Latest / DISGRACELAND / Bonus Episode: Suppressing the Truth, A Brother Under the Bus, and Profit as Virtue
Transcript
- 0:00Speaker 1: Hey disco's, You can listen to an extended version of
- 0:02Speaker 1: this after party episode by becoming a member of Disgraceland
- 0:06Speaker 1: All Access. Just go to disgracelandpod dot com slash membership
- 0:11Speaker 1: for more details and to sign up. Hey guys, welcome
- 0:15Speaker 1: to Disgraceland, which is brought to you by Double Elvis.
- 0:18Speaker 1: This week, we have a brand new episode on r
- 0:20Speaker 1: Kelly that's in our Disgraceland feed and for our All
- 0:24Speaker 1: Access members and our Patreon and Apple subscription feeds. If
- 0:28Speaker 1: you haven't heard our recent episode on Chris Cornell, you
- 0:30Speaker 1: can check that out now. That's available for you over there.
- 0:33Speaker 1: Make sure you're all signed up for our all Access
- 0:35Speaker 1: content either on Apple Podcasts or on Patreon to here
- 0:39Speaker 1: that episode, along with other exclusive episodes and content an
- 0:43Speaker 1: over in the feed for music Land Stories. That's the
- 0:45Speaker 1: fiction show for kids and families that my company Double
- 0:48Speaker 1: Elvis produces in partnership at Starglow Media. We just launched
- 0:52Speaker 1: season three, our Evergreen season, which takes place in the jungle.
- 0:57Speaker 1: Search up music Land Stories and give that a follow
- 0:59Speaker 1: up if you have not already. Hey discos, need a
- 1:05Speaker 1: little more Disgraceland in your life, just to touch to
- 1:08Speaker 1: get you through.
- 1:09Speaker 2: Yeah me too.
- 1:11Speaker 1: This is the podcast that comes after the podcast. Welcome
- 1:14Speaker 1: to Disgraceland, The after Party. Welcome to the Disgraceland bonus episode,
- 1:34Speaker 1: a little thing we'd like to call the after Party.
- 1:37Speaker 1: This is the show after the show, the party after
- 1:39Speaker 1: the party, the bridge to get you from one full
- 1:42Speaker 1: episode of Disgraceland to the other, the backyard to dig
- 1:45Speaker 1: into the dirt. On this bonus episode, we are talking
- 1:49Speaker 1: about our brand new episode on R Kelly, the sources
- 1:53Speaker 1: that we used for this episode, which helped us uncover
- 1:55Speaker 1: a wild story about R Kelly's legal strategy that we
- 1:59Speaker 1: were unable to use in this full episode. We're also
- 2:02Speaker 1: talking about the truth, why it matters, and how we
- 2:05Speaker 1: get to it in this day and age.
- 2:07Speaker 2: We're talking about Rick Ruben as well. You're going to
- 2:09Speaker 2: want to hear that.
- 2:09Speaker 1: And of course we've got your voicemails, text and more,
- 2:12Speaker 1: and as always, a whole lot of Rosie.
- 2:14Speaker 3: All right, disc goes, let's get into it, all.
- 2:29Speaker 1: Right, guys, I'm writing this week about Tom DeLong from
- 2:32Speaker 1: Blink twenty two, and I'm trying not to think about
- 2:35Speaker 1: R Kelly. I don't want to think about R Kelly,
- 2:37Speaker 1: I don't want to think about Diddy. I gotta get
- 2:39Speaker 1: my head out of this, the abuse, out of the darkness.
- 2:43Speaker 1: The Tom DeLong thing is inspiring in a lot of ways.
- 2:47Speaker 1: You'll find out in a couple months when we released
- 2:49Speaker 1: this episode what I'm talking about. One of the things
- 2:52Speaker 1: you'll find out, of course, is that he has dedicated
- 2:54Speaker 1: his life to finding and delivering the truth at great expense,
- 2:58Speaker 1: personal expense and professional to him. You're also going to
- 3:01Speaker 1: find that there are very powerful people in the world
- 3:03Speaker 1: who are dedicated to you never hearing the truth. In
- 3:07Speaker 1: the case of Tom DeLong and disclosure around UFOs and UAPs,
- 3:13Speaker 1: the suppression of truth is overt. But in other ways,
- 3:16Speaker 1: as I humbly continue my journey writing and making podcasts
- 3:21Speaker 1: and telling stories based on the open source research that
- 3:24Speaker 1: me and my team do here, what I'm finding is
- 3:27Speaker 1: that there's a much more sinister mechanism of suppressing the truth.
