 4: keebler elves.
• 19:39
  Speaker 5: And it's crazy that yeah, crazy that to Can Sam
• 19:42
  Speaker 5: didn't make it into phase one because he feels almost
• 19:45
  Speaker 5: like the second most beloved.
• 19:46
  Speaker 6: He feels pretty recognized.
• 19:48
  Speaker 3: Pretty recognizable.
• 19:49
  Speaker 6: But they're very protective of the bird.
• 19:51
  Speaker 2: They they you know, they're they're they wanted the bird
• 19:54
  Speaker 2: to go to John Chew because they wanted someone.
• 19:56
  Speaker 3: With it, wanted to be a musical.
• 19:58
  Speaker 5: And I will say also legally, and Toucansen was tied
• 20:02
  Speaker 5: down with Sony and they're just fighting a lot between them.
• 20:05
  Speaker 3: They're trying to figure out how.
• 20:06
  Speaker 2: To do it.
• 20:07
  Speaker 4: Looks like they might be doing a lot of Too
• 20:09
  Speaker 4: Can Sam spinoff universe movies with Sony.
• 20:12
  Speaker 3: Yeah, where we like and so we don't know, but
• 20:15
  Speaker 3: every time they use something over there, we can't.
• 20:17
  Speaker 5: They've got I heard the pitches too Can same where
• 20:20
  Speaker 5: he accidentally clones himself a bunch of times. It's like
• 20:22
  Speaker 5: he's really interesting of like which one which it.
• 20:24
  Speaker 2: Really sounds like a sequel to can say, like, it
• 20:27
  Speaker 2: doesn't sound like the first movie that you go out with.
• 20:30
  Speaker 1: Well, there's the whole spin off about his wife that
• 20:32
  Speaker 1: they're in production. Oh yeah, Samstress, Yes, Samstress, she's a seamstress.
• 20:37
  Speaker 4: And I told him, Samantha, it's easy, Samantha. But I
• 20:40
  Speaker 4: think you got there first and they wouldn't change it.
• 20:43
  Speaker 2: You can't, saman I actually think I remember a woman
• 20:46
  Speaker 2: being named Samstress, and I think I remember that.
• 20:49
  Speaker 6: Being a popular name.
• 20:50
  Speaker 2: There's actually an American girl doll based on that, So
• 20:54
  Speaker 2: I actually can't.
• 20:57
  Speaker 5: Sammy because stress is such a calm in girls, ending
• 21:01
  Speaker 5: of a name out of the occupation.
• 21:03
  Speaker 6: Which is why it's so interesting that it's such a
• 21:04
  Speaker 6: popular American name.
• 21:08
  Speaker 4: So interestinglogy, Yeah, but so it's very interesting. We're at
• 21:15
  Speaker 4: the precipice of something that could be massive or something
• 21:18
  Speaker 4: that could not be massive.
• 21:19
  Speaker 3: It kind of all depends on your movie about how
• 21:22
  Speaker 3: your movie dance on my mind.
• 21:23
  Speaker 1: I keep thinking that I'll find my path once I
• 21:25
  Speaker 1: watch you guys like pay the Way a little bit.
• 21:28
  Speaker 3: I am excited.
• 21:29
  Speaker 4: I mean, how did you guys feel when I because
• 21:32
  Speaker 4: I saw you guys cc it on that email when
• 21:34
  Speaker 4: we all were asked to include the Apple dance into
• 21:39
  Speaker 4: our movie.
• 21:40
  Speaker 3: Worked really well for me, it got to say, really well.
• 21:44
  Speaker 6: For me, that probably thought you what forty five seconds
• 21:47
  Speaker 6: of time.
• 21:48
  Speaker 5: Literally to be racist. Literally, I took a nap for
• 21:51
  Speaker 5: a second. I went, God, thank you. One thing that
• 21:54
  Speaker 5: works bad Apple is doing the Apple dance. Very It's
• 22:01
  Speaker 5: kind of one of our trailer moments.
• 22:03
  Speaker 3: It's Apple, right, ye, that worked so perfectly for you.
• 22:10
  Speaker 3: That was good.
• 22:12
  Speaker 5: And I would tell you what the cinemon says, but
• 22:15
  Speaker 5: I won't. I won't don't do that.
