Latest / Movie Meltdown / 93.2: God Drives a Luxury Sedan

Transcript

93.2: God Drives a Luxury Sedan · Movie Meltdown

• 0:00
  Speaker 1: Attention.
• 0:01
  Speaker 2: Attention, please, good citizens. It is now one minute to
• 0:05
  Speaker 2: four o'clock. Time to stop ordinary activities and prepare for
• 0:09
  Speaker 2: the national BIM hour.
• 0:11
  Speaker 1: All traffic must pull over and stop immediately.
• 0:14
  Speaker 2: BIM exercises commence in 40 seconds.
• 0:17
  Speaker 3: Join in the national fitness program.
• 0:19
  Speaker 2: Citizens, attention. Counting down to BIM hour. Exercise is designed
• 0:25
  Speaker 2: for your health and peace of mind. All citizens must participate.
• 0:30
  Speaker 3: Attention, citizens. Shut down the machines.
• 0:33
  Speaker 2: Put away your work.
• 0:35
  Speaker 3: Get up and get ready for BIM hour.
• 0:37
  Speaker 2: Ten seconds to BIM hour.
• 0:39
  Speaker 3: The National Fitness Program is watching you.
• 0:42
  Speaker 2: Five, four, three, two, BIM.
• 0:46
  Speaker 3: Hey, hey, hey.
• 0:55
  Speaker 4: Hi, this is Catherine Mary Stewart, and you're listening to
• 0:58
  Speaker 4: Movie Meltdown.
• 1:06
  Speaker 3: It's time for Sofa Theater.
• 1:10
  Speaker 5: Good afternoon. I'm sorry to have kept you waiting. May
• 1:16
  Speaker 5: I introduce my lawyers, Sir James Clark and Mr. Clark
• 1:19
  Speaker 5: James from the firm James Clark & Weinstein. Booker always
• 1:23
  Speaker 5: keeps his word. The contracts are ready. Initial each page
• 1:26
  Speaker 5: and sign at the end, please.
• 1:28
  Speaker 6: Thank you.
• 1:29
  Speaker 7: Contracts?
• 1:31
  Speaker 3: Why two? Separate entities. Why can't we sign as a duo?
• 1:35
  Speaker 2: Ruling 247E.
• 1:37
  Speaker 1: Paragraph 17. It's in your own interest.
• 1:42
  Speaker 8: It's in your own interest.
• 1:45
  Speaker 2: Mr.
• 1:46
  Speaker 9: Boogaloo.
• 1:46
  Speaker 5: Mr.
• 1:46
  Speaker 3: Boogaloo always protects his clients.
• 1:50
  Speaker 6: Just trust him.
• 1:51
  Speaker 3: He's here to represent you.
• 1:53
  Speaker 1: He's on your side.
• 1:56
  Speaker 2: Mr.
• 1:56
  Speaker 3: Boogaloo, do you mind if we read them first?
• 1:59
  Speaker 1: Fine.
• 2:00
  Speaker 3: Fine with me. Take your time.
• 2:01
  Speaker 5: Just keep in mind that you have an appointment with
• 2:04
  Speaker 5: Ingrid Stockinger.
• 2:05
  Speaker 3: At 5 o'clock.
• 2:06
  Speaker 7: Who's she?
• 2:07
  Speaker 2: What do you mean, who's she? Ingrid Stockinger's the in-fashion designer.
• 2:12
  Speaker 3: Yes, our wonderful boss is kind enough to buy you
• 2:16
  Speaker 3: some new clothes to fit your new image.
• 2:19
  Speaker 2: Mr.
• 2:19
  Speaker 3: Boogaloo, did you say five o'clock? That's in 20 minutes.
• 2:22
  Speaker 5: Yes, yes, and the press is waiting too, so let's
• 2:25
  Speaker 5: not waste time.
• 2:27
  Speaker 3: Where do I have to sign?
• 2:28
  Speaker 5: Right here.
• 2:29
  Speaker 1: Here?
• 2:36
  Speaker 5: Like a puppet on the string, like a monkey on
• 2:40
  Speaker 5: a swing, man is clinging to the ropes of the
• 2:43
  Speaker 5: fantasies and hopes we are dangling. He's so eager to
• 2:48
  Speaker 5: believe and so easily deceived. Like a baby watching magic,
• 2:54
  Speaker 5: he's so gullible, it's tragic in the words of naivety.
• 2:59
  Speaker 5: Life is nothing but show business in 1994.
• 3:02
  Speaker 3: We fight for the spotlight. We deal for the call.
• 3:08
  Speaker 10: Life is nothing but show business.
• 3:10
  Speaker 3: The world's a cabaret. We live for the fortune. We
• 3:15
  Speaker 3: die for the fame.
• 3:19
  Speaker 1: Welcome to Moving Up Down the Sofa Theater. Once again,
• 3:22
  Speaker 1: I am Brian.
• 3:22
  Speaker 3: God, this is Roger. I am Greg.
• 3:25
  Speaker 6: I'm Helena.
• 3:27
  Speaker 1: All right and this week's sofa theater feature is the
• 3:30
  Speaker 1: apple and before we even continue to follow suit with
• 3:33
  Speaker 1: the way we usually do things around here i you
• 3:36
  Speaker 1: know i thought i'd have to do it in tradition.
• 3:41
  Speaker 3: Oh, wow. Candy apples. Candy apples. I love cavities. Thank you, Brian.
• 3:48
  Speaker 3: How about that?
• 3:49
  Speaker 6: I can stop eating these wheat things and eat this apple.
• 3:52
  Speaker 1: Yum.
• 3:54
  Speaker 3: Oh, your stick came out. Brian, would you like nuts
• 3:56
  Speaker 3: or no nuts? Whichever. I'm going to go with the
• 4:01
  Speaker 3: nuts if that's fine with you.
• 4:02
  Speaker 1: Yay.
• 4:03
  Speaker 3: Yay.
• 4:03
  Speaker 6: Handy.
• 4:07
  Speaker 2: So, yeah.
• 4:07
  Speaker 3: Wait, is shit going to happen if I take a bite?
• 4:09
  Speaker 1: We'll find out. No, we're not watching candy, man. We're
• 4:14
  Speaker 1: watching the apple. So, yeah, in our usual fashion, I
• 4:17
  Speaker 1: thought we needed to kick it off with an appropriate
• 4:20
  Speaker 1: food item. And I thought, well, I could just go buy, like,
• 4:23
  Speaker 1: apples and have a big bowl of apples. I was like,
• 4:24
  Speaker 1: that sounds healthy. That does not seem like us at all,
• 4:28
  Speaker 1: especially food-oriented, which we have a little comment about that
• 4:32
  Speaker 1: later we'll get to. But, yeah, in the meantime, I figured...
• 4:36
  Speaker 1: Caramel-coated apples. That seems fitting for us, actually.
• 4:39
  Speaker 2: Yeah.
• 4:41
  Speaker 1: So, once again, this week's Sofa Theater feature is The Apple.
• 4:44
  Speaker 1: The year is 1980. The director is Menachem Golan.
• 4:48
  Speaker 3: Wow.
• 4:50
  Speaker 1: It took a little work to make sure I got
• 4:51
  Speaker 1: that right, but I'm pretty sure the actual pronunciation is
• 4:53
  Speaker 1: Menachem Golan. The plot, according to our friends at IMDB... I'm.
• 4:58
  Speaker 3: Ready to hear this.
• 4:59
  Speaker 1: Well, actually, they stopped pretty early on, so that's almost
• 5:03
  Speaker 1: why I would argue with it, because it elaborates so
• 5:06
  Speaker 1: much on the first ten minutes, and that's it.
• 5:08
  Speaker 2: Right.
• 5:09
  Speaker 1: The plot, according to them, is, Alfie and Bebe, two sweet,
• 5:12
  Speaker 1: naive youths from Moose Jaw, Canada, have come to America
• 5:15
  Speaker 1: to compete in the way distant future... I'm adding that part...
• 5:19
  Speaker 1: of 1994, in the 1994 World Vision Song Festival.
• 5:23
  Speaker 1: Although the pair have talent, they are beaten out by
• 5:26
  Speaker 1: the underhanded tactics of the festival favorites. Another duo with
• 5:30
  Speaker 1: the backing of BIM, Boogaloo International Music. Boogaloo International Music,
• 5:35
  Speaker 1: which he calls them several times. It seems like it
• 5:37
  Speaker 1: varies even within the move. And its leader, Mr.
• 5:41
  Speaker 3: Boogaloo.
• 5:42
  Speaker 1: Though crestfallen by their loss, Bebe and Alfie are soon
• 5:46
  Speaker 1: delighted to hear that Mr. Boogaloo has taken an interest
• 5:48
  Speaker 1: in their music and wants them to sign to his label.
• 5:51
  Speaker 1: All is looking up for the two until they begin
• 5:53
  Speaker 1: to discover the dark underside of the rock and roll world.
• 5:57
  Speaker 3: And discover means him hallucinating.
• 6:00
  Speaker 1: Once again, that's all like the first 10 to 15
• 6:03
  Speaker 1: minutes of the movie. We haven't even scratched the surface
• 6:05
  Speaker 1: of what's really going on. But before we even get
• 6:07
  Speaker 1: into that, it is time once again for.
• 6:10
  Speaker 3: One from the folks. So we will.
• 6:12
  Speaker 1: Swing the door open wide as we kick off this
• 6:15
  Speaker 1: inaugural session of stories from Miss Catherine Mary Stewart. So,
• 6:19
  Speaker 1: once again, we discussed many things that day, but one
• 6:22
  Speaker 1: of which she did sort of go into how she
• 6:25
  Speaker 1: got into the acting business, and this, her first major
• 6:28
  Speaker 1: role in The Apple.
• 6:30
  Speaker 4: Strangely, a lot of people at this convention have seen it,
• 6:34
  Speaker 4: and I didn't bring any photos from it, and it's like, what?
• 6:37
  Speaker 1: You didn't bring any photos? And I'm like, oh, no,
• 6:40
  Speaker 1: I can't believe it.
• 6:41
  Speaker 4: Because, of course, it would be someplace like this that
• 6:43
  Speaker 4: they would know The Apple. It's a crazy futuristic rock musical,
• 6:47
  Speaker 4: and set... We shot it in, like, 1980, and it's
• 6:52
  Speaker 4: set in the future, 1994. Way into the future of 1994.
• 6:58
  Speaker 4: But the way I got into that was I auditioned.
• 7:00
  Speaker 4: It's a rock musical, and there are a lot of
• 7:03
  Speaker 4: dancers in it. I auditioned as a dancer, and they
• 7:06
  Speaker 4: decided I was right for the lead female role. And so,
• 7:12
  Speaker 4: you know, it all happened so quickly, and I was
• 7:15
  Speaker 4: so sort of young and naive, and I just kind of.
• 7:19
  Speaker 3: I didn't even think about it.
• 7:20
  Speaker 4: I just kind of, I went, okay, I'll do that.
• 7:22
  Speaker 1: And it just kind of.
• 7:23
  Speaker 3: Happened and happened.
• 7:24
  Speaker 4: I didn't really have a chance to think of it.
• 7:25
  Speaker 4: And I didn't have enough life experience, I guess, to
• 7:28
  Speaker 4: be nervous.
• 7:29
  Speaker 3: It's a plus, I suppose. Yes, absolutely.
• 7:31
  Speaker 1: It was a plus, definitely.
• 7:33
  Speaker 4: And I just enjoyed myself. We shot it in Berlin
• 7:37
  Speaker 4: before the wall was down, you know. It was crazy there.
• 7:42
  Speaker 3: It was so much fun.
• 7:44
  Speaker 4: And just a weird, wild ride.
• 7:47
  Speaker 1: So thank you once again to Catherine for sharing her
• 7:49
  Speaker 1: personal take on the apple. And now on to our thoughts.
• 7:54
  Speaker 1: So first off, before we even begin, a huge spoiler alert.
• 7:59
  Speaker 1: Because a lot of you may not have seen this movie.
• 8:01
  Speaker 1: And I think it truly has to be seen to
• 8:05
  Speaker 1: be appreciated.
• 8:06
  Speaker 3: To be believed.
• 8:07
  Speaker 1: To be believed. To be enjoyed. It's something that... Yeah,
• 8:11
  Speaker 1: you really have to see to fully understand or to
• 8:14
  Speaker 1: comprehend what it is we're going to be discussing here.
• 8:18
  Speaker 11: Or to truly realize that this is happening.
• 8:20
  Speaker 7: Yeah.
• 8:21
  Speaker 3: This movie did get made and that you are sitting
• 8:23
  Speaker 3: through it. I don't know how more people don't know
• 8:28
  Speaker 3: about it.
• 8:29
  Speaker 9: Really?
• 8:29
  Speaker 3: I just stumbled upon it a couple of months ago
• 8:32
  Speaker 3: late night on TV. And I don't know how until
• 8:35
  Speaker 3: that point I've never heard of it because... It should
• 8:39
  Speaker 3: have a huge, you know. It should at least be
• 8:41
  Speaker 3: a byword or something out there. Right, yeah. When you're
• 8:43
  Speaker 3: talking about Rocky Horror or Jesus Christ Superstar. Or The Apple.
• 8:48
  Speaker 12: Yeah, The Apple.
• 8:48
  Speaker 1: It should be thrown in there. And, yeah, I don't understand. Especially, like,
• 8:52
  Speaker 1: you know, me, as hardcore into Catherine Murray Stewart as
• 8:54
  Speaker 1: I was, the first time I heard of it is
• 8:57
  Speaker 1: when she started telling me that story about it. And
• 8:59
  Speaker 1: I was like, wait, what is this?
• 9:01
  Speaker 2: What?
• 9:02
  Speaker 1: What is this movie and why have i you know
• 9:03
  Speaker 1: i've tracked down every freaking thing you've seen over the
• 9:06
  Speaker 1: years i just didn't start that far back i guess
• 9:09
  Speaker 1: but yeah i'm watching sins with joan collins just because
• 9:13
  Speaker 1: you're in it and now i somehow miss this futuristic
• 9:17
  Speaker 1: musical yeah i don't know it's.
• 9:20
  Speaker 12: Far in the future of 1994 so yeah what i
• 9:25
  Speaker 12: really don't understand how i mean it it does have
• 9:28
  Speaker 12: a cult following that's what they were saying on the
• 9:30
  Speaker 12: site is there really are you know people that are into.
• 9:32
  Speaker 1: It but i don't understand how it's not more how
• 9:34
  Speaker 1: it's not more widespread and there aren't Just, you know,
• 9:37
  Speaker 1: like I said earlier, like, why aren't there parties going on?
• 9:40
  Speaker 1: You know, they're having Troll 2 parties, like you said, Roger.
• 9:43
  Speaker 1: Why don't they have the Apple parties? I mean, how
• 9:46
  Speaker 1: is this not a midnight showing?
• 9:48
  Speaker 3: Yeah, a Rocky Horror sing-along. I can't see it not.
• 9:53
  Speaker 1: I mean, how has Rocky Horror had the following heads,
• 9:55
  Speaker 1: and this hasn't been touched?
• 9:58
  Speaker 11: As quirky as Rocky Horror is and as catchy as
• 10:03
  Speaker 11: the tunes are, I think that definitely this.
• 10:07
  Speaker 3: Ratchets up the quirky past in Fenton.
• 10:11
  Speaker 11: And the tunes, you know, are just weird enough to
• 10:15
  Speaker 11: nod your head to, I guess, whatever, you know.
• 10:17
  Speaker 1: And there's so many freaking costumes. I mean, how could
• 10:20
  Speaker 1: you not want to go dressed as one of these
• 10:22
  Speaker 1: crazy people?
• 10:23
  Speaker 11: Or have a prism sticker and a pyramid cut out and,
• 10:27
  Speaker 11: you know, on your head or on your face or,
• 10:29
  Speaker 11: you know, everywhere, which they have on.
• 10:31
  Speaker 1: And you could be selling those.
• 10:32
  Speaker 11: Yeah.
• 10:33
  Speaker 1: That's marketing right there.
• 10:34
  Speaker 3: Hot topic. Yeah. This movie is so bizarre.
• 10:37
  Speaker 1: This movie has taught us anything marketing damn it yeah
• 10:42
  Speaker 1: so i don't even know how to begin well i
• 10:45
  Speaker 1: mean i did come up with sort of a real
• 10:48
  Speaker 1: version of what it is and it gets you know
• 10:50
  Speaker 1: it does take a little while before you realize it
• 10:52
  Speaker 1: but i think it was like 20 minutes in or
• 10:54
  Speaker 1: something or longer and then marlena finally went oh it's
• 10:58
  Speaker 1: adam and eve.
• 10:58
  Speaker 5: Yeah yes master Bring the hors d'oeuvre.
• 11:03
  Speaker 1: Our special hors d'oeuvre.
• 11:05
  Speaker 3: My special hors d'oeuvre.
• 11:07
  Speaker 1: The apple.
• 11:09
  Speaker 3: Bring the master's special hors d'oeuvre. The apple.
• 11:13
  Speaker 1: Shh.
• 11:14
  Speaker 2: Don't be afraid.
• 11:17
  Speaker 3: Taste it. Taste it.
• 11:20
  Speaker 7: Taste it.
• 11:21
  Speaker 3: Taste it.
• 11:21
  Speaker 4: Taste it.
• 11:22
  Speaker 3: Taste it.
• 11:24
  Speaker 1: So it's like a musical version of The Temptation of
• 11:26
  Speaker 1: Adam and Eve in a dystopian future surrounding the music industry. Yeah.
• 11:33
  Speaker 1: So that's, I mean, that's pretty close to, you know,
• 11:36
  Speaker 1: what it is, basically.
• 11:38
  Speaker 3: Bim is, or what's his name again? Bimolo? Bigelow. Bigelow.
• 11:43
  Speaker 11: He's basically the devil. They meet God later on.
• 11:49
  Speaker 3: We'll get to that. Yeah. Um.
• 11:51
  Speaker 11: But yeah, I guess everything in the middle is kind
• 11:54
  Speaker 11: of like, yeah, the temptation of Eve. And I guess
• 11:56
  Speaker 11: Adam's just kind of on the outside the whole while
• 11:59
  Speaker 11: trying to get.
• 11:59
  Speaker 3: Back to her.
• 12:01
  Speaker 11: And, you know, I guess you could cut it down
• 12:03
  Speaker 11: into a shortened version. Yeah, that's all it is.
• 12:05
  Speaker 1: That's basically what it is. It's just, it's weird that
• 12:09
  Speaker 1: they chose to do. Like, if you were going to
• 12:12
  Speaker 1: do some variation on the Adam and Eve story, why
• 12:16
  Speaker 1: they chose to do it futuristically... And why they chose
• 12:19
  Speaker 1: to center around the music industry.
• 12:21
  Speaker 11: Well, I think it's interesting that they're making such a
• 12:24
  Speaker 11: bold statement about the industry even back then.
• 12:27
  Speaker 3: I don't know if there have been.
• 12:29
  Speaker 11: That many movies or anything that had touched on it
• 12:31
  Speaker 11: back in the 80s, especially early 80s.
• 12:34
  Speaker 1: I'm not sure. That's what I took from it really
• 12:36
  Speaker 1: more than the biblical theme, which is pretty heavy-handed, but
• 12:41
  Speaker 1: at the same time, I think what I took more
• 12:43
  Speaker 1: from it was what a satire of the music industry,
• 12:47
  Speaker 1: the entertainment industry as a whole that it is. It
• 12:51
  Speaker 1: really is just hardcore.
• 12:56
  Speaker 6: Maybe that's why this movie didn't.
• 12:58
  Speaker 3: Do so well.
• 13:00
  Speaker 1: It was shut down from the inside.
• 13:01
  Speaker 3: Definitely a few reasons why. In this movie, television is
• 13:05
  Speaker 3: a bad thing. Industry is a bad thing. Consumerism and
• 13:10
  Speaker 3: even being... Following the status quo are all bad things,
• 13:13
  Speaker 3: you know? Yeah. And evil things. Not just bad, but
• 13:17
  Speaker 3: evil things.
• 13:17
  Speaker 1: Completely, yeah.
• 13:19
  Speaker 3: Evil. Yeah, it definitely is throwing a few judgments out there.
• 13:24
  Speaker 3: Quite a few.
• 13:26
  Speaker 11: Basically, the head of, you know, this super mega corporation
• 13:31
  Speaker 11: whatever is.
• 13:33
  Speaker 3: He is the....
• 13:35
  Speaker 11: I guess, the ruler of the world at this point.
• 13:38
  Speaker 11: I mean, it's not even he's president or he's just
• 13:41
  Speaker 11: the ruler. He just, like, whatever he says goes.
• 13:44
  Speaker 1: Yeah, master.
• 13:45
  Speaker 3: Yes, exactly. And if somebody speaks out against him, they don't,
• 13:48
  Speaker 3: he doesn't. kill them or get them out of the way,
• 13:51
  Speaker 3: he just buys them. That's even scarier.
• 13:55
  Speaker 1: Which is kind of the way it goes. It's scary
• 13:58
  Speaker 1: how realistic some of this is. As ridiculous as the
• 14:01
  Speaker 1: rest is, the themes of this are pretty deep. The
• 14:06
  Speaker 1: more you look at it, the way it's looking at
• 14:08
  Speaker 1: this future, and the future is all about the evils
• 14:11
  Speaker 1: of excess. That's basically what it's using, that Adam and
• 14:14
  Speaker 1: Eve story, to explain the evils of excess. And It's
• 14:18
  Speaker 1: doing it in this silly way with the song and dance,
• 14:20
  Speaker 1: but I was looking down there, and each of these
• 14:22
  Speaker 1: songs as they go along is kind of hitting on
• 14:25
  Speaker 1: the big stuff. We get to him especially. In the beginning,
• 14:30
  Speaker 1: he doesn't drink. They don't use drugs. They're committed to
• 14:34
  Speaker 1: each other.
• 14:34
  Speaker 3: They're singing about love.
• 14:35
  Speaker 1: Yeah, they're singing about love. By the end, he's drinking.
• 14:39
  Speaker 1: She's signed on with him. She's doing drugs. They're both
• 14:43
  Speaker 1: having sex with random people, so it... It leads you
• 14:46
  Speaker 1: down every one of these evils that are, you know, just,
• 14:49
  Speaker 1: I don't know. And some of the songs fit exactly
• 14:51
  Speaker 1: with each of these sins, basically.
• 14:53
  Speaker 6: I like the song about taking drugs.
• 14:56
  Speaker 3: The speed song.
• 14:58
  Speaker 1: That was a little of both. That was kind of like,
• 15:00
  Speaker 1: I mean, it's very, listening to the lyrics, it's very
• 15:02
  Speaker 1: obviously about drugs. It's basically like boldly calling the entire
• 15:08
  Speaker 1: country of America like drug addicts.
• 15:10
  Speaker 3: Right. America, the land of the free, is shooting up
• 15:18
  Speaker 3: with pure energy.
• 15:19
  Speaker 12: And every day she has to take more speed.