- 3:32Speaker 2: It's systemic.
- 3:33Speaker 1: When we live in a world where a handful of
- 3:35Speaker 1: corporations control our media, it becomes very easy for them
- 3:39Speaker 1: to develop mechanisms or systems that keep certain stories buried
- 3:44Speaker 1: and perpetuate narratives versions of the truth. If you will
- 3:47Speaker 1: that are much more acceptable and frankly, as a content creator,
- 3:51Speaker 1: as a storyteller, it's fucking maddening.
- 3:54Speaker 2: Here's what I mean.
- 3:55Speaker 1: Instagram or Meta, their parent company rather, is hell bent
- 3:59Speaker 1: on provide a quote unquote safe platform where everyone feels welcome. Now,
- 4:04Speaker 1: on its face, who doesn't want that? It sounds great, However,
- 4:09Speaker 1: it's a crock. What they really want is the biggest
- 4:12Speaker 1: network possible with the most amount of people using it
- 4:15Speaker 1: for as long as possible, so that they can maximize
- 4:18Speaker 1: their revenue AD revenue. The safer the platform, the more
- 4:22Speaker 1: people use it, the bigger the audience they get, and
- 4:25Speaker 1: the more profit they generate. Instagram, YouTube, even X to
- 4:29Speaker 1: some extent, all have some version of this where they
- 4:33Speaker 1: compel you to play by their rules and when it
- 4:35Speaker 1: comes to storytelling, that means coloring within the lines. Again,
- 4:39Speaker 1: at face value, this sounds like a good thing, but
- 4:41Speaker 1: here's an example of where this quickly goes off the rails.
- 4:45Speaker 1: Remember the Garth Brooks episode that we made and released
- 4:47Speaker 1: a couple of months ago where we had fun with
- 4:49Speaker 1: the conspiracy theory that Garth is a serial killer, where
- 4:53Speaker 1: we were obviously tongue in cheek about it. In promoting
- 4:56Speaker 1: that podcast episode on Instagram, I shared a photo on
- 4:59Speaker 1: my stories of Jeffrey Dahmer, not text. There was no context.
- 5:04Speaker 1: I was intending to post a series of serial killer
- 5:06Speaker 1: mugshots and chicily end on an image of Garth with
- 5:10Speaker 1: a question mark. But as soon as I posted that
- 5:12Speaker 1: Jeffrey Dahmer photo again, just the mugshot, I was flagged
- 5:16Speaker 1: by Instagram within seconds and thrown it in quote unquote
- 5:19Speaker 1: Instagram jail, which means that none of my posts reach
- 5:23Speaker 1: anyone outside of my followers. So if you're not following
- 5:25Speaker 1: me on Instagram, you're never going to see anything that
- 5:27Speaker 1: I post. It's never going to come up in your feed,
- 5:30Speaker 1: which is fucking ridiculous. Part of the reason that I
- 5:32Speaker 1: commit to creating content on Instagram with my own money,
- 5:35Speaker 1: by the way, is to reach people who don't yet
- 5:39Speaker 1: know about Disgraceland. Instagram doesn't pay me, and even if
- 5:43Speaker 1: I was monetizing my Instagram content, another one of the
- 5:47Speaker 1: penalties for posting that Dahmer image is demonetization. Now I
- 5:51Speaker 1: remain in Instagram jail because some AI censorship system caught
- 5:55Speaker 1: a Dohmer image. It was prompted to recognize and threw
- 5:57Speaker 1: me in the huscal. This is the second time this
- 6:00Speaker 1: has happened to me, and frankly, I should have known better. Okay,
- 6:03Speaker 1: the last time was in twenty twenty, when I posted
- 6:05Speaker 1: an image of Charles Manson to promote the Manson episode
- 6:08Speaker 1: of Disgrace and that we released. Now, this instance was
- 6:11Speaker 1: worse because it took me about a year for me
- 6:13Speaker 1: to even realize that I was being shadow band and
- 6:16Speaker 1: the explanation that I got from Instagram was that I
- 6:18Speaker 1: was promoting a cult by posting an image of Charles
- 6:21Speaker 1: Manson to promote my damn podcast. Do you realize how
- 6:26Speaker 1: fucking dumb this is? Believe me, I realize how stupid
- 6:30Speaker 1: it sounds. And I promise you that I'm not just
- 6:32Speaker 1: complaining here, and then I'm leading up to something. And
- 6:35Speaker 1: here it is. Here's the point, here's the truth of it.