• 22:17
  Speaker 4: Tony's It works for Tony because he's at his daughter's dance,
• 22:21
  Speaker 4: which is it's just perfect, perfect, and it's you know
• 22:24
  Speaker 4: what I will say. It's also introducing, you know, the
• 22:27
  Speaker 4: the literal universe we're building there.
• 22:30
  Speaker 3: They call it Ceial World.
• 22:31
  Speaker 4: You fall into the bowl and then there's a black hole,
• 22:34
  Speaker 4: and then you're in this universe where Cereal is alive.
• 22:38
  Speaker 2: And they made sure to include in the lore, at
• 22:40
  Speaker 2: least in the In the first forwarded email that I
• 22:42
  Speaker 2: got the the the creative brief was that there is
• 22:47
  Speaker 2: a TikTok room within the black hole of Cereal, right,
• 22:51
  Speaker 2: so that we're always able to use those things, right.
• 22:56
  Speaker 1: Yeah, No, I I tried to incorporate the apple dance
• 22:59
  Speaker 1: in a shred of miniweed, shredded minyweed. He's he's walking
• 23:04
  Speaker 1: and a car drives by and it's blaming the song.
• 23:07
  Speaker 3: That's a great way in corporate. That's a genius way.
• 23:09
  Speaker 6: To It's really good.
• 23:10
  Speaker 1: Yeah, and I'm kind of crying a little bit. And
• 23:12
  Speaker 1: I asked if the tears can make him a little larger.
• 23:15
  Speaker 3: Yeah, got pushed back for that. Why don't they don't happen?
• 23:19
  Speaker 1: They want him to be a grounded man.
• 23:22
  Speaker 3: I think the whole he's not even a miniwe He's
• 23:24
  Speaker 3: a man.
• 23:25
  Speaker 6: I don't know. I don't know. Look at me.
• 23:30
  Speaker 1: I I direct commercials and make sixty million dollars in
• 23:33
  Speaker 1: a week a week a week, commercials, all of them,
• 23:38
  Speaker 1: every pharmacy commercial. And those boys pay. Yeah, okay, those
• 23:45
  Speaker 1: boys pay. I'm making so much money. And then I decided, Okay,
• 23:49
  Speaker 1: I want I want to get into IP I want
• 23:52
  Speaker 1: to get into stuff that's connected to a snack. That's
• 23:54
  Speaker 1: what all the guys are doing these days. Yeah, it's
• 23:57
  Speaker 1: so smart, it's it's the way, it's the way to go.
• 24:00
  Speaker 5: Well, I actually do I mean, like, I know, we're allowed,
• 24:03
  Speaker 5: they said, we can give some spoilers. So I did
• 24:06
  Speaker 5: want to talk about some of the moments that you
• 24:08
  Speaker 5: guys are most excited for in the movie. I will
• 24:10
  Speaker 5: say one of my favorites in your first in your
• 24:12
  Speaker 5: first draft. I don't know if it's there, but kind
• 24:15
  Speaker 5: of this big spoiler at the end of how we
• 24:17
  Speaker 5: get connected to the whole universe is Tony the Tiger
• 24:20
  Speaker 5: has a big sit down with corn Syrup at the end,
• 24:22
  Speaker 5: kind of post credit scene.
• 24:24
  Speaker 4: So that's gone. Yeah, okay, that's gone. Because they had
• 24:30
  Speaker 4: Reese Ethons in for corn Syrup.
• 24:33
  Speaker 3: Remind me who that is.
• 24:34
  Speaker 4: Reethons played the lizard in the Spider Man movies. Oh yeah,
• 24:39
  Speaker 4: he kind of is the not Paul Betany, you know
• 24:41
  Speaker 4: what I mean. And there's a Paul Betany and we
• 24:45
  Speaker 4: got reci Faons and he didn't like the script and
• 24:50
  Speaker 4: he said, hey, you guys want a character to be
• 24:52
  Speaker 4: corn Syrup. Isn't corn syrup bad? And Kellogg's freaked out
• 24:56
  Speaker 4: and they said, how dare you embarrass us like that?
• 24:58
  Speaker 4: To me the first thing that went, and then I
• 25:02
  Speaker 4: lost their trust and they started tacking away as yike.
• 25:07
  Speaker 3: Yeah, So is there a post credit scene at all?
