Latest / HEAVY Music Interviews / New Skeletal Faces Push Boundaries with Until the Night: Punk, Metal, and Gothic Fusion Redefined

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New Skeletal Faces Push Boundaries with Until the Night: Punk, Metal, and Gothic Fusion Redefined · HEAVY Music Interviews

• 0:00
  Speaker 1: I'm Eryl Fritz, the singer and guitarist of New Skeletal Faces.
• 0:08
  Speaker 2: Relliant, and I'm Don Void, the drummer slash second or
• 0:14
  Speaker 2: third guitarist on occasion and all that wonderful.
• 0:19
  Speaker 3: Great to have you guys. You guys just released Until
• 0:22
  Speaker 3: the Night. Can you tell us how it differs or
• 0:25
  Speaker 3: how it is in any way similar to Celestial Disease.
• 0:33
  Speaker 1: To me, it's it's different. I mean the songs are
• 0:40
  Speaker 1: a lot more catchy on this on this album, So
• 0:46
  Speaker 1: that's how it's different. It's just fucking catchier to me.
• 0:50
  Speaker 1: So yeah, that makes any sense.
• 0:53
  Speaker 2: Like I know, the way I've kind of seen it,
• 0:58
  Speaker 2: Celestial Disease kind of did a good job laying down
• 1:02
  Speaker 2: the groundwork of what New Skeletal Bases is. What I
• 1:06
  Speaker 2: like about Until the Night is that it branches and
• 1:10
  Speaker 2: pushes in every direction. You know, there's stuff on Until
• 1:14
  Speaker 2: the Night that's more punk, and stuff that's more that's
• 1:18
  Speaker 2: heavier than any songs like Pagan War is probably our
• 1:21
  Speaker 2: heaviest song. And then also though you've got like things
• 1:25
  Speaker 2: that I think are more even like death rock gothic
• 1:29
  Speaker 2: than anything on Social Disease, like an enchantment of my
• 1:33
  Speaker 2: inner Coldness being one.
• 1:35
  Speaker 3: Yeah, definitely, I definitely do that too on your latest release.
• 1:40
  Speaker 3: And this album is the first one you've done on
• 1:42
  Speaker 3: the peace Fill label. What does that mean to you
• 1:45
  Speaker 3: guys as a band.
• 1:49
  Speaker 1: I mean, this is the first time I've ever been
• 1:52
  Speaker 1: on like a label of this size, So it's a
• 1:57
  Speaker 1: it's a great It's a big deal for me.
• 2:00
  Speaker 2: So yeah, it's been huge.
• 2:03
  Speaker 3: Uh.
• 2:04
  Speaker 2: When we first started shopping the record, because we actually
• 2:08
  Speaker 2: wrote and recorded until the Night over a year ago,
• 2:13
  Speaker 2: and we shopped the record to every label imaginable. In Peaceville,
• 2:19
  Speaker 2: we're always at the top of our lists, so when
• 2:22
  Speaker 2: we found out that they were interested it, it was just,
• 2:26
  Speaker 2: you know, the easiest yes to ever say, because they
• 2:31
  Speaker 2: have such an incredible legacy. And one thing about Peaceville
• 2:34
  Speaker 2: is we're in such great company. There are no bad
• 2:38
  Speaker 2: bands on Peaceville. They really have an incredible roster.
• 2:43
  Speaker 3: Yeah, definitely, I think that must have felt maybe a
• 2:47
  Speaker 3: little bit like a Pinchbee moment being signed to them.
• 2:50
  Speaker 3: It's pretty amazing.