- 6:37Speaker 1: Key emphasis on the word truth. Instagram will tell you
- 6:42Speaker 1: that it's out of an abundance of caution that they
- 6:44Speaker 1: censor such posts so that the quote unquote community remains
- 6:48Speaker 1: safe for all, which is utter bullshit. Tell me how
- 6:51Speaker 1: mugshot photos of Charles Manson and Jeffrey Dahmer are harmful
- 6:55Speaker 1: to the community.
- 6:56Speaker 2: You can't.
- 6:57Speaker 1: This is about profit seeing their profit margin by disguising
- 7:02Speaker 1: their efforts as virtue. Now, the result, in my case,
- 7:07Speaker 1: in the case of the Manson photo anyway, the result
- 7:10Speaker 1: isn't just that I didn't get to post a photo
- 7:12Speaker 1: of Charles Manson. The result is that the truth is
- 7:16Speaker 1: prevented from coming out because in that episode that we
- 7:20Speaker 1: produced on Charles Manson, that's exactly.
- 7:22Speaker 2: What we tell the truth.
- 7:24Speaker 1: Our story directly refutes the accepted historical narrative put forth
- 7:29Speaker 1: by Vincent Bugliosi and Helter Skelter. And our story is
- 7:32Speaker 1: based on facts, not facts that I uncovered. Again, we
- 7:36Speaker 1: do open source research here. We are not journalists, We
- 7:39Speaker 1: are storytellers. For that episode, our facts came from, among
- 7:42Speaker 1: other sources, Tom O'Neil's Chaos, a book he spent decades researching,
- 7:49Speaker 1: a book that he quite literally ruined his life while
- 7:53Speaker 1: making because he was making it. A book that provides
- 7:56Speaker 1: a detailed account of endless sources that completely disrupt what
- 8:01Speaker 1: the public believes to be the truth about Charles Manson
- 8:04Speaker 1: and the Tate LaBianca murders. Now, I'm not trying to
- 8:08Speaker 1: aggrandize myself.
- 8:10Speaker 2: Or what we do here.
- 8:11Speaker 1: But true stories need to be told by as many
- 8:15Speaker 1: people as possible for the public to accept them as
- 8:18Speaker 1: being the actual truth. Okay, remember when the majority of
- 8:22Speaker 1: Americans believe that John F. Kennedy was killed because of
- 8:24Speaker 1: the so called truth the single bullet theory. That belief
- 8:28Speaker 1: lasted thirty some odd years. It took Oliver Stone, Jerry Seinfeld,
- 8:33Speaker 1: Glenn Danzig, and countless other like mindeds of versus to
- 8:36Speaker 1: beat the drum of the truth while being called conspiracy
- 8:39Speaker 1: theorists the entire time, until finally we've arrived where we
- 8:43Speaker 1: are now, which is that nobody who has paid any
- 8:45Speaker 1: attention whatsoever actually believes that Kennedy was killed by a
- 8:49Speaker 1: single bullet from a single gunman. So now, when we
- 8:53Speaker 1: use systemic censorship that puts profit over the truth, then
- 8:56Speaker 1: we as a society are ultimately fucked. In the long run,
- 9:01Speaker 1: two hundred years from now, people will be believing that
- 9:03Speaker 1: John F. Kennedy died of a headache if we aren't careful,
- 9:06Speaker 1: because showing what happened on Dealey Plaza will be too triggering. Guys,
- 9:10Speaker 1: we are living in the corporate media hellscape that the
- 9:13Speaker 1: punk rockers in the nineteen eighties warned us about and
- 9:16Speaker 1: no one seems to care.
- 9:18Speaker 2: That's not true. I care, you care. That's why you're here.
- 9:22Speaker 2: This is what we do. This is what we are.