• 25:09
  Speaker 3: There's fifteen post credit seeds.
• 25:10
  Speaker 5: Wow.
• 25:11
  Speaker 4: Yeah, every every nine credits they show another seed every
• 25:15
  Speaker 4: nine credit. It's Tony becoming uh, not even Tony Stark,
• 25:22
  Speaker 4: it's Tony becoming uh Nick Fury. And so he's meeting
• 25:25
  Speaker 4: all the characters. He's introducing I'm listing a team, and
• 25:29
  Speaker 4: I'm enlisting a team.
• 25:30
  Speaker 3: I'm listening.
• 25:30
  Speaker 7: He is going around, I'm in listing a team. Yeah, yeah,
• 25:34
  Speaker 7: I'm in listing a team. Yeah, exactly, and so so
• 25:37
  Speaker 7: scret that I'm enlisting a team.
• 25:41
  Speaker 3: Yeah, yea yeah. He keeps saying, how many.
• 25:43
  Speaker 6: Times do you say it's great in the script?
• 25:45
  Speaker 3: Yeah? I think the current count is uh eighty nine.
• 25:51
  Speaker 4: Okay does page Yeah, one for page. It wasn't one
• 25:55
  Speaker 4: for page requirement, so so yeah. So, but it's very
• 26:00
  Speaker 4: exciting because the universe there's so much room to expand,
• 26:03
  Speaker 4: and and I think what I love so much about
• 26:06
  Speaker 4: making movies is plot and sitting down and writing plot.
• 26:10
  Speaker 3: So this has been a real exciting.
• 26:12
  Speaker 2: Thing for me, breaking breaking the plot, breaking I hate dialogue,
• 26:19
  Speaker 2: I hate jokes. I love just going in there. What
• 26:22
  Speaker 2: would logically happen after this?
• 26:25
  Speaker 6: Yeah? It's a it's amazing.
• 26:27
  Speaker 1: I'm wondering how are you.
• 26:31
  Speaker 6: All handling milk in in this universe?
• 26:36
  Speaker 2: Because you know, I feel like I milk is sort
• 26:39
  Speaker 2: of an cow's milk is is a friend in my
• 26:43
  Speaker 2: movie and oat milk is a foe.
• 26:45
  Speaker 1: But I'm but I'm wondering what roll milk? Cow?
• 26:49
  Speaker 2: Is?
• 26:49
  Speaker 5: Cow?
• 26:52
  Speaker 1: Am I human?
• 26:53
  Speaker 3: How do we answer for cows?
• 26:54
  Speaker 1: And I think when you talk about milk, you're also
• 26:58
  Speaker 1: talking about spoon.
• 27:00
  Speaker 6: Yes, is to spoon in our universe?
• 27:03
  Speaker 2: Because once we open up the doors for inanimate objects talking,
• 27:07
  Speaker 2: then we we must also ask what other things have souls?
• 27:11
  Speaker 3: Yes?
• 27:12
  Speaker 2: Do the chairs you're sitting on to eat the breast
• 27:14
  Speaker 2: breakfast have a soul? And I said breakfast, and I
• 27:18
  Speaker 2: and I and I want you to know that because
• 27:21
  Speaker 2: it's very intentional, because of.
• 27:25
  Speaker 3: Breast fast is intentional. Please explain.
• 27:28
  Speaker 2: So breakfast is when you are eating a bunch of
• 27:32
  Speaker 2: chicken breads.
• 27:35
  Speaker 3: God, and you must have a chicken.
• 27:38
  Speaker 1: Bread chicken bracks.
• 27:40
  Speaker 3: So breastfast is when you eat chicken jacket breasts. You
• 27:46
  Speaker 3: must have met that one thing at a time.
• 27:48
  Speaker 6: Okay, so one thing at a time, So please speak carefully.
• 27:52
  Speaker 6: So we have two things.
• 27:53
  Speaker 3: And the qu this is like Jumanji. Can you say it?
• 27:56
  Speaker 3: It exists?
• 27:57
  Speaker 1: It exists, So so please calmba.
• 28:02
  Speaker 2: I'm going to have to I'm going to have to
• 28:03
  Speaker 2: breathe because breakfast is when you eat what was formerly
• 28:08
  Speaker 2: known as a chicken breast. For breakfast, when you have
• 28:12
  Speaker 2: when you protein load your breakfast. But a chicken breast
• 28:16
  Speaker 2: is when it's when the chicken breast is exiting the
• 28:22
  Speaker 2: country it's from.