• 2:52
  Speaker 2: Yeah, it really was. I mean, when you're doing the
• 2:55
  Speaker 2: whole shopping a record thing, it can be very soul
• 3:00
  Speaker 2: killing because you get you know, some labels try to
• 3:05
  Speaker 2: change you. Some of them want you to wear costumes
• 3:08
  Speaker 2: like Midnight or Slipknot or whatever. Like you know that
• 3:13
  Speaker 2: you get all of these notes from these labels, and
• 3:16
  Speaker 2: Peaceville were one of the ones that immediately they just
• 3:20
  Speaker 2: immediately understood what we were and they've been great about
• 3:26
  Speaker 2: working with us. I mean, if you see the record
• 3:29
  Speaker 2: is really like everything that we had always written and
• 3:33
  Speaker 2: designed it to be.
• 3:35
  Speaker 3: Yeah, definitely. So it feels very honest and like they
• 3:38
  Speaker 3: didn't want you to change so much, you know, like
• 3:40
  Speaker 3: they would maybe not them, but how other record labels
• 3:43
  Speaker 3: would like yeah bands.
• 3:45
  Speaker 2: Yeah, I'm honestly shocked that they said yes to everything.
• 3:49
  Speaker 2: You know, the front covers in gold foil, the record
• 3:53
  Speaker 2: as a poster. We got that Starlight vinyl variant. Like
• 3:58
  Speaker 2: just everything we asked for we got. So it's you know,
• 4:02
  Speaker 2: what more can you want? Yeah?
• 4:05
  Speaker 3: That's awesome and you're very untalented talented. Eryl Fritz did
• 4:09
  Speaker 3: the album artwork for Until the Midnight. Do you guys
• 4:13
  Speaker 3: all come together to decide on what the album artwork
• 4:16
  Speaker 3: will be or is it just all from Errol's mind?
• 4:22
  Speaker 2: Yeah?
• 4:22
  Speaker 1: I mean I just paint the fucking picture and then.
• 4:27
  Speaker 2: There it is.
• 4:28
  Speaker 1: Then they either like it or they don't.
• 4:29
  Speaker 2: We all agree if we want that or not.
• 4:31
  Speaker 1: I only I think I it was I didn't have
• 4:35
  Speaker 1: like multiple paintings that we chose from. I think I
• 4:40
  Speaker 1: just did this one and they we're like, yeah, that's it.
• 4:43
  Speaker 1: I had another idea, but it ended up being in
• 4:47
  Speaker 1: the insert of the lyric sleeve and shit.
• 4:52
  Speaker 2: So I don't know.
• 4:53
  Speaker 1: Yeah, I didn't have like multiple options. I just kind
• 4:57
  Speaker 1: of did that and I kind of created a formmat
• 5:00
  Speaker 1: and then we kind of fucking rolled with that.
• 5:02
  Speaker 2: So yeah, this one and Extinction really fell into place.
• 5:08
  Speaker 2: There wasn't. I mean the minute you showed us those
• 5:13
  Speaker 2: sick paintings of yours, we just we knew that they
• 5:16
  Speaker 2: were the ones. Yeah, I was. I was a little.
• 5:21
  Speaker 1: Like uneasy about creating the album cover because the last cover,
• 5:29
  Speaker 1: well for slectial Disease is kind of hard to top
• 5:32
  Speaker 1: that and stuff. So I was like, fuck, well what
• 5:36
  Speaker 1: am I gonna do for this one? And it was
• 5:38
  Speaker 1: actually pretty simple. I mean, like, if you look at
• 5:40
  Speaker 1: the painting, it's just like there's not a whole lot
• 5:45
  Speaker 1: going on, but it says a lot.
• 5:48
  Speaker 3: It does the eye, it's really and it's got a
• 5:51
  Speaker 3: lot of emotion to.
• 5:52
  Speaker 2: It as well.
• 5:54
  Speaker 1: Yeah, sometimes simplicity is better, you know than having like
• 6:00
  Speaker 1: all on orchestrated like masterpiece or whatever, of like a
• 6:07
  Speaker 1: huge scenery. Sometimes all you need is just something very
• 6:10
  Speaker 1: like simple and striking, you know.