• 15:26
  Speaker 1: America, the home of the brave, is popping pills to
• 15:30
  Speaker 1: keep up the pace. And every day she cries out
• 15:34
  Speaker 1: for more speed.
• 15:38
  Speaker 7: From New York out to L.A., Poppin' power by the hour.
• 15:52
  Speaker 3: We're also addicted to consumerism and the lifestyle of new
• 15:58
  Speaker 3: and the better and the best. I mean, it definitely
• 16:01
  Speaker 3: is more than just the top layer. It's a double entendre.
• 16:03
  Speaker 1: It's also, yeah, it's just that excess.
• 16:05
  Speaker 3: That speed is excess, and.
• 16:07
  Speaker 1: It's wanting more and more, faster and better.
• 16:09
  Speaker 6: It reminded me of the song Life in the Fast Lane.
• 16:12
  Speaker 3: Surely it makes you lose your mind. That's right. Well,
• 16:14
  Speaker 3: I'm trying to think.
• 16:15
  Speaker 11: Did they touch specifically on the seven deadly sins, or
• 16:18
  Speaker 11: were they just kind of in their.
• 16:20
  Speaker 3: Or was that even a... Because I'm trying to think.
• 16:22
  Speaker 3: They kind of mention a lot of it.
• 16:25
  Speaker 1: There's definitely a whole song about lust. He mentions using
• 16:29
  Speaker 1: people's greed against them in his song, Midway Through.
• 16:32
  Speaker 3: Yeah, that song is about greed.
• 16:35
  Speaker 1: It's all about using people's greed to his own advantage.
• 16:38
  Speaker 1: So it probably, in one way or another, ties in
• 16:41
  Speaker 1: all of the seven deadly sins.
• 16:44
  Speaker 3: After the earthquake, that whole scene... when they're signing the contracts.
• 16:49
  Speaker 3: Another thing I thought is it's very much, I was
• 16:51
  Speaker 3: trying to catch the different groups of people, and it
• 16:54
  Speaker 3: was very much like Dante's Inferno. The different levels and
• 16:59
  Speaker 3: everything that they're seeing. I'd love to just sit and
• 17:02
  Speaker 3: you know, look over some texts and then go back
• 17:05
  Speaker 3: and compare and contrast. Cause I know it's all, it's,
• 17:07
  Speaker 3: it's all going to be in there.
• 17:08
  Speaker 9: Yeah.
• 17:08
  Speaker 1: That's, that's the thing. It's like at first glance, when I, when,
• 17:11
  Speaker 1: you know, I first, you, you mentioned it and she'd mentioned,
• 17:13
  Speaker 1: I was like, okay. And I went and saw part
• 17:15
  Speaker 1: of it. I was just like, sort of glossing over
• 17:17
  Speaker 1: it as like, okay, this thing's sort of, you know,
• 17:18
  Speaker 1: a joke. And it really does. To look at it,
• 17:21
  Speaker 1: it looks like Can't Stop the Music. It very much
• 17:24
  Speaker 1: falls into the musicals of that time. You've got the
• 17:27
  Speaker 1: Xanadus and the Can't Stop the Music. I think it's
• 17:30
  Speaker 1: one of those that if you go back and watch
• 17:32
  Speaker 1: it more than once, you're going to catch a lot
• 17:34
  Speaker 1: more stuff. There really is. On different layers, story-wise, there
• 17:39
  Speaker 1: are a lot of other layers sort of mixed in
• 17:41
  Speaker 1: here in ways that you wouldn't expect. But then just
• 17:44
  Speaker 1: on top of that, the visuals going on, the set
• 17:48
  Speaker 1: dressing on these things.
• 17:49
  Speaker 3: It's like an assault on your system. There's a lot
• 17:51
  Speaker 3: of colors, a lot of flash, a lot of... It'll
• 17:54
  Speaker 3: give you a, wait, what was that? And you don't
• 17:56
  Speaker 3: see that again. A character that is dressed up intricately.
• 18:00
  Speaker 3: that somebody went crazy on in the costume designing, and
• 18:03
  Speaker 3: you see it for a split second.
• 18:04
  Speaker 11: I mean, it's like a serious, serious movie that's just
• 18:06
  Speaker 11: taken so bizarrely. It's not like, you know, it's tongue-in-cheek, really,
• 18:12
  Speaker 11: kind of, but it is.
• 18:12
  Speaker 1: In a way, it is. That's what's so weird about it.
• 18:14
  Speaker 3: That's what's so strange about it.
• 18:16
  Speaker 1: Is that it's working on both levels. It's like it's
• 18:18
  Speaker 1: very much... That's the thing, because I was looking at
• 18:21
  Speaker 1: it going, well, I mean, maybe they weren't in on
• 18:24
  Speaker 1: the joke. Maybe they're making this movie and they take
• 18:26
  Speaker 1: it really seriously, but we're laughing at it. But then
• 18:29
  Speaker 1: I'm looking at the part where they do the, okay,
• 18:32
  Speaker 1: it's time for the whole country to exercise.
• 18:34
  Speaker 3: Yeah.
• 18:34
  Speaker 1: And they have people stopping putting out fires and stopping
• 18:38
  Speaker 1: doing surgery on this guy to do mandatory dorky dancing. Right.
• 18:44
  Speaker 1: i'm like okay there's no way yeah there's no way
• 18:47
  Speaker 1: you can take that seriously that's a joke that's that's
• 18:49
  Speaker 1: like ridiculous satire so obviously like all of these jokes
• 18:54
  Speaker 1: they're in on it's not one of those that you
• 18:55
  Speaker 1: can like sort of blatantly point and laugh at because
• 18:58
  Speaker 1: they knew they were making the stuff that's ridiculous ridiculous
• 19:01
  Speaker 1: well you.
• 19:01
  Speaker 7: Know i didn't even realize that that's almost like a
• 19:03
  Speaker 7: throwback to 1984 yeah you know uh because that's what
• 19:07
  Speaker 7: happened in that book everyone had to stop and do
• 19:09
  Speaker 7: exercise and.
• 19:10
  Speaker 1: So, I mean, it is one of the... And maybe
• 19:11
  Speaker 1: that's why it's 94. Maybe it's their updating of the Orwell.
• 19:15
  Speaker 3: Even more futuristic. Yeah, that makes sense. And you know
• 19:19
  Speaker 3: he's not taking himself serious because every time Bim does
• 19:22
  Speaker 3: something over the top... Oh, wow. He'll wink at you.
• 19:25
  Speaker 3: He'll wink at the camera and you're like, oh, they
• 19:28
  Speaker 3: know what they're doing.
• 19:29
  Speaker 5: He knows.
• 19:30
  Speaker 3: He knows what's going on. Cheeky monkey. And they, by
• 19:35
  Speaker 3: the way... Brian, do you know who the actor is
• 19:38
  Speaker 3: that does that? Which one?
• 19:40
  Speaker 1: Satan, basically?
• 19:41
  Speaker 3: Yeah. He was fantastic.
• 19:44
  Speaker 11: I've seen him in maybe one other thing, but I
• 19:47
  Speaker 11: cannot place it. like i remember his face and his voice.
• 19:50
  Speaker 1: He kind of reminds me uh the the guy in
• 19:52
  Speaker 1: your uh frankenstein movie the flesh for frankenstein that he
• 19:55
  Speaker 1: reminds he doesn't look like him but like his voice
• 19:58
  Speaker 1: and his his you know his mannerisms kind of remind.
• 20:00
  Speaker 7: Me when he was singing the song about being a
• 20:02
  Speaker 7: master i thought he sounded like count dracula.
• 20:05
  Speaker 1: Well, he does wear the... It's weird their costumes. He
• 20:06
  Speaker 1: does kind of look like Dracula. They mix the costumes
• 20:08
  Speaker 1: because his Satan outfit is just Dracula with a horn.
• 20:12
  Speaker 3: Right.
• 20:12
  Speaker 1: One horn.
• 20:13
  Speaker 3: One horn.
• 20:13
  Speaker 1: Because he's sporty, yo.
• 20:15
  Speaker 3: Yeah.
• 20:15
  Speaker 7: This movie had the same vibe that The Forbidden Zone
• 20:19
  Speaker 7: had for me.
• 20:20
  Speaker 6: Kind of. Maybe just because I love that movie.
• 20:23
  Speaker 1: It's weird in a different way, though.
• 20:25
  Speaker 2: Yeah, it is.
• 20:25
  Speaker 1: Because I don't know that there's any... real specific satire
• 20:29
  Speaker 1: in in forbidden zone it's just weird for the sake
• 20:31
  Speaker 1: of being weird this one really like there's so much
• 20:35
  Speaker 1: tied into it that i think there's a lot of
• 20:38
  Speaker 1: and again you wouldn't expect i mean to look at
• 20:40
  Speaker 1: this or we'll be playing some of the music and
• 20:42
  Speaker 1: you'll be like this is retarded but right it's like
• 20:44
  Speaker 1: if you stop and think about it there's not only
• 20:46
  Speaker 1: the biblical stuff there's also the the industry you know
• 20:50
  Speaker 1: the music industry evils But there's a lot of political stuff, too,
• 20:53
  Speaker 1: that it's like it really is taking this satirical look
• 20:56
  Speaker 1: at politics and the future and where the country's going
• 21:00
  Speaker 1: and where everybody's going and stuff you wouldn't expect from
• 21:03
  Speaker 1: that at all.
• 21:04
  Speaker 3: And I think the music is supposed to be bad.
• 21:09
  Speaker 3: The music that he's putting out is supposed to be bad,
• 21:12
  Speaker 3: but that people will still buy it. And their first
• 21:16
  Speaker 3: song is supposed to be over-the-top campy because people buy it.
• 21:20
  Speaker 3: I think... yeah i it just it's a lot smarter
• 21:25
  Speaker 3: than it looks than you would expect definitely that it's packaged.
• 21:29
  Speaker 1: That was like yeah go with your uh description of
• 21:32
  Speaker 1: the first time you saw it and you were uh
• 21:34
  Speaker 1: you were putting your comments on facebook yeah i was.
• 21:37
  Speaker 3: Actually watching this late at night on the this channel
• 21:39
  Speaker 3: my favorite channel and had basketball diaries on last night
• 21:43
  Speaker 3: and they had plug plug yeah they had uh I
• 21:48
  Speaker 3: was like, what is this? In the first two minutes
• 21:51
  Speaker 3: when the opening song comes on, I was like, what
• 21:53
  Speaker 3: is this crap that I'm watching? I'm typing into Facebook,
• 21:56
  Speaker 3: and in about five minutes, I post it again. I
• 22:00
  Speaker 3: was like, cancel that. This is awesome. Because I could
• 22:04
  Speaker 3: tell there's something going on here. This is going to
• 22:07
  Speaker 3: be a good one, and how did I ever miss
• 22:09
  Speaker 3: this movie?
• 22:10
  Speaker 1: Yeah. I think that would be a lot of people's reaction. Well, again,
• 22:14
  Speaker 1: anybody who would give it a chance. I think a
• 22:16
  Speaker 1: lot of people, a lot of regular people especially, would
• 22:19
  Speaker 1: look at it and go, what the hell is this?
• 22:21
  Speaker 3: And flip the channel.
• 22:22
  Speaker 1: And would never make it into it, even like five,
• 22:25
  Speaker 1: ten minutes where you start going, wait, there's other stuff
• 22:27
  Speaker 1: going on here.
• 22:28
  Speaker 3: Well, I hate musicals. I notoriously cannot stand them. I'm
• 22:32
  Speaker 3: not a fan of Rocky Horror.
• 22:33
  Speaker 11: I will say that Repo, I didn't like it as
• 22:37
  Speaker 11: much as everybody, but I did dig it. I think
• 22:39
  Speaker 11: Jesus Christ Superstar was the only one that I was
• 22:41
  Speaker 11: because I grew up with that.
• 22:42
  Speaker 3: I really like that one. But again, that's just a
• 22:45
  Speaker 3: good musical. Yeah, exactly.
• 22:47
  Speaker 1: And they work in kind of a cool story along
• 22:49
  Speaker 1: the way.
• 22:49
  Speaker 9: Exactly.
• 22:50
  Speaker 1: Again, you've got somebody doing amazing music and lyrics, and
• 22:53
  Speaker 1: that's the thing with this one. It's like, it is bad,
• 22:56
  Speaker 1: and we'll try to go with, you know, that they were,
• 22:59
  Speaker 1: especially the stuff that Bim's putting out. It's like, that's,
• 23:02
  Speaker 1: it would be interesting to see that. they were or
• 23:06
  Speaker 1: to say that they're putting out something specifically bad because
• 23:09
  Speaker 1: i feel like that's the way it is like the
• 23:10
  Speaker 1: stuff that's the most popular that most people buy into
• 23:14
  Speaker 1: is usually the stuff that i think is terrible yeah
• 23:17
  Speaker 1: so it is it to me that would be a
• 23:18
  Speaker 1: commentary that even if they didn't mean it to be
• 23:21
  Speaker 1: that's kind of how i read it it's like wow
• 23:23
  Speaker 1: most of the stuff that is big and popular i
• 23:25
  Speaker 1: think it's horrible so i think you've got that.
• 23:28
  Speaker 7: And also i think they were like almost putting it
• 23:31
  Speaker 7: out there that, you know, everything that people listen to,
• 23:33
  Speaker 7: like most music on the radio, people feel like they
• 23:36
  Speaker 7: relate to it.
• 23:37
  Speaker 6: Like love songs and things like that.
• 23:39
  Speaker 7: It was written by someone to sell yeah yeah it
• 23:42
  Speaker 7: wasn't it didn't come from anybody's.
• 23:44
  Speaker 1: Heart but i think those go a little better like
• 23:46
  Speaker 1: the first couple out of really are kind of rough
• 23:48
  Speaker 1: to get through because yeah the first one on the
• 23:51
  Speaker 1: stage you're just blinded by all the glitter and.
• 23:53
  Speaker 3: You're still wondering what the hell's going.
• 23:55
  Speaker 1: Yeah you're still in shock and then when they get
• 23:57
  Speaker 1: to their duo hippie song you're just like it really
• 23:59
  Speaker 1: i mean they are making fun of like folk songs
• 24:02
  Speaker 1: and it's so over the top like Peace and love,
• 24:05
  Speaker 1: and we have each other.
• 24:06
  Speaker 3: And they're just coming out of Christopher Cross at that
• 24:09
  Speaker 3: point in my day. Well, actually, they're probably still in
• 24:12
  Speaker 3: the middle of it.
• 24:13
  Speaker 1: Yeah, you've still got a couple of years across. So, yeah,
• 24:17
  Speaker 1: I mean, it really is sort of a little too
• 24:19
  Speaker 1: close to home probably at that point. But I think
• 24:21
  Speaker 1: as it goes on, I think some of the other ones,
• 24:23
  Speaker 1: once you get past the apple, because the apple's pretty bad,
• 24:27
  Speaker 1: it's awesome. That's probably my favorite scene because the visuals
• 24:29
  Speaker 1: are amazing.
• 24:31
  Speaker 3: Oh, it's amazing, yeah.
• 24:32
  Speaker 1: It just keeps getting you. The lyrics in the song
• 24:34
  Speaker 1: are pretty rough. But as you get into the sappier songs,
• 24:37
  Speaker 1: I think they're a little better written. I think the.
• 24:40
  Speaker 3: If you're thinking of the song that the girl sings
• 24:43
  Speaker 3: after she tells her to go, what.
• 24:45
  Speaker 1: That one was pretty good. I was thinking, well, just
• 24:47
  Speaker 1: from that point on, almost, they get a little better.
• 24:49
  Speaker 3: It's like the.
• 24:51
  Speaker 1: No, the one that he writes for her, the Where
• 24:53
  Speaker 1: Is It Gone.
• 24:53
  Speaker 13: I've heard that he's treating her well and she's happy
• 24:59
  Speaker 13: I'll believe it when she tells me so Oh, where.
• 25:05
  Speaker 3: Has it gone? Where has it gone?
• 25:13
  Speaker 1: Oh, where has it gone?
• 25:15
  Speaker 13: Where has love gone?
• 25:22
  Speaker 1: Is it like, I do not like his vocals on
• 25:24
  Speaker 1: it at all, but I'm like, if you gave that
• 25:26
  Speaker 1: to somebody else, it doesn't sound unlike a normal love song.
• 25:30
  Speaker 1: And then even the big, you know, once again, sappy,
• 25:32
  Speaker 1: the big sappy one of them singing to each other
• 25:34
  Speaker 1: in the rain. Yeah. I kind of like that. That
• 25:37
  Speaker 1: one has a very operatic moment to it where it's
• 25:39
  Speaker 1: just like, it really is like, heightened, but at the
• 25:42
  Speaker 1: same time you do start to see, I mean, it
• 25:44
  Speaker 1: really does represent these two characters and then they, you know,
• 25:47
  Speaker 1: can't be together. It's, it's, I guess that's more of
• 25:50
  Speaker 1: the West side story moment, but those, I think that
• 25:53
  Speaker 1: music gets a little better in that mid port there
• 25:55
  Speaker 1: that I really like that one in particular, I feel
• 25:57
  Speaker 1: like done differently. I could very easily picture it being
• 26:01
  Speaker 1: in the middle of an Andrew Lloyd Webber music right
• 26:03
  Speaker 1: it really like even the orchestration it felt a lot
• 26:06
  Speaker 1: more scaled to that level where it really which again
• 26:09
  Speaker 1: that stuff was all hitting i mean he was becoming
• 26:12
  Speaker 1: the biggest you know music musical creator you know at
• 26:15
  Speaker 1: that point he was right in the middle of all
• 26:17
  Speaker 1: of his hits i mean once again they're probably drawing
• 26:20
  Speaker 1: a little bit from that or satirizing.
• 26:23
  Speaker 7: This is way off subject but i just had this
• 26:26
  Speaker 7: horrible memory flash into my mind and i have to
• 26:28
  Speaker 7: share it with someone friday night i was having dinner
• 26:31
  Speaker 7: with some people at uh ramsay's and uh two of
• 26:35
  Speaker 7: the servers walked by and they just looked at each
• 26:37
  Speaker 7: other and they started snapping and dancing and we.
• 26:40
  Speaker 6: All like froze we're like Is West Side Story going
• 26:43
  Speaker 6: to break out? What's going to happen? It was so weird.
• 26:46
  Speaker 6: It was the weirdest thing ever.
• 26:48
  Speaker 3: Oh, God.
• 26:49
  Speaker 7: It was so weird I had to block that out
• 26:51
  Speaker 7: of my mind.
• 26:52
  Speaker 1: Once again, you know, musicals break out around you all
• 26:54
  Speaker 1: the time.
• 26:54
  Speaker 4: I guess.
• 26:55
  Speaker 3: You never know when you're in a musical.
• 26:56
  Speaker 9: I know.
• 26:57
  Speaker 11: But I'll definitely say, I mean, me not being on
• 26:59
  Speaker 11: board for musicals, and I didn't really fight this as
• 27:02
  Speaker 11: far as, like, not wanting to like it because it
• 27:04
  Speaker 11: was just, freaking bizarre enough that I dug it just
• 27:07
  Speaker 11: for that. Like I dug it just for the wow factor.
• 27:10
  Speaker 11: Like what is going on? And who's like, whoever thought
• 27:13
  Speaker 11: of the costumes and the, and the scenery and put
• 27:16
  Speaker 11: all that together with these characters, seeing these songs, like, What?
• 27:22
  Speaker 11: Just for that, I'm like, this is pretty awesome.
• 27:24
  Speaker 3: And you get a huge payoff in the end.
• 27:26
  Speaker 1: Oh, yes.
• 27:27
  Speaker 3: Oh, my God.
• 27:28
  Speaker 1: We'll save the end.
• 27:29
  Speaker 3: It's so infinitely awesome.
• 27:31
  Speaker 1: But, yeah, I'll say that's kind of the same thing.
• 27:33
  Speaker 1: I went into it kind of like, whoa, this is
• 27:36
  Speaker 1: crazy and ridiculous, and what the hell is going on?
• 27:38
  Speaker 1: And then the more ridiculous it gets, it's probably by
• 27:41
  Speaker 1: the time it hits that scene of the apple. Where
• 27:44
  Speaker 1: I was just like, okay, I'm sold. I mean, you've
• 27:47
  Speaker 1: got them basically doing a musical number in hell. You've
• 27:50
  Speaker 1: got the real vampire.
• 27:56
  Speaker 3: You get to meet a real vampire.
• 27:59
  Speaker 2: Bonus!
• 27:59
  Speaker 3: I did not know that that's what they looked like. Bonus!
• 28:01
  Speaker 11: There's that prismatic... Stuff on everything, like stickers, clothes, the steps,
• 28:08
  Speaker 11: the kaleidoscopism. Once again, this was the coming of that
• 28:12
  Speaker 11: specific thing.
• 28:13
  Speaker 1: Because remember when it was so impossible to find those
• 28:15
  Speaker 1: foil stickers? When they first made them, they put it
• 28:19
  Speaker 1: on the cover of National Geographic.
• 28:21
  Speaker 3: Yeah.
• 28:21
  Speaker 1: That's how huge it was. It was like, Oh my God,
• 28:23
  Speaker 1: look what we made. Everybody look what we made. So
• 28:26
  Speaker 1: it was like, that really was like the future, which
• 28:28
  Speaker 1: I guess it was. Cause now it's on everybody's credit card.
• 28:30
  Speaker 1: You know, everybody's probably got one on them every day
• 28:33
  Speaker 1: of their life.
• 28:34
  Speaker 2: So.
• 28:34
  Speaker 1: It really did worm its way into our everyday lives.
• 28:36
  Speaker 1: But it's funny that their way was like, it's on everything.
• 28:40
  Speaker 1: It really covers the walls and the stairwells and hubcaps.
• 28:43
  Speaker 3: Stickers on your forehead.
• 28:45
  Speaker 1: Every surface in the future is covered in shiny sticker material.
• 28:49
  Speaker 6: I really like this scene.
• 28:51
  Speaker 7: I think my favorite part of the whole movie is
• 28:53
  Speaker 7: where that guy was like, look what I invented.
• 28:55
  Speaker 6: It's a, what did he call it?
• 28:56
  Speaker 3: A BIM mark? A BIM mark.
• 28:58
  Speaker 6: And they put it on his forehead and then what's
• 29:02
  Speaker 6: his face?
• 29:03
  Speaker 1: Boogaloo.
• 29:04
  Speaker 7: Demanded that everyone wear a bim mark and i'm just
• 29:07
  Speaker 7: like it's a fucking sticker people really.
• 29:09
  Speaker 1: And i'm still saying we bring that back yeah because
• 29:12
  Speaker 1: i just got some transformer stickers i'm thinking of putting
• 29:14
  Speaker 1: that decepticon.
• 29:15
  Speaker 3: The kind that you if you put your finger on
• 29:17
  Speaker 3: that it reveals oh yeah i'll take that i'll take
• 29:21
  Speaker 3: one of those.
• 29:21
  Speaker 1: Start wearing one of those around like mood stickers you
• 29:24
  Speaker 1: have to rub it to find out what side you're
• 29:26
  Speaker 1: on Dude, I'm like, I know it's a Decepticon.