• 28:23
  Speaker 6: So you have to go eat it.
• 28:30
  Speaker 3: Likexit.
• 28:31
  Speaker 2: And I've never been spoken so so, but it opens
• 28:36
  Speaker 2: up the question of mortality of souls. Yes, what do
• 28:39
  Speaker 2: we believe is deserving of a story? What we believe
• 28:43
  Speaker 2: is deserving of the narrative?
• 28:45
  Speaker 1: Well, for me, we're using milk as a huge tsunami
• 28:48
  Speaker 1: that took over many wheats, whole family town.
• 28:52
  Speaker 3: So it's like a.
• 28:55
  Speaker 1: Destroyed and but what's so interesting is once he cries,
• 28:59
  Speaker 1: he cries milk, So what is a part of his
• 29:02
  Speaker 1: body is almost what killed his family. Beautiful, right, And
• 29:06
  Speaker 1: he looks at his hands. His hands are sticks, and
• 29:09
  Speaker 1: he sees and he's shaking, right, he's shaking his legs
• 29:12
  Speaker 1: or sticks and his hands are sticks, and he's shaking
• 29:14
  Speaker 1: and he goes, am, I what killed my family? And
• 29:18
  Speaker 1: I think it just begs the question like is history
• 29:21
  Speaker 1: repeating itself? Are we just a part of the traumas
• 29:24
  Speaker 1: that built us?
• 29:26
  Speaker 3: That's amazing.
• 29:27
  Speaker 5: I am trying to get away from Jerk Chicken and
• 29:30
  Speaker 5: my script just as hard as I can. It's just
• 29:33
  Speaker 5: amazing what you're talking about in your script and the
• 29:35
  Speaker 5: difficulties that I'm trying to get it.
• 29:36
  Speaker 3: What's milk for those guys? Yeah?
• 29:38
  Speaker 1: What's milk for them?
• 29:39
  Speaker 5: Look, I don't want to get into it. Milk for
• 29:41
  Speaker 5: them is milk. Okay, milk, milk, and they love chugging
• 29:46
  Speaker 5: down some milk, so they drink it.
• 29:48
  Speaker 3: They drink it. There's a lot of milk. So for
• 29:51
  Speaker 3: milk in our universe is milk. Okay.
• 29:53
  Speaker 5: Chicken is food, cow is God. It's just a weird
• 30:00
  Speaker 5: weird things.
• 30:01
  Speaker 1: And what's a bowl and spoon?
• 30:03
  Speaker 3: Bowl and spoon? I don't exist. They refuse to let
• 30:07
  Speaker 3: me add a bowl and a spoon. Sorry. Spoon is surfboard.
• 30:11
  Speaker 5: That's something very very actually true to the lore surfboard
• 30:15
  Speaker 5: interest and bowl is wave?
• 30:18
  Speaker 3: Bowl is wave ocean.
• 30:19
  Speaker 4: For for Tony, milk is kind of like Popeye spinach right.
• 30:24
  Speaker 4: It makes him big and buff and strong.
• 30:26
  Speaker 3: I wish.
• 30:27
  Speaker 4: And then Bowl and Spoon are the mistera Bawl and
• 30:30
  Speaker 4: mister Spoon are the evil bosses the conglomerates, his bosses
• 30:33
  Speaker 4: that are trying to keep him down.
• 30:35
  Speaker 1: So my question is, missus, is the Bowl the wife?
• 30:40
  Speaker 2: No?
• 30:40
  Speaker 6: No, no, no, I was.
• 30:41
  Speaker 3: It was Misterable and mister Spoon. No, I think I
• 30:44
  Speaker 3: misd Oh no, I mean that's a great idea.
• 30:46
  Speaker 1: That's amazing. How you we recognize a mistake and then
• 30:49
  Speaker 1: we walked it back.
• 30:50
  Speaker 3: That's something interesting.
• 30:52
  Speaker 2: I'm and I'm really confused by that because why didn't
• 30:55
  Speaker 2: you say what you meant the first time?
• 30:58
  Speaker 6: I I like, are you lying?