• 6:12
  Speaker 2: Yeah, I know. It's always been deliberate with us too,
• 6:16
  Speaker 2: that we want to make records that if we were
• 6:20
  Speaker 2: in a record store flipping through records, that ours would
• 6:24
  Speaker 2: always stand out. So if you notice, none of our
• 6:26
  Speaker 2: records have ever been black or white, like the covers,
• 6:32
  Speaker 2: always a little bit off, a little different, And that's
• 6:36
  Speaker 2: been a conscious effort. We want to make records that
• 6:38
  Speaker 2: stand out, you know, because we do buy records ourselves.
• 6:43
  Speaker 3: Yeah, no, I think you guys definitely do that. And
• 6:45
  Speaker 3: that's what you know. I doubled in a little bit
• 6:48
  Speaker 3: of art myself, but that's what really caught my eye
• 6:51
  Speaker 3: was this artwork. I was like, first of all, who
• 6:54
  Speaker 3: did that? And then to find out it was Errol,
• 6:56
  Speaker 3: I was like, oh my god, that's amazing.
• 7:00
  Speaker 2: Yeah.
• 7:01
  Speaker 1: I did the the cover on the Sextinction eph Yeah,
• 7:08
  Speaker 1: it is right here, very dark in my room, so
• 7:11
  Speaker 1: you can't really see it, but it's right there. It's
• 7:15
  Speaker 1: a lot bigger than seven inches.
• 7:18
  Speaker 3: Yeah, that's mad. Can you guys tell us a little
• 7:22
  Speaker 3: bit more about Ossuary Lost? I probably said that wrong.
• 7:27
  Speaker 3: And where it was filmed.
• 7:29
  Speaker 1: I was filmed in a in a church which is
• 7:33
  Speaker 1: located in a cemetery like five minutes from my place.
• 7:40
  Speaker 1: And yeah, we just fucking we broke into this little
• 7:43
  Speaker 1: chapel and we just started filming and nobody stopped us.
• 7:49
  Speaker 1: No priests walked in and tried to throw.
• 7:54
  Speaker 2: Holy water on us or whatever the fuck. I think
• 7:56
  Speaker 2: there were too scared.
• 7:58
  Speaker 1: They have cameras in there, so I'm sure they they
• 8:00
  Speaker 1: knew what was happening, but they're probably there's some exorcism
• 8:05
  Speaker 1: going on. You can't disturb that, you know, or they're
• 8:08
  Speaker 1: just it was in a cemetery, so they're like, oh there,
• 8:11
  Speaker 1: maybe they're mourning. This is how they mourn. They just
• 8:14
  Speaker 1: fucking they crawl over the ground and ship so they
• 8:19
  Speaker 1: can't judge us. I mean, no, n.
• 8:23
  Speaker 3: Oh, that's awesome. So you did actually break in because
• 8:26
  Speaker 3: I read that you guys broke into that church, but
• 8:28
  Speaker 3: so you actually that's that's pretty cool.
• 8:31
  Speaker 2: We were definitely not welcomed there. And then, uh, in
• 8:34
  Speaker 2: the until the Night video, there were many crimes committed
• 8:40
  Speaker 2: on camera, even you know, you can't legally throw them
• 8:45
  Speaker 2: on of cocktails around town.
• 8:47
  Speaker 3: You know, yes, well maybe we shouldn't talk about that
• 8:52
  Speaker 3: on all the crimes you've committed. The new album is
• 8:59
  Speaker 3: also by Bill Mottoya. What was that like working with him?
• 9:04
  Speaker 2: Well, that was that was incredible. And again, so we
• 9:08
  Speaker 2: had written the album, I want to say, the majority
• 9:12
  Speaker 2: of it in twenty twenty and twenty twenty one. We
• 9:14
  Speaker 2: recorded it with Bill ourselves. We self funded the recording
• 9:19
  Speaker 2: and we did it, I want to say, in the
• 9:22
  Speaker 2: end of twenty twenty two, twenty twenty three, So the
• 9:26
  Speaker 2: record was recorded over a little over a year ago.