• 29:28
  Speaker 3: Look at his paint scheme. Yeah, but all of them
• 29:32
  Speaker 3: were the Autobot shape, and it only looked like the
• 29:34
  Speaker 3: Decepticon afterwards. Sneaky bastards.
• 29:36
  Speaker 1: So, but that actually enters into another, like, to me,
• 29:39
  Speaker 1: that was... one of the first times when I was like, okay,
• 29:42
  Speaker 1: that's moving into a bigger territory. When, at first, it
• 29:46
  Speaker 1: was just about being a silly musical, and then it
• 29:48
  Speaker 1: moved into being the satire of the music industry. But
• 29:51
  Speaker 1: by the time he decrees that everyone across the land
• 29:55
  Speaker 1: must wear this sticker on them... I'm like, okay, this
• 29:59
  Speaker 1: is now political satire. When this future world and this leader,
• 30:04
  Speaker 1: as he were, has now decided that everyone.
• 30:08
  Speaker 3: This is very gold star.
• 30:10
  Speaker 1: Yeah, kind of. But at the same time, it's also
• 30:12
  Speaker 1: just like, isn't this like fascism? At what point does
• 30:16
  Speaker 1: it cross over into... Because there's many times where it
• 30:19
  Speaker 1: sort of feels like Especially when he's like the midway
• 30:23
  Speaker 1: into the movie, we've got our hero sitting in the
• 30:25
  Speaker 1: park on the ground and this guy comes up to
• 30:27
  Speaker 1: him and like hits him with a baton and he's like, basically, well, no,
• 30:31
  Speaker 1: basically he says papers. He asked him for his ID,
• 30:35
  Speaker 1: but basically he's wearing this big black outfit. it and
• 30:37
  Speaker 1: he asked him for his papers i mean it's the
• 30:38
  Speaker 1: most nazi state yeah ever and especially later when you've
• 30:42
  Speaker 1: got almost these stormtroopers come running out in like battle
• 30:45
  Speaker 1: gear it's like there's a lot of like subtle under
• 30:49
  Speaker 1: not so subtle.
• 30:50
  Speaker 3: And even the and even the uh the nuns you
• 30:53
  Speaker 3: can say the religion is part of it too because
• 30:56
  Speaker 3: the nuns are even doing the exercise so everybody's.
• 30:59
  Speaker 1: Everybody and once again it works it in that everybody
• 31:01
  Speaker 1: is sort of under this you know grand rule of
• 31:05
  Speaker 1: yeah it was one person and i don't know i
• 31:08
  Speaker 1: think that part was what was really cool was once
• 31:10
  Speaker 1: you started seeing that that it sort of crosses over
• 31:13
  Speaker 1: like it was weird i was thinking that in watching
• 31:16
  Speaker 1: it this time i was like it really is sort
• 31:18
  Speaker 1: of throwing out there this idea of so we've spent
• 31:21
  Speaker 1: so much time in this country in particular trying to
• 31:24
  Speaker 1: keep church and state separate yeah well this poses this
• 31:28
  Speaker 1: question that what if like state and the entertainment industry
• 31:31
  Speaker 1: became one right and what if it really was like
• 31:35
  Speaker 1: like you've got basically the the music industry cutthroat way
• 31:40
  Speaker 1: of living applied toward politics yeah like towards the way
• 31:44
  Speaker 1: that you run your company so that you really do
• 31:46
  Speaker 1: have people just buying other people out when they need
• 31:48
  Speaker 1: them or i don't know or like using the press
• 31:51
  Speaker 1: like he just in general like the entire they're doing
• 31:54
  Speaker 1: an entire song and dance number and the press is
• 31:57
  Speaker 1: singing along and dancing with them right next to them.
• 32:00
  Speaker 1: You know? So I was like, this has a lot
• 32:02
  Speaker 1: to say about like a government that also controls the
• 32:05
  Speaker 1: press and controls what everybody sees and thinks of the
• 32:09
  Speaker 1: government that's going on.
• 32:10
  Speaker 3: Or that you sell the album before you record it.
• 32:14
  Speaker 3: I love that. And the press is doing an interview
• 32:16
  Speaker 3: about the album before they record it.
• 32:17
  Speaker 8: Before it's out.
• 32:18
  Speaker 3: That's marketing.
• 32:19
  Speaker 1: That's what he says.
• 32:20
  Speaker 3: That's marketing.
• 32:21
  Speaker 7: It's really funny because if you think about it, this
• 32:23
  Speaker 7: century alone, like, The world is controlled by entertainment.
• 32:28
  Speaker 6: It is.
• 32:29
  Speaker 7: And things that were knowledge have become a form of entertainment.
• 32:33
  Speaker 7: Like news is a form of entertainment.
• 32:36
  Speaker 3: Oh, it's not news anymore. It's politics and TMZ. That's it.
• 32:41
  Speaker 1: But it's using that. Like everybody kind of knows at
• 32:44
  Speaker 1: this point. And I guess it's always been like that
• 32:46
  Speaker 1: since politics has sort of. moved into having press of
• 32:50
  Speaker 1: any kind that you sort of had to find ways
• 32:52
  Speaker 1: to use it to your advantage. But now, I mean,
• 32:54
  Speaker 1: we've really found a way to.
• 32:57
  Speaker 7: Yeah, and we've come to an age, and it's been
• 33:00
  Speaker 7: like this for a long time, where facts are manipulated
• 33:02
  Speaker 7: to be more entertaining.
• 33:04
  Speaker 6: More watchable, more readable. You know, things aren't just facts.
• 33:07
  Speaker 7: They're like played with just so people are interested.
• 33:11
  Speaker 1: Well, and also like the, much like this movie kind
• 33:14
  Speaker 1: of overwhelms you. They found a way to like that,
• 33:16
  Speaker 1: that came about with like the nine 11 coverage went like,
• 33:19
  Speaker 1: let's put so much information on the screen. It's like,
• 33:22
  Speaker 1: you've got a screen split into four with two different
• 33:25
  Speaker 1: people doing this. You've got a tape running at the
• 33:27
  Speaker 1: bottom with different information. You've got footage of something over
• 33:30
  Speaker 1: here that, So it's like, if we throw enough information
• 33:33
  Speaker 1: at you, you'll be so confused, you won't really know
• 33:35
  Speaker 1: what's going on in any of them.
• 33:36
  Speaker 3: It defeats the purpose of having information.
• 33:39
  Speaker 9: Yeah.
• 33:39
  Speaker 1: So it definitely works that. And I was thinking almost
• 33:41
  Speaker 1: an example where, you know, another movie where they sort
• 33:44
  Speaker 1: of play with that a lot more. specifically is like
• 33:47
  Speaker 1: wag the dog where they start manipulating things and actually
• 33:52
  Speaker 1: creating situations so that they can publicize them so that
• 33:56
  Speaker 1: they can get what they want in the end. So
• 33:57
  Speaker 1: this definitely has a little touch of that, you know,
• 34:00
  Speaker 1: well before they came up with that idea.
• 34:02
  Speaker 3: And the last time that I talked about this, um,
• 34:05
  Speaker 3: when I first brought it up, the two things that
• 34:07
  Speaker 3: came to mind when I, when I saw it the
• 34:09
  Speaker 3: first time were, um, Southland tales in the way they share,
• 34:13
  Speaker 3: they use information and manipulate information. Um, And just American
• 34:18
  Speaker 3: Idol in general. And the whole thing feels like, you know,
• 34:21
  Speaker 3: if you could look inside of American Idol, who Fox
• 34:24
  Speaker 3: that puts it out is also a major news corporation.
• 34:26
  Speaker 3: Are they really controlling everything? Do they really, you know,
• 34:30
  Speaker 3: do they really count the votes that everybody, you know, says?
• 34:33
  Speaker 3: Or does the news tell you which person to vote for?
• 34:38
  Speaker 3: You know, is all this being manipulated and we don't
• 34:40
  Speaker 3: see it, you know?
• 34:42
  Speaker 1: Or, I mean, in the grand scheme of things, like,
• 34:44
  Speaker 1: when we have a political... When we have, like, a
• 34:48
  Speaker 1: presidential election, things can go wrong. Who knows who's really
• 34:52
  Speaker 1: counting all these things?
• 34:53
  Speaker 3: Right.
• 34:54
  Speaker 1: As we saw firsthand. So it's like, really, who is
• 34:57
  Speaker 1: in control of this? And how do we know that
• 34:59
  Speaker 1: they're in control of this?
• 35:00
  Speaker 6: It's just so interesting.
• 35:01
  Speaker 7: And, like, if you watch Mad Men and stuff, or, like...
• 35:04
  Speaker 7: If you think about it, it's way more subtle now,
• 35:06
  Speaker 7: which I think is almost worse. But everything that we buy,
• 35:09
  Speaker 7: everything that we are, like America especially more than any
• 35:13
  Speaker 7: other country, it's.
• 35:16
  Speaker 6: Subliminal messages, product placement, things like that.
• 35:19
  Speaker 3: It's very George Orwell. It's very.
• 35:26
  Speaker 6: Brave New World.
• 35:27
  Speaker 3: This segment brought to you by Mountain Dew. Yeah, right?
• 35:31
  Speaker 1: Probably the scariest part of that, though, is that we're
• 35:33
  Speaker 1: all aware of it. At least in the old scary stories,
• 35:37
  Speaker 1: all the people were sort of drones and they were
• 35:39
  Speaker 1: oblivious to the fact that they were being led down
• 35:41
  Speaker 1: this path. Very literally in this movie, led down the
• 35:44
  Speaker 1: wrong path. But now it's like we kind of know it.
• 35:47
  Speaker 1: We realize it and we just don't really care. We
• 35:50
  Speaker 1: crave it. I think we crave it. I think we
• 35:52
  Speaker 1: ask for it. this may be more of the coming
• 35:55
  Speaker 1: of all these sins. It may be more gluttony that
• 35:57
  Speaker 1: keeps us from like, well, I could do something about it,
• 36:00
  Speaker 1: but what else is on TV? So I mean, we
• 36:03
  Speaker 1: may have fallen right into that trap of we're so
• 36:06
  Speaker 1: lazy at this point that we sort of go along
• 36:08
  Speaker 1: with what they say because we don't feel like challenging it.
• 36:11
  Speaker 3: Because we're consumers. We're consumers. We like to consume.
• 36:16
  Speaker 1: First and foremost, almost.
• 36:18
  Speaker 3: And what is it that I want? What is it
• 36:21
  Speaker 3: that you want? It's like, I don't have TV because
• 36:23
  Speaker 3: I can't afford it, but I like watching movies. I
• 36:25
  Speaker 3: like the internet. I like to play games.
• 36:29
  Speaker 11: These are certain things that I like and want to
• 36:31
  Speaker 11: do and will always seek out no matter what. Even
• 36:34
  Speaker 11: if the big evil corporation is finally owning everything and
• 36:39
  Speaker 11: owns a piece of your.
• 36:40
  Speaker 3: Ass, everybody's. am I going to fight the system by
• 36:43
  Speaker 3: not watching movies, by not, you know.
• 36:46
  Speaker 1: Well, especially once the system realizes what it is that
• 36:50
  Speaker 1: you want and how to use that against you. Basically,
• 36:53
  Speaker 1: it's that company store idea. It's like, okay, we've got
• 36:56
  Speaker 1: them on board. Now we give them just enough to
• 36:58
  Speaker 1: keep them doing what we want them to do, but
• 37:00
  Speaker 1: not enough to ever, you know, be free and really
• 37:03
  Speaker 1: do whatever they want. Just enough to keep them doing
• 37:05
  Speaker 1: what we want to do, but in docile, yeah, more
• 37:08
  Speaker 1: than anything else.
• 37:09
  Speaker 3: After 9-11, which was the most unifying moment in American
• 37:14
  Speaker 3: history that I've been a part of, the one thing
• 37:18
  Speaker 3: the president came out and said wasn't go to church,
• 37:21
  Speaker 3: if that's your thing, or go out and volunteer or
• 37:26
  Speaker 3: go help out. No, it was go out and buy.
• 37:29
  Speaker 3: That's what they needed us to do. They don't want
• 37:31
  Speaker 3: you at home watching the news. They wanted you to
• 37:34
  Speaker 3: go out and buy something.
• 37:36
  Speaker 1: And it became a pride thing. It was almost like
• 37:40
  Speaker 1: if our economy falls apart, they win. The only way
• 37:44
  Speaker 1: to keep our economy going is for you to be
• 37:46
  Speaker 1: a better consumer and a better American and go buy
• 37:49
  Speaker 1: more stuff. So, yeah, we fall right into that trap. But,
• 37:53
  Speaker 1: I mean, what's the way out of it really?
• 37:55
  Speaker 7: Yeah.
• 37:57
  Speaker 3: Become a hippie? Yeah, exactly. That's what this movie is
• 38:01
  Speaker 3: telling you to do. Television is bad. They don't like television.
• 38:05
  Speaker 1: That was a very specific quote. I think I wrote
• 38:07
  Speaker 1: it down. Let me see here. As he looks at
• 38:10
  Speaker 1: the hippies and his line was, oh yeah, he says,
• 38:14
  Speaker 1: these people don't like television.
• 38:16
  Speaker 3: Exactly. And that's all he said.
• 38:18
  Speaker 1: He didn't use anything else to describe who they were,
• 38:21
  Speaker 1: what they stood for. He just looked at them and said,
• 38:24
  Speaker 1: these people don't like television. and that said it like
• 38:27
  Speaker 1: it put them you know it pinpointed exactly what they
• 38:30
  Speaker 1: were and what they stood for and you know so
• 38:32
  Speaker 1: you sort of knew where they were and later they
• 38:34
  Speaker 1: just called them a bunch of hippies which is dirty i.
• 38:37
  Speaker 3: Think they've used dirty hippies from the 60s.
• 38:39
  Speaker 1: From the 60s so they've been hanging around they've been
• 38:42
  Speaker 1: hanging around in those parks for a long time but if.
• 38:44
  Speaker 3: You want salvation go light fires.
• 38:46
  Speaker 1: In the park yep hippies love fires that's what we've.
• 38:49
  Speaker 11: Learned but not too many just a couple yeah several
• 38:53
  Speaker 11: little fires a bunch of little.
• 38:54
  Speaker 3: Little fires Oh!
• 38:56
  Speaker 1: You'd think they'd all want to get together in that
• 38:58
  Speaker 1: hippie mentality, but no. They want to segregate into little areas. Oh, God.
• 39:05
  Speaker 3: But they weren't wearing Nikes. Yes, no.
• 39:07
  Speaker 1: Brand new Nikes.
• 39:08
  Speaker 3: You got that. They weren't the, what is that, the
• 39:10
  Speaker 3: Heaven's Gate cult? No. Brand new Nikes, castration, Hale-Bob, you know.
• 39:15
  Speaker 3: They were pretty close, Roger.
• 39:18
  Speaker 1: Yeah, we decided by the end that's why this is
• 39:20
  Speaker 1: a cult movie.
• 39:20
  Speaker 3: Especially the climax, yeah. We'll talk about the climax.
• 39:23
  Speaker 6: It's a cult movie.
• 39:24
  Speaker 1: This is a cult movie, all right.
• 39:26
  Speaker 3: Join the cult. I would join a cult.
• 39:28
  Speaker 6: That'd be cool.
• 39:30
  Speaker 1: Oh, man.
• 39:30
  Speaker 6: I'd go with Mormonism.
• 39:33
  Speaker 3: You're obsessed with Mormonism. I'm so obsessed with Mormonism. You're terrible.
• 39:38
  Speaker 3: There's a whole bunch of them right down the street
• 39:39
  Speaker 3: from me. Cool. We'll give them your number.
• 39:42
  Speaker 5: Yeah.
• 39:43
  Speaker 3: I mean.
• 39:44
  Speaker 1: They make you wear a Ben Mark, too.
• 39:45
  Speaker 8: I hate you to death.
• 39:46
  Speaker 7: I was pretty upset the other day when I realized
• 39:49
  Speaker 7: my ex-boyfriend's Mormon mother took me off her Facebook friends list.
• 39:52
  Speaker 6: I was like, does this mean when the apocalypse comes,
• 39:54
  Speaker 6: I'm not covered?
• 39:56
  Speaker 1: You had it by association.
• 39:58
  Speaker 3: I know her.
• 39:58
  Speaker 1: I know her.
• 39:59
  Speaker 3: I'm cool, man. She can come.
• 40:00
  Speaker 6: She can come.
• 40:03
  Speaker 9: Oh, Lord.
• 40:03
  Speaker 1: We'll get back to that later. We're going to have.
• 40:06
  Speaker 3: To have an intervention with you. That's probably true.
• 40:11
  Speaker 6: But for so many reasons.
• 40:13
  Speaker 3: We just pissed off all the Mormons.
• 40:16
  Speaker 7: Because I'm sure we had so many.
• 40:18
  Speaker 3: So many Mormons. If we had one, they're gone now.
• 40:21
  Speaker 7: Last night I was driving, and there were these two
• 40:23
  Speaker 7: Mormon missionaries on a bicycle, and it was dark, and
• 40:26
  Speaker 7: we were coming back from Cincinnati, and we were on
• 40:29
  Speaker 7: this highway getting on an exit, and my friend in
• 40:32
  Speaker 7: the car beside me, she goes.
• 40:33
  Speaker 6: Fucking Mormons!
• 40:36
  Speaker 3: Did you say your friend in the car was Amish? No,
• 40:40
  Speaker 3: that's next to me. Amish? Yeah.
• 40:43
  Speaker 1: There's so many things wrong with that statement.
• 40:45
  Speaker 3: Can an Amish person go fucking Mormon? As they're driving
• 40:48
  Speaker 3: a car. If I'm ever a director, I'm putting that
• 40:52
  Speaker 3: into a movie. That's awesome.
• 40:56
  Speaker 6: No, she is very Christian.
• 40:57
  Speaker 3: Oh, okay.
• 40:58
  Speaker 6: Or so she says.
• 40:59
  Speaker 3: No wonder. Damn Christians. Let's call it that. I love how,
• 41:04
  Speaker 3: how judgmental she was. Fucking mom.
• 41:06
  Speaker 7: I mean, I guess it's not that funny, but it
• 41:12
  Speaker 7: was so funny at the time.
• 41:13
  Speaker 1: Damn Christians.
• 41:14
  Speaker 9: Damn.
• 41:16
  Speaker 1: But the, uh, yeah, I was just trying to look
• 41:18
  Speaker 1: at some of the, the weirder stuff that I, yeah.
• 41:21
  Speaker 1: Trying to keep track of as we went along here. Um, just,
• 41:24
  Speaker 1: just in general, the, the makeup, um, The people in general,
• 41:29
  Speaker 1: you were asking about, let's see, what is, Mr. Boogalow is,
• 41:33
  Speaker 1: now I have to pronounce this, Vladek Shalbal.
• 41:39
  Speaker 3: Wow, sounds right. Sal? Yeah, Sal's right.
• 41:42
  Speaker 1: Sure, sounds right. Who I believe is actually in Red Dawn.
• 41:46
  Speaker 3: That's him.
• 41:47
  Speaker 1: Yes.
• 41:47
  Speaker 3: I remember correctly. You are right. That is him. He's
• 41:50
  Speaker 3: in Red Dawn. He is the guy with, he's the
• 41:54
  Speaker 3: Russian representative next to the Cuban guy. Cuban guy. Yeah.
• 41:58
  Speaker 1: I figured that would be our only reference because he's
• 42:00
  Speaker 1: in a lot of stuff. He's been in a ton.
• 42:03
  Speaker 1: But I figured, you know, geeks that we are, Red
• 42:05
  Speaker 1: Dawn would do it for us. But to me, you know,
• 42:09
  Speaker 1: Satan wasn't the scary one. To me, his right-hand man
• 42:12
  Speaker 1: was frightening.
• 42:13
  Speaker 3: What was his name? The Chris Tucker from Fifth Element?
• 42:16
  Speaker 1: Yeah, the Chris Tucker stand-in, who I believe was Shake.
• 42:19
  Speaker 3: His teeth were rowdy. Gross.
• 42:22
  Speaker 1: It was some sort of grill I'm assuming once again
• 42:25
  Speaker 1: looking into the future he saw grill well before the
• 42:27
  Speaker 1: rest of the rap community caught on but Flavor Flav
• 42:31
  Speaker 1: is hype man definitely he was the hype man but
• 42:35
  Speaker 1: it's one of those yeah I mean his makeup especially
• 42:38
  Speaker 1: as it goes on it gets more elaborate and more
• 42:41
  Speaker 1: scary yeah and it is it's just funny that that
• 42:45
  Speaker 1: was the one like as it went on I was
• 42:47
  Speaker 1: like that guy's frightening right that.
• 42:49
  Speaker 3: Reminded me of a male Grace Jones in a way.
• 42:51
  Speaker 1: Yeah kind of He's freakishly skinny and he's, yeah, he's just,
• 42:55
  Speaker 1: he's weird looking.
• 42:56
  Speaker 3: Oh, the big robe with the, with the little tiny speedo.
• 43:00
  Speaker 3: That look, what?
• 43:01
  Speaker 1: You're not going to wear that every day. I do
• 43:03
  Speaker 1: want that robe.
• 43:04
  Speaker 3: I don't care. That robe was awesome.
• 43:05
  Speaker 6: It was.
• 43:05
  Speaker 3: And you were going to sauna with me.
• 43:07
  Speaker 2: Sauna.
• 43:07
  Speaker 3: Sauna.
• 43:09
  Speaker 1: So, yeah, I looked at him and I was like,
• 43:11
  Speaker 1: where is this guy from? You know, where did he
• 43:14
  Speaker 1: come from? And I mean, he's he is an actor,
• 43:16
  Speaker 1: but he hadn't done many movies. I was like, what
• 43:18
  Speaker 1: the hell? Where did they get him for this? He's
• 43:20
  Speaker 1: like huge on Broadway, which doesn't surprise watching him perform.
• 43:23
  Speaker 1: I'm like, he's very broad.
• 43:25
  Speaker 3: He's very jazz hands.
• 43:26
  Speaker 1: He's definitely jazz hands. But I mean, he was in
• 43:28
  Speaker 1: he was like, I think he originated Starlight Express. I mean,
• 43:31
  Speaker 1: that's fantastic. huge I mean he was in Five Guys
• 43:34
  Speaker 1: Named Mo he did the musical version of Gone With
• 43:37
  Speaker 1: The Wind and he actually wrote like a piece about
• 43:39
  Speaker 1: the closure of it so I mean he's pretty big
• 43:42
  Speaker 1: in the whole the Broadway area so I mean that's
• 43:45
  Speaker 1: yeah that's Seems fitting, actually, the more I watched him
• 43:48
  Speaker 1: perform this time, even as his dancing goes on. He
• 43:51
  Speaker 1: definitely looks like he's got training and probably knows what
• 43:54
  Speaker 1: he's doing. Speaking of which, the choreography was actually really good.
• 43:58
  Speaker 1: As silly as the songs are, the choreography was impressive.