• 31:00
  Speaker 1: I know I misspoke? And then I said, I'm sorry,
• 31:04
  Speaker 1: thank you.
• 31:05
  Speaker 5: I've got something to admit. Milk is actually ganja in
• 31:08
  Speaker 5: my movie.
• 31:09
  Speaker 3: I knew it. I knew I knew it.
• 31:12
  Speaker 5: I didn't have the courage to say it the first
• 31:14
  Speaker 5: We were going to let you just sort of they
• 31:17
  Speaker 5: smoke milk. Okay, they smoke milk so can't stop smoking,
• 31:21
  Speaker 5: and it fills their lungs with what liquid milk?
• 31:26
  Speaker 3: These people, it doesn't make sense.
• 31:29
  Speaker 6: But here's so here's my question.
• 31:30
  Speaker 4: This is very interesting, right, So milk for you as
• 31:32
  Speaker 4: a friend, Milk for you is a course of destruction.
• 31:36
  Speaker 4: Milk for you is weed, and milk for me is
• 31:37
  Speaker 4: Popeye spin.
• 31:38
  Speaker 3: And so what are we going to do?
• 31:42
  Speaker 6: That is a fun little game.
• 31:44
  Speaker 3: We like to play, the fun bread we love to do.
• 31:50
  Speaker 3: How do we make it all?
• 31:52
  Speaker 6: Because we do?
• 31:55
  Speaker 2: How do we reconcile? Because they do want What they
• 31:58
  Speaker 2: want is crossover movies. What they want is it is
• 32:00
  Speaker 2: an extended cinematic universe with with defined lore.
• 32:04
  Speaker 1: But it appears, oh.
• 32:06
  Speaker 3: Oh they're calling what they said they weren't going to
• 32:09
  Speaker 3: watch this.
• 32:11
  Speaker 1: Yes, just maybe your draft?
• 32:14
  Speaker 3: Yeah, what should I say? Something about the milk?
• 32:16
  Speaker 1: Just say what are we gonna do?
• 32:18
  Speaker 3: Just just say thank you if you can't, if I
• 32:22
  Speaker 3: don't come back. It was a real pleasure.
• 32:25
  Speaker 6: It was meeting It was it was great to meet you.
• 32:28
  Speaker 3: Nice to meet you, guys, And I hope you do.
• 32:30
  Speaker 1: I hope everything's okay.
• 32:32
  Speaker 3: Me too. But whoever takes over the next tone of
• 32:35
  Speaker 3: the tiger, can you tell them to be nice to him?
• 32:39
  Speaker 3: Because I actually liked the guy you fell in character.
• 32:42
  Speaker 6: Happened to you.
• 32:42
  Speaker 3: That's I'll be back. I'll be back. I'll be back.
• 32:47
  Speaker 3: People just showed up in suits. What the heck, I'll
• 32:50
  Speaker 3: be back. I'll be back.
• 32:52
  Speaker 6: I'm going to be back. They just made the motion
• 32:59
  Speaker 6: to us.
• 33:00
  Speaker 8: Is what's scary about Kellogg's Oh oh my, oh god,
• 33:04
  Speaker 8: my god.
• 33:04
  Speaker 3: Oh he just purposely knocked over that chair.
• 33:08
  Speaker 6: Because he's so disoriented. Oh no, he's not well.
• 33:12
  Speaker 1: So maybe we shouldn't question it anymore because what happened
• 33:15
  Speaker 1: just there freaked me out.
• 33:16
  Speaker 3: Let's let's just let's just sell sell it.
• 33:18
  Speaker 6: Sell it, sell it. Let's sell it.
• 33:21
  Speaker 1: Yes, let's sell it.
• 33:22
  Speaker 6: Let's sell it, sell it. Yes, let's sell it.
• 33:23
  Speaker 3: Tell it, yes, double down and sell it.
• 33:26
  Speaker 2: My movie, My movie is called Snack Crackle Pop. It
• 33:30
  Speaker 2: sells Tim and Meadows it sells him.
• 33:33
  Speaker 3: It's him, and then changed to the.
• 33:40
  Speaker 1: And it's going and it's amazing and it's a power
• 33:42
  Speaker 1: struggle between three men.
• 33:43
  Speaker 6: And you've got to see it in theaters.
• 33:45
  Speaker 1: July twenty second, twenty twenty question mark you gotta see it.