• 9:30
  Speaker 2: But Bill was the most obvious. Again, just like how Peaceful,
• 9:35
  Speaker 2: was such a quick yes for us to work with
• 9:38
  Speaker 2: Bill Motoya. The guy's legend. His resume speaks for itself,
• 9:44
  Speaker 2: you know, the early Slayer and Wasp, and I mean
• 9:48
  Speaker 2: he practically pioneered the Los Angeles heavy sound. And then
• 9:54
  Speaker 2: on top of that too, Bill is just so much fun.
• 9:57
  Speaker 2: We we hit it off with Bill all every time
• 10:01
  Speaker 2: we're around Hollywood, we'll just go to his house and
• 10:04
  Speaker 2: you know, get wild and drink cheap vodka with them.
• 10:08
  Speaker 3: That's awesome. Yeah, there's no better person than to have
• 10:11
  Speaker 3: produced And it's lucky that you've been able to get
• 10:13
  Speaker 3: in contact with him and put it to him.
• 10:17
  Speaker 2: Yeah. Yeah, we got lucky that all came through our
• 10:20
  Speaker 2: through our manager, who's the singer of cal Decapitation. They
• 10:24
  Speaker 2: did a record with Bill.
• 10:26
  Speaker 3: Yeah. What sets New Skeletal Faces apart from the trending
• 10:31
  Speaker 3: artists of today?
• 10:35
  Speaker 1: I mean almost everything? Everything, I mean because we're going
• 10:44
  Speaker 1: against the grain of like goth and metal and punk,
• 10:48
  Speaker 1: so and those are all the genres that we kind
• 10:51
  Speaker 1: of encompass or whatever, So we don't really fit into
• 10:57
  Speaker 1: either current trends of those genres. So, like our music
• 11:07
  Speaker 1: is better heard than described. So it's like it's really
• 11:11
  Speaker 1: hard to really talk about, like what is it that
• 11:16
  Speaker 1: sets us apart and stuff like you know, So, I
• 11:21
  Speaker 1: don't know, We're just we're too heavy for goth and
• 11:25
  Speaker 1: then we're too goth for metal, and I don't know,
• 11:29
  Speaker 1: we're not political enough for punk. So but I don't know,
• 11:34
  Speaker 1: Like people seem to like it.
• 11:37
  Speaker 2: One of my favorite quotes is I saw someone said
• 11:41
  Speaker 2: that New Skeletal Faces concerts are where goths go to
• 11:45
  Speaker 2: get beat up in the marsh Pin and I appreciate that.
• 11:51
  Speaker 3: Yeah, I was gonna say, I think it's hard as
• 11:53
  Speaker 3: a listener to put you guys into a box and
• 11:55
  Speaker 3: say that you're definitely this genre or that genre. I
• 11:59
  Speaker 3: think you got as are kind of creating your own
• 12:02
  Speaker 3: sort of movement, which is really cool as well, because
• 12:05
  Speaker 3: you it seems like you guys take inspiration from a
• 12:08
  Speaker 3: whole bunch of different artists on that. Can you tell
• 12:13
  Speaker 3: me some of your inspirations.
• 12:15
  Speaker 1: Musically, Celtic Frost, Killing Joe, David Bowie, til the Cure,
• 12:31
  Speaker 1: I know that's just the name a few.
• 12:34
  Speaker 2: Yeah. You know, it's an interesting thing now because it
• 12:45
  Speaker 2: seems that almost none of the goths seemingly are aware
• 12:49
  Speaker 2: that Roz's second band, Shadow Project, was bridging goth and
• 12:54
  Speaker 2: metal in the eighties. So obviously we're aware of that,
• 12:59
  Speaker 2: and you know, with new skeletal bases, we're bringing in
• 13:02
  Speaker 2: a lot of a lot of influence. I think we're
• 13:07
  Speaker 2: all big fans of that catalyst period in like the
• 13:12
  Speaker 2: early eighties to about like we'll say, like eighty one
• 13:15
  Speaker 2: to like eighty seven, when genres were all forming and
• 13:20
  Speaker 2: like genre lines didn't really mean as much because in
• 13:23
  Speaker 2: that time period is when you got everything that we love.