• 44:02
  Speaker 1: And then check that, too. It's Nigel, and I don't
• 44:06
  Speaker 1: watch the show, so I'll mess up his last name, Linthgoe.
• 44:09
  Speaker 1: He was the choreographer. They say today he's best known
• 44:12
  Speaker 1: as the head judge and producer of So You Think
• 44:14
  Speaker 1: You Can Dance. So it all comes full circle. Is
• 44:19
  Speaker 1: that a Fox show? Wait a minute. Maybe we're on
• 44:22
  Speaker 1: to something here.
• 44:23
  Speaker 3: I think we're on to something. wow yeah there's so
• 44:26
  Speaker 3: much of it that really was well i mean was
• 44:28
  Speaker 3: well done.
• 44:28
  Speaker 1: As for as bad as it was yeah i mean
• 44:30
  Speaker 1: it's i mean there's a level where yes it's a
• 44:32
  Speaker 1: bad movie but again there's there's so much of it
• 44:35
  Speaker 1: that's impressive at the same time kind of for the
• 44:37
  Speaker 1: reasons you said roger but but the the choreography wasn't
• 44:40
  Speaker 1: that to me the choreography was almost like top notch
• 44:43
  Speaker 1: for that kind of movie.
• 44:45
  Speaker 3: I'm not gonna say it was a bad movie i
• 44:46
  Speaker 3: don't i i I don't think I can call it that.
• 44:49
  Speaker 1: I think most people would watch it casually and categorize
• 44:53
  Speaker 1: it as that. I think, again, we look at things
• 44:56
  Speaker 1: much deeper that I think there's way too many levels
• 45:00
  Speaker 1: to just write it off as a bad movie, though.
• 45:02
  Speaker 1: I think it's a little smarter than that, and it's
• 45:05
  Speaker 1: definitely just creative-wise it's worth looking at just for the visuals.
• 45:11
  Speaker 1: Once again, just going into the sets... yeah are amazing
• 45:15
  Speaker 1: how much time let's talk about just the the future
• 45:18
  Speaker 1: world do you want to talk about the vehicles.
• 45:20
  Speaker 3: Future cars yeah it's decked out.
• 45:23
  Speaker 11: Just adding shit on top of it that makes it
• 45:26
  Speaker 11: a future car random shit like grab bars and like
• 45:29
  Speaker 11: lights and fins and bubbles.
• 45:32
  Speaker 3: Right like yeah everything different colors yeah it's bizarre they
• 45:36
  Speaker 3: went all out and you know there were several scenes
• 45:38
  Speaker 3: where i was like well they didn't have uh CG
• 45:42
  Speaker 3: to put that backdrop in. So where are they building
• 45:45
  Speaker 3: this futuristic looking building that's got a dome of a
• 45:49
  Speaker 3: church in the back and cut that in? It looked really...
• 45:53
  Speaker 3: I mean, obviously, you can see that it was set pieces,
• 45:56
  Speaker 3: set over, but the scale of a lot of it
• 45:59
  Speaker 3: was very big. And the people that, you know, they
• 46:02
  Speaker 3: had train cars filled with people decked out in these
• 46:05
  Speaker 3: costume singings. And, like, they spent a lot of money
• 46:08
  Speaker 3: or at least a lot of time doing this.
• 46:10
  Speaker 1: I think more than anything, a lot of time because
• 46:12
  Speaker 1: everything was really elaborate.
• 46:13
  Speaker 7: Yeah.
• 46:14
  Speaker 1: And it wasn't just the stuff right up in the
• 46:16
  Speaker 1: front of the scene.
• 46:17
  Speaker 7: Mm-mm.
• 46:18
  Speaker 1: Even if it was an exterior, in the city they
• 46:20
  Speaker 1: did it, but even in the huge interior song and
• 46:23
  Speaker 1: dance numbers, there was all this weird set dressing going
• 46:26
  Speaker 1: on that really had nothing to do with the singing
• 46:28
  Speaker 1: and dancing part, but they took that much time to
• 46:32
  Speaker 1: deck out every room and make sure everything had weird
• 46:35
  Speaker 1: silver shiny stickers or had some sort of crazy... Like
• 46:38
  Speaker 1: even like the band at the beginning, the musical instruments
• 46:41
  Speaker 1: are futuristic musical. They're like shaped funky.
• 46:43
  Speaker 3: Yeah, they're like made of lucite. Yeah.
• 46:45
  Speaker 6: Like a lucite keyboard.
• 46:45
  Speaker 3: The coolest keytar you've ever seen.
• 46:47
  Speaker 1: That's right. Oh, my God. Or like they go in
• 46:49
  Speaker 1: the office and the girls are all wearing like little hats,
• 46:52
  Speaker 1: but they're all clear vinyl hats.
• 46:54
  Speaker 8: Right.
• 46:54
  Speaker 1: Somebody had to make those. I mean, nobody wears a
• 46:57
  Speaker 1: clear vinyl hat.
• 46:57
  Speaker 3: Because you notice her luggage was clear. Yeah.
• 47:00
  Speaker 1: Like every piece of any set dressing, anything was just
• 47:04
  Speaker 1: like a ridiculous amount of work went into making that.
• 47:07
  Speaker 1: and again most people would just blow this whole thing
• 47:09
  Speaker 1: off as being silly but i'm just like detail this
• 47:12
  Speaker 1: is yeah just the attention to detail and this is
• 47:14
  Speaker 1: amazing and that's almost what makes you need to see
• 47:17
  Speaker 1: it it's just the the spectacle of this movie.
• 47:20
  Speaker 3: Is amazing and the like i said before the amount
• 47:24
  Speaker 3: of like that the scene when they go to his
• 47:28
  Speaker 3: offices at the very beginning and They just have hundreds
• 47:32
  Speaker 3: of people in the waiting room. I think it must
• 47:34
  Speaker 3: be like an airport terminal or something. Yeah. I think
• 47:37
  Speaker 3: it's where they actually went. But there are hundreds of
• 47:40
  Speaker 3: people all in full costume, all unique costume. And you
• 47:43
  Speaker 3: can tell there's a story behind every single person in there.
• 47:46
  Speaker 7: Yeah.
• 47:47
  Speaker 3: You just want to go, I want to spend more
• 47:49
  Speaker 3: than one second on that guy. I want to know
• 47:51
  Speaker 3: what's up with him. Yeah, right. Why is there all
• 47:54
  Speaker 3: of a sudden a clown?
• 47:55
  Speaker 1: Yeah, a clown and a magician and some sort of
• 47:59
  Speaker 1: crazy agent that's representing a ballet group.
• 48:02
  Speaker 5: I don't know.
• 48:04
  Speaker 1: It's like this weird conglomeration of characters. And like you said,
• 48:07
  Speaker 1: they put time into each and every one of those,
• 48:10
  Speaker 1: and yet they don't even make use of it. It's
• 48:11
  Speaker 1: like they really did seem like they all were very
• 48:14
  Speaker 1: individual characters... And some of them don't even have speaking lines.
• 48:17
  Speaker 1: You just pass by them or they're sitting next to someone.
• 48:20
  Speaker 3: It's like that scene's almost like the cantina scene in
• 48:24
  Speaker 3: that this whole world has its own mythology. And I
• 48:29
  Speaker 3: think that's why in Star Wars that blew people away
• 48:33
  Speaker 3: because the scale of, oh, my God, what is this world?
• 48:37
  Speaker 3: And I want to know more about this world. And
• 48:39
  Speaker 3: that's that same moment, almost... The same distance into the
• 48:43
  Speaker 3: movie that you see that. It's just like, what is this?
• 48:45
  Speaker 3: I want to know what's going on here.
• 48:47
  Speaker 1: Which means we can look forward to action figures of
• 48:49
  Speaker 1: each and every one of them. You're going to get
• 48:51
  Speaker 1: the clown.
• 48:51
  Speaker 3: Don't buy him. I'd buy him. I want the tall
• 48:54
  Speaker 3: guy that turns into the midget.
• 48:58
  Speaker 1: That's like a two-pack, actually. It comes with a special
• 49:01
  Speaker 1: little play set that.
• 49:03
  Speaker 3: You have to move.
• 49:06
  Speaker 1: It's got a little lever you pull, and he swings
• 49:08
  Speaker 1: around the backside, and the other one comes out. Dude,
• 49:11
  Speaker 1: sign me up for that now.
• 49:13
  Speaker 12: Oh, man.
• 49:14
  Speaker 1: So what else? we've got the do we want to
• 49:17
  Speaker 1: talk about the landlady.
• 49:19
  Speaker 3: What was that about I just the feeling her up
• 49:24
  Speaker 3: that's the scariest it shakes you I mean that's the
• 49:27
  Speaker 3: second time I've seen it I'm still shaking when I see.
• 49:30
  Speaker 1: Him do that she's just she's so like cliche in
• 49:34
  Speaker 1: this movie like in a movie that shouldn't have these
• 49:37
  Speaker 1: cliche characters like she could have come out of like
• 49:40
  Speaker 1: an actual movie from the 70s that was a complete
• 49:42
  Speaker 1: and straight movie about some guy living in her, you know,
• 49:45
  Speaker 1: renting a room in her house.
• 49:46
  Speaker 3: And she's got to give him shit over it.
• 49:47
  Speaker 1: She plays it exactly the same, only it's set in
• 49:51
  Speaker 1: the future.
• 49:51
  Speaker 7: Yes.
• 49:52
  Speaker 1: I mean, it's so weird. She was Miriam... Margulies, I guess,
• 49:58
  Speaker 1: who actually, again, for references.
• 50:00
  Speaker 3: She's been a witch in some.
• 50:01
  Speaker 1: She's been in a lot of stuff, but for references
• 50:03
  Speaker 1: that dorks now will know her, she's one of the
• 50:05
  Speaker 1: professor teacher witches in Harry the Potter.
• 50:09
  Speaker 3: She's the... Harry Potter. She's the mandragora on Harry the Potter.
• 50:13
  Speaker 3: That's a gardening.
• 50:14
  Speaker 1: It's a special gardening show that comes on late at night.
• 50:17
  Speaker 3: Don't you worry. That's why I remember her from.
• 50:20
  Speaker 6: Well, see, I think maybe my take on that was,
• 50:22
  Speaker 6: you know, like a.
• 50:24
  Speaker 7: almost like an A lot of movies about controlled society,
• 50:28
  Speaker 7: the poorest people who aren't consumers, who are below the
• 50:33
  Speaker 7: level to be able to.
• 50:35
  Speaker 6: Buy, are untouched by that. They're not affected by.
• 50:41
  Speaker 7: The fancy stickers and the music and stuff.
• 50:44
  Speaker 3: The streets she lived on could have been straight out
• 50:47
  Speaker 3: of 1979. That's what I was going to say.
• 50:49
  Speaker 1: That whole part of town looked the same. It didn't
• 50:52
  Speaker 1: get swept up in the futuristic society because they were poor.
• 50:55
  Speaker 1: So they just left them to be, you know, the
• 50:57
  Speaker 1: slums that they always were.
• 50:59
  Speaker 3: And she didn't have a television. She's got to put
• 51:02
  Speaker 3: that shit on your face. Yeah.
• 51:04
  Speaker 7: And I think that was very intentional. Of course it
• 51:07
  Speaker 7: was intentional, but I think, you know, like... most things
• 51:10
  Speaker 7: in this movie on a deeper level she was just
• 51:13
  Speaker 7: untouched by that People of a lower class who aren't
• 51:16
  Speaker 7: able to be consumers are usually not affected by it.
• 51:19
  Speaker 1: Yeah, it was one of the... I was thinking that
• 51:21
  Speaker 1: it's sort of talking about the evils of excess and
• 51:25
  Speaker 1: the rich and the powerful and what they all do,
• 51:29
  Speaker 1: but it doesn't tie into the rest of society. It
• 51:32
  Speaker 1: isn't like calling out the entire future society. It's only
• 51:36
  Speaker 1: the rich people. It's only the ones that are powerful
• 51:38
  Speaker 1: and that are the influential people Or the ones that
• 51:41
  Speaker 1: it's calling out as the evil ones, which, I guess, coincidentally,
• 51:44
  Speaker 1: are the ones that have all the money.
• 51:45
  Speaker 7: Her house reminded me of Charlie's house and Willy Wonka.
• 51:50
  Speaker 3: Kind of.
• 51:50
  Speaker 1: It's a little bigger, I think.
• 51:52
  Speaker 3: And he didn't have, like, four people in the same bed.
• 51:56
  Speaker 6: Unfortunately.
• 51:57
  Speaker 3: Unfortunately.
• 51:58
  Speaker 1: Because you wanted to feel her up, too.
• 52:00
  Speaker 3: I mean, he gets in there.
• 52:02
  Speaker 1: He doesn't let go.
• 52:03
  Speaker 3: That's the thing. He gets in there and is like.
• 52:07
  Speaker 3: You know he obviously i think the actor was enjoying.
• 52:10
  Speaker 1: I guess so because yeah you've got this what 25
• 52:13
  Speaker 1: year old main lead character who's involved with our other
• 52:17
  Speaker 1: lead who is renting a room from this lady and
• 52:20
  Speaker 1: frumpy frumpy what is she mid 60s or something and
• 52:25
  Speaker 1: he comes up behind her and he grabs a hold
• 52:29
  Speaker 1: and He gets two handfuls, and yeah, we're all kind
• 52:34
  Speaker 1: of uncomfortable at that point.
• 52:35
  Speaker 3: Multiple squeezes.
• 52:36
  Speaker 1: Yeah, and it's not like it's a quick cop. Yeah,
• 52:40
  Speaker 1: he's honking at that point.
• 52:41
  Speaker 3: And she doesn't get upset. No, she doesn't.
• 52:45
  Speaker 1: She's been yelling at him like their entire relationship of
• 52:47
  Speaker 1: get up and pay me the rent. But she's okay
• 52:50
  Speaker 1: with him copying a few.
• 52:52
  Speaker 6: She didn't look like she got a lot of action.
• 52:54
  Speaker 3: She's straight up in his room.
• 52:56
  Speaker 1: That's true. She's constantly in his room. Yeah.
• 52:59
  Speaker 3: She doesn't charge him ever again after that. And she
• 53:02
  Speaker 3: feeds him in bed. So I think she really liked it.
• 53:05
  Speaker 7: I think this guy was just a fucking smart ass player.
• 53:08
  Speaker 9: That's all.
• 53:08
  Speaker 1: Yeah.
• 53:10
  Speaker 3: If I was a single dude and I can't pay
• 53:13
  Speaker 3: my rent, I'm just going to start feeling my lady up.
• 53:16
  Speaker 1: That's all it takes.
• 53:16
  Speaker 6: What if it's a dude?
• 53:18
  Speaker 3: Either way. Whatever it takes.
• 53:19
  Speaker 1: Either way. You don't want to pay no rent.
• 53:22
  Speaker 3: You don't want to pay no rent.
• 53:24
  Speaker 9: Yeah.
• 53:26
  Speaker 6: I'm going to check now.
• 53:26
  Speaker 3: No, I'm not.
• 53:30
  Speaker 1: We can do the sexual fantasy dance number.
• 53:35
  Speaker 6: We can do that.
• 53:37
  Speaker 1: Thing is i don't think we could do that that
• 53:39
  Speaker 1: was very well choreographed we would all injure ourselves yeah
• 53:44
  Speaker 1: um like that no i i don't i don't I
• 53:47
  Speaker 1: don't think that's even a good idea. Some of the
• 53:49
  Speaker 1: times that some of the things they were doing, but yeah,
• 53:52
  Speaker 1: it's basically, you've got like what eight or 10 people
• 53:54
  Speaker 1: in a room full of beds doing these choreographed gymnastic
• 53:59
  Speaker 1: simulated sex acts.
• 54:01
  Speaker 3: Yeah.
• 54:01
  Speaker 4: Right.
• 54:01
  Speaker 3: And the dudes have on gold speedos, speedos, Rocky gold
• 54:07
  Speaker 3: speedos basically.
• 54:08
  Speaker 1: And yeah.
• 54:10
  Speaker 3: And the women, the women have on nineties and they'll ever,
• 54:13
  Speaker 3: you know, Which, not that I need to see anything,
• 54:15
  Speaker 3: but you'd expect at that point for it to just
• 54:17
  Speaker 3: be all out.
• 54:18
  Speaker 1: Yeah, for this level that the movie operates at, it's
• 54:21
  Speaker 1: funny that there's really no nudity at all. There's a
• 54:24
  Speaker 1: lot of scantily clad, mostly men, but... but you don't
• 54:28
  Speaker 1: get a whole lot of nudity, which you would think
• 54:31
  Speaker 1: another thing that they would cash in on, I guess.
• 54:33
  Speaker 1: But no, they, they kind of steer clear of that.
• 54:35
  Speaker 3: I'm glad it wasn't. It would have been, it would have.
• 54:37
  Speaker 1: Been even more creepy. Yeah. But, um, well, creepy enough,
• 54:41
  Speaker 1: as much as the song got better up to that point,
• 54:43
  Speaker 1: when you hit the coming for you song, it all
• 54:46
  Speaker 1: goes right back down.
• 54:47
  Speaker 2: Wow.
• 54:47
  Speaker 3: It's pretty explicit.
• 54:50
  Speaker 1: It's like, and, and, Unsubtle. There's no untundrum there. It's
• 54:57
  Speaker 1: just blatantly spelling it out for you. She says, I'll
• 54:59
  Speaker 1: take every inch of your love. Drain you every drop.
• 55:03
  Speaker 3: Of your love. Drain you every drop of your love.
• 55:06
  Speaker 1: Yeah, it's not really a... veiled in any way, shape,
• 55:10
  Speaker 1: or form.
• 55:10
  Speaker 3: It's pretty obvious what's going on here. It's almost like
• 55:12
  Speaker 3: a 12-year-old boy.
• 55:13
  Speaker 1: It really is.
• 55:16
  Speaker 3: Good innuendo.
• 55:17
  Speaker 1: It's just blatant. It kind of.
• 55:19
  Speaker 6: Reminds me of the Touch-a-Touch-a-Touch-me song.
• 55:23
  Speaker 1: Kind of, only that was just sort of... cutesy that's
• 55:27
  Speaker 1: a lot more catchy that was just yeah it was
• 55:29
  Speaker 1: catchy and that one was just sort of cute really
• 55:31
  Speaker 1: it was just like that was really all she was
• 55:32
  Speaker 1: saying was going on the innuendo was all in the
• 55:35
  Speaker 1: other lines and then what people are screaming out usually
• 55:38
  Speaker 1: but but really i mean if you listen to what
• 55:40
  Speaker 1: she says in that song it's a pretty innocent song
• 55:42
  Speaker 1: especially compared to this song.
• 55:44
  Speaker 7: You know i'm glad i mentioned that song because that's
• 55:46
  Speaker 7: one of my favorite karaoke songs and last time i've
• 55:48
  Speaker 7: been at a karaoke bar i've like god what am
• 55:51
  Speaker 7: i gonna sing i can't think of anything and i've
• 55:53
  Speaker 7: I fucking forgot.
• 55:54
  Speaker 6: That's one of my favorite ones.
• 55:55
  Speaker 3: Watch out, Akiko. She's on the ground.
• 55:58
  Speaker 6: Yeah, it's on.
• 55:59
  Speaker 3: We're doing it.
• 56:00
  Speaker 1: Yeah, this one is just, yeah, it's so over the top.
• 56:03
  Speaker 1: And when you couple that, pun intended, with the synchronized
• 56:08
  Speaker 1: screwing that's going on, because it really becomes that by
• 56:11
  Speaker 1: the end of it.
• 56:12
  Speaker 3: Hormones.
• 56:12
  Speaker 1: Yeah, it's everybody doing the same motions at the same time.
• 56:17
  Speaker 1: And again, it gets pretty acrobatic at moments. And I'm
• 56:20
  Speaker 1: just like, this is a lot to deal with.
• 56:23
  Speaker 3: You know, after the funny thing is, is up until
• 56:26
  Speaker 3: that point, she's she's right there with it. She's just
• 56:29
  Speaker 3: as bad as all of them are. Yeah. The good
• 56:32
  Speaker 3: guy sleeps with her. And she completely changes her tune.
• 56:36
  Speaker 3: She's like, he's in love with you. And then she
• 56:38
  Speaker 3: becomes a good person.
• 56:39
  Speaker 1: She really does.
• 56:40
  Speaker 3: Because she gets fucked by him. Isn't that what it takes?
• 56:43
  Speaker 3: It's really that instant, from that instant on, she's good again.
• 56:47
  Speaker 3: So he changes.
• 56:47
  Speaker 1: Isn't that what they're always telling you? You just need
• 56:49
  Speaker 1: to find yourself a good woman.
• 56:51
  Speaker 3: I guess so.
• 56:52
  Speaker 1: Good man. Good man. That's what does it, according to this.
• 56:55
  Speaker 3: Fuck her straight, I guess. Fuck her straight.
• 56:56
  Speaker 1: Fuck her straight.
• 56:58
  Speaker 3: Oh, God.
• 57:01
  Speaker 6: That was the theme of this movie. That's the final
• 57:03
  Speaker 6: theme of this movie.
• 57:04
  Speaker 3: Get fucked straight. You can't smoke pot. You have to
• 57:12
  Speaker 3: smoke pot, actually. You don't want to do speed or...
• 57:16
  Speaker 3: mushrooms or anything like that. But, Pod, you're cool.
• 57:19
  Speaker 1: Oh, sure. Well, once again, we're moving into the hippie lifestyle.
• 57:23
  Speaker 3: Oh, okay. Are we not ready? I'm sorry.
• 57:25
  Speaker 1: Well, either way, we'll get to that. I was just
• 57:27
  Speaker 1: trying to think of any other... I did want to
• 57:29
  Speaker 1: address the thugs. The right-hand men.
• 57:33
  Speaker 7: Oh.
• 57:33
  Speaker 1: Bulldog? Bulldog, and then.
• 57:36
  Speaker 3: Which I've seen him in a few other.
• 57:37
  Speaker 7: Things, too.
• 57:37
  Speaker 3: He is in a lot of stuff.
• 57:38
  Speaker 1: Yeah, I was trying to figure out who he was.
• 57:40
  Speaker 3: But they've got, like, sharpened pencil teeth?
• 57:42
  Speaker 1: For God's sake, his name is Derek Deadman.
• 57:44
  Speaker 3: In real life? Yeah, in real life, that's his name.
• 57:47
  Speaker 3: That's badass.
• 57:48
  Speaker 1: Yeah, how much... And he looks like he could be
• 57:51
  Speaker 1: that badass. He really is hardcore. He's in Robin Hood
• 57:58
  Speaker 1: Prince of Thieves. Benny Hill Show. See, there you go.
• 58:02
  Speaker 1: I don't know, but I have seen him in a
• 58:04
  Speaker 1: ton of stuff. He's in Brazil. European Vacation.
• 58:10
  Speaker 3: We're in European Vacation. He's the taxi driver. Yeah, I
• 58:15
  Speaker 3: wouldn't have known that. No, me neither.