• 33:49
  Speaker 1: The Mini Wheat movie, starring Rebel Wilson as the Mini
• 33:52
  Speaker 1: Wheat and alongside Wilson, Yes, Paul me Cow. Both of
• 33:59
  Speaker 1: them stroll struggling to figure out the trauma of their past.
• 34:02
  Speaker 1: Walking down a small small Rhode Island town one day,
• 34:07
  Speaker 1: they find out that both of their traumas connected each other,
• 34:10
  Speaker 1: and just simply by a look, they realize there is
• 34:16
  Speaker 1: time to heal.
• 34:19
  Speaker 5: Don't worry about a thing, but maybe you should. What
• 34:25
  Speaker 5: happens when all those worries have to be thrown out
• 34:27
  Speaker 5: of the window and you have to make it to
• 34:30
  Speaker 5: your best friends du date. His wife is having birth,
• 34:36
  Speaker 5: but he it's your sister and his wife, and you
• 34:40
  Speaker 5: do not get along with him. Now you'll have to
• 34:43
  Speaker 5: cross the entire country of Jamaica in one piece. But
• 34:47
  Speaker 5: get ready, there's gonna be a lot of theirs on
• 34:50
  Speaker 5: your way. Starring Cinnamon and bad Apple. It's the Apple
• 34:56
  Speaker 5: Jack's movie.
• 34:57
  Speaker 6: I like that they're billing as the character name.
• 35:01
  Speaker 5: Yes, it's they do not want to know. They don't
• 35:04
  Speaker 5: want you to know who's behind the bad Apple and cinemon?
• 35:07
  Speaker 1: What's this a post credit sequence? It's mister Miniweed walking
• 35:11
  Speaker 1: down the streets of Jamaica.
• 35:13
  Speaker 5: He's walking and what does he say? Wrote is Rebel
• 35:16
  Speaker 5: Wilson playing mister Well, she looks up.
• 35:20
  Speaker 1: And sees cinemon. You don't have to voice him I
• 35:25
  Speaker 1: think it's to No, I think it's just a It's
• 35:27
  Speaker 1: like all those most credits is just a wink and
• 35:29
  Speaker 1: they go shoot. He's many weeks at this point at
• 35:33
  Speaker 1: the end of the movies, No, a spoiler alert is
• 35:35
  Speaker 1: struggling to like to fight and almost needs a group
• 35:39
  Speaker 1: of people. And that's when at the end of all
• 35:41
  Speaker 1: of our movies, we are trying to tie in a
• 35:44
  Speaker 1: possible Justice League of sorts.
• 35:47
  Speaker 2: Yes, because we don't know which movie we're going to
• 35:50
  Speaker 2: cross over with. So so what's that a post credit scene? Uh,
• 35:54
  Speaker 2: snack Crapple and Bob are engaged in a bop.
• 36:00
  Speaker 6: Yes. Yes, because the.
• 36:02
  Speaker 2: Character's full name is bop It, which is so we
• 36:06
  Speaker 2: have Snack Crapel and bop It and they are engaged
• 36:11
  Speaker 2: in a in a vicious battle of rock paper scissors
• 36:14
  Speaker 2: to see who will become the Crispy King.
• 36:17
  Speaker 6: But then who walks in? Oh oh, Cinnamon is the
• 36:20
  Speaker 6: Winnamon and ding dong. Someone's at the door, the dog,
• 36:25
  Speaker 6: Someone's at the door.
• 36:26
  Speaker 1: It's great, Oh my gosh.
• 36:29
  Speaker 9: And behind Tony the Tiger comes a tsunami of milk
• 36:32
  Speaker 9: and a gun with Will Smith. What the hell it's
• 36:37
  Speaker 9: men in black tie in.
• 36:39
  Speaker 5: That's right, we're trying to tie in men in Black
• 36:42
  Speaker 5: to the Kellogg's universe.
• 36:43
  Speaker 1: Uh oh, Will Smith is on stage, and who walks
• 36:46
  Speaker 1: up to slap him?
• 36:47
  Speaker 3: It's Cinnamon to get revenge for Chris Rock.
• 36:52
  Speaker 6: But who comes in to slap the cinnamon.
• 36:55
  Speaker 2: It's Lucky, the Lucky Charms Leprechaun from General Mills.