- 9:24Speaker 1: Going to continue to do to bring you the stories
- 9:27Speaker 1: that they do not want you to hear. I don't
- 9:30Speaker 1: know how, but I'm hell bent on fighting for it.
- 9:33Speaker 1: The truth is just more interesting. And I'm not the
- 9:35Speaker 1: only one who thinks that way. And the irony of
- 9:38Speaker 1: all ironies. Here's Rick Rubin on his podcast Tetragrammaton last
- 9:43Speaker 1: week talking to Tom O'Neill, author of the book I
- 9:46Speaker 1: just mentioned Chaos Charles Manson, the CIA in The Secret
- 9:49Speaker 1: History of the Sixties. Here's Rick Rubin talking to that
- 9:53Speaker 1: Tom O'Neill about Disgraceland.
- 9:57Speaker 4: Did you hear the Disgraceland podcast episode about Manson? It's
- 10:02Speaker 4: a cool podcast, and there's a story about what was
- 10:05Speaker 4: happening at the tape house that's much different than the
- 10:09Speaker 4: story that we know involved kind of ritual crazy stuff.
- 10:14Speaker 5: What's interesting is if they're saying that happened when Roman
- 10:18Speaker 5: was leasing it. He and Cheron moved in to the
- 10:21Speaker 5: very last day of February or first week of March,
- 10:24Speaker 5: and then by the fourth week of March, he went
- 10:27Speaker 5: off to London to begin working on an adaptation of
- 10:31Speaker 5: Day of the Dolphin that he wanted to direct. And
- 10:34Speaker 5: I do write about I wonder if how long ago
- 10:36Speaker 5: was the podcast like in the last couple of years, the.
- 10:38Speaker 4: Best couple of years. It's really interesting. You'll like it.
- 10:40Speaker 5: Oh no, I'm going to find it.
- 10:41Speaker 1: Yeah, mind blowing. Okay, I'm not going to get into it.
- 10:46Speaker 1: I went I did this whole thing on Instagram about
- 10:48Speaker 1: how this blew my mind.
- 10:49Speaker 2: You can check it out, Okay.
- 10:50Speaker 1: But since that that went up, and since I heard
- 10:53Speaker 1: about it, I've since spoken to Tom O'Neill about this,
- 10:58Speaker 1: about what they're talking about here, okay, And Tom has
- 11:01Speaker 1: since listened to the Manson episode that Rick is telling
- 11:03Speaker 1: him about here that I was talking about earlier that
- 11:05Speaker 1: same episode, and Tom told me the episode was quote
- 11:08Speaker 1: unquote great stuff. So if me talking about Charles Manson
- 11:12Speaker 1: is good enough for Tom O'Neill and Rick Rubin, why
- 11:16Speaker 1: isn't it good enough for Instagram? Fuck prophet fuck inconvenient facts?
- 11:21Speaker 1: We hear a Disgraceland are going to continue bringing you
- 11:23Speaker 1: the stories they don't for whatever reason that they don't
- 11:26Speaker 1: want you to hear the dark stuff. R Kelly and
- 11:29Speaker 1: Michael Jackson, the weird stuff, Tommy James and Gerald Ford,
- 11:32Speaker 1: the fun stuff, Iggy Pop and David Bowie and Starsky
- 11:35Speaker 1: and fucking Hutch. Those true but stranger than fiction stories
- 11:39Speaker 1: are what make history so damn entertaining the dark side
- 11:44Speaker 1: of entertainment, Disgraceland, I'll be back in a flash.
- 12:10Speaker 3: All right, we are back.
- 12:11Speaker 1: I got to tell you, guys, if you're hearing this
- 12:12Speaker 1: episode on the day that it is released, Thursday, June sixth,
- 12:18Speaker 1: if you get it in time, We're doing this little
- 12:21Speaker 1: virtual meetup tonight. It's the first meeting of our disgracelam
- 12:25Speaker 1: book club. We are discussing the book The Talented Mister
- 12:29Speaker 1: Ripley by Patricia high Smith. I'm very excited about this.
- 12:33Speaker 1: If you want to join, you're gonna be able to
- 12:35Speaker 1: find the link in the bio on our Instagram page.
- 12:38Speaker 1: If you're on Patreon, I've been talking about it on there.