• 58:17
  Speaker 1: Never Say Never Again. Which I'm assuming is probably some
• 58:20
  Speaker 1: thug there, too.
• 58:21
  Speaker 3: Right. He plays a thug very well. He does.
• 58:25
  Speaker 1: But, yeah, Roger was talking about their teeth, and then
• 58:29
  Speaker 1: as the little thing unfolds, because at first they're just
• 58:31
  Speaker 1: like your strong men that are there to be the
• 58:34
  Speaker 1: bouncers of his life, I guess. But then as the
• 58:37
  Speaker 1: rest of the little plot line unfolds, I guess they're
• 58:41
  Speaker 1: just demons. They're like his demon protection because we've got,
• 58:45
  Speaker 1: and this is one, it's like it is funny that
• 58:47
  Speaker 1: they would do those little flashes of them in their
• 58:49
  Speaker 1: normal outfits, and then they would go to the, you know,
• 58:52
  Speaker 1: these subtext outfits oh and he would he would yeah
• 58:56
  Speaker 1: he was dressed in the the dracula costume with the
• 58:58
  Speaker 1: horn so he was satan but if you notice the
• 59:01
  Speaker 1: uh the other guy was dressed is a snake which
• 59:05
  Speaker 1: is again kind of clever because they never really go
• 59:08
  Speaker 1: out of their way to show you that they quick
• 59:10
  Speaker 1: flashes of him in that outfit. And even if you
• 59:13
  Speaker 1: watch at the end when he's got that really elaborate
• 59:15
  Speaker 1: makeup on, it's almost like this reptilian pattern.
• 59:18
  Speaker 3: Yeah.
• 59:19
  Speaker 1: So, yeah, it's like they do work that stuff in
• 59:21
  Speaker 1: along the way. It's kind of clever the way that
• 59:24
  Speaker 1: they do. And then you've got his two little, you know,
• 59:26
  Speaker 1: strongmen there that are basically demons, more or less. I mean,
• 59:30
  Speaker 1: why else would they have... Well, just in general, in
• 59:32
  Speaker 1: the real world, why would they have these giant, you know,
• 59:34
  Speaker 1: canine teeth underbites going on? And they both have it
• 59:37
  Speaker 1: as though they're some sort of other creatures or something. So, yeah,
• 59:42
  Speaker 1: it's just... I thought that was kind of cool that
• 59:43
  Speaker 1: they worked that little... flashes of once again working on
• 59:46
  Speaker 1: the biblical notion that they're going with here on that
• 59:50
  Speaker 1: i do like that they they also stuck with i
• 59:53
  Speaker 1: mean the storyline sticks pretty close to that tale because
• 59:56
  Speaker 1: you bring them both in there and who's the one
• 59:58
  Speaker 1: that's tempted it's eve who's the one that goes along
• 1:00:02
  Speaker 1: with it and is you know going right along with
• 1:00:03
  Speaker 1: satan's little plan and he's fighting it and he doesn't
• 1:00:06
  Speaker 1: want to do it so they they turn that into
• 1:00:08
  Speaker 1: the whole plot line but i'm just like yeah they
• 1:00:10
  Speaker 1: they didn't vary it much it's it's pretty much exactly
• 1:00:13
  Speaker 1: how the old story goes oh sure and i don't
• 1:00:16
  Speaker 1: know i guess uh if nothing else we've gone through
• 1:00:17
  Speaker 1: most of the other cast um once again still catherine's
• 1:00:21
  Speaker 1: awesome I mean, she's so.
• 1:00:23
  Speaker 3: Likable in this.
• 1:00:24
  Speaker 1: How can you have an issue? Even in a movie
• 1:00:26
  Speaker 1: as silly as this is, she comes off looking pretty good.
• 1:00:30
  Speaker 3: In her scene where it's supposed to be her, the
• 1:00:33
  Speaker 3: speed song, when she was dancing, I don't know if
• 1:00:36
  Speaker 3: it was the shoes or the outfit, but she just
• 1:00:39
  Speaker 3: looked physically uncomfortable. Yeah, kind of. I don't know if
• 1:00:43
  Speaker 3: that was supposed to be what the character was doing,
• 1:00:45
  Speaker 3: but she was almost pained in her motions. Like... every
• 1:00:50
  Speaker 3: step that she took or something, almost like, Either she
• 1:00:53
  Speaker 3: was acting to make it that way or whatever they
• 1:00:55
  Speaker 3: put her in was just really uncomfortable.
• 1:00:58
  Speaker 6: Wasn't she a dancer?
• 1:00:59
  Speaker 3: She was a dancer.
• 1:01:00
  Speaker 1: So, I mean, she really shouldn't have had problems with
• 1:01:02
  Speaker 1: the maneuvers. I mean, she, I think, started off ballet
• 1:01:05
  Speaker 1: and everything. So, I mean, she really was schooled in
• 1:01:08
  Speaker 1: that type of thing. So, yeah.
• 1:01:09
  Speaker 3: I think it was the... I mean, I think it
• 1:01:11
  Speaker 3: was just... Like I said, she looked physically in pain.
• 1:01:13
  Speaker 3: Like something she was doing, like probably the shoes, those
• 1:01:17
  Speaker 3: boots that were way too tall.
• 1:01:21
  Speaker 7: So.
• 1:01:23
  Speaker 1: And, yeah, I think, if I remember correctly, she does
• 1:01:26
  Speaker 1: sort of build them out, her character. So I guess
• 1:01:28
  Speaker 1: we were like, oh, wow, listen to her singing voice.
• 1:01:30
  Speaker 1: I'm pretty sure that's not her voice.
• 1:01:31
  Speaker 3: Oh, really? Yeah.
• 1:01:33
  Speaker 1: Yeah, I was trying to look and see.
• 1:01:35
  Speaker 3: Voice over.
• 1:01:36
  Speaker 1: Yeah, they brought in Mary Hyland, who did the character, yeah,
• 1:01:40
  Speaker 1: did the voices for the singing for Bebe. But then
• 1:01:43
  Speaker 1: they said she... She's been on a variety of albums
• 1:01:47
  Speaker 1: as a backup singer and has been doing children's sing-along albums.
• 1:01:51
  Speaker 1: She did have a strong voice, though, so it does
• 1:01:53
  Speaker 1: make Catherine look good.
• 1:01:55
  Speaker 3: I just assumed it was her. I thought, if you're
• 1:01:58
  Speaker 3: going to hire somebody for a musical, you're really unknown.
• 1:02:01
  Speaker 1: I kind of did, too.
• 1:02:02
  Speaker 3: Make sure she could sing.
• 1:02:04
  Speaker 1: I am sure she has a lovely singing voice, otherwise.
• 1:02:06
  Speaker 1: But for some reason, they went with this girl. Who knows?
• 1:02:09
  Speaker 1: But I did almost want to call her out for
• 1:02:11
  Speaker 1: the hair crimping.
• 1:02:13
  Speaker 3: I loved it. I like the look.
• 1:02:15
  Speaker 6: I still own a crimper, Judge.
• 1:02:16
  Speaker 1: See, that's what I was going to say. This was
• 1:02:19
  Speaker 1: the 80s, so I mean, you know, I can't call
• 1:02:21
  Speaker 1: it out. My sister had a crimper at that point, too.
• 1:02:24
  Speaker 6: It's 2010, and I still own a crimper.
• 1:02:27
  Speaker 1: That's just because you're weird. We can't call her out
• 1:02:30
  Speaker 1: for her hair color, though, because one of the crew
• 1:02:33
  Speaker 1: usually has hair very similar, actually.
• 1:02:36
  Speaker 3: So maybe she was inspired by it.
• 1:02:38
  Speaker 1: She never claimed to have seen this movie but she's
• 1:02:41
  Speaker 1: just she's yeah i'm.
• 1:02:42
  Speaker 3: Sure she would have if we had.
• 1:02:44
  Speaker 1: Said i love that yeah she probably would she'd be
• 1:02:48
  Speaker 1: like i like that.
• 1:02:49
  Speaker 3: Outfit i've got some questions when i get back.
• 1:02:52
  Speaker 1: I do like the silver outfit though that's that nice
• 1:02:55
  Speaker 1: little uh high collar but hot pants album that's awesome
• 1:02:59
  Speaker 1: the socks from the exercise oh yeah the socks are
• 1:03:02
  Speaker 1: what made it the right The rest.
• 1:03:04
  Speaker 6: Of your sock fetish. I don't even understand.
• 1:03:07
  Speaker 3: It wasn't.
• 1:03:07
  Speaker 1: No, it's something about because it was almost like at
• 1:03:10
  Speaker 1: first I looked, I was like, oh, we're bringing in
• 1:03:12
  Speaker 1: the leg warmer phase. But I was like, no, they're
• 1:03:14
  Speaker 1: just huge socks. They were just giant striped socks. And
• 1:03:18
  Speaker 1: for some reason, that was funny. And that's what made
• 1:03:20
  Speaker 1: the outfit.
• 1:03:21
  Speaker 3: I didn't.
• 1:03:21
  Speaker 1: Yeah, I didn't really take it that way. I just
• 1:03:23
  Speaker 1: thought it was funny that they were just giant socks.
• 1:03:25
  Speaker 7: You know, I'm going to I'm going to get some
• 1:03:27
  Speaker 7: socks like that and go to my gym. Because there's
• 1:03:30
  Speaker 7: this guy there who wears a stripy tank top, and
• 1:03:34
  Speaker 7: he's built really like a big muscle man from 1925.
• 1:03:38
  Speaker 7: And he's covered in sailor tattoos, and he has this
• 1:03:40
  Speaker 7: big bushy beard. And I'm just like, I want to
• 1:03:42
  Speaker 7: know that guy. So I'm going to work up next
• 1:03:46
  Speaker 7: to him.
• 1:03:47
  Speaker 1: You probably like these socks. That or maybe he wouldn't
• 1:03:50
  Speaker 1: be interested in you regardless.
• 1:03:52
  Speaker 3: Yeah.
• 1:03:52
  Speaker 1: I'm not sure which direction he's going.
• 1:03:54
  Speaker 3: He seems very heterosexual.
• 1:03:56
  Speaker 1: Okay, it could be either way at that point. Based
• 1:03:58
  Speaker 1: on the description, he could go either direction.
• 1:04:01
  Speaker 3: He might be heterosexual for guys.
• 1:04:06
  Speaker 1: Anyway, I'm sure regardless, all you need are those socks.
• 1:04:09
  Speaker 1: That'll win him over.
• 1:04:12
  Speaker 6: You have a stripy tank top, I have stripy socks.
• 1:04:15
  Speaker 1: We have so much in common.
• 1:04:16
  Speaker 6: We have something in common.
• 1:04:16
  Speaker 3: Let's make some lines. Let's make some children. Anyway.
• 1:04:22
  Speaker 6: That's a good way to woo a man.
• 1:04:24
  Speaker 3: Nice.
• 1:04:24
  Speaker 1: He won't go running at all. So, yeah. Okay, let's
• 1:04:28
  Speaker 1: go ahead and get into the ending now. We enter
• 1:04:32
  Speaker 1: into the hippie world. So let's start with the hippies
• 1:04:34
  Speaker 1: and then we'll move on. We do, I mean, we
• 1:04:36
  Speaker 1: get into a very, again, there's very little subtle in
• 1:04:40
  Speaker 1: this movie, but the hippies versus technology.
• 1:04:43
  Speaker 3: Mm-hmm.
• 1:04:44
  Speaker 1: Message that's thrown out there that it's it's very you
• 1:04:48
  Speaker 1: know kind of hitting you over the head with the
• 1:04:50
  Speaker 1: fact that you know the people in the city the
• 1:04:52
  Speaker 1: people that live these excessive lifestyle are are evil and
• 1:04:56
  Speaker 1: wrong and the the only people that are good are
• 1:04:59
  Speaker 1: us that are living in this cave and hanging out
• 1:05:02
  Speaker 1: from the 60s yeah hanging out in the park and
• 1:05:04
  Speaker 1: uh making kids i guess they didn't really do anything
• 1:05:07
  Speaker 1: else but smoke weed and start campfires.
• 1:05:10
  Speaker 3: Completely a white male and female have a completely black child.
• 1:05:16
  Speaker 3: I was wondering about that. It's strange. I don't know
• 1:05:20
  Speaker 3: what they're trying to say, but I like that they're
• 1:05:22
  Speaker 3: just fucking it up.
• 1:05:23
  Speaker 1: That it's universal.
• 1:05:26
  Speaker 3: I will give them that, too.
• 1:05:27
  Speaker 1: I was noticing how balanced they really did work a
• 1:05:30
  Speaker 1: lot of African-American. They don't really get a lot of others.
• 1:05:32
  Speaker 1: You don't get a lot of Asian characters or anybody else,
• 1:05:35
  Speaker 1: but you get a good mixture of black and white
• 1:05:38
  Speaker 1: in all these song and dance numbers.
• 1:05:39
  Speaker 7: See, for a second I thought it was kind of
• 1:05:41
  Speaker 7: racist because he was singing I'm a Master song and
• 1:05:44
  Speaker 7: then there's three black people in the chorus.
• 1:05:48
  Speaker 3: I'm just like, that's racist. I think that was intentional.
• 1:05:51
  Speaker 1: Yeah, I was like, well, but, I mean, he's Satan.
• 1:05:55
  Speaker 3: He's basically Satan.
• 1:05:57
  Speaker 1: Yeah, I mean, once you're that evil, racism is really
• 1:06:02
  Speaker 1: pretty low on your totem pole there.
• 1:06:04
  Speaker 3: You know, to throw on top of that, that he
• 1:06:06
  Speaker 3: can flawlessly speak every language, that is very demon-like. Yeah.
• 1:06:11
  Speaker 3: they did a good job with that.
• 1:06:12
  Speaker 1: And that our future society doesn't have one language that
• 1:06:15
  Speaker 1: everybody is still like, they, they go to that thing
• 1:06:17
  Speaker 1: at the beginning and there's all these different flags of
• 1:06:19
  Speaker 1: all these different countries. And we never really get where
• 1:06:22
  Speaker 1: like America fits into it. Like they bring them up
• 1:06:24
  Speaker 1: a couple of times, but we never really realized that
• 1:06:28
  Speaker 1: like the, the world power situation, but it seems like
• 1:06:30
  Speaker 1: he's in control of everything, at least within this country.
• 1:06:34
  Speaker 1: So we're assuming the world over.
• 1:06:36
  Speaker 7: I just realized that, that this isn't, This movie wasn't
• 1:06:39
  Speaker 7: even a commentary on how evil the world is, but
• 1:06:42
  Speaker 7: how evil America is.
• 1:06:43
  Speaker 3: Oh, yeah.
• 1:06:44
  Speaker 7: Because these two, the main character, the guy and the girl,
• 1:06:48
  Speaker 7: they were from Moose Jaw, Canada.
• 1:06:50
  Speaker 1: Yeah.
• 1:06:50
  Speaker 3: Canada, this perfect, happy, utopian society. They were sucked up
• 1:06:53
  Speaker 3: into the evil world of where?
• 1:06:55
  Speaker 1: America.
• 1:06:56
  Speaker 3: Right.
• 1:06:57
  Speaker 6: That's kind of funny.
• 1:06:58
  Speaker 2: Yeah.
• 1:06:58
  Speaker 3: Yep.
• 1:06:59
  Speaker 7: I kind of feel that way about Canada, though. I mean,
• 1:07:01
  Speaker 7: I've never been there, but I know someone from there.
• 1:07:03
  Speaker 7: I actually used to live with a Canadian girl for
• 1:07:07
  Speaker 7: like five minutes. She was originally from Nova Scotia, but
• 1:07:14
  Speaker 7: she'd talk about Canada, and I'm always like, Canada sounds
• 1:07:17
  Speaker 7: like a magical place.
• 1:07:19
  Speaker 6: Sparkling waters and unicorns and shit.
• 1:07:22
  Speaker 3: If there are any unicorns, they're in British Columbia, I think.
• 1:07:25
  Speaker 6: I do believe that.
• 1:07:26
  Speaker 1: Well, there could be something to... Again, I don't want
• 1:07:31
  Speaker 1: to make some sort of grand speculation here, but our
• 1:07:36
  Speaker 1: director is from Israel. And he actually was pretty successful.
• 1:07:42
  Speaker 1: We can go into him for a minute. He was
• 1:07:44
  Speaker 1: pretty successful in the 60s and 70s making movies in
• 1:07:47
  Speaker 1: his country. So he actually did... trying to think uh
• 1:07:50
  Speaker 1: there's like casblan which is like a a large musical
• 1:07:54
  Speaker 1: about rival jewish sex and a military docudrama that's like
• 1:07:59
  Speaker 1: operation thunderbolt so he's doing all these like serious movies
• 1:08:03
  Speaker 1: when he's over there so i could see him having
• 1:08:05
  Speaker 1: that sort of uh like take on stuff and and
• 1:08:08
  Speaker 1: maybe some sort of like damning view of the american
• 1:08:11
  Speaker 1: way of life But then, okay, let's skip forward a
• 1:08:15
  Speaker 1: few years to what he ends up making.
• 1:08:18
  Speaker 3: He directed episodes of Roseanne.
• 1:08:22
  Speaker 1: That's a fine American show. Because then, yeah, I mean,
• 1:08:25
  Speaker 1: he starts off making that stuff, and then he, as
• 1:08:28
  Speaker 1: he gets to America, he starts off making this kind
• 1:08:31
  Speaker 1: of crazy stuff here. But then his most successful period
• 1:08:34
  Speaker 1: is kind of right after this, in the 80s, and
• 1:08:38
  Speaker 1: he starts making things like, well, he followed up the
• 1:08:41
  Speaker 1: Apple with Enter the Ninja.
• 1:08:42
  Speaker 7: Yeah.
• 1:08:43
  Speaker 3: That is a great movie.
• 1:08:44
  Speaker 1: That's an awesome movie. Followed up two movies later by
• 1:08:47
  Speaker 1: The Delta Force.
• 1:08:49
  Speaker 3: Really?
• 1:08:49
  Speaker 8: The Delta Force?
• 1:08:50
  Speaker 1: By Over the Top. So, I mean, he is knee-deep
• 1:08:53
  Speaker 1: in Americana at this point.
• 1:08:55
  Speaker 3: Yeah, wow.
• 1:08:56
  Speaker 1: And those are like, yay, pro-America kind of bullshit movies.
• 1:09:01
  Speaker 3: You can save your child with your arm wrestling.
• 1:09:03
  Speaker 4: Yeah.
• 1:09:04
  Speaker 1: I'm like, it's weird that it doesn't fit anything else
• 1:09:08
  Speaker 1: up until that point. It doesn't even fit the messages
• 1:09:10
  Speaker 1: going on in this movie.
• 1:09:11
  Speaker 9: No.
• 1:09:11
  Speaker 1: Because then after that.
• 1:09:13
  Speaker 6: It's almost like he succumbs to that.
• 1:09:14
  Speaker 1: That's what I'm thinking.
• 1:09:15
  Speaker 6: That's funny.
• 1:09:15
  Speaker 3: Maybe he really.
• 1:09:16
  Speaker 6: God, Over the Top was so fucking rad.
• 1:09:19
  Speaker 3: He became.
• 1:09:19
  Speaker 6: I want to watch that now.
• 1:09:20
  Speaker 3: That was bad.
• 1:09:22
  Speaker 7: When I was like 13, that was my boyfriend at
• 1:09:25
  Speaker 7: the time's favorite movie.
• 1:09:26
  Speaker 6: He'd make me come over and watch it all the time.
• 1:09:29
  Speaker 3: Turn your head around backwards.
• 1:09:33
  Speaker 1: Maybe he really was like overcome by the evils of
• 1:09:36
  Speaker 1: America because as it goes on, he gets more into
• 1:09:38
  Speaker 1: producing and his producing credits are things like Death Wish 2.
• 1:09:45
  Speaker 1: and uh the seven magnificent gladiators and uh and uh
• 1:09:50
  Speaker 1: lady redneck lady chatterly's lover executive producer on that so
• 1:09:54
  Speaker 1: i mean he straight to show time he completely succumbs
• 1:09:57
  Speaker 1: to the evils of this country if ever there were
• 1:10:00
  Speaker 1: some yeah So yeah, I thought that was kind of interesting.
• 1:10:04
  Speaker 3: Ooh, Breaking. He's executive producer on Breaking. No way.
• 1:10:08
  Speaker 1: And Making the Grade. Oh man, see, this guy knows
• 1:10:11
  Speaker 1: quality film right here.
• 1:10:12
  Speaker 3: We need to do a film study of his.
• 1:10:14
  Speaker 2: I think so.
• 1:10:15
  Speaker 3: I think we're watching over the top. I'm going to
• 1:10:17
  Speaker 3: nominate him. Yeah, I'm down.
• 1:10:20
  Speaker 6: That'll bring back so much memories for me.
• 1:10:22
  Speaker 1: Missing in Action 2, the beginning. He's producer on that.
• 1:10:26
  Speaker 1: So I mean, once again, it's weird how Oh, Electric Boogaloo.
• 1:10:29
  Speaker 3: Thank God.
• 1:10:30
  Speaker 1: I was hoping he still had something to do with that.
• 1:10:32
  Speaker 6: He did have something to do with Electric Boogaloo.
• 1:10:33
  Speaker 7: Oh, yeah.
• 1:10:33
  Speaker 1: He's producer on Electric Boogaloo and on the first Missing
• 1:10:36
  Speaker 1: in Action 2. So it is weird. I mean, all
• 1:10:39
  Speaker 1: the Exterminator 2 and Ninja 3. Exterminator 2, Roger.
• 1:10:43
  Speaker 3: Exterminator 2. He's executive producer on that. That movie's excellent.
• 1:10:48
  Speaker 1: So it's funny how much he succumbs to the decadence
• 1:10:52
  Speaker 1: of what is the bullshit of Americana.
• 1:10:55
  Speaker 7: Oh, man.
• 1:10:57
  Speaker 3: That's so awesome. He said, fuck it, I'm going balls
• 1:11:02
  Speaker 3: deep into this. I think he did, actually.
• 1:11:05
  Speaker 6: Balls deep.
• 1:11:06
  Speaker 1: Probably an exact quote.
• 1:11:07
  Speaker 3: I'm sorry, I should not have said that. Only with
• 1:11:10
  Speaker 3: an Israeli accent.
• 1:11:11
  Speaker 1: And he screamed it as he said it.
• 1:11:12
  Speaker 3: Balls deep.
• 1:11:12
  Speaker 6: Yes.
• 1:11:21
  Speaker 1: So, yeah, that is a very interesting spin on the
• 1:11:23
  Speaker 1: hippie way of life that is almost the savior of
• 1:11:26
  Speaker 1: this society. So, yeah, where... Let me ask you this.
• 1:11:30
  Speaker 3: Did the hippie guy, the leader of the pack, did
• 1:11:35
  Speaker 3: he go out at the end? I know we haven't
• 1:11:37
  Speaker 3: really talked about the end.
• 1:11:38
  Speaker 1: I think... Let me see if that is the same.