• 37:00
  Speaker 3: That's right, we're tying in. Go ahead, Ding Dong.
• 37:03
  Speaker 6: Who's at the door.
• 37:04
  Speaker 3: It's Young Sheldon CBS. Tie it Young all one post
• 37:09
  Speaker 3: credit credit scene.
• 37:11
  Speaker 1: Because we're selling it today. We're selling it.
• 37:12
  Speaker 6: We're selling it and we're selling it and we're selling
• 37:15
  Speaker 6: it it. Oh my god, are you getting a call
• 37:18
  Speaker 6: to getting a call?
• 37:19
  Speaker 2: No?
• 37:19
  Speaker 3: Wait, what's happening?
• 37:20
  Speaker 6: I'm just getting a call hold on hello?
• 37:24
  Speaker 3: Oh no oh the phone call is pulling you?
• 37:30
  Speaker 1: Oh no, Alisa A Lisa Lisa, Lisa.
• 37:32
  Speaker 3: Lisa, Alisa Lisa. Oh, threw that chair on the ground.
• 37:39
  Speaker 1: Okay, we're dropping like flocks. You we got somehow they
• 37:43
  Speaker 1: must be behind they're pulling them away.
• 37:45
  Speaker 3: I don't know what's going on.
• 37:47
  Speaker 5: I don't want to do a movie with a Jamaican accent.
• 37:49
  Speaker 5: Don't say why did I do a movie with a Jamaica.
• 37:51
  Speaker 3: Ee. I don't want to do a movie access right now?
• 37:55
  Speaker 3: What I don't want to Oh my god, it was
• 37:58
  Speaker 3: a ghost.
• 38:04
  Speaker 5: Everybody we love Cereal and before I guess, I'll say it.
• 38:11
  Speaker 5: Cereal controls everything, Big, Cereal controls everything, Amazon, everything is no.
• 38:18
  Speaker 6: Hello, I know there's a phone call inside of you. No, no, no,
• 38:29
  Speaker 6: Where did my friends go?
• 38:31
  Speaker 2: I don't want to make a movie about family trauma
• 38:35
  Speaker 2: with Rebel Wilson.
• 38:37
  Speaker 6: I don't wanna is anybody out there?
• 38:46
  Speaker 1: Oh no, I'm saying four figures, mister Kellogg, mister Kellogg,
• 38:57
  Speaker 1: is that you?
• 38:59
  Speaker 3: It's me, mister color.
• 39:03
  Speaker 1: Hi, give me back my friends. They were just great filmmakers.
• 39:07
  Speaker 3: They weren't your friends. They were just co workers. Just
• 39:12
  Speaker 3: let me go, please, that won't.
• 39:15
  Speaker 8: Be possible, Oh, missus Kellogg, that won't be possible. Come
• 39:22
  Speaker 8: into the dark, submerge yourself in milk.
• 39:28
  Speaker 6: Okay, fine, I'm going.
• 39:35
  Speaker 1: This has been artist on artists on artists on artists,
• 39:38
  Speaker 1: answering the question. Now that's why they called hupes. We're
• 39:46
  Speaker 1: gonna explain why we did that and why Patrick got
• 39:48
  Speaker 1: a phone call on our after show. Check it out.
• 39:52
  Speaker 1: Love you guys, and welcome to the Beautiful Dynasty Typewriter Goodbye.
• 39:59
  Speaker 2: Artists on Artists On Artists on Artists is an improvised
• 40:02
  Speaker 2: Hollywood roundtable podcast created, performed, and produced by Kylie Ragman,
• 40:06
  Speaker 2: Jeremy Colhayne, Angela Geritana, and Patrick McDonald. Music is by
• 40:11
  Speaker 2: Gabriel Ponton. The opinions expressed on this podcast do not
• 40:15
  Speaker 2: reflect the opinions of anyone who works on it, not
• 40:17
  Speaker 2: even the performers, because this is an improvised podcast and
• 40:20
  Speaker 2: we're stupid. Both video versions of AOAOAOA are available on YouTube,
• 40:25
  Speaker 2: so please like and subscribe and leave us a five
• 40:27
  Speaker 2: star review wherever.
• 40:28
  Speaker 1: You get your podcasts. That's all for now, good Night,
• 40:31
  Speaker 1: Hollywood