- 12:41Speaker 1: You can get it there in the chat and you know,
- 12:43Speaker 1: I'll probably it's probably very easy to get to if
- 12:46Speaker 1: you just go to my Instagram at disgrace lampod right
- 12:48Speaker 1: now you can find that link to sign up and
- 12:50Speaker 1: gain access. It's gonna be a thirty Eastern Standard time Thursday,
- 12:54Speaker 1: June sixth. We're discussing The Talented Mister Ripley by Patricia
- 12:58Speaker 1: high Smith.
- 12:59Speaker 2: I haven't read the book. Who cares?
- 13:01Speaker 1: You just want to get here and hang out and
- 13:02Speaker 1: talk about it. Maybe you saw the movie, Maybe you're
- 13:04Speaker 1: watching the new Ripley on Netflix. You can join as well.
- 13:09Speaker 2: I read.
- 13:10Speaker 1: I've been reading so much lately. I'm really on this
- 13:14Speaker 1: fiction kick. And the book club is I think it's
- 13:18Speaker 1: going to be a mechanism for me to keep my
- 13:21Speaker 1: head in the books that aren't disgraceland research. And that's
- 13:25Speaker 1: exciting to me. And I hope you can join, all right,
- 13:27Speaker 1: So please get in here with us, and if you
- 13:29Speaker 1: miss it for whatever reason, we're going to be doing
- 13:31Speaker 1: these every month, all right. So that's the Disgrace LAMD
- 13:34Speaker 1: book Club. Now let's talk about some other books, some
- 13:36Speaker 1: other sources that we use for this R Kelly episode.
- 13:39Speaker 1: First of all, there's the official court documents, tons of
- 13:42Speaker 1: profiles and interviews from the publications out there that were
- 13:44Speaker 1: written as well while all this fucked up shit was
- 13:47Speaker 1: going down. There's articles and Vibe. There's articles in gCube.
- 13:50Speaker 1: There's a Vibe article for one, which was published back
- 13:53Speaker 1: in December nineteen ninety four, all the way back in
- 13:55Speaker 1: ninety four, shortly after r Kelly had entered into the
- 13:58Speaker 1: illegal marriage with the underage Aliyah. At this time, no
- 14:03Speaker 1: one knew that r Kelly had paid off a state
- 14:05Speaker 1: employee to get a Leah a fake ID that falsified
- 14:07Speaker 1: her birthdate and made her appear older. But the rumors
- 14:10Speaker 1: were already out there, and this Vibe article gets into
- 14:13Speaker 1: those rumors. But the funny thing about the article is,
- 14:16Speaker 1: you know, even you know when the writers with r Kelly,
- 14:20Speaker 1: the writer's given strict instructions to not get out her
- 14:24Speaker 1: tape recorder, to not take out her pen, her paper,
- 14:27Speaker 1: not to write anything down, not to even ask any questions.
- 14:31Speaker 1: R Kelly's having his photos taken for this Vibe magazine
- 14:34Speaker 1: profile and the writer's right there and she asked r
- 14:37Speaker 1: Kelly how he's doing, and no response, and immediately she
- 14:40Speaker 1: gets this look from his personal manager that shuts it down.
- 14:43Speaker 1: Just fucking I don't know what that tells you, but tells.
- 14:46Speaker 2: Me a lot.
- 14:47Speaker 1: The GQ interview from some years later, twenty sixteen after
- 14:51Speaker 1: his acquittal on child pornography charges, and it is a
- 14:54Speaker 1: wild interview.
- 14:55Speaker 2: It's combative at times.
- 14:57Speaker 1: R Kelly's whole attitude is like, well, if they said
- 14:59Speaker 1: I'm not guilty, then I'm not guilty. Even though the
- 15:02Speaker 1: jurors who are quitted him, most of them said that
- 15:04Speaker 1: they're pretty sure that was r Kelly in the tapes
- 15:08Speaker 1: at the center of the trial. So there's that. You
- 15:11Speaker 1: want to check that GQ article out, go back. You
- 15:13Speaker 1: want to put your head into this stuff even more
- 15:14Speaker 1: so you can. It's a wormhole that's hard to get
- 15:17Speaker 1: out of. I'm warning you right now. There's also the
- 15:20Speaker 1: blockbuster BuzzFeed report from twenty seventeen, the title of which
- 15:24Speaker 1: was parents told police their daughter is being held against
- 15:28Speaker 1: her will in r Kelly's cult.