• 13:26
  Speaker 2: You got The Cure, you got Motley Crue, you got
• 13:30
  Speaker 2: Bathory and Venom like Celtic Frost at all. Yeah, Christian
• 13:34
  Speaker 2: Death forty five grade. They all spawned at that same time,
• 13:40
  Speaker 2: and they were all listening to each other too. I meant,
• 13:43
  Speaker 2: most of the old black metal guys were big fans
• 13:46
  Speaker 2: of Sisters of Mercy and Suzing, the Banshees and all that.
• 13:50
  Speaker 3: Yeah, definitely, Yeah, No, I think that's really a good point,
• 13:54
  Speaker 3: is that everyone takes inspiration from everyone, and like you
• 13:59
  Speaker 3: said it, it's hard hard to define. Like the genres
• 14:03
  Speaker 3: at the moment mean a lot to people, but it's
• 14:05
  Speaker 3: hard when you don't fit into one certain box. Or Yeah,
• 14:09
  Speaker 3: what's the key to keeping a band together?
• 14:13
  Speaker 1: Oh well, we can barely keep our band together.
• 14:19
  Speaker 2: Lucky, there's only three of us. I mean, truth truthfully,
• 14:23
  Speaker 2: I do. I've always kind of ended up in three pieces,
• 14:27
  Speaker 2: and I find that that's like almost a magical number. Uh,
• 14:32
  Speaker 2: too many members and things get really complicated and then
• 14:37
  Speaker 2: there's just too much inspiration, like too much influence coming
• 14:42
  Speaker 2: from other areas. But I don't know, I mean, because
• 14:46
  Speaker 2: we've we've been doing this now like seven years for
• 14:49
  Speaker 2: the Scolptic bass, which is uh, I don't know. I
• 14:54
  Speaker 2: get asked that sometimes by like other bands, and the
• 14:58
  Speaker 2: honest answer is, I don't know.
• 15:01
  Speaker 3: Do you think good communication obviously? Like you guys, I
• 15:04
  Speaker 3: mean you will get along as I presume.
• 15:08
  Speaker 1: Yeah, I mean, I mean communication is a big part
• 15:13
  Speaker 1: of it. You know when if someone doesn't communicate in
• 15:17
  Speaker 1: the band, it's it's a big problem. Yeah, I can imagine.
• 15:25
  Speaker 3: What did the name New Skeletal Faces come from?
• 15:27
  Speaker 1: You probably orches straight?
• 15:29
  Speaker 2: The name, like.
• 15:32
  Speaker 1: You know, it just literally just came to me, like
• 15:37
  Speaker 1: and it just sounded cool, like honestly, like.
• 15:42
  Speaker 2: Extraterrestrial like yeah, if.
• 15:44
  Speaker 4: You want to, Yeah, the the meaning of the name
• 15:50
  Speaker 4: kind of came after it or I don't know, but
• 15:55
  Speaker 4: like New Skeletal Faces is kind.
• 15:57
  Speaker 1: Of like a a new like species, uh huh that
• 16:07
  Speaker 1: are not human that sort of take over the earth.
• 16:11
  Speaker 1: I don't know. I just feel like humans are very
• 16:13
  Speaker 1: insignificant and these Skeletal Faces are like a superior entity
• 16:24
  Speaker 1: from another dimension.
• 16:26
  Speaker 3: You know, yes, no, no, that's really cool.
• 16:30
  Speaker 2: I like that.
• 16:32
  Speaker 3: And what do you what impression do you guys? Hope
• 16:35
  Speaker 3: you'll leave on listeners?
• 16:41
  Speaker 2: Let you go.