• 1:11:41
  Speaker 3: Did he walk out? He walked off camera. But he
• 1:11:44
  Speaker 3: didn't go out the way that everybody else went, did he?
• 1:11:47
  Speaker 3: no because see i'm thinking his character is moses that's
• 1:11:51
  Speaker 3: yeah i'm thinking his character is he he he can
• 1:11:54
  Speaker 3: he can get them ready to go he can bring
• 1:11:57
  Speaker 3: them to the promised land but he can't actually go.
• 1:11:59
  Speaker 1: Or both because he is listed as hippie leader and
• 1:12:03
  Speaker 1: mr tops.
• 1:12:04
  Speaker 3: And mr tops i thought it was the.
• 1:12:05
  Speaker 1: Same yeah i kind of thought it was but i
• 1:12:08
  Speaker 1: couldn't it's a pretty drastic change when he comes back
• 1:12:11
  Speaker 1: at the very end and if.
• 1:12:11
  Speaker 11: Anybody wants to know who this guy is think of
• 1:12:13
  Speaker 11: lethal weapon 2 and diplomatic immunity it's that guy.
• 1:12:18
  Speaker 3: That's who this guy is.
• 1:12:20
  Speaker 1: Oh, he has been in a lot of different movies
• 1:12:22
  Speaker 1: over the years. He's a well-established actor. He is Joss Ackland.
• 1:12:25
  Speaker 7: Thespian!
• 1:12:26
  Speaker 1: Joss Ackland.
• 1:12:27
  Speaker 3: Yeah.
• 1:12:28
  Speaker 1: So, yeah, he's our hippie leader, and he takes him
• 1:12:32
  Speaker 1: down to the cave, and we do have, I don't know,
• 1:12:35
  Speaker 1: like all these weird.
• 1:12:37
  Speaker 3: Was there a time leap?
• 1:12:38
  Speaker 1: I mean, were they there a year? It was a
• 1:12:40
  Speaker 1: little over a year is what he said, but somehow
• 1:12:43
  Speaker 1: they have a three-year-old child. That kid is way bigger
• 1:12:47
  Speaker 1: than a one-year-old.
• 1:12:48
  Speaker 3: I'm sorry.
• 1:12:48
  Speaker 7: I don't think that these people actually make children so
• 1:12:51
  Speaker 7: much as steal them from other people.
• 1:12:53
  Speaker 1: Could be, but he said your child as though it
• 1:12:56
  Speaker 1: were his actual DNA-based child.
• 1:12:59
  Speaker 7: Maybe it's just one of those weird hippie communities where
• 1:13:01
  Speaker 7: this child belongs to everybody.
• 1:13:03
  Speaker 5: Everybody.
• 1:13:03
  Speaker 1: Your child. It's all our child.
• 1:13:06
  Speaker 6: All our children.
• 1:13:08
  Speaker 3: I love how they're, they're passing around joint in like,
• 1:13:11
  Speaker 3: like here, take the kid and I'm going to pass
• 1:13:13
  Speaker 3: you this joint and it's like blowing in his face.
• 1:13:15
  Speaker 3: That's awesome. That's, that's hippie parenting.
• 1:13:24
  Speaker 1: Oh man. So yeah, we have the cave people that
• 1:13:27
  Speaker 1: don't like television and.
• 1:13:29
  Speaker 3: Um, And they're holdovers from the 60s. Yeah.
• 1:13:31
  Speaker 1: So, I mean, it really is that excess versus minimalism.
• 1:13:34
  Speaker 1: And they have nothing.
• 1:13:35
  Speaker 3: I mean, they have coffee. Right.
• 1:13:36
  Speaker 1: Which is good to know there's still coffee in the
• 1:13:38
  Speaker 1: hippie future. But that's pretty much all they have. Campfires
• 1:13:40
  Speaker 1: and coffee.
• 1:13:41
  Speaker 6: But it's organic.
• 1:13:42
  Speaker 3: Oh, I'm sure.
• 1:13:43
  Speaker 6: Fair trade coffee.
• 1:13:44
  Speaker 3: And again, that cave smelled like BO and patchouli. You
• 1:13:48
  Speaker 3: know it did.
• 1:13:49
  Speaker 1: That's why she came in. She was like, oh, do
• 1:13:51
  Speaker 1: I have to stay here?
• 1:13:53
  Speaker 3: Fine my stupid because it shows more patchouli on you
• 1:13:57
  Speaker 3: can you don't smell the bo anymore you don't even.
• 1:13:59
  Speaker 1: Have it anymore if you put enough on yeah oh
• 1:14:02
  Speaker 1: so then all right let's cross over into the the
• 1:14:05
  Speaker 1: final act here the uh the last testament if you
• 1:14:09
  Speaker 1: will Bim.
• 1:14:10
  Speaker 11: Whatever his name, comes to reclaim his property, which is
• 1:14:13
  Speaker 11: the girl that escaped.
• 1:14:14
  Speaker 1: She signed a contract.
• 1:14:16
  Speaker 3: She signed a contract. He's here to make good and
• 1:14:19
  Speaker 3: to collect. They come out. They're like, yes, baby, whatever.
• 1:14:23
  Speaker 3: Screw you, man.
• 1:14:24
  Speaker 11: I think the hippie leader walks off of the screen
• 1:14:29
  Speaker 11: because he's not there when the solid gold Rolls Royce
• 1:14:35
  Speaker 11: comes out of the sky.
• 1:14:37
  Speaker 1: Yes, it does. Flying out of the sky.
• 1:14:40
  Speaker 3: Slowly, just sort of cruising. Just kind of hovering. Cruise control,
• 1:14:43
  Speaker 3: you know.
• 1:14:45
  Speaker 6: I'd like to think that God drives a solid gold
• 1:14:47
  Speaker 6: Rolls Royce.
• 1:14:48
  Speaker 11: When out of the Rolls Royce comes the hippie dude,
• 1:14:51
  Speaker 11: but just dressed in white now.
• 1:14:52
  Speaker 1: He's got fancy hair now. He doesn't look like a
• 1:14:54
  Speaker 1: guy that lives under a bridge like he is in
• 1:14:57
  Speaker 1: the movie.
• 1:14:58
  Speaker 3: And is basically kind of like, these are my people.
• 1:15:01
  Speaker 3: They're coming with me. And he tells Ben... He's like, oh,
• 1:15:06
  Speaker 3: you're going to take them? He's like, yeah. Yeah, he's like,
• 1:15:08
  Speaker 3: I'm going to take them. You can't, you know.
• 1:15:10
  Speaker 2: Yeah.
• 1:15:10
  Speaker 1: But she has a contract. He's like, I don't care
• 1:15:12
  Speaker 1: about that.
• 1:15:12
  Speaker 6: He's like, so?
• 1:15:13
  Speaker 3: He's like, and?
• 1:15:14
  Speaker 1: Did you not see me come up in a flying car, dude?
• 1:15:16
  Speaker 3: And they're going to another world where he doesn't have Satan.
• 1:15:22
  Speaker 1: Yeah.
• 1:15:22
  Speaker 3: Yeah, he says he's going to try it without you
• 1:15:25
  Speaker 3: speaking to Bim.
• 1:15:25
  Speaker 11: He's like, no, you can't have a world without me
• 1:15:29
  Speaker 11: is what Bim says.
• 1:15:30
  Speaker 3: Yeah.
• 1:15:30
  Speaker 2: Right.
• 1:15:30
  Speaker 3: Which I agree with, you know. And he says, let's
• 1:15:33
  Speaker 3: give it a try. Let's give it a try. And
• 1:15:36
  Speaker 3: he doesn't know where he's going yet. Which I think
• 1:15:38
  Speaker 3: is even better. It's like, you know what?
• 1:15:41
  Speaker 11: We're going and we really don't know where we're going.
• 1:15:43
  Speaker 11: And this whole commune begins to walk into the sky.
• 1:15:45
  Speaker 11: And I didn't know if they were all going to
• 1:15:46
  Speaker 11: pile into.
• 1:15:47
  Speaker 3: The clown car.
• 1:15:48
  Speaker 11: But I think they all just walk with God's clown car.
• 1:15:53
  Speaker 3: Alongside of the clown car. I wanted to see that.
• 1:15:55
  Speaker 3: Someday we will all.
• 1:15:58
  Speaker 6: Been like Volkswagen buses or something?
• 1:16:01
  Speaker 9: Probably.
• 1:16:01
  Speaker 3: That probably would have been better.
• 1:16:03
  Speaker 1: Someday we will all get in God's clown car.
• 1:16:06
  Speaker 3: The most expensive vehicle, you know, anti-consumer, but the most
• 1:16:09
  Speaker 3: expensive vehicle in the world.
• 1:16:11
  Speaker 1: Yeah. What does God drive? A luxury sedan.
• 1:16:14
  Speaker 3: So weird. So weird. God. So bizarre. Oh man.
• 1:16:18
  Speaker 1: So yeah, it is one of those like It does
• 1:16:21
  Speaker 1: pose that big question of can you have a world
• 1:16:23
  Speaker 1: without evil? Like, can you have good without evil?
• 1:16:26
  Speaker 2: No.
• 1:16:26
  Speaker 1: Because this is a very, like, it finishes the story
• 1:16:29
  Speaker 1: with we've had Satan here the whole time, and in
• 1:16:31
  Speaker 1: the end, God comes along. You can. So, yeah, it
• 1:16:34
  Speaker 1: is a weird, like, how can you have this world
• 1:16:36
  Speaker 1: with no balance to it that is nothing but good? Unless,
• 1:16:39
  Speaker 1: I guess, that hippie world was supposed to be the
• 1:16:42
  Speaker 1: little utopia down there, and had the evil not come,
• 1:16:45
  Speaker 1: they would have been happy their whole lives down there, but.
• 1:16:48
  Speaker 3: But it doesn't even, the thing about the movie, it
• 1:16:50
  Speaker 3: doesn't even give you a hint that that's going to happen.
• 1:16:53
  Speaker 3: Not just out of the blue.
• 1:16:55
  Speaker 1: I mean, you definitely get the Satan reference and the
• 1:17:00
  Speaker 1: Adam and Eve thing.
• 1:17:01
  Speaker 3: But it doesn't go straight up to like.
• 1:17:03
  Speaker 1: But you don't see any sort of.
• 1:17:05
  Speaker 3: manifestation kind of.
• 1:17:08
  Speaker 1: Or just any like even a mention of god along
• 1:17:11
  Speaker 1: the way and maybe that too is its comment maybe
• 1:17:13
  Speaker 1: that that that civilization has no god like it is
• 1:17:17
  Speaker 1: gone at that it's on vacation he just has no
• 1:17:20
  Speaker 1: place in that society like they're all rich and they're
• 1:17:24
  Speaker 1: doing drugs and they're having sex and they don't really
• 1:17:27
  Speaker 1: speak of god so we never hear of god in
• 1:17:29
  Speaker 1: in that civilization.
• 1:17:31
  Speaker 7: You know, my mom once dated a guy who drove
• 1:17:33
  Speaker 7: a Rolls Royce, and he took us to Florida in it.
• 1:17:35
  Speaker 6: So maybe God is that dude.
• 1:17:38
  Speaker 1: Maybe God lives in Florida. Maybe God retired to Florida.
• 1:17:41
  Speaker 6: I hope not. I think he punched her in that interview.
• 1:17:44
  Speaker 3: Yeah, that was. That's not my God. I'm sorry.
• 1:17:48
  Speaker 1: My God doesn't punch chicks.
• 1:17:51
  Speaker 6: Maybe she deserved it.
• 1:17:54
  Speaker 3: Just kidding.
• 1:17:56
  Speaker 6: If she ever starts listening to this, hopefully it's not
• 1:17:58
  Speaker 6: that episode.
• 1:17:59
  Speaker 1: Bitch was mouthing off. God laid into it.
• 1:18:02
  Speaker 3: God bitch slapped my mom. Bitch deserved it.
• 1:18:09
  Speaker 6: This is why I don't tell my mom what the
• 1:18:12
  Speaker 6: website address.
• 1:18:13
  Speaker 3: Is for the show.
• 1:18:13
  Speaker 1: We're all joking, mind you.
• 1:18:16
  Speaker 6: Sorry, no thanks.
• 1:18:17
  Speaker 3: None of that is actually cool.
• 1:18:20
  Speaker 1: Oh, man. But that was my thing. In the end,
• 1:18:25
  Speaker 1: when they all leave... Is it just me, or is
• 1:18:28
  Speaker 1: that the rapture?
• 1:18:29
  Speaker 3: Yeah, I guess. That is all.
• 1:18:32
  Speaker 1: The good people of the earth are being collected, and
• 1:18:35
  Speaker 1: God comes to take them away, and the leftover evil
• 1:18:38
  Speaker 1: people stay behind and suffer on this hell that is earth.
• 1:18:43
  Speaker 3: Absolutely. God, if I see a Rolls Royce flying out
• 1:18:47
  Speaker 3: of the sky, I am going to start praying immediately.
• 1:18:50
  Speaker 3: I'm so sorry. I'm so sorry. I'm so sorry. Forgive me.
• 1:18:55
  Speaker 1: I totally loved your movie.
• 1:18:56
  Speaker 3: I totally loved your movie. Wow. So weird. So weird.
• 1:19:01
  Speaker 3: It is. Yeah. Oh, man. Now, picture that. I was
• 1:19:07
  Speaker 3: already tired the first time I saw this. Two o'clock
• 1:19:10
  Speaker 3: in the morning, this is on. I'm like, what the
• 1:19:12
  Speaker 3: fuck just happened?
• 1:19:13
  Speaker 1: Now go to sleep. Deal with that.
• 1:19:15
  Speaker 3: Yep. Oh, man.
• 1:19:19
  Speaker 1: I don't know. It was kind of interesting because it
• 1:19:22
  Speaker 1: really is like the rapture. So it's like they work in, again,
• 1:19:25
  Speaker 1: this very biblical idea of... Some religion, many religions, actually,
• 1:19:30
  Speaker 1: they all sort of have this version of what happens.
• 1:19:32
  Speaker 1: But it is funny that it's not like he destroyed
• 1:19:34
  Speaker 1: the world. He just took the good people away and
• 1:19:37
  Speaker 1: the rest are left to live in their little decadent,
• 1:19:40
  Speaker 1: you know, hell, basically.
• 1:19:41
  Speaker 3: In his golden chariot.
• 1:19:42
  Speaker 1: In his, again, God drives a luxury sedan.
• 1:19:46
  Speaker 3: Of course.
• 1:19:47
  Speaker 1: I don't know, that was the.
• 1:19:48
  Speaker 6: That could drive like a 1994 Toyota Celica.
• 1:19:50
  Speaker 9: I mean.
• 1:19:51
  Speaker 1: An 86 Datsun.
• 1:19:54
  Speaker 7: Well, I guess in 1994, he may have driven a
• 1:19:56
  Speaker 7: 1994 Toyota Celica.
• 1:19:58
  Speaker 3: 76 Datsun, actually. I think it changed at that point.
• 1:20:03
  Speaker 1: Anyway.
• 1:20:03
  Speaker 3: It went much further past that. Into the Nissan era.
• 1:20:06
  Speaker 1: So, let's... I don't know. I was like, in the beginning,
• 1:20:11
  Speaker 1: I'm like, so your only real message here is that
• 1:20:14
  Speaker 1: Record producers are the devil. TV is bad. TV is bad,
• 1:20:19
  Speaker 1: and only hippies will be saved.
• 1:20:20
  Speaker 9: Yeah.
• 1:20:21
  Speaker 3: Yep.
• 1:20:22
  Speaker 1: That's kind of, you know, there are big sweeping messages here,
• 1:20:26
  Speaker 1: and I don't know how I feel about some of them.
• 1:20:28
  Speaker 5: So weird.
• 1:20:29
  Speaker 3: Yeah, I'm screwed. I know that.
• 1:20:30
  Speaker 1: Yeah, basically.
• 1:20:31
  Speaker 3: Because I'm not going out smoking anything, so guess what?
• 1:20:34
  Speaker 1: Yeah. And we're making jokes about smacking people's mamas. We're
• 1:20:38
  Speaker 1: all going to hell.
• 1:20:39
  Speaker 3: Yeah.
• 1:20:39
  Speaker 1: Or staying here in hell, as the case may be.
• 1:20:41
  Speaker 3: Oh, man. Oh, man.
• 1:20:44
  Speaker 1: So I don't know. My only take in the end
• 1:20:47
  Speaker 1: was looking at it from, from Catherine's perspective. Can you
• 1:20:51
  Speaker 1: imagine if this was your first movie?
• 1:20:53
  Speaker 3: Yeah.
• 1:20:54
  Speaker 1: I give you credit for going on and having a
• 1:20:56
  Speaker 1: whole career because if you're, you know, a young girl, yeah, you've,
• 1:21:01
  Speaker 1: you've just been exposed to like, you know, hardcore dancing
• 1:21:04
  Speaker 1: and practicing your whole life. And you, you cross over
• 1:21:06
  Speaker 1: into this world and you're like, all right, I'm going
• 1:21:08
  Speaker 1: to be in a movie. And it's this, it's like,
• 1:21:11
  Speaker 1: scenes of dance numbers in hell with like people dressed
• 1:21:13
  Speaker 1: up in like pig makeup and a guy with two
• 1:21:16
  Speaker 1: faces smashed into one head and.
• 1:21:19
  Speaker 3: Napoleon exactly and Napoleon's in hell and Napoleon.
• 1:21:23
  Speaker 1: In hell so yeah can you imagine being swept up
• 1:21:26
  Speaker 1: in that all of a sudden.
• 1:21:27
  Speaker 3: Or maybe she's been chasing that ever since, trying to
• 1:21:30
  Speaker 3: get back to her first experience. Maybe. I bet it
• 1:21:34
  Speaker 3: was a good time. I bet it was a blast. Oh, yeah.
• 1:21:37
  Speaker 3: If you're drinking out of triangle-shaped glasses, you know you're
• 1:21:40
  Speaker 3: having a good time.
• 1:21:41
  Speaker 1: Those are BM glasses.
• 1:21:42
  Speaker 3: Prismatic stickers on your forehead or face or wherever.
• 1:21:46
  Speaker 1: Wherever you are.
• 1:21:47
  Speaker 3: I love how the clean-cut girl... From Canada. He says, oh, no,
• 1:21:52
  Speaker 3: this pill won't hurt you. Like, doesn't even flinch. He's like,
• 1:21:55
  Speaker 3: it won't hurt you. It just takes it right away.
• 1:21:57
  Speaker 3: I don't think she's that naive.
• 1:21:58
  Speaker 1: Like, she didn't even know what it was to be
• 1:22:00
  Speaker 1: afraid of it, basically.
• 1:22:01
  Speaker 6: We were all cheering for the date rapes. And we were.
• 1:22:04
  Speaker 3: Like, date rape, date rape, date rape.
• 1:22:07
  Speaker 1: I don't know if we were cheering for it.
• 1:22:08
  Speaker 3: I don't know.
• 1:22:10
  Speaker 2: I was.
• 1:22:10
  Speaker 1: Maybe that was just you.
• 1:22:12
  Speaker 3: Yeah, we were like, go, go, go. That was just
• 1:22:13
  Speaker 3: the couch that was cheering.
• 1:22:15
  Speaker 8: Yeah, I guess.
• 1:22:15
  Speaker 3: Right. I was on the other shoulder going, don't do it.
• 1:22:19
  Speaker 3: Be a good girl. We were sitting.
• 1:22:22
  Speaker 6: On the couch saying, oh, shit, bitch done got roof.
• 1:22:25
  Speaker 3: I think I said that. You were on Satan's couch.
• 1:22:30
  Speaker 1: I was over in the angelic chair going, no, drugs
• 1:22:34
  Speaker 1: are bad.
• 1:22:34
  Speaker 3: I'm the girl.
• 1:22:35
  Speaker 6: How am I the one that's all like, ha-ha, punch
• 1:22:38
  Speaker 6: moms in faces.
• 1:22:38
  Speaker 1: And date rape?
• 1:22:40
  Speaker 2: Yeah. Why?
• 1:22:41
  Speaker 7: Why am I the one that's not more sensitive and
• 1:22:43
  Speaker 7: offended by these subjects?
• 1:22:45
  Speaker 1: You're not taking up for your gender at all. You're
• 1:22:48
  Speaker 1: selling them down the road.
• 1:22:49
  Speaker 3: To hell. I'm so.
• 1:22:53
  Speaker 6: Insensitive.
• 1:22:53
  Speaker 3: Marlena loves misogyny. I do.
• 1:22:59
  Speaker 1: Seems to be based on these shows anyway. So, yeah.
• 1:23:05
  Speaker 1: Where do we wrap up?
• 1:23:06
  Speaker 3: I mean, you fly off that golden rule. I guess so.
• 1:23:13
  Speaker 3: They were sitting around like, how are we going to
• 1:23:14
  Speaker 3: end this bitch? I don't know.
• 1:23:17
  Speaker 1: What do we do now? Car flies?
• 1:23:21
  Speaker 3: That's about it.
• 1:23:22
  Speaker 1: Once again, one day we will all get into God's
• 1:23:24
  Speaker 1: clown car.
• 1:23:27
  Speaker 11: I'd also suggest that if you like musicals and haven't
• 1:23:30
  Speaker 11: heard of it, you need a fucking weird-ass movie to
• 1:23:33
  Speaker 11: satiate your bizarre tastes for.
• 1:23:36
  Speaker 6: Or if you're tripping on acid.
• 1:23:37
  Speaker 3: Or if you're on acid.
• 1:23:38
  Speaker 1: I think this will blow your mind if you're on
• 1:23:40
  Speaker 1: any sort of drugs.
• 1:23:41
  Speaker 3: If you're on mushrooms, prepare to just laugh from the
• 1:23:43
  Speaker 3: beginning and not be able to stop until the end.
• 1:23:46
  Speaker 1: Well, we kind of did that anyway, actually.
• 1:23:48
  Speaker 3: You don't need drugs for this movie to fuck you up.
• 1:23:51
  Speaker 1: Yeah, really.
• 1:23:52
  Speaker 3: This is like its own drug trip.
• 1:23:54
  Speaker 1: You don't need any drugs. And that's sort of a
• 1:23:57
  Speaker 1: selling point, really. Once again, even if you're not into
• 1:24:01
  Speaker 1: some of the stuff we've presented here, the spectacle of
• 1:24:05
  Speaker 1: this movie is so impressive that.
• 1:24:07
  Speaker 3: I think you need to see it.
• 1:24:08
  Speaker 1: If you're a movie fan on the level of the
• 1:24:11
  Speaker 1: people who make this show or listen to this show,
• 1:24:14
  Speaker 1: I would say you probably need to see this for
• 1:24:16
  Speaker 1: the sake of going... oh yeah i saw that yeah
• 1:24:20
  Speaker 1: yeah and then go and find it because actually i
• 1:24:22
  Speaker 1: believe it's on dvd i've seen it was out on
• 1:24:25
  Speaker 1: vhs and then i've seen uh online that there are
• 1:24:28
  Speaker 1: copies of it on dvd so you can buy a
• 1:24:30
  Speaker 1: copy of it and then show your friends and make
• 1:24:33
  Speaker 1: them experience it with you because i think it needs
• 1:24:38
  Speaker 1: to be experienced definitely most definitely so anything else to
• 1:24:43
  Speaker 1: round out the uh The apple talk.