- 15:30Speaker 2: That article, I.
- 15:31Speaker 1: Remember when I was released, blew the doors open for
- 15:34Speaker 1: articles in places like The Washington Post.
- 15:37Speaker 2: Is TV special Surviving r Kelly.
- 15:38Speaker 1: See this is exactly what I'm talking about that I
- 15:41Speaker 1: was talking about in that other block earlier. You know,
- 15:45Speaker 1: you have to you have to have a preponderance of
- 15:49Speaker 1: people of writers saying this is the truth, this is
- 15:54Speaker 1: what happened before It's like it's compounding, and that's what
- 15:58Speaker 1: happens here. The BuzzFeed article comes out, then the Washington
- 16:02Speaker 1: Post article comes out, then the TV special Surviving r
- 16:05Speaker 1: Kelly comes out. Okay, people are done turning their blind
- 16:09Speaker 1: eye at the official narrative of the time, which was
- 16:12Speaker 1: R Kelly's Okay, you know, he beat the rap. He's okay,
- 16:14Speaker 1: nothing really to see here, bullshit. Okay, I'm talking about
- 16:18Speaker 1: record labels, managers, personal assistant, Roadie's, Gophers, runners, entourage, lawyers, Okay,
- 16:24Speaker 1: all of them. The more the truth comes out, the
- 16:27Speaker 1: easier it is for everybody to admit. And that BuzzFeed
- 16:31Speaker 1: report was written by Jim Derri Gootis, once the longtime
- 16:34Speaker 1: music critic for the Chicago Sun Times, also wrote an
- 16:38Speaker 1: article for that paper way back in two thousand that
- 16:40Speaker 1: brought up the allegations that r Kelly was having sex
- 16:42Speaker 1: with teenage girls, accusations that r Kelly denied. Jim received
- 16:47Speaker 1: anonymous letters and a videotape which he called the worst
- 16:50Speaker 1: thing I have ever had to witness in my life,
- 16:53Speaker 1: which he turned into the police, and Jim ended up
- 16:56Speaker 1: writing the definitive book about this, called Soul List Case
- 17:00Speaker 1: Against R. Kelly, which he published after nineteen years of research.
- 17:05Speaker 1: All of these sources helped us put together this week's episode.
- 17:09Speaker 1: And I want to hear your thoughts. What did you
- 17:10Speaker 1: think about the episode?
- 17:12Speaker 2: Is R.
- 17:13Speaker 1: Kelly the most evil villain in the history of music?
- 17:18Speaker 1: That's our question for this week.
- 17:20Speaker 2: Who is it?
- 17:21Speaker 1: Who is the biggest creep in the history of not entertainment,
- 17:28Speaker 1: but in the history of music. Let's just keep it
- 17:30Speaker 1: to music, because I don't want to open this up
- 17:32Speaker 1: to the Bill Cosby's and the Harvey Weinstein's and all that.
- 17:35Speaker 2: Let's keep it to music. Is R.
- 17:37Speaker 1: Kelly the absolute biggest villain that music history has ever produced?
- 17:43Speaker 1: For six one seven nine oh six six six three eight.
- 17:46Speaker 1: Let me know, Let's do a couple of voicemails and
- 17:49Speaker 1: texts right now. Six one seven nine oh six six
- 17:52Speaker 1: six three eight is of course, how you leave me
- 17:55Speaker 1: a voicemail, how you call me, how you send me
- 17:57Speaker 1: a text? Just like Mike and the five away.
- 18:00Speaker 6: Hey, Jake, this is Mike from the Bible Way. So
- 18:04Speaker 6: I just wanted to say I love the episode on Dylan.
- 18:09Speaker 6: My experience is when I went to a Dylan concert
- 18:15Speaker 6: in ninety seven when he was touring for a Time
- 18:18Speaker 6: out of Mind and apparently opening for him was Natalie Merchant,
- 18:26Speaker 6: who was my big celebrity crush, so that I think
- 18:32Speaker 6: was one of the best concerts I've ever been to. Anyway.
- 18:36Speaker 6: I love the show Rocker row.