• 16:43
  Speaker 1: I mean when when you listen to the music, I
• 16:45
  Speaker 1: want you to, like, you know, feel something like when
• 16:50
  Speaker 1: I listen to music, uh, you know, it makes me
• 16:54
  Speaker 1: want to fucking do something, you know, hum like physical
• 17:01
  Speaker 1: or something like. You know, So it's better when the
• 17:04
  Speaker 1: music is it's not you're not just listening to it, like,
• 17:10
  Speaker 1: but when you listen to it, maybe you want to.
• 17:13
  Speaker 1: I don't know, it'll make you either want to dance
• 17:15
  Speaker 1: or dress a certain way or act a certain way,
• 17:20
  Speaker 1: live a certain lifestyle. So to me, like our music
• 17:25
  Speaker 1: sort of it kind of pops out of the canvas,
• 17:28
  Speaker 1: and I want like that to I want people when
• 17:31
  Speaker 1: they listen to it to like sort of become the
• 17:34
  Speaker 1: music that they're hearing.
• 17:36
  Speaker 3: Yeah, that's awesome and like really feel it, I guess
• 17:39
  Speaker 3: as well as what I'm getting from that.
• 17:43
  Speaker 2: Yeah, yeah, that's where I just hope that people feel
• 17:49
  Speaker 2: something sometimes that you know, can be good or bad.
• 17:53
  Speaker 2: But I think things are just so mundane lately. And
• 18:00
  Speaker 2: you know, I'm no expert on the current happenings in music,
• 18:05
  Speaker 2: but a lot of what I hear doesn't really inspire
• 18:09
  Speaker 2: me or like a lot of things don't have a
• 18:13
  Speaker 2: lot of impact, So I hope that we do, and
• 18:17
  Speaker 2: you know that could be positive or negative.
• 18:21
  Speaker 3: Yeah, no, that's a really good answer to I think. Yeah,
• 18:25
  Speaker 3: I feel the same way definitely that a lot of things,
• 18:28
  Speaker 3: particularly a lot of music that at the moment does
• 18:31
  Speaker 3: not really garner a reaction from me. So it has
• 18:34
  Speaker 3: to hit hard on an emotional level or you know,
• 18:37
  Speaker 3: otherwise I have to connect with it, Yeah, to really
• 18:40
  Speaker 3: get something from it. New Skeletal Faces mean to both of.
• 18:45
  Speaker 2: You practically consumed our lives for the last seven years.
• 18:52
  Speaker 2: So it's pretty pretty significant thing. And I think things
• 18:56
  Speaker 2: are just only continuing to spread, like some sort of virus.
• 19:02
  Speaker 2: So it's just gonna get bigger and dirtier. I don't know,
• 19:09
  Speaker 2: but it's it's definitely an all encompassing thing. That's one
• 19:13
  Speaker 2: thing about being a three piece is like literally everything
• 19:17
  Speaker 2: you see that the band does, it all comes from us.
• 19:22
  Speaker 2: You know, our earlier music videos like the Banshee Sex
• 19:28
  Speaker 2: two one. We filmed it, we edited it, you know,
• 19:33
  Speaker 2: all of our like design elements on our records. It's
• 19:37
  Speaker 2: all just done by us, primarily Errol and I pretty
• 19:42
  Speaker 2: much handle everything when it comes to this band. Wow.
• 19:48
  Speaker 3: Yeah, So it's definitely like a big DIY for you
• 19:51
  Speaker 3: guys in terms of doing absolutely everything, and that really
• 19:55
  Speaker 3: resonates with audiences as well and fans. They can see
• 19:58
  Speaker 3: when you've done everything yourself and you not always pushed
• 20:01
  Speaker 3: by a label and things like that. That's really awesome.
• 20:04
  Speaker 2: Yeah. With the new record, we delivered like we delivered
• 20:10
  Speaker 2: it to Peaceville as like I mean, Errol painted it.