• 1:24:47
  Speaker 3: Take another bite of our caramel apple here.
• 1:24:49
  Speaker 6: Mine's been gone for like an hour.
• 1:24:51
  Speaker 3: I just brushed my teeth. I'm still working. There's another
• 1:24:53
  Speaker 3: one here if you want, though. All right.
• 1:24:56
  Speaker 1: So with that, we will take a break and be
• 1:24:58
  Speaker 1: back with the rest of the show.
• 1:25:10
  Speaker 3: Cry for me.
• 1:25:11
  Speaker 13: Let the heavens rain down with your tears.
• 1:25:16
  Speaker 10: Where has all the pity gone?
• 1:25:20
  Speaker 3: I stand alone.
• 1:25:22
  Speaker 1: I stand alone.
• 1:25:25
  Speaker 5: Probably.
• 1:25:44
  Speaker 2: Now, before the next show starts, let's enjoy an intermission.
• 1:25:48
  Speaker 3: What are the odds on Lincoln Hawks? Twenty to one pounds.
• 1:25:52
  Speaker 3: Real long shot. Hawks, let's go. The world meets nobody halfway.
• 1:25:57
  Speaker 3: Remember that.
• 1:26:00
  Speaker 6: I don't have a father, sir.
• 1:26:05
  Speaker 3: The world has always bet against Lincoln Hawks.
• 1:26:08
  Speaker 1: This guy's nothing.
• 1:26:10
  Speaker 3: Why'd you leave us?
• 1:26:12
  Speaker 6: It won't happen again.
• 1:26:13
  Speaker 1: I want my grandson found.
• 1:26:15
  Speaker 3: I don't care how you do it.
• 1:26:16
  Speaker 13: Do it.
• 1:26:17
  Speaker 4: But a winner never listens to the odds.
• 1:26:21
  Speaker 6: Whatever happens, I want you to stay with him.
• 1:26:23
  Speaker 7: Dad!
• 1:26:23
  Speaker 2: Dad!
• 1:26:24
  Speaker 3: Come on, little boy!
• 1:26:29
  Speaker 6: Where did we end up?
• 1:26:31
  Speaker 3: Together is all I can guarantee.
• 1:26:34
  Speaker 1: You ain't got a prayer in Vegas.
• 1:26:39
  Speaker 4: You never had anything, so you have nothing to lose.
• 1:26:42
  Speaker 6: All I want to do is hurt him, cripple him,
• 1:26:45
  Speaker 6: get him off the table.
• 1:26:46
  Speaker 5: All I care about is you.
• 1:26:48
  Speaker 10: You're my boy, you understand?
• 1:26:49
  Speaker 2: There will be nobody halfway.
• 1:26:51
  Speaker 6: Now is the time to do for yourself.
• 1:26:54
  Speaker 1: I love you.
• 1:26:55
  Speaker 3: Over the top, Dad, over the top. Sylvester Stallone, over
• 1:27:04
  Speaker 3: the top. Welcome.
• 1:27:08
  Speaker 1: Welcome.
• 1:27:10
  Speaker 3: To a night of total terror. That's Mickey Mouse's penis.
• 1:27:17
  Speaker 3: I know, isn't that terrible? They don't look to be afraid.
• 1:27:21
  Speaker 3: They look to be shocked. Here's vagina! Did you see
• 1:27:26
  Speaker 3: Miley Cyrus' globulous breast? Night of the Living Podcast.
• 1:27:32
  Speaker 6: I found more syrup on my pants.
• 1:27:35
  Speaker 5: There's our adventure in fear.
• 1:27:37
  Speaker 3: There was, however, a guy using... An experience in shock.
• 1:27:42
  Speaker 3: More shattering than your strangest nightmare.
• 1:27:47
  Speaker 1: Night of the Living Podcast.
• 1:27:52
  Speaker 3: Fantastic. Holy shit! That just happened.
• 1:27:55
  Speaker 9: What's that bad man doing to my donkey?
• 1:27:58
  Speaker 3: A night of total terror. I can't maintain this level
• 1:28:03
  Speaker 3: of ridiculousness. They made a song.
• 1:28:05
  Speaker 1: Night of the Living Podcast.
• 1:28:22
  Speaker 3: I'm going to do the show! It's part of your problem,
• 1:28:27
  Speaker 3: you know.
• 1:28:27
  Speaker 1: You haven't seen enough movies. All of life's riddles are
• 1:28:30
  Speaker 1: answered in the movies.
• 1:28:32
  Speaker 3: And now, on with the show.
• 1:28:34
  Speaker 1: I'm cool.
• 1:28:51
  Speaker 3: You let me tempt you and tease you and hold
• 1:28:57
  Speaker 3: you and squeeze you and feel every inch of your
• 1:29:01
  Speaker 3: love let me.
• 1:29:02
  Speaker 4: Show you things you never dreamed of.
• 1:29:17
  Speaker 1: All right, we are back. And we've kind of got feedback.
• 1:29:23
  Speaker 1: Once again, you guys are slacking on the actual phone-ins
• 1:29:26
  Speaker 1: and even emails you're kind of slacking on. But again,
• 1:29:29
  Speaker 1: since we wanted to, most of the rest of the
• 1:29:31
  Speaker 1: gang doesn't get the tweets, if you will. So we
• 1:29:35
  Speaker 1: got a few key ones this week that I thought
• 1:29:37
  Speaker 1: I would pass on to you guys. And I'm not
• 1:29:39
  Speaker 1: writing in anymore.
• 1:29:40
  Speaker 9: Frickin' tweets.
• 1:29:40
  Speaker 1: You're slacking since you're sitting here.
• 1:29:43
  Speaker 3: You should, like, email. Comment why you're sitting here.
• 1:29:45
  Speaker 1: No, email right before you leave and then come over
• 1:29:47
  Speaker 1: here and, like, catch it. Yeah.
• 1:29:49
  Speaker 3: Meet it at the other end. That guy sucks. Man,
• 1:29:51
  Speaker 3: fuck you, Greg. What the fuck is his problem?
• 1:29:54
  Speaker 1: That guy's a loser. So, yeah, these are all from
• 1:29:59
  Speaker 1: Nick at Eskimo. He's, like, one of my favorites now
• 1:30:02
  Speaker 1: because we actually hear from him. Yeah, right? So screw
• 1:30:03
  Speaker 1: the rest of you guys.
• 1:30:04
  Speaker 9: For real.
• 1:30:05
  Speaker 1: And I like it almost as he goes along in
• 1:30:08
  Speaker 1: the episode, we get like specific events that gets commented on.
• 1:30:12
  Speaker 1: So first of all, I guess he was early on
• 1:30:14
  Speaker 1: in our little road trip last week and he sent
• 1:30:16
  Speaker 1: us one that says, Please tell me someone got McGriddles
• 1:30:19
  Speaker 1: when y'all stopped at Mickey D's. I love that shit.
• 1:30:22
  Speaker 3: Oh, it's the best thing they have there.
• 1:30:24
  Speaker 1: Now, I'm saying if I would have gotten something, I
• 1:30:26
  Speaker 1: would have gotten a McGriddle because I am on board
• 1:30:28
  Speaker 1: with y'all.
• 1:30:29
  Speaker 3: I've never been on board. I've tried to eat one.
• 1:30:31
  Speaker 3: I'm just, I cannot do it. It's too much. I
• 1:30:34
  Speaker 3: can't have cheese on it. But other than that, it's
• 1:30:36
  Speaker 3: McGriddle with cheese. I already loaded up.
• 1:30:38
  Speaker 1: On donuts that morning. Otherwise, I didn't know we were
• 1:30:41
  Speaker 1: going to stop at McDonald's. That was the whole Roger
• 1:30:43
  Speaker 1: camp that came up with that plan.
• 1:30:44
  Speaker 3: Dude, we had to get some breakfast, you know?
• 1:30:48
  Speaker 1: So, yeah. Otherwise, yes, I would have been on top
• 1:30:50
  Speaker 1: of that McGriddles. Which is funny that he brought up
• 1:30:55
  Speaker 1: the food and that he was on board with this,
• 1:30:57
  Speaker 1: what most people think is probably disgusting food item that
• 1:31:00
  Speaker 1: I was going to eat.
• 1:31:01
  Speaker 3: Yeah, he follows that comment up with, Oh, dear Jiminy.
• 1:31:05
  Speaker 1: The movie Meltdown Food Talk made me throw up in
• 1:31:08
  Speaker 1: my mouth a little.
• 1:31:09
  Speaker 3: Nice. That's awesome.
• 1:31:11
  Speaker 1: Which I followed up with, I asked him, so was
• 1:31:14
  Speaker 1: that when we got to the part about the hamburgers
• 1:31:17
  Speaker 1: with donuts for buns? Yeah. To which he said back with, yeah.
• 1:31:20
  Speaker 3: Crispy.
• 1:31:21
  Speaker 1: He said, yeah, that did it.
• 1:31:22
  Speaker 7: I stood in line at that booth and could only
• 1:31:25
  Speaker 7: bring myself to get the.
• 1:31:26
  Speaker 1: Sweet potato fries.
• 1:31:27
  Speaker 3: I want to sell out. Okay.
• 1:31:28
  Speaker 6: They were eight bucks, dude.
• 1:31:30
  Speaker 1: You know, once again, for the ridiculous factor, I would
• 1:31:35
  Speaker 1: have saved up all week and be like, you know what?
• 1:31:36
  Speaker 1: I'm going to eat that thing.
• 1:31:37
  Speaker 6: I can put a damn hamburger on two Krispy Kreme
• 1:31:40
  Speaker 6: donuts at home.
• 1:31:40
  Speaker 3: Yeah.
• 1:31:41
  Speaker 1: You know, I'll give you that. If you go do
• 1:31:43
  Speaker 1: that at home, I mean, you can go buy them
• 1:31:44
  Speaker 1: at Krispy Kreme.
• 1:31:45
  Speaker 3: Fair drop boxes on that shit. It's a fair choice.
• 1:31:48
  Speaker 1: If they deep fried the whole thing. That's what I said.
• 1:31:51
  Speaker 1: I was like, why aren't they deep frying this whole thing?
• 1:31:53
  Speaker 6: Sweet potato fries are really good, though.
• 1:31:56
  Speaker 1: But based on his comment i was thinking maybe this
• 1:31:59
  Speaker 1: is like a new little you know tagline well the
• 1:32:02
  Speaker 1: new little tagline we need to have and i was
• 1:32:04
  Speaker 1: thinking it's all about the timing so wait for it
• 1:32:06
  Speaker 1: movie meltdown we make you throw up in your mouth
• 1:32:09
  Speaker 1: a little a little bit i was like you know
• 1:32:12
  Speaker 1: you need to start working on.
• 1:32:14
  Speaker 8: That movie meltdown we make people throw up in their
• 1:32:17
  Speaker 8: mouth a little bit a little bit.
• 1:32:19
  Speaker 1: Yes i think that's you know I'll work on getting
• 1:32:22
  Speaker 1: that out there to the masses.
• 1:32:23
  Speaker 3: Be proud of, be a part of something.
• 1:32:25
  Speaker 1: I'm sure that'll win people over that haven't listened or
• 1:32:29
  Speaker 1: turn away.
• 1:32:30
  Speaker 3: What is this website?
• 1:32:33
  Speaker 1: So yeah, he follows that up with also scary crotch
• 1:32:35
  Speaker 1: talk means I'll never go to a con.
• 1:32:38
  Speaker 3: Yeah. I think that was your, it's not a reason
• 1:32:41
  Speaker 3: to stay away, but it's, that's what I said.
• 1:32:43
  Speaker 1: I was like, ah, come on.
• 1:32:44
  Speaker 6: It was fun.
• 1:32:45
  Speaker 3: As long as you can hear clear of it. What
• 1:32:49
  Speaker 3: was the quote? The tall guy with the, that was
• 1:32:51
  Speaker 3: a moonlight level of.
• 1:32:55
  Speaker 1: Junk at face level.
• 1:32:57
  Speaker 3: Yeah.
• 1:32:58
  Speaker 1: That was probably, I might've specifically, you were the one
• 1:33:02
  Speaker 1: that said, um, seeing guys junk in their, uh, latex
• 1:33:05
  Speaker 1: spandex or whatever.
• 1:33:07
  Speaker 5: Yeah.
• 1:33:08
  Speaker 1: Yeah.
• 1:33:09
  Speaker 3: God.
• 1:33:10
  Speaker 1: Oh man. But, but I like the last one, but
• 1:33:13
  Speaker 1: the last one sort of rounds it out. And if
• 1:33:15
  Speaker 1: only Joni were here, cause I'm pretty sure this was
• 1:33:17
  Speaker 1: her comment. He follows it up with, Oh fuck me.
• 1:33:21
  Speaker 1: I can taste how you smell is the greatest thing ever.
• 1:33:23
  Speaker 2: Yeah.
• 1:33:26
  Speaker 3: Oh, God, just imagining. Oh, God, so gross. I ran.
• 1:33:31
  Speaker 6: I ran back to the hotel room. I'm like, I
• 1:33:33
  Speaker 6: can't do this.
• 1:33:34
  Speaker 3: I can't do this. Help me.
• 1:33:37
  Speaker 1: Oh, so yes, that was our Twitter feedback.
• 1:33:40
  Speaker 3: Thank you.
• 1:33:40
  Speaker 1: Thank you, Nick at Eskimo. As always, we love to
• 1:33:44
  Speaker 1: hear from you.
• 1:33:44
  Speaker 3: Don't make us smile.
• 1:33:46
  Speaker 1: Bringing that up, yeah, we need to hear from everybody.
• 1:33:49
  Speaker 1: And I kind of want to get, because I know
• 1:33:52
  Speaker 1: where to find him.
• 1:33:53
  Speaker 3: And Barb. And prizes.
• 1:33:55
  Speaker 1: Well, no, because nobody ever comes through for us, so
• 1:33:58
  Speaker 1: I'm not even giving prizes anymore.
• 1:34:00
  Speaker 3: But that's why you have fake prizes.
• 1:34:01
  Speaker 1: Well, they're fake listeners because they don't come through for us.
• 1:34:06
  Speaker 1: I've put out prizes before and people haven't even claimed them,
• 1:34:09
  Speaker 1: so screw them. I'm keeping the prizes. But, yeah, when
• 1:34:14
  Speaker 1: they upgraded our system that sort of uploads the stuff
• 1:34:17
  Speaker 1: onto the interwebs, the new function that it has tells
• 1:34:21
  Speaker 1: us where the people are like where the downloads are
• 1:34:25
  Speaker 1: located that's kind of well yeah it is sort of
• 1:34:27
  Speaker 1: scary and big brother like but at the same time
• 1:34:30
  Speaker 1: it's kind of cool because now i'm looking at it
• 1:34:32
  Speaker 1: going do we have all these people where like so
• 1:34:36
  Speaker 1: yeah i was gonna bring it up and and uh
• 1:34:38
  Speaker 1: i kind of want to hear from these other locations
• 1:34:41
  Speaker 1: because it gives us a breakdown of well i just
• 1:34:43
  Speaker 1: i can just read the uh the the rundown here
• 1:34:46
  Speaker 1: because there's a huge huge amount of people downloading in
• 1:34:52
  Speaker 1: texas nice a massive amount like a huge austin uh
• 1:34:59
  Speaker 1: some of it let me see if i can understand
• 1:35:01
  Speaker 1: that It's San Antonio.
• 1:35:03
  Speaker 3: Our show?
• 1:35:04
  Speaker 1: Our show.
• 1:35:06
  Speaker 3: They have a draft house there as well.
• 1:35:09
  Speaker 1: A massive amount from San Antonio.
• 1:35:12
  Speaker 3: Let's see.
• 1:35:13
  Speaker 1: Dallas-Fort Worth.
• 1:35:15
  Speaker 6: Is it Pee Wee Herman?
• 1:35:16
  Speaker 3: I don't know.
• 1:35:17
  Speaker 1: You tell me.
• 1:35:17
  Speaker 3: In the basement. In the basement. In the basement of
• 1:35:21
  Speaker 3: the Alamo.
• 1:35:21
  Speaker 9: That's it.
• 1:35:27
  Speaker 1: So, yeah, we've got a ton in Texas. Righteous. Actually,
• 1:35:32
  Speaker 1: when we make fun of Canada, we've got a good
• 1:35:34
  Speaker 1: little slice in Ontario.
• 1:35:35
  Speaker 6: I wasn't making fun of Canada.
• 1:35:36
  Speaker 1: Misty loves to make fun of Canada.
• 1:35:38
  Speaker 6: I fucking love Canada.
• 1:35:39
  Speaker 1: Love you, Canada.
• 1:35:40
  Speaker 3: Yeah, you love them now.
• 1:35:41
  Speaker 7: Shit.
• 1:35:41
  Speaker 1: No, I was talking earlier.
• 1:35:43
  Speaker 3: No, it's Misty.
• 1:35:43
  Speaker 6: Sparkling lakes and unicorns.
• 1:35:45
  Speaker 3: And unicorns.
• 1:35:45
  Speaker 9: Yeah.
• 1:35:46
  Speaker 3: Ketchup potato chips.
• 1:35:48
  Speaker 1: So, yeah, there's a good amount from Ohio. I can
• 1:35:50
  Speaker 1: see that. We've got our friends in Cincinnati area.
• 1:35:53
  Speaker 6: Cincinnati.
• 1:35:54
  Speaker 1: And Tennessee, which I didn't see coming. But yeah, the
• 1:35:57
  Speaker 1: massive amounts in Texas, I didn't see coming.
• 1:36:00
  Speaker 3: That's awesome.
• 1:36:01
  Speaker 1: I knew we had a few. Excellent for representing. We've
• 1:36:03
  Speaker 1: got another show in the UK. We've got a decent
• 1:36:06
  Speaker 1: amount of people downloading from the UK. There's been some
• 1:36:09
  Speaker 1: in China, India, Australia I knew about, Philippines, Germany, Singapore, Norway.
• 1:36:17
  Speaker 1: So my question is, where are you guys? We want
• 1:36:19
  Speaker 1: to hear from you.
• 1:36:20
  Speaker 3: I want to hear your accent. and click definitely words
• 1:36:23
  Speaker 3: letters like misty i'm creepy you know.
• 1:36:28
  Speaker 13: Cambodia we've got people in cambodia.
• 1:36:31
  Speaker 3: The czech republic i mean i want.
• 1:36:33
  Speaker 1: To hear from these people yeah japan portugal korea we've
• 1:36:37
  Speaker 1: got downloads.
• 1:36:38
  Speaker 11: In all of these places all of you who do
• 1:36:39
  Speaker 11: listen from all these places and you're awesome you rock
• 1:36:43
  Speaker 11: but aren't letting.
• 1:36:44
  Speaker 1: Us know your voice yeah it's like Now, I don't
• 1:36:46
  Speaker 1: know if everybody has, like, super cell phone that they
• 1:36:49
  Speaker 1: can call for free.
• 1:36:50
  Speaker 5: Whatever.
• 1:36:50
  Speaker 1: If so, if not, Skype us a message. I don't care.
• 1:36:53
  Speaker 3: I mean, there's got to be a.
• 1:36:54
  Speaker 1: But if nothing else, or MP3, you can record.
• 1:36:56
  Speaker 3: I'll throw that challenge. Tell us we suck.
• 1:36:58
  Speaker 1: Yeah, record an MP3 and attach it to an email.
• 1:37:00
  Speaker 3: That's free.
• 1:37:01
  Speaker 1: Like, I hate listening to you guys every week. But, yeah,
• 1:37:05
  Speaker 1: if nothing else, emails are free.
• 1:37:07
  Speaker 3: Come on, man.
• 1:37:08
  Speaker 1: You've all got email if you're downloading shit. So send
• 1:37:10
  Speaker 1: us an email. Let us know where you're at. I mean, again,
• 1:37:14
  Speaker 1: I know of a couple that we actually get feedback
• 1:37:16
  Speaker 1: from pretty regular from Texas. But that's like two of you.
• 1:37:20
  Speaker 1: So everybody else, let's hear it. Because you're out there
• 1:37:23
  Speaker 1: in every other country in the world.
• 1:37:24
  Speaker 3: Are these downloads straight from the site or from the iTunes?
• 1:37:30
  Speaker 1: It does a breakdown of both. I think it's either way. So, yeah, it's...
• 1:37:33
  Speaker 1: I mean, a good majority of them are from iTunes
• 1:37:36
  Speaker 1: because iTunes rules the world at this point. But aside
• 1:37:39
  Speaker 1: from that, yeah, I think it factors in stuff straight
• 1:37:42
  Speaker 1: off the website as well.
• 1:37:43
  Speaker 6: Approximately how many listeners do we have?
• 1:37:45
  Speaker 3: Don't talk about it. A billion. Okay.
• 1:37:48
  Speaker 1: Yeah, somewhere between one and a billion.
• 1:37:51
  Speaker 3: One and a billion.
• 1:37:51
  Speaker 5: Okay, good.
• 1:37:52
  Speaker 3: All of your friends are listening to movies. Well, you
• 1:37:54
  Speaker 3: just listed what? different places, so it's at least 15.
• 1:37:57
  Speaker 3: There you go.
• 1:37:58
  Speaker 1: I'm surprised that two people listen to our show.
• 1:38:00
  Speaker 3: We have 15 listeners. and we make you throw up 15.
• 1:38:06
  Speaker 9: Strong we're at least 15 strong 15 strong 15 country
• 1:38:12
  Speaker 9: strong soon world domination it would be funny if.
• 1:38:17
  Speaker 7: That was just me like i went from city to city.
• 1:38:20
  Speaker 3: No that would not be funny marlena she knows how
• 1:38:22
  Speaker 3: to reroute her ip.
• 1:38:23
  Speaker 6: Address No, just go from city to city and use
• 1:38:27
  Speaker 6: people's computers and download them.
• 1:38:29
  Speaker 1: I really want you to run to Indonesia real quick
• 1:38:32
  Speaker 1: and download it a couple times.
• 1:38:33
  Speaker 3: Cambodia.
• 1:38:34
  Speaker 1: Cambodia. They have iPods in Cambodia?
• 1:38:36
  Speaker 3: That just always makes me think of... It's apocalypse now.
• 1:38:40
  Speaker 3: We're right here in Cambodia.
• 1:38:41
  Speaker 1: Well, I mean, he was just sort of sitting in
• 1:38:43
  Speaker 1: a huddle all day. Maybe he's downloading Movie Mountain. And
• 1:38:46
  Speaker 1: then he sits there going, the horror.
• 1:38:49
  Speaker 3: The horror of this damn show.
• 1:38:51
  Speaker 1: So, yeah.
• 1:38:53
  Speaker 6: God, I should screen what I say.
• 1:38:54
  Speaker 3: That makes me feel good.