- 18:38Speaker 1: Ye thanks to the call Mike. Mike, I didn't see
- 18:42Speaker 1: Dylan back then. I love that record though. I love
- 18:45Speaker 1: that Time out of Mind album. I saw Dylan a
- 18:48Speaker 1: little earlier than that, actually, and I got the full
- 18:51Speaker 1: Dylan treatment. It was uh, it was rough. It was rough,
- 18:56Speaker 1: and I didn't get it. And I've since seen him
- 18:59Speaker 1: a couple of times saw him later. I saw him,
- 19:01Speaker 1: I don't know, maybe like oh five oh six something
- 19:05Speaker 1: like that with the Raccontours Jack Whites Band opening up
- 19:08Speaker 1: at BU Uh, that was fun. I was ready for
- 19:11Speaker 1: it then. But yeah, Dylan confounding as always appreciate the
- 19:16Speaker 1: voicemail Mike in the five eight You guys can text
- 19:19Speaker 1: me as well as the voicemail six one seven nine
- 19:21Speaker 1: oh six six six three eight. We were talking about
- 19:26Speaker 1: celebrity myths last week and UH put it the call
- 19:30Speaker 1: out six one seven nine of six six six three
- 19:32Speaker 1: A for you guys to let me know which which myths,
- 19:35Speaker 1: which storytelling you're calling bullshit on eight one four Rights in,
- 19:38Speaker 1: I call bullshit on the Richard gear Gerbil rumor from
- 19:42Speaker 1: decades ago. Gosh, I'm not even gonna repeat what that is.
- 19:46Speaker 1: Six one two rights in, Hey Jake, I like your
- 19:49Speaker 1: description of Dylan as an unreliable narrator and is in
- 19:51Speaker 1: on the joke.
- 19:52Speaker 2: Have you seen The Rolling Thunder Review? Great film and
- 19:54Speaker 2: Dylan plays it to the hill. It's hilarious. I have
- 19:56Speaker 2: seen it. I love it.
- 19:59Speaker 1: Uh, if you guys don't, I don't know what Uh
- 20:01Speaker 1: the six one two is talking about. It's a movie
- 20:04Speaker 1: that was came out on Netflix probably about five six
- 20:07Speaker 1: years ago, called The Rolling Thunder Review, and it's about
- 20:09Speaker 1: that tour that Dylan did in the seventies. Highly recommend
- 20:13Speaker 1: checking that out. Nine oh four Rights in, Hey, Jake,
- 20:15Speaker 1: Spencer here from the nine oh four. Just gonna say,
- 20:17Speaker 1: I love the Dylan episode and I love that you
- 20:18Speaker 1: use testimony as a source.
- 20:20Speaker 2: It's one of my favorite books ever. I'm a huge.
- 20:22Speaker 1: Dylan and a huge The Band fan, and I reread
- 20:25Speaker 1: it about once a year, and I always catch something
- 20:27Speaker 1: I missed before. On the same subjects, you should check
- 20:30Speaker 1: out the song The Last Hawk by Shovels and Rope.
- 20:32Speaker 1: It's sort of an homage to the band mainly Garth
- 20:35Speaker 1: and Dylan. Also probably too late for good covers, but
- 20:37Speaker 1: I heard you talk about Tom Petty and I also
- 20:39Speaker 1: got to see him on the last tour, and Feel
- 20:41Speaker 1: So Lucky has covered a crowded me from the mud
- 20:43Speaker 1: Crutch Days is one of my favorite covers. Keep up
- 20:45Speaker 1: the good work you got at six one seven, nine
- 20:48Speaker 1: oh six, six six three eight.
- 20:50Speaker 2: Appreciate the text, Appreciate the calls. Hit me up, guys.
- 20:54Speaker 1: This week's question, who's the biggest villain that the music
- 20:57Speaker 1: industry has ever produced?
- 20:59Speaker 2: Is it our Kelly? Is it somebody else? Six one seven,
- 21:02Speaker 2: nine oh six six six three eight. I'll be back
- 21:04Speaker 2: in a flash.
- 21:19Speaker 1: All right, we are back, And as I mentioned at
- 21:21Speaker 1: the top of the show, we got this wild story
- 21:22Speaker 1: about one of the legal strategies. Are Kelly used a
- 21:25Speaker 1: strategy that nearly destroyed someone else's life and may have
- 21:28Speaker 1: involved some serious bribery. But again, you guys know the drill.
- 21:32Speaker 1: You want to hear this story, you're going to have
- 21:34Speaker 1: to become a member of Disgraceland all Access.
- 21:37Speaker 2: Here's how it works.
- 21:37Speaker 1: Just go to disgracelampod dot com slash membership and for
- 21:41Speaker 1: five bucks a month and less if you sign up
- 21:43Speaker 1: for an annual membership, you will get exclusive weekly bonus
- 21:46Speaker 1: content like the extended version of this here After Party
- 21:49Speaker 1: that I'm talking about right now. Plus you're gonna get
- 21:52Speaker 1: an exclusive scripted episode every month, like the Chris Cornell
- 21:55Speaker 1: episode that we released the end of May, and then
- 21:59Speaker 1: we've got a Wayland Jennings episode coming in a few weeks. Okay,
- 22:02Speaker 1: that's also going to be exclusive only for all access members.
- 22:06Speaker 1: You can listen to all of it in every single
- 22:09Speaker 1: episode of Disgraceland in our archive, absolutely ad free. You
- 22:13Speaker 1: can sign up either using Apple Podcasts or Patreon, and
- 22:16Speaker 1: if you choose Patreon, you're gonna get immediate access to
- 22:19Speaker 1: our members only chat, which is always on to where
- 22:22Speaker 1: I'm talking to all you discos as much as I can,
- 22:24Speaker 1: as much as possible.
- 22:25Speaker 2: I'm in there every day. That's where these ideas come up,
- 22:28Speaker 2: like the book club.
- 22:29Speaker 1: So get in there, disgrace lampod dot com slash membership,
- 22:33Speaker 1: get in here with us, all right, back in the flash.
- 22:48Speaker 2: All right, let's recap shalloy number one.
- 22:51Speaker 1: There's more afterparty I listen to right now, all you
- 22:53Speaker 1: gotta do is go to Disgrace lampod dot com slash
- 22:55Speaker 1: membership and sign up to become an all access member.
- 22:58Speaker 2: But if that ain't your bag, the number.
- 22:59Speaker 1: Two right now on your feed. This week's brand new
- 23:02Speaker 1: episode on r Kelly number three coming tomorrow. A rewind
- 23:04Speaker 1: episode on Lisa Lefto Lopez four next week in the
- 23:07Speaker 1: Disgrace slamd Feed. A brand new episode on jose Canseco
- 23:11Speaker 1: number five. My number six one seven nine oh six
- 23:13Speaker 1: six six three eight call me on the telephone like
- 23:16Speaker 1: de Wie Harry or text me number six. Remember, no
- 23:18Speaker 1: one cares about these stories more than you do. And
- 23:20Speaker 1: well that's a disgrace. You know what else is a disgrace.
- 23:22Speaker 1: I'm gonna tell you what's a disgrace. There's no phone
- 23:24Speaker 1: book linking here for me to read for you guys
- 23:26Speaker 1: this week, so I can't do it. So what am
- 23:28Speaker 1: I gonna do? I got no billboard charts either. I
- 23:30Speaker 1: can't read that to you either, So what am I
- 23:31Speaker 1: gonna do?
- 23:32Speaker 2: What am I gonna do? I'mnna gonna wing it here.
- 23:33Speaker 1: I'm gonna wing it because I don't wanna have to
- 23:35Speaker 1: get out of the booth, go on the internet.
- 23:37Speaker 2: Look some shit up. Come back in here.
- 23:38Speaker 1: I'm gonna read to you a Dead rock Stars phone book.
- 23:42Speaker 1: Off the top of my head. Going right now here
- 23:47Speaker 1: we go Hendricks, James Purple, Hayes Avenue six dash four
- 23:55Speaker 1: or five seven eight Cobaine, Kurt Aberdeen, Washington seven dash
- 24:02Speaker 1: three two five six reading Otis Bottom of the Lake
- 24:08Speaker 1: five four three two five one Bottom John Alcoholics Anonymous
- 24:16Speaker 1: seven dash two five four seven Little Peak, the corner
- 24:22Speaker 1: of Emo, too many pillus five dash four nine six
- 24:27Speaker 1: one bottom of Hank YOU'RENOI four of Norway five seven
- 24:32Speaker 1: dash two five four John Loves four dash two Williams's
- 24:47Speaker 1: Quit talking and start mixing.