• 20:16
  Speaker 2: All of the graphic design was done in house, like
• 20:20
  Speaker 2: I did it all on this same computer. We delivered
• 20:23
  Speaker 2: a full wreck to them, like none of it came
• 20:27
  Speaker 2: from anywhere else. And that's always been the way. I mean,
• 20:31
  Speaker 2: I can't really see us ever shying away from that
• 20:34
  Speaker 2: sort of DIY mentality, you know, I mean especially too
• 20:40
  Speaker 2: with everyone mess around with things like AI and all that,
• 20:43
  Speaker 2: Like we're just not interested in that. We'd rather do
• 20:46
  Speaker 2: things the old way. Yeah. Should have some pretty uh
• 20:50
  Speaker 2: big announcements coming so soon. And when we recorded Until
• 20:56
  Speaker 2: the Night, we actually there was four tracks that are
• 21:00
  Speaker 2: not on the full length. You know, you always write
• 21:03
  Speaker 2: and record more than what's on the record, Yeah, So
• 21:07
  Speaker 2: one of those tracks will be coming out very early
• 21:12
  Speaker 2: next year, which is an unreleased song and unreleased original too.
• 21:17
  Speaker 2: And then Yeah, there's gonna be a lot more touring
• 21:22
  Speaker 2: and a lot going on with this band. Yeah, fantastic.
• 21:26
  Speaker 3: We really hope we can catch you sometime in Australia,
• 21:29
  Speaker 3: like we were talking about earlier. Yeah, I know the
• 21:32
  Speaker 3: logistics of that is huge, but sometime we're all, yeah,
• 21:35
  Speaker 3: you'd have a big crowd here. We all love you guys.
• 21:38
  Speaker 2: We'd love to get down there. Like I told you,
• 21:41
  Speaker 2: I've been on the West coast of Australian. I loved it.
• 21:44
  Speaker 2: It was such a great time. But and you know,
• 21:48
  Speaker 2: us being a smaller band, just being three people, it's
• 21:52
  Speaker 2: not I wouldn't say it's out of the cards to
• 21:55
  Speaker 2: think we couldn't get down there, you know at some point.
• 21:58
  Speaker 3: Yeah, awesome. And where can we watch and stream your
• 22:04
  Speaker 3: music and keep up with new skuletal faces?
• 22:08
  Speaker 2: YouTube, Instagram?
• 22:11
  Speaker 1: Uh, we're on everything, Spotify, like yeah, so I don't
• 22:18
  Speaker 1: even know.
• 22:19
  Speaker 2: Yeah, I'm not even aware of all the places you
• 22:22
  Speaker 2: can stream us, but it's everywhere. I mean, it's services
• 22:25
  Speaker 2: I've never even heard of. But bars keeping up with
• 22:29
  Speaker 2: the band. The most updated places are always gonna be
• 22:34
  Speaker 2: the band's Instagram and then like our website is actually
• 22:39
  Speaker 2: I keep that pretty up to date, like you could
• 22:41
  Speaker 2: go on there and see uh flyers from every single
• 22:45
  Speaker 2: show we've ever played. Sorry, but yeah, we're doing the
• 22:49
  Speaker 2: Pacific Northwest. These are wrapping up our record release shows.
• 22:53
  Speaker 2: We've announced that we have Las Vegas. Uh well that's
• 22:57
  Speaker 2: in two weeks. I don't know if you're even aware
• 22:59
  Speaker 2: of it at earl two weeks. So we have that
• 23:03
  Speaker 2: and then come around February, you should see a lot
• 23:07
  Speaker 2: more coming up with us. Pretty much from February till summer.
• 23:12
  Speaker 2: We're just gonna people are gonna be tired of hearing
• 23:15
  Speaker 2: our name.
• 23:18
  Speaker 3: That's good. Well, thank you guys so much for sitting
• 23:20
  Speaker 3: down with us at Heavy today. We hope you have
• 23:22
  Speaker 3: a wonderful future ahead of you touring and we look
• 23:25
  Speaker 3: forward to seeing more from you.
• 23:27
  Speaker 2: Thank you, thank you,