• 1:38:55
  Speaker 7: Because, like, what if I say something offensive and I
• 1:38:58
  Speaker 7: get punched down the street?
• 1:39:00
  Speaker 3: Well, that's true.
• 1:39:01
  Speaker 1: Only when you go to Indonesia.
• 1:39:03
  Speaker 3: If you don't like what Marlena says, come punch her
• 1:39:06
  Speaker 3: in the face.
• 1:39:07
  Speaker 1: It's a new contest. Hey.
• 1:39:09
  Speaker 3: Don't live within the shackles of fear. Be what you
• 1:39:12
  Speaker 3: want to be. Say what you want to say.
• 1:39:13
  Speaker 1: Shit. That's what I'm saying.
• 1:39:14
  Speaker 3: People are going to love you for saying fucked up
• 1:39:16
  Speaker 3: shit more than being like... That's the thing.
• 1:39:18
  Speaker 1: The only feedback we get is usually to something horrible
• 1:39:21
  Speaker 1: we did or said. So, I mean, the only people
• 1:39:23
  Speaker 1: that seem to like us are the ones that acknowledge
• 1:39:25
  Speaker 1: that we're all horrible people.
• 1:39:26
  Speaker 3: I like making people feel feelings. Whether it's rage, anger,
• 1:39:29
  Speaker 3: you know, like.
• 1:39:32
  Speaker 3: Or maybe they all feel dirty.
• 1:39:35
  Speaker 1: That's possibly true.
• 1:39:38
  Speaker 7: Maybe they lock themselves in their bathroom or their closet
• 1:39:40
  Speaker 7: and listen to us and don't want anyone to know.
• 1:39:42
  Speaker 3: While they're in the shower, cowering, crying.
• 1:39:44
  Speaker 1: I like that we were also on the.
• 1:39:47
  Speaker 3: Snorting.
• 1:39:49
  Speaker 1: Our other feedback this past week attached to one of
• 1:39:54
  Speaker 1: our little reposts to send the message out to other
• 1:39:58
  Speaker 1: people that was about the new episode was a follow-back
• 1:40:01
  Speaker 1: comment that said, Movie Meltdown voted most likely to steal
• 1:40:04
  Speaker 1: your lunch money.
• 1:40:05
  Speaker 3: Nice.
• 1:40:07
  Speaker 1: So are we are the cast voted most likely to
• 1:40:09
  Speaker 1: steal your lunch money so yeah that's that's us you
• 1:40:13
  Speaker 1: have those kangaroo shoes with a zipper pouch where you
• 1:40:15
  Speaker 1: put your fucking roughnecks and loved the world around i
• 1:40:20
  Speaker 1: hate my dollar bills and my roots always got sweaty
• 1:40:23
  Speaker 1: yeah see i just put quarters in my key and
• 1:40:27
  Speaker 1: quarters i.
• 1:40:27
  Speaker 6: Just usually have this bulging pocket full.
• 1:40:30
  Speaker 3: Of cash This is probably something you don't want to
• 1:40:33
  Speaker 3: tell me.
• 1:40:33
  Speaker 11: Punch her in the face and make sure you get
• 1:40:36
  Speaker 11: the bulging pocket of sweaty money.
• 1:40:39
  Speaker 1: I mean, stripping leads to that. Come on now.
• 1:40:42
  Speaker 3: Shut up, I'm not a stripper.
• 1:40:46
  Speaker 1: You're winning people over.
• 1:40:48
  Speaker 3: She has to defend herself and clarify, I am not
• 1:40:51
  Speaker 3: a stripper. I'm a superhero. I'm an exotic danza. You're
• 1:40:55
  Speaker 3: a superhero that shakes people down for money. Danza for money.
• 1:40:58
  Speaker 3: You finance yourself like Big Daddy. Yeah.
• 1:41:01
  Speaker 1: We beat the hell of them and take their money.
• 1:41:03
  Speaker 6: That's cool.
• 1:41:04
  Speaker 3: Thank you for the feedback. Yes, definitely.
• 1:41:06
  Speaker 9: Excellent.
• 1:41:07
  Speaker 1: And that's, yeah, that was my thing is I saw
• 1:41:09
  Speaker 1: all these different places. I was like, where are, and
• 1:41:13
  Speaker 1: really just like not even complaining, just like curiosity at
• 1:41:16
  Speaker 1: this point. I was like, where do you live? How
• 1:41:19
  Speaker 1: did you find us? Yeah. I want to hear more
• 1:41:22
  Speaker 1: of your story, really.
• 1:41:24
  Speaker 3: It's one guy that is a business traveler just downloading
• 1:41:27
  Speaker 3: from different places. That's awesome. If you're George Clooney, you're
• 1:41:30
  Speaker 3: up in the air, man. That's cool. If he's that cool,
• 1:41:32
  Speaker 3: I want to hear from him. I want to hear
• 1:41:33
  Speaker 3: from you, too. He's the most interesting man in the world. So, yeah,
• 1:41:36
  Speaker 3: it's nothing else. His mom has a tattoo that says son.
• 1:41:40
  Speaker 2: Son.
• 1:41:42
  Speaker 1: I want to hear from that guy, too.
• 1:41:44
  Speaker 6: I do.
• 1:41:45
  Speaker 1: All of you quit slacking off, especially in these weird locales.
• 1:41:48
  Speaker 1: We want to hear from you. Or even the U.S. locale.
• 1:41:52
  Speaker 1: We're hearing from about five people in five cities. There's
• 1:41:54
  Speaker 1: a hell of a lot more cities listed there.
• 1:41:58
  Speaker 7: We should start a contest where we mail the next
• 1:42:01
  Speaker 7: five people who call in with feedback a dollar bill.
• 1:42:05
  Speaker 3: Is that going to win him over?
• 1:42:06
  Speaker 6: I don't know.
• 1:42:08
  Speaker 3: Do you want to get a dollar?
• 1:42:09
  Speaker 1: I was going to say, is it a sweaty dollar
• 1:42:13
  Speaker 1: bill out of your pants? Because you could probably get
• 1:42:16
  Speaker 1: some guys with that one. In Japan. We will make sure.
• 1:42:20
  Speaker 3: That in Japan, we don't want to get a sweat.
• 1:42:24
  Speaker 1: If you guys want that contest, let me know, because
• 1:42:27
  Speaker 1: we might be able to set that up.
• 1:42:28
  Speaker 3: We might even be able to sell those dollars.
• 1:42:31
  Speaker 1: We could probably get your favorite. You know, if Joanie
• 1:42:33
  Speaker 1: wants to get in on this action. I'm sure Misty
• 1:42:36
  Speaker 1: will be up for it, as long as she gets
• 1:42:37
  Speaker 1: some sort of cut out of this deal. I don't
• 1:42:39
  Speaker 1: see how we're getting money, but whatever. We'll figure something out.
• 1:42:42
  Speaker 3: Send us your dollar. We'll make it sweat.
• 1:42:44
  Speaker 1: There you go. Maybe that's the way to do it.
• 1:42:46
  Speaker 3: I'll draw a picture on it, sign it, or something.
• 1:42:48
  Speaker 1: We want feedback with a buck, and then we'll send
• 1:42:51
  Speaker 1: it back to you.
• 1:42:52
  Speaker 3: In a special, special way. Special panty pouch.
• 1:42:56
  Speaker 1: We might have to charge for the panty pouch.
• 1:42:59
  Speaker 3: Well, not if they're like, we need to get rid
• 1:43:01
  Speaker 3: of them.
• 1:43:02
  Speaker 1: Maybe we can.
• 1:43:04
  Speaker 3: Where are you getting these panty pouches?
• 1:43:07
  Speaker 6: Roger's going through all dirty laundry.
• 1:43:10
  Speaker 1: Yes, this is gold.
• 1:43:12
  Speaker 6: Baby, this is gold. It's like it's been buckshot.
• 1:43:15
  Speaker 3: Yeah. You're not going to wear these anymore, sweetheart, are you? No.
• 1:43:21
  Speaker 3: Did the moths get into this? Yeah, right? We just
• 1:43:24
  Speaker 3: need to get movie meltdown thongs made up. Classy as ever.
• 1:43:28
  Speaker 3: Look like somebody melted down in them.
• 1:43:30
  Speaker 1: And then... Then you can pick your favorite person to wear.
• 1:43:34
  Speaker 6: I'm going to send you one.
• 1:43:36
  Speaker 1: While we're recording the show, you can wear it.
• 1:43:40
  Speaker 6: It's going to be you, Brian.
• 1:43:41
  Speaker 3: It's going to be Greg.
• 1:43:42
  Speaker 1: You know it is. That's why I didn't say pick
• 1:43:46
  Speaker 1: your favorite girl.
• 1:43:47
  Speaker 3: I'm out of a job.
• 1:43:48
  Speaker 7: That's true.
• 1:43:50
  Speaker 1: Greg's looking for money, so if you've got ways for
• 1:43:52
  Speaker 1: him to shake his money maker.
• 1:43:54
  Speaker 3: We'll have Joni wear, like, you know, bra and panties
• 1:43:56
  Speaker 3: and sing it for you or something.
• 1:43:58
  Speaker 1: According to Roger, that can be arranged. We haven't heard
• 1:44:00
  Speaker 1: it from her.
• 1:44:01
  Speaker 5: I mean, I'll ask.
• 1:44:02
  Speaker 3: But it's for sure.
• 1:44:04
  Speaker 1: Or not, he'll... You better do what I say.
• 1:44:10
  Speaker 3: This might get me into trouble later on. I'm doing
• 1:44:13
  Speaker 3: the laundry for now. I'm going to take some pics.
• 1:44:17
  Speaker 3: Some pics, babe. Please put these on. Hold up this
• 1:44:21
  Speaker 3: sign that says, thank you, John.
• 1:44:22
  Speaker 1: And movie meltdown rocks right across your stomach. Thanks.
• 1:44:27
  Speaker 3: Oh, God.
• 1:44:29
  Speaker 1: Why is this? Don't ask any questions, honey. Don't you worry.
• 1:44:32
  Speaker 3: Baby, when you talk, I can't send you a picture.
• 1:44:36
  Speaker 1: You're messing up the picture.
• 1:44:37
  Speaker 4: Oh, God.
• 1:44:38
  Speaker 3: And this video I'm taking.
• 1:44:40
  Speaker 1: Anyway.
• 1:44:40
  Speaker 3: Before I get in trouble, yes, let's move on. Now,
• 1:44:42
  Speaker 3: why'd you turn the air conditioning off? We have to
• 1:44:43
  Speaker 3: have it hot for you to sweat. Gotta be sweaty
• 1:44:47
  Speaker 3: in here. Or opposite, turn it on. It's gonna be hard.
• 1:44:50
  Speaker 1: My glass.
• 1:44:51
  Speaker 3: That's for the videos. The man paid his dollar.
• 1:44:55
  Speaker 1: Look, you're gonna give him his dollar's worth, damn it.
• 1:44:58
  Speaker 6: Yeah.
• 1:44:59
  Speaker 3: Or whatever currency from the country you live in.
• 1:45:01
  Speaker 1: There you go.
• 1:45:02
  Speaker 3: Exactly. Do they still make rubles? I want some rubles. Rubies?
• 1:45:08
  Speaker 7: Yen?
• 1:45:09
  Speaker 1: Yes. Send us whatever euro monies. Crazy Asian monies. Whatever
• 1:45:16
  Speaker 1: country you come from, please. Send us your money and
• 1:45:18
  Speaker 1: we'll send it back to you. Look how desperate we are.
• 1:45:20
  Speaker 1: I mean, we're trying to do everything we can for
• 1:45:22
  Speaker 1: you people.
• 1:45:22
  Speaker 3: Actually, we're just coming up with more ridiculous things we
• 1:45:23
  Speaker 3: can do. We're true geeks. We really need some kind
• 1:45:27
  Speaker 3: of feedback. We really do. We need something to occupy
• 1:45:30
  Speaker 3: our time. You're not alone.
• 1:45:32
  Speaker 6: We need to be validated.
• 1:45:34
  Speaker 3: Yes. Please validate us. Validate us.
• 1:45:36
  Speaker 1: Please. You love us, right?
• 1:45:38
  Speaker 3: Because if we found out no one was listening, somebody
• 1:45:40
  Speaker 3: might kill themselves.
• 1:45:41
  Speaker 8: Yeah, right?
• 1:45:42
  Speaker 1: I'm not saying who. But anyway. Alrighty then. So there's
• 1:45:49
  Speaker 1: your task at hand. Your challenge, if you will.
• 1:45:52
  Speaker 3: Keep someone out of the hospital. That's what your task is.
• 1:45:56
  Speaker 1: And get sweaty money in return. I mean, what more?
• 1:45:59
  Speaker 1: There's no downside there.
• 1:46:00
  Speaker 3: This is so true.
• 1:46:02
  Speaker 8: So true.
• 1:46:04
  Speaker 6: Don't be shy.
• 1:46:06
  Speaker 3: We'd like to hear from you.
• 1:46:12
  Speaker 8: So give us a call at 502-365-5565. Or you can
• 1:46:17
  Speaker 8: email us at geeksatmoviemeltdown.com. And just stop by the website
• 1:46:21
  Speaker 8: for our frequent updates. That's moviemeltdown.com.
• 1:46:26
  Speaker 1: On by, on by.
• 1:46:27
  Speaker 3: On by, on by.
• 1:46:31
  Speaker 5: On by.
• 1:46:33
  Speaker 1: Shock the Bus Countdown! On by, on by. I've got
• 1:46:43
  Speaker 1: a picture called Sharktopus, which comes out September 25th on
• 1:46:48
  Speaker 1: the Sci-Fi Channel. It is now 26 days, 4 hours,
• 1:46:53
  Speaker 1: 12 minutes, and 22 seconds until the premiere of Sharktopus. Okay, kids,
• 1:47:00
  Speaker 1: get out your decoder pens. It is time. time for
• 1:47:06
  Speaker 1: the movie meltdown secret circle where we'll have the next
• 1:47:08
  Speaker 1: two movies that don't match the last time we told.
• 1:47:11
  Speaker 3: You cool we're changing it up again on the fly.
• 1:47:13
  Speaker 1: Because we can we love you no not really but
• 1:47:17
  Speaker 1: i'm trying to well i mean just in general.
• 1:47:18
  Speaker 3: If you're pissed off at us give us some feedback
• 1:47:21
  Speaker 3: well we're trying to.
• 1:47:22
  Speaker 1: Give you heads up so that you can go out
• 1:47:23
  Speaker 1: and watch the movie basically when we push it back
• 1:47:25
  Speaker 1: we just give you more time to track down the
• 1:47:27
  Speaker 1: freaking movies what do you want So, and this one
• 1:47:31
  Speaker 1: was because I noticed, you know, we haven't been to
• 1:47:33
  Speaker 1: the theater in a while, and we were like, hey,
• 1:47:36
  Speaker 1: we need to go see a movie in the theater,
• 1:47:37
  Speaker 1: as we said earlier in this episode. So I was thinking, hey,
• 1:47:40
  Speaker 1: we got several movies coming up in the theater that
• 1:47:42
  Speaker 1: we need to see.
• 1:47:44
  Speaker 3: Definitely.
• 1:47:44
  Speaker 1: Well, the first of which is next week. Next week
• 1:47:47
  Speaker 1: is Machete.
• 1:47:49
  Speaker 3: Machete. Holy shit.
• 1:47:51
  Speaker 11: It came out as just a funny-looking, we would like
• 1:47:54
  Speaker 11: to see that as a real movie trailer at the
• 1:47:56
  Speaker 11: beginning of RuneHouse.
• 1:47:57
  Speaker 1: And now it is a real trailer. A real movie
• 1:48:00
  Speaker 1: that actually makes that trailer look like a joke.
• 1:48:03
  Speaker 7: Yeah.
• 1:48:03
  Speaker 1: That it was.
• 1:48:04
  Speaker 3: A stupid child's play.
• 1:48:05
  Speaker 1: It's nothing compared to the now real trailer for the
• 1:48:08
  Speaker 1: actual movie, so.
• 1:48:10
  Speaker 3: I just hope I'm not disappointed. Yeah. I think it's
• 1:48:13
  Speaker 3: going to be a train wreck, but an enjoyable one. Yeah,
• 1:48:15
  Speaker 3: just based on the trailer, I'm like, how?
• 1:48:17
  Speaker 1: Because at least they did it right. Like, if you
• 1:48:19
  Speaker 1: watch that one. Red Band trailer, there's no second guessing
• 1:48:23
  Speaker 1: what kind of movie this is.
• 1:48:24
  Speaker 5: Right.
• 1:48:24
  Speaker 1: They did not mess it up like Piranha did. It's like,
• 1:48:27
  Speaker 1: they at least realized, this is Grindhouse, this is what
• 1:48:30
  Speaker 1: we're doing, let's make sure people know what we're doing.
• 1:48:33
  Speaker 7: So.
• 1:48:34
  Speaker 1: Yeah, you kind of get the idea, especially with the
• 1:48:36
  Speaker 1: red band trailer.
• 1:48:38
  Speaker 3: Gatling guns on the front of your motorcycle.
• 1:48:41
  Speaker 1: As it's flying through the air out of an explosion.
• 1:48:44
  Speaker 3: Subtle?
• 1:48:45
  Speaker 1: Once again, no.
• 1:48:46
  Speaker 6: This is my life at least three out of seven
• 1:48:48
  Speaker 6: days a week.
• 1:48:49
  Speaker 3: That's true.
• 1:48:50
  Speaker 1: We had to put her out when she got here.
• 1:48:51
  Speaker 1: She was still slightly on fire as she came in
• 1:48:54
  Speaker 1: the door.
• 1:48:55
  Speaker 3: Stop, jack and roll. Stop, jack and roll.
• 1:48:57
  Speaker 1: All right, so the following week, we realize once again,
• 1:49:00
  Speaker 1: is another movie we've been talking about for quite a while.
• 1:49:03
  Speaker 1: I don't know that anybody else cares, but we all
• 1:49:04
  Speaker 1: seem to be on board for Resident Evil. And what
• 1:49:07
  Speaker 1: is this one?
• 1:49:08
  Speaker 3: Afterlife. Afterlife.
• 1:49:11
  Speaker 1: Mostly it's in 3D.
• 1:49:14
  Speaker 3: Wesker is going to be in it. Chris Redfield.
• 1:49:17
  Speaker 1: We need to go see Mila in 3D. Mila.
• 1:49:20
  Speaker 3: Jovovich.
• 1:49:22
  Speaker 1: Jovovich, according to her.
• 1:49:23
  Speaker 6: I always thought it was Jovovich.
• 1:49:25
  Speaker 1: Until she said it. Crazy Jovovich girl.
• 1:49:28
  Speaker 3: There's silent things going on in there.
• 1:49:32
  Speaker 1: All right so that's the next two and i promise
• 1:49:35
  Speaker 1: you we will get to night of the creeps that's
• 1:49:37
  Speaker 1: the one we've pitched a couple times now and it
• 1:49:39
  Speaker 1: is already you know in the works we've got the
• 1:49:41
  Speaker 1: interview lined up so you know we've got the interview
• 1:49:44
  Speaker 1: already done.
• 1:49:44
  Speaker 3: Like i said more time for you all to watch.
• 1:49:46
  Speaker 1: For you to go watch it again re-watch it watch
• 1:49:48
  Speaker 1: it for the first time it's excellent whatever you need
• 1:49:51
  Speaker 1: to do it's an awesome movie so this shit out
• 1:49:52
  Speaker 1: of me first check it out All right. As far
• 1:49:57
  Speaker 1: as music, I think we should go out with the
• 1:49:59
  Speaker 1: big namesake of this movie. I don't think there's anything
• 1:50:01
  Speaker 1: more excess and appropriate than the Apple. Otherwise, that about
• 1:50:08
  Speaker 1: does it. We will return next week. Same geek time,
• 1:50:10
  Speaker 1: same geek feed.
• 1:50:11
  Speaker 3: Thanks for listening.
• 1:50:12
  Speaker 8: Thanks, guys.
• 1:50:12
  Speaker 3: Bye. Arrivederci.
• 1:50:31
  Speaker 10: Magic apple, mystery apple, take a little ride. Let me
• 1:50:36
  Speaker 10: be your guide through the apple paradise. Choo-choo apple, voodoo apple,
• 1:50:44
  Speaker 10: take a little bite. Spend a splendid night in our
• 1:50:48
  Speaker 10: garden of delight. It's a natural, natural, natural desire. Meet
• 1:50:57
  Speaker 10: an actual, actual, actual vampire. Let the apple set your soul.
• 1:51:03
  Speaker 1: On fire, fire, fire.
• 1:51:07
  Speaker 10: You'll be hypnotized and you'll be demonized, but you'll be paralyzed,
• 1:51:12
  Speaker 10: so you'll be victimized. You're fascinated, captivated, losing your mind
• 1:51:16
  Speaker 10: when we cast the apple eye on you.
• 1:51:20
  Speaker 3: Holy apple, sacred apple.
• 1:51:23
  Speaker 10: Take a little chance, get into a trance, and join
• 1:51:26
  Speaker 10: me in the Apple Dance.
• 1:51:28
  Speaker 7: Whoa!
• 1:51:28
  Speaker 9: Go, go!
• 1:51:31
  Speaker 10: Do it, do it, do it, do.
• 1:51:36
  Speaker 2: It, do it!
• 1:51:37
  Speaker 1: Hey, say it again, who's doing it?
• 1:51:41
  Speaker 3: Come on!
• 1:52:05
  Speaker 10: It's a natural, natural, natural desire. Get you higher, higher, higher.
• 1:52:15
  Speaker 10: Let the apple set your soul on fire, fire, fire.
• 1:52:21
  Speaker 10: You'll be hypnotized and you'll be demonized and you'll be
• 1:52:24
  Speaker 10: paralyzed and you'll be victimized. You're fascinated, captivated, losing your mind.
• 1:52:29
  Speaker 1: When we cross the.
• 1:52:30
  Speaker 3: Apple, I own you. Hold the apple. Mystery apple.
• 1:52:36
  Speaker 1: Juju apple. Oh, voodoo apple. Sacred apple.
• 1:52:40
  Speaker 6: Holy apple.
• 1:52:42
  Speaker 3: Trust the apple. Yeah, bite the apple.
• 1:52:46
  Speaker 5: Bite the apple.
• 1:52:48
  Speaker 1: Take the apple.
• 1:52:49
  Speaker 7: Whoa!
• 1:52:49
  Speaker 6: Whoa!
• 1:53:02
  Speaker 1: Take a bite.
• 1:53:05
  Speaker 2: Sorry, I'm going to have to give you a ticket.
• 1:53:08
  Speaker 11: Why?
• 1:53:08
  Speaker 3: Because you're not wearing the BIM mark. You know it's
• 1:53:10
  Speaker 3: obligatory now.
• 1:53:11
  Speaker 8: This show is a production of Movie Meltdown, produced and
• 1:53:14
  Speaker 8: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:53:18
  Speaker 8: To help support the show, email producer at moviemeltdown.com for
• 1:53:21
  Speaker 8: ways that you can contribute or advertise